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<v Speaker 1>Hello, I'm welcoined stories all the time. Glad you are here.

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<v Speaker 1>Let's get into it. I have always trusted the bones

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<v Speaker 1>of a building. After thirty years as a school librarian,

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<v Speaker 1>I can read a four planed away. Some people re

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<v Speaker 1>Pum's tipps of the fingers trace In the past, students

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<v Speaker 1>might wander I skipping alertly for corners that attracts, build

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<v Speaker 1>juice or secret notes. So in retirement, volunteering at the

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<v Speaker 1>city's grand library, I expected, at the very least the

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<v Speaker 1>security of knowing that bookshelves do not walk away when

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<v Speaker 1>you turn your back. The Bryan Public Library was built

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<v Speaker 1>on confidence, columns of a colored marble, broad windows flashing

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<v Speaker 1>afternoon sun, and a floor plan unchanged, so I believed

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<v Speaker 1>since before I was born. So when on a soffer

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<v Speaker 1>bright Wednesday, I was sent to shelve stack of reference books,

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<v Speaker 1>marshou skuffed familiar trail Fictions is closest to the atrium.

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<v Speaker 1>Young adults spoils along the mezzanine loft, and the local

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<v Speaker 1>history section has always always fanked the south windows, overlooking

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<v Speaker 1>statues of city founders with frowning bronze brows. The faces

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<v Speaker 1>in those statues are indistinct, but the shelving never was.

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<v Speaker 1>That day, arriving at my station with my annotated slip,

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<v Speaker 1>I found myself instead facing gardening and horticulture, rose and

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<v Speaker 1>rows of tissue, thin books and late spring colors, each

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<v Speaker 1>stamped with green sycamore leaves. I stole in the aisle

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<v Speaker 1>as watering a little from the slant a sun that

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<v Speaker 1>always hit local history, just saw the shelf labels orderly,

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<v Speaker 1>as always declared gardening, horticulture, then in psychology in a tight,

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<v Speaker 1>careful hand, Margaret's handwriting surely. Yet two days ago I

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<v Speaker 1>had directed a man in a pork pahatube. Strange crimes,

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<v Speaker 1>urban myths of bryaned exactly here the Detective had been

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<v Speaker 1>shelved in this spot since the eighties. For a moment,

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<v Speaker 1>I squinted at the dust on the eyes shelf. No

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<v Speaker 1>sign of disturbance, no smudges of faint rectangles betraying a

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<v Speaker 1>recent transition, No wagons of books of stray moving carts,

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<v Speaker 1>no tags enance in temporary closure, no hint of the

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<v Speaker 1>temporary chaos that follows a shift of the scale. And

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<v Speaker 1>yet all the world ran me behaved as if nothing

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<v Speaker 1>had changed. A regular patron with a pencil. Thin musta

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<v Speaker 1>sat cross like it in the sunlight, thumbing fuil E

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<v Speaker 1>rohoded Endrons, and Margaret at the desk left into her phone.

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<v Speaker 1>Deep in the mirrow of my muscles. I was certain

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<v Speaker 1>this was not right. Just then a spotted ben, the

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<v Speaker 1>new trainee peering through the book, returned slot. He waved,

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<v Speaker 1>stacked tevering in his arms. A mess, howard mind helping

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<v Speaker 1>me sort these go in local history? Well, what we

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<v Speaker 1>have a bit left? He nodded in the direction of

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<v Speaker 1>the marble stairwell and airy generally reserved for Atlas's and

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<v Speaker 1>city planning reports. When I hesitated a little too long,

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<v Speaker 1>bend blink, then beamed right this way, always tuck beside

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<v Speaker 1>the banisters. I had two old times chase me done

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<v Speaker 1>because I tried putting biographies in with local history. They

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<v Speaker 1>briet if we ever moved it away from the staircase.

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<v Speaker 1>He chuckled, inviting me to join the joke. I told myself,

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<v Speaker 1>perhaps I'd made an error, After all, buildings are larger

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<v Speaker 1>than one person's memory. Still, I followed him, hot hammering

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<v Speaker 1>toward the banister's cat crescent of light over Smithstone. Sure enough,

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<v Speaker 1>the local history shelves were away beside the stairs the

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<v Speaker 1>familiar row Bryan eighteen seventy two, nineteen hundred business directory

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<v Speaker 1>a local legends in that same label style, But the

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<v Speaker 1>volumes were settled dustless, just as in this opposed original home.

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<v Speaker 1>Just then it shuffled. By squinting through his glasses, he

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<v Speaker 1>gave a crooked grin, waving a copy of Public Works

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<v Speaker 1>nineteen seventy two. He moved as if nothing were odd.

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<v Speaker 1>On the opposite side of the counter, a woman stooped

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<v Speaker 1>to retrieve a ghost, so brine passed her actions common habitual.

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<v Speaker 1>No one betrayed any surprise. Perhaps, I thought, perhaps they

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<v Speaker 1>simply reorganized this morning and failed to mention it. Though

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<v Speaker 1>the more I watched Margaret pulling circulation numbers bid micheleve

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<v Speaker 1>in a city directory at Hammingtonsley, the more impossible that

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<v Speaker 1>explanation seemed. I found myself soaking the shelves twice before

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<v Speaker 1>retreating to the staff break room. There, the shadows hung

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<v Speaker 1>thickly dull, settling among them smatched muggs, as if even

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<v Speaker 1>the air refused to move. The world around me denied

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<v Speaker 1>anything had happened, And yet my uncertainty took group. I'm

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<v Speaker 1>not unaccustomed to doubts. The mind grow as fallible as

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<v Speaker 1>the eostretch. Still, even now, I can walk the rud

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<v Speaker 1>of every fire drill we ever held in my old

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<v Speaker 1>elementary school downstairs will be past the Jim's trophy case

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<v Speaker 1>out of the kerbapple tree. Those patterns do not drift.

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<v Speaker 1>Buildings I thought are trustworthy. But that night I lay

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<v Speaker 1>awake cataloging every placement every March sunlight slant, convinced there

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<v Speaker 1>had been an unacknowledged, is subtle shift not only in

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<v Speaker 1>the world, but in how the world insisted it existed.

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<v Speaker 1>The mystery burrowed in quietly. Why had nobody else questioned it?

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<v Speaker 1>Why if local history had always been by the stairs,

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<v Speaker 1>did I recall retrieving a guide to Brian Pausus by

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<v Speaker 1>the garden windows only last month. The next afternoon, I

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<v Speaker 1>arrived early for my volunteer shift, determined to ground myself

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<v Speaker 1>in routine. Bryant Library, for all its reputation, grand, as

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<v Speaker 1>heavy as a cathedral, ran on rituals both formal and informal,

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<v Speaker 1>market presided at the front desk, encamped behind a round

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<v Speaker 1>part of a virgune, notices and dribbling looks of horrible tea.

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<v Speaker 1>We greeted each other by name a habit, Margaret any

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<v Speaker 1>ghost to day. It was a jerk between us aching

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<v Speaker 1>decades of staff or about friendly spirits. Whispering along the hrack.

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<v Speaker 1>Margaret grinned, her thick glasses sliding down her nose. The

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<v Speaker 1>closest I've come to a haunting is that the coffee's

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<v Speaker 1>gone again. Don't let benyar the break room unless you

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<v Speaker 1>want Camma Mile in your mug. The exchange, which was

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<v Speaker 1>as grounding as the clatter of the front doors, the

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<v Speaker 1>scent of lemb and polish rising faintly from the stone floors. These,

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<v Speaker 1>I reminded myself, do not change. There are routines, and

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<v Speaker 1>there are the rituals with which we orient ourselves. The

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<v Speaker 1>orientation of desks, the placement of book cuts, the familiar

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<v Speaker 1>weight of the story I read A love sprung from

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<v Speaker 1>the bottom shelf. My own works followed suit I catalog.

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<v Speaker 1>Not just books, but the ways in which the world

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<v Speaker 1>was ordered were pens vanished each week, which shed developed

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<v Speaker 1>the permanent wobble in my margin filled planner sketches dart

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<v Speaker 1>at the page's little rectangles marking restrooms, notes, about whichetlets

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<v Speaker 1>powered which lamps, not out of suspicion, only the old

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<v Speaker 1>impulse for order that made the children at my school

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<v Speaker 1>call me a mess maps, even my recipes at home

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<v Speaker 1>lived in a Grudachell's, living alone in my facale condo.

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<v Speaker 1>The library was now my best map of the city. Then,

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<v Speaker 1>for his part, barely survived his first weeks. He was

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<v Speaker 1>gangly strawberries and cream, polite, stumbling over ge decimals, but

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<v Speaker 1>he was hungry for approval, and his delight in every

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<v Speaker 1>cartful of books grew infectious. He hovered near Margaret, hungry

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<v Speaker 1>for structure, his badge always slightly askew. Ed, meanwhile, was

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<v Speaker 1>the library as an acknowledged resident. He'd entered the building

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<v Speaker 1>every single day, excluding the brief pandemic closure and too

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<v Speaker 1>irregular blizzards, since Ed first encountered him during a city

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<v Speaker 1>history night in nineteen seventy two. Ed remembered the codes

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<v Speaker 1>to the old microfilm cabinets and never forgot a magazine's column.

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<v Speaker 1>Other regulars, missas Robinson, who pestered circulation with questions about

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<v Speaker 1>forgotten poetry books. Sam behind the engineering descoal, gave the

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<v Speaker 1>place its character specimens in a living dirama. Then there

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<v Speaker 1>was the building itself. Bryant wasn't one of those glossy

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<v Speaker 1>minimum modern libraries with glass walls and echoing auditoriums. The

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<v Speaker 1>marble was patched with generations of different tile, windows grew

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<v Speaker 1>in and out of use, and the children's wing had

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<v Speaker 1>once been by some bizarre plant an open air terrace.

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<v Speaker 1>Stories flitted among staff of od drafts near the fictionalcove,

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<v Speaker 1>or the ghosts of a vanished basement lavatory. None of

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<v Speaker 1>these tales were told with gravity. We laughed them away,

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<v Speaker 1>comforting one another with union jokes and familiar routines. Yet

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<v Speaker 1>nothing in the building's mix of grandeur and patrick prepared

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<v Speaker 1>me for for the business of wandering shelves. I had

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<v Speaker 1>always been mor ch into small changes, a missing light bulb,

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<v Speaker 1>the familiar creek that meant some one had set foot

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<v Speaker 1>in the periodical aisle, the big things where reference lived,

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<v Speaker 1>where one searched for city planning maps were fixed, no

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<v Speaker 1>more likely to move than the sun. Every Thursday began

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<v Speaker 1>the same way, ten minute chat with Margaret, while swapping

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<v Speaker 1>notes on the state of the building. She quis bent

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<v Speaker 1>about shelf reading, directed head toward new rivals, commented rly

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<v Speaker 1>on the crop rotation in the garden and stacks. Each

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<v Speaker 1>time I added a tiny schematic to my planner, a

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<v Speaker 1>test of memory. In fact, the first time I drew

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<v Speaker 1>in the local history shells beside the windows, and the

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<v Speaker 1>next day so I eyed my old diagram as I

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<v Speaker 1>watched it glide effortlessly to spot near the stairwell. My

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<v Speaker 1>finger traced in visible lines on the page, wondering whether

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<v Speaker 1>I ought to redraw or trist in something less tangible.

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<v Speaker 1>A few days later, I swung by in a misty drizzle,

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<v Speaker 1>clutching a plastic bag of donated books from my neighbor.

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<v Speaker 1>The air smell sharply of wet tarmac and battled cardboard.

