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<v Speaker 1>Bulky it's episode twenty one. Oh we've done twenty one

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<v Speaker 1>of these.

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<v Speaker 2>Yeah, holy cow right, I know time flies when you

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<v Speaker 2>remember when we bet, when we used to memorize, like

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<v Speaker 2>we knew okay, the first one we did was a

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<v Speaker 2>final destination like you had, and like, I don't know,

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<v Speaker 2>at some point, I'm like, I can't remember. Oh, yeah,

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<v Speaker 2>that's long gone. That happened to me with Super Bowls. Honestly, like,

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<v Speaker 2>there was a time when I could have gone from

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<v Speaker 2>nineteen eighty seven, the year I was born, all the

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<v Speaker 2>way up until like twenty seventeen or twenty eighteen without

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<v Speaker 2>even thinking. It was basically like my alphabet. I was

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<v Speaker 2>like bam bam, bam, bam bam, last seven or eight

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<v Speaker 2>years now. And now I'm like, I know Kansas City

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<v Speaker 2>was in there a couple of times. Yeah, But like

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<v Speaker 2>it it's once you get long enough, man, it becomes hazy.

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<v Speaker 3>I I yeah, I used to have a memorized yeah,

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<v Speaker 3>and then I think right around when Brady's dominence started,

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<v Speaker 3>then I kind of lost track, Yeah, because I mean, like,

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<v Speaker 3>the human brain can only take so much and then

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<v Speaker 3>after a while you have to forget stuff to learn

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<v Speaker 3>new stuff.

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<v Speaker 2>You know that's what they just just that's how it works,

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<v Speaker 2>since what they tell me twenty one episodes in Bulk,

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<v Speaker 2>And I think I can finally say and I will say,

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<v Speaker 2>I'll have some nice things to say about this, okay,

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<v Speaker 2>And I think we finally found our first clunker of

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<v Speaker 2>the bunch.

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<v Speaker 1>Yeah.

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<v Speaker 3>I told I was taking my buddy Stirfry at work

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<v Speaker 3>today and I said, I think this is going to

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<v Speaker 3>get my lowest rating of now that I know that

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<v Speaker 3>this is the twenty first rating that we've given out,

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<v Speaker 3>this will.

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<v Speaker 1>Probably be my lowest. I think that.

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<v Speaker 3>And we're talking about the twenty twenty four film It's

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<v Speaker 3>What's Inside. Yes, this is directed and written by Greg Jardin,

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<v Speaker 3>who I should probably have done some research on this guy.

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<v Speaker 3>I don't know what he has done since then or before. Yeah,

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<v Speaker 3>we'll get to that though, I promise, Okay, all right.

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<v Speaker 1>And basically the film is featuring eight friends roughly yeah thereabouts, yeah.

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<v Speaker 3>And essentially one of these friends they all get together

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<v Speaker 3>ahead of one of their I head the night before

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<v Speaker 3>one of them is getting married. They're all college friends

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<v Speaker 3>or whatever, and they're all in like their mid to

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<v Speaker 3>late twenties. Now they get together and one of them

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<v Speaker 3>has this device that allows them to essentially their consciousness

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<v Speaker 3>switch bodies. So Friend A's conscious goes into friend Bee's body,

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<v Speaker 3>Friend's Be's consciousness goes into friends C's body, you know,

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<v Speaker 3>and their flip flop. And it starts off as a

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<v Speaker 3>game like, oh, let's guess who's who here, and then

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<v Speaker 3>there's the development the madness ensues when something crazy happens,

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<v Speaker 3>and then you know, we'll try not to explain away everything.

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<v Speaker 3>My biggest issue with this film.

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<v Speaker 1>I think I know what it is, but hit me

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<v Speaker 1>with it. It took me.

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<v Speaker 3>It took like forty five minutes roughly for anything to happen.

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<v Speaker 3>There was a ton of exposition, and I understand like

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<v Speaker 3>you probably needed some of that. I don't think you

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<v Speaker 3>needed all of it. There was a lot of just

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<v Speaker 3>kind of like I don't know if it was if

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<v Speaker 3>they're trying to set you up to get comfortable and

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<v Speaker 3>familiar and see what's going to happen, and then all

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<v Speaker 3>of a sudden things just kind of turn on its ear.

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<v Speaker 3>And because of the false sense of security that you

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<v Speaker 3>were into in the first forty five to fifty minutes

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<v Speaker 3>of the film is accentuated when this big event happens.

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<v Speaker 1>I don't know if that's what happened. It just took

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<v Speaker 1>so long. And I was.

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<v Speaker 3>Watching this in the first I was like fifteen minutes in.

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<v Speaker 3>And by the way, this is available on Netflix. Who

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<v Speaker 3>recommended this film to you?

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<v Speaker 1>Ben?

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<v Speaker 2>My brother and I were bouncing movies off of one another,

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<v Speaker 2>and we were both commenting on how lackluster this October

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<v Speaker 2>has been in terms, so this came with a grain

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<v Speaker 2>of salt. He said, I'm not saying this is the

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<v Speaker 2>best thing I've seen, However, in a lackluster season, this

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<v Speaker 2>is worth checking out.

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<v Speaker 1>He said.

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<v Speaker 2>It's a cool idea. Yes, that has its moments. And

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<v Speaker 2>I would argue, yes, it does, but there were a

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<v Speaker 2>lot of shortcomings, and you hit on the one that

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<v Speaker 2>stuck out to me.

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<v Speaker 1>But go ahead.

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<v Speaker 3>The final point I want to make before I turn

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<v Speaker 3>it back to you. One of the things he told

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<v Speaker 3>you that you told me For the first twenty minutes,

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<v Speaker 3>you'd be like, I, let you're gonna think I led

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<v Speaker 3>you down the wrong pathway. Yeah, like it's it's it's rough,

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<v Speaker 3>but just just be patient wait for it. And I

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<v Speaker 3>thought about that fifteen minutes in.

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<v Speaker 1>I'm like, God, me too, just too.

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<v Speaker 3>I would have turned it off honestly if we weren't

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<v Speaker 3>doing it just it held zero interest. But it's the

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<v Speaker 3>importance of like, you know, sticking around for the entire

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<v Speaker 3>vision of the director, the entire vision of the writer,

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<v Speaker 3>and we had to see what happens.

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<v Speaker 1>So I'll let you. I mean, you and I both

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<v Speaker 1>agreed too much exposition, too slow of a start. Yeah,

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<v Speaker 1>what else did you that's an understatement.

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<v Speaker 2>I believe I paused it because, like you and I

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<v Speaker 2>are anti spoiler, but to me, uh, driving forces of

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<v Speaker 2>a movie aren't necessarily a spoiler. Like what we did

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<v Speaker 2>Good Fortune, we were like the guy was hard on

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<v Speaker 2>his luck and he switched lives with a billionaire and

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<v Speaker 2>now you got to live as that and the billionaire

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<v Speaker 2>had to live as him.

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<v Speaker 1>It's kind of bizarre that we did those back to back.

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<v Speaker 2>Yeah, right, weird, But like the reason it feels like

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<v Speaker 2>a spoiler because I paused the movie and like I

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<v Speaker 2>almost I'm not even afraid to say it, because it's

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<v Speaker 2>in the description of the movie that it happens somebody

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<v Speaker 2>dies while they're switching bodies, and that happens an hour

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<v Speaker 2>and five minutes into an hour and forty five minute movie. Yeah,

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<v Speaker 2>and to be honest with you, Balky, it was slow

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<v Speaker 2>pacing leading up to that, and I think where this

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<v Speaker 2>movie struggled was then on the other side, this group

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<v Speaker 2>of lifelong friends turns on each other really quickly. Like

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<v Speaker 2>I was thinking about it.

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<v Speaker 3>Okay, you say they turned on you, Really they turn

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<v Speaker 3>on each other really quickly. Think about what's going on, yeah,

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<v Speaker 3>and then think about the finality of what they're facing here.

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<v Speaker 3>I mean I might turn on people pretty quickly then too. YEA, sure,

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<v Speaker 3>you know, because I think that there's were these were

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<v Speaker 3>serious high stakes, Yeah, are going on.

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<v Speaker 1>It's it's very high stakes.

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<v Speaker 2>But I guess I was putting myself in that position

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<v Speaker 2>with my high school friends, the guys I've known since

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<v Speaker 2>kindergarten where I was six years old, and one of

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<v Speaker 2>us ends up biting it while we're in this position,

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<v Speaker 2>and how the rest of us would be handling it,

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<v Speaker 2>and immediately the dirt starts coming out on one another

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<v Speaker 2>and they all start backstabbing one another, and it gets

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<v Speaker 2>to some pretty high level stuff by the end of

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<v Speaker 2>the movie.

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<v Speaker 1>What they're doing.

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<v Speaker 3>I do think that there's a lot of selfishness exhibited

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<v Speaker 3>by these characters. But if you look at you know

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<v Speaker 3>who these people were. Instagram influencer, sure, trust fund baby,

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<v Speaker 3>a guy who who really in many ways abuses his girlfriend,

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<v Speaker 3>right yeah, emotionally, emotionally emotionally abuses are yeah, this is

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<v Speaker 3>these are not great people, right No. And so to me, like,

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<v Speaker 3>I get why they turned on each other because I

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<v Speaker 3>don't think they were very wholesome to begin with. Quite frankly,

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<v Speaker 3>the most wholesome person in this became sort of the

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<v Speaker 3>most cutthroat towards the end, which I thought was kind

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<v Speaker 3>of cool.

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<v Speaker 2>It was actually the best part of the whole movie

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<v Speaker 2>in my opinion, that that arc that that character went on.

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<v Speaker 2>They even she uses lines towards the end of the

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<v Speaker 2>movie that they kind of hint at towards the middle

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<v Speaker 2>of the movie that like, and it was just done

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<v Speaker 2>in a very well way. That was probably one of

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<v Speaker 2>the only things that I truly came out of that

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<v Speaker 2>is just mesmerized by. And I will say, and I realized,

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<v Speaker 2>this is going to make me sound like a plebeian

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<v Speaker 2>the kapleeb, like a commoner in terms of movies. But

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<v Speaker 2>I'm gonna have to say this out loud. This is

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<v Speaker 2>a thing that I've been thinking for over a decade.

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<v Speaker 2>At this point. I used to say, when Walking Dad

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<v Speaker 2>was in its prime, Yeah, I would say, how are

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<v Speaker 2>movie studios going to go back to making zombie movies?

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<v Speaker 2>Because now that I'm four years into this and I

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<v Speaker 2>have this emotional connection to all these characters, how do

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<v Speaker 2>you expect me to develop that kind of connection over

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<v Speaker 2>the course of ninety minutes and then have no follow

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<v Speaker 2>up after that?

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<v Speaker 1>Do you know what I mean?

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<v Speaker 2>And eventually, because the Marvel Cinematic Universe was kind of

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<v Speaker 2>in its in its prepubestent stage, Disney hadn't even bought

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<v Speaker 2>it yet, it became clear to me that shared universes

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<v Speaker 2>was going to be the answer to that. Like, there

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<v Speaker 2>is a reason to see this because it is part

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<v Speaker 2>of a bigger thing, and it is worth coming out

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<v Speaker 2>here to go and check out. They took an hour

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<v Speaker 2>setting up these characters that I found myself not caring

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<v Speaker 2>about any of them. Yeah, and it kind of was

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<v Speaker 2>all of my problems with the way cinema was headed

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<v Speaker 2>all rolled up into one movie. You had characters, the

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<v Speaker 2>acting was fine. I thought that there were a couple

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<v Speaker 2>of interesting character tropes that were in there, but like,

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<v Speaker 2>why do I care about these people? The interesting part

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<v Speaker 2>was the body switching, Like that was why I was here.

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<v Speaker 2>It felt like I was watching Clue. Towards the end,

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<v Speaker 2>it was awesome, Like I actually liked that part of it.

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<v Speaker 2>I would have liked forty more minutes of that kind

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<v Speaker 2>of stuff where people are bouncing back and forth and

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<v Speaker 2>you have no concept. They focused too much on the

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<v Speaker 2>interpersonal drama for a bunch of people that were never

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<v Speaker 2>gonna hear from again, and like that is kind of

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<v Speaker 2>where I struggle, And I realized there's gonna be movie

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<v Speaker 2>people that hate that I said that, but that That's

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<v Speaker 2>where I'm coming at this now.

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<v Speaker 1>The argument there is that in.

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<v Speaker 3>Order for us to truly appreciate, which I didn't because

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<v Speaker 3>I was overwhelmed by all the bodies switching, to appreciate

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<v Speaker 3>the something people, you have to know the people. You

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<v Speaker 3>have to know their their their language, the way they speak.

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<v Speaker 3>And and I will say this talk about the acting

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<v Speaker 3>was fine. I thought the acting was.

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<v Speaker 1>Really really good because these characters had these actors had

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<v Speaker 1>to play the same character as as other actors in

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<v Speaker 1>the movie, right, so you know some of these you know,

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<v Speaker 1>the these eight people, they all played a minimum of

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<v Speaker 1>of two different characters.

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<v Speaker 2>Because there were two rounds of the game. Yea more

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<v Speaker 2>people and then some of them pretend to be other people.

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<v Speaker 3>That was the other thing that, Yeah, that was the

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<v Speaker 3>twist at the end. I thought was pretty cool too.

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<v Speaker 3>The but you could see I think it was Forbes

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<v Speaker 3>when when he was being played by the actor playing

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<v Speaker 3>Forbes in this.

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<v Speaker 1>Movie, this is going to be so confused.

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<v Speaker 3>The actor playing Forbes in this movie was switched into

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<v Speaker 3>another character's body. No, yeah, well, okay, it's too confusing.

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<v Speaker 3>There's a scene where they're in like some sort of.

