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<v Speaker 1>Monster House Presents.

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<v Speaker 2>It's actually quite unlike anything we've ever seen before.

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<v Speaker 3>A giant very creature party part.

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<v Speaker 2>In Luckness, a twenty four a mile long bottomless lake

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<v Speaker 2>in the Highlands of Scotland. It's a creature known as

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<v Speaker 2>the Luckness Monster. Monster Talk.

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<v Speaker 1>Welcome to Monster Talk, the science show about monsters. I'm

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<v Speaker 1>Blake Smith.

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<v Speaker 4>And I'm Karen Stolsner.

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<v Speaker 1>In this two part interview with doctor Phillip Center, we

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<v Speaker 1>will be looking at the evolution of dragons and how

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<v Speaker 1>dragons are being used to battle against the concept of

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<v Speaker 1>evolution and natural selection. In part one, we're going to

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<v Speaker 1>be focusing on dragons and how they evolve from ancient

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<v Speaker 1>Greek and Roman mythicized serpents into the quadrupedal, fire breathing

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<v Speaker 1>monsters that populate fantasy and legend. And then next week

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<v Speaker 1>in part two, we're going to dive in onto how

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<v Speaker 1>creation is to arguing that the legends of dragons are

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<v Speaker 1>rooted in real world human experience coexisting with dinosaurs. There's

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<v Speaker 1>an assumption I usually make about our listenership that you're

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<v Speaker 1>here because you love monsters and science, and many people

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<v Speaker 1>rely on their religions a source of morality and spiritual guidance.

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<v Speaker 1>But the narratives of religion ought to provide creation stories

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<v Speaker 1>and explanations for how the world works and why. And

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<v Speaker 1>as humans have developed science as a method for inquiry

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<v Speaker 1>and discovery, a huge pile of logical inferences and material

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<v Speaker 1>evidence that contradicts mythic narratives have emerged, and a lot

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<v Speaker 1>of science directly refutes the literal interpretation of sacred documents

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<v Speaker 1>and narratives. And when one has faced with this conflict,

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<v Speaker 1>one has to ask oneself if it is possible to

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<v Speaker 1>accept that the world we live in is one we

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<v Speaker 1>can understand through these findings, or do we need to

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<v Speaker 1>reject the evidence and rely on the stories of ancient

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<v Speaker 1>myth as the only truth. I know many scientists who

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<v Speaker 1>reconcile this, but taking these stories as instructive metaphors, which

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<v Speaker 1>allows them to be beloved and meaningful, but doesn't require

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<v Speaker 1>them to reject the evidence that suggests we live in

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<v Speaker 1>a natural world subject to natural laws, which can, through

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<v Speaker 1>rigorous inquiry, be understood or even manipulated. The other approach

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<v Speaker 1>is to reject this evidence and lean hard into the

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<v Speaker 1>stories as being literally true and a world that's full

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<v Speaker 1>of misleading lives. These are the sources of cartoons showing

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<v Speaker 1>a devil hiding dinosaur fossils to confuse the faithful, and

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<v Speaker 1>narratives of people wrestling with dinosaurs and ancient Babylon culture.

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<v Speaker 1>Wars are not new and they will never go away.

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<v Speaker 1>But right this minute, I personally like science is on

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<v Speaker 1>the ropes here in the United States, and I find

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<v Speaker 1>it really disheartening. If you believe in a future where

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<v Speaker 1>demonstrable facts should be treated more seriously than fiery but

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<v Speaker 1>unevidenced faith, well then you have to keep fighting. Those

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<v Speaker 1>who purport to support science owe it to themselves and

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<v Speaker 1>that ideal to educate themselves and speak out when they

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<v Speaker 1>see nonsense on the attack. Doctor Center's book is full

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<v Speaker 1>of useful and fun information if you want to be

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<v Speaker 1>armed for battle. It's also fun if you just like

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<v Speaker 1>dinosaurs and dragons and like to read about how people

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<v Speaker 1>have used these creatures for a variety of purposes across

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<v Speaker 1>the ages. Check out the show notes to find links

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<v Speaker 1>to the book and additional reading. But why are you

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<v Speaker 1>listening to this intro when we could be having some fun.