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<v Speaker 1>Stepping in, I stomped water from my shoes, delighting in

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<v Speaker 1>the steadiness of the tiled entrance and the hush of

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<v Speaker 1>old stone beneath. The plan was to deposit the bag

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<v Speaker 1>at the volunteer services desk, and, if energy permitted, skip

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<v Speaker 1>upstairs for the new mural and veiling. A scene builders

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<v Speaker 1>now and then fryened in color. When I passed the

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<v Speaker 1>reference area, I instinctively angled toward the mezzanine, seeking out

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<v Speaker 1>the old periodicals room row on row of chairs, sturdy

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<v Speaker 1>grey tables under winking pendent lance. That was where I

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<v Speaker 1>had for years etched microfilm for impatient genealogists. To day

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<v Speaker 1>periodicals was missing. In its place, there stood the local

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<v Speaker 1>history section, sun painting long rectangles over the book spines,

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<v Speaker 1>the south facing windows bill gold. There was no evidence

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<v Speaker 1>the swap had been staged. Nothing out of place, but

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<v Speaker 1>everything out of time. It rang so false in my mind.

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<v Speaker 1>At I placed a hand to the shelf, checking its stability,

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<v Speaker 1>half expecting the particleble to slip through my fingers, but

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<v Speaker 1>the labels were unchanged. Bryan, nineteen o two, nineteen twenty seven.

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<v Speaker 1>A directory tragedy at the Bridge is societal Oddities. Even

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<v Speaker 1>the shelf height seemed identical to what I'd recalled, but

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<v Speaker 1>the conviction grew firmer within me. Something was off, and

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<v Speaker 1>the building had changed the skin over night, as if

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<v Speaker 1>on cue. Margat called out taking off the day's inventory.

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<v Speaker 1>You know, I always liked sorting fupioardticles down here, She

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<v Speaker 1>gestured toward the sunlit stretch, Nothing like reading the society

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<v Speaker 1>pages with the light just so. Her voice was casual

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<v Speaker 1>and trouble, as if the arrangement had been carved into

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<v Speaker 1>the stone since her first day. She rifled through a

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<v Speaker 1>pile of catalogs and perturbed, and passed me a slip

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<v Speaker 1>for approval. Meanwhile, I pressed my palm to the floor

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<v Speaker 1>near the third bay. There, barely visible beneath the toe

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<v Speaker 1>of my sneaker, the tile had a faint, worn in print,

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<v Speaker 1>rounded capital letter spelling a hissed inefadd inly, now half

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<v Speaker 1>lost under years of polish. The letter T curved slightly

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<v Speaker 1>up like a tail, a design I recognized from when

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<v Speaker 1>the city replaced part of the towerwalk in the late nineties,

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<v Speaker 1>the time I argued with the facility's manager about matching

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<v Speaker 1>stone collars. Their hiss tile for local history had rooted

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<v Speaker 1>there for decades. Near By, Missess Robinson glared at the

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<v Speaker 1>morning light, fanning herself with a folded catalog. The magazine

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<v Speaker 1>to were better when the light came from the east windows.

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<v Speaker 1>She muttered under her breath, voiced heart with irritation. He

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<v Speaker 1>used to set upstairs, read my white whitman by the lattice.

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<v Speaker 1>Everywhere has moved these days. Then as I opened my mouth,

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<v Speaker 1>she waved the thought away, Well, I must be misremembered

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<v Speaker 1>and can't keep track now? Can I? The world around me?

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<v Speaker 1>I saw reflective little confusion. Margaret quoted coll numbers with confidence.

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<v Speaker 1>Ben Dart had passed reading off the day's statistics, oblivious

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<v Speaker 1>to the impossibilities unfolding beneath the sunlit windows. Only the

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<v Speaker 1>floor acknowledged what Mammory insisted, a ghostly trace of her history,

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<v Speaker 1>refusing to yield to the new order. Later, moving down

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<v Speaker 1>the hall, I noticed another oddity in all cat woll

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<v Speaker 1>outlet shape for a desktop computer, perfectly pleased miss the periodicals,

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<v Speaker 1>though the computer stations had been asked from the space.

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<v Speaker 1>In my first year of volunteering in the children's area,

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<v Speaker 1>a bookshelf scuffed the shape of an end, phantom evidence

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<v Speaker 1>that nonfiction had once lived here, before breeds of rabbits

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<v Speaker 1>conquered the shelves. I began to question softly, at first,

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<v Speaker 1>quietly so as not to draw a humiliation from the

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<v Speaker 1>younger code, whether the age was robbing me of certainty,

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<v Speaker 1>or whether the fabric of the library itself had begun

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<v Speaker 1>to shift. I returned to home that day with a

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<v Speaker 1>distinct taste of brass in the doll like of a

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<v Speaker 1>question unanswered. Still the itch grew. Was I slipping? Was

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<v Speaker 1>the world? Or was something ignored? Looking between? That night,

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<v Speaker 1>surrounded by the silence of my tiny kitchen, I opened

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<v Speaker 1>my planner and inked anew cus grid of the library

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<v Speaker 1>laout as I recalled at every shelf, every window, every nook.

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<v Speaker 1>I began to plan. If uncertainty was seeking me out,

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<v Speaker 1>I would meet it in the open, pen in hand,

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<v Speaker 1>ready to catch at shifting. By the next week, the

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<v Speaker 1>project had claimed me completely. Each afternoon I arrived on

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<v Speaker 1>with the clipworts, lynd journals stashed beneath the yellow scarf.

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<v Speaker 1>I became a quiet observer, slow walking the perimeter as

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<v Speaker 1>the staff and patrons lived and changed routines. Marget and'sconced

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<v Speaker 1>herself in gossip at the desk, while Ben spun between

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<v Speaker 1>carts and Kid's story time, the awkward rhythm of an

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00:11:33.519 --> 00:11:37.399
<v Speaker 1>enthusiastic novice. I started simply labeling each section by hand,

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00:11:37.559 --> 00:11:40.320
<v Speaker 1>jotting in the jury numbers specifying which alcoves held which

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00:11:40.360 --> 00:11:44.039
<v Speaker 1>poetry anthologies. On Wednesday, I found the atlases tucked near

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<v Speaker 1>children's non fiction, a pairing that tickled me. Children legs

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00:11:47.039 --> 00:11:49.519
<v Speaker 1>swinging forward over maps of cities reel and imagine as

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<v Speaker 1>if it were bedtime reading. The oversized tatalus is dwarfed,

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<v Speaker 1>the tiny desks bright with colored pencil shavings, and every

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00:11:55.799 --> 00:11:58.480
<v Speaker 1>time I looked, another map was folded into oergomi shapes

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00:11:58.519 --> 00:12:01.720
<v Speaker 1>and abandoned under a chair. I made a note Atlas's

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00:12:01.759 --> 00:12:05.279
<v Speaker 1>second floor east shared with children's non fiction, But on Friday,

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<v Speaker 1>after a day's absence, children's craft books had wormed their

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<v Speaker 1>way into a narrow basement alcove line with ghostly wallpipper,

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00:12:10.559 --> 00:12:12.399
<v Speaker 1>a cluster of shells I had never visited, though I

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00:12:12.399 --> 00:12:15.600
<v Speaker 1>could have sworn only reference works lived here. When Monday

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00:12:15.679 --> 00:12:17.799
<v Speaker 1>rolled round, I found the same craft books, tallied and

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00:12:17.879 --> 00:12:21.399
<v Speaker 1>up corridor beside the biography wall. Every glimpse backward, every

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<v Speaker 1>ever to pin down the layout left me further drift.

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00:12:24.159 --> 00:12:27.320
<v Speaker 1>The diagrams I drew became ornate, intricate crossings and corrections

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00:12:27.360 --> 00:12:30.799
<v Speaker 1>blooming wildly in the margins. Ruins shifted like living things,

254
00:12:30.840 --> 00:12:33.000
<v Speaker 1>returned to one's matt space, and you were greeted with

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00:12:33.159 --> 00:12:37.759
<v Speaker 1>entirely new contents. The shapes persisted, shells banisters, the occasional mural,

256
00:12:37.799 --> 00:12:40.639
<v Speaker 1>but the spirits of the rooms, the bookish inhabitants never

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00:12:40.679 --> 00:12:43.720
<v Speaker 1>sat still. On one shelf, I found a scuffed blue

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00:12:43.720 --> 00:12:46.960
<v Speaker 1>bookmark labeled Atlas three F halfway through the Language of Cows,

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00:12:47.000 --> 00:12:49.879
<v Speaker 1>that is, in the Animal Husbandry section, a lonely corner

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00:12:49.919 --> 00:12:52.840
<v Speaker 1>that had not neighbored atlases in living memory. Rubbing the

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<v Speaker 1>edge between my fingers, I wondered who had left this breadcrumb,

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00:12:55.759 --> 00:12:58.879
<v Speaker 1>or whether it had simply traveled without permission, as if conjured,

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00:12:58.960 --> 00:13:01.960
<v Speaker 1>been drifted into the isle searching for a missing circulation slip.

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<v Speaker 1>Having trouble finding things, ben I teased, watching him check

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00:13:06.440 --> 00:13:10.200
<v Speaker 1>each shelf twice, hegrin sheepish, this place is a trickster.

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00:13:10.360 --> 00:13:12.279
<v Speaker 1>I swear it a mess. Margat puts the shells in

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<v Speaker 1>a new place every morning, just to test me. Or

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00:13:14.159 --> 00:13:16.919
<v Speaker 1>it's the ghost or both. He smiles, but his brow

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00:13:17.000 --> 00:13:20.279
<v Speaker 1>furrowed lightly. Was it his usual confusion or something else.

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<v Speaker 1>Later that morning, Missess Robinson again appeared, casting her gaze

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<v Speaker 1>over empty shelves. No poetry, she said, flatly, hands on

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00:13:27.840 --> 00:13:31.440
<v Speaker 1>hips always in the southeastalko always, but to day not

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00:13:31.559 --> 00:13:34.159
<v Speaker 1>even an anthology. Oh well, must have slipped into the

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00:13:34.159 --> 00:13:37.080
<v Speaker 1>new system. She pulled a volume of foulkhor instead and

275
00:13:37.159 --> 00:13:39.759
<v Speaker 1>complained to mix of irritation and acceptance, and gone set

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00:13:39.799 --> 00:13:42.279
<v Speaker 1>me with a rice smile. I suppose when you've lived

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00:13:42.279 --> 00:13:45.240
<v Speaker 1>long enough, even the building's start to get away from you. Then,

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00:13:45.440 --> 00:13:48.039
<v Speaker 1>as if it no longer mattered, she wandered toward reference

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00:13:48.039 --> 00:13:51.399
<v Speaker 1>with an old fashioned patience. There was one afternoon, blinking

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<v Speaker 1>fluorescent lamps overhead, when I found a door wedged at

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<v Speaker 1>the bottom of the main stair, Wileedora had never seen open,

282
00:13:56.759 --> 00:14:00.919
<v Speaker 1>painted above it in precise gouldscript Ifemmel events room. Peeking inside,

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00:14:00.960 --> 00:14:03.600
<v Speaker 1>I counted two dozen mismashed chairs in the circle boxes,

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00:14:03.600 --> 00:14:06.399
<v Speaker 1>and stocks of cataloged pamphlets rising in half hearted towers.

285
00:14:07.000 --> 00:14:09.919
<v Speaker 1>The pamphlets were a mixed breed theater programs, lost and

286
00:14:09.960 --> 00:14:13.240
<v Speaker 1>found slips. A city council flier advertising a snow emergency

287
00:14:13.279 --> 00:14:16.639
<v Speaker 1>from nineteen seventy four, pid you with delight. Afflecked through

288
00:14:16.679 --> 00:14:19.519
<v Speaker 1>the pile, noting the named penn and careful block letters.

