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Speaker 1: Mystery theater.

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Speaker 2: Come in or welcome. I'm a g Marshall.

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Speaker 3: What are you doing right now? As a matter of fact,

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what are you doing most of the time? Is it

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something that makes your heart sing and your spirits sore?

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Or do you just put in your eight hours? Is

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life a challenge, an adventure, a thrill for all five senses?

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If not be careful, something inside you may be trying

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to tell you something, and you'd better listen before it's

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too late. On the other hand, maybe you'd better not listen.

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Speaker 4: But you can't be serious, Olivia.

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Speaker 5: Oh, I'm deadly serious, if you'll excuse the fun.

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Speaker 3: But why do you want to kill your husband?

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Speaker 1: Why?

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Speaker 5: Well, doctor, he bores me. But Olivia, that's not a

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reason I disagree.

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Speaker 1: It's an excellent reason, Olivia.

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Speaker 3: I could say you're joking, but something tells me you're serious.

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Speaker 5: I'm always serious, doctor.

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Speaker 4: But why do you have to kill John?

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Speaker 1: Why don't you just divorce him? If I divorce him,

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I get nothing.

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Speaker 6: If he dies, I get his entire estate.

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Speaker 3: Oh, so that's what it's all about.

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Speaker 4: Money.

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Speaker 5: That's what the whole world is about, doctor, Love and money.

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Right now, I have neither.

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Speaker 1: Within a week, I shall have both.

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Speaker 3: Our mystery drama Sleepwalker, was written especially for the mystery

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by Sam Dan and stars Tammy Grimes.

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Speaker 2: John Worcester is.

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Speaker 3: Seventy, his wife Olivia is thirty five. And if some

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of you are already saying aha, believe me you have

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something to say aha about. Our story begins at two

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point thirty of a dark, moonless morning in the garage

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of their country home, which is called Eagle's Nest because

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it's high, high on a hilltop.

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Speaker 1: And why does it begin in.

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Speaker 3: The garage, Well, because somebody seems to be working on

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John Worcester's expensive imported sports car at.

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Speaker 2: Two thirty am.

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Speaker 4: Who could it be?

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Speaker 3: Why it's Olivia, Blonde, slim, delicate Olivia, And what is

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she doing? She appears to be doing something to the breaks,

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doing it deftly and swiftly.

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Speaker 2: And now she's finished.

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Speaker 3: She washes her hands, romoves your coveralls, revealing only a

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beautiful lacy nightgown, and walks slowly into the house.

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Speaker 1: Riah glive Olivia. Hold on, hold on.

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Speaker 3: Olivia, my darling, you're walking in your sleep again. Walking

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you are That's impossible? Then what are you doing out

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here in the hallway?

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Speaker 1: And what allway then, and look at the trail of

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destruction you've left. Oh, the verses, the verses you brought

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home from Greece.

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Speaker 6: Must be true. I do walk in my sleep.

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Speaker 1: Where was I?

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Speaker 2: I don't know.

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Speaker 1: What could I have been doing?

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Speaker 3: And then now get back to bed and we'll worry

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about all that in the morning. Good morning, dear, good morning.

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May I bow you some coffee?

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Speaker 1: Thank you?

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Speaker 3: How did you get through the night without further ambulatory activity?

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Speaker 6: I am, I would know.

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Speaker 1: Now are you convinced that you walk in your sleep? Yes?

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Speaker 6: I suppose, I am.

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Speaker 1: Did you know.

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Speaker 3: There's an opera about sleep walking? It's called Las son

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Ambula by Jacomo Billini.

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Speaker 1: I never would have suspected Blini.

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Speaker 3: He was a contemporary of Rossini, Rossini, Bellini, Donizetti.

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Speaker 1: There were great rivals. Why should I walk in my sleep?

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Speaker 3: Poor Bellini died very young, thirty four, I think. But

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last Sonambula was produced in New York fifty years later.

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Speaker 1: Oh about all.

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Speaker 5: That, honestly, darling, Sometimes sometimes what oh?

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Speaker 6: Sometimes can't you just let things go? I don't have

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to have a history of.

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Speaker 3: Every little darling, darling, Please, I thought you'd be interested.

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Speaker 5: Oh, I'm very much worried. I'm concerned. Why do I sleepwalk?

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Speaker 1: That's what you're going to ask, doctor Schwartz.

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Speaker 5: I don't think this is anything to see a doctor about, and.

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Speaker 1: I spoke with him just a few minutes ago.

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Speaker 3: You are to drop over there right away, Oh but

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I can't.

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Speaker 1: Why not?

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Speaker 6: Because you need the car? You have a golf date.

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Speaker 5: I canceled it, but you were you were looking forward

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to playing.

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Speaker 3: Need It would be better for all concerned if I

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stayed home and started another chapter.

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Speaker 1: On my book. Now I want you to see the doctor, please, dear.

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Could be quite serious.

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Speaker 5: All right, But what can he give me for my sleepwalking?

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Speaker 1: Libby?

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Speaker 3: Yes, dear, you must promise me something, Yes, dear, Promise

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to go down the hill in second gear.

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Speaker 1: Yes, dear, I'm serious.

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Speaker 3: You know how that road twists and turns, and how

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steep the grade is.

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Speaker 1: Promise, yes, dear, I promise you see the rate.

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Speaker 3: Of acceleration can be expressed by the formula tea equals.

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Speaker 1: Darling, Have I ever broken my promise? I wait?

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Speaker 3: Have a little smudge on your nose where on the

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tip oho and on the lobe of your ear?

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Speaker 1: Oh? How did you get there?

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Speaker 3: I did wash this morning highly significant of what honor

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Ed Balzac says.

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Speaker 1: Oh, please you, no way this should amuse you.

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Speaker 3: He said that the surest way to tell a woman's

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age is by the tip of her nose and the

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lobe of her ear.

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Speaker 6: I've got the same kind of smudge of my thumb.

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I'd better go back inside.

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Speaker 1: You'll be late. The doctor's trying to fit you in.

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Speaker 2: Now.

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Speaker 1: Please please drive carefully.

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Speaker 3: I always do, and remind him of Emily Dickinson's warning

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to doctors. Surgeons must be very careful when they take

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the knife underneath their fine incisions stirs the patient's life.

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Speaker 1: Yes, I'll do that.

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Speaker 6: There are times when I could kill him.

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Speaker 1: No, no, I don't mean that. I just wish me

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cut up.

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Speaker 3: Now.

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Speaker 1: One are those smudges he mentioned? How did I? How

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did I get them?

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Speaker 6: I didn't notice it when I went to bed last night,

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and so it must have happened when I was I

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was sleepwalking. And I'd better slow down. I really had

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better slow down. I better the breaks, the breaks? What's

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wrong with the breaks? I'll never make it.

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Speaker 1: I'll never get around that curve. Love, I'll love her.

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I can't make it. Darnie, you're right, Yes, it is

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so fine. I've been kept here, they said for observation.

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Then something is wrong. Well yes, in reverse? What the

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car was totaled?

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Speaker 6: But me, I don't even have so much as a scratch.

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And Doctor Schwartz and the rest.

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Speaker 1: Well it hasn't confused. What does?

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Speaker 6: Shouldn't I have suffered some injury?

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Speaker 1: Well, that's true, statistically.

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Speaker 6: Some token injury. I mean, look at it from their

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point of view.

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Speaker 5: What did happen? The brakes they failed? That's impossible on

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step down the pedal.

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Speaker 1: And I didn't have any breaks.

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Speaker 3: But I told Teddy to take care the breaks. Last

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week we had a complete new set. The breaks were perfect.

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Speaker 5: They may have been perfect, but they didn't exist when

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I was coming down the hill.

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Speaker 3: Breaks don't go bad suddenly for all apparent reasons. Ha, Oh,

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what could have happened?

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Speaker 1: I don't know.

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Speaker 6: I don't have the faintest idea. Theresa, did you bring

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me the book I asked about, Yes, ma'am, and I

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don't mind telling you. They thought I was crazy at

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the library last son. I'm something I couldn't even pronounce it.

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Speaker 1: Thank you, Teresa? Are you coming home today?

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Speaker 6: As soon as I see doctor Schwartz. I don't know

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why they capture here. Oh listen, you know the pink

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lyt nightgown. Well, I never said laundry was my strong point.

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Speaker 1: I mean what I am basically as a cock. What

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happened to the nightgown?

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Speaker 6: Well, you had a smod a smodge a dures and

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well I kept rubbing ascid you know, Well I rubbed

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too high and now.

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Speaker 1: He got a hole there. And like I say, laundry

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isn't a pink light gun? What kind of dirt? No,

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That's what I couldn't figure out.

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Speaker 6: It was like like grime, you know.

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Speaker 1: No, I don't know.

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Speaker 6: It's like what Teddy gets all over himself and his

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clothes when he works.

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Speaker 1: In the garage. Oh so well, how could it get

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on your night gun? I don't know.

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Speaker 6: There's only one way, is a figurette. He was walking

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in your sleep? What would I have been doing in

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the garage?

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Speaker 1: Don't ask me.

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Speaker 4: Sleepwalking.

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Speaker 3: Somnambulism is definitely the sign of a psychic disturbance. An

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unhappy person is trying to find a way out of

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an intolerable situation.

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Speaker 5: There's an opera Cole lass an Ambula, a Swiss farm

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girl is engaged to a farm boy.

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Speaker 6: A duke visits the village. They find you in the

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duke's bedroom.

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Speaker 3: Why was she sleepwalking in the duke's Why not ner fiances?

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Speaker 1: Why was I sleep walking in the garage?

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Speaker 4: How do you know you were in the garage?

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Speaker 5: I had grease on my hands, face in my nightgown.

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Speaker 4: What was in the garage now.

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Speaker 5: Really, doctor Schwartz? What would be in the garage?

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Speaker 1: The car?

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Speaker 4: Nothing else, no one else.

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Speaker 5: This was two thirty in the morning. I never believe

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people could.

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Speaker 1: Walk in their sleep. Well they can, Oh, I know that.

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Speaker 5: Now tell me what else can people do in their sleep?

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Speaker 3: Theoretically you can do almost anything you're able to.

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Speaker 1: Do while you're awake. But you're asleep.

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Speaker 2: What is sleep?

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Speaker 3: Actually you disassociate yourself from your real existence.

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Speaker 1: But why?

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Speaker 3: You keep asking why, and I keep telling you it's

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because your real existence is intolerable.

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Speaker 6: I'm frightened.

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Speaker 1: Oh, I'm frightened. I know what I was doing in

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the garage.

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Speaker 2: Yes, I was.

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Speaker 1: Tampering with the brakes. Could I do that in my sleep?

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Speaker 2: You could?

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Speaker 3: If you know anything about breaks, which you obviously don't.

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Speaker 6: Why do you say obviously don't? I took a course

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in automobile mechanics, you did. Why shouldn't women know about mechanics?

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It's it's just that are we invading another sacred masculine domain.

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Speaker 3: You haven't told me why you think you were in

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the garage tampering with the brakes?

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Speaker 4: Why would you want to kill yourself, Olivia?

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Speaker 1: I didn't want to kill myself.

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Speaker 3: Then why did you deliberately ruin the brakes? That should

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have been a sure way to end your life? I

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know that hill leading down from the house.

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Speaker 5: Doctor, It was only about chance a fluke that I

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was driving the car. If I fixed those brakes because

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I wanted to kill someone, then that someone is John.

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I hardly ever drive a car, Seun.

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Speaker 1: I can't believe that would want to kill Job. Why

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would I go to all that trouble to kill myself?

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Speaker 5: Surely I could think of easier ways to die.

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Speaker 4: Do you really want to kill Job?

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Speaker 6: Yes, now that I think about it, now that you

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bring that thought out in the life, I do want

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to kill John.

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Speaker 1: I really do.

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Speaker 3: And they appeared to be such a happily married couple too.

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Speaker 2: But that's how it goes.

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Speaker 3: We all tend to make our judgments based on surface things,

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and what kind of surface do you present to the world.

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Speaker 2: Well, we'll be dealing more with.

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Speaker 3: The subconscious, the unconscious, and even the conscious when I

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returned shortly with that too.

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Speaker 4: So the reason you walk in your sleep.

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Speaker 3: Is because you're trying to go somewhere, and that somewhere

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is away from here, because here has become an impossible place.

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Olivia Worcester wants to leave her husband in the basic sense,

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which means leave him dead. In her first attempt, engineered

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by her subconscious, she almost killed herself.

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Speaker 1: What now, But why do you want to kill John?

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Because I simply cannot stand him any longer. That's hardly

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a reason to kill him.

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Speaker 6: Talking, the constant, everlasting, endless talking. That's driving me crazy.

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Speaker 1: That's why I can't stand him.

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Speaker 5: But surely, Olivia, the need to communate? Who says people

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have to communicate all the time? What's so glorious about communication?

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If all you communicate is boredom and nonsense? Listen, doctor,

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my husband John is well, how would you like to

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be married to a dictionary, an encyclopedia, a record book,

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an anthology that.

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Speaker 6: Just goes on and on day and night.

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Speaker 1: If it's so bad, why don't you leave him?

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Speaker 6: You mean divorce?

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Speaker 5: Yes, I don't believe in divorce. I took a vow

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to I know what you're going to say. Human beings

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are changeable animals and cannot really make lifelong pledges.

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Speaker 4: Well, yes, basically.

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Speaker 5: Then what happens to ethics, to morality?

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Speaker 3: You were willing to commit murder, and you talk about

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ethics and morality.

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Speaker 1: What's im moral or unethical about murder?

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Speaker 5: We always can find ways to justify it in the

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name of a higher purpose, especially when an entire nation

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does it.

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Speaker 3: You can't compare a nation's fight for freedom for independence.

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Speaker 1: Why not?

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Speaker 5: The reason I want to commit murder is for my freedom,

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for my independence.

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Speaker 1: But you have an alternative divorce.

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Speaker 6: I may the vow never to divorce him. I didn't

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make a vow not to murder it.

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Speaker 3: That's a very convenient morality. You can't mean all this.

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Speaker 1: You doctors.

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Speaker 6: You want everything so nice and neat and orderly, and

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most of your patients play that game with you because

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they want your approval. But this is how I think

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and how I feel.

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Speaker 4: We have to do something about it.

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Speaker 5: That's right, because if I don't kill him, then I'll

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keep on walking in my sleep where I have an

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excellent chance of killing myself.

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Speaker 3: You need therapy, Libby. Let me recommend a psychiatrist.

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Speaker 6: And what would he do make my thinking more acceptable?

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Speaker 1: The word is normal?

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Speaker 5: Same thing you want me to learn? To put up

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with John or agree to a quiet divorce? Yes, and

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if I go the divorce route, I'll lose out on

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most of John's estate.

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Speaker 4: So money's an issue here too.

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Speaker 5: Certainly, love and money. What else is life all about, Libby?

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Speaker 3: John's twice your age. He'll die along before you will, not.

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Speaker 6: The way he takes care of himself.

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Speaker 4: Age is age.

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Speaker 3: He may die of natural causes if you give him

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a chance.

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Speaker 6: As a physician, aren't you required to keep what I

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told you confidential?

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Speaker 1: No?

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Speaker 3: Not where it concerns criminal intent. But what is there

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00:17:06,319 --> 00:17:08,759
I could say to John or to the police.

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Speaker 2: Who would believe me?

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Speaker 1: You believe me?

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00:17:14,799 --> 00:17:19,960
Speaker 4: Yes, I believe you? But what can I do about it?

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00:17:25,839 --> 00:17:30,279
Speaker 1: Come in? What is it? Rasau? Missus Worcester?

