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Speaker 6: N seven times out of ten we listened to our

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Speaker 3: Late Night to Light with DJ Bidas right here on

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and sound collode were the impro moder of Manchester Public

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Television Service in the venerable city of Manchester, New Hampshire, USA.

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Enrich your auditory journey with the depth of our license

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to wesn'ts bet your missives did w m n H

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ninety five three at gmail dot com, or traverse the

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virtual corridors of w m Nhradio dot or engage with

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our sonic vibrations by communing with us through the digital

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channels or radio beconds, eager to enthrall you with its

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mesmerizing cadence and envelop you at a symphony of foundless auditories.

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Speaker 8: Won du.

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Speaker 5: W MNH rip the novels.

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Speaker 9: You're listening to Macconnorton Unleashed on WM and ah Nwy

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five point three s.

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Speaker 10: That is very very catchy. I like that A lot

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that has got a light and that is crying. Caleb,

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who is here with us in studio. Welcome everybody. You

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have just entered our number three numerow trace of Matt

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Connorton Unleashed and we are live from the studios of

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w m n H ninety five point three f I'm

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in Glorious Manchester, New Hampshire. Jenny is here of course

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at the news table President Act and today is Saturday,

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July twelve, twenty twenty five. Welcome everybody, and we have

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in studio with us, so Crime calab is here. Hello,

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good morning, Welcome to the show, and of course returning

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to the show, Darling Hill. Hello, he Should we call

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you Darling Hill? Should we call you Kate? What should

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we call you?

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Speaker 6: Oh?

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Speaker 11: I don't mind Darling Hill, I don't mind representation.

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Speaker 10: Yes, yes, I've had some people.

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Speaker 11: It's kind of funny. People started calling me Darling, which

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kind of threw oh really off. Yeah yeah, yeah, I

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didn't hate it though, I thought it was kind of.

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Speaker 10: Cute, right right, So thanks not the worst thing. And

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of course you've you've been doing a lot with the

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listening room at Prayers of Nature. Yeah we should, oh

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you know what too. Before we go any further, let

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me hold this up for people watching online. I'll hold

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up this cool sticker you brought us from the listening

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room at Prayers of Nature.

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Speaker 11: Thank you.

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Speaker 10: So for those who don't know, refresh our memory, on

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our memories collectively, on what that is what you do there.

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Speaker 11: Well, I do want to give a quick shout out

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to the artist of that picture you've shown is my

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friend Victoria. Her business name is actually I Have Ethereal.

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She's a tattoo artist in Nashua. She's located under the

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Riverwalk Cafe. She's fabulous and we just released a couple

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of new images that she did as well yesterday.

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Speaker 2: So that's cool.

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Speaker 11: She's been working with me since we started. So I

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just wanted to create a little space for musicians to

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come and share their art in a way that is

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nurturing and celebrating who they are as I did it

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years ago out of my home, but I kind of

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took a break and as you know, I met you

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after I came back from Nashville and elevated a little

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bit and wanted to share that elevation with the artists

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that I work with locally. So create this small little

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space and Caleb will be number eleven.

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Speaker 10: So excellent.

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Speaker 11: I started with one. I was like, I'm just going

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to do one show month. That's it. I don't want

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to overdo it. I got the small little art studio,

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and then it turned into, well, since I have the

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gear out, I'll do two, you know, like a Friday Saturday.

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And then it turned into oh, I'll do it Thursday,

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Friday Saturday.

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Speaker 10: So yeah, it's.

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Speaker 11: Still once a month, but it's usually three shows in

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one weekend. Okay, So yes, Caleb is number eleven.

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Speaker 2: Oh, very good.

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Speaker 11: And I've had the fortune of having people from not

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just New Hampshire, but getting the attention from people from

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Maine and New York and Connecticut basically a little New England. Yeah, nugget.

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And once they hear the deal, they either decide to

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come be a part of it, or they get put

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on a waiting list because I am fully booked.

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Speaker 10: So oh that's good. Yeah that's a good problem now right.

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Speaker 11: Yeah, it's pretty interesting. I think people, you know, I'm

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a musician myself, and I do understand. I try to

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accommodate what I would like. Yeah, so people who see that,

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I think it attracts them. And Caleb reached out after

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Dan Blakesley swung through, Oh yeah, which was real helpful

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to I don't know if you've heard of him.

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Speaker 10: I interviewed Dan Blakesley a long time ago. Yeah, yeah,

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a lot, because he's been around a while, A long

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time ago. Wow, he hasn't stopped. So yeah, I'm really

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excited to have another main artist. Or is he from Maine.

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He's from me, So I really like what Maine's doing.

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So New Hampshire pay attention. Yes, well, what is Main

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doing that we're not doing here?

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Speaker 11: I think they're just weirder. Man that they're just weirder.

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I think it's further north, there's less bs up there,

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there's something going on closer to the sky.

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Speaker 10: I think interesting, interesting.

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Speaker 11: It's funkier, it's weirder, it's spookier. I think they embrace

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that a little more so than in this area. I

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think here is from my perception from what I've seen,

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is the local music scene here seems to really hyper

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fixated on like pop country or folk or like like

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a heavy metal vibe and even some punk. But I

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haven't seen this like cool spooky rockability. I don't even

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know what to call you sometimes, like I know what

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you are, but trying to articulate it to other people.

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What Caleb does is well.

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Speaker 10: Yeah, because we were talking off air about how and

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I was saying, Caleb, how I don't like listening to

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your and we should tell the audience too, not everything

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that you obviously as an instrumental. We opened with an

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instrumental track, but we're going to play some. I love

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your voice, so I'm looking forward to playing some of

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the other stuff too. But I can't think of anybody

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around here who really sounds like you and what you're doing.

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But but so, what do you think it is?

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Speaker 6: Like?

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Speaker 10: What's different about where your area is?

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Speaker 2: Someone sent me a photo the other day that said

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inspirational western sci fi interesting okay, like from a library,

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and I was like, oh, now I know what to

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call myself. I love it Spaghetti western, maybe a little

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spaghetti Western rockabilly country blues music I really like and

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that I've been writing for a long time and I've

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played in bands playing music I've written and I'm proud of,

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you know, every band I've been in. But I moved

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to Auburn, Maine after living in Portland for over twenty years,

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and Auburn, Maine's a little more central Maine, and I

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didn't really know anyone up there, and getting a band

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together was just kind of a pain. And then setting

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up practices in Portland with people willing to play, it

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was just scheduling stuff. So I just started playing on

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my own, just using my feet and my arms and

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my voice, and I realized it's a lot less hassle,

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and it's a means to an end. I can play

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my songs and I can agree to play anywhere at

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the drop of a hat. I'll have to run anything

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by a committee. I can do anything I want.

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Speaker 10: That's been a consistent theme on the show over the

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years with guests who are doing a solo thing who

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used to play in bands. Right, it's like, oh, this

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is actually easier logistically.

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Speaker 2: Oh it is. It's easier logistically, and you know, I would.

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I'm not against it. I love to someday have a

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band to play with. It's a lot I love playing

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standing up, yeah, but it's just, you know, money's a thing.

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And I don't want to pay anybody. I don't want

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to play without getting paid if they're playing, if they're

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backing somebody up, and I get that. Yeah, But for

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now I'm having a blast just doing it myself. Yeah,

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packing up the car sometimes I bring my dog yep,

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you know. And I could go on weekend tours and yeah,

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I don't. If I can do it, I can do it.

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I don't have to run it by anybody.

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Speaker 10: Yeah. Yeah, you miss Portland at all, because that's a

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great that's a great scene in Portland. There's always a

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lot of good bands around. Sure, seems like, but you

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don't miss it.

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Speaker 2: No, Now I miss a memory of what Portland was.

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It's not what it was, and I mean it's a

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great place, but just having lived there. When I lived there,

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I was joking with somebody that there were five restaurants. Really,

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oh there were maybe ten. Yeah, and it was you

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could afford to live there. It was dirtier, people were

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maybe a little there was they were more rude, Okay,

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it was. It was just a little more fun. And uh,

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you know that parable when they talk about the frog

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and boiling water, that doesn't realize it's boiling until it's

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too late. That's kind of how I felt while I

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was living there. I was this water is it's boiling?

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Speaker 10: Interesting?

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Speaker 2: I played? I mean, I'm playing there. Tonight I'll be

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at Geno's. And so I'm there a couple of times

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a month for shows or to see friends bands play,

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and I have a lot of friends that live there.

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But I don't miss living there.

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Speaker 10: Okay, okay, Oh that's good. It's good that you're happy

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where you are. Oh yeah, that's awesome.

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Speaker 2: I love Yeah, I like river Folk.

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Speaker 10: Now do you think that's influenced what you do creatively?

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Like or do you think if you were doing a

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solo thing in Portland you'd be doing the same thing.

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Speaker 2: Or I'd probably be doing the same thing. But I think, uh,

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you know, being up there, I wouldn't say I'm isolated,

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but definitely left to my own devices. More as far

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as like music again, like playing alone, I'm just I

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bounce ideas off the wall and back to me.

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Speaker 10: Exactly. So what drew you to performing at Prayers of

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Nature or the listening room? Rather at listening room at

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present look.

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Speaker 2: Like a cool It looked like a cool place. I mean,

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I'm I playing alone it's a hustle. I'm I'm. I

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send out at least one email or message or something

243
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a day to somebody, and you know, sometimes you hear back.

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Sometimes you hear back and there's enthusiasms. Sometimes you hear

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back and you have to plead your case to people

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of why you should be there to play. But in

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this in this case, I sent an inquiry and I

248
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got a lot of enthusiasm back, which right there, it's like, yeah, okay,

249
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I want to play at this place. Yea, And yeah

250
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it just looked cool and I'd never been to Wilton,

251
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New Hampshire.

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Speaker 10: Yeah, yeah, you probably heard that a lot.

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Speaker 11: Right, try to find the place tucked away. It's definitely

254
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what you call a hidden jem. It's a it's in

255
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an art mill. So it's pretty cool once you find it.

256
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Once people discover it, they're like, oh cool, you know, yeah,

257
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it's different. It makes sense so that you would find

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a weird little nook, right right.

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Speaker 10: Has it changed much by the way since you opened?