289
00:14:20.000 --> 00:14:22.159
<v Speaker 1>I touched one into my pocket to youth Poetry slam

290
00:14:22.320 --> 00:14:24.639
<v Speaker 1>Nowhere USA to bring up with Margaret forgetting about it

291
00:14:24.720 --> 00:14:27.519
<v Speaker 1>until later that week. But when I attempted to return,

292
00:14:27.639 --> 00:14:29.879
<v Speaker 1>the door had vanished. Replaced with a dull wall and

293
00:14:29.919 --> 00:14:32.759
<v Speaker 1>a cart filled with discarded text books. At the next

294
00:14:32.759 --> 00:14:35.279
<v Speaker 1>morning staff check in, I tried my luck with Margaret,

295
00:14:35.360 --> 00:14:37.879
<v Speaker 1>careful to guard my pride, but tell me, has the

296
00:14:37.879 --> 00:14:41.120
<v Speaker 1>ephemeral events room always been by the stairwell? Margaret, frown

297
00:14:41.279 --> 00:14:44.440
<v Speaker 1>leafing through her clipbore, Oh, you mean the Harper room.

298
00:14:44.519 --> 00:14:46.960
<v Speaker 1>We've only ever had that for rental events, and that's

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00:14:47.000 --> 00:14:50.240
<v Speaker 1>off the main corridor. She caught my word gaze and winked.

300
00:14:50.960 --> 00:14:54.080
<v Speaker 1>E Former librarians always convinced the library should stay the same.

301
00:14:54.240 --> 00:14:56.679
<v Speaker 1>We like to keep our reader's lively, keep things moving

302
00:14:56.720 --> 00:14:59.559
<v Speaker 1>now and then, don't you behind her? Ben bad his

303
00:14:59.679 --> 00:15:03.320
<v Speaker 1>lip watching me on the sly determament. I dug into

304
00:15:03.320 --> 00:15:06.720
<v Speaker 1>the blue prints, descending into the chilly concrete archive. It

305
00:15:06.759 --> 00:15:09.000
<v Speaker 1>had always suthed, the stubborn anxiety to touch things written

306
00:15:09.000 --> 00:15:11.320
<v Speaker 1>in a confident hand of architects, the certainty of tape,

307
00:15:11.360 --> 00:15:14.360
<v Speaker 1>measure and square. Lifting the plan from its drawer, I

308
00:15:14.399 --> 00:15:17.440
<v Speaker 1>was greeted by the usual hodgepodge layers and layers of lines,

309
00:15:17.600 --> 00:15:20.320
<v Speaker 1>notes in red from every age, expansions and contractions, warring

310
00:15:20.360 --> 00:15:23.600
<v Speaker 1>an annotated pencil. But as I traced the halls. Corridor

311
00:15:23.639 --> 00:15:26.559
<v Speaker 1>by corridor, I saw none of the possible permutations of space.

312
00:15:26.600 --> 00:15:30.240
<v Speaker 1>I now observed Upstairs. Rooms were marked, but always occupying

313
00:15:30.240 --> 00:15:33.759
<v Speaker 1>contradictory impossible positions, sometimes the same section existing in two

314
00:15:33.759 --> 00:15:36.039
<v Speaker 1>wings at the her times the same room raised entirely

315
00:15:36.080 --> 00:15:39.320
<v Speaker 1>from the plan. Even entries and staircases trusted in ways

316
00:15:39.360 --> 00:15:42.399
<v Speaker 1>that a current building would not accommodate. I jotted numbers

317
00:15:42.399 --> 00:15:45.879
<v Speaker 1>in my margin, overlaying my day's observations atop these jeweling realities.

318
00:15:46.519 --> 00:15:48.559
<v Speaker 1>Returning to the main floor, I watched as Head dropped

319
00:15:48.600 --> 00:15:51.559
<v Speaker 1>his cane, stooping awkwardly to pick it up, looking for

320
00:15:51.639 --> 00:15:55.320
<v Speaker 1>the old microfiche again. Add I offered a hand, He

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00:15:55.399 --> 00:15:58.039
<v Speaker 1>pursed his lips. Move it again, swear on my dear

322
00:15:58.080 --> 00:16:00.679
<v Speaker 1>wife's grave every time the weather changes. The building tries

323
00:16:00.720 --> 00:16:03.840
<v Speaker 1>to help fox me. Then back to his business, he whistled,

324
00:16:04.399 --> 00:16:07.360
<v Speaker 1>But I'll find it always do. Twinkle in his eye

325
00:16:07.440 --> 00:16:10.159
<v Speaker 1>was not nostalgia nor irritation, but something subt loud or

326
00:16:10.159 --> 00:16:13.960
<v Speaker 1>practiced adjustment. At home, my plan a bristled with contradictions.

327
00:16:13.960 --> 00:16:16.440
<v Speaker 1>Flour plans erased and replaced, a chart of outlet shapes

328
00:16:16.440 --> 00:16:19.120
<v Speaker 1>that no longer matched any room. They occupied oddities like

329
00:16:19.159 --> 00:16:21.840
<v Speaker 1>bits of old TA spelling, cryptic abbreviations, a murror in

330
00:16:21.840 --> 00:16:24.879
<v Speaker 1>the brick room nowhere USA, now impossibly positioned behind a

331
00:16:24.919 --> 00:16:29.320
<v Speaker 1>newly built supply shelf. Each day, buildings conspired, shifting dimensions,

332
00:16:29.320 --> 00:16:32.960
<v Speaker 1>almost under my nose. If I hesitated, the evidence grew.

333
00:16:33.200 --> 00:16:35.759
<v Speaker 1>Wall seems whose history I could not track. An emergency

334
00:16:35.759 --> 00:16:38.679
<v Speaker 1>exit described by irregular, which I'd never found. The persistent

335
00:16:38.720 --> 00:16:40.919
<v Speaker 1>tale of the phantom lavatory told by stuff who'd never

336
00:16:40.960 --> 00:16:44.279
<v Speaker 1>once seen a toilet. Their living memory, the library's memory,

337
00:16:44.320 --> 00:16:46.720
<v Speaker 1>and the cities, and perhaps mine as well, seemed to

338
00:16:46.759 --> 00:16:49.039
<v Speaker 1>part company as a feature clung to a separate map.

339
00:16:49.480 --> 00:16:52.240
<v Speaker 1>When I pressed Margaret directly on the vanished Femeral events room,

340
00:16:52.440 --> 00:16:55.639
<v Speaker 1>she only blinked. We haven't had a room down there, except,

341
00:16:55.720 --> 00:16:58.440
<v Speaker 1>of course, when we hosted that Kraft Fair in the nineties.

342
00:16:58.519 --> 00:17:02.279
<v Speaker 1>Must be blending things, dear, She reset her glasses. We

343
00:17:02.360 --> 00:17:04.799
<v Speaker 1>all do as we get older. But the next day,

344
00:17:04.799 --> 00:17:07.680
<v Speaker 1>flipping through the returned donations, I found the youth poetry

345
00:17:07.680 --> 00:17:11.000
<v Speaker 1>pamphlet I pocketed, tucked, insiged, a book mark marked Atlas

346
00:17:11.000 --> 00:17:13.960
<v Speaker 1>to be The evidence grew not just in memory, but

347
00:17:14.000 --> 00:17:17.279
<v Speaker 1>in physical things. Either the building was ropturing beneath or

348
00:17:17.359 --> 00:17:20.000
<v Speaker 1>notice or memory itself was playing tricks beyond the counting.

349
00:17:20.559 --> 00:17:23.720
<v Speaker 1>I held my tongue, but no longer my curiosity. Now.

350
00:17:23.839 --> 00:17:25.880
<v Speaker 1>When I arrived for each shift, I set aside half

351
00:17:25.880 --> 00:17:28.960
<v Speaker 1>my time for obtivation. I wandered corridors with the deliberate

352
00:17:28.960 --> 00:17:31.279
<v Speaker 1>care of zoologists, to test in each hypothesis, with the

353
00:17:31.279 --> 00:17:33.960
<v Speaker 1>patience of many years in a quiet profession. I count

354
00:17:34.000 --> 00:17:36.880
<v Speaker 1>its steps, mark locations and colored pen traced over murals

355
00:17:36.880 --> 00:17:38.880
<v Speaker 1>and columns, and scratched telltale next into the edge of

356
00:17:38.880 --> 00:17:41.440
<v Speaker 1>one shelf, a code just for me, just in case.

357
00:17:42.160 --> 00:17:45.440
<v Speaker 1>Every evening, sometimes as a joke, sometimes for reassurance, I

358
00:17:45.480 --> 00:17:48.039
<v Speaker 1>found myself humming bits of the old school librarian's coat.

359
00:17:48.039 --> 00:17:50.920
<v Speaker 1>A place for everything, and everything in its place. But

360
00:17:51.000 --> 00:17:54.839
<v Speaker 1>here the places themselves refused to stay put. One rainy afternoon,

361
00:17:55.039 --> 00:17:57.960
<v Speaker 1>just as thunder rolled like applause outside the library's great doors,

362
00:17:58.119 --> 00:18:01.119
<v Speaker 1>I ran into bed at the drop slot. Raindrops peppered

363
00:18:01.119 --> 00:18:04.160
<v Speaker 1>his shoulders, and his tie was askew. He bounced three

364
00:18:04.160 --> 00:18:07.319
<v Speaker 1>boxes a clipboard under one arm. I watched as he

365
00:18:07.359 --> 00:18:10.839
<v Speaker 1>checked off return's lips. Moving silently, I carried my findings

366
00:18:10.880 --> 00:18:14.039
<v Speaker 1>bravely that day, Ben, do you ever find it's strange

367
00:18:14.039 --> 00:18:17.119
<v Speaker 1>how the building rearranges things? Ben didn't meet my eyes

368
00:18:17.160 --> 00:18:19.680
<v Speaker 1>at first. He fixed his gaze to the list, chewed

369
00:18:19.720 --> 00:18:22.039
<v Speaker 1>his lower lip, then glanced around to make sure Margaret

370
00:18:22.039 --> 00:18:24.599
<v Speaker 1>was out of ear. Shut he set the boxes down.

371
00:18:25.359 --> 00:18:27.839
<v Speaker 1>You are you notice it too? His voice was so

372
00:18:27.960 --> 00:18:31.440
<v Speaker 1>careful it might have meant nothing. Sometimes I'm absolutely convinced

373
00:18:31.440 --> 00:18:33.759
<v Speaker 1>I shalve something, even checked it twice, and then is

374
00:18:33.799 --> 00:18:36.759
<v Speaker 1>gone or just moved. The ghost of a smile flickered.

375
00:18:37.480 --> 00:18:39.480
<v Speaker 1>The other day, a left book in a social sciences

376
00:18:39.519 --> 00:18:42.000
<v Speaker 1>section came back an hour later, found it in Sports

377
00:18:42.000 --> 00:18:44.400
<v Speaker 1>and Leisure, like it had migrated by itself. Thought I

378
00:18:44.480 --> 00:18:47.839
<v Speaker 1>was losing my mind. I leaned in tension, draining into amusement.

379
00:18:48.559 --> 00:18:50.359
<v Speaker 1>So it's not just me with a shifty mental mat

380
00:18:50.440 --> 00:18:52.839
<v Speaker 1>What about the stacks? Do you ever see the layouts themselves,

381
00:18:53.119 --> 00:18:57.440
<v Speaker 1>not just the books moving? Ben exhaled sharply. God, Yes,

382
00:18:57.640 --> 00:19:00.200
<v Speaker 1>just last week I went looking for the periodicals. Thought

383
00:19:00.240 --> 00:19:01.799
<v Speaker 1>they were by the south windows because that light is

384
00:19:01.839 --> 00:19:04.039
<v Speaker 1>the best. Swere I remember Margaret saying something about it,

385
00:19:04.079 --> 00:19:06.000
<v Speaker 1>but found them next to the stairwill I choked it

386
00:19:06.039 --> 00:19:09.079
<v Speaker 1>up to first weak confusion. He glanced down at his shoes.

387
00:19:09.880 --> 00:19:13.039
<v Speaker 1>But now that you mention it, it we both laughed quietly.

388
00:19:13.079 --> 00:19:16.359
<v Speaker 1>Startled by relief, I asked, have you ever tried mapping

389
00:19:16.359 --> 00:19:18.319
<v Speaker 1>what you see? I've got sketches that don't match any

390
00:19:18.400 --> 00:19:22.079
<v Speaker 1>version I know. He grinned lighter. I tried once, but

391
00:19:22.119 --> 00:19:24.640
<v Speaker 1>mine ended up looking more like a subwaymap. Sometimes I

392
00:19:24.720 --> 00:19:27.119
<v Speaker 1>dream about the building changing itself. I wake up convinced

393
00:19:27.119 --> 00:19:29.960
<v Speaker 1>I've just wandered through another impossible hallway. So it was

394
00:19:30.000 --> 00:19:33.720
<v Speaker 1>an only superstition, nor memories tricks. Perhaps some people were

395
00:19:33.720 --> 00:19:36.319
<v Speaker 1>witnessed to the shifts, while most remained content with their

396
00:19:36.359 --> 00:19:39.839
<v Speaker 1>received history. That possibility freed something inside me, a kind

397
00:19:39.839 --> 00:19:42.119
<v Speaker 1>of kinship with Ben, and with Old Head, and even

398
00:19:42.160 --> 00:19:44.599
<v Speaker 1>with Missus Robinson, who'd stopped hunting for poultry on the

399
00:19:44.599 --> 00:19:48.000
<v Speaker 1>mezzanine every other day. Determined to pursue this fleeting shared

400
00:19:48.039 --> 00:19:51.400
<v Speaker 1>tension with reality, I next visited the archives. I half

401
00:19:51.400 --> 00:19:53.920
<v Speaker 1>expected to find the archive room itself missing, or perhaps

402
00:19:53.920 --> 00:19:57.640
<v Speaker 1>doubled or split between wings. Instead, it had shifted, in

403
00:19:57.680 --> 00:19:59.960
<v Speaker 1>the most literal sense, to a far corner i'd never entered,

404
00:20:00.079 --> 00:20:02.839
<v Speaker 1>worn cold and dry, scented with all glue and linseed oil.

405
00:20:03.440 --> 00:20:05.839
<v Speaker 1>There tucked in a battered file cabinet, I discovered a

406
00:20:05.839 --> 00:20:09.000
<v Speaker 1>folder stamped building mapped by year. Pulling out the contents,

407
00:20:09.039 --> 00:20:11.400
<v Speaker 1>I unfolded a decades worth of four plans, drawings and

408
00:20:11.400 --> 00:20:15.240
<v Speaker 1>spidery hands, updated for every city modernization. I studied them

409
00:20:15.240 --> 00:20:18.359
<v Speaker 1>the way chess player contemplates aboard every move, every configuration

410
00:20:18.759 --> 00:20:23.279
<v Speaker 1>map year by year. Yet nothing aligned. The stairwells rotated position,

411
00:20:23.359 --> 00:20:25.799
<v Speaker 1>the main entrance waved between west and south. Even the

412
00:20:25.839 --> 00:20:29.240
<v Speaker 1>window shapes and street facing arches reconfigured at random. By

413
00:20:29.359 --> 00:20:32.200
<v Speaker 1>nineteen eighty four, the diagrams described a second floor gallery

414
00:20:32.200 --> 00:20:34.759
<v Speaker 1>I had never glimpsed, with a spiral staircase that did

415
00:20:34.759 --> 00:20:38.319
<v Speaker 1>not exist. Even the blueprint scene to drift, refusing to settle.

416
00:20:38.920 --> 00:20:41.359
<v Speaker 1>There was an entrance labeled North vestibule that had been

417
00:20:41.359 --> 00:20:43.319
<v Speaker 1>breaked over before my time, and name that appeared here

418
00:20:43.359 --> 00:20:47.039
<v Speaker 1>and again vanish, sometimes replaced by South annex, sometimes with

419
00:20:47.119 --> 00:20:51.240
<v Speaker 1>simply an empty square. I documented every discrepancy, every fleeting entrance,

420
00:20:51.240 --> 00:20:54.559
<v Speaker 1>and impossible winder. What I discovered as I scribbled notes

421
00:20:54.599 --> 00:20:57.400
<v Speaker 1>faster and faster was not merely patchwork renovation, but a

422
00:20:57.440 --> 00:21:00.000
<v Speaker 1>kind of physical instability of protein geometry beneath the cue

423
00:21:01.119 --> 00:21:03.920
<v Speaker 1>as I compared notes and noted something. The sections most

424
00:21:03.920 --> 00:21:07.240
<v Speaker 1>commonly in use periodicals popular fiction surfaced in layouts not

425
00:21:07.279 --> 00:21:11.359
<v Speaker 1>only more frequently, but closer to central busy areas, neglected

426
00:21:11.400 --> 00:21:14.799
<v Speaker 1>one's medical reference. The technology uck of crew harder defined,

427
00:21:15.039 --> 00:21:18.200
<v Speaker 1>nearly vanishing. It was as though the building itself adjusted

428
00:21:18.200 --> 00:21:20.440
<v Speaker 1>for the weight of attention, drifting to serve the hands

429
00:21:20.440 --> 00:21:23.359
<v Speaker 1>and eyes that saw its treasures. Then when I shared

430
00:21:23.359 --> 00:21:27.160
<v Speaker 1>my near findings, was quietly thoughtful, he confided. Sometimes I

431
00:21:27.160 --> 00:21:29.119
<v Speaker 1>get dishovy on stairs, like I know I've walked this

432
00:21:29.200 --> 00:21:32.319
<v Speaker 1>path before, and yet it all feels combined, like bits

433
00:21:32.319 --> 00:21:34.200
<v Speaker 1>of the past mixed up for a moment. And sometimes

434
00:21:34.200 --> 00:21:36.440
<v Speaker 1>when the patrons aren't here, the hallways feel longer or

435
00:21:36.440 --> 00:21:39.440
<v Speaker 1>the light feels different. He fiddled with the Pengay's distant.

436
00:21:40.160 --> 00:21:44.039
<v Speaker 1>I don't know, Maybe it's just nerves. Missus Robinson continued

437
00:21:44.079 --> 00:21:47.200
<v Speaker 1>her daily rituals, always managing to locate her favorite volume

438
00:21:47.200 --> 00:21:50.480
<v Speaker 1>of poetry, no matter where I'd last seen her. Searching luck,

439
00:21:50.720 --> 00:21:52.960
<v Speaker 1>I suppose, she told me on a Monday patting the

440
00:21:52.960 --> 00:21:55.960
<v Speaker 1>soft green spine, always find it eventually, even if the

441
00:21:56.000 --> 00:21:58.480
<v Speaker 1>sections buried, someone new it was here last week. I'm

442
00:21:58.519 --> 00:22:02.359
<v Speaker 1>sure she never seen alarmed, only mildly inconvenienced, as if

443
00:22:02.400 --> 00:22:04.319
<v Speaker 1>all buildings had a right to shift their clothes when

444
00:22:04.319 --> 00:22:06.880
<v Speaker 1>the mood took them. The more I paid attention, the

445
00:22:06.920 --> 00:22:10.799
<v Speaker 1>more acute the strangeness became. I tried leaving bookmarks in sections.

446
00:22:10.839 --> 00:22:14.079
<v Speaker 1>Each would migrate, as if magnetized, impossible but undeniable. When

447
00:22:14.160 --> 00:22:18.880
<v Speaker 1>charted in sequence, plug sockets migrated. Four plans changed overnight.

448
00:22:19.599 --> 00:22:22.680
<v Speaker 1>Once mural depicting nowhere Usa'd appeared behind a shelf in

449
00:22:22.680 --> 00:22:25.279
<v Speaker 1>the new reference room, having occupied a different wall entirely

450
00:22:25.319 --> 00:22:28.400
<v Speaker 1>the last time I checked. Each time I redrew, saw

451
00:22:28.400 --> 00:22:31.880
<v Speaker 1>my diagrams become instantly obsolete. I watched as staff and

452
00:22:31.960 --> 00:22:34.720
<v Speaker 1>most patrons swallowed the new layouts without pause, responding with

453
00:22:34.759 --> 00:22:38.799
<v Speaker 1>pausable but consistent histories. When I pressed them on the past, Margaret,

454
00:22:38.799 --> 00:22:42.400
<v Speaker 1>disinterested in details, would tease me, don't sweat for shelfing, dear.

455
00:22:42.480 --> 00:22:44.359
<v Speaker 1>There may be method in my manners, but the building

456
00:22:44.440 --> 00:22:47.920
<v Speaker 1>does what it Once, I found myself smiling, but inside

457
00:22:48.119 --> 00:22:52.200
<v Speaker 1>a compulsion to disprove or unravel grew stronger with every contradiction. Finally,

458
00:22:52.240 --> 00:22:55.279
<v Speaker 1>the question was inescapable? Was the building truly old and strange,

459
00:22:55.359 --> 00:22:57.599
<v Speaker 1>as all ibrowers claimed to be, Or had I stumbled

460
00:22:57.599 --> 00:23:00.559
<v Speaker 1>into something less explainable, something masked by the collector assumptions

461
00:23:00.559 --> 00:23:03.480
<v Speaker 1>and easy laughter of those content with tradition. My own

462
00:23:03.480 --> 00:23:05.640
<v Speaker 1>memory was robust. What if the problem was not recall

463
00:23:05.759 --> 00:23:08.759
<v Speaker 1>but a reality? And willing to stay fixed? That evening,

464
00:23:08.960 --> 00:23:11.960
<v Speaker 1>I sat with my diagrams, blueprint and annotated journal, the

465
00:23:12.000 --> 00:23:15.119
<v Speaker 1>evidence of days folding and refolding. As the dust deepened,

466
00:23:15.160 --> 00:23:17.319
<v Speaker 1>I knew this was not simply a matter of memory,

467
00:23:17.359 --> 00:23:20.519
<v Speaker 1>not merely a librarian's nostalgia for a childhood order. Some

468
00:23:20.680 --> 00:23:23.480
<v Speaker 1>truth rippled beneath the surface, the geography of the familiar,

469
00:23:23.519 --> 00:23:26.640
<v Speaker 1>forever just out of reach. My pen hovered and certain

470
00:23:26.720 --> 00:23:29.319
<v Speaker 1>as the city's light flickered into being. A line from

471
00:23:29.359 --> 00:23:31.680
<v Speaker 1>the youth poetry pamph that I'd pocketed echoed, Maps are

472
00:23:31.720 --> 00:23:35.039
<v Speaker 1>made by those who walk. If so, Bryant Library's maps

473
00:23:35.039 --> 00:23:37.480
<v Speaker 1>were a living thing, moving to the beat of hundreds

474
00:23:37.480 --> 00:23:41.200
<v Speaker 1>of readers, coarsely and otherwise? Was it memory thus shaped

475
00:23:41.200 --> 00:23:43.200
<v Speaker 1>the building? Or had the building cast its spell over

476
00:23:43.200 --> 00:23:46.640
<v Speaker 1>our recollections? That night, the question held me captive, not

477
00:23:46.759 --> 00:23:48.359
<v Speaker 1>with dread, but with the sharp the light of a

478
00:23:48.359 --> 00:23:51.319
<v Speaker 1>puzzle whose edges will not stay still. I had tested

479
00:23:51.319 --> 00:23:55.240
<v Speaker 1>all the maps. I had listened, jotted, sketched, compared, left

480
00:23:55.279 --> 00:23:57.839
<v Speaker 1>notes and bird combs and mental marks all throughout the stacks.

481
00:23:58.519 --> 00:24:01.079
<v Speaker 1>After a dozen visits charles worth of migrated books a

482
00:24:01.119 --> 00:24:03.519
<v Speaker 1>pocket full of old fiction, I saw the pattern clearly.

