1 00:00:00,520 --> 00:00:02,919 Speaker 1: WMNH will rip the novels. 2 00:00:28,280 --> 00:00:29,039 Speaker 2: All right, here we go. 3 00:00:29,079 --> 00:00:32,159 Speaker 3: Hello everybody, We have entered our three new Marrow trace 4 00:00:32,679 --> 00:00:36,280 of Matt Connorton unleashed and we are live from the 5 00:00:36,320 --> 00:00:39,359 studios of wm NH ninety five point three FM and 6 00:00:39,359 --> 00:00:41,920 Glorious Manchester, New Hampshire. Of course, you can stream the 7 00:00:41,920 --> 00:00:44,479 show from anywhere. Go to Matt connorton dot com slash 8 00:00:44,600 --> 00:00:47,840 live for all your live streaming options, social media links, 9 00:00:47,840 --> 00:00:51,600 contact in posho archives, et cetera, et cetera. Today is Saturday, 10 00:00:51,600 --> 00:00:54,520 February seven, twenty twenty six. Jenny is here of course 11 00:00:54,520 --> 00:00:57,159 at the news table president that account of book, and 12 00:00:57,359 --> 00:01:00,560 also with us, of course, we have Ricky Mapleton and 13 00:01:01,000 --> 00:01:06,000 today we are featuring his new his rock opera bread 14 00:01:06,000 --> 00:01:08,359 Man a bread Time Story. Did I get the title right, Tody? 15 00:01:08,719 --> 00:01:08,840 Speaker 1: Yes? 16 00:01:09,120 --> 00:01:09,400 Speaker 4: I did. 17 00:01:09,480 --> 00:01:12,719 Speaker 3: Yes. Now, if you are listening live on Saturday, you 18 00:01:12,840 --> 00:01:15,359 might have heard in the second hour of today's show 19 00:01:15,879 --> 00:01:19,519 we've been playing songs in order from the rock opera 20 00:01:19,560 --> 00:01:21,599 and talking about each one, and we're going to continue 21 00:01:21,599 --> 00:01:23,439 to that. We've never continued that in. 22 00:01:23,400 --> 00:01:23,920 Speaker 4: The third hour. 23 00:01:23,959 --> 00:01:26,719 Speaker 3: We've never done that before on this show, but this 24 00:01:26,799 --> 00:01:31,159 project I think deserves the attention. Absolutely absolutely, we're really 25 00:01:31,239 --> 00:01:35,280 enjoying it. So when we left off in our story, 26 00:01:35,719 --> 00:01:37,200 how can she marry him? 27 00:01:37,400 --> 00:01:37,640 Speaker 5: Was the. 28 00:01:39,439 --> 00:01:42,000 Speaker 3: Last song that we played, and then the next one 29 00:01:42,120 --> 00:01:44,760 is King's speech hip hop comedy song. 30 00:01:44,840 --> 00:01:48,159 Speaker 6: Okay, so now the wedding has taken place. Okay, the 31 00:01:49,280 --> 00:01:54,519 wedding is done in the king is going to give 32 00:01:54,640 --> 00:01:55,560 his speech. 33 00:01:55,840 --> 00:02:01,200 Speaker 3: Okay, much like the title, yes, yes, and enjoy all right, 34 00:02:01,439 --> 00:02:03,159 the king enters the story. 35 00:02:03,200 --> 00:02:03,840 Speaker 2: Here, here we go. 36 00:02:04,319 --> 00:02:08,639 Speaker 7: The princess for Peter vows and reluctantly says yes to 37 00:02:08,680 --> 00:02:12,599 the Prince of Yeastland. The king steps forward to give 38 00:02:12,599 --> 00:02:14,159 a celebrations speech. 39 00:02:23,599 --> 00:02:29,439 Speaker 8: We are here to celebrate the mixing of Wheatland with Yeastland. 40 00:02:29,879 --> 00:02:34,639 This was truly needed to help create the best bread 41 00:02:34,719 --> 00:02:37,919 in the land. Let us raise our bread and with 42 00:02:38,039 --> 00:02:42,400 warmth in our hearts, toast the prince and princess, who, 43 00:02:42,439 --> 00:02:45,759 with help from the Prince, will soon have a bun 44 00:02:45,800 --> 00:02:49,520 in the oven and the next heir to the kingdom. 45 00:02:49,919 --> 00:02:51,879 Long live the Prince. 46 00:02:52,560 --> 00:03:02,800 Speaker 7: Long live the King, and the feast begins. 47 00:03:06,639 --> 00:03:09,800 Speaker 4: Now it's time to dance, well, they say here pop 48 00:03:09,919 --> 00:03:10,639 comedy song. 49 00:03:11,759 --> 00:03:14,400 Speaker 5: Don't you all sing along your head? 50 00:03:14,520 --> 00:03:17,680 Speaker 9: Pop comedy comedy. 51 00:03:17,879 --> 00:03:28,639 Speaker 10: Let me outside. 52 00:03:20,080 --> 00:03:32,560 Speaker 5: This tam pop comedy song don't you all sing along? 53 00:03:33,400 --> 00:03:38,400 Speaker 11: Has ahead of Cony and the comedy Bother. 54 00:03:38,639 --> 00:03:42,439 Speaker 5: I have hop comedy, so why don't you all sing along? 55 00:03:43,280 --> 00:03:46,199 Speaker 12: HiT's a hit bob comedy comedy song. 56 00:03:46,639 --> 00:03:48,479 Speaker 13: Bo what you meat Pup? 57 00:03:49,280 --> 00:03:56,520 Speaker 14: I told you once, I told you twice? Well way 58 00:03:56,919 --> 00:04:06,800 I feel. Here's my advice, mother truck, just keep it cool, keep. 59 00:04:06,639 --> 00:04:09,039 Speaker 13: It rid, keep that next to the shelf. 60 00:04:09,159 --> 00:04:10,919 Speaker 5: You see you don't be afraid. 61 00:04:10,919 --> 00:04:13,080 Speaker 15: If you got the rock, I have. 62 00:04:13,240 --> 00:04:17,759 Speaker 5: To break out that god, break out that break out that. 63 00:04:19,399 --> 00:04:23,040 Speaker 15: It's a d bock out the sard that's about saying 64 00:04:23,120 --> 00:04:25,040 as a hand. 65 00:04:27,319 --> 00:04:28,040 Speaker 13: Bringing out the. 66 00:04:29,839 --> 00:04:30,560 Speaker 10: Pack on the. 67 00:04:30,839 --> 00:04:37,759 Speaker 15: Dup saying it's a haircut cot the cot your son, break. 68 00:04:37,600 --> 00:04:40,600 Speaker 10: Out the army outside him. 69 00:04:42,079 --> 00:04:47,000 Speaker 13: Stiff him him heads, if him heads, it's kind of 70 00:04:47,199 --> 00:04:48,959 a manly Here we go the. 71 00:05:20,560 --> 00:05:23,839 Speaker 5: It's a hip hop comedy song. But don't your mom 72 00:05:23,959 --> 00:05:28,279 saying he lou. It's a hip hop comedy comedy song. 73 00:05:31,839 --> 00:05:40,480 Speaker 14: Tod you once to twice one where I feel. Here's mydrise, 74 00:05:40,519 --> 00:05:41,040 a mother. 