1
00:00:18,519 --> 00:00:24,239
Speaker 1: Come in Welcome. I'm e. G. Marshall.

2
00:00:24,920 --> 00:00:28,519
Speaker 2: I'd like to guide you now through an adventure involving

3
00:00:28,679 --> 00:00:32,560
two worlds, each of which, as they brush in passing,

4
00:00:33,039 --> 00:00:37,719
leaves its indelible mark upon the other. Two worlds not

5
00:00:37,920 --> 00:00:41,240
common to the experience of most of us, the world

6
00:00:41,359 --> 00:00:47,119
of crime and the world of the occult and uneasy association.

7
00:00:47,240 --> 00:00:53,679
You say yes that and more, much much more as

8
00:00:53,719 --> 00:00:58,880
you will hear. Our mystery drama The Moneymakers was written

9
00:00:59,000 --> 00:01:02,520
especially for the miss Theater by Field and Farringdon and

10
00:01:02,640 --> 00:01:07,239
stars William Redfield and Briana Wrayburn. It is sponsored in

11
00:01:07,280 --> 00:01:12,120
part by Listering Lozenges and sign Off the Sinus Medicines.

12
00:01:12,799 --> 00:01:14,920
I'll be back shortly with that one.

13
00:01:15,120 --> 00:01:18,159
Speaker 3: In case you've forgotten how much fun driving can be,

14
00:01:18,680 --> 00:01:22,079
Bwick would like to introduce you to Skylark, a small

15
00:01:22,159 --> 00:01:26,359
car that's all Dwick, with room and comfort and an

16
00:01:26,400 --> 00:01:29,879
engine that no other compack car in America offers. The

17
00:01:29,879 --> 00:01:35,879
incredible Buick B six Skylark its free spirit made practical.

18
00:01:40,519 --> 00:01:41,879
Speaker 4: That Llow.

19
00:01:57,000 --> 00:02:02,239
Speaker 2: Most stories are best told by eyewitness, or better still,

20
00:02:02,599 --> 00:02:07,319
by participants in the events themselves. For this occasion, I

21
00:02:07,519 --> 00:02:10,400
have such a participant to tell you his own story.

22
00:02:11,240 --> 00:02:13,840
He is not your run of the mill narrator. However,

23
00:02:14,439 --> 00:02:17,919
he is, to put it plainly, a ghost.

24
00:02:23,240 --> 00:02:28,960
Speaker 1: A ghost. Yes, these one hundred years past, I have

25
00:02:29,120 --> 00:02:32,560
been a ghost restricted to the pointing of a single

26
00:02:32,759 --> 00:02:37,199
old house. How this came about I suppose might interest some,

27
00:02:38,479 --> 00:02:40,719
but that is not the matter I wish to dwell upon.

28
00:02:42,120 --> 00:02:44,159
I want to tell you instead a story of much

29
00:02:44,199 --> 00:02:48,840
more recent vintage, and I believe a far greater interest

30
00:02:52,639 --> 00:02:54,280
here chied, this is the house.

31
00:02:54,560 --> 00:02:57,360
Speaker 2: How what will you expect? And Steve Buckingham power.

32
00:02:57,240 --> 00:02:59,159
Speaker 5: Fi, I think it's it's kind of sweet.

33
00:02:59,400 --> 00:03:02,280
Speaker 1: Surely thinks everything's kind of sweet. It's moldy.

34
00:03:02,800 --> 00:03:05,080
Speaker 2: You open the front door, hoping falls down on your head.

35
00:03:05,199 --> 00:03:07,800
Now look, I should have kicked out the place myself.

36
00:03:08,280 --> 00:03:10,439
Speaker 5: It wouldn't look bad if they had some curtains on

37
00:03:10,479 --> 00:03:11,120
the windows.

38
00:03:11,120 --> 00:03:14,319
Speaker 2: And believe, if somebody cut the grass, Steve the wrench

39
00:03:14,439 --> 00:03:17,560
dirt cheap and nobody comes snooping around, that's exactly what

40
00:03:17,639 --> 00:03:20,879
we're looking for. Fellow in the village that it's haunted too.

41
00:03:21,520 --> 00:03:24,000
Speaker 5: Oh, I didn't hear that. I never lived in a

42
00:03:24,039 --> 00:03:25,039
haunted house.

43
00:03:25,000 --> 00:03:25,599
Speaker 1: In my line.

44
00:03:25,639 --> 00:03:27,280
Speaker 2: Now look, if I'm going to have to spend the

45
00:03:27,319 --> 00:03:29,719
rest of the summer listening to you beef about the house.

46
00:03:29,759 --> 00:03:31,280
Speaker 1: We might as well. We want the metal.

47
00:03:31,280 --> 00:03:33,280
Speaker 2: He found the moldy old house with a ghost and

48
00:03:33,360 --> 00:03:36,240
it's okay. You want me to back the van out

49
00:03:36,280 --> 00:03:39,599
of the driveway and we call the whole thing off, okay.

50
00:03:39,199 --> 00:03:40,680
Speaker 1: Now calling it old steamed up.

51
00:03:41,319 --> 00:03:45,240
Speaker 2: I lived in lousy dumbs before, not haunted, but lousy.

52
00:03:46,039 --> 00:03:48,400
Come on, let's get unloaded. We got a printing.

53
00:03:48,039 --> 00:03:48,879
Speaker 1: Press to set up.

54
00:03:55,960 --> 00:03:56,520
Speaker 5: Can I help?

55
00:03:56,639 --> 00:03:59,840
Speaker 1: Right, you better just stay out of the way, aunt, Julie,

56
00:04:00,039 --> 00:04:00,919
you're out of the way.

57
00:04:01,159 --> 00:04:03,919
Speaker 5: Okay. Hey, what are you going to do with the

58
00:04:04,000 --> 00:04:06,319
printing trips? Way out here in the country?

59
00:04:06,719 --> 00:04:07,840
Speaker 1: Okay, right? Tell her?

60
00:04:08,240 --> 00:04:11,120
Speaker 2: Uh, well, Steve and I have decided to go into

61
00:04:11,159 --> 00:04:12,800
the printing business for ourselves.

62
00:04:12,919 --> 00:04:17,040
Speaker 5: Julie, Oh that's nice way out here.

63
00:04:17,879 --> 00:04:20,519
Speaker 2: Well, uh, you don't understand, Julie.

64
00:04:20,519 --> 00:04:22,319
Speaker 1: You see what we're gonna do is.

65
00:04:23,360 --> 00:04:26,199
Speaker 6: Well, look, mama, because I don't know anything about business

66
00:04:26,319 --> 00:04:29,240
or any of that, but I think you'd want to

67
00:04:29,279 --> 00:04:30,360
be like in the city.

68
00:04:30,439 --> 00:04:33,519
Speaker 5: You're somewhere, I mean, what's going on way out here?

69
00:04:33,600 --> 00:04:35,920
Speaker 2: Or we'll return to the city. That's why we took

70
00:04:35,959 --> 00:04:38,040
this place just for the summer. I mean, we want

71
00:04:38,040 --> 00:04:40,360
to set up here in the basement and practice. See,

72
00:04:40,720 --> 00:04:43,879
so by say October, we'll really know what we're doing

73
00:04:44,120 --> 00:04:46,720
and be ready to compete with the best in the business.

74
00:04:47,240 --> 00:04:50,959
Speaker 5: Oh but so, what are you going to print? Why

75
00:04:50,959 --> 00:04:51,839
are you practicing?

76
00:04:51,920 --> 00:04:53,639
Speaker 1: I mean, what are we going to Well, you know

77
00:04:53,879 --> 00:04:54,439
this and that.

78
00:04:54,839 --> 00:04:57,160
Speaker 2: It don't matter what you print, you know, it's how

79
00:04:57,199 --> 00:04:57,800
you're printed.

80
00:04:58,000 --> 00:04:59,920
Speaker 1: Oh, can we get moving at.

81
00:04:59,839 --> 00:05:01,839
Speaker 2: The that right, it's gonna be October before we get

82
00:05:01,839 --> 00:05:02,920
the damn thing even running?

83
00:05:02,959 --> 00:05:04,439
Speaker 1: Yeah right, Okay, Julie.

84
00:05:04,160 --> 00:05:06,079
Speaker 2: You want to go upstairs and fix us some lunch?

85
00:05:06,120 --> 00:05:07,279
I mean driving makes me.

86
00:05:07,319 --> 00:05:10,399
Speaker 5: Hungry, all right, Haley cheese a rioley?

87
00:05:10,600 --> 00:05:11,800
Speaker 1: Yeah sure, fine, whatever.

88
00:05:12,000 --> 00:05:13,720
Speaker 5: Yeah, well, I'll fix some coffee.

89
00:05:13,759 --> 00:05:16,519
Speaker 2: Also, if I can find the perfects, that's great.

90
00:05:17,519 --> 00:05:19,360
Speaker 1: You mean to tell me she's gonna buy a cookie?

91
00:05:19,360 --> 00:05:22,079
Story like that. We're going to spend the summer practicing.

92
00:05:22,360 --> 00:05:24,560
Julie believes anything I tell her.

93
00:05:25,439 --> 00:05:30,639
Speaker 2: I guess anything anybody tells. Julie's okay, Steve. I mean,

94
00:05:30,680 --> 00:05:34,439
she's kind of dumb, but she's okay. We shouldn't have

95
00:05:34,439 --> 00:05:36,839
brought her with us, Roy, you should have left him

96
00:05:36,839 --> 00:05:38,639
in the apartment in the city where she couldn't get

97
00:05:38,639 --> 00:05:41,079
in no trouble. We've been all through this a dozen

98
00:05:41,199 --> 00:05:44,319
times already. Somebody's gotta cook, somebody's got to clean up

99
00:05:44,319 --> 00:05:48,199
the mess. Besides, she's my wife. I mean, I gotta

100
00:05:48,279 --> 00:05:49,879
take her places with me that.

101
00:05:50,040 --> 00:05:51,720
Speaker 1: I just got this feeling she's.

102
00:05:51,519 --> 00:05:55,959
Speaker 2: Here now, Steve, Okay, can I see the plates?

103
00:05:56,839 --> 00:05:57,079
Speaker 1: Yeah?

104
00:05:57,160 --> 00:06:00,639
Speaker 2: Yeah, I kinda might hear in a briefcase. She can't

105
00:06:00,639 --> 00:06:04,120
hear her so upstairsure, I'm sure she wouldn't be listening anyhow.

106
00:06:08,959 --> 00:06:14,959
Speaker 1: There's my baby. Oh hey, they look pretty good. Pretty good.

107
00:06:15,480 --> 00:06:16,399
Let me tell you something.