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<v Speaker 1>Listen to some good old fashioned dragon themed more obstrutal

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<v Speaker 1>Hey on this two part episode, we're welcoming doctor Philip J. Center,

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<v Speaker 1>who is the author of the Real Story of Dinosaurs

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<v Speaker 1>and Dragons and it's a really interesting book. And I

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<v Speaker 1>noticed that in the intro you think just to Mullis,

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<v Speaker 1>who's a friend of the show, for some of his feedback,

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<v Speaker 1>and yeah, that's great. So he's been on several times

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<v Speaker 1>and we actually correspond quite frequently.

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<v Speaker 3>But welcome to the show, Phil, Phil Center, Welcome, thank you,

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<v Speaker 3>thank you?

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<v Speaker 1>Or is it Phillip Sitter?

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<v Speaker 2>God?

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<v Speaker 1>I messed it up.

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<v Speaker 3>Sorry, it's okay. Yeah, Phil is fine.

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<v Speaker 2>Bill.

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<v Speaker 3>Yeah, most people call me Phil.

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<v Speaker 2>Phil.

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<v Speaker 1>Can you introduce yourself a little bit deeper than that

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<v Speaker 1>shallow effort by me? I would really appreciate it for

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<v Speaker 1>the listeners.

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<v Speaker 3>Sure. Yes.

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<v Speaker 2>I am a professor of zoology at Fable State University

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<v Speaker 2>in North Carolina, where I've worked since two thousand and seven,

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<v Speaker 2>and my research specialties are paleontology with an emphasis on dinosaurs,

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<v Speaker 2>zoology with an emphasis on reptiles, and biblical studies, for

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<v Speaker 2>which I have right, I've got a master's degree in

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<v Speaker 2>theology in addition to the doctorate in biology, so and

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<v Speaker 2>in fact, I I earned those credentials, specifically so that

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<v Speaker 2>I would have credibility doing biblical studies.

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<v Speaker 4>Well, that's an interesting combination of fields and perfectly suited

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<v Speaker 4>to your new book. So we want to start, I think,

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<v Speaker 4>with just asking you what drove you to write this book,

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<v Speaker 4>and then what kept you going.

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<v Speaker 3>What drove me to write it.

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<v Speaker 2>Began in class when well, at my first semester at

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<v Speaker 2>Fayetteville State and I was teaching a comparative anatomy class

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<v Speaker 2>and I mentioned something about evolution and one of my

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<v Speaker 2>students popped off with, I think evolution is a hoax,

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<v Speaker 2>and I was stunned.

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<v Speaker 3>This was a.

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<v Speaker 2>Biology major who was either a junior or senior, and

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<v Speaker 2>I had thought, by the time you get that far,

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<v Speaker 2>surely you're aware of the evidence of evolution, and if not,

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<v Speaker 2>we need to fix this. So shortly thereafter, I was

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<v Speaker 2>asked to teach an evolution class, and in preparation for that,

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<v Speaker 2>I read a bunch of Young Earth creationist literatures so

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<v Speaker 2>I could be up on counter arguments and know how

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<v Speaker 2>to answer them. And then that ultimately just spun out

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<v Speaker 2>into a book because I figured why keep this stuff

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<v Speaker 2>to myself when there are other teachers out there who

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<v Speaker 2>could use a database of the counter arguments, which the

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<v Speaker 2>book is.

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<v Speaker 1>Oh well put in that answers the question exactly. Yeah,

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<v Speaker 1>that's great. Oh quickly, I just wanted to introduce interject

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<v Speaker 1>that we switched from being like an hour long format

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<v Speaker 1>to being a thirty minute format. So my plan here

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<v Speaker 1>is to talk to you and split this in half.

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<v Speaker 1>And so the first of our questions are going to

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<v Speaker 1>deal with the history and mythology of dragons. You don't

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<v Speaker 1>feel a need to steer away from evolution. But the

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<v Speaker 1>second part of the interview is we're going to ask

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<v Speaker 1>questions focused on creationism, dragons, cryptuzology, anti science, that sort

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<v Speaker 1>of stuff.

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<v Speaker 4>If that's okay with you.

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<v Speaker 3>Yeah, yeah, that's fine.

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<v Speaker 2>In fact, even if all it was was just dragons,

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<v Speaker 2>that that's still right up my alley.

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<v Speaker 5>Perfect.