260
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Because because I think if I remember correctly, so, you

261
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had been on the show when you were either about

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to start or you had just started it.

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Speaker 11: I mean Tyler with us, Yeah, we just started it.

264
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Speaker 10: Yeah, you hadn't had it yet, okay.

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Speaker 11: Right right now, I've had ten of them since I've

266
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last been here. Yeah, I thought six months have gone

267
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by already. And I was like, well, come to an update.

268
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And then I booked him and I was like, you

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want to come with me?

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Speaker 2: Yeah? Yeah.

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Speaker 11: It's like if anything, can play your music and just

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talk about you, you know.

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Speaker 2: Yeah.

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Speaker 10: Yeah, so he was.

275
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Speaker 11: I was happy that he's physically with today.

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Speaker 10: Absolutely.

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Speaker 2: Yeah.

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Speaker 11: But I guess what's changed is my commitment to making

279
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sure that the sound is as good as it can

280
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be in the lighting, and because I'm recognizing that the

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online presence is really important. Absolutely, and it's been helpful

282
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to me and exciting because I didn't really have much

283
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optimism when I started. Really I didn't. I hadn't been

284
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in the booking a venue scene in about three years.

285
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I had taken a break. I had taken a break

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because I was burnt out. And I'd done it for

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other people, I'd done it for myself. I'd done it

288
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as a musician. I'd done it as a venue. Yeah,

289
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I've done it as a nonprofit. I had done it.

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I did it, and I was like, I'm done, and

291
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that's when I took a break and focused on my

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own music. So when I jump back into supporting other artists,

293
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it was a little apprehensive because obviously it comes with

294
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a lot of drama and a lot of egos and

295
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I have to manage them and it affects my relationships,

296
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and I just was went in really apprehensively and really guarded.

297
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But the more I did it, every show I had,

298
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I was like, yes, this is what I want. I

299
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love this part of meeting such unique artists and being

300
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able to support them and just making them feel good

301
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about themselves made me feel good about myself. And I

302
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think that finally shone through in the social media and

303
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it resonated. So I think that's what changed for me personally.

304
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And I wish I could do it every weekend, but

305
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I wouldn't have the fuel probably to do it. So

306
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it's good. I just I got to set that boundary

307
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with three and just make people wait, I guess if

308
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they want to come do it.

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Speaker 10: So you mentioned too, you're hearing from people. It sounds

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like you're hearing from people all over the Northeast.

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Speaker 8: At this point.

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Speaker 11: Yeah, yes, you know. And it's a bummer too, because

313
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the second I recognize they're a little too far away.

314
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I'm gonna have to have the conversation with them about

315
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how we don't offer a guarantee. I'm pretty transparent about that. Yeah,

316
00:17:56,440 --> 00:18:02,799
but I will I I will hustle for you and

317
00:18:02,839 --> 00:18:04,839
if you meet me halfway, we will do what we can.

318
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And I don't take a cut unless the room even

319
00:18:07,000 --> 00:18:09,359
sells out, so like, I'm not here to take your money.

320
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I'm really here to share your art. So yeah, for

321
00:18:11,680 --> 00:18:14,440
some people though, that John is just a little too far,

322
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you know, as much as they want to come play,

323
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they're like, oh, man, I can't do it. But you know,

324
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I will say too something Caleb touched on and then

325
00:18:22,240 --> 00:18:24,799
I'll shut up. Is as a musician myself, whenever I

326
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reach out and try to get bookings, not getting a response,

327
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I would rather get a no oh. I would rather

328
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get oh, we're booked, or you know, I'd rather get

329
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some kind of like confirmation that you at least saw

330
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my stuff right, and like, if it's not for you, you

331
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don't think it's a good fit, that's fine. But I

332
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get so irritated when I don't even get a response,

333
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So I try to at least respond to people. Even

334
00:18:45,519 --> 00:18:47,759
though I get a lot of inquiries, I will respond

335
00:18:47,799 --> 00:18:48,000
to you.

336
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Speaker 10: Yeah, yeah, I will.

337
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Speaker 11: Sometimes it's a no and for whatever reason, but I

338
00:18:53,480 --> 00:18:57,279
will let you know so you can move about with

339
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your bookings accordingly.

340
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Speaker 2: Yeah, there a.

341
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Speaker 10: Point where you started to feel like, oh, this is

342
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really going to work, or this is going to catch

343
00:19:07,039 --> 00:19:08,240
on more than I expected.

344
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Speaker 11: I was surprised by the response. For musicians, I want

345
00:19:12,440 --> 00:19:16,279
a more solid patronage, but that will just happen over time. Sure,

346
00:19:16,319 --> 00:19:19,960
I recognize that, and bringing people in that aren't normally

347
00:19:20,000 --> 00:19:22,759
from here is helpful. People willing to take the risk

348
00:19:22,839 --> 00:19:24,920
and come out and share their art with us, and

349
00:19:25,240 --> 00:19:27,880
you know, and doing that I've already gained just beginning

350
00:19:27,960 --> 00:19:29,799
Dan in there, I had people from town that it

351
00:19:29,920 --> 00:19:32,400
never even knew I existed down there, and they can

352
00:19:32,599 --> 00:19:35,240
so they don't want to come back. So you know,

353
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every once in a while there's people in town that

354
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follow these artists that will come and then they want

355
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to come back to more. So I'm hoping by the

356
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end of the year I have a solid crew.

357
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Speaker 10: Yeah that's fantastic.

358
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Speaker 11: Now you know twenty seats, you know I could do it.

359
00:19:47,720 --> 00:19:52,799
Speaker 10: Yeah, Yeah, that's fantastic. Yeah, Caleb is this, Well, when

360
00:19:52,920 --> 00:19:53,400
is the show?

361
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Speaker 11: Actually when Saturday? Next week?

362
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Speaker 10: Next Saturday.

363
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Speaker 2: Okay, so that's the nineteenth nineteenth.

364
00:19:59,400 --> 00:20:03,000
Speaker 10: Will this be the most kind of unique situation for

365
00:20:03,079 --> 00:20:05,240
you in terms of where you've played, because this is

366
00:20:05,279 --> 00:20:08,119
obviously you know, there's nothing quite like you know, the

367
00:20:08,160 --> 00:20:10,279
listening room. This is, this is different.

368
00:20:11,599 --> 00:20:15,400
Speaker 2: It's definitely the most unique I think of the summer. Yeah,

369
00:20:15,640 --> 00:20:18,920
for sure, to have like my own basically like my

370
00:20:19,000 --> 00:20:23,200
own recital concert. The rest of the shows I'm playing

371
00:20:23,200 --> 00:20:26,799
this year are on bills with other artists, which is great. Yeah,

372
00:20:26,799 --> 00:20:28,920
is fun. And they'll be you know, thirty five forty

373
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minute sets, or I have a couple two or three

374
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hour nights where I'm just you know, playing in the

375
00:20:38,200 --> 00:20:43,200
corner somewhere, which is fine. Yeah, And but this will

376
00:20:43,200 --> 00:20:47,640
be like, yeah, this is probably the only like solo

377
00:20:48,079 --> 00:20:54,599
kind of recital to an interested audience that's there just

378
00:20:54,720 --> 00:21:00,119
for and I'll you know, I have more time to

379
00:21:00,319 --> 00:21:06,240
you know, explain myself, you know, talk talk about the song. Yeah,

380
00:21:06,279 --> 00:21:09,160
talk about the songs. I can touch on that a

381
00:21:09,160 --> 00:21:12,160
little bit sometimes, but I'll actually have time to do

382
00:21:12,200 --> 00:21:16,599
that or or play songs. I don't play all that often,

383
00:21:17,000 --> 00:21:19,839
like I've been thinking about, Oh, well I have you know,

384
00:21:19,920 --> 00:21:23,960
I've been making a list of stuff I need to

385
00:21:24,000 --> 00:21:25,799
practice that I haven't played in a while that I'm

386
00:21:25,839 --> 00:21:27,519
looking forward to to playing.

387
00:21:27,720 --> 00:21:30,720
Speaker 10: Yeah you know, yeah, oh very cool. Well we should

388
00:21:30,720 --> 00:21:32,920
play another one of these studio tracks that you sent

389
00:21:33,000 --> 00:21:36,240
us and we had talked what was we had talked

390
00:21:36,279 --> 00:21:38,319
off here about one specifically.

391
00:21:38,440 --> 00:21:40,000
Speaker 2: Sad sci fi Part one?

392
00:21:40,160 --> 00:21:41,680
Speaker 10: Oh yeah, tell us about this?

393
00:21:41,920 --> 00:21:49,000
Speaker 2: Well? This My favorite genre of movies, or television or

394
00:21:49,319 --> 00:21:53,400
or books is sad science fiction. It's science fiction that's

395
00:21:54,039 --> 00:21:57,759
you know, usually depressing because it's maybe a little less fiction,

396
00:21:57,920 --> 00:22:02,400
more nonfiction like apocalypse. Yeah, you know, if you ever

397
00:22:02,440 --> 00:22:06,279
watched The Outer Limits, like The Outer Limits was one

398
00:22:06,319 --> 00:22:08,680
of my It's one of my favorite shows. It's like

399
00:22:08,759 --> 00:22:13,920
Twilight Zone, but it's purely science fiction. The episodes are longer,

400
00:22:14,119 --> 00:22:18,880
it's slower, darker, and a lot of times it ends

401
00:22:18,920 --> 00:22:22,119
just on a really down beat. And I just love that.

402
00:22:22,240 --> 00:22:25,160
I mean, that's what life is really. I mean, it's

403
00:22:25,279 --> 00:22:29,319
it's a horror. We can find joy here and there,

404
00:22:29,440 --> 00:22:34,200
but I mean we shouldn't be here. It's a struggle

405
00:22:34,279 --> 00:22:36,440
until you're dead. And that's the one thing we have

406
00:22:36,599 --> 00:22:41,079
guaranteed to us. And this is a song I wrote

407
00:22:41,400 --> 00:22:45,880
just the the the idea of, you know, we need

408
00:22:45,920 --> 00:22:50,319
optimistic people, we need people looking out for everyone, and

409
00:22:50,400 --> 00:22:53,599
I appreciate that, and I honor that I am not

410
00:22:53,680 --> 00:22:58,839
one of those people, and and just the idea of

411
00:22:58,839 --> 00:23:02,279
of what what I I mean. This song is less fiction,

412
00:23:02,680 --> 00:23:05,119
I guess than I think. But yeah, like this this

413
00:23:06,519 --> 00:23:11,119
we're circling the drain, I guess. And that's where on

414
00:23:11,160 --> 00:23:11,720
that note.