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<v Speaker 1>Greenhouse. It was a greenhouse, sure, Yeah.

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<v Speaker 3>And the acting by the character by by the fore

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<v Speaker 3>the actor playing Forbes, Yeah, okay, I thought was brilliant

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<v Speaker 3>of how he was playing this other character, because you know,

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<v Speaker 3>even though it was only like an hour, even though

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<v Speaker 3>it was only an hour, you kind of develop, like, okay,

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<v Speaker 3>the mannerisms and the way that they speak and talk

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<v Speaker 3>and move around.

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<v Speaker 1>I could see that. Yeah, And I started to see

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<v Speaker 1>it in other characters as well. Yeah.

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<v Speaker 3>Some then I started picking up on like, oh, okay,

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<v Speaker 3>you know, because you the audience is they're playing a

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<v Speaker 3>game to guess who's who, right, yes, and we're kind

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<v Speaker 3>of playing that as well, right, and so to be

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<v Speaker 3>tipped off. I don't want to say the exposition was needed,

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<v Speaker 3>like all that setup was needed, but it did help

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<v Speaker 3>in those moments.

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<v Speaker 1>It did.

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<v Speaker 2>I actually texted you while I was watching the movie,

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<v Speaker 2>and I, oh, you did.

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<v Speaker 1>Yeah.

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<v Speaker 2>It was just a text that just said, there's way

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<v Speaker 2>too many characters in this Yeah, there were too many characters.

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<v Speaker 2>Yees watching the way that it was all unfolding, and

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<v Speaker 2>I was paying attention, like I was into it and

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<v Speaker 2>had been recommended. And it's a Sundance Film Festival film,

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<v Speaker 2>which is not a guarantee of quality, but I do

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<v Speaker 2>give that a little bit of credence when I hear

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<v Speaker 2>that it comes from there, because I tend to like

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<v Speaker 2>that kind of stuff. You definitely get the most unique

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<v Speaker 2>ideas out of that. It's just i'll tell you, you

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<v Speaker 2>and I watch stuff that isn't necessarily four hour demographic,

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<v Speaker 2>like I'm willing to skew younger. I mean, comic book

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<v Speaker 2>movies are for fourteen year olds. It just so happens

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<v Speaker 2>that we enjoy them as well, and that's absolutely fine.

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<v Speaker 1>Oh they're for fourteen year olds.

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<v Speaker 2>Well, yeah, you know, for all, that's just it there

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<v Speaker 2>for anybody, her perpetual for team, and there we go. Yeah,

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<v Speaker 2>this time though, it was a little different. Like I

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<v Speaker 2>always say, there's a difference between watching Batman and watching

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<v Speaker 2>Spider Man. When I'm watching Spider Man, I'm like, I

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<v Speaker 2>feel a little older than the demographic for this movie, yep.

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<v Speaker 2>Whereas watching Batman, I'm like, no, this is for me,

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<v Speaker 2>even though it's a movie about a guy dressing up

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<v Speaker 2>as a bat punching people at night, right, Like, I'm like, no,

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<v Speaker 2>this is for me. This has an edge to it

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<v Speaker 2>that I'm okay with. This is one of those movies

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<v Speaker 2>and even dealt in problems and not to minimize it.

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<v Speaker 2>Like there's an idea about like poor an addiction in

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<v Speaker 2>this movie that wasn't Like I'm sure there's people in

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<v Speaker 2>my life that I'm unaware that are addicted to it,

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<v Speaker 2>but like it's not a thing that we grew up on,

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<v Speaker 2>Whereas if you graduated from high school two or three

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<v Speaker 2>years ago, I think this is a much more prevalent

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<v Speaker 2>idea in the circles that you run with.

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<v Speaker 3>There was a Sturfry was telling me he thought that

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<v Speaker 3>the whole first hour was just all, He's like, oh,

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<v Speaker 3>it's just gen Z a millennial talk. Yeah, you know, yes,

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<v Speaker 3>And I'm like, dude, dude, aren't you a millennial And

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<v Speaker 3>he's like yeah, And even I didn't enjoy it.

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<v Speaker 2>Because elder millennial is different. I was talking about that

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<v Speaker 2>outside the Box today. I was like, I spent half

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<v Speaker 2>my life without a cell phone. We had one computer

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<v Speaker 2>in the house. I didn't spend a lot of time

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<v Speaker 2>on the internet. Like, even though the internet was around

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<v Speaker 2>and video games were around, video games kind of sucked.

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<v Speaker 2>It was Nintendo and Sega.

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<v Speaker 3>I didn't, you know, I didn't have a phone. I mean,

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<v Speaker 3>we had a landline, we had one computer and no

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<v Speaker 3>video game system.

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<v Speaker 2>There you go exactly, So like there is even though

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<v Speaker 2>your millennials, like I felt old watching this revie, like

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<v Speaker 2>that's the best way that I not that that's a

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<v Speaker 2>bad thing, but I'm saying it was definitely in my

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<v Speaker 2>mind while I was watching this. A lot of their problems,

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<v Speaker 2>a lot of the back and forth and uh, I'll

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<v Speaker 2>but just on a personal level, I never have respect

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<v Speaker 2>for the plots, Like I'm very much as a man

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<v Speaker 2>who's been perpetually single as soon as it really like

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<v Speaker 2>I'm just like, oh, I don't need to deal with this.

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<v Speaker 2>And there was a lot of relationship trauma in this

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<v Speaker 2>movie that I'm like, Okay, then go see somebody else,

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<v Speaker 2>Like what are we talking about here? And I realized

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<v Speaker 2>not everyone's wired that way, but that those kind of

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<v Speaker 2>plots they feel younger, it feels a little more immature.

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<v Speaker 2>And that was kind of that was I was sitting

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<v Speaker 2>there watching. Honestly, I was thinking about you because I

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<v Speaker 2>feel like I am more immature than you are, and

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<v Speaker 2>I'm sitting there like, oh, if I feel this way,

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<v Speaker 2>I can't imagine what balk you know.

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<v Speaker 1>Like it did.

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<v Speaker 3>It did open up possibilities like when you're because there

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00:14:12.039 --> 00:14:15.039
<v Speaker 3>is a lot of I don't want to say sexual

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00:14:15.200 --> 00:14:18.480
<v Speaker 3>tension between some of these characters, but there was. I mean,

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00:14:18.559 --> 00:14:20.840
<v Speaker 3>these these were longtime friends, you know, friends that had

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<v Speaker 3>been ostensibly friends since college, right, and I'm assuming they're

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<v Speaker 3>right about to turn thirty rough, So so this is

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<v Speaker 3>like this is I think it was literally eight years

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00:14:31.480 --> 00:14:34.200
<v Speaker 3>after you know, they had they had you know last

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00:14:34.960 --> 00:14:36.960
<v Speaker 3>I don't say last seen each other, but last we're

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00:14:37.000 --> 00:14:40.080
<v Speaker 3>at college together. Sure, And so there was some you

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00:14:40.080 --> 00:14:45.000
<v Speaker 3>know potential, you know, failed hookups, you know where one

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<v Speaker 3>person wanted it the other person didn't. At the time,

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00:14:47.480 --> 00:14:50.639
<v Speaker 3>there was two people wanted it, but they couldn't make

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<v Speaker 3>it happen for whatever reason. And so then when you

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<v Speaker 3>can switch bodies all of a sudden, like, hey, are

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<v Speaker 3>we cheating? Are we not cheating because I'm in a

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00:14:59.120 --> 00:15:02.799
<v Speaker 3>different body. Yeah, and you're in a different body, and

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<v Speaker 3>and uh, you know, so I think that opens up,

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<v Speaker 3>you know, questions from a lot of audience members, like

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<v Speaker 3>what would you do in that scenario?

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<v Speaker 1>You know, which I just ride it out. Personally, I

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<v Speaker 1>wouldn't have played.

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<v Speaker 2>Well, yeah, okay, let's get I definitely wouldn't have played

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<v Speaker 2>a second time.

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<v Speaker 3>Well, I wouldn't have played a first time, No way,

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<v Speaker 3>no way in hell. This weird guy and the setup

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00:15:29.679 --> 00:15:32.039
<v Speaker 3>for Forbes, yeah, you know, and like sort of like

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<v Speaker 3>and he's the creepiest looking guy too.

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<v Speaker 2>I was gonna say it was distracting, actually how funny

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<v Speaker 2>looking he was and we are bulky and I were

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00:15:38.600 --> 00:15:41.000
<v Speaker 2>not saying we're attractive people. I'm just saying he was

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00:15:41.399 --> 00:15:42.279
<v Speaker 2>so off putting.

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<v Speaker 3>He was cast for a reason, yeah, I mean, clearly,

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00:15:46.720 --> 00:15:50.879
<v Speaker 3>but but but it opens up all these questions, what

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<v Speaker 3>would you do in that scenario, you wouldn't have played

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<v Speaker 3>the second time.

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<v Speaker 1>I wouldn't have messed around with it the first time.

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<v Speaker 1>I even think peer pressure.

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<v Speaker 3>I mean, granted, I'm forty five now, so peer pressure

348
00:16:00.399 --> 00:16:02.000
<v Speaker 3>does not have the same effect on me and it

349
00:16:02.799 --> 00:16:05.000
<v Speaker 3>was in my twenties, but I would have been like, Yeah,

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<v Speaker 3>what are we doing here, We're messing around, We're playing

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<v Speaker 3>with fire, which playing with fire is usually make some

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<v Speaker 3>pretty good films. And you knew that bad things were

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<v Speaker 3>gonna happen. And honestly I mentioned this to you. I

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00:16:18.279 --> 00:16:20.559
<v Speaker 3>can't remember with maybe I mentioned it to you last week.

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<v Speaker 3>A lot of this reminded me of the film, and

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<v Speaker 3>maybe more so than than Good Fortune, the film Very Bad.

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<v Speaker 1>Things, which I think I mentioned to you.

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<v Speaker 3>Christian Slater, Yeah, Stern, yeh.

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<v Speaker 1>Favreau.

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00:16:33.080 --> 00:16:35.919
<v Speaker 3>John Favreau is in that as well, where you know

361
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<v Speaker 3>you're just having a good time, you're playing around, but

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<v Speaker 3>when you play around with something serious, it has it

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00:16:42.440 --> 00:16:46.679
<v Speaker 3>could have significant consequences. And all these people's lives I think,

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00:16:46.720 --> 00:16:50.799
<v Speaker 3>I'm I don't think I'm being hyperbolic here. I think

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<v Speaker 3>all these people's lives were changed.

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<v Speaker 2>Oh after after this game, Yeah, and I found myself

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<v Speaker 2>thinking because of course it's a horror movie.

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<v Speaker 1>Inevitably, cops, I was gonna ask you, would you classify

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<v Speaker 1>this as horror? Yeah, there wasn't. There wasn't any gore hardly. Yeah,

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<v Speaker 1>there's a little bit one one little bit one part

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<v Speaker 1>and it wasn't even really gory. I yeah, I don't

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<v Speaker 1>know how.

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<v Speaker 2>I I liked how they would do, like they would

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<v Speaker 2>turn it into a red room and show you who's

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<v Speaker 2>inside the person that echo features too.

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00:17:18.680 --> 00:17:20.920
<v Speaker 3>I'm glad they did that because there were times where

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00:17:20.920 --> 00:17:23.440
<v Speaker 3>I was lost. So if you were, if you're worried

378
00:17:23.440 --> 00:17:27.799
<v Speaker 3>about getting confused on who's who, they have this obvious

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00:17:27.880 --> 00:17:31.039
<v Speaker 3>way of showing it to you where they they tinge

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<v Speaker 3>it with what you call it a red room.

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<v Speaker 1>That is that a no, no, that's just because they

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00:17:36.640 --> 00:17:38.200
<v Speaker 1>put a giant red light on the room.

383
00:17:38.480 --> 00:17:42.000
<v Speaker 3>Everybody was and then so basically and yeah, this is

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<v Speaker 3>not spoiling anything. Anytime you see the red light on

385
00:17:45.319 --> 00:17:48.759
<v Speaker 3>these characters, you see who's really inside those bodies.

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00:17:49.039 --> 00:17:51.079
<v Speaker 2>So it kind of you And there's a sound distortion

387
00:17:51.240 --> 00:17:53.200
<v Speaker 2>that I found a little bit a little bit. Yeah,

388
00:17:53.400 --> 00:17:56.359
<v Speaker 2>like I think if I weren't so numb to horror

389
00:17:56.400 --> 00:17:58.319
<v Speaker 2>at this point, it might have been a little bit

390
00:17:58.400 --> 00:18:01.000
<v Speaker 2>freakier to me. And I always have to ask myself

391
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<v Speaker 2>if I were fourteen, how would I be handling this?

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00:18:04.000 --> 00:18:06.519
<v Speaker 1>Who are you in this movie? Who were you? You

393
00:18:06.559 --> 00:18:08.240
<v Speaker 1>do remember the characters? That's just it.

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00:18:08.480 --> 00:18:11.039
<v Speaker 2>I think none of them were memorable enough for me

395
00:18:11.319 --> 00:18:14.079
<v Speaker 2>to be like, oh this, this is definitely the person

396
00:18:14.160 --> 00:18:16.799
<v Speaker 2>that I would recognize myself as. And like, I've never

397
00:18:16.920 --> 00:18:19.759
<v Speaker 2>been particularly like I'm a pretty good boyfriend. I'm not

398
00:18:19.880 --> 00:18:23.480
<v Speaker 2>a trust fund baby like I'm not. I was gonna say,

399
00:18:23.519 --> 00:18:25.559
<v Speaker 2>probably the closest thing I'd be is either Shelby or

400
00:18:25.640 --> 00:18:28.759
<v Speaker 2>the because technically radio is the first social media.