483
00:24:03.920 --> 00:24:07.000
<v Speaker 1>Not only was the library's geography fundamentally unstable, but only

484
00:24:07.039 --> 00:24:10.079
<v Speaker 1>the few myself bern perhaps said and assessed Robinson, seemed

485
00:24:10.119 --> 00:24:12.319
<v Speaker 1>even to have the faintest idea that anything had changed.

486
00:24:12.920 --> 00:24:15.519
<v Speaker 1>To the rest. The library was as it had always been,

487
00:24:15.680 --> 00:24:18.319
<v Speaker 1>regardless of what logic, memory, and the ghostly traces on

488
00:24:18.400 --> 00:24:22.119
<v Speaker 1>the tiles suggested. The realization was liberating and unsettling all

489
00:24:22.160 --> 00:24:24.759
<v Speaker 1>at once. The phenomenon was real, not just about memory

490
00:24:24.839 --> 00:24:28.920
<v Speaker 1>or nostalgia. The library moved. Not everyone saw, but some

491
00:24:29.000 --> 00:24:31.000
<v Speaker 1>of us did, perhaps those most deeply entwined with the

492
00:24:31.039 --> 00:24:34.279
<v Speaker 1>place or already half in love with its oddities. What then,

493
00:24:34.400 --> 00:24:36.759
<v Speaker 1>was I to do with this knowledge? For the first

494
00:24:36.759 --> 00:24:38.960
<v Speaker 1>time in my life, a map offered no answers, only

495
00:24:39.039 --> 00:24:41.960
<v Speaker 1>new territory for wonder then, and I did not speak

496
00:24:41.960 --> 00:24:44.319
<v Speaker 1>of out discovery directly again that week, But a quiet

497
00:24:44.319 --> 00:24:47.759
<v Speaker 1>thread now connected us compact and private, braided of share bewilderment.

498
00:24:48.240 --> 00:24:50.920
<v Speaker 1>Our conversation settled in the easy banter of routine, if

499
00:24:50.920 --> 00:24:53.920
<v Speaker 1>flickered underneath, with a mutual awareness our reality. Here at

500
00:24:53.920 --> 00:24:56.680
<v Speaker 1>Bryan obeyed rules far more liquid than the cataloging manuals

501
00:24:56.759 --> 00:24:59.799
<v Speaker 1>or building could could ever admit. On Friday morning, as

502
00:24:59.799 --> 00:25:02.920
<v Speaker 1>I straightened pamphlets in the Foy's wire wreck, Ben sidled by,

503
00:25:03.079 --> 00:25:05.799
<v Speaker 1>trailing the scent of Welsh breakfast tea and fresh copitone.

504
00:25:06.200 --> 00:25:08.839
<v Speaker 1>I've got air coming by later, he said, quietly, barely

505
00:25:08.839 --> 00:25:11.759
<v Speaker 1>glancing at me, as he reviewed the morning's holds. If

506
00:25:11.799 --> 00:25:14.839
<v Speaker 1>you want, maybe check and near the city directories around one.

507
00:25:15.240 --> 00:25:17.759
<v Speaker 1>I nodded, tucking my pencil behind my ear, and carried

508
00:25:17.759 --> 00:25:21.279
<v Speaker 1>on pleasing literature about water wise households and weakest story hours.

509
00:25:21.960 --> 00:25:25.119
<v Speaker 1>Then busied himself near the juvenile periodicals, while Margaret called

510
00:25:25.160 --> 00:25:27.839
<v Speaker 1>after him to mind his shoelaces. But when the ground

511
00:25:27.880 --> 00:25:30.400
<v Speaker 1>father clock tolling near one, I drifted slowly toward the

512
00:25:30.400 --> 00:25:34.359
<v Speaker 1>city directory's heart ticking in reply, ed arrived punctually, cut

513
00:25:34.480 --> 00:25:37.240
<v Speaker 1>still damp from the day drizzle. He tapped his battered

514
00:25:37.240 --> 00:25:39.400
<v Speaker 1>cane twice on the floor and pointed it north toward

515
00:25:39.480 --> 00:25:43.039
<v Speaker 1>the genealogy stands. When Ben arrived moments later, three in

516
00:25:43.039 --> 00:25:45.720
<v Speaker 1>our small korum, we exchanged only the necessary greetings. The

517
00:25:45.799 --> 00:25:48.400
<v Speaker 1>silence between us thickened with the importance of unseat things.

518
00:25:49.039 --> 00:25:51.000
<v Speaker 1>I felt for all the world like I was embarking

519
00:25:51.000 --> 00:25:52.880
<v Speaker 1>on a saint so the start of scavenger hunt and

520
00:25:52.920 --> 00:25:56.400
<v Speaker 1>some half forbidden attic. I plunked himself on a rolling stool,

521
00:25:56.559 --> 00:25:59.759
<v Speaker 1>massaging his knee. Now, he said, as voci dry shirrety

522
00:25:59.839 --> 00:26:03.799
<v Speaker 1>was wispur. Suppose you want to compare notes. He extracted

523
00:26:03.799 --> 00:26:05.920
<v Speaker 1>from his coats inner pocket a square of folded raft

524
00:26:05.920 --> 00:26:09.079
<v Speaker 1>paper at the corner's warn soft made a map, made

525
00:26:09.079 --> 00:26:10.960
<v Speaker 1>a dozen. Come to think, not a one match is

526
00:26:11.000 --> 00:26:13.880
<v Speaker 1>what I find. When I walked the place, Ben fidgeted,

527
00:26:13.920 --> 00:26:16.799
<v Speaker 1>extracting his own sketch, a more uncertain affair, lines running

528
00:26:16.799 --> 00:26:20.319
<v Speaker 1>off at odd angles, staircases broken and spiraling. Nowhere, I

529
00:26:20.359 --> 00:26:22.720
<v Speaker 1>added the day's map from my planner, jagged and newly

530
00:26:22.720 --> 00:26:26.240
<v Speaker 1>corrected over yesterday's mistakes. We spread them atop the shelf,

531
00:26:26.279 --> 00:26:29.720
<v Speaker 1>three cartographies that shared more disagreement than overlap. That's what

532
00:26:29.799 --> 00:26:32.759
<v Speaker 1>it's like, Ed grumbled. Some days I look for local

533
00:26:32.839 --> 00:26:36.240
<v Speaker 1>history behind periodicals. Other times can even find the damn periodicals.

534
00:26:36.319 --> 00:26:40.960
<v Speaker 1>You too think it's gotten worse worse then ventured ass

535
00:26:41.000 --> 00:26:45.480
<v Speaker 1>I was twinkled, half conspiratorial, half exasperated, more jumpy used

536
00:26:45.480 --> 00:26:47.680
<v Speaker 1>to be if he stid put everything sort itself in

537
00:26:47.720 --> 00:26:50.720
<v Speaker 1>your favor. Now things feel restless, like the libraries grown

538
00:26:50.720 --> 00:26:54.480
<v Speaker 1>more comfortable being strange. The idea landed with satisfying certainty.

539
00:26:54.519 --> 00:26:57.799
<v Speaker 1>We keep finding its lock together. We tested it, deciding

540
00:26:57.799 --> 00:27:00.880
<v Speaker 1>almost in pantamental experiment. Each drew the library as they

541
00:27:00.920 --> 00:27:04.400
<v Speaker 1>remembered it now, descriptions outloud, making us blush with their contradictions.

542
00:27:04.440 --> 00:27:07.200
<v Speaker 1>The south windows line up with reference no thereby gardening.

543
00:27:07.240 --> 00:27:10.000
<v Speaker 1>The north stair isn't at gunnaw gone, it's never left.

544
00:27:10.680 --> 00:27:12.960
<v Speaker 1>We may plans to revisit this experiment, not out of

545
00:27:13.000 --> 00:27:15.839
<v Speaker 1>hope for consensus, but curious what the act of recollection

546
00:27:15.880 --> 00:27:19.440
<v Speaker 1>itself might manifest. Before breaking apart, ed issued a day.

547
00:27:19.559 --> 00:27:21.880
<v Speaker 1>If the building moves for those who notice, let's see

548
00:27:21.880 --> 00:27:24.839
<v Speaker 1>if we can catch it doing so. Deliberately, he paused,

549
00:27:24.880 --> 00:27:27.160
<v Speaker 1>pressing his pond to his knee, searching our faces for

550
00:27:27.200 --> 00:27:29.160
<v Speaker 1>disbelief or for the same delight that lit his own.

551
00:27:29.680 --> 00:27:33.240
<v Speaker 1>The opportunity found us sooner than expected. The very next day,

552
00:27:33.279 --> 00:27:36.079
<v Speaker 1>when I returned with my annotated notebook, a new curiosity

553
00:27:36.119 --> 00:27:39.200
<v Speaker 1>awaited near what should have been children's non fiction, today

554
00:27:39.200 --> 00:27:41.279
<v Speaker 1>hosting a misplaced track of travel guides. We found a

555
00:27:41.359 --> 00:27:44.799
<v Speaker 1>room labeled books returned to nowhere. I remembered old circulation

556
00:27:44.880 --> 00:27:49.119
<v Speaker 1>cards mentioning this section never shoved, always awaiting recatalog now

557
00:27:49.240 --> 00:27:51.640
<v Speaker 1>behind a polished oak door we'd never seen. Ajar lay

558
00:27:51.720 --> 00:27:55.200
<v Speaker 1>the missing within shell strained under the weight of battered editions.

559
00:27:55.839 --> 00:27:58.160
<v Speaker 1>Each of us recognized at least one title lost in

560
00:27:58.240 --> 00:28:00.799
<v Speaker 1>prior years. A ghost resurfaced the copy of Sailing the

561
00:28:00.839 --> 00:28:03.359
<v Speaker 1>Bryan Bridge I'd readed from reference before their remodel. A

562
00:28:03.359 --> 00:28:06.400
<v Speaker 1>collection of city ordinance has been recalled shelving somewhere impossible

563
00:28:06.440 --> 00:28:09.000
<v Speaker 1>in his second week a diary, it adds careful script,

564
00:28:09.039 --> 00:28:13.240
<v Speaker 1>dated Library nineteen seventy six. Missing. The sensation was not

565
00:28:13.359 --> 00:28:16.160
<v Speaker 1>nostalgia or fear, but a kind of collective satisfaction, as

566
00:28:16.160 --> 00:28:19.359
<v Speaker 1>if the room acknowledged its role as the library's impossible index.

567
00:28:20.039 --> 00:28:21.839
<v Speaker 1>I pulled down a volume at random, and then through

568
00:28:21.880 --> 00:28:24.000
<v Speaker 1>the hundred and slits inside, dates from all across the

569
00:28:24.079 --> 00:28:27.039
<v Speaker 1>last forty years names half legible, some in the careful

570
00:28:27.160 --> 00:28:29.720
<v Speaker 1>lupinscript I had not used since the days of carbon paper.

571
00:28:30.359 --> 00:28:33.400
<v Speaker 1>The pass here survived through disruption, an accident, more vivid

572
00:28:33.400 --> 00:28:37.200
<v Speaker 1>by its waywardness. My heart thump with recognition. This, we

573
00:28:37.319 --> 00:28:40.279
<v Speaker 1>realized was not a trick of memory, but a tangible demonstration.

574
00:28:40.440 --> 00:28:43.319
<v Speaker 1>Sections lost to the wider library preserved here for those

575
00:28:43.359 --> 00:28:45.119
<v Speaker 1>able to look with the right eyes and with the

576
00:28:45.160 --> 00:28:49.079
<v Speaker 1>right companions. But every time we discussed our findings, even obliquely,

577
00:28:49.119 --> 00:28:51.519
<v Speaker 1>even in the shallowest language, the Beldings seemed to lean

578
00:28:51.559 --> 00:28:54.480
<v Speaker 1>in listening. In the week that followed, the three of

579
00:28:54.519 --> 00:28:57.079
<v Speaker 1>us mapped our visits and shared notes, each acting as

580
00:28:57.079 --> 00:29:00.240
<v Speaker 1>both participant and observer. We left bookmarks at the edge

581
00:29:00.279 --> 00:29:03.680
<v Speaker 1>of shells, sometimes joking in secret codes, sometimes writing riddles

582
00:29:03.680 --> 00:29:06.559
<v Speaker 1>meant only for each other. These marks, tucked and tracked

583
00:29:06.559 --> 00:29:09.400
<v Speaker 1>as faithfully as any artifact, were never found precisely where

584
00:29:09.400 --> 00:29:12.720
<v Speaker 1>we placed them. Sometimes a card marked History South that

585
00:29:12.759 --> 00:29:15.400
<v Speaker 1>would migrate from garden into the book's returned to nowhere room.