415
00:23:12,079 --> 00:23:14,119
Speaker 10: Oh, by the way, Mariam Vanish and the chat room

416
00:23:14,160 --> 00:23:16,759
says outer Limits, one of my favorites can be so scary.

417
00:23:16,880 --> 00:23:18,200
Speaker 2: Oh yeah, I've.

418
00:23:18,079 --> 00:23:19,759
Speaker 10: Always been aware of the show, but I don't think

419
00:23:19,759 --> 00:23:20,920
I've ever actually seen the show.

420
00:23:21,119 --> 00:23:22,119
Speaker 2: It's it's fantastic.

421
00:23:22,200 --> 00:23:23,559
Speaker 10: Yeah, I might have to check it out. It sounds

422
00:23:23,559 --> 00:23:25,759
like something I would be interested in. Yeah, all right,

423
00:23:25,839 --> 00:23:27,680
so we will. H So let's give this a spend.

424
00:23:27,839 --> 00:23:29,680
And by the way, where are these uh these are from?

425
00:23:29,880 --> 00:23:30,759
You have an album or I?

426
00:23:31,119 --> 00:23:34,119
Speaker 2: I have a brand new album out called Cold Heart

427
00:23:34,200 --> 00:23:39,599
Volume one. It was recorded live in the studio in Summerville,

428
00:23:39,680 --> 00:23:43,440
mass by my friend Sean Kerran at the Napoleon Complex.

429
00:23:44,079 --> 00:23:46,680
And you just set up a bunch of mics, hit

430
00:23:46,759 --> 00:23:50,160
record and I just blew through my set, and uh,

431
00:23:50,279 --> 00:23:53,519
it was an incredible experience and it sounded so good

432
00:23:53,559 --> 00:23:58,400
that I was, Yeah, it's all live, no overdubs, and

433
00:23:58,519 --> 00:23:59,960
I was recorded in the studio.

434
00:24:00,039 --> 00:24:03,359
Speaker 10: So kind of doesn't surprise me because there's, uh, there's

435
00:24:03,359 --> 00:24:06,000
a certain raw energy to to uh, you know, because

436
00:24:06,000 --> 00:24:08,319
I listened to the tracks that you sent and there's

437
00:24:08,359 --> 00:24:09,960
there's kind of a raw energy to them. It sounds

438
00:24:10,079 --> 00:24:11,839
it sounds like it was recorded, you know what I mean.

439
00:24:11,920 --> 00:24:13,759
Speaker 2: Yeah, it was great, no headphones, you just put a

440
00:24:13,799 --> 00:24:18,680
monitor in front of my face, and.

441
00:24:17,119 --> 00:24:18,559
Speaker 11: I feel like he mixed it well though.

442
00:24:19,680 --> 00:24:21,079
Speaker 2: That's what threw me when you said that.

443
00:24:21,119 --> 00:24:23,160
Speaker 11: He's like the energy is there, but I was like, wow,

444
00:24:23,200 --> 00:24:25,119
this is actually I can't. I was actually having a

445
00:24:25,119 --> 00:24:28,680
hard time discerning. That's great though, in a good way.

446
00:24:28,640 --> 00:24:32,240
Speaker 2: Yeah, he knows what he's doing, you know, clearly, clearly.

447
00:24:33,359 --> 00:24:37,559
And yeah, So a new album out and if you

448
00:24:37,559 --> 00:24:40,319
you know Crying Caleb, if you just google that, you'll

449
00:24:40,359 --> 00:24:43,640
find a bunch of stuff and you can find it everywhere.

450
00:24:43,799 --> 00:24:46,519
Speaker 10: Excellent, excellent, all right, so let's give this a spin.

451
00:24:46,720 --> 00:24:49,640
So this is Sad sci Fi Part one. Yeah, this

452
00:24:49,720 --> 00:24:51,160
is Crying Caleb, check this out.

453
00:24:55,680 --> 00:25:18,160
Speaker 12: He's coming to save. There's nothing out there, not a man.

454
00:25:18,319 --> 00:25:22,359
It caught somewhat, no difference to be made. The future

455
00:25:22,920 --> 00:25:33,480
is violence, then silence. But there is one true Now

456
00:25:33,720 --> 00:25:36,519
is the only thing that's real outside of that is

457
00:25:36,599 --> 00:25:37,039
what this?

458
00:25:37,519 --> 00:25:42,279
Speaker 13: We're so concerned we are we feel now, we feel.

459
00:25:51,079 --> 00:25:52,920
Speaker 4: No one.

460
00:25:55,240 --> 00:25:56,960
Speaker 12: Is coming to war.

461
00:25:57,599 --> 00:26:03,279
Speaker 14: Thus, no one.

462
00:26:05,039 --> 00:26:23,200
Speaker 12: Is coming to teachers, and no one will remember the

463
00:26:23,359 --> 00:26:27,839
trials that week face these days they are also special.

464
00:26:27,680 --> 00:26:29,720
Speaker 9: That how don't no one knows the way?

465
00:26:30,759 --> 00:26:31,720
Speaker 2: Nobody knows no.

466
00:26:37,039 --> 00:26:41,119
Speaker 12: Having done one way street turnball and I makes me

467
00:26:41,839 --> 00:26:43,200
what time is relative?

468
00:26:43,519 --> 00:26:45,039
Speaker 5: We spend it thinking other.

469
00:26:44,960 --> 00:26:48,079
Speaker 2: Things, way me, comar things me.

470
00:26:56,880 --> 00:26:58,799
Speaker 6: No one.

471
00:27:01,000 --> 00:27:03,799
Speaker 12: Is coming to save Buzz.

472
00:27:07,519 --> 00:27:09,240
Speaker 2: No one.

473
00:27:11,039 --> 00:27:13,200
Speaker 15: Is coming to who cares.

474
00:27:17,319 --> 00:27:22,799
Speaker 12: No one is coming to stop us.

475
00:27:26,960 --> 00:27:31,279
Speaker 2: No one is coming to.

476
00:27:31,480 --> 00:27:58,359
Speaker 10: Collect sad side there we go, sorry sad sci fi

477
00:27:58,480 --> 00:28:01,759
Part one. That is crying Caleb, And that is what's

478
00:28:01,759 --> 00:28:02,359
the name of the album?

479
00:28:02,359 --> 00:28:04,440
Speaker 2: I get cold Heart Volume one.

480
00:28:04,400 --> 00:28:06,039
Speaker 10: Cold Heart Volume one, So there's going to be a

481
00:28:06,079 --> 00:28:09,160
volume two. I assume, yeah, all right. I always wondering

482
00:28:09,200 --> 00:28:12,400
when when I hear somebody call something part one only because.

483
00:28:13,720 --> 00:28:13,839
Speaker 6: Uh.

484
00:28:14,079 --> 00:28:16,279
Speaker 10: In the eighties, when Hall and Oates released Rock and

485
00:28:16,279 --> 00:28:18,279
Soul part one. They never put out a part two,

486
00:28:18,799 --> 00:28:21,440
so whenever I hear that yet, yeah, yes, but it

487
00:28:21,480 --> 00:28:22,480
ain't gonna happen now.

488
00:28:23,799 --> 00:28:26,640
Speaker 11: Apparently they're all upset, but Oasis is back together, so

489
00:28:26,680 --> 00:28:27,160
it's fine.

490
00:28:27,240 --> 00:28:30,039
Speaker 10: Yeah, so anything, anything can happens tomorrow.

491
00:28:30,119 --> 00:28:30,519
Speaker 2: Hollano.

492
00:28:32,839 --> 00:28:34,960
Speaker 10: No, that song I was, I was commenting off air.

493
00:28:35,160 --> 00:28:38,720
You know, it's dark and it's sad, but it's also funny.

494
00:28:38,839 --> 00:28:40,440
Oh you know, I like the I like the sense

495
00:28:40,440 --> 00:28:42,519
of humor, you know, very dark humor.

496
00:28:42,279 --> 00:28:46,839
Speaker 2: But hilarious. No one, it's going to make me laugh and.

497
00:28:46,799 --> 00:28:50,079
Speaker 10: I guess it's funny because it's true. Right, Yeah, I

498
00:28:50,079 --> 00:28:50,440
think too.

499
00:28:50,559 --> 00:28:52,359
Speaker 11: What you what you did too with that song is

500
00:28:52,359 --> 00:28:53,559
you kind of made it timeless.

501
00:28:53,960 --> 00:28:54,119
Speaker 10: You know.

502
00:28:54,359 --> 00:28:56,039
Speaker 11: It's one of those ones where I'm like, oh, is

503
00:28:56,079 --> 00:28:58,200
he talking about right now or is he talking about?

504
00:28:58,240 --> 00:28:58,920
Like what is it?

505
00:28:58,920 --> 00:28:59,359
Speaker 10: What is it?

506
00:28:59,440 --> 00:29:01,759
Speaker 11: Exactly? He's putting hitting the nail on the head on

507
00:29:01,759 --> 00:29:03,559
your right. You didn't you didn't put it in a box,

508
00:29:03,599 --> 00:29:04,720
which I thought was great too.

509
00:29:04,839 --> 00:29:08,359
Speaker 10: Yeah that's true. Yeah, timeless, not only in terms of

510
00:29:08,400 --> 00:29:12,640
the lyrics, but in terms of the production because you

511
00:29:12,680 --> 00:29:14,880
could have told me that came from any point and

512
00:29:14,960 --> 00:29:17,559
I would have believed you, you know what I mean, Like,

513
00:29:17,880 --> 00:29:19,759
if you told me that was recorded in the seventies,

514
00:29:19,759 --> 00:29:23,160
I would have believed you. But but it was recorded now,

515
00:29:23,200 --> 00:29:25,920
and I obviously a few months it was recorded a

516
00:29:25,920 --> 00:29:28,279
few months ago. Yeah, and it's but so it's got

517
00:29:28,279 --> 00:29:30,559
that timeless quality to it, which I think is is

518
00:29:30,599 --> 00:29:34,759
really cool. You know. I also want to ask you,

519
00:29:34,799 --> 00:29:37,519
so you're also saying off air about because you're you're

520
00:29:37,519 --> 00:29:39,440
effectively I don't know if you even like the term

521
00:29:39,480 --> 00:29:42,640
maybe not one man band, but you were saying off air.