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Speaker 6: I was wondering, if, well, if if you go downstairs

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00:17:35,079 --> 00:17:37,680
and put in a good word for Teddy, why well,

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00:17:37,839 --> 00:17:41,359
mister Worcester's fixing to fire him, fire Teddy? Why would

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00:17:41,400 --> 00:17:44,480
anybody want to fire Teddy. Well, the mister's real upset

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00:17:44,559 --> 00:17:48,680
with Teddy, and well, if he fires him, I don't

321
00:17:48,720 --> 00:17:51,559
know what i'd ever do you see? You see Teddy's

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00:17:51,599 --> 00:17:55,759
asked me to marry him. Well, not in so many words,

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00:17:55,799 --> 00:17:58,519
but well he's been hinting at it, so well, how

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00:17:58,559 --> 00:18:00,960
could I stay here if he comes?

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00:18:01,319 --> 00:18:04,519
Speaker 1: Well, well, we can't let that happen. Wait, what have

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00:18:04,559 --> 00:18:06,359
you got there? Set a gun?

327
00:18:06,519 --> 00:18:10,000
Speaker 6: Yes, ma'am, it's Teddy's or thirty two caliber of varvar. Well,

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00:18:10,079 --> 00:18:13,240
when Tereddy loses his temporaries up, well, you see he

329
00:18:13,319 --> 00:18:16,960
shouldn't be near a gun. Oh he calms down, I

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00:18:17,000 --> 00:18:19,799
see quick. But but to be on the safe side.

331
00:18:20,160 --> 00:18:23,000
But could he take this and just hide it somewhere?

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00:18:23,640 --> 00:18:24,039
Speaker 1: Please?

333
00:18:24,160 --> 00:18:27,160
Speaker 6: Please? He know I took it, and he gets it

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00:18:27,160 --> 00:18:29,720
out of me. All right, go downstairs. I'll hide the

335
00:18:29,720 --> 00:18:32,319
gun till he comes to his senses, and you will

336
00:18:32,359 --> 00:18:35,359
try to make mister Worcester see reason and not fire.

337
00:18:35,480 --> 00:18:43,920
Speaker 1: And of course, how long has this been going on?

338
00:18:44,160 --> 00:18:45,640
How long has what been going on?

339
00:18:45,839 --> 00:18:48,160
Speaker 3: How long have I been paying for gasoline that I

340
00:18:48,240 --> 00:18:52,160
never used, repairs that were never made, supplies that were

341
00:18:52,200 --> 00:18:52,839
never delivered.

342
00:18:52,960 --> 00:18:54,640
Speaker 1: I don't know what you're talking about.

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00:18:54,759 --> 00:18:58,039
Speaker 3: I have here a bill for seventy two dollars for

344
00:18:58,119 --> 00:19:01,160
new breaks. You got new breaks to Worcester. Rakes had

345
00:19:01,240 --> 00:19:04,680
lasted less than a week. Missus Wooster was almost killed.

346
00:19:05,160 --> 00:19:07,839
Speaker 1: How do you explain that? I can't explain it.

347
00:19:08,079 --> 00:19:11,920
Speaker 3: I'm sure you have a very comfortable arrangement with all

348
00:19:11,960 --> 00:19:13,279
the shopkeepers and down.

349
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Speaker 1: I don't have to take that from anybody.

350
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Speaker 6: John, Dear, I can hear you all of your fire.

351
00:19:18,119 --> 00:19:21,119
Speaker 1: You can't fire me. I quit FeAs. Listen to me both.

352
00:19:21,400 --> 00:19:23,960
I watch you off this property immediately. Now, pack your

353
00:19:23,960 --> 00:19:24,720
things and go.

354
00:19:24,960 --> 00:19:27,400
Speaker 3: You couldn't pay me fifty thousand dollars to stay here

355
00:19:27,400 --> 00:19:30,839
another five minutes over the years. That's probably what you've stolen.

356
00:19:31,119 --> 00:19:34,160
Once a jailbird. I'm coming back here with a gun,

357
00:19:34,440 --> 00:19:39,759
and you better be ready to apologize. God, I cannot

358
00:19:39,799 --> 00:19:40,200
believe me.

359
00:19:40,400 --> 00:19:48,400
Speaker 1: Quiet my dear. Hello, who is this? Oh Amanda? Connect

360
00:19:48,440 --> 00:19:51,720
me with the sheriff right away, John. When you keep

361
00:19:51,799 --> 00:19:52,440
I will.

362
00:19:52,240 --> 00:19:55,880
Speaker 3: Not be taken advantage of that. Oh Hello, Sheriff Adams.

363
00:19:56,519 --> 00:20:00,480
John Wooster, No, damon, I don't want to go fishing.

364
00:20:01,240 --> 00:20:03,200
All I want to tell you is if ever I

365
00:20:03,359 --> 00:20:06,920
should be shot to death, the killer is Teddy Kellogg.

366
00:20:08,240 --> 00:20:09,960
Speaker 1: Yes, I call him stealing John.

367
00:20:10,000 --> 00:20:12,119
Speaker 3: You did no such thing. I faced him with it.

368
00:20:12,720 --> 00:20:17,240
He turned nasty him. He threatened me, no, no, I

369
00:20:17,279 --> 00:20:18,839
won't do it. Any good to come up. If he's

370
00:20:18,839 --> 00:20:22,119
gonna do it, he can do it before you get here. Now,

371
00:20:22,200 --> 00:20:25,240
I just want you to know, if it happens, who

372
00:20:25,359 --> 00:20:26,000
the killer is.

373
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Speaker 1: Yeah, that's right.

374
00:20:29,119 --> 00:20:30,759
Speaker 6: How Teddy wouldn't kill anybody.

375
00:20:31,039 --> 00:20:34,119
Speaker 1: He couldn't. Teddy Wood could and has.

376
00:20:34,319 --> 00:20:38,519
Speaker 3: Thirty years ago he got into a fight over a girl. Teddy, Yeah,

377
00:20:39,079 --> 00:20:42,160
he killed his rival in a fit of anger. When

378
00:20:42,160 --> 00:20:44,599
he came out of jail. I was the only one

379
00:20:44,640 --> 00:20:46,480
willing to give him a job. And this is how

380
00:20:46,480 --> 00:20:49,359
he repays me. I caught him. He never had those

381
00:20:49,359 --> 00:20:51,319
breaks fixed, and it almost killed you.

382
00:20:51,640 --> 00:20:53,680
Speaker 6: I'm sure there must be some other explanation.

383
00:20:55,519 --> 00:20:59,599
Speaker 3: Suppose you had been killed in that crash and Teddy

384
00:21:00,079 --> 00:21:03,960
also kills me. You know the probability of both the

385
00:21:04,079 --> 00:21:08,319
husband and wife meeting a violent death during peacetime. Now

386
00:21:08,799 --> 00:21:13,039
in this country, the odds are now one in eighteen million.

387
00:21:13,440 --> 00:21:18,920
Speaker 5: I'm thrilled to hear it. The word kill has a fascinating.

388
00:21:18,279 --> 00:21:21,599
Speaker 1: Etymology, Darling. I really I'm not into.

389
00:21:21,400 --> 00:21:24,519
Speaker 5: Kill and quill share the same route, or should I

390
00:21:24,640 --> 00:21:28,519
to dinner? And oddly enough, so does qualm. Evidently a

391
00:21:28,640 --> 00:21:31,079
qualm is what you're supposed to feel when you killed.

392
00:21:31,119 --> 00:21:32,960
Speaker 1: I don't think i'd feel any at all.

393
00:21:33,720 --> 00:21:46,839
Speaker 3: Oh, darling, you kill? Why that's impossible? And now, dear,

394
00:21:47,039 --> 00:21:50,480
you're sure you don't mind staying alone in the house.

395
00:21:50,839 --> 00:21:54,680
I'm sure it's only for one night. I do have

396
00:21:54,759 --> 00:21:56,119
to meet my publisher in New.

397
00:21:56,079 --> 00:21:59,960
Speaker 1: York, I said, I didn't mind. I'm sorry about Teresa Jean.

398
00:22:00,039 --> 00:22:01,000
You'll miss your plane.

399
00:22:01,240 --> 00:22:03,839
Speaker 3: I realized she had to quit after I fired Teddy,

400
00:22:03,920 --> 00:22:05,559
but I couldn't help that.

401
00:22:05,640 --> 00:22:07,559
Speaker 1: The man is so obviously a thief.

402
00:22:07,640 --> 00:22:10,160
Speaker 5: Well, all that's over now, are you sure you'll be

403
00:22:10,200 --> 00:22:10,559
all right?

404
00:22:10,640 --> 00:22:12,880
Speaker 1: Yes? Talking about thieves?

405
00:22:13,200 --> 00:22:15,599
Speaker 3: Do you know the very first time the word thief

406
00:22:15,720 --> 00:22:17,160
is mentioned in written history?

407
00:22:17,319 --> 00:22:21,599
Speaker 1: On Where has the time gone?

408
00:22:22,039 --> 00:22:30,920
Speaker 3: I mustn't miss my plane?

409
00:22:32,039 --> 00:22:33,640
Speaker 1: What who am I doing?

410
00:22:34,599 --> 00:22:34,960
Speaker 2: Where?

411
00:22:35,400 --> 00:22:37,200
Speaker 1: Oh? Oh? No?

412
00:22:39,039 --> 00:22:43,640
Speaker 7: I was standing next John's bed, his empty bed, and

413
00:22:43,720 --> 00:22:45,839
I had hired three shots into his pillow.

414
00:22:47,000 --> 00:22:48,559
Speaker 1: There was a noise that had awakened me.

415
00:22:49,440 --> 00:22:53,720
Speaker 6: But there I was, walking in my sleep again, trying

416
00:22:53,759 --> 00:22:57,279
to kill my husband again, and I knew that I

417
00:22:57,319 --> 00:23:00,359
would keep walking in my sleep until I did what

418
00:23:00,440 --> 00:23:04,680
I knew I had to do, kill him. And right

419
00:23:04,720 --> 00:23:09,039
there I suppose a way to do it.

420
00:23:09,200 --> 00:23:10,680
Speaker 1: Formed in my mind.

421
00:23:11,920 --> 00:23:15,000
Speaker 6: I would get rid of my husband and my sleep

422
00:23:15,119 --> 00:23:16,720
walking at the same time.

423
00:23:17,799 --> 00:23:21,000
Speaker 1: And the more I thought of it, the sound right.

424
00:23:21,200 --> 00:23:30,400
How well? Mind if I joined him? Hello? Doctor, what

425
00:23:30,440 --> 00:23:30,880
are you doing?

426
00:23:30,960 --> 00:23:31,279
Speaker 4: Until?

427
00:23:31,799 --> 00:23:31,960
Speaker 7: Oh?

428
00:23:32,039 --> 00:23:34,039
Speaker 6: John is in New York today, range and to have

429
00:23:34,119 --> 00:23:35,039
a new book published?

430
00:23:36,400 --> 00:23:40,400
Speaker 1: What about your problem? Which problem?

431
00:23:40,640 --> 00:23:42,079
Speaker 4: The basic problem? Sleepwalking?

432
00:23:42,480 --> 00:23:43,480
Speaker 1: Oh?

433
00:23:43,799 --> 00:23:45,880
Speaker 4: That are you still at it?

434
00:23:47,559 --> 00:23:49,000
Speaker 6: Why should I be?

435
00:23:49,000 --> 00:23:52,599
Speaker 4: Because you already haven't faced up the facts? Olivia, You

436
00:23:52,720 --> 00:23:53,480
have to leave them.

437
00:23:53,799 --> 00:23:56,559
Speaker 1: What kind of horrid thing is that to say?

438
00:23:56,799 --> 00:23:59,000
Speaker 4: Because if you don't, you're going to kill him.

439
00:23:59,440 --> 00:24:02,079
Speaker 1: What did you get that outlandish idea?

440
00:24:03,200 --> 00:24:04,039
Speaker 4: You gave it to me?

441
00:24:04,599 --> 00:24:04,839
Speaker 1: Oh?

442
00:24:05,200 --> 00:24:09,400
Speaker 6: Oh well, I just had a harrowing escape from death.

443
00:24:10,160 --> 00:24:13,079
Speaker 5: I may have been somewhat out of my head. I

444
00:24:13,160 --> 00:24:14,799
love John truly.

445
00:24:15,920 --> 00:24:18,480
Speaker 4: I was thinking about what you said. It makes a

446
00:24:18,559 --> 00:24:19,920
terrible kind of sense.

447
00:24:20,759 --> 00:24:24,519
Speaker 3: His conversation drives you crazy.

448
00:24:24,599 --> 00:24:26,279
Speaker 4: Yes, he talks.

449
00:24:26,519 --> 00:24:29,799
Speaker 3: He tries to be witty and entertaining because that's all

450
00:24:29,799 --> 00:24:34,359
he can do now, and it's well a pathetic attempt

451
00:24:34,440 --> 00:24:38,400
to cover up his inadequacy in other marital areas. You

452
00:24:38,519 --> 00:24:43,240
put that so delicately, Libby, don't be a foolish December

453
00:24:43,279 --> 00:24:43,720
and July.

454
00:24:43,880 --> 00:24:44,799
Speaker 4: It doesn't work.

455
00:24:45,200 --> 00:24:48,839
Speaker 1: It does for so many people, but not for you.

456
00:24:48,839 --> 00:24:51,480
Your entire psyche is an open rebellion.

457
00:24:52,000 --> 00:24:54,079
Speaker 5: Do you think there are too many calories in the

458
00:24:54,119 --> 00:24:55,279
New England Crime Jowder?

459
00:25:01,119 --> 00:25:01,279
Speaker 1: Oh?

460
00:25:01,319 --> 00:25:03,319
Speaker 6: I hope I'm not disturbing you, darling.

461
00:25:03,640 --> 00:25:07,160
Speaker 3: Oh no, no, no, not at all. No books coming along,

462
00:25:07,359 --> 00:25:10,680
just fine. Hey, it's all about the history of marriage,

463
00:25:11,000 --> 00:25:15,039
that is, how marriages have influenced history. Oh, it's fascinating.

464
00:25:15,160 --> 00:25:15,480
Speaker 1: Hey.

465
00:25:15,559 --> 00:25:18,839
Speaker 3: Do you realize that the three great European kings who

466
00:25:18,880 --> 00:25:22,880
were overthrown by revolutions were married to the same kind

467
00:25:22,920 --> 00:25:27,400
of womanly John Nicholas of Russia, Charles the First of England,

468
00:25:27,680 --> 00:25:29,000
Louis the sixteenth John.

469
00:25:29,200 --> 00:25:30,799
Speaker 1: Why don't I make us a cup of tea?

470
00:25:31,319 --> 00:25:34,720
Speaker 3: Oh, we'll hurry back to you. Your reactions are so

471
00:25:34,880 --> 00:25:35,960
important to me.

472
00:25:39,799 --> 00:25:43,920
Speaker 1: Was it said? Well, begun is half done. Listen to me.

473
00:25:44,720 --> 00:25:47,960
Speaker 6: I'm even talking like him now, but I'm beginning to

474
00:25:48,079 --> 00:25:50,960
do what has to be done, and the first thing

475
00:25:51,559 --> 00:25:52,920
is to make a telephone call.

476
00:25:56,000 --> 00:26:00,319
Speaker 1: Hello, did he It's it's missus Wooster. Yes, ma'am, at

477
00:26:00,319 --> 00:26:02,119
your service, Eddy, it was.

478
00:26:02,079 --> 00:26:04,960
Speaker 6: A terrible misunderstanding between you and mister Wooster.

479
00:26:05,359 --> 00:26:10,000
Speaker 1: I know for a fact he's sorry, and he should be.

480
00:26:10,240 --> 00:26:10,960
I know that.

481
00:26:11,759 --> 00:26:14,240
Speaker 6: Well, he'd like to have you with us again.

482
00:26:14,759 --> 00:26:17,240
Speaker 1: All he's got to do is call me up and apologize.

483
00:26:17,559 --> 00:26:20,759
We can't do that, Teddy. You know him well, I

484
00:26:20,799 --> 00:26:21,880
got my pride too.

485
00:26:22,240 --> 00:26:25,160
Speaker 5: If you were just to come up here tonight and

486
00:26:25,240 --> 00:26:28,319
say hello to him, it would be as if nothing.

487
00:26:28,039 --> 00:26:28,880
Speaker 1: Had ever happened.

488
00:26:29,440 --> 00:26:33,680
Speaker 6: Well, now, Teddy, you need the job and he needs you.

489
00:26:34,200 --> 00:26:42,359
Speaker 1: Well, okay, I'll be there. That's the first thing, taking care.

490
00:26:43,079 --> 00:26:46,799
Speaker 6: And now for the second thing, which is another telephone call.

491
00:26:47,799 --> 00:26:51,799
Speaker 5: Did Professor Alexander Graham Bell ever consider how indispensable as

492
00:26:51,880 --> 00:26:55,000
invention would be to all sorts of people?

493
00:26:56,119 --> 00:26:58,160
Speaker 1: Sheriff Adam speaking Sheriff.

494
00:26:58,200 --> 00:27:03,119
Speaker 6: This is Olivia Woolster. My husband just received a phone

495
00:27:03,160 --> 00:27:07,680
call from Teddy Kellogg. Was a very threatening call. I

496
00:27:07,759 --> 00:27:09,400
listened in on the extension.

497
00:27:10,039 --> 00:27:14,240
Speaker 5: Threatening, but John refuses to take it seriously.

498
00:27:15,200 --> 00:27:18,559
Speaker 1: Teddy has been threatening to kill him. Yes, I know that.

499
00:27:18,960 --> 00:27:22,680
Speaker 6: You see, John fired him and won't give him a reference.

500
00:27:23,200 --> 00:27:25,559
And maybe that's wrong, but right.

501
00:27:25,400 --> 00:27:29,079
Speaker 1: Now I'm terrified. Maybe I'm being serious. I'll be right there.

502
00:27:29,559 --> 00:27:32,519
Don't you open the door to nobody till I arrived.

503
00:27:36,680 --> 00:27:38,880
And now, of course it was the third thing, the

504
00:27:38,960 --> 00:27:39,680
act itself.

505
00:27:40,240 --> 00:27:42,400
Speaker 6: I must get Teddy's gun from the drawer where I've

506
00:27:42,440 --> 00:27:44,519
kept it hidden, and I should walk.

507
00:27:44,440 --> 00:27:50,200
Speaker 1: Very quietly back to the study widely. I was fair

508
00:27:50,240 --> 00:27:55,920
in sight and the knowledge of John. Like for many heroes,

509
00:27:55,960 --> 00:27:59,559
you shall die with your boots on, that is, in

510
00:27:59,680 --> 00:28:02,440
your case, busily created with your typewriter.

511
00:28:09,319 --> 00:28:12,839
Speaker 6: Now I shall wipe my fingerprints off the gun.

512
00:28:14,519 --> 00:28:19,119
Speaker 1: And do the lady like thing faint at the sight

513
00:28:19,400 --> 00:28:22,200
of this awful blood and violence.

514
00:28:30,240 --> 00:28:34,640
Speaker 3: Well, could the thing be more deftly done by Lucretsio

515
00:28:34,680 --> 00:28:39,279
Borgia or Catherine de Medici. I realize we're using a

516
00:28:39,279 --> 00:28:42,559
great many historical illusions in our tale, but they fit

517
00:28:42,759 --> 00:28:46,880
the piece and really our basic problem. The true argument

518
00:28:46,920 --> 00:28:50,119
of our story is stated perfectly by an old English saying,

519
00:28:51,119 --> 00:28:55,039
if he is withered and she is supple, they cannot

520
00:28:55,160 --> 00:28:59,240
make a happy couple. We shall resolve all of our

521
00:28:59,279 --> 00:29:02,680
problems fully when I return in just a few moments.

522
00:29:02,920 --> 00:29:13,000
Speaker 2: With Act three.

523
00:29:14,119 --> 00:29:20,160
Speaker 3: Sleepwalking or somnambulism is a deep psychic disturbance an indication

524
00:29:20,279 --> 00:29:23,440
of a dangerous problem. Therefore, if one is to rid

525
00:29:23,519 --> 00:29:27,039
oneself of the affliction, one must rid oneself of the problem.

526
00:29:27,480 --> 00:29:31,359
And that's just exactly what Olivia Worcester has done. She

527
00:29:31,559 --> 00:29:36,279
got rid of her problem utterly, completely and permanently.

528
00:29:37,119 --> 00:29:39,640
Speaker 2: She killed him.

529
00:29:39,680 --> 00:29:44,279
Speaker 1: Mister Worcester. The missus said, I was a comber, mister Worcester,

530
00:29:45,079 --> 00:29:47,519
Missus Worcester, what happened?

531
00:29:47,680 --> 00:29:51,359
Speaker 3: Oh what happened?

532
00:29:51,480 --> 00:29:53,759
Speaker 1: Don't you get him?

533
00:29:54,000 --> 00:29:54,599
Speaker 6: Ah?

534
00:29:54,720 --> 00:29:59,759
Speaker 1: You jell him Worster. I did no such, Missus Worcester.

535
00:30:00,160 --> 00:30:03,279
You threatening to killing me? You came up here, murder?

536
00:30:04,039 --> 00:30:05,759
Hold on you? You got this all wrong.

537
00:30:06,160 --> 00:30:07,160
Speaker 6: I saw you do it.

538
00:30:07,599 --> 00:30:09,200
Speaker 1: I was here and I saw you do it. But

539
00:30:09,599 --> 00:30:12,559
I never you had your gun and you fired out him. No,

540
00:30:12,599 --> 00:30:14,359
no idea, you killed him.

541
00:30:15,400 --> 00:30:18,960
Speaker 6: You just called listen twenty minutes ago. You threatened his eye.

542
00:30:19,200 --> 00:30:20,880
I just I heard you on the extension.

543
00:30:21,319 --> 00:30:22,640
Speaker 1: I better get er.

544
00:30:23,400 --> 00:30:26,039
Speaker 3: I don't believe her.

545
00:30:26,319 --> 00:30:27,480
Speaker 6: You own escape.

546
00:30:27,519 --> 00:30:28,680
Speaker 8: You won't escape.

547
00:30:29,559 --> 00:30:35,400
Speaker 3: Hold on, hold on, tend still can't get this whole sel.

548
00:30:35,759 --> 00:30:38,279
Speaker 1: You're not gonna make me pay for that murder? What murder?

549
00:30:38,440 --> 00:30:39,039
John Wooster?

550
00:30:39,720 --> 00:30:43,720
Speaker 3: I mean he has killed him already I didn't kill me.

551
00:30:45,799 --> 00:30:55,920
Speaker 6: Shove old my house ready, he killed my board. He

552
00:30:56,000 --> 00:30:58,039
gave you to his house like a mad ride.

553
00:30:59,599 --> 00:31:05,680
Speaker 1: Got it. He just shot John down in cold bloody

554
00:31:05,880 --> 00:31:07,680
entered the god I fake it.

555
00:31:08,839 --> 00:31:10,880
Speaker 6: Oh, it's too horrible to talk about now.

556
00:31:10,960 --> 00:31:13,440
Speaker 1: You just take it easy, miss Worcester. It's a lie.

557
00:31:14,039 --> 00:31:16,440
Shut up. He'll get your chance.

558
00:31:20,920 --> 00:31:24,359
Speaker 6: Missus Wooster, I don't know what a thaw to Raisa.

559
00:31:24,960 --> 00:31:27,359
Speaker 1: I forgive him. He didn't know what he was doing.

560
00:31:27,519 --> 00:31:30,240
Speaker 6: He says, you'd cause him on the phone and asked

561
00:31:30,279 --> 00:31:31,039
him to come here.

562
00:31:31,240 --> 00:31:34,039
Speaker 1: No, my dear, I'm sorry. He never lied to me.

563
00:31:34,160 --> 00:31:37,799
Speaker 5: My dear, he has to deny his guilty. You he's

564
00:31:37,839 --> 00:31:38,960
afraid to lose your love.

565
00:31:39,119 --> 00:31:41,920
Speaker 6: I keep telling him I'll stand by him no matter.

566
00:31:41,720 --> 00:31:43,519
Speaker 1: What a man I mean.

567
00:31:43,559 --> 00:31:46,960
Speaker 6: After all, his reputation is important to him. How does

568
00:31:47,000 --> 00:31:48,519
he do it that he gets a good lawyer?

569
00:31:48,519 --> 00:31:54,359
Speaker 1: You? You will? After all? Part of it is John's fault.

570
00:31:54,480 --> 00:32:06,559
Speaker 7: Oh, missus Wooster, you are a saint listening it.

571
00:32:06,759 --> 00:32:11,480
Speaker 3: Oh hello, Olivia, doctor may I come in?

572
00:32:12,440 --> 00:32:12,799
Speaker 4: Thank you.

573
00:32:13,599 --> 00:32:17,039
Speaker 1: I was on my way out. So Olivia, you actually

574
00:32:17,039 --> 00:32:19,079
didn't did what? O, Livy?

575
00:32:20,200 --> 00:32:20,759
Speaker 4: You know what?

576
00:32:21,200 --> 00:32:24,319
Speaker 1: Please? I'm busy. You killed him I killed John.

577
00:32:24,359 --> 00:32:28,599
Speaker 5: Oh yes, I'm afraid your information is inadequate.

578
00:32:29,200 --> 00:32:30,079
Speaker 1: Teddy killed John.

579
00:32:30,240 --> 00:32:33,079
Speaker 3: No, I was right the first time you killed John

580
00:32:33,680 --> 00:32:36,799
and then you framed Teddy here. You have no right

581
00:32:36,839 --> 00:32:39,440
to Don't waste all this outraging lisence on me.

582
00:32:40,079 --> 00:32:41,240
Speaker 4: Say it for when you'll need.

583
00:32:41,319 --> 00:32:43,440
Speaker 1: You have the faintest notion of what you're talking about.

584
00:32:43,559 --> 00:32:46,279
Speaker 3: We were all through this before we spoke about your

585
00:32:46,359 --> 00:32:48,160
absolute need to kill John.

586
00:32:48,359 --> 00:32:50,599
Speaker 1: The police have take the police, being human like the

587
00:32:50,599 --> 00:32:52,839
rest of us, can make my stories. Teddy threatened.

588
00:32:52,839 --> 00:32:55,799
Speaker 6: My husband warn the sheriff that Teddy might try to

589
00:32:55,880 --> 00:32:56,279
kill him.

590
00:32:56,640 --> 00:32:59,359
Speaker 5: My husband gave Teddy ampro motives. I know all that

591
00:32:59,599 --> 00:33:01,759
further or the murder weapon was Teddy's.

592
00:33:01,400 --> 00:33:03,000
Speaker 1: Gun, which was in your possession.

593
00:33:03,240 --> 00:33:05,559
Speaker 5: Oh no, I had returned it to Teddy.

594
00:33:05,680 --> 00:33:07,400
Speaker 1: He denies that. I'm sorry.

595
00:33:07,680 --> 00:33:10,799
Speaker 3: So what happens now?

596
00:33:10,839 --> 00:33:13,319
Speaker 1: Does Teddy pay through the nose for your murder?

597
00:33:14,559 --> 00:33:17,960
Speaker 5: H Teddy, of course, was drinking that night, He was brooding.

598
00:33:18,480 --> 00:33:21,240
He felt he had been ill used. It was a

599
00:33:21,279 --> 00:33:23,920
crime of passion. He may get five to ten years.

600
00:33:24,079 --> 00:33:27,680
Speaker 3: On the other hand, you could plead temporary insanity, you're

601
00:33:27,720 --> 00:33:29,000
psychologically disturbed.

602
00:33:29,000 --> 00:33:31,039
Speaker 1: You would get an indeterminate.

603
00:33:30,359 --> 00:33:33,160
Speaker 3: Sentence to be served under psychiatric supervision and treatment.

604
00:33:33,559 --> 00:33:34,640
Speaker 4: You could hope to be cured.

605
00:33:34,759 --> 00:33:37,079
Speaker 5: You can't inherit in a state if it comes to

606
00:33:37,119 --> 00:33:38,359
you through an active murder.

607
00:33:38,400 --> 00:33:40,079
Speaker 1: Olivia, I'm trying to.

608
00:33:40,039 --> 00:33:43,279
Speaker 3: Say, by throwing me into prison, by trying to cure you, you

609
00:33:43,240 --> 00:33:44,720
can't prove one word of what you're saying.

610
00:33:44,799 --> 00:33:45,279
Speaker 2: Olivia.

611
00:33:45,400 --> 00:33:48,839
Speaker 3: You're playing for the highest stakes in the world, your life.

612
00:33:48,440 --> 00:33:52,200
Speaker 6: Your life is in no danger, and I'm perfectly sane.

613
00:33:52,440 --> 00:33:52,920
Speaker 4: Olivia.

614
00:33:53,079 --> 00:33:56,680
Speaker 3: You and I know better, you and I know what

615
00:33:56,759 --> 00:33:58,039
you felt you had to do.

616
00:33:58,279 --> 00:34:01,319
Speaker 6: Perhaps, but Teddy, it's obligingly.

617
00:34:00,880 --> 00:34:02,359
Speaker 4: Done it for me, it won't work.

618
00:34:02,519 --> 00:34:04,599
Speaker 6: Oh, but it's working nicely. Why do you want to

619
00:34:04,680 --> 00:34:05,400
rock the boat?

620
00:34:05,440 --> 00:34:05,880
Speaker 1: Doctor?

621
00:34:06,319 --> 00:34:08,880
Speaker 5: In the long run, everyone will be happy this way.

622
00:34:09,000 --> 00:34:12,599
Speaker 3: I still say it won't work, Olivia, It'll backfire.

623
00:34:12,679 --> 00:34:16,280
Speaker 1: You can't get away with doctor. Can it be that

624
00:34:16,440 --> 00:34:18,400
you are the one who's psychotic.

625
00:34:20,159 --> 00:34:24,320
Speaker 3: I'm sorry, Olivia. I know what I know, and I'm

626
00:34:24,360 --> 00:34:28,199
going to work on it full time. I'll see that justice.

627
00:34:28,039 --> 00:34:33,239
Speaker 1: Is done off the record. Why, because it's the right

628
00:34:33,320 --> 00:34:34,320
thing to do.

629
00:34:37,320 --> 00:34:41,000
Speaker 5: I couldn't forget that tone in his voice. It just

630
00:34:41,159 --> 00:34:44,519
terrified me. This man is out to destroy me. And

631
00:34:44,559 --> 00:34:46,840
then I said to myself, don't.

632
00:34:46,599 --> 00:34:50,880
Speaker 1: Be a fool. What can he do? Soon the trial.

633
00:34:50,639 --> 00:34:54,119
Speaker 5: Will be over and it will all be forgotten. I

634
00:34:54,280 --> 00:34:57,679
decided I had nothing to worry about. That's what I

635
00:34:57,760 --> 00:35:03,159
decided consciously. A few days later, while waiting to testify

636
00:35:03,199 --> 00:35:05,800
at Teddy's trial, the sheriff asked.

637
00:35:05,559 --> 00:35:10,239
Speaker 1: Me, say, miss Woodster, whind you buy a gun? A gun?

638
00:35:10,559 --> 00:35:15,320
Speaker 3: Yeah, thirty eight caliber revolver. I mean, it's legal in

639
00:35:15,320 --> 00:35:17,840
this state and all that, but I have got Jim

640
00:35:17,920 --> 00:35:20,360
Richards over at the sports shop happened to mention that

641
00:35:20,480 --> 00:35:23,000
you picked one up the other day, but you really

642
00:35:23,039 --> 00:35:27,639
don't need one, and people have more accidents for those things.

643
00:35:32,480 --> 00:35:35,639
Speaker 9: Well, there it was in the glove compartment of my car,

644
00:35:36,159 --> 00:35:40,199
the thirty eight caliber Revolver, fully loaded and the sales slip.

645
00:35:41,079 --> 00:35:43,360
I looked at my checkbook and there was the stub

646
00:35:44,000 --> 00:35:46,199
I had written a check to Jim Richard's sports shop.

647
00:35:46,880 --> 00:35:50,400
Speaker 1: When when I had done this, and then I knew.

648
00:35:51,280 --> 00:35:55,079
Speaker 6: I knew it was sleepwalking because I remembered everything doctor

649
00:35:55,119 --> 00:35:57,679
Schwartz had told me. And I even knew why I

650
00:35:57,760 --> 00:36:02,480
bought the gun, because I knew I had to kill and.

651
00:36:02,519 --> 00:36:05,320
Speaker 1: Now I'm to sleep walking again.

652
00:36:09,840 --> 00:36:14,360
Speaker 6: Now, missus Wooster, let us continue your testimony. You say

653
00:36:14,440 --> 00:36:18,159
the defendant entered the room. Yes, I was reading, My

654
00:36:18,280 --> 00:36:22,400
husband was typing and teddy mister Kellogg shouted at my

655
00:36:22,480 --> 00:36:23,760
husband that he was going to kill him.

656
00:36:23,800 --> 00:36:28,119
Speaker 1: And what happened? What happened here? He fired his revolver

657
00:36:28,199 --> 00:36:30,199
at John. He emptied the gun.

658
00:36:30,239 --> 00:36:34,119
Speaker 6: How do you know he emptied the gun because because

659
00:36:34,119 --> 00:36:38,440
he kept pulling a trigger, you could hear it go click, click, click,

660
00:36:38,960 --> 00:36:42,360
and the clicking was even more frightening than the shops.

661
00:36:42,760 --> 00:36:46,400
Speaker 1: And then I don't know, I fainted.

662
00:36:51,800 --> 00:36:56,960
Speaker 3: You were a very effective witness today in court, yes, believable, sympathetic,

663
00:36:58,000 --> 00:36:59,199
but you made the mistake.

664
00:36:59,280 --> 00:36:59,880
Speaker 1: I warned you.

665
00:36:59,840 --> 00:37:03,480
Speaker 3: A look, this just isn't going to work. Now, I

666
00:37:03,639 --> 00:37:05,760
read the complete report. As a matter of fact, I

667
00:37:05,800 --> 00:37:09,599
performed the autopsy. Well, now you say he emptied the

668
00:37:09,639 --> 00:37:13,480
revolver at John. Yes, the revolver has six chambers. Only

669
00:37:13,519 --> 00:37:16,719
three bullets were found in John's body. So what happened

670
00:37:16,719 --> 00:37:17,519
to the other three?

671
00:37:17,760 --> 00:37:19,119
Speaker 1: I don't know. How would I know?

672
00:37:19,719 --> 00:37:22,159
Speaker 3: There were six empty shellcases in the gun, but only

673
00:37:22,199 --> 00:37:23,599
three bullets are accounted for.

674
00:37:23,800 --> 00:37:25,920
Speaker 1: Why don't you ask the sheriff. I'll do better than that.

675
00:37:26,079 --> 00:37:27,159
I'll tell the sheriff.

676
00:37:27,199 --> 00:37:28,880
Speaker 3: I'll tell him that he has neglected to look for

677
00:37:28,960 --> 00:37:30,039
three missing bullets.

678
00:37:30,159 --> 00:37:32,000
Speaker 6: I don't see how that could prove anything.

679
00:37:32,199 --> 00:37:36,039
Speaker 3: Olivia, you're lying, and if you're lying, then Teddy's telling

680
00:37:36,119 --> 00:37:37,920
the truth about everything.

681
00:37:38,440 --> 00:37:40,119
Speaker 4: You never gave them back the gun.

682
00:37:40,239 --> 00:37:43,360
Speaker 3: You fired those first three shells at an earlier time.

683
00:37:43,440 --> 00:37:45,960
It may have been an unsuccessful effort to kill John.

684
00:37:46,679 --> 00:37:47,920
You may not even be aware of it.

685
00:37:47,960 --> 00:37:50,199
Speaker 1: I'll have to ask you to leave, Olivia. I'm not

686
00:37:50,239 --> 00:37:52,239
a detective. I'm a doctor. Your doctor.

687
00:37:53,800 --> 00:37:57,599
Speaker 3: I won't say anything to anybody till tomorrow. You do

688
00:37:57,719 --> 00:38:02,159
some thinking tonight, and then in the morning we'll talk

689
00:38:02,199 --> 00:38:03,719
to the sheriff and to the judge.

690
00:38:04,000 --> 00:38:07,719
Speaker 4: Together. It's your only chance.

691
00:38:15,079 --> 00:38:15,760
Speaker 1: Said Maybia.

692
00:38:15,960 --> 00:38:20,360
Speaker 3: Driving at that speed all units a sports car looked

693
00:38:20,400 --> 00:38:21,119
like a seminari.

694
00:38:21,199 --> 00:38:21,880
Speaker 4: I couldn't tell.

695
00:38:22,400 --> 00:38:25,079
Speaker 1: Went by me too fast. Must be doing close to

696
00:38:25,159 --> 00:38:27,079
ninety or one hundred head and west on trouble.

697
00:38:27,599 --> 00:38:30,239
Speaker 3: We'd better bag this idiot before he kills himself and

698
00:38:30,440 --> 00:38:31,400
lord knows who else.

699
00:38:36,280 --> 00:38:43,280
Speaker 4: Olivia, Olivia, come in. I'm glad you decided to come. Hey, Olivia,

700
00:38:43,360 --> 00:38:43,679
that that.

701
00:38:43,719 --> 00:38:46,840
Speaker 1: Gun don't you don't know what you're doing. I know

702
00:38:46,880 --> 00:38:49,239
what I'm doing. Olivia. Wake up.

703
00:38:49,360 --> 00:38:49,800
Speaker 4: I'm up.

704
00:38:50,119 --> 00:38:53,400
Speaker 1: You're sleepwalking. I'm going to kill you, Olivia.

705
00:38:53,119 --> 00:38:54,280
Speaker 6: I have to kill you.

706
00:38:54,159 --> 00:38:56,639
Speaker 1: You understand that, don't you. It's you and me, and

707
00:38:56,719 --> 00:39:00,440
once you're gone, I'll be at peace. Olivia. Listen to

708
00:39:00,519 --> 00:39:03,360
your fault. You won't let up on you, Olivia. You'll

709
00:39:03,400 --> 00:39:05,039
never be John was.

710
00:39:05,199 --> 00:39:08,559
Speaker 6: That's why I kill him. You also patronize me the

711
00:39:08,559 --> 00:39:09,239
way he did.

712
00:39:09,719 --> 00:39:12,599
Speaker 5: You're so superior, Olivia.

713
00:39:12,760 --> 00:39:13,840
Speaker 1: I'll be able to help you.

714
00:39:14,000 --> 00:39:16,119
Speaker 6: Know the name of the girl in the opera lass

715
00:39:16,199 --> 00:39:21,239
an Ambula Amina? Yes, she had courage. She wanted the duke,

716
00:39:21,480 --> 00:39:22,440
so she went to his room.

717
00:39:22,840 --> 00:39:26,119
Speaker 5: Women like us, we can only express ourselves when asleep.

718
00:39:26,719 --> 00:39:28,199
Speaker 6: I don't want to be cured.

719
00:39:28,360 --> 00:39:29,639
Speaker 1: Please, Olivia, wake up.

720
00:39:29,639 --> 00:39:32,039
Speaker 6: I never want to wake up.

721
00:39:41,880 --> 00:39:43,440
Speaker 1: I'm sorry, missus Wooster.

722
00:39:43,840 --> 00:39:47,199
Speaker 3: I must arrest you for the murder of doctor Stephen Schwartz.

723
00:39:47,800 --> 00:39:52,360
What I must advise you that you have the right

724
00:39:52,440 --> 00:39:57,480
to remain silent murder your car were seeing outside the

725
00:39:57,480 --> 00:40:01,760
doctor's house the shots to the tension. We have a

726
00:40:01,840 --> 00:40:04,719
number of witnesses who saw you coming out. We have

727
00:40:04,840 --> 00:40:07,599
looked in the glove compartment of your car, and we

728
00:40:07,679 --> 00:40:08,480
have the revolver.

729
00:40:08,880 --> 00:40:12,239
Speaker 1: He was my doctor. Why why would I want to

730
00:40:12,280 --> 00:40:14,960
kill him? You'd know that bear than we would.

731
00:40:15,199 --> 00:40:19,119
Speaker 3: Why it's worster. You were described as wearing a robe

732
00:40:19,199 --> 00:40:25,760
over nightgown man. This could have been a murder of passion.

733
00:40:26,119 --> 00:40:27,400
Speaker 1: How dare you imply?

734
00:40:27,800 --> 00:40:30,199
Speaker 3: I'm sorry, I'm only telling you what it looks like.

735
00:40:31,519 --> 00:40:36,480
And since you recently purchased the gun, that's premeditation, which

736
00:40:36,519 --> 00:40:37,760
could make it first degree.

737
00:40:37,840 --> 00:40:41,360
Speaker 6: If people say they saw me do it, then I.

738
00:40:41,360 --> 00:40:44,559
Speaker 1: Must have done it. You want to sign a confession,

739
00:40:44,719 --> 00:40:44,960
But I.

740
00:40:45,480 --> 00:40:48,440
Speaker 5: Was walking my sleep It was all sleepwalking.

741
00:40:48,679 --> 00:40:52,039
Speaker 3: It's Worcester has an old hand. Let me give you

742
00:40:52,079 --> 00:40:54,880
some advice. Don't tell that story.

743
00:40:54,960 --> 00:40:57,440
Speaker 1: But it's true. I do sleepwalk.

744
00:40:57,639 --> 00:40:58,760
Speaker 6: I'll stop the Schwartz.

745
00:40:58,840 --> 00:41:01,400
Speaker 3: Yeah, well that's uh has problem.

746
00:41:01,920 --> 00:41:03,199
Speaker 1: Notcor Schwartz is dead.

747
00:41:03,239 --> 00:41:04,920
Speaker 6: But it's true.

748
00:41:06,239 --> 00:41:10,199
Speaker 3: Yeah, well, for your sake, and I can only hope

749
00:41:10,199 --> 00:41:18,960
a jury will believe it. And why should they believe it?

750
00:41:18,960 --> 00:41:22,679
Speaker 2: It looked like a lover's quarrel. I mean it looked

751
00:41:22,719 --> 00:41:23,039
like that.

752
00:41:24,159 --> 00:41:26,599
Speaker 3: After all, she had been married to a much older man,

753
00:41:27,360 --> 00:41:30,920
the victim had been their doctor, and it seemed logical

754
00:41:30,960 --> 00:41:33,599
that he may have promised to marry her one day

755
00:41:33,920 --> 00:41:37,719
when she was free, and had reneged on his promise,

756
00:41:38,400 --> 00:41:39,800
which is why she bought the gun.

757
00:41:40,519 --> 00:41:42,079
Speaker 1: Now, isn't that.

758
00:41:42,039 --> 00:41:44,039
Speaker 2: A more believable story.

759
00:41:44,679 --> 00:41:47,559
Speaker 3: I'll be back in a few moments.

760
00:41:51,239 --> 00:41:54,239
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Speaker 11: In the spirit of holiday giving, the Wall Street Journal

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Speaker 2: Give the Wall Street Journal.

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783
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quickly every business day. From the economy to politics, personal investments,

784
00:43:18,639 --> 00:43:21,840
to corporate finance, marketing, to technology and the.

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Speaker 1: Law, You'll find it in the Journal.

786
00:43:24,079 --> 00:43:26,039
Speaker 11: What's more, the Wall Street Journal is a gift that

787
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will be enjoyed long after the holidays.

788
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Speaker 2: Now.

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Speaker 3: Now how did it all wind up? Teddy Kellogg, who

797
00:44:05,599 --> 00:44:08,199
was innocent, got off with a suspended sentence.

798
00:44:08,679 --> 00:44:10,320
Speaker 2: He's going to marry Teresa.

799
00:44:10,599 --> 00:44:13,960
Speaker 3: Olivia Worcester is being treated at an institution for the

800
00:44:14,000 --> 00:44:18,480
criminally insane, and she may never get out unless she

801
00:44:18,639 --> 00:44:20,760
discovers a way to escape in her sleep.

802
00:44:21,840 --> 00:44:24,039
Speaker 2: Whatever you do, don't go to.

803
00:44:24,039 --> 00:44:27,920
Speaker 3: Sleep at this time, because we need a fine, experienced,

804
00:44:28,039 --> 00:44:32,760
sensitive audience right here seven times a week. Our cast

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00:44:32,880 --> 00:44:36,679
included Tammy Grimes, Robert Dryden, Carol Titel, and Sam Gray.

806
00:44:37,280 --> 00:44:40,679
The entire production was under the direction of Hyman Brown.

807
00:44:41,639 --> 00:44:43,400
Speaker 2: Since nineteen forty one.

808
00:44:43,559 --> 00:44:47,880
Speaker 8: Whenever our troops needed laughter, encouragement and a little bit

809
00:44:47,920 --> 00:44:50,239
of home, the USO was there.

810
00:44:50,679 --> 00:44:52,800
Speaker 1: I have regard from you boy, from Betty Grave. Well,

811
00:44:52,840 --> 00:44:54,039
she said, you boys the regards.

812
00:44:54,800 --> 00:44:56,119
Speaker 6: I'm sorry that's at the past.

813
00:44:57,360 --> 00:45:02,000
Speaker 8: Today, nearly five million military personnel families live in surroundings

814
00:45:02,000 --> 00:45:05,239
that are often unfamiliar, sometimes be friendly.

815
00:45:05,639 --> 00:45:07,280
Speaker 2: The USO is still.

816
00:45:12,960 --> 00:45:16,440
Speaker 8: Captain Bill Hayden, Executive Officer USS Eisenhower.

817
00:45:16,679 --> 00:45:19,280
Speaker 3: When you guys take the trouble to come out here

818
00:45:19,320 --> 00:45:22,119
and visit us, we feel like the country is really

819
00:45:22,159 --> 00:45:22,679
behind us.

820
00:45:22,760 --> 00:45:24,880
Speaker 2: Without you, it'd be the USO.

821
00:45:25,400 --> 00:45:29,480
Speaker 8: Because the USO is supported by contributions from private citizens,

822
00:45:29,719 --> 00:45:32,679
so let our service people know that wherever they're serving,

823
00:45:33,079 --> 00:45:34,119
they're not forgotten.

824
00:45:34,880 --> 00:45:39,639
Speaker 2: The USA still needs the USO. The USO needs you.

825
00:45:42,719 --> 00:45:43,320
Speaker 1: This is E. G.

826
00:45:43,519 --> 00:45:46,880
Speaker 3: Marshall inviting you to return to our mystry theater for

827
00:45:47,000 --> 00:45:57,039
another adventure in the macabre. Until next time, pleasant dreams.

828
00:45:58,119 --> 00:46:01,920
Speaker 13: We're listening Tower Radio. I worbe Decondson in the next

829
00:46:01,920 --> 00:46:04,360
two few minutes and you'll have complete details on these stories.

830
00:46:04,360 --> 00:46:07,440
The police pursued him, pantagat ands in an accident, and

831
00:46:07,519 --> 00:46:11,199
Domino's Pizza owner Tom Monaghan is considering selling his pizza company.

832
00:46:11,639 --> 00:46:13,119
Speaker 2: There was employees the hotel.

833
00:46:13,119 --> 00:46:14,639
Speaker 13: Points of train was supposed to have gone in the

834
00:46:14,719 --> 00:46:18,400
arts and blocked this much, but it has received a reprie.

835
00:46:18,679 --> 00:46:22,159
CBS News is next. You'll check out I surely work

836
00:46:22,199 --> 00:46:23,679
as leering CBS.

837
00:46:23,360 --> 00:46:27,559
Speaker 12: News All News, all the time, News Radio ninety five,

838
00:46:28,239 --> 00:46:32,400
WWJ The Trent, CBS News.

839
00:46:32,559 --> 00:46:33,440
Speaker 2: I'm Jim Shannoby.

840
00:46:33,559 --> 00:46:35,679
Speaker 1: Doctors in Chicago have completed the Nation