108
00:06:16,639 --> 00:06:18,720
Speaker 2: There had never been a better ten or twenty dollar

109
00:06:18,800 --> 00:06:22,040
bill than what we're gonna make with these plates, except

110
00:06:22,040 --> 00:06:23,000
maybe government issue.

111
00:06:23,120 --> 00:06:23,319
Speaker 1: Yeah.

112
00:06:23,759 --> 00:06:26,480
Speaker 2: Ernie Cochrane made these plates for Eddie Strong and.

113
00:06:26,439 --> 00:06:29,279
Speaker 1: They're the best get But no heat on him or nothing. Huh.

114
00:06:29,439 --> 00:06:32,519
Speaker 2: They'd been sitting in Eddie's safe deposit box for ten years.

115
00:06:32,360 --> 00:06:33,240
Speaker 1: Since he used them.

116
00:06:33,920 --> 00:06:36,839
Speaker 2: Eddy Wildom to me before the Morley Boys got him.

117
00:06:37,120 --> 00:06:44,480
Speaker 1: Rest his soul. I didn't like Steve. He was a

118
00:06:44,560 --> 00:06:48,120
nasty little man with tat his fingernails, and I didn't

119
00:06:48,199 --> 00:06:51,800
like the way he pumped about Julie Roy wasn't as

120
00:06:51,839 --> 00:06:53,959
bad as Steve, but I knew it was Julie with

121
00:06:54,079 --> 00:06:58,680
who I must communicate. I was watching and listening while

122
00:06:58,720 --> 00:06:59,720
they had money.

123
00:07:02,199 --> 00:07:04,920
Speaker 6: As soon as I get these dishes washed out, unpack everything.

124
00:07:06,040 --> 00:07:08,120
Speaker 5: Oh and I have to clean up this kitchen too.

125
00:07:08,360 --> 00:07:09,279
Speaker 1: It's awful.

126
00:07:10,360 --> 00:07:11,920
Speaker 5: I haven't looked at the bedrooms yet.

127
00:07:12,199 --> 00:07:15,160
Speaker 2: Where did they get the furniture in this house? Looks

128
00:07:15,199 --> 00:07:17,439
like they bought it used from the ark after the

129
00:07:17,560 --> 00:07:20,600
rains about for it's all Victorian like the house the

130
00:07:20,680 --> 00:07:22,879
original stopped some of it. I mean that's what the

131
00:07:22,920 --> 00:07:26,120
agent said, just about right for a ghost.

132
00:07:26,240 --> 00:07:29,399
Speaker 6: I guess has anybody heard or seen anything of the ghost?

133
00:07:29,759 --> 00:07:32,519
Speaker 1: Oh? Come on, Julie, like you want to see the

134
00:07:32,639 --> 00:07:33,079
damn thing.

135
00:07:33,279 --> 00:07:35,639
Speaker 6: Well, I never saw a ghost. It would be like

136
00:07:36,120 --> 00:07:37,519
a new experience for me.

137
00:07:37,519 --> 00:07:39,600
Speaker 2: Look, will you just knock it off about the ghost?

138
00:07:39,680 --> 00:07:41,040
I mean, what's the matter with you two?

139
00:07:41,079 --> 00:07:41,480
Speaker 1: Anyway?

140
00:07:41,519 --> 00:07:43,959
Speaker 2: There is no such thing as ghosts. You're just asking

141
00:07:44,079 --> 00:07:45,959
for trouble living in the heart of the house.

142
00:07:46,360 --> 00:07:49,839
Speaker 5: Except why did it have to be trouble? I mean, a.

143
00:07:49,920 --> 00:07:53,800
Speaker 6: Ghost is just somebody, only they're dead instead of alive.

144
00:07:54,079 --> 00:07:57,160
Speaker 5: You know, if I die and get to be a ghost.

145
00:07:57,240 --> 00:07:59,959
Speaker 6: I'd still be me, wouldn't I.

146
00:08:00,160 --> 00:08:02,639
Speaker 2: Yeah, Look, I'm getting as sick of that ghost as

147
00:08:02,680 --> 00:08:05,160
if he was real. Come on, Steve, let's get back

148
00:08:05,199 --> 00:08:08,519
to work. Sure how he wanted you to have to rent

149
00:08:08,560 --> 00:08:09,800
the house with a ghost.

150
00:08:09,480 --> 00:08:15,600
Speaker 1: And that's what I can't say. Ah, Julie.

151
00:08:17,319 --> 00:08:24,439
Speaker 6: Roy Roy, did you call me?

152
00:08:25,399 --> 00:08:25,720
Speaker 5: No?

153
00:08:25,720 --> 00:08:29,399
Speaker 1: No, no, I didn't call. We're busy, Julie, I thought

154
00:08:29,399 --> 00:08:39,000
I had. Well, Okay, Julie, it's not your husband. I'm

155
00:08:39,080 --> 00:08:40,519
right here in the room with you.

156
00:08:40,840 --> 00:08:43,600
Speaker 5: I don't see anybody.

157
00:08:43,720 --> 00:08:47,399
Speaker 1: No, you can't see me. No, don't decipe me. I'm

158
00:08:47,480 --> 00:08:49,200
not Hey.

159
00:08:50,080 --> 00:08:51,039
Speaker 5: Are you the ghost?

160
00:08:52,039 --> 00:08:56,320
Speaker 1: Yes? I am. But it's all right, Julie. I don't

161
00:08:56,360 --> 00:08:59,720
mean you any harm. I thought you you're sore ghost

162
00:09:00,840 --> 00:09:05,720
or some ghosts. I suppose people don't see me, they

163
00:09:05,759 --> 00:09:06,399
only hear me.

164
00:09:06,879 --> 00:09:13,039
Speaker 6: Oh, well, you do have a a kind of spooky voice.

165
00:09:13,440 --> 00:09:16,840
Speaker 1: I wouldn't have troubled you. But there is a favor.

166
00:09:16,919 --> 00:09:18,799
I must ask a favor.

167
00:09:19,960 --> 00:09:23,399
Speaker 5: Good, Sure, anything I can do.

168
00:09:23,799 --> 00:09:27,720
Speaker 1: Thank you. First, though, I must tell you my story.

169
00:09:28,639 --> 00:09:31,480
It isn't a very pretty story, but it won't take long.

170
00:09:32,080 --> 00:09:33,120
Speaker 5: I'd love to hear it.

171
00:09:34,240 --> 00:09:37,159
Speaker 1: I built this house a long time ago, for myself

172
00:09:37,200 --> 00:09:40,879
and my wife. I wanted to write a great novel.

173
00:09:41,879 --> 00:09:44,120
I felt that I could, and I had enough money

174
00:09:44,120 --> 00:09:46,480
to allow me to indulge myself in this way. But

175
00:09:48,279 --> 00:09:53,759
my wife, my wife was perfidious, persidious.

176
00:09:54,279 --> 00:09:56,639
Speaker 5: Oh did that mean she cheated?

177
00:09:56,759 --> 00:10:02,360
Speaker 1: Doesn't it? That's exactly what it means. I had a friend, well,

178
00:10:02,360 --> 00:10:06,000
I thought it was my friend who published books. He

179
00:10:06,080 --> 00:10:08,440
had encouraged me to try my hand at a novel,

180
00:10:09,000 --> 00:10:10,679
and he spent a great deal of time with my

181
00:10:10,759 --> 00:10:15,039
wife and myself here in our new home. Ostensibly they

182
00:10:15,080 --> 00:10:19,279
helped me with my work, but he was making love

183
00:10:19,399 --> 00:10:20,120
to my wife.

184
00:10:20,200 --> 00:10:22,279
Speaker 5: Oh that's a dirty train.

185
00:10:22,519 --> 00:10:26,039
Speaker 1: Yes, yes, I found them out eventually, of course, and

186
00:10:27,360 --> 00:10:32,720
I thought about killing him, but I wasn't sought to

187
00:10:32,759 --> 00:10:39,440
do it. I couldn't bring myself to Instead, they killed me.

188
00:10:40,799 --> 00:10:43,200
Speaker 5: But what did you ever done to them?

189
00:10:43,320 --> 00:10:43,480
Speaker 2: Well?

190
00:10:43,519 --> 00:10:47,399
Speaker 1: I was in their way. There was a little room

191
00:10:47,440 --> 00:10:50,200
down in the basement and alcohol where they where we

192
00:10:50,320 --> 00:10:54,399
kept kindling and firewood. They put my body in there

193
00:10:54,440 --> 00:10:58,279
and walled up the open space with bricks. You wouldn't

194
00:10:58,320 --> 00:11:02,360
know they had ever been a room there. And well,

195
00:11:02,440 --> 00:11:04,200
my body's been there ever since.

196
00:11:04,559 --> 00:11:09,279
Speaker 5: Oh that's terrible. How could anybody do such a thing?

197
00:11:09,399 --> 00:11:11,960
Speaker 1: Oh yes, it was a terrible thing to do.

198
00:11:12,120 --> 00:11:14,600
Speaker 5: And you wanna get either.

199
00:11:14,519 --> 00:11:18,320
Speaker 1: Oh no, no, no, no, nothing like that. Perhaps I

200
00:11:18,399 --> 00:11:21,600
did for a time, but that was a long time ago.

201
00:11:22,279 --> 00:11:24,039
They're both dead now, of course.

202
00:11:24,840 --> 00:11:27,000
Speaker 5: Well then, oh what kind of favorite?

203
00:11:27,360 --> 00:11:31,679
Speaker 1: There are rules that the dead must follow. I am

204
00:11:31,679 --> 00:11:35,279
not allowed to leave this house until my mortal remains

205
00:11:35,279 --> 00:11:38,679
had taken out of that sealed room and given proper

206
00:11:38,720 --> 00:11:44,720
burial with a prayer. That's all, Well, we can do that.

207
00:11:45,519 --> 00:11:51,399
I would be very grateful, eternally grateful. The war that

208
00:11:51,480 --> 00:11:53,480
must be broken down is at the opposite end of

209
00:11:53,519 --> 00:11:55,559
the basement from where your husband and his friends have

210
00:11:55,639 --> 00:11:58,639
set up their printing dress. It is the only section

211
00:11:58,720 --> 00:12:02,399
of brick wall. It should not be the fun if.

212
00:12:03,799 --> 00:12:08,159
Speaker 6: If you would, of course, either tonight or first thing

213
00:12:08,200 --> 00:12:12,000
tomorrow morning, good gracious, of course we will.

214
00:12:20,360 --> 00:12:23,519
Speaker 2: Oh no, that was a steak better than the beans

215
00:12:23,559 --> 00:12:26,200
and franks we'd have probably had if Julie hadn't been here,

216
00:12:26,320 --> 00:12:29,480
right see, Oh why wouldn't I be here? After a

217
00:12:29,519 --> 00:12:33,480
streak like that I had met at nobody? You stay forever, Julie?

