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Speaker 1: Night and day at home or away, always carry tons.

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Speaker 2: T U ms.

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Speaker 1: Well famous quick relief or acid intergestion presents a date

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with Judy turns the lease ericson as Judy and John

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Brown as father.

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Speaker 3: Hellow Judy Foster speaking, Who is this? Please your father?

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Speaker 4: Oh?

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Speaker 3: I thought you were a man.

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Speaker 4: I thought it might Beauty on the phone.

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Speaker 5: Oh okay, I want to fix him up.

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Speaker 3: So not that I mind in the lease Oviie getting

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the busy signals, but would you mind hanging up to her?

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Find the line freeze?

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Speaker 1: That's Judy, folks, Judy Foster, the lovable teenage girl who

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was close to all our hearts. Your days with her

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each Tuesday is arranged by the makers of tons, famous

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quick release or acid digestion. Why do we say night

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and day at home or away always carry tons? Because friends,

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you never know when.

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Speaker 4: Or where stomach.

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Speaker 1: Distressed due to acid indigestion or heartburn may hit you.

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So when it does, have tons handy for almost instant release.

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See how fast one or two tons neutralize the excess acid,

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relieve annoying heartburn, sweeten and settle your stomach. You feel

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better fast, and see how handy tons are to take

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no mixing, no stirring, no water needed. There's no baking soda,

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nor bicarbonate in tongues, absolutely none. With tons, you can't

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overalkalize your stomach, can't bring on acid rebounds, catch yourself

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from tons this very night, still only ten cents a

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roll three roll package of quarters all drugstars.

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Speaker 4: T you ms, Tons for.

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Speaker 1: The tummy, and now to the Fosters. It's even Dinner

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is over. The dishes are washed, dried, and stacked, and

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the Foster family is settled peacefully in the living room.

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Speaker 6: Except for Judy. She seems a little nervous.

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Speaker 3: Does anyone know the time?

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Speaker 6: It's exactly eight forty five?

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Speaker 3: Thank you? Does anyone mind if I turn on the radio?

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Thank you? Does anyone have the time?

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Speaker 4: Eight forty five? But that's what it watched before, and

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as much as before was three seconds ago.

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Speaker 6: It's not at all surprising.

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Speaker 3: Thank you. Does anyone mind if I turn off the radio?

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Thank you? Of what I guess?

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Speaker 5: No, still him marchiness backwards.

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Speaker 7: So dear, for goodness sake, Judy, would you stop facing

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up and down?

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Speaker 3: And I'm sorry mother? Father?

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Speaker 6: May you wear my watch?

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Speaker 4: I've never seen you so living.

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Speaker 3: I'm not nervous. But don't you think I'm nervous.

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Speaker 7: No, just the fact that you're twitching from head to till.

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Speaker 3: Oh, don't be silly, ran, if I'm perfectly up the phone.

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Speaker 6: The phone, I didn't hear anything near, did I?

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Speaker 7: It was I thought I heard it, and you probably

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got a ringing in your ears.

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Speaker 3: No, father, if you said something to a boy that

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hurt him, but you didn't mean to hurt him, do

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you think he might remember it and try to get

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even after seven months?

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Speaker 6: Huh?

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Speaker 3: Do you?

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Speaker 4: Mother? I? Well, I agree with your father.

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Speaker 3: You do what do you think?

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Speaker 5: Father?

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Speaker 4: Well, and under the circumstances, I agree with your mother.

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What are we pointing about?

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Speaker 8: I've read somebody asked that question.

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Speaker 3: Well, it's really very simple. The most important school dance

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of the year is in two weeks.

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Speaker 7: Oh oh oh, I still don't know what this is

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all about.

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Speaker 3: I could say all like that because mother didn't.

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Speaker 7: I didn't want to appear stupid.

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Speaker 4: I said it because father did. Well, I only said

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it because I figured somebody had to say something.

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Speaker 3: Well, I don't see what's the difficult to understand. I

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said that the most important school dance of the year

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is in two weeks.

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Speaker 6: Well, then, why did you want to know the time? Now?

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Speaker 7: Oh, I understand that part. You do, sure, considering how

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long it usually takes study to get ready. She's gone

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starf preparing not later than nine o'clock tonight, I think.

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Speaker 3: Well, that's all my problem means to you as an

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opportunity to make fun of me. I won't discuss it

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any Oh.

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Speaker 4: No, dear, no, we're very interesting.

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Speaker 6: Well sure, sure, Well.

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Speaker 3: Then, as I said, the school dance is in two

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weeks Wednesday, June second year. I have not yet heard

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from Ugie.

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Speaker 4: Ah ha, not even a hint.

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Speaker 3: Nothing, I see.

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Speaker 5: That's bad?

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Speaker 7: And when was the dance announced?

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Speaker 3: This afternoon?

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Speaker 6: This afternoon?

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Speaker 4: Jude is a poor boy hotly had a chance to

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get to a phone.

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Speaker 3: Why, mother, he's had practically six hours.

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Speaker 7: Oh, I wouldn't worry, Judy. He's probably having a little

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difficulty borrowing a nickel.

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Speaker 3: I must go to that dance. I'm It's the most

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important dance of the year. I'll die if I don't go,

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die dead.

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Speaker 4: No, no, no, take it easy, sweetie. He'll call.

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Speaker 3: Do you really think your father? Do you really?

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Speaker 4: Yes? I really he will?

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Speaker 3: I sure, no, he won't. I'm sure. If he does

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call me off, I'll never ask for another thing as

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long as I live. Never not another thing. Not he

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won't call.

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Speaker 4: Oh, I'm sure he will do. No, he won't.

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Speaker 3: I know it. I can feel it in my bones.

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I'm absolutely positive. Do you really think he will? Mother?

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Speaker 2: Yes?