75 00:05:46,199 --> 00:05:48,240 Speaker 5: And comedy song. 76 00:05:52,879 --> 00:05:55,720 Speaker 3: All right, the King's Speech and hip hop comedy song. 77 00:05:56,199 --> 00:05:57,800 The next part of our story here in the bread 78 00:05:57,879 --> 00:06:03,000 Man a bread time story. Yes, so why why is uh? 79 00:06:03,600 --> 00:06:06,959 Does the king just really like a humorous hip hop. 80 00:06:06,959 --> 00:06:10,560 Speaker 6: Or I love the kind of change we've done, very 81 00:06:10,720 --> 00:06:15,959 slow melodic stuff on this hip hop comedy song was 82 00:06:16,040 --> 00:06:18,399 a song that was not originally made for this. 83 00:06:18,800 --> 00:06:19,319 Speaker 2: Oh and. 84 00:06:20,839 --> 00:06:22,519 Speaker 6: We find a great spot for it where it kind 85 00:06:22,519 --> 00:06:24,879 of changes the whole now where hip hop and where 86 00:06:25,399 --> 00:06:27,360 it kind of goes away from the Victorian thing. 87 00:06:27,480 --> 00:06:30,360 Speaker 2: It's okay, this was this is happening at the. 88 00:06:30,399 --> 00:06:33,639 Speaker 6: Reception, yes, yes, and now we're we're dancing, we're singing, 89 00:06:33,680 --> 00:06:34,439 we're having fun. 90 00:06:34,720 --> 00:06:37,720 Speaker 2: Okay, little hip hop comedy song going on. 91 00:06:37,959 --> 00:06:40,639 Speaker 3: All right, but not everyone is having fun. Well, it 92 00:06:40,800 --> 00:06:44,399 depends in theory. And yes, very insightful, sir, Thank you 93 00:06:44,720 --> 00:06:46,839 insight thank you, thank you. 94 00:06:47,120 --> 00:06:47,279 Speaker 8: Well. 95 00:06:47,399 --> 00:06:50,319 Speaker 3: Next, so we have more plastic in the ocean than fish. 96 00:06:50,519 --> 00:06:54,399 One ain't what it seems. I'm very curious where this 97 00:06:54,680 --> 00:06:57,360 part of the story is going. Here we go. 98 00:07:01,360 --> 00:07:02,319 Speaker 4: The wedding is over. 99 00:07:03,079 --> 00:07:06,040 Speaker 7: Weeks have passed since the bread Man has last seen 100 00:07:06,120 --> 00:07:11,160 the princess. The princess takes a huge risk and visits 101 00:07:11,199 --> 00:07:16,360 the bread Man late one evening. Draped in peasants' clothing, 102 00:07:16,680 --> 00:07:25,040 she knocks at the bakery door. The bread man slowly 103 00:07:25,480 --> 00:07:34,000 opens the door. He's a mixed bag of emotions, sad, angry, befuddled, 104 00:07:34,560 --> 00:07:36,240 and elated all at once. 105 00:07:39,680 --> 00:07:44,040 Speaker 4: He beckons her to the back room. He quietly murmurs, 106 00:07:46,000 --> 00:07:47,199 how could you marry him? 107 00:07:49,360 --> 00:07:53,199 Speaker 7: At first, she's apologetic, but soon they begin to argue 108 00:07:53,279 --> 00:07:57,079 about everything and how it all went down, how she 109 00:07:57,199 --> 00:08:01,720 had no choice in the matter. The bread man, he disagrees, 110 00:08:02,480 --> 00:08:05,600 and the princess is no longer sure that it was 111 00:08:05,680 --> 00:08:13,360 a good idea to visit the bread man. Well, the 112 00:08:13,439 --> 00:08:17,759 bread man and the princess, they begin to argue. They 113 00:08:17,839 --> 00:08:21,360 tell each other how they feel, and things get pretty heated. 114 00:08:25,240 --> 00:08:28,199 Speaker 1: All the pieces they don't fit. Maybe we just need 115 00:08:28,279 --> 00:08:28,639 to quit. 116 00:08:29,000 --> 00:08:31,600 Speaker 16: Sometimes I don't give it ish what you think I 117 00:08:31,800 --> 00:08:34,639 love should be. Things ain't always what they seem. You 118 00:08:34,840 --> 00:08:37,360 see blue and I see green. When you laugh, it 119 00:08:37,559 --> 00:08:38,360 makes me scream. 120 00:08:38,559 --> 00:08:43,759 Speaker 12: You just keep chasing those dreams, You just keep chasing 121 00:08:44,039 --> 00:08:44,840 those dreams. 122 00:09:01,720 --> 00:09:03,480 Speaker 1: I can't recall what you said. 123 00:09:03,559 --> 00:09:05,320 Speaker 13: I wish we could just stay in bed. 124 00:09:05,679 --> 00:09:09,159 Speaker 16: Sometimes that's just regret all the things that you have done. 125 00:09:09,480 --> 00:09:12,200 Things ain't always what they see. You see blue and 126 00:09:12,320 --> 00:09:15,080 I see green When you're laugh It makes me scream. 127 00:09:15,159 --> 00:09:16,399 Speaker 1: And you just keep. 128 00:09:16,320 --> 00:09:17,759 Speaker 13: Chasing those dreams. 129 00:09:18,799 --> 00:09:22,120 Speaker 4: Yeah, you just keep chasing those dreams. 130 00:09:24,519 --> 00:09:56,240 Speaker 1: And don't care if you stay or go. 131 00:09:56,720 --> 00:09:59,600 Speaker 16: You put on a real good show. Sometimes you just 132 00:09:59,720 --> 00:10:02,879 don't know what it is that you need. Things ain't 133 00:10:02,879 --> 00:10:05,960 always what they see. You see blue and I see green. 134 00:10:06,240 --> 00:10:07,960 When you laugh, it makes me scream. 135 00:10:08,159 --> 00:10:10,840 Speaker 1: Don't make no sense to me. Your vision of what 136 00:10:11,000 --> 00:10:13,480 we should be. Why can't you just let me be? 137 00:10:13,919 --> 00:10:15,879 Speaker 5: Why can't you just let me be? 138 00:10:17,799 --> 00:10:22,799 Speaker 16: Why can't you just said, oh, why can you just 139 00:10:23,039 --> 00:10:23,720 let me be? 140 00:10:28,320 --> 00:10:30,679 Speaker 3: So things that not go as planned for the uh no, no, 141 00:10:30,799 --> 00:10:32,440 no process and no, no no. 142 00:10:34,039 --> 00:10:34,720 Speaker 8: I do have a question. 143 00:10:34,799 --> 00:10:35,159 Speaker 2: Why is it? 144 00:10:35,240 --> 00:10:37,240 Speaker 3: Why is it called more plastic in the ocean than fish? 145 00:10:41,159 --> 00:10:43,840 Speaker 2: I did not name that song. Oh, okay, I think 146 00:10:43,879 --> 00:10:44,360 it's cool. 147 00:10:44,759 --> 00:10:45,480 Speaker 15: It is it is. 148 00:10:45,679 --> 00:10:47,840 Speaker 6: That's a very good question. I questioned that myself. When 149 00:10:47,879 --> 00:10:51,399 I see it, I believe one of my fabulous people 150 00:10:51,480 --> 00:10:53,639 that I worked with, I think either doctor h or 151 00:10:53,759 --> 00:10:54,840 Ryan f. 152 00:10:55,320 --> 00:10:55,519 Speaker 8: Yeah. 153 00:10:56,360 --> 00:11:01,120 Speaker 6: And I have learned when you work with other creative people, 154 00:11:02,279 --> 00:11:10,320 you need to be understanding of their thoughts. There and okay, yeah, 155 00:11:10,840 --> 00:11:12,799 there's a lot of backstory to any project. 