401
00:18:29.920 --> 00:18:32.480
<v Speaker 1>That would be. But I'm not that vain. But so

402
00:18:32.559 --> 00:18:36.240
<v Speaker 1>you're not Cyrus, You're not You're not You're not Forbes. No,

403
00:18:36.599 --> 00:18:40.319
<v Speaker 1>of course not, You're not. Would you be Ruben? Yeah? Maybe,

404
00:18:40.400 --> 00:18:43.319
<v Speaker 1>but I'd like he was so nondescript, you know, he

405
00:18:43.480 --> 00:18:46.160
<v Speaker 1>was the one he was crushing on Maya. I want

406
00:18:46.200 --> 00:18:51.039
<v Speaker 1>to say, christ Yeah, I know. There's like it's like

407
00:18:51.119 --> 00:18:53.079
<v Speaker 1>we said, there's a lot of characters in this movie.

408
00:18:54.000 --> 00:18:55.599
<v Speaker 2>I will say, though, and this is I think this

409
00:18:55.720 --> 00:18:57.160
<v Speaker 2>is the first time I ever brought this up on

410
00:18:57.240 --> 00:18:59.079
<v Speaker 2>this podcast, but my brother and I have because I

411
00:18:59.160 --> 00:19:02.720
<v Speaker 2>was asking myself, once the law enforcement gets involved, how

412
00:19:02.759 --> 00:19:03.680
<v Speaker 2>do you get out of this situation?

413
00:19:03.799 --> 00:19:05.440
<v Speaker 1>Right? No one's gonna believe what you're saying. Right.

414
00:19:05.599 --> 00:19:07.400
<v Speaker 2>My brother and I have what we referred to as

415
00:19:07.480 --> 00:19:11.400
<v Speaker 2>the Chucky policy because in every child's play movie ever, like,

416
00:19:11.759 --> 00:19:14.079
<v Speaker 2>the main character will be like, Chucky's alive and then

417
00:19:14.160 --> 00:19:16.400
<v Speaker 2>whoever this? I was like, nah ah, and then they

418
00:19:16.480 --> 00:19:19.400
<v Speaker 2>find out by seeing Chucky alive and then he fucking

419
00:19:19.480 --> 00:19:21.680
<v Speaker 2>kills him right after that every single time, and that's

420
00:19:21.759 --> 00:19:23.319
<v Speaker 2>where the plot is. So my brother and I have

421
00:19:23.440 --> 00:19:26.160
<v Speaker 2>a policy. Were like, if we show up and say

422
00:19:26.279 --> 00:19:30.160
<v Speaker 2>this thing happened, we actually invoke the Chucky policy and

423
00:19:30.279 --> 00:19:32.599
<v Speaker 2>we will immediately kick it into gear. But you can't

424
00:19:32.640 --> 00:19:35.880
<v Speaker 2>abuse it because if you say Chucky's alive and we

425
00:19:36.000 --> 00:19:38.039
<v Speaker 2>have to set this doll on fire, I'm setting your

426
00:19:38.079 --> 00:19:40.359
<v Speaker 2>doll on fire like there's not going to be. And

427
00:19:40.480 --> 00:19:42.279
<v Speaker 2>so I was like, what would I be saying to

428
00:19:42.359 --> 00:19:44.319
<v Speaker 2>my brother right now to convince him I'm in this

429
00:19:44.559 --> 00:19:47.519
<v Speaker 2>chick's body or whatever the situation may be, because that

430
00:19:47.559 --> 00:19:49.880
<v Speaker 2>would be my only outlet and I have to believe

431
00:19:49.960 --> 00:19:52.039
<v Speaker 2>if I didn't have that outlet and we only have

432
00:19:52.160 --> 00:19:54.160
<v Speaker 2>it because we grew up watching this kind of crap.

433
00:19:55.359 --> 00:19:57.519
<v Speaker 2>How would I get out of that position? And I

434
00:19:57.680 --> 00:20:00.759
<v Speaker 2>don't know that I would have a viable to get.

435
00:20:00.640 --> 00:20:00.960
<v Speaker 1>Out of that.

436
00:20:01.200 --> 00:20:07.160
<v Speaker 3>I would just feel an incredible, overwhelming feeling of helplessness,

437
00:20:07.960 --> 00:20:13.599
<v Speaker 3>overwhelming if I was and I knew the finality of this, well,

438
00:20:13.680 --> 00:20:15.960
<v Speaker 3>I mean the finality. Here's the other thing I'll bring

439
00:20:16.039 --> 00:20:21.559
<v Speaker 3>up too. As much as we say the the start

440
00:20:21.720 --> 00:20:25.880
<v Speaker 3>was super slow, the end was super fast. Agreed, I

441
00:20:26.039 --> 00:20:29.119
<v Speaker 3>would and I listen, I don't say this very often,

442
00:20:29.279 --> 00:20:30.480
<v Speaker 3>especially about a film like this.

443
00:20:31.279 --> 00:20:35.599
<v Speaker 1>I would love love to watch a sequel of this

444
00:20:35.720 --> 00:20:37.400
<v Speaker 1>film just where everybody ended up.

445
00:20:37.799 --> 00:20:40.440
<v Speaker 3>Well, you kind of know where everybody ended up. Yeah, well,

446
00:20:40.480 --> 00:20:42.720
<v Speaker 3>I mean that, But that doesn't mean that it has

447
00:20:42.799 --> 00:20:45.319
<v Speaker 3>to stop there. Yeah, I agree that machine is still

448
00:20:45.359 --> 00:20:49.240
<v Speaker 3>out there. Yeah, and there's people that are motivated to

449
00:20:49.480 --> 00:20:53.559
<v Speaker 3>switch bodies, heavily motivated to switch bodies. Oh yeah, And

450
00:20:54.279 --> 00:20:57.119
<v Speaker 3>you could easily, I mean easily do a sequel on this.

451
00:20:57.240 --> 00:20:57.359
<v Speaker 1>Now.

452
00:20:57.359 --> 00:20:58.759
<v Speaker 3>I don't think it did well enough that they're ever

453
00:20:58.799 --> 00:21:00.799
<v Speaker 3>going to make a sequel, sure, but I would love

454
00:21:00.920 --> 00:21:05.319
<v Speaker 3>to see, you know, a second one hundred minutes of this.

455
00:21:05.559 --> 00:21:07.480
<v Speaker 1>They even touch on it. A little bit.

456
00:21:07.519 --> 00:21:10.119
<v Speaker 2>They say, you getting a taste of another human condition

457
00:21:10.200 --> 00:21:12.599
<v Speaker 2>because you're so used to thinking how you think and

458
00:21:12.720 --> 00:21:14.720
<v Speaker 2>feeling how you feel that as soon as you get

459
00:21:14.759 --> 00:21:16.799
<v Speaker 2>a taste of what another experience is like, like I

460
00:21:16.880 --> 00:21:18.759
<v Speaker 2>wonder what a third one would be like, And as

461
00:21:18.839 --> 00:21:21.240
<v Speaker 2>soon as you kind of crack that open, and they

462
00:21:21.319 --> 00:21:23.799
<v Speaker 2>kind of insinuate at least maybe a handful of characters

463
00:21:23.880 --> 00:21:26.920
<v Speaker 2>might be feeling the same way. I found that very interesting. Like,

464
00:21:27.000 --> 00:21:29.400
<v Speaker 2>I'll be real, I had some weird ass thoughts watching

465
00:21:29.480 --> 00:21:32.079
<v Speaker 2>this movie, Bulky, Like at one point, I asked myself,

466
00:21:32.119 --> 00:21:34.079
<v Speaker 2>I'm like, if I'm in that girl, could I convince

467
00:21:34.119 --> 00:21:35.960
<v Speaker 2>people I were a lesbian? Or would they know that

468
00:21:36.079 --> 00:21:37.480
<v Speaker 2>I was a dude in a girl's body?

469
00:21:37.720 --> 00:21:37.880
<v Speaker 1>You know?

470
00:21:38.160 --> 00:21:40.640
<v Speaker 2>I mean like I was having those thoughts while I

471
00:21:40.799 --> 00:21:43.240
<v Speaker 2>was watching this movie, and like, to a certain extent,

472
00:21:43.359 --> 00:21:45.680
<v Speaker 2>it was fun. It's like a fun thought experiment, but

473
00:21:45.839 --> 00:21:49.359
<v Speaker 2>like there wasn't enough meat on that bone to keep me. Like,

474
00:21:49.839 --> 00:21:51.799
<v Speaker 2>I don't know that I would want a sequel, but

475
00:21:51.920 --> 00:21:53.720
<v Speaker 2>I get why you would be interested.

476
00:21:53.799 --> 00:21:59.000
<v Speaker 3>I mean, like it's you know, it would never happen, Yeah,

477
00:21:59.039 --> 00:22:01.119
<v Speaker 3>I mean I can't imagine happened. I can't imagine that

478
00:22:01.200 --> 00:22:03.319
<v Speaker 3>these actors would want to come back and do a sequel.

479
00:22:04.279 --> 00:22:08.279
<v Speaker 3>I'm sure the Greg Jardin, the writer director.

480
00:22:08.000 --> 00:22:10.079
<v Speaker 1>Who I can't even find like he was he was

481
00:22:10.319 --> 00:22:10.799
<v Speaker 1>nothing else.

482
00:22:10.839 --> 00:22:13.640
<v Speaker 2>He was directing music videos before I about this, So

483
00:22:14.119 --> 00:22:16.000
<v Speaker 2>all things considered, pretty impressive debut.

484
00:22:16.079 --> 00:22:20.519
<v Speaker 1>Then yeah, got to a solid did you What was

485
00:22:20.559 --> 00:22:22.119
<v Speaker 1>the other thing I was going to ask you about this?

486
00:22:23.000 --> 00:22:23.359
<v Speaker 1>About this?

487
00:22:23.559 --> 00:22:27.000
<v Speaker 3>Oh, we're always looking for original, stuffy stuff we haven't

488
00:22:27.000 --> 00:22:31.160
<v Speaker 3>seen before. Yeah, I can't recall seeing anything like this before,

489
00:22:31.319 --> 00:22:33.799
<v Speaker 3>but I think this is more like it. It would

490
00:22:33.799 --> 00:22:35.880
<v Speaker 3>shock more people for you to say that you've never

491
00:22:35.920 --> 00:22:37.599
<v Speaker 3>seen because you this is normally like the type of

492
00:22:37.640 --> 00:22:40.880
<v Speaker 3>stuff that you like to see, and this was original

493
00:22:40.920 --> 00:22:44.119
<v Speaker 3>for you too, though, Absolutely it was.

494
00:22:44.119 --> 00:22:46.480
<v Speaker 2>Such a cool That's what got me interested in it

495
00:22:46.599 --> 00:22:49.480
<v Speaker 2>in the first place is that it was suggested. And

496
00:22:49.559 --> 00:22:53.039
<v Speaker 2>I even said I asked my brother via text, I said, oh,

497
00:22:53.119 --> 00:22:55.359
<v Speaker 2>what'd you think? And he goes, it was fine, And

498
00:22:55.480 --> 00:22:57.759
<v Speaker 2>then like we almost texted at the exact same time,

499
00:22:57.960 --> 00:23:01.319
<v Speaker 2>really original ideas, the same idea, and I was like,

500
00:23:01.440 --> 00:23:03.400
<v Speaker 2>I don't know how I never thought to do this,

501
00:23:03.799 --> 00:23:05.240
<v Speaker 2>Like you know what I mean? I think that's it's

502
00:23:05.279 --> 00:23:09.319
<v Speaker 2>a great idea, And again I think the issue was

503
00:23:09.440 --> 00:23:11.839
<v Speaker 2>I don't know if maybe I wasn't paying enough attention

504
00:23:11.960 --> 00:23:14.160
<v Speaker 2>at the beginning or what the problem was, because again

505
00:23:14.240 --> 00:23:14.480
<v Speaker 2>we're not.

506
00:23:14.559 --> 00:23:16.200
<v Speaker 1>In a theater. We watched this at home, right.

507
00:23:16.279 --> 00:23:19.279
<v Speaker 3>Do you think that that that's just a casualty of

508
00:23:19.400 --> 00:23:22.640
<v Speaker 3>this type of movie where you need all that setup

509
00:23:22.839 --> 00:23:28.359
<v Speaker 3>in order to really enjoy the the the execution of

510
00:23:28.680 --> 00:23:29.920
<v Speaker 3>the body switching.

511
00:23:30.559 --> 00:23:33.240
<v Speaker 1>Do you need all that? And if that's the case,

512
00:23:33.839 --> 00:23:35.440
<v Speaker 1>then is the juice worth the squeeze?

513
00:23:35.480 --> 00:23:37.920
<v Speaker 3>In other words, yeah, how would how what would we

514
00:23:38.079 --> 00:23:40.839
<v Speaker 3>have done differently in this film to make it better?

515
00:23:40.839 --> 00:23:44.400
<v Speaker 3>Because we like the idea, but you know, we didn't

516
00:23:44.480 --> 00:23:47.519
<v Speaker 3>like the setup. It's just took too long and you're

517
00:23:47.559 --> 00:23:51.559
<v Speaker 3>losing your attention and and whatever in this. But I

518
00:23:51.720 --> 00:23:53.359
<v Speaker 3>don't know if there's a better way to do it

519
00:23:53.799 --> 00:23:58.480
<v Speaker 3>to still have that same impactful reaction audience reaction when

520
00:23:58.519 --> 00:24:00.039
<v Speaker 3>all this stuff hits the fan.

521
00:24:00.279 --> 00:24:03.160
<v Speaker 1>Outside of making an eight episode mini series. I know that.

522
00:24:03.279 --> 00:24:05.319
<v Speaker 3>So maybe that's the idea, like that this would have

523
00:24:05.400 --> 00:24:08.079
<v Speaker 3>been better had it not been one hundred and five

524
00:24:08.119 --> 00:24:10.960
<v Speaker 3>minute movie and it been you know, ten episodes or something.

525
00:24:11.039 --> 00:24:13.640
<v Speaker 2>Yeah, I know there was a similar concept like that

526
00:24:13.799 --> 00:24:15.880
<v Speaker 2>just kind of jogged my memory. There is an episode

527
00:24:15.880 --> 00:24:18.839
<v Speaker 2>of Futurama where they do this, oh really and yeah

528
00:24:18.960 --> 00:24:21.279
<v Speaker 2>and all them like it's the main cast plus like

529
00:24:21.359 --> 00:24:24.839
<v Speaker 2>four of the Harlem Globetrotters plus like really, yeah, it's

530
00:24:24.960 --> 00:24:27.599
<v Speaker 2>it's a whole thing. And there's even like an advanced

531
00:24:28.319 --> 00:24:30.880
<v Speaker 2>physics principle that they have to use to because there's

532
00:24:30.920 --> 00:24:33.160
<v Speaker 2>like there's some gimmick where you can only change two

533
00:24:33.240 --> 00:24:35.920
<v Speaker 2>people at the same time, and like like there's a

534
00:24:35.960 --> 00:24:39.839
<v Speaker 2>whole thing. But it works because there was seven seasons

535
00:24:39.880 --> 00:24:42.359
<v Speaker 2>of the show before that episode, so you know who

536
00:24:42.440 --> 00:24:45.400
<v Speaker 2>all the characters are, you know their mannerisms to try

537
00:24:45.440 --> 00:24:48.319
<v Speaker 2>and introduce people to a new idea, like not to

538
00:24:48.400 --> 00:24:50.440
<v Speaker 2>bring it back to it, but it always we always do.

539
00:24:50.880 --> 00:24:53.759
<v Speaker 2>If you did it within the MCU tomorrow, I think

540
00:24:53.880 --> 00:24:56.640
<v Speaker 2>I would love that movie because I know who all

541
00:24:56.680 --> 00:24:58.480
<v Speaker 2>the characters are, I know how they act.

542
00:24:58.799 --> 00:25:01.799
<v Speaker 3>The other thing too, what you could have done if

543
00:25:01.839 --> 00:25:04.680
<v Speaker 3>you do this as a mini series. Two things I

544
00:25:04.799 --> 00:25:06.920
<v Speaker 3>think of. Number one is Lost.

545
00:25:07.160 --> 00:25:07.920
<v Speaker 1>Did you watch Lost?

546
00:25:08.240 --> 00:25:08.279
<v Speaker 2>No?

547
00:25:08.480 --> 00:25:11.160
<v Speaker 1>But I know the premise, so but throw.

548
00:25:11.000 --> 00:25:13.880
<v Speaker 3>The premise out of it, because what Lost did Almost

549
00:25:14.000 --> 00:25:17.559
<v Speaker 3>every single episode that it would be about, except for

550
00:25:17.680 --> 00:25:20.640
<v Speaker 3>like the big episodes or whatever. It would be exposition

551
00:25:20.799 --> 00:25:24.680
<v Speaker 3>on a character's backstory and not just sometime. I mean

552
00:25:24.960 --> 00:25:28.799
<v Speaker 3>like some of the characters would get six, seven, eight episodes, okay,

553
00:25:29.319 --> 00:25:31.680
<v Speaker 3>and this went on for you know, six years or whatever.

554
00:25:31.559 --> 00:25:33.519
<v Speaker 1>Back when there was twenty two episodes right season two.

555
00:25:33.640 --> 00:25:37.160
<v Speaker 3>Yeah, so you'd get this backstory different part like and

556
00:25:38.119 --> 00:25:40.960
<v Speaker 3>like I say, different characters will have different we will

557
00:25:41.000 --> 00:25:43.519
<v Speaker 3>have multiple episodes, but it's all telling different parts of

558
00:25:43.519 --> 00:25:43.920
<v Speaker 3>their lives.

559
00:25:44.000 --> 00:25:47.039
<v Speaker 1>Yeah, okay, you could have done that fairly easily. Yes,

560
00:25:47.160 --> 00:25:51.319
<v Speaker 1>with this where you have the set up episode and

561
00:25:51.359 --> 00:25:54.160
<v Speaker 1>an episode two is the Shelby episode, Episode.

562
00:25:53.759 --> 00:25:56.039
<v Speaker 3>Three the cyrus you know, and so on and so forth.

563
00:25:56.559 --> 00:25:59.160
<v Speaker 3>It reminded me of that reminds me lost. And then

564
00:25:59.200 --> 00:26:01.440
<v Speaker 3>also do you remember the mini series this is on god,

565
00:26:01.480 --> 00:26:03.559
<v Speaker 3>probably like ten or fifteen years ago now, and I

566
00:26:03.599 --> 00:26:05.880
<v Speaker 3>think it was based on like an Australian or British

567
00:26:05.960 --> 00:26:06.880
<v Speaker 3>mini series.

568
00:26:06.599 --> 00:26:08.799
<v Speaker 1>Called The Slap. You remember this now?

569
00:26:09.000 --> 00:26:13.599
<v Speaker 3>The Slap was, uh, the setup was all these families

570
00:26:13.640 --> 00:26:18.039
<v Speaker 3>are to get together like a cookout and Peter.

571
00:26:18.440 --> 00:26:20.480
<v Speaker 1>Peter soers Guard, it was pretty good cast.

572
00:26:20.799 --> 00:26:24.880
<v Speaker 3>Peter Sarersguard's character slaps one of his friend's kids on

573
00:26:25.039 --> 00:26:27.759
<v Speaker 3>the face for not listening, like he was being a

574
00:26:27.880 --> 00:26:30.839
<v Speaker 3>jerk or rude to his kid. And and then and

575
00:26:30.880 --> 00:26:33.920
<v Speaker 3>then it created this whole thing, yeah, lawsuits and whatever,

576
00:26:34.200 --> 00:26:36.240
<v Speaker 3>but every episode.

577
00:26:35.799 --> 00:26:40.200
<v Speaker 1>Of that was the backstory to what leda and all.

578
00:26:40.119 --> 00:26:42.240
<v Speaker 3>This other stuff that we didn't know, Like we just

579
00:26:42.279 --> 00:26:44.279
<v Speaker 3>seem like it's all six families having a good time

580
00:26:44.319 --> 00:26:46.480
<v Speaker 3>at a cookout, and you find out all these other

581
00:26:47.000 --> 00:26:50.759
<v Speaker 3>things going on that are serious, you know, not necessarily nefarious,

582
00:26:50.799 --> 00:26:53.880
<v Speaker 3>but serious goings on that these characters are dealing with.

583
00:26:54.240 --> 00:26:55.640
<v Speaker 1>I think that would have been more.

584
00:26:55.559 --> 00:27:00.519
<v Speaker 3>Impactful, absolutely in a setup of this, and and you

585
00:27:00.640 --> 00:27:04.960
<v Speaker 3>could have made season two, yeah, and have made the sequel.

586
00:27:05.160 --> 00:27:06.960
<v Speaker 1>Maybe that's what you do with the sequel. Well now

587
00:27:07.000 --> 00:27:08.799
<v Speaker 1>because that the cat's out of the bag on a

588
00:27:08.799 --> 00:27:11.480
<v Speaker 1>lot of these characters now, so you can't really have a.

589
00:27:11.519 --> 00:27:13.839
<v Speaker 2>Similar principle, though, you could just make it your own

590
00:27:13.920 --> 00:27:15.799
<v Speaker 2>thing and do this the right way now that the

591
00:27:15.880 --> 00:27:18.839
<v Speaker 2>frameworks out there. It reminds me of a Yellow Jackets,

592
00:27:18.880 --> 00:27:19.640
<v Speaker 2>which was the same idea.

593
00:27:19.759 --> 00:27:21.359
<v Speaker 1>Yeah, that's another series.

594
00:27:21.119 --> 00:27:23.680
<v Speaker 2>That was phenomenal with the women's what was it a

595
00:27:23.720 --> 00:27:26.640
<v Speaker 2>soccer team or whatever, a soccer team. Yeah, and I

596
00:27:27.119 --> 00:27:30.119
<v Speaker 2>love that stuff. And then the flashback was the Island though,

597
00:27:30.160 --> 00:27:32.000
<v Speaker 2>and it's just there were simple ways to do it.

598
00:27:32.039 --> 00:27:35.000
<v Speaker 2>I remember a similar criticism about Eternals, honestly, and I

599
00:27:35.119 --> 00:27:36.839
<v Speaker 2>think that would be if you want to make it

600
00:27:36.880 --> 00:27:39.759
<v Speaker 2>a Marvel movie, it would be Eternals turnals. You learned

601
00:27:39.799 --> 00:27:42.200
<v Speaker 2>about nine freaking people over the course of an hour

602
00:27:42.240 --> 00:27:43.880
<v Speaker 2>and a half. You had no idea who any of

603
00:27:43.920 --> 00:27:46.079
<v Speaker 2>them were, and it looks like we're never going to

604
00:27:46.119 --> 00:27:49.400
<v Speaker 2>see most of them again outside of maybe the occasional crossover.

605
00:27:49.839 --> 00:27:51.720
<v Speaker 1>And it just kind of bring back Harry Styles. You

606
00:27:51.759 --> 00:27:56.799
<v Speaker 1>got to pay that off. Yeah, you would think Noswald

607
00:27:56.880 --> 00:27:59.799
<v Speaker 1>is the drunken Elf or whatever. Yeah, in the Hidden

608
00:27:59.799 --> 00:28:00.400
<v Speaker 1>See or whatever.

609
00:28:00.599 --> 00:28:03.200
<v Speaker 2>And I didn't have like the movie. It had its flaws,

610
00:28:03.279 --> 00:28:05.200
<v Speaker 2>but it also had some cool ideas as well. But

611
00:28:05.359 --> 00:28:07.599
<v Speaker 2>a lot of people said, you have Disney, plus you

612
00:28:07.680 --> 00:28:09.920
<v Speaker 2>have all these TV shows, why didn't you make this

613
00:28:10.119 --> 00:28:13.240
<v Speaker 2>one the TV show where we could get acclimated to

614
00:28:13.359 --> 00:28:15.720
<v Speaker 2>all of these new characters instead of trying to get

615
00:28:15.759 --> 00:28:16.880
<v Speaker 2>it done in one hundred minutes.

616
00:28:16.880 --> 00:28:19.240
<v Speaker 1>And you could still do the movie, yes, you know,

617
00:28:19.359 --> 00:28:21.039
<v Speaker 1>after after build into it.

618
00:28:21.759 --> 00:28:23.920
<v Speaker 3>I think the thing with the MCU, though, is they

619
00:28:24.000 --> 00:28:26.440
<v Speaker 3>don't want to utilize the small screen to set up

620
00:28:26.440 --> 00:28:29.319
<v Speaker 3>the big screen. No, they want to. They want to

621
00:28:29.359 --> 00:28:31.400
<v Speaker 3>set everything up with the big screen. Have that spill

622
00:28:31.480 --> 00:28:32.640
<v Speaker 3>all over to the small screen.

623
00:28:32.799 --> 00:28:36.119
<v Speaker 1>Sure, but feel like some missing out still, Yeah, for sure?

624
00:28:36.640 --> 00:28:39.880
<v Speaker 2>And uh yeah and again it's just there was a

625
00:28:40.039 --> 00:28:45.160
<v Speaker 2>lot of gusto in this, Like, I appreciate the effort. Again,

626
00:28:45.720 --> 00:28:49.160
<v Speaker 2>I hate crapping. We're not crapping on it. But I

627
00:28:49.240 --> 00:28:51.400
<v Speaker 2>hate saying that I didn't like something that tries to

628
00:28:51.440 --> 00:28:54.799
<v Speaker 2>be original because I feel like you're discouraging originality and

629
00:28:54.960 --> 00:28:57.200
<v Speaker 2>trying new things, and I'm comparing it to all this

630
00:28:57.319 --> 00:29:01.200
<v Speaker 2>cookie cutter, blockbuster Hollywood stuff that I like, I just

631
00:29:01.279 --> 00:29:04.200
<v Speaker 2>did that something was missing. I don't think it's doable

632
00:29:04.559 --> 00:29:06.319
<v Speaker 2>in an hour in forty.

633
00:29:06.079 --> 00:29:07.839
<v Speaker 1>Do it and not?

634
00:29:08.000 --> 00:29:11.319
<v Speaker 3>Well, yeah, you can't do it well in that plot

635
00:29:12.400 --> 00:29:16.160
<v Speaker 3>device plot not plot device plot question for you. Yeah,

636
00:29:16.200 --> 00:29:19.759
<v Speaker 3>I'm gonna put Forbes in quotes here. Sure, Why did

637
00:29:19.880 --> 00:29:24.480
<v Speaker 3>Forbes show Shelby how that machine worked?

638
00:29:25.000 --> 00:29:26.480
<v Speaker 1>Why do you think? I mean, I know why they

639
00:29:26.519 --> 00:29:30.000
<v Speaker 1>put it in the story. Yeah, why you know, as

640
00:29:30.079 --> 00:29:35.839
<v Speaker 1>protective as he was with that machine, why share how

641
00:29:35.920 --> 00:29:40.640
<v Speaker 1>it works? Another character that you kind of knew a

642
00:29:40.720 --> 00:29:41.240
<v Speaker 1>decade ago?

643
00:29:41.559 --> 00:29:44.759
<v Speaker 2>Yeah, it definitely was a question a plot hole. I

644
00:29:44.839 --> 00:29:47.319
<v Speaker 2>think it's a plot hole, or is it like why

645
00:29:47.960 --> 00:29:52.039
<v Speaker 2>do the James Bond villains always explain and excruciating detail

646
00:29:52.160 --> 00:29:54.880
<v Speaker 2>exactly how they're going to pull something off once they

647
00:29:54.960 --> 00:29:58.319
<v Speaker 2>think they've forgot everything handled and it turns out, oh,

648
00:29:58.480 --> 00:30:00.519
<v Speaker 2>son of a gun, we don't have everything handled.