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<v Speaker 1>Well, here we go. Then the next question is right

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<v Speaker 1>on topic. Then your book opens up with Dawn of

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<v Speaker 1>the Dragon, and can you walk us through some of

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<v Speaker 1>the earliest known dragon myths and how they and we're

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<v Speaker 1>going to use this word a lot, how they evolved

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<v Speaker 1>across cultures across time, especially in the Greco Roman tradition.

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<v Speaker 2>Sure, well, back in the days when Greco Roman culture

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<v Speaker 2>was the predominant culture around the Mediterranean, or the days

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<v Speaker 2>of the Greek Empire, the days of the Roman Empire,

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<v Speaker 2>the words of which is Greek and draco in.

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<v Speaker 3>Latin both meant serpent.

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<v Speaker 2>Now, these are the precursors of the word dragon, which

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<v Speaker 2>did not appear in that form until the Middle Ages,

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<v Speaker 2>and the earlier dragon myths are all about snakes. Hercules,

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<v Speaker 2>for example, Heracles to the Greeks, he could not get

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<v Speaker 2>away from these blasted things. The goddess Hera sent two

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<v Speaker 2>of them to his crib to kill him, and they

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<v Speaker 2>were not successful because he strangled him to death.

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<v Speaker 3>Then, when he was an.

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<v Speaker 2>Adult, he had to defeat the racon that was guarding

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<v Speaker 2>the apples of the Hesperides in order to take the apples.

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<v Speaker 3>And then later on he.

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<v Speaker 2>Had to defeat another racon with multiple heads, the hydra,

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<v Speaker 2>and the poor guy just could not get away from racontess,

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<v Speaker 2>which is the ancient Greek for dragons. And he even

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<v Speaker 2>had to meet the hellhound Cariberos at one point, and

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<v Speaker 2>the tail on that animal was a rack on. And

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<v Speaker 2>then we get to other contemporaneous smiths. It's one serpent

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<v Speaker 2>after the next, like the serpent that Asclepios had around

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<v Speaker 2>his staff, which symbolizes medicine today. The ancient Greeks called

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<v Speaker 2>it a racon and other examples. The hero Jason famously

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<v Speaker 2>put to sleep the racon that was guarding the Golden

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<v Speaker 2>Fleece in order to steal the fleece, and he had

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<v Speaker 2>some help from Medea, who was well. The serpent was

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<v Speaker 2>kind of her pet. If you will, and the list

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<v Speaker 2>goes on.

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<v Speaker 1>I think we need to have a quick Medea insert here.

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<v Speaker 1>So Medea is from the legend of Jason and the Argonauts.

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<v Speaker 1>She is a sorceress and was a princess of Colchis.

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<v Speaker 1>She fell for Jason and helps him steal the Golden

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<v Speaker 1>Fleece by betraying her father and murdering her brother to

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<v Speaker 1>aid his escape. They flee to Greece together, they marry,

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<v Speaker 1>they have children, but when Jason leaves her to marry

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<v Speaker 1>a Corinthian princess, Medea takes brutal revenge. She sends the

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<v Speaker 1>Princess of poison robe that bursts into flames, killing her

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<v Speaker 1>and the king, and then in a final act of vengeance,

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<v Speaker 1>she kills her own children to wound Jason forever. She

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<v Speaker 1>escapes in a flying chariot sent by her grandfather, the

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<v Speaker 1>son god Helios. That's what she's famous for.

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<v Speaker 4>Yeah, she certainly got her revenge on him after that

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<v Speaker 4>in the story with the poison cloak that she gave

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<v Speaker 4>to his next wife. I guess that's the subject for another.

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<v Speaker 1>Episode Media's she turned from heroin to villain in a

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<v Speaker 1>lot of views. But I mean, you don't want to,

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<v Speaker 1>you know, you don't want to who you're wrong on

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<v Speaker 1>your adventures.

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<v Speaker 4>Yeah, yeah, So Bill, do you see common patterns in

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<v Speaker 4>dragon stories around the world, or these legends more culturally

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<v Speaker 4>distinct than we might typically assume.

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<v Speaker 3>Well, there are some.

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<v Speaker 2>Basic similarities in a lot of the circum Mediterranean dragon

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<v Speaker 2>stories from the from pre medieval times. Very often there

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<v Speaker 2>is a hero who either has to slay or otherwