WEBVTT

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<v Speaker 1>This episode from the life of Sherlock Holmes will be

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<v Speaker 1>transmitted to our men and women overseas by short wave

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<v Speaker 1>and through the world wide facilities of the Armed Forces

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<v Speaker 1>Radio Service. Pet Tree Wine brings you Basil Rathbone and

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<v Speaker 1>Nigel Bruce and the new adventures of Sherlock Holmes. The

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<v Speaker 1>Petree family, the family that took time to bring you

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<v Speaker 1>good wine, invite you to listen to doctor Watson tell

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<v Speaker 1>about another exciting adventure he shared with his old friend,

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<v Speaker 1>that Mass Detective Sherlock Holmes. I suppose your dinner's well

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<v Speaker 1>over by now, so now's the perfect time to get

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<v Speaker 1>out a bottle of that swell Petree California Port. You know,

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<v Speaker 1>Petree Port just made for a time like this after dinner,

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<v Speaker 1>when you're just taking things easy. If you've ever tasted

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<v Speaker 1>Petre Port, you know what I mean. It's a hearty,

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<v Speaker 1>full bodied wine with a deep red color and a

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<v Speaker 1>favor that's just about out of this world. I think

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<v Speaker 1>that if you had only one wine to choose, and

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<v Speaker 1>the whole world to choose from, chances are you'd pick

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<v Speaker 1>Port Petreport. That's how good I think it is. That's

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<v Speaker 1>saying plenty, I know, but I think Petreport will easily

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<v Speaker 1>live up to all I say about it. Try it

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<v Speaker 1>to see and share it with your friends. You can

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<v Speaker 1>serve Petreport proudly because the name Petrie is the proudest

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<v Speaker 1>name in the history of American wines. And now let's

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<v Speaker 1>visit our old friend, doctor Watson. Em here on the

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<v Speaker 1>petty mister porn. No one else join me as firing

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<v Speaker 1>the sunset, eh, doctor, Yes, my voice a particularly beautiful one.

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<v Speaker 1>Where the puppies listening.

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<v Speaker 2>Asleep on a favorite treat coat of mine just come back.

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<v Speaker 1>And you hadn't the heart to move them? I suppose, No, No,

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<v Speaker 1>I hadn't. The little fellows looked so comfortable.

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<v Speaker 2>In fact, I sometimes wonder if the you woudn't come

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<v Speaker 2>here to listen to a dissertation on the behavior of dogs.

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<v Speaker 1>Well is getting your story time, doctor, Yes, of course

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<v Speaker 1>it is. Well, just let me get my pipe probably lighted. Ah,

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<v Speaker 1>that's it.

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<v Speaker 2>The story I'm angry to tell you tonight began in

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<v Speaker 2>nineteen hundred and nine.

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<v Speaker 1>I received a telegram from my old friend.

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<v Speaker 2>Telling me that he was leading his Sussex b farm

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<v Speaker 2>and coming.

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<v Speaker 1>To London for a few days.

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<v Speaker 2>I hadn't seen the great man for several months, though,

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<v Speaker 2>naturally I went to Victoria station to meet him.

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<v Speaker 1>As a train drew to a.

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<v Speaker 2>Stop, the door of a first cast carriage swung open,

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<v Speaker 2>and stock Holmes, hand out stretched, jumped down onto.

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<v Speaker 1>The platform to greet. What's my dear fellow? HOWI Oh,

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<v Speaker 1>hold my dear fellow. It's good to see you again.

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<v Speaker 1>I've missed you. And are you wichat heavy of bates? Yes, pot,

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<v Speaker 1>I'm getting a handsome char I wish I'd got a

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<v Speaker 1>fair room for nobody, wasn't I should be very comfortable

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<v Speaker 1>at the Diogenes stop, by the way. I trust your

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<v Speaker 1>free this evening here's naturally one of your plans probably

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<v Speaker 1>go to the Pura. Oh what play do you want

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<v Speaker 1>to see? I probably go to the Savoy here and

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<v Speaker 1>see the Shlock Holmes play. I hear it's enormously success

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<v Speaker 1>and I know it is, but I've avoided it.

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<v Speaker 2>I'm told it to Claude Houghton takes great liberties with

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<v Speaker 2>your character. And as for the actor portraying me, my

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<v Speaker 2>friends told me the Travester he makes me nothing that

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<v Speaker 2>a bumbling old.

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<v Speaker 1>Therefore, a visit to the play might be a salutary

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<v Speaker 1>experience for both of us. In any case, my tip

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<v Speaker 1>to London. This response to a urgent telegram from Support

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<v Speaker 1>himself seems to need my help brother badly. Oh well,

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<v Speaker 1>he wasn't specific in his telegram. He suggested, however, we

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<v Speaker 1>attend to Night's performance and discuss the matter with him afterwards.

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<v Speaker 1>I see, well, I suppose if you can sit through it,

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<v Speaker 1>I can, of course, Kennal alarm. In any case, you

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<v Speaker 1>yourself are quite so responsible for the player's existence. I

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<v Speaker 1>mean those sensational star who wrote of my muddiest problems.

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<v Speaker 1>I should have seen where they would eventually lead to

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<v Speaker 1>in time though doctors he portrayed on the cinematograph as well. No,

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<v Speaker 1>that new fangled things on their toil, I think, not button.

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<v Speaker 1>We're on the edge of a strange, new mechanical world.

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<v Speaker 1>In fact, I begin to feel a certain concern about

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<v Speaker 1>the rumored developments in Wallace telegraphy. But enough of these predictions.