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Speaker 3: What do you think? Randall? Well, I say, go right,

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of course you'll call me. It's been only six hours.

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It's because I'll be so happy. I'll never ask for

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another thing. Up, he won't call. It's some six hours,

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all right, But he'll never put up the phone. Why

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should he call me? There are so many other grammars women,

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they're all mad about him. I might as well forget

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the whole thing.

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Speaker 6: Goody, yes, father the phone rang.

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Speaker 3: I thought, But then I thought I was just kid.

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Hello to Judy.

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Speaker 4: I'm fine.

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Speaker 3: How are you o? O?

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Speaker 4: Hello?

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Speaker 3: Ok?

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Speaker 5: Yeah Judy, yes, yes, chief me, I'm.

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Speaker 3: One moment please how hello Hello Judy, Judy, Hello Judy

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Foster speaking? Who is this please?

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Speaker 5: Judy? This is he?

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Speaker 4: Oh?

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Speaker 3: How do you do d her? Oh? You drunk? Funny?

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Speaker 5: Judy? Is anything wrong?

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Speaker 3: No? No, indeed, everything's chiny.

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Speaker 4: How are you en?

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Speaker 6: Or?

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Speaker 5: I had a little call?

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Speaker 4: That's good?

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Speaker 3: I mean, that's too bad. Go on, Ogie.

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Speaker 5: What was it you wanted, Judy? Are you doing anything

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two weeks from tomorrow?

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Speaker 3: Two weeks from tomorrow? Uh huh no, let me see.

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Uh what day is that?

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Speaker 5: Wednesday? June second?

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Speaker 3: Oh uh, just a moment during the day or during

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the evening, the evening. Oh well, I'm not quite sure.

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Speaker 8: I was gonna call you sooner, but oh, frankly, I

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didn't happen to have a nikolain me night.

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Speaker 5: Oh Judy, please don't tell me you're not available at night.

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Speaker 8: Uh June second, Yeah, that's right.

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Speaker 3: I think I don't think I can make it, Ugie.

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Speaker 5: Oh boy, thanks Judy, thanks loads and heat.

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Speaker 3: So that's all right, Ugi, bye bye.

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Speaker 5: I'm going to God.

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Speaker 7: I knew he would, Oh brother, deliver me from women.

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Speaker 6: Thank goodness. That crisis is over. Now we can all

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relax and.

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Speaker 3: Shouty, what is he? I'm the most miserable woman in

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the entire world.

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Speaker 4: But you said that all you wanted was Prue either

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invited to the dance?

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Speaker 6: Well he invited you, didn't he Why you're.

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Speaker 4: So miserable because I can't go. With the love of heaven,

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why not?

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Speaker 3: I haven't got.

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Speaker 2: Anything to wear.

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Speaker 1: Oh, but father, beauty, it's impossible.

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Speaker 6: I just don't believe it.

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Speaker 3: My most vivid memory of his whole year is if

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you fine, you clothes practically every day? Oh no, Father,

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come on upstairs and I'll tell you. I'll prove it

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to you.

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Speaker 6: There.

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Speaker 4: What about that one?

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Speaker 3: Oh? I can't wear that, father?

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Speaker 4: Why not?

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Speaker 3: Because it's so much like the one miss he's going

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to wear?

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Speaker 6: Well, you wear this.

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Speaker 4: I want to let her father buy her another dressons

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I couldn't.

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Speaker 3: She told me he was gonna wear her, Sir, I.

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Speaker 6: See what's wrong with this green one?

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Speaker 4: Uh?

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Speaker 3: Uh?

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Speaker 4: Why?

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Speaker 3: Ooh, he's going to wear a blue suit.

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Speaker 4: So green clashes with blue, father clashes.

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Speaker 6: Well, tell him to wear another suit.

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Speaker 5: He can't.

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Speaker 3: Why he hasn't got another suit?

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Speaker 6: Well, I get another lest card.

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Speaker 3: Don't make jokes, father.

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Speaker 4: Who's making jokes? Now here?

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Speaker 6: They hear this red dress? Doesn't this go with blue?

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Speaker 3: It's not red, father, it's old ropes.

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Speaker 4: Well, all right, doesn't gold rods go with blue?

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Speaker 3: It goes beautifully, that's the trouble. It goes so well

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that I wear it all the time. Ooh, he's seen

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me in at a least a dozen times.

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Speaker 4: Well, has he ever complained, o't let him see you in.

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Speaker 6: A thirteen times?

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Speaker 3: I couldn't.

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Speaker 8: Why not?

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Speaker 4: If he's only got one suit, you must have seen

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him in it at least thirteen times.

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Speaker 3: Well that's different.

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Speaker 4: Men can do that, girls can Who made that rule?

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Speaker 3: Well, I don't know, but a girl just can't. Would

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you see?

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Speaker 4: Father?

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Speaker 3: Now, do you believe I've got nothing to wear?

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Speaker 7: No? I see three and on.

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Speaker 3: The sweetest little dress. It's in the Bottown department store

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window on the left side. Father, you love it?

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Speaker 6: No?

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Speaker 3: How do you know? You haven't even seen it.

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Speaker 4: I don't mean no, I wouldn't love it.

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Speaker 3: I mean no, you can't have it what I got you,

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I have nothing.

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Speaker 4: You have a choice of any one of these three dresses.

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Speaker 3: My father, I told you the reasons why it's imposted.

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Speaker 4: Those one reasons they were excuse me. I'm sorry, Judy,

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but you're gonna have.

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Speaker 6: To wear one of leave.

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Speaker 5: I can't.

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Speaker 6: You'll have to. I, yes, you will.

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Speaker 3: Then I walk out of the dam.

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Speaker 4: Oh I don't go to the dam. No, Dora, No, no, no,

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she can't have it. It's not terribly sensitive.

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Speaker 6: Dear, it's not the point at all.

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Speaker 4: Dory If Judy really didn't have a dress to wear.

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I'm only too glad to let her have it.

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Speaker 6: But she's got three very pretty fairly new dress she

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just wants another one.

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Speaker 4: Well, it's about times she found out she can't have

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every little thing she wants.

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Speaker 7: I know, dear, but she'd be broken hearted if she

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doesn't get to this day.

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Speaker 4: I'd rather she had a little disappointment now than go

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out to be a spoiled pamphert woman. Beside, when she

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sees I really mean it, she'll change her mind about

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not going to the dance.

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Speaker 6: She'll go even if she does clash with Ugi's soup.

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Speaker 3: So unless I father changes his mind about the dress, UZI,

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I'm afraid I won't be able to go with you.

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Speaker 5: Oh gosh, Judy, do you think he will?

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Speaker 3: Of course you will, my goodness, I know my own father, don't.

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Speaker 8: I I know my father too, but sometimes he surprises me.

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A father's a parent, Judy, and parents are peculiar.

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Speaker 3: I know that, Ug, but I have always found my

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parents to be very Unterently, you'll see father buy me that.

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Speaker 6: Dress, Dora.

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Speaker 4: Yes, as Judy said anything about the dance, just that

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she's not going. Mm.

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Speaker 6: Well, she'll change her mind.

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Speaker 3: Do you think so?

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Speaker 4: Of course she will. My goodness, I know my own daughter,

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don't I.

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Speaker 8: Colley, Judy, it is only a week lass. I know

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Wesi said anything about changing his mind.

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Speaker 3: No, but he will, I think.

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Speaker 4: Randolph, Yes, father, Has Judy said anything to you about

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the dance?

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Speaker 3: Oh?

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Speaker 7: She didn't have much to say, just a that she's

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not going these And in all the years she's been

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your daughter, she had no idea that you were so constructed.

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See she forgives you completely, realizing that no one can

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be perfect. D. It's very possible that she may never

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recover from this blow. E.

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Speaker 4: She will never marry because it'll.

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Speaker 7: Be my turn out to be just like you.

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Speaker 3: Es.

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Speaker 7: This dance certainly isn't important enough to break her heart

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over it, and she's not going to give it another thought. D.

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If you don't buy her the dress, she'll die dead.

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Speaker 4: That's all she said.

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Speaker 6: That's all.

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Speaker 7: Oh, No, I I forgot Jay.

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Speaker 6: Just a minute, Randolph h is coming up.

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Speaker 7: Oh, so thank your father. H. She said that she

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was going out into the world as quickly as possible,

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going out into the world so that she could earn

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enough money to repay you for all the pablum you

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had to buy when she was a baby.

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Speaker 8: No, unless Judy, there were only five days left. H

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any late communicates.

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Speaker 3: Oji. Yeah, I think maybe you better not count on

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me for the dance.

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Speaker 8: Why doesn't it look as though your father will buy

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the dress.

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Speaker 3: I'm afraid not.

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Speaker 8: Oh, just sprinkle some taboo over yourself and nobody will

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know the difference. Yeah, Judy, yees oogie. Honestly, Judy, I

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don't care what you wear. Well, I'd be proud to

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00:14:02,600 --> 00:14:05,039
take in your in anything.

303
00:14:06,840 --> 00:14:10,039
Speaker 3: So Ugi, that's the most beautiful thing anyone has ever

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00:14:10,120 --> 00:14:10,679
said to me.

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Speaker 7: Then you'll go.

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00:14:12,480 --> 00:14:15,159
Speaker 3: No, Ugi, I can't. I either go in a new

307
00:14:15,240 --> 00:14:17,879
dress or not at all. But Julia, I see, Ugi's

308
00:14:17,919 --> 00:14:20,879
the principle of the thing. Please don't worry about me.

309
00:14:21,360 --> 00:14:23,720
I want you to go to the dance, and I

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want you to choose a beautiful woman to accompany you.

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Speaker 8: Oh, Julie, I couldn't.

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00:14:28,000 --> 00:14:31,440
Speaker 3: Of course you can. Why should you be punished just

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00:14:31,519 --> 00:14:33,480
because I have a father who does just what he

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says he's going to do.

315
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Speaker 6: There's a time for everything.

316
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Speaker 1: And when overeating over smoking or dust, plain nerves bring

317
00:14:51,600 --> 00:14:55,840
on acid indigestion and heartburns. Well, that's the time for tongue.

318
00:14:56,279 --> 00:14:58,879
At the first sign of stomach distress, lift one or

319
00:14:58,879 --> 00:15:01,360
two tasty tongues in your mouse, just like candy men.

320
00:15:02,159 --> 00:15:07,440
Almost instantly, tons neutralize the excess acids, relieve annoying heartburns.

321
00:15:07,679 --> 00:15:11,519
Do then settle your upset acid summer. There's nothing faster,

322
00:15:12,000 --> 00:15:15,440
nothing handier though, mixing or stirring with tons. You don't

323
00:15:15,480 --> 00:15:20,000
even need water and suns contain no baking soda, no bicarbonates,

324
00:15:20,039 --> 00:15:24,399
absolutely none. Tons won't overalkalize your stomach. Won't bring on

325
00:15:24,559 --> 00:15:30,679
unpleasant acid rebounds. Never alkal overlkalize. Always neutralize excess sacidity

326
00:15:30,799 --> 00:15:35,600
with tons. Do as minions do. Always keep tongues handy.

327
00:15:35,919 --> 00:15:38,600
Still only ten cents a roll three roll package your quarters.

328
00:15:38,919 --> 00:15:44,080
All drug stores ask for tons, t U m s

329
00:15:44,840 --> 00:15:53,320
tonus for the dummy. And now back to a date

330
00:15:53,440 --> 00:16:00,200
with Judy.

331
00:16:00,440 --> 00:16:01,159
Speaker 6: What's on your mind?

332
00:16:01,159 --> 00:16:02,600
Speaker 1: Ogate, mister Foster.

333
00:16:02,759 --> 00:16:05,240
Speaker 8: I hope you'll forgive me for intruding on you during

334
00:16:05,320 --> 00:16:09,679
business hours, But may I speak to you frankly? Sir?

335
00:16:11,320 --> 00:16:15,960
Thank you, mister Foster. It's come to my attention. Oh

336
00:16:16,039 --> 00:16:18,519
she's gotta go with me, mister Foster, she's got to her.

337
00:16:18,519 --> 00:16:20,399
Speaker 5: I'll completely blow my sack.

338
00:16:24,360 --> 00:16:28,279
Speaker 8: Excuse me, I guess I lost my head. But this

339
00:16:28,320 --> 00:16:31,799
is a very important affair, mister Foster. Judy's just gotta

340
00:16:31,840 --> 00:16:32,360
go with me.

341
00:16:33,000 --> 00:16:33,720
Speaker 6: I'm not stopping.

342
00:16:34,200 --> 00:16:37,080
Speaker 8: Well, I know, but well you know.

343
00:16:37,120 --> 00:16:38,759
Speaker 6: Judy, I certainly do.

344
00:16:39,279 --> 00:16:41,559
Speaker 8: I hope you'll pardon me for saying so, sir, but

345
00:16:42,320 --> 00:16:44,600
your daughter's a very stubborn girl.

346
00:16:45,320 --> 00:16:49,000
Speaker 4: Not not only pardon you, I agree with you.

347
00:16:48,720 --> 00:16:55,240
Speaker 8: Mister Foster. Why don't you buy Judy? No, hm, I

348
00:16:55,279 --> 00:17:00,440
was afraid you'd take that attitude. Oh that's why, mister Foster. Sir,

349
00:17:01,519 --> 00:17:05,640
I have a proposition to make to you. Proposition, yeah,

350
00:17:06,039 --> 00:17:08,839
to review the case. I want to take Judy to

351
00:17:08,880 --> 00:17:11,240
this dance, and she won't go without a.

352
00:17:11,200 --> 00:17:14,160
Speaker 4: New dress, and you won't let her have a new dress.

353
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Speaker 8: If so, fact though, I won't be taking Judy to

354
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the dance, so it would see. But suppose, mister Foster,

355
00:17:21,759 --> 00:17:24,720
you were to fire that dress. No, no't wait, mister Foster,

356
00:17:24,759 --> 00:17:27,799
I'm not finished yet. Suppose you were to fire that

357
00:17:27,880 --> 00:17:30,440
dress and I wish to pay you back for it

358
00:17:30,759 --> 00:17:34,160
at the rate of a dollar fifty a week.

359
00:17:34,519 --> 00:17:36,440
Speaker 2: Why, well, I won't quibble with give.

360
00:17:36,359 --> 00:17:39,240
Speaker 8: Mister Foster a dollar seventy five.

361
00:17:39,440 --> 00:17:41,920
Speaker 6: Wait a minute, Wait a minute. Let me get this straight.

362
00:17:42,680 --> 00:17:45,000
Speaker 4: You're offering to pay for Judy's dress at the rate

363
00:17:45,039 --> 00:17:48,160
of a dollar seventy five a week or a dollar fifty.

364
00:17:48,640 --> 00:17:51,240
This amounts to come out of your weekly along to

365
00:17:51,720 --> 00:17:52,559
three dollars.

366
00:17:52,319 --> 00:17:57,559
Speaker 6: And fifty cents. Uh huh, Holy smoke. You must want

367
00:17:57,559 --> 00:17:59,359
to take duty to that dance very badly.

368
00:17:59,440 --> 00:18:01,559
Speaker 8: Oh I do, mister Flosher, I do do do?

369
00:18:05,640 --> 00:18:07,200
Speaker 6: You're a pretty nice boy.

370
00:18:07,440 --> 00:18:08,799
Speaker 5: G yeah, I.

371
00:18:08,720 --> 00:18:10,000
Speaker 8: Am aren't I.

372
00:18:12,640 --> 00:18:14,079
Speaker 5: Would you do with mister Foster?

373
00:18:14,400 --> 00:18:14,759
Speaker 4: Will you?

374
00:18:15,759 --> 00:18:16,960
Speaker 6: I'm afraid I couldn't move you.

375
00:18:17,440 --> 00:18:17,920
Speaker 3: You couldn't.

376
00:18:17,960 --> 00:18:20,920
Speaker 6: I'm afraid not why well, I.

377
00:18:20,920 --> 00:18:22,000
Speaker 8: I wouldn't tell anybody.

378
00:18:22,200 --> 00:18:23,559
Speaker 6: Not it? What if?

379
00:18:24,279 --> 00:18:25,920
Speaker 8: What if I paid your interest on the mark?

380
00:18:26,000 --> 00:18:28,480
Speaker 6: That's not it is I'm sorry, I shouted.

381
00:18:28,920 --> 00:18:33,160
Speaker 4: Oh that's all right, mister Foster. Two dollars all stop it.

382
00:18:34,720 --> 00:18:36,720
Speaker 6: You're you're making me feel terrible.

383
00:18:37,160 --> 00:18:39,920
Speaker 4: I'm sorry, sir. You see you can get It's not

384
00:18:40,000 --> 00:18:40,440
the money.

385
00:18:40,519 --> 00:18:41,440
Speaker 3: That's not it at all.

386
00:18:41,480 --> 00:18:44,720
Speaker 4: It's it's it's it's the principle of the thing. Judy's

387
00:18:44,759 --> 00:18:47,039
been getting away too easily lately. Do you think she

388
00:18:47,039 --> 00:18:49,480
has a right to get everything she wants. What she's

389
00:18:49,519 --> 00:18:50,720
doing now shows you how.

390
00:18:50,519 --> 00:18:51,680
Speaker 6: Far it's gone.

391
00:18:52,000 --> 00:18:53,880
Speaker 4: I mean about her refusing to go to the dance

392
00:18:53,920 --> 00:18:56,480
unless she has a new dress. That's that's an attitude

393
00:18:56,519 --> 00:18:59,319
that only a very spoiled young lady would take. You

394
00:18:59,319 --> 00:18:59,880
see when I mean it?

395
00:19:01,160 --> 00:19:05,759
Speaker 8: Yeah, I see, mister. Posture is two dollars and fifty

396
00:19:05,839 --> 00:19:06,440
cents a week.

397
00:19:13,440 --> 00:19:16,799
Speaker 4: That was a great dinner, Dorah, wonderful. What's the duty?

398
00:19:17,160 --> 00:19:17,759
Speaker 3: I suppose?

399
00:19:17,799 --> 00:19:19,640
Speaker 6: So for sure?

400
00:19:21,160 --> 00:19:22,960
Speaker 4: Thank you, Melvin. I'm glad you liked it.

401
00:19:23,599 --> 00:19:25,599
Speaker 6: Well, what does everybody want to do tonight?

402
00:19:25,680 --> 00:19:26,160
Speaker 4: Huh?

403
00:19:26,240 --> 00:19:26,960
Speaker 6: How about a movie?

404
00:19:27,240 --> 00:19:31,559
Speaker 4: Dora? No, Melbourne, I don't think so, h Judy.

405
00:19:31,880 --> 00:19:32,440
Speaker 3: No, thank you.

406
00:19:33,000 --> 00:19:33,680
Speaker 7: I'll go with you.

407
00:19:33,759 --> 00:19:38,640
Speaker 4: Father. Well, actually there's nothing very good playing. And what

408
00:19:38,680 --> 00:19:39,920
do you say we all go bowling?

409
00:19:40,519 --> 00:19:40,599
Speaker 3: No?

410
00:19:40,720 --> 00:19:41,400
Speaker 4: I brother them up?

411
00:19:41,799 --> 00:19:43,279
Speaker 7: No, thank you, let's go father.

412
00:19:45,960 --> 00:19:47,160
Speaker 6: What's happened to this family?

413
00:19:47,200 --> 00:19:47,599
Speaker 4: Anyway?

414
00:19:48,039 --> 00:19:50,319
Speaker 3: If I may be excused me, I'm going to my room,

415
00:19:50,359 --> 00:19:54,359
mother all right here? Who knows? I may not come

416
00:19:54,400 --> 00:19:57,720
out for two or three years.

417
00:19:58,279 --> 00:20:00,920
Speaker 6: Loove, Dorry, you've known me long enough to I'm no monster.

418
00:20:01,319 --> 00:20:04,240
Speaker 4: It's just a I think I have some darling to do.

419
00:20:04,359 --> 00:20:07,319
Speaker 6: Melvin will but doth so.

420
00:20:09,319 --> 00:20:13,319
Speaker 4: Fun? I'll get a Randolph. Maybe it's some stranger with

421
00:20:13,359 --> 00:20:19,599
a kind word for me. Hello, right, well, yes, yes, yes,

422
00:20:19,640 --> 00:20:22,680
of course, always attached a buller calling long distance?

423
00:20:23,039 --> 00:20:24,079
Speaker 6: Oh I wonder what's wrong?

424
00:20:24,359 --> 00:20:25,279
Speaker 3: Maybe nothing's wrong?

425
00:20:25,359 --> 00:20:27,559
Speaker 4: And or something is always wrong when your grandmother spends

426
00:20:27,559 --> 00:20:28,200
the money to call.

427
00:20:28,160 --> 00:20:31,000
Speaker 6: Up long distance. Oh my, I wonder who's sick? Maybe

428
00:20:31,079 --> 00:20:31,480
your aunt?

429
00:20:31,880 --> 00:20:32,200
Speaker 4: Hello?

430
00:20:32,400 --> 00:20:32,960
Speaker 3: Hello? Mom?

431
00:20:33,279 --> 00:20:35,240
Speaker 4: Yes, yes, yes, yeah? How are you?

432
00:20:35,920 --> 00:20:36,039
Speaker 3: Oh?

433
00:20:36,119 --> 00:20:36,680
Speaker 6: Good? Yes?

434
00:20:36,799 --> 00:20:39,640
Speaker 4: Always? Yeah? Well? Is anything wrong? Oh?

435
00:20:39,839 --> 00:20:43,559
Speaker 6: I don't know you you calling it? Huh?

436
00:20:44,039 --> 00:20:44,640
Speaker 4: When my mom?

437
00:20:45,359 --> 00:20:45,640
Speaker 7: If it?

438
00:20:45,680 --> 00:20:46,079
Speaker 4: Look mom?

439
00:20:46,319 --> 00:20:48,319
Speaker 6: Give a mom my mom?

440
00:20:48,880 --> 00:20:51,359
Speaker 4: Mom? Will you please let me get a Yes for

441
00:20:51,440 --> 00:20:52,240
the dress?

442
00:20:52,640 --> 00:20:53,839
Speaker 3: I know, but the dress.

443
00:20:54,119 --> 00:21:10,279
Speaker 4: Believe me, Mom, it's not the money. Father.

444
00:21:11,319 --> 00:21:12,039
Speaker 6: Hello random?

445
00:21:12,440 --> 00:21:14,480
Speaker 4: Oh what are you doing sitting here in the kitchen

446
00:21:14,480 --> 00:21:18,200
in the dark. Well, it's it's embarrassing to sit in

447
00:21:18,200 --> 00:21:21,480
the living room with everybody else. Everyone avoids looking at me.

448
00:21:21,880 --> 00:21:24,599
It makes me feel like I like, did.

449
00:21:24,400 --> 00:21:24,960
Speaker 3: You hear Judy?

450
00:21:25,039 --> 00:21:26,640
Speaker 4: Tell me see over the phone and she ends up

451
00:21:26,680 --> 00:21:27,200
an old maid.

452
00:21:27,319 --> 00:21:28,279
Speaker 6: She'll know who to blame.

453
00:21:29,000 --> 00:21:29,920
Speaker 3: Yeah.

454
00:21:30,039 --> 00:21:31,480
Speaker 6: I wish tomorrow evening we're over.

455
00:21:32,200 --> 00:21:34,279
Speaker 4: Maybe then my family can stop thinking of me as

456
00:21:34,279 --> 00:21:37,279
a human being again. I doubt it.

457
00:21:40,079 --> 00:21:40,599
Speaker 6: I guess not.

458
00:21:41,480 --> 00:21:45,200
Speaker 4: Judy'll probably hold this against me for Look, Randolph, you're

459
00:21:45,279 --> 00:21:46,599
usually a level headed boy.

460
00:21:46,920 --> 00:21:48,160
Speaker 6: You know I'm right, don't you?

461
00:21:48,279 --> 00:21:48,480
Speaker 3: Oh?

462
00:21:48,640 --> 00:21:50,119
Speaker 6: Sure, of course I.

463
00:21:50,119 --> 00:21:52,319
Speaker 4: Knew I could count on you. Then you know I'm

464
00:21:52,319 --> 00:21:54,720
doing this for Judy's own goods. You know it's not the.

465
00:21:54,720 --> 00:22:00,400
Speaker 6: Money, don't you for sure? Father Wyn, Why if.

466
00:22:00,319 --> 00:22:01,960
Speaker 7: You break down and let her get it?

467
00:22:12,279 --> 00:22:16,319
Speaker 3: No, Oubie, it's no use. I'm not going. Please, you

468
00:22:16,359 --> 00:22:20,200
don't make it any more difficult. Oh no, I want

469
00:22:20,240 --> 00:22:23,359
you to go. I'm sure you can get someone to

470
00:22:23,400 --> 00:22:27,759
go with you. I want you to uh have a

471
00:22:27,759 --> 00:22:31,200
good time. Bye.

472
00:22:31,279 --> 00:22:34,400
Speaker 4: See Judy. One, don't the three of us go to

473
00:22:34,440 --> 00:22:35,440
a movie tonight.

474
00:22:35,640 --> 00:22:38,440
Speaker 7: Sure, there's a great picture of playing and go on, Judy,

475
00:22:38,440 --> 00:22:40,400
go on up and get the I mean no, put

476
00:22:40,440 --> 00:22:41,839
your hat on and no thing.

477
00:22:42,519 --> 00:22:45,759
Speaker 3: I'd rather just stay here with my memory.

478
00:22:47,039 --> 00:22:48,839
Speaker 4: I know, let's play cards.

479
00:22:48,880 --> 00:22:51,519
Speaker 7: The three of us you love left the firm by

480
00:22:51,680 --> 00:22:53,000
sure is no thing.

481
00:22:55,720 --> 00:22:57,519
Speaker 4: I have to tell you about something that happened to

482
00:22:57,599 --> 00:23:01,160
me when I was about your age, Judy, No, what happened?

483
00:23:02,200 --> 00:23:05,160
Speaker 7: Well, in those days I wasn't allowed to wear makeup.

484
00:23:05,559 --> 00:23:07,240
Speaker 4: Now there was this party I wanted to go to

485
00:23:07,400 --> 00:23:09,200
so the night of the party, I got all.

486
00:23:09,039 --> 00:23:11,599
Speaker 7: That stuff and I did a very daring thing.

487
00:23:12,119 --> 00:23:12,720
Speaker 3: I put some.

488
00:23:12,759 --> 00:23:13,759
Speaker 4: Rouge on my teeth.

489
00:23:20,119 --> 00:23:21,200
Speaker 7: Then what happened mother?

490
00:23:21,480 --> 00:23:23,680
Speaker 4: Well, my mother noticed it and she said I couldn't go.

491
00:23:23,759 --> 00:23:25,279
Let me took it off. I refuse.

492
00:23:25,519 --> 00:23:27,119
Speaker 7: I said I was old enough to wear it, and

493
00:23:27,160 --> 00:23:28,599
if I couldn't wear it, I wouldn't go.

494
00:23:29,200 --> 00:23:30,559
Speaker 4: Well, we were both suborn.

495
00:23:30,759 --> 00:23:33,000
Speaker 7: I wouldn't take it off, and mother wouldn't let me go.

496
00:23:33,119 --> 00:23:35,519
From what finally happened, Well, it was a funny thing.

497
00:23:36,119 --> 00:23:37,880
I thought that if I didn't go to that party,

498
00:23:37,960 --> 00:23:39,039
my heart would break.

499
00:23:39,400 --> 00:23:41,599
Speaker 4: Did you go? No? Did your heart break?

500
00:23:41,720 --> 00:23:41,960
Speaker 6: No?

501
00:23:42,119 --> 00:23:47,920
Speaker 4: Of course it, yes it did. Oh, here it is

502
00:23:48,319 --> 00:23:48,680
put it on?

503
00:23:52,480 --> 00:23:52,720
Speaker 3: Whoa?

504
00:23:53,200 --> 00:23:54,319
Speaker 5: Why is king?

505
00:23:54,559 --> 00:23:54,799
Speaker 4: Oh?

506
00:23:55,000 --> 00:23:58,079
Speaker 3: Father, You're the dearest sweetest darling of father and girl

507
00:23:58,119 --> 00:23:59,119
ever had for a daughter.

508
00:24:00,000 --> 00:24:01,359
Speaker 4: I'll hurry up, put on the dress and go to

509
00:24:01,400 --> 00:24:02,519
the dance and have a good time.

510
00:24:02,960 --> 00:24:04,640
Speaker 6: But there's something I want to say to you first.

511
00:24:04,759 --> 00:24:05,640
Speaker 3: What is it? Thought here?

512
00:24:05,839 --> 00:24:08,319
Speaker 6: I still think I was right. Don't think I bought

513
00:24:08,319 --> 00:24:09,799
the dress because I felt you deserve it.

514
00:24:10,319 --> 00:24:12,599
Speaker 4: I think you behaved like a spoiled.

515
00:24:12,160 --> 00:24:12,920
Speaker 2: Selfish try.

516
00:24:13,119 --> 00:24:14,640
Speaker 3: Then why did you get it for me, Oh.

517
00:24:14,519 --> 00:24:18,119
Speaker 4: Because because I couldn't stand seeing it so unhappy.

518
00:24:18,279 --> 00:24:21,440
Speaker 3: Oh, Father, I love you all right.

519
00:24:22,039 --> 00:24:23,440
Speaker 6: I'll go on up and put it on and have

520
00:24:23,440 --> 00:24:23,839
a good time.

521
00:24:23,960 --> 00:24:26,279
Speaker 3: I will rand I'll call out and tell him I'm going,

522
00:24:26,319 --> 00:24:28,039
tell him i'll be ready in a few minutes. Tell

523
00:24:28,079 --> 00:24:29,119
him I'll be absolute.

524
00:24:38,039 --> 00:24:38,440
Speaker 6: Melvin.

525
00:24:38,559 --> 00:24:39,640
Speaker 4: I'm glad you did that.

526
00:24:40,279 --> 00:24:41,319
Speaker 6: Well, I'm glad you're glad.

527
00:24:41,559 --> 00:24:44,119
Speaker 7: You know, mother, if things like this that make me

528
00:24:44,200 --> 00:24:45,119
understand why.

529
00:24:44,960 --> 00:24:45,759
Speaker 3: You married father.

530
00:24:47,119 --> 00:24:49,039
Speaker 4: I didn't want to buy that dress. Believe me, I'd

531
00:24:49,039 --> 00:24:49,799
tried my dunn.

532
00:24:49,839 --> 00:24:50,359
Speaker 6: It's not good.

533
00:24:51,039 --> 00:24:53,119
Speaker 4: But when I thought of the way she's been behaving

534
00:24:53,119 --> 00:24:56,960
these last few ready here, yes, no, not just here? Shoes?

535
00:24:57,440 --> 00:24:58,440
Speaker 3: What have you got on?

536
00:24:58,680 --> 00:24:59,559
Speaker 4: But that's not the dress?

537
00:24:59,559 --> 00:25:01,400
Speaker 6: I isn't that the one?

538
00:25:01,400 --> 00:25:03,759
Speaker 4: Ooh you've seen you in a dozen times? Yes?

539
00:25:04,119 --> 00:25:04,680
Speaker 3: What happened?

540
00:25:04,680 --> 00:25:05,480
Speaker 6: Didn't the other one fit?

541
00:25:05,759 --> 00:25:06,720
Speaker 3: Oh? It fitted fine?

542
00:25:06,880 --> 00:25:07,759
Speaker 6: Then why aren't you wearing?

543
00:25:08,759 --> 00:25:09,000
Speaker 4: Well?

544
00:25:09,920 --> 00:25:12,079
Speaker 3: While I was putting it on, I I began thinking

545
00:25:12,119 --> 00:25:12,880
about what you said.

546
00:25:12,960 --> 00:25:13,240
Speaker 4: Father.

547
00:25:13,759 --> 00:25:15,680
Speaker 3: Do you know about buying it for me even though

548
00:25:15,680 --> 00:25:16,599
you thought I was wrong?

549
00:25:16,880 --> 00:25:17,839
Speaker 6: Yeah?

550
00:25:17,880 --> 00:25:20,799
Speaker 3: Well, when I really thought about it, I realized how

551
00:25:20,799 --> 00:25:23,279
selfish I had been, And well I knew that I

552
00:25:23,319 --> 00:25:24,279
shouldn't have a dress.

553
00:25:24,319 --> 00:25:30,640
Speaker 7: That's all that's see, Judy, Yes, father, I I like you.

554
00:25:33,319 --> 00:25:36,160
Speaker 4: I like you too, father, and I think i'd like

555
00:25:36,160 --> 00:25:37,119
you to have a dress for me.

556
00:25:37,359 --> 00:25:39,599
Speaker 3: Oh no, I think I'd rather not have it. I'll

557
00:25:39,599 --> 00:25:42,440
return in the morning. Anyway, I thought it might be

558
00:25:42,559 --> 00:25:44,480
lucky to let Ugi see me in this old dress

559
00:25:44,519 --> 00:25:48,640
for the thirteenth Has he really seen it for the time?

560
00:25:48,759 --> 00:25:48,920
Speaker 4: Oh?

561
00:25:49,000 --> 00:25:50,000
Speaker 3: Yes, I get careful.

562
00:25:50,079 --> 00:25:57,319
Speaker 8: Tis come in Hi, everybody, mistress washeder, you're a swell guy.

563
00:25:57,519 --> 00:25:58,559
Speaker 6: Well, thank you.

564
00:25:58,599 --> 00:26:01,559
Speaker 3: We'll come on, Judy, I geez, boy, do you look

565
00:26:01,680 --> 00:26:03,359
snabby in that new dress?