156 00:11:12,919 --> 00:11:13,399 Speaker 2: This one had. 157 00:11:13,679 --> 00:11:18,360 Speaker 6: This project had many backstories as far as getting along 158 00:11:18,440 --> 00:11:22,799 with people, getting on of musicians getting along, understanding other 159 00:11:22,960 --> 00:11:26,159 musicians and creative people. And again, I just want to 160 00:11:26,200 --> 00:11:29,799 say again thank you for all the musicians that are on. 161 00:11:29,960 --> 00:11:33,000 Here's the pedal steel that was just on there. 162 00:11:33,080 --> 00:11:36,720 Speaker 2: Oh yeah that was great. It's just guys, thank thank 163 00:11:36,759 --> 00:11:40,440 you again for for the musicians that were on here. 164 00:11:40,960 --> 00:11:43,879 Speaker 3: We love doing this. Does does Brad cause creative tension? 165 00:11:44,240 --> 00:11:44,519 Speaker 8: You think? 166 00:11:46,000 --> 00:11:48,000 Speaker 2: Yes, it could be a twist. 167 00:11:48,360 --> 00:11:50,600 Speaker 17: It's the yeast, aren't you paying attention? 168 00:11:50,879 --> 00:11:51,120 Speaker 4: Yeast? 169 00:11:53,279 --> 00:11:54,000 Speaker 2: It's the yeast. 170 00:11:55,519 --> 00:11:57,960 Speaker 3: Well, our next, our next song in the story? Here 171 00:11:58,559 --> 00:12:02,639 is uh more plastic in the ocean than fish too? 172 00:12:03,200 --> 00:12:03,639 Speaker 8: The plan? 173 00:12:04,159 --> 00:12:07,279 Speaker 2: Okay, so now now they're gonna make it. Okay, well, 174 00:12:07,799 --> 00:12:08,320 let's con take it. 175 00:12:08,519 --> 00:12:11,080 Speaker 3: I feel like there's a twist coming. Very good, All right, 176 00:12:11,200 --> 00:12:13,080 very good, let's see a braided issue. 177 00:12:15,080 --> 00:12:19,399 Speaker 7: The princess hastily leaves the bakery and heads back to 178 00:12:19,519 --> 00:12:24,559 the castle. A month passes by, Both the bread man 179 00:12:25,440 --> 00:12:30,519 and the princess agonize over their last meeting, each trying 180 00:12:30,559 --> 00:12:37,159 to rationalize their position. Suddenly, simultaneously, the princess and the castle, 181 00:12:37,840 --> 00:12:40,360 the bread man and the bakery come up with a 182 00:12:40,440 --> 00:12:44,840 plan to overcome the obstacles and to finally be together 183 00:12:44,960 --> 00:12:48,639 at last. First they'll need to get rid of the prince, 184 00:12:49,639 --> 00:12:55,639 but that still leaves the egg lady. Then, under the 185 00:12:56,080 --> 00:12:59,600 cover of night, the Princess sneaks off to the bakery 186 00:13:00,159 --> 00:13:04,519 to share her plan with the bread man. The bread 187 00:13:04,600 --> 00:13:07,639 man is ecstatic to see the princess, and he can't 188 00:13:07,679 --> 00:13:10,639 wait to share his plan with her. As soon as 189 00:13:10,720 --> 00:13:15,919 they see each other, they warmly embrace and begin excitedly 190 00:13:16,159 --> 00:13:19,759 to share the same exact plan. 191 00:13:35,879 --> 00:13:42,639 Speaker 13: Why don't we just buzz the prince our second? 192 00:13:43,120 --> 00:13:43,759 Speaker 18: Same thing? 193 00:13:44,720 --> 00:13:52,240 Speaker 13: Walk can of dreams come around? 194 00:13:57,879 --> 00:14:07,919 Speaker 15: Plan to comments and wills go round and plans. It's 195 00:14:08,000 --> 00:14:11,320 all the poorson. 196 00:14:13,600 --> 00:14:29,080 Speaker 13: And and of gold. 197 00:14:29,159 --> 00:14:32,840 Speaker 4: The lady, she knows the truth. 198 00:14:33,960 --> 00:14:35,320 Speaker 1: Do you know what to do? 199 00:14:36,279 --> 00:14:44,720 Speaker 13: If you want to dreams to come true? Will go round? 200 00:14:45,440 --> 00:14:51,919 And the game is son, son, all up? Plant you coming? 201 00:14:54,679 --> 00:14:58,639 Will sc round? And a plan is. 202 00:15:11,519 --> 00:15:13,159 Speaker 3: My goodness, I knew it. 203 00:15:13,600 --> 00:15:14,480 Speaker 4: I knew it. 204 00:15:14,879 --> 00:15:15,639 Speaker 13: It was the east. 205 00:15:16,279 --> 00:15:24,159 Speaker 2: Well will they succeed? Mm hmm, good question, good question. 206 00:15:25,080 --> 00:15:28,200 Speaker 3: I didn't expect it, uh, I didn't expect bread bacon 207 00:15:28,279 --> 00:15:31,600 to lead to murder. My goodness, I know quide a twist. 208 00:15:31,639 --> 00:15:33,799 Speaker 2: All right, I believe it is this the last song 209 00:15:33,919 --> 00:15:34,759 and scene one? 210 00:15:35,879 --> 00:15:36,240 Speaker 13: What is what? 211 00:15:36,519 --> 00:15:36,919 Speaker 19: What is this? 212 00:15:37,200 --> 00:15:37,879 Speaker 2: Silver Fox? 213 00:15:38,039 --> 00:15:38,720 Speaker 3: The silver Fox? 214 00:15:38,759 --> 00:15:44,480 Speaker 6: Okay, so this ends Scene one? Okay, fabulous journey into Bread. 215 00:15:44,759 --> 00:15:47,720 Yes again, thank you all the musicians that did this. 216 00:15:47,919 --> 00:15:51,360 Speaker 2: Thank you. I can't thank you guys enough. Yes, I 217 00:15:51,440 --> 00:15:52,759 hope you're all enjoying this listening. 218 00:15:52,919 --> 00:15:56,679 Speaker 17: Thank you question in regards to that the music itself. 219 00:15:56,799 --> 00:15:59,200 Did all of the artists work with you to develop 220 00:16:00,159 --> 00:16:02,279 music or was this something that you wrote and then 221 00:16:02,360 --> 00:16:03,159 taught them to play? 222 00:16:04,000 --> 00:16:04,279 Speaker 3: Both? 223 00:16:04,799 --> 00:16:05,600 Speaker 2: Okay both. 224 00:16:06,720 --> 00:16:10,799 Speaker 6: Some of this was done even without me, even was 225 00:16:10,919 --> 00:16:15,639 drawn from different projects. There's something called the family album 226 00:16:16,519 --> 00:16:20,559 that doctor h or doctor Houghton has and he's the 227 00:16:20,679 --> 00:16:24,039 type A of of type the band Type A, which 228 00:16:24,159 --> 00:16:26,639 is kind of the moniker of this. It's the bread 229 00:16:26,679 --> 00:16:31,240 Man of bread story type A because Larry Holton type 230 00:16:31,279 --> 00:16:34,159 A took this, ran with it and did all these 231 00:16:34,240 --> 00:16:37,240 amazing overdubs and put the whole thing together. 