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Speaker 1: And these people that claim or carry themselves without actually

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claiming to be an expert, a bigfoot expert. I mean,

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come on, what the hell is a bigfoot expert? There

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is no such thing as an expert when it comes

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to bigfoot.

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Speaker 2: They know in an instant that you were in the woods.

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There is no hiding from them, There is no being

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quiet or.

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Speaker 3: Sneaking up on them.

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Speaker 2: As soon as you walk in the woods, you walk

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in their front door, thinking that you are going to

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surprise them. You're only kidding yourself.

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Speaker 1: We have got to get it out of our heads

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that anecdotal evidence is not evidence. The best way, in

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my opinion, that we have to learn about these creatures

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right now is by listening to and talking to those

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that have experiperience them, those who have witnessed them and

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experienced them in their own environment.

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Speaker 2: We do what we do to try to bring away

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as to this topic to be an open door for

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somebody to walk through, to be able to share their story,

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a listening ear, a support hold for those who have

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had their own encounters with that which is not.

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Speaker 3: Supposed to exist.

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Speaker 1: We've got to open our eyes, people, there is something

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out there. All of these thousands of people that have

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seen something. They're not all lined, they're not all crazy.

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There are some very reputable, good people out there that

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have seen something. It's nay. I'm a friend, mister Cameron Buckner.

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How you guys doing Hey?

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Speaker 4: Good? Good? Thanks? Thanks? Okay, Now I want Lisa all

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about this film. You're all about this film? You're working

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order you are you like a film?

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Speaker 5: I'm a producer. Yeah, I'm a producer. And this film

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is gonna be released in June, and that's all I

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can say about it, like right now, the whole red

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carpet and all that stuff. And we have a soundtrack

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to this film that is unreal, and once we release that,

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I hope I can play a song on here one night.

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This soundtrack is off off the chart. I mean, it's amazing.

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Speaker 3: Can you tell us a little bit about the genre or.

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Speaker 5: It's it's family friendly, very family friendly, a little on

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the spiritual side. I just I just think it's it's

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one of the best and most proudest things I've worked on.

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Speaker 1: Awesome. Yeah, Cam, Lisa has worked on some stuff that

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you've probably heard heard of. She worked on Nashville Show.

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Speaker 4: Are you familiar with it? No? True Detective oh yeah,

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True Detective on HBO. Yes, Woody Harrelson and.

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Speaker 5: Now season three, season three, so okay, not that one.

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Speaker 3: Season three that's awesome.

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Speaker 4: Wow, I know someone famous that's all.

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Speaker 5: Snapped and fatal attraction.

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Speaker 1: And maybe we need to get at least to set

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up with mister Steve Lilly to see if we can't

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get get something with that.

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Speaker 4: Hey, I don't mean to be hogging up the show,

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but just popping my head and.

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Speaker 3: Hop away someone.

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Speaker 4: Uh. I'm not going to the Gatlinburg Bigfoot Conference, namely

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because it's so expensive to go and to stay, and

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but I think I'm going to this Anniston, Alabama thing.

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I don't know if you guys know about that. I

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think it's called an Alabama Bigfoot Conference. And I was

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talking to one of the organized today and I kind

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of hate to say this if it doesn't work out,

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but I might be telling a Steve Lilly story live

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on stage when we go. So I'm pretty pumped about that.

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I'm going to write a brand new story and just

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tell it. I may have to read it because I'm

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not a very good storyteller, but it's the story is

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going to come across. So anyway, Yeah, I think it's

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June the tenth. You know, don't anyone write this down.

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I'll announce it on my podcast in the next week

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or so if that's going to happen, and I'll shoot

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you an email Wayne and let you know so you

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can let people know. But absolutely, Neolma, you're going to

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be there, aren't you.

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Speaker 6: Is that the one that's being organized by Lenita her friend? Yeah,

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that's June ninth and tenth, and I intend to be there.

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Speaker 1: Yeah, all right, Well, how are you participating it on

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Nyoma or.

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Speaker 6: I'm going to have a booth there and I'm hoping

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that Cam will hang out at my booth with me.

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Speaker 4: I'm looking for someone to hang out with there because

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I'm not going to have a booth. But uh yeah,

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I'll with you. I'm used to sitting with you. I know.

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Speaker 6: I usually come and sit with you in Gatlinburg'll be

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the one with the line people wanting to take their

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picture with you, you know.

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Speaker 4: That, right? Yeah?

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Speaker 1: I hate that you guys are going to the Gattenburg

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when Brian and I are actually sitting up.

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Speaker 5: They're going to try to go to that to the

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World Productions.

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Speaker 1: We're going to have a table there.

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Speaker 6: Well, that would be cool, but Gallinburg. The thing about

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Gatlinburg is cheap, and Gatlinburg is expensive.

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Speaker 3: Everywhere else on the planet.

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Speaker 6: Yeah, and they draw a pretty good crowd and it's

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a really fun one to go to, but you know.

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Speaker 3: It's just not.

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Speaker 6: I because of who's going to be there this year

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and I can't remember who it was. Oh, Matt Moneymaker's

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going to be there, and Can allowed me to be

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a part of an interview he did with Matt, and

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I thought it would be fun to meet him in person,

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and I.

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Speaker 3: Was all excited.

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Speaker 6: I was like, I'm gonna go, But as it was happening,

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like my computer shut down, I couldn't get my.

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Speaker 5: To do it.

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Speaker 6: I couldn't convert it to my credit card instead of

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my debit card. And I was just like taking them

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all from as signs from God to tell me you're

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not going.

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Speaker 3: So that's why I'm not going.

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Speaker 6: And then when I found out that Cam wasn't going,

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I was like, well, I'm really glad I'm not going

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because he's kind of my hang up.

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Speaker 3: Buddy when I go there.

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Speaker 6: And last year I was in so much pain after

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that long drive that I wound up only staying half

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the day.

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Speaker 4: So yeah, you were hurting. Oh my god, I'm sorry

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to get us started on that this is your show.

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My apologies.

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Speaker 1: I'm gonna I'll tell all of my guests when they

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come on before you know we go live that you know,

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once the pleasantries are done, the show was theirs. We

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take it whatever direction they want to go. So you

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want to all you want to talk about the weather man,

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we'll talk about the weather.

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Speaker 4: I want to talk to Lisa about about later.

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Speaker 5: I want to hear. I want to hear about what

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you're doing. And Nio, I want to hear about what

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you're doing. And I know everybody else that logged on

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here wants to know about what y'all are doing.

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Speaker 1: Well, let's let's let ladies go first.

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Speaker 7: Now.

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Speaker 1: Myp to Hunted last night and I loved it. I

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started it and it's very rare for me, if you're

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rare for me having a two year old daughter to

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have the time to start something and finish it. But

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she let me last night, and I it was so

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so well written, and Cam you got that voice man

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that everyone knows your boy. She does such an amazing

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job reading this stuff. But and you hinted a little

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bit that there might be a sequel, tell us a

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little bit about Hunted and what's coming up in the future.

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Speaker 6: So when I originally spoke with Kim about Hunted, you know,

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he says, well, why don't you just write a short story.

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Don't worry about you know, just sit down and write

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it and don't worry about things like syntax and grammar,

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and just send it to me.

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Speaker 3: So I literally did that.

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Speaker 6: I sat down and over I think it only took

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me well, it probably took a whole week to do it,

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but I didn't work on it solid, like I worked

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on it for a couple hours one day and then

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a few hours, so probably a total of maybe three

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or four days to put the whole thing together. And

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I sent it to him, and I didn't go back

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and look for holes in the story.

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Speaker 3: I didn't.

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Speaker 6: I mean, there's a couple of things that questions I

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really should have answered at the end of the story.

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And I thought, well, if it does okay, maybe I'll

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write a sequel.

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Speaker 3: And I was surprised that it did so well.

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Speaker 6: I mean, you know, not that I would expect anything

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on Cam's channel to do well, but I was surprised

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that people were willing to tune in and listen to this.

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Speaker 3: Silly little short story i'd written.

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Speaker 6: Oh, we were talking and I was like, well, you know, Cam,

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I do have the idea for a sequel, and he's like, yeah,

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go ahead and send it to me.

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Speaker 3: So I did, and it basically it.

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Speaker 6: In the original, she talks about the only two times

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she came back were for her father's funeral and then

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her mother's or her mother's funeral and then her father's

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and it's the sequel is what happened when she came back.

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So and it's it's longer than the original.

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Speaker 4: I think her manuscript brought your own mind.

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Speaker 6: It's I think the original was not quite twelve thousand words,

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and I think that this one, the sequel's about seventeen

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thoy nine hundreds.

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Speaker 1: So now, Naomi, you said you wrote that in how

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long did it take? Just a few days?

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Speaker 6: Well, I mean I wrote it over the period of

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a week, but just for a couple hours a day,

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So probably three straight eight hour days is what it

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took to write it.

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Speaker 4: Wow, I'll say this before she gets the big head.

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I think she shape that story off of another story,

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because the first manuscript I got with the podcast. It's

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up with that story. I actually recorded it. It was

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about when I say, six thousand words. It was recorded,

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this whole story, and did it cold. I can do

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her stuff cold because she edits for me, and she

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cleans up all the stories that I did virtually ninety

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nine percent of the stories you hear on my channel,

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unless there are audio.

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Speaker 3: Books or somebody else's fiction.

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Speaker 4: Yeah, the onlmen cleans them up, and so I never

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have to I never I just open them up, start

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reading because it's like she's she's become accustomed to the

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way I speak, and so she edits them that way,

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and so I can just almost read them. Have a

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little clicker here that when I when I mess up,

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i'll click because it'll spike on my time on something

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that I do. They'll be twenty or thirty of these clicks.

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A lot of people think I just read it straight out,

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but I don't. It's it takes a lot of editing

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and revisions. But with hers, there might be two or three.

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And so here's the point. She sent me this other

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story and I just I just busted it out. And

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then when I got to the end of it, I thought.

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Speaker 3: This doesn't make sense, I'll the story up.

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Speaker 4: If that's what she wants. But there was no you know,

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there was no there's no creature. My channel is kind

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of a creature channel and podcast, and we do stories

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that people send us, and we'd also do fiction and

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because it's fun. And so I called her and she goes,

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oh my gosh, that's not the file I'm in, And

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I said, well, I just recorded it. I actually I

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had to record that story twice, and the second version

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was twice as long. So I recorded it in like

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about an hour. I think it's an hour and fifteen

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minute now.

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Speaker 3: Yeah, the videos about an hour and thirteen minutes long.

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Speaker 4: I did it all in one shot because it's just

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the way she writes is so easy for me to

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read out loud. So anyway, I'm sorry. I just had

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to do that story. I think she had written the

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bass premise of that story for maybe one of her

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novels or something else, and then she reworked it. But

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now this part too, or the sequel to it is,

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it's all brand new stuff, in't neilma.

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Speaker 3: Oh yeah, yeah, now it might. Defense.

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Speaker 6: I had started the story and I wrote it, and

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I had gotten to a certain point my husband, I

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work in this little corner of the bedroom. Yeah, Kelly,

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you're right, I don't have enough books. But I was

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sitting here in my corner of the bedroom. My husband

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walks in and he says, what are you doing? And

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I said, well, you know, Cam gave me this kind

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of an assignment and I'm writing this story and I

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want to know what you think. And I read to

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him what I wrote for you, that first part that

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you got, and I was like, tell me what you

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think and I get nothing. I mean, like, my husband's

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not going to tell me if it's bad, but he's

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not going to tell me it's good if it's not.

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And he's staring at me, and I'm like, it's that boring,

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he says, He says, what is that about. I was like, okay,

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I'm going to go ahead and close this up and

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start a whole new file and start over from scratch.

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But when it came time to send it, I sent

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the first one to Cam, the one that my husband

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looked at me like I was a lunatic for having

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written It's boring.

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Speaker 3: It's all about you.

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Speaker 6: Know, being depressed over her grandfather dying, and it's just

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you know, her boyfriend's a jerk and there's nothing to

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and and I thought, oh, dear lord, I am so glad.

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Speaker 3: He called me and said, are you sure you want that?

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Speaker 6: Because I would have died if that's what had gone

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out on the air. I would have been like digging down,

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digg it down now. So yeah, it was silly me.

