1 00:00:17,480 --> 00:00:21,960 Speaker 1: Oh man, look at my life farm a lot like 2 00:00:22,079 --> 00:00:23,120 you were. 3 00:00:26,000 --> 00:00:27,600 Speaker 2: Oh man, look. 4 00:00:27,440 --> 00:00:45,439 Speaker 1: At my life, farm a lot like you were, old man. 5 00:00:45,920 --> 00:00:49,079 Speaker 2: Look at my life twenty four and. 6 00:00:49,119 --> 00:00:50,560 Speaker 3: There's so much more. 7 00:00:51,479 --> 00:00:55,759 Speaker 2: Live alone in a paradise. It makes me think to 8 00:00:58,320 --> 00:01:01,039 love lot such cars. 9 00:01:01,640 --> 00:01:02,640 Speaker 3: Give me things. 10 00:01:02,799 --> 00:01:08,319 Speaker 2: It won't get lost like a corn, it won't get guitars. 11 00:01:08,120 --> 00:01:20,519 Speaker 4: Rolling holding you, Oh dan, take a look at my 12 00:01:20,680 --> 00:01:21,519 life from. 13 00:01:21,319 --> 00:01:27,879 Speaker 5: A lot like you. I need someone to love me 14 00:01:28,079 --> 00:01:36,040 all day. Look in my eyes and you can tell that. 15 00:01:36,400 --> 00:01:57,799 Speaker 2: Stroll lullabies, look in your eyes, run around the same 16 00:01:57,920 --> 00:02:02,719 old town. It doesn't mean not much to me, to me, 17 00:02:02,959 --> 00:02:08,759 not much to you. I've been the first to last. 18 00:02:09,759 --> 00:02:11,599 Look at how the time. 19 00:02:11,479 --> 00:02:27,280 Speaker 6: Goes past now a long man. 20 00:02:26,840 --> 00:02:27,439 Speaker 4: All about. 21 00:02:27,639 --> 00:02:29,000 Speaker 2: Take a look at my life. 22 00:02:29,400 --> 00:02:31,439 Speaker 6: I'm not like you. 23 00:02:33,719 --> 00:02:37,319 Speaker 2: I someone love me the whole. 24 00:02:37,240 --> 00:02:38,360 Speaker 7: Day through. 25 00:02:41,120 --> 00:02:41,280 Speaker 5: One. 26 00:02:41,680 --> 00:02:43,080 Speaker 2: Look at my eyes. 27 00:02:42,800 --> 00:02:52,000 Speaker 6: And you can tell that's true. 28 00:02:55,800 --> 00:03:00,520 Speaker 1: Oh man, look at my life farm alone like you. 29 00:03:04,280 --> 00:03:09,000 Speaker 2: Oh man, look in my life fum l like you. 30 00:03:19,919 --> 00:03:22,080 Speaker 8: It's so good. That is Neil Young's Old Man, as 31 00:03:22,120 --> 00:03:25,280 performed by Rust Never Sleeps, And we have Rust Never 32 00:03:25,319 --> 00:03:27,599 Sleeps here with us, live in studio, and we're gonna 33 00:03:27,599 --> 00:03:29,039 talk with them in just a moment and they're gonna 34 00:03:29,039 --> 00:03:31,280 play for us. But welcome everybody. We have entered our 35 00:03:31,360 --> 00:03:35,000 number three New Marrow trace of Matt Connorton Unleashed and 36 00:03:35,039 --> 00:03:38,719 we are live from the studios of wm NH ninety 37 00:03:38,759 --> 00:03:41,520 five point three FM and Glorious Manchester, New Hampshire. Of course, 38 00:03:41,560 --> 00:03:43,240 you can stream the show from anywhere. Go to Matt 39 00:03:43,240 --> 00:03:46,199 connorton dot com slash live for all of your live 40 00:03:46,240 --> 00:03:50,159 streaming options, social media links, contact info, show archives, et cetera, 41 00:03:50,319 --> 00:03:55,240 et cetera. It is Saturday, March fourteen, twenty twenty six, 42 00:03:55,400 --> 00:03:58,400 and let's get those mics up here as we welcome 43 00:03:59,039 --> 00:04:04,479 Rust Never Sleeps. Hey, everybody, good morning, good good, all right, Rina, 44 00:04:04,560 --> 00:04:06,560 let's start with you. What I'd like you each to 45 00:04:06,560 --> 00:04:08,479 do is introduce yourselves. It also gives me a chance 46 00:04:08,520 --> 00:04:11,199 to check here Mike's and tell us who you are, 47 00:04:11,199 --> 00:04:13,719 what you do in the band, and many other pertinence 48 00:04:13,719 --> 00:04:17,279 you want us to know about. Oh wait a minute, 49 00:04:17,279 --> 00:04:19,920 I cannot hear you at all. Hey, there we go, 50 00:04:20,040 --> 00:04:21,680 there we go. See Guess why I do this? 51 00:04:23,920 --> 00:04:27,000 Speaker 9: Yeah, no, hi, everybody. I'm Rina and I've been with 52 00:04:27,079 --> 00:04:30,600 Rust Never Sleeps for going on twenty years, and I 53 00:04:30,720 --> 00:04:33,839 sing vocals in the band. Started with some great background 54 00:04:33,959 --> 00:04:38,040 vocals and do some solo numbers too. That love playing 55 00:04:38,079 --> 00:04:38,680 with these guys. 56 00:04:39,040 --> 00:04:41,000 Speaker 8: Outstanding, outstanding, and you, sir. 57 00:04:41,399 --> 00:04:44,519 Speaker 10: Chuck Mimitz here. I was referred here by my kid 58 00:04:44,519 --> 00:04:46,759 who was on a couple of times. Yes, he plays 59 00:04:46,800 --> 00:04:49,920 in a band called Sick Dude. Hell yeah, yes, yes, anyway, 60 00:04:50,480 --> 00:04:52,920 I love being here, and I've been with Kenny since 61 00:04:52,959 --> 00:04:56,160 the onset of this project, some close to twenty five 62 00:04:56,279 --> 00:04:57,000 years ago. 63 00:04:56,879 --> 00:04:59,519 Speaker 8: No kidding at this point. Yeah, you has been around 64 00:04:59,560 --> 00:04:59,800 a while. 65 00:05:00,079 --> 00:05:02,800 Speaker 10: Yeah, yeah, I also got them in just quick so 66 00:05:02,839 --> 00:05:04,680 I don't forget. Is that Reena is also playing with 67 00:05:04,720 --> 00:05:08,600 a wonderful Tom Petty tribute, Oh kidding called Petty Larceny. 68 00:05:08,879 --> 00:05:09,800 Speaker 8: Okay, Oh that's. 69 00:05:12,040 --> 00:05:14,360 Speaker 10: Now, I'll pass it over to the band leader, the 70 00:05:14,439 --> 00:05:15,000 ring leader. 71 00:05:15,120 --> 00:05:18,759 Speaker 11: Ah, yeah, I'm Ken. That's me. I'm the ring leader okay, 72 00:05:18,959 --> 00:05:22,759 or the cat herder. Yeah, been doing it for about 73 00:05:23,279 --> 00:05:26,600 you think our band archives says it's twenty five years okay, 74 00:05:27,560 --> 00:05:29,199 this coming up next year. 75 00:05:29,240 --> 00:05:32,399 Speaker 8: I think it's twenty twenty five years. Wow. Wow, So 76 00:05:32,399 --> 00:05:33,759 that's you sinking an old man of course. 77 00:05:33,959 --> 00:05:34,160 Speaker 11: Yeah. 78 00:05:34,199 --> 00:05:37,800 Speaker 8: That's uh. That track that we played sound amazing. Thank 79 00:05:37,839 --> 00:05:40,480 you absolutely. That is so so good. Actually, you should 80 00:05:40,519 --> 00:05:42,920 tell us about that, because people should if they go 81 00:05:42,920 --> 00:05:45,199 on YouTube and check the video. The video of that's 82 00:05:45,240 --> 00:05:47,920 really cools. It looks like you're playing in a Barneah. 83 00:05:48,560 --> 00:05:51,720 Speaker 11: Yeah, my nephew is an independent filmmaker and he did 84 00:05:51,759 --> 00:05:52,319 that for us. 85 00:05:52,480 --> 00:05:53,120 Speaker 8: Oh, no kidding. 86 00:05:53,360 --> 00:05:53,839 Speaker 11: Pretty cool. 87 00:05:53,920 --> 00:05:56,360 Speaker 8: Yeah, yeah, I like to because I found two versions 88 00:05:56,360 --> 00:05:58,079 of it, because the color version in a black and 89 00:05:58,079 --> 00:06:00,480 white version. Oh okay, that's right. Yeah yeah, so yeah, 90 00:06:00,480 --> 00:06:03,959 that is pretty cool. Is he? Uh you said he's 91 00:06:03,959 --> 00:06:04,879 an independent filmmaker. 92 00:06:04,920 --> 00:06:07,519 Speaker 11: Yeah, his name is Mark Battle. Okay, He's made some 93 00:06:07,519 --> 00:06:10,000 pretty cool films. He won some awards, no kidding. Yeah, 94 00:06:10,120 --> 00:06:11,199 really passionate about it. 95 00:06:11,279 --> 00:06:12,079 Speaker 8: Oh, very cool. 96 00:06:12,560 --> 00:06:13,720 Speaker 11: I'm lucky to have him around. 97 00:06:13,879 --> 00:06:19,839 Speaker 8: Yeah. Yeah, oh wow, that's awesome. That's awesome. So how 98 00:06:19,839 --> 00:06:21,600 did this start? How did this project begin? 99 00:06:23,160 --> 00:06:25,319 Speaker 11: Oh? Man, you want the short story of the long story? 100 00:06:25,319 --> 00:06:27,040 Speaker 8: We got time for the long I like I like 101 00:06:27,120 --> 00:06:28,639 long stories. We got we got time. 102 00:06:30,519 --> 00:06:32,920 Speaker 11: I'll try to not make it too long. I've got 103 00:06:32,920 --> 00:06:35,120 a good buddy that lives up in Rochester, New Hampshire, 104 00:06:35,319 --> 00:06:37,800 New York, New York, right, New York. 105 00:06:37,879 --> 00:06:38,079 Speaker 4: Yeah. 106 00:06:38,360 --> 00:06:40,839 Speaker 11: Uh. He was playing in a Dave Matthews tribute band 107 00:06:40,839 --> 00:06:43,040 way way back, you know, before if tribute bands were 108 00:06:43,040 --> 00:06:44,839 really popular. Yeah, And I have to say, you know, 109 00:06:44,920 --> 00:06:47,279 when I was in high school, we didn't call them 110 00:06:47,319 --> 00:06:50,240 tribute bands. We call them clone bands. Really, we looked 111 00:06:50,240 --> 00:06:52,120 down on it. We did, well, that's interesting. It's not 112 00:06:52,160 --> 00:06:53,959 cool to be in a tribute band. It was not 113 00:06:54,000 --> 00:06:56,000 something I wanted to do. But I am a Neil 114 00:06:56,000 --> 00:06:59,000 Young fan. Yeah, yeah, playing his music forever. So he 115 00:06:59,519 --> 00:07:02,360 made me come down and see these guys, and I 116 00:07:02,399 --> 00:07:04,600 just couldn't believe it. There was people were going crazy 117 00:07:04,639 --> 00:07:09,319 for it, So that planted the seed. Interesting story. Chucky 118 00:07:09,360 --> 00:07:12,199 had a kind of a relationship with Brad Delp from 119 00:07:12,279 --> 00:07:14,480 the band Boston. He did some recording in his home 120 00:07:14,519 --> 00:07:18,720 studios years ago. So one late night I was in 121 00:07:19,439 --> 00:07:21,959 Duncan Donuts and Lawrence Mass at like two in the morning, 122 00:07:21,959 --> 00:07:25,079 and who walks in but Brad Delt the guitar player, 123 00:07:25,160 --> 00:07:28,040 and he was doing the Beetlejuice thing. Oh no kidding, 124 00:07:28,120 --> 00:07:32,279 So true to his reputation, he sat and talked to 125 00:07:32,319 --> 00:07:33,439 me for thirty forty minutes. 