232 00:16:38,039 --> 00:16:41,159 Speaker 2: And yeah, so I forgot what the original question was, 233 00:16:41,360 --> 00:16:46,320 but you answered, thank you. So uh And here is 234 00:16:46,519 --> 00:16:50,879 the climax of scene one. 235 00:16:51,200 --> 00:16:57,399 Speaker 7: All right, weeks go by and no one's getting their 236 00:16:57,440 --> 00:17:03,320 eggs everyone's wondering where's the ugly. Finally someone goes to 237 00:17:03,399 --> 00:17:06,119 the sheriff. The silver fox. 238 00:17:08,200 --> 00:17:15,119 Speaker 12: It comes the silver fox, Silver Fox, the Rutson Night, 239 00:17:17,000 --> 00:17:18,319 silver Fox. 240 00:17:20,079 --> 00:17:22,079 Speaker 4: The sheriff decides in best Gate. 241 00:17:22,559 --> 00:17:25,400 Speaker 7: He gets his hounds and he begins to search the 242 00:17:25,519 --> 00:17:29,880 outskirts of town. He searches night and day. It's getting 243 00:17:30,000 --> 00:17:34,440 dark and the fox pouring in. The silver fox continues 244 00:17:34,480 --> 00:17:38,400 to hunt the ugly. The silver fox now by lantern. 245 00:17:39,480 --> 00:17:41,279 Speaker 13: He's on the hunts night. 246 00:17:57,400 --> 00:18:00,559 Speaker 5: Silver fox. He's on the tonight. 247 00:18:01,200 --> 00:18:14,640 Speaker 9: It comes the silver fox. It comes a silver fox. 248 00:18:16,160 --> 00:18:22,079 It comes a silver fox. It comes a silver fox. 249 00:18:23,559 --> 00:18:26,039 It comes a silver fox. 250 00:18:42,119 --> 00:18:45,119 Speaker 13: Pelobox is all the rod tonight. 251 00:18:45,839 --> 00:18:48,039 Speaker 5: It cons a silver box. 252 00:18:49,359 --> 00:18:50,200 Speaker 13: Selo fox. 253 00:18:51,000 --> 00:18:52,319 Speaker 5: He's on the tonight. 254 00:18:53,039 --> 00:18:53,920 Speaker 13: It comes. 255 00:18:56,640 --> 00:19:06,599 Speaker 15: Slow loved christs As. 256 00:19:07,599 --> 00:19:27,480 Speaker 13: He comes a silver fox. It comes a silba fox. 257 00:19:29,359 --> 00:19:30,119 It comes a. 258 00:19:30,200 --> 00:19:31,240 Speaker 5: Silver fog. 259 00:19:32,920 --> 00:19:40,079 Speaker 13: And comes silb fox. It comes a silver fox. He's 260 00:19:40,160 --> 00:19:47,880 coming a kitchen. He's coming a kitchen. He's coming to kitchen. 261 00:19:54,079 --> 00:20:00,160 Mo away, hends go away, the chickens. 262 00:20:01,880 --> 00:20:30,920 Speaker 7: Watch the soap focks finds his way to the swamp 263 00:20:31,319 --> 00:20:32,720 from the outskirts of town. 264 00:20:33,440 --> 00:20:38,279 Speaker 4: The fog rolling in pitch, black dogs. 265 00:20:38,799 --> 00:20:46,480 Speaker 7: Barking, barking, barking. Finally holds his lamp up and he 266 00:20:46,559 --> 00:20:48,680 looks down on the shore of the water. 267 00:20:50,000 --> 00:20:55,440 Speaker 4: Astonished when he sees the egg lady dead, their mouths 268 00:20:55,640 --> 00:20:56,759 stuffed with bread. 269 00:21:03,480 --> 00:21:04,960 Speaker 3: So that is the end of scene one. 270 00:21:05,039 --> 00:21:08,160 Speaker 6: Seeing one is done. The egg Lady has been murdered. 271 00:21:08,400 --> 00:21:12,119 Oh my goodness, and there we go. Let's be ready 272 00:21:12,200 --> 00:21:15,640 to jump right into scene too. Let's go right into 273 00:21:15,839 --> 00:21:21,160 scene two. Okay, we're starting with a seaweed instrumental poison yeast. 274 00:21:21,319 --> 00:21:22,839 Speaker 2: Okay, oh my goodness. 275 00:21:22,880 --> 00:21:25,440 Speaker 3: All right, let's see, joy, let's see where we go. 276 00:21:25,559 --> 00:21:39,119 Speaker 7: In scene two, the Princess and the bread Man sneak 277 00:21:39,240 --> 00:21:45,039 off to the beach to discuss their plan further. Though 278 00:21:45,079 --> 00:21:49,240 the plan has many, many parts, it has become abundantly 279 00:21:49,359 --> 00:21:51,880 clear that with the egg Lady out of the picture, 280 00:21:52,759 --> 00:21:57,799 it's going to be all about the poison yeast. After 281 00:21:57,920 --> 00:22:02,759 a long discussion and walk on the beach, finally feeling 282 00:22:03,039 --> 00:22:06,960 like things are going to be the way they've always hoped, 283 00:22:07,960 --> 00:22:10,440 it's time for the bread man to head back to 284 00:22:10,519 --> 00:22:15,200 the bakery and begin preparing the bread for the castle 285 00:22:16,039 --> 00:22:22,160 for the prince. The plan is quick to rise now 286 00:22:22,240 --> 00:22:25,400 that the poison yeast is fully prepared and active. 287 00:22:26,880 --> 00:22:29,039 Speaker 4: Beware the poison yeast. 288 00:23:27,200 --> 00:23:29,160 Speaker 2: Beware of the poison. 289 00:23:32,079 --> 00:23:36,240 Speaker 3: Well, now we know what poison yeast sounds like. And 290 00:23:36,359 --> 00:23:38,119 then let's see you the next part of our story. 291 00:23:38,200 --> 00:23:40,240 King up in the castle, bad bread. 292 00:23:44,119 --> 00:23:47,920 Speaker 7: As the princess rises from the baker's bed, they begin 293 00:23:48,119 --> 00:23:52,079 to make the poison bread. Add the flour, add the sugar, 294 00:23:52,279 --> 00:23:53,960 don't forget the poison yeast. 295 00:23:54,599 --> 00:23:56,960 Speaker 4: Soon the prince will be dead. 296 00:24:00,440 --> 00:24:11,400 Speaker 18: Good too, specially just for you, special just for you. 297 00:24:13,680 --> 00:24:18,039 Came up, been knock as princess to win. 298 00:24:19,519 --> 00:24:26,119 Speaker 1: Yeah, I got so spash. Oh I got so fash. 299 00:24:42,839 --> 00:24:49,680 Speaker 18: Thou wo shug good water up to special needs. 300 00:24:49,960 --> 00:24:55,680 Speaker 13: Just for you, Yes, special needs, just for you. 301 00:24:56,599 --> 00:25:01,920 Speaker 4: The bread man's plan begins to rise. Soon the prince 302 00:25:02,400 --> 00:25:02,920 will die. 303 00:25:36,599 --> 00:25:43,079 Speaker 11: The bread is coming, The bred miss comment, the prid 304 00:25:43,319 --> 00:25:50,839 miss coming. He's coming for you, The breds coming. The 305 00:25:51,160 --> 00:25:54,680 bread mass comment, the bread. 