649
00:30:00.960 --> 00:30:02.319
<v Speaker 1>That's the fallacy of the villain.

650
00:30:02.599 --> 00:30:05.400
<v Speaker 2>Yes, which I don't know that he's a although I guess,

651
00:30:05.640 --> 00:30:07.400
<v Speaker 2>knowing how the plot goes, I guess that is the

652
00:30:07.480 --> 00:30:08.319
<v Speaker 2>villain of we can't.

653
00:30:08.440 --> 00:30:10.680
<v Speaker 1>There's just it's it's hard to do, and there's too

654
00:30:10.720 --> 00:30:11.799
<v Speaker 1>many villains in this story.

655
00:30:11.920 --> 00:30:14.960
<v Speaker 3>Yeah, none of the guys were reputable because even the

656
00:30:14.960 --> 00:30:17.640
<v Speaker 3>guy who was getting married the next day, they the

657
00:30:17.799 --> 00:30:21.519
<v Speaker 3>camera showed how he had, you know, essentially like literally

658
00:30:21.640 --> 00:30:24.519
<v Speaker 3>tunnel vision on one of the one of the women,

659
00:30:24.759 --> 00:30:26.960
<v Speaker 3>you know, so that he's getting married the next day,

660
00:30:26.960 --> 00:30:28.759
<v Speaker 3>and all he could think about is this woman in there.

661
00:30:30.160 --> 00:30:32.119
<v Speaker 1>I think the girls were a little bit more redeeming.

662
00:30:32.240 --> 00:30:32.640
<v Speaker 2>We had.

663
00:30:33.440 --> 00:30:36.880
<v Speaker 3>Ironically, I just had I can't remember what it's called,

664
00:30:37.119 --> 00:30:39.640
<v Speaker 3>but oh, it's it's a beer I think from Toppling

665
00:30:39.759 --> 00:30:43.079
<v Speaker 3>Live called Revenge of the Final Girl, right, Yeah, And

666
00:30:43.279 --> 00:30:46.319
<v Speaker 3>I think it's ironic that that we had, in my opinion,

667
00:30:46.400 --> 00:30:49.200
<v Speaker 3>a few Final Girls this movie, but one significant one.

668
00:30:49.599 --> 00:30:52.079
<v Speaker 1>Because again, some of those other girls also had some

669
00:30:52.160 --> 00:30:53.200
<v Speaker 1>pretty unredeemed movie.

670
00:30:53.240 --> 00:30:56.160
<v Speaker 3>Okay, well one of them was underde the social media answer,

671
00:30:56.480 --> 00:30:58.480
<v Speaker 3>but then the other two, I don't know what what

672
00:30:58.680 --> 00:31:01.160
<v Speaker 3>what their bugaboo was just I guess maybe one of

673
00:31:01.200 --> 00:31:05.279
<v Speaker 3>them cheating, are forcing the groom to cheat, the kind.

674
00:31:05.119 --> 00:31:10.359
<v Speaker 1>Of and and then the other one was just a pushover. Yeah, yeah, exactly,

675
00:31:10.920 --> 00:31:14.039
<v Speaker 1>And and uh, we know from Cabin in the Woods. Yeah,

676
00:31:14.240 --> 00:31:17.319
<v Speaker 1>the stoners always make it. That's how they always make it. Yeah,

677
00:31:17.400 --> 00:31:20.079
<v Speaker 1>that's how you have the Stoner's in the Final Girl.

678
00:31:20.319 --> 00:31:24.000
<v Speaker 2>Yeah right, anyway, no honestly though, but yeah, I mean

679
00:31:24.160 --> 00:31:26.480
<v Speaker 2>I don't know how much more honestly within this movie,

680
00:31:26.480 --> 00:31:28.680
<v Speaker 2>because again it's a hard one to talk about because

681
00:31:28.839 --> 00:31:29.640
<v Speaker 2>we're kind of going through it.

682
00:31:29.880 --> 00:31:31.960
<v Speaker 3>I think we set it up pretty well so people

683
00:31:32.039 --> 00:31:33.920
<v Speaker 3>kind of know what we're talking about. But yeah, that

684
00:31:34.079 --> 00:31:37.559
<v Speaker 3>this machine just it's it's these wires that hook up

685
00:31:37.640 --> 00:31:40.680
<v Speaker 3>to your temples, like one on each side, and then

686
00:31:40.720 --> 00:31:43.400
<v Speaker 3>he pushes a button, flips some switches, and then all

687
00:31:43.440 --> 00:31:45.680
<v Speaker 3>of a sudden and he and he gets to manipulate

688
00:31:45.759 --> 00:31:47.680
<v Speaker 3>the Forbes is the guy who shows up with this.

689
00:31:47.960 --> 00:31:49.480
<v Speaker 3>He gets to manipulate who's and who's.

690
00:31:49.680 --> 00:31:52.680
<v Speaker 2>Yeah, he even identifies if you're a nerd, you know what,

691
00:31:52.759 --> 00:31:56.079
<v Speaker 2>the term dungeon master. He equates himself to that. So

692
00:31:56.200 --> 00:31:58.359
<v Speaker 2>it's like when you're playing dungeons and Dragons, the one

693
00:31:58.400 --> 00:32:01.440
<v Speaker 2>person technically isn't playing. They're just super creative and having

694
00:32:01.480 --> 00:32:04.480
<v Speaker 2>fun with the story. Right, That's essentially the role he played,

695
00:32:04.519 --> 00:32:07.119
<v Speaker 2>but he thrust himself in there as well pretty quickly.

696
00:32:07.480 --> 00:32:12.599
<v Speaker 2>I cool idea, impossible to execute and in one hundred minutes.

697
00:32:12.680 --> 00:32:15.240
<v Speaker 2>In one hundred minutes, Yeah, this could have been an epic.

698
00:32:15.319 --> 00:32:17.720
<v Speaker 1>I mean, this could have been like one of those

699
00:32:17.799 --> 00:32:21.920
<v Speaker 1>things that we're talking about on like have you seen this? Yes,

700
00:32:22.079 --> 00:32:23.440
<v Speaker 1>What's inside series?

701
00:32:23.680 --> 00:32:25.759
<v Speaker 3>Like, oh, I can't wait to see like because you

702
00:32:25.960 --> 00:32:28.400
<v Speaker 3>leave an episode and you're like, wait, I thought she

703
00:32:28.759 --> 00:32:33.119
<v Speaker 3>was her. Now I think that she's her, and he's

704
00:32:33.200 --> 00:32:36.079
<v Speaker 3>probably him. But if he's him, then he can't be

705
00:32:36.279 --> 00:32:40.000
<v Speaker 3>that guy. Like it's just it'd be a mind f essentially.

706
00:32:40.119 --> 00:32:42.440
<v Speaker 3>And I've said multiple times in this podcast. I said

707
00:32:42.480 --> 00:32:44.400
<v Speaker 3>it during Megan two point zero, I said what I

708
00:32:44.559 --> 00:32:47.559
<v Speaker 3>loved about what I love about good movies is when

709
00:32:47.920 --> 00:32:50.480
<v Speaker 3>there's fifteen characters and they all feel like they're in

710
00:32:50.559 --> 00:32:52.799
<v Speaker 3>it for themselves. You're like, I technically don't know who

711
00:32:52.839 --> 00:32:54.440
<v Speaker 3>the good guy and who the bad guy is. This

712
00:32:54.640 --> 00:32:58.240
<v Speaker 3>creates that, This creates that feeling. It just doesn't deliver

713
00:32:58.319 --> 00:33:00.240
<v Speaker 3>her the ways that I want it to. I don't

714
00:33:00.240 --> 00:33:02.160
<v Speaker 3>know if I found if I just found myself, if

715
00:33:02.240 --> 00:33:05.200
<v Speaker 3>the story was a little too childish or what it was.

716
00:33:05.359 --> 00:33:08.079
<v Speaker 3>But something prevented me, Like if I'm not able to

717
00:33:08.160 --> 00:33:10.160
<v Speaker 3>be like, oh, this is who I was in the story,

718
00:33:10.279 --> 00:33:13.039
<v Speaker 3>like there's something with it, and have seven characters, I

719
00:33:13.119 --> 00:33:15.640
<v Speaker 3>should be somebody in that story. I just I think

720
00:33:15.720 --> 00:33:18.480
<v Speaker 3>it's just there's not a whole lot of redeemability with

721
00:33:18.640 --> 00:33:19.240
<v Speaker 3>these characters.

722
00:33:19.319 --> 00:33:21.680
<v Speaker 1>So and then that's another thing. It's hard to identify

723
00:33:21.880 --> 00:33:22.200
<v Speaker 1>with them.

724
00:33:22.640 --> 00:33:25.880
<v Speaker 3>Yeah, and I think the way the movie develops, I

725
00:33:25.920 --> 00:33:29.480
<v Speaker 3>think it wants you to identify with Shelby more so, yeah,

726
00:33:29.599 --> 00:33:30.960
<v Speaker 3>than than anybody else.

727
00:33:31.079 --> 00:33:33.839
<v Speaker 2>Oh yeah, there's even in the opening scene there's a

728
00:33:33.920 --> 00:33:35.880
<v Speaker 2>movie where they put her she puts a wig on

729
00:33:36.240 --> 00:33:40.480
<v Speaker 2>for sex time, right, and uh, that is a metaphor

730
00:33:40.640 --> 00:33:43.599
<v Speaker 2>for the entire movie. She's an entirely different person. So

731
00:33:43.759 --> 00:33:47.319
<v Speaker 2>like they definitely it's what's inside, right, they want you

732
00:33:48.079 --> 00:33:50.319
<v Speaker 2>to associate with her as definitely the goal.

733
00:33:50.960 --> 00:33:53.480
<v Speaker 1>What do you make of the ending? Satisfactory for you? Yeah?

734
00:33:53.680 --> 00:33:56.079
<v Speaker 1>It was? Yeah, I like, I liked the ending, I

735
00:33:56.920 --> 00:33:58.200
<v Speaker 1>you know, left me wanting more.

736
00:33:58.519 --> 00:34:01.240
<v Speaker 3>Sure I understand how it's said factory and understand how

737
00:34:01.480 --> 00:34:03.759
<v Speaker 3>if this is a closed story, which I know it is,

738
00:34:03.880 --> 00:34:09.159
<v Speaker 3>but I'm hoping it's not. That there are a lot

739
00:34:09.280 --> 00:34:14.559
<v Speaker 3>of characters who got what was coming and maybe some

740
00:34:14.760 --> 00:34:16.239
<v Speaker 3>characters who didn't.

741
00:34:16.599 --> 00:34:19.519
<v Speaker 1>Yeah, I will say the final final thing without saying

742
00:34:19.599 --> 00:34:23.880
<v Speaker 1>what happened. I thought that was excessive final. Yeah, how

743
00:34:23.960 --> 00:34:27.159
<v Speaker 1>the movie ends two people talking and what one character?

744
00:34:27.199 --> 00:34:28.880
<v Speaker 1>Oh you thought that was accessive? I thought it was.

745
00:34:29.159 --> 00:34:30.960
<v Speaker 2>I was like, yeah, okay, he was, you know, the

746
00:34:31.079 --> 00:34:33.719
<v Speaker 2>jerk guy. But I think we're far beyond the pale

747
00:34:33.800 --> 00:34:34.559
<v Speaker 2>of the appropriate.

748
00:34:34.639 --> 00:34:38.880
<v Speaker 1>Ye I didn't. I didn't think about that. But yeah,

749
00:34:38.920 --> 00:34:42.239
<v Speaker 1>I don't know. But the one there's one person maybe

750
00:34:42.280 --> 00:34:43.280
<v Speaker 1>maybe that was too hard.

751
00:34:43.639 --> 00:34:46.639
<v Speaker 3>Yeah that's uh yeah, the person in the car driving

752
00:34:46.679 --> 00:34:49.599
<v Speaker 3>away not saying yeah it was male or female.

753
00:34:49.800 --> 00:34:52.960
<v Speaker 1>Yeah, I enjoyed that had some cruel intentions vibes a

754
00:34:53.000 --> 00:34:53.320
<v Speaker 1>little bit.

755
00:34:53.519 --> 00:34:56.119
<v Speaker 2>Yeah, I was into that. I was into that ending

756
00:34:56.280 --> 00:34:58.159
<v Speaker 2>very much. I didn't mind that part of it. I

757
00:34:58.199 --> 00:35:00.320
<v Speaker 2>would have actually, did you did you know who it was?

758
00:35:00.400 --> 00:35:04.119
<v Speaker 1>By the way, No, until you saw them until yeah,

759
00:35:04.360 --> 00:35:08.559
<v Speaker 1>and then I'm like, oh, okay, yeah, I mean there

760
00:35:08.719 --> 00:35:11.719
<v Speaker 1>was The ending of this was was pretty cool.

761
00:35:12.880 --> 00:35:15.000
<v Speaker 2>I liked it more than the ending to Good Fortune

762
00:35:15.159 --> 00:35:17.119
<v Speaker 2>because I need to tell you off the air why

763
00:35:17.199 --> 00:35:19.599
<v Speaker 2>I despised it. Remind me when we get off, because

764
00:35:19.639 --> 00:35:21.239
<v Speaker 2>there was there's part of that that it's like, come on,

765
00:35:21.599 --> 00:35:25.880
<v Speaker 2>the was it too sugary? Sort of like there was

766
00:35:25.960 --> 00:35:27.639
<v Speaker 2>something like oh, But then I was like, oh, I

767
00:35:27.679 --> 00:35:29.719
<v Speaker 2>guess it can't end that way. But I hate that

768
00:35:29.840 --> 00:35:31.800
<v Speaker 2>it doesn't end that way, and you know, so on

769
00:35:31.920 --> 00:35:34.880
<v Speaker 2>and so forth. But no, I better ending here. The

770
00:35:34.960 --> 00:35:37.119
<v Speaker 2>rest of the movie is where it kind of misses

771
00:35:37.360 --> 00:35:37.880
<v Speaker 2>right exactly.