218
00:12:34,120 --> 00:12:35,759
Are you any more of that beery ice box? There?

219
00:12:35,960 --> 00:12:37,200
Speaker 5: Yeah, most of the cakes.

220
00:12:37,440 --> 00:12:39,320
Speaker 1: You want to be a roy? Yeah? Sure, why not?

221
00:12:40,600 --> 00:12:43,080
Speaker 7: Hey, kitchen looks pretty respectable.

222
00:12:43,200 --> 00:12:45,000
Speaker 1: Where you got it cleaned up? Julie?

223
00:12:45,799 --> 00:12:46,960
Speaker 5: Yes, sweet little house.

224
00:12:47,200 --> 00:12:50,559
Speaker 1: We got to get all of a TV somewhere, have Roy?

225
00:12:50,879 --> 00:12:52,039
Speaker 5: Can I talk to you?

226
00:12:52,120 --> 00:12:56,679
Speaker 1: Sure? Baby, But you got to believe this Roy.

227
00:12:57,639 --> 00:12:59,639
Speaker 5: I was talking to the ghost of afternoon.

228
00:13:00,080 --> 00:13:05,399
Speaker 1: Did the munch, Julie, come off it? Talk until?

229
00:13:06,039 --> 00:13:09,759
Speaker 5: His name is noa carpenter it was anyway. He was

230
00:13:09,840 --> 00:13:10,879
murdered in this house.

231
00:13:11,559 --> 00:13:13,440
Speaker 6: I don't know how long ago, when it was new,

232
00:13:13,480 --> 00:13:16,480
and they hid his body in an alcohol down in

233
00:13:16,519 --> 00:13:18,679
the basement, and he wants us to take it out.

234
00:13:18,600 --> 00:13:20,039
Speaker 5: Of there and bury it.

235
00:13:21,200 --> 00:13:23,600
Speaker 2: Are you trying to tell me you found all that

236
00:13:23,720 --> 00:13:24,720
out from a ghost?

237
00:13:25,000 --> 00:13:25,519
Speaker 1: Yeah?

238
00:13:26,279 --> 00:13:28,960
Speaker 2: A talking ghost talks just as good.

239
00:13:28,840 --> 00:13:32,919
Speaker 5: As you better if you want to know, I don't

240
00:13:33,000 --> 00:13:33,279
like him.

241
00:13:33,799 --> 00:13:36,320
Speaker 2: I don't like ghosts around under foot. Wait a minute, well,

242
00:13:36,360 --> 00:13:38,639
are you both crazy? For Pete's sake, there is no

243
00:13:38,720 --> 00:13:39,960
such thing as ghosts.

244
00:13:40,120 --> 00:13:42,879
Speaker 6: Look, we have to break through a brick wall down

245
00:13:42,960 --> 00:13:45,200
the basement. I know where to look, and we have

246
00:13:45,360 --> 00:13:48,559
to take him out and bury him and say a prayer,

247
00:13:49,799 --> 00:13:50,399
a prayer?

248
00:13:51,360 --> 00:13:53,480
Speaker 5: You want to do it? Now I'll wait until morning.

249
00:13:53,879 --> 00:13:54,120
Speaker 1: Roy.

250
00:13:54,240 --> 00:13:56,360
Speaker 2: I want to rush this job through and get out

251
00:13:56,360 --> 00:13:58,519
of here. This place gives me the creepylus. You're both

252
00:13:58,519 --> 00:14:00,399
out of your skulls. We're going to go right ahead

253
00:14:00,440 --> 00:14:02,360
and do everything the way we planned it. We're not

254
00:14:02,360 --> 00:14:04,639
gonna rush things, and we're not gonna go looking.

255
00:14:04,480 --> 00:14:05,399
Speaker 5: For dead bodies.

256
00:14:05,440 --> 00:14:07,200
Speaker 1: I mean, what is the matter with you two?

257
00:14:07,399 --> 00:14:09,679
Speaker 5: But I can do it myself. If you won't help me.

258
00:14:09,960 --> 00:14:12,639
Speaker 1: You are to stay out of that base, Ma, Julie.

259
00:14:13,519 --> 00:14:22,919
That's an order. I heard everything they said, of course,

260
00:14:23,960 --> 00:14:27,919
and I was quite puzzled by my own reaction. I

261
00:14:27,960 --> 00:14:32,159
wasn't sure. After a century waiting, I wasn't really sure.

262
00:14:32,279 --> 00:14:35,799
I wanted to be set free, not as long as

263
00:14:35,879 --> 00:14:39,799
Jewelry stayed in the house. I knew it was nonsense.

264
00:14:39,960 --> 00:14:42,919
I knew it could never possibly work out. I was

265
00:14:42,960 --> 00:14:47,960
a ghost, after all, and she was very, very much aligned.

266
00:14:50,000 --> 00:15:03,080
But I was in love with Julie. There's an interesting

267
00:15:03,200 --> 00:15:04,399
question that's been.

268
00:15:04,320 --> 00:15:09,240
Speaker 2: Asked over and over, but never to my knowledge satisfactorily answered.

269
00:15:10,240 --> 00:15:16,519
What portion of true love is physical and what portion spiritual?

270
00:15:17,840 --> 00:15:23,080
There is nothing physical left of Noah Carpenter. Julie gives

271
00:15:23,120 --> 00:15:27,840
the impression of being more than a little physical. Can

272
00:15:27,879 --> 00:15:31,759
there be any sort of union between the holy spiritual

273
00:15:32,320 --> 00:15:37,639
and the primarily physical. We'll look for, though I can't

274
00:15:37,679 --> 00:15:41,879
guarantee to find an answer when I return shortly.

275
00:15:41,919 --> 00:15:45,159
Speaker 1: With that too. I want that sinus medicine headache tablet.

276
00:15:45,440 --> 00:15:46,720
Speaker 5: No, the sinus.

277
00:15:46,320 --> 00:15:50,159
Speaker 6: Medicine that releaves headache and congestion, internal sinus pressure and

278
00:15:50,240 --> 00:15:51,120
post natal drift.

279
00:15:51,360 --> 00:15:52,919
Speaker 1: You mean sign off exactly.

280
00:15:53,200 --> 00:15:56,279
Speaker 8: Compare signoff tablets with anything you've ever taken for sinus.

281
00:15:56,519 --> 00:15:59,679
No sinus tablet you can buy relieves more symptoms. Sign

282
00:15:59,679 --> 00:16:02,279
of you a full dose of pure aspirin plus a

283
00:16:02,360 --> 00:16:06,080
powerful sinus trainer. Side off works fast to help sinus

284
00:16:06,120 --> 00:16:09,440
pain while you drain. I n e O S signe

285
00:16:09,480 --> 00:16:11,720
off for sinus medicines in the bright red box.

286
00:16:11,799 --> 00:16:21,320
Speaker 1: Take when needed. Why is directed? Turn Blahama.

287
00:16:22,240 --> 00:16:26,720
Speaker 3: Everyone is.

288
00:16:30,240 --> 00:16:33,039
Speaker 9: Welcome to the Bahamas, the country of seven hundred islands.

289
00:16:33,200 --> 00:16:36,200
I'm Captain Henry Pie from a Bahamas Air the Bahamas

290
00:16:36,200 --> 00:16:38,679
on Airline, and I'd be pleased to show you our island.

291
00:16:39,399 --> 00:16:42,080
I can fly you to Colonial style lass or Paradise Island,

292
00:16:42,519 --> 00:16:45,639
or to swing free Port Lucaya to a looter where

293
00:16:45,639 --> 00:16:49,320
the pineapples grow, or to Demony, where the fishing is fantastic.

294
00:16:49,840 --> 00:16:51,679
Every one of our Bahama islands there is a whole

295
00:16:51,679 --> 00:16:52,519
different experience.

296
00:16:53,080 --> 00:16:53,840
Speaker 7: You choose your.

297
00:16:53,679 --> 00:17:00,080
Speaker 9: Favorite and I'll fly you Thereama.

298
00:17:02,759 --> 00:17:06,240
Speaker 1: The Bahamas, the Countrie of seven hundred dollars eighty seven

299
00:17:06,319 --> 00:17:09,279
night backers ranged from eighty nine dollars the four hundred

300
00:17:09,279 --> 00:17:11,519
and thirty six dollars the first in double occupant Beach

301
00:17:11,720 --> 00:17:15,319
Bluff Airfare. Call toll free eight hundred three to seven

302
00:17:15,519 --> 00:17:18,279
O seven eight seven, Bahamas Tourist Office.

303
00:17:18,599 --> 00:17:23,640
Speaker 2: Hello, their mystery cuckoos. This is Jeane Shepherd speaking of mysteries.

304
00:17:23,680 --> 00:17:25,920
As far as I'm concerned, the greatest mystery of them

305
00:17:25,960 --> 00:17:27,680
all is the one that you used to see in

306
00:17:27,720 --> 00:17:29,640
the old movies. You remember when you were a kid

307
00:17:30,000 --> 00:17:32,200
and you'd go on a Saturday afternoon. You'd see these

308
00:17:32,240 --> 00:17:35,240
movies with guys like Charlie Chan in them, and there

309
00:17:35,240 --> 00:17:38,400
would always be a scene where these people are living

310
00:17:38,839 --> 00:17:42,000
in a haunted house that was owned by the dead

311
00:17:42,079 --> 00:17:45,400
Duchess and the dead Countess, and there was reputedly ghosts

312
00:17:45,480 --> 00:17:48,759
or something terrible there. And this girl is asleep in

313
00:17:48,759 --> 00:17:49,880
this bed and.

314
00:17:49,920 --> 00:17:55,240
Speaker 3: The wind is blowing the curtains, and suddenly.

315
00:17:55,519 --> 00:17:57,759
Speaker 1: A panel slowly opens.

316
00:17:57,480 --> 00:17:59,359
Speaker 5: Up back of her bed and she's asleep.

317
00:18:00,079 --> 00:18:05,279
Speaker 1: Reeping claw comes out reaching for her. Follow Call great Scott.

318
00:18:07,799 --> 00:18:09,559
Speaker 2: You'll hear the rest of the story tonight at nine

319
00:18:09,759 --> 00:18:13,400
fifteen on the Gean Shepherd Show Monday through Friday.

320
00:18:13,440 --> 00:18:17,799
Speaker 1: Of course, the creeping claw will get you. It will

321
00:18:17,839 --> 00:18:19,680
get you if you don't watch out.

322
00:18:20,599 --> 00:18:23,160
Speaker 7: He is Ralph Flinger, better honors, mister Ryan. Know where

323
00:18:23,160 --> 00:18:23,559
they are?