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I sent the wrong file.

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Speaker 4: Cam.

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Speaker 1: And you said you did all of that in one take.

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Now I'm assuming part two you're gonna do in one take.

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So you haven't had a chance to read part two yet.

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Speaker 4: Uh I've skimmed through it and it's a it's about

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eight thousand more words than the part one, So we haven't.

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I haven't announcedis or anything. I'm trying to catch up.

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I've been sick for like three weeks and I haven't

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been plus i've been work, work, work, working, you know,

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my regular job. And I didn't put up a podcast

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for about two and a half weeks. And uh so

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it's gonna take me a while to get to it,

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but I'll probably get to it early next week and

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just randomly put it out there. But Neilma is such

285
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a good writer. She's got a wonderful imagination and she

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has this, it's hard to describe how she kind of

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sucks you into a story.

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Speaker 1: It's like, I think that describes it perfect well.

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Speaker 4: I mean, a lot of people will send you stuff

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and you'll read it, and and a lot of it's

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really good, but there's there's a really good talent.

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Speaker 1: Say tune for more. But the big that we're for it,

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we'll be right back.

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Speaker 4: And I use this quote all the time. Margaret Atwood,

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the you know, the world renowned author, said, if you

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want me to read your book, hold my attention, Hold

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my attention. And that's what she's able to do with

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her writing. And so it's not just covered up with

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a bunch of fluff and minutia and needless details. It's

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just good. You know, the story moves, That's what I'm

301
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I think, that's what I'm trying to say. It just

302
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keeps moving, just keeps moving.

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Speaker 1: So yeah, yeah, she has just an amazing gift for

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not only writing, with the storytelling as well. Naoma was

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our every year cam my organization. We do a camp

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out to call it to squatch Out and we have

307
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guest speakers that come and Naoma kicked it off this

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past year and was our storytellers did like a campfire storytelling, Saysion,

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and for about two hours before the first night of it,

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and she just absolutely killed it.

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Speaker 4: I heard about that.

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Speaker 3: Yeah, it was fun.

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Speaker 1: Yeah, it was an awesome, awesome time. And I hope

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that you'll come back to the next one.

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Speaker 6: Absolutely. So enough about me, I want to talk to

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Steve Lily.

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Speaker 1: That was gonna that was gonna be my question. You

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laid out the premise of your channel just a little bit.

319
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You you share encounters that folks send in, and you've

320
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also been doing some fiction. And I've got turned on

321
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to mister Steve Lily And I'm not ashamed to tell

322
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you that I have a new man crush. I don't

323
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care if you, but I got a little thing for

324
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Steve Lily Man. Where did you come up with that?

325
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And you're not you're not too shabby.

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Speaker 4: Righting yourself.

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Speaker 3: Here's pretty good.

328
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Speaker 4: The channel didn't start out that way. The channel started

329
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out year five going on five years. I wrote stories.

330
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I recounted stories on paper that people had told to me.

331
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That was like the first five or six podcast I did.

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I didn't think anybody would be interested in it, but

333
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I was having fun doing it, so I just kept

334
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doing it, and then people seemed to like it, and

335
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the audience grew a little bit, and so I ran

336
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out of stories, and so I thought, I don't have

337
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time to write all these. You know, I had not

338
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looked past the first five or six podcasts, and so

339
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so I asked the audience. I said, hey, if you've

340
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had some kind of weird thing happened, you know, when

341
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we kind of limited it to Bigfoot, emails started coming in,

342
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like ten or twelve a day, and I thought, and

343
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then I started panicing, thinking how am I going to

344
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get to all these? And so then it kind of

345
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switched to that and it was solely Bigfoot. And then

346
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all the Bigfoot crazies pissed me off, and so namely

347
00:18:00,119 --> 00:18:04,000
because of Matt Moneymaker. They all, I don't know Matt Moneymaker.

348
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I've talked to him twice in my life and I

349
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still don't have a judgment on him, but they hammered

350
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me so bad. These really orthodox Bigfoot people is That's

351
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who I'm talking about. A lot of people say, well,

352
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don't you don't need to say that stuff about your audience.

353
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My audience today is not those people. They've all left

354
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because they they're so hacked off that I had Matt

355
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Moneymaker on they're so immature, and so that made me

356
00:18:30,880 --> 00:18:35,640
so mad and so angry that I thought, I'm not

357
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doing one hundred percent Bigfoot anymore. So now we do

358
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Bigfoot and we do other things. The podcast that I released,

359
00:18:44,720 --> 00:18:47,400
I think one's going to release here in about six minutes.

360
00:18:48,839 --> 00:18:52,039
I've got it scheduled in one yesterday. All the podcasts

361
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have at least one or two paranormal type ghosts or

362
00:18:57,000 --> 00:19:01,960
you know, yeah, ufo kind of stuff, or real interesting stories.

363
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And so I'm so long winded, so just stop me

364
00:19:06,759 --> 00:19:10,119
whenever you need to. But at some point a couple

365
00:19:10,160 --> 00:19:14,799
of years ago, I kind of got bored with, you know,

366
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the Bigfoot stories. They are great, they're all exciting, but

367
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they're all you can find a common thread in all

368
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of them. And some people will say, oh, that's great.

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They all have a common thread, so they must be

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true and all this stuff, and they may be. Every

371
00:19:31,119 --> 00:19:33,720
one of them may be true. But when you are

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in my shoes and you're doing one after another after another,

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four or five of these stories three times a week,

374
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it begins to run together, and it almost feels like

375
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you're reading a lot of the same stuff. So one

376
00:19:48,680 --> 00:19:51,960
it was interesting to me to go to other topics,

377
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which I mainly did that for me mainly secondarily because

378
00:19:58,000 --> 00:20:01,960
the Bigfoot orthodox Bigfoot people really hacked me off, and

379
00:20:02,720 --> 00:20:04,960
so I got a little bored, and I thought, I'm

380
00:20:05,000 --> 00:20:08,480
just going to write something that's lighthearted, something that's fun,

381
00:20:08,599 --> 00:20:10,839
and I just sat down one day in the first

382
00:20:10,880 --> 00:20:13,799
Steve Lily I wrote it. I think in about a day,

383
00:20:14,119 --> 00:20:19,319
maybe six hours. I just started typing, and I thought

384
00:20:19,440 --> 00:20:21,799
that's pretty good. So I recorded that and I put

385
00:20:21,839 --> 00:20:23,599
it up and I didn't think anything about it. A

386
00:20:23,680 --> 00:20:26,240
matter of fact, I didn't even put it on Dixie Crypton.

387
00:20:26,759 --> 00:20:30,200
I put it on another podcast that I have started

388
00:20:30,359 --> 00:20:34,400
that is now the Steve Lilly Podcast. But and people,

389
00:20:34,480 --> 00:20:39,599
really I was getting unbelievable feedback. You can't go by

390
00:20:39,640 --> 00:20:45,039
the comments, because you know, if ten thousand people watched

391
00:20:45,079 --> 00:20:49,640
this podcast right here, there's going to be maybe thirty

392
00:20:49,720 --> 00:20:52,319
or forty who are going to comment on it. So

393
00:20:52,359 --> 00:20:54,599
you're not getting really but you're getting a pretty good

394
00:20:54,640 --> 00:21:00,119
sample of the way people like it. Everything that I

395
00:21:00,119 --> 00:21:03,799
saw in the comment section, plus and emails coming to

396
00:21:03,839 --> 00:21:06,960
me were telling me that there were ninety percent of

397
00:21:06,960 --> 00:21:10,640
the people really like that. So a month later I

398
00:21:10,640 --> 00:21:15,720
wrote another one, and I've got twelve written. I've got anyway,

399
00:21:15,759 --> 00:21:19,119
it's a long story. They were kind of mishmashed, and

400
00:21:19,200 --> 00:21:23,160
I was the first batch of Steve Lily's. I did

401
00:21:23,200 --> 00:21:27,039
the first five and one giant long, three hour podcast

402
00:21:28,039 --> 00:21:31,359
just so that people on Dixie could read, could listen

403
00:21:31,400 --> 00:21:34,920
to them. They were all singularly on the other podcast,

404
00:21:35,039 --> 00:21:38,720
one episode at a time with other stories, and I thought, well,

405
00:21:38,759 --> 00:21:41,079
people enjoyed this so much, I'm just gonna make it

406
00:21:41,079 --> 00:21:44,480
its own thing. So it's just kind of evolved, and

407
00:21:44,519 --> 00:21:46,599
it evolved into its own podcast.

408
00:21:46,920 --> 00:21:47,039
Speaker 1: Now.

409
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Speaker 4: I haven't released to Steve Lily in probably four months,

410
00:21:50,880 --> 00:21:55,119
but I just haven't had time to write, I haven't

411
00:21:55,119 --> 00:21:59,640
had time to record. But I'm I'm gonna be finishing

412
00:21:59,720 --> 00:22:05,519
up three Steve Lillies that I had started, hopefully over

413
00:22:05,559 --> 00:22:09,599
the weekend in the coming week, and the next, you know,

414
00:22:09,640 --> 00:22:12,359
the following week, I'll put three or four more up.

415
00:22:12,559 --> 00:22:15,559
And so it's just a lot of fun. And he's

416
00:22:15,559 --> 00:22:19,799
a guy. He's kind of a composite of a guy

417
00:22:20,720 --> 00:22:24,319
of about twenty guys that I know. And when people

418
00:22:24,480 --> 00:22:27,119
ask me about how did you come up with that character,

419
00:22:27,200 --> 00:22:30,799
and I'll just say, you know guys like that. They'll go, yeah,

420
00:22:30,839 --> 00:22:33,240
I do, I do know guys like that. So you

421
00:22:33,279 --> 00:22:37,359
take this little eccentricity this one fella has, and you

422
00:22:37,400 --> 00:22:40,480
take this other little weird quirk this other guy has,

423
00:22:41,079 --> 00:22:44,119
and you take this other kind of funny way of

424
00:22:44,200 --> 00:22:46,640
speaking this guy has, and you just put them all

425
00:22:46,680 --> 00:22:49,279
together and you come up with a character. And that's

426
00:22:49,359 --> 00:22:53,759
how That's how I got him. And then his sidekicks

427
00:22:54,000 --> 00:22:58,880
are They are specific guys I've known through the years,

428
00:22:59,000 --> 00:23:02,359
and Skiff we're friends with. And I call these guys

429
00:23:02,400 --> 00:23:04,960
and I tell them, you know this character is you,

430
00:23:05,039 --> 00:23:06,599
don't you? They're like, hey, yeah, I know.

431
00:23:07,839 --> 00:23:08,519
Speaker 1: That's awesome.

432
00:23:08,640 --> 00:23:08,839
Speaker 4: Yeah.

433
00:23:09,680 --> 00:23:11,640
Speaker 1: Nam and I were talking a little bit about it

434
00:23:11,720 --> 00:23:13,480
last night or the night before, and she had made

435
00:23:13,519 --> 00:23:17,319
the comment that it's so coy it needs to be

436
00:23:17,359 --> 00:23:20,160
in like a Netflix series, And I could see that

437
00:23:20,519 --> 00:23:24,759
is that something that that you by you would entertain that.

438
00:23:26,319 --> 00:23:28,480
Speaker 5: I was just going to ask if you have wrote

439
00:23:28,519 --> 00:23:32,599
these in screenplay, if you've wrote them like a screenplay.

440
00:23:32,799 --> 00:23:34,839
Speaker 4: I don't I need to. I don't know how to

441
00:23:34,839 --> 00:23:38,720
write a screenplay. I barely know how to spell my

442
00:23:38,799 --> 00:23:39,519
own name, but.

443
00:23:39,680 --> 00:23:44,920
Speaker 6: It's you know, my husband knows how to write screenplays well.

444
00:23:44,960 --> 00:23:46,599
Speaker 4: And then I don't know what to do with it.

445
00:23:46,680 --> 00:23:48,559
Do you get an agent? Do you get you know?

446
00:23:48,640 --> 00:23:48,759
Speaker 5: What?

447
00:23:48,759 --> 00:23:50,240
Speaker 4: Do you? What do you do? I don't know.

448
00:23:51,160 --> 00:23:56,799
Speaker 1: Am I happen to know a producer in television and movies?