772
00:35:38.039 --> 00:35:39.480
<v Speaker 1>I will I will.

773
00:35:42.079 --> 00:35:45.480
<v Speaker 3>Be the first one to nominate It's What's Inside too

774
00:35:46.599 --> 00:35:48.480
<v Speaker 3>if they ever make it, and I don't think they will.

775
00:35:49.000 --> 00:35:51.400
<v Speaker 3>But I just think that there's there's this This could

776
00:35:51.400 --> 00:35:56.719
<v Speaker 3>be a great continuation. When when you're talking about body

777
00:35:56.800 --> 00:36:01.159
<v Speaker 3>switching or consciousness's conscious consciousnesses?

778
00:36:01.480 --> 00:36:03.639
<v Speaker 1>Is that a word consciousness is? I think it is?

779
00:36:04.599 --> 00:36:11.920
<v Speaker 3>Yeah, conscious consciousness switching bodies that it just now there's

780
00:36:11.960 --> 00:36:13.639
<v Speaker 3>no and see now I'm getting the high that they

781
00:36:13.719 --> 00:36:15.920
<v Speaker 3>talked about in the movie. And I didn't even switch bodies.

782
00:36:15.960 --> 00:36:17.800
<v Speaker 3>I just watch people switch bodies, and I'm like, I

783
00:36:18.079 --> 00:36:18.519
<v Speaker 3>want more.

784
00:36:18.840 --> 00:36:19.719
<v Speaker 1>Yeah, I want more to this.

785
00:36:19.760 --> 00:36:22.519
<v Speaker 3>Story because if it ends there, it ends there. But

786
00:36:22.599 --> 00:36:24.000
<v Speaker 3>I just think that there's a lot more you can

787
00:36:24.039 --> 00:36:25.599
<v Speaker 3>do with it. And I don't often say that.

788
00:36:25.639 --> 00:36:27.880
<v Speaker 1>I think that's rare. Ben Ya.

789
00:36:28.039 --> 00:36:30.000
<v Speaker 2>You know, it feels like they just scratch the surface.

790
00:36:30.079 --> 00:36:32.000
<v Speaker 2>But again it's because it feels like it's going a

791
00:36:32.039 --> 00:36:34.159
<v Speaker 2>mile a minute, because you go to meeting the characters,

792
00:36:34.199 --> 00:36:35.719
<v Speaker 2>to learning how the technology, well.

793
00:36:35.639 --> 00:36:38.360
<v Speaker 3>It doesn't go a mile a minute, like I think,

794
00:36:38.480 --> 00:36:43.719
<v Speaker 3>like the last half hour is pretty last forty five minutes,

795
00:36:44.119 --> 00:36:47.360
<v Speaker 3>i'd say is pretty breakneck pace. But the first hour

796
00:36:47.599 --> 00:36:50.480
<v Speaker 3>was just like a slog And maybe that was for

797
00:36:51.480 --> 00:36:54.840
<v Speaker 3>intentional for the impact on the pace of the film

798
00:36:55.320 --> 00:36:58.480
<v Speaker 3>and how but which, by the way, I could have

799
00:36:58.559 --> 00:37:02.400
<v Speaker 3>done without the eighteen thoughts. The cops are almost here,

800
00:37:02.760 --> 00:37:05.480
<v Speaker 3>The cops are almost here. The cops are here. Hey,

801
00:37:05.559 --> 00:37:07.599
<v Speaker 3>the cops are here. Hey, the cops are walking up

802
00:37:07.599 --> 00:37:09.800
<v Speaker 3>the driveway. Hey, the cops are at the Yeah, we

803
00:37:09.960 --> 00:37:13.679
<v Speaker 3>get it. Yeah, okay, Like just I that was a

804
00:37:13.760 --> 00:37:15.679
<v Speaker 3>little over the top. And by a little over the top,

805
00:37:15.719 --> 00:37:16.239
<v Speaker 3>I mean a lot.

806
00:37:16.159 --> 00:37:19.400
<v Speaker 2>Over the incredibly excessive. Yeah, I'm right there with you.

807
00:37:19.800 --> 00:37:25.119
<v Speaker 2>It's not looking promising during it. During an interview with Variety,

808
00:37:25.360 --> 00:37:28.480
<v Speaker 2>Jardon revealed that he's not currently developing a sequel to

809
00:37:28.599 --> 00:37:31.360
<v Speaker 2>It's What's Inside, but teased I guess time will tell.

810
00:37:31.880 --> 00:37:35.400
<v Speaker 2>He also explained how negotiations and the sale to Netflix

811
00:37:35.519 --> 00:37:38.400
<v Speaker 2>became a learning experience and how he as a writer

812
00:37:38.559 --> 00:37:42.679
<v Speaker 2>and director might not benefit. Go figure freaking Netflix ruin

813
00:37:42.800 --> 00:37:45.840
<v Speaker 2>and everything again. But but you know, they buy all

814
00:37:45.920 --> 00:37:46.559
<v Speaker 2>these properties.

815
00:37:46.599 --> 00:37:46.760
<v Speaker 1>Here.

816
00:37:46.800 --> 00:37:49.360
<v Speaker 2>We'll see if somebody wants to sign on for it here. Yeah,

817
00:37:50.000 --> 00:37:52.280
<v Speaker 2>your excitement for it would make we would do it

818
00:37:52.440 --> 00:37:55.880
<v Speaker 2>for the podcast. So Jordon, if you're listening.

819
00:37:56.880 --> 00:37:59.800
<v Speaker 1>And if you do a good job, make it a trilogy.

820
00:38:00.039 --> 00:38:03.000
<v Speaker 2>There we go, There we go, And it's one of

821
00:38:03.039 --> 00:38:05.760
<v Speaker 2>those ones that'll improve over time, because ironically enough, as

822
00:38:05.880 --> 00:38:07.920
<v Speaker 2>we say, like, oh, I want a sequel, I'd probably

823
00:38:07.920 --> 00:38:09.800
<v Speaker 2>go it around a four or four point five.

824
00:38:10.039 --> 00:38:11.800
<v Speaker 1>For what I thought about this first, I was gonna

825
00:38:11.800 --> 00:38:12.960
<v Speaker 1>give it. I was gonna give it a four.

826
00:38:13.159 --> 00:38:16.280
<v Speaker 3>Yeah, because the ending was really cool, but it did

827
00:38:16.360 --> 00:38:19.480
<v Speaker 3>not rescue the first seventy minutes or sixty five minutes.

828
00:38:19.800 --> 00:38:20.840
<v Speaker 1>Yeah, it's just it was.

829
00:38:21.559 --> 00:38:24.920
<v Speaker 3>I understand the need for it, but I don't think

830
00:38:25.000 --> 00:38:32.199
<v Speaker 3>you needed all that. Would you watch this again? Yeah,

831
00:38:32.639 --> 00:38:35.760
<v Speaker 3>with someone who's never seen it, I'd watch it by yourself.

832
00:38:35.760 --> 00:38:37.880
<v Speaker 2>I'd watch it by myself because I feel like I

833
00:38:37.920 --> 00:38:39.880
<v Speaker 2>would get more out of it the second time. I

834
00:38:40.000 --> 00:38:43.239
<v Speaker 2>genuinely believe that, because now I know the characters. And again,

835
00:38:43.679 --> 00:38:45.719
<v Speaker 2>I think I was invested enough.

836
00:38:45.880 --> 00:38:48.119
<v Speaker 3>Watching it, like you could go back and look for

837
00:38:48.199 --> 00:38:50.719
<v Speaker 3>little subtle things that would maybe clues that we didn't

838
00:38:50.840 --> 00:38:53.880
<v Speaker 3>pick up on. Yeah, which this is. It's Vince Gilligan

839
00:38:54.000 --> 00:38:56.280
<v Speaker 3>was just talking about this. He's got a new I

840
00:38:56.320 --> 00:39:00.639
<v Speaker 3>think it's a series on Apple Plus with Racy. I

841
00:39:00.679 --> 00:39:03.440
<v Speaker 3>can't remember what that's called, but he is talking about

842
00:39:06.119 --> 00:39:10.800
<v Speaker 3>rewarding a smart audience, right, and I think he did

843
00:39:10.880 --> 00:39:13.119
<v Speaker 3>that with I think he was surprised at how smart

844
00:39:13.119 --> 00:39:15.519
<v Speaker 3>the audiences for Breaking Bad and Better Call Saul became.

845
00:39:16.719 --> 00:39:20.320
<v Speaker 3>And this, I think you might go back and look

846
00:39:20.480 --> 00:39:23.239
<v Speaker 3>and a smart audience might have picked up on certain stuff.

847
00:39:23.360 --> 00:39:28.719
<v Speaker 2>Yeah, A wink ahead nod exactly, a gesture like did

848
00:39:28.800 --> 00:39:32.400
<v Speaker 2>you know? Do you know The Departed one something with

849
00:39:32.440 --> 00:39:36.039
<v Speaker 2>a rat. I know there's there's an X in every

850
00:39:36.199 --> 00:39:39.360
<v Speaker 2>scene when the main character is about to die. No, yeah,

851
00:39:39.519 --> 00:39:42.519
<v Speaker 2>every single scene when like Leo DiCaprio's in the elevator

852
00:39:42.559 --> 00:39:44.719
<v Speaker 2>with Matt Damon, there's an X right above his head

853
00:39:44.800 --> 00:39:48.920
<v Speaker 2>made of tape or well shut up. Yeah, every single

854
00:39:49.079 --> 00:39:53.880
<v Speaker 2>death is foreshadowed with an X on the screen moments

855
00:39:53.920 --> 00:39:56.360
<v Speaker 2>before it's going to happen. And so it's a way

856
00:39:56.400 --> 00:39:59.000
<v Speaker 2>to tell people that movie's twenty years old. And I

857
00:39:59.079 --> 00:40:00.480
<v Speaker 2>found this out like two or three weeks.

858
00:40:00.519 --> 00:40:02.159
<v Speaker 1>Again, I had never heard that. Yeah.

859
00:40:02.320 --> 00:40:04.960
<v Speaker 2>And then conversely, other side of that coin, though, the

860
00:40:05.079 --> 00:40:07.800
<v Speaker 2>reason why big time Game of Thrones fans who want

861
00:40:07.840 --> 00:40:10.159
<v Speaker 2>the books, the reason they're not getting the books is

862
00:40:10.159 --> 00:40:12.360
<v Speaker 2>because George R. R. Martin is on the record saying,

863
00:40:12.559 --> 00:40:15.159
<v Speaker 2>when you spend twenty years of your life writing a

864
00:40:15.239 --> 00:40:19.000
<v Speaker 2>book building towards the butler did it for a smaller audience,

865
00:40:19.239 --> 00:40:23.280
<v Speaker 2>But then your audience balloons and millions of people around

866
00:40:23.320 --> 00:40:25.920
<v Speaker 2>the nation are saying, oh, the Butler did it. You're

867
00:40:26.000 --> 00:40:28.800
<v Speaker 2>now sitting there trying to rework you're twenty years of

868
00:40:28.880 --> 00:40:31.519
<v Speaker 2>your life to try and go somewhere else other than

869
00:40:31.639 --> 00:40:34.360
<v Speaker 2>the Butler did it, which I have found that fascinating.

870
00:40:34.440 --> 00:40:35.920
<v Speaker 2>And so people sitting there, why does it take them

871
00:40:35.960 --> 00:40:38.719
<v Speaker 2>so long get these books? It's because he's basically and

872
00:40:38.840 --> 00:40:41.159
<v Speaker 2>to me, I say, you just write your story saying

873
00:40:41.239 --> 00:40:42.760
<v Speaker 2>the Butler did it, because that just means you're a

874
00:40:42.800 --> 00:40:45.440
<v Speaker 2>good storyteller if people picked up subtle clues.

875
00:40:45.519 --> 00:40:48.280
<v Speaker 1>But I mean, I digress. But so it goes both ways.

876
00:40:48.480 --> 00:40:49.519
<v Speaker 2>The um.

877
00:40:52.039 --> 00:40:54.920
<v Speaker 1>Mini series with Jake Jillenhall is on Apple TV. I

878
00:40:55.199 --> 00:40:56.639
<v Speaker 1>have Apple Infinity.

879
00:40:57.159 --> 00:40:59.719
<v Speaker 3>Who is Chase Infinity who was in one battle after

880
00:40:59.719 --> 00:41:03.719
<v Speaker 3>all the oh yeah, she was in this mini series

881
00:41:03.760 --> 00:41:06.239
<v Speaker 3>about I think it's called wrongfully and that's not called

882
00:41:06.280 --> 00:41:08.880
<v Speaker 3>wrongfully accused. Maybe it's just called a cube or proof

883
00:41:09.280 --> 00:41:11.760
<v Speaker 3>presumed innocent. I think it's what it's called, and it's

884
00:41:11.840 --> 00:41:14.119
<v Speaker 3>I think it's a remake on a on a British

885
00:41:15.880 --> 00:41:19.079
<v Speaker 3>uh like mini series or whatever. But with something like that,

886
00:41:20.000 --> 00:41:22.880
<v Speaker 3>you're you're constantly trying to figure out, same thing with

887
00:41:22.920 --> 00:41:25.480
<v Speaker 3>the Night of Remember the Night of on HBOP You're

888
00:41:25.519 --> 00:41:26.960
<v Speaker 3>constantly like, what happened?

