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<v Speaker 1>Hey, welcome back to Pluck Vacation Unofficial Vinegar Syndrome Podcast.

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<v Speaker 2>This is episode thirty two.

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<v Speaker 1>As y'all know, we're using this as a as a

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<v Speaker 1>platform to find the joy in unfettered creativity. This is

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<v Speaker 1>a podcast dedicated to bringing awareness and context to movies

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<v Speaker 1>of any budget, from anywhere and during any time. Eli,

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<v Speaker 1>how you doing today?

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<v Speaker 3>Doing great? Oh good? We're doing We're actually having back

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<v Speaker 3>and forth before, but my on the spot answer is

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<v Speaker 3>I'm doing good. Had a good new year. Watched a

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<v Speaker 3>lot of the November December titles. Actually this past weekend

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<v Speaker 3>I blasted through a bunch of them. Yeah, I watched.

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<v Speaker 3>I watched Stunt Hall and Time Crimes and hadn't seen

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<v Speaker 3>both in like almost twenty years, so they were very

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<v Speaker 3>due for rewatches on that.

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<v Speaker 1>Hell yeah, well that's perfect. Lead And the other voice

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<v Speaker 1>you're hearing is employee number one Vinegar Syndrome. He is

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<v Speaker 1>the lead film scanning technician, restoration artist and a producer

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<v Speaker 1>slash director for a Konoscope line newly announced sub label

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<v Speaker 1>at VS Brandon Ebson.

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<v Speaker 4>How are you, sir, I'm doing well. Thank you for

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<v Speaker 4>having me on again. It's been a while.

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<v Speaker 3>Absolutely yeah, so you've been at VS almost as long

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<v Speaker 3>as it's been since I've seen time crimes in Stunhall Syndrome.

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<v Speaker 4>Yeah, you min it's like five or six years.

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<v Speaker 3>Yeah, yeah, Yeah.

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<v Speaker 2>That's amazing.

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<v Speaker 1>Well, last time we were on is a bit more general,

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<v Speaker 1>and we're trying to find the right time to kind

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<v Speaker 1>of connect again. And I'm so glad that kind of

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<v Speaker 1>scope came out because this gave us a perfect opportunity

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<v Speaker 1>to hear from you again. But before we get too

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<v Speaker 1>much into that line specifically, how you've been good.

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<v Speaker 4>This year has been one of the one of the

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<v Speaker 4>craziest years for twenty twenty five for me personally too,

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<v Speaker 4>not only just you know, our regular Vinegar Syndrome slate

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<v Speaker 4>and working with our great team of restoration artists and

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<v Speaker 4>director and just different people working on everything, you know,

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<v Speaker 4>and but not only that, and then all my weekends,

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<v Speaker 4>all my nights, just getting I kind of scope ready

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<v Speaker 4>as much asly possible. And it's not just me either,

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<v Speaker 4>We have just everybody who has pitched in and helped out,

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<v Speaker 4>and I've thanked a lot of them, and I'm like

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<v Speaker 4>my social media and everything too. It's been it's been

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<v Speaker 4>crazy getting it together, but this has been one of

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<v Speaker 4>the busiest years ever. And then on top of all

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<v Speaker 4>of that, like in September, I unfortunately had a miss

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<v Speaker 4>I sell it a couple of conventions too for vinegar syndrome,

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<v Speaker 4>and one is the local Connecticut one, and then also

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<v Speaker 4>Chiller Theater in New Jersey. I had miss both because

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<v Speaker 4>you know, thirty nine years old and all of a sudden,

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<v Speaker 4>my appendix goes and what's funny is and this is true,

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<v Speaker 4>my appendix burst. And I didn't realize it burst for

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<v Speaker 4>four days and I was walking around I went to work, dude,

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<v Speaker 4>I so, yeah, a little bit health wise in the past,

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<v Speaker 4>I've had really bad kidney stones, and oddly enough, my

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<v Speaker 4>appendix burst thing. And I'm sure people listening are like,

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<v Speaker 4>what the fuck are you talking about? And that didn't

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<v Speaker 4>feel as bad as kidney stones I had in the past,

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<v Speaker 4>so I thought I just had bad food poisoning and

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<v Speaker 4>I was just sloopy from that. And like the day

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<v Speaker 4>after it burst, I felt great, like because and the

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<v Speaker 4>doctor was like, well, yeah, because it bursts and you

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<v Speaker 4>don't have pain now, but it's it's bad, like yeah, yeah,

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<v Speaker 4>four days and all the doctors they're like how were

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<v Speaker 4>you walking? Like anything didn't seem weird, and but I'm like, no,

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<v Speaker 4>just it felt like I got punched in the kidney

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<v Speaker 4>and I was recovering from that, Like it felt like

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<v Speaker 4>I got a bruise on my right side for some reason.

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<v Speaker 1>I'll meet you. I'll meet you on this one. Okay,

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<v Speaker 1>I don't have I don't have an appendix story. But

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<v Speaker 1>if we're telling gross medical stories, yeah, appropriate, it's appropriate

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<v Speaker 1>for a vinegar syndrome podcast.

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<v Speaker 4>Yeah.

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<v Speaker 1>So I got into ssectomy right yeah, yeah, and my

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<v Speaker 1>boss started hurting like day two and getting bigger.

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<v Speaker 2>But I was like, okay, this is part of the

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<v Speaker 2>healing process. Again.

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<v Speaker 1>We started getting bigger and bigger, and then by like

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<v Speaker 1>day three or four, same thing.

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<v Speaker 2>I just had these giant swollen testicles and it hurt.

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<v Speaker 1>I was walking around like like bow legged, like you know,

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<v Speaker 1>like a just and I couldn't close my legs and

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<v Speaker 1>everything hurt.

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<v Speaker 2>Telling I wasn't helping, and I.

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<v Speaker 1>Was like, oh, I wonder if I should check a

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<v Speaker 1>doctor that I went to the doctor. He's like, what

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<v Speaker 1>are you doing, He's like, you're infected?

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<v Speaker 3>Well yeah, look, hey, if if if people here haven't

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<v Speaker 3>seen a bullet syndrome. Yet this is I feel like

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<v Speaker 3>a great perfect People should go see a bullet syndrome

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<v Speaker 3>because this is just a great like, uh, this is cat.

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<v Speaker 3>This is cat too, if you will. The conversation is

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<v Speaker 3>it's funny.

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<v Speaker 2>Man.

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<v Speaker 3>Every person I know that had of a sectomy, I

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<v Speaker 3>had one as well, but like I, it always has

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<v Speaker 3>like a story about this, and I for some reason,

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<v Speaker 3>mine was super seamless outside of the usual kind of

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<v Speaker 3>like maintenance. But I'm like, damn, I was fully expecting

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<v Speaker 3>to just have like a rough month, and shockingly, after

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<v Speaker 3>like a week, I was, I was, I was back

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<v Speaker 3>to like in full form, and so I wish I

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<v Speaker 3>could join I. You know, I I do have other stories,

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<v Speaker 3>but they're none of them are like medically fun. They're

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<v Speaker 3>all just like, oh, you know what happened to me

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<v Speaker 3>once when I was a kid. I just had a

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<v Speaker 3>like that.

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<v Speaker 1>I just think it's appropriate that we should call out

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<v Speaker 1>that there's a lot of heart spoken right now, knowing

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<v Speaker 1>that you just got to aseect me.

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<v Speaker 2>So sorry, everybody.

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<v Speaker 3>Good luck folks. If you were if you were lined up,

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<v Speaker 3>well it's time to go find another suitor.

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<v Speaker 4>Jeez. Yeah. But yeah, like no with what you're saying too,

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<v Speaker 4>just everything anything medical. Of course it had to happen

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<v Speaker 4>the year I'm watching trying to launch a label, you know,

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<v Speaker 4>and it basically put me down for like a month

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<v Speaker 4>recovering and everything, and and it was bad. And they're like, yeah,

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<v Speaker 4>like we we did the surgery. Everything went well there,

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<v Speaker 4>but like we we can't even guarantee one hundred percent

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<v Speaker 4>you were like perfectly clean and and you're not gonna

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<v Speaker 4>go septic again. And a week or two, so the

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<v Speaker 4>next two weeks were like, oh, I can't do anything, like.

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<v Speaker 1>And you know in the back of your mind that

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<v Speaker 1>like people are having to pick up the work, and

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<v Speaker 1>you're just like, come on.

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<v Speaker 4>And I'm a guy. I I I do work from

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<v Speaker 4>home when I have to, like in terms of just

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<v Speaker 4>additional restoration whenever I can to like yep, help us,

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<v Speaker 4>you know, get ahead, is it if we can. And

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<v Speaker 4>but I love being with people in the building and

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<v Speaker 4>just doing the film, you know. And so this one

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<v Speaker 4>really sucked basically, but I recovered and then made it happen,

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<v Speaker 4>you know, and it's basically I still kind of been

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<v Speaker 4>on It's not even cloud nine necessarily. It's just like

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<v Speaker 4>surreal that I kind of Scope has launched in general.

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<v Speaker 1>Well, and let's pusitive for one secon and then let's

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<v Speaker 1>just right back into that comment because I think I

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<v Speaker 1>just want to get people a previous. So the reason

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<v Speaker 1>you're on is kind of for two reasons, right, well

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<v Speaker 1>three reasons. One because you're awesome, two because we want

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<v Speaker 1>to talk about the new releases and every week that

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<v Speaker 1>came out, and three is to talk about the launch

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<v Speaker 1>of Iconoscope. But I feel like you've set this up perfectly,

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<v Speaker 1>So do you mind kind of walking us through the

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<v Speaker 1>origin of the idea and how it was getting the rights?

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<v Speaker 1>And maybe I don't know how Warner Brothers plays into that,

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<v Speaker 1>but if you want to talk about that at all,

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<v Speaker 1>but I would love to just hear that story of

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<v Speaker 1>what does.

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<v Speaker 2>It take to launch a label within vinegar syndrome.

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<v Speaker 4>So it all depends. I mean, they've been you know,

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<v Speaker 4>I work with them for fourteen years, like close to

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<v Speaker 4>fourteen years. The years are hard to hard to gauge

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<v Speaker 4>at this point, but I love working with them. I

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<v Speaker 4>love my job, I love doing everything I do, and

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<v Speaker 4>when they came to me about this, I'm like absolutely,

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<v Speaker 4>Like I also can't like we came to each other

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<v Speaker 4>about this too, and because it is something that's been

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<v Speaker 4>talked about in previous years. I know we had our

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<v Speaker 4>uh going back aways, we had a oh man, it's

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<v Speaker 4>a blur.

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<v Speaker 3>What was televised? Sarah?

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<v Speaker 4>Thank you.

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<v Speaker 3>Yeah, I've been waiting like a hawk to jump on

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<v Speaker 3>that because I knew, I figured that was. I know

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<v Speaker 3>that that that was. That was like a while back,

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<v Speaker 3>like at least three or four years ago, I want

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<v Speaker 3>to say.

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<v Speaker 4>And those I just I love those films too. I

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<v Speaker 4>love I mean, I've loved TV movies and just I

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<v Speaker 4>I probably on average do watch more just television shows

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<v Speaker 4>than movies in general, probably, but like those classic TV movies,

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<v Speaker 4>I love them. I'm always you know, discovering more and

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<v Speaker 4>more too for myself. That and I grew up, like

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<v Speaker 4>I said, I'm thirty nine, and I grew up in

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<v Speaker 4>the nineties. I And I'm sure you guys remember this too.

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<v Speaker 4>When for some of the younger viewers out there, sometimes

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<v Speaker 4>if you read TV Guide, they this is before the

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<v Speaker 4>internet got started, not started, but before like trailers on

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<v Speaker 4>YouTube or anything like that became a thing. They would

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<v Speaker 4>premiere trailers on television and it was kind of a

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<v Speaker 4>big deal. And kind of the little South Park joke

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<v Speaker 4>or the whole like where they're waiting for the Terrence

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<v Speaker 4>and Phillip at movie, the teaser to show Russell Crouch Show,

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<v Speaker 4>but I stayed up watching for the Jurassic Park the

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<v Speaker 4>Lost World trailer TV spot was announced it was gonna

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<v Speaker 4>premiere for the Michael Bean Made for TV movie asteroid.

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<v Speaker 4>I think it's yeah, and it's a wild one asteroid.

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<v Speaker 4>I think hits Dallas, Texas, I believe, And it's it was,

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<v Speaker 4>you know that it was. The film was like amazing.

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<v Speaker 4>I thought it was great at the time. It's been

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<v Speaker 4>it's been a few years since I rewatched it. But

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<v Speaker 4>and but that was like a thing like you would

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<v Speaker 4>you would watch TV because you didn't know when a

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<v Speaker 4>teaser trailer was gonna premiere as it were. So but yeah,

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<v Speaker 4>it was that, you know. And then in the nineties

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<v Speaker 4>I watched all made for TV films and then kind

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<v Speaker 4>of related. One of my favorite television versions, which I

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<v Speaker 4>know Keno larber Uh put out semi recently, like they

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<v Speaker 4>probably have the best version is the Needful Things three

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<v Speaker 4>hour cut, which is you could only watch it on

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<v Speaker 4>T and T. I want to say that way back.

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<v Speaker 3>When, that's right, Yeah, I remember that very well.

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<v Speaker 4>Yeah, and with the commercials it was like four hours long.

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<v Speaker 3>Yeah, yeah, it was a full it was. It was

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<v Speaker 3>your Sunday afternoon. But when you're a kid at that

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<v Speaker 3>age back then, with no like all right chair or

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<v Speaker 3>like even even means of getting around, like that's how

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<v Speaker 3>you spent a Sunday afternoon or even like a Sunday

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<v Speaker 3>night at six o'clock because you know it'd be over

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<v Speaker 3>at ten and like, and that was during like the

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<v Speaker 3>peak Stephen King TV miniseriies movie series era. Yeah. Yeah,

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<v Speaker 3>Storm of the Century, his version of the Shining and

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<v Speaker 3>like other stuff like that.

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<v Speaker 4>Oh yeah, yeah, like all all of that stuff. And

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<v Speaker 4>then I grew when I was growing up, when I

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<v Speaker 4>was really young, and I Chris, I may have, I

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<v Speaker 4>can't remember. I may have mentioned this a little bit

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<v Speaker 4>in the first episode we talked about. But my when

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<v Speaker 4>I was like god under ten, like between five and ten,

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<v Speaker 4>my first exposure to horror movies was through of all people,

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<v Speaker 4>my grandmother and my great aunt, because they loved watching

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<v Speaker 4>like seventies and eighties horror movies, but they did not

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<v Speaker 4>like watching them by themselves. It didn't matter I was

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<v Speaker 4>five and ten parte to ten, I I saw a

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<v Speaker 4>Texas chainsaw and ask a way way too young, like

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<v Speaker 4>I because I remember the kin the wheelchair getting like

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<v Speaker 4>chopped up. That still is in my brain seeing that

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<v Speaker 4>when I was like way too young.

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<v Speaker 2>But it's only supposed to have a PG rating, right, yeah.

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<v Speaker 4>I don't know how, like yeah, it's crazy, but related

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<v Speaker 4>it was that at that time period. I definitely somehow

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<v Speaker 4>saw for made for TV films. Uh not which is funny,

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<v Speaker 4>not Deadly Bees or the Killer Bees or the Savage Bees.

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<v Speaker 4>I forget that's one of those. Is the original, but

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<v Speaker 4>the sequel, uh Terror out of the Sky. Uh, somehow

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<v Speaker 4>I saw that when it was a repeat obviously because

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<v Speaker 4>it was made in the seventies. But and I I

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<v Speaker 4>loved it like I loved it back then. I had

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<v Speaker 4>the Blue right now from Keno two, and uh, it's

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<v Speaker 4>just one of those where I was just like, wow,

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<v Speaker 4>I can't believe, like these movies are out there and everything,

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<v Speaker 4>but when you try to find a tape of it,

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<v Speaker 4>A lot of the TV movies never made it to

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<v Speaker 4>tape either. I didn't realize like that was a thing too.

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<v Speaker 4>A lot of them did. But not a lot of

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<v Speaker 4>them did not to this day, they still have it.

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<v Speaker 4>You know, some are some are really tricky to check out.

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<v Speaker 4>So going forward to now, yeah, since like televised tear,

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<v Speaker 4>but also since another big favorite of mine I always

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<v Speaker 4>champion as Moona the Wolf for VSA, I love that

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<v Speaker 4>one too, And then we started talking about, you know, hey,

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<v Speaker 4>what if we just concentrate on television, anything television related,

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<v Speaker 4>whether it's a TV movie, miniseries, full episode series. You know,

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<v Speaker 4>I want to that's what I want to work on too,

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<v Speaker 4>and you know, we said, yeah, let's do it. And

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<v Speaker 4>related around that time was when Warner Brothers was being

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<v Speaker 4>you know, a deal was being made and which was great,

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<v Speaker 4>and that's when we started looking you know, through their

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<v Speaker 4>back catalog too and realized, oh man, we could do

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<v Speaker 4>a lot of great things for this too, and alongside that,

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<v Speaker 4>for what's coming out when people see this too. By

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<v Speaker 4>the time people see this, the veil will have been

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<v Speaker 4>announced outside of Don't Be Afraid the Dark. And not

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<v Speaker 4>only do I love both of them and it was

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<v Speaker 4>amazing to work on both of them and get everything out,

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<v Speaker 4>but I think it kind of shows what we can do,

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<v Speaker 4>like not just the big studio own stuff too, but

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<v Speaker 4>also stuff that is. The Veil arguably has had plenty

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<v Speaker 4>of DVD releases in the past, but they've all been

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<v Speaker 4>kind of like scattershot, you know, some had a couple

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<v Speaker 4>extra episodes, some did not, a lot of them did

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<v Speaker 4>not have those. But the Veil is the first time

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<v Speaker 4>it's the complete everything related to it, including the two

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<v Speaker 4>versions of the pilot, which were one of them was

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<v Speaker 4>really lost forever. But uh, we could get into that

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<v Speaker 4>in a bit too, so but yeah, it since then,

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<v Speaker 4>I'm just excited for what the future holds for Iconoscope

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<v Speaker 4>and I'm hoping people dig it.

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<v Speaker 3>So and it's all stuff that was I mean, I

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<v Speaker 3>think this is an obvious answer, but I still want

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<v Speaker 3>to ask it. It's all stuff that obviously was shot

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<v Speaker 3>on film in some capacity, because that's kind of the

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<v Speaker 3>that that fits with the VA I mean, because most

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<v Speaker 3>TV movies really up until I would say the streaming era,

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<v Speaker 3>or even like when when Cable had its like that

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<v Speaker 3>kind of second Golden Age in two thousand and seven,

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00:16:47.240 --> 00:16:49.320
<v Speaker 3>you know that kind of like post Sopranos mad Men era,

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00:16:49.720 --> 00:16:51.440
<v Speaker 3>even a lot of those were shot on film. But

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<v Speaker 3>but mostly everything I'm assuming is is shot on film.

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<v Speaker 3>It's not like it's not like a degoser thing or anything.

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<v Speaker 4>No, But at the same time, there may be out

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<v Speaker 4>on video stuff as well.

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<v Speaker 3>That okay, cool.

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00:17:04.119 --> 00:17:07.240
<v Speaker 4>Fits I kind of scope much more than something like

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<v Speaker 4>even de Gouser necessarily, I'm I'm just gonna leave it

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00:17:10.759 --> 00:17:15.000
<v Speaker 4>at that. Sure, no fair enough, Yeah, but uh, it'll

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<v Speaker 4>be probably I would say, still like ninety five percent

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<v Speaker 4>all film, you know, so that even that shot on

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00:17:20.839 --> 00:17:23.680
<v Speaker 4>video might be few and far between. But uh, yeah,

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00:17:23.720 --> 00:17:26.559
<v Speaker 4>the you know, shot on film. I mean a lot

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<v Speaker 4>of this is they're beautiful, you know, and like, don't

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00:17:30.640 --> 00:17:34.039
<v Speaker 4>be afraid the dark is they're When you see the bathroom,

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00:17:34.119 --> 00:17:37.240
<v Speaker 4>it's it's weird to say this, but when especially with

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00:17:37.279 --> 00:17:40.720
<v Speaker 4>the new four K transfer of it, it pops so much.

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00:17:41.000 --> 00:17:45.400
<v Speaker 4>Uh that bathroom interior almost looks like a thing out

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00:17:45.400 --> 00:17:48.480
<v Speaker 4>of Suspiria or our Gento at the same time, Yeah,

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<v Speaker 4>and then you know, the little little guys show up

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00:17:50.799 --> 00:17:53.680
<v Speaker 4>and cause mayhem if we want to be let out.

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<v Speaker 1>So that's a good question though, Brandon, how what are

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<v Speaker 1>what are the names of the first ten as kind

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<v Speaker 1>of I kind of scope tetas.

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<v Speaker 2>I'm just kidding.

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<v Speaker 3>I you and I for a second, I was like, no, Chris,

317
00:18:05.000 --> 00:18:05.559
<v Speaker 3>what are you doing?

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<v Speaker 1>It threw me for a loop, But no, just only joking.

319
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<v Speaker 1>But that's so cool, you know I remember. Yeah, Don't

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<v Speaker 1>be Afraid of the Dark was such a fun one

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<v Speaker 1>to start with too. I feel like anybody over I

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<v Speaker 1>don't know thirty five is it's just gonna have such

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<v Speaker 1>a strong memory of that playing.

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<v Speaker 4>Yeah. It's It's one of those where people just no way,

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00:18:27.759 --> 00:18:30.880
<v Speaker 4>even if they're not necessarily a TV movie fan that

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00:18:30.920 --> 00:18:34.200
<v Speaker 4>I've realized they just a horror fan in general. They're like,

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<v Speaker 4>oh my god, I remember that. Like, and I've had

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00:18:37.759 --> 00:18:40.000
<v Speaker 4>a couple of people invest with me. They're saying thank

329
00:18:40.039 --> 00:18:43.279
<v Speaker 4>you for releasing but they're like, oh yeah that, like

330
00:18:43.599 --> 00:18:47.400
<v Speaker 4>it's so funny, like not Texas Chainsaw, not like the Fridays,

331
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<v Speaker 4>But No, Don't be Afraid of the Dark fucked me

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<v Speaker 4>up when I was like super young because I think

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00:18:52.599 --> 00:18:56.400
<v Speaker 4>and I kind of understand that, like, yeah, the leather

334
00:18:56.480 --> 00:19:01.119
<v Speaker 4>face with a chainsaw, Okay, that's terrifying, but the but

335
00:19:01.279 --> 00:19:05.799
<v Speaker 4>little demon demonic guys you might not know are right

336
00:19:05.880 --> 00:19:08.920
<v Speaker 4>behind you that.

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00:19:07.920 --> 00:19:11.480
<v Speaker 3>Yeah in your house, Yeah exactly. Texas Chainsaw right with

338
00:19:11.559 --> 00:19:15.440
<v Speaker 3>Texas chainsaw. It's like, oh they can, that's like far away. Yeah,

339
00:19:15.519 --> 00:19:17.599
<v Speaker 3>there's some kind of you know, it's like this is

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00:19:17.599 --> 00:19:20.400
<v Speaker 3>closer to like Michael Myer's territory with people when they

341
00:19:20.400 --> 00:19:22.920
<v Speaker 3>saw the First Halloween, where it's like, oh yeah, there's

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00:19:22.960 --> 00:19:25.799
<v Speaker 3>like a doorway probably a basement that got something got

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00:19:25.960 --> 00:19:28.720
<v Speaker 3>cemented up and they're just waiting. They're just waiting to

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00:19:28.799 --> 00:19:32.920
<v Speaker 3>come out and get me. Yeah, very very very creepy.

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<v Speaker 4>But it's you know, we talked about this on the

346
00:19:36.400 --> 00:19:38.720
<v Speaker 4>on the box too, but like, yeah, it's it's it's

347
00:19:38.799 --> 00:19:42.079
<v Speaker 4>kind of your problem because you decided to open the door,

348
00:19:42.240 --> 00:19:46.440
<v Speaker 4>which the handyman warned you not to. Yeah, we just

349
00:19:46.720 --> 00:19:49.279
<v Speaker 4>leave the room alone. Just you don't have to do

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00:19:49.279 --> 00:19:53.960
<v Speaker 4>anything with it, just you know. And then yeah, it's like.

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<v Speaker 2>Yeah, exactly, just don't do it.

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00:19:58.440 --> 00:20:02.400
<v Speaker 3>Don't do it well. And speaking of the Box, you

353
00:20:02.400 --> 00:20:04.680
<v Speaker 3>guys went back to the VSA like it's like a tape,

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00:20:04.759 --> 00:20:07.440
<v Speaker 3>like a cassette being rented because TV movies used to

355
00:20:07.839 --> 00:20:09.279
<v Speaker 3>you used to be able to rent them on VHS

356
00:20:09.279 --> 00:20:10.319
<v Speaker 3>if they were popular enough.

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<v Speaker 4>Yeah, now this I should point this out too, because

358
00:20:13.920 --> 00:20:16.359
<v Speaker 4>we haven't really done a video on this. But uh,

359
00:20:16.960 --> 00:20:18.920
<v Speaker 4>when people when people get it, they're gonna be like,

360
00:20:19.039 --> 00:20:23.079
<v Speaker 4>oh wow, because it's it's it's gonna sound weird, but

361
00:20:23.200 --> 00:20:25.720
<v Speaker 4>this is what it is. It's a slip within a slip,

362
00:20:26.640 --> 00:20:30.519
<v Speaker 4>and it was I figured out, like we figured out

363
00:20:30.519 --> 00:20:34.839
<v Speaker 4>how to make it work. And it's the coolest thing

364
00:20:34.920 --> 00:20:39.240
<v Speaker 4>ever I think too. So uh it really kind of

365
00:20:39.240 --> 00:20:43.640
<v Speaker 4>adds to that just kind of collectibility with it too.

366
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<v Speaker 4>But I just wanted to do it like no one

367
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<v Speaker 4>no one has tried it before either maybe they have,

368
00:20:48.680 --> 00:20:51.599
<v Speaker 4>but I couldn't get it to work. But this came

369
00:20:51.599 --> 00:20:56.640
<v Speaker 4>out so amazing and I hope people will be happy

370
00:20:56.680 --> 00:21:01.880
<v Speaker 4>with it. The artwork that Wes Spnce Goder did is

371
00:21:02.000 --> 00:21:05.279
<v Speaker 4>just incredible. Like I love his death metal artwork too,

372
00:21:05.480 --> 00:21:09.039
<v Speaker 4>so about like I love like the Resurrection art word

373
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<v Speaker 4>and he just got that dead Lee spawned for Synaps

374
00:21:12.480 --> 00:21:16.119
<v Speaker 4>and know that too. He's just you know, oh and

375
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<v Speaker 4>Devil feed us for us. You know, once you see him,

376
00:21:21.440 --> 00:21:23.640
<v Speaker 4>you're like, Okay, I know this guy's paint and he

377
00:21:23.759 --> 00:21:26.079
<v Speaker 4>and he still hand paints too to do all this,

378
00:21:26.359 --> 00:21:28.279
<v Speaker 4>So which is amazing.

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<v Speaker 3>Is that is it gonna be like the And I

380
00:21:32.200 --> 00:21:33.759
<v Speaker 3>guess people will obviously see it when they get it.

381
00:21:33.799 --> 00:21:35.599
<v Speaker 3>But is it like the male You scene box where

382
00:21:35.640 --> 00:21:37.240
<v Speaker 3>when you bring it obviously the male You scene when

383
00:21:37.240 --> 00:21:39.119
<v Speaker 3>it's attached, but like when you bring the case down,

384
00:21:39.119 --> 00:21:41.400
<v Speaker 3>does the movie actually come out from the side.