449
00:23:57,559 --> 00:23:58,119
Pretty well?

450
00:23:58,519 --> 00:24:01,160
Speaker 5: You shop it and you you shop it and you

451
00:24:01,200 --> 00:24:03,960
shop it around and see if anybody takes any bites

452
00:24:04,000 --> 00:24:08,160
on it. And it's a long everybody thinks like it

453
00:24:08,240 --> 00:24:11,599
happens like overnight, like you write this amazing screenplay and

454
00:24:11,680 --> 00:24:17,119
everybody's interested in it. Takes at least three years to

455
00:24:17,240 --> 00:24:20,400
develop a screenplay into a film.

456
00:24:20,640 --> 00:24:25,440
Speaker 1: But in all seriousness is as popular as the Bigfoot

457
00:24:25,799 --> 00:24:29,279
subject is. You know, the last decade it has exploded.

458
00:24:29,720 --> 00:24:33,480
We all know that. We see all these Bigfoot reality

459
00:24:33,920 --> 00:24:37,359
TV shows come and go, you know, Finding Bigfoot, Expedition, Bigfoot,

460
00:24:37,400 --> 00:24:42,759
all this stuff. I can't remember see ever seeing a

461
00:24:42,880 --> 00:24:47,160
fictional Bigfoot series, And I think it would do well.

462
00:24:47,279 --> 00:24:49,519
I think it would do really really well if one

463
00:24:49,640 --> 00:24:52,440
was done right. And from what I've heard, Cameron, what

464
00:24:52,480 --> 00:24:55,920
you're doing with Steve Lelly, it's awesome. It's entertaining as hell.

465
00:24:56,319 --> 00:24:58,880
Speaker 4: Maybe it's just one film, you know, would be good.

466
00:24:58,920 --> 00:25:01,279
I have, there's a whole story. I've got half of

467
00:25:01,319 --> 00:25:04,759
a novel written, and I mean there's a lot of stuff.

468
00:25:05,720 --> 00:25:08,279
There's a lot of there's some depth to this guy,

469
00:25:08,400 --> 00:25:13,079
and so yeah, yeah, the thing is, I don't know

470
00:25:13,079 --> 00:25:15,039
what to do with it, but just keep writing it

471
00:25:15,079 --> 00:25:17,720
and putting it out on a podcast and if so,

472
00:25:17,799 --> 00:25:21,200
if it catches someone's eye or ear, then all my

473
00:25:21,319 --> 00:25:24,759
email addresses are attached to all my podcasts. They can

474
00:25:24,799 --> 00:25:26,960
email me, and that's all I know to do.

475
00:25:27,200 --> 00:25:31,000
Speaker 5: But I don't know, you know, I think piggybacking up

476
00:25:31,079 --> 00:25:34,319
what you said Wayne about like the Bigfoot shows and

477
00:25:34,359 --> 00:25:38,640
the movies and stuff. They it's so weird, like Hollywood,

478
00:25:38,759 --> 00:25:41,200
Like they get hooked on one thing, you know, it's

479
00:25:41,240 --> 00:25:46,319
like Annabelle and the Conjuring, and it's cyclical like that.

480
00:25:47,039 --> 00:25:50,799
You know, they want one thing and then they just saturated.

481
00:25:50,920 --> 00:25:54,480
And you're right, We've not had a good creature film

482
00:25:55,000 --> 00:25:56,680
in a really, really long time.

483
00:25:57,079 --> 00:26:02,519
Speaker 4: Yeah. Parl, my wife and I talk about that about

484
00:26:02,720 --> 00:26:05,279
once every three months, and she's like, who would play

485
00:26:05,279 --> 00:26:08,319
Steve Lily and who who would be Lewis? And who

486
00:26:08,359 --> 00:26:10,680
would be Hook and there's a new character that's going

487
00:26:10,720 --> 00:26:14,640
to be introduced in the next episode, and he is

488
00:26:14,720 --> 00:26:18,400
his he's a really funny guy, but he's he's really tough,

489
00:26:18,519 --> 00:26:21,599
and but she she's I'm like, you know, I'm not

490
00:26:21,720 --> 00:26:25,720
really that worried about who would play Steve Lily. What

491
00:26:25,880 --> 00:26:31,319
I care about are the CGI artists who create the Bigfoots,

492
00:26:31,440 --> 00:26:35,039
that they fight to make sure they make them as

493
00:26:35,160 --> 00:26:39,920
big and bad and mean as they possibly can. Because

494
00:26:40,519 --> 00:26:42,799
there was one film that came out that I don't

495
00:26:42,839 --> 00:26:46,559
watch bigfoot stuff very much. I've watched a couple of

496
00:26:47,920 --> 00:26:52,000
bobcat Golwait's bigfoot film. What was it called? Well, it

497
00:26:52,079 --> 00:26:55,480
was really good. It was good, but it was kind

498
00:26:55,480 --> 00:26:58,880
of along the lines of the Blair Witch type, you know, filming,

499
00:26:59,000 --> 00:27:02,200
and it was good, and you never see the creature

500
00:27:02,880 --> 00:27:05,680
I want if they do, you know, of course, once

501
00:27:05,680 --> 00:27:09,240
you sign the rights over you lose all creative input

502
00:27:09,319 --> 00:27:13,480
in it anyway, but I wish that they would anyway.

503
00:27:13,519 --> 00:27:17,319
There was this film that Sam Elliott was in called

504
00:27:17,359 --> 00:27:20,079
The Man Who Killed Hitler and then he killed Bigfooter.

505
00:27:20,119 --> 00:27:22,759
I can't remember the exact title, but I was so

506
00:27:22,839 --> 00:27:25,799
excited about that. I thought, Okay, Sam Elliott. This is

507
00:27:26,160 --> 00:27:29,640
this guy's a big he's big, he's a huge drawl

508
00:27:30,440 --> 00:27:33,240
and they're gonna do a good bigfoot. They're gonna do,

509
00:27:33,519 --> 00:27:36,799
you know, some mean looking bigfoot. It was a scroneous,

510
00:27:36,960 --> 00:27:41,119
emaciated looking bigfoot i've ever seen. Now. Granted that bigfoot

511
00:27:41,279 --> 00:27:44,000
was sick, but I don't think he was. He had

512
00:27:44,039 --> 00:27:46,960
some kind of a virus or something, and that's why

513
00:27:46,960 --> 00:27:49,279
they were going to kill him. But it was just

514
00:27:49,319 --> 00:27:53,400
a pathetic looking bigfoot. So yeah, that's the only input

515
00:27:53,440 --> 00:27:56,160
I'd like to have is let's make these bigfoots really

516
00:27:56,240 --> 00:27:57,680
mean and nasty looking.

517
00:27:58,000 --> 00:28:02,440
Speaker 5: And that costs money, you know, And that's the bottom

518
00:28:02,480 --> 00:28:05,119
line with any film is you know, how much is

519
00:28:05,119 --> 00:28:07,400
it going to cost? What can we do it? You

520
00:28:07,440 --> 00:28:11,720
get in that cgi and even costumes like That's why

521
00:28:11,720 --> 00:28:14,519
I always laugh about people talk about the Patty film

522
00:28:14,799 --> 00:28:16,920
and they're like, oh, it's a person in a costume

523
00:28:16,960 --> 00:28:20,960
and blah blah blah blah blah. That I don't even

524
00:28:20,960 --> 00:28:22,599
want to go down that rabbit hole right now, but

525
00:28:22,640 --> 00:28:23,799
I have a lot to say about that.

526
00:28:25,000 --> 00:28:25,440
Speaker 4: What's we hear?

527
00:28:26,599 --> 00:28:29,279
Speaker 5: Well? I mean, back then, they couldn't have made a

528
00:28:29,319 --> 00:28:33,960
costume like that with the funds that those guys had. Yeah,

529
00:28:34,440 --> 00:28:37,400
I know, I mean, just costumes now are outrageous. That's

530
00:28:37,400 --> 00:28:39,599
one of the biggest parts of your budget is the

531
00:28:39,640 --> 00:28:40,519
costume department.

532
00:28:41,319 --> 00:28:46,759
Speaker 6: And just a little interjection on my part at that point,

533
00:28:46,960 --> 00:28:51,720
the most believable costumes in Hollywood at that time were

534
00:28:51,839 --> 00:28:55,839
used in Planet of the Apes. Yeah, they weren't as good,

535
00:28:56,200 --> 00:28:58,720
no what that video shows, and that was the best

536
00:28:58,759 --> 00:29:00,519
Hollywood could do at that point.

537
00:29:00,720 --> 00:29:03,200
Speaker 5: Exactly, yeah, exactly, it was pretty good.

538
00:29:03,480 --> 00:29:05,599
Speaker 1: You took that from me. Now, I've said it so

539
00:29:05,640 --> 00:29:07,240
many times. It was either the year before or the

540
00:29:07,319 --> 00:29:10,079
year after. The petty Thelm planning of the Apes won

541
00:29:10,160 --> 00:29:13,480
the the best, won the Academy Award for Best Costume.

542
00:29:13,240 --> 00:29:14,039
Speaker 5: Best Costumes.

543
00:29:14,400 --> 00:29:16,400
Speaker 3: That's the best and they were doing.

544
00:29:18,759 --> 00:29:22,359
Speaker 5: And just the muscle movement, and yeah, I said, I

545
00:29:22,359 --> 00:29:25,880
could go down a whole rabbit hole on on that costume.

546
00:29:26,680 --> 00:29:29,839
Speaker 1: Well, Cameron, you you flirted with a little bit. Who

547
00:29:29,839 --> 00:29:32,240
would you who would be your pick to play Steve Lilly?

548
00:29:33,000 --> 00:29:37,920
Speaker 4: Oh, I don't know. I thought, I mean that I

549
00:29:37,960 --> 00:29:40,160
have an image in my mind what he looks like,

550
00:29:40,480 --> 00:29:45,960
but uh, probably the closest would be Matthew McConaughey or

551
00:29:46,039 --> 00:29:49,160
Woody Harrelson. You know, Woody Harrelson was great in those

552
00:29:49,279 --> 00:29:52,119
zombie movies that I can't remember the titles of them.

553
00:29:52,160 --> 00:29:58,319
But so Steve Lily is this real, unassuming.

554
00:29:59,480 --> 00:30:02,680
Speaker 1: Stay tuned for more but the big Foot board We'll

555
00:30:02,680 --> 00:30:03,599
be right back.

556
00:30:05,079 --> 00:30:07,680
Speaker 4: Guy who just takes life one step at a time.

557
00:30:07,880 --> 00:30:10,799
You know, he's not really he's just dealing with what

558
00:30:10,960 --> 00:30:14,920
comes at him hour by hour, and not just in

559
00:30:15,000 --> 00:30:20,279
his Bigfoot bounty hunting, but just in his life. And uh,

560
00:30:21,039 --> 00:30:24,519
Matthew McConaughey is a He's an exquisite actor if you

561
00:30:24,599 --> 00:30:27,799
ask me, he's really good. He can get into those characters.

562
00:30:28,240 --> 00:30:30,160
But you know, I don't really care who it is.

563
00:30:30,240 --> 00:30:33,759
But Steve Lilly's not a big guy. He's not a big, muscular,

564
00:30:34,000 --> 00:30:39,759
you know, Schwarzenegger type actor and or or a character.

565
00:30:40,519 --> 00:30:45,640
And now his buddies are Lewis and Hooker both he's

566
00:30:45,839 --> 00:30:49,279
enormous guys. But yeah, I think I think my favorite

567
00:30:49,319 --> 00:30:53,720
would be probably Matthew McConaughey. I think if I if

568
00:30:53,720 --> 00:30:56,079
they said you picked the actor, that's who I'd say.

569
00:30:56,519 --> 00:30:58,839
Not whether he'd take the role or not, probably not.

570
00:30:59,119 --> 00:31:02,200
But anyway, you never know whatdy Harrelson.

571
00:31:02,319 --> 00:31:04,079
Speaker 1: I mean, you hit it on the head right there.

572
00:31:04,079 --> 00:31:06,200
I think he would do an amazing job.

573
00:31:06,680 --> 00:31:10,599
Speaker 3: Yeah, I'm sorry, I see Ryan Reynolds.