306 00:25:54,559 --> 00:25:57,799 Speaker 13: Miss coming, He's coming for you. 307 00:26:00,039 --> 00:26:06,319 Speaker 20: But away that sugar, but away the yeast, away the 308 00:26:06,599 --> 00:26:09,880 flower because you know it's not gonna kill the beast. 309 00:26:09,960 --> 00:26:15,680 Speaker 11: Because the bread coming, the bs coming. 310 00:26:16,359 --> 00:26:19,599 Speaker 4: Then he's. 311 00:26:22,000 --> 00:26:26,000 Speaker 13: He's coming, follow you, He's coming. 312 00:26:32,240 --> 00:26:35,319 Speaker 3: Well, that song is kind of taking a different taking 313 00:26:35,359 --> 00:26:38,720 on a different meaning in the scene too. Now when 314 00:26:38,720 --> 00:26:40,279 he's you know, he's coming for you, He's coming to 315 00:26:40,319 --> 00:26:43,079 kill you, I guess, right, well, that's uh how you 316 00:26:43,440 --> 00:26:47,720 interpret That's that's how I take that, all right. The 317 00:26:47,799 --> 00:26:49,720 next part of our story is saying do. 318 00:26:50,759 --> 00:26:53,519 Speaker 7: Over time, the poison yeast begins to take its toll 319 00:26:53,640 --> 00:26:57,279 on all those who consume the royal bread. The poison 320 00:26:57,400 --> 00:27:00,880 quickly overtakes the Prince of yeast Land, and due to 321 00:27:01,000 --> 00:27:05,079 his bread gluttony and he expires like stale, outdated bread. 322 00:27:05,759 --> 00:27:09,720 The servants find him on the floor, stiff as a 323 00:27:09,799 --> 00:27:15,400 weak old bagette. The King himself too feels the effects 324 00:27:15,440 --> 00:27:19,640 of the poison yeast. However, due to his slight gluten allergies, 325 00:27:20,119 --> 00:27:25,200 he consumes bread only on special occasions, though over time 326 00:27:25,359 --> 00:27:29,559 he becomes frail. A funeral is held for the Prince, 327 00:27:30,880 --> 00:27:34,079 and the princess and the baker the bread man start 328 00:27:34,160 --> 00:27:35,960 sneaking off together more often. 329 00:27:36,799 --> 00:27:38,279 Speaker 4: Rumors are abound. 330 00:27:41,799 --> 00:27:44,960 Speaker 7: The princess and the bread man begin to spend a 331 00:27:45,000 --> 00:27:47,400 lot of time with each other, and they don't really 332 00:27:47,480 --> 00:27:50,039 care what other people think. At this point, the prince 333 00:27:50,160 --> 00:27:53,440 is dead and it's their time to be together. 334 00:27:54,400 --> 00:27:57,359 Speaker 20: It doesn't really. 335 00:27:58,319 --> 00:28:06,440 Speaker 13: Man, mhm, what this say bout me and you? 336 00:28:09,119 --> 00:28:12,359 Speaker 20: He doesn't really mad. 337 00:28:15,920 --> 00:28:25,279 Speaker 13: Even if it's all true, we can have just this 338 00:28:25,759 --> 00:28:31,720 mom man together, she. 339 00:28:38,599 --> 00:28:39,000 Speaker 1: Says. 340 00:28:43,559 --> 00:29:00,279 Speaker 13: Differ says, you get s when the milk good all 341 00:29:00,599 --> 00:29:12,480 each other. That we coulda had been people say down 342 00:29:13,160 --> 00:29:15,559 long together. 343 00:29:17,400 --> 00:29:18,200 Speaker 1: That we can. 344 00:29:19,960 --> 00:29:21,519 Speaker 20: All the albums. 345 00:29:26,920 --> 00:29:28,000 Speaker 13: Look out. 346 00:29:30,599 --> 00:29:41,160 Speaker 1: Together together, said. 347 00:29:43,359 --> 00:29:47,640 Speaker 13: Said, said. 348 00:29:50,519 --> 00:29:51,480 Speaker 21: Said to. 349 00:29:54,119 --> 00:30:36,079 Speaker 7: Save said, Well, things are really looking up for the 350 00:30:36,200 --> 00:30:39,119 princess and the bread Man. It turns out that the 351 00:30:39,160 --> 00:30:42,319 bread Man's father has died and left a fortune of 352 00:30:42,440 --> 00:30:45,759 yeast to the bread Man's Where and how his father 353 00:30:45,920 --> 00:30:50,279 accumulated his vast scores of yeast his only rumor at 354 00:30:50,319 --> 00:30:53,119 this point, but it is believed that when the bread 355 00:30:53,200 --> 00:30:57,240 Man was young, he sold off the baker boy's mother 356 00:30:58,200 --> 00:31:02,240 and gained a fortune in yeast. Granted, this is only 357 00:31:02,359 --> 00:31:08,680 speculation regardless. In return for the Princess's hand in marriage, 358 00:31:09,319 --> 00:31:13,000 the bread Man offers the frail king a promise to 359 00:31:13,079 --> 00:31:17,039 supply all of wheatland with his yeast import and export 360 00:31:17,119 --> 00:31:21,400 monopoly on the worldwide bread market. Of course, with recent 361 00:31:21,680 --> 00:31:25,480 death of the prince, the king has no choice but 362 00:31:25,680 --> 00:31:28,799 to accept, as he no longer has access to yeas 363 00:31:28,880 --> 00:31:30,880 from the prince's family in Yeastland. 364 00:31:31,599 --> 00:31:34,720 Speaker 4: The King agrees to let them get married. 365 00:31:42,599 --> 00:31:48,519 Speaker 7: The princess and the bread man get married, it seems 366 00:31:48,559 --> 00:31:54,240 as though both of their dreams finally come true, and 367 00:31:54,359 --> 00:31:56,319 the bread man is in the castle. 368 00:32:10,799 --> 00:32:12,680 Speaker 2: Smelled the flow. 369 00:32:18,160 --> 00:32:19,319 Speaker 7: And that grind. 370 00:32:24,480 --> 00:32:32,960 Speaker 13: I feel save brething, and that's why. 371 00:32:38,000 --> 00:32:46,119 Speaker 1: We take and so have. 372 00:32:51,599 --> 00:32:55,640 Speaker 13: I feel sad freeing. 373 00:32:58,680 --> 00:33:00,480 Speaker 1: The question why. 374 00:33:05,160 --> 00:33:06,519 Speaker 13: Does no. 375 00:33:12,400 --> 00:33:13,799 Speaker 21: If you try. 376 00:33:18,720 --> 00:33:20,000 Speaker 1: Wone make you. 377 00:33:32,240 --> 00:33:32,960 Speaker 21: Tell me not? 378 00:33:33,480 --> 00:33:40,119 Speaker 13: Then tell how. 379 00:34:39,960 --> 00:34:41,519 Speaker 18: Smell the fu. 380 00:34:47,280 --> 00:34:48,440 Speaker 21: And I die? 381 00:34:53,639 --> 00:34:56,880 Speaker 11: I fall free things. 