385
00:21:42.000 --> 00:21:45.200
<v Speaker 4>Yeah, so the inner slip, that's how it's I actually

386
00:21:45.200 --> 00:21:48.319
<v Speaker 4>got the idea. I asked and Stephen Stephen at District

387
00:21:48.319 --> 00:21:51.200
<v Speaker 4>picks mail you scene. Steven Morowitz has been a big

388
00:21:51.359 --> 00:21:55.519
<v Speaker 4>help with the iconoscope process as well. He's like, oh, yeah, dude,

389
00:21:55.759 --> 00:22:00.279
<v Speaker 4>do it because it's it's great and and we didn't

390
00:22:00.359 --> 00:22:02.559
<v Speaker 4>know if a slip within a slip was gonna work

391
00:22:02.720 --> 00:22:06.359
<v Speaker 4>necessarily too, but it does and it actually it's pretty

392
00:22:06.480 --> 00:22:12.119
<v Speaker 4>freaking awesome too. And yeah, it that and the veil

393
00:22:12.240 --> 00:22:16.039
<v Speaker 4>one came out amazing too when people see that. Lucas

394
00:22:17.079 --> 00:22:21.599
<v Speaker 4>Peveril he did the artwork for that, and we've been

395
00:22:21.640 --> 00:22:25.599
<v Speaker 4>working with Sarah Karloff and the Boris Karloff Estate. She

396
00:22:25.920 --> 00:22:28.920
<v Speaker 4>loved the artwork. She folio approved it. There's a there's

397
00:22:28.920 --> 00:22:31.079
<v Speaker 4>a little interview I did with Sarah as well on

398
00:22:31.240 --> 00:22:36.240
<v Speaker 4>there too, and but yeah, it's been it. It came

399
00:22:36.279 --> 00:22:40.319
<v Speaker 4>out incredible and I'm really proud of the work I

400
00:22:40.400 --> 00:22:44.160
<v Speaker 4>did and we did, and everyone involved with this who

401
00:22:44.799 --> 00:22:48.799
<v Speaker 4>put it together, and I guess there is a little

402
00:22:48.799 --> 00:22:51.319
<v Speaker 4>bit of Cloud nine on it that they're finally out,

403
00:22:52.200 --> 00:22:55.359
<v Speaker 4>and I'm excited for what people can see in the

404
00:22:55.440 --> 00:23:00.240
<v Speaker 4>future too. And it's it's cool because it's not just

405
00:23:00.359 --> 00:23:03.039
<v Speaker 4>gonna be like Warner Brothers stuff too. There's plenty of

406
00:23:03.119 --> 00:23:06.799
<v Speaker 4>other things that are coming out to There's a bunch

407
00:23:06.880 --> 00:23:10.559
<v Speaker 4>of long term projects. I can't even get into too much.

408
00:23:10.880 --> 00:23:13.519
<v Speaker 4>They're long term for a bunch of reasons, but they're

409
00:23:13.799 --> 00:23:16.960
<v Speaker 4>kind of as long as I kind of scope does well,

410
00:23:17.119 --> 00:23:19.960
<v Speaker 4>we can keep going on them. But there there's like

411
00:23:20.240 --> 00:23:24.400
<v Speaker 4>Lost series, there's gonna be some ones like kind of

412
00:23:24.480 --> 00:23:29.400
<v Speaker 4>Rediscovery up for Rediscovery too, and hopefully some pretty big

413
00:23:29.559 --> 00:23:34.640
<v Speaker 4>mainstream series as well. I will say TV series versus

414
00:23:34.759 --> 00:23:37.960
<v Speaker 4>a TV versus a ninety minute TV movie, even a

415
00:23:38.119 --> 00:23:43.039
<v Speaker 4>three hour mini series versus a full series, I've now learned,

416
00:23:43.079 --> 00:23:46.759
<v Speaker 4>and I think it goes without saying, is a lot

417
00:23:46.839 --> 00:23:52.000
<v Speaker 4>more work than you know, just doing the ninety minutes

418
00:23:52.160 --> 00:23:53.359
<v Speaker 4>or so, or even then.

419
00:23:55.519 --> 00:23:58.039
<v Speaker 1>I'm sure sorry, I'm sure you have a million questions too,

420
00:23:58.079 --> 00:24:01.160
<v Speaker 1>But something you said just kind of curious. You know,

421
00:24:01.279 --> 00:24:03.559
<v Speaker 1>Anchor Bay back in the in the Golden era was

422
00:24:03.640 --> 00:24:06.720
<v Speaker 1>pretty good about. I still have a ton of Anchor

423
00:24:06.799 --> 00:24:10.000
<v Speaker 1>Bay shows that were fairly obscure, Like I'm thinking, I

424
00:24:10.039 --> 00:24:12.480
<v Speaker 1>think it's called Greatest show on Earth that superhero kind

425
00:24:12.519 --> 00:24:12.920
<v Speaker 1>of obscure.

426
00:24:13.000 --> 00:24:15.160
<v Speaker 4>Yeah, yeah, yeah, yep. There's there's a lot of great

427
00:24:15.200 --> 00:24:15.839
<v Speaker 4>ones too, like.

428
00:24:15.880 --> 00:24:16.880
<v Speaker 2>Those those type of things.

429
00:24:16.920 --> 00:24:19.160
<v Speaker 1>Right, So without naming names, like are there is there

430
00:24:19.160 --> 00:24:21.440
<v Speaker 1>a chance that will get some first time to blue

431
00:24:21.680 --> 00:24:25.359
<v Speaker 1>or four K stuff that's was previously on like an

432
00:24:25.359 --> 00:24:30.039
<v Speaker 1>Anchor Bay type or shot early shout, you know, those types.

433
00:24:30.960 --> 00:24:37.559
<v Speaker 4>Possibly, I also have to relook at stuff. And there's

434
00:24:38.480 --> 00:24:42.279
<v Speaker 4>kind of big ones too that we were asking about,

435
00:24:42.359 --> 00:24:45.920
<v Speaker 4>and we'll see. You just never know what what is

436
00:24:46.000 --> 00:24:46.519
<v Speaker 4>down the pike.

437
00:24:46.759 --> 00:24:46.880
<v Speaker 5>Uh.

438
00:24:47.599 --> 00:24:52.039
<v Speaker 4>That being said, there's ones internally that we've discovered that

439
00:24:52.200 --> 00:24:57.720
<v Speaker 4>we're trying to figure out going forward again. But the again,

440
00:24:57.720 --> 00:25:01.920
<v Speaker 4>they are long term though, like I don't I don't

441
00:25:01.920 --> 00:25:04.160
<v Speaker 4>want to say, like, yeah, I don't expect it at

442
00:25:04.400 --> 00:25:07.920
<v Speaker 4>this like twenty twenty six at all, even twenty twenty

443
00:25:08.000 --> 00:25:13.079
<v Speaker 4>seven is certainly possible. And then but yeah, there's there's

444
00:25:13.119 --> 00:25:17.559
<v Speaker 4>a lot coming down the pike. And yeah, but the

445
00:25:17.759 --> 00:25:21.240
<v Speaker 4>TV movies coming up are great, like they're all just

446
00:25:22.279 --> 00:25:28.799
<v Speaker 4>ones that are just like NonStop basically, and yeah, there's

447
00:25:28.839 --> 00:25:31.680
<v Speaker 4>going to be I think some interesting surprises for a

448
00:25:31.720 --> 00:25:32.880
<v Speaker 4>lot of people too, who.

449
00:25:34.920 --> 00:25:35.160
<v Speaker 3>Like you.

450
00:25:35.480 --> 00:25:39.480
<v Speaker 4>I don't want people to necessarily know what they are

451
00:25:39.519 --> 00:25:42.559
<v Speaker 4>going to experience, like I do talk about in the

452
00:25:42.640 --> 00:25:45.240
<v Speaker 4>video like genre being a big part of it, and

453
00:25:46.000 --> 00:25:49.079
<v Speaker 4>it will be too, But there might be some kind

454
00:25:49.119 --> 00:25:54.759
<v Speaker 4>of like different discoveries for you know, never on disc

455
00:25:54.880 --> 00:25:58.599
<v Speaker 4>before or anything like that either that I hope people

456
00:25:58.640 --> 00:26:01.920
<v Speaker 4>can take a chance on to So but that's that's great.

457
00:26:02.160 --> 00:26:05.279
<v Speaker 4>That's like every sub label too, or even partner labels.

458
00:26:05.359 --> 00:26:08.359
<v Speaker 3>You just you just don't know, you know so totally

459
00:26:08.559 --> 00:26:11.240
<v Speaker 3>and I think, oh, sorry, go ahead, I don't know.

460
00:26:11.400 --> 00:26:13.839
<v Speaker 4>But so far the response has been pretty great. I

461
00:26:13.920 --> 00:26:16.599
<v Speaker 4>think people have been pretty stoked on it, and but

462
00:26:16.839 --> 00:26:19.200
<v Speaker 4>I want people to once they have it in their hands,

463
00:26:19.240 --> 00:26:22.319
<v Speaker 4>I think people will be a bit more so on it.

464
00:26:22.480 --> 00:26:27.839
<v Speaker 3>So yeah, I think two things off that. One is like,

465
00:26:28.240 --> 00:26:30.400
<v Speaker 3>before I get to my question, what's really exciting about

466
00:26:30.440 --> 00:26:33.000
<v Speaker 3>that is I don't think people know because one thing

467
00:26:33.039 --> 00:26:35.359
<v Speaker 3>I think people have fun with whenever vs. Is like

468
00:26:35.599 --> 00:26:38.279
<v Speaker 3>specifically towards the end of a month, is trying to

469
00:26:38.319 --> 00:26:41.640
<v Speaker 3>guess the titles right. Yeah, and you guys put some clues,

470
00:26:41.680 --> 00:26:43.559
<v Speaker 3>you put some artwork out, and I have to say,

471
00:26:43.640 --> 00:26:46.759
<v Speaker 3>like sometimes people there are some people I'm incredibly impressed

472
00:26:46.799 --> 00:26:50.319
<v Speaker 3>that they're like detective skills for that stuff. But oh yeah,

473
00:26:50.359 --> 00:26:52.880
<v Speaker 3>I think one thing that helps narrow it down for

474
00:26:52.960 --> 00:26:55.599
<v Speaker 3>a lot of people, oftentimes even for myself and I

475
00:26:55.640 --> 00:26:56.960
<v Speaker 3>have I would say I probably have a fifty to

476
00:26:57.000 --> 00:26:59.200
<v Speaker 3>fifty guess rate like most people probably do. But like

477
00:26:59.480 --> 00:27:01.039
<v Speaker 3>I would say, a lot of that would narrow down

478
00:27:01.039 --> 00:27:03.200
<v Speaker 3>to like if it's MGM or Paramount, you know, people

479
00:27:03.240 --> 00:27:05.680
<v Speaker 3>could see you know that. And I think having WB

480
00:27:05.799 --> 00:27:10.000
<v Speaker 3>obviously opens up that guess and that surprise more. But

481
00:27:10.119 --> 00:27:12.759
<v Speaker 3>I think what really is exciting about that for Iconoscope

482
00:27:12.799 --> 00:27:14.880
<v Speaker 3>that I think a lot of people don't know is

483
00:27:14.960 --> 00:27:18.960
<v Speaker 3>that from this era specifically anything prior. I shouldn't even

484
00:27:19.000 --> 00:27:21.200
<v Speaker 3>say from this era. I should say anything before the nineties,

485
00:27:21.279 --> 00:27:25.000
<v Speaker 3>even before all these things became like conglomerates, they weren't

486
00:27:25.240 --> 00:27:29.119
<v Speaker 3>owned by the same companies, so like so like for example,

487
00:27:29.720 --> 00:27:33.039
<v Speaker 3>there's stuff that like Paramount might have might own, but

488
00:27:33.119 --> 00:27:37.400
<v Speaker 3>it aired on ABC, and at the time what Paramount

489
00:27:37.480 --> 00:27:40.480
<v Speaker 3>wasn't CBS. I don't even think it was like Gulf

490
00:27:40.519 --> 00:27:43.039
<v Speaker 3>and Western Probably I don't even know their history well

491
00:27:43.119 --> 00:27:45.079
<v Speaker 3>enough to speak on that. But like, I just mean,

492
00:27:45.160 --> 00:27:47.440
<v Speaker 3>like it's interesting because there's stuff that I think people

493
00:27:47.480 --> 00:27:49.279
<v Speaker 3>are going to try and guess or like look for.

494
00:27:49.400 --> 00:27:52.440
<v Speaker 3>And it's exciting because there were so few channels, so

495
00:27:52.799 --> 00:27:55.000
<v Speaker 3>a lot of it was still studio produced without being

496
00:27:55.119 --> 00:27:59.039
<v Speaker 3>owned by those by those networks. That's really exciting.

497
00:27:59.400 --> 00:28:02.119
<v Speaker 4>Yeah. God, I want to be really vague with this,

498
00:28:02.279 --> 00:28:05.279
<v Speaker 4>but it's it's tough. Like the next one, that's uh,

499
00:28:05.960 --> 00:28:08.160
<v Speaker 4>i'll call it. We'll call it a Kondo Scope number three.

500
00:28:08.880 --> 00:28:12.000
<v Speaker 4>I think we'll really throw people for a loop and say, Okay,

501
00:28:12.319 --> 00:28:15.839
<v Speaker 4>the possibilities are very open. Then well what going on?

502
00:28:16.119 --> 00:28:18.079
<v Speaker 4>And I gotta I really gotta leave it at that.

503
00:28:18.640 --> 00:28:21.759
<v Speaker 3>That's that's enough. That's enough my appetites. We please don't Yeah, yeah,

504
00:28:21.759 --> 00:28:24.599
<v Speaker 3>I mean I think the discovery is super exciting. My my,

505
00:28:25.079 --> 00:28:28.000
<v Speaker 3>I guess my question off that talk about like Scope three,

506
00:28:28.359 --> 00:28:31.079
<v Speaker 3>how many a year are you like trying to put

507
00:28:31.119 --> 00:28:34.000
<v Speaker 3>out or what's the kind of the goal.

508
00:28:33.839 --> 00:28:39.640
<v Speaker 4>And try because just everyone is so like so involved

509
00:28:39.720 --> 00:28:44.160
<v Speaker 4>and like with other things to myself included too. I

510
00:28:44.960 --> 00:28:47.119
<v Speaker 4>I don't want to rush it either. I don't wanna

511
00:28:48.039 --> 00:28:51.440
<v Speaker 4>be I have like, you know, I would love for

512
00:28:51.799 --> 00:28:54.279
<v Speaker 4>it to be okay, once a month, once a month,

513
00:28:54.319 --> 00:28:57.440
<v Speaker 4>once a month, and that's not gonna be that way.

514
00:28:57.599 --> 00:29:00.319
<v Speaker 4>At least for now. We are gonna probab take a

515
00:29:00.359 --> 00:29:05.559
<v Speaker 4>break after this hopefully fit. Maybe we can possibly bring

516
00:29:05.640 --> 00:29:09.519
<v Speaker 4>it up depending on how you know, it goes with

517
00:29:10.079 --> 00:29:13.200
<v Speaker 4>icon of scope for the next couple few months. But

518
00:29:13.480 --> 00:29:18.119
<v Speaker 4>we will see that is probably I would say during

519
00:29:18.160 --> 00:29:21.960
<v Speaker 4>the summer sometime is the next one. And yeah, that's

520
00:29:21.960 --> 00:29:26.240
<v Speaker 4>a big break in between. But there's this year especially

521
00:29:26.319 --> 00:29:30.240
<v Speaker 4>coming out, there's so many great Vinegar Syndrome cinematograph everything

522
00:29:30.319 --> 00:29:35.759
<v Speaker 4>coming out is just I think it's people kind of

523
00:29:35.799 --> 00:29:39.839
<v Speaker 4>saw with when we announced the Demon Warp. It's something

524
00:29:40.000 --> 00:29:43.839
<v Speaker 4>which I that has been a I will say that

525
00:29:43.920 --> 00:29:47.400
<v Speaker 4>one's been a very requested one since I started at

526
00:29:47.720 --> 00:29:51.079
<v Speaker 4>Vineiger Syndrome or since Vinegar Syndrome like started. It was like, oh,

527
00:29:51.160 --> 00:29:53.839
<v Speaker 4>demon warp, you gotta put And you know that's been

528
00:29:54.480 --> 00:29:56.880
<v Speaker 4>you know, on people's on all of our radars too.

529
00:29:57.039 --> 00:29:59.759
<v Speaker 4>But it's just one of those which has been you know,

530
00:30:00.079 --> 00:30:03.400
<v Speaker 4>possible to get until it wasn't impossible.

531
00:30:02.880 --> 00:30:06.640
<v Speaker 1>To get, you know, I mean, Eli and I hear

532
00:30:06.759 --> 00:30:09.519
<v Speaker 1>from what a small percentage of subscribers just on the

533
00:30:09.599 --> 00:30:12.359
<v Speaker 1>discord right, but I know at least two people that

534
00:30:12.440 --> 00:30:15.079
<v Speaker 1>subscribe because they saw that and they were like, oh shit, okay,

535
00:30:15.119 --> 00:30:16.400
<v Speaker 1>maybe this will be a pretty great year.

536
00:30:16.759 --> 00:30:20.440
<v Speaker 4>Yeah, there are some pretty freaking awesome ones. And then

537
00:30:22.279 --> 00:30:24.119
<v Speaker 4>she's sorry to get ahead of it, but like Lady

538
00:30:24.160 --> 00:30:27.519
<v Speaker 4>and White, I know that all three cuts on UHD

539
00:30:28.000 --> 00:30:31.880
<v Speaker 4>brand new restoration of that one too. That and we

540
00:30:32.039 --> 00:30:35.000
<v Speaker 4>really went like the full half mile. If you could

541
00:30:35.480 --> 00:30:39.039
<v Speaker 4>get Curtis on just just to talk about putting okay

542
00:30:39.079 --> 00:30:43.440
<v Speaker 4>cuts together because that one's been his I don't want

543
00:30:43.480 --> 00:30:50.440
<v Speaker 4>to say craziness, but but it's he just went just crazy,

544
00:30:50.599 --> 00:30:54.799
<v Speaker 4>just you know, all engines running to get me.

545
00:30:54.880 --> 00:30:55.759
<v Speaker 2>He's the guy to do it right.

546
00:30:55.880 --> 00:30:59.759
<v Speaker 4>Yeah, based on new just insane getting it done. But

547
00:31:00.480 --> 00:31:01.880
<v Speaker 4>it's gonna beautiful.

548
00:31:02.079 --> 00:31:03.119
<v Speaker 3>That's that's awesome.

549
00:31:03.240 --> 00:31:03.799
<v Speaker 5>I I I.

550
00:31:04.880 --> 00:31:07.519
<v Speaker 3>That's one thing that I really love And maybe you

551
00:31:07.599 --> 00:31:09.839
<v Speaker 3>can actually just to circle it back to this the

552
00:31:09.920 --> 00:31:12.720
<v Speaker 3>mainline announcements for this month. One thing, one thing I

553
00:31:12.839 --> 00:31:14.640
<v Speaker 3>really love is that you guys really put in a

554
00:31:14.680 --> 00:31:18.559
<v Speaker 3>lot of work into the alternate cuts with like truly

555
00:31:18.680 --> 00:31:21.759
<v Speaker 3>being seamless, like it's very like like and obviously when

556
00:31:21.799 --> 00:31:23.519
<v Speaker 3>you can't. You'll even put a warning that's like, hey,

557
00:31:23.599 --> 00:31:26.920
<v Speaker 3>this was sourced from an interpositive in Europe for for

558
00:31:27.079 --> 00:31:28.920
<v Speaker 3>two minutes, or you know whatever, like like just in

559
00:31:29.039 --> 00:31:30.960
<v Speaker 3>terms of where you can source things sometimes or even

560
00:31:31.039 --> 00:31:32.640
<v Speaker 3>like with the Carpenter where there's a kind of like

561
00:31:32.680 --> 00:31:35.440
<v Speaker 3>the the SD elements that kind of add to that.

562
00:31:36.079 --> 00:31:37.279
<v Speaker 3>But but I don't know, I think it kind of

563
00:31:37.279 --> 00:31:39.480
<v Speaker 3>adds to the mood sometimes, Like I love don't get

564
00:31:39.519 --> 00:31:42.160
<v Speaker 3>me wrong, I love a pristine press presentation. But sometimes

565
00:31:42.200 --> 00:31:44.640
<v Speaker 3>it's nice to get a grindhouse movie in grindhouse mode.

566
00:31:45.119 --> 00:31:48.240
<v Speaker 3>You know, it's just because it's also that's just a

567
00:31:48.400 --> 00:31:51.200
<v Speaker 3>historical thing. I I when we had Joe on I

568
00:31:51.279 --> 00:31:53.160
<v Speaker 3>remember he talked to you kind of was like a

569
00:31:53.200 --> 00:31:54.920
<v Speaker 3>little bit would always say like he's always a little

570
00:31:54.920 --> 00:31:57.400
<v Speaker 3>disappointed when it's not like a better element, And I

571
00:31:57.480 --> 00:31:59.079
<v Speaker 3>told him, I'm like that. You know, in a lot

572
00:31:59.119 --> 00:32:02.200
<v Speaker 3>of ways, though, is advocacy of what's in danger of

573
00:32:02.400 --> 00:32:05.640
<v Speaker 3>correct having this being the most available element. So all

574
00:32:05.720 --> 00:32:08.359
<v Speaker 3>that being said, I love that when you guys do

575
00:32:08.559 --> 00:32:11.000
<v Speaker 3>get like a movie that has different versions, that it's

576
00:32:11.039 --> 00:32:13.960
<v Speaker 3>all these different ones. One of my favorite ones growing

577
00:32:14.079 --> 00:32:17.799
<v Speaker 3>up that existed that way was Terror Firmer. I was

578
00:32:17.839 --> 00:32:20.599
<v Speaker 3>a very big trauma phile in high school and when

579
00:32:20.680 --> 00:32:23.359
<v Speaker 3>I got that two disc Trauma DVD. I don't know

580
00:32:23.359 --> 00:32:24.559
<v Speaker 3>if you know this, Chris, I don't know if you

581
00:32:24.599 --> 00:32:28.119
<v Speaker 3>saw this version, but Lloyd Kaufman had did an R

582
00:32:28.200 --> 00:32:30.960
<v Speaker 3>rated cut of Terror Firmer, and what he did instead

583
00:32:30.960 --> 00:32:35.079
<v Speaker 3>of actually making an R rated movie, he just inserted

584
00:32:35.200 --> 00:32:37.799
<v Speaker 3>himself talking about what happens in the scene and kind

585
00:32:37.839 --> 00:32:40.119
<v Speaker 3>of acting it out. So there's like a scene where

586
00:32:40.119 --> 00:32:42.359
<v Speaker 3>he comes in and as the blind director and pisses

587
00:32:42.359 --> 00:32:44.920
<v Speaker 3>all over like Debi, Rashaan and someone else having sex

588
00:32:44.960 --> 00:32:47.359
<v Speaker 3>in the bathroom. Yeah, and then in the R rated

589
00:32:47.440 --> 00:32:50.599
<v Speaker 3>version he takes like literal p's from a frozen P

590
00:32:50.759 --> 00:32:52.960
<v Speaker 3>bag and starts throwing them onto like a drawing of

591
00:32:53.039 --> 00:32:57.200
<v Speaker 3>them like stick figures. Is that version on the four

592
00:32:57.319 --> 00:33:00.279
<v Speaker 3>K for Terror Firmer? Do you know or do you

593
00:33:00.319 --> 00:33:01.279
<v Speaker 3>guys work on that at all?

594
00:33:01.759 --> 00:33:04.200
<v Speaker 4>That part? I don't know. Those might be in the

595
00:33:04.359 --> 00:33:06.799
<v Speaker 4>deleted scenes for honestly, yeah.

596
00:33:06.680 --> 00:33:07.000
<v Speaker 3>But we do.

597
00:33:07.200 --> 00:33:09.680
<v Speaker 4>We do have the full uncut version and other people

598
00:33:09.759 --> 00:33:11.839
<v Speaker 4>on the flip side people have been asking about the

599
00:33:11.920 --> 00:33:15.839
<v Speaker 4>infamous h full frontal shots, which I don't want to

600
00:33:16.160 --> 00:33:19.640
<v Speaker 4>spoil that too too much. We'll call it the climax

601
00:33:19.680 --> 00:33:24.680
<v Speaker 4>of the film. Yes, it is the fully uncut version.

602
00:33:24.759 --> 00:33:26.759
<v Speaker 4>And then now here's where I'm confused.

603
00:33:26.839 --> 00:33:28.799
<v Speaker 2>We do have the.

604
00:33:30.279 --> 00:33:35.000
<v Speaker 4>Extend like super extended version as well, that might some

605
00:33:35.079 --> 00:33:37.559
<v Speaker 4>of that might be in there too. I'm not again

606
00:33:37.680 --> 00:33:40.079
<v Speaker 4>Terra firmers one that had so many cuts on it too,

607
00:33:40.880 --> 00:33:43.319
<v Speaker 4>like involved with it. That being said, we do have

608
00:33:43.359 --> 00:33:47.680
<v Speaker 4>the full uncut version on the UHD, and then we

609
00:33:47.839 --> 00:33:52.079
<v Speaker 4>do have h Scott. It's yeah, three D set including

610
00:33:52.119 --> 00:33:55.640
<v Speaker 4>the UHD, so the we do have more than one cut,

611
00:33:55.720 --> 00:33:59.279
<v Speaker 4>and then all the deleted footage too, so it's it's

612
00:33:59.319 --> 00:33:59.599
<v Speaker 4>a lot.

613
00:34:01.839 --> 00:34:03.759
<v Speaker 3>That's great. I didn't realize it was a three disc set.

614
00:34:03.799 --> 00:34:05.039
<v Speaker 3>That's aws for say, in my head, I thought it

615
00:34:05.079 --> 00:34:06.759
<v Speaker 3>was two discs, so oh, it for sure has to

616
00:34:06.839 --> 00:34:09.440
<v Speaker 3>be there. If it's not, like if it's not there

617
00:34:09.559 --> 00:34:11.880
<v Speaker 3>as oh you know what, Yeah, it says alternate unused

618
00:34:12.000 --> 00:34:14.119
<v Speaker 3>mock behind the scenes footage. Yeah, that's it.

619
00:34:14.559 --> 00:34:18.599
<v Speaker 4>They're okay, because there there's this is another like TCM two.

620
00:34:18.840 --> 00:34:22.159
<v Speaker 4>If people realize, like how many freaking hours of behind

621
00:34:22.199 --> 00:34:25.800
<v Speaker 4>the scenes footage? Yeah, we have a brand new making

622
00:34:25.880 --> 00:34:28.199
<v Speaker 4>of on it. It's amazing, and then we still have

623
00:34:28.320 --> 00:34:32.639
<v Speaker 4>the old uh, what's it called Farts of Darkness for that. Yeah,

624
00:34:32.760 --> 00:34:35.880
<v Speaker 4>and all the extras from the previous ones are on

625
00:34:35.960 --> 00:34:39.639
<v Speaker 4>it too. There's just so much and I get it.

626
00:34:39.719 --> 00:34:44.800
<v Speaker 4>This was like one of his like personal, truly personal

627
00:34:44.880 --> 00:34:48.559
<v Speaker 4>trauma projects to it, and all the stories are just

628
00:34:49.119 --> 00:34:52.239
<v Speaker 4>insane and larous. It's like what what you see in

629
00:34:52.280 --> 00:34:55.039
<v Speaker 4>the film basically was how it was behind the scenes

630
00:34:55.039 --> 00:34:55.760
<v Speaker 4>as well too.

631
00:34:56.039 --> 00:34:59.519
<v Speaker 3>So yeah, I'm really excited for that one. I'm also

632
00:34:59.559 --> 00:35:02.480
<v Speaker 3>exciting you guys brought back Made in Hong Kong that

633
00:35:02.679 --> 00:35:05.880
<v Speaker 3>was like dormant for years, and you have another one

634
00:35:05.960 --> 00:35:09.000
<v Speaker 3>teased later in October or August or somewhere, like an

635
00:35:09.199 --> 00:35:10.760
<v Speaker 3>horror all horror one two.

636
00:35:11.000 --> 00:35:14.320
<v Speaker 4>Yeah, there's there's a lot of crazy Hong Kong Cat

637
00:35:14.400 --> 00:35:17.000
<v Speaker 4>three and I know we talk about more Shaw films

638
00:35:17.079 --> 00:35:20.760
<v Speaker 4>too coming out too. There's a lot of great, amazing

639
00:35:21.199 --> 00:35:24.719
<v Speaker 4>films coming out. But for this for Made in Hong

640
00:35:24.800 --> 00:35:28.840
<v Speaker 4>Kong two is the number one film I think is

641
00:35:29.239 --> 00:35:32.320
<v Speaker 4>really up for rediscovery. Is it's called It's had a

642
00:35:32.400 --> 00:35:36.119
<v Speaker 4>few different titles. We call it the one that's what

643
00:35:36.239 --> 00:35:41.119
<v Speaker 4>people know it as here New York Chinatown Massacre and

644
00:35:42.239 --> 00:35:45.599
<v Speaker 4>I never heard of it before I started. We started

645
00:35:45.639 --> 00:35:50.679
<v Speaker 4>working on it, and it was just when I saw

646
00:35:50.760 --> 00:35:54.079
<v Speaker 4>the footage, I'm like, holy shit, this is insane, Like

647
00:35:54.239 --> 00:35:57.679
<v Speaker 4>it's it's it's one of those where it was made

648
00:35:57.719 --> 00:36:01.079
<v Speaker 4>in eighty two, I want to say, and or at

649
00:36:01.159 --> 00:36:03.880
<v Speaker 4>least it might. It's one of those you never know

650
00:36:03.960 --> 00:36:06.360
<v Speaker 4>when it was seen in the US effort. It could

651
00:36:06.400 --> 00:36:09.559
<v Speaker 4>have been a couple of years later, and it's had.

652
00:36:09.800 --> 00:36:11.960
<v Speaker 4>This is another one where it's had more than one cut,

653
00:36:12.119 --> 00:36:14.440
<v Speaker 4>like we do. We did have to unfortunately use some

654
00:36:14.679 --> 00:36:17.079
<v Speaker 4>s but like you said, to complete it for the

655
00:36:17.119 --> 00:36:21.760
<v Speaker 4>full uncut experience, find some SD footage to complete the

656
00:36:22.039 --> 00:36:28.079
<v Speaker 4>entire version of it. But it is Have you guys

657
00:36:28.119 --> 00:36:29.199
<v Speaker 4>seen Men from the Gutter?

658
00:36:29.639 --> 00:36:31.159
<v Speaker 3>Yeah, oh yeah, loved it.

659
00:36:31.679 --> 00:36:36.800
<v Speaker 4>Yeah that imagine that. But then those like sensibilities where

660
00:36:37.719 --> 00:36:42.679
<v Speaker 4>it's it's not quite a heroic bloodshed film per se,

661
00:36:43.000 --> 00:36:47.000
<v Speaker 4>it's not or like the Triad on triad violent ones

662
00:36:47.559 --> 00:36:50.280
<v Speaker 4>like the people really would know from the nineties and

663
00:36:50.880 --> 00:36:53.920
<v Speaker 4>you and all of that, but it's kind of those

664
00:36:54.039 --> 00:36:59.480
<v Speaker 4>sensibilities and it's incredible, like what and they shot it,

665
00:37:00.000 --> 00:37:02.880
<v Speaker 4>They brought it to New York City, they shot like

666
00:37:02.920 --> 00:37:05.480
<v Speaker 4>when you could when the whole foreign production. This was

667
00:37:05.559 --> 00:37:08.880
<v Speaker 4>the same era as like when Falcy and his crew

668
00:37:08.960 --> 00:37:11.159
<v Speaker 4>came to New York for the New York Ripper, you know,

669
00:37:11.480 --> 00:37:15.480
<v Speaker 4>and they would shoot in New York. And but this

670
00:37:15.719 --> 00:37:18.119
<v Speaker 4>is when you see some of the action scenes when

671
00:37:18.119 --> 00:37:21.159
<v Speaker 4>you see the shootouts and you're like, how the hell

672
00:37:21.280 --> 00:37:24.960
<v Speaker 4>did they do this? Like and apparently they did have

673
00:37:25.159 --> 00:37:29.320
<v Speaker 4>like permits and everything, but like it's I know, in

674
00:37:29.400 --> 00:37:31.960
<v Speaker 4>the pre you could see like it's not just gang

675
00:37:32.039 --> 00:37:35.719
<v Speaker 4>on gang shootouts. It's like no, they they like steal

676
00:37:36.079 --> 00:37:38.599
<v Speaker 4>weapons from like a National Guard depot and start shooting

677
00:37:38.719 --> 00:37:42.960
<v Speaker 4>M sixteen downtown New York City and Chinatown and everything,

678
00:37:43.079 --> 00:37:46.440
<v Speaker 4>and it's just there's I think like one or two

679
00:37:46.480 --> 00:37:51.480
<v Speaker 4>crazy car chases too, and it's it's insane, like what

680
00:37:51.679 --> 00:37:53.480
<v Speaker 4>happens with it? I think part of it they shoot

681
00:37:53.719 --> 00:37:57.199
<v Speaker 4>They shot at like Riker's Island too. It's so bizarre.

682
00:37:57.840 --> 00:37:59.960
<v Speaker 3>And that's not even that's not even the hermit yaout

683
00:38:00.039 --> 00:38:01.320
<v Speaker 3>erected one. That's what's crazy.

684
00:38:01.800 --> 00:38:06.719
<v Speaker 4>Yeah, No, the Herman Yea one's amazing too. That's the best.

685
00:38:07.119 --> 00:38:10.320
<v Speaker 4>Is just one of those like oh my god, like

686
00:38:10.960 --> 00:38:14.280
<v Speaker 4>you could tell like, okay, this is Herman. What's funny

687
00:38:14.320 --> 00:38:16.760
<v Speaker 4>is he talks about it being for him it was

688
00:38:16.800 --> 00:38:21.000
<v Speaker 4>a director for hire job and you know he likes it,

689
00:38:21.079 --> 00:38:22.719
<v Speaker 4>but it's it's not one of his favorites. He didn't

690
00:38:22.719 --> 00:38:24.679
<v Speaker 4>think he did his best. But you're watching and you're like, dude,

691
00:38:24.719 --> 00:38:26.960
<v Speaker 4>this is like John wu what are you talking about?

692
00:38:27.039 --> 00:38:30.599
<v Speaker 3>This is like you know, oh yeah, it's it's the

693
00:38:30.679 --> 00:38:32.599
<v Speaker 3>same thing with Men from the Gutter, right like he

694
00:38:33.159 --> 00:38:35.119
<v Speaker 3>I'm sure Lamb doesn't even think that was like a

695
00:38:35.239 --> 00:38:37.360
<v Speaker 3>Lamb that felt like for Lamb, like a one for them,

696
00:38:37.719 --> 00:38:39.719
<v Speaker 3>you know, like it's not even and and I'm like, well,

697
00:38:39.800 --> 00:38:42.320
<v Speaker 3>if this is, if this is Lamb at like like

698
00:38:42.559 --> 00:38:46.239
<v Speaker 3>an easy mode, of course, that's still gonna fucking rip.

699
00:38:46.360 --> 00:38:49.280
<v Speaker 3>That's like everybody else is like trying their hardest, you

700
00:38:49.320 --> 00:38:51.519
<v Speaker 3>know what I mean, Like that that dude's fucking probably

701
00:38:51.519 --> 00:38:53.480
<v Speaker 3>is having a cigarette break while it was happening at

702
00:38:53.639 --> 00:38:54.519
<v Speaker 3>the whole movie.

703
00:38:54.639 --> 00:38:56.840
<v Speaker 4>Men from the Gutters, Like dude watching it, like, dude,

704
00:38:57.519 --> 00:38:59.559
<v Speaker 4>what are you talking about? You made heat basically and

705
00:38:59.760 --> 00:39:04.360
<v Speaker 4>yeah in the eighties, like yeah, and but best of

706
00:39:04.360 --> 00:39:07.280
<v Speaker 4>the best is great because it's, uh, it's just one

707
00:39:07.320 --> 00:39:12.239
<v Speaker 4>of those again, like it's borderline heroic, bloodshed full on

708
00:39:12.559 --> 00:39:17.039
<v Speaker 4>and yeah, he yeah, I think people know him from

709
00:39:17.119 --> 00:39:19.840
<v Speaker 4>like a Ball of Syndrome and then more like horror

710
00:39:20.079 --> 00:39:25.400
<v Speaker 4>and just Cat three, just crazy, creamy sleaziness. This is

711
00:39:25.519 --> 00:39:29.480
<v Speaker 4>him doing the hardcore shootout action and he does it

712
00:39:29.800 --> 00:39:32.800
<v Speaker 4>with the best of them as well. And it's funny

713
00:39:32.840 --> 00:39:35.280
<v Speaker 4>because we know again we interviewed. I mean, he doesn't

714
00:39:35.320 --> 00:39:38.800
<v Speaker 4>feel that, but I'm like you did, but okay, whatever

715
00:39:38.880 --> 00:39:39.239
<v Speaker 4>you think.

716
00:39:39.599 --> 00:39:41.880
<v Speaker 2>But yeah, it's amazing and.

717
00:39:42.119 --> 00:39:47.280
<v Speaker 4>It's really quick. A great extra on it is Erica Schultz.

718
00:39:47.840 --> 00:39:49.280
<v Speaker 2>From The U.

719
00:39:49.840 --> 00:39:53.400
<v Speaker 4>Yeah, she does an amazing video essay and which I

720
00:39:53.519 --> 00:39:58.679
<v Speaker 4>never knew this, but when canto pop and filmmaking and

721
00:39:59.079 --> 00:40:02.039
<v Speaker 4>all of that inter acted, when canto pop stars became

722
00:40:02.679 --> 00:40:06.639
<v Speaker 4>you know, action stars in their own run, and it's

723
00:40:06.840 --> 00:40:11.440
<v Speaker 4>it's pretty wild. Just everything in that world too well.

724
00:40:12.000 --> 00:40:14.480
<v Speaker 2>There's always people on the Vineger Syndrome discord that ask like,

725
00:40:14.559 --> 00:40:15.519
<v Speaker 2>what about this? What about that?

726
00:40:16.119 --> 00:40:17.960
<v Speaker 1>And I was telling them, hey, y best of the

727
00:40:18.000 --> 00:40:22.159
<v Speaker 1>best is enough for that whole set. But it's really

728
00:40:22.199 --> 00:40:24.840
<v Speaker 1>good news to hear about New York Chinatown massacre. Yeah,

729
00:40:25.440 --> 00:40:27.039
<v Speaker 1>and I yeah, sorry ahead.

730
00:40:27.000 --> 00:40:29.239
<v Speaker 4>No, no, it's just one I want people to know,

731
00:40:29.480 --> 00:40:32.280
<v Speaker 4>like we will, we will warrant it. When you pop

732
00:40:32.320 --> 00:40:34.880
<v Speaker 4>in the disc there is s D footage inserted and

733
00:40:35.000 --> 00:40:37.280
<v Speaker 4>it's just the It was the only way to complete

734
00:40:37.320 --> 00:40:41.599
<v Speaker 4>the film too, unfortunately. But uh, and it was one

735
00:40:41.679 --> 00:40:44.599
<v Speaker 4>where they they want the where we got the film

736
00:40:44.679 --> 00:40:48.039
<v Speaker 4>elements the original negative they warn't and said, hey, we

737
00:40:48.159 --> 00:40:50.519
<v Speaker 4>are like ninety nine percent sure that this is unfortunately

738
00:40:50.639 --> 00:40:54.000
<v Speaker 4>cut and we have no idea where any of the

739
00:40:54.320 --> 00:40:58.280
<v Speaker 4>film is. And like with really quickly with Devil Fetus,

740
00:40:58.599 --> 00:41:02.639
<v Speaker 4>we you know, we had amazing luck with that with

741
00:41:02.920 --> 00:41:06.119
<v Speaker 4>other films too, where we are able to complete the

742
00:41:06.199 --> 00:41:09.719
<v Speaker 4>whole thing from film and we were working with AGFA,

743
00:41:09.840 --> 00:41:13.599
<v Speaker 4>working with private collectors to who have this stuff. Everybody

744
00:41:13.679 --> 00:41:16.480
<v Speaker 4>we talked to was like New York Chinatown massacre or

745
00:41:16.599 --> 00:41:19.639
<v Speaker 4>New York China and they're like, I never heard of it,

746
00:41:19.840 --> 00:41:22.559
<v Speaker 4>or be you we have nothing on that at all.

747
00:41:22.880 --> 00:41:26.599
<v Speaker 4>And but yeah, we you know, we we got to

748
00:41:26.639 --> 00:41:29.840
<v Speaker 4>get together. Curtis that amazing on it to get it together,

749
00:41:30.039 --> 00:41:34.960
<v Speaker 4>and I really hope people rediscover it and going into

750
00:41:35.039 --> 00:41:38.920
<v Speaker 4>the third film really quick Final Justice it is it

751
00:41:39.039 --> 00:41:42.239
<v Speaker 4>was a misright fix that it's not Stephen Chow version.

752
00:41:43.039 --> 00:41:49.320
<v Speaker 4>This is a very interesting drama and it's weird because

753
00:41:50.239 --> 00:41:53.880
<v Speaker 4>like huh drama, a courtroom drama. And I really like

754
00:41:53.960 --> 00:41:57.039
<v Speaker 4>it because it's you know, got really the main guy

755
00:41:57.159 --> 00:42:01.840
<v Speaker 4>from oh god, what is it? The uh the cat

756
00:42:01.920 --> 00:42:04.360
<v Speaker 4>three almost version of Backdraft?

757
00:42:05.639 --> 00:42:11.639
<v Speaker 3>Oh h no, no, the one you guys put out right, Lifeline.

758
00:42:11.280 --> 00:42:14.480
<v Speaker 4>Life, Lifeline, Thank you very much. God, you do you

759
00:42:14.559 --> 00:42:17.000
<v Speaker 4>do so many movies over the years, like two months ago,

760
00:42:17.039 --> 00:42:18.679
<v Speaker 4>I don't remember totally.

761
00:42:18.760 --> 00:42:20.679
<v Speaker 3>I believe it. Actually I want to talk about that

762
00:42:20.719 --> 00:42:23.480
<v Speaker 3>a little later, but I can only imagine. I can't

763
00:42:23.559 --> 00:42:26.800
<v Speaker 3>see that, like even I like, I'm sure Joe and

764
00:42:27.039 --> 00:42:30.840
<v Speaker 3>and and Ryan they probably just know what they've put out.

765
00:42:30.880 --> 00:42:33.960
<v Speaker 3>But even there is one time when I met Joe

766
00:42:34.039 --> 00:42:36.960
<v Speaker 3>in person and I told him I showed a soft

767
00:42:37.039 --> 00:42:39.880
<v Speaker 3>cut of Barber broadcast yeah for Pussycat Theater night, And

768
00:42:39.960 --> 00:42:41.800
<v Speaker 3>he even said, he goes, there's a soft version of that,

769
00:42:41.960 --> 00:42:44.079
<v Speaker 3>And I'm like, it's on the distrip picks Blu ray

770
00:42:44.760 --> 00:42:49.480
<v Speaker 3>or right right, yeah, yeah, it's really funny when that uh,

771
00:42:50.119 --> 00:42:51.719
<v Speaker 3>when that happens. But I also thought about it in

772
00:42:51.760 --> 00:42:54.280
<v Speaker 3>my head. I'm like, man, the size of that fucking warehouse.

773
00:42:54.320 --> 00:42:57.920
<v Speaker 3>How could it's impressive that he even remembers what he remembers, right, So,

774
00:42:58.119 --> 00:43:00.519
<v Speaker 3>like that's totally yeah, no, no worries. But sorry you

775
00:43:00.559 --> 00:43:03.239
<v Speaker 3>were saying, so, yeah, the guy from Lifeline.

776
00:43:02.800 --> 00:43:05.880
<v Speaker 4>Is in Yeah, he plays the priest, the head priest

777
00:43:05.960 --> 00:43:10.119
<v Speaker 4>in it. And it's again it's one of those, you know,

778
00:43:10.280 --> 00:43:12.840
<v Speaker 4>interesting dramas that I don't think people expect to go

779
00:43:13.039 --> 00:43:19.559
<v Speaker 4>into borderline. Cat three territory as well, and it we

780
00:43:19.760 --> 00:43:21.559
<v Speaker 4>were like, we got to include this because this is

781
00:43:22.079 --> 00:43:25.000
<v Speaker 4>very different. No, no one else is gonna like see

782
00:43:25.039 --> 00:43:27.079
<v Speaker 4>this any any other way, so like we gotta we

783
00:43:27.119 --> 00:43:30.559
<v Speaker 4>gotta have this and hopefully people rediscover it and really

784
00:43:30.719 --> 00:43:31.119
<v Speaker 4>like it too.

785
00:43:31.440 --> 00:43:32.960
<v Speaker 2>Cat three twelve Angry Men.

786
00:43:33.320 --> 00:43:36.239
<v Speaker 4>Well, not quite like that, but this one has to

787
00:43:36.320 --> 00:43:39.400
<v Speaker 4>do with like, you know, it's borderline, but it's like

788
00:43:40.079 --> 00:43:44.000
<v Speaker 4>there's like, you know, a rape, you know, it goes.

789
00:43:43.880 --> 00:43:47.519
<v Speaker 3>Into rape that goes into Cat three Oh my god.

790
00:43:48.159 --> 00:43:50.440
<v Speaker 4>But it goes into like all these weird things you

791
00:43:50.480 --> 00:43:54.039
<v Speaker 4>don't expect it to. Of course, Triad may be involved,

792
00:43:54.239 --> 00:43:56.320
<v Speaker 4>and you know, you just don't know where it's gonna go.

793
00:43:56.440 --> 00:44:00.519
<v Speaker 4>So but yeah, so it's a really great that I

794
00:44:00.599 --> 00:44:02.039
<v Speaker 4>hope people really get into it.

795
00:44:02.559 --> 00:44:03.920
<v Speaker 1>Well, I just want to call it before we move

796
00:44:04.000 --> 00:44:06.679
<v Speaker 1>on between this one, this video essay and the video

797
00:44:06.800 --> 00:44:15.320
<v Speaker 1>essay on Chinese twitchers. Yeah, chamber torture, chamber story. I

798
00:44:15.440 --> 00:44:18.760
<v Speaker 1>wanted to Erica Schultz has some of the best work. Like,

799
00:44:19.239 --> 00:44:21.039
<v Speaker 1>I'm just so impressed with her. Between the fact that

800
00:44:21.079 --> 00:44:23.559
<v Speaker 1>you all got Sam Deagan on staff and then Erica

801
00:44:23.800 --> 00:44:27.360
<v Speaker 1>doing features, I just and then Amanda Oh, yeah, are

802
00:44:27.400 --> 00:44:28.960
<v Speaker 1>just some of the best people working today.

803
00:44:29.000 --> 00:44:29.480
<v Speaker 2>It's amazing.

804
00:44:29.960 --> 00:44:31.679
<v Speaker 4>Yeah and not oh.

805
00:44:31.760 --> 00:44:33.280
<v Speaker 3>I just want to say not to jump too much

806
00:44:33.440 --> 00:44:36.199
<v Speaker 3>over it, but with with Iconoscope, I was actually curious

807
00:44:36.239 --> 00:44:38.880
<v Speaker 3>because I fully expected as soon as I heard of Iconoscope,

808
00:44:38.920 --> 00:44:41.119
<v Speaker 3>I'm like Amanda Reas for sure, like I know she'll

809
00:44:41.119 --> 00:44:43.400
<v Speaker 3>be there and say for a commentary, but how did

810
00:44:43.480 --> 00:44:46.159
<v Speaker 3>you get like what was the meat to get the

811
00:44:46.280 --> 00:44:51.280
<v Speaker 3>group commentary for like Jeffrey Reddick because the writer and

812
00:44:51.559 --> 00:44:53.039
<v Speaker 3>Sean Abley, Like how.

813
00:44:52.960 --> 00:44:56.519
<v Speaker 4>Does stuff say that that's like archival, That's okay. They

814
00:44:56.599 --> 00:44:58.840
<v Speaker 4>did that for the Warner Archive disc and same for

815
00:44:58.960 --> 00:45:05.239
<v Speaker 4>the commentary now out. Unfortunately, the way it unfortunately worked,

816
00:45:05.280 --> 00:45:08.199
<v Speaker 4>weren't able to really get as many new extra really

817
00:45:08.239 --> 00:45:11.039
<v Speaker 4>any new extras that I want to get on it.

818
00:45:12.000 --> 00:45:15.840
<v Speaker 4>Going back again, this is part of it. Like I'm

819
00:45:16.199 --> 00:45:18.159
<v Speaker 4>really happy to have you know, a bunch of other

820
00:45:18.199 --> 00:45:21.639
<v Speaker 4>people involved doing the extras going forward to maybe we

821
00:45:21.679 --> 00:45:24.400
<v Speaker 4>can revisit it going forward. We were able to actually

822
00:45:24.440 --> 00:45:27.920
<v Speaker 4>shoot at the New Hall mansion a little locations featurette

823
00:45:27.920 --> 00:45:31.119
<v Speaker 4>then and now. They were really great shooting at the house,

824
00:45:31.719 --> 00:45:35.119
<v Speaker 4>and we did get a new booklet essay from Amanda

825
00:45:35.199 --> 00:45:38.199
<v Speaker 4>ray As as well. And to get really into the

826
00:45:38.280 --> 00:45:41.880
<v Speaker 4>director's career, John Newland, who for Don't Be Afraid of

827
00:45:41.880 --> 00:45:44.360
<v Speaker 4>the Dark cause aside from that, he had an amazing

828
00:45:44.559 --> 00:45:49.000
<v Speaker 4>career doing kind of you know, one Step Beyond. People

829
00:45:49.039 --> 00:45:51.679
<v Speaker 4>would know him from kind of that Twilight Zone almost

830
00:45:51.719 --> 00:45:56.719
<v Speaker 4>precursor type deal, but he also was involved with Star Trek.

831
00:45:56.840 --> 00:45:59.559
<v Speaker 4>He was involved with a ton of other projects and

832
00:46:01.960 --> 00:46:05.679
<v Speaker 4>not only that, but seeing all of that get together

833
00:46:06.199 --> 00:46:09.000
<v Speaker 4>was really great. Now. Unfortunately, one thing I have discovered

834
00:46:09.039 --> 00:46:15.159
<v Speaker 4>too made for TV films on aside from like you know,

835
00:46:15.239 --> 00:46:18.000
<v Speaker 4>more power to them, like something like Salem's Lot and

836
00:46:18.079 --> 00:46:23.239
<v Speaker 4>something like that, it's really hard to get people all too,

837
00:46:23.679 --> 00:46:26.440
<v Speaker 4>you know, and yeah it can't it can be. It

838
00:46:26.519 --> 00:46:28.599
<v Speaker 4>can be, is what we're discovering.

839
00:46:29.960 --> 00:46:30.119
<v Speaker 3>You know.

840
00:46:30.519 --> 00:46:35.320
<v Speaker 4>The lead We we tried, every everybody tried, you know,

841
00:46:35.519 --> 00:46:40.880
<v Speaker 4>going through all the channels, direct contact too. For unfortunately,

842
00:46:40.920 --> 00:46:44.079
<v Speaker 4>the Ken Darby and it wasn't even a yes or no,

843
00:46:44.199 --> 00:46:48.480
<v Speaker 4>it was just she was not returning. She actually I

844
00:46:48.519 --> 00:46:50.800
<v Speaker 4>don't know what happened. She called me back, but then

845
00:46:50.840 --> 00:46:52.719
<v Speaker 4>I picked up and then she hung up on it,

846
00:46:53.760 --> 00:46:58.000
<v Speaker 4>and then I don't know what, and then nothing and

847
00:46:59.000 --> 00:47:01.039
<v Speaker 4>you know, hey, if you don't don't want to be involved,

848
00:47:01.320 --> 00:47:05.480
<v Speaker 4>totally fine, you know. And it's just one of those things, unfortunately,

849
00:47:05.639 --> 00:47:10.840
<v Speaker 4>and like, but what the commentaries do have in the

850
00:47:10.960 --> 00:47:15.599
<v Speaker 4>book essay are just such great info, especially with this production,

851
00:47:16.480 --> 00:47:19.920
<v Speaker 4>and it's really good with this in particular. I'm just

852
00:47:20.760 --> 00:47:23.000
<v Speaker 4>so proud of the restoration and the scan on this

853
00:47:23.440 --> 00:47:28.480
<v Speaker 4>and all the work that went involved, like and I'm

854
00:47:28.519 --> 00:47:33.519
<v Speaker 4>hoping people get into it, and going forward to you know,

855
00:47:33.800 --> 00:47:38.039
<v Speaker 4>there will be a lot more extras, you know, involved,

856
00:47:38.159 --> 00:47:41.920
<v Speaker 4>I think with every release going forward to so you know,

857
00:47:42.280 --> 00:47:44.559
<v Speaker 4>I can only say I, you know, I and we

858
00:47:44.760 --> 00:47:49.519
<v Speaker 4>did our best for getting this together. That being said,

859
00:47:50.360 --> 00:47:56.119
<v Speaker 4>the Veil was more much more loaded experience, and we

860
00:47:56.199 --> 00:47:58.320
<v Speaker 4>can get into that afterward as well.

861
00:47:59.519 --> 00:48:01.639
<v Speaker 3>Actually, let's just jump right into that one right now,

862
00:48:01.639 --> 00:48:03.760
<v Speaker 3>I think, because it's it's another one from from this month.

863
00:48:04.119 --> 00:48:05.559
<v Speaker 3>We only have one other one from the main line.

864
00:48:05.599 --> 00:48:07.599
<v Speaker 3>We can we can circle back to that, But like

865
00:48:08.039 --> 00:48:09.880
<v Speaker 3>as far as as far as the Veil goes, this

866
00:48:10.079 --> 00:48:12.320
<v Speaker 3>is I think the one that's it. What a great

867
00:48:12.360 --> 00:48:13.840
<v Speaker 3>one two punch because you have a you have a

868
00:48:13.920 --> 00:48:16.719
<v Speaker 3>great creepy little horror movie right with the four K,

869
00:48:17.280 --> 00:48:20.119
<v Speaker 3>and now you're getting this awesome series that And I'll

870
00:48:20.119 --> 00:48:22.760
<v Speaker 3>admit I wasn't familiar with it at all, and I

871
00:48:22.840 --> 00:48:26.280
<v Speaker 3>have I have a pretty good like from from growing

872
00:48:26.360 --> 00:48:28.039
<v Speaker 3>up on a lot of TV movies and stuff. And

873
00:48:28.119 --> 00:48:30.679
<v Speaker 3>my my my roommate is really because he's he's he's

874
00:48:30.679 --> 00:48:33.000
<v Speaker 3>a little bit older than me, has like a real

875
00:48:33.079 --> 00:48:35.000
<v Speaker 3>good booklet of knowledge with this stuff. So when I

876
00:48:35.079 --> 00:48:37.519
<v Speaker 3>even told him about it, he knew about the Veil,

877
00:48:37.599 --> 00:48:41.159
<v Speaker 3>but he really he knew, uh, don't be afraid of

878
00:48:41.199 --> 00:48:43.079
<v Speaker 3>the dark, like, and he was like, oh, that's awesome

879
00:48:43.119 --> 00:48:46.000
<v Speaker 3>that they're giving a four K. So with with the Veil,

880
00:48:47.079 --> 00:48:49.960
<v Speaker 3>how familiar with you were you with this yourself? And

881
00:48:50.239 --> 00:48:53.199
<v Speaker 3>I mean, I know it's accessible to some capacity like people, Yeah,

882
00:48:53.239 --> 00:48:55.679
<v Speaker 3>you can find find some of it, but obviously you're

883
00:48:55.760 --> 00:48:59.519
<v Speaker 3>you're doing some real You're you're bringing some stuff there

884
00:48:59.559 --> 00:49:02.039
<v Speaker 3>that even people who know the show probably haven't seen.

885
00:49:02.599 --> 00:49:05.960
<v Speaker 4>So the veil. It's one of those crazy things, and

886
00:49:06.039 --> 00:49:10.280
<v Speaker 4>a big shout out to film historian and author and publisher.

887
00:49:10.599 --> 00:49:14.320
<v Speaker 4>It's kind of has been doing this for years, Tom Weaver,

888
00:49:14.800 --> 00:49:18.400
<v Speaker 4>because he really wrote the book literally on the veil.

889
00:49:19.079 --> 00:49:22.519
<v Speaker 4>I think it scripts from the Crypt number seven it's called.

890
00:49:22.679 --> 00:49:26.599
<v Speaker 4>And I knew about the veil even before this. I

891
00:49:26.719 --> 00:49:30.679
<v Speaker 4>remember in my video store on a say they had

892
00:49:30.840 --> 00:49:34.960
<v Speaker 4>at one like my local one. They definitely had one

893
00:49:35.079 --> 00:49:39.840
<v Speaker 4>or two of the Something Weird nineties tapes and or

894
00:49:40.000 --> 00:49:43.159
<v Speaker 4>two thousands tapes I believe. I can't remember exactly it was.

895
00:49:44.239 --> 00:49:46.519
<v Speaker 4>Actually it might have been Rhino Video if I'm not

896
00:49:46.599 --> 00:49:48.159
<v Speaker 4>mistaken who actually put it out.

897
00:49:48.079 --> 00:49:53.079
<v Speaker 3>On probably that totally has Yeah, yeah, I'm not mistaken.

898
00:49:53.239 --> 00:49:55.639
<v Speaker 4>I don't want to be mistaken on that. Yeah, it

899
00:49:56.519 --> 00:49:58.639
<v Speaker 4>because it had such a crazy release and we get

900
00:49:58.679 --> 00:50:03.360
<v Speaker 4>into it with the extra specifically for that, and but

901
00:50:03.519 --> 00:50:05.320
<v Speaker 4>Tom we were he said it best. You know, this

902
00:50:05.519 --> 00:50:10.440
<v Speaker 4>is one of those things where they shot the entire

903
00:50:10.559 --> 00:50:16.000
<v Speaker 4>series nineteen fifty eight to fifty nine, I believe, and

904
00:50:16.840 --> 00:50:18.920
<v Speaker 4>it never aired. It was just one of those things

905
00:50:18.960 --> 00:50:22.119
<v Speaker 4>that just never aired and then it was kind of

906
00:50:22.280 --> 00:50:29.559
<v Speaker 4>basically lost essentially for until late seventies. I believe. But

907
00:50:29.880 --> 00:50:33.800
<v Speaker 4>before that, in the sixties, someone got a hold of

908
00:50:33.920 --> 00:50:38.119
<v Speaker 4>the footage and they basically, like for lack of a

909
00:50:38.159 --> 00:50:43.559
<v Speaker 4>vetteran forced edited them into like almost fake but enough

910
00:50:43.679 --> 00:50:48.599
<v Speaker 4>to show in theaters anthology horror films like where they

911
00:50:48.760 --> 00:50:53.159
<v Speaker 4>edited the episodes and then they didn't shoot anything new either.

912
00:50:53.199 --> 00:50:56.800
<v Speaker 4>They just worked the edits to say, Okay, here's a

913
00:50:57.559 --> 00:51:00.800
<v Speaker 4>here's a new anthology horror film. You know, at the

914
00:51:00.840 --> 00:51:03.960
<v Speaker 4>time of like Amakiss and stuff like that, when like

915
00:51:04.800 --> 00:51:07.000
<v Speaker 4>people who would be like, wait, this has Boris Karlov

916
00:51:07.039 --> 00:51:09.280
<v Speaker 4>in it, I don't think this is new, like said,

917
00:51:11.679 --> 00:51:14.920
<v Speaker 4>but it did get on local television. Finally in the

918
00:51:15.039 --> 00:51:18.320
<v Speaker 4>late seventies, I want to say, into the eighties, that's

919
00:51:18.360 --> 00:51:22.719
<v Speaker 4>when people really started to see it, and it had

920
00:51:22.880 --> 00:51:29.840
<v Speaker 4>a even on DVD and everything. Various DVD labels have

921
00:51:29.920 --> 00:51:32.239
<v Speaker 4>put it out over there because it's technically public domain,

922
00:51:32.400 --> 00:51:37.280
<v Speaker 4>so you know, and but you know, no one has

923
00:51:37.519 --> 00:51:40.119
<v Speaker 4>except for something weird, no one has worked with a

924
00:51:40.239 --> 00:51:44.000
<v Speaker 4>direct film before and it's something weird with their movie

925
00:51:44.079 --> 00:51:47.840
<v Speaker 4>lab which is now with us with District Picks, you know,

926
00:51:47.960 --> 00:51:50.760
<v Speaker 4>in house. And Lisa has been an amazing help with

927
00:51:51.000 --> 00:51:55.159
<v Speaker 4>this as well. For her knowledge but also because Mike Rainey,

928
00:51:55.239 --> 00:51:58.079
<v Speaker 4>you know, really got it together. And one of Tom

929
00:51:58.119 --> 00:52:04.480
<v Speaker 4>Weaver's commentaries he actually has an actor like recreate when

930
00:52:04.559 --> 00:52:08.320
<v Speaker 4>he interviewed Mike Vraaney way back when and talking about

931
00:52:08.360 --> 00:52:12.519
<v Speaker 4>how Mike Rainy found the Veil and getting into the

932
00:52:12.559 --> 00:52:19.519
<v Speaker 4>series with that. And it's pretty crazy because even I'm

933
00:52:19.599 --> 00:52:23.119
<v Speaker 4>sure people who like you know, private collectors and everything

934
00:52:23.159 --> 00:52:27.760
<v Speaker 4>who really go looking for film and everything too, it's

935
00:52:27.880 --> 00:52:31.719
<v Speaker 4>almost impossible to hear about discovering a whole almost a

936
00:52:31.760 --> 00:52:35.360
<v Speaker 4>whole series, yeah in one spot, you know, that's just

937
00:52:35.719 --> 00:52:40.000
<v Speaker 4>unheard of. But yeah, we have the complete series of that,

938
00:52:40.320 --> 00:52:45.679
<v Speaker 4>and we also have now some release. Some of the

939
00:52:45.760 --> 00:52:49.119
<v Speaker 4>DVDs had it way back when, even before Something Weird

940
00:52:50.239 --> 00:52:54.199
<v Speaker 4>always from Beat to Hell tapes transfers and everything, but

941
00:52:54.840 --> 00:52:56.519
<v Speaker 4>it was really only one or two out of all

942
00:52:56.599 --> 00:53:00.760
<v Speaker 4>the crazy public domain duties had it. Otherwise, every DVD

943
00:53:01.440 --> 00:53:04.599
<v Speaker 4>you know, Something Weird included, he would get ten episodes,

944
00:53:05.320 --> 00:53:11.119
<v Speaker 4>well there were technically eleven, technically twelve episodes produced. It's

945
00:53:11.159 --> 00:53:14.880
<v Speaker 4>so weird. One of the episodes, Jack the Ripper, they

946
00:53:15.000 --> 00:53:18.159
<v Speaker 4>shot an intro and outro with Boris Karloff, but he's

947
00:53:18.199 --> 00:53:20.239
<v Speaker 4>not actually it's the one where he's not actually in

948
00:53:20.360 --> 00:53:24.440
<v Speaker 4>it either. They definitely took footage from another from a

949
00:53:24.519 --> 00:53:29.239
<v Speaker 4>British show or movie and re edit it into a

950
00:53:29.400 --> 00:53:34.440
<v Speaker 4>veil episode. And then there was an actual veil episode

951
00:53:34.599 --> 00:53:38.599
<v Speaker 4>called Peggy also known as Whatever Happened to Peggy, which

952
00:53:39.519 --> 00:53:42.840
<v Speaker 4>sometimes was found and put on, sometimes was not, and

953
00:53:43.519 --> 00:53:45.719
<v Speaker 4>we were able to get filmed for that as well

954
00:53:45.840 --> 00:53:48.599
<v Speaker 4>finally and actually put that on. I think the only

955
00:53:48.920 --> 00:53:52.159
<v Speaker 4>SD thing on the entire disc that we had to

956
00:53:52.280 --> 00:53:57.320
<v Speaker 4>use was the intro and outro, just the credits, the

957
00:53:57.400 --> 00:54:01.960
<v Speaker 4>opening and credits for that episode Peggy. Otherwise everything is

958
00:54:02.039 --> 00:54:07.440
<v Speaker 4>from film. Another big shout out to UCLA. They have

959
00:54:08.400 --> 00:54:13.639
<v Speaker 4>the backdoor pilot the Vestress, which oh yeah, so they

960
00:54:13.800 --> 00:54:18.559
<v Speaker 4>had a great print of that, and it's the original.

961
00:54:18.960 --> 00:54:22.320
<v Speaker 4>It's called The Telephone Time. It was for Telephone Time

962
00:54:23.000 --> 00:54:27.239
<v Speaker 4>Playhouse or something like that and still produced by hal

963
00:54:27.360 --> 00:54:30.440
<v Speaker 4>Roach Studios. That's kind of why it's considered a backdoor pilot.

964
00:54:30.639 --> 00:54:33.880
<v Speaker 4>Like Boris Karloff is in it, but he doesn't do

965
00:54:33.960 --> 00:54:38.039
<v Speaker 4>the intro outro. We keep the old Telephone Time ads

966
00:54:38.360 --> 00:54:42.000
<v Speaker 4>in and it's weird because they're not quite commercials. They're

967
00:54:42.039 --> 00:54:44.920
<v Speaker 4>more like weird PSAs about why you and your family

968
00:54:44.960 --> 00:54:51.480
<v Speaker 4>should use telephones. It's bizarre for the fifties even. But

969
00:54:51.559 --> 00:54:55.480
<v Speaker 4>what we also found, which shout out to a private collector,

970
00:54:55.800 --> 00:54:59.079
<v Speaker 4>Pays Brunner, who found this like years ago too. He

971
00:54:59.519 --> 00:55:04.719
<v Speaker 4>found the Vestress was re edited to become a Veil

972
00:55:04.840 --> 00:55:09.000
<v Speaker 4>episode with a Boris Karloff intro and outro, and that

973
00:55:09.159 --> 00:55:13.159
<v Speaker 4>really hasn't been seen, I don't think since they was

974
00:55:13.199 --> 00:55:19.679
<v Speaker 4>supposed to air wo and that is included. The other big,

975
00:55:20.280 --> 00:55:25.559
<v Speaker 4>big thing that's included is this was a lost to

976
00:55:26.280 --> 00:55:32.760
<v Speaker 4>just every everywhere episode of it's called the Schlitz Playhouse

977
00:55:32.800 --> 00:55:36.079
<v Speaker 4>for the Stars. Amanda Areas is actually the commentary on

978
00:55:36.239 --> 00:55:40.960
<v Speaker 4>this because it's it's fascinating like the Beer Company. Yeah,

979
00:55:41.079 --> 00:55:44.559
<v Speaker 4>they had a television series way because back then in

980
00:55:44.639 --> 00:55:48.719
<v Speaker 4>the fifties before like Top Twilight Zone, before Utter Limits,

981
00:55:48.760 --> 00:55:53.880
<v Speaker 4>before Chiller, like for all these shows. And yes there

982
00:55:53.960 --> 00:55:58.199
<v Speaker 4>were scripted like half hour shows, you know, stuff like that,

983
00:55:58.440 --> 00:56:02.559
<v Speaker 4>but otherwise there it was all anthologies. And because it

984
00:56:02.679 --> 00:56:05.360
<v Speaker 4>was the easiest thing to show was you take a play,

985
00:56:05.559 --> 00:56:08.400
<v Speaker 4>you shoot in one or two locations tops and you

986
00:56:08.519 --> 00:56:12.599
<v Speaker 4>get it done in like under a week. And one

987
00:56:12.679 --> 00:56:15.480
<v Speaker 4>of these yeah, uh, you never knew who would sponsor

988
00:56:15.559 --> 00:56:18.480
<v Speaker 4>it either, Like, but yeah, Schlitz Schlitz Beer had a

989
00:56:18.719 --> 00:56:23.400
<v Speaker 4>uh had a series that ran. It ran a long,

990
00:56:23.559 --> 00:56:25.559
<v Speaker 4>it ran a while too, like over well over one

991
00:56:25.599 --> 00:56:30.599
<v Speaker 4>hundred something episodes. Wow, A lot of these series, A

992
00:56:30.679 --> 00:56:32.639
<v Speaker 4>lot of them. A lot of the episodes are lost

993
00:56:32.679 --> 00:56:35.800
<v Speaker 4>in general. But one of them we found, you know

994
00:56:36.239 --> 00:56:38.880
<v Speaker 4>it was it was actually an eBay listing. I think

995
00:56:38.920 --> 00:56:41.719
<v Speaker 4>we got that. We're like, oh crap, let's let's go

996
00:56:41.840 --> 00:56:45.519
<v Speaker 4>after it too, and did an all new four K

997
00:56:45.639 --> 00:56:47.920
<v Speaker 4>scan of it and I think it's the best ever.

998
00:56:48.039 --> 00:56:51.320
<v Speaker 4>Gonna look, who knows where the negative is at this point.

999
00:56:51.559 --> 00:56:54.480
<v Speaker 4>It's from a print, but it's called House of Death,

1000
00:56:54.960 --> 00:56:59.400
<v Speaker 4>and it's a horror we'll call it horror adjacent. Uh,

1001
00:56:59.800 --> 00:57:03.519
<v Speaker 4>it's more of a kind of a thriller mystery. So

1002
00:57:03.719 --> 00:57:07.119
<v Speaker 4>it's got Boris Karloff in the lead. It's another one

1003
00:57:07.400 --> 00:57:10.599
<v Speaker 4>he just did, and he's great in it. The other

1004
00:57:10.719 --> 00:57:14.559
<v Speaker 4>people involved are just amazing, and Amanda Rayes really gets

1005
00:57:14.599 --> 00:57:17.079
<v Speaker 4>into the nuts and bolts of who's involved. But what's

1006
00:57:17.199 --> 00:57:20.199
<v Speaker 4>the craziest thing which is connected to our world here

1007
00:57:21.039 --> 00:57:23.880
<v Speaker 4>is it's one of the fur very first things A

1008
00:57:23.920 --> 00:57:28.800
<v Speaker 4>guy named William Asher directed and for those who are

1009
00:57:28.960 --> 00:57:32.719
<v Speaker 4>like where do I know that name? Well, many years later,

1010
00:57:32.960 --> 00:57:37.239
<v Speaker 4>like god, almost thirty years later. He one of the

1011
00:57:37.320 --> 00:57:41.679
<v Speaker 4>few films he directed, because he directed primarily television, was

1012
00:57:41.880 --> 00:57:47.079
<v Speaker 4>of all things, Butcher Baker Nightmare Makers, right, yeah, yeah,

1013
00:57:47.920 --> 00:57:51.480
<v Speaker 4>and so that's a crazy connection. Yeah. One of his

1014
00:57:52.039 --> 00:57:55.480
<v Speaker 4>very first things he ever directed was with Boris Karloff

1015
00:57:55.679 --> 00:57:59.840
<v Speaker 4>in the nineteen fifties, and that's kind of where and

1016
00:58:00.159 --> 00:58:03.199
<v Speaker 4>that was a very lost thing. A lot of people

1017
00:58:03.400 --> 00:58:06.920
<v Speaker 4>like they knew the title, like the title that's shown

1018
00:58:07.000 --> 00:58:09.000
<v Speaker 4>up in places, but no one ever saw it before.

1019
00:58:09.199 --> 00:58:11.760
<v Speaker 4>And I think people will be really excited to see it.

1020
00:58:13.719 --> 00:58:17.039
<v Speaker 4>And again going into just finishing off the extras for

1021
00:58:17.159 --> 00:58:22.320
<v Speaker 4>that Sarah Karloff new interview with her about everything mostly

1022
00:58:22.440 --> 00:58:25.840
<v Speaker 4>again like Carloff's just television career in the fifties and

1023
00:58:26.000 --> 00:58:30.199
<v Speaker 4>when that got involved to excuse me. And the other

1024
00:58:30.320 --> 00:58:35.960
<v Speaker 4>great interview we did was with the creator Frank Beats,

1025
00:58:36.480 --> 00:58:37.599
<v Speaker 4>his daughter Barbara.

1026
00:58:38.119 --> 00:58:39.039
<v Speaker 2>She co wrote the.

1027
00:58:39.079 --> 00:58:43.719
<v Speaker 4>Book with Tom Weaver, and she just has amazing stories

1028
00:58:43.760 --> 00:58:46.880
<v Speaker 4>about his life and career and stories about making the

1029
00:58:46.960 --> 00:58:49.840
<v Speaker 4>veil too, and amazing. It's just great to see and

1030
00:58:50.320 --> 00:58:53.960
<v Speaker 4>and you know it's been scanning and restored that this

1031
00:58:54.079 --> 00:58:56.199
<v Speaker 4>is one we were able to physically do in house too,

1032
00:58:56.800 --> 00:59:01.360
<v Speaker 4>and it just came out amazing, the whole package. I'm

1033
00:59:01.480 --> 00:59:04.559
<v Speaker 4>really really proud of that too. And yeah, hopefully people

1034
00:59:04.719 --> 00:59:09.559
<v Speaker 4>rediscover it. And I know nowadays it can be tougher too,

1035
00:59:09.920 --> 00:59:12.039
<v Speaker 4>but I hope people take a chance on black and

1036
00:59:12.119 --> 00:59:14.559
<v Speaker 4>white and television for that matter.

1037
00:59:15.599 --> 00:59:17.480
<v Speaker 1>Well, so I was gonna ask, is is this you know,

1038
00:59:17.559 --> 00:59:20.280
<v Speaker 1>between VSL, and maybe that's a good segue into talking

1039
00:59:20.320 --> 00:59:22.679
<v Speaker 1>about the VSL for the month as well, But between

1040
00:59:22.760 --> 00:59:24.519
<v Speaker 1>VSL and the kind of scope you now kind of

1041
00:59:24.599 --> 00:59:26.679
<v Speaker 1>have a natural excuse to go into the fifties and

1042
00:59:26.760 --> 00:59:29.679
<v Speaker 1>forties if you can, right, yeah exactly, I would say,

1043
00:59:29.679 --> 00:59:34.599
<v Speaker 1>so yeah, so yeah, and you do meet people who

1044
00:59:34.719 --> 00:59:37.000
<v Speaker 1>just do not like black and white at all, you know,

1045
00:59:37.360 --> 00:59:37.840
<v Speaker 1>that's the same.

1046
00:59:38.000 --> 00:59:40.239
<v Speaker 3>But that's like what people who don't like subtitles. That's there.

1047
00:59:40.320 --> 00:59:43.079
<v Speaker 3>But it sucks, It really sucks. But it is a

1048
00:59:43.119 --> 00:59:46.920
<v Speaker 3>shame because especially with the advancements of technology. Let me

1049
00:59:46.960 --> 00:59:49.639
<v Speaker 3>tell you, man, I mean, I know not everybody can

1050
00:59:49.679 --> 00:59:52.159
<v Speaker 3>afford it, but I got really lucky myself. I was

1051
00:59:52.199 --> 00:59:54.440
<v Speaker 3>able to get an OLED really cheap. And let me

1052
00:59:54.519 --> 00:59:56.800
<v Speaker 3>tell you, watching Black and White on an OLED is

1053
00:59:57.280 --> 01:00:00.840
<v Speaker 3>game changing. I like, I can't wait when it doesn't

1054
01:00:00.840 --> 01:00:02.000
<v Speaker 3>even have to be a four KKE, just be a

1055
01:00:02.039 --> 01:00:05.199
<v Speaker 3>blu ray but anything. The inkiness of it, like kind

1056
01:00:05.239 --> 01:00:07.280
<v Speaker 3>of it's really I think is the closest you can

1057
01:00:07.360 --> 01:00:11.320
<v Speaker 3>get to seeing it in a theater again or you know,

1058
01:00:11.480 --> 01:00:13.400
<v Speaker 3>in any capacity of it. It just looks so good

1059
01:00:13.400 --> 01:00:15.920
<v Speaker 3>because people talk about usually I think with HDR and

1060
01:00:16.079 --> 01:00:18.639
<v Speaker 3>with in general, with four K and OLED, people talk

1061
01:00:18.679 --> 01:00:22.000
<v Speaker 3>about how the colors pop, but also the way the

1062
01:00:22.679 --> 01:00:28.920
<v Speaker 3>the black. Yeah, the contrast is just incredible. I can't

1063
01:00:28.920 --> 01:00:30.960
<v Speaker 3>stress enough that, Like it's even but you know what

1064
01:00:31.119 --> 01:00:33.119
<v Speaker 3>that being said, even on like a regular LED, they

1065
01:00:33.159 --> 01:00:36.039
<v Speaker 3>still look as good as they're ever gonna look. So

1066
01:00:36.519 --> 01:00:39.079
<v Speaker 3>it is strange because with all this talk about like

1067
01:00:39.199 --> 01:00:43.480
<v Speaker 3>Golden age for physical media, I think like people can

1068
01:00:43.559 --> 01:00:45.519
<v Speaker 3>really take that for granted. I think people also take

1069
01:00:45.559 --> 01:00:47.679
<v Speaker 3>for granted just to bring it back to Hong Kong

1070
01:00:47.760 --> 01:00:50.599
<v Speaker 3>for a second, Like I don't think people realize the

1071
01:00:50.639 --> 01:00:53.159
<v Speaker 3>reason there's such a prolific drop in this like like

1072
01:00:53.280 --> 01:00:55.719
<v Speaker 3>not just from VS, but from Shout from Arrow from

1073
01:00:56.280 --> 01:00:58.840
<v Speaker 3>eighty eight. Everybody, Yeah, yeah, everybody's getting in on it

1074
01:00:58.960 --> 01:01:03.920
<v Speaker 3>because for twenty fucking years. It was impossible to see.

1075
01:01:04.559 --> 01:01:08.199
<v Speaker 3>I grew up on that stuff on VCDs and and

1076
01:01:08.519 --> 01:01:11.320
<v Speaker 3>like and like bootleg DVDs and vhs is with them

1077
01:01:11.400 --> 01:01:15.000
<v Speaker 3>that are poorly subtitled, poorly frame, poorly transferred, and some

1078
01:01:15.159 --> 01:01:17.000
<v Speaker 3>of the some of them don't even you know, like

1079
01:01:17.079 --> 01:01:20.280
<v Speaker 3>that Severn Bruce Playtation Box. That's a great example. Yeah,

1080
01:01:20.320 --> 01:01:22.800
<v Speaker 3>it's one of the one of my favorite releases of

1081
01:01:22.880 --> 01:01:25.440
<v Speaker 3>twenty twenty four. But also, like you know, they had

1082
01:01:25.480 --> 01:01:27.800
<v Speaker 3>to source some of those just from prints from private

1083
01:01:27.840 --> 01:01:30.880
<v Speaker 3>collectors because that's all that's left. And that's a great

1084
01:01:30.920 --> 01:01:33.239
<v Speaker 3>example of showing like like for the ones that they

1085
01:01:33.280 --> 01:01:35.599
<v Speaker 3>have that they were able to properly restore it alongside

1086
01:01:35.639 --> 01:01:39.360
<v Speaker 3>it that like there's stuff that you just can't Unfortunately,

1087
01:01:39.440 --> 01:01:42.840
<v Speaker 3>that's the best version you can get. So if that's

1088
01:01:43.000 --> 01:01:45.320
<v Speaker 3>the case for some of these, why wouldn't you be

1089
01:01:45.400 --> 01:01:50.039
<v Speaker 3>excited for the other hundreds that are actually being properly resubtitled,

1090
01:01:50.119 --> 01:01:53.840
<v Speaker 3>properly restored. Because nubev has a Hong Kong night, they

1091
01:01:53.920 --> 01:01:56.519
<v Speaker 3>do some pretty rare stuff here in LA at least

1092
01:01:56.559 --> 01:02:00.199
<v Speaker 3>to at least once a month, and you know, they're

1093
01:02:00.199 --> 01:02:02.559
<v Speaker 3>obviously released prints most of the time they're very rarely

1094
01:02:02.679 --> 01:02:06.079
<v Speaker 3>newly struck like preserved prints, and even those the subtitles

1095
01:02:06.159 --> 01:02:09.519
<v Speaker 3>sometimes there is like burnt in Filipino subtitles with the

1096
01:02:09.639 --> 01:02:13.760
<v Speaker 3>English subtitles or you know, yeah, I saw some move

1097
01:02:13.800 --> 01:02:15.840
<v Speaker 3>They showed some Moonlee movie where it was like literally

1098
01:02:15.920 --> 01:02:19.320
<v Speaker 3>like three sets of subtitles. But like, you know, you

1099
01:02:19.400 --> 01:02:22.800
<v Speaker 3>can tell that that that the movie you weren't watching

1100
01:02:22.840 --> 01:02:24.719
<v Speaker 3>the version that was intended, not just in terms of

1101
01:02:24.800 --> 01:02:27.719
<v Speaker 3>the what's being spoken and translated, but even like a

1102
01:02:27.840 --> 01:02:30.559
<v Speaker 3>shootout scene or like a plot point, you can tell

1103
01:02:31.039 --> 01:02:33.280
<v Speaker 3>there's something missing. So the fact that all this stuff's

1104
01:02:33.280 --> 01:02:35.840
<v Speaker 3>coming in uncut, all at once, I don't know, it's

1105
01:02:35.920 --> 01:02:39.239
<v Speaker 3>it's it's so exciting to me to be able to

1106
01:02:39.320 --> 01:02:42.719
<v Speaker 3>get all that now, you know, because there's only so

1107
01:02:42.880 --> 01:02:44.719
<v Speaker 3>much I think people can take it for granted, because

1108
01:02:44.719 --> 01:02:48.880
<v Speaker 3>there's only so much regional exploitation. I think at some

1109
01:02:48.920 --> 01:02:50.639
<v Speaker 3>point people are gonna be like, well, what's with all

1110
01:02:50.679 --> 01:02:52.559
<v Speaker 3>the regional exploitation, what's with all the you know what

1111
01:02:52.599 --> 01:02:54.000
<v Speaker 3>I mean, Like, I think no one's ever gonna be

1112
01:02:54.039 --> 01:02:56.400
<v Speaker 3>happy with that. So yeah, so I think it's great

1113
01:02:56.519 --> 01:02:59.519
<v Speaker 3>that also are basically going on this long tangent just

1114
01:02:59.559 --> 01:03:03.079
<v Speaker 3>to say that, like it's great that there's not just

1115
01:03:03.199 --> 01:03:05.480
<v Speaker 3>Hong Kong but also like made for TV movies, Like

1116
01:03:05.519 --> 01:03:07.960
<v Speaker 3>there's so many different facets. And that also goes to

1117
01:03:08.000 --> 01:03:11.679
<v Speaker 3>the melusine side where it's not just like a peak

1118
01:03:11.719 --> 01:03:13.800
<v Speaker 3>a peak rama and a quality X release. There's also

1119
01:03:13.960 --> 01:03:16.719
<v Speaker 3>like district picks, there's the new pink line that you

1120
01:03:16.800 --> 01:03:19.960
<v Speaker 3>guys a fucking milling It Brothers Mitchell Brothers.

1121
01:03:21.960 --> 01:03:24.519
<v Speaker 4>Yeah, amazing films.

1122
01:03:25.320 --> 01:03:27.280
<v Speaker 3>Yeah, and and Chris and I are going to get

1123
01:03:27.280 --> 01:03:29.400
<v Speaker 3>into this when we do like the review episode of Celeste.

1124
01:03:29.480 --> 01:03:33.559
<v Speaker 3>But but the that behind the green Door release is

1125
01:03:34.079 --> 01:03:37.920
<v Speaker 3>essential and is like a great example of what VS

1126
01:03:38.079 --> 01:03:43.159
<v Speaker 3>does with with Like the special features are incredible, the

1127
01:03:43.239 --> 01:03:46.639
<v Speaker 3>transfer is fantastic, and like contextualizing it is fantastic. And

1128
01:03:46.719 --> 01:03:49.440
<v Speaker 3>so that's what I like about Like even with that Iconoscope,

1129
01:03:49.480 --> 01:03:52.159
<v Speaker 3>you're doing the same thing obviously, like involving the karlaf

1130
01:03:52.280 --> 01:03:54.679
<v Speaker 3>estate and not just licensing it from them, you know

1131
01:03:54.760 --> 01:03:55.960
<v Speaker 3>and getting the thumbs up from them.

1132
01:03:56.079 --> 01:03:58.639
<v Speaker 4>Yeah, and like we didn't you didn't technically have to

1133
01:03:58.800 --> 01:04:01.239
<v Speaker 4>at all, you know, you know, it's one of those

1134
01:04:01.280 --> 01:04:03.480
<v Speaker 4>it's old enough, it's almost you know, public domain, but

1135
01:04:03.639 --> 01:04:05.440
<v Speaker 4>like we're like, no, we got it. We got to

1136
01:04:05.480 --> 01:04:07.199
<v Speaker 4>include them, We got to talk to him about this,

1137
01:04:07.440 --> 01:04:11.760
<v Speaker 4>you know, and like just anyone who was involved getting

1138
01:04:12.119 --> 01:04:14.159
<v Speaker 4>the word out about the veil over the years, and

1139
01:04:14.320 --> 01:04:18.000
<v Speaker 4>like real quick, like Something Weird had a great booklet

1140
01:04:18.320 --> 01:04:22.840
<v Speaker 4>originally with the DVD, and that original essay has Tom

1141
01:04:22.880 --> 01:04:25.000
<v Speaker 4>Weaver and like, hey, do you want to revise and

1142
01:04:25.400 --> 01:04:27.719
<v Speaker 4>expand upon it and everything? He's like, oh, yeah, definitely,

1143
01:04:27.800 --> 01:04:31.400
<v Speaker 4>and he took that, he revised it, expanded upon it

1144
01:04:31.480 --> 01:04:35.320
<v Speaker 4>big time and booklet came out amazing too, because there

1145
01:04:35.400 --> 01:04:38.000
<v Speaker 4>was a lot of people involved with this one in particular.

1146
01:04:38.159 --> 01:04:42.400
<v Speaker 4>And but yeah, I'm hoping people rediscover kind of all

1147
01:04:42.480 --> 01:04:46.280
<v Speaker 4>of this, and you know, whether it's just film, whether

1148
01:04:46.400 --> 01:04:51.039
<v Speaker 4>it's you know, weird television movies and series or adult

1149
01:04:51.119 --> 01:04:54.239
<v Speaker 4>films and yeah, films from Hong Kong. I hope people

1150
01:04:54.960 --> 01:04:58.880
<v Speaker 4>take a chance on any of this from any label too, you.

1151
01:04:58.920 --> 01:05:02.960
<v Speaker 3>Know, yeah, totally. Before we get back to VSL and

1152
01:05:03.280 --> 01:05:05.960
<v Speaker 3>and the other subscriber, one thing I wanted to ask

1153
01:05:06.000 --> 01:05:08.840
<v Speaker 3>earlier when you brought up Something Weird, I just want

1154
01:05:08.880 --> 01:05:10.800
<v Speaker 3>to clarify because I remember reading the release that there

1155
01:05:10.880 --> 01:05:12.519
<v Speaker 3>was like a team up with distrip Picks and something

1156
01:05:12.559 --> 01:05:16.599
<v Speaker 3>Weird video, but it is actually like something Weird Video

1157
01:05:16.880 --> 01:05:19.559
<v Speaker 3>is now part of the VS family completely, right, like

1158
01:05:19.679 --> 01:05:23.119
<v Speaker 3>it's all or or is Something Weird still their own

1159
01:05:23.159 --> 01:05:25.880
<v Speaker 3>thing that just brought some titles into you guys.

1160
01:05:26.199 --> 01:05:30.719
<v Speaker 4>No there, it's kind of both. Okay that makes sense. Yeah, yeah,

1161
01:05:31.039 --> 01:05:33.760
<v Speaker 4>Like you know, lisas Something Weird video they do, they

1162
01:05:33.840 --> 01:05:35.800
<v Speaker 4>do their own thing as well, but a lot of

1163
01:05:35.840 --> 01:05:40.440
<v Speaker 4>the movie lab Something Weird collection ended up with Distripicks,

1164
01:05:40.559 --> 01:05:43.800
<v Speaker 4>which it's been brought into Vinegar Syndrome Film Archives, so

1165
01:05:43.840 --> 01:05:46.719
<v Speaker 4>that's kind of the whole connection. And actually yeah, stuff

1166
01:05:46.760 --> 01:05:48.599
<v Speaker 4>like behind the Green Door stuff like the nest thing,

1167
01:05:48.880 --> 01:05:54.880
<v Speaker 4>they all go into that as well too. So but

1168
01:05:55.280 --> 01:05:58.079
<v Speaker 4>but yeah they Yeah, it's kind of all one big

1169
01:05:58.960 --> 01:06:03.440
<v Speaker 4>crazy family. I guess you kind of yeah, so, but yeah,

1170
01:06:03.840 --> 01:06:07.519
<v Speaker 4>Lisa has been amazing with the word out yeah about

1171
01:06:07.559 --> 01:06:10.079
<v Speaker 4>this too, and we'll not getting the word out until

1172
01:06:10.760 --> 01:06:16.679
<v Speaker 4>we're officially announced. Uh but yeah, it's it's very exciting.

1173
01:06:16.800 --> 01:06:20.360
<v Speaker 4>It's really exciting to be involved with that. And and

1174
01:06:20.559 --> 01:06:24.159
<v Speaker 4>real quick, one thing I do love is the uh

1175
01:06:24.760 --> 01:06:29.679
<v Speaker 4>distre Picks Something Weird collaborations with the uh like s

1176
01:06:29.679 --> 01:06:34.079
<v Speaker 4>Exploitation ones as well, and those have been just incredible

1177
01:06:34.079 --> 01:06:36.760
<v Speaker 4>because I I knew kind of about them from the

1178
01:06:36.920 --> 01:06:39.199
<v Speaker 4>Something Weird Duty, but I the DVD's and such. But

1179
01:06:39.280 --> 01:06:42.000
<v Speaker 4>I and like David Friedman, you know, I knew about

1180
01:06:42.039 --> 01:06:45.519
<v Speaker 4>like the that S Exploitation documentary, but I never sat

1181
01:06:45.599 --> 01:06:48.079
<v Speaker 4>down to like really watch any of them until now

1182
01:06:48.360 --> 01:06:54.119
<v Speaker 4>basically and yeah them and restore them and they're just incredible.

1183
01:06:54.199 --> 01:06:54.400
<v Speaker 2>It was.

1184
01:06:54.519 --> 01:06:58.760
<v Speaker 4>It was a whole weird era of there because they're

1185
01:06:58.800 --> 01:07:03.519
<v Speaker 4>not fully all either the exploitation their softcore, but like

1186
01:07:04.639 --> 01:07:06.760
<v Speaker 4>they had a lot of fun, but they also took

1187
01:07:06.880 --> 01:07:11.039
<v Speaker 4>chances with shooting them and got really psychedelic, and a

1188
01:07:11.079 --> 01:07:15.119
<v Speaker 4>lot of them and or had just great sleazy but

1189
01:07:15.360 --> 01:07:18.519
<v Speaker 4>beautiful black and white, especially the New York early really

1190
01:07:18.599 --> 01:07:19.159
<v Speaker 4>early ones.

1191
01:07:19.599 --> 01:07:20.719
<v Speaker 3>Yeah, like like Career Bed.

1192
01:07:21.280 --> 01:07:24.920
<v Speaker 4>Yeah, it's just it's just crazy with all of that too.

1193
01:07:25.000 --> 01:07:29.920
<v Speaker 4>And then especially like the Fat Buck Pussycat and Yeah,

1194
01:07:30.519 --> 01:07:30.800
<v Speaker 4>oh I.

1195
01:07:30.840 --> 01:07:33.440
<v Speaker 3>Love that double Yeah, yeah, the Confessions of a PSYCHOA.

1196
01:07:34.039 --> 01:07:35.519
<v Speaker 4>Yeah, they're just insane.

1197
01:07:35.880 --> 01:07:39.360
<v Speaker 3>So you know, the one you guys just put out

1198
01:07:39.440 --> 01:07:41.480
<v Speaker 3>a great just a great testament of that is the

1199
01:07:41.559 --> 01:07:45.480
<v Speaker 3>David Friedman double of Yeah, the Adult, the Adult Jacqueline

1200
01:07:45.519 --> 01:07:46.199
<v Speaker 3>Hyde and the.

1201
01:07:48.000 --> 01:07:48.199
<v Speaker 4>Yeah.

1202
01:07:48.239 --> 01:07:51.760
<v Speaker 3>Because that booklet you guys included incredible it really and

1203
01:07:51.960 --> 01:07:54.079
<v Speaker 3>and my take on both of those movies, I had

1204
01:07:54.119 --> 01:07:55.880
<v Speaker 3>that exact same thought that you had just said, where

1205
01:07:55.880 --> 01:07:58.239
<v Speaker 3>I'm like, oh, this is just a hardcore movie that

1206
01:07:58.440 --> 01:08:01.280
<v Speaker 3>just doesn't that just opted out of penetration, even though

1207
01:08:01.360 --> 01:08:03.559
<v Speaker 3>I'm pretty sure a few scenes were unsimulated, and then

1208
01:08:03.599 --> 01:08:08.039
<v Speaker 3>the booklet kind of sort of confirms that, and you're like, damn,

1209
01:08:08.079 --> 01:08:10.599
<v Speaker 3>I wonder how this would have played if this was

1210
01:08:10.639 --> 01:08:12.440
<v Speaker 3>a porno. Because these were made right at the same

1211
01:08:12.480 --> 01:08:14.280
<v Speaker 3>time as Behind the Green Door, it was actually like

1212
01:08:14.440 --> 01:08:16.920
<v Speaker 3>really fitting to release them all kind of in the

1213
01:08:17.000 --> 01:08:20.199
<v Speaker 3>same month, Like it really kind of it's like it's

1214
01:08:20.279 --> 01:08:22.960
<v Speaker 3>really representative of an era which I love, and I

1215
01:08:23.079 --> 01:08:25.720
<v Speaker 3>think that that's really exciting that, Like every time I

1216
01:08:25.760 --> 01:08:28.760
<v Speaker 3>see a District Picks double announced, I'm really excited for

1217
01:08:28.880 --> 01:08:30.680
<v Speaker 3>it for that reason. I mean, that's that's really much,

1218
01:08:30.920 --> 01:08:36.119
<v Speaker 3>very much in my wheelhouse because it's great, great stuff. Yeah, sorry, Chris,

1219
01:08:36.159 --> 01:08:37.239
<v Speaker 3>I think you were about to say something.

1220
01:08:38.319 --> 01:08:38.920
<v Speaker 2>No, it's okay.

1221
01:08:39.119 --> 01:08:41.159
<v Speaker 1>I was just gonna say, before we move too much

1222
01:08:41.199 --> 01:08:43.880
<v Speaker 1>on from Hong Kong, y'all have an angel in your

1223
01:08:45.319 --> 01:08:48.159
<v Speaker 1>at least not maybe not staff, but at least in

1224
01:08:48.239 --> 01:08:52.479
<v Speaker 1>your circle named Pearl, Right, from Kanye Y, from.

1225
01:08:52.439 --> 01:08:56.960
<v Speaker 4>Connie too, and she is incredible just getting this all

1226
01:08:57.039 --> 01:09:01.199
<v Speaker 4>together and just has been We're like a guardian angel

1227
01:09:01.359 --> 01:09:05.880
<v Speaker 4>to our shepherd even to get all these through in

1228
01:09:05.920 --> 01:09:06.920
<v Speaker 4>the end so well.

1229
01:09:06.920 --> 01:09:08.920
<v Speaker 1>Because that's there's so much in Hong Kong movies. And

1230
01:09:08.960 --> 01:09:10.720
<v Speaker 1>I learned this from Mike and Arna, but I think

1231
01:09:10.760 --> 01:09:13.079
<v Speaker 1>there's a good example of this too. There's so much

1232
01:09:13.159 --> 01:09:17.479
<v Speaker 1>context that's lost if you weren't around at the time

1233
01:09:17.520 --> 01:09:19.960
<v Speaker 1>these movies were being made. Because even even if it's

1234
01:09:20.000 --> 01:09:22.359
<v Speaker 1>a period piece like a Wisha period piece, they might

1235
01:09:22.439 --> 01:09:25.239
<v Speaker 1>still slip in slang or some kind of reference if

1236
01:09:25.319 --> 01:09:27.199
<v Speaker 1>especially if it's a comedy or something. And I think

1237
01:09:27.680 --> 01:09:30.279
<v Speaker 1>having somebody like Frank Jang or Pearl that knows that

1238
01:09:30.439 --> 01:09:33.239
<v Speaker 1>has that historical context, it makes it into the subtitles

1239
01:09:33.239 --> 01:09:35.239
<v Speaker 1>and then it becomes it comes more alive.

1240
01:09:35.399 --> 01:09:39.319
<v Speaker 4>Right. Yeah. And Pearl actually she did a great featurette

1241
01:09:39.359 --> 01:09:43.319
<v Speaker 4>with going Back Real Quick to Ebola Syndrome. It's a

1242
01:09:43.359 --> 01:09:46.000
<v Speaker 4>great feature atte with Herman Yao, and they talk about

1243
01:09:46.479 --> 01:09:51.279
<v Speaker 4>like sometimes translating Cantonese and even a manderin it could

1244
01:09:51.279 --> 01:09:55.680
<v Speaker 4>be tough because there are multiple meanings to different words

1245
01:09:55.760 --> 01:09:58.359
<v Speaker 4>and some of it is slang, and even the slang

1246
01:09:58.439 --> 01:10:02.079
<v Speaker 4>can have multiple versions, and well which one's right? Well

1247
01:10:02.119 --> 01:10:04.560
<v Speaker 4>they're both right and or they're both wrong.

1248
01:10:07.199 --> 01:10:11.479
<v Speaker 2>It's like I always always attributed to reading Miguel a Servant.

1249
01:10:11.560 --> 01:10:11.880
<v Speaker 4>What's the.

1250
01:10:13.880 --> 01:10:17.159
<v Speaker 2>What's the Miguel Servant is don Quixote? Don Quixote?

1251
01:10:17.479 --> 01:10:19.560
<v Speaker 1>Yeah, I've always heard this is from one of my

1252
01:10:19.640 --> 01:10:24.399
<v Speaker 1>earliest memories of like English class unless you speak ancient Spanish,

1253
01:10:25.159 --> 01:10:26.279
<v Speaker 1>the miss like half the jokes.

1254
01:10:26.600 --> 01:10:27.880
<v Speaker 4>Yeah, it's still a.

1255
01:10:27.880 --> 01:10:30.359
<v Speaker 1>Really funny book, but it's just like if you at

1256
01:10:30.399 --> 01:10:32.159
<v Speaker 1>the time, it's the funniest thing you've ever seen.

1257
01:10:32.479 --> 01:10:35.760
<v Speaker 4>Yeah, apparently, Yeah that's anyway.

1258
01:10:36.359 --> 01:10:38.920
<v Speaker 1>Well, so what about like before we get into cinematograph,

1259
01:10:38.960 --> 01:10:41.119
<v Speaker 1>what about VSL because we tapped on that earlier, So

1260
01:10:41.359 --> 01:10:43.239
<v Speaker 1>what tell us a little bit about the VSL title?

1261
01:10:43.840 --> 01:10:47.560
<v Speaker 4>Real quick? One more? Oh yeah, yeah, yeah, is uh,

1262
01:10:48.279 --> 01:10:50.000
<v Speaker 4>because I don't want it to get lost, because it's

1263
01:10:50.359 --> 01:10:54.119
<v Speaker 4>it's been lost a lot since it's been its releases.

1264
01:10:54.199 --> 01:10:57.119
<v Speaker 4>But Dario Gento's Phantom of the Opera I want to

1265
01:10:57.199 --> 01:11:01.720
<v Speaker 4>talk about too, and that is one where I think

1266
01:11:01.800 --> 01:11:04.720
<v Speaker 4>it's gotten kind of a bad rep you know, some

1267
01:11:04.840 --> 01:11:07.359
<v Speaker 4>people say that too, and I agree, But I love

1268
01:11:07.439 --> 01:11:09.800
<v Speaker 4>it well, I was gonna say, I don't agree. I

1269
01:11:09.840 --> 01:11:14.119
<v Speaker 4>think it's amazing, you know, and it's a beautiful, it's

1270
01:11:14.479 --> 01:11:18.680
<v Speaker 4>gory as hell. Yeah, and you know, resting power to

1271
01:11:19.439 --> 01:11:23.920
<v Speaker 4>seeing great uh you know, uh, Julian Warner again too,

1272
01:11:24.359 --> 01:11:28.840
<v Speaker 4>and they're Julian Sands sorry Jesus David Warren, but seeing

1273
01:11:28.880 --> 01:11:32.479
<v Speaker 4>Julian stands again and any capacity in any film is

1274
01:11:33.199 --> 01:11:37.119
<v Speaker 4>great and fantastic, and you know, all of his work

1275
01:11:37.159 --> 01:11:40.359
<v Speaker 4>can be really appreciated, and this is one where he

1276
01:11:40.520 --> 01:11:44.319
<v Speaker 4>did such a great job in this and it is amazing,

1277
01:11:44.600 --> 01:11:49.520
<v Speaker 4>and I hope people do really rediscover this one because

1278
01:11:49.800 --> 01:11:53.720
<v Speaker 4>it again, it's gotten a bad rep I think unnecessary.

1279
01:11:53.840 --> 01:11:57.319
<v Speaker 4>A lot of our Gento's you know, we'll call him,

1280
01:11:57.720 --> 01:12:01.000
<v Speaker 4>you know, nineties on where basically after Stendhall Syndrome have

1281
01:12:01.079 --> 01:12:04.600
<v Speaker 4>gotten really bad reps, and I don't think they're deserved

1282
01:12:04.760 --> 01:12:06.800
<v Speaker 4>at all. I think a lot of them are fantastic

1283
01:12:06.880 --> 01:12:09.840
<v Speaker 4>films and I hope people see that too. And this

1284
01:12:10.000 --> 01:12:16.000
<v Speaker 4>is another loaded, amazing package with just every interview you want,

1285
01:12:16.159 --> 01:12:17.039
<v Speaker 4>you know, I.

1286
01:12:17.319 --> 01:12:18.520
<v Speaker 3>Just want to. I want to. I want to be

1287
01:12:18.560 --> 01:12:20.680
<v Speaker 3>a testament to that for a second, because I'm always

1288
01:12:20.680 --> 01:12:22.119
<v Speaker 3>happy to eat my words when I have to. And

1289
01:12:22.119 --> 01:12:25.000
<v Speaker 3>I remember when Stenhall was announced, I was like, all right, fine,

1290
01:12:25.239 --> 01:12:27.520
<v Speaker 3>you know I didn't. I wasn't. I wasn't upset, but

1291
01:12:27.640 --> 01:12:30.560
<v Speaker 3>it was I. I shrugged pretty basically, I was like, okay, cool,

1292
01:12:30.840 --> 01:12:32.279
<v Speaker 3>but you know what, I hadn't seen it in twenty

1293
01:12:32.319 --> 01:12:32.840
<v Speaker 3>plus years.

1294
01:12:32.880 --> 01:12:33.560
<v Speaker 5>I was And and.

1295
01:12:35.079 --> 01:12:36.840
<v Speaker 3>I think what people run into a lot of the

1296
01:12:36.880 --> 01:12:40.520
<v Speaker 3>problems with the later Argento stuff is is Brett Brevity

1297
01:12:40.720 --> 01:12:43.680
<v Speaker 3>isn't there? You know, these these movies tlalking at two hours,

1298
01:12:43.760 --> 01:12:45.439
<v Speaker 3>and depending on how you feel about the movie, you

1299
01:12:45.479 --> 01:12:48.319
<v Speaker 3>can you can kind of feel it. But when I

1300
01:12:48.399 --> 01:12:53.079
<v Speaker 3>rewatched Stenhall this weekend, I was like, oh, I was wrong.

1301
01:12:53.760 --> 01:12:56.359
<v Speaker 3>This is good. This is this is a good movie.

1302
01:12:56.439 --> 01:12:59.039
<v Speaker 3>This really deals with uh, stuff that I think people

1303
01:12:59.079 --> 01:13:01.960
<v Speaker 3>would say is too on the now, you know, like,

1304
01:13:02.520 --> 01:13:05.279
<v Speaker 3>and it's in how it deals with trauma. Even though

1305
01:13:05.319 --> 01:13:07.359
<v Speaker 3>you made another movie called trauma. This actually I think

1306
01:13:07.840 --> 01:13:09.439
<v Speaker 3>it should really be the one called trauma.

1307
01:13:09.880 --> 01:13:11.520
<v Speaker 4>Yeah, definitely, I agree.

1308
01:13:12.000 --> 01:13:14.199
<v Speaker 3>But yeah, and that really speaks to that, and which

1309
01:13:14.319 --> 01:13:17.239
<v Speaker 3>made me more open to Phantom getting announced. When I

1310
01:13:17.279 --> 01:13:19.479
<v Speaker 3>saw that announcement, I was like, and I've been waiting

1311
01:13:19.520 --> 01:13:21.520
<v Speaker 3>on Terror Firmer because I've been dying to revisit it,

1312
01:13:22.800 --> 01:13:25.239
<v Speaker 3>and like, so these two back to back. I was like,

1313
01:13:25.319 --> 01:13:27.520
<v Speaker 3>oh great, and I'm glad you circled back to it

1314
01:13:27.640 --> 01:13:30.960
<v Speaker 3>because you know, it's cool that these get region A

1315
01:13:31.239 --> 01:13:33.039
<v Speaker 3>like four k's you know, you guys get to restore

1316
01:13:33.079 --> 01:13:35.720
<v Speaker 3>them from the negatives. They look great and they they

1317
01:13:36.199 --> 01:13:39.079
<v Speaker 3>what what's really fun about them? And to each their

1318
01:13:39.119 --> 01:13:40.720
<v Speaker 3>own on how they pursue this part. But you know

1319
01:13:41.479 --> 01:13:46.079
<v Speaker 3>the effects are so unbelievably nineties. Yeah, and you really

1320
01:13:46.479 --> 01:13:48.840
<v Speaker 3>the the I think this is the one place where

1321
01:13:48.880 --> 01:13:51.159
<v Speaker 3>four K makes it something very interesting in a make

1322
01:13:51.239 --> 01:13:55.039
<v Speaker 3>or break because it really reveals kind of a certain look.

1323
01:13:55.319 --> 01:13:57.720
<v Speaker 3>And like I said, when you guys did Virtuosity, that's

1324
01:13:57.800 --> 01:14:01.159
<v Speaker 3>one of my favorite nineties I love that movie very

1325
01:14:01.520 --> 01:14:02.479
<v Speaker 3>very dearly.

1326
01:14:02.439 --> 01:14:06.560
<v Speaker 4>And I forgot I forgot completely about UFC in like

1327
01:14:06.840 --> 01:14:11.000
<v Speaker 4>nineties early UFC totally that film at all, you know,

1328
01:14:11.239 --> 01:14:12.920
<v Speaker 4>so that was insane to see.

1329
01:14:13.039 --> 01:14:16.479
<v Speaker 3>So that's awesome. I was like so excited about that,

1330
01:14:16.680 --> 01:14:18.880
<v Speaker 3>and like, yeah, I love that that UFC sequence, but

1331
01:14:19.039 --> 01:14:21.239
<v Speaker 3>like also just you get to see the effects and

1332
01:14:21.319 --> 01:14:25.119
<v Speaker 3>how they look in four K. It's really funny because

1333
01:14:25.119 --> 01:14:27.279
<v Speaker 3>who knows how those were rendered back then and what

1334
01:14:27.479 --> 01:14:29.079
<v Speaker 3>what resolutions.

1335
01:14:28.439 --> 01:14:32.520
<v Speaker 4>So to be at that upscale and like, I'll you know,

1336
01:14:32.800 --> 01:14:36.439
<v Speaker 4>even more power to them when like something like Star

1337
01:14:36.560 --> 01:14:38.840
<v Speaker 4>Trek and the series and the movies where they re

1338
01:14:39.079 --> 01:14:43.159
<v Speaker 4>rendered the effects and like them from the beginning. A

1339
01:14:43.279 --> 01:14:46.560
<v Speaker 4>lot of these they're like, nope, like this negative and

1340
01:14:46.640 --> 01:14:48.760
<v Speaker 4>this film is like all that the best that exists

1341
01:14:48.840 --> 01:14:53.119
<v Speaker 4>for these particular effects. You know, you'd have to basically

1342
01:14:53.279 --> 01:14:53.640
<v Speaker 4>make them.

1343
01:14:54.199 --> 01:14:55.640
<v Speaker 2>That's like that's how it should be.

1344
01:14:55.680 --> 01:14:57.039
<v Speaker 1>I mean, I know we're on the same page here,

1345
01:14:57.119 --> 01:14:59.359
<v Speaker 1>so it's ye, like but like you don't need to

1346
01:14:59.399 --> 01:15:01.560
<v Speaker 1>go redoce Star you don't need to redo a these movies.

1347
01:15:01.640 --> 01:15:04.319
<v Speaker 1>Like people can they can wrap their minds around the

1348
01:15:04.359 --> 01:15:06.520
<v Speaker 1>fact that this is a fifties sixty seventies like you know,

1349
01:15:07.039 --> 01:15:07.760
<v Speaker 1>like people get it.

1350
01:15:08.119 --> 01:15:09.600
<v Speaker 2>You just just show it how it was shown at

1351
01:15:09.600 --> 01:15:09.840
<v Speaker 2>the time.

1352
01:15:10.279 --> 01:15:13.000
<v Speaker 3>That's actually a great bridge. We almost forgot about this.

1353
01:15:13.960 --> 01:15:16.039
<v Speaker 3>Speaking of things that like really pop like in four

1354
01:15:16.159 --> 01:15:18.439
<v Speaker 3>K with these like really like kind of sort of

1355
01:15:18.560 --> 01:15:22.640
<v Speaker 3>analog digital hybrids of the nineties. Tank Girl gotta be.

1356
01:15:22.760 --> 01:15:26.960
<v Speaker 4>Ss yeah, the big one. Yeah, saying that for last time.

1357
01:15:27.319 --> 01:15:29.680
<v Speaker 3>Oh okay, yeah, yeah, let's let's.

1358
01:15:29.600 --> 01:15:33.399
<v Speaker 4>Jump anto it now because Tank Girl is just amazing

1359
01:15:34.439 --> 01:15:38.039
<v Speaker 4>one of those, and it looked great before this, but man,

1360
01:15:38.279 --> 01:15:41.840
<v Speaker 4>the four K talk about popping. It's just incredible. It

1361
01:15:41.960 --> 01:15:45.720
<v Speaker 4>was shot for like the ultimate you know, eye popping

1362
01:15:45.960 --> 01:15:48.199
<v Speaker 4>color as much as you can in the apocalypse, I

1363
01:15:48.199 --> 01:15:50.720
<v Speaker 4>guess the post apocalyptic world. I guess you'd say, uh,

1364
01:15:51.399 --> 01:15:53.760
<v Speaker 4>and especially with like the animated sequences.

1365
01:15:54.439 --> 01:15:56.720
<v Speaker 3>That's what I thought of the first thing you talking

1366
01:15:56.760 --> 01:15:58.039
<v Speaker 3>about that it.

1367
01:15:58.119 --> 01:16:02.279
<v Speaker 4>Was crazy Again. I'll other loaded disc with all new extras.

1368
01:16:02.720 --> 01:16:05.720
<v Speaker 4>We have a kind of a great featurette that Claudia

1369
01:16:05.880 --> 01:16:07.920
<v Speaker 4>Proble and produced to She did a lot of the

1370
01:16:08.000 --> 01:16:12.039
<v Speaker 4>production on this one, especially, but where the director and

1371
01:16:12.560 --> 01:16:14.680
<v Speaker 4>I believe that one of the original comic book artists,

1372
01:16:15.199 --> 01:16:19.119
<v Speaker 4>if I'm not mistaken. They it's a teaching class on

1373
01:16:19.399 --> 01:16:23.720
<v Speaker 4>drawing tank Girl nowadays too, and it's it's pretty it's

1374
01:16:23.760 --> 01:16:27.439
<v Speaker 4>pretty interesting and h So, yeah, that's a cool feature atte.

1375
01:16:27.479 --> 01:16:32.319
<v Speaker 4>But yeah, new Lori Petty interview and it's just revisiting

1376
01:16:32.399 --> 01:16:35.479
<v Speaker 4>it now. It's still top tier film.

1377
01:16:35.960 --> 01:16:37.880
<v Speaker 2>You know, that was when when I was growing up.

1378
01:16:37.920 --> 01:16:39.560
<v Speaker 1>I think we're all roughly around the same age, but

1379
01:16:39.680 --> 01:16:41.479
<v Speaker 1>when I was growing up, tank Girl had a specific

1380
01:16:41.600 --> 01:16:45.079
<v Speaker 1>place as this sort of like feminine power movie that

1381
01:16:45.199 --> 01:16:45.800
<v Speaker 1>wasn't cheesy.

1382
01:16:46.359 --> 01:16:49.239
<v Speaker 4>Yeah, like it was just fun and like, you know,

1383
01:16:49.359 --> 01:16:49.920
<v Speaker 4>it was great.

1384
01:16:50.119 --> 01:16:52.239
<v Speaker 1>Yeah, and it was a really kind of a cultural movement.

1385
01:16:52.279 --> 01:16:54.399
<v Speaker 1>It was one that you you would sort of you

1386
01:16:54.479 --> 01:16:56.199
<v Speaker 1>can almost tell if you're going to like somebody or

1387
01:16:56.239 --> 01:16:58.760
<v Speaker 1>not based on how they how interested they weren't seeing it,

1388
01:16:58.800 --> 01:16:59.600
<v Speaker 1>whether or not they like it.

1389
01:16:59.640 --> 01:17:00.199
<v Speaker 2>That's when thing.

1390
01:17:00.439 --> 01:17:02.640
<v Speaker 1>Yeah, people that were just like, I'm never going to

1391
01:17:02.680 --> 01:17:04.159
<v Speaker 1>see it, that's dumb, and you're kind of like, oh, okay,

1392
01:17:04.159 --> 01:17:05.680
<v Speaker 1>I'm not going to be friends with you, Like that's okay.

1393
01:17:06.920 --> 01:17:08.600
<v Speaker 2>But this is like a very defining movie for a

1394
01:17:08.600 --> 01:17:09.079
<v Speaker 2>lot of people.

1395
01:17:09.119 --> 01:17:12.800
<v Speaker 4>I think, oh yeah, And it's just the soundtrack is

1396
01:17:13.079 --> 01:17:16.520
<v Speaker 4>amazing too, especially nowadays re listening to it, and then

1397
01:17:17.239 --> 01:17:19.560
<v Speaker 4>I think, it's all the movies I've watched ate at

1398
01:17:19.600 --> 01:17:22.199
<v Speaker 4>least the first time, you know, I'm a punk fan too,

1399
01:17:22.319 --> 01:17:25.840
<v Speaker 4>and hearing face to face in uh you know in

1400
01:17:25.960 --> 01:17:29.520
<v Speaker 4>this was just like, Wow, Okay, I forgot that was it.

1401
01:17:31.439 --> 01:17:34.399
<v Speaker 4>Anker was one. It had been probably yeah, like twenty

1402
01:17:34.479 --> 01:17:37.640
<v Speaker 4>twenty five years since I saw it until we restored

1403
01:17:37.680 --> 01:17:41.760
<v Speaker 4>it too. So it's so that's a loaded amazing vsu

1404
01:17:42.159 --> 01:17:45.399
<v Speaker 4>uh worth worth it. It's just it's just so.

1405
01:17:45.560 --> 01:17:49.079
<v Speaker 1>Good, so did you there's no there's no behind the

1406
01:17:49.079 --> 01:17:51.119
<v Speaker 1>scenes features for many of the musicians, though, right.

1407
01:17:51.840 --> 01:17:54.640
<v Speaker 4>I don't think we know. That's okay, we realized. I

1408
01:17:54.680 --> 01:17:57.600
<v Speaker 4>think I think we did presume and we just couldn't

1409
01:17:57.600 --> 01:18:01.159
<v Speaker 4>get any of it. I thought there is really look

1410
01:18:01.199 --> 01:18:01.800
<v Speaker 4>at it here.

1411
01:18:02.039 --> 01:18:03.319
<v Speaker 3>I haven't pulled up right now, I can tell you

1412
01:18:03.399 --> 01:18:05.880
<v Speaker 3>there's there's You're right, I see it here. A new

1413
01:18:05.880 --> 01:18:09.880
<v Speaker 3>featurette with director Rachel Talalay and artist Gary Baseman. Yeah. Oh,

1414
01:18:10.039 --> 01:18:12.039
<v Speaker 3>you guys got Catherine Hardwick to do an interview.

1415
01:18:12.119 --> 01:18:16.119
<v Speaker 4>That's awesome. Ye, she's great too. But yeah, I don't

1416
01:18:16.239 --> 01:18:19.560
<v Speaker 4>believe anything. Yeah, anything to unfortunately too. But we did

1417
01:18:19.600 --> 01:18:21.920
<v Speaker 4>get the new stuff about the Rippers, which is really

1418
01:18:22.000 --> 01:18:27.199
<v Speaker 4>cool to see from Winston Studio. And yeah, just again

1419
01:18:27.319 --> 01:18:30.439
<v Speaker 4>another film which people haven't seen it or just heard

1420
01:18:30.479 --> 01:18:33.439
<v Speaker 4>about it. They haven't taken a look at it, you know,

1421
01:18:33.600 --> 01:18:37.720
<v Speaker 4>in years or ever. I hope people see it, especially

1422
01:18:37.800 --> 01:18:40.840
<v Speaker 4>nowadays with like the Mad Max and Fury Riosa and

1423
01:18:41.039 --> 01:18:43.600
<v Speaker 4>all of that. Go to Tank Girl because it's.

1424
01:18:43.439 --> 01:18:46.039
<v Speaker 3>A lot of fun it And you have at the

1425
01:18:46.720 --> 01:18:49.800
<v Speaker 3>some some kind of friends of vs. Heather Draine and

1426
01:18:50.000 --> 01:18:54.560
<v Speaker 3>Elizabeth Burchell doing some essay work too, so that that's awesome.

1427
01:18:54.680 --> 01:18:56.960
<v Speaker 4>Yeah, they all do great work for this too.

1428
01:18:57.199 --> 01:19:01.319
<v Speaker 2>So yeah, I love all of the disc producers that

1429
01:19:01.399 --> 01:19:01.680
<v Speaker 2>you all have.

1430
01:19:01.920 --> 01:19:04.640
<v Speaker 1>You got really lucky, I think. But just since you're

1431
01:19:04.680 --> 01:19:06.600
<v Speaker 1>here in case this helps her good at promotion. I

1432
01:19:06.640 --> 01:19:09.319
<v Speaker 1>want to say, I love when Claudia produces a disc

1433
01:19:09.439 --> 01:19:14.840
<v Speaker 1>because it's the art design, the production design, the She's

1434
01:19:14.840 --> 01:19:18.159
<v Speaker 1>just got such a visual imagination, visual mind with her

1435
01:19:18.199 --> 01:19:20.560
<v Speaker 1>background that I just I love. I can always see

1436
01:19:20.680 --> 01:19:22.199
<v Speaker 1>like when it's one of her discs and I get

1437
01:19:22.199 --> 01:19:24.720
<v Speaker 1>excited because it's like a it's like, you know, she

1438
01:19:24.840 --> 01:19:26.760
<v Speaker 1>really digs into like the vibe and the feel and

1439
01:19:26.840 --> 01:19:28.479
<v Speaker 1>the and the you know, the way the movie kind

1440
01:19:28.479 --> 01:19:29.439
<v Speaker 1>of touches you, which I love.

1441
01:19:29.840 --> 01:19:34.560
<v Speaker 4>Oh yeah, absolutely so she and you and also you

1442
01:19:34.680 --> 01:19:37.319
<v Speaker 4>and can't do they do fantastic work also. Yeah, and

1443
01:19:37.560 --> 01:19:40.079
<v Speaker 4>just you know, we were very lucky in the producers

1444
01:19:40.119 --> 01:19:43.039
<v Speaker 4>who were work with, uh Elijah Dreunner another big one

1445
01:19:43.119 --> 01:19:47.720
<v Speaker 4>who doesn't work too, and you know, we're very lucky

1446
01:19:47.920 --> 01:19:50.239
<v Speaker 4>with who were able to get you know, producing all

1447
01:19:50.279 --> 01:19:50.720
<v Speaker 4>this stuff.

1448
01:19:50.800 --> 01:19:54.319
<v Speaker 3>So when when you guys do location, that's one of

1449
01:19:54.359 --> 01:19:56.600
<v Speaker 3>my favorite for features when they go to like visit

1450
01:19:56.720 --> 01:19:59.520
<v Speaker 3>locations I think I think Elijah did a few of

1451
01:19:59.560 --> 01:20:01.279
<v Speaker 3>those that could be wrong, but I just remember like

1452
01:20:01.319 --> 01:20:02.600
<v Speaker 3>there was a good yeah and then you guys, you

1453
01:20:02.640 --> 01:20:04.239
<v Speaker 3>guys got one. One of my favorite ones was for

1454
01:20:04.319 --> 01:20:08.640
<v Speaker 3>Crackhouse with the VSA Oh yeah, yeah, great great features.

1455
01:20:09.279 --> 01:20:10.880
<v Speaker 3>I just because well because you know what it is.

1456
01:20:10.960 --> 01:20:12.640
<v Speaker 3>I I the reason I bring that one up is

1457
01:20:12.680 --> 01:20:14.880
<v Speaker 3>that I think with one thing you guys kind of

1458
01:20:14.880 --> 01:20:16.840
<v Speaker 3>get just naturally built into a lot of the movies

1459
01:20:16.880 --> 01:20:19.600
<v Speaker 3>you restore is good New York footage or good San

1460
01:20:19.680 --> 01:20:22.039
<v Speaker 3>Francisco footage, not just in the not just on the

1461
01:20:22.079 --> 01:20:24.880
<v Speaker 3>adult side, but but just in a lot of the

1462
01:20:24.920 --> 01:20:27.119
<v Speaker 3>movies from their low budgetness. And sometimes you'll get some

1463
01:20:27.159 --> 01:20:29.760
<v Speaker 3>other good regional stuff obviously just from a lot of

1464
01:20:29.840 --> 01:20:33.079
<v Speaker 3>the the trauma titles they acquired, the regional stuff they got.

1465
01:20:33.119 --> 01:20:35.920
<v Speaker 3>But like crack House, that that's a good LA one.

1466
01:20:36.199 --> 01:20:41.039
<v Speaker 3>That's like there's got some real good LA you know, Yeah,

1467
01:20:41.079 --> 01:20:41.520
<v Speaker 3>that's great.

1468
01:20:42.079 --> 01:20:46.680
<v Speaker 4>Yeah, And for locations, I mean crazy segue, but uh,

1469
01:20:48.039 --> 01:20:51.600
<v Speaker 4>I've been a big fan seeing all the Sato where

1470
01:20:51.600 --> 01:20:54.840
<v Speaker 4>he goes back to where he shot Sato films, and

1471
01:20:55.199 --> 01:20:58.479
<v Speaker 4>it is just because of the Sato film you have

1472
01:20:58.560 --> 01:21:01.479
<v Speaker 4>not seen a pink film and it's we'll say it's

1473
01:21:01.880 --> 01:21:04.479
<v Speaker 4>it's an acquire taste. The people who love it though,

1474
01:21:04.840 --> 01:21:05.840
<v Speaker 4>they love them.

1475
01:21:05.920 --> 01:21:08.720
<v Speaker 3>Oh yeah, I'm one of them, and I am late,

1476
01:21:09.079 --> 01:21:10.720
<v Speaker 3>you know, I you know, And.

1477
01:21:10.800 --> 01:21:13.760
<v Speaker 4>This is my first time really discovering them was when

1478
01:21:13.840 --> 01:21:18.439
<v Speaker 4>we did the Sato's and now seeing what's upcoming, not

1479
01:21:18.680 --> 01:21:21.439
<v Speaker 4>just Sato but other ones upcoming are just they get

1480
01:21:21.520 --> 01:21:26.319
<v Speaker 4>more crazier and crazier and just nihilistic but also lynching

1481
01:21:26.399 --> 01:21:28.640
<v Speaker 4>in too in a lot of ways. And it's just

1482
01:21:28.800 --> 01:21:31.800
<v Speaker 4>gets nuts for and it's not what you expect when

1483
01:21:31.840 --> 01:21:35.720
<v Speaker 4>you say, oh yeah Japanese exploitation, Like no, it's they

1484
01:21:35.720 --> 01:21:36.800
<v Speaker 4>are way beyond that.

1485
01:21:38.279 --> 01:21:41.239
<v Speaker 3>Oh yeah, I got a great taste of that with Mondo. Yeah,

1486
01:21:41.279 --> 01:21:43.279
<v Speaker 3>Mona Macabro did a few that really are like, oh,

1487
01:21:43.319 --> 01:21:45.279
<v Speaker 3>these are considered some of these are considered pink films

1488
01:21:45.359 --> 01:21:48.640
<v Speaker 3>technically or like you know, Pinky's in some capacity. And

1489
01:21:48.840 --> 01:21:52.960
<v Speaker 3>I'm really excited for Sato Volume three because of uh

1490
01:21:53.880 --> 01:21:57.600
<v Speaker 3>Turtle Vision I long heard is like a must watch.

1491
01:21:58.239 --> 01:21:59.880
<v Speaker 3>So really really stoked about that one.

1492
01:22:00.199 --> 01:22:01.119
<v Speaker 4>I can't even describe.

1493
01:22:02.439 --> 01:22:06.279
<v Speaker 3>Yeah, I already I figured as much. I actually, you know,

1494
01:22:06.479 --> 01:22:09.119
<v Speaker 3>just a quick tangent. But since we're talking about Sato,

1495
01:22:09.199 --> 01:22:11.199
<v Speaker 3>and and that's obviously one of the releases, this one

1496
01:22:11.479 --> 01:22:14.640
<v Speaker 3>definitely really exciting that that's on there. But like, and

1497
01:22:14.760 --> 01:22:17.279
<v Speaker 3>what's crazy is depending on who you're talking to with SA,

1498
01:22:18.000 --> 01:22:22.359
<v Speaker 3>that could be like what someone's like gnarly is another

1499
01:22:22.439 --> 01:22:24.760
<v Speaker 3>person's treasure, do you know what I mean? Because some

1500
01:22:24.800 --> 01:22:28.920
<v Speaker 3>people will say like, oh right, right, yeah, yeah, and

1501
01:22:29.119 --> 01:22:30.880
<v Speaker 3>some people be like, oh yeah, turtle visions fucked up.

1502
01:22:30.920 --> 01:22:33.560
<v Speaker 3>But wait till you get to like the one with

1503
01:22:33.680 --> 01:22:37.319
<v Speaker 3>the Man, Woman Horse or whatever that title is, you

1504
01:22:37.359 --> 01:22:39.560
<v Speaker 3>know what I mean, Like, it's it's crazy how much

1505
01:22:39.840 --> 01:22:45.000
<v Speaker 3>wilder it can it can get, and so really exciting

1506
01:22:45.119 --> 01:22:47.680
<v Speaker 3>that you guys did another because I think with the

1507
01:22:48.079 --> 01:22:52.119
<v Speaker 3>with the pink films particularly, uh, Like, I know there's

1508
01:22:52.239 --> 01:22:55.359
<v Speaker 3>other non satos to get to, but I do think,

1509
01:22:55.520 --> 01:22:59.760
<v Speaker 3>I do think, and I think it's a great baptism

1510
01:22:59.840 --> 01:23:02.439
<v Speaker 3>by fire though to go through these, because they're all

1511
01:23:02.560 --> 01:23:05.439
<v Speaker 3>very short anyways, So I think you'll know SATO is

1512
01:23:05.439 --> 01:23:07.800
<v Speaker 3>such a great entry point because if you do like these,

1513
01:23:07.880 --> 01:23:09.880
<v Speaker 3>you know you'll be in for other good stuff too,

1514
01:23:10.479 --> 01:23:12.800
<v Speaker 3>And if you don't, I can't see it being an

1515
01:23:12.920 --> 01:23:16.560
<v Speaker 3>upward journey at that point for a person right, So

1516
01:23:16.880 --> 01:23:21.199
<v Speaker 3>like that's before we finish out with the cinematograph and VSL.

1517
01:23:21.319 --> 01:23:23.600
<v Speaker 3>I just really quick would love to just touch on

1518
01:23:23.800 --> 01:23:26.079
<v Speaker 3>the quality X title Maraschino Cherry.

1519
01:23:26.159 --> 01:23:30.560
<v Speaker 4>Absolutely yeah, and also related to I love to talk

1520
01:23:30.560 --> 01:23:35.319
<v Speaker 4>about I think also Resurrection of Eve up there too.

1521
01:23:35.680 --> 01:23:38.960
<v Speaker 4>But yeah, Marischino Cherry is just an amazing you know.

1522
01:23:39.560 --> 01:23:42.960
<v Speaker 4>Radley Metzkert is just one of those who the best. Yeah,

1523
01:23:43.199 --> 01:23:47.399
<v Speaker 4>and he you know, he did try to make more

1524
01:23:47.439 --> 01:23:53.960
<v Speaker 4>mainstream films too, and with unfortunately limited success. But he's

1525
01:23:54.039 --> 01:23:56.760
<v Speaker 4>just one of those who was considered like and everyone

1526
01:23:56.800 --> 01:23:58.840
<v Speaker 4>who worked with him was like, he's just one of

1527
01:23:58.880 --> 01:24:01.640
<v Speaker 4>the greatest directors, not just for adult but just a

1528
01:24:01.680 --> 01:24:02.439
<v Speaker 4>film in general.

1529
01:24:02.600 --> 01:24:07.800
<v Speaker 3>And he's a great like distributor, you know. That's how

1530
01:24:07.840 --> 01:24:10.479
<v Speaker 3>he kind of cut his teeth and so he had

1531
01:24:10.520 --> 01:24:12.520
<v Speaker 3>this like overlap. There's this great book that you guys

1532
01:24:12.560 --> 01:24:14.399
<v Speaker 3>actually sell on the mel you Scene site called Man

1533
01:24:14.479 --> 01:24:17.279
<v Speaker 3>of Taste about Radley metzker It's an essential read, I

1534
01:24:17.279 --> 01:24:20.399
<v Speaker 3>think for anybody who's dug his films. I have to say,

1535
01:24:20.439 --> 01:24:23.640
<v Speaker 3>like when I played a lot of his films played

1536
01:24:23.680 --> 01:24:27.560
<v Speaker 3>in when I did Pussycat Theater Night and this this

1537
01:24:27.760 --> 01:24:29.039
<v Speaker 3>wasn't one of them, but I did, I did you

1538
01:24:29.079 --> 01:24:29.960
<v Speaker 3>know Barbara broadcast?

1539
01:24:30.039 --> 01:24:30.239
<v Speaker 4>We did.

1540
01:24:30.319 --> 01:24:32.640
<v Speaker 3>But even Tale of Tiffany Lust, which I would argue

1541
01:24:32.680 --> 01:24:37.600
<v Speaker 3>is probably like more mid tier Metskir ye And I

1542
01:24:37.640 --> 01:24:39.760
<v Speaker 3>don't say that in a bad way. It's still fucking killed.

1543
01:24:39.880 --> 01:24:41.319
<v Speaker 3>Like the audience loved.

1544
01:24:41.079 --> 01:24:42.560
<v Speaker 4>It, amazing film.

1545
01:24:42.680 --> 01:24:44.720
<v Speaker 3>It's still a great film, right exactly, And so like

1546
01:24:45.159 --> 01:24:46.880
<v Speaker 3>it's interesting, I think this is the first one in

1547
01:24:46.960 --> 01:24:48.720
<v Speaker 3>a while where it's just been a Blue release. It

1548
01:24:48.760 --> 01:24:50.279
<v Speaker 3>hasn't been one of the one of the male you

1549
01:24:50.399 --> 01:24:54.840
<v Speaker 3>scene four K titles. Is it is that just an

1550
01:24:54.880 --> 01:24:57.159
<v Speaker 3>elements thing or it just wasn't there, Like how is

1551
01:24:57.199 --> 01:25:00.279
<v Speaker 3>that decided for? Because I would say I think out

1552
01:25:00.279 --> 01:25:03.279
<v Speaker 3>of all the male you seine titles aside from Blonde Ambition,

1553
01:25:03.399 --> 01:25:08.119
<v Speaker 3>I think thus far they've all been Radley Metzker yeap.

1554
01:25:08.199 --> 01:25:10.439
<v Speaker 4>I just do want to correct it. It is also

1555
01:25:10.600 --> 01:25:14.079
<v Speaker 4>I believe Blue Ray just okay, so is Blu Ray

1556
01:25:14.199 --> 01:25:17.079
<v Speaker 4>only again too? And unfortunately this is another one where

1557
01:25:17.199 --> 01:25:20.680
<v Speaker 4>again we did the you know, thirty five milimeter negative,

1558
01:25:20.720 --> 01:25:24.920
<v Speaker 4>but it was one where the you know, it's never

1559
01:25:24.960 --> 01:25:28.239
<v Speaker 4>gonna be perfect either, and yeah, they just wanted to

1560
01:25:29.199 --> 01:25:30.920
<v Speaker 4>do the best possible.

1561
01:25:30.479 --> 01:25:33.319
<v Speaker 3>Blu Ray they can, you know, and yeah, totally.

1562
01:25:33.159 --> 01:25:36.079
<v Speaker 4>If it you know, maybe one day a four kick

1563
01:25:36.079 --> 01:25:39.880
<v Speaker 4>can happen too. But yeah, the Blu Ray for this

1564
01:25:40.199 --> 01:25:42.239
<v Speaker 4>is I think the best it's ever gonna look, and

1565
01:25:42.880 --> 01:25:44.680
<v Speaker 4>just the best it is.

1566
01:25:45.239 --> 01:25:47.520
<v Speaker 3>H that's good enough. I think that's good enough. It's

1567
01:25:47.600 --> 01:25:49.720
<v Speaker 3>really easy to take for granted that even to get

1568
01:25:49.760 --> 01:25:52.760
<v Speaker 3>it on a Blu Ray, and I was wrong. The

1569
01:25:52.840 --> 01:25:54.680
<v Speaker 3>other one I just remembered was Through the Looking Glass,

1570
01:25:54.680 --> 01:25:59.520
<v Speaker 3>which is a masterpiece. But yeah, that's that's great. I'm

1571
01:25:59.560 --> 01:26:02.680
<v Speaker 3>just glad to see more Metsker. I honestly, I'm really

1572
01:26:02.760 --> 01:26:05.840
<v Speaker 3>excited for the uh, for all the other you know,

1573
01:26:06.399 --> 01:26:08.560
<v Speaker 3>Metsker ones that are getting the upgrades. I know they've

1574
01:26:08.640 --> 01:26:11.840
<v Speaker 3>been talked about, and so really exciting that that this one,

1575
01:26:12.119 --> 01:26:15.520
<v Speaker 3>this one's there. And also obviously now that you've done

1576
01:26:15.560 --> 01:26:18.159
<v Speaker 3>Behind the Green Door, you got the other Mitchell, you know,

1577
01:26:18.239 --> 01:26:20.119
<v Speaker 3>Resurrection of Eve. Now you're going to like, I think

1578
01:26:20.159 --> 01:26:23.800
<v Speaker 3>what people would consider more because Behind the Green Door,

1579
01:26:23.840 --> 01:26:28.359
<v Speaker 3>I think it's reputation. It's as much of a what's

1580
01:26:28.399 --> 01:26:30.039
<v Speaker 3>the word I'm looking for, like it's it's obviously a

1581
01:26:30.159 --> 01:26:33.399
<v Speaker 3>landmark film. Oh so it carries a lot of baggage

1582
01:26:33.600 --> 01:26:35.119
<v Speaker 3>to the actual film, and that's why I think the

1583
01:26:35.119 --> 01:26:37.279
<v Speaker 3>features are important. But I love that, Like I know,

1584
01:26:37.399 --> 01:26:39.760
<v Speaker 3>for the Mitchell Brothers group, a lot of their follow

1585
01:26:39.840 --> 01:26:42.960
<v Speaker 3>ups are actually considered like the even better films.

1586
01:26:43.399 --> 01:26:45.920
<v Speaker 4>Yeah, that's correct, and yeah there's so there's a lot

1587
01:26:46.000 --> 01:26:48.680
<v Speaker 4>of great stuff coming out for that too. And yeah,

1588
01:26:49.039 --> 01:26:51.720
<v Speaker 4>with Behind the Green Door, it was such a cultural mainstam.

1589
01:26:51.720 --> 01:26:54.520
<v Speaker 4>I mean you have like just those funny clips on

1590
01:26:54.640 --> 01:26:57.359
<v Speaker 4>like YouTube, and I mean most recently, I think it

1591
01:26:57.560 --> 01:27:02.760
<v Speaker 4>was for promotion for John Cena for Freaking Peacemaker or

1592
01:27:02.800 --> 01:27:05.720
<v Speaker 4>something or one of his films where they were like, oh,

1593
01:27:05.800 --> 01:27:08.399
<v Speaker 4>what's your favorite film or something, and he brought up

1594
01:27:08.399 --> 01:27:10.800
<v Speaker 4>Behind the Green Door and his co actors did not

1595
01:27:11.000 --> 01:27:11.800
<v Speaker 4>know what that was.