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<v Speaker 1>It comes our order with a cap. They'll tell the

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<v Speaker 1>driver to take a strict to the savoy kurer. Just

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<v Speaker 1>look at that line of people at the City Box

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<v Speaker 1>Office home clapping old chat. Possibly, but I hope it

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<v Speaker 1>doesn't mean that we've got a way to turn. Excuse me, gentlemen.

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<v Speaker 1>You're mister Sherlock Holmes and doctor Watson an't chow. Yes, yes,

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<v Speaker 1>I thought I couldn't be mistaken. My name is Frank Feller.

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<v Speaker 1>As a box reserved for you, we asked me to

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<v Speaker 1>see that you are quite comfortably consider it, doctuan, Will

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<v Speaker 1>you follow me? Please? Thank you. Neither of you have

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<v Speaker 1>seen the play before. I understand no, mispellers, we haven't.

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<v Speaker 1>I imasure will be a strange experiencing ourselves portrayed on

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<v Speaker 1>the stage. By the way, I'm playing the part of

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<v Speaker 1>an old friend of yours, Professor Moriarty. Oh indeed, I'm

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<v Speaker 1>looking forward to a very entertaining evening. I'd assume that

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<v Speaker 1>you escape hard touches as us will. Yes, I do,

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<v Speaker 1>mister Holmes, and I've done it nicely. Now for one

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<v Speaker 1>hundred and thirty seven for foles record that I'm sure

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<v Speaker 1>Professor morriatiums to put in me had it not been

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<v Speaker 1>for his memorable demise of the racing back falls. Here

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<v Speaker 1>we are, gentlemen.

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<v Speaker 3>This is the box reserve for you. And now, if

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<v Speaker 3>you'll excuse me, I'll go back to my dressing bottle. Oh,

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<v Speaker 3>I never brought this to Holmes, so the cord asked

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<v Speaker 3>me to give you this note.

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<v Speaker 1>Thank you all. Well, I'll see you later. H very

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<v Speaker 1>nice for for nector obvious snob Watson. Well, what does

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<v Speaker 1>the claud note say? I'll read it to your you're home.

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<v Speaker 1>Since I telegraphed you yesterday, there have been strange developments.

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<v Speaker 1>In fact, I've been doing some detective off stage as

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<v Speaker 1>well as on. Watch the performance tonight, and watch the

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<v Speaker 1>audience too, particularly the occupant of the box opposite yours.

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<v Speaker 1>Please come to my dressing room as soon as the

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<v Speaker 1>last curtain has fallen. He's been very mysterious, and the

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<v Speaker 1>box ops is empty. No, no look what to look?

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<v Speaker 1>Saoneer's just t to count found at the house lights

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<v Speaker 1>going out the first act beginning Home the first act, Yes,

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<v Speaker 1>well said back and relax, old fellow. Let's see what

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<v Speaker 1>they're done to us. Well, well did you think of

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<v Speaker 1>the first at home? All the first act? Years? Yes,

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<v Speaker 1>I was examining the go into the box opposite ours

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<v Speaker 1>from attract a young lady alone and unusually preoccupied in

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<v Speaker 1>her programmed. In fact, one might assume that she was

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<v Speaker 1>trying to hide our face.

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<v Speaker 2>Yes, but the play. Don't you think it's ridiculous? Just

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<v Speaker 2>imagine a crown jeweled the stone.

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<v Speaker 1>From love and why not? It's been attempted many times.

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<v Speaker 2>Anyhow, you must admit that the actor who's portraying me

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<v Speaker 2>behaves like like a blithering idiot, and the clause interpretation

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<v Speaker 2>of you is pretty far.

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<v Speaker 1>Fetched, far fetched. The flapping button a poise? WHAT'SPARVIATI? What

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<v Speaker 1>a poise? I find myself fully entertained. You are a

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<v Speaker 1>strange chaper accounting for the taste? Stop? What the look

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<v Speaker 1>the back of the box of the Lord I could

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<v Speaker 1>have sworn a man dodged behind the curtain. I don't

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<v Speaker 1>think the girl saw him, though, attrack a pomo. I

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<v Speaker 1>think that the young ladies alone will take the liberty

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<v Speaker 1>of joiner oh dash? Should they go the lights again?

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<v Speaker 1>The second act starting now? And sit down, plow. We

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<v Speaker 1>don't want to attract attention, and we will join out

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<v Speaker 1>during the next intermition. Why what do you want with me?

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<v Speaker 1>My name is shut up pumbs, and this is my colleague,

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<v Speaker 1>Dr Watson. How do you do, young Lenna? I hope

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<v Speaker 1>you'll forgive this inclusion, but supported the quested that I

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<v Speaker 1>keep an eye on you doing a tonight. She's coming in.

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<v Speaker 1>Sit down. Won't you thank you? This is very kind.

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<v Speaker 1>I know you must forgive my I've got this just now.

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<v Speaker 4>So I've just been watching share that Combs and Dr

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<v Speaker 4>Watson being impersonated on the stage. It's Saba started to

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<v Speaker 4>have the real couple walk into my book.

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<v Speaker 1>I quite understand by the way, just before the curtain

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<v Speaker 1>went up on the second Egy, I thought I was

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<v Speaker 1>just a man coming to the neck of this box

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<v Speaker 1>and this disappear again. Were you aware of his presence? No? No,

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<v Speaker 1>I didn't see him, but I know who it is.

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<v Speaker 4>It's been following me for weeks now. You'd like you

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<v Speaker 4>tell us about it, Missus Henshaw, Alicia Henshaw, Yes, I will,

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<v Speaker 4>as a matter of fact. That's why I'm here tonight.

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<v Speaker 4>Sir Claude Houghton's an old friend of my father's. I

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<v Speaker 4>had to ask his advice.

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<v Speaker 1>He did then.

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<v Speaker 4>Investigating himself for a few days, and then he found

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<v Speaker 4>himself a little out of his depth, though he decided

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<v Speaker 4>to telegraph for you, mister Holmes. We were going to

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<v Speaker 4>meet in his dressing room after the performance tonight.

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<v Speaker 1>BRender A Lama's Henshaw, what is your story? This strange and.

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<v Speaker 4>Mister Holmes, though I didn't realize just how strange until

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<v Speaker 4>I first saw this play a few nights ago.

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<v Speaker 1>You see, my.

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<v Speaker 4>Story concerns the stilen ruby good.

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<v Speaker 1>Lord to Night's Plain of all round the same thing exactly.

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<v Speaker 4>I might as well tell you how it all started.

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<v Speaker 4>My brother is an officer in the British Army stationed

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<v Speaker 4>in Egypt. Earlier this year he saved the life of

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<v Speaker 4>a very important native personage and some uprising in Cairo,

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<v Speaker 4>and was rewarded with a magnificent ruby. This jewel he

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<v Speaker 4>sent to my uncle Timothy and me. Or where the

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<v Speaker 4>last did the henschages?

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<v Speaker 1>See? Did you rather tell you the name of this personage?

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<v Speaker 1>He did? Roar it, mister Holmes. Apparently the whole affair

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<v Speaker 1>was hushed up, I see, Please continue.

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<v Speaker 4>The trouble began shortly after Uncle Timothy and I received

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<v Speaker 4>the ruby. A description of it was published in the papers,

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<v Speaker 4>and a few days later a message came to us

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<v Speaker 4>from the Egyptian Mohammad Ali, laying claimed to the stone

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<v Speaker 4>as one stolen from his family years ago. He sent

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<v Speaker 4>an expert to our house who examined the ruby under.

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<v Speaker 1>A lens, mister Holmes, and then kept it with a hammer.

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<v Speaker 1>It fell to pieces twas a fraud, gracious, way amazing thing.

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<v Speaker 1>I'm sure that's not the end of the store, Miss Henshaw, Ohly,

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<v Speaker 1>mister Holmes, I wrote and told my brother what had happened.

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<v Speaker 4>He became very suspicious and suggested that I investigate the

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<v Speaker 4>credentials of the expert that examined the stone.

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<v Speaker 1>I think I can finish the story for you. The

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<v Speaker 1>supposed expert was a duelty who substituted a paste ruby

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<v Speaker 1>for the real one, destroyed the imitation. I walked off

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<v Speaker 1>for the treasure. It's no trick, of course. You haven't

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<v Speaker 1>been able to find any trace of the supposed expert. Well,

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<v Speaker 1>that's the funny part of mister Holmes.

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<v Speaker 4>Uncle Timothy and I gave a description to the police,

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<v Speaker 4>but it was a very vague one, I'm afraid. All

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<v Speaker 4>the time, Uncle, the man reminded him of a colleague

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<v Speaker 4>of his many years ago at the university, a professor

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<v Speaker 4>of mathematics.

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<v Speaker 1>He couldn't think of his name.

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<v Speaker 4>But when we first saw the play a few nights ago,

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<v Speaker 4>it was reminded of it.

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<v Speaker 1>The name was Mariarti, Mariatti, But Mariarti's dead, as mans,

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<v Speaker 1>why you say you were? I can shadow it for

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<v Speaker 1>some weeks. Yes, an Egyptian. You're still in the room.

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<v Speaker 1>And mister Holmes, why don't they leave me alone that

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<v Speaker 1>miss Henshaw represents her. That's a very fascinating problem and

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<v Speaker 1>one that I shall be most happy to help you solve.

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<v Speaker 1>You so much the likes again the last act, Yes,

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<v Speaker 1>the last act of this little play, but not I

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<v Speaker 1>fear of miss Henshaw's problems. Let's meet after the act

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<v Speaker 1>in the class dressing room, Charley, Well, Holmes, how did

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<v Speaker 1>you enjoy the play? Very much? To claud May, I

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<v Speaker 1>introduce my old friend, doctor Watson. How do you do

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<v Speaker 1>as a car high doctor? I see you've already made

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<v Speaker 1>the acquenders of miss sne Or. She no doubt has

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<v Speaker 1>totally her trouble then, and mister Holmes is promised to

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<v Speaker 1>help me splending. Tell me what's all? How did you like?

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<v Speaker 1>The Play's interesting? The claude not quite accurate? Of course?

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<v Speaker 1>Who tells you? You have to allow us a little

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<v Speaker 1>dramatic license. You know, what did you think of Rodney?

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<v Speaker 1>The man who was praying you? Doc Oh, since you

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<v Speaker 1>mentioned it, I think the fellow needs to study addictionary.

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<v Speaker 1>Mumble so much, sir, I come, no, fellow, I think

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<v Speaker 1>there are times when you're ill, go hard to understand yourself.

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<v Speaker 1>Oh rubbish, So Claude, I hope you'll meet us the

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<v Speaker 1>Diogenes Club and then we can go out and have

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<v Speaker 1>some supper. Excellent idea. I'll tell you there after I've

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<v Speaker 1>taken off my mates. Splendid. I think I should be

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<v Speaker 1>going home now to CLAWDS.

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<v Speaker 4>I gave my address to mister Holmes, so he knows

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<v Speaker 4>where to get.

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<v Speaker 1>In touch with the Wells. Don't worry. I shall give

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<v Speaker 1>your problem my undivided attention. I'll take you to your cab,

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<v Speaker 1>my deear. There's no need to say non. Some science

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<v Speaker 1>sists to hatch on a good night. Goodnight, strange business

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<v Speaker 1>homes would will you make a bit of very little

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<v Speaker 1>as yet, but it's a fascinating problem.

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<v Speaker 2>Corre really seems to her have identified himself with the

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<v Speaker 2>character of Sherlock Holmes.

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<v Speaker 1>He gave me the impression that he feels quite capable

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<v Speaker 1>of solving the case by himself. Hello, claud hasn't left.

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<v Speaker 1>He's coming back in a moment, and you like to

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<v Speaker 1>play gentlemen very much. Your own performances, Mayati was most convincing. Congratulations, congratulations.

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<v Speaker 1>A couple of times there I had a strange feeling,

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<v Speaker 1>which you really Well, that's very flattering. Doctor. Oh hello,

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<v Speaker 1>all the sounds of there's some trouble at stage door?

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<v Speaker 1>He excuse me? On what Let's follow him? Right? Hell,

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<v Speaker 1>that's the Clawn. He seems upset about something. Yes, what

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<v Speaker 1>happens Clawn, Oh Holmes, I just seen mis Hanshoff in

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<v Speaker 1>her cap when her fam looking fellow him door way

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<v Speaker 1>and got into another. I heard him, felt that I

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<v Speaker 1>got to follow her. I tried to stop him, but

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<v Speaker 1>he got away. It must be the same man that

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<v Speaker 1>we saw in a box during the player as a cloud,

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<v Speaker 1>and we have an address. I think we'll drive that

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<v Speaker 1>once and see that she's arrived safely. We'll join you

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<v Speaker 1>later at the Diogenies Club. Well homes here we go

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<v Speaker 1>off on another adventure, yes, and one they may give

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<v Speaker 1>us an opportunity of crossing tords with my auntie once more.

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<v Speaker 2>Oh, Mariarch is dead. He was killed when you and

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<v Speaker 2>he fell over the precipice in ninety one.

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<v Speaker 1>He was supposed to have been killed just as I was,

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<v Speaker 1>but his body was never found. It's impossible, or rather possible,

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<v Speaker 1>that he returned to pour into the ears of Colonel

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<v Speaker 1>Morana's story as unlikely and as true, but the one

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<v Speaker 1>I related to you on that April evening in eighteen

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<v Speaker 1>ninety four, one can be sure of death, old chap

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<v Speaker 1>until one has touched the cold skin out a corpse.

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<v Speaker 1>Doctor Watson's story will continue in just a few seconds,

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<v Speaker 1>hardly time for me to tell you about a really

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<v Speaker 1>great petree wine, Petrie California muscatel. Did you ever walk

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<v Speaker 1>through a vineyard early in the morning and pick a big,

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<v Speaker 1>juicy muscat grape right off the vine?

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<v Speaker 2>M M.

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<v Speaker 1>If you've ever done that, then you know what to

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<v Speaker 1>expect when you taste petree muscatel. Petree muscatel is the

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<v Speaker 1>color of golden sunshine, with a flavor to match, Sir,

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<v Speaker 1>Petrie musketel after dinner some evening, or turve it anytime

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<v Speaker 1>friends drop in. It's a wonderful way to express your

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<v Speaker 1>hospitality with a wonderful wine, a pet tree wine. And

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<v Speaker 1>now back to tonight's new Sherlock Holm's adventure. The famous

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<v Speaker 1>pair have become involved in a strange mystery concerning a

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<v Speaker 1>story Ruby, a frightened girl, and an Egyptian who appears

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<v Speaker 1>to be shadowing her. As we rejoined our story, Sherlock

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<v Speaker 1>Holmes and doctor Watson are standing in a darkened alleyway

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<v Speaker 1>adjoining the girl's home. Homes Look, look, look an Egyptian fellow.

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<v Speaker 1>He's pacing up and down in front of the house. Yes,

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<v Speaker 1>therefore we may assume she's staying inside. Uh huh, thanks

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<v Speaker 1>for giving up. He's coming this way, exacting meself against

294
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<v Speaker 1>the wall. Please, sir, believe me. Who are you? Please?

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<v Speaker 1>We are friends of miss Henshaw, and we're very curious

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<v Speaker 1>to know why you've been following her. I am sorry

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<v Speaker 1>that I cannot answer your question. Set. Look here, my man,

298
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<v Speaker 1>you're talking to Sherlock Home. You are mister Sherlock Holmes.

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<v Speaker 1>I'm greatly honored to meet your set all my life.

300
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<v Speaker 1>I have known of you all my life. I have

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00:16:45.000 --> 00:16:47.000
<v Speaker 1>admired you. Then, in that case, that's you will answer

302
00:16:47.039 --> 00:16:50.600
<v Speaker 1>my questions why have you been following miss Henshaw? Because

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00:16:50.639 --> 00:16:54.000
<v Speaker 1>it is my duty for you in your duty, perhaps.

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<v Speaker 5>I should have said my destiny with Holmes for two

305
00:16:56.720 --> 00:16:59.639
<v Speaker 5>generations now, the family of a Rabbi, of which I

306
00:16:59.720 --> 00:17:02.960
<v Speaker 5>am remember, I have dedicated their lives to finding the

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00:17:03.039 --> 00:17:04.319
<v Speaker 5>stolen treasure.

308
00:17:03.960 --> 00:17:07.680
<v Speaker 1>Of Ashun's what I gotta do with Miss Henshaw. The

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00:17:07.799 --> 00:17:08.599
<v Speaker 1>treasure of Ashu.

310
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<v Speaker 5>It is a giant ruby. It was stolen many years

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00:17:11.200 --> 00:17:14.079
<v Speaker 5>ago from the family of Muhammad Ali. A few months ago,

312
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<v Speaker 5>Miss Hanshaw received a mysterious ruvie. I have found out

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00:17:18.400 --> 00:17:21.680
<v Speaker 5>many things, mister Holmes. I have many sources of information,

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<v Speaker 5>and I.

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<v Speaker 1>Must regard you in the light of a rival detective.

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<v Speaker 5>In this case, I happily call myself the detective, mister Holmes.

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<v Speaker 1>My life is.

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<v Speaker 5>Dedicated to only one problem. Miss Hanshaw now says the

319
00:17:32.640 --> 00:17:33.759
<v Speaker 5>jewel was stolen from her.

320
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<v Speaker 1>I do not believe it. That is why I watch her.

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<v Speaker 5>If I am wrong this time, and I do not

322
00:17:39.839 --> 00:17:43.920
<v Speaker 5>think I am wrong, then my quest must go on always.

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<v Speaker 1>It would go on. Permit me to wish you the best,

324
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<v Speaker 1>But sir, thank you, mister Holmes. Good night, gentlemen, meet again.

325
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<v Speaker 1>Oh why did you let him go? Why not? He's

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<v Speaker 1>frightening Miss Henshaw, but not molesting her old chap. In fact,

327
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<v Speaker 1>it might be a good thing if someone is keeping

328
00:17:59.319 --> 00:18:02.000
<v Speaker 1>an eye on her. Meanwhile, Watson, let's see if we

329
00:18:02.039 --> 00:18:04.200
<v Speaker 1>can find a cab and get back to the diaponies. Bubye,

330
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<v Speaker 1>I don't want to keep the cloud waiting. I thought

331
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<v Speaker 1>I have the clad Hawking arrived yet, Yes, mister Holmes

332
00:18:16.519 --> 00:18:18.759
<v Speaker 1>here and another gentleman came in about five minutes ago.

333
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<v Speaker 1>They went up to the library. The other gentleman is

334
00:18:21.319 --> 00:18:30.400
<v Speaker 1>just like, I see, thank you this way, Watson. I'm sorry,

335
00:18:30.480 --> 00:18:32.279
<v Speaker 1>sir Cord. We kept you waiting. We took a little long.

336
00:18:32.359 --> 00:18:36.160
<v Speaker 1>But it's a Cord, great heaven. What's the matter with him?

337
00:18:36.480 --> 00:18:44.519
<v Speaker 1>Of course I found the answer too late. It's it's

338
00:18:45.000 --> 00:18:47.799
<v Speaker 1>as they're trying to send up your ill. What are

339
00:18:47.799 --> 00:18:52.759
<v Speaker 1>you trying to tell me? The Ruby? The Ruby Marioty

340
00:18:54.240 --> 00:19:03.000
<v Speaker 1>The answer the answers, m h. The book. The book

341
00:19:03.359 --> 00:19:11.680
<v Speaker 1>was the clud Holmes. He's been stabbed. He's dead, just

342
00:19:11.759 --> 00:19:13.160
<v Speaker 1>as he was trying to give me a message. He

343
00:19:13.240 --> 00:19:16.319
<v Speaker 1>is muttering something about the Ruby and Mariarty, and twice

344
00:19:16.359 --> 00:19:19.119
<v Speaker 1>he said it's in the book. Yes, there's a book

345
00:19:19.160 --> 00:19:24.319
<v Speaker 1>still in his hand. It's coffee. It tells of Edgar

346
00:19:24.440 --> 00:19:28.400
<v Speaker 1>Allan Pearls Dams marking page, the story of the Pearline Letter.

347
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<v Speaker 1>Thank you, sup Claude, you delivered your message. Come on, Watson,

348
00:19:32.440 --> 00:19:33.920
<v Speaker 1>we want to catch a murder and a thief. We

349
00:19:34.000 --> 00:19:35.640
<v Speaker 1>must go back to the Savoy tell as quickly as

350
00:19:35.680 --> 00:19:49.240
<v Speaker 1>we can. Why do you suppose the Claude was murdered

351
00:19:49.240 --> 00:19:52.319
<v Speaker 1>because it was too curious in investigating the problem of

352
00:19:52.359 --> 00:19:55.640
<v Speaker 1>the stolen ruby and found out something something he promised

353
00:19:55.680 --> 00:19:57.720
<v Speaker 1>to tell me at supper, I remember, and so he

354
00:19:57.839 --> 00:19:59.160
<v Speaker 1>was killed by a man who came with him to

355
00:19:59.160 --> 00:20:02.599
<v Speaker 1>the club tonight. Fortunately he gave me a clue by

356
00:20:02.720 --> 00:20:06.359
<v Speaker 1>indicating pos story of a purloined letter, and I still

357
00:20:06.440 --> 00:20:08.319
<v Speaker 1>don't see it at high That helps you when it

358
00:20:08.400 --> 00:20:10.960
<v Speaker 1>leads us to the ruby. The premise of post Toilen

359
00:20:11.200 --> 00:20:13.480
<v Speaker 1>is that the most obvious hiding place is the safest.

360
00:20:14.279 --> 00:20:17.359
<v Speaker 1>Now what a physical object was most prominent on the

361
00:20:17.400 --> 00:20:21.799
<v Speaker 1>stage in tonight's play by jove a Roof. Exactly how

362
00:20:21.920 --> 00:20:24.279
<v Speaker 1>better can you hide a stolen ruby than by exhibiting

363
00:20:24.359 --> 00:20:27.319
<v Speaker 1>it night after night as a stolen ruby before the

364
00:20:27.359 --> 00:20:30.079
<v Speaker 1>eyes of thousands. You mean you expect to find it

365
00:20:30.079 --> 00:20:34.480
<v Speaker 1>in the property room backstaycidly that and a murderer quite

366
00:20:34.480 --> 00:20:38.920
<v Speaker 1>pasta Come on watch them. You have heard about the

367
00:20:38.920 --> 00:20:40.839
<v Speaker 1>old chap ye yes I do. I'll keep it handy

368
00:20:42.000 --> 00:20:45.759
<v Speaker 1>visit may not be unexpected and a lot. That's good.

369
00:20:46.039 --> 00:20:51.039
<v Speaker 1>Come on look her. Look the door keeper he stumped

370
00:20:51.079 --> 00:20:55.480
<v Speaker 1>over his desk. Hmm, he's been get control upon. Will

371
00:20:55.519 --> 00:20:57.079
<v Speaker 1>take the liberty of following his lantern.

372
00:21:00.680 --> 00:21:05.119
<v Speaker 2>Hummer the atmosphere about a dark and empty theater.

373
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<v Speaker 1>Now where that the stage properties be kept? I wonder

374
00:21:10.480 --> 00:21:14.400
<v Speaker 1>hold the lantern at high with over the that's itid Wow,

375
00:21:14.640 --> 00:21:21.119
<v Speaker 1>Look over there a large cabin. It's marked popular department

376
00:21:22.000 --> 00:21:29.160
<v Speaker 1>and it's unlocked. Oh, this is frighteningly easy. Let's look

377
00:21:29.200 --> 00:21:32.799
<v Speaker 1>out for track. Now let's see. Look. Look that's a

378
00:21:32.920 --> 00:21:37.160
<v Speaker 1>ruby lying on that prece Hold it up on the lanton,

379
00:21:37.200 --> 00:21:41.480
<v Speaker 1>Watson exactly. It's as I thought. This is no paste

380
00:21:41.640 --> 00:21:45.839
<v Speaker 1>stage property. It's a genuine ruby. The light of this lantern,

381
00:21:45.920 --> 00:21:48.880
<v Speaker 1>it's very hard time on some quick, you're gonna go

382
00:21:49.039 --> 00:21:51.119
<v Speaker 1>us smash the lanton. Yes, he's got an air right,

383
00:21:51.200 --> 00:21:54.000
<v Speaker 1>or a poper one to compact. There's no flash to

384
00:21:54.079 --> 00:21:56.759
<v Speaker 1>indicate where he's firing from. Of course, he's baited his

385
00:21:56.880 --> 00:21:59.599
<v Speaker 1>traps so neatly that he knows exactly where we are.

386
00:22:00.119 --> 00:22:01.759
<v Speaker 1>A shot at him. I can't see anything but at

387
00:22:01.799 --> 00:22:04.880
<v Speaker 1>least that'll let him know we're armed. Now move your

388
00:22:04.920 --> 00:22:08.079
<v Speaker 1>position quickly watching. Just miss me, Holmes. This is this

389
00:22:08.160 --> 00:22:11.759
<v Speaker 1>hopeless shooting in the dark. Yes, and I've got to

390
00:22:11.799 --> 00:22:14.440
<v Speaker 1>switch the stage lights on keep him off. The head

391
00:22:14.559 --> 00:22:17.079
<v Speaker 1>fell over you. But I try to find the light switches.

392
00:22:18.559 --> 00:22:22.839
<v Speaker 1>I've got him, but he still still shoot and found it. Yes,

393
00:22:22.920 --> 00:22:25.240
<v Speaker 1>when I come to light switch, keep your eye skin watching.

394
00:22:25.599 --> 00:22:29.119
<v Speaker 1>I'm turning it off. There he is, Homes, I'm in

395
00:22:29.200 --> 00:22:32.119
<v Speaker 1>the parking away after button. You can jump over the

396
00:22:32.160 --> 00:22:39.720
<v Speaker 1>for tights into the box. Ah, I played the purpose

397
00:22:39.799 --> 00:22:43.039
<v Speaker 1>plum button. I should have remembered the theater exit doors

398
00:22:43.079 --> 00:22:45.359
<v Speaker 1>always open from the inside. No, he didn't get away.

399
00:22:45.400 --> 00:22:48.519
<v Speaker 1>Homes fork on the floor. It's that Egyptian fellow. I

400
00:22:48.599 --> 00:22:50.440
<v Speaker 1>hope you haven't wounded in too badly. I don't care

401
00:22:50.440 --> 00:22:51.799
<v Speaker 1>if I have. He was trying to kill us.

402
00:22:53.200 --> 00:22:58.119
<v Speaker 2>It's when he shoulder wound. He's fainted, infernal scoundrel.

403
00:22:58.160 --> 00:23:00.440
<v Speaker 1>Now he's a very gallant man. Undoubtedly he was trying

404
00:23:00.480 --> 00:23:03.079
<v Speaker 1>to save us as you shot him. Just now, hearth

405
00:23:03.160 --> 00:23:07.640
<v Speaker 1>you talking about Mariarte What Mariartti Justice kicked through the

406
00:23:07.720 --> 00:23:10.039
<v Speaker 1>door you heard clang a few moments ago and what's

407
00:23:10.079 --> 00:23:13.400
<v Speaker 1>this man doing here? As apode detective? Undoubtedly he followed us,

408
00:23:13.519 --> 00:23:16.599
<v Speaker 1>perhaps he preceded us when Mariatti started shooting. This man

409
00:23:16.640 --> 00:23:18.799
<v Speaker 1>tried to capture him and got wounded by you for fames?

410
00:23:19.079 --> 00:23:21.559
<v Speaker 1>Then who is Mariati? He must be someone connected with

411
00:23:21.640 --> 00:23:27.279
<v Speaker 1>his servant. It's obvious Mariatti is Moriatti? What you mean?

412
00:23:27.319 --> 00:23:29.440
<v Speaker 1>Frank Pharows the fellow that played the part on stage?