574
00:31:11,960 --> 00:31:14,759
Speaker 4: That's another possibility. He would be great, But he just

575
00:31:14,839 --> 00:31:16,119
doesn't have the accent.

576
00:31:17,119 --> 00:31:17,480
Speaker 3: Yeah.

577
00:31:17,599 --> 00:31:21,079
Speaker 4: And the thing that Southern accents they're really hard to fake,

578
00:31:21,759 --> 00:31:25,799
you know. When people who don't have it try to

579
00:31:25,839 --> 00:31:28,759
do a Southern accent in an acting role, they just

580
00:31:29,720 --> 00:31:32,759
people who live down here were like, no, that's not

581
00:31:32,880 --> 00:31:34,039
the way we talk, you know.

582
00:31:34,319 --> 00:31:39,720
Speaker 5: So Josh Lucas would be really in that. Josh Lucas

583
00:31:39,759 --> 00:31:43,319
he was in Sweet Home, Alabama. He plays the younger.

584
00:31:43,440 --> 00:31:47,480
He plays a younger John Dutton on Yellowstone in that series.

585
00:31:47,960 --> 00:31:51,039
Speaker 4: He's a good narrator too. Yeah, he's a really good narrator.

586
00:31:51,200 --> 00:31:51,440
Speaker 2: All that.

587
00:31:51,640 --> 00:31:55,559
Speaker 5: I think home Depot commercials. He does the voiceovers.

588
00:31:55,000 --> 00:31:59,119
Speaker 1: Now cam speaking of narrating, you you got your hand

589
00:31:59,160 --> 00:32:01,279
in a little bit of that. I've heard you on

590
00:32:01,359 --> 00:32:04,640
some of Da Roberts stuff. Is that something you enjoy doing?

591
00:32:05,359 --> 00:32:10,079
Speaker 4: Love it? I love doing audio books, but they take

592
00:32:10,119 --> 00:32:12,000
a lot of time, so I have to have a

593
00:32:12,680 --> 00:32:15,079
like one of DA's books. His books are seventy to

594
00:32:15,119 --> 00:32:18,799
eighty thousand words that's a full seven days of recording,

595
00:32:18,880 --> 00:32:23,759
and you know, seven to ten days of recording and editing.

596
00:32:24,160 --> 00:32:27,559
And I love doing them. It's peaceful for me. I

597
00:32:27,720 --> 00:32:31,000
just kind of shut everything down and I just get

598
00:32:31,039 --> 00:32:33,279
into the book. And I'm not good at it. I'm

599
00:32:33,319 --> 00:32:36,880
not a voice actor. I was telling Neilma this not

600
00:32:36,960 --> 00:32:39,319
too long ago. I'm not really a narrator. I'm just

601
00:32:39,359 --> 00:32:44,799
a fairly average reader. I can read out loud. I

602
00:32:44,839 --> 00:32:47,720
couldn't at first, because you can listen to my first podcast,

603
00:32:47,839 --> 00:32:50,839
you think, man, this guy's like a moron. But I've

604
00:32:50,880 --> 00:32:54,480
kind of developed a hew. You do thousands of them,

605
00:32:54,519 --> 00:32:57,200
and you just naturally kind of get better at it.

606
00:32:57,799 --> 00:33:01,119
So I don't do voices very well. I do a few.

607
00:33:01,440 --> 00:33:05,200
My favorite are doing old Southern women, like I love

608
00:33:05,200 --> 00:33:06,920
it when there's a character in a book that's an

609
00:33:06,920 --> 00:33:10,720
old Southern woman. Jack la Fountain's books have a couple

610
00:33:10,880 --> 00:33:13,160
in his books, and I get to do those accents.

611
00:33:13,240 --> 00:33:16,559
And then when there's a lot of dudes in the book,

612
00:33:17,720 --> 00:33:22,480
you know, male characters, I just I can't. I can't

613
00:33:22,519 --> 00:33:25,640
do that many voices. I just can't do that many.

614
00:33:26,279 --> 00:33:28,640
You know who can is Will Patten. He can do

615
00:33:29,799 --> 00:33:33,839
tons of voices. And I've been listening to Mark Greeney's

616
00:33:33,880 --> 00:33:39,119
books on audible, the gray Man series. I think he's

617
00:33:39,119 --> 00:33:41,799
got eleven out now. I can't remember the name of

618
00:33:41,839 --> 00:33:45,440
the narrator, but he is superb. He is awesome. He

619
00:33:45,480 --> 00:33:48,160
does all kind of he does, like foreign accents and stuff.

620
00:33:48,160 --> 00:33:51,680
I love listening to him, but I just can't do it. So, yeah,

621
00:33:51,720 --> 00:33:54,160
I do a few audio books, and I may have

622
00:33:54,319 --> 00:33:57,000
just done my last audible audio book.

623
00:33:58,599 --> 00:34:01,000
Speaker 1: And now is that something that you do at your

624
00:34:01,079 --> 00:34:02,759
home cam or do you have to go to a

625
00:34:02,799 --> 00:34:04,920
studio or I guess you're I do it right here.

626
00:34:04,839 --> 00:34:08,440
Speaker 4: On this microphone. Yeah, the smarcrophone right here.

627
00:34:08,960 --> 00:34:11,960
Speaker 1: I was wondering how how that worked. Now do you

628
00:34:12,039 --> 00:34:14,679
just do it for people you know? Or can other

629
00:34:14,679 --> 00:34:16,960
people reach out to you? Or you just do it

630
00:34:17,000 --> 00:34:18,719
like a favor for people that you like?

631
00:34:19,199 --> 00:34:24,400
Speaker 4: Or how has that done with Tiffany do the Southern Woman?

632
00:34:24,800 --> 00:34:25,639
Speaker 1: I'd love to hear it.

633
00:34:29,039 --> 00:34:32,440
Speaker 4: I don't know why. I can't think of anything to say, Like,

634
00:34:32,480 --> 00:34:35,320
there's a sole woman and it's usually just a small

635
00:34:35,360 --> 00:34:38,119
part in the book. And Ed Landry is the main

636
00:34:38,239 --> 00:34:43,639
protagonist in Jack the Fountains. Ed Landry novels, and he

637
00:34:44,039 --> 00:34:47,159
invariably every single book they have to go interview some

638
00:34:47,239 --> 00:34:50,599
old woman that saw this dog man. Why sheriff, I

639
00:34:50,719 --> 00:34:53,519
did see that big thing walking out in my front yard,

640
00:34:53,519 --> 00:34:55,960
an he walk right out through the woods. You know,

641
00:34:56,079 --> 00:34:59,519
you just kind of get the just because I've heard

642
00:34:59,559 --> 00:35:03,079
so many of them say things that way. And I mean,

643
00:35:03,119 --> 00:35:05,760
I've got neighbors right here who talk like that, and

644
00:35:05,800 --> 00:35:09,000
I just it's like their accents and the way they

645
00:35:09,039 --> 00:35:11,440
talk and the slowness of the way they talk is

646
00:35:11,480 --> 00:35:15,039
just music in my ears. I love. I love to

647
00:35:15,039 --> 00:35:19,840
hear a Southern accent. Mostly men will butcher, you know.

648
00:35:20,320 --> 00:35:22,320
And I'll be honest with you, a lot of guys,

649
00:35:22,519 --> 00:35:30,440
as Southern guys, they try to really what's the word.

650
00:35:31,360 --> 00:35:34,440
It's like they'll really bring that accent out when they're

651
00:35:34,440 --> 00:35:39,880
around people who don't have one, yeah, or when they're

652
00:35:39,920 --> 00:35:43,280
around a bunch of other dudes, they just start they

653
00:35:43,559 --> 00:35:49,039
gotta be tough, you know. But a woman that accent

654
00:35:49,159 --> 00:35:52,760
is authentic. What you're hearing is exactly the way she talks.

655
00:35:52,840 --> 00:35:55,519
Every time women are that way, they're just going to

656
00:35:55,599 --> 00:35:59,000
talk the way they talk. And so it's just music

657
00:35:59,199 --> 00:36:02,039
to me. And I listen for things like that I'm

658
00:36:02,039 --> 00:36:03,039
a weirdo and.

659
00:36:03,119 --> 00:36:05,400
Speaker 5: To like, I know, I try to catch this a

660
00:36:05,440 --> 00:36:08,920
lot with like working with actors and stuff like. I

661
00:36:08,920 --> 00:36:11,599
can tell if somebody's from Alabama, if they're from Texas,

662
00:36:11,639 --> 00:36:14,079
if they're from Georgia, if they're Tennessee, if they're from

663
00:36:14,079 --> 00:36:16,760
North Carolina, if they're from South Carolina. You just hear

664
00:36:16,840 --> 00:36:21,679
those little nuances in their in their voices. Where do

665
00:36:21,719 --> 00:36:23,599
you live, Lisa, I live in Arkansas?

666
00:36:24,039 --> 00:36:28,079
Speaker 4: Okay, well, I lived in Arkansas for fifteen years, up

667
00:36:28,119 --> 00:36:30,960
around Jonesboro. I don't know what part of the state

668
00:36:31,039 --> 00:36:31,639
you live in.

669
00:36:31,599 --> 00:36:34,719
Speaker 5: But people the west Arkansas.

670
00:36:34,360 --> 00:36:36,199
Speaker 4: Yeah, okay, up around Fable and no.

671
00:36:36,480 --> 00:36:38,360
Speaker 5: I live in Dardnell, Arkansas.

672
00:36:38,480 --> 00:36:43,440
Speaker 4: Okay, too, great country, but here, like for instance, here

673
00:36:43,480 --> 00:36:49,920
in Mississippi, I live sixty seventy miles from the Delta.

674
00:36:50,800 --> 00:36:53,039
I'm kind of up in what they call the hill country,

675
00:36:53,559 --> 00:36:57,599
which is like just little little bumps, you know, but

676
00:36:57,679 --> 00:37:00,320
it's not flat as a pancake like the Delta is.

677
00:37:01,320 --> 00:37:05,480
And someone from the Delta as opposed to hear I

678
00:37:05,519 --> 00:37:08,440
can tell where they're from. I can hear them talk

679
00:37:09,119 --> 00:37:13,599
North Alabama, South Alabama, North Carolina. People in North Carolina

680
00:37:13,800 --> 00:37:18,760
have a very distinct accent. Yes, South Carolinians do East Tennesseeans.

681
00:37:19,719 --> 00:37:20,920
It's very unique.

682
00:37:21,119 --> 00:37:22,760
Speaker 1: And I'm Tennessee right here.

683
00:37:23,159 --> 00:37:26,280
Speaker 4: Yeah, so, and they use a lot of different words

684
00:37:26,400 --> 00:37:32,000
than like words I've never heard. And people not from

685
00:37:32,039 --> 00:37:36,599
a Southern not raised in this culture. You know, really,

686
00:37:36,639 --> 00:37:39,599
in general, the culture is about the same. It's we're

687
00:37:39,679 --> 00:37:42,039
all about the same. We just have a little different

688
00:37:42,320 --> 00:37:47,360
dialect and accent. But I think mine is a Memphis accent.

689
00:37:47,440 --> 00:37:49,800
I was born and raised in Memphis, Tennessee, and so,

690
00:37:50,639 --> 00:37:53,719
and it's probably a little drawn out now that I'm

691
00:37:53,760 --> 00:37:56,039
in I was in Arkansas for a long time now,

692
00:37:56,039 --> 00:37:59,079
I've been in Mississippi for ten or twelve years. So

693
00:37:59,199 --> 00:38:02,079
you pick up where you are, you pick up accents

694
00:38:02,119 --> 00:38:04,360
where you are. Like my son got out of the

695
00:38:04,360 --> 00:38:07,800
Marine Corps about eight years ago, and he was from

696
00:38:07,960 --> 00:38:10,559
you know, he was raised in northeast Arkansas, so he

697
00:38:10,679 --> 00:38:14,760
had that accent. Well now he uh he worked here

698
00:38:14,800 --> 00:38:18,239
in Mississippi for the last several years, and I can

699
00:38:18,320 --> 00:38:21,079
hear it. I can hear his accent changing to a

700
00:38:21,119 --> 00:38:24,679
Mississippi accent. Because whoever you're around, you just start talking

701
00:38:24,800 --> 00:38:25,760
like that.