1596
01:27:12.079 --> 01:27:15.239
<v Speaker 3>Oh yeah, yeah yeah. And if you at the top

1597
01:27:15.279 --> 01:27:18.079
<v Speaker 3>review on letterbox is like I'm only here because John

1598
01:27:18.119 --> 01:27:19.239
<v Speaker 3>Cena sent me here or something.

1599
01:27:19.359 --> 01:27:23.680
<v Speaker 4>Yeah like that, and then another but even better recommendation.

1600
01:27:23.840 --> 01:27:28.039
<v Speaker 4>I still think it's indriselda because his production company is

1601
01:27:28.079 --> 01:27:31.720
<v Speaker 4>Green Door Productions, and he came apparently he came up

1602
01:27:31.800 --> 01:27:34.479
<v Speaker 4>with that like nothing to do with it at all,

1603
01:27:34.640 --> 01:27:39.079
<v Speaker 4>and then you know it's production people should watch look

1604
01:27:39.159 --> 01:27:42.039
<v Speaker 4>up the clip on YouTube because it's it's hilarious and

1605
01:27:42.279 --> 01:27:44.319
<v Speaker 4>he explains it better. But it's one of those things

1606
01:27:44.359 --> 01:27:46.960
<v Speaker 4>where he's like, oh yeah, Green Door Production, man, Yeah,

1607
01:27:46.960 --> 01:27:50.159
<v Speaker 4>I'll do that, and you know, my producers are like, uh,

1608
01:27:50.760 --> 01:27:52.239
<v Speaker 4>you know what this has to do with porn? Right,

1609
01:27:52.399 --> 01:27:54.960
<v Speaker 4>He's like, what are you talking about? And like, well,

1610
01:27:55.079 --> 01:27:56.680
<v Speaker 4>what it's about and he's like, well, it's the first

1611
01:27:56.880 --> 01:27:59.239
<v Speaker 4>one of the first pornos with an interracial scene. And

1612
01:28:00.079 --> 01:28:02.279
<v Speaker 4>he's like, oh wow, Like tell me more about this

1613
01:28:02.439 --> 01:28:06.079
<v Speaker 4>and he's like, well, there's a climax shot that lasts

1614
01:28:06.079 --> 01:28:09.199
<v Speaker 4>for about seven minutes and he's like, yeah, we gotta

1615
01:28:09.640 --> 01:28:11.720
<v Speaker 4>use it based on this. Are you kidding me? Like,

1616
01:28:11.880 --> 01:28:12.720
<v Speaker 4>what are you talking about?

1617
01:28:12.840 --> 01:28:15.680
<v Speaker 3>Is so yeah, it's he's still the coolest guy I am. Yeah.

1618
01:28:15.920 --> 01:28:18.720
<v Speaker 4>So I'm like, that's that's the no one could do

1619
01:28:18.760 --> 01:28:21.479
<v Speaker 4>a better recommendation for Behind the Green Door of.

1620
01:28:22.600 --> 01:28:25.199
<v Speaker 2>The hottest the hottest man in history pretty much.

1621
01:28:25.319 --> 01:28:29.159
<v Speaker 4>Yeah. But yeah, so hopefully people also rediscover you know,

1622
01:28:29.560 --> 01:28:33.000
<v Speaker 4>Resurrection of Eve too, and like you said, the other

1623
01:28:33.119 --> 01:28:36.479
<v Speaker 4>Mitchell Brothers films, because arguably those are the even better

1624
01:28:36.760 --> 01:28:39.840
<v Speaker 4>you know films coming out too. So uh so, yeah,

1625
01:28:39.960 --> 01:28:43.520
<v Speaker 4>lots of good things with that and uh uh yeah,

1626
01:28:43.560 --> 01:28:45.840
<v Speaker 4>a lot of great adult stuff coming out, so for

1627
01:28:46.039 --> 01:28:50.520
<v Speaker 4>VSL by the time this airs, the other one people

1628
01:28:50.560 --> 01:28:55.279
<v Speaker 4>will see is another fun fifties monster movie called The

1629
01:28:55.359 --> 01:28:59.920
<v Speaker 4>snow Creature. And yeah this I think it's always a

1630
01:29:00.079 --> 01:29:02.960
<v Speaker 4>great day when a Bigfoot movie or a Yeti movie

1631
01:29:03.199 --> 01:29:05.960
<v Speaker 4>can be shown to the public and back out in

1632
01:29:06.039 --> 01:29:13.039
<v Speaker 4>the world. This one had again a crazy like you know,

1633
01:29:13.319 --> 01:29:16.159
<v Speaker 4>you couldn't see it the best way possible for the

1634
01:29:16.279 --> 01:29:20.760
<v Speaker 4>longest time. But yeah, but it came out and it

1635
01:29:20.840 --> 01:29:24.039
<v Speaker 4>looks as beautiful as it can be. But man, in

1636
01:29:24.159 --> 01:29:28.039
<v Speaker 4>the fifties it was. It was made in a weird time.

1637
01:29:28.960 --> 01:29:31.479
<v Speaker 4>Fair warning. It's you know, it takes place in a pall.

1638
01:29:31.600 --> 01:29:36.000
<v Speaker 4>They're searching for the Yeti actually comes to La and

1639
01:29:36.119 --> 01:29:39.960
<v Speaker 4>causes mayhem and havoc and everything ensues. It's great if

1640
01:29:40.000 --> 01:29:42.960
<v Speaker 4>you love the just the great B fifteen fifties B

1641
01:29:43.119 --> 01:29:47.319
<v Speaker 4>movies too. Another great person like working with I love

1642
01:29:47.399 --> 01:29:50.680
<v Speaker 4>Kim Newman. He does a great kind of video interview

1643
01:29:51.039 --> 01:29:53.840
<v Speaker 4>and talks about the different YETI movies and the start

1644
01:29:53.880 --> 01:29:57.239
<v Speaker 4>of that because it came out really around, actually came

1645
01:29:57.279 --> 01:30:01.720
<v Speaker 4>out I think earlier than Hammers. The Hominable Snowman two

1646
01:30:02.000 --> 01:30:04.760
<v Speaker 4>and it was just crazy to see, you know, these

1647
01:30:05.560 --> 01:30:09.560
<v Speaker 4>black and white things and people taking on these you know,

1648
01:30:09.720 --> 01:30:15.960
<v Speaker 4>the weird cryptozoological things very early and uh but fair warning,

1649
01:30:16.039 --> 01:30:19.880
<v Speaker 4>this is a film where it takes place in Nepal.

1650
01:30:21.199 --> 01:30:26.079
<v Speaker 4>Apparently they did try to find Nepali's actors time and

1651
01:30:26.119 --> 01:30:29.439
<v Speaker 4>they couldn't find them, so they literally hired Japanese actors

1652
01:30:29.479 --> 01:30:34.359
<v Speaker 4>who just speak Japanese, so people should be aware of that.

1653
01:30:34.600 --> 01:30:37.640
<v Speaker 4>And it's is, it is what it is. I don't

1654
01:30:37.680 --> 01:30:38.079
<v Speaker 4>know what else.

1655
01:30:40.279 --> 01:30:43.199
<v Speaker 2>Nothing beats white cannibal queen though just like Italian.

1656
01:30:47.840 --> 01:30:50.760
<v Speaker 4>Some of that, I mean, fair war even fair warning too.

1657
01:30:51.079 --> 01:30:56.680
<v Speaker 4>There is a Veil episode called the Return of Madam

1658
01:30:56.760 --> 01:31:01.159
<v Speaker 4>Vernoy I believe it's called, and it is definitely unfortunately

1659
01:31:01.479 --> 01:31:04.760
<v Speaker 4>uh or lack of a better term, where they definitely

1660
01:31:04.840 --> 01:31:09.239
<v Speaker 4>had European actors playing people from India and it takes

1661
01:31:09.279 --> 01:31:15.159
<v Speaker 4>place in India and it's just not the weirdest, but

1662
01:31:15.479 --> 01:31:18.640
<v Speaker 4>especially when they're go all out, Oh you know why,

1663
01:31:18.640 --> 01:31:22.000
<v Speaker 4>I think should be the perfect you know, half Hindu,

1664
01:31:22.159 --> 01:31:25.800
<v Speaker 4>half French person that I could think of. Well, apparently

1665
01:31:25.960 --> 01:31:29.079
<v Speaker 4>when they made it, they thought, uh, no, one like

1666
01:31:29.159 --> 01:31:32.399
<v Speaker 4>George Hamilton as his first role should be that person

1667
01:31:32.640 --> 01:31:37.760
<v Speaker 4>and you're like, what the hell. It's not the worst

1668
01:31:37.840 --> 01:31:41.800
<v Speaker 4>of the worst, but yeah, it's one. It's it's the

1669
01:31:41.880 --> 01:31:46.840
<v Speaker 4>only episode like that, but good episode. Otherwise, just weird,

1670
01:31:47.439 --> 01:31:49.960
<v Speaker 4>you know, and people should be aware of that stuff.

1671
01:31:50.039 --> 01:31:53.000
<v Speaker 4>But uh but yeah, otherwise, the snow Creature is just

1672
01:31:53.119 --> 01:31:57.960
<v Speaker 4>this great classic B movie, just weird the The Abominable

1673
01:31:58.079 --> 01:32:03.079
<v Speaker 4>Snowman comes to La and Savoc. So speaking of locations, yeah,

1674
01:32:03.199 --> 01:32:06.520
<v Speaker 4>it'll be interesting to see if people check out, you know,

1675
01:32:06.640 --> 01:32:09.399
<v Speaker 4>the they're like, oh, okay, I know that place too,

1676
01:32:10.680 --> 01:32:14.840
<v Speaker 4>and uh yeah, it's just another weird, weirdo B movie

1677
01:32:14.960 --> 01:32:18.399
<v Speaker 4>one that we get to put out. So yeah, that's

1678
01:32:18.439 --> 01:32:20.039
<v Speaker 4>the VSL. That's awesome.

1679
01:32:21.159 --> 01:32:23.560
<v Speaker 1>Well you'd said that tank Girl was the one you

1680
01:32:23.600 --> 01:32:25.800
<v Speaker 1>wanted to save to a last but I mean there's

1681
01:32:26.520 --> 01:32:29.039
<v Speaker 1>there's nothing small about being able to put out The Gambler.

1682
01:32:29.279 --> 01:32:32.920
<v Speaker 4>Oh my god. Yeah. The two cinematographs, both of them

1683
01:32:32.960 --> 01:32:37.640
<v Speaker 4>are fantastic. I mean the Gambler seeing that we I

1684
01:32:37.720 --> 01:32:41.159
<v Speaker 4>don't think. I've definitely seen bits and pieces on television,

1685
01:32:41.600 --> 01:32:45.520
<v Speaker 4>but I never saw the whole thing. And it's an amazing,

1686
01:32:45.840 --> 01:32:48.960
<v Speaker 4>amazing film. Justin really went all out on it, and

1687
01:32:49.600 --> 01:32:53.600
<v Speaker 4>it's just such amazing character piece because I think people

1688
01:32:53.640 --> 01:32:57.000
<v Speaker 4>are used to James Kahn playing like even in Elf,

1689
01:32:57.199 --> 01:33:00.479
<v Speaker 4>he's essentially a tough guy, you know, like in a

1690
01:33:00.520 --> 01:33:02.079
<v Speaker 4>lot of the films he's a tough guy. In this

1691
01:33:02.439 --> 01:33:05.119
<v Speaker 4>he is not a tough guy at all. He is

1692
01:33:05.439 --> 01:33:10.840
<v Speaker 4>against his type and is you know, very like it's

1693
01:33:10.880 --> 01:33:12.000
<v Speaker 4>not just vulnerability.

1694
01:33:12.119 --> 01:33:14.920
<v Speaker 2>It's like, I mean, he plays a loser, right, he

1695
01:33:14.960 --> 01:33:16.079
<v Speaker 2>plays him.

1696
01:33:16.159 --> 01:33:18.840
<v Speaker 4>Yeah, you're hitting him because he and he's an addict.

1697
01:33:19.000 --> 01:33:22.159
<v Speaker 4>He's literally a gamling addict. He he cannot stop, he

1698
01:33:22.239 --> 01:33:25.119
<v Speaker 4>cannot stop when and he it's like he has a

1699
01:33:25.319 --> 01:33:29.039
<v Speaker 4>rich he comes from a rich family. They said they'll help,

1700
01:33:29.199 --> 01:33:32.439
<v Speaker 4>they hand it to him, and he just he can't

1701
01:33:32.479 --> 01:33:35.520
<v Speaker 4>help himself, and he gets worse and worse. But the

1702
01:33:35.600 --> 01:33:41.000
<v Speaker 4>film is incredible. A lot of really early performances Paul

1703
01:33:41.079 --> 01:33:43.960
<v Speaker 4>Sorvino very young in it is great too.

1704
01:33:44.319 --> 01:33:46.840
<v Speaker 2>Uh, just the just everyone.

1705
01:33:46.640 --> 01:33:49.840
<v Speaker 4>Involved behind the scenes and the making of and there's

1706
01:33:49.920 --> 01:33:52.680
<v Speaker 4>new I guess great you know, interviews with the director

1707
01:33:52.720 --> 01:33:55.800
<v Speaker 4>as well and behind the scenes on it, and it's

1708
01:33:55.880 --> 01:33:59.119
<v Speaker 4>just it's just an amazing one that people can rediscover

1709
01:33:59.239 --> 01:34:02.680
<v Speaker 4>for themselves to I think, Oh.

1710
01:34:02.640 --> 01:34:03.880
<v Speaker 3>No, I was just gonna say the only thing I

1711
01:34:03.920 --> 01:34:06.520
<v Speaker 3>wanted to say was what what's great when I think

1712
01:34:06.640 --> 01:34:08.840
<v Speaker 3>Justin does a really good job of with Cinematograph is

1713
01:34:08.960 --> 01:34:12.920
<v Speaker 3>a combination of like things that need to be like

1714
01:34:13.319 --> 01:34:16.880
<v Speaker 3>rediscovered or discovered. But like The gam The Gambler is

1715
01:34:16.920 --> 01:34:18.640
<v Speaker 3>one of those movies I've been wanting to see for

1716
01:34:18.720 --> 01:34:23.600
<v Speaker 3>a long time and I just haven't gotten around to. Yeah, totally,

1717
01:34:23.680 --> 01:34:25.159
<v Speaker 3>but but it's one of those things where I'm like, yeah,

1718
01:34:25.159 --> 01:34:28.119
<v Speaker 3>if it's there, cool, But you know, as someone who subscribes,

1719
01:34:28.119 --> 01:34:30.479
<v Speaker 3>I'm like, oh, great, I could throw this in watch it,

1720
01:34:30.680 --> 01:34:32.159
<v Speaker 3>you know. And obviously because we're doing the pod, we

1721
01:34:32.479 --> 01:34:35.359
<v Speaker 3>watch everything from from mainline and sub labels that we

1722
01:34:35.399 --> 01:34:38.039
<v Speaker 3>can get to, and yeh, it's like a pleasure to

1723
01:34:38.079 --> 01:34:41.439
<v Speaker 3>be able to watch this and and then also like

1724
01:34:41.600 --> 01:34:44.520
<v Speaker 3>you know, there's also the discovery aspect of it. I

1725
01:34:44.560 --> 01:34:46.439
<v Speaker 3>don't think I would have ever sat down and watched

1726
01:34:46.840 --> 01:34:50.039
<v Speaker 3>joy Ride, King of the Gypsies, you know, I could

1727
01:34:50.119 --> 01:34:52.439
<v Speaker 3>I get bang the drum slowly, even the you know,

1728
01:34:53.359 --> 01:34:56.199
<v Speaker 3>you know Shanks, and like these movies that again, like

1729
01:34:56.279 --> 01:34:58.199
<v Speaker 3>you say, a lot of them have blu rays in

1730
01:34:58.279 --> 01:35:01.199
<v Speaker 3>some capacities almost free, but there's nothing that's going to

1731
01:35:01.239 --> 01:35:03.720
<v Speaker 3>bring my attention to them, because there isn't like a

1732
01:35:03.840 --> 01:35:06.560
<v Speaker 3>curatorial aspect to it most of the time. So it's

1733
01:35:06.640 --> 01:35:08.840
<v Speaker 3>just being put out because the studio has it and

1734
01:35:08.960 --> 01:35:11.000
<v Speaker 3>they know it'll it'll move a little, you know, and

1735
01:35:11.159 --> 01:35:14.359
<v Speaker 3>so so they'll put it on like a you know,

1736
01:35:14.439 --> 01:35:16.800
<v Speaker 3>it's like a bare bones release, whereas here it gets

1737
01:35:16.920 --> 01:35:19.840
<v Speaker 3>like real. And I've said it before, like when I

1738
01:35:19.920 --> 01:35:22.520
<v Speaker 3>make like my year end, like my physical media, like

1739
01:35:22.640 --> 01:35:24.840
<v Speaker 3>kind of stacks of what I love the most of

1740
01:35:24.960 --> 01:35:27.800
<v Speaker 3>each year. Since twenty twenty four, cinematographs had one in there.

1741
01:35:27.840 --> 01:35:30.239
<v Speaker 3>Twenty twenty four was Who Killed Teddy Bear was like,

1742
01:35:31.000 --> 01:35:33.680
<v Speaker 3>just oh my god, that that movie, Like I just

1743
01:35:33.760 --> 01:35:36.319
<v Speaker 3>had been dying to see it for years and it

1744
01:35:36.399 --> 01:35:38.199
<v Speaker 3>was incredible. And like I said, Joyride was like the

1745
01:35:38.239 --> 01:35:41.319
<v Speaker 3>big surprise, and then this past year it was bang

1746
01:35:41.399 --> 01:35:44.039
<v Speaker 3>the well a New Leaf was like the release. Oh,

1747
01:35:44.680 --> 01:35:47.079
<v Speaker 3>you know, like that's a no brainer. Yeah, but then

1748
01:35:47.239 --> 01:35:49.439
<v Speaker 3>like you know, bang the drum slowly. I otherwise wouldn't

1749
01:35:49.479 --> 01:35:52.520
<v Speaker 3>have watched, and I watched it and I was like, fuck,

1750
01:35:52.560 --> 01:35:54.840
<v Speaker 3>this movie rocks. I'm like glad I saw this.

1751
01:35:55.439 --> 01:35:58.920
<v Speaker 4>Yeah, yeah, it's amazing. I mean what Justin does and curates,

1752
01:35:59.279 --> 01:36:02.840
<v Speaker 4>it's incredible and again the next year coming up is amazing.

1753
01:36:02.920 --> 01:36:06.000
<v Speaker 4>But man, what he did for also real quick at

1754
01:36:06.079 --> 01:36:07.000
<v Speaker 4>close range.

1755
01:36:07.239 --> 01:36:09.960
<v Speaker 3>Was oh god, yeah, I'm so stoked to revisit that.

1756
01:36:11.319 --> 01:36:14.600
<v Speaker 4>Like I couldn't believe. We got both Christopher Walking and

1757
01:36:14.840 --> 01:36:18.560
<v Speaker 4>Sean penn for interviews about it. They're amazing interviews and

1758
01:36:19.199 --> 01:36:21.840
<v Speaker 4>it was so great. I guess apparently like one wouldn't

1759
01:36:21.880 --> 01:36:24.479
<v Speaker 4>do it unless the other did, and then one yes,

1760
01:36:24.640 --> 01:36:29.640
<v Speaker 4>and then okay, well we're both doing it because I know,

1761
01:36:30.600 --> 01:36:32.640
<v Speaker 4>I know pennanties he doesn't do that many of these,

1762
01:36:32.800 --> 01:36:36.720
<v Speaker 4>like the interviews for the past, you know, for his

1763
01:36:36.840 --> 01:36:40.119
<v Speaker 4>past work, So it was great to hear him talk

1764
01:36:40.159 --> 01:36:44.840
<v Speaker 4>about all of this stuff too. And Christopher Walking, he

1765
01:36:45.119 --> 01:36:47.560
<v Speaker 4>loves the film. He was one of his favorites. So

1766
01:36:47.840 --> 01:36:52.239
<v Speaker 4>seeing that and then again get those great video essays

1767
01:36:53.119 --> 01:36:57.279
<v Speaker 4>about the real Johnson family. I think it was in Pennsylvania,

1768
01:36:57.399 --> 01:37:01.239
<v Speaker 4>the crime family, and it's just man, even that film

1769
01:37:01.399 --> 01:37:04.920
<v Speaker 4>left out some of the heinous ship that they that

1770
01:37:05.039 --> 01:37:09.279
<v Speaker 4>happened in real life too. So but yeah, going back

1771
01:37:09.319 --> 01:37:12.960
<v Speaker 4>to it, the Gambler is just another great cinematograph one.

1772
01:37:13.399 --> 01:37:15.359
<v Speaker 2>And what about the second title for the month, the

1773
01:37:15.840 --> 01:37:16.399
<v Speaker 2>second one?

1774
01:37:16.640 --> 01:37:19.239
<v Speaker 4>Uh and by the time this hears will be up.

1775
01:37:19.359 --> 01:37:20.880
<v Speaker 4>But uh married to the Mob?

1776
01:37:21.359 --> 01:37:21.479
<v Speaker 1>Uh?

1777
01:37:22.920 --> 01:37:27.840
<v Speaker 4>Yeah, so again fund Stay did a great blu Ray two.

1778
01:37:28.079 --> 01:37:31.720
<v Speaker 4>We just did another expansion of it and all new

1779
01:37:31.840 --> 01:37:35.359
<v Speaker 4>for four K on that four K transfer, it's beautiful,

1780
01:37:35.520 --> 01:37:36.079
<v Speaker 4>it's correct.

1781
01:37:36.159 --> 01:37:37.880
<v Speaker 3>Sorry, it just cut out for me. But do you

1782
01:37:37.920 --> 01:37:39.600
<v Speaker 3>say I'm married to the Mob? It was that's a

1783
01:37:39.680 --> 01:37:41.359
<v Speaker 3>four K No, no, no, that's not on you. That

1784
01:37:41.479 --> 01:37:43.640
<v Speaker 3>was on me, but not sorry. The title I got

1785
01:37:43.680 --> 01:37:45.720
<v Speaker 3>it was that you guys transferred it from the original negative.

1786
01:37:45.880 --> 01:37:47.199
<v Speaker 3>Is that what the right?

1787
01:37:47.399 --> 01:37:47.760
<v Speaker 4>Right? Yeah?

1788
01:37:48.319 --> 01:37:50.680
<v Speaker 3>I know what the FC ones that were like released

1789
01:37:50.680 --> 01:37:52.760
<v Speaker 3>a few years ago between that and Breathless, they were

1790
01:37:52.880 --> 01:37:57.560
<v Speaker 3>like for those were like interpositives or like less than

1791
01:37:57.600 --> 01:37:59.199
<v Speaker 3>desirable elements compared.

1792
01:37:58.920 --> 01:38:01.720
<v Speaker 4>To it and OC times that's all you got in general. Yeah,

1793
01:38:02.000 --> 01:38:05.840
<v Speaker 4>sure they could do. But uh no, it's beautiful, it

1794
01:38:06.439 --> 01:38:09.560
<v Speaker 4>sounds great, looks great. Uh and it's just one of

1795
01:38:09.640 --> 01:38:15.039
<v Speaker 4>those amazing films that again, it's just so fun. It's

1796
01:38:15.079 --> 01:38:17.119
<v Speaker 4>just so fun. You don't expect it to be because

1797
01:38:17.239 --> 01:38:19.039
<v Speaker 4>there are some dark moments in the film, but it's

1798
01:38:19.119 --> 01:38:22.840
<v Speaker 4>it's just so fun with it. And again brand new

1799
01:38:23.439 --> 01:38:27.760
<v Speaker 4>commentary and interview with Matthew Modine as well all about

1800
01:38:27.800 --> 01:38:31.000
<v Speaker 4>it and so yeah, there's an I can't remember all

1801
01:38:31.000 --> 01:38:32.319
<v Speaker 4>the time I had, but there's a ton of great

1802
01:38:32.359 --> 01:38:36.439
<v Speaker 4>extras on it as well. So uh yeah, it's a

1803
01:38:36.560 --> 01:38:42.560
<v Speaker 4>pretty excellent lineup overall. For for January, I think, real

1804
01:38:42.680 --> 01:38:46.239
<v Speaker 4>quick shout out. It's already sold out, but I guess

1805
01:38:46.359 --> 01:38:50.760
<v Speaker 4>they're getting the standards in soon too. Uh but so

1806
01:38:50.960 --> 01:38:56.000
<v Speaker 4>happy uh film movement, Oh man.

1807
01:38:55.960 --> 01:38:57.840
<v Speaker 3>Yeah, we didn't even get to the partners. What a

1808
01:38:57.960 --> 01:39:02.800
<v Speaker 3>fucking months, man, I know, I am flat fucking broke

1809
01:39:02.960 --> 01:39:05.760
<v Speaker 3>because of Partner's Month, Like that's what Partner's mon, excuse me,

1810
01:39:05.840 --> 01:39:08.720
<v Speaker 3>partner releases. But yeah, I mean I can't believe. I'm

1811
01:39:08.760 --> 01:39:11.159
<v Speaker 3>so glad you brought that up, because like, yeah, I

1812
01:39:11.239 --> 01:39:13.479
<v Speaker 3>mean as soon as I saw The Great Silence before

1813
01:39:13.520 --> 01:39:16.119
<v Speaker 3>I even finished, as soon as my subscription went through,

1814
01:39:16.159 --> 01:39:18.239
<v Speaker 3>that's the first thing I picked up. I didn't hesitate.

1815
01:39:19.159 --> 01:39:23.520
<v Speaker 4>Yeah, and the same way I bought that, and then

1816
01:39:23.680 --> 01:39:26.479
<v Speaker 4>I also bought uh, I had to buy I've heard

1817
01:39:26.560 --> 01:39:29.439
<v Speaker 4>of it. I never saw it. But when they said

1818
01:39:29.520 --> 01:39:35.239
<v Speaker 4>for Canadian International Pictures, a Ghostkeeper, yeah, yeah, another crazy

1819
01:39:35.319 --> 01:39:38.800
<v Speaker 4>one too, and it's just summary looking at it too,

1820
01:39:38.880 --> 01:39:41.720
<v Speaker 4>trigger man, Like I never saw that I've heard of it,

1821
01:39:41.960 --> 01:39:42.479
<v Speaker 4>never saw it.