889
00:41:27.000 --> 00:41:27.519
<v Speaker 1>Who did this?

890
00:41:28.360 --> 00:41:32.280
<v Speaker 3>And there's only so many paths you can go down,

891
00:41:32.920 --> 00:41:34.719
<v Speaker 3>you know, to to try to figure out And I

892
00:41:34.760 --> 00:41:36.760
<v Speaker 3>think presumed innocent was the same way, although I still

893
00:41:36.800 --> 00:41:39.960
<v Speaker 3>think it caught some people off guard with who the

894
00:41:40.440 --> 00:41:46.440
<v Speaker 3>quote unquote killer was. But this, uh, this, I think

895
00:41:46.480 --> 00:41:49.400
<v Speaker 3>you can you can constantly because there's no butler in this.

896
00:41:49.559 --> 00:41:51.679
<v Speaker 3>I mean, I guess there's kind of a butler, but

897
00:41:52.039 --> 00:41:55.079
<v Speaker 3>but there's there's all these different storylines that that to me,

898
00:41:55.239 --> 00:41:59.360
<v Speaker 3>are still hanging out there, storylines that you can't predict.

899
00:41:59.519 --> 00:42:03.119
<v Speaker 1>You can just gas. Yeah. If you're an audience, you only.

900
00:42:03.119 --> 00:42:06.000
<v Speaker 2>Have seven choices, so like inevitably, it's like predicting a

901
00:42:06.039 --> 00:42:08.760
<v Speaker 2>sports I'm gonna get it. Yeah, Like it's the same idea.

902
00:42:08.840 --> 00:42:11.159
<v Speaker 2>That's why to me, I actually I don't know what

903
00:42:11.320 --> 00:42:13.360
<v Speaker 2>sent me off on the tangent on outside the box,

904
00:42:13.400 --> 00:42:15.719
<v Speaker 2>but I started getting into sorry to bother you, and

905
00:42:15.880 --> 00:42:17.920
<v Speaker 2>I said, that's an ending you can't guess, and I'm

906
00:42:17.960 --> 00:42:20.440
<v Speaker 2>not spoiling it, like, oh, if I pay attention to

907
00:42:20.519 --> 00:42:23.159
<v Speaker 2>the clues, it's it's random enough that if I gave

908
00:42:23.199 --> 00:42:25.440
<v Speaker 2>you one hundred guesses, you would never know where the

909
00:42:25.519 --> 00:42:27.760
<v Speaker 2>last third of that movie is going to go. That

910
00:42:28.239 --> 00:42:30.920
<v Speaker 2>or this ending, I think is the future of good endings.

911
00:42:30.960 --> 00:42:32.800
<v Speaker 2>Because I think I've told you this on the podcast,

912
00:42:33.079 --> 00:42:36.079
<v Speaker 2>because I love fight clubs so much. I watch every

913
00:42:36.239 --> 00:42:40.000
<v Speaker 2>movie from the lens of Ah, he's probably imagining half

914
00:42:40.000 --> 00:42:43.599
<v Speaker 2>of that and until it is the yeah, I kind

915
00:42:43.639 --> 00:42:43.760
<v Speaker 2>of go.

916
00:42:44.039 --> 00:42:47.599
<v Speaker 1>Your cynicism comes in when you when you, oh, dude,

917
00:42:47.639 --> 00:42:49.280
<v Speaker 1>that's nothing. I dated a girl. Have you ever seen

918
00:42:49.320 --> 00:42:50.079
<v Speaker 1>Smoking Aces?

919
00:42:51.199 --> 00:42:51.239
<v Speaker 2>No?

920
00:42:51.360 --> 00:42:51.599
<v Speaker 1>I don't.

921
00:42:51.719 --> 00:42:53.800
<v Speaker 2>With Ryan Reynolds when all the all the hit men

922
00:42:53.840 --> 00:42:55.639
<v Speaker 2>are coming to kill what's his name, the dude who's

923
00:42:55.639 --> 00:42:58.280
<v Speaker 2>the main character in Entourage, and he's Buddy Aces, and

924
00:42:58.360 --> 00:43:01.960
<v Speaker 2>he's like, got all this in about uh you know

925
00:43:04.159 --> 00:43:07.039
<v Speaker 2>Ari Gold, Jeremy Pivets. Yeah, yeah, yeah, he's up there.

926
00:43:07.079 --> 00:43:08.840
<v Speaker 2>He's got all this information about the mob. Like the

927
00:43:08.880 --> 00:43:11.880
<v Speaker 2>first thirty seconds of the movie, the girl I was

928
00:43:11.960 --> 00:43:13.679
<v Speaker 2>dating at the time looks at me and says, but

929
00:43:13.880 --> 00:43:15.119
<v Speaker 2>if you haven't seen it, I don't want to say

930
00:43:15.119 --> 00:43:17.519
<v Speaker 2>it because it's a it's a fucking but she got

931
00:43:17.519 --> 00:43:19.239
<v Speaker 2>it right. She's just like, oh, this, this and that.

932
00:43:19.440 --> 00:43:20.840
<v Speaker 2>I'm like, get the hell out of here. And that's

933
00:43:20.840 --> 00:43:23.760
<v Speaker 2>how the movie ended. I'm like, how the hell thirty

934
00:43:23.840 --> 00:43:26.639
<v Speaker 2>seconds into this movie did you figure how that out?

935
00:43:26.760 --> 00:43:27.559
<v Speaker 1>What was her response?

936
00:43:28.000 --> 00:43:30.960
<v Speaker 2>Because like the movie is giving you, like it's giving

937
00:43:31.039 --> 00:43:33.519
<v Speaker 2>you an exposition dump and now that I know the

938
00:43:33.719 --> 00:43:37.480
<v Speaker 2>ending I watch it, I'm just like, she just that smarter,

939
00:43:37.920 --> 00:43:38.440
<v Speaker 2>that's stupid.

940
00:43:38.480 --> 00:43:40.400
<v Speaker 1>How did I How did I get here? Because like,

941
00:43:40.480 --> 00:43:42.559
<v Speaker 1>even watching it a second time, I'm like, would I

942
00:43:42.679 --> 00:43:43.400
<v Speaker 1>pick up on this?

943
00:43:43.719 --> 00:43:45.719
<v Speaker 3>Like, I don't see that's interesting that you watch it

944
00:43:45.840 --> 00:43:49.199
<v Speaker 3>from from that where you're constantly trying to figure stuff out.

945
00:43:49.800 --> 00:43:50.760
<v Speaker 1>I am.

946
00:43:51.039 --> 00:43:54.360
<v Speaker 3>I just I'm immersing myself. I just want to be

947
00:43:54.840 --> 00:44:01.960
<v Speaker 3>the audience member that the tour expects, and naturally my

948
00:44:02.119 --> 00:44:06.119
<v Speaker 3>curiosity will be peaked. I will start asking myself questions

949
00:44:06.320 --> 00:44:10.320
<v Speaker 3>about certain characters, certain motives, certain the way something's shot,

950
00:44:10.800 --> 00:44:13.000
<v Speaker 3>the way something's not shot, you know, stuff like that.

951
00:44:13.599 --> 00:44:15.920
<v Speaker 3>But I let it happen naturally. I don't come in

952
00:44:16.519 --> 00:44:19.559
<v Speaker 3>you know, with with you know, have with both both

953
00:44:19.599 --> 00:44:22.400
<v Speaker 3>hands with guns pointed at the camera, you know, ready

954
00:44:22.440 --> 00:44:24.239
<v Speaker 3>to be like pooh oh, I figured that out. Poot

955
00:44:24.280 --> 00:44:26.719
<v Speaker 3>you know yeah, no, no, no, no, I'm just you

956
00:44:26.920 --> 00:44:31.159
<v Speaker 3>are a aim first, maybe shoot right away. Yeah, I'm

957
00:44:31.239 --> 00:44:34.679
<v Speaker 3>kind of like, let's talk, let's figure it out, and

958
00:44:35.400 --> 00:44:36.880
<v Speaker 3>then when I'm ready to shoot, I'll shoot.

959
00:44:37.320 --> 00:44:38.039
<v Speaker 1>You know, it's interesting.

960
00:44:38.039 --> 00:44:39.880
<v Speaker 2>I never really thought about it, but if I had

961
00:44:39.920 --> 00:44:42.920
<v Speaker 2>to psychoanalyze myself live in front of a microphone right now.

962
00:44:43.119 --> 00:44:44.880
<v Speaker 2>I think it stems from how much I loved the

963
00:44:44.960 --> 00:44:46.880
<v Speaker 2>original Scream as a ten year old.

964
00:44:47.119 --> 00:44:49.239
<v Speaker 1>Yeah, and you know it's a who Done It? Right,

965
00:44:49.360 --> 00:44:49.519
<v Speaker 1>you know?

966
00:44:50.079 --> 00:44:53.039
<v Speaker 2>And also I was super scared watching that movie because

967
00:44:53.039 --> 00:44:56.079
<v Speaker 2>I was ten, and I think trying to crack the

968
00:44:56.159 --> 00:44:59.159
<v Speaker 2>who Done An element distracted me from how scared I was.

969
00:44:59.280 --> 00:45:01.760
<v Speaker 2>And then you go and you watch, uh, I know

970
00:45:01.800 --> 00:45:04.000
<v Speaker 2>what you did last summer? And then you see Urban

971
00:45:04.079 --> 00:45:06.320
<v Speaker 2>Legend and you see all these slashers, Like there was

972
00:45:06.480 --> 00:45:08.599
<v Speaker 2>a stream of who Done It?

973
00:45:08.800 --> 00:45:13.519
<v Speaker 1>Slasher like teen slashers? Yeah, who Done It? Yeah. It

974
00:45:13.679 --> 00:45:16.360
<v Speaker 1>was in the prime of my like getting acclimated to

975
00:45:16.440 --> 00:45:17.039
<v Speaker 1>that kind of movie.

976
00:45:17.159 --> 00:45:19.599
<v Speaker 3>And then now the next generation is experiencing it to

977
00:45:19.760 --> 00:45:21.440
<v Speaker 3>a little bit, you know, with obviously some of the

978
00:45:21.480 --> 00:45:22.559
<v Speaker 3>newer screens they brought back.

979
00:45:22.639 --> 00:45:24.559
<v Speaker 1>I still know what you did last summer or whatever,

980
00:45:26.119 --> 00:45:27.039
<v Speaker 1>blah blah.

981
00:45:27.119 --> 00:45:30.960
<v Speaker 3>Yeah, But but I mean at the same time, like, no, no,

982
00:45:31.239 --> 00:45:34.039
<v Speaker 3>because you told me either you told me it sucked

983
00:45:34.199 --> 00:45:36.079
<v Speaker 3>or you you knew it was gonna suck.

984
00:45:36.119 --> 00:45:37.559
<v Speaker 1>And well, I'm not gonna waste my time.

985
00:45:38.239 --> 00:45:40.119
<v Speaker 2>I don't want to go on another tangent. But Jesus,

986
00:45:40.119 --> 00:45:42.480
<v Speaker 2>do you remember the original where they're drunk driving and

987
00:45:42.519 --> 00:45:44.960
<v Speaker 2>they kill the guy. In this one, they're standing in

988
00:45:45.000 --> 00:45:46.920
<v Speaker 2>the middle of the road and the guy swerves off

989
00:45:46.960 --> 00:45:48.639
<v Speaker 2>the road and just drives into the lake. And I'm

990
00:45:48.639 --> 00:45:51.400
<v Speaker 2>sitting there, I'm like, you could probably explain this one away,

991
00:45:51.639 --> 00:45:54.119
<v Speaker 2>like there's no I was waiting for the extra in

992
00:45:54.159 --> 00:45:56.400
<v Speaker 2>the faeryst thing that happened, and it never happened.

993
00:45:56.719 --> 00:45:57.360
<v Speaker 1>Oh my god.

994
00:45:57.679 --> 00:46:02.159
<v Speaker 2>Like it's crappy Halloween. See if you're looking for something

995
00:46:02.280 --> 00:46:05.440
<v Speaker 2>on Netflix that is good for Halloween, watch Until Dawn.

996
00:46:05.760 --> 00:46:08.000
<v Speaker 1>Thrilled with that one Until Dawn Until Dawn go to

997
00:46:08.159 --> 00:46:10.119
<v Speaker 1>premise that it's based on a video.

998
00:46:09.960 --> 00:46:12.599
<v Speaker 2>Game from about ten years ago. It's basically if you've

999
00:46:12.639 --> 00:46:15.360
<v Speaker 2>seen Happy Death Day, Like six or seven friends are

1000
00:46:15.400 --> 00:46:17.320
<v Speaker 2>in a house and a killer comes up and shows

1001
00:46:17.360 --> 00:46:19.559
<v Speaker 2>up to kill them, kills all of them in about

1002
00:46:19.800 --> 00:46:23.320
<v Speaker 2>four minutes, and then the whole day resets, and they

1003
00:46:23.360 --> 00:46:26.199
<v Speaker 2>are aware that the whole day resets all of them.

1004
00:46:26.320 --> 00:46:27.639
<v Speaker 1>And the whole point they knew they diet.