522
00:29:42,680 --> 00:29:45,160
I thought this was a really interesting, uh comment that

523
00:29:45,279 --> 00:29:49,720
people will kind of suggest other solo artists who do

524
00:29:49,839 --> 00:29:52,720
kind of what you do all the time, and and

525
00:29:52,799 --> 00:29:54,440
you avoid listening to those.

526
00:29:54,640 --> 00:30:00,039
Speaker 2: It's uh yeah, I mean, if I hear it, it's fine,

527
00:30:00,119 --> 00:30:02,400
and I of course appreciate what they're doing because I'm

528
00:30:02,400 --> 00:30:04,119
doing the same thing, but I don't want it to

529
00:30:04,440 --> 00:30:07,039
get in my head kind of thing. Maybe it's a

530
00:30:11,359 --> 00:30:13,960
I don't know, it's it I don't like, I don't

531
00:30:14,000 --> 00:30:17,759
want to be too influenced by the techniques of what

532
00:30:17,799 --> 00:30:20,920
other people do. I can definitely appreciate them like I

533
00:30:21,000 --> 00:30:23,039
and if I'm playing a show with one. Of course

534
00:30:23,039 --> 00:30:25,559
it's fun to watch, but like I don't spend my

535
00:30:25,599 --> 00:30:28,480
time listening like seeking out other one man bands and

536
00:30:28,559 --> 00:30:31,640
listening to them. Yeah, you know, for me, the one

537
00:30:31,640 --> 00:30:33,559
man band thing, it's a means to an end. It's

538
00:30:33,640 --> 00:30:35,920
just I want to play my songs. But I don't

539
00:30:35,920 --> 00:30:42,519
want to play acoustic solo thing, which is great. I

540
00:30:42,519 --> 00:30:44,200
know so many people who are good at it. I

541
00:30:44,240 --> 00:30:47,960
am not good at it. I want to rock and

542
00:30:48,079 --> 00:30:50,680
roll and this is how I can do it, and

543
00:30:50,720 --> 00:30:52,480
this is how I can perform my songs and I

544
00:30:52,599 --> 00:30:56,400
love to perform, so yeah, yeah, it's it's just a

545
00:30:56,440 --> 00:30:57,079
way to do it.

546
00:30:57,480 --> 00:30:59,759
Speaker 10: So when you're playing live, so you have an electric

547
00:31:00,359 --> 00:31:01,880
so you're not yeah, so you're not doing the singer

548
00:31:01,880 --> 00:31:05,359
songwriter thing with an acoustic No, and then you're stomping

549
00:31:05,480 --> 00:31:06,359
for the percussion, right.

550
00:31:06,440 --> 00:31:10,160
Speaker 2: Yeah. I have a bass drum, a high hat, a guitar,

551
00:31:10,279 --> 00:31:14,960
and an amp. Yeah, and uh you know I that's

552
00:31:15,000 --> 00:31:17,119
how I do it. Yeah. I can load in and

553
00:31:17,160 --> 00:31:21,119
out of anywhere usually within ten minutes. Yeah, it doesn't

554
00:31:21,119 --> 00:31:23,559
take me long to set up and yeah, I go.

555
00:31:24,279 --> 00:31:28,079
Speaker 10: You know, venues must love that they do well.

556
00:31:28,160 --> 00:31:30,680
Speaker 2: It's funny because I'll play a lot of I play

557
00:31:30,720 --> 00:31:33,480
a lot of places, like smaller places, and they'll be

558
00:31:34,160 --> 00:31:37,000
they'll hear like the recorded material and they'll be like,

559
00:31:37,000 --> 00:31:39,119
you might be too loud, And I promise them I

560
00:31:39,160 --> 00:31:43,200
am not. Like I I'm very self aware of my

561
00:31:43,359 --> 00:31:45,960
tone how I want to sound, and I have done

562
00:31:46,000 --> 00:31:48,039
a lot of work to make sure I can capture

563
00:31:48,079 --> 00:31:52,640
that tone at pretty much any volume. Yeah, different wattage.

564
00:31:52,680 --> 00:31:55,440
So if I'm playing, if I were playing in here,

565
00:31:56,000 --> 00:31:58,839
I could make it work, right, you know, in this

566
00:31:59,039 --> 00:32:00,680
and I say in here, I can't see it, but

567
00:32:00,720 --> 00:32:04,720
it's a little room or on a big stage. Like

568
00:32:04,880 --> 00:32:09,359
I can adapt, so I can play smaller places and

569
00:32:09,400 --> 00:32:12,200
it's still sounds like me, but it's not going to

570
00:32:12,839 --> 00:32:14,039
stab anyone in the ear.

571
00:32:16,640 --> 00:32:20,640
Speaker 10: So was it challenging to learn to do that? Because well,

572
00:32:20,680 --> 00:32:23,000
obviously so you actually this is something you mentioned off

573
00:32:23,000 --> 00:32:25,400
air too. You've also been a drummer, right, yes, drums,

574
00:32:25,640 --> 00:32:29,359
So obviously with drums, you know that's the one instrument

575
00:32:29,400 --> 00:32:31,839
where typically someone's using all four of their limbs. So

576
00:32:31,880 --> 00:32:33,839
maybe it wasn't challenging. I mean, was it challenging to

577
00:32:34,200 --> 00:32:35,200
learn to do well?

578
00:32:35,240 --> 00:32:36,920
Speaker 2: No, I mean there was a little bit of time,

579
00:32:36,960 --> 00:32:39,200
but it came pretty natural because I tap my foot

580
00:32:39,200 --> 00:32:45,119
when I play. I'm really to tempo and feeling like

581
00:32:45,880 --> 00:32:48,559
I guess I hate the word but groove of what

582
00:32:48,599 --> 00:32:51,079
I'm doing. But I was just talking with a friend

583
00:32:51,079 --> 00:32:53,680
of mine the other day. While I'm doing it, I'm

584
00:32:53,720 --> 00:32:57,519
not thinking about everything I'm doing all at once. It's automatic,

585
00:32:58,119 --> 00:33:01,160
like it's just I'm just doing it. Like and if

586
00:33:01,200 --> 00:33:05,759
I'm singing, my concentration is on the singing. If I'm

587
00:33:05,759 --> 00:33:09,240
playing guitar solo, my concentrations on the guitar solo. What

588
00:33:09,279 --> 00:33:11,680
my feet are doing. I mean, I'm aware of them,

589
00:33:11,720 --> 00:33:14,960
but I'm not. If I start thinking about it, I

590
00:33:15,039 --> 00:33:18,319
will crash right right. And it's funny because I am

591
00:33:18,440 --> 00:33:20,160
I'm not a very coordinated person.

592
00:33:20,359 --> 00:33:20,599
Speaker 10: Really.

593
00:33:20,720 --> 00:33:23,480
Speaker 2: I joke with my old lady all the time like

594
00:33:23,559 --> 00:33:26,200
gravity is a lot stronger around me than anywhere else.

595
00:33:26,279 --> 00:33:29,559
I drop stuff, I constantly do, always bumping into things.

596
00:33:29,559 --> 00:33:33,160
Oh look like I'm moron when I'm loading stuff around.

597
00:33:33,200 --> 00:33:37,799
But when I'm sitting playing, yeah, it seems very graceful.

598
00:33:37,880 --> 00:33:41,039
Speaker 10: It's like I am just not I can absolutely relate

599
00:33:41,079 --> 00:33:47,920
to that. Yeah. So yeah, so when you yeah, I

600
00:33:48,160 --> 00:33:50,279
remember the first time I saw somebody do anything like

601
00:33:50,319 --> 00:33:54,720
that was uh John hot years ago. Boy, this must

602
00:33:54,759 --> 00:33:56,599
have been like twenty years ago. I saw John Hyatt

603
00:33:56,599 --> 00:33:59,799
live and Conquered and and it was cool, you know,

604
00:34:00,200 --> 00:34:01,960
and he doesn't have like a little drum kit or anything.

605
00:34:02,000 --> 00:34:04,960
He would just stand out with his guitar. But he

606
00:34:05,039 --> 00:34:07,240
had there was a microphone obviously on the floor. They

607
00:34:07,240 --> 00:34:09,280
had the floor micd and he would, you know, start

608
00:34:09,320 --> 00:34:11,199
tapping his foot and it just sounded so cool.

609
00:34:11,320 --> 00:34:12,519
Speaker 2: Oh yeah when he.

610
00:34:12,480 --> 00:34:15,320
Speaker 10: Started doing that, because it surprises the audience a little

611
00:34:15,320 --> 00:34:17,280
bit too, because you know, he's just out there with

612
00:34:17,360 --> 00:34:19,239
his guitar, so you think he's just because it was

613
00:34:19,239 --> 00:34:21,079
an acoustic show. Obviously, he did a lot of tours

614
00:34:21,079 --> 00:34:23,159
where he played with a full band, but this particular

615
00:34:23,199 --> 00:34:24,880
tour is just an acoustic tour and it was just

616
00:34:24,960 --> 00:34:27,280
him and the guitar, so you almost don't expect it.

617
00:34:27,280 --> 00:34:29,440
And then he starts tapping and there's obviously a mic

618
00:34:29,480 --> 00:34:31,280
on the floor. It's like, oh, that sounds really good.