324
00:18:24,000 --> 00:18:24,319
Speaker 1: Ralph?

325
00:18:24,440 --> 00:18:27,799
Speaker 7: Whatever became of Edwin Laudie, the inventor of the Bridgeland?

326
00:18:27,839 --> 00:18:30,039
Speaker 1: Ah, yeah, so he's well up in his nineties now,

327
00:18:30,240 --> 00:18:33,440
but he still works every day taking chain link fences apart.

328
00:18:33,799 --> 00:18:36,400
A listener would like to know whatever became of a.

329
00:18:36,359 --> 00:18:41,039
Speaker 7: Young daredevil named Warner Bromley who flew his zeppelin upside down. Yes,

330
00:18:41,279 --> 00:18:43,799
he once tried to fly a zeppelin upside down through

331
00:18:43,839 --> 00:18:44,880
the framework.

332
00:18:44,440 --> 00:18:47,519
Speaker 1: Of the Eiffel Tower. What's he doing now? He inflates

333
00:18:47,559 --> 00:18:50,000
with the balloons for the government. All right, mister y,

334
00:18:50,000 --> 00:18:50,640
and know where they are?

335
00:18:50,759 --> 00:18:55,000
Speaker 7: How about Stuffy Houdson, Calvin Hoogean, Jimmy Schwab, Fred Falvey

336
00:18:55,039 --> 00:18:55,839
and very backstage.

337
00:18:55,960 --> 00:18:57,839
Speaker 1: Oh they're all to be found on the pages of

338
00:18:57,839 --> 00:18:59,880
the new Bob and Ray book. Right if you get Work,

339
00:19:00,240 --> 00:19:03,119
along with Wally Blue, Tippy the Wonder Dog, and many

340
00:19:03,119 --> 00:19:06,119
more fascinating characters. That's right, if you get Work, the

341
00:19:06,160 --> 00:19:09,079
best of Bob and Ray at your bookstore now. Incidentally,

342
00:19:09,559 --> 00:19:12,640
Edwin Loudy claimed he invented the bridge lamp, but he didn't.

343
00:19:13,039 --> 00:19:14,880
Speaker 7: Well, he's in his nineties now. I don't see any

344
00:19:14,880 --> 00:19:16,480
point in reopening that controversy.

345
00:19:16,759 --> 00:19:18,759
Speaker 1: Right if you get Worked. A new book by Bob

346
00:19:18,799 --> 00:19:21,319
and Ray is available now at book and department stores,

347
00:19:21,440 --> 00:19:36,359
published by Random House. Some very strange things are.

348
00:19:36,279 --> 00:19:39,920
Speaker 2: Happening in the old house which Noah Carpenter has been haunting.

349
00:19:39,599 --> 00:19:41,359
Speaker 1: These past one hundred years.

350
00:19:41,880 --> 00:19:44,920
Speaker 2: You'd think just the haunting would be sufficiently out of

351
00:19:44,960 --> 00:19:48,480
the ordinary, wouldn't you. But now a printing press has

352
00:19:48,519 --> 00:19:51,480
been installed in the basement of the house, and Roy

353
00:19:51,519 --> 00:19:54,359
and Steve plan to use it to print a great

354
00:19:54,480 --> 00:19:59,039
deal of counterfeit money. And as if even that weren't enough,

355
00:19:59,119 --> 00:20:02,279
Noah ghost has fallen in.

356
00:20:02,119 --> 00:20:04,279
Speaker 1: Love with Roy's wife Julie.

357
00:20:05,359 --> 00:20:12,960
Speaker 2: All very involved and seemingly unresolvable. Okay, okay, it's enough,

358
00:20:13,000 --> 00:20:17,559
no waste the pay, But it's just a test run time. Hey.

359
00:20:18,039 --> 00:20:21,839
Speaker 1: Hey, the tens look pretty good, Steve. Yeah.

360
00:20:21,920 --> 00:20:25,640
Speaker 2: Yeah, and the twenties too, pretty dark good.

361
00:20:25,720 --> 00:20:28,279
Speaker 1: You better believe it. I mean, like real, you know,

362
00:20:28,680 --> 00:20:29,680
I take him any.

363
00:20:29,559 --> 00:20:32,640
Speaker 2: Day, except they all got the same serial number. Anybody

364
00:20:32,640 --> 00:20:34,960
had take him. You know, I bet you could run

365
00:20:35,000 --> 00:20:37,599
these things to a bank one other time. He gives

366
00:20:37,640 --> 00:20:40,640
me a kind of a creepy feeling, you know, making

367
00:20:40,720 --> 00:20:42,079
my own money.

368
00:20:42,359 --> 00:20:43,200
Speaker 1: You get used to it.

369
00:20:43,440 --> 00:20:45,440
Speaker 2: Well, we're gonna do with it, you know, after we

370
00:20:45,480 --> 00:20:48,359
get it printed. I told you already, I got to fixed

371
00:20:48,440 --> 00:20:51,119
up with Sam Brophy, you know what. I'm Sam, No,

372
00:20:51,920 --> 00:20:55,880
the handler they call him. Hey, gets your stuff into circulation.

373
00:20:56,240 --> 00:20:59,400
Speaker 1: Give it how I mean, how does he do it? Well,

374
00:20:59,400 --> 00:21:01,880
that says the as I'm not about to ask him.

375
00:21:02,160 --> 00:21:05,680
Speaker 2: Give it how much? Well, I never asked you how

376
00:21:05,759 --> 00:21:10,599
much his take is? We get twenty percent? We get

377
00:21:10,640 --> 00:21:13,400
twenty percent, that's right. We give him a quarter of

378
00:21:13,480 --> 00:21:16,400
a million queer ones, and he gives us fifty thousand

379
00:21:16,519 --> 00:21:18,160
straight ones, fifty.

380
00:21:17,920 --> 00:21:20,400
Speaker 1: Thousand out of a quarter of a million.

381
00:21:20,480 --> 00:21:23,359
Speaker 2: It's a real good deal. Yeah, but I fig couldn't

382
00:21:23,359 --> 00:21:25,880
we do it ourselves, you know, pocket the whole two

383
00:21:25,920 --> 00:21:27,000
hundred and fifty grand.

384
00:21:27,000 --> 00:21:29,440
Speaker 1: I get it. Why for one thing? I got to

385
00:21:29,480 --> 00:21:30,400
deal with Sam.

386
00:21:30,880 --> 00:21:33,640
Speaker 2: Besides, he's get the contacts, and we ain't we try

387
00:21:33,680 --> 00:21:35,880
something like that, we're both gonna end up doing a stretch.

388
00:21:36,039 --> 00:21:38,680
Oh man, you make a quarter of a million bucks,

389
00:21:38,720 --> 00:21:41,119
you end up with only fifty thousand. It seems kind

390
00:21:41,119 --> 00:21:43,880
of lopsided to me. And we split it so it

391
00:21:43,920 --> 00:21:46,039
comes to twenty five grand apiece.

392
00:21:46,119 --> 00:21:47,039
Speaker 1: That's what I mean.

393
00:21:47,319 --> 00:21:49,400
Speaker 2: So when was the last time you were twenty five

394
00:21:49,440 --> 00:21:50,960
thousand dollars spending money?

395
00:21:52,200 --> 00:22:05,599
Speaker 4: I never did, Julie, Julie?

396
00:22:05,160 --> 00:22:09,480
Speaker 1: Is it snower? Julie crying out a lot?

397
00:22:09,519 --> 00:22:11,160
Speaker 5: How long have you been in here watching me?

398
00:22:11,359 --> 00:22:14,480
Speaker 1: I just got here. I've been down in the basement.

399
00:22:14,599 --> 00:22:16,599
Speaker 6: Well you shouldn't sneak up on a girl and she's

400
00:22:16,640 --> 00:22:18,400
got her hair tied up in an old rag and

401
00:22:18,599 --> 00:22:20,079
wearing these awful old slacks.

402
00:22:20,200 --> 00:22:24,559
Speaker 1: You look beautiful, Julie, very beautiful.

403
00:22:26,079 --> 00:22:27,920
Speaker 5: Well, thank you.

404
00:22:28,000 --> 00:22:32,480
Speaker 6: I'm just trying to clean this living on a little.

405
00:22:33,079 --> 00:22:35,960
Speaker 1: Oh it's been quite a while since the place was cleaned.

406
00:22:36,759 --> 00:22:39,039
Speaker 5: You know something, it's not fair?

407
00:22:39,880 --> 00:22:40,680
Speaker 1: What isn't fair?

408
00:22:40,880 --> 00:22:42,839
Speaker 6: Because you can see me in a mess like this,

409
00:22:42,960 --> 00:22:46,599
it's all dressed up of goodness only.

410
00:22:46,480 --> 00:22:50,200
Speaker 5: Knows how else but you. I've got no idea. Oh

411
00:22:50,279 --> 00:22:51,200
what you look like?

412
00:22:52,279 --> 00:22:56,039
Speaker 1: I don't look like anything. The reason you can't see

413
00:22:56,119 --> 00:23:01,960
me is that there's nothing to see, just nothing. I

414
00:23:02,000 --> 00:23:07,319
can't explain it to you. I'm not permitted to huh uh, Julie,

415
00:23:07,720 --> 00:23:11,079
May I ask you a very personal question you can

416
00:23:11,160 --> 00:23:14,519
ask do you love your husband?

417
00:23:15,240 --> 00:23:15,359
Speaker 6: Oh?

418
00:23:15,440 --> 00:23:18,039
Speaker 5: That's some question. I I mean, I uh, I'm married

419
00:23:18,079 --> 00:23:18,440
to 'em.

420
00:23:18,519 --> 00:23:21,039
Speaker 1: My not Oh that's not what I asked, is it?

421
00:23:21,240 --> 00:23:24,559
Speaker 5: Oh? L Maybe I don't know the answer.

422
00:23:24,640 --> 00:23:29,279
Speaker 6: I'm married to 'em and I didn't push me around

423
00:23:29,359 --> 00:23:29,839
or anything.

424
00:23:31,240 --> 00:23:34,200
Speaker 5: What do you care? I mean, what visit it in yours?

425
00:23:34,319 --> 00:23:41,039
Speaker 1: If I were something besides what I am, well, I

426
00:23:41,039 --> 00:23:42,880
think i'd have to say I'm in love with you.

427
00:23:43,319 --> 00:23:49,559
Oh God, However, it's quite absurd. We won't talk about

428
00:23:49,559 --> 00:23:53,640
it anymore. Actually, I was wondering how badly you'd be

429
00:23:53,720 --> 00:23:57,519
hurt if you knew well or perhaps you do know,

430
00:23:58,559 --> 00:24:01,960
no what what Roy and Steve are doing down in

431
00:24:02,000 --> 00:24:06,440
the basement. They're going to print counterfeit money. Julie two

432
00:24:06,559 --> 00:24:10,200
hundred fifty thousand dollars in counterfeit tens and twenties.