1822
01:39:42.560 --> 01:39:46.359
<v Speaker 3>But like, yeah, all these I mean even the Kannie

1823
01:39:46.399 --> 01:39:48.199
<v Speaker 3>one by by Love has been a long time people

1824
01:39:48.279 --> 01:39:50.720
<v Speaker 3>have been waiting for that. I'm shocked that's the slips

1825
01:39:50.760 --> 01:39:52.640
<v Speaker 3>aren't gone yet. They're down to like two hundred and

1826
01:39:52.720 --> 01:39:55.680
<v Speaker 3>eighty something. But like, yeah, still like the fact that

1827
01:39:55.960 --> 01:39:58.399
<v Speaker 3>that's like incredible. Yeah, like Chris just said the the

1828
01:39:58.920 --> 01:40:01.159
<v Speaker 3>you know, I know AGFA has all the HG. Lewis films,

1829
01:40:01.199 --> 01:40:03.840
<v Speaker 3>but they got you know, blast Off Girls, and yeah,

1830
01:40:04.119 --> 01:40:06.119
<v Speaker 3>like I grilled the body of the film, I know

1831
01:40:06.359 --> 01:40:09.279
<v Speaker 3>more than I No, I don't, I actually don't. Yeah,

1832
01:40:09.359 --> 01:40:11.479
<v Speaker 3>but you know, like and the Club Super eight one

1833
01:40:11.600 --> 01:40:15.159
<v Speaker 3>with the Christina Lindberg documentary was a hot seller. It's

1834
01:40:15.199 --> 01:40:18.640
<v Speaker 3>it's funny because I don't think there's any other distribution

1835
01:40:18.800 --> 01:40:23.479
<v Speaker 3>company that can like get these docs out because and

1836
01:40:23.560 --> 01:40:25.840
<v Speaker 3>this guy's come up in the discord. Documentaries are are

1837
01:40:25.920 --> 01:40:30.960
<v Speaker 3>a tricky thing in in terms of selling it because

1838
01:40:31.600 --> 01:40:35.199
<v Speaker 3>the rewatchability isn't there necessarily, right, It's more of like

1839
01:40:35.760 --> 01:40:39.199
<v Speaker 3>a it's it's a one time thing, so like most people,

1840
01:40:39.399 --> 01:40:42.439
<v Speaker 3>they'll relegate that to a rental or something else. Like

1841
01:40:42.520 --> 01:40:46.520
<v Speaker 3>in terms of seeing it, theatrically a repertory. So it's

1842
01:40:46.560 --> 01:40:51.399
<v Speaker 3>really cool that I think these like genre documentaries get

1843
01:40:51.520 --> 01:40:53.279
<v Speaker 3>get a chance because the problem is a lot of

1844
01:40:53.920 --> 01:40:57.199
<v Speaker 3>document modern documentaries are made for streaming, so they're there

1845
01:40:57.239 --> 01:41:00.520
<v Speaker 3>are these like they're they're like kind of digest versions

1846
01:41:00.600 --> 01:41:03.439
<v Speaker 3>that I don't know, It's not anything a Wikipedia search

1847
01:41:03.479 --> 01:41:05.760
<v Speaker 3>couldn't do. So it's cool that like something like the

1848
01:41:05.880 --> 01:41:08.600
<v Speaker 3>Christina Lindberg documentary or the ones that CIP puts out.

1849
01:41:09.199 --> 01:41:10.439
<v Speaker 4>Yeah, they do it.

1850
01:41:10.479 --> 01:41:13.119
<v Speaker 3>They do it in incredible work with like a lot

1851
01:41:13.159 --> 01:41:15.520
<v Speaker 3>of political stuff that happened in the seventies, or's like

1852
01:41:15.600 --> 01:41:16.720
<v Speaker 3>a series they put out.

1853
01:41:17.039 --> 01:41:20.920
<v Speaker 4>Those, and also a company partnerly we'll called Film Desk too,

1854
01:41:21.000 --> 01:41:25.159
<v Speaker 4>I believe that's right. Yeah, the Chili in the nineteen seventies, dock,

1855
01:41:25.520 --> 01:41:28.199
<v Speaker 4>I forget the title of Oh what bell for Chili?

1856
01:41:28.359 --> 01:41:31.079
<v Speaker 3>Battle for Yeah, the Battle Battle for Chile. Yep, they

1857
01:41:31.159 --> 01:41:34.199
<v Speaker 3>did that. And then Film Desk also, did I believe

1858
01:41:34.239 --> 01:41:36.239
<v Speaker 3>they did Gods of Times Square. Yeah.

1859
01:41:36.720 --> 01:41:38.600
<v Speaker 4>I haven't seen it yet, but yeah, I do want

1860
01:41:38.600 --> 01:41:41.199
<v Speaker 4>to check that one out too. So there's so many.

1861
01:41:41.279 --> 01:41:43.760
<v Speaker 4>I'm as busy as I am, I have so little

1862
01:41:43.800 --> 01:41:44.319
<v Speaker 4>time to watch.

1863
01:41:44.800 --> 01:41:51.039
<v Speaker 3>Yeah. Yeah, one last question in regards to that, when

1864
01:41:51.079 --> 01:41:53.880
<v Speaker 3>you restore a film, how often do you watch a

1865
01:41:53.960 --> 01:41:56.359
<v Speaker 3>film before you restore it? Like, I don't think this

1866
01:41:56.520 --> 01:41:58.359
<v Speaker 3>was touched upon when you on the first episode that

1867
01:41:58.399 --> 01:42:00.560
<v Speaker 3>you appeared on, but like, yeah, when you watch a

1868
01:42:00.640 --> 01:42:03.119
<v Speaker 3>film or when you have to restore something, how often

1869
01:42:03.159 --> 01:42:06.359
<v Speaker 3>are you watching something like for reference or knowing, like

1870
01:42:06.439 --> 01:42:07.960
<v Speaker 3>you have to watch the film that it's entirety to

1871
01:42:08.039 --> 01:42:10.239
<v Speaker 3>know what you're in for in terms of restoration or

1872
01:42:10.359 --> 01:42:11.119
<v Speaker 3>how does that work for you?

1873
01:42:11.560 --> 01:42:15.960
<v Speaker 4>No, I usually if it's something in house, or whether

1874
01:42:16.000 --> 01:42:18.640
<v Speaker 4>it's in house or scan in La or Hong Kong

1875
01:42:19.000 --> 01:42:22.840
<v Speaker 4>or Italy doesn't matter. We you know, I gathered everything

1876
01:42:22.920 --> 01:42:26.800
<v Speaker 4>up too. But if it's something I'm scanning in house too, uh,

1877
01:42:27.680 --> 01:42:29.920
<v Speaker 4>I get it all together. And it's a film I've

1878
01:42:29.960 --> 01:42:33.920
<v Speaker 4>seen before, obviously I could go through and know okay, huh,

1879
01:42:34.479 --> 01:42:37.359
<v Speaker 4>we might need other footage from like the IP or

1880
01:42:37.439 --> 01:42:39.560
<v Speaker 4>something like that as well. It's a fill in or

1881
01:42:40.079 --> 01:42:44.079
<v Speaker 4>I'll know, okay, this seems complete, you know. But a

1882
01:42:44.239 --> 01:42:48.560
<v Speaker 4>lot of that type of thing that's for Curtis specifically too.

1883
01:42:49.039 --> 01:42:53.319
<v Speaker 4>He handles the you know, going through the references. Also

1884
01:42:53.680 --> 01:42:57.359
<v Speaker 4>Joe Rubin does too, but it's to go through every

1885
01:42:57.439 --> 01:43:01.640
<v Speaker 4>single reference to make sure we have the most complete version.

1886
01:43:01.880 --> 01:43:05.439
<v Speaker 4>When we get to something like the Upcoming Lady in White,

1887
01:43:05.520 --> 01:43:09.920
<v Speaker 4>which everyone knows has had three different versions, or especially

1888
01:43:10.119 --> 01:43:13.800
<v Speaker 4>with these Hong Kong and Italian film Giallo films too,

1889
01:43:13.920 --> 01:43:18.920
<v Speaker 4>because they they've also had multiple versions or cut versus uncut,

1890
01:43:19.159 --> 01:43:21.800
<v Speaker 4>and how do you know what you have? You know?

1891
01:43:22.079 --> 01:43:30.119
<v Speaker 4>And so there's that's Curtis like excels that with figuring

1892
01:43:30.159 --> 01:43:34.359
<v Speaker 4>out what version we have, what footage we need to source.

1893
01:43:34.800 --> 01:43:39.920
<v Speaker 4>In addition to so, I mean still to this day,

1894
01:43:40.000 --> 01:43:43.960
<v Speaker 4>what they with him would Oscar MGM to huge help

1895
01:43:44.520 --> 01:43:48.960
<v Speaker 4>get to me getting dirty work? The unrated or are

1896
01:43:49.039 --> 01:43:53.359
<v Speaker 4>rated cut? Yeah, all together was incredible to I.

1897
01:43:53.319 --> 01:43:54.920
<v Speaker 2>Don't think you're allowed to call it the r raty cut.

1898
01:43:55.000 --> 01:43:56.119
<v Speaker 2>Wasn't there something funny about that?

1899
01:43:56.359 --> 01:43:59.520
<v Speaker 3>Yeah? It was called the dirty cut, dirty or cut?

1900
01:43:59.600 --> 01:44:03.680
<v Speaker 4>Thank you? Sorry? Yeah, no my own rules here, yes,

1901
01:44:03.960 --> 01:44:09.760
<v Speaker 4>uh so because it wasn't rated. So but yeah, the

1902
01:44:09.760 --> 01:44:12.239
<v Speaker 4>dirty or cut. Just what they had to do to

1903
01:44:12.720 --> 01:44:16.479
<v Speaker 4>make that happen was just insane. It wasn't. It wasn't

1904
01:44:16.560 --> 01:44:18.640
<v Speaker 4>quite like New York Ninja, but it was almost like

1905
01:44:18.840 --> 01:44:19.800
<v Speaker 4>that level.

1906
01:44:20.640 --> 01:44:23.279
<v Speaker 3>Yeah, I remember, I remember when Oscar did the winding

1907
01:44:23.359 --> 01:44:25.640
<v Speaker 3>through for that. Yeah, seeing that, I was like, man,

1908
01:44:25.680 --> 01:44:29.760
<v Speaker 3>that's like heroic work. Man, that's like truly incredible, incredible,

1909
01:44:30.119 --> 01:44:30.800
<v Speaker 3>like the Valor.

1910
01:44:31.560 --> 01:44:35.359
<v Speaker 4>Yeah, because I mean again and going with that, going

1911
01:44:35.479 --> 01:44:39.119
<v Speaker 4>with going back to television stuff too. You know, I

1912
01:44:39.319 --> 01:44:42.960
<v Speaker 4>know there's gonna be some crazy nineties stuff I'll want

1913
01:44:43.039 --> 01:44:46.439
<v Speaker 4>to do and to do it right, it's it'll probably

1914
01:44:46.479 --> 01:44:48.720
<v Speaker 4>be shot on film but edited on tape, which means

1915
01:44:48.760 --> 01:44:51.760
<v Speaker 4>like you have to just you scan everything. You scan

1916
01:44:51.880 --> 01:44:56.720
<v Speaker 4>it the dailies, you scan the original takes. We've done

1917
01:44:56.760 --> 01:45:01.520
<v Speaker 4>that before for feature films, like, uh, A great example

1918
01:45:01.600 --> 01:45:07.880
<v Speaker 4>I use is Haunted Ween from the Got Homegrown Horror. Yeah,

1919
01:45:07.880 --> 01:45:10.279
<v Speaker 4>it's a volume three, Yeah, volume three, thank you, And

1920
01:45:11.079 --> 01:45:14.520
<v Speaker 4>that was one where it was edited on tape, but

1921
01:45:15.199 --> 01:45:19.039
<v Speaker 4>we found the original camera negatives, but they were when

1922
01:45:19.079 --> 01:45:23.399
<v Speaker 4>I say uncut, it's literally like oh yeah, slate take one, wow,

1923
01:45:23.800 --> 01:45:29.840
<v Speaker 4>take two, like and getting that together. It's been crazy

1924
01:45:30.079 --> 01:45:32.800
<v Speaker 4>and it can be done. It can be scanned, It

1925
01:45:33.119 --> 01:45:33.640
<v Speaker 4>all be done.

1926
01:45:33.720 --> 01:45:35.159
<v Speaker 2>It just takes time.

1927
01:45:35.359 --> 01:45:36.159
<v Speaker 4>It takes time.

1928
01:45:37.680 --> 01:45:39.680
<v Speaker 3>For studio work. Is that is that much more of

1929
01:45:39.720 --> 01:45:42.119
<v Speaker 3>a cakewalk then? Like like in terms of like something

1930
01:45:42.199 --> 01:45:45.760
<v Speaker 3>like Tink Girl or Virtuosity where you know, there isn't

1931
01:45:45.800 --> 01:45:49.239
<v Speaker 3>like it's not a compromised thing. It's just uh, you know,

1932
01:45:49.800 --> 01:45:50.680
<v Speaker 3>that's a lot of your work.

1933
01:45:50.880 --> 01:45:55.720
<v Speaker 4>Never a cake walk for anure. It can be easier

1934
01:45:55.760 --> 01:45:59.279
<v Speaker 4>in terms of okay, there's one version. There's one version

1935
01:45:59.359 --> 01:46:03.880
<v Speaker 4>that was all always ever made, you know, with thirty work,

1936
01:46:04.760 --> 01:46:10.800
<v Speaker 4>obviously there there was two versions made, but obviously they

1937
01:46:10.920 --> 01:46:14.560
<v Speaker 4>changed it in previews for like the focus group and

1938
01:46:14.600 --> 01:46:19.760
<v Speaker 4>stuff like that afterwards, and uh, that's so you just

1939
01:46:19.840 --> 01:46:22.359
<v Speaker 4>don't know necessarily, but like with something like tank Girl,

1940
01:46:22.479 --> 01:46:26.680
<v Speaker 4>it has the one cut, as it were, and so

1941
01:46:27.399 --> 01:46:30.159
<v Speaker 4>it is easier. Never a cake walk, but it is

1942
01:46:30.760 --> 01:46:32.319
<v Speaker 4>easier on that sort of.

1943
01:46:32.359 --> 01:46:36.079
<v Speaker 3>That's yeah, yeah, it's yeah, that's funny. The way I

1944
01:46:36.159 --> 01:46:37.479
<v Speaker 3>had asked that, I'm like, oh, yeah, it's just the

1945
01:46:37.520 --> 01:46:39.760
<v Speaker 3>thing where you just scan it and you're like, all right,

1946
01:46:39.800 --> 01:46:41.000
<v Speaker 3>I'm gonna call it is a good time to just

1947
01:46:41.079 --> 01:46:43.359
<v Speaker 3>catch up on uh yeah, yeah, it's just scans in

1948
01:46:43.399 --> 01:46:43.960
<v Speaker 3>the background.

1949
01:46:44.720 --> 01:46:49.520
<v Speaker 4>But yeah, I know I could tell you upcoming vague,

1950
01:46:49.560 --> 01:46:52.479
<v Speaker 4>but people people will surely guess, I'm sure, but there's

1951
01:46:52.520 --> 01:46:55.800
<v Speaker 4>so many of those coming out were more than one

1952
01:46:55.880 --> 01:46:59.239
<v Speaker 4>cut people have not seen before and just figuring it

1953
01:46:59.319 --> 01:47:04.560
<v Speaker 4>all out so uh yeah, it's it's been it's been crazy. Uh,

1954
01:47:04.880 --> 01:47:08.479
<v Speaker 4>Curtis Man, more power to you dealing with all of this.

1955
01:47:08.800 --> 01:47:10.720
<v Speaker 4>I just just have to scan it.

1956
01:47:11.479 --> 01:47:13.279
<v Speaker 3>Yeah yeah, fair enough, fair enough?

1957
01:47:13.399 --> 01:47:16.319
<v Speaker 1>Yeah again, kind of as vague as possible here, Please

1958
01:47:16.399 --> 01:47:17.880
<v Speaker 1>keep it vage because the intent is not to be

1959
01:47:18.079 --> 01:47:20.640
<v Speaker 1>not to picture on the tight spot. Are there any

1960
01:47:20.680 --> 01:47:23.000
<v Speaker 1>first time film directors that you're excited about coming up

1961
01:47:23.039 --> 01:47:24.960
<v Speaker 1>this year, because that's one trend I've noticed the last

1962
01:47:25.000 --> 01:47:28.239
<v Speaker 1>two years. Y'all have just had some incredible film directors

1963
01:47:28.279 --> 01:47:33.239
<v Speaker 1>that you're able to get to their stuff. I don't

1964
01:47:33.279 --> 01:47:41.920
<v Speaker 1>think so okay, maybe maybe not Okay, that could be good. Brandon,

1965
01:47:42.000 --> 01:47:43.680
<v Speaker 1>It's it's always a joy to have you on. We

1966
01:47:43.800 --> 01:47:45.359
<v Speaker 1>we kind of talked about this off air to make

1967
01:47:45.359 --> 01:47:48.000
<v Speaker 1>sure you're okay with it. But anytime there's an iconoscope

1968
01:47:48.039 --> 01:47:49.880
<v Speaker 1>title or anything that you're just pumped about that you

1969
01:47:49.960 --> 01:47:52.800
<v Speaker 1>worked on, please come back and let's let's let's pump

1970
01:47:52.840 --> 01:47:53.079
<v Speaker 1>it up.

1971
01:47:53.239 --> 01:47:56.920
<v Speaker 4>Absolutely no, thank you guys again for doing this. Uh,

1972
01:47:57.199 --> 01:48:01.560
<v Speaker 4>thank you guys for getting the word out and having

1973
01:48:01.600 --> 01:48:04.840
<v Speaker 4>me on. It's been a long time coming.

1974
01:48:05.000 --> 01:48:08.960
<v Speaker 3>So yeah, this could truly I could spend another hour

1975
01:48:09.159 --> 01:48:12.239
<v Speaker 3>just like with how even longer like with the stuff

1976
01:48:12.279 --> 01:48:14.680
<v Speaker 3>that because we talked about everything, but I still feel

1977
01:48:14.680 --> 01:48:17.560
<v Speaker 3>like we're just scratching the surfaces, you know, totally.

1978
01:48:17.760 --> 01:48:19.439
<v Speaker 4>I mean you can do you can do a bonus

1979
01:48:19.479 --> 01:48:26.079
<v Speaker 4>one just talking about themselves, that's true. Yeah. So but anyways,

1980
01:48:26.560 --> 01:48:27.760
<v Speaker 4>it's been fantastic.

1981
01:48:28.359 --> 01:48:30.720
<v Speaker 3>Congratulations on the line. Man, very very glad to hear

1982
01:48:30.760 --> 01:48:34.000
<v Speaker 3>it's going. It's it's that you're like floating on cloud

1983
01:48:34.079 --> 01:48:36.520
<v Speaker 3>nine with this because it's awesome. I'm really looking forward to.

1984
01:48:36.560 --> 01:48:39.199
<v Speaker 3>But I'm like, of the titles that got announced for

1985
01:48:39.199 --> 01:48:40.600
<v Speaker 3>the sub label stuff, it's like some of the most

1986
01:48:40.640 --> 01:48:42.880
<v Speaker 3>exciting stuff for me. That and the Malo you scene

1987
01:48:42.880 --> 01:48:44.119
<v Speaker 3>stuff or just I'm so pumped.

1988
01:48:44.520 --> 01:48:48.279
<v Speaker 4>Oh yeah, no, definitely. And everyone who's listening out there,

1989
01:48:48.319 --> 01:48:50.720
<v Speaker 4>who's already you know, taking a chance on my kind

1990
01:48:50.720 --> 01:48:54.960
<v Speaker 4>of scope. Thank you so much to the subscribers still subscribing.

1991
01:48:55.079 --> 01:48:57.920
<v Speaker 4>Thank you, Thank you for the bottom of our hearts

1992
01:48:57.960 --> 01:49:02.479
<v Speaker 4>because I know it's a lot from but man, you're amazing.

1993
01:49:02.720 --> 01:49:07.199
<v Speaker 4>And the regular customers to spy when they can what

1994
01:49:07.279 --> 01:49:12.279
<v Speaker 4>they can. Thank you for supporting physical media because if

1995
01:49:12.359 --> 01:49:16.159
<v Speaker 4>you don't, we go away. So and not just us,

1996
01:49:16.279 --> 01:49:20.359
<v Speaker 4>but everybody. So yeah, thank you for wanting to own

1997
01:49:20.720 --> 01:49:24.720
<v Speaker 4>your films so that you purchased you to own your

1998
01:49:24.760 --> 01:49:26.119
<v Speaker 4>purchases as it were.

1999
01:49:26.159 --> 01:49:29.399
<v Speaker 3>So beautiful, beautiful way to end it. Yeah, I couldn't

2000
01:49:29.399 --> 01:49:29.800
<v Speaker 3>agree more.

2001
01:49:30.319 --> 01:49:30.880
<v Speaker 2>Thanks Bnon.

2002
01:49:31.039 --> 01:49:31.680
<v Speaker 4>Thank you guys.

2003
01:49:32.279 --> 01:49:37.199
<v Speaker 2>Always a pleasure man, Thank you, jeez man, Just thank Brandon.

2004
01:49:37.840 --> 01:49:40.880
<v Speaker 2>That's so cool. Like I love every time Brandon comes on.

2005
01:49:42.319 --> 01:49:43.720
<v Speaker 1>You know, I think this is you know, this is

2006
01:49:43.800 --> 01:49:46.479
<v Speaker 1>kind of cliche to say, but like everybody you talk

2007
01:49:46.520 --> 01:49:48.199
<v Speaker 1>to you on the staff there, they just love movies

2008
01:49:48.239 --> 01:49:48.560
<v Speaker 1>so much.

2009
01:49:48.600 --> 01:49:49.199
<v Speaker 2>It's so awesome.

2010
01:49:50.039 --> 01:49:52.079
<v Speaker 3>Yeah, I think people really can take that for I

2011
01:49:52.319 --> 01:49:54.039
<v Speaker 3>keep saying in this phrase, but I think people can

2012
01:49:54.079 --> 01:49:57.520
<v Speaker 3>take that for granted when they releases out because they're

2013
01:49:57.720 --> 01:50:02.199
<v Speaker 3>like really are working Nonstine just listening to him talk

2014
01:50:02.199 --> 01:50:06.840
<v Speaker 3>about like working through what happened is is like appendix

2015
01:50:06.880 --> 01:50:11.039
<v Speaker 3>burst and he was like working through like literal medical nightmares.

2016
01:50:12.000 --> 01:50:14.199
<v Speaker 3>But you know, and you're right, like when you've had

2017
01:50:14.239 --> 01:50:17.399
<v Speaker 3>on special special feature features producer, excuse me, like when

2018
01:50:17.439 --> 01:50:20.600
<v Speaker 3>Claudia was on, when even when we talk to like

2019
01:50:20.680 --> 01:50:23.600
<v Speaker 3>Brett with AGFA, like they're living and breathing this stuff.

2020
01:50:23.680 --> 01:50:26.920
<v Speaker 3>So like if it's I think that really speaks to

2021
01:50:26.960 --> 01:50:29.039
<v Speaker 3>the preservation aspect of all of this, which I think

2022
01:50:29.079 --> 01:50:31.800
<v Speaker 3>is the most important part. So again, it's like we

2023
01:50:31.800 --> 01:50:34.079
<v Speaker 3>always say, it's exactly what we wanted from this conversation,

2024
01:50:34.319 --> 01:50:36.760
<v Speaker 3>like exactly what I was hoping to hear, and I

2025
01:50:37.039 --> 01:50:37.920
<v Speaker 3>loved every second of it.

2026
01:50:38.560 --> 01:50:42.000
<v Speaker 1>Well me too, Me too, Eli, We've got some We've

2027
01:50:42.000 --> 01:50:45.560
<v Speaker 1>got kind of an exciting twenty twenty six. Yeah, planned,

2028
01:50:45.600 --> 01:50:47.119
<v Speaker 1>I know you and I have a little bit more

2029
01:50:47.119 --> 01:50:50.560
<v Speaker 1>planning to do to finalize some ideas. But for the meantime,

2030
01:50:51.399 --> 01:50:54.279
<v Speaker 1>Instagram is the Hunk Vacation podcast. We're both on the

2031
01:50:54.359 --> 01:50:57.039
<v Speaker 1>VS discord. Do you want to tease what's coming up

2032
01:50:57.079 --> 01:50:58.680
<v Speaker 1>in the next week or so the next few days.

2033
01:50:59.079 --> 01:51:01.680
<v Speaker 3>Yes, we have an episode we recorded right at the

2034
01:51:01.760 --> 01:51:04.960
<v Speaker 3>end of the year with Celeste where we covered an

2035
01:51:05.039 --> 01:51:09.520
<v Speaker 3>incredible like a Murderer's Row releases in October, which included

2036
01:51:09.560 --> 01:51:14.399
<v Speaker 3>the Wes Craven movie, Fireworks, Woman a Blastic Double and

2037
01:51:15.439 --> 01:51:19.079
<v Speaker 3>Sato Volume one and I feel like I'm missing one more.

2038
01:51:19.560 --> 01:51:21.960
<v Speaker 3>We had a couple like partner titles, but but it's

2039
01:51:22.079 --> 01:51:24.159
<v Speaker 3>just we kind of go through everything. Celest did it

2040
01:51:24.199 --> 01:51:28.399
<v Speaker 3>as a live stream and she also they recommended, you know, hey,

2041
01:51:29.760 --> 01:51:32.800
<v Speaker 3>put this out as an episode. Happy to So We

2042
01:51:32.840 --> 01:51:35.119
<v Speaker 3>got the audio for that and that'll be coming out

2043
01:51:35.159 --> 01:51:38.159
<v Speaker 3>and it went so well, and because there's such a

2044
01:51:39.479 --> 01:51:41.560
<v Speaker 3>an insane amount of titles to cover, we're actually going

2045
01:51:41.640 --> 01:51:44.880
<v Speaker 3>to do this again with the November releases with and

2046
01:51:45.279 --> 01:51:48.800
<v Speaker 3>December partner stuff. So really really excited for that. And yeah,

2047
01:51:48.840 --> 01:51:50.560
<v Speaker 3>it'll be out within the next about a week from

2048
01:51:50.680 --> 01:51:51.600
<v Speaker 3>when this one comes out.

2049
01:51:52.640 --> 01:51:54.319
<v Speaker 2>Yeah, all right, man, Well, thank you as always too.

2050
01:51:54.520 --> 01:51:56.439
<v Speaker 3>Hey, thank you, likewise, man, can't see you, see you

2051
01:51:56.439 --> 01:51:57.199
<v Speaker 3>in the next episode.

2052
01:52:02.079 --> 01:52:06.399
<v Speaker 5>What's up, Supernatural super fans. I'm Chrissy Lenz and I'm

2053
01:52:06.479 --> 01:52:11.359
<v Speaker 5>Nate mcwarter, and we're the host of Gang Gang That Drink,

2054
01:52:13.920 --> 01:52:16.640
<v Speaker 5>a supernatural drinking game podcast.

2055
01:52:19.720 --> 01:52:22.279
<v Speaker 6>It's the podcast where we make up drinking game rules

2056
01:52:22.680 --> 01:52:25.720
<v Speaker 6>for our favorite episode of our favorite show, Supernatural.

2057
01:52:26.039 --> 01:52:28.199
<v Speaker 5>We recap the episode for you and let you know

2058
01:52:28.319 --> 01:52:29.840
<v Speaker 5>how all the rules played out.

2059
01:52:30.159 --> 01:52:32.039
<v Speaker 6>Then we let you know the drinking game rules for

2060
01:52:32.119 --> 01:52:34.279
<v Speaker 6>the next episode so you can play along.

2061
01:52:34.560 --> 01:52:38.600
<v Speaker 5>Plus members get every episode early at ad free.

2062
01:52:38.800 --> 01:52:41.279
<v Speaker 6>With some extra bonus content chit chat at the end

2063
01:52:41.319 --> 01:52:43.399
<v Speaker 6>of each episode as a member exclusive.

2064
01:52:43.760 --> 01:52:47.199
<v Speaker 5>So download Gank That Drink, a Supernatural Drinking Game podcast

2065
01:52:47.279 --> 01:52:49.800
<v Speaker 5>wherever the finest podcasts are available.

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<v Speaker 6>And or become a member at true story dot FM.

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<v Speaker 3>Sash Gank that Drink.

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<v Speaker 5>And when you're out there in the world saving people

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<v Speaker 5>and hunting things, you know the family business. Keep the

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<v Speaker 5>other and party or dudes