702
00:38:26,280 --> 00:38:30,119
Speaker 3: Yeah, do I still sound like I'm from the Midwest. Yes,

703
00:38:30,519 --> 00:38:35,280
thank you. I work hard not to get that Southern accent.

704
00:38:35,320 --> 00:38:37,119
I want my Midwest accent.

705
00:38:37,480 --> 00:38:41,320
Speaker 4: However, I actually, when you go back home, I bet

706
00:38:41,360 --> 00:38:44,840
they say, oh, you're picking up the accent down there,

707
00:38:45,000 --> 00:38:45,559
don't they.

708
00:38:45,840 --> 00:38:47,239
Speaker 3: Well, there's certain things that.

709
00:38:48,599 --> 00:38:53,320
Speaker 6: I've I've lost the ability to say in Yankee. I

710
00:38:53,360 --> 00:38:58,960
can't say Tennessee, tennis, Tennessee, tennis Tennessee.

711
00:38:59,320 --> 00:39:02,440
Speaker 3: I can't say it in Yankee. It always comes out

712
00:39:02,559 --> 00:39:03,960
hillbilly or southern.

713
00:39:04,039 --> 00:39:06,320
Speaker 4: It's all you know, how do you say Tennessee any

714
00:39:06,360 --> 00:39:07,599
other way than Tennessee.

715
00:39:07,800 --> 00:39:13,639
Speaker 3: Yeah, well, you know, hey, at the end it's it's tennis.

716
00:39:14,480 --> 00:39:18,679
Speaker 6: But in the South it's more lyrical. Tennessee, I can't.

717
00:39:18,800 --> 00:39:22,440
I can't say it Yankee anymore. But it's the only

718
00:39:22,480 --> 00:39:24,480
word that I've noticed, and I picked that up from

719
00:39:24,519 --> 00:39:27,719
my husband, who is also a Yankee. But I'm a

720
00:39:27,840 --> 00:39:31,360
Yanka Billy, which is to mean I was raised in

721
00:39:31,440 --> 00:39:31,920
the North.

722
00:39:32,000 --> 00:39:33,360
Speaker 3: I was raised in the North.

723
00:39:33,559 --> 00:39:37,239
Speaker 6: I grew up in the heart of the Midwest, but

724
00:39:37,280 --> 00:39:41,800
my parents were transplants from Arkansas, so I was raised

725
00:39:41,800 --> 00:39:43,760
by in the Southern culture.

726
00:39:44,239 --> 00:39:46,920
Speaker 3: With a Northern accent. Therefore, I'm a yanka billy.

727
00:39:47,360 --> 00:39:48,000
Speaker 5: I love that.

728
00:39:48,639 --> 00:39:48,719
Speaker 7: Ye.

729
00:39:48,920 --> 00:39:50,840
Speaker 6: Now, my parents would get really mad if they even

730
00:39:50,840 --> 00:39:53,480
called them a hillbilly because they were all bottom landers.

731
00:39:53,519 --> 00:39:56,480
Speaker 3: They didn't they weren't hillbilly's. They they found that insulting.

732
00:39:56,559 --> 00:39:57,840
But I called them hillbillies.

733
00:39:57,920 --> 00:40:00,280
Speaker 5: Where were they from?

734
00:40:01,559 --> 00:40:03,519
Speaker 3: Well, my dad was born in Newport, you know where

735
00:40:03,519 --> 00:40:03,920
that's at.

736
00:40:04,400 --> 00:40:05,480
Speaker 5: Exactly where that's at.

737
00:40:05,760 --> 00:40:08,239
Speaker 6: And my mom was born in a little town called Staffel,

738
00:40:08,400 --> 00:40:10,960
which isn't too far from there, and she was raised in.

739
00:40:11,559 --> 00:40:14,599
Speaker 5: Caraway, Okay, no, exactly where that's at.

740
00:40:14,679 --> 00:40:17,440
Speaker 6: Yeah, So they were all in the East Bottoms and

741
00:40:17,760 --> 00:40:20,920
they don't like being called They never liked being called hillbilly's,

742
00:40:21,199 --> 00:40:23,679
even though my grandparents, as I told you before the

743
00:40:23,719 --> 00:40:27,519
show started, were actually in my lifetime. They all lived

744
00:40:27,599 --> 00:40:31,440
up in you know, Flipping and Cotder and.

745
00:40:30,880 --> 00:40:34,760
Speaker 5: And that is hillbilly, I mean, yeah, that's that's way

746
00:40:34,880 --> 00:40:35,360
up there.

747
00:40:35,760 --> 00:40:36,320
Speaker 3: Yeah.

748
00:40:36,519 --> 00:40:39,519
Speaker 6: And then so that's I associated my dad's side of

749
00:40:39,519 --> 00:40:41,440
the family with that, and my mom's side of the

750
00:40:41,440 --> 00:40:44,400
family with east Northeast Arkansas.

751
00:40:45,079 --> 00:40:46,920
Speaker 1: Asked my mother in law all the time, how you

752
00:40:46,960 --> 00:40:52,079
spell yuns? Are YenS?

753
00:40:52,119 --> 00:40:52,320
Speaker 4: Going?

754
00:40:53,719 --> 00:40:56,599
Speaker 6: A friend of mine and I we were driving through Arkansas.

755
00:40:56,679 --> 00:40:59,679
She had moved down there to Her husband was an

756
00:40:59,679 --> 00:41:04,719
executive for the Chicken people down there, Tyson, and they

757
00:41:04,760 --> 00:41:06,840
had moved down there to so he could work out

758
00:41:06,840 --> 00:41:09,760
of the headquarters. And I'd gone down to visit and

759
00:41:09,800 --> 00:41:15,840
he'd surprised us with tickets to go see Toby Keith

760
00:41:16,239 --> 00:41:19,440
and Little Rock. We're driving out Little Rock and we

761
00:41:19,440 --> 00:41:24,159
were going through Conway and there was a big billboard

762
00:41:24,199 --> 00:41:26,519
and I'm driving. I'm not paying attention and she and

763
00:41:26,559 --> 00:41:28,039
my friend and he said get yet.

764
00:41:28,400 --> 00:41:30,800
Speaker 3: I said, no, you're hungry. And she looked at me

765
00:41:30,840 --> 00:41:33,039
and she said what I said? You just asked me

766
00:41:33,079 --> 00:41:34,679
if I hate yet? You know I haven't. I've been

767
00:41:34,679 --> 00:41:36,519
with you all the whole time. Are you hungry? She

768
00:41:36,559 --> 00:41:38,440
said no. I was reading that sign. It said j

769
00:41:38,719 --> 00:41:41,519
E E T y E T. What does that mean?

770
00:41:42,079 --> 00:41:42,719
Speaker 6: I'm still.

771
00:41:46,719 --> 00:41:49,280
Speaker 3: Yeah? She was like, holy cow, I was trying to

772
00:41:49,320 --> 00:41:50,280
figure out what it said.

773
00:41:50,400 --> 00:41:54,000
Speaker 6: You answered it, well, that sign is still on forty

774
00:41:54,559 --> 00:41:56,159
Get yet, yep yet.

775
00:41:58,519 --> 00:42:00,000
Speaker 1: Let's switch gears a little bit.

776
00:42:00,360 --> 00:42:01,039
Speaker 3: I'm sorry.

777
00:42:01,239 --> 00:42:03,400
Speaker 6: How can I ask one real quick question of Cam

778
00:42:03,400 --> 00:42:05,599
that I have been wanting to know for months? I

779
00:42:06,599 --> 00:42:09,159
keep forgetting to ask him this in our private conversations,

780
00:42:09,159 --> 00:42:10,159
and it occurred.

781
00:42:09,800 --> 00:42:12,119
Speaker 3: To me while you were interviewing them a little bit ago.

782
00:42:13,320 --> 00:42:16,840
Speaker 6: I remember, and maybe I'm wrong, maybe it wasn't your podcast,

783
00:42:16,880 --> 00:42:20,400
but I remember your early shows having sound effects.

784
00:42:21,079 --> 00:42:24,840
Speaker 4: Was that you I've put a few, maybe half a dozen.

785
00:42:25,079 --> 00:42:26,559
I'll put some sound effects in.

786
00:42:27,239 --> 00:42:32,239
Speaker 3: I remember them staring, that's not out of me? Oh lord, yeah,

787
00:42:32,880 --> 00:42:33,920
jump out of my skin.

788
00:42:34,599 --> 00:42:37,840
Speaker 4: I remember doing trying to get a bigfoot growl, and

789
00:42:37,880 --> 00:42:42,079
I was trying to think of what animal. Yeah, anyway,

790
00:42:42,119 --> 00:42:45,039
I was on this royalty site where you can download

791
00:42:45,199 --> 00:42:48,480
SFX files and stuff, and they have all kinds of

792
00:42:48,519 --> 00:42:53,920
monster clips and stuff. And that was an alligator rumble,

793
00:42:54,079 --> 00:42:57,639
you know, alligator and so, and then there was a

794
00:42:57,679 --> 00:43:00,519
couple other roars and things like that. Don't but I

795
00:43:00,599 --> 00:43:03,760
remember that alligator sounds pretty good. Yeah, I don't do

796
00:43:03,840 --> 00:43:05,480
that anymore. I probably should.

797
00:43:05,880 --> 00:43:09,119
Speaker 3: They scared the snot out of me. I remember that, really.

798
00:43:09,639 --> 00:43:10,280
Speaker 1: Yeah.

799
00:43:10,480 --> 00:43:13,400
Speaker 4: You know a lot of podcasts, real popular podcasts, they

800
00:43:13,800 --> 00:43:17,079
it's fictional podcast They have all kinds of sound effix people,

801
00:43:17,360 --> 00:43:21,079
you know, footsteps on the floor and corridors opening, and

802
00:43:21,199 --> 00:43:28,199
rain and gunshots and traffic and pedestrian traffic, everything and

803
00:43:28,639 --> 00:43:31,280
man that must be. If I had to do that

804
00:43:31,400 --> 00:43:34,679
for podcasts, it would take me two weeks to do one.

805
00:43:35,119 --> 00:43:37,440
I mean, it just takes forever to do them.

806
00:43:37,920 --> 00:43:41,280
Speaker 6: I added sound effects to one. In fact, Kelly is

807
00:43:41,400 --> 00:43:45,079
in the chat right now. It was her story where

808
00:43:45,559 --> 00:43:48,599
there was a oh, I think it was a clock

809
00:43:48,719 --> 00:43:53,320
or something or no, it was a bell ringing, and

810
00:43:53,800 --> 00:43:56,159
I thought it turned out really well, but it wasn't

811
00:43:56,199 --> 00:43:58,920
something that I was really interested in because it takes

812
00:43:58,960 --> 00:44:00,639
me forever to do mine to begin with.

813
00:44:00,800 --> 00:44:02,559
Speaker 3: But I do remember.

814
00:44:02,800 --> 00:44:05,239
Speaker 6: I'm so glad because I've tried to go back and

815
00:44:05,239 --> 00:44:08,280
find them, but I can't figure out.

816
00:44:08,679 --> 00:44:09,239
Speaker 3: Maybe I'm not.

817
00:44:09,760 --> 00:44:12,280
Speaker 4: I'll try to remember which ones I'll sends you all length,

818
00:44:12,360 --> 00:44:16,239
but they're horrible. There's worst.

819
00:44:16,920 --> 00:44:18,840
Speaker 3: Please tell me there's someone behind that door?

820
00:44:20,000 --> 00:44:22,440
Speaker 5: Oh yeah, I mean, I just I'll left it open

821
00:44:22,480 --> 00:44:23,440
so my dog could come in.

822
00:44:23,719 --> 00:44:28,400
Speaker 3: It just opened on its own. That's a little creepy.

823
00:44:30,760 --> 00:44:33,639
I'm sorry. I didn't mean to distract us going. I'm sorry.

824
00:44:33,679 --> 00:44:35,800
Speaker 1: When you're fine, man, Like I said at the beginning,

825
00:44:35,880 --> 00:44:38,159
this is y'all show. We go in every direction y'all

826
00:44:38,199 --> 00:44:41,960
want to go. But I am curious, Cam, how long

827
00:44:42,039 --> 00:44:44,760
have you been doing Dixie crypted. How many years now?

828
00:44:46,039 --> 00:44:49,880
Speaker 4: I think I started and created the channel in September

829
00:44:49,920 --> 00:44:53,239
of twenty eighteen, and then I put my first video

830
00:44:53,639 --> 00:44:59,719
video up in like October November. So this September October

831
00:44:59,760 --> 00:45:00,960
will be five years.

832
00:45:02,679 --> 00:45:05,039
Speaker 1: Stay tuned for more. But the big Foot re for it.

833
00:45:05,679 --> 00:45:09,639
We'll be right back. That's a hell of a growth

834
00:45:10,360 --> 00:45:14,000
in five years. That's awesome, man, congratulations.

835
00:45:14,119 --> 00:45:15,880
Speaker 4: Well it's actually pretty slow. Now.

836
00:45:16,760 --> 00:45:20,119
Speaker 1: Well, I'm wondering, in the five almost five years that

837
00:45:20,119 --> 00:45:23,239
you've been doing this, has have you seen anything as

838
00:45:23,280 --> 00:45:27,079
anything happened to you that's almost pushed you to walk away?

839
00:45:28,679 --> 00:45:29,760
Speaker 4: No?

840
00:45:29,760 --> 00:45:33,519
Speaker 1: No, no, even with all the negativity from the Bigfoot world.

841
00:45:33,840 --> 00:45:36,280
Speaker 4: Oh no, man, most people are nuts. I'm not quitting

842
00:45:36,920 --> 00:45:41,400
because I'm not quitting this because they're because they're silly

843
00:45:41,440 --> 00:45:45,280
and goofy. And you know, I enjoyed this so much,

844
00:45:45,360 --> 00:45:47,760
and I don't. I have never been able to put

845
00:45:47,760 --> 00:45:52,840
my finger on why. But and it doesn't make sense.

846
00:45:52,920 --> 00:45:56,559
It doesn't make sense that people enjoy listening to the podcast.

847
00:45:56,639 --> 00:46:00,119
To me, it has never made sense. And Neil and

848
00:46:00,199 --> 00:46:04,599
I have this running argument about you know, she'll say, oh,

849
00:46:04,639 --> 00:46:06,760
that was great, and I'm like, well that was pretty good,

850
00:46:06,800 --> 00:46:11,960
but it doesn't rate like fifty thousand people listening to it.

851
00:46:12,039 --> 00:46:15,840
Just doesn't. It doesn't make any sense to me because

852
00:46:16,719 --> 00:46:19,639
I'm just a redneck. I mean, I'm just an average

853
00:46:20,199 --> 00:46:23,599
dude from Memphis, you know, and I've lived around quite

854
00:46:23,599 --> 00:46:28,519
a bit, and I've lived in Kentucky and Tennessee and

855
00:46:29,079 --> 00:46:33,679
Mississippi and Arkansas, and but I'm just an average guy,

856
00:46:34,000 --> 00:46:37,199
you know. April, my wife asked me, she goes what

857
00:46:38,519 --> 00:46:40,719
she was asking me something about the podcast, and I said,

858
00:46:40,760 --> 00:46:43,280
this was a couple of years ago. I said, you

859
00:46:43,320 --> 00:46:45,360
know what I like. One of the things I like

860
00:46:45,360 --> 00:46:47,239
about it the most is I can just sit here

861
00:46:47,280 --> 00:46:51,239
and talk, like when I'm recording, and no one interrupts me.

862
00:46:52,679 --> 00:46:55,039
You know, you've probably been at a dinner table or

863
00:46:55,559 --> 00:46:57,920
waying around a bunch of dudes or whatever. You can

864
00:46:58,000 --> 00:47:01,440
never if you want to share a story or you know,

865
00:47:01,559 --> 00:47:05,760
people want to contribute to conversations. Yeah, it's very rare

866
00:47:05,840 --> 00:47:08,159
that you don't get cut off or one uped. You

867
00:47:08,199 --> 00:47:11,079
know what one uped is. You know somebody's will up

868
00:47:11,760 --> 00:47:14,599
and well, hell if you think that's something. Those guys

869
00:47:14,840 --> 00:47:17,920
you think that's something. But I get to sit here

870
00:47:18,039 --> 00:47:20,599
nobody interrupts me, nobody says a word. I get to

871
00:47:20,599 --> 00:47:25,519
say whatever I want to say. And for some unknown,

872
00:47:25,639 --> 00:47:30,800
crazy weird reason, there's a small group of people who

873
00:47:30,920 --> 00:47:34,400
enjoy listening to I don't think they like hearing me talk.

874
00:47:34,599 --> 00:47:36,920
I think they just like to hear the stories. And

875
00:47:36,960 --> 00:47:40,480
that's really what I want. I've always tried not you know,

876
00:47:41,800 --> 00:47:45,519
YouTube and social media and Instagram and Facebook and which

877
00:47:45,559 --> 00:47:47,639
is a whole other topic we could talk about. But

878
00:47:49,039 --> 00:47:52,000
people who are quote uh and I'm not sure what

879
00:47:52,119 --> 00:47:56,880
the clear definition of an influencer is, but everything is

880
00:47:56,920 --> 00:48:00,199
about them. It's like the camera's always on them. Uh,

881
00:48:00,880 --> 00:48:03,599
you know, everything's about them. What I'm doing, and you know,

882
00:48:03,679 --> 00:48:05,679
this is my this is my cool car, and this

883
00:48:05,880 --> 00:48:08,960
my motors. That's where I live, and you know, and

884
00:48:08,960 --> 00:48:11,880
and if they don't say it specifically, they're showing it

885
00:48:11,920 --> 00:48:14,000
in the background. They're trying, you know, they're just making

886
00:48:14,039 --> 00:48:19,559
everything about them. I never wanted to be a you know,

887
00:48:19,920 --> 00:48:23,679
pre premiere on the channel and at least my face,

888
00:48:23,880 --> 00:48:26,760
and I knew I would need to show my face

889
00:48:26,800 --> 00:48:29,159
at some point because I wanted to get to know

890
00:48:29,239 --> 00:48:32,800
some of the really super nice people that watched the channel.

891
00:48:32,880 --> 00:48:36,480
Or listen to the podcast. But and I still a

892
00:48:36,599 --> 00:48:38,800
matter of fact in my podcast now. I used to

893
00:48:40,519 --> 00:48:43,000
after every story, I would give like a little two

894
00:48:43,119 --> 00:48:45,800
minute commentary on what I thought about the story and

895
00:48:45,840 --> 00:48:48,199
all this. I pretty much quit doing that because that

896
00:48:48,280 --> 00:48:51,599
makes it about me. I start thinking about that, and

897
00:48:51,599 --> 00:48:54,719
I start thinking, you know that that's just my opinion,

898
00:48:54,800 --> 00:48:57,559
that's not you know, people might disagree with what I'm saying,

899
00:48:57,639 --> 00:49:00,119
although a lot of people say they like hearing it.

900
00:49:00,320 --> 00:49:04,559
You know, the two podcasts I've uploaded yesterday and one

901
00:49:04,599 --> 00:49:07,840
that just came out probably about thirty minutes ago, I

902
00:49:07,960 --> 00:49:10,519
do a little commentary on those because I just can't

903
00:49:10,519 --> 00:49:14,320
shut my mouth. But yeah, there's nothing that's really made

904
00:49:14,119 --> 00:49:21,039
the Bigfoot goofballs have never deterred me one bit because

905
00:49:21,079 --> 00:49:24,719
I'm not about Bigfoot. I could care less if Bigfoot

906
00:49:24,920 --> 00:49:28,320
exists or doesn't exist. I have no dog in that hunt.

907
00:49:29,199 --> 00:49:31,679
I don't care what you think about Bigfoot. I don't

908
00:49:31,719 --> 00:49:35,079
want you to care what I think about Bigfoot. I

909
00:49:35,159 --> 00:49:37,840
just want to tell stories. That's all I want to

910
00:49:37,880 --> 00:49:41,760
do is just tell stories. And how in the world

911
00:49:41,840 --> 00:49:45,199
could someone get angry at that. You either watch a

912
00:49:45,239 --> 00:49:48,760
TV show or you don't you don't get mad at it.

913
00:49:49,400 --> 00:49:52,800
You don't get mad at the person producing or acting

914
00:49:52,920 --> 00:49:57,440
or directing a television series. For some reason, they get

915
00:49:57,480 --> 00:50:00,679
all pissed off at me because I do story that

916
00:50:02,360 --> 00:50:05,719
some guy thinks Bigfoot is a comes from outer space.

917
00:50:06,199 --> 00:50:08,400
People just go nuts over that stuff. And I'm like,

918
00:50:09,079 --> 00:50:12,880
good grief, man, get a life, you know. But yeah,

919
00:50:12,920 --> 00:50:15,920
so nothing's ever deterred me or discouraged me at all.

920
00:50:16,039 --> 00:50:20,280
Matter of fact, I get nothing but encouragement from people

921
00:50:20,280 --> 00:50:23,920
who follow the channel. Ninety nine point nine percent of

922
00:50:23,960 --> 00:50:27,400
the people are just the nicest people on the planet.

923
00:50:28,400 --> 00:50:33,920
Speaker 1: So yeah, yeah, I'm I don't know how you've done it, man,

924
00:50:34,119 --> 00:50:36,599
other than getting to speak to you for the first time.

925
00:50:36,840 --> 00:50:40,400
You really sing genuine and it really comes off that

926
00:50:40,480 --> 00:50:44,239
all you care about is sharing the story. And maybe

927
00:50:44,320 --> 00:50:47,760
that's the secret to your success, that you just put

928
00:50:47,760 --> 00:50:48,400
that out there.

929
00:50:48,880 --> 00:50:52,199
Speaker 4: Well, success is one thing, and everything has a shelf life.

930
00:50:52,199 --> 00:50:55,519
And I realized that and the growth of the channel,

931
00:50:55,679 --> 00:50:58,199
it's actually started to pick back up. I don't look

932
00:50:58,239 --> 00:51:00,800
at it too often, maybe about one week I'll look

933
00:51:00,800 --> 00:51:05,239
at my stats and subscribership. People, you know, a lot

934
00:51:05,239 --> 00:51:10,199
of people just focus on subscribers and subscribers really, and

935
00:51:10,360 --> 00:51:14,840
we're just talking specifically about YouTube subscribers is one thing,

936
00:51:14,880 --> 00:51:20,000
but how many views are you getting now? People hitting

937
00:51:20,000 --> 00:51:23,159
the subscribe button is easy for people to do, and

938
00:51:23,199 --> 00:51:26,400
a lot of people do it. I'm subscribed to probably

939
00:51:27,400 --> 00:51:29,280
I don't. I don't know. I mean the list is

940
00:51:29,320 --> 00:51:31,639
really long because I'll see a video on go I't

941
00:51:31,679 --> 00:51:33,159
and watch some more of that and then I forget

942
00:51:33,159 --> 00:51:36,000
about it. But to get people to actually watch your

943
00:51:36,079 --> 00:51:39,760
video or listen to your podcast with all this come

944
00:51:39,800 --> 00:51:43,679
at them in this visual and audio market, that's a

945
00:51:44,480 --> 00:51:48,599
you've If you can do that, you've accomplished something.

946
00:51:48,840 --> 00:51:53,400
Speaker 1: So Yeah, as Kelly here says, Cam Naoma could read

947
00:51:53,440 --> 00:51:55,480
a phone directory and I would listen to it.

948
00:51:58,360 --> 00:52:01,199
Speaker 3: I love you, Kelly, very nice.