586
00:29:15.599 --> 00:29:18.240
<v Speaker 1>Other times, original scribbles on a post had appeared on

587
00:29:18.279 --> 00:29:21.279
<v Speaker 1>the back of a microfie slip across the building. Perhaps

588
00:29:21.319 --> 00:29:24.480
<v Speaker 1>most astonishing, sections rarely appeared side by side twice in

589
00:29:24.519 --> 00:29:27.400
<v Speaker 1>a row. No matter how fast our observations or how

590
00:29:27.440 --> 00:29:31.640
<v Speaker 1>cunning our anticipation, the logic denied repetition atlases. When coss

591
00:29:31.640 --> 00:29:33.440
<v Speaker 1>of near fiction one day would leap next to the

592
00:29:33.440 --> 00:29:36.240
<v Speaker 1>reference wall, and the children's crafts drifted between the basement

593
00:29:36.279 --> 00:29:39.079
<v Speaker 1>and second floor without pattern, we began to see a

594
00:29:39.119 --> 00:29:41.640
<v Speaker 1>system two sections could never but more than once a day.

595
00:29:41.759 --> 00:29:43.880
<v Speaker 1>The largest ones always gravitated to the parts of the

596
00:29:43.880 --> 00:29:47.839
<v Speaker 1>building busiest with visitors. The patterns seemed not mechanical, but organic,

597
00:29:47.920 --> 00:29:51.839
<v Speaker 1>almost playful. Sometimes the migration made sense, placing gardening near

598
00:29:51.880 --> 00:29:55.000
<v Speaker 1>the sunniest windows just as patrons arrived searching for flower guides.

599
00:29:55.759 --> 00:29:58.079
<v Speaker 1>More often, the arrangement paid tribute to the flocks of

600
00:29:58.119 --> 00:30:01.200
<v Speaker 1>activity were reflecting the surge and way of need. We

601
00:30:01.240 --> 00:30:04.680
<v Speaker 1>compared this to the building's blueprint, again, pouring over microfisi

602
00:30:04.680 --> 00:30:08.200
<v Speaker 1>and digitized scans, and found them more pliable than ever now.

603
00:30:08.200 --> 00:30:11.880
<v Speaker 1>The architectural diagrams, themselves, seen to rewrite between visits, sometimes

604
00:30:11.920 --> 00:30:15.240
<v Speaker 1>were in shrank or stretched to accommodate shifting sections. On

605
00:30:15.240 --> 00:30:19.480
<v Speaker 1>one sheet, a corridor labeled possibilities nestled between periodicals and reminuscripts.

606
00:30:20.119 --> 00:30:22.599
<v Speaker 1>On another the same area was simply a shaded blank.

607
00:30:23.319 --> 00:30:25.880
<v Speaker 1>None among us could recall seeing this ruin before. Though

608
00:30:25.880 --> 00:30:28.000
<v Speaker 1>the words stuck in the minders of draiged from a dream,

609
00:30:28.519 --> 00:30:31.279
<v Speaker 1>it became clear at the manifestations these spaces that shouldn't

610
00:30:31.279 --> 00:30:35.599
<v Speaker 1>exist appear to order, femeral yet insistent. One afternoon, venturing

611
00:30:35.640 --> 00:30:37.759
<v Speaker 1>near the main stairwell, we found an arc of labeled

612
00:30:37.799 --> 00:30:40.400
<v Speaker 1>cartographs as a collision of English and French that typified

613
00:30:40.400 --> 00:30:44.279
<v Speaker 1>the library's cosmopolitan roots. Inside the shelves billed over with

614
00:30:44.279 --> 00:30:47.000
<v Speaker 1>maps annotated in every language, from the bureaucratic stamp of

615
00:30:47.000 --> 00:30:50.119
<v Speaker 1>a faded property Soviet to illustrations of non existent neighborhoods.

616
00:30:50.720 --> 00:30:53.279
<v Speaker 1>Some imagined the cities river winding two blocks south of

617
00:30:53.319 --> 00:30:56.319
<v Speaker 1>its prison course. Others depicted looping street grades. No one

618
00:30:56.319 --> 00:31:00.559
<v Speaker 1>had ever walked. City Plan nineteen ten, never built, read one.

619
00:31:01.000 --> 00:31:04.039
<v Speaker 1>A pamphlet titled Ephemeral City Plans sam to Circulation Not

620
00:31:04.119 --> 00:31:07.559
<v Speaker 1>Permitted crowned the stack. Ben thumbed the maps, his lips

621
00:31:07.599 --> 00:31:10.519
<v Speaker 1>moving silently as he made mental notes. Look at this

622
00:31:10.559 --> 00:31:14.039
<v Speaker 1>harbor District ease extension proposed nineteen forty eight. That's three

623
00:31:14.039 --> 00:31:17.839
<v Speaker 1>neighborhoods downstream from anything that exists. He pressed the pamphlet

624
00:31:17.880 --> 00:31:20.759
<v Speaker 1>into my palm light as old air pure decides which

625
00:31:20.839 --> 00:31:24.799
<v Speaker 1>version gets built or remembered ed Meanwhile, chuckled rifling through

626
00:31:24.799 --> 00:31:27.720
<v Speaker 1>a folder of neighborhood association newsletters, some with dates that

627
00:31:27.799 --> 00:31:30.839
<v Speaker 1>never aligned with official city records. He looked up a

628
00:31:30.880 --> 00:31:34.680
<v Speaker 1>slice smile. Maybe nobody decides lad, Maybe all the versions

629
00:31:34.680 --> 00:31:36.839
<v Speaker 1>stick around waiting for someone to poke their nose in.

630
00:31:37.480 --> 00:31:39.960
<v Speaker 1>We left the cartograph as miss room. At least we try.

631
00:31:40.720 --> 00:31:43.000
<v Speaker 1>When we retraced our steps the following day, the label

632
00:31:43.039 --> 00:31:45.559
<v Speaker 1>had changed to utlases to Elimo Jennaire, and a collection

633
00:31:45.640 --> 00:31:49.039
<v Speaker 1>mixed in sea routes, cloud charts, and highways, promising destinations

634
00:31:49.079 --> 00:31:52.440
<v Speaker 1>that memory could not verify. My hands trembled pleasantly, as

635
00:31:52.440 --> 00:31:54.480
<v Speaker 1>if on the verge of understanding something hidden in the

636
00:31:54.480 --> 00:31:57.680
<v Speaker 1>periphery of certainty. To test further, we decided to leave

637
00:31:57.680 --> 00:32:00.559
<v Speaker 1>a trail. I scrolled a short novaan alle Iberry index

638
00:32:00.599 --> 00:32:03.400
<v Speaker 1>card to found at cartographicsments four or thirteen p M. Thursday,

639
00:32:03.519 --> 00:32:06.240
<v Speaker 1>signed with my initials, then placed it between two books

640
00:32:06.279 --> 00:32:08.799
<v Speaker 1>in the city plan shelf. Edward turned alone the next

641
00:32:08.839 --> 00:32:11.359
<v Speaker 1>morning found a card not where placed, but slipped into

642
00:32:11.440 --> 00:32:13.880
<v Speaker 1>volume of Bryant before the grid. A new Atlas's section,

643
00:32:13.960 --> 00:32:17.240
<v Speaker 1>now adjacent to the magazine knockouve. The sections, as if

644
00:32:17.279 --> 00:32:20.279
<v Speaker 1>responding to our method, arranged themselves anew playfully, but always

645
00:32:20.359 --> 00:32:23.799
<v Speaker 1>just ahead of comprehension. As our experiment continued over a week,

646
00:32:23.960 --> 00:32:26.839
<v Speaker 1>we expanded our invitations subtly, shepherding in as regular as

647
00:32:26.839 --> 00:32:30.359
<v Speaker 1>we suspected of being notices to missus Robinson, after an

648
00:32:30.400 --> 00:32:33.440
<v Speaker 1>initial dose of skepticism, emitted one day when prodded with respect,

649
00:32:33.480 --> 00:32:35.720
<v Speaker 1>The play sometimes gets away from me, but it always

650
00:32:35.759 --> 00:32:38.680
<v Speaker 1>comes right in the end. She looked fondly at the shelves,

651
00:32:38.799 --> 00:32:41.119
<v Speaker 1>as if amused by the building's tricks rather than troubled.

652
00:32:41.720 --> 00:32:43.920
<v Speaker 1>You know, in my youth, I swore the poetry lived

653
00:32:43.960 --> 00:32:46.079
<v Speaker 1>on the top floor. Now, well, I just follow the

654
00:32:46.119 --> 00:32:49.599
<v Speaker 1>sun and hope. Margaret tolerated our games with cheerful Forebrandts,

655
00:32:49.799 --> 00:32:52.559
<v Speaker 1>merely shaking her head at our scribbled maps and new obsessions.

656
00:32:53.160 --> 00:32:55.680
<v Speaker 1>You all seem intent on proving the libraries haunted, when

657
00:32:55.720 --> 00:32:57.319
<v Speaker 1>all I want is for the wholed shelf to stay

658
00:32:57.359 --> 00:32:59.559
<v Speaker 1>near my desk. She'd fixed us with one of her

659
00:32:59.640 --> 00:33:03.079
<v Speaker 1>lopside ardigrins, but I'm used to people getting lost. Let

660
00:33:03.079 --> 00:33:04.759
<v Speaker 1>me know if you ever find a bathroom that doesn't

661
00:33:04.759 --> 00:33:07.880
<v Speaker 1>require a map. At this point, the curiosity sharpened, and

662
00:33:07.920 --> 00:33:10.200
<v Speaker 1>not why the library moved, but why only some could follow?

663
00:33:10.279 --> 00:33:13.720
<v Speaker 1>And how the structure decided its new configurations. Could attention

664
00:33:13.839 --> 00:33:17.079
<v Speaker 1>itself be the engine? Did they overlook, disappear or simply

665
00:33:17.160 --> 00:33:20.519
<v Speaker 1>weigh off the main path to be rediscovered? We noticed

666
00:33:20.519 --> 00:33:22.720
<v Speaker 1>that the more we pressed, the more dramatically the sections

667
00:33:22.720 --> 00:33:25.039
<v Speaker 1>rearranged the building scene to delight in a company of

668
00:33:25.079 --> 00:33:28.720
<v Speaker 1>inquisitive minds. The sense grew that discovery was in itself

669
00:33:28.759 --> 00:33:31.880
<v Speaker 1>a kind of pact forgotten rooms returned for those looking.

670
00:33:32.440 --> 00:33:35.480
<v Speaker 1>Hamphlets about events of femeral events, books returned to nowhere,

671
00:33:35.559 --> 00:33:38.319
<v Speaker 1>and now possibilities surface when we needed confirmation that the

672
00:33:38.319 --> 00:33:41.279
<v Speaker 1>past was more layer than any catalog. That sense of

673
00:33:41.319 --> 00:33:44.400
<v Speaker 1>expectation reached its peak one Saturday when ben Ad and

674
00:33:44.440 --> 00:33:46.640
<v Speaker 1>I were joined by a woman whose presence brought Gravida's

675
00:33:46.680 --> 00:33:49.759
<v Speaker 1>unfamiliar to our circle of habitual odd balls. Her name

676
00:33:49.799 --> 00:33:52.400
<v Speaker 1>was a mess Alvarez, known to some as a resident

677
00:33:52.480 --> 00:33:55.559
<v Speaker 1>city historian, A careful, amused woman with a slow rolling

678
00:33:55.640 --> 00:33:57.839
<v Speaker 1>voice and glasses that caught every spark of window light.

679
00:33:58.440 --> 00:34:00.680
<v Speaker 1>Ben had invited her after a chance encounter at the

680
00:34:00.680 --> 00:34:03.200
<v Speaker 1>reference desk, where he'd spotted her puzzling over plans of

681
00:34:03.200 --> 00:34:06.720
<v Speaker 1>Bryant's West End. She arrived in the early afternoon, clad

682
00:34:06.720 --> 00:34:08.519
<v Speaker 1>and tweed and chewing on a pen that seemed barely

683
00:34:08.599 --> 00:34:11.760
<v Speaker 1>up to the task of containing her curiosity. I understand

684
00:34:11.800 --> 00:34:14.840
<v Speaker 1>you have a question, she said, after introductions. Examining the

685
00:34:14.840 --> 00:34:17.239
<v Speaker 1>tangle of four maps we derayed in the staff room,

686
00:34:17.519 --> 00:34:20.400
<v Speaker 1>a mystry of place or is it history? Or possibly both?

687
00:34:21.079 --> 00:34:24.199
<v Speaker 1>She raised an eyebrowt light, warring with skepticism. We've been

688
00:34:24.280 --> 00:34:27.480
<v Speaker 1>keeping track, I said, sliding across my Keffel diagrams. Has

689
00:34:27.480 --> 00:34:29.840
<v Speaker 1>been showed some of his more whimsical subway sketches, and

690
00:34:29.960 --> 00:34:32.480
<v Speaker 1>Ed pointed out a few entries that made no architectural sense.

691
00:34:33.199 --> 00:34:35.519
<v Speaker 1>The library never stays the same two days running, and

692
00:34:35.519 --> 00:34:38.599
<v Speaker 1>the building's history seems to support a long standing inconsistency.

693
00:34:39.239 --> 00:34:42.320
<v Speaker 1>Mess over aservedo Work then asked, have you factored in

694
00:34:42.320 --> 00:34:45.199
<v Speaker 1>the ovalays you know, old city street maps, property lines,

695
00:34:45.239 --> 00:34:48.119
<v Speaker 1>the original river course, even the service predating the library.

696
00:34:48.119 --> 00:34:50.519
<v Speaker 1>This plot was part of a cartographic conundrum at one time,

697
00:34:50.599 --> 00:34:54.440
<v Speaker 1>several expansion plans, none ever fully realized. She paged through

698
00:34:54.480 --> 00:34:57.079
<v Speaker 1>the blueprints, her finger landing on the segment marked potential

699
00:34:57.079 --> 00:35:01.320
<v Speaker 1>construction unbuilt eighteen ninety four. Watch a she unearthed coppice

700
00:35:01.360 --> 00:35:04.679
<v Speaker 1>of nineteenth century plats faded Serveey's ghost in multiple street

701
00:35:04.679 --> 00:35:07.599
<v Speaker 1>grades across the land that became Bryant Library. The patterns

702
00:35:07.679 --> 00:35:11.320
<v Speaker 1>wobble lines, starting overlapping, vanishing between one decades optimism and

703
00:35:11.360 --> 00:35:14.519
<v Speaker 1>another civic missap. It's all here, she mused, tracing with

704
00:35:14.559 --> 00:35:17.920
<v Speaker 1>a slow finger, a river beds, shifted, property match redrawn

705
00:35:17.960 --> 00:35:20.320
<v Speaker 1>after every freeze and fall, even accounts of the ground

706
00:35:20.360 --> 00:35:22.800
<v Speaker 1>swallowing up a street or two. Surveyors with poor compasses,

707
00:35:22.840 --> 00:35:25.599
<v Speaker 1>Perhaps are more creative history than we're used to owning

708
00:35:25.679 --> 00:35:30.880
<v Speaker 1>up to missing streets, then asked, leaning forward, She nodded, smiling.

709
00:35:31.480 --> 00:35:33.960
<v Speaker 1>There are always missing streets and old cities, but Bryant,

710
00:35:33.960 --> 00:35:36.960
<v Speaker 1>more than most, favolain enough contradictory blueprints, and the result

711
00:35:37.000 --> 00:35:39.559
<v Speaker 1>is a patchwork impossible to reconcile in reality, maybe not

712
00:35:39.679 --> 00:35:42.000
<v Speaker 1>just for the city, but for the buildings to As

713
00:35:42.039 --> 00:35:45.320
<v Speaker 1>we listen, the library's fluctuations came into sharper focus cast,

714
00:35:45.360 --> 00:35:47.840
<v Speaker 1>not as accidents of pro bookkeeping, but an inheritance. One

715
00:35:47.880 --> 00:35:50.239
<v Speaker 1>match in the city is on the resolved past, the

716
00:35:50.320 --> 00:35:53.880
<v Speaker 1>legend she recounted phantom allies, survey errors. A library constructed

717
00:35:53.880 --> 00:35:56.159
<v Speaker 1>atop with some sort of map tangle made our predicament

718
00:35:56.159 --> 00:35:59.639
<v Speaker 1>feel suddenly less extraordinary and more likely logical, if extraordinary

719
00:35:59.679 --> 00:36:04.519
<v Speaker 1>consiquince its tempting to imagine. Ms Alvarez mused that the library,

720
00:36:04.559 --> 00:36:07.719
<v Speaker 1>sensitive as it is to being used, loved, and remembered,

721
00:36:07.840 --> 00:36:11.639
<v Speaker 1>is always negotiating its identity between these competing possibilities, the architectural,

722
00:36:11.639 --> 00:36:14.440
<v Speaker 1>the historical of the personal. In her voice, I heard

723
00:36:14.480 --> 00:36:17.519
<v Speaker 1>the echo of my own early questions. Did places respond

724
00:36:17.599 --> 00:36:20.239
<v Speaker 1>to how we remembered them? Was the past ever singular?

725
00:36:20.840 --> 00:36:24.760
<v Speaker 1>All afternoon, our circle hunched around blueprints, plat Ovalais city directories,

726
00:36:24.920 --> 00:36:28.719
<v Speaker 1>and half remembered stories. For a time, Bryne Library's history

727
00:36:28.760 --> 00:36:31.760
<v Speaker 1>seemed to resolve, collapsing from uncertainty into a layered richness,

728
00:36:31.880 --> 00:36:35.119
<v Speaker 1>not of course, but of real decisions mapped onto unreliable

729
00:36:35.119 --> 00:36:38.719
<v Speaker 1>ground as we colored and underlined our conjectures. Ben noted

730
00:36:38.719 --> 00:36:41.400
<v Speaker 1>that when we focused, our curiosity directed our collective minds,

731
00:36:41.400 --> 00:36:43.719
<v Speaker 1>so a specific place, a shelf for a room previously

732
00:36:43.719 --> 00:36:45.760
<v Speaker 1>and accounted for the Kaima Shiva. As if the air

733
00:36:45.760 --> 00:36:49.119
<v Speaker 1>itself bent momentarily to our inquiry. A door would appear,

734
00:36:49.159 --> 00:36:52.400
<v Speaker 1>a shelf would realign, A pamphlet missing for decades would

735
00:36:52.400 --> 00:36:56.159
<v Speaker 1>be waiting on the desk for perusal. This phenomenon, we realize,

736
00:36:56.400 --> 00:36:58.639
<v Speaker 1>was not mere architectural drift. For the combined effect of

737
00:36:58.639 --> 00:37:02.039
<v Speaker 1>renovation and neglect, the space responded only so far as

738
00:37:02.039 --> 00:37:04.800
<v Speaker 1>anyone thought to examine it. Not all patrons, not even

739
00:37:04.840 --> 00:37:07.079
<v Speaker 1>all staff, but those moved by need of curiosity to

740
00:37:07.119 --> 00:37:11.280
<v Speaker 1>truly notice, and in noticing, in carrying, we shaped the map. Benue.

741
00:37:11.679 --> 00:37:14.800
<v Speaker 1>A pattern emerged moments of crowded interests, when children filled

742
00:37:14.800 --> 00:37:18.000
<v Speaker 1>the craft akove, when eds's regroup helf from bridge expansions

743
00:37:18.000 --> 00:37:21.000
<v Speaker 1>seen to attract the corresponding section to the area, sometimes

744
00:37:21.000 --> 00:37:24.280
<v Speaker 1>even directly into new or impossible rooms. When a subject

745
00:37:24.320 --> 00:37:27.920
<v Speaker 1>sat neglected too long, it faded away, sometimes vanishing altogether.

746
00:37:28.079 --> 00:37:30.360
<v Speaker 1>But now we realized it was only hidden, waiting for

747
00:37:30.400 --> 00:37:33.280
<v Speaker 1>some one to look. That same afternoon, Ben made a

748
00:37:33.320 --> 00:37:36.199
<v Speaker 1>tangible breakthrough. He found a book on a return cot

749
00:37:36.199 --> 00:37:38.920
<v Speaker 1>that he'd never checked out, nor shelved, nor even seen

750
00:37:38.960 --> 00:37:42.760
<v Speaker 1>in the Cataloga slim green volume Bryant rejected city plans.

751
00:37:43.480 --> 00:37:46.400
<v Speaker 1>Inside the dates slip was stamped June nineteen eighty four

752
00:37:46.519 --> 00:37:49.679
<v Speaker 1>and the borrower's name was we penetrated in handwriting. No

753
00:37:49.800 --> 00:37:51.760
<v Speaker 1>record in the system shewed it as missing, but the

754
00:37:51.800 --> 00:37:53.599
<v Speaker 1>coal number matched a spot I knew for certain head

755
00:37:53.599 --> 00:37:56.239
<v Speaker 1>of times belonged to gardening, at others to local history.

756
00:37:56.760 --> 00:37:59.280
<v Speaker 1>The book itself into a leave practical munistful records with

757
00:37:59.320 --> 00:38:03.079
<v Speaker 1>hand drawn city EMPs, some outlined painstickingly, others obviously whintericle.

758
00:38:03.679 --> 00:38:05.960
<v Speaker 1>Tucked inside the cover was a pocket containing a family

759
00:38:06.000 --> 00:38:08.360
<v Speaker 1>snapshot head as a young man standing in front of

760
00:38:08.360 --> 00:38:10.639
<v Speaker 1>the Brant River and a built bridge in the far distance.

761
00:38:11.400 --> 00:38:14.880
<v Speaker 1>Ed regarded the photo quietly. I remember this, he said,

762
00:38:14.960 --> 00:38:17.719
<v Speaker 1>staring as if through a window on time. Only the

763
00:38:17.719 --> 00:38:20.039
<v Speaker 1>bridge it was never built, The river always turned there,

764
00:38:20.199 --> 00:38:23.320
<v Speaker 1>The street plan never matched. He closed the book with care,

765
00:38:24.000 --> 00:38:25.920
<v Speaker 1>but we thought it would. I remember hoping to have

766
00:38:25.960 --> 00:38:28.599
<v Speaker 1>a picnic there some day. His voice did not break,

767
00:38:28.679 --> 00:38:30.639
<v Speaker 1>but took on a note of longing for a possibility

768
00:38:30.679 --> 00:38:33.719
<v Speaker 1>miss but not quite lost. That's light It grew in me, too,

769
00:38:33.840 --> 00:38:36.679
<v Speaker 1>a recognition that this library shifting forms were not chaos,

770
00:38:36.800 --> 00:38:39.559
<v Speaker 1>but layered with intied dreads of a collective past, half remembered,

771
00:38:39.639 --> 00:38:42.639
<v Speaker 1>half imagined, and all the true for being multiple, All

772
00:38:42.639 --> 00:38:46.280
<v Speaker 1>the notices gathered in an impossible room, surrounded by possible arrangements,

773
00:38:46.519 --> 00:38:49.639
<v Speaker 1>possible lives. I stood, for a moment, lost in a hush,

774
00:38:49.679 --> 00:38:52.239
<v Speaker 1>grateful for walls that held so many and collapsed futures,

775
00:38:52.440 --> 00:38:54.400
<v Speaker 1>and for this group who took delight not in solving,

776
00:38:54.519 --> 00:38:57.400
<v Speaker 1>but in asking. We delved deeper into the archival room,

777
00:38:57.440 --> 00:39:00.119
<v Speaker 1>which that day spilled over with boxes not marked on

778
00:39:00.159 --> 00:39:05.039
<v Speaker 1>any inventory. These bore hasti labels, not cataloged possibilities, events

779
00:39:05.320 --> 00:39:08.800
<v Speaker 1>never held. I cracked open one box, hands trembling faintly

780
00:39:08.880 --> 00:39:11.880
<v Speaker 1>to a trove of city event posters announcing lectures, readings,

781
00:39:12.000 --> 00:39:15.119
<v Speaker 1>and holiday concerts that I recalled planning, but never saw realized.

782
00:39:15.760 --> 00:39:17.719
<v Speaker 1>Each poster bore notes in a hand that, with a

783
00:39:17.800 --> 00:39:21.079
<v Speaker 1>jowl I recognized as my own from decade before. I

784
00:39:21.119 --> 00:39:24.639
<v Speaker 1>lifted a pamphlet titled Poetry Read Aloud Series nineteen eighty six,

785
00:39:24.719 --> 00:39:27.559
<v Speaker 1>with thell hout my maiden name. For one brief but

786
00:39:27.599 --> 00:39:30.119
<v Speaker 1>weighty moment, time seemed to collapse inward. Here was proof

787
00:39:30.199 --> 00:39:32.840
<v Speaker 1>not of haunting, but of continuity. The part of me

788
00:39:32.880 --> 00:39:35.639
<v Speaker 1>who'd once typed that program doubted it would ever happen,

789
00:39:35.719 --> 00:39:37.480
<v Speaker 1>hoped the building would find a place for it. She

790
00:39:37.599 --> 00:39:40.239
<v Speaker 1>lived here to you, somewhere within these reflected walls, just

791
00:39:40.280 --> 00:39:42.559
<v Speaker 1>as every noticer and dreamer had made their own mark.

792
00:39:43.239 --> 00:39:46.559
<v Speaker 1>Inside the pamphlet, folded carefully, was an index card. It

793
00:39:46.639 --> 00:39:50.239
<v Speaker 1>carried my own handwriting, unmistakable after years of self corrected scripts.

794
00:39:50.360 --> 00:39:53.039
<v Speaker 1>What will you find if you keep looking? I had,

795
00:39:53.119 --> 00:39:56.000
<v Speaker 1>in some way left myself a question there in the

796
00:39:56.079 --> 00:39:59.480
<v Speaker 1>artificial events room, with Ben ed and a mess Alvarez watching.

797
00:39:59.519 --> 00:40:02.079
<v Speaker 1>I understand Bryant Library did not merely houst the city

798
00:40:02.159 --> 00:40:06.039
<v Speaker 1>stories and newspaper records, council minutes, borrow dreams. It was

799
00:40:06.079 --> 00:40:10.639
<v Speaker 1>itself a story told across decades, a collaboration between builders, readers, librarians,

800
00:40:10.760 --> 00:40:13.599
<v Speaker 1>and the restless hope of possibility. Its form bent to

801
00:40:13.639 --> 00:40:18.000
<v Speaker 1>the pattern of sustained attention, need, affection, walls, bent, rooms, appeered,

802
00:40:18.199 --> 00:40:21.079
<v Speaker 1>shells wondered, shaped by the overlap of memory, hope, and

803
00:40:21.079 --> 00:40:23.840
<v Speaker 1>the ceaseless energy of looking. I closed the card in

804
00:40:23.880 --> 00:40:25.920
<v Speaker 1>my hand hot light, not with the pleasure of solution,

805
00:40:25.960 --> 00:40:28.760
<v Speaker 1>but with a deeper contentment that some places, especially beloved ones,

806
00:40:28.800 --> 00:40:31.039
<v Speaker 1>live in the tension between plan and usage, between the

807
00:40:31.039 --> 00:40:33.239
<v Speaker 1>city that was and the city that could be, that

808
00:40:33.320 --> 00:40:35.159
<v Speaker 1>may be. The very idea of a map is less

809
00:40:35.199 --> 00:40:38.679
<v Speaker 1>to instruct than to invite, return, revision, re imagining. We

810
00:40:38.800 --> 00:40:41.599
<v Speaker 1>left the archival room together, not in possession of an answer,

811
00:40:41.679 --> 00:40:44.119
<v Speaker 1>but in communion with the truth about places, about libraries,

812
00:40:44.119 --> 00:40:47.000
<v Speaker 1>in particular, so saturated with expectation and shifting desire that

813
00:40:47.000 --> 00:40:50.760
<v Speaker 1>their boundaries must inevitably blur. After that day, our group

814
00:40:50.800 --> 00:40:54.320
<v Speaker 1>met informally in corners new and familiar, sometimes the same,

815
00:40:54.440 --> 00:40:57.599
<v Speaker 1>sometimes wildly altered after just an errand or two. Each

816
00:40:57.599 --> 00:41:00.360
<v Speaker 1>session of ritual, a circuit of maps, a charting of loss,

817
00:41:00.360 --> 00:41:04.079
<v Speaker 1>and found a laugh over vanished bathrooms. We invited others

818
00:41:04.079 --> 00:41:07.920
<v Speaker 1>gently and were careful never to explain too much at once. Margaret,

819
00:41:08.119 --> 00:41:09.960
<v Speaker 1>for her part, ruded us for our hobby. As her

820
00:41:10.000 --> 00:41:13.840
<v Speaker 1>society for stubborn cartographers. She issued us coffee mugs decorated

821
00:41:13.880 --> 00:41:17.000
<v Speaker 1>with blank city grids, as if to reward our stubborn attentions.

822
00:41:17.639 --> 00:41:20.000
<v Speaker 1>In months that trickled by, I grew less invested in

823
00:41:20.039 --> 00:41:24.000
<v Speaker 1>holding on to fixed geography certainty. Once my ballasts now

824
00:41:24.039 --> 00:41:27.360
<v Speaker 1>seemed almost amusing. The deeper joy arrived in surprise in

825
00:41:27.400 --> 00:41:30.000
<v Speaker 1>the invisible logic that unfolded. If he paid close attention

826
00:41:30.079 --> 00:41:32.960
<v Speaker 1>but never forced the answer, then an I'd along with that,

827
00:41:33.119 --> 00:41:35.559
<v Speaker 1>and sometimes a mess. Al Varrouz learned how to act

828
00:41:35.559 --> 00:41:38.880
<v Speaker 1>as gentle hosts for fellow notices. Our group never needed

829
00:41:38.880 --> 00:41:42.239
<v Speaker 1>a name, only a context. Four or five people mapsiskey,

830
00:41:42.320 --> 00:41:44.960
<v Speaker 1>ready to swap stories of the not quite possible. We

831
00:41:45.000 --> 00:41:47.559
<v Speaker 1>speculated on how far in theory the building could stretch,

832
00:41:47.639 --> 00:41:49.679
<v Speaker 1>and then delighted in not being able to find at

833
00:41:50.199 --> 00:41:53.440
<v Speaker 1>the urge to pin everything down, loose and gently. Instead,

834
00:41:53.559 --> 00:41:55.840
<v Speaker 1>I found myself absorbed in the rhythm sketch, a map,

835
00:41:55.880 --> 00:41:59.119
<v Speaker 1>exchange clues traced the place in you in ever shifted shelf.

836
00:41:59.159 --> 00:42:01.760
<v Speaker 1>Every appearing room was the open invitation to participate in

837
00:42:01.760 --> 00:42:03.760
<v Speaker 1>the making on making, and were making of the layered

838
00:42:03.760 --> 00:42:07.960
<v Speaker 1>horm the business of curation preservation. All the stern guardian

839
00:42:08.039 --> 00:42:11.079
<v Speaker 1>rolls I cherished softened at the edges. Now the honest

840
00:42:11.159 --> 00:42:13.199
<v Speaker 1>labor was in noticing, not for the sake of correction,

841
00:42:13.599 --> 00:42:17.199
<v Speaker 1>but for appreciation the invisible architectures built by generations of

842
00:42:17.199 --> 00:42:20.360
<v Speaker 1>reader's absent minded staff children, hunting treasure, and even by me,

843
00:42:20.400 --> 00:42:23.440
<v Speaker 1>could be mapped only as they flickered. After a while,

844
00:42:23.480 --> 00:42:25.480
<v Speaker 1>I came to understand that the finest map was not

845
00:42:25.519 --> 00:42:27.760
<v Speaker 1>in any city archive, but an end to woven narratives

846
00:42:27.800 --> 00:42:30.280
<v Speaker 1>of its people read in a flexibility of Bryant's halls.

847
00:42:31.000 --> 00:42:33.280
<v Speaker 1>On a late afternoon, when the light slanted golden and

848
00:42:33.320 --> 00:42:35.559
<v Speaker 1>every pane gloud, I wandered down a new corridor I

849
00:42:35.599 --> 00:42:38.119
<v Speaker 1>would have sworn had never been there before. The hush

850
00:42:38.199 --> 00:42:40.559
<v Speaker 1>was complete, broken only by the muffled laughter drifting from

851
00:42:40.559 --> 00:42:42.920
<v Speaker 1>the reference desk market. The loud, as ever, were stocking

852
00:42:42.960 --> 00:42:45.440
<v Speaker 1>a shelf in a now familiar configuration she swore hadn't

853
00:42:45.519 --> 00:42:49.000
<v Speaker 1>changed in all her years. A single window, impossibly tall,

854
00:42:49.239 --> 00:42:51.760
<v Speaker 1>cast sunlight onto a small, empty chest up beneath it.

855
00:42:52.400 --> 00:42:54.639
<v Speaker 1>The space was simple, but pristine, as if waiting for

856
00:42:54.679 --> 00:42:58.280
<v Speaker 1>someone to discover its it and rest. I lingered one

857
00:42:58.280 --> 00:43:00.599
<v Speaker 1>hand on the back of the chair, not quite se yet,

858
00:43:00.800 --> 00:43:03.000
<v Speaker 1>feeling the pulse of all the possible arrangements lingering in

859
00:43:03.039 --> 00:43:05.519
<v Speaker 1>the walls around me. How does a place decide where

860
00:43:05.519 --> 00:43:08.519
<v Speaker 1>its own part to belong? Perhaps it listens for footsteps

861
00:43:08.519 --> 00:43:11.159
<v Speaker 1>of questions, for hands that reach for maps, for curiosity

862
00:43:11.159 --> 00:43:14.320
<v Speaker 1>that is in content with yesterday's arrangement. As I watched

863
00:43:14.360 --> 00:43:16.920
<v Speaker 1>Margaret humming Rechelving as if her certainty was the truest

864
00:43:16.920 --> 00:43:19.320
<v Speaker 1>magic of all, I felt the thrill of anticipation rise.

865
00:43:19.360 --> 00:43:22.519
<v Speaker 1>Tomorrow something may be different. I look forward to it,

866
00:43:22.679 --> 00:43:24.840
<v Speaker 1>knowing the library would be ready to me whatever map

867
00:43:24.880 --> 00:43:29.840
<v Speaker 1>I brought with me, real or imagined. And that is

868
00:43:29.880 --> 00:43:32.360
<v Speaker 1>the end. Thank you for listening, and I will see

869
00:43:32.360 --> 00:43:39.440
<v Speaker 1>you in the next one.