433
00:24:10,640 --> 00:24:13,480
Speaker 5: That's against the law. Roy's not a criminal.

434
00:24:14,160 --> 00:24:16,079
Speaker 1: He is now, he will be very soon.

435
00:24:16,319 --> 00:24:17,599
Speaker 5: What am I supposed to do?

436
00:24:18,559 --> 00:24:18,799
Speaker 2: Leave?

437
00:24:20,200 --> 00:24:22,559
Speaker 1: Get out of this house and away from this whole business.

438
00:24:22,559 --> 00:24:26,720
You mustn't get involved. Oh, you're a fine person, too

439
00:24:26,759 --> 00:24:28,680
good to go to prison or something. You had no

440
00:24:28,799 --> 00:24:29,920
part in, Printon.

441
00:24:30,319 --> 00:24:31,440
Speaker 5: Why should I go to print?

442
00:24:31,559 --> 00:24:36,200
Speaker 1: You're an accomplished jury. You've helped them disassociate yourself in

443
00:24:36,240 --> 00:24:38,000
those two I don't.

444
00:24:39,359 --> 00:24:41,279
Speaker 6: I don't think I could just pack up and leave,

445
00:24:42,319 --> 00:24:43,960
not without talking to Roy first.

446
00:24:44,000 --> 00:24:46,759
Speaker 1: At least, I'm afraid that would be a very dangerous

447
00:24:46,759 --> 00:24:47,240
thing to do.

448
00:24:47,759 --> 00:24:49,480
Speaker 5: You can't think why? Well what things?

449
00:24:49,559 --> 00:24:51,680
Speaker 1: I don't know about Roy, but I'm quite sure that

450
00:24:51,720 --> 00:24:55,640
Steve is potentially a violent man.

451
00:25:02,279 --> 00:25:05,279
Speaker 2: Think got gonna hit the Hey, it's only ten o'clock, Steve.

452
00:25:05,680 --> 00:25:06,759
Speaker 1: We've got a big day tomorrow.

453
00:25:06,839 --> 00:25:09,000
Speaker 2: Roy wouldn't hurt if you've got a good night's sleep yourself.

454
00:25:09,119 --> 00:25:12,759
Speaker 6: Well, Roy, could I talk to you for a few

455
00:25:12,799 --> 00:25:14,039
minutes before you go up to ben?

456
00:25:14,319 --> 00:25:14,680
Speaker 1: Oh?

457
00:25:14,720 --> 00:25:18,680
Speaker 2: Oh okay, sure, if we got a problem or something

458
00:25:18,680 --> 00:25:20,519
here and I don't have to go right this minute.

459
00:25:20,720 --> 00:25:24,359
Speaker 5: Look, it's princonal Steve. Between me and ruin.

460
00:25:25,680 --> 00:25:28,599
Speaker 2: Well, okay, I'll see in the morning I had won

461
00:25:28,680 --> 00:25:31,480
the buddet to nobody's private business.

462
00:25:32,279 --> 00:25:35,440
Speaker 6: How come you and Steve got such a great big

463
00:25:35,559 --> 00:25:36,160
day tomorrow.

464
00:25:36,720 --> 00:25:39,359
Speaker 2: Well, you know, Julie, the more practice we get in,

465
00:25:39,440 --> 00:25:41,319
the better we're gonna be when we open up our

466
00:25:41,359 --> 00:25:43,160
own place next four were.

467
00:25:42,960 --> 00:25:45,720
Speaker 6: You've been to print part time at least everythince you

468
00:25:45,799 --> 00:25:49,839
were kid boy, how come you have to practice.

469
00:25:49,319 --> 00:25:50,039
Speaker 5: All of a sudden.

470
00:25:50,279 --> 00:25:52,880
Speaker 1: Oh, well, you see, you go in business for yourself.

471
00:25:52,920 --> 00:25:54,799
Speaker 2: It ain't the same, Julie. You gotta be good at

472
00:25:54,799 --> 00:25:57,200
all kinds of work. I mean, you just wouldn't believe

473
00:25:57,279 --> 00:25:59,440
some of the stuff people want printed.

474
00:26:01,279 --> 00:26:04,480
Speaker 1: Money, What are you talking about?

475
00:26:04,680 --> 00:26:08,240
Speaker 6: It's like phony ten and twenty dollars bills two hundred

476
00:26:08,240 --> 00:26:09,400
and fifty thousand dollars leap.

477
00:26:09,440 --> 00:26:11,400
Speaker 1: Wait a minute, Where'd you get an idea like that?

478
00:26:11,519 --> 00:26:13,559
Speaker 5: It doesn't matter where I got it? Is it true?

479
00:26:13,599 --> 00:26:15,440
Speaker 2: Have you been snooping around down there in a cellar?

480
00:26:15,640 --> 00:26:18,039
You've been listening to me and Steve talking, So it's true.

481
00:26:18,079 --> 00:26:20,160
I didn't say that. I said where'd you get hold

482
00:26:20,200 --> 00:26:21,079
of such a crazy idea?

483
00:26:21,119 --> 00:26:21,759
Speaker 1: In the first place?

484
00:26:21,839 --> 00:26:23,640
Speaker 5: Where I got the idea is my business.

485
00:26:23,880 --> 00:26:26,559
Speaker 2: I'm not gonna tell you, Julie, I.

486
00:26:28,440 --> 00:26:29,119
Speaker 5: That hurts.

487
00:26:29,240 --> 00:26:33,240
Speaker 2: Look at a sample. See just a sample next time.

488
00:26:33,279 --> 00:26:34,200
I don't just slap you.

489
00:26:34,440 --> 00:26:36,359
Speaker 1: Now. Where did you hear all this crazy stuff?

490
00:26:37,640 --> 00:26:42,400
Speaker 5: Noah told me? Noah, Noah Compenter the ghost.

491
00:26:42,920 --> 00:26:45,920
Speaker 1: Look, I wasn't kidding, Julie. The next one is gonna.

492
00:26:45,640 --> 00:26:47,839
Speaker 5: Be a wheel once more. And I'm out of this

493
00:26:47,920 --> 00:26:48,720
place like a shot.

494
00:26:49,119 --> 00:27:02,400
Speaker 1: Steve was right. We never should have brought you out here. Steve. Uh, hey,

495
00:27:02,440 --> 00:27:06,559
was that you said my name right? It wasn't Roy.

496
00:27:06,759 --> 00:27:13,279
My name is no Coppenter. I'm the the ghost. You're

497
00:27:13,319 --> 00:27:16,680
the they come. I cut it out? But why stop

498
00:27:16,720 --> 00:27:20,960
getting around with you? It isn't Roy. Does my voice

499
00:27:21,039 --> 00:27:24,079
sound like Rory? Right?

500
00:27:24,759 --> 00:27:25,400
Speaker 5: Why out?

501
00:27:25,640 --> 00:27:28,759
Speaker 1: That isn't going to do you any good? How do

502
00:27:28,799 --> 00:27:32,960
you think Roy can help you? Yo? Steve, what's the

503
00:27:33,039 --> 00:27:35,079
matter with you? The ghost he's here, he's right in.

504
00:27:35,119 --> 00:27:35,640
Speaker 5: Here with us.

505
00:27:35,680 --> 00:27:38,759
Speaker 1: Fault, Holy Toledo. Not the ghost again. See he's here.

506
00:27:38,799 --> 00:27:39,839
I tell you, gotta believe me.

507
00:27:39,839 --> 00:27:43,599
Speaker 2: He was talking just like people with you imagined that. Steve,

508
00:27:43,759 --> 00:27:44,559
I didn't he was.

509
00:27:45,039 --> 00:27:45,640
Speaker 1: He's here.

510
00:27:45,839 --> 00:27:46,839
Speaker 5: He's here right now.

511
00:27:47,039 --> 00:27:49,519
Speaker 1: It's in sleep. Well you you're all keyed up. Hey,

512
00:27:49,640 --> 00:27:50,160
you won't leave it?

513
00:27:50,200 --> 00:27:50,440
Speaker 5: Are You're?

514
00:27:50,599 --> 00:27:50,799
Speaker 2: Yeah?

515
00:27:50,799 --> 00:27:52,920
Speaker 1: I don't want to be left alone with that that thing.

516
00:27:53,000 --> 00:27:54,880
I gotta get back to Julie.

517
00:27:54,920 --> 00:27:58,000
Speaker 2: She's I'm, I'm I'm having a little trouble with Julie.

518
00:27:58,119 --> 00:28:04,200
Speaker 1: You're gonna leave me here along, Steve, You'll be okay.

519
00:28:04,759 --> 00:28:07,680
I told you there wasn't anything he could do for you. Steve,

520
00:28:09,599 --> 00:28:13,359
all right, what do you want from me? You're right?

521
00:28:14,519 --> 00:28:16,799
I do want something from you. Tell me and get

522
00:28:16,839 --> 00:28:19,279
it off with will you? I want you to take

523
00:28:19,319 --> 00:28:24,920
those plates and go leave this house. I don't know

524
00:28:25,000 --> 00:28:28,039
nothing about no place but tens and twenty. Steve, the

525
00:28:28,079 --> 00:28:31,440
one it is strong? Will deal before the morning boys

526
00:28:31,559 --> 00:28:36,720
got him? Isn't that what you say? What's the TA

527
00:28:36,799 --> 00:28:39,640
when you have? Why should I go care about what

528
00:28:39,720 --> 00:28:43,920
people though? Since I do care, it isn't important? Why

529
00:28:44,359 --> 00:28:48,200
is it okay? What if I just said you're to

530
00:28:48,200 --> 00:28:51,960
go to places, I'll see to it that you're apprehended

531
00:28:52,039 --> 00:28:57,319
and brought to justice, both you and Roid. Now, how

532
00:28:57,319 --> 00:28:59,759
are you gonna do that? You ain't nothing but a

533
00:28:59,839 --> 00:29:05,680
go I've told Julie about the counterfeiting. I expect her

534
00:29:05,680 --> 00:29:06,200
to help me.

535
00:29:07,240 --> 00:29:09,319
Speaker 2: Julie ain't gonna blow the whistle on me and.

536
00:29:09,400 --> 00:29:12,200
Speaker 1: Roy, he's her husband. I don't think Julie wants anything

537
00:29:12,200 --> 00:29:15,079
to do with that kind of money. What'd you say

538
00:29:15,119 --> 00:29:16,759
she does? Though? What could you do?

539
00:29:17,720 --> 00:29:19,839
Speaker 2: Fall in the village was talking about? You said you

540
00:29:19,880 --> 00:29:22,640
couldn't leave the house, You're stuck in here.