1005
00:46:27.880 --> 00:46:30.199
<v Speaker 2>Yeah, they even have marks, Like one girl gets her

1006
00:46:30.239 --> 00:46:32.960
<v Speaker 2>face just stomped, and she wakes up and there's like

1007
00:46:33.079 --> 00:46:35.480
<v Speaker 2>very clearly like a red mark where she got stomped,

1008
00:46:35.719 --> 00:46:38.599
<v Speaker 2>and they have a finite amount of tries to live

1009
00:46:38.800 --> 00:46:41.679
<v Speaker 2>until dawn, and if they can't figure it out, then

1010
00:46:41.679 --> 00:46:43.519
<v Speaker 2>they're going to be part. There's like a guest book

1011
00:46:43.559 --> 00:46:46.199
<v Speaker 2>of all the people that fail out. It's very fun

1012
00:46:46.280 --> 00:46:48.239
<v Speaker 2>and you don't know if they're going to make it

1013
00:46:48.320 --> 00:46:50.719
<v Speaker 2>out or not. And that would be much better than

1014
00:46:50.800 --> 00:46:53.800
<v Speaker 2>anything we've talked about today in terms of I was

1015
00:46:53.840 --> 00:46:55.760
<v Speaker 2>gonna suggest it to you, except I already watched it

1016
00:46:55.880 --> 00:46:57.800
<v Speaker 2>like a while. I've actually seen it twice. It's very good.

1017
00:46:59.480 --> 00:47:03.480
<v Speaker 1>If you're looking, I'm madding it on my phone right now. Yeah,

1018
00:47:03.480 --> 00:47:05.920
<v Speaker 1>I remember that. Yeah, where's it on Netflix? Ne Flicks?

1019
00:47:06.039 --> 00:47:08.360
<v Speaker 2>Yeah, it went to theaters though it was it was

1020
00:47:08.440 --> 00:47:10.159
<v Speaker 2>the whole deal. I didn't see it in theaters, and

1021
00:47:10.199 --> 00:47:12.679
<v Speaker 2>I'm kind of disappointed I didn't. There's a couple of

1022
00:47:12.719 --> 00:47:13.320
<v Speaker 2>a well tied.

1023
00:47:13.519 --> 00:47:16.119
<v Speaker 1>This just came out this year. Yeah, yeah, earlier in

1024
00:47:16.119 --> 00:47:17.679
<v Speaker 1>the year, like probably February or March.

1025
00:47:18.960 --> 00:47:23.159
<v Speaker 3>I oh, Peter Stormer is also in this game, yeah,

1026
00:47:23.280 --> 00:47:25.039
<v Speaker 3>or in this movie. It's also in the games in

1027
00:47:25.119 --> 00:47:27.360
<v Speaker 3>the game. Yeah, I do not know any of the

1028
00:47:27.440 --> 00:47:30.199
<v Speaker 3>other Yeah. The game's not even a game. It's basically

1029
00:47:30.280 --> 00:47:32.320
<v Speaker 3>like a choose your own adventure. It's like a very

1030
00:47:32.480 --> 00:47:38.880
<v Speaker 3>well animated movie in video game graphics with just terrifying monsters.

1031
00:47:38.920 --> 00:47:40.440
<v Speaker 3>I hate scary video games.

1032
00:47:40.519 --> 00:47:42.679
<v Speaker 2>But that's the one if you're looking for a good

1033
00:47:42.719 --> 00:47:45.920
<v Speaker 2>Halloween movie, because this will be going out on October thirtieth. Yeah,

1034
00:47:45.920 --> 00:47:47.960
<v Speaker 2>so if you're looking for a good Halloween movie, that's

1035
00:47:48.000 --> 00:47:48.320
<v Speaker 2>the one.

1036
00:47:48.599 --> 00:47:50.519
<v Speaker 1>My son wants to watch. My twelve year old son

1037
00:47:50.559 --> 00:47:53.760
<v Speaker 1>wants to watch Halloween with me on Halloween. And I

1038
00:47:53.800 --> 00:47:56.039
<v Speaker 1>don't know how I feel about seventy eight Halloween. Yeah,

1039
00:47:56.039 --> 00:47:57.280
<v Speaker 1>the actually original.

1040
00:47:57.400 --> 00:47:59.760
<v Speaker 2>Yeah, you gotta you gotta watch that one. Yeah, that's

1041
00:47:59.800 --> 00:48:02.760
<v Speaker 2>that's basically like a haunted house. Like it's not even

1042
00:48:03.239 --> 00:48:05.639
<v Speaker 2>that'll get them acclimated. I've said this, Moll. I don't

1043
00:48:05.639 --> 00:48:07.000
<v Speaker 2>know if I've said it on the podcast, but if

1044
00:48:07.039 --> 00:48:08.760
<v Speaker 2>I did have kids, that's what I would do. I

1045
00:48:08.800 --> 00:48:12.000
<v Speaker 2>would show them the eighties, even though the twenty ten

1046
00:48:12.119 --> 00:48:15.639
<v Speaker 2>Friday the thirteenth sucks. It sucks, it's terrible. I would

1047
00:48:15.679 --> 00:48:18.679
<v Speaker 2>not suggest it to anybody. It's much scarier because they

1048
00:48:18.760 --> 00:48:21.320
<v Speaker 2>put more stuff on screen. Like if I were nine,

1049
00:48:21.960 --> 00:48:24.039
<v Speaker 2>that would screw with me a lot more than the

1050
00:48:24.159 --> 00:48:27.159
<v Speaker 2>original Nightmare on Elm Street. But that's what I grew

1051
00:48:27.280 --> 00:48:28.960
<v Speaker 2>up on, and that's why I'm not a baby with

1052
00:48:29.000 --> 00:48:31.400
<v Speaker 2>horror movies as an adult, and like, that's how I

1053
00:48:31.440 --> 00:48:34.320
<v Speaker 2>would acclimate kids to it if they were into it.

1054
00:48:34.400 --> 00:48:36.000
<v Speaker 1>So the nineteen seventy eight Halloween and.

1055
00:48:36.079 --> 00:48:39.000
<v Speaker 3>He doesn't scare easy, Yeah, And I think some like,

1056
00:48:39.440 --> 00:48:41.119
<v Speaker 3>you know, that's sort of like I mean, I don't

1057
00:48:41.320 --> 00:48:43.800
<v Speaker 3>say that's when horror movies took off, because you remember.

1058
00:48:43.679 --> 00:48:45.679
<v Speaker 1>All the stuff that Hitchcock did, oh yeah back in

1059
00:48:45.760 --> 00:48:50.480
<v Speaker 1>the day, which was really good. And then Rod Sterling,

1060
00:48:50.719 --> 00:48:54.079
<v Speaker 1>Rod Sterling and was it Serling or Sterling from Twilight

1061
00:48:54.159 --> 00:48:57.679
<v Speaker 1>Zone Sarling Sterling, all the horror that they came out

1062
00:48:57.719 --> 00:48:58.280
<v Speaker 1>with there too.

1063
00:49:00.039 --> 00:49:03.440
<v Speaker 3>This was well before and this is well before Friday

1064
00:49:03.480 --> 00:49:07.960
<v Speaker 3>the thirteenth, And that's psychological terror. Think I dig that

1065
00:49:08.119 --> 00:49:10.079
<v Speaker 3>more than the gore in the Slashing.

1066
00:49:10.199 --> 00:49:13.039
<v Speaker 2>But I love this conversation wrong because I always say,

1067
00:49:13.039 --> 00:49:15.840
<v Speaker 2>because the common refrain in this era is oh, you

1068
00:49:15.960 --> 00:49:20.000
<v Speaker 2>couldn't make you couldn't make Blazing Saddles today because of

1069
00:49:20.320 --> 00:49:22.480
<v Speaker 2>the times, that's true about anything I said. You couldn't

1070
00:49:22.519 --> 00:49:24.760
<v Speaker 2>make the original Halloween today. If you made the original

1071
00:49:24.800 --> 00:49:26.519
<v Speaker 2>Halloween right now, would be like, what the hell did

1072
00:49:26.519 --> 00:49:29.000
<v Speaker 2>you just show me. But I can acknowledge that it inspired,

1073
00:49:29.039 --> 00:49:30.880
<v Speaker 2>you know, like blah blah blah blah blah a billion

1074
00:49:30.960 --> 00:49:34.519
<v Speaker 2>different slasher movies. But it doesn't fit in today because

1075
00:49:34.800 --> 00:49:37.079
<v Speaker 2>it's just it hasn't evolved. And I actually find it

1076
00:49:37.320 --> 00:49:40.599
<v Speaker 2>this is sacrilegious to say, give me the first rob

1077
00:49:40.719 --> 00:49:44.719
<v Speaker 2>Zombie Halloween movie over the original Halloween movie any day

1078
00:49:44.760 --> 00:49:47.360
<v Speaker 2>of the week. I love that movie. I think it's

1079
00:49:47.400 --> 00:49:49.320
<v Speaker 2>well done and it hits on all the right points.

1080
00:49:49.360 --> 00:49:51.800
<v Speaker 2>But I can acknowledge what Halloween is. Show your kid

1081
00:49:51.880 --> 00:49:54.679
<v Speaker 2>Halloween right, he'll grow into a bit more well rounded adult.

1082
00:49:55.159 --> 00:49:58.239
<v Speaker 1>Well, listen, he's already behind the eight ball considering his

1083
00:49:58.320 --> 00:50:00.519
<v Speaker 1>father exactly. See if we can.

1084
00:50:00.679 --> 00:50:02.880
<v Speaker 2>You know what my mom's answer was why she would

1085
00:50:02.880 --> 00:50:05.000
<v Speaker 2>show me horror movies so young? She would tell her

1086
00:50:05.039 --> 00:50:06.920
<v Speaker 2>family members, I want him to grow up to be

1087
00:50:07.000 --> 00:50:10.360
<v Speaker 2>a thrill seeker. That's what it was, and to a

1088
00:50:10.400 --> 00:50:12.440
<v Speaker 2>certain extent, maybe not in all the ways she wanted

1089
00:50:12.440 --> 00:50:14.599
<v Speaker 2>it to happen right, to a certain extent, So I

1090
00:50:14.679 --> 00:50:16.320
<v Speaker 2>condone it. If you're listening to this, show your kid

1091
00:50:16.400 --> 00:50:19.239
<v Speaker 2>freaking scary movies. That's the best way to go here.

1092
00:50:19.679 --> 00:50:21.519
<v Speaker 2>We have like seven or eight different movies we can

1093
00:50:21.559 --> 00:50:23.360
<v Speaker 2>actually choose from. We're building up a little bit of

1094
00:50:23.679 --> 00:50:26.960
<v Speaker 2>of a list here, liboraror yeah. So I don't want

1095
00:50:26.960 --> 00:50:29.039
<v Speaker 2>to commit to anything here because we committed last week

1096
00:50:29.079 --> 00:50:29.719
<v Speaker 2>and we messed up.

1097
00:50:29.800 --> 00:50:31.480
<v Speaker 1>We did yeah or no. We left it up in

1098
00:50:31.519 --> 00:50:33.440
<v Speaker 1>the air because we were between two Yeah, what was

1099
00:50:33.440 --> 00:50:35.719
<v Speaker 1>the other one? Black Phone and Pogonia.

1100
00:50:36.039 --> 00:50:38.480
<v Speaker 3>Oh, we were deciding between Blackphone two and Pogonia. I

1101
00:50:38.519 --> 00:50:40.800
<v Speaker 3>think we were deciding between Bogonia and something else.

1102
00:50:40.840 --> 00:50:44.000
<v Speaker 2>I think it was black Phone, all right, because somebody, oh,

1103
00:50:44.119 --> 00:50:46.480
<v Speaker 2>the ticket taker told me that she actually enjoyed.

1104
00:50:46.280 --> 00:50:49.840
<v Speaker 3>Oh that's right, Yeah, yeah, yeah, yeah, yeah, Okay, Well

1105
00:50:49.880 --> 00:50:53.840
<v Speaker 3>that's fine. Listen, there are some good films coming out.

1106
00:50:53.880 --> 00:50:56.400
<v Speaker 3>We're heading into award season. I get more amped up

1107
00:50:56.440 --> 00:50:57.039
<v Speaker 3>for that than I think.

1108
00:50:57.119 --> 00:51:00.400
<v Speaker 1>You do. You do, but this is sort of month

1109
00:51:00.519 --> 00:51:03.280
<v Speaker 1>which which was kind of lackluster for Yeah, we all

1110
00:51:03.320 --> 00:51:07.039
<v Speaker 1>feel that way. I've heard. I was listening to podcast

1111
00:51:07.119 --> 00:51:10.639
<v Speaker 1>today and uh fantasy football podcast with a Cinophile who

1112
00:51:10.679 --> 00:51:13.840
<v Speaker 1>hosts it, and he said he's totally he's seeing Bogonia

1113
00:51:13.920 --> 00:51:17.079
<v Speaker 1>Halloween night, and he's super amped for it because everybody's

1114
00:51:17.119 --> 00:51:20.679
<v Speaker 1>talked to everything he's read said, it's been like epic.

1115
00:51:20.880 --> 00:51:22.199
<v Speaker 1>Let's just commit, let's just commit.

1116
00:51:22.400 --> 00:51:24.440
<v Speaker 3>I don't want to commit to it because we can

1117
00:51:24.480 --> 00:51:28.039
<v Speaker 3>always add it later. Yeah, but we could do black

1118
00:51:28.079 --> 00:51:30.840
<v Speaker 3>Phone two, we could do Bogonia. I don't know what

1119
00:51:30.960 --> 00:51:33.360
<v Speaker 3>else is coming out. I do know that you and

1120
00:51:33.480 --> 00:51:34.920
<v Speaker 3>I are going to do now you see me?

1121
00:51:34.960 --> 00:51:39.320
<v Speaker 1>Now you don't? Yeah, sometime next month? Yeah running yeah,

1122
00:51:39.400 --> 00:51:42.199
<v Speaker 1>yeah absolutely, Yeah. Well let's should we leave it up.

1123
00:51:42.239 --> 00:51:45.079
<v Speaker 1>We'll just figure it out. Yeah okay, yeah, so well,

1124
00:51:45.280 --> 00:51:48.679
<v Speaker 1>well you'll know what we watched when you listen to

1125
00:51:48.760 --> 00:51:52.039
<v Speaker 1>episode twenty two. Yeah, off topic, wonderful