382 00:35:08,559 --> 00:35:11,639 Speaker 7: After the wedding celebration, the princess and the bread man 383 00:35:12,840 --> 00:35:16,280 ride in a carriage down the cobblestone streets of the 384 00:35:16,639 --> 00:35:18,519 Wheatland village. 385 00:35:19,280 --> 00:35:21,320 Speaker 4: And when they pass through the village. 386 00:35:21,800 --> 00:35:27,239 Speaker 7: The villagers half heartedly celebrate, but they think they seem jealous. 387 00:35:28,119 --> 00:35:31,440 Speaker 4: They seem to think that the princess thinks. 388 00:35:31,199 --> 00:35:34,000 Speaker 7: A little too highly over so, and that the bread man, 389 00:35:34,800 --> 00:35:39,800 coming from the bakery on the streets, maybe he's a 390 00:35:39,840 --> 00:35:43,360 little too uh, he's risen a little too high for them, 391 00:35:44,119 --> 00:35:46,960 and so they start to sink. 392 00:35:47,159 --> 00:35:47,239 Speaker 1: You. 393 00:35:50,360 --> 00:36:03,000 Speaker 22: Work your purpose perfect, you by your perfect You're not 394 00:36:03,400 --> 00:36:10,199 that purpose a purpose, You're not that purpose perfect. You're 395 00:36:10,320 --> 00:36:13,800 not that perfect, So perfect. 396 00:36:16,599 --> 00:36:22,559 Speaker 13: Perfect. I'm not so perfect perfect. I'm just so perfect. 397 00:36:23,079 --> 00:36:30,719 Who perfect? I'm just so perfect perfect. I'm just so perfect. 398 00:36:38,480 --> 00:36:48,840 Get me, can it be? Give it me? Yeah, give 399 00:36:48,920 --> 00:36:49,920 me eye. 400 00:36:52,320 --> 00:36:58,440 Speaker 22: I'm perfect. It's just so perfect perfect. You're not that perfect. 401 00:37:02,760 --> 00:37:15,360 Speaker 19: So I'm like, cause met me walking down the street. 402 00:37:15,679 --> 00:37:22,079 Don't well looking your perfect? You see me walking down 403 00:37:22,159 --> 00:37:22,519 the street. 404 00:37:22,559 --> 00:37:29,519 Speaker 22: You never not wed me at Purdon connect your daughter? No, 405 00:37:29,880 --> 00:37:33,840 perfectly so perfectly, not so perfect? 406 00:38:15,559 --> 00:38:22,880 Speaker 4: H not so perfect? 407 00:38:25,280 --> 00:38:25,760 Speaker 2: All right? 408 00:38:25,920 --> 00:38:28,360 Speaker 3: If you are just joining us, this is the bread 409 00:38:28,440 --> 00:38:31,239 Man a bread Time Story or is it the bread 410 00:38:31,320 --> 00:38:32,320 Man or just bread Man? 411 00:38:32,480 --> 00:38:34,199 Speaker 2: The Breadman a bread Time Story? 412 00:38:34,519 --> 00:38:34,679 Speaker 8: Yes? 413 00:38:35,039 --> 00:38:37,639 Speaker 6: Again, thank you all the musicians and everybody digging this 414 00:38:37,679 --> 00:38:38,360 who had a part of it. 415 00:38:38,519 --> 00:38:40,519 Speaker 2: Let's go. Let's go man click click. 416 00:38:40,760 --> 00:38:42,599 Speaker 3: Yeah, we're gonna We're not gonna be able to get 417 00:38:42,599 --> 00:38:45,280 the whole thing in I'm looking at the time and 418 00:38:45,519 --> 00:38:48,000 I'm not good at math, but I know we cannot 419 00:38:48,000 --> 00:38:49,480 get the whole thing, and we will, we will play 420 00:38:49,480 --> 00:38:51,320 a little bit more. But I want to make sure, 421 00:38:51,400 --> 00:38:53,239 especially for people who are just joining us, who don't 422 00:38:53,280 --> 00:38:56,000 know that you know, you can get the whole thing. 423 00:38:56,039 --> 00:38:57,760 Where should people go to listen to the. 424 00:38:57,960 --> 00:39:02,880 Speaker 6: Entire it's on YouTube spot by all our any digital platform. 425 00:39:02,960 --> 00:39:04,199 Speaker 2: It's up to you for you to enjoy. 426 00:39:04,400 --> 00:39:07,400 Speaker 3: Yes, the entire rock opera in its entirety. And what 427 00:39:07,559 --> 00:39:09,360 is happening at this point in the story that we 428 00:39:09,519 --> 00:39:11,440 just heard that that song perfect. 429 00:39:12,239 --> 00:39:14,880 Speaker 6: There's a lot going on. I think we just click 430 00:39:14,960 --> 00:39:17,119 a click ahead the narration will take us home. 431 00:39:17,280 --> 00:39:20,039 Speaker 3: Okay, all right, So this next song is called the 432 00:39:20,119 --> 00:39:22,920 next part of the story is called coming Home. So 433 00:39:23,079 --> 00:39:23,559 let's see. 434 00:39:25,320 --> 00:39:28,480 Speaker 7: The princess and the bread man are so enamored with 435 00:39:28,599 --> 00:39:32,320 each other that they don't even notice that the townspeople 436 00:39:32,360 --> 00:39:34,199 are singing or what they're singing. 437 00:39:35,039 --> 00:39:36,679 Speaker 4: They only have eyes for each other. 438 00:39:37,480 --> 00:39:40,400 Speaker 7: When they finally arrive back at the castle, the bread 439 00:39:40,519 --> 00:39:42,199 man expresses his love for the. 440 00:39:42,239 --> 00:40:04,119 Speaker 13: Princess in song, Oh come home. 441 00:40:07,760 --> 00:40:07,960 Speaker 1: To you. 442 00:40:28,320 --> 00:40:38,119 Speaker 13: You don't live me, you all won't you all love me? 443 00:40:41,119 --> 00:40:50,960 You're all God side God, you come home to. 444 00:40:53,880 --> 00:40:55,360 Speaker 1: And I got you. 445 00:40:58,519 --> 00:40:59,599 Speaker 13: Come home to. 446 00:41:36,800 --> 00:41:46,800 Speaker 23: Stay elder song, it's your sweet face. 447 00:41:49,199 --> 00:41:55,119 Speaker 13: Then I opened the door because I got you. 448 00:41:58,360 --> 00:41:59,039 Speaker 1: Come home. 449 00:42:02,440 --> 00:42:03,760 Speaker 13: Yeah, God. 450 00:42:07,000 --> 00:42:07,239 Speaker 1: Come. 451 00:42:29,280 --> 00:42:32,800 Speaker 7: Not long after, the princess and the bread man are married, 452 00:42:33,760 --> 00:42:37,920 living up in the castle, the frail king, who still 453 00:42:38,000 --> 00:42:43,400 occasionally eats his Bread the boys, and Bread finally dies 454 00:42:45,000 --> 00:42:49,880 and at the funeral there's a lot of sadness from 455 00:42:49,920 --> 00:42:56,000 the villagers. Everyone's a little bit concerned that the princess 456 00:42:56,280 --> 00:43:01,079 and the bread man will be taking over, and they're 457 00:43:01,159 --> 00:43:08,199 really quite concerned. Nevertheless, they hold this beautiful funeral procession 458 00:43:08,440 --> 00:43:11,559 for the king, and off in the distance you can 459 00:43:11,639 --> 00:43:13,519 hear the sounds of Ancient River. 460 00:43:15,480 --> 00:43:18,519 Speaker 3: I have to just comment that that's a beautiful song. 461 00:43:18,599 --> 00:43:20,480 I mean, that's one of the standout moments, and you know, 462 00:43:20,639 --> 00:43:22,840 just in terms of the artistry in the in the 463 00:43:23,039 --> 00:43:24,760 entire thing, that's that's really nice. 464 00:43:25,079 --> 00:43:27,039 Speaker 2: Again, again, thank you for all the musicians. Now we're 465 00:43:27,079 --> 00:43:29,000 on this kind of gave me a. 466 00:43:29,079 --> 00:43:31,920 Speaker 3: Chill, absolutely, really incredible. We do have a little bit 467 00:43:31,920 --> 00:43:34,480 of time left. Let's go to because he does the 468 00:43:34,599 --> 00:43:37,360 narrator does mention it? And did Ryan do the narration? 469 00:43:38,199 --> 00:43:38,239 Speaker 16: No? 470 00:43:38,800 --> 00:43:42,920 Speaker 6: Doctor doctor oh doctor h doctor ah, very good, very 471 00:43:42,960 --> 00:43:45,199 good behind this whole thing. 472 00:43:45,320 --> 00:43:46,280 Speaker 2: The producer. 473 00:43:46,639 --> 00:43:49,960 Speaker 3: Yeah, but let's go man, all right, so this is uh, 474 00:43:50,039 --> 00:43:52,159 we'll go ahead and meet because again the narrator mentions us, 475 00:43:52,440 --> 00:43:55,199 this is ancient river. The next part of our story. 476 00:44:31,840 --> 00:44:44,800 Speaker 20: Nature film. We have a sake and you are taken 477 00:44:44,960 --> 00:45:23,119 you Fran spat hours often New Nature film perfectly Blae 478 00:45:24,400 --> 00:45:59,760 Mester do you mean notcy Nature from Mo trick By. 479 00:46:01,440 --> 00:46:09,239 Speaker 13: Got youa sall? 480 00:46:10,480 --> 00:46:11,039 Speaker 18: Just do. 481 00:46:36,599 --> 00:46:37,119 Speaker 1: Be a. 482 00:46:38,599 --> 00:46:49,840 Speaker 13: Won for the first we had the land. 483 00:46:58,400 --> 00:46:58,800 Speaker 5: Ask me. 484 00:46:59,280 --> 00:47:47,119 Speaker 2: So that's cool. 485 00:47:47,159 --> 00:47:50,159 Speaker 3: I like that a lot too. That's really good. Ancient 486 00:47:50,280 --> 00:47:53,960 River from The bread Man A bread Time Story. Ricky 487 00:47:54,039 --> 00:47:57,239 Mapleton is here with us. We are approaching the top 488 00:47:57,320 --> 00:47:59,719 of the hour. So again, if people want to know, 489 00:47:59,760 --> 00:48:01,639 because I'm really curious to know what happens next. Now 490 00:48:01,679 --> 00:48:03,800 we're not gonna have time to share the rest of it, 491 00:48:03,880 --> 00:48:05,960 but people should go online and check it out. Yes, 492 00:48:06,960 --> 00:48:08,679 remind people again where they can find it. 493 00:48:08,840 --> 00:48:11,719 Speaker 6: You can find The bread Man a bread Time Story. 494 00:48:12,079 --> 00:48:15,320 Go to Ricky Mapleton or just go The bread Man 495 00:48:15,360 --> 00:48:19,079 a bread Time Story on YouTube, Spotify, any digital platform. 496 00:48:19,159 --> 00:48:19,800 Speaker 2: It's out there. 497 00:48:20,079 --> 00:48:20,239 Speaker 8: Yes. 498 00:48:20,559 --> 00:48:23,599 Speaker 2: Oh, how many more tracks are left in this fabulous story? 499 00:48:23,760 --> 00:48:24,320 Speaker 3: A bunch? 500 00:48:25,599 --> 00:48:26,519 Speaker 2: Can we do another one? 501 00:48:26,920 --> 00:48:27,039 Speaker 5: Oh? 502 00:48:27,199 --> 00:48:29,239 Speaker 3: We're gonna do another one to close out. Yeah, we 503 00:48:29,320 --> 00:48:33,320 got one, two, three, four, five, six seven. So there's 504 00:48:33,320 --> 00:48:35,639 still a bunch of story to go. So if you 505 00:48:35,719 --> 00:48:37,239 want to hear how it ends, you got to go 506 00:48:37,320 --> 00:48:39,880 online and check it out. And I encourage people to 507 00:48:39,960 --> 00:48:42,199 do that really really good stuff. 508 00:48:43,119 --> 00:48:44,840 Speaker 2: What are you taking away from this right now? Do 509 00:48:44,920 --> 00:48:45,920 you what's your Well? 510 00:48:46,159 --> 00:48:47,960 Speaker 3: I'm curious how it all ends up because you know, 511 00:48:48,239 --> 00:48:52,800 the main the heroes here quote unquote anti heroes, I suppose, yes, 512 00:48:53,079 --> 00:48:57,039 are protagonists because they are murderers. They've poisoned people, and 513 00:48:57,119 --> 00:48:58,760 they you know, and they've done it for love. It's 514 00:48:58,800 --> 00:49:01,960 a crime of passion. But they have poisoned people. Yes, 515 00:49:02,239 --> 00:49:10,079 so they are morally uh compromised severely. Beautifully said, thank you, Yeah, 516 00:49:10,079 --> 00:49:13,280 Beautifully said, yes, I mean you can sympathize with them, but. 517 00:49:14,039 --> 00:49:16,599 Speaker 2: It's some more twist and turns coming down the pipe. 518 00:49:16,880 --> 00:49:17,800 Speaker 3: Very good, very good. 519 00:49:17,840 --> 00:49:20,119 Speaker 6: I always said it's a million times. But thank you 520 00:49:20,280 --> 00:49:23,960 Matt for having us on, all the musicians. You know, 521 00:49:24,199 --> 00:49:28,000 be creative. I want to thank family, my wife. 522 00:49:28,639 --> 00:49:31,039 Speaker 2: Just be creative. People, get out there, be creative. Can 523 00:49:31,119 --> 00:49:32,480 we we do another one? 524 00:49:32,599 --> 00:49:32,760 Speaker 8: Yeah? 525 00:49:32,840 --> 00:49:34,519 Speaker 3: Yeah, we're gonna. We're gonna do one more in a moment, 526 00:49:34,599 --> 00:49:37,239 but actually, well maybe a couple more. What I'm gonna 527 00:49:37,239 --> 00:49:38,920 do is I'm gonna to end the show. I'm just 528 00:49:38,960 --> 00:49:41,440 gonna see what we can cram in. But because we 529 00:49:41,519 --> 00:49:44,239 want to make both again, I definitely encourage everyone go 530 00:49:44,440 --> 00:49:46,159 check out the story online and that's really the best 531 00:49:46,199 --> 00:49:48,559 way to support your work anyway. Sure is just to 532 00:49:48,679 --> 00:49:50,519 you know, through plays Spotify plays and. 533 00:49:50,519 --> 00:49:54,119 Speaker 2: So you know, making money off of this not really my. 534 00:49:55,639 --> 00:49:57,639 Speaker 6: Goal, I know, you know, I just want to I 535 00:49:57,719 --> 00:50:01,119 think this is is this project distance spot hopefully inspires. 