949
00:52:02,039 --> 00:52:05,599
Speaker 1: Yeah that really something you said earlier really resonates with

950
00:52:05,679 --> 00:52:08,960
me and gives me hope, Cam, because you made the

951
00:52:08,960 --> 00:52:12,320
comment earlier that when you first started out reading, you

952
00:52:12,400 --> 00:52:16,039
weren't that great at reading out loud. And I've been

953
00:52:16,199 --> 00:52:20,000
about thirty little episodes in on my channel. I'm doing

954
00:52:20,000 --> 00:52:25,159
this little paranormal odyssey shorts where I introduce urban legends

955
00:52:25,199 --> 00:52:28,480
and legends and topics and things that aren't that familiar

956
00:52:28,559 --> 00:52:31,400
with people and if someone's interested in anything, go and

957
00:52:31,400 --> 00:52:33,719
do their own research in and I'm just introducing it

958
00:52:33,800 --> 00:52:36,599
to people. Yeah, and I found that that's the case

959
00:52:36,639 --> 00:52:39,320
with me. I don't I can I read just fine,

960
00:52:39,360 --> 00:52:42,880
but reading out loud is completely different. I have so

961
00:52:43,039 --> 00:52:46,119
much respect for people that can read out loud at

962
00:52:46,159 --> 00:52:48,800
such a high level like you and it. Yeah, that's

963
00:52:48,800 --> 00:52:51,119
short of that, Cam. I was just saying that I'm

964
00:52:51,159 --> 00:52:53,719
in the same boat that when you first started out

965
00:52:54,679 --> 00:52:56,880
not reading as well out loud. So it gives me

966
00:52:57,000 --> 00:52:59,320
encouragement that you have mastered it the way you have

967
00:52:59,440 --> 00:52:59,960
over time.

968
00:53:00,440 --> 00:53:06,000
Speaker 4: Yeah. Just one thing that I've learned just lately is like,

969
00:53:06,039 --> 00:53:09,559
if you're going to narrate something, just do it. If

970
00:53:09,599 --> 00:53:13,559
they're shorts, they're sixty seconds or less, just read it

971
00:53:13,599 --> 00:53:15,800
out loud a couple of times without the mico on

972
00:53:15,920 --> 00:53:18,199
or anything and kind of get in the rhythm. Then

973
00:53:18,320 --> 00:53:20,840
just reach over and hit record and do it. But

974
00:53:21,480 --> 00:53:23,639
and then you know that goes for reading the eighty

975
00:53:23,679 --> 00:53:27,599
thousand word novel out loud just at East. You know,

976
00:53:27,639 --> 00:53:30,079
I usually do a chapter at a time, just read

977
00:53:30,119 --> 00:53:33,960
the first two or three sentences and get your just

978
00:53:33,960 --> 00:53:35,920
get it going. You know, it's just like get it

979
00:53:36,000 --> 00:53:38,960
moving and uh, and then hit the record button, go

980
00:53:39,039 --> 00:53:42,039
back to the beginning and start over, and you'll be

981
00:53:42,119 --> 00:53:47,239
surprised at how you know. Another thing, I have a

982
00:53:47,280 --> 00:53:50,280
specific font. Do you read off a paper or off

983
00:53:50,320 --> 00:53:55,440
your screen? Wayne screen? So I have a favorite font,

984
00:53:55,679 --> 00:53:59,480
font size, line spacing that I found that my eyes

985
00:53:59,559 --> 00:54:04,440
seem to follow perfectly. So experiment with that a little

986
00:54:04,440 --> 00:54:07,480
bit and you'll you'll really see a difference. If it's

987
00:54:07,519 --> 00:54:11,960
too small, you know, then yeah, you make I.

988
00:54:11,840 --> 00:54:13,639
Speaker 1: Feel like I'm having a lot of times it is

989
00:54:13,679 --> 00:54:16,199
too small and they seem to run together, and yeah,

990
00:54:16,400 --> 00:54:17,199
I'm gonna try that.

991
00:54:17,199 --> 00:54:19,880
Speaker 4: That's great about make the I mean mine is a

992
00:54:19,920 --> 00:54:24,360
fourteen sized font. I like the Verdana font. I like

993
00:54:24,440 --> 00:54:28,000
the line spacing at one point one point five and uh,

994
00:54:28,159 --> 00:54:30,840
it's perfect for me. And then you know, maybe half

995
00:54:30,880 --> 00:54:33,360
inch or one inch margins on each side of the page,

996
00:54:33,920 --> 00:54:39,000
and I can I don't know. It's just like sometimes

997
00:54:39,039 --> 00:54:40,639
I'm reading it and I'm like, how do I know

998
00:54:40,760 --> 00:54:43,639
what they're gonna say. It's like you just somehow your

999
00:54:43,679 --> 00:54:47,760
eyes become accustomed to looking ahead, but you don't even

1000
00:54:47,880 --> 00:54:51,400
know it, but they are. And maybe your mouth gets

1001
00:54:51,519 --> 00:54:54,199
used to your your vocal cords and all gets used

1002
00:54:54,199 --> 00:54:56,679
to keeping up with exactly what your eyes seeing at

1003
00:54:56,679 --> 00:55:00,639
that moment. And yeah, just practice, you're you'll get good

1004
00:55:00,639 --> 00:55:02,920
at it. You can't help but get better at it.

1005
00:55:03,159 --> 00:55:05,760
Speaker 1: Yeah, like I said, I've done almost right at thirty now,

1006
00:55:05,800 --> 00:55:08,480
and I can tell a difference from one. Yeah I

1007
00:55:08,719 --> 00:55:11,480
just released. It's a little bit better. But I'm gonna

1008
00:55:11,480 --> 00:55:12,760
I'm gonna try some of this stuff.

1009
00:55:13,000 --> 00:55:15,800
Speaker 5: I've had actors before, like when we're doing their sides

1010
00:55:15,840 --> 00:55:18,119
for like their scenes, that they want it printed in

1011
00:55:18,199 --> 00:55:21,639
a certain font like you said, or a certain you know, size,

1012
00:55:22,519 --> 00:55:24,519
And I get that.

1013
00:55:25,519 --> 00:55:30,440
Speaker 4: Everybody sees things differently, and the way it relates to

1014
00:55:30,480 --> 00:55:34,840
your brain is different for everyone. So you know, those

1015
00:55:34,840 --> 00:55:39,119
are my preferences, but yours might be smaller. And you know,

1016
00:55:39,519 --> 00:55:42,840
I like the Georgia font. It's really good, but I

1017
00:55:42,880 --> 00:55:45,400
have to make it a little bigger. But the letters

1018
00:55:45,440 --> 00:55:48,039
seem to be spaced out a little further, and so

1019
00:55:48,119 --> 00:55:50,719
it makes it a little harder. And I try it

1020
00:55:50,760 --> 00:55:53,199
every once in a while. Yeah, just try different things.

1021
00:55:53,360 --> 00:55:55,800
You'll yeah, you'll find.

1022
00:55:56,280 --> 00:55:59,400
Speaker 1: All right, guys, we are over that hour mark, and

1023
00:55:59,400 --> 00:56:02,280
I'm not gonna keep you guys all night. I appreciate

1024
00:56:02,360 --> 00:56:05,119
you taking the time to come and hang out. Everybody

1025
00:56:05,159 --> 00:56:08,480
knows where to find you, guys, but I'll put it

1026
00:56:08,519 --> 00:56:10,599
in the show notes as well. But I do want

1027
00:56:10,599 --> 00:56:12,639
to thank you both for taking the time to come

1028
00:56:12,639 --> 00:56:14,199
and hang out. It meant a lot to me.

1029
00:56:14,719 --> 00:56:17,159
Speaker 4: Does anybody have any Are you limited one time?

1030
00:56:17,639 --> 00:56:20,320
Speaker 1: No, I'm not. I'm I'm good.

1031
00:56:21,119 --> 00:56:22,960
Speaker 4: I'll stay if you If you want to stay another

1032
00:56:23,039 --> 00:56:25,679
ten or fifteen minutes, you would at least say you

1033
00:56:25,719 --> 00:56:28,519
had mentioned questions. I don't know if anyone has questions

1034
00:56:28,639 --> 00:56:31,320
or I'm not trying to drag this out, don't get

1035
00:56:31,360 --> 00:56:32,280
me wrong, but oh.

1036
00:56:32,320 --> 00:56:34,679
Speaker 5: No, I've just we've popped them up there. I think

1037
00:56:34,719 --> 00:56:37,960
we've been. We've had more comments than questions.

1038
00:56:38,280 --> 00:56:40,519
Speaker 1: Yeah, there's been more comments and questions. If anybody's got

1039
00:56:40,519 --> 00:56:42,519
any questions, you know, fire them off. If the guys

1040
00:56:42,559 --> 00:56:46,159
don't have mine hanging out a couple more minutes, I'm

1041
00:56:46,199 --> 00:56:46,880
here for the night.

1042
00:56:47,639 --> 00:56:47,840
Speaker 4: Now.

1043
00:56:48,039 --> 00:56:49,960
Speaker 1: What do you got coming up? Man? You got anything

1044
00:56:50,000 --> 00:56:50,840
new that you're working on?

1045
00:56:51,519 --> 00:56:53,679
Speaker 6: Well, I have an author who has asked me to

1046
00:56:53,719 --> 00:56:55,960
read a chapter from one of his books. So I'm

1047
00:56:56,000 --> 00:56:59,199
going to take a page from Cameron Buckner, and I'm

1048
00:56:59,239 --> 00:57:02,559
gonna read a chapter of a book for an author.

1049
00:57:04,039 --> 00:57:06,880
And I've been really liking your shorts, and i think

1050
00:57:06,920 --> 00:57:09,960
I'm going to steal a couple of your legends and

1051
00:57:10,000 --> 00:57:13,760
do a couple of shows on them, not doing them

1052
00:57:13,800 --> 00:57:18,039
as short videos. But as you know, that's my love

1053
00:57:18,239 --> 00:57:23,719
is the strange legends and minor myths. Go ahead and

1054
00:57:23,760 --> 00:57:24,519
ask that question.

1055
00:57:25,119 --> 00:57:29,920
Speaker 1: Yeah, this is Johnny Tucker had on the other night. Johnny,

1056
00:57:29,920 --> 00:57:32,960
which one are you are asking? He's asking, have you

1057
00:57:33,000 --> 00:57:36,039
had any personal big Foot experiences? We know naiom As

1058
00:57:36,039 --> 00:57:41,400
she covered one, but Cam, have you no? Nothing, nothing?

1059
00:57:41,880 --> 00:57:45,800
Speaker 4: No, I've never seen evidence. I've never seen I've never

1060
00:57:45,880 --> 00:57:50,480
heard anything. I've never I mean, I've seen branches broken

1061
00:57:50,519 --> 00:57:53,599
in the woods, but they're just branches broken in the woods.

1062
00:57:53,639 --> 00:58:00,119
But I did see with sawdust beasts that group at

1063
00:58:00,480 --> 00:58:04,360
Mark Noble and Larry Porch. They were at LBL a

1064
00:58:04,400 --> 00:58:07,239
year or two ago and they found some tracks. The

1065
00:58:07,320 --> 00:58:10,000
water had come down and they found some tracks that

1066
00:58:10,920 --> 00:58:12,960
I wasn't there. I just saw it on video and

1067
00:58:13,039 --> 00:58:17,079
I thought, man, that that is impressive right there.

1068
00:58:17,320 --> 00:58:25,159
Speaker 1: So Cam, what scares you the most besides water moccasins?

1069
00:58:26,800 --> 00:58:29,000
Speaker 4: I don't know. I don't think about what scares me.

1070
00:58:29,440 --> 00:58:35,360
I guess you know, if you take away family tragedies

1071
00:58:35,400 --> 00:58:37,960
and things like that, if you just keep it lighter

1072
00:58:38,000 --> 00:58:41,440
than that, nothing in the wood scares me. I'll walk

1073
00:58:41,480 --> 00:58:43,800
around out here in the dark all the time. I'll

1074
00:58:43,800 --> 00:58:46,000
go a mile back in the woods. I'll have a

1075
00:58:46,000 --> 00:58:49,360
headlight on. If the moon's out, I won't take the headlight.

1076
00:58:49,920 --> 00:58:54,760
So the dark doesn't scare me. Bigfoot does not scare me. Yeah,

1077
00:58:54,840 --> 00:58:56,280
cotton mouse they scare me.

1078
00:58:56,679 --> 00:58:59,960
Speaker 5: They scare me, Yeah, especially when they drop down in

1079
00:59:00,039 --> 00:59:02,559
your kayak and try to like hit your ride with

1080
00:59:02,599 --> 00:59:04,920
you when you're.

1081
00:59:04,360 --> 00:59:05,800
Speaker 1: I don't care what kind of snake it is, it

1082
00:59:05,800 --> 00:59:07,800
scares me. I don't want nothing to do with them.