126 00:07:33,480 --> 00:07:35,399 Speaker 8: For people who don't know, Beetlejuice was, of course, the 127 00:07:35,759 --> 00:07:38,399 tribute to the Beatles and the. 128 00:07:38,360 --> 00:07:40,560 Speaker 11: Bread did and Who's the Least Thing or Boston in 129 00:07:40,639 --> 00:07:43,360 a tribute band. Yeah, so that kind of opened up 130 00:07:43,360 --> 00:07:46,120 my you know, my mind to say, well, you know 131 00:07:46,600 --> 00:07:48,639 it is cool because he was a huge Beatles fan. 132 00:07:48,959 --> 00:07:53,160 So we came into it that way. And I had 133 00:07:53,199 --> 00:07:55,639 to I had to round up Chucky because we played 134 00:07:55,639 --> 00:07:58,399 in the band when I was eighteen and I hadn't 135 00:07:58,399 --> 00:07:59,120 seen him for years. 136 00:07:59,120 --> 00:08:00,600 Speaker 8: Oh no, kidding him down. 137 00:08:00,600 --> 00:08:02,759 Speaker 11: He was doing a gig in Boston and oh wow, hey, 138 00:08:02,759 --> 00:08:04,839 would you be interested? He says, I would. He says, 139 00:08:04,879 --> 00:08:06,759 I'm not leading any more bands, but if you want 140 00:08:06,759 --> 00:08:07,839 to lead it, then we'll do it. 141 00:08:07,959 --> 00:08:08,879 Speaker 8: Oh no, kidding. Yeah. 142 00:08:08,920 --> 00:08:11,439 Speaker 10: I had taken on my first day job at that point, 143 00:08:11,800 --> 00:08:13,959 so I you know, I used to play full time 144 00:08:14,000 --> 00:08:15,079 but then had a kid. 145 00:08:15,279 --> 00:08:15,560 Speaker 8: Yeah. 146 00:08:15,680 --> 00:08:16,319 Speaker 10: Life changes. 147 00:08:16,519 --> 00:08:16,680 Speaker 8: Yeah. 148 00:08:16,759 --> 00:08:17,000 Speaker 11: Yeah. 149 00:08:17,120 --> 00:08:19,600 Speaker 10: That kid was Nate, who was here in your studio perfect. 150 00:08:19,680 --> 00:08:21,000 Speaker 8: Yeah. Well I'm glad you had them. 151 00:08:21,079 --> 00:08:24,639 Speaker 10: Yeah too, And I'm glad the bug bit him too. 152 00:08:24,879 --> 00:08:27,399 Speaker 8: Yeah. Absolutely, absolutely. 153 00:08:27,600 --> 00:08:29,360 Speaker 11: Kind of the story for us. You know, It's like, 154 00:08:29,839 --> 00:08:32,039 because I went to Berkeley for three years and Chucky 155 00:08:32,159 --> 00:08:35,000 was out there write in original music, and you know, 156 00:08:35,039 --> 00:08:37,799 we wanted to do it, but we were also starting 157 00:08:37,799 --> 00:08:41,120 to raise families. It's not really a practical lifestyle. So 158 00:08:41,279 --> 00:08:44,240 we're I think we fall into that category of you know, 159 00:08:45,159 --> 00:08:46,720 I don't know if i'd even call a semi pro, 160 00:08:46,799 --> 00:08:49,279 but we just we want to do it. We still 161 00:08:49,320 --> 00:08:51,840 want to do it, yeah, even twenty five years later. Yeah, 162 00:08:51,960 --> 00:08:53,679 So we just make it work the best way we can. 163 00:08:53,919 --> 00:08:54,159 Speaker 8: Yeah. 164 00:08:54,320 --> 00:08:56,679 Speaker 10: We do it because we love it, not to make 165 00:08:56,720 --> 00:08:57,440 a living doing it. 166 00:08:58,000 --> 00:09:00,200 Speaker 11: Yeah. Back back then it was about that, but then 167 00:09:00,240 --> 00:09:02,039 we smartened up. We had to get kicked in the 168 00:09:02,039 --> 00:09:03,559 head a few times along the way. 169 00:09:03,559 --> 00:09:04,120 Speaker 8: I did anything. 170 00:09:05,159 --> 00:09:07,000 Speaker 11: What do you mean, just like you can't make it's 171 00:09:07,000 --> 00:09:09,919 hard to make a living? Yeah, yeah, to make big sacrifice. 172 00:09:10,000 --> 00:09:14,679 Speaker 10: Right, I missed a chunk of Nate's earliest years. I 173 00:09:14,720 --> 00:09:16,799 was still full time going at it, and I missed 174 00:09:16,799 --> 00:09:18,759 so much. Let's choice you gotta make. 175 00:09:19,080 --> 00:09:23,159 Speaker 8: Yeah, yeah, of course I know I made the right one. Yeah, yeah, yeah, absolutely. 176 00:09:23,919 --> 00:09:26,039 And so Rena, how did you? How did you come 177 00:09:26,039 --> 00:09:26,679 to be in the band? 178 00:09:26,919 --> 00:09:29,759 Speaker 9: Yeah, A really good friend of mine, Rob Hamilton. He's 179 00:09:29,759 --> 00:09:31,120 the pedal steel player in the band. 180 00:09:31,279 --> 00:09:33,759 Speaker 10: Okay, keyboardist, keyboardist. 181 00:09:33,840 --> 00:09:38,480 Speaker 9: He's a multi talented instrumentalist, and we were good friends 182 00:09:38,519 --> 00:09:40,360 we were playing in a band that was kind of 183 00:09:40,399 --> 00:09:43,960 starting to disband a little bit, and so they were 184 00:09:43,960 --> 00:09:46,320 looking for some harmonies while Chuck was on the road 185 00:09:46,360 --> 00:09:49,840 with a Bow's gig, and so I came in to 186 00:09:49,879 --> 00:09:52,360 start singing some harmonies. And I was just doing a 187 00:09:52,399 --> 00:09:55,080 couple of songs a gig, hanging out, you know, showing 188 00:09:55,159 --> 00:09:58,320 up at gigs and filling in, and then these guys 189 00:09:58,399 --> 00:10:01,399 kind of adopted me in and I've been with them 190 00:10:01,399 --> 00:10:01,919 ever since. 191 00:10:02,080 --> 00:10:06,200 Speaker 8: Outstanding, Yeah, outstanding. I'm done to hear you play something. 192 00:10:07,000 --> 00:10:10,879 Let's see, so I want to Chuck, can you play 193 00:10:10,919 --> 00:10:12,480 a little bit? I want to make sure we can 194 00:10:12,519 --> 00:10:15,600 hear you? And is there a gate on that I'm 195 00:10:15,600 --> 00:10:19,360 gonna well or is that might. 196 00:10:19,200 --> 00:10:22,960 Speaker 10: Be getting from my vocal my kids? You're getting any 197 00:10:23,000 --> 00:10:23,600 level on that? 198 00:10:24,080 --> 00:10:25,480 Speaker 8: Yeah? I kind of want to. 199 00:10:27,120 --> 00:10:29,080 Speaker 10: This is the beta that I'm tapping now, and I'm 200 00:10:29,120 --> 00:10:32,559 not hearing it. I can all right, No I'm not either, 201 00:10:32,720 --> 00:10:34,440 No more tech talk. 202 00:10:36,120 --> 00:10:39,360 Speaker 8: No, I'm sorry. PRIs actually tap tap that mic a 203 00:10:39,399 --> 00:10:42,159 little more? Would you? I'm not hearing it either. 204 00:10:44,200 --> 00:10:46,200 Speaker 10: We'll just go with what we have and Kenny's guitars 205 00:10:46,200 --> 00:10:47,720 plugged in. Why don't we get a level on that. 206 00:10:48,320 --> 00:10:59,879 Speaker 8: Yeah, is that there? Oh, that might be the room Mike. 207 00:11:00,919 --> 00:11:03,799 I think it is. No, that's not. This is the 208 00:11:03,879 --> 00:11:10,559 room Mike. Here, I'm thinking about moving that. 209 00:11:10,720 --> 00:11:14,080 Speaker 10: Uh sounds like kind of a pretty tight gait on that. 210 00:11:13,960 --> 00:11:20,159 Speaker 8: And I just I'm just surprised that that's you know, 211 00:11:20,200 --> 00:11:22,639 what we might do? I have an idea, but I'm 212 00:11:22,679 --> 00:11:25,279 wondering if while I do this, I could play something 213 00:11:25,279 --> 00:11:29,240 else from your because you got some great recordings on YouTube. 214 00:11:30,159 --> 00:11:32,639 I think I could play another one from there. I 215 00:11:32,720 --> 00:11:35,320 love that. I love that old man. Well, let me 216 00:11:35,360 --> 00:11:37,919 see what else we got here, and and then we'll 217 00:11:38,399 --> 00:11:40,639 because I have an idea for how we can because 218 00:11:40,639 --> 00:11:43,759 I want you guys to sound I want to do 219 00:11:43,840 --> 00:11:48,000 right by you. You know what I mean? What about Oh? 220 00:11:48,080 --> 00:11:50,519 Should I play? Oh? Wait, that's the same that's the 221 00:11:50,519 --> 00:11:55,960 same thing the sky about the rain from Oh? Yes, yes, yes, 222 00:11:56,039 --> 00:11:58,200 I saw that on there and I did watch it. 223 00:11:58,600 --> 00:12:00,840 Speaker 11: That's to be cut. We love our bee cuts. 224 00:12:00,879 --> 00:12:03,159 Speaker 8: Yeah, let's play this. Let's know this is this is 225 00:12:03,240 --> 00:12:06,159 really good too? Yeah? Oh and actually before I play it, 226 00:12:06,320 --> 00:12:08,120 tell us about this? How did how did you guys 227 00:12:08,120 --> 00:12:11,360 get to play it at Darryl's House club? That's so cool. 228 00:12:12,000 --> 00:12:14,679 Speaker 11: I don't. I don't remember somebody reached out to us. 229 00:12:14,720 --> 00:12:15,879 I kind of think somebody did. 230 00:12:16,120 --> 00:12:18,320 Speaker 10: Yeah, oh it was yeah, it was in their early going. 231 00:12:18,399 --> 00:12:20,919 Speaker 11: Yeah, we were. We played at the Iron Horse, Northampton, 232 00:12:20,960 --> 00:12:22,840 and and the guy that used to book that room 233 00:12:24,519 --> 00:12:26,519 room yeah, oh okay, yeah, and that was a big 234 00:12:26,720 --> 00:12:28,000 I mean it was a throw for us. It was 235 00:12:28,360 --> 00:12:30,840 because I watched I've watched the show. To be in 236 00:12:30,879 --> 00:12:32,039 that room was pretty cool. 237 00:12:32,159 --> 00:12:34,159 Speaker 8: Yeah. So for people who don't know, of course, well 238 00:12:34,159 --> 00:12:37,519 everybody knows live at Darrel's House the show, but Daryl 239 00:12:37,519 --> 00:12:39,679 holl owns a club called I guess it's called Darrel's 240 00:12:39,720 --> 00:12:42,279 House Club club. Yeah, and and uh and so you 241 00:12:42,279 --> 00:12:44,480 guys got to play. Yeah that's awesome a couple of times. 242 00:12:44,720 --> 00:12:49,399 Speaker 10: Oh really Yeah, masterful job producing those video and aud 243 00:12:49,639 --> 00:12:50,440 was like top not. 244 00:12:50,639 --> 00:12:51,399 Speaker 8: I can imagine. 245 00:12:51,519 --> 00:12:54,120 Speaker 11: Yeah, yeah, you know what everybody asked us after that show? 246 00:12:54,399 --> 00:12:55,240 It was Darryl here. 247 00:12:58,440 --> 00:13:01,039 Speaker 8: I know. I was wonderingbout that, like how often is 248 00:13:01,080 --> 00:13:01,759 he actually there? 249 00:13:02,039 --> 00:13:04,320 Speaker 9: He actually played the night after us because we played 250 00:13:04,360 --> 00:13:06,919 New Year's Weekend. Oh no kidding, played the night after. 251 00:13:07,000 --> 00:13:08,759 Speaker 10: And I've heard from others who have been there that 252 00:13:08,799 --> 00:13:10,679 he does pop in quite frequently. 253 00:13:10,960 --> 00:13:14,039 Speaker 8: Oh okay, okay, interesting, interesting, all right, so let's give 254 00:13:14,080 --> 00:13:16,559 this a listen. So this is See the Sky about 255 00:13:16,559 --> 00:13:21,159 to rain. You played this at live at Darryl's House Club, 256 00:13:21,240 --> 00:13:23,279 so yeah, we'll give this a listen and we'll figure 257 00:13:23,279 --> 00:13:25,200 out the mike situation. And because I'm dying here you 258 00:13:25,200 --> 00:13:28,399 play live, but so stick with us. But yeah, Russ 259 00:13:28,440 --> 00:13:36,799 never sleeps. Here it comes. See the sky about to rain. 260 00:13:38,600 --> 00:13:57,399 Speaker 12: Okay, see the sky about to rain. 261 00:14:00,120 --> 00:14:10,279 Speaker 13: Broken clouds and rain. Loco mode to pull the train 262 00:14:13,240 --> 00:14:17,200 whistled low and through my brain. 263 00:14:19,840 --> 00:14:29,679 Speaker 6: Signals coming on the bad rolling down the track again, 264 00:14:33,120 --> 00:14:34,559 see the sky. 265 00:14:35,240 --> 00:14:37,200 Speaker 3: Bowing to rain. 266 00:14:59,200 --> 00:15:07,120 Speaker 14: Some are bound for have been as some my bound 267 00:15:07,440 --> 00:15:09,519 for a blown rad. 268 00:15:12,360 --> 00:15:15,320 Speaker 2: S my bound to lind with. 269 00:15:15,720 --> 00:15:19,720 Speaker 15: Lass who can. 270 00:15:19,720 --> 00:15:21,279 Speaker 2: Tell your story? 271 00:15:21,679 --> 00:15:22,360 Speaker 4: Or rain? 272 00:15:25,320 --> 00:15:28,399 Speaker 2: See the sky about. 273 00:15:28,159 --> 00:15:34,440 Speaker 6: Rain, working clouds and rains. 274 00:15:38,399 --> 00:15:38,919 Speaker 3: Look on. 275 00:15:40,399 --> 00:15:48,759 Speaker 2: For the train. Mistle through that rain. 276 00:15:51,200 --> 00:15:59,919 Speaker 6: Signals turning on it, old band, going down the track, 277 00:16:00,159 --> 00:16:01,159 up the gall. 278 00:16:04,159 --> 00:16:45,759 Speaker 15: See the sky by I was down in Dixie, la 279 00:16:49,120 --> 00:16:58,679 plaid a silver feet way in loud and then the mon. 280 00:17:01,720 --> 00:17:33,680 Speaker 16: Brokey down on me. See the sky. 281 00:17:36,039 --> 00:17:38,599 Speaker 8: Oh that is so good, that is so good. See 282 00:17:38,599 --> 00:17:41,599 the sky about to rain. Russ never sleeps live at 283 00:17:41,640 --> 00:17:44,079 Darryl's House Club. Yeah, and I encourage everyone to check 284 00:17:44,079 --> 00:17:45,400 out the video. You know, we were kind of talking 285 00:17:45,440 --> 00:17:47,759 off here about what a professional job they do there, 286 00:17:47,799 --> 00:17:51,000 and yeah, fantastic. Well we have Russ Never Sleeps here 287 00:17:51,039 --> 00:17:53,000 live in studio. Done hear them play live. So we 288 00:17:53,039 --> 00:17:55,400 had a little issue with the microphones. But I think 289 00:17:55,440 --> 00:17:59,160 we're good. So let's let me get that one up 290 00:17:59,240 --> 00:18:04,880 and let's see. Oh you know what, hang on, I'm 291 00:18:04,920 --> 00:18:09,720 sorry here it is? Oh that sounds nice. What do 292 00:18:09,759 --> 00:18:10,039 you think? 293 00:18:10,519 --> 00:18:10,960 Speaker 3: Perfect? 294 00:18:11,079 --> 00:18:14,880 Speaker 8: Perfect? All right, Kenny, let's get your guitar up there. 295 00:18:16,359 --> 00:18:21,319 Oh that sounds really nice. Do you want to play 296 00:18:21,319 --> 00:18:22,880 a little bit of something just so I can get 297 00:18:23,000 --> 00:18:28,640 make sure our levels are h are good? Here? Oh, 298 00:18:28,680 --> 00:18:37,519 I know that soun Oh that sounds good. I want 299 00:18:37,559 --> 00:18:40,759 to get a little vocals in there too. Just make sure. 300 00:18:45,119 --> 00:18:46,640 Speaker 2: I wanta gill. 301 00:18:48,079 --> 00:18:52,119 Speaker 3: I ban a minor four A horror of gold. 302 00:18:54,000 --> 00:19:01,839 Speaker 2: It's banning mine my talk? Fine, keep me searching for. 303 00:19:06,599 --> 00:19:09,160 Speaker 3: I'm getting all right. 304 00:19:09,160 --> 00:19:11,599 Speaker 8: I think we're How does the sound to you? 305 00:19:11,640 --> 00:19:13,000 Speaker 11: All good? 306 00:19:13,519 --> 00:19:15,519 Speaker 8: I think we're good. All right? All right, Russ Never 307 00:19:15,559 --> 00:19:18,119 Sleeps This year they're gonna perform live for us. What 308 00:19:18,160 --> 00:19:19,599 are you uh, what are you gonna play for. 309 00:19:19,599 --> 00:19:21,680 Speaker 11: USNA sing Dylan tune? 310 00:19:21,759 --> 00:19:22,119 Speaker 8: Okay? 311 00:19:22,160 --> 00:19:23,880 Speaker 11: And now you know, we've only been doing the Dylan 312 00:19:23,920 --> 00:19:25,680 thing for about a year and a half added into 313 00:19:25,680 --> 00:19:28,960 the Neil, so we're doing a the music of Dylan 314 00:19:28,960 --> 00:19:29,759 and Young show. 315 00:19:29,960 --> 00:19:30,519 Speaker 8: Okay. 316 00:19:31,039 --> 00:19:34,319 Speaker 11: There's there a lot of reasons that works and goes together. 317 00:19:34,160 --> 00:19:36,119 Speaker 10: Which is what we're doing at the Rex by the way. 318 00:19:36,079 --> 00:19:37,200 Speaker 11: Right we're gonna be at the Wreck. 319 00:19:37,279 --> 00:19:39,599 Speaker 8: Oh we gotta plug that too. Yeah, yeah, we'll remind 320 00:19:39,599 --> 00:19:41,440 people later, but yeah, let's plug that right now too 321 00:19:41,480 --> 00:19:42,440 for people just tuning in. 322 00:19:42,440 --> 00:19:45,079 Speaker 11: March twenty eighth, okay, two weeks from today. 323 00:19:45,200 --> 00:19:46,920 Speaker 8: Oh wow at the Rex Theater. 324 00:19:47,000 --> 00:19:49,480 Speaker 11: Yeah, seven thirty excellent. We've been there a few times. 325 00:19:49,519 --> 00:19:53,000 It's a great venue. Yeah, intimate, intimate theater. 326 00:19:53,559 --> 00:19:55,839 Speaker 10: One of the coolest green rooms, if you want to 327 00:19:55,839 --> 00:19:58,000 call it that. It's like this area right behind the 328 00:19:58,039 --> 00:20:00,720 curtain on the stage. Yeah, and you know, and then 329 00:20:00,759 --> 00:20:03,480 a couple of dressing rooms but a little unique in 330 00:20:03,480 --> 00:20:04,039 that regard. 331 00:20:04,119 --> 00:20:07,680 Speaker 11: Yeah. It's a good nice real nice stage. Good sounds. 332 00:20:07,960 --> 00:20:08,160 Speaker 10: Yeah. 333 00:20:08,279 --> 00:20:09,519 Speaker 8: Okay, yeah, so. 334 00:20:09,480 --> 00:20:11,640 Speaker 11: Get out and get those tickets. 335 00:20:11,279 --> 00:20:14,119 Speaker 8: Absolutely all right. The Rex Theater on the twenty eighth 336 00:20:14,480 --> 00:20:18,319 March twenty March twenty eighth, outstanding. All right, Russ never 337 00:20:18,319 --> 00:20:20,559 Sleeps is here with us, here with us, live and studio, 338 00:20:20,640 --> 00:20:22,200 And what are you gonna play? 339 00:20:22,440 --> 00:20:24,920 Speaker 9: We'll do knocking on Heaven's stone. 340 00:20:24,839 --> 00:20:37,880 Speaker 8: Oh nice, knocking on Heaven's door, all right, whenever you're ready, right. 341 00:20:37,799 --> 00:21:10,480 Speaker 17: In, Mama, take this patch of them be. I can't 342 00:21:10,599 --> 00:21:19,279 you use it anymore? Scared and dark to dark to 343 00:21:19,440 --> 00:21:32,759 see feels my I'm knocking on heavenstore. Don't not knocking 344 00:21:32,759 --> 00:21:46,720 on heaven'store. Do nothing knocking on heavenstorm. Nothing not knocking 345 00:21:46,920 --> 00:22:00,200 on Heaven's store. Now, nothing knocking on heavenstone. Mama up, 346 00:22:00,319 --> 00:22:09,440 put these guns in the ground. I can't shoot them anymore. 347 00:22:13,480 --> 00:22:21,319 That long black cloud is going down, now down. Then 348 00:22:21,440 --> 00:22:30,960 I'm knocking on heaven'store. I'm not knocking on Heaven store. 349 00:22:35,359 --> 00:22:43,880 I'm not knocking on Heaven store. I'm not knocking on 350 00:22:44,240 --> 00:23:25,079 Heaven store. I'm not knocking on the Heaven store. Why 351 00:23:25,319 --> 00:23:34,599 not knocking on Heaven's store. Why'm not knocking on evenstore. 352 00:23:39,000 --> 00:23:47,400 I'm not knocking on Evens store. Why not knocking on 353 00:23:47,720 --> 00:23:48,599 Heavens store? 354 00:23:59,599 --> 00:24:30,079 Speaker 8: M good, Lord, those harmonies, oh so good. Absolutely fantastic. Oh, 355 00:24:30,480 --> 00:24:32,359 if you're just joining us, we have rest never sleeps 356 00:24:32,359 --> 00:24:34,799 here with us live in studio and uh oh that 357 00:24:34,920 --> 00:24:36,599 sounded so good. And Chuck, now, I now I know 358 00:24:36,640 --> 00:24:38,480 what you meant, because you know you were saying when 359 00:24:38,480 --> 00:24:39,640 we were kind of getting set up and trying to 360 00:24:39,640 --> 00:24:42,440 figure everything out as far as Mike's you know that 361 00:24:42,559 --> 00:24:46,000 the harmonies are the main thing. Indeed, and I see 362 00:24:46,039 --> 00:24:46,480 what you mean. 363 00:24:48,160 --> 00:24:49,960 Speaker 10: That's what we work the most on for sure. 364 00:24:50,160 --> 00:24:53,119 Speaker 8: Yeah, yeah, No, the three of you sound amazing together 365 00:24:54,119 --> 00:24:56,079 when you when you play live with the full band, 366 00:24:56,200 --> 00:24:59,319 is it always the three of you harmonizing or are 367 00:24:59,400 --> 00:25:01,480 there other band members also singing with you? 368 00:25:01,680 --> 00:25:04,519 Speaker 10: Or there are like our bass player kicks in a 369 00:25:04,559 --> 00:25:07,119 lot of times, like Kenny O vamp on a melody 370 00:25:07,240 --> 00:25:10,200 thing while we're doing a three part harmony in the background. Okay, 371 00:25:10,400 --> 00:25:11,079 so much fun. 372 00:25:11,279 --> 00:25:11,559 Speaker 8: Okay. 373 00:25:11,759 --> 00:25:16,559 Speaker 9: And does Rob ever sing No, no, now, he's too busy. 374 00:25:17,920 --> 00:25:20,559 Speaker 10: Right yeah, both hands and both beat. 375 00:25:21,039 --> 00:25:23,920 Speaker 9: Mikey Garren, he's that bass player and he does he 376 00:25:24,000 --> 00:25:26,119 does do some vocals with us sometimes. 377 00:25:25,880 --> 00:25:30,240 Speaker 8: Okay, Okay, very cool. Kenny, So you had said earlier 378 00:25:30,319 --> 00:25:34,839 that you know, incorporating Dylan into the Neil Young material 379 00:25:34,920 --> 00:25:37,079 that that works really well for several reasons. So I'm 380 00:25:37,079 --> 00:25:38,240 curious if you can expand on that. 381 00:25:38,759 --> 00:25:41,279 Speaker 11: You know, I think mainly the singer songwriter thing. Those 382 00:25:41,319 --> 00:25:45,680 two artists really respect each other, I think, And you know, 383 00:25:45,759 --> 00:25:49,160 Neil has kind of not hidden the fact that he's 384 00:25:49,240 --> 00:25:51,559 kind of based his career in many ways off of 385 00:25:51,640 --> 00:25:54,160 Dylan sure, and in his work ethic and you know, 386 00:25:54,279 --> 00:25:57,160 kind of his approach. These guys kind of approach it 387 00:25:57,279 --> 00:25:59,960 like a painter. They put on a lot of material 388 00:26:00,240 --> 00:26:01,759 and they don't expect it all to be good, but 389 00:26:01,920 --> 00:26:03,440 you know they're going to hit gold with a lot 390 00:26:03,480 --> 00:26:04,920 of it. So oh yeah, when you think of some 391 00:26:05,079 --> 00:26:07,960 artists that have three, four or five albums and these 392 00:26:07,960 --> 00:26:10,960 guys have like thirty some odd albums and they're just 393 00:26:11,079 --> 00:26:14,720 putting it out and they're they're they're following the muse. Man, 394 00:26:14,759 --> 00:26:17,640 they're looking at the inspiration. And I mean that's and 395 00:26:17,759 --> 00:26:19,480 in a lot of ways, I think for us as 396 00:26:19,519 --> 00:26:21,960 a live band, that's that's why we I wouldn't be 397 00:26:21,960 --> 00:26:23,720 able to do it for twenty five years if we 398 00:26:23,759 --> 00:26:27,440 were trying to do exact renditions of the songs. Sometimes 399 00:26:27,480 --> 00:26:29,039 it kind of pans out that way. A little bit 400 00:26:29,160 --> 00:26:31,279 or people think it does, but more often than not, 401 00:26:32,039 --> 00:26:34,119 we do what they do. They play their own songs 402 00:26:34,160 --> 00:26:37,160 in very different ways. So well, you know, we're still 403 00:26:37,240 --> 00:26:41,400 six musicians that are expressing ourselves through that music, like 404 00:26:41,519 --> 00:26:44,519 a bunch of people sitting playing in the you know, 405 00:26:45,079 --> 00:26:46,440 symphony orchestra right. 406 00:26:47,000 --> 00:26:48,640 Speaker 10: Playing there, or a bunch of people sitting in a 407 00:26:48,720 --> 00:26:51,359 living room somewhere. It is often how it feels to 408 00:26:51,400 --> 00:26:53,599 me when we're playing in a theater, even just like 409 00:26:53,720 --> 00:26:56,640 we could just as well be gamming in someone's living room. 410 00:26:56,680 --> 00:26:59,759 And that's I think what our audience appreciates as well, 411 00:27:00,039 --> 00:27:00,880 a very intimate thing. 412 00:27:01,240 --> 00:27:03,359 Speaker 9: You can always tell that we're that we're loving it, 413 00:27:03,759 --> 00:27:05,799 so it really brings them in with us. We've always 414 00:27:05,839 --> 00:27:08,359 had that vibe with the with the audience. 415 00:27:08,599 --> 00:27:14,000 Speaker 8: Yeah, yeah, excellent, excellent in terms of you know, because 416 00:27:14,039 --> 00:27:17,680 you mentioned Kenny that you know they're there's still active. 417 00:27:18,400 --> 00:27:21,079 When when you're choosing, when you're figuring out what to 418 00:27:21,200 --> 00:27:23,640 cover of these artists like Bob Dylan and Neil Young, 419 00:27:23,920 --> 00:27:28,319 do you ever i mean, do you kind of say, okay, 420 00:27:28,359 --> 00:27:30,279 we're just going to do the classic stuff or are 421 00:27:30,359 --> 00:27:32,799 you ever is it ever a question of Kenny's a 422 00:27:32,880 --> 00:27:33,359 vault man. 423 00:27:34,240 --> 00:27:34,440 Speaker 4: Yeah. 424 00:27:34,640 --> 00:27:37,920 Speaker 10: Yeah, he's also the king of audibles. We never know 425 00:27:38,000 --> 00:27:41,720 what we're gonna play, really, yeah, no kidding. 426 00:27:41,720 --> 00:27:46,160 Speaker 11: Yeah, you know, I kind of I go by this 427 00:27:46,359 --> 00:27:48,599 rule because I kind of because I have to. Yeah, 428 00:27:49,119 --> 00:27:51,240 I have to be inspired to want to play those 429 00:27:51,279 --> 00:27:52,200 particular songs. 430 00:27:52,400 --> 00:27:52,599 Speaker 8: Yeah. 431 00:27:53,400 --> 00:27:54,920 Speaker 11: So if we have a show coming up, I'm starting 432 00:27:54,960 --> 00:27:56,839 to think about it, I might sketch out a set 433 00:27:56,920 --> 00:28:00,039 list and I'm thinking listening to different things and and 434 00:28:00,640 --> 00:28:03,559 that's how I come to it. And I'm really if 435 00:28:03,599 --> 00:28:06,319 I ever going to do a song because we should. Okay, 436 00:28:06,480 --> 00:28:09,799 now I've taken some heat for that really, and you know, 437 00:28:09,880 --> 00:28:11,480 and I get it. I get there are certain songs 438 00:28:11,519 --> 00:28:13,640 that people like to hear. But yeah, but for the 439 00:28:13,680 --> 00:28:17,599 most part, I mean, that's been us, that's that's that's 440 00:28:17,720 --> 00:28:19,519 that's just who we are, you know. Yeah, And in 441 00:28:19,599 --> 00:28:21,920 that way, for me, it can be authentic every time 442 00:28:21,960 --> 00:28:22,359 we play it. 443 00:28:23,039 --> 00:28:25,920 Speaker 9: I never played the very rarely have we ever played 444 00:28:26,079 --> 00:28:28,799 like the same show twice. I've no Sea tribute bands, 445 00:28:28,799 --> 00:28:31,039 and you can almost tell and I know what's next, Yeah, 446 00:28:31,799 --> 00:28:36,240 I've and this one's very different. This one you always 447 00:28:36,400 --> 00:28:39,319 and then you've got some classics in there and people 448 00:28:39,519 --> 00:28:42,279 that people love, so they always get a chance to 449 00:28:42,359 --> 00:28:43,319 hear something that they love. 450 00:28:43,680 --> 00:28:46,400 Speaker 10: They also get to hear obscurities that you don't often 451 00:28:46,519 --> 00:28:49,200 hear on the radio or on you know, live. 452 00:28:50,000 --> 00:28:51,839 Speaker 11: I say, you have tell a funny story about that. 453 00:28:52,319 --> 00:28:52,440 Speaker 8: Uh. 454 00:28:52,640 --> 00:28:56,240 Speaker 11: There's a a Neil tune that we like to play 455 00:28:56,319 --> 00:28:59,799 called big Time and it's it's influenced by the kind 456 00:28:59,839 --> 00:29:03,799 of or guitar guys, especially link Ray okay, and link 457 00:29:03,880 --> 00:29:06,559 Ray was famous for a song called Rumble, Yes, Yes, Okay. 458 00:29:06,799 --> 00:29:09,039 So and I kept hearing it. I'm going that, man, 459 00:29:09,400 --> 00:29:12,200 Rumble is in big Time. So we started doing shows. 460 00:29:12,279 --> 00:29:14,279 We would open with Rumble and we go right into 461 00:29:14,359 --> 00:29:16,880 big Time. So one of our biggest fans, who's a 462 00:29:16,960 --> 00:29:19,079 big Neil young fan, has seen Neil on hundred times. 463 00:29:19,240 --> 00:29:20,799 Speaker 8: Yeah, he calls me up one night and. 464 00:29:20,839 --> 00:29:23,319 Speaker 11: He goes, hey, I saw that Neil tune on a 465 00:29:23,519 --> 00:29:26,440 commercial on the radio, and that's not even possible Neil. 466 00:29:26,920 --> 00:29:28,839 And it turned out it was Rumble on a on 467 00:29:28,960 --> 00:29:32,960 a lawn seed commercial. But we tricked him. We tricked 468 00:29:33,000 --> 00:29:34,480 the guy that knows Neil really well. 469 00:29:34,519 --> 00:29:39,480 Speaker 8: You know, yeah, Oh that's wild, that's wild, do you 470 00:29:40,119 --> 00:29:42,240 I mean for the most part. Well, let me ask 471 00:29:42,319 --> 00:29:44,079 it this way. Are there any songs Neil Young songs 472 00:29:44,160 --> 00:29:47,079 or Dylan songs that you've done where they become very different? 473 00:29:47,359 --> 00:29:48,799 I mean you obviously you kind of do them in 474 00:29:48,839 --> 00:29:50,720 your own way, but I mean, are there any of that? Like, 475 00:29:51,759 --> 00:29:53,720 I guess what I'm getting to is, has anyone ever 476 00:29:53,759 --> 00:29:56,319 had a problem with like coming up to you at 477 00:29:56,319 --> 00:29:58,559 a show and saying, hey, you really you know you 478 00:29:58,599 --> 00:29:59,440 shouldn't mess with that? 479 00:30:00,640 --> 00:30:01,160 Speaker 11: But never heard it? 480 00:30:01,240 --> 00:30:01,359 Speaker 1: Well? 481 00:30:01,400 --> 00:30:03,880 Speaker 11: No, because I think I think anybody that comes to 482 00:30:04,119 --> 00:30:06,079 most people to come to a show to see either 483 00:30:06,119 --> 00:30:10,119 of Neil or yylling yeah music, they know that the 484 00:30:10,200 --> 00:30:12,519 original artist is famous for doing just. 485 00:30:12,559 --> 00:30:15,400 Speaker 10: The exact same that like the record. 486 00:30:15,599 --> 00:30:18,640 Speaker 11: Yeah, Well there's a there's a very famous story about 487 00:30:19,000 --> 00:30:23,720 Neil toured on Time Fades Away album and seventy four. 488 00:30:24,000 --> 00:30:24,839 Speaker 8: Yeah he was. 489 00:30:24,920 --> 00:30:26,880 Speaker 11: He went out and he toured and he hadn't released 490 00:30:26,880 --> 00:30:28,880 the album yet. Okay, so he's out there and he's 491 00:30:28,880 --> 00:30:32,000 playing an album's worth of songs. Yeah, oh can you 492 00:30:32,039 --> 00:30:37,160 hear me? Okay? Uh so somebody, uh, somebody's pissed off 493 00:30:37,200 --> 00:30:40,279 and they yell from the front audience play something we know. 494 00:30:41,240 --> 00:30:43,400 So so he stops for a minute and he huddles 495 00:30:43,440 --> 00:30:45,400 with the band. Yeah, comes back to the mic coast. 496 00:30:45,559 --> 00:30:47,720 We're gonna play something you've heard before. And they launched 497 00:30:47,720 --> 00:30:49,000 it to the song they just played a minute. 498 00:30:51,200 --> 00:30:53,920 Speaker 8: Oh that's fine, that's wild. 499 00:30:54,039 --> 00:30:55,880 Speaker 11: Now we're not we're not looking to do anything like that, 500 00:30:56,119 --> 00:30:57,319 not looking to spite anyone. 501 00:30:57,400 --> 00:31:00,960 Speaker 10: But we haven't gotten No, I've never heard anybody. They 502 00:31:01,000 --> 00:31:03,200 seem to enjoy that. We're just running with it. This 503 00:31:03,359 --> 00:31:07,079 is tonight's version, and I think that's part of why 504 00:31:07,119 --> 00:31:09,119 we got some folks like Natt and a few others 505 00:31:09,160 --> 00:31:11,960 that come to near every show. They don't get bored 506 00:31:12,000 --> 00:31:14,079 because they're not hearing the same thing over and over again. 507 00:31:14,119 --> 00:31:16,359 Speaker 9: We do have people that come and come back and 508 00:31:16,480 --> 00:31:19,279 it's just awesome, and they've come they've become part of 509 00:31:19,400 --> 00:31:22,240 like our family too, like some really good friends. Out 510 00:31:22,279 --> 00:31:23,599 of some of the fans that have come. 511 00:31:23,519 --> 00:31:28,920 Speaker 10: Shut Yeah goodness. Yeah, well we Mark and Eileen. 512 00:31:29,119 --> 00:31:32,559 Speaker 11: Yeah we don't. We mentioned you mentioned. I want to 513 00:31:32,599 --> 00:31:36,400 shout out the rest of the guys. Yeah, yeah, absolutely piano, 514 00:31:36,720 --> 00:31:39,480 and we mentioned Mike Garrene on bass. But we have 515 00:31:39,519 --> 00:31:42,720 a new drummer this past year, Matt Smalley and he's 516 00:31:42,759 --> 00:31:44,960 a young guy. Yeah, and he's kicking us right down 517 00:31:45,000 --> 00:31:47,440 the highway. It's good to have young energy in the dance. 518 00:31:48,079 --> 00:31:49,920 Speaker 9: I used to be the youngest. Now I've been really 519 00:31:50,759 --> 00:31:51,920 But the cool thing about. 520 00:31:51,759 --> 00:31:54,680 Speaker 11: Him is he is really deep into this type of music. 521 00:31:54,799 --> 00:31:55,119 Speaker 8: He knows. 522 00:31:55,200 --> 00:31:56,440 Speaker 11: He's a real student of. 523 00:31:56,880 --> 00:32:00,480 Speaker 10: He's shedding too. You can tell he's listening to, you know, 524 00:32:00,960 --> 00:32:04,640 all the different people that like crazy horse versions whatever, 525 00:32:05,200 --> 00:32:07,799 Like he wants to really know this stuff. You can 526 00:32:07,880 --> 00:32:09,920 tell when he comes to rehearsal that he's been shedding. 527 00:32:10,200 --> 00:32:14,640 Speaker 8: Yeah. Oh wow, Now what what happened to the previous drummer? 528 00:32:14,680 --> 00:32:16,559 Because I know that it seems like it's become a 529 00:32:16,640 --> 00:32:18,359 running theme on the show. Every drummer is in like 530 00:32:18,440 --> 00:32:20,359 ten different bands. Yeah, I'm wondering. 531 00:32:20,519 --> 00:32:21,960 Speaker 10: We had a spinal tap. 532 00:32:22,119 --> 00:32:26,200 Speaker 11: Yeah yeah, yeah, our longtime drummer Jeremy was, you know, 533 00:32:26,359 --> 00:32:31,200 amazing drummer. And it's a great guy around Yeah, Western Mask. 534 00:32:31,400 --> 00:32:33,079 Speaker 10: Okay, he plays with Danny Klein. 535 00:32:33,200 --> 00:32:36,480 Speaker 9: Yeah, he plays with the bass player founder. 536 00:32:37,880 --> 00:32:39,759 Speaker 8: Oh wow, Okay, so. 537 00:32:39,960 --> 00:32:42,960 Speaker 11: That's I think the travel got to be a lot. Yeah, 538 00:32:43,079 --> 00:32:45,559 so you know it's I wouldn't be surprised if we 539 00:32:45,599 --> 00:32:46,880 played with him. Again in the future, but. 540 00:32:46,880 --> 00:32:49,599 Speaker 10: I hope so. But yeah, it's no offense to Matt 541 00:32:50,400 --> 00:32:50,839 just the way. 542 00:32:50,759 --> 00:32:51,559 Speaker 8: It is now. Yeah. 543 00:32:51,640 --> 00:32:54,920 Speaker 11: Yeah, yeah, he put in He put in twenty years. 544 00:32:54,839 --> 00:32:57,559 Speaker 8: So okay, he put in some time then, yeah, put 545 00:32:57,640 --> 00:33:01,240 in some time. Wow. Wow was it so after twenty years? 546 00:33:01,359 --> 00:33:03,160 Was it scary having to find a new drummer. 547 00:33:03,359 --> 00:33:08,519 Speaker 10: Yeah, yeah, because it worked so seamlessly. Yeah, it might 548 00:33:08,559 --> 00:33:11,480 have been scary thinking about it to do it. 549 00:33:11,799 --> 00:33:14,000 Speaker 9: There are just certain fills and stuff that you get 550 00:33:14,119 --> 00:33:16,480 used to, yeah, you know, in certain drives and now, 551 00:33:17,000 --> 00:33:19,319 but it kind of brings this new energy, you know, 552 00:33:19,519 --> 00:33:21,880 playing with Matt and kind of feeling a new way 553 00:33:22,000 --> 00:33:26,559 of of doing interpretating the songs. He definitely Matt has 554 00:33:26,599 --> 00:33:28,400 this like classic feel, like you said, you can tell 555 00:33:28,440 --> 00:33:32,000 he's been studying this stuff. So but definitely, like over 556 00:33:32,119 --> 00:33:35,039 time you start to kind of expect certain fills and 557 00:33:35,119 --> 00:33:38,680 things like that, Right, So that's changed, but Matt's holding 558 00:33:38,720 --> 00:33:42,279 it down really well for us, And you know, it's a. 559 00:33:42,359 --> 00:33:44,839 Speaker 11: Huge part of being in this band is not just 560 00:33:45,200 --> 00:33:48,519 your musicianship. It's like, are you a good hang right? 561 00:33:48,799 --> 00:33:48,920 Speaker 8: Right? 562 00:33:49,000 --> 00:33:51,359 Speaker 11: You shit with us? Like the vibe is it just uh, 563 00:33:51,920 --> 00:33:54,599 whatever our vibe is I could, I could describe it, 564 00:33:54,680 --> 00:33:56,119 but I mean it just has to kind of fit. 565 00:33:56,319 --> 00:33:57,000 Speaker 8: Yeah, of course. 566 00:33:57,240 --> 00:33:59,920 Speaker 11: Yeah, that's probably as important as a musicianship. 567 00:34:00,079 --> 00:34:03,000 Speaker 8: Oh not more, but equal. Yeah, yeah, no doubt. 568 00:34:03,119 --> 00:34:04,079 Speaker 11: We've been lucky that way. 569 00:34:04,279 --> 00:34:06,759 Speaker 8: Yeah. Oh that's really good. That's really good. If you 570 00:34:06,799 --> 00:34:08,719 are just joining us, Russ Never sleeps is with us? 571 00:34:08,719 --> 00:34:10,159 You want to play another one? I'm dying to here, 572 00:34:10,639 --> 00:34:12,480 I'm dying to hear more of those harmonies are just 573 00:34:12,639 --> 00:34:13,440 incredible to me. 574 00:34:15,400 --> 00:34:19,159 Speaker 11: Okay, we'll do a little uh Long May you Run? 575 00:34:20,519 --> 00:34:58,000 Speaker 18: All right, we've been through some things together. 576 00:34:58,599 --> 00:35:02,639 Speaker 3: With trunk thumb memories, still calm. 577 00:35:06,119 --> 00:35:10,679 Speaker 11: We found things to do in stormy. 578 00:35:10,480 --> 00:35:21,400 Speaker 3: Weather, Long Maid, Long Maid Road. 579 00:35:23,079 --> 00:35:29,639 Speaker 19: Long made You run, Although these changes have come? 580 00:35:33,480 --> 00:35:42,159 Speaker 7: If you chrome hard, shine in the sun, Long May. 581 00:35:43,480 --> 00:35:43,719 Speaker 4: Run? 582 00:35:54,320 --> 00:35:59,159 Speaker 18: Back in Blind River in nineteen. 583 00:35:58,960 --> 00:35:59,880 Speaker 8: Sixty two. 584 00:36:01,239 --> 00:36:04,639 Speaker 3: And I last saw you line. 585 00:36:08,039 --> 00:36:09,960 Speaker 2: Well, we missed that ship. 586 00:36:10,679 --> 00:36:23,880 Speaker 20: The long Decline, Long May Run, Long, May You Run. 587 00:36:25,519 --> 00:36:31,960 Speaker 7: Long Made Run, Although these changes have come? 588 00:36:35,840 --> 00:36:46,039 Speaker 19: Did you chrome hard, shine in the sun, Long May Long? 589 00:37:24,480 --> 00:37:29,320 Maybe the beach boys have got you now. 590 00:37:31,400 --> 00:37:32,639 Speaker 3: With all those. 591 00:37:32,559 --> 00:37:36,239 Speaker 2: Waves singing Caroline. 