536 00:50:01,519 --> 00:50:04,159 Speaker 3: Yeah, love me, love love and you got to get 537 00:50:04,199 --> 00:50:08,679 in that algorithm. Yeah right, So we will do that 538 00:50:08,960 --> 00:50:11,679 in just a moment. But I do want to quickly 539 00:50:11,719 --> 00:50:14,320 thank everyone who participated in today's show today and of 540 00:50:14,360 --> 00:50:16,559 course hush Money who was with us in the first hour. 541 00:50:16,920 --> 00:50:19,000 If you missed anything that we did today, you can 542 00:50:19,079 --> 00:50:22,360 go to Matt Connorton dot com and of course Wmnhradio 543 00:50:22,480 --> 00:50:24,960 dot org to get the show. You can learn more 544 00:50:25,000 --> 00:50:28,079 about me at Matt Connorton dot com. Jenny amazing, Thank you, 545 00:50:28,199 --> 00:50:29,960 Thank you. Want to mention your website, Jenny. 546 00:50:30,320 --> 00:50:32,599 Speaker 17: Absolutely, you can check out all the good trouble I 547 00:50:32,719 --> 00:50:34,639 get into at Jencoffy dot com. 548 00:50:35,119 --> 00:50:37,199 Speaker 3: J E n n c o f f e Y 549 00:50:37,360 --> 00:50:39,679 dot com. And there is a new video from this 550 00:50:39,840 --> 00:50:40,320 week and. 551 00:50:40,360 --> 00:50:42,800 Speaker 6: The things if you guys do first society as a 552 00:50:42,840 --> 00:50:46,320 whole getting artist on here, what you do as far 553 00:50:46,400 --> 00:50:48,719 as working with all your projects. 554 00:50:49,239 --> 00:50:52,679 Speaker 3: That's what life's about, right, absolutely well, thank you, thank you, 555 00:50:52,840 --> 00:50:54,039 and humans for humanity. 556 00:50:54,679 --> 00:50:56,079 Speaker 2: Hum, that's right, that's right. 557 00:50:56,239 --> 00:51:00,400 Speaker 6: My phone number is six oh three seven eight five, 558 00:51:01,280 --> 00:51:06,039 two five nine. Call me today, say you dug it? Okay, 559 00:51:06,199 --> 00:51:09,239 all right, and I hope everybody can maybe finish it 560 00:51:09,320 --> 00:51:12,519 up on the snowy day. Maybe yeah, finished listening to it, 561 00:51:12,599 --> 00:51:14,920 but let's let's let's do another one. 562 00:51:14,960 --> 00:51:18,440 Speaker 3: Absolutely absolutely so we will. Let's see this next one 563 00:51:18,599 --> 00:51:21,400 is a drunk and disillusion What about me? I have 564 00:51:21,480 --> 00:51:23,239 a feeling another dark turn is coming. 565 00:51:23,760 --> 00:51:24,320 Speaker 2: Indeed it is. 566 00:51:25,000 --> 00:51:27,280 Speaker 3: We'll see check this out and thanks everybody. 567 00:51:28,400 --> 00:51:32,800 Speaker 7: With the death of the king, the princess becomes the queen. 568 00:51:33,719 --> 00:51:39,000 She's in charge, and everyone seems to be respecting the queen, 569 00:51:40,039 --> 00:51:43,559 and really the bread man is in the back of 570 00:51:43,639 --> 00:51:48,079 the scenes. Nobody's really paying attention to bread Man. He's 571 00:51:48,119 --> 00:51:52,440 getting a little frustrated that even the queen is not 572 00:51:52,840 --> 00:51:57,920 taking his advice. He's become jealous and he's losing affection 573 00:51:58,159 --> 00:52:38,159 for the queen. The bread Man stares into the mirror. 574 00:52:39,599 --> 00:52:45,360 He looks at himself, perplexed, wondering why the queen is 575 00:52:45,440 --> 00:52:48,360 getting so much attention and none for him. 576 00:52:50,159 --> 00:53:03,320 Speaker 13: Will beautiful? Every one gainsie. I know, well, what about me? 577 00:53:04,760 --> 00:53:06,079 What about me? 578 00:53:06,760 --> 00:53:10,119 Speaker 10: What about me? About me? 579 00:53:10,800 --> 00:53:12,079 Speaker 20: What about me? 580 00:53:12,840 --> 00:53:14,079 Speaker 10: What about me? 581 00:53:14,840 --> 00:53:16,199 Speaker 13: What about me? 582 00:53:17,440 --> 00:53:19,320 Speaker 20: What about me? 583 00:53:37,000 --> 00:53:40,199 Speaker 2: I know you all beautible? 584 00:53:41,400 --> 00:53:43,920 Speaker 18: Everyone can see. 585 00:53:45,559 --> 00:53:48,320 Speaker 5: Yo all beautiful? 586 00:53:49,519 --> 00:53:51,360 Speaker 21: What about me? 587 00:53:52,880 --> 00:53:54,159 Speaker 13: What about me? 588 00:53:54,840 --> 00:53:56,199 Speaker 24: What about me? 589 00:53:56,880 --> 00:53:58,199 Speaker 13: What about me? 590 00:53:58,920 --> 00:54:00,239 Speaker 1: What about me? 591 00:54:00,920 --> 00:54:06,360 Speaker 13: What bounding on boucy for a bous. 592 00:54:07,480 --> 00:54:10,280 Speaker 18: Bound bouncy? 593 00:54:10,960 --> 00:54:12,239 Speaker 13: What bounding? 594 00:54:12,960 --> 00:54:19,800 Speaker 15: What bound abounding fou. 595 00:54:23,679 --> 00:54:23,880 Speaker 24: Mean? 596 00:54:32,039 --> 00:54:36,159 Speaker 7: The bread Man's mental health continues to decline. 597 00:54:37,960 --> 00:54:41,960 Speaker 4: He doesn't know what to do, and thoughts are taking over. 598 00:54:43,159 --> 00:54:46,519 Speaker 11: You can controul. 599 00:54:50,280 --> 00:54:53,280 Speaker 21: No never long term. 600 00:55:04,119 --> 00:55:06,800 Speaker 10: That makes mine that. 601 00:55:11,480 --> 00:55:18,880 Speaker 1: It's a man even. 602 00:55:20,719 --> 00:55:23,119 Speaker 10: Rise for raw. 603 00:55:26,039 --> 00:55:26,480 Speaker 1: For me. 604 00:55:33,199 --> 00:55:33,880 Speaker 9: To word. 605 00:55:36,760 --> 00:55:50,719 Speaker 21: You know, it is old, verynoy, thinking strange. 606 00:55:51,039 --> 00:55:57,880 Speaker 1: So the wind blow to. 607 00:56:41,840 --> 00:56:57,679 Speaker 24: An under. 608 00:57:06,320 --> 00:57:14,480 Speaker 21: So thinking strange. 609 00:57:19,840 --> 00:57:20,119 Speaker 13: Word. 610 00:57:29,039 --> 00:57:32,719 Speaker 7: As the bread Man's jealousy of the Queen consumes him, 611 00:57:33,280 --> 00:57:36,000 he decides that it's time to break bread with the 612 00:57:36,119 --> 00:57:40,239 Queen to discuss his role in the kingdom.