1083
00:59:07,840 --> 00:59:10,360
Speaker 4: I had one right out here behind my office today,

1084
00:59:10,400 --> 00:59:13,599
the dogs. I have two little dogs, and they were barking.

1085
00:59:13,679 --> 00:59:15,880
And what's weird is I can always tell when it's

1086
00:59:15,880 --> 00:59:19,280
a snake. They have this specific bark and it's just constant,

1087
00:59:19,440 --> 00:59:24,320
ru ru ru ru ru, And I knew exactly what

1088
00:59:24,360 --> 00:59:27,199
it was, and uh, it was a big chicken snake.

1089
00:59:27,280 --> 00:59:29,039
I call them chicken snakes. They get up in our

1090
00:59:29,159 --> 00:59:33,239
chicken coops and eat eggs and chicks and everything, and

1091
00:59:35,440 --> 00:59:39,280
but yeahs don't bother me too bad. I don't know

1092
00:59:39,360 --> 00:59:41,840
really what scares me. No, I don't. I'll probably think

1093
00:59:41,840 --> 00:59:42,960
of something when we're done.

1094
00:59:44,039 --> 00:59:46,079
Speaker 1: So none of the stuff that you've covered over the

1095
00:59:46,400 --> 00:59:48,639
last five years kind of creeps you out.

1096
00:59:49,039 --> 00:59:55,719
Speaker 4: No, I think the thing that it doesn't scare me

1097
00:59:56,000 --> 00:59:59,840
because I have like a I don't want to get

1098
01:00:00,000 --> 01:00:02,920
religious on you guys. But you know, we branched out

1099
01:00:02,920 --> 01:00:07,480
into other stories and this these ghosts and apparitions and stuff.

1100
01:00:07,480 --> 01:00:09,920
I do a lot of quite a few stories on those,

1101
01:00:10,480 --> 01:00:15,159
and I want to tell people those are probably not ghosts.

1102
01:00:15,239 --> 01:00:19,159
You know a lot of people subscribe to the notion

1103
01:00:19,280 --> 01:00:23,880
that those are demons, do not demonic entities that are

1104
01:00:25,239 --> 01:00:27,760
They know that we believe in ghosts, and so they

1105
01:00:27,840 --> 01:00:31,360
kind of come in that form and they're they're there

1106
01:00:31,400 --> 01:00:35,119
to taunt you. But it's not a loved one. You know,

1107
01:00:35,239 --> 01:00:39,920
if you've if you believe in scripture, then when someone's gone,

1108
01:00:39,960 --> 01:00:42,800
they're gone. They're not connected to this world in any way.

1109
01:00:42,880 --> 01:00:47,239
It's cut off and from there on it's we have

1110
01:00:47,320 --> 01:00:50,559
an idea of where they are, what they could be

1111
01:00:50,599 --> 01:00:53,639
sleeping or some people say they go straight to be

1112
01:00:53,719 --> 01:00:56,719
with the Lord. Some people say they go straight to hell,

1113
01:00:57,159 --> 01:00:59,760
you know which, whichever way you're going to go. But

1114
01:00:59,880 --> 01:01:03,440
it's what scares me is people getting caught up in this.

1115
01:01:04,960 --> 01:01:09,119
I don't know, it's like a it's a mystic type

1116
01:01:09,199 --> 01:01:12,559
experience for them. And I think for some people, if

1117
01:01:12,599 --> 01:01:15,440
you go down that road too deep, it can get dangerous,

1118
01:01:16,320 --> 01:01:19,440
you know. I have some I've met some people who

1119
01:01:19,480 --> 01:01:23,159
are creators like us in this and I and sometimes

1120
01:01:23,199 --> 01:01:25,800
I get a little, uh, I don't know, maybe a

1121
01:01:25,800 --> 01:01:30,400
little tinge of Oh. I don't ever say anything. I

1122
01:01:30,480 --> 01:01:33,559
never say a word, but uh, I want to go No,

1123
01:01:33,800 --> 01:01:36,480
that's that's not what you're dealing with there. You're dealing

1124
01:01:36,559 --> 01:01:39,480
with something worse than what you think it is, and

1125
01:01:39,519 --> 01:01:44,079
it's not nice, you know. However, then you have people

1126
01:01:44,119 --> 01:01:48,039
on the religious side who will say all you need

1127
01:01:48,079 --> 01:01:50,719
to say is be going in Jesus' name. Well, you

1128
01:01:50,760 --> 01:01:54,559
know that's not a magic spell. Yeah, And just saying

1129
01:01:55,599 --> 01:01:59,280
be going in Jesus' name doesn't mean that bus is

1130
01:01:59,320 --> 01:02:01,719
not going to run over you, or that building is

1131
01:02:01,760 --> 01:02:04,559
not going to fall on you, are that pack of

1132
01:02:04,599 --> 01:02:08,960
dogs is not gonna attack you, you know. So I mean

1133
01:02:09,000 --> 01:02:11,679
I think that's a false sense of security. I don't

1134
01:02:11,679 --> 01:02:14,679
think it's a bad thing to believe in. So you

1135
01:02:14,760 --> 01:02:18,559
have extremes on both sides, and those I think those

1136
01:02:18,679 --> 01:02:22,039
worry me the most for other people, but I'm not

1137
01:02:22,199 --> 01:02:24,840
in a position to preach on that. As a matter

1138
01:02:24,880 --> 01:02:26,960
of fact, this is probably the most I've ever talked

1139
01:02:27,000 --> 01:02:30,239
about it. Some of these stories I read, I want

1140
01:02:30,239 --> 01:02:33,280
to go, oh, that's not you don't need to be

1141
01:02:33,360 --> 01:02:35,880
afraid of that. You know, you say you're a believer.

1142
01:02:36,039 --> 01:02:41,840
If you're a believer, nothing satanic, nothing you know, from

1143
01:02:41,880 --> 01:02:46,039
the Prince of darkness can touch you. You are untouchable.

1144
01:02:46,159 --> 01:02:51,280
If you truly belong to Christ, nothing can touch you.

1145
01:02:51,320 --> 01:02:54,840
So you're perfectly safe. But you're probably never even gonna

1146
01:02:54,920 --> 01:02:59,480
see anything like that. I think people watch these shows,

1147
01:02:59,599 --> 01:03:04,599
the Exorcist type shows, and they think, you know, like

1148
01:03:04,920 --> 01:03:09,079
priests doing battle with you know things. Anyway, I'm probably

1149
01:03:09,079 --> 01:03:11,679
just babbling on, but yeah, that that kind of worries

1150
01:03:11,719 --> 01:03:12,400
me for people.

1151
01:03:13,760 --> 01:03:17,639
Speaker 1: Yeah, I've said it's on my show because I interviewed

1152
01:03:17,679 --> 01:03:21,719
people you know, ghost hunters, you know, crypti hunters and

1153
01:03:21,840 --> 01:03:24,039
people that have experienced everything. The one thing that really

1154
01:03:24,079 --> 01:03:29,000
scares me is about paranormal stuff and ghosts. Is that

1155
01:03:29,039 --> 01:03:32,000
fear of something latching on, you know, if there is

1156
01:03:32,360 --> 01:03:36,239
a demonic entity in place, it latching on and me

1157
01:03:36,320 --> 01:03:39,320
taking it home, you know, to my kids. That's right

1158
01:03:39,599 --> 01:03:39,920
with me.

1159
01:03:40,599 --> 01:03:43,280
Speaker 5: Yeah, all right, guys.

1160
01:03:43,159 --> 01:03:45,440
Speaker 1: We're coming up on an hour and fifteen minutes, so

1161
01:03:46,079 --> 01:03:49,400
I think it's a good time to get out of here.

1162
01:03:50,440 --> 01:03:53,679
Cam Naioma. Thank you guys so very much for taking

1163
01:03:53,719 --> 01:03:56,400
the time to hang out. It means a lot to me.

1164
01:03:56,440 --> 01:03:57,400
I appreciate it, y'all.

1165
01:03:57,440 --> 01:03:58,119
Speaker 5: Thank y'all.

1166
01:03:58,960 --> 01:03:59,480
Speaker 4: I enjoyed it.

1167
01:03:59,599 --> 01:04:02,079
Speaker 3: We hang out backstage and talk for a minute.

1168
01:04:01,800 --> 01:04:06,159
Speaker 1: Afterwards, you guys, just hang out and we'll talk to

1169
01:04:06,199 --> 01:04:08,880
you here in just a minute. But thanks again, guys,

1170
01:04:09,360 --> 01:04:14,760
thank you, thanks for having us. Hey, everybody, thank you

1171
01:04:14,840 --> 01:04:17,760
so much for checking out this episode of The Bigfoot Report.

1172
01:04:18,960 --> 01:04:21,920
We appreciate everything that you guys do. All of the

1173
01:04:22,000 --> 01:04:26,760
continued support means the world to us. If you don't mind,

1174
01:04:27,599 --> 01:04:30,159
if you would take just a second go rate and

1175
01:04:30,239 --> 01:04:33,840
review the show wherever it is you get your podcasts,

1176
01:04:34,360 --> 01:04:36,559
we would greatly appreciate it and it would help us

1177
01:04:36,559 --> 01:04:40,599
out so very much. Also, I'd like to invite everyone

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01:04:40,960 --> 01:04:46,119
to check out the website. Paranormalworldproductions dot com. Check out

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01:04:46,159 --> 01:04:50,679
all of the shows under the studio's umbrella. Also, I

1180
01:04:50,679 --> 01:04:54,039
want to remind everyone about our YouTube channel. Tiffany and

1181
01:04:54,119 --> 01:04:59,199
I do a live show every Tuesday at seven pm Eastern,

1182
01:04:59,559 --> 01:05:02,480
as well Saturday we do an after hour show at

1183
01:05:02,559 --> 01:05:06,239
ten pm Eastern where we have people come on and

1184
01:05:06,280 --> 01:05:09,039
share their experiences. We would love to have you check

1185
01:05:09,079 --> 01:05:12,360
that out. If you have not done so, while you're there,

1186
01:05:12,400 --> 01:05:15,679
please hit that subscribe button. It would mean so much

1187
01:05:15,719 --> 01:05:19,519
to us. Again, thank you guys for everything that you do.

1188
01:05:19,880 --> 01:05:22,719
We love you, We thank you. We'll talk again soon.

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01:05:28,679 --> 01:05:34,800
Speaker 7: Through the woods, the pine trees, sway, shadows long at

1190
01:05:35,039 --> 01:05:43,519
end of day, Bigfoots call on the whispering breeze, Secrets

1191
01:05:43,599 --> 01:05:54,199
kept by ancioot trees, dog man houseing. It goes in

1192
01:05:54,400 --> 01:05:55,920
the silent two.

1193
01:05:57,760 --> 01:05:58,119
Speaker 5: Tracks.

1194
01:05:58,159 --> 01:06:01,679
Speaker 7: We five what answers none.

1195
01:06:02,559 --> 01:06:12,960
Speaker 8: A hunt for truth that's just be gone.

1196
01:06:15,320 --> 01:06:22,039
Speaker 7: We're searching past the fire light. Four creatures hidden out

1197
01:06:22,079 --> 01:06:30,039
of sight in the forest, hardware, shadows lay seeking see

1198
01:06:30,199 --> 01:06:40,239
chrits in the twilight, great through the fog, A shape

1199
01:06:40,320 --> 01:06:47,679
did gly skin walker with eyes so wide. Legends of

1200
01:06:48,159 --> 01:06:54,280
Oh we chase to night in the dark, Our lanterns

1201
01:06:54,360 --> 01:07:03,840
bright by the creek quare, water spill whispers ry, the

1202
01:07:03,960 --> 01:07:11,480
winds chill, full of steep man tails on top in

1203
01:07:11,559 --> 01:07:26,039
this land the myths of O. We're searching past the

1204
01:07:26,079 --> 01:07:34,039
fire light full creature's hidden, out of sight in the

1205
01:07:34,280 --> 01:07:41,000
forest hard where shadows lay, seeking seacrets in the twilight

1206
01:07:41,360 --> 01:07:56,440
break

1207
01:08:00,719 --> 01:08:02,920
Speaker 8: In