592 00:37:38,840 --> 00:37:46,199 Speaker 19: Running down those empty ocean roads, get into. 593 00:37:46,280 --> 00:37:53,920 Speaker 3: The surfon tie roun Ma Run. 594 00:37:55,599 --> 00:38:02,199 Speaker 16: Long may you run, Although the these changes have come. 595 00:38:06,119 --> 00:38:15,920 Speaker 7: You chrome hard shine, and in the sun, long may run, 596 00:38:19,760 --> 00:38:23,960 Long made run, Long. 597 00:38:23,880 --> 00:38:29,800 Speaker 2: May you run, although these changes have come. 598 00:38:33,440 --> 00:38:42,199 Speaker 3: With you, chrome hard shine, and in the sun, long may. 599 00:38:43,639 --> 00:38:43,880 Speaker 4: Run. 600 00:38:50,119 --> 00:38:54,360 Speaker 8: Oh my god, so good A Russ Never sleeps live 601 00:38:54,639 --> 00:38:57,639 in studio here and that's amazing. By the way, you 602 00:38:57,760 --> 00:39:00,920 got a compliment from Peter White, who just texted me. 603 00:39:01,320 --> 00:39:03,039 Peter is of course host of the Morning Show with 604 00:39:03,079 --> 00:39:05,440 Peter White, but you can hear weekday mornings from seven 605 00:39:05,480 --> 00:39:07,079 to nine am here at w M and H. But 606 00:39:07,159 --> 00:39:09,960 he also is the program director here and yeah, he 607 00:39:10,079 --> 00:39:11,800 just texted me and said, you guys sound really good. 608 00:39:11,880 --> 00:39:15,840 So Peter, thank you, absolutely absolutely. If you are just 609 00:39:15,920 --> 00:39:18,000 joining us, of course we have rest Never sleeps here 610 00:39:18,519 --> 00:39:21,760 with us alive in studio. And is there a favorite 611 00:39:21,960 --> 00:39:24,039 like within or maybe you each have your own. I'm 612 00:39:24,079 --> 00:39:26,880 curious if if you have favorites that you play live 613 00:39:27,000 --> 00:39:27,760 that you're. 614 00:39:28,079 --> 00:39:30,840 Speaker 11: That's a common question. It changes for me a lot. 615 00:39:31,039 --> 00:39:34,119 But I guess the tune I mentioned before Big Time 616 00:39:34,239 --> 00:39:36,039 is kind of really just because of the message of it. 617 00:39:36,480 --> 00:39:40,280 Speaker 10: Yeah, it's like asking what's your favorite color. It's it's 618 00:39:40,320 --> 00:39:45,000 really hard to pin it down like you. It changes 619 00:39:45,079 --> 00:39:46,039 from moment to moment. 620 00:39:46,760 --> 00:39:49,000 Speaker 9: Yeah, and it depends like what we're playing at the time. 621 00:39:49,599 --> 00:39:52,280 If something news coming up and we've really meshed on 622 00:39:52,400 --> 00:39:54,079 it and stuff, we get excited to play it. 623 00:39:54,320 --> 00:39:54,559 Speaker 8: Yeah. 624 00:39:55,000 --> 00:39:58,400 Speaker 9: For me, yeah, yeah, this is our new favorite. For 625 00:39:58,559 --> 00:40:01,840 my classic favorite, I would say comes the time, just 626 00:40:01,840 --> 00:40:03,639 because it's the first one I did with the band, 627 00:40:04,119 --> 00:40:07,480 and it's just kind of, you know, always stuck with 628 00:40:07,599 --> 00:40:10,559 me and my kids too. So my kids were like 629 00:40:10,880 --> 00:40:13,679 babies when I joined this band, and so they grew 630 00:40:13,760 --> 00:40:16,679 up with it, so they you know, it's just it 631 00:40:16,840 --> 00:40:20,000 just became like this family song, but because of me 632 00:40:20,119 --> 00:40:21,800 being a rusted So it's pretty cool. 633 00:40:21,920 --> 00:40:25,960 Speaker 8: Oh, very cool. Is there anything that's been particularly challenging 634 00:40:26,079 --> 00:40:26,480 to learn? 635 00:40:29,119 --> 00:40:31,119 Speaker 9: How many? Sometimes? Yeah? 636 00:40:31,360 --> 00:40:34,239 Speaker 11: Yeah, yeah, I'm going to say actually with the Dylan stuff, 637 00:40:34,480 --> 00:40:38,039 really well not playing it, but it's ten verses. 638 00:40:39,360 --> 00:40:39,679 Speaker 2: Okay. 639 00:40:39,840 --> 00:40:42,079 Speaker 8: You know what's funny about that because this came up 640 00:40:42,199 --> 00:40:45,360 on you know, in the second hour when when we 641 00:40:45,480 --> 00:40:47,800 had the Pop Farmers on and you know they do 642 00:40:47,880 --> 00:40:51,199 all these Irish songs for for St. Patrick's Day, and 643 00:40:52,199 --> 00:40:54,559 they were talking about how some of those some of 644 00:40:54,599 --> 00:40:57,719 those classic Irish songs are very wordy because they've got like, 645 00:40:57,880 --> 00:40:59,639 you know, there's one I think they do. It's got 646 00:40:59,679 --> 00:41:02,000 like seven to eight verses to it, and and and 647 00:41:02,119 --> 00:41:03,280 how that can be challenging. 648 00:41:03,519 --> 00:41:07,119 Speaker 10: So so that's trying trying not to do it karaoke style, 649 00:41:07,280 --> 00:41:08,239 you know, right right? 650 00:41:08,719 --> 00:41:09,239 Speaker 8: That is good. 651 00:41:10,360 --> 00:41:13,119 Speaker 9: We do have some eight ten verses long my god. 652 00:41:13,360 --> 00:41:13,559 Speaker 21: Yeah. 653 00:41:13,800 --> 00:41:14,000 Speaker 8: Yeah. 654 00:41:14,559 --> 00:41:17,360 Speaker 10: Fortunately they are stories, which makes them easier to remember. 655 00:41:17,400 --> 00:41:19,639 And you know most cases, you know, you know I 656 00:41:19,840 --> 00:41:21,840 Tangled Up and Blues a great example. Yeah, yeah, a 657 00:41:21,840 --> 00:41:25,000 lot of verses, but it's a great story. Yeah, you've 658 00:41:25,039 --> 00:41:27,519 heard it, and you know the stories, yeah, tend to 659 00:41:27,920 --> 00:41:28,880 stick a little easier. 660 00:41:29,119 --> 00:41:33,119 Speaker 8: Yeah, Like like what's the one, like the wordiest Dylan's 661 00:41:33,800 --> 00:41:34,039 from The. 662 00:41:35,840 --> 00:41:36,320 Speaker 11: Hard Rain? 663 00:41:36,920 --> 00:41:38,960 Speaker 9: Yeah yeah, definitely. 664 00:41:39,719 --> 00:41:41,719 Speaker 8: You ever you ever play them live and forget the words? 665 00:41:41,920 --> 00:41:44,480 Speaker 11: Oh you know, I'm gonna little aids. 666 00:41:44,639 --> 00:41:44,719 Speaker 1: Ye. 667 00:41:45,679 --> 00:41:48,159 Speaker 11: And you know, years ago I saw Elvis Costello doing 668 00:41:48,199 --> 00:41:48,679 a show. 669 00:41:49,000 --> 00:41:49,199 Speaker 8: Yeah. 670 00:41:49,719 --> 00:41:52,920 Speaker 11: It was yeah, two big music stands with books on him. 671 00:41:52,960 --> 00:41:55,920 You know, it was his own music. Yeah, so he 672 00:41:56,000 --> 00:41:57,760 had some aids. Said that's not such a bad thing 673 00:41:57,840 --> 00:41:58,039 if you. 674 00:41:58,639 --> 00:42:02,719 Speaker 8: Oh yeah, yeah, of course of course. And then like 675 00:42:03,119 --> 00:42:06,320 what's uh so the songs that you started because again 676 00:42:06,360 --> 00:42:12,000 you've been is twenty five years thereabouts. The way that 677 00:42:12,119 --> 00:42:15,039 you play some of those because I assume the songs 678 00:42:15,079 --> 00:42:17,440 that you played in the beginning you're still playing, right, Yeah, 679 00:42:17,840 --> 00:42:19,840 a lot of them. Have those kind of evolved in 680 00:42:19,960 --> 00:42:21,320 terms of how you approach. 681 00:42:21,039 --> 00:42:24,719 Speaker 10: Them, sure, a little bit, not in huge ways, but. 682 00:42:24,880 --> 00:42:26,800 Speaker 11: I mean we're testing went off for the next show 683 00:42:26,840 --> 00:42:28,800 that we haven't played in a long time. Really, yeah, 684 00:42:29,239 --> 00:42:30,000 that'll be surprised. 685 00:42:30,559 --> 00:42:33,360 Speaker 10: You're not giving them a way Okay, okay, yeah, but 686 00:42:33,920 --> 00:42:37,559 by that, I mean they don't change drastically. But tonight 687 00:42:37,639 --> 00:42:39,679 I felt different than I did the last time we 688 00:42:39,760 --> 00:42:42,760 played it. So my little part is going to be different, right, right, 689 00:42:42,920 --> 00:42:45,519 And that's going to everybody in the band's playing off 690 00:42:45,559 --> 00:42:49,400 of each other. Rights their nuances to change, but not 691 00:42:49,639 --> 00:42:52,559 major ways. Sometimes we've come up with a different groove 692 00:42:52,719 --> 00:42:53,679 trying to yeah. 693 00:42:53,599 --> 00:42:56,400 Speaker 9: Differently, rhythm will change. We'll play around with the rhythm 694 00:42:56,480 --> 00:42:59,519 sometimes and sometimes we have a slow version. 695 00:42:59,559 --> 00:43:02,920 Speaker 10: We have a fast for yeah, yeah, yeah, and sometimes 696 00:43:03,000 --> 00:43:05,199 that's not on you know, that's not planned. 697 00:43:05,400 --> 00:43:05,519 Speaker 14: Right. 698 00:43:07,280 --> 00:43:09,400 Speaker 8: I'm also curious if any of the Neil Young stuff 699 00:43:09,480 --> 00:43:13,800 is hard to play from a guitar perspective, because I 700 00:43:13,840 --> 00:43:16,280 don't know, like the solos. Some of his solos are 701 00:43:16,440 --> 00:43:17,800 so weird. 702 00:43:18,360 --> 00:43:18,760 Speaker 7: I love it. 703 00:43:19,440 --> 00:43:19,719 Speaker 9: Kenny. 704 00:43:20,000 --> 00:43:22,119 Speaker 10: Kenny does a lot more shutting on how Neil would 705 00:43:22,320 --> 00:43:25,199 approach that, and then he lets me do what I do. 706 00:43:25,400 --> 00:43:27,400 Oh really, I don't feel like a crazy horse guy 707 00:43:27,480 --> 00:43:29,840 when I get to a solo. I just play what 708 00:43:30,199 --> 00:43:32,599 you know, I don't read, I don't you know. I 709 00:43:33,079 --> 00:43:34,719 just wing it because I've been doing that since I 710 00:43:34,800 --> 00:43:37,840 was a kid. And uh, it's nice to have that 711 00:43:38,320 --> 00:43:39,599 kind of and you do the same. 712 00:43:40,159 --> 00:43:41,760 Speaker 11: Yeah, but I tend to. I tend to in the 713 00:43:41,880 --> 00:43:44,679 rock tunes anyway. I have that sound you hit. 714 00:43:46,159 --> 00:43:48,199 Speaker 10: On your black lest Paul, You're hitting that Bigsby and 715 00:43:48,239 --> 00:43:51,440 I'd swear sometimes and I'm listening to Neil playing Yeah. 716 00:43:51,800 --> 00:43:54,000 Speaker 9: It's one of my favorite parts of this of when 717 00:43:54,000 --> 00:43:58,400 we play out listening to them play yeah, yeah, yeah, 718 00:43:58,519 --> 00:44:03,039 it's definitely a tree yeah yeah. But Kenny gets that sound, 719 00:44:03,119 --> 00:44:06,880 that raw, you know, dirty Neil Young tune, and it's 720 00:44:07,039 --> 00:44:07,679 just really good. 721 00:44:08,039 --> 00:44:10,760 Speaker 10: A lot of folks just compare it to the Stills 722 00:44:10,960 --> 00:44:13,960 Young okay interaction from back in the day. Really, but 723 00:44:14,039 --> 00:44:16,679 when we listen to it back you know, recordings or whatever, 724 00:44:17,079 --> 00:44:19,559 I get the similarities, but it's so different. It's us. 725 00:44:19,719 --> 00:44:19,920 Speaker 8: Yeah. 726 00:44:20,320 --> 00:44:22,000 Speaker 10: Yeah, we're not trying to be them. 727 00:44:22,199 --> 00:44:23,039 Speaker 8: Yeah, of course. 