541
00:29:24,119 --> 00:29:26,240
Speaker 1: Yes, that is true.

542
00:29:27,200 --> 00:29:29,599
Speaker 2: So there ain't a dark thing you can do if

543
00:29:29,680 --> 00:29:31,119
Julie don't blow the whistle.

544
00:29:32,759 --> 00:29:35,519
Speaker 1: I'm depending on Julie.

545
00:29:47,119 --> 00:29:49,640
Speaker 2: That ghost told her about the flakes and off. Is

546
00:29:49,680 --> 00:29:51,200
that what you were fighting about last night?

547
00:29:51,319 --> 00:29:52,119
Speaker 1: Ghost? Ghost?

548
00:29:52,160 --> 00:29:55,359
Speaker 2: Ghosts? All I hear is ghosts. There ain't no such thing, Steve.

549
00:29:55,519 --> 00:29:59,759
Speaker 1: You think not? Look, Steve, she knows what we're doing.

550
00:30:00,039 --> 00:30:00,920
What do you think told her?

551
00:30:00,960 --> 00:30:03,440
Speaker 2: You think I told her that blowsy ghost told her

552
00:30:03,440 --> 00:30:04,119
that's a well?

553
00:30:04,519 --> 00:30:07,960
Speaker 1: Whoever she knows? Is she gonna blow the whistle? I

554
00:30:07,960 --> 00:30:11,079
don't know. I don't believe she would.

555
00:30:11,359 --> 00:30:11,640
Speaker 3: I do.

556
00:30:12,440 --> 00:30:16,440
Speaker 2: I'm her husband, Steve. It's happened before. I think we

557
00:30:16,559 --> 00:30:19,680
better make plans. You mean, packed the stuff back in

558
00:30:19,720 --> 00:30:22,400
the van and forget the whole deal. And I got

559
00:30:22,400 --> 00:30:26,640
a better idea, what idea? There ain't a thing that

560
00:30:26,720 --> 00:30:27,759
ghosts can do to us?

561
00:30:27,799 --> 00:30:30,480
Speaker 1: Without Julie's help. He admitted that last night, Steve, I

562
00:30:30,599 --> 00:30:33,000
got enough trouble without ghosts. What kind of a plan

563
00:30:33,039 --> 00:30:35,319
have you got her? That ghost is real, you'll have

564
00:30:35,359 --> 00:30:36,480
to take my word for it.

565
00:30:37,720 --> 00:30:41,160
Speaker 2: But without Julie, he can't do a thing to us,

566
00:30:41,160 --> 00:30:47,440
that one darn thing. So what's the plan, Steve. We

567
00:30:47,519 --> 00:30:50,000
get a hole somewhere down here in the cellar with

568
00:30:50,079 --> 00:30:52,599
one body already in it?

569
00:30:52,720 --> 00:30:53,880
Speaker 1: Why I make it too.

570
00:30:56,039 --> 00:31:05,920
Speaker 2: We're gonna have to waste Julie. Counterfeiting is a crime

571
00:31:06,039 --> 00:31:09,799
against the financial structure of the society in which it

572
00:31:09,839 --> 00:31:12,240
is committed, deplorable, of course.

573
00:31:13,000 --> 00:31:13,640
Speaker 1: But murder.

574
00:31:14,480 --> 00:31:18,039
Speaker 2: Murder is a crime against God and against the very

575
00:31:18,160 --> 00:31:24,000
nature of civilization, an evil, evil thing. A man has

576
00:31:24,119 --> 00:31:27,039
just been asked to collaborate in the murder of his

577
00:31:27,160 --> 00:31:32,119
own wife, not in a passionate frenzy, but in cold blood.

578
00:31:33,039 --> 00:31:35,960
We haven't heard his answer yet, but we shall when

579
00:31:36,000 --> 00:31:40,720
I return shortly with Act three. Buick's nineteen seventy sixth

580
00:31:40,720 --> 00:31:43,319
century legal is the most luxurious mid.

581
00:31:43,160 --> 00:31:46,920
Speaker 1: Sized Caribuic bill. But it's also got a practical size.

582
00:31:47,519 --> 00:31:50,599
Speaker 3: In fact, it makes a concession to practicality that no

583
00:31:50,680 --> 00:31:52,480
other American mid sized cargun.

584
00:31:53,000 --> 00:31:56,119
Speaker 1: It comes with a lesic engine and a Buick VI six.

585
00:31:56,160 --> 00:31:59,440
Is that legal? It's got the spirit be.

586
00:32:14,160 --> 00:32:27,640
Speaker 6: Nut, heavenly cofson, heavenly cotton, chockfull heavenly cock, better coffee,

587
00:32:27,640 --> 00:32:29,200
and Themonaire.

588
00:32:29,079 --> 00:32:33,640
Speaker 1: Nine third shy chok full of nuts to heavenly coffee

589
00:32:33,640 --> 00:32:36,839
comes in just one grind. It makes perfect coffee every time,

590
00:32:36,880 --> 00:32:39,039
no matter how you make it. So whether you use

591
00:32:39,079 --> 00:32:41,839
the old fashioned percolator or any of the new automatics,

592
00:32:42,160 --> 00:32:45,119
mister Coffee and a relco West Bend or any other

593
00:32:45,160 --> 00:32:47,920
coffee maker, chockful of nuts is the only coffee that

594
00:32:48,000 --> 00:32:51,119
gives you that perfect heavenly flavor in any of them.

595
00:32:51,319 --> 00:32:53,440
Chock full of nuts All method grind coffee is a

596
00:32:53,480 --> 00:32:56,559
blend of the world's most expensive coffee. Is in one grind.

597
00:32:56,920 --> 00:33:00,000
It makes heavenly coffee and any coffee maker too. Only

598
00:33:00,119 --> 00:33:03,359
the finest, richest, most expensive coffee beans money can buy

599
00:33:03,440 --> 00:33:06,359
are blended into our heavenly coffee. So because we pay

600
00:33:06,400 --> 00:33:09,039
more for our beans, you get more flavor with the coffee.

601
00:33:09,200 --> 00:33:13,559
It's worth it. Why don't you try it?

602
00:33:22,519 --> 00:33:26,640
Speaker 2: Our two worlds, the world of crime and the world

603
00:33:26,640 --> 00:33:30,440
of the occult, have confronted each other and are joined

604
00:33:30,720 --> 00:33:35,440
in a bitter struggle. Right and wrong are clearly defined,

605
00:33:36,119 --> 00:33:40,440
and if you believe that right always triumphs, there is

606
00:33:40,480 --> 00:33:45,519
no cause for concern over the outcome. But history doesn't

607
00:33:45,559 --> 00:33:49,960
seem to prove beyond reasonable doubt that right, as we

608
00:33:50,079 --> 00:33:54,920
understand it does always triumph in the end. The truth

609
00:33:55,039 --> 00:33:59,960
is the most worthy of all. Are often the law

610
00:34:00,000 --> 00:34:05,319
lost causes Julie, Julie in there?

611
00:34:07,079 --> 00:34:08,079
Speaker 5: Ah way, woy?

612
00:34:08,880 --> 00:34:14,039
Speaker 2: I want to talk to you, Julie unlessing. Look, I

613
00:34:14,119 --> 00:34:16,360
have to talk to you, Julie now, please, it's important.

614
00:34:17,119 --> 00:34:19,519
Speaker 5: If you were coming in anyway, why did you bother

615
00:34:19,639 --> 00:34:19,840
to not?

616
00:34:20,519 --> 00:34:22,559
Speaker 1: Julie, listen about last night?

617
00:34:23,000 --> 00:34:25,440
Speaker 5: About you slapping me? Do you want to talk about that?

618
00:34:25,519 --> 00:34:28,800
Speaker 1: Oh? Noo? About the counterfeiting?

619
00:34:29,159 --> 00:34:30,920
Speaker 5: You admit that's what you're doing down there?

620
00:34:32,159 --> 00:34:33,679
Speaker 1: Yeah, yeah, that's what we're doing.

621
00:34:34,320 --> 00:34:36,719
Speaker 2: The thing is, honey, I never could get any money

622
00:34:36,760 --> 00:34:39,320
ahead never, you know, I mean it, not not even

623
00:34:39,440 --> 00:34:41,119
enough to let us feel comfortable.

624
00:34:41,360 --> 00:34:44,639
Speaker 6: So you decided to make your own You think just

625
00:34:44,679 --> 00:34:46,880
because you couldn't earn all the money you wanted that

626
00:34:46,960 --> 00:34:47,639
makes it all right.

627
00:34:47,679 --> 00:34:51,519
Speaker 2: Look, God sick of being broke, and we're not hurting anybody, Julie,

628
00:34:52,159 --> 00:34:55,239
we're not stealing from anybody. Well, we're doing is just

629
00:34:55,440 --> 00:34:57,320
putting some fresh money in circulation.

630
00:34:57,679 --> 00:34:59,559
Speaker 5: Then why is there a law that says you have

631
00:34:59,599 --> 00:35:02,159
to go to jayop Donia? Boy?

632
00:35:02,239 --> 00:35:04,880
Speaker 6: How much have you made already? I mean, how many

633
00:35:04,880 --> 00:35:06,119
of the things have you run off?

634
00:35:06,199 --> 00:35:08,840
Speaker 1: Few samples? We haven't even really started.

635
00:35:09,599 --> 00:35:12,880
Speaker 6: Okay, if you want to burn up that stuff you've

636
00:35:12,920 --> 00:35:16,280
already made and promise not to make anymore. If you

637
00:35:16,440 --> 00:35:19,239
just shut down the hall operation, we move out of

638
00:35:19,239 --> 00:35:19,719
this place.

639
00:35:20,639 --> 00:35:21,760
Speaker 5: Okay, I won't leave.

640
00:35:21,800 --> 00:35:23,800
Speaker 1: You leave me.

641
00:35:24,760 --> 00:35:29,280
Speaker 6: He's surprised you would make your counterfeitn Can you slap

642
00:35:29,320 --> 00:35:30,199
my faithless night?

643
00:35:30,239 --> 00:35:32,519
Speaker 5: And you're surprised when I think about walking.

644
00:35:32,239 --> 00:35:37,079
Speaker 2: Out, I never thought i'd hear you talk like this, Julie. I, well, I.

645
00:35:37,159 --> 00:35:37,760
Speaker 6: Just the world.

646
00:35:37,760 --> 00:35:40,840
Speaker 5: It's full of little surprises. I never thought i'd be

647
00:35:40,880 --> 00:35:44,599
married to a criminal. Look, I can't pull out, now,

648
00:35:44,840 --> 00:35:48,840
Sure you can? Are you scared of Steve?

649
00:35:49,159 --> 00:35:51,719
Speaker 2: Oh he's a He's dumped a lot of money into

650
00:35:51,760 --> 00:35:56,679
this thing, Julie. He's made commitments, and he trusted men.

651
00:35:56,280 --> 00:35:58,360
Speaker 5: Bother she wouldn't trust his own mother.

652
00:35:58,800 --> 00:36:01,840
Speaker 2: Look, if if I don't pull out, of this job.

653
00:36:02,079 --> 00:36:03,960
Would you go to the police or something like that,

654
00:36:04,000 --> 00:36:05,599
I mean, would you turn us in?

655
00:36:07,280 --> 00:36:12,719
Speaker 5: I don't know. I think probably I would. You don't

656
00:36:12,719 --> 00:36:16,679
mean that, I think most likely I would.

657
00:36:18,159 --> 00:36:27,159
Speaker 1: Yeah, I heard all that. Of course, I was struggling

658
00:36:27,199 --> 00:36:32,800
with my conscience. For ghosts to have consciences, conscience was

659
00:36:32,840 --> 00:36:37,599
a thoroughly spiritual thing. I had more to gain selfishly

660
00:36:37,679 --> 00:36:42,559
by keeping my hands off than by interfering. I followed

661
00:36:42,679 --> 00:36:46,880
Ray down to the basement where Steve was waiting for him. Okay,

662
00:36:46,960 --> 00:36:49,079
you had your talk with Julie. What she said?

663
00:36:49,280 --> 00:36:52,239
Speaker 2: Well, she she still wants us to knock it off, Steve,

664
00:36:52,639 --> 00:36:54,960
Like she says, just load the press back on the

665
00:36:55,079 --> 00:36:57,559
van and drive away on foot.

666
00:36:57,599 --> 00:37:00,639
Speaker 1: Listen, you can see how she feels. She gets hit

667
00:37:00,679 --> 00:37:02,159
with this thing right out of the blue.

668
00:37:02,199 --> 00:37:04,480
Speaker 2: What do I care how she feels. We're all set

669
00:37:04,559 --> 00:37:06,239
up here, not at a line. We'll go ahead with it.

670
00:37:06,400 --> 00:37:08,039
Speaker 1: We can't she'll do.

671
00:37:09,519 --> 00:37:09,679
Speaker 3: Well.

672
00:37:09,679 --> 00:37:13,599
Speaker 2: Look, I'm getting scared she'll turn us in, so I

673
00:37:13,599 --> 00:37:14,679
will have to do it my way.

674
00:37:14,719 --> 00:37:18,480
Speaker 1: I guess we're gonna have to waste Julie. No, no, no,

675
00:37:18,599 --> 00:37:21,639
you can't do that. Steve. You want to bet Hey,

676
00:37:23,079 --> 00:37:25,000
you don't have to pull a gun on me. You

677
00:37:25,039 --> 00:37:27,039
better get used to it. Roy.

678
00:37:27,559 --> 00:37:29,159
Speaker 2: I give you a chance to go along like a

679
00:37:29,280 --> 00:37:32,639
nice guy, and you blew it. Now you do things

680
00:37:32,719 --> 00:37:37,400
my way or you get your head blown off. Plays

681
00:37:37,440 --> 00:37:43,599
are gonna be lousy with ghosts.

682
00:37:44,159 --> 00:37:47,559
Speaker 1: Julie, isn't that you know?

683
00:37:47,960 --> 00:37:48,039
Speaker 4: Ye?

684
00:37:49,480 --> 00:37:53,360
Speaker 6: Boy even knocks before it comes into a lady's room.

685
00:37:54,679 --> 00:38:00,360
Speaker 1: He has nothing. Oh, Julie, there's no choice, and you

686
00:38:00,440 --> 00:38:01,719
must leave this plane.

687
00:38:01,840 --> 00:38:03,599
Speaker 5: Well, I've been thinking about it.

688
00:38:03,639 --> 00:38:06,320
Speaker 1: There's no more time for thinking. They're planning to kill you,

689
00:38:06,840 --> 00:38:07,360
kill me.

690
00:38:08,280 --> 00:38:10,599
Speaker 5: Oh, come on, boy, wouldn't do a thing like that.

691
00:38:11,400 --> 00:38:12,159
Speaker 1: Steve would.

692
00:38:12,440 --> 00:38:13,360
Speaker 5: Roy wouldn't let him.

693
00:38:13,599 --> 00:38:15,920
Speaker 1: Roy can't stop him. You'll have to go right away.

694
00:38:15,920 --> 00:38:17,679
They aren't going to give you much time.

695
00:38:18,039 --> 00:38:20,320
Speaker 5: No, are you just trying to get me away from

696
00:38:20,360 --> 00:38:21,719
Roy again? You know what it is?

697
00:38:21,800 --> 00:38:24,280
Speaker 1: What Steve wants to do is break down that wall

698
00:38:24,320 --> 00:38:26,760
and hind your body in the same room with mine.

699
00:38:28,679 --> 00:38:32,079
Macab Yes, my car. But do you know what it

700
00:38:32,119 --> 00:38:34,920
would mean. It would mean that you and I, our

701
00:38:35,039 --> 00:38:38,239
spiritual selves, would be imprisoned in this house together for

702
00:38:38,400 --> 00:38:42,400
all eternity, unless someone found our bodies. No, that wouldn't

703
00:38:42,400 --> 00:38:45,000
be bad for me. I'd be much happier having you

704
00:38:45,039 --> 00:38:48,880
with me, but I don't want it to happen to you.

705
00:38:48,880 --> 00:38:52,119
You must understand I am not selfishly motivated. When I

706
00:38:52,199 --> 00:38:53,280
beg you to go.

707
00:38:54,519 --> 00:39:03,119
Speaker 5: I'm sorry. You know you really then? I know before

708
00:39:03,199 --> 00:39:04,719
I could have been a little more like you.

709
00:39:04,840 --> 00:39:06,760
Speaker 1: Wick, Will you leave now? To leave?

710
00:39:07,760 --> 00:39:12,920
Speaker 5: So I'm not afraid of those two. I haven't decided yet.

711
00:39:18,400 --> 00:39:20,440
Speaker 2: Put come back into what Roy? You watch like you

712
00:39:20,480 --> 00:39:25,679
don't enjoy this kind of work. You holding a gun

713
00:39:25,719 --> 00:39:28,719
on me, making me break into a room where you

714
00:39:28,760 --> 00:39:30,679
want to hide my wife's body after.

715
00:39:30,440 --> 00:39:33,559
Speaker 1: You've killed her. You're right, I don't enjoy it.

716
00:39:33,719 --> 00:39:36,360
Speaker 2: Well do it anyway you don't get to work. I'm

717
00:39:36,360 --> 00:39:43,519
gonna have an extra body to stuff in there. Now

718
00:39:44,239 --> 00:39:48,719
say all that takes is a little elbow gree Okay, Now,

719
00:39:48,840 --> 00:39:52,599
widen the hole, work the bricks loose around it. See

720
00:39:52,599 --> 00:39:57,480
if I U I think I'm gonna be sick because

721
00:39:57,840 --> 00:40:02,360
there's some bones in there, skeleton. Let's figures, don't the

722
00:40:02,440 --> 00:40:06,039
ghost said he was in there. Well we're gonna take

723
00:40:06,039 --> 00:40:07,280
the thing out and bury it.

724
00:40:07,360 --> 00:40:09,639
Speaker 1: Oh you gotta be kidding. That's what Julie said.

725
00:40:09,679 --> 00:40:12,639
Speaker 2: We should do what we broke the wall down for

726
00:40:12,920 --> 00:40:16,079
Roy was to put one in, not take one out.

727
00:40:16,559 --> 00:40:19,119
Speaker 1: Steve, Please, I can handle Julie.

728
00:40:19,239 --> 00:40:21,679
Speaker 2: We'll go ahead just like we planned, and Julie won't

729
00:40:21,679 --> 00:40:22,800
make any more trouble.

730
00:40:23,079 --> 00:40:23,800
Speaker 5: I give you my.

731
00:40:23,800 --> 00:40:26,880
Speaker 2: Word, you won't make no trouble. That's one thing you're

732
00:40:27,000 --> 00:40:27,960
dead right about.

733
00:40:28,480 --> 00:40:34,840
Speaker 1: Why not that hole, Steve? If you kill Julie, I.

734
00:40:34,840 --> 00:40:36,599
Speaker 2: Don't care if it takes the rest of my life,

735
00:40:36,719 --> 00:40:39,079
the rest of your life thinking her mouth, how much

736
00:40:39,119 --> 00:40:44,519
if you don't shut up? All right, we're going upstairs now.

737
00:40:45,239 --> 00:40:47,519
Now you walk just a little ahead of me, and

738
00:40:47,559 --> 00:40:50,880
don't get funny. Just keep on thinking about this gun

739
00:40:50,960 --> 00:41:00,119
and remembering how I wouldn't mind using it.

740
00:41:00,320 --> 00:41:02,400
Speaker 5: Noah, are you still here?

741
00:41:02,559 --> 00:41:04,079
Speaker 1: Yes, I'm here, Juliane.

742
00:41:04,679 --> 00:41:07,719
Speaker 5: I decided to take your advice. I'm gonna leave just

743
00:41:07,760 --> 00:41:08,960
as soon as I can get back.

744
00:41:09,119 --> 00:41:11,559
Speaker 1: I'm afraid it's too late, Julie. They're coming for you

745
00:41:11,719 --> 00:41:15,119
right now, coming to Stephen Roy. Steve is forcing Roy

746
00:41:15,159 --> 00:41:16,760
at gun point. He has no choice.

747
00:41:17,400 --> 00:41:18,119
Speaker 5: What shall I do?

748
00:41:18,559 --> 00:41:20,679
Speaker 1: Take the phone off and put it down on the table.

749
00:41:21,119 --> 00:41:22,039
Speaker 5: They coming right now.

750
00:41:22,039 --> 00:41:24,559
Speaker 1: I tell you the only way I can help you, Julie.

751
00:41:24,599 --> 00:41:27,800
I can't manipulate material objects. I can't pick up the

752
00:41:27,800 --> 00:41:30,679
phone or down it. I can't interfere physically, no matter

753
00:41:30,719 --> 00:41:33,920
what Steve does to you. Please just lift the phone

754
00:41:33,960 --> 00:41:41,679
off and dial zero. Please, Julia, Julie.

755
00:41:41,719 --> 00:41:44,079
Speaker 2: If he's got a gun, there wasn't anything I could do.

756
00:41:44,199 --> 00:41:45,400
Come on downstairs, Julie.

757
00:41:45,440 --> 00:41:46,920
Speaker 5: I'm going nowhere with either of you.