619
00:34:31,639 --> 00:34:34,360
Speaker 2: Oh yeah, it's great. I mean I've seen before I

620
00:34:34,360 --> 00:34:37,000
started doing this, I had seen a few one man

621
00:34:37,039 --> 00:34:41,639
bands perform and I remember loving it but also thinking

622
00:34:41,679 --> 00:34:43,880
like I could do that. M h like I could

623
00:34:43,920 --> 00:34:46,599
do that, and I'd even tell people, you know, I

624
00:34:46,639 --> 00:34:49,679
could do that. Yeah, And eventually I did that well

625
00:34:49,760 --> 00:34:54,519
during COVID times my band wasn't playing, of course, yeah,

626
00:34:54,519 --> 00:34:56,480
and I got really bored. So that was when I

627
00:34:56,519 --> 00:35:00,000
started like practicing it, yeah, and doing it and putting

628
00:35:00,079 --> 00:35:05,559
up videos and stuff. And then once things start opening

629
00:35:05,559 --> 00:35:07,880
back up, I started playing with the drummer again and

630
00:35:07,920 --> 00:35:10,039
that was fine. And then, like I said, when I

631
00:35:10,119 --> 00:35:13,760
moved up to Auburn, Maine, I decided to just do

632
00:35:13,880 --> 00:35:18,159
it one man band. But no, I mean people have

633
00:35:18,199 --> 00:35:21,559
been doing it since forever. I mean, it's it's a

634
00:35:22,480 --> 00:35:25,079
I like it. It's kind of a Carney Carnie trick,

635
00:35:25,199 --> 00:35:28,079
you know, it's it's it's a sideshow thing, and it's

636
00:35:28,880 --> 00:35:32,960
it's I try not the I'm serious. The songs there's

637
00:35:33,119 --> 00:35:36,480
can be serious. They're funny and like, I'm serious about that,

638
00:35:36,559 --> 00:35:39,599
but I also realize it's pretty ridiculous, and like it's

639
00:35:39,639 --> 00:35:42,599
fun it's funny. Sure, it's funny to watch. I mean

640
00:35:42,639 --> 00:35:46,000
some people when they're watching it, they're just like, oh yeah, it's.

641
00:35:45,840 --> 00:35:48,480
Speaker 11: Just I love it. It comes out of one person. I

642
00:35:48,519 --> 00:35:51,360
think it's cool. You've surrounded yourself with ways to different

643
00:35:51,400 --> 00:35:55,079
ways to express yourself, and I really enjoy it.

644
00:35:55,159 --> 00:35:58,480
Speaker 2: Oh yeah, I mean, but it is I understand. I

645
00:35:58,519 --> 00:36:01,199
recognize that it's pretty funny.

646
00:36:03,320 --> 00:36:06,280
Speaker 10: We should play another one. Let's see should we play

647
00:36:06,440 --> 00:36:07,280
what should we play?

648
00:36:07,760 --> 00:36:07,960
Speaker 5: Oh?

649
00:36:08,000 --> 00:36:09,639
Speaker 2: How She Dances is a fun one.

650
00:36:09,679 --> 00:36:12,119
Speaker 11: Yeah, I want to learn about why you covered that

651
00:36:12,239 --> 00:36:14,280
because oh, I don't know if you want to talk

652
00:36:14,280 --> 00:36:16,000
about an hour after you. But like I was hoping

653
00:36:16,039 --> 00:36:17,599
that that would be the song i'd learn more about.

654
00:36:17,800 --> 00:36:21,320
Speaker 2: Yeah, I'd heard, oh yeah, I had heard it's I

655
00:36:21,320 --> 00:36:24,599
didn't write this, you know, it's I had heard one

656
00:36:24,599 --> 00:36:28,679
of my favorite artists, taff Falco and the panther Burns,

657
00:36:29,360 --> 00:36:31,840
do this song, and I remember I just loved it.

658
00:36:31,920 --> 00:36:35,280
I loved the whole Spieley gives and I remember thinking

659
00:36:35,320 --> 00:36:37,719
like I could do this song. Yeah, a long time ago.

660
00:36:37,920 --> 00:36:41,519
And then I like looked it up and realized, like,

661
00:36:41,639 --> 00:36:43,599
you know, I didn't think it was his song, but

662
00:36:44,039 --> 00:36:48,239
turns out it's just this old vaudevillian song from the

663
00:36:48,880 --> 00:36:52,320
like nineteen fifteen or something like that, and I was like, well,

664
00:36:52,400 --> 00:36:54,760
and this doesn't belong to anybody. I could definitely do

665
00:36:54,840 --> 00:36:57,440
this song. And you know, I think like any song

666
00:36:57,559 --> 00:37:00,760
like that, it gets changed. So this is my version.

667
00:37:00,800 --> 00:37:03,800
And I grew up an Old Orchard Beach, Maine, which

668
00:37:05,280 --> 00:37:09,360
you know, I'm part Carney. Like that was downtown Old Orchard.

669
00:37:09,480 --> 00:37:13,039
That's a lot of us who grew up there, especially

670
00:37:13,079 --> 00:37:15,880
like the time I grew up there, we started working downtown.

671
00:37:15,880 --> 00:37:19,320
I had my first job downtown hustling tourists when I

672
00:37:19,360 --> 00:37:22,119
was like twelve years old, you know. And a lot

673
00:37:22,159 --> 00:37:26,440
of it's hustling tourists. Some of it's just like food service.

674
00:37:26,480 --> 00:37:28,280
Some of them is trying to rope people in, just

675
00:37:28,360 --> 00:37:31,199
rip them off, playing an impossible game that they're not

676
00:37:31,239 --> 00:37:35,199
going to win, okay, you know. And I just the

677
00:37:35,239 --> 00:37:41,599
whole art of the circus and the traveling people just

678
00:37:41,800 --> 00:37:45,480
fleecing rubes. I just think it's hilarious and like humans

679
00:37:45,519 --> 00:37:51,039
are so easily manipulated and tricked into doing dumb stuff

680
00:37:51,079 --> 00:37:54,079
if they're told, yes, this is the right decision.

681
00:37:54,599 --> 00:37:58,159
Speaker 10: Why is Old Orchard Beach like that specifically, just because.

682
00:37:58,079 --> 00:38:01,079
Speaker 2: Well, it's a tourist town, but it's a it's it's

683
00:38:01,119 --> 00:38:03,440
one of the places in the Northeast. It's a working

684
00:38:03,559 --> 00:38:08,519
class vacation spot. It's where working people can afford to

685
00:38:08,559 --> 00:38:11,400
go where working people can afford to take their families

686
00:38:11,800 --> 00:38:15,159
and keep them entertained. There's games and rides. It's cheaper.

687
00:38:15,360 --> 00:38:18,159
I mean, it's not cheap, but it's cheaper than going

688
00:38:18,239 --> 00:38:21,920
to a gun Quit or Kenny Bunk or Booth Bay

689
00:38:21,920 --> 00:38:28,519
Harbor or Kadia or anywhere like that. It's it's kind

690
00:38:28,519 --> 00:38:32,960
of low grade entertainment for regular folks, okay. And so

691
00:38:33,079 --> 00:38:35,320
you get a lot of, you know, working class people.

692
00:38:35,360 --> 00:38:38,239
You get some affluent people, but most for the most part,

693
00:38:38,280 --> 00:38:40,760
it's just regular folks.

694
00:38:40,960 --> 00:38:41,840
Speaker 10: Oh that's interesting.

695
00:38:42,000 --> 00:38:42,280
Speaker 2: Okay.

696
00:38:42,679 --> 00:38:44,360
Speaker 10: I was partly curious too, because I think I've only

697
00:38:44,360 --> 00:38:46,360
been there once. But the first time I ever saw

698
00:38:46,400 --> 00:38:47,239
a kiss was it older?

699
00:38:47,519 --> 00:38:50,400
Speaker 2: Oh there you go? Yeah, yeah, that's a good band

700
00:38:50,480 --> 00:38:51,159
for that town.

701
00:38:51,320 --> 00:38:55,239
Speaker 10: There you go. Interesting. Yeah, all right, So we're gonna

702
00:38:55,280 --> 00:38:57,039
give this a spend. So this is see I didn't

703
00:38:57,039 --> 00:38:57,920
even know this was a cover.

704
00:38:58,239 --> 00:39:02,400
Speaker 2: Yeah, when I listened to it, freesome, it's royalty. I

705
00:39:02,400 --> 00:39:04,679
wouldn't record a song that wasn't.

706
00:39:04,719 --> 00:39:05,679
Speaker 11: I didn't know if you paid.

707
00:39:06,119 --> 00:39:08,920
Speaker 10: Oh no, yeah, all right, cool, all right, let's give

708
00:39:08,920 --> 00:39:11,000
this suspend. This is oh how she dances? And this

709
00:39:11,360 --> 00:39:12,719
is crime Caleb.

710
00:39:24,599 --> 00:39:26,760
Speaker 16: Right this way, ladies, and gentlemen to right this way?

711
00:39:26,880 --> 00:39:30,519
Is he the greatest conglomeration of curiosities ever gathered under

712
00:39:30,559 --> 00:39:36,280
one cannabis tent. See the Indian Rubber Boy, see two

713
00:39:36,320 --> 00:39:41,159
ton Tiny, the Black Lady, See Prince Jujububbo, the sword Swallower.

714
00:39:41,480 --> 00:39:43,480
Speaker 12: He is also this state charmer.

715
00:39:44,280 --> 00:39:45,320
Speaker 16: See the Lovely.

716
00:39:45,079 --> 00:39:49,480
Speaker 2: Princess Karma performer spectacular dance suspended high the heads of

717
00:39:49,480 --> 00:39:52,280
the audience on a palid surface no larger than a

718
00:39:52,320 --> 00:39:54,800
silver die.

719
00:39:55,599 --> 00:39:58,440
Speaker 16: She performs her dance to the accompaniment to a strange

720
00:39:58,559 --> 00:40:01,599
talk tom or his draw. Lit by a myriad array

721
00:40:01,639 --> 00:40:06,920
of thousands of tidy electric light bombs every nerve, every muscle,

722
00:40:06,960 --> 00:40:08,199
every fiber of her body.

723
00:40:08,519 --> 00:40:10,199
Speaker 5: It shimmy's like jelly in the hole.

724
00:40:10,920 --> 00:40:13,960
Speaker 16: So bring your friends, your neighbors, and your children, or

725
00:40:13,960 --> 00:40:15,960
they may reproach you in later life for this.

726
00:40:16,119 --> 00:40:18,079
Speaker 2: I'm caught for lack of their education.

727
00:40:19,280 --> 00:40:21,079
Speaker 3: It only cost a time two.

728
00:40:20,960 --> 00:40:22,679
Speaker 2: Nichols one ten part of a dollar.

729
00:40:23,199 --> 00:40:27,000
Speaker 12: You may receive instructions, but don't push, don't shove.

730
00:40:27,800 --> 00:40:29,000
Speaker 4: There's room for one.

731
00:40:29,079 --> 00:40:29,639
Speaker 5: A doll.

732
00:40:31,239 --> 00:40:34,559
Speaker 13: Good man stood outside and another great side show.

733
00:40:34,719 --> 00:40:37,159
Speaker 2: We have to cried right this way.

734
00:40:37,280 --> 00:40:42,000
Speaker 16: We have the main attraction we must day the dancing

735
00:40:42,199 --> 00:40:46,280
princess Lemnal. She don't move her feet at all.

736
00:40:46,800 --> 00:40:48,880
Speaker 5: Say she drew of the suns.

737
00:40:48,559 --> 00:40:49,880
Speaker 9: In two distractions.

738
00:40:51,719 --> 00:40:55,039
Speaker 16: We'll hire room Green pulled out a dime and he said, boys,

739
00:40:55,079 --> 00:40:57,599
I'm here to a half a time, so give me

740
00:40:57,800 --> 00:40:58,800
see now front.

741
00:40:58,840 --> 00:40:59,639
Speaker 2: As far as.

742
00:40:59,480 --> 00:41:05,000
Speaker 8: I'm welly stayed in there far hours about and.

743
00:41:05,159 --> 00:41:08,760
Speaker 2: Last they threw part I m out and as they didn't,

744
00:41:08,800 --> 00:41:09,639
he call her.

745
00:41:12,119 --> 00:41:16,119
Speaker 5: How she dances, Oh, how she dances.

746
00:41:17,199 --> 00:41:20,440
Speaker 16: I've never seen such a movement in my life.

747
00:41:21,199 --> 00:41:22,679
Speaker 2: It beats that dancing cost.

748
00:41:23,079 --> 00:41:24,119
Speaker 12: What what is you all?

749
00:41:24,199 --> 00:41:25,840
Speaker 10: And stay at Molly.

750
00:41:26,039 --> 00:41:28,159
Speaker 2: You're changent to your wife.

751
00:41:29,840 --> 00:41:33,679
Speaker 12: She wiggles, Oh how she wiggles.

752
00:41:35,400 --> 00:41:37,920
Speaker 17: She shimys just like chili in.

753
00:41:38,239 --> 00:41:47,440
Speaker 10: Both She has never seen streets of Cairo.

754
00:41:48,400 --> 00:41:50,639
Speaker 13: I from a baby.

755
00:41:50,880 --> 00:41:51,719
Speaker 10: She's from my.

756
00:41:53,199 --> 00:41:59,400
Speaker 2: Town like this, White ladies and gentlemen right this way?

757
00:41:59,440 --> 00:42:00,360
Does he need mole?

758
00:42:00,440 --> 00:42:04,360
Speaker 16: Despicable geek captured in the wilds of Old Orchard Beach Main,

759
00:42:04,719 --> 00:42:07,280
where he was incarcerated in the attic by his parents

760
00:42:07,519 --> 00:42:11,519
at the tender age of fourteen. In order to survive,

761
00:42:11,679 --> 00:42:12,719
he learned to eat.

762
00:42:12,559 --> 00:42:16,679
Speaker 12: My ras, live chickens, and other living organisms.

763
00:42:16,760 --> 00:42:27,239
Speaker 5: Yes, friends, oh, that.

764
00:42:27,360 --> 00:42:29,519
Speaker 10: Is, oh how she dances? That is Crime Caleb from

765
00:42:29,559 --> 00:42:32,599
the album cold Heart Volume one. Hey, where's the name

766
00:42:32,639 --> 00:42:33,920
come from? By the way, Crime Caleb?

767
00:42:35,480 --> 00:42:39,880
Speaker 2: Good question, Well one of my I don't really believe

768
00:42:39,920 --> 00:42:41,760
in heroes, but let's say I was someone who believed

769
00:42:41,800 --> 00:42:43,599
in a hero. Sure how one of them would be

770
00:42:43,719 --> 00:42:48,320
screaming Jay Hawkins scream and Jay Howland Wolf as another

771
00:42:48,400 --> 00:42:51,360
guy I like named Lonesome Wyatt. I like the you

772
00:42:51,440 --> 00:42:57,559
know that title in Yeah my name you know it's Caleb,

773
00:42:57,599 --> 00:43:00,800
Aaron Colthard and Colethard is one of those names like

774
00:43:00,840 --> 00:43:03,440
in a loud room if if I tell people my name,

775
00:43:03,480 --> 00:43:06,079
they say what was that? And I'm like exactly right right.

776
00:43:06,599 --> 00:43:10,599
And it was actually my friend Heather who painted the

777
00:43:10,679 --> 00:43:15,000
cover of the new album. When she learned my real

778
00:43:15,119 --> 00:43:17,119
last last name, she was like cold Heart and I

779
00:43:17,239 --> 00:43:20,320
was like, yeah, exactly, Oh you know, yeah, I had

780
00:43:20,360 --> 00:43:23,639
heard that before. An old teacher in school used to

781
00:43:23,679 --> 00:43:27,599
say I had a cold heart, but no, yeah, crying

782
00:43:27,679 --> 00:43:30,400
Caleb was just It's just I needed a name, yeah,

783
00:43:30,440 --> 00:43:33,199
and that was came up with it and I asked

784
00:43:33,199 --> 00:43:34,320
a few people. I was like, what do you think

785
00:43:34,360 --> 00:43:37,800
of that? And They're like that's good. Yeah all right, yeah, yeah, yeah.

786
00:43:38,159 --> 00:43:40,199
Speaker 10: Well, by the way Miriam said in the chat room,

787
00:43:40,440 --> 00:43:42,960
feeling a little Tom Waits thing in this, is he

788
00:43:43,000 --> 00:43:46,039
an influence on you? I didn't think of that until

789
00:43:46,239 --> 00:43:48,360
Miriam said that, but yeah, I can. I'm gonna hear it.

790
00:43:48,800 --> 00:43:51,800
Speaker 2: Yeah, I mean to to an extent. There's like three

791
00:43:51,920 --> 00:43:56,679
Tom Waits records I really like Yeah and Yeah. I

792
00:43:56,880 --> 00:44:01,679
like those three albums. He's a yeah. I mean, he's

793
00:44:01,719 --> 00:44:04,679
not my favorite, but I definitely the songs I like

794
00:44:04,760 --> 00:44:08,960
by him, I really really really like Yeah. But I'm

795
00:44:09,559 --> 00:44:11,440
I don't know if he's so much an influence. Maybe

796
00:44:13,000 --> 00:44:16,199
just it's in there somewhere. We know he's not a hero,

797
00:44:16,719 --> 00:44:20,159
no heroes. Yeah, it's good time.

798
00:44:22,760 --> 00:44:25,119
Speaker 11: I felt like I had, like I told when Dan came,

799
00:44:25,159 --> 00:44:26,239
and I feel the same way about you.

800
00:44:26,360 --> 00:44:27,119
Speaker 2: I woke up.

801
00:44:27,559 --> 00:44:29,519
Speaker 11: I was in my house last night getting ready for

802
00:44:29,599 --> 00:44:33,159
bed as like musical Santa's coming tomorrow, musical. You may

803
00:44:33,199 --> 00:44:35,440
not be my hero, but you're my musical Santa. I

804
00:44:35,519 --> 00:44:38,400
couldn't sleep last night. I was I haven't actually met him.

805
00:44:38,920 --> 00:44:41,880
We've been talking online, I booked him and just getting

806
00:44:41,920 --> 00:44:43,320
to know each other. But I'm like, I actually get

807
00:44:43,360 --> 00:44:43,920
to meet him.

808
00:44:43,800 --> 00:44:45,360
Speaker 2: To Yeah, oh that's cool.

809
00:44:45,639 --> 00:44:50,320
Speaker 10: That's cool, very cool. Now what about so when is uh,

810
00:44:50,559 --> 00:44:52,519
have you started working on Cold Heart Volume two yet?

811
00:44:52,599 --> 00:44:59,400
Speaker 2: Or well it's I okay. I put on an album

812
00:44:59,519 --> 00:45:02,079
called a few years ago and that was like my

813
00:45:02,280 --> 00:45:08,639
first solo record. And after that, over the last few years,

814
00:45:08,840 --> 00:45:13,599
I've recorded a lot, and then that was going to

815
00:45:13,679 --> 00:45:16,000
be the next album. But and then out of nowhere,

816
00:45:16,039 --> 00:45:18,679
I got a show in Massachusetts and I decided to

817
00:45:18,760 --> 00:45:21,960
make a weekend of it and book another show. While

818
00:45:22,000 --> 00:45:25,119
I was down there and studio time and recorded this

819
00:45:25,239 --> 00:45:26,880
and I was like, boom, that's a record. So I

820
00:45:27,000 --> 00:45:28,599
just put that out. But I still have all these

821
00:45:28,679 --> 00:45:32,320
recordings I've done that I really like. I think those

822
00:45:32,400 --> 00:45:36,400
are probably gonna come out in some shape or form.

823
00:45:38,079 --> 00:45:40,320
But cold Heart Volume two, I don't even know if

824
00:45:40,360 --> 00:45:42,880
that will be the next album, but there will be one.

825
00:45:43,840 --> 00:45:47,880
I imagine it'll be another one man band, live in

826
00:45:47,960 --> 00:45:52,000
the studio, once I get enough songs that I want

827
00:45:52,039 --> 00:45:54,599
to use that way because the other stuff I record,

828
00:45:54,679 --> 00:45:58,440
like my first album night Hoss and singles I've put out.

829
00:45:59,119 --> 00:46:02,480
When I record the actually record, I play drums and

830
00:46:02,800 --> 00:46:05,559
I play bass, and I do guitar and couples. Like

831
00:46:05,599 --> 00:46:08,400
I record it as a whole band. I'm still playing everything.