728 00:44:23,119 --> 00:44:25,039 Speaker 11: And I think that's the testament to that we we 729 00:44:25,159 --> 00:44:28,679 get we captured the vibe. Yeah, because you know, like 730 00:44:28,760 --> 00:44:30,400 I don't sound like Neil Young, but a lot of 731 00:44:30,400 --> 00:44:32,320 people think it's dead on, but no, if you listen 732 00:44:32,360 --> 00:44:34,280 to it side by side, it isn't. But there's something 733 00:44:34,360 --> 00:44:35,360 about it that I get. 734 00:44:35,480 --> 00:44:37,039 Speaker 8: Well, that's what I was curious about, because I mean, 735 00:44:37,039 --> 00:44:38,920 it's one thing to get the tone, but it's another 736 00:44:38,960 --> 00:44:42,039 thing to actually play like him, right, because I don't know. 737 00:44:42,840 --> 00:44:44,960 I can't think of anybody else who plays like him, 738 00:44:45,159 --> 00:44:46,920 you know what I mean? Right? And I don't even 739 00:44:46,960 --> 00:44:48,920 know how to maybe you know you probably do. I 740 00:44:48,960 --> 00:44:50,800 don't even know how to describe. Like if somebody were 741 00:44:50,880 --> 00:44:52,840 ask me, well, how does Neil Young play a guitar solo? 742 00:44:53,159 --> 00:44:55,320 I wouldn't know how to even describe it. Well. 743 00:44:56,559 --> 00:44:59,199 Speaker 11: There was a Rolling Stone interview or not Know. It 744 00:44:59,320 --> 00:45:01,079 was a review of of his albums back in the day. 745 00:45:01,559 --> 00:45:03,159 It was one of his rock tones. I think it 746 00:45:03,239 --> 00:45:08,639 was like a hurricane, okay, and the person writing the 747 00:45:08,760 --> 00:45:13,400 article said it sounds like down power line snapping off 748 00:45:13,440 --> 00:45:16,199 the ground, you know, like that. That sounds pretty good. 749 00:45:16,199 --> 00:45:18,360 And I found out later that he had been listening 750 00:45:18,400 --> 00:45:20,440 to a lot of John Coltrane, Okay, and it's very 751 00:45:20,519 --> 00:45:24,199 kind of anastic that that got into his and got. 752 00:45:24,119 --> 00:45:26,559 Speaker 10: Into you can hear that intro City pics. 753 00:45:26,760 --> 00:45:30,719 Speaker 11: Yeah, sure, absolutely, And I think his musical beings were 754 00:45:30,719 --> 00:45:32,960 all like that. We kind of absorbed different things and 755 00:45:33,039 --> 00:45:35,000 it comes out in our own little way, you know. 756 00:45:35,159 --> 00:45:39,320 Speaker 8: Yeah. Absolutely. Is there a crowd favorite? Is there? Is 757 00:45:39,320 --> 00:45:41,800 there anything particular that you all play that you notice? 758 00:45:42,199 --> 00:45:45,480 Speaker 10: Harvest Moon? They love Harvest Moon. 759 00:45:46,000 --> 00:45:47,119 Speaker 9: They always asked for it. 760 00:45:48,679 --> 00:45:50,840 Speaker 11: Sure, we don't always play that one now, but. 761 00:45:51,039 --> 00:45:53,320 Speaker 9: One one crowd favorite too is Cowgirl in. 762 00:45:53,320 --> 00:45:55,199 Speaker 10: The Sandy because of the jam. 763 00:45:55,360 --> 00:45:58,559 Speaker 9: Yeah, because of that jam. Sectually, Old Man Hard. We 764 00:45:58,800 --> 00:46:02,280 do play this mostly, okay, okay, Yeah, and then once 765 00:46:02,320 --> 00:46:04,119 in a while they'll get a treat. We'll do Rocking 766 00:46:04,159 --> 00:46:06,079 in the Free World and oh no, everyone. 767 00:46:05,840 --> 00:46:09,519 Speaker 10: Digs that we've done that acoustic handle liqu that's right, 768 00:46:09,679 --> 00:46:11,519 really yeah, and I love both of them, but yeah, 769 00:46:11,599 --> 00:46:12,960 that can go twenty minutes. 770 00:46:13,039 --> 00:46:14,519 Speaker 8: Yeah really yeah. Yeah. 771 00:46:14,679 --> 00:46:18,159 Speaker 11: And there's the first thing about Neil, because he's got 772 00:46:18,239 --> 00:46:20,679 those two versions out there, yeah, they're different from me, John. 773 00:46:20,960 --> 00:46:24,599 Speaker 9: Yeah, everybody knows that. That's a popular one that we do. 774 00:46:24,920 --> 00:46:29,000 Speaker 8: Yeah, Oh, very cool, excellent, excellent, So we should remind 775 00:46:29,039 --> 00:46:31,239 people too as we get close to the top of 776 00:46:31,280 --> 00:46:33,599 the hour. So the show at the Rex, it's on 777 00:46:33,679 --> 00:46:36,719 the twenty eighth, March twenty eighth, Yes, yeah, okay, And 778 00:46:37,239 --> 00:46:39,280 and it's just you, right, it's just Russ Never Sleep. 779 00:46:39,679 --> 00:46:42,880 Speaker 10: No opener that we're aware of, because that has happened, 780 00:46:43,280 --> 00:46:45,239 so you know what, You've got an opener tonight. 781 00:46:45,440 --> 00:46:45,639 Speaker 8: Yeah. 782 00:46:45,679 --> 00:46:47,719 Speaker 11: And they can go to their website or they can 783 00:46:47,760 --> 00:46:49,880 go to our website and link over to it. We're 784 00:46:50,360 --> 00:46:51,480 never sleeps dot net. 785 00:46:51,679 --> 00:46:54,239 Speaker 10: Okay, okay, No, we're on Facebook? Are we on Instagram? 786 00:46:54,280 --> 00:46:56,039 I'm not just the social media at all. 787 00:46:56,719 --> 00:46:58,320 Speaker 8: It's a nice website by the way, too. And that 788 00:46:58,400 --> 00:47:00,599 might sound like a random compliment, but I'm a I'm 789 00:47:00,599 --> 00:47:03,719 a web designer, and so I noticed websites and my. 790 00:47:04,199 --> 00:47:07,079 Speaker 11: Filmmaker, oh yeah he did. 791 00:47:07,239 --> 00:47:08,639 Speaker 8: He did a great job because a lot of a 792 00:47:08,679 --> 00:47:11,400 lot of musicians have terrible websites. So I commend you 793 00:47:11,519 --> 00:47:12,599 for good pro. 794 00:47:13,159 --> 00:47:15,360 Speaker 10: You're a lack of a lot of trades. I've seen 795 00:47:15,400 --> 00:47:18,559 your bio on the radio site and elsewhere. You're up 796 00:47:18,599 --> 00:47:19,719 to a lot of cool stuff. 797 00:47:19,880 --> 00:47:29,159 Speaker 8: Yeah, yeah, I never sleep either. I I do have 798 00:47:29,239 --> 00:47:30,599 to ask you this because you mentioned it, because I 799 00:47:30,639 --> 00:47:33,239 love stories like this, he said. The thing about you. 800 00:47:33,559 --> 00:47:35,599 You were presented with an opener that you didn't know 801 00:47:35,639 --> 00:47:36,840 you were going to have at a show. 802 00:47:36,719 --> 00:47:40,519 Speaker 10: That was recently thanks for example, that wonderful room and 803 00:47:40,599 --> 00:47:43,000 mad Massa And. 804 00:47:44,719 --> 00:47:47,320 Speaker 11: I apologize later, but it wasn't the end of the world. 805 00:47:47,400 --> 00:47:48,800 But no, you'd like to know about that. 806 00:47:49,239 --> 00:47:51,920 Speaker 10: Well, yeah, yeah, and so would our patrons. 807 00:47:52,599 --> 00:47:55,960 Speaker 8: Well, yeah, I like to know. But we do every 808 00:47:56,039 --> 00:47:56,360 now and then. 809 00:47:56,400 --> 00:47:58,039 Speaker 11: We throw a curveball in here. I mean we had 810 00:47:58,800 --> 00:48:03,239 Arena's daughters. Yes, yes, that was a lot of fun, 811 00:48:03,400 --> 00:48:03,559 you know. 812 00:48:03,840 --> 00:48:06,519 Speaker 9: Yeah, please, she'll get to do She's actually sat in 813 00:48:06,639 --> 00:48:07,239 with the band. 814 00:48:07,079 --> 00:48:09,840 Speaker 10: Before for me to one night and killed it. 815 00:48:09,960 --> 00:48:13,239 Speaker 11: Yeah, great musicians. He's going to be graduating from Berkeley 816 00:48:13,360 --> 00:48:13,679 this year. 817 00:48:13,800 --> 00:48:16,960 Speaker 9: Oh actually, yeah, she graduates in May from from Berkeley. 818 00:48:17,079 --> 00:48:19,159 And but yeah, she sits in for me from time 819 00:48:19,239 --> 00:48:19,599 to time. 820 00:48:19,719 --> 00:48:21,519 Speaker 8: And oh cool, Well who is she? Let's give her 821 00:48:21,519 --> 00:48:21,840 a plug? 822 00:48:21,960 --> 00:48:25,639 Speaker 9: Yeah, Elizabeth Valley. We call her Bess, and uh yeah, 823 00:48:25,719 --> 00:48:29,519 she does an excellent job. She plays around locally right now, though. 824 00:48:29,719 --> 00:48:32,400 It's she's real busy finishing up at Berkeley. She's got 825 00:48:32,440 --> 00:48:35,639 her first album release coming out in April called Sounder, 826 00:48:36,400 --> 00:48:39,199 and uh, yeah, she's beautiful listen to. 827 00:48:41,079 --> 00:48:41,239 Speaker 3: Yeah. 828 00:48:41,320 --> 00:48:44,840 Speaker 9: She just played the Pink showcase at the VPC and 829 00:48:45,320 --> 00:48:48,119 she was one of the chosen soloists there. And she's 830 00:48:48,159 --> 00:48:52,400 got another showcase at Berkeley for George Martin and she's 831 00:48:52,480 --> 00:48:56,480 doing Linda Ronstadt's Moon so Ours Mistress, so wow, yeah, 832 00:48:56,639 --> 00:48:57,360 it'll be a treat. 833 00:48:57,599 --> 00:48:59,519 Speaker 8: So well, we'll have to get her on the show. 834 00:48:59,519 --> 00:49:04,760 We've had Chuck's son on the show Your Daughter Family Guy. 835 00:49:04,840 --> 00:49:05,199 Speaker 10: I love it. 836 00:49:06,239 --> 00:49:10,800 Speaker 8: Yeah, yeah, absolutely. Uh do you have any any children 837 00:49:11,199 --> 00:49:12,119 who are musicians? 838 00:49:12,159 --> 00:49:12,920 Speaker 11: They're not musicians? 839 00:49:13,000 --> 00:49:16,599 Speaker 8: Okay, no, Well, although actually I would like to get 840 00:49:16,639 --> 00:49:20,000 your filmmakers son on the show too, because that sounds interesting. Okay, Yeah, 841 00:49:20,039 --> 00:49:21,320 we don't. We don't just do music. I mean we 842 00:49:21,400 --> 00:49:23,559 do mostly music, but but you know, I just love 843 00:49:23,639 --> 00:49:25,159 talking to creative people in general, you know. 844 00:49:25,360 --> 00:49:27,440 Speaker 10: Just I have three kids, and only one of them 845 00:49:27,519 --> 00:49:29,639 got the bug the music, Pug. The other two are 846 00:49:29,639 --> 00:49:32,320 hockey players, probably not interviewing hockey. 847 00:49:32,760 --> 00:49:34,360 Speaker 8: Yeah, I don't know anything about sports ball. 848 00:49:36,280 --> 00:49:38,400 Speaker 9: My son doesn't play, but he loves it and he's 849 00:49:38,519 --> 00:49:41,679 listening to us today too, So well, good. 850 00:49:41,599 --> 00:49:44,639 Speaker 8: Very good. Hello Gus, Hello guys. All right, so we 851 00:49:44,800 --> 00:49:46,719 are about out of time. I do want to play 852 00:49:46,760 --> 00:49:49,679 one more thing from your YouTube though. 853 00:49:49,800 --> 00:49:51,639 Speaker 10: Real quick. Before you do, I've got a guest shout 854 00:49:51,679 --> 00:49:54,000 out to Sick Dude. Hell yeah, my son, Yes, and 855 00:49:54,360 --> 00:49:58,119 and uh. I love both of your interviews here and 856 00:49:58,280 --> 00:49:59,960 thanks for pointing us in this direct. 857 00:50:00,320 --> 00:50:03,960 Speaker 8: Oh yeah, we love Sick Dude. Hell yeah, absolutely, it's it's. 858 00:50:03,800 --> 00:50:08,840 Speaker 10: A death metal duo. They're nuts. They recorded in my 859 00:50:08,920 --> 00:50:10,760 basement and I had a blast doing it anyway. 860 00:50:11,480 --> 00:50:15,000 Speaker 8: Oh yeah, you were the engineer on that, right, correct? Yeah? Yeah, 861 00:50:15,639 --> 00:50:18,239 what was that? Have you ever done anything like that before, 862 00:50:18,639 --> 00:50:20,159 recorded anything like that before? 863 00:50:21,199 --> 00:50:22,039 Speaker 10: Power duo like that? 864 00:50:22,199 --> 00:50:22,239 Speaker 1: No? 865 00:50:22,440 --> 00:50:24,480 Speaker 10: No, no, it was the coolest thing too. I mean 866 00:50:24,480 --> 00:50:27,000 I have a home studio. Yeah, and we had to 867 00:50:27,039 --> 00:50:30,920 put both of Why am I blanking on the bass 868 00:50:31,119 --> 00:50:32,119 guitar player's name? 869 00:50:32,960 --> 00:50:33,599 Speaker 8: I can't remember? 870 00:50:35,840 --> 00:50:37,119 Speaker 10: See I'm old. I'm getting old. 871 00:50:38,039 --> 00:50:39,719 Speaker 8: Anyway, if you meet so many musicians, he. 872 00:50:39,880 --> 00:50:43,440 Speaker 10: Takes plays a four string bass through a guitar amp 873 00:50:43,639 --> 00:50:46,079 and a bass ampe by way of a little splitter 874 00:50:46,159 --> 00:50:48,519 that octaves it so yeah, you'd swear you were hearing 875 00:50:48,599 --> 00:50:49,840 two guys that are just locked in. 876 00:50:49,960 --> 00:50:51,199 Speaker 8: Oh yeah, yeah, right, you. 877 00:50:51,280 --> 00:50:54,400 Speaker 10: Know what I'm talking about. And in order to pull 878 00:50:54,480 --> 00:50:57,599 that off and not just kill the overheads on the 879 00:50:57,679 --> 00:51:00,840 drum kit in my meager little space, we used this 880 00:51:00,960 --> 00:51:04,840 little cedar storage closet behind my studio. Yeah, stuck them 881 00:51:04,880 --> 00:51:06,559 in there and ran a bunch of cables from there, 882 00:51:06,760 --> 00:51:08,320 and it worked like a charm. So I got to 883 00:51:08,400 --> 00:51:10,719 learn by way of their project that I have a 884 00:51:10,800 --> 00:51:12,880 lot more capability in at me get a little space 885 00:51:12,960 --> 00:51:16,559 than Yeah. Yeah, I loved my listening space. It's mostly 886 00:51:16,679 --> 00:51:18,880 like I got. I did some acoustic treatment and all that, 887 00:51:18,960 --> 00:51:22,039 so I can sort of believe what I'm hearing. Yeah, 888 00:51:22,239 --> 00:51:25,639 before we put it out there, and uh, that was 889 00:51:25,719 --> 00:51:27,360 just such a fun project. It really was. 890 00:51:27,480 --> 00:51:28,320 Speaker 8: Oh that's really cool. 891 00:51:28,480 --> 00:51:31,679 Speaker 10: Yeah, they were very well prepared. Yeah to give them that. 892 00:51:32,559 --> 00:51:35,320 Speaker 8: No, that's awesome. That's awesome. Uh what should I play 893 00:51:35,360 --> 00:51:37,000 from your YouTube? You got so much good stuff? Do 894 00:51:37,039 --> 00:51:40,679 you have any uh any suggestions? You had a lot 895 00:51:40,719 --> 00:51:42,159 of good Uh. We played that. 896 00:51:42,239 --> 00:51:43,639 Speaker 11: I've looked on there for a long We played the. 897 00:51:43,639 --> 00:51:48,400 Speaker 8: Darrel's House video. Uh, rest O Resleeves performs Motorcycle Mama 898 00:51:48,800 --> 00:51:51,360 do that one? That's one that's also and that's also 899 00:51:51,559 --> 00:51:53,960 from uh Live at Darrel's House. Yeah. 900 00:51:54,320 --> 00:51:56,440 Speaker 10: Another one featuring Arena on lead vocals. 901 00:51:56,679 --> 00:52:01,039 Speaker 8: Yeah, very cool, very cool. I know that song? Whose 902 00:52:01,079 --> 00:52:01,440 song is that? 903 00:52:01,599 --> 00:52:02,320 Speaker 10: Is that a Neil news? 904 00:52:02,559 --> 00:52:04,599 Speaker 8: That is a Neil song. I'll probably recognize it as 905 00:52:04,639 --> 00:52:05,840 soon a time album. 906 00:52:06,000 --> 00:52:08,679 Speaker 11: Okay okay, originally sung by nico Let Larson. 907 00:52:09,239 --> 00:52:13,039 Speaker 8: Oh gotcha, gotcha? All right? Oh I should mention too, 908 00:52:13,239 --> 00:52:15,880 just to remind people before we go, because Jenny's not 909 00:52:15,960 --> 00:52:18,960 in the room, but tonight from five to seven pm 910 00:52:20,360 --> 00:52:25,400 the Woman Wise Showing exhibition or whatever the term would 911 00:52:25,400 --> 00:52:28,639 be at the event at Mosaic Art Collective on Hanover Street. 912 00:52:28,840 --> 00:52:31,440 Jenny and I will be there tonight five to seven pm, 913 00:52:31,480 --> 00:52:33,800 So if you're listening live on Saturday, please come join us. 914 00:52:34,079 --> 00:52:36,719 And Jenny as always has art featured in the show, 915 00:52:37,320 --> 00:52:39,159 So very proud of her and all that she's doing. 916 00:52:39,239 --> 00:52:41,679 So that is tonight from five to seven pm Mosaic 917 00:52:41,800 --> 00:52:44,800 Art Collective on Hanover Street, and it's a wonderful place, 918 00:52:45,039 --> 00:52:47,639 so come down and say hello and thank you everybody 919 00:52:47,639 --> 00:52:50,519 who joined us today on the show. Of course, cognition 920 00:52:51,119 --> 00:52:53,440 and the pop Farmers, and of course Russ never sleeps. 921 00:52:53,480 --> 00:52:54,920 Thank you all three of you very much, thank you 922 00:52:55,000 --> 00:52:57,320 having so much. Thank you absolutely this has been wonderful 923 00:52:57,360 --> 00:52:59,800 and we'll close out with this. This is their rendition 924 00:52:59,840 --> 00:53:03,400 of Motorcycle Mama Live at Daryl's House Club Russ never sleeps. 925 00:53:23,360 --> 00:53:31,960 Speaker 22: The cycle won't you lay your fans fight down? The 926 00:53:32,079 --> 00:53:34,519 cycle Mama, won't you play your. 927 00:53:34,519 --> 00:53:35,800 Speaker 3: Bags fight down? 928 00:53:39,840 --> 00:53:43,320 Speaker 4: I get in trouble when I bring you down? 929 00:53:44,320 --> 00:53:46,599 Speaker 18: Or the cycle Mama, won't you lay it. 930 00:53:46,719 --> 00:54:15,920 Speaker 23: Down on the words that keep the food. 931 00:54:17,480 --> 00:54:19,559 Speaker 2: Away a place to say? 932 00:54:30,400 --> 00:54:34,480 Speaker 15: Or the cycle Mama want you lay your bits fin down? 933 00:54:38,880 --> 00:54:42,880 Speaker 6: Or the cycle mama want you lay your bads fine down? 934 00:54:47,119 --> 00:54:48,920 Speaker 2: You is gending trouble. 935 00:54:48,679 --> 00:54:52,119 Speaker 15: When you're bringing that out a round all the cycle 936 00:54:52,840 --> 00:54:54,039 want you lay it down? 937 00:55:05,440 --> 00:55:07,920 Speaker 6: I hope the children lead. 938 00:55:11,280 --> 00:55:12,599 Speaker 3: I think this game out. 939 00:55:15,320 --> 00:55:16,679 Speaker 10: How jad. 940 00:55:19,840 --> 00:55:21,360 Speaker 6: Seeing your bosses a. 941 00:55:21,639 --> 00:55:23,079 Speaker 2: Bad am blacking that. 942 00:55:24,760 --> 00:55:26,800 Speaker 4: Siss the time? 943 00:55:37,079 --> 00:55:40,599 Speaker 2: Or cycle Mamo tlay on thanks. 944 00:55:40,360 --> 00:55:49,400 Speaker 6: Five down, go acycle mam ter lay on mes five down? 945 00:55:51,800 --> 00:55:58,760 Oh cycle man? 946 00:55:59,079 --> 00:55:59,840 Speaker 3: WoT you player? 947 00:56:51,960 --> 00:56:56,119 Speaker 21: This life never feels driving your family starts fitting with. 948 00:56:58,239 --> 00:57:00,079 Speaker 17: My mind will always read. 949 00:57:00,079 --> 00:57:00,679 Speaker 8: You wind on. 950 00:57:00,800 --> 00:57:02,920 Speaker 3: The memories were the pain. 951 00:57:04,639 --> 00:57:08,280 Speaker 21: I know we've got let it go on the choices now, 952 00:57:08,440 --> 00:57:12,840 re mecuse, Now I know how far you'll go. 953 00:57:13,159 --> 00:57:15,880 Speaker 2: When you're six feet from the breast. 954 00:57:20,760 --> 00:57:21,079 Speaker 4: Sound. 955 00:57:21,920 --> 00:57:27,159 Speaker 6: Everybody is out, there's somebody. 956 00:57:33,360 --> 00:57:36,840 Speaker 4: Now, everybody is going down. 957 00:57:37,719 --> 00:57:43,159 Speaker 3: There's we can wat. 958 00:57:43,360 --> 00:57:59,639 Speaker 21: Clay fruit tears. We tell your story through the pain, 959 00:57:59,760 --> 00:58:04,880 We your life, the way your life, and now these 960 00:58:04,960 --> 00:58:07,320 others to see another day. 961 00:58:09,360 --> 00:58:11,719 Speaker 9: I know of gotta let it go on. 962 00:58:11,840 --> 00:58:13,760 Speaker 3: The choices them by. 963 00:58:15,239 --> 00:58:18,280 Speaker 21: Now I know how far you gonna go When you're 964 00:58:18,360 --> 00:58:20,480 six feet from the rast. 965 00:58:23,480 --> 00:58:25,840 Speaker 15: That sound. 966 00:58:26,679 --> 00:58:37,719 Speaker 6: Everybody is sound, it's somebody in that time. Send in 967 00:58:39,320 --> 00:58:41,599 everybody else going in town. 968 00:58:42,480 --> 00:58:48,360 Speaker 3: There's hoping we can rush it away.