566
00:26:08,920 --> 00:26:12,920
Speaker 8: What turn around? Yes, sir, I don't blame you for

567
00:26:13,000 --> 00:26:14,039
wanting it so much.

568
00:26:14,400 --> 00:26:15,720
Speaker 5: You look just slick in it.

569
00:26:16,240 --> 00:26:19,720
Speaker 3: Yes, don't I? I sure do her mother and father

570
00:26:19,839 --> 00:26:21,599
and Randolphin's so too, don't you.

571
00:26:22,799 --> 00:26:27,000
Speaker 8: Cause yes, sir, old roads, I've always wanted to see

572
00:26:27,000 --> 00:26:40,359
you in that color. Did I say something funny?

573
00:26:48,519 --> 00:26:50,480
Speaker 1: Well, I am more from the Fosters in a moment.

574
00:26:51,039 --> 00:26:54,160
Some nights, do you have only a nodding acquaintance with sleep?

575
00:26:54,480 --> 00:26:57,160
Because if someone distressed you to ask an interjection or

576
00:26:57,240 --> 00:27:00,960
heart burns, well that's the time for tom before you

577
00:27:01,000 --> 00:27:03,400
slip into bed. Slip one or two tasty tongues in

578
00:27:03,440 --> 00:27:06,839
your mouth. Seems you would candy mint, no mixing, no stirring,

579
00:27:06,920 --> 00:27:11,960
no water needed, almost instantly. Tom's neutralized sleep sealing, excess acid,

580
00:27:12,400 --> 00:27:16,720
relieve distressing heart burns, settle your stomach fast, so you

581
00:27:16,839 --> 00:27:20,920
settle down, Jeffy quick to RESTful sleep. Thumbs contain no

582
00:27:21,079 --> 00:27:26,160
baking soda, no bicarbonate, not even a pinch. Toms won't

583
00:27:26,160 --> 00:27:29,920
overalkalize your stump. So with tombs there's no waking with

584
00:27:30,119 --> 00:27:31,799
unpleasant acid rebounds.

585
00:27:32,160 --> 00:27:33,480
Speaker 6: To get your sleep.

586
00:27:33,279 --> 00:27:38,119
Speaker 1: Undisturbed by acid and digestion, get tongues, get them this

587
00:27:38,720 --> 00:27:41,799
very night. Still only ten cents a roll free roll

588
00:27:41,880 --> 00:27:46,920
package a quarter all rugs doors. There are many imitations,

589
00:27:46,920 --> 00:27:54,000
but no substitute for tombs. T U m s genuine

590
00:27:54,279 --> 00:27:59,359
tombs for the tummings. And now here are Judy and Uggie.

591
00:27:59,599 --> 00:28:07,759
Speaker 8: Now No, it was a swell dance, wasn't it, Judy?

592
00:28:08,039 --> 00:28:10,640
Speaker 3: It was a dreamy movie. Thank you for taking me.

593
00:28:11,160 --> 00:28:13,160
Speaker 8: I was very proud to have been your escort.

594
00:28:13,599 --> 00:28:15,640
Speaker 3: I hope that Edie didn't cost you too much.

595
00:28:15,960 --> 00:28:19,799
Speaker 5: Cost let's go dollars cent? What do they mean?

596
00:28:20,759 --> 00:28:22,839
Speaker 8: If they mean I can't take you to the movies

597
00:28:22,880 --> 00:28:25,160
for two weeks.

598
00:28:25,680 --> 00:28:28,480
Speaker 3: Odi, I have my whole alane left from last week.

599
00:28:28,720 --> 00:28:29,920
Speaker 7: I'll take you to the movie.

600
00:28:30,359 --> 00:28:33,119
Speaker 8: Jooty, you have just mortally wounded me.

601
00:28:34,359 --> 00:28:34,759
Speaker 4: Of a guy?

602
00:28:34,799 --> 00:28:35,640
Speaker 3: Do you think I am?

603
00:28:35,680 --> 00:28:37,440
Speaker 8: But I'd let you take me to the movies?

604
00:28:37,720 --> 00:28:42,799
Speaker 3: Oh Oohbie, I'm terribly sorry. I shouldn't have even suggested it. Well,

605
00:28:42,839 --> 00:28:45,079
of course, not when you know darn well.

606
00:28:44,960 --> 00:28:46,720
Speaker 8: I'd rather go to the baseball game.

607
00:28:59,480 --> 00:29:02,799
Speaker 1: The duty is written by Allen Leslie and stars Louise

608
00:29:02,960 --> 00:29:06,319
Ericson as Judy and John Brown as Father, with Mix

609
00:29:06,400 --> 00:29:08,960
Davis's Randolph and Myra March as Mother.

610
00:29:09,519 --> 00:29:10,759
Speaker 6: That Krenna played oogie.

611
00:29:11,160 --> 00:29:15,039
Speaker 1: Music was composed and conducted by Hal Bourne. The program

612
00:29:15,160 --> 00:29:24,000
was produced and directed by Helen Max. This is Ken

613
00:29:24,119 --> 00:29:25,960
Niles inviting you to be with us again.

614
00:29:25,839 --> 00:29:27,079
Speaker 6: Next Tuesday at this time.

615
00:29:27,359 --> 00:29:30,599
Speaker 1: To keep your dates with Judy, and remember night and

616
00:29:30,839 --> 00:29:35,039
day at home or away, always carry tom he.

617
00:29:35,480 --> 00:29:47,480
Speaker 2: You M and can I stayed with JUDU be transmitted

618
00:29:47,480 --> 00:29:48,160
to our men and women

619
00:29:48,240 --> 00:29:51,640
Speaker 1: Overseas by short waves, as with the worldwide facilities of

620
00:29:51,680 --> 00:29:53,359
the Armed Forces Radio Service.