832
00:46:08,440 --> 00:46:11,079
I might have a guest play organ or something. I

833
00:46:11,119 --> 00:46:15,360
don't know how to play on it. But the live

834
00:46:15,440 --> 00:46:18,440
show is one man band, and that's why this new

835
00:46:18,480 --> 00:46:21,400
album is the closest to like, this is what I

836
00:46:21,480 --> 00:46:22,119
sound like live.

837
00:46:22,320 --> 00:46:24,480
Speaker 10: Yeah, you know, yeah, no, that makes sense. That makes

838
00:46:24,480 --> 00:46:27,519
sense when you do some of the shows that you do,

839
00:46:27,559 --> 00:46:29,119
if you have to play a long time, so you

840
00:46:29,199 --> 00:46:30,000
mix in some covers.

841
00:46:30,039 --> 00:46:33,480
Speaker 2: I saw the originals, Yes I do, Yeah, I do.

842
00:46:33,840 --> 00:46:37,639
You know old country songs. I I don't do anything

843
00:46:37,679 --> 00:46:40,159
I don't like, that's for sure, but I'll do a

844
00:46:40,800 --> 00:46:44,280
song I do Bela Lugosi's Dead by the bow House,

845
00:46:46,159 --> 00:46:51,559
a Forest by the Cure Echo and the Bunnyman Morrissey.

846
00:46:52,119 --> 00:46:53,960
Speaker 11: You did one recently that or I don't know if

847
00:46:53,960 --> 00:46:55,679
you did it recently, but I watched it recently. Was

848
00:46:57,000 --> 00:46:58,440
opening for Rocky Horror Pictures show.

849
00:46:58,480 --> 00:47:01,639
Speaker 2: Oh yeah, Rocky Horror. That's a fun the science fiction

850
00:47:01,760 --> 00:47:07,079
double feature. Yeah, I'd be that one. Yeah, I kinks.

851
00:47:07,800 --> 00:47:12,519
You know, there's some songs I've known my whole life,

852
00:47:13,239 --> 00:47:15,519
but I've never actually played that. Like I played a

853
00:47:15,599 --> 00:47:19,239
show in Lewiston, near where I live, and I was

854
00:47:19,360 --> 00:47:21,440
playing a two hour show and on the way there

855
00:47:21,480 --> 00:47:23,119
I heard a whole lot of shaking going on by

856
00:47:23,199 --> 00:47:26,480
Jerry Lee Lewis. Now I've heard that song thousands of

857
00:47:26,559 --> 00:47:29,000
times probably, and I was like, I could play this.

858
00:47:29,159 --> 00:47:30,960
So while I was playing, I just start playing it.

859
00:47:31,199 --> 00:47:33,079
Oh really it's not it's three chords.

860
00:47:33,159 --> 00:47:33,360
Speaker 10: Yeah.

861
00:47:33,400 --> 00:47:34,880
Speaker 2: I just had to remember the words. And that was

862
00:47:34,960 --> 00:47:39,000
a blast, you know, like I Jerry Lee Lewis, Little

863
00:47:39,079 --> 00:47:42,760
Richard like you know stuff I do. Yeah, I do

864
00:47:42,800 --> 00:47:43,440
a lot of covers.

865
00:47:44,000 --> 00:47:45,639
Speaker 10: It sounds like it sounds like though some of the

866
00:47:45,679 --> 00:47:48,719
covers you do might be there might be instances where

867
00:47:48,760 --> 00:47:50,960
people who are there don't necessarily realize their covers right

868
00:47:50,960 --> 00:47:53,880
because somebody not standard issue cover.

869
00:47:54,360 --> 00:47:57,000
Speaker 2: I mean, I often I try not to take you know.

870
00:47:57,079 --> 00:47:59,440
I'll mention like the songs written by so and so

871
00:47:59,679 --> 00:48:02,800
or afterwards, I'll say it whether they hear it or not.

872
00:48:03,800 --> 00:48:07,639
But it's great if I'm playing for a group of like,

873
00:48:08,119 --> 00:48:11,519
you know, working dudes who like country music and then

874
00:48:11,519 --> 00:48:13,599
I throw an echo and the Bunnyman song they've never

875
00:48:13,679 --> 00:48:16,199
heard but they like it, or a cure song but

876
00:48:16,320 --> 00:48:19,280
they like it, and they don't even realize. It's like

877
00:48:19,360 --> 00:48:22,599
if they heard the original, they probably like, what right? Right?

878
00:48:23,519 --> 00:48:26,280
I really enjoy that, or the flip side of it,

879
00:48:26,480 --> 00:48:31,639
doing you know, a country song that a different audience

880
00:48:31,719 --> 00:48:33,039
might not be.

881
00:48:33,199 --> 00:48:35,360
Speaker 11: You could do a sick rap cover if you found

882
00:48:35,360 --> 00:48:36,199
the right rap song.

883
00:48:36,840 --> 00:48:38,800
Speaker 2: I used to, but in this day and age, I

884
00:48:38,920 --> 00:48:41,760
don't do the ones I used to do because the

885
00:48:41,880 --> 00:48:45,880
sense of humor, and of course there was nothing malicious

886
00:48:46,199 --> 00:48:51,760
in my my But I'm like, I'm not going to

887
00:48:51,800 --> 00:48:52,519
do those anymore.

888
00:48:53,639 --> 00:48:55,679
Speaker 10: Understood, Yeah, understood, Yeah, yeah.

889
00:48:56,760 --> 00:48:56,880
Speaker 6: Oh.

890
00:48:57,199 --> 00:48:59,039
Speaker 10: The time goes quickly. I want to make sure we

891
00:48:59,280 --> 00:49:01,679
I want to make sure we get one more song in.

892
00:49:01,760 --> 00:49:03,800
But I also want to remind everybody, especially for people

893
00:49:03,800 --> 00:49:06,440
who are just joining us, about the show coming up

894
00:49:06,519 --> 00:49:11,119
at Prayers. I keep doing that the listening room. I

895
00:49:11,119 --> 00:49:14,519
think I'm suffering from adult onset dyslexia. Forgive me the

896
00:49:14,639 --> 00:49:16,360
listening room at Prayers of Nature.

897
00:49:16,840 --> 00:49:19,519
Speaker 11: But you can find everything at Prayers of Nature dot com.

898
00:49:19,719 --> 00:49:21,599
So I've made it a little difficult for you.

899
00:49:21,800 --> 00:49:24,039
Speaker 10: Maybe that's maybe that's why I keep inspiring in.

900
00:49:25,119 --> 00:49:27,760
Speaker 11: You can reserve seats for as little as twelve dollars.

901
00:49:27,840 --> 00:49:31,360
You can come see Caleb, which is quite a steal

902
00:49:31,440 --> 00:49:35,440
if you ask me, and it's September, I'm sorry. Saturday,

903
00:49:35,880 --> 00:49:39,760
July nineteenth. The doors open at six thirty, show starts

904
00:49:39,800 --> 00:49:43,480
at seven. Okay, yeah, prayers in nature dot com. You

905
00:49:43,559 --> 00:49:45,559
can reserve a seat. I won't turn people away if

906
00:49:45,559 --> 00:49:47,519
they show up at the door. It's just if you

907
00:49:47,599 --> 00:49:50,239
want to be able to sit down. Yeah, you're gonna

908
00:49:50,280 --> 00:49:52,199
want to go online and reserve a seat, but if

909
00:49:52,239 --> 00:49:53,719
you show up, you know, I'm not going to be like,

910
00:49:53,800 --> 00:49:57,679
go away, right right, I'm just gonna Yeah, I call

911
00:49:57,719 --> 00:50:00,400
it the Wallflower Pass. You still pay, but yeah we're

912
00:50:00,400 --> 00:50:04,320
going to be standing. So yeah, yeah, I'm really excited

913
00:50:04,320 --> 00:50:07,360
about it. We also have I should mention before Caleb.

914
00:50:07,440 --> 00:50:10,199
There is two other acts. There's one on Thursday called

915
00:50:10,239 --> 00:50:14,840
Blame It On Sally. It's a duo upright bass guitar.

916
00:50:15,320 --> 00:50:17,679
The woman who plays upright bass is actually an artist

917
00:50:17,840 --> 00:50:20,760
at the mill that I'm in. So she's an art

918
00:50:20,840 --> 00:50:24,119
professor and she's a painter. So she's going to be

919
00:50:24,159 --> 00:50:26,639
opening her studio before her show for people to show

920
00:50:26,679 --> 00:50:29,320
up early and enjoy her art before she actually performs.

921
00:50:29,880 --> 00:50:32,760
So that's Blame It On Sally On Thursday and then

922
00:50:32,960 --> 00:50:35,599
Tom Russo, who you've met my cousin is performing.

923
00:50:35,679 --> 00:50:36,519
Speaker 10: It's been on a few times.

924
00:50:36,639 --> 00:50:40,320
Speaker 11: Yeah, yeah, he's coming that Friday once again. They all

925
00:50:40,360 --> 00:50:42,679
start at seven or open at six thirty. And then yeah,

926
00:50:42,760 --> 00:50:45,039
Caleb on the nineteen oh it was Caleb.

927
00:50:45,400 --> 00:50:49,000
Speaker 10: Yeah, excellent, excellent And Caleb, what should people know about?

928
00:50:49,000 --> 00:50:50,920
Where to find you online? Where to get your albums?

929
00:50:50,960 --> 00:50:54,280
Speaker 2: And just you can google Crying Caleb. You're going to

930
00:50:54,320 --> 00:50:58,840
find me. But I'm on all the social media stuff,

931
00:50:59,199 --> 00:51:00,440
well not all of them, but.

932
00:51:00,760 --> 00:51:03,000
Speaker 11: Not only fans, not on only fans.

933
00:51:03,079 --> 00:51:04,559
Speaker 10: It's hard to be on all of them. There's so many.

934
00:51:04,639 --> 00:51:08,679
Speaker 2: But I'm I host Slyly you know, Instagram, Facebook, you

935
00:51:08,760 --> 00:51:11,599
can find Crying Caleb YouTube. I have a lot of

936
00:51:11,639 --> 00:51:14,199
stuff on YouTube that I don't put on the other stuff.

937
00:51:15,679 --> 00:51:18,400
And you know I have a band camp. But you

938
00:51:18,519 --> 00:51:21,400
can find you can find me. Yeah, you can find me.

939
00:51:21,519 --> 00:51:22,480
He's not hard to find.

940
00:51:22,599 --> 00:51:22,760
Speaker 10: Yeah.

941
00:51:22,840 --> 00:51:26,119
Speaker 2: People say they can't find me. It's like you didn't try, right, right, Yeah,

942
00:51:26,320 --> 00:51:28,639
And I don't blame you. This is who's got time.

943
00:51:29,159 --> 00:51:31,559
This is worth It's hard man.

944
00:51:32,519 --> 00:51:35,400
Speaker 10: I've always I've always thought it's funny when somebody says Oh, yeah,

945
00:51:35,400 --> 00:51:36,960
I looked for you online. I couldn't find you. It's

946
00:51:37,000 --> 00:51:40,719
like you didn't try to try. You couldn't find a

947
00:51:40,719 --> 00:51:43,280
guy named Matt Connorton. Like, how many Matt Connortons do

948
00:51:43,280 --> 00:51:45,760
you think there are out there? There is one other one,

949
00:51:46,039 --> 00:51:47,920
but he's my uncle, so he doesn't count.

950
00:51:48,039 --> 00:51:51,000
Speaker 2: Oh, uncle Matt, Yeah, Uncle Matt.

951
00:51:52,199 --> 00:51:54,920
Speaker 10: Well, very good, and we will so we'll close out

952
00:51:54,960 --> 00:51:57,639
with this track to Live and Love in the Shadow

953
00:51:57,719 --> 00:51:58,079
of Fear.

954
00:51:58,280 --> 00:52:00,760
Speaker 2: Oh okay, it's an ominous sid don't Yeah. And this

955
00:52:01,000 --> 00:52:04,639
is an episode of The Outer Limits, the New Outer Limits.

956
00:52:04,840 --> 00:52:06,840
My girlfriend always says, stop calling it the New Outer

957
00:52:06,960 --> 00:52:09,199
Limits because it's from the nineties, because the original show

958
00:52:09,280 --> 00:52:09,920
was in the sixties.

959
00:52:10,000 --> 00:52:11,840
Speaker 10: Oh, I didn't even realize it. They're going to reboot.

960
00:52:11,960 --> 00:52:15,320
Speaker 2: Yeah, there was in the nineties. Okay, But this episode,

961
00:52:15,320 --> 00:52:18,920
particular episode is about someone who realizes there's something wrong

962
00:52:18,960 --> 00:52:23,480
with the moon and that the sun probably went nova

963
00:52:23,920 --> 00:52:27,440
and that as morning comes, everyone's going to be incinerated.

964
00:52:27,559 --> 00:52:31,679
So he decides to spend his last night on Earth

965
00:52:33,320 --> 00:52:35,840
coming clean with the Galley has a crush on that

966
00:52:35,920 --> 00:52:38,119
works at the bookstore, and he asks her out on

967
00:52:38,199 --> 00:52:42,360
a date, and you know, spends what they believe to

968
00:52:42,440 --> 00:52:45,039
be their last night on Earth together, but she doesn't

969
00:52:45,079 --> 00:52:47,440
realize that Earth is gonna be gone in the morning.

970
00:52:47,480 --> 00:52:50,079
When she finds out, she's kind of angry, like, why

971
00:52:50,119 --> 00:52:52,360
would I want to spend the rest of my life

972
00:52:52,400 --> 00:52:54,840
with you? Like I barely know you? But it's the

973
00:52:54,880 --> 00:52:57,599
outer limits so it gets more complicated. But anyway, it

974
00:52:58,199 --> 00:53:02,119
I just love that idea, yeah, of the end coming

975
00:53:02,239 --> 00:53:04,519
and just knowing when it's coming and being like, what

976
00:53:04,559 --> 00:53:05,920
do you want to do? And it's like, well, I

977
00:53:06,039 --> 00:53:07,599
know what i'd like to do. I'd like to spend

978
00:53:07,679 --> 00:53:10,320
it with the woman I love. Right, So that's what

979
00:53:10,519 --> 00:53:10,920
this song.

980
00:53:11,360 --> 00:53:14,320
Speaker 10: Oh, very cool, very cool. So we're gonna spend this

981
00:53:14,440 --> 00:53:16,440
in a moment. And uh, by the way, thank you

982
00:53:16,480 --> 00:53:18,400
to everyone who joined us today on the show. And

983
00:53:18,440 --> 00:53:19,920
if you miss any part of today's show, it will

984
00:53:19,920 --> 00:53:22,519
be up in just a little bit at Wmnhradio dot

985
00:53:22,719 --> 00:53:26,000
organ in my website Matt Connorton dot com. And Jenny,

986
00:53:26,079 --> 00:53:27,880
of course, you've been up to a lot. As always,

987
00:53:27,960 --> 00:53:29,960
you want to mention your your website so people can

988
00:53:30,360 --> 00:53:32,360
keep up with you. Al you can check me out

989
00:53:32,360 --> 00:53:33,599
at Gencoffee dot com.

990
00:53:33,800 --> 00:53:34,039
Speaker 6: J E.

991
00:53:34,239 --> 00:53:36,840
Speaker 11: N n c O f f U I and check

992
00:53:36,880 --> 00:53:38,880
out the latest blog and you'll know where I'm speaking

993
00:53:38,920 --> 00:53:39,440
on Monday.

994
00:53:39,639 --> 00:53:43,800
Speaker 10: Yes, yes, very important, very good and uh Cryan Caleb,

995
00:53:43,920 --> 00:53:46,320
thank you so much, thank you, and of course Darling Hill,

996
00:53:46,400 --> 00:53:48,599
thank you. Oh and thank you for the wonderful sticker too.

997
00:53:49,039 --> 00:53:50,719
I'll hold that up for people watching online so they

998
00:53:50,719 --> 00:53:53,039
can see it one more time for the listening room

999
00:53:53,159 --> 00:53:56,800
at Prayers of Nature. Sit right down to very good,

1000
00:53:57,079 --> 00:53:59,679
and we will close out today's show with this. This

1001
00:53:59,840 --> 00:54:01,679
is still Live in Love in the Shadow of Fear,

1002
00:54:01,840 --> 00:54:03,119
and this is Crian Caleb.

1003
00:54:22,920 --> 00:54:32,000
Speaker 2: I want to spend his night with you because in

1004
00:54:32,159 --> 00:54:34,719
the morning it'll all be gone.

1005
00:54:40,039 --> 00:54:43,760
Speaker 17: Nothing really mats with nothing.

1006
00:54:46,159 --> 00:54:52,360
Speaker 2: He's nold more now, nothing is no more.

1007
00:54:57,079 --> 00:54:57,599
Speaker 13: Spending.

1008
00:55:06,079 --> 00:55:11,519
Speaker 18: And I'll hold you in my art while in halls

1009
00:55:12,199 --> 00:55:19,960
fools dark and through closed eyes we see shiver, rigs, sills,

1010
00:55:20,800 --> 00:55:25,599
bread holds as the lighting exists.

1011
00:55:25,199 --> 00:55:50,599
Speaker 17: Forth the last time. The futures is silas and it's cool.

1012
00:55:53,679 --> 00:55:57,440
It's a hostile world where we won't be long.

1013
00:56:01,880 --> 00:56:08,280
Speaker 15: So it's spenders night doing those things we saw love

1014
00:56:08,519 --> 00:56:19,400
to do, like watching movies and telling jokes, spending me

1015
00:56:21,199 --> 00:56:30,679
with and I'll hold you in my arms.

1016
00:56:31,960 --> 00:56:32,960
Speaker 3: While it all.

1017
00:56:34,559 --> 00:56:36,880
Speaker 2: Starts to close.

1018
00:56:36,800 --> 00:56:45,480
Speaker 18: Eyes, we see shimmericks still over and as the light

1019
00:56:45,679 --> 00:56:48,239
exists for the last time.

1020
00:56:51,199 --> 00:57:00,159
Speaker 13: It was the last time, You and I fading as

1021
00:57:00,280 --> 00:57:02,199
want into the.

1022
00:57:02,519 --> 00:57:14,320
Speaker 14: Darts, U n I burning gas, want into ashes, U

1023
00:57:14,559 --> 00:57:19,239
n I fading gas want into the.

1024
00:57:21,559 --> 00:57:26,280
Speaker 5: Boys, U n I bursting gas one.

1025
00:57:29,800 --> 00:57:31,800
Speaker 2: As one hard.

1026
00:58:18,840 --> 00:58:19,440
Speaker 5: It's live.

1027
00:58:20,840 --> 00:58:22,119
Speaker 2: It sings like a song.

1028
00:58:22,360 --> 00:58:23,880
Speaker 10: Sometimes it's loud.

1029
00:58:24,639 --> 00:58:25,800
Speaker 2: Caddie, what's going in?

1030
00:58:26,039 --> 00:58:32,360
Speaker 8: All so calmly skipping want P saying your sound inside.

1031
00:58:38,599 --> 00:58:39,960
Speaker 5: So it's like a joke.

1032
00:58:41,159 --> 00:58:45,920
Speaker 8: You never get me, don't beat no strange eyes singing

1033
00:58:46,119 --> 00:58:46,880
my enter and.

1034
00:58:47,000 --> 00:58:48,119
Speaker 17: Sing me high up.

1035
00:58:49,599 --> 00:59:00,800
Speaker 8: High asking men and the side sign A found B

1036
00:59:01,000 --> 00:59:02,199
sing your sound.

1037
00:59:01,960 --> 00:59:02,960
Speaker 2: Where you rock all.

1038
00:59:03,119 --> 00:59:05,239
Speaker 4: It's like y'all song.

1039
00:59:05,159 --> 00:59:09,360
Speaker 10: As me I rock on that I found B sing

1040
00:59:09,480 --> 00:59:11,039
your sound where you rock on.

1041
00:59:11,239 --> 00:59:15,039
Speaker 8: It's like y'all song as me I am the crown.

1042
00:59:15,079 --> 00:59:16,480
Speaker 2: All that be time.

1043
00:59:16,599 --> 00:59:20,280
Speaker 8: Around the sing line out B s your side

1044
00:59:24,119 --> 00:59:36,760
Speaker 2: Shid shot, So do you got it?