758
00:41:47,159 --> 00:41:50,280
Speaker 2: Okay, take it down right, Come on, Julie. Please, we

759
00:41:50,400 --> 00:41:51,519
gotta do what he says.

760
00:41:51,639 --> 00:41:55,079
Speaker 5: I don't have to get your hands up money.

761
00:41:55,119 --> 00:41:57,800
Speaker 1: He just wants you to come downstairs. I mean, that's

762
00:41:57,920 --> 00:42:07,360
all he wants. Wouldn't hurt a fly you held up? Operator?

763
00:42:07,639 --> 00:42:09,280
Please send the police of the old carp from the

764
00:42:09,320 --> 00:42:12,320
place out on Beechwood Road. It's an emergency. There's going

765
00:42:12,360 --> 00:42:18,360
to be a murder right at the back of the cellar.

766
00:42:18,519 --> 00:42:22,920
Show where he's going to kill me, Isn't he wrong?

767
00:42:23,119 --> 00:42:26,519
Speaker 2: I tried to stop him, Julie, but he made Okay, okay,

768
00:42:26,639 --> 00:42:31,079
right over there, I see that holes lit cloesy in there.

769
00:42:31,719 --> 00:42:33,599
Speaker 1: Get a skeleton and everything.

770
00:42:34,760 --> 00:42:35,280
Speaker 5: You found.

771
00:42:35,320 --> 00:42:39,920
Speaker 2: No offer somebody anyway, what used to be somebody?

772
00:42:40,039 --> 00:42:42,400
Speaker 6: Listen, we have to take him out and bury him

773
00:42:42,480 --> 00:42:45,039
and say a prayer. You can do whatever you want

774
00:42:45,039 --> 00:42:45,440
into that.

775
00:42:45,400 --> 00:42:48,639
Speaker 1: But we have to do that hole. Crawl on through there, Julie,

776
00:42:48,760 --> 00:42:49,719
a hundred years.

777
00:42:49,719 --> 00:42:51,519
Speaker 5: He's been in there, nothing but bone.

778
00:42:51,719 --> 00:42:52,559
Speaker 1: Get on inside.

779
00:42:52,719 --> 00:42:53,280
Speaker 5: I will not.

780
00:42:53,719 --> 00:42:56,159
Speaker 1: I didn't ask you. I called you, not do it.

781
00:42:56,280 --> 00:42:58,119
Speaker 5: So you can shoot me in there instead about here.

782
00:42:59,440 --> 00:43:01,960
You want me in there, you put me in there.

783
00:43:02,719 --> 00:43:05,159
Speaker 2: If that's the way you want it, don't do it.

784
00:43:05,440 --> 00:43:12,519
Speaker 1: Steve, who said that? Noah, that damn coat again? Not damned, Steve,

785
00:43:13,239 --> 00:43:16,119
confined to this house until my bones are properly buried,

786
00:43:16,159 --> 00:43:19,559
but not damned. You're the one who has that to

787
00:43:19,599 --> 00:43:21,880
look forward to. I don't need to allows his sirm.

788
00:43:22,000 --> 00:43:24,440
You have any idea what the punishment is for murder

789
00:43:24,480 --> 00:43:27,360
and life if they catch it? So I don't mean

790
00:43:27,480 --> 00:43:30,840
world live punishment. I mean the final judgment and punishment,

791
00:43:30,880 --> 00:43:34,239
and you'll be caught. Steve. There is no place to hide.

792
00:43:34,280 --> 00:43:36,679
Speaker 2: Even give me the fire and brimstone routine. Now I

793
00:43:36,719 --> 00:43:37,800
heard that since I was a kid.

794
00:43:37,840 --> 00:43:40,639
Speaker 1: Fire and brimstone for some, but for a greedy one

795
00:43:40,760 --> 00:43:46,199
like you, something more imaginative. I should think, for example, poverty,

796
00:43:47,239 --> 00:43:50,280
never enough eat, never enough clothing, The cover you decently,

797
00:43:50,280 --> 00:43:52,880
I'll keep you warm. Never the hope even that things

798
00:43:52,960 --> 00:43:55,519
will get better that the way I heard it when

799
00:43:55,519 --> 00:43:59,920
I was againd loneliness. Never anyone who'll even put ten

800
00:44:00,440 --> 00:44:04,519
your friend as Roy has done here, and eternity of

801
00:44:04,599 --> 00:44:10,440
loneliness and want you'll know yourself is utterly despicable. You'll

802
00:44:10,559 --> 00:44:13,599
end it those, even the other damned souls who don't

803
00:44:13,639 --> 00:44:17,679
have to live with you. You'll despise yourself that much.

804
00:44:17,800 --> 00:44:22,360
Speaker 2: Now wait, gentlemen, a million lifetimes of regrets, a million

805
00:44:22,480 --> 00:44:25,559
lifetimes to remember the moment you put enough pressure on

806
00:44:25,639 --> 00:44:27,440
that trigger to cause the gun the fire.

807
00:44:28,599 --> 00:44:31,760
Speaker 1: You'll have all eternity in which to wish you hadn't

808
00:44:31,840 --> 00:44:33,960
done that. Now, look, I ain't done it yet. You

809
00:44:34,159 --> 00:44:38,440
have only this moment to make the decision. Make it

810
00:44:38,440 --> 00:44:41,360
the wrong way, and you'll spend all eternity wishing you hadn't.

811
00:44:44,280 --> 00:44:49,599
Either squeeze the trigger now steam or hand the gun

812
00:44:49,639 --> 00:44:53,039
to Julian. Spare yourself eternal damn nation.

813
00:44:54,719 --> 00:44:58,039
Speaker 2: And I guy, I still got the plates. I can

814
00:44:59,119 --> 00:45:00,440
die here, Take it open.

815
00:45:00,320 --> 00:45:02,440
Speaker 1: Thing, take the garden, Julian.

816
00:45:02,960 --> 00:45:06,119
Speaker 2: Don't think you scared me any though it's a hairy situation.

817
00:45:06,239 --> 00:45:08,159
It's all I don't have to be told when a

818
00:45:08,239 --> 00:45:09,280
situation gets.

819
00:45:09,039 --> 00:45:10,760
Speaker 1: Too hairy to handle. Hey, what's up?

820
00:45:11,000 --> 00:45:11,079
Speaker 3: What?

821
00:45:11,239 --> 00:45:11,400
Speaker 2: Why?

822
00:45:11,639 --> 00:45:14,119
Speaker 1: Well, it's not like don't that sound like a siren?

823
00:45:15,039 --> 00:45:17,159
Speaker 2: Somebody thinks I'm getting out of here and you'll come

824
00:45:17,199 --> 00:45:17,519
it right?

825
00:45:18,400 --> 00:45:21,760
Speaker 1: No, what din I do with them? Go? They'll catch you?

826
00:45:22,079 --> 00:45:22,519
Speaker 6: Be right.

827
00:45:22,760 --> 00:45:24,199
Speaker 1: Look, honey, we gotta get out of here.

828
00:45:24,559 --> 00:45:27,280
Speaker 5: You go ahead. I'm not leaving yet, Julie.

829
00:45:27,320 --> 00:45:30,440
Speaker 1: I can't wait. They'll okay, I'm going.

830
00:45:32,320 --> 00:45:35,320
Speaker 5: No, it paved my life.

831
00:45:36,519 --> 00:45:39,440
Speaker 1: I wonder if all those things I said don't too.

832
00:45:40,960 --> 00:45:41,719
I don't really know.

833
00:45:43,440 --> 00:45:46,639
Speaker 5: You could have let him kill me. We'd have been together.

834
00:45:49,639 --> 00:45:51,679
I don't think out of mind it too much.

835
00:45:52,400 --> 00:45:54,719
Speaker 1: I couldn't let the same thing happen to you that's

836
00:45:54,760 --> 00:45:55,280
happened to me.

837
00:45:57,239 --> 00:46:03,119
Speaker 6: Well, i'll see to it. They, you know, bury you.

838
00:46:04,719 --> 00:46:07,760
I'll ask him to let me say the prayer.

839
00:46:09,320 --> 00:46:19,039
Speaker 1: Yes, i'd like them. Do we have to say goodbye, Julie? Goodbye?

840
00:46:25,320 --> 00:46:28,000
They did take my body out of the old house,

841
00:46:28,159 --> 00:46:32,159
and I think they must have buried it because I feel,

842
00:46:34,119 --> 00:46:36,280
I somehow feel that I am about to move on.

843
00:46:38,679 --> 00:46:46,559
I shall miss Julie, miss her very deeply. Still. The

844
00:46:46,719 --> 00:46:54,840
mortal span is short. Another fifty years, another sixty years

845
00:46:55,440 --> 00:47:00,159
will meet again, Julie can die.

846
00:47:08,119 --> 00:47:12,840
Speaker 2: It's heartening to feel that there are such emotions as love, hope,

847
00:47:13,079 --> 00:47:16,199
and compassion in the next life. And I found it

848
00:47:16,280 --> 00:47:19,800
comforting too that Noah seemed as human as he did,

849
00:47:20,599 --> 00:47:25,119
not a moaning, chain, latling, terrifying specter. But as Julie

850
00:47:25,119 --> 00:47:31,039
herself said, just somebody who was no longer alive. I'll

851
00:47:31,039 --> 00:47:46,199
be back in the flesh in just a moment. Steve

852
00:47:46,320 --> 00:47:51,840
and Roy were both apprehended. They were tried, convicted, and

853
00:47:51,920 --> 00:47:55,880
are serving relatively short terms. Julie has gone her own

854
00:47:55,920 --> 00:47:57,679
way and is doing well.

855
00:47:58,199 --> 00:48:00,000
Speaker 1: She often thinks of Noah.

856
00:48:00,599 --> 00:48:04,159
Speaker 2: As for Noah, I don't have a follow up on him,

857
00:48:04,559 --> 00:48:07,480
but there must be rewards as well as.

858
00:48:07,360 --> 00:48:09,760
Speaker 1: Punishments, so I'm not worried.

859
00:48:10,559 --> 00:48:13,800
Speaker 2: I'm sure I needn't worry either about having you in

860
00:48:13,840 --> 00:48:19,000
the audience for our next mysterious Tale. Our cast included

861
00:48:19,119 --> 00:48:23,719
Ralph Bell, Briner Raeburn, William Redfield, and Jack Grimes. The

862
00:48:23,880 --> 00:48:27,440
entire production was under the direction of Hyman Brown Radio.

863
00:48:27,519 --> 00:48:30,840
Mystery Theater was sponsored in part by Buick Motor Division.

864
00:48:31,679 --> 00:48:34,480
This is V. G. Marshall inviting you to return to

865
00:48:34,519 --> 00:48:38,000
our Mystery Theater for another adventure in the MCCA