413
00:23:29.960 --> 00:23:33.119
<v Speaker 1>Again remember Poe's tory of a purloined letter? But why

414
00:23:33.279 --> 00:23:36.440
<v Speaker 1>didn't didn't you recognize him? Remember I hadn't seen him

415
00:23:36.440 --> 00:23:40.079
<v Speaker 1>for twenty years, and you haven't forgotten his genius? But disguise?

416
00:23:40.119 --> 00:23:44.039
<v Speaker 1>Have you? What incredible? Aujuster? How bad could Mariatti conceal

417
00:23:44.160 --> 00:23:47.400
<v Speaker 1>himself than by announcing lightly to the theater going public

418
00:23:47.839 --> 00:23:50.880
<v Speaker 1>that he was Professor Marianna and he kills the claude

419
00:23:50.880 --> 00:23:54.160
<v Speaker 1>Because he did, the world must have persuaded Mariatti to

420
00:23:54.240 --> 00:23:56.920
<v Speaker 1>go to the club with him. Probably he hoped to

421
00:23:57.000 --> 00:23:59.319
<v Speaker 1>expose him in front of me, but Mariarte found out

422
00:23:59.359 --> 00:24:03.799
<v Speaker 1>that taught you too much? Yes, so he stepped in,

423
00:24:04.880 --> 00:24:08.319
<v Speaker 1>rushed back here debate's trap for us? Yes, yes, yes, yes,

424
00:24:08.440 --> 00:24:12.799
<v Speaker 1>but how did he know that we'd we'd walk into it. Well,

425
00:24:12.960 --> 00:24:14.880
<v Speaker 1>he knew that it's a car that gets his secret.

426
00:24:14.920 --> 00:24:19.240
<v Speaker 1>And I set forward, and so he was waiting for us. Oh, hello,

427
00:24:20.319 --> 00:24:24.559
<v Speaker 1>it's coming through. How are you feeling, ma, man? The

428
00:24:25.440 --> 00:24:30.480
<v Speaker 1>the rupie, the ruby? Did you find the rupee? Yes,

429
00:24:31.000 --> 00:24:33.759
<v Speaker 1>here is sir? Tell me, is it the rupie of

430
00:24:34.079 --> 00:24:36.359
<v Speaker 1>Muhammad Ali? No?

431
00:24:37.559 --> 00:24:41.599
<v Speaker 6>No, there's a fine storm, but it is not the

432
00:24:41.680 --> 00:24:45.880
<v Speaker 6>one for which I have searched aout my life so

433
00:24:46.119 --> 00:24:49.160
<v Speaker 6>much endless Christ must go on.

434
00:24:54.119 --> 00:24:58.519
<v Speaker 1>He sat it again, and mess I made it this

435
00:24:58.599 --> 00:25:01.079
<v Speaker 1>case once somewhere. I don't know you. He covered the rumor. Yes,

436
00:25:01.200 --> 00:25:03.200
<v Speaker 1>looked at old Fellow before I turned it over to

437
00:25:03.240 --> 00:25:07.400
<v Speaker 1>Miss Hanshaw. Look at it. Well, probably it's every facet

438
00:25:07.559 --> 00:25:11.960
<v Speaker 1>stands for a bloody deed. It's a beautiful sound. Yet

439
00:25:12.039 --> 00:25:15.720
<v Speaker 1>this lovely bable costs to Claude's wife, and that devil

440
00:25:15.839 --> 00:25:20.519
<v Speaker 1>Mariotti still goes free. One day, Watson, And may the

441
00:25:20.599 --> 00:25:24.680
<v Speaker 1>day comes soon I shall meet Mariatti again. And when

442
00:25:24.759 --> 00:25:27.319
<v Speaker 1>that happens and I finally bring him to justice, then

443
00:25:27.440 --> 00:25:30.759
<v Speaker 1>and only then can you write Finney to the character

444
00:25:30.839 --> 00:25:44.759
<v Speaker 1>of Sela Holm's well doctor. That was kind of an

445
00:25:44.799 --> 00:25:47.559
<v Speaker 1>exciting story. Tell me. Did the Egyptian recover from his

446
00:25:47.640 --> 00:25:48.400
<v Speaker 1>bullock war years?

447
00:25:48.480 --> 00:25:51.119
<v Speaker 2>Indeed you did, and rather quickly too, mister Foreman, I

448
00:25:51.240 --> 00:25:53.200
<v Speaker 2>felt a bad day about shooting him, but.

449
00:25:53.240 --> 00:25:56.319
<v Speaker 1>Of course I couldn't holp it of course now. But

450
00:25:56.480 --> 00:25:59.960
<v Speaker 1>you know, if I had to shoot summer accident, I would.

451
00:26:00.160 --> 00:26:03.559
<v Speaker 2>You should been the actor who portrayed me on the stage,

452
00:26:04.240 --> 00:26:06.880
<v Speaker 2>wretched fellow mumble over plate.

453
00:26:07.400 --> 00:26:10.440
<v Speaker 1>Oh, don't worry about that. After all, you did recover

454
00:26:10.519 --> 00:26:12.960
<v Speaker 1>the ruby, Yes, in a beautiful stone.

455
00:26:13.000 --> 00:26:18.119
<v Speaker 2>It was the color of well, the color of fine

456
00:26:18.160 --> 00:26:20.759
<v Speaker 2>glass of port, and the light shine through it.

457
00:26:20.880 --> 00:26:23.279
<v Speaker 1>By a fine port. I take it you talking about

458
00:26:23.279 --> 00:26:27.160
<v Speaker 1>a pet report? Is there any other kind? For all?

459
00:26:27.240 --> 00:26:30.720
<v Speaker 1>Getting his? Did? Doctor? Pet report? Like all Petre wines,

460
00:26:30.799 --> 00:26:33.160
<v Speaker 1>is good wine. And I can tell you why very

461
00:26:33.200 --> 00:26:37.400
<v Speaker 1>simply Petrie took time to bring you good wine. You see,

462
00:26:37.400 --> 00:26:39.599
<v Speaker 1>the Petrie family has been making wine for a good

463
00:26:39.680 --> 00:26:43.240
<v Speaker 1>many generations, since way back in the eighteen hundreds. Because

464
00:26:43.279 --> 00:26:46.680
<v Speaker 1>the Petrie business has always been family owned. Everything the

465
00:26:46.759 --> 00:26:49.559
<v Speaker 1>family has ever learned about the art of making wine,

466
00:26:49.920 --> 00:26:52.920
<v Speaker 1>they'd been able to hand down from father to son,

467
00:26:53.400 --> 00:26:56.319
<v Speaker 1>from father to son. That adds up to a lot

468
00:26:56.359 --> 00:26:58.559
<v Speaker 1>of skill and a lot of experience when it comes

469
00:26:58.599 --> 00:27:04.000
<v Speaker 1>to turning plump filled California grapes into clear, fragrant, delicious wine.

470
00:27:04.559 --> 00:27:07.240
<v Speaker 1>So when you want a wine for any occasion, obviously

471
00:27:07.400 --> 00:27:10.720
<v Speaker 1>you can't go wrong with a Petree wine because Petree

472
00:27:10.799 --> 00:27:14.680
<v Speaker 1>took time to bring you good wine. And now, doctor Watson,

473
00:27:14.839 --> 00:27:16.759
<v Speaker 1>what story do you have lined up for us next week?

474
00:27:17.119 --> 00:27:18.920
<v Speaker 1>I'll ever see next week, mister Foreman.

475
00:27:18.960 --> 00:27:21.079
<v Speaker 2>I am going to tell you a most unusual adventure

476
00:27:21.440 --> 00:27:22.759
<v Speaker 2>that occurred to Sherlock.

477
00:27:22.440 --> 00:27:25.119
<v Speaker 1>Holmes and me early in the Last World War.

478
00:27:25.680 --> 00:27:29.599
<v Speaker 2>It took place in Flanders and concerned a famous British general,

479
00:27:30.680 --> 00:27:33.960
<v Speaker 2>an actress, and a German firing squad.

480
00:27:34.440 --> 00:27:36.880
<v Speaker 1>And that sounds like a real thriller. Well, i'll see

481
00:27:36.920 --> 00:27:40.119
<v Speaker 1>you here next week. No, no, no, not here, mister Foreman. Remember,

482
00:27:40.480 --> 00:27:42.839
<v Speaker 1>Or of course, next week we're going to be at

483
00:27:42.839 --> 00:27:45.839
<v Speaker 1>the Paramount Theater in Hollywood for the seven four Long Drive.

484
00:27:45.960 --> 00:27:48.319
<v Speaker 2>That's quite right, ladies and gentlemen. I can't invite you

485
00:27:48.440 --> 00:27:51.559
<v Speaker 2>all to my home for one of our broadcasts, but

486
00:27:51.720 --> 00:27:54.039
<v Speaker 2>we can get together next week at the Paramount Theater

487
00:27:54.119 --> 00:27:56.599
<v Speaker 2>in Hollywood. You can get a free ticket for our

488
00:27:56.680 --> 00:28:01.440
<v Speaker 2>broadcast by buying a war bond, and I still hope

489
00:28:01.440 --> 00:28:03.680
<v Speaker 2>that you will do this so that we can see

490
00:28:03.680 --> 00:28:04.559
<v Speaker 2>you next week.

491
00:28:05.240 --> 00:28:23.720
<v Speaker 1>At this time the night. Cherlock Holm's Adventure is written

492
00:28:23.759 --> 00:28:26.200
<v Speaker 1>by Dennis Green and Anthony Boucher and is based on

493
00:28:26.279 --> 00:28:28.720
<v Speaker 1>an incident in the Sir Arthur Coleman Doyle story The

494
00:28:28.839 --> 00:28:31.960
<v Speaker 1>Adventure of the Second Stain. Mister Rathbone appears to the

495
00:28:32.000 --> 00:28:34.480
<v Speaker 1>courtesy of Metro Golden Mayor and mister Bruce to the

496
00:28:34.519 --> 00:28:37.240
<v Speaker 1>courtesy of Universal Pictures, where they are now starring in

497
00:28:37.319 --> 00:28:50.000
<v Speaker 1>the Sherlock Holms series. The pet Tree Wine Company of

498
00:28:50.039 --> 00:28:53.319
<v Speaker 1>San Francisco, California invite you to tune in again next week's,

499
00:28:53.319 --> 00:28:58.559
<v Speaker 1>same time, same station. All the pet Tree family took

500
00:28:58.640 --> 00:29:01.599
<v Speaker 1>the time to bring you so good wine. So when

501
00:29:01.680 --> 00:29:04.920
<v Speaker 1>you eat and when you cook, remember pet Tree Wine

502
00:29:05.400 --> 00:29:19.079
<v Speaker 1>to make good food taste better. Remember Tree wh It's

503
00:29:19.240 --> 00:29:21.720
<v Speaker 1>been Bill Forman saying good night for the pet Tree Family.

504
00:29:21.799 --> 00:29:24.599
<v Speaker 1>Sherlock Holmes comes to you from our Hollywood Studios. This

505
00:29:25.079 --> 00:29:27.200
<v Speaker 1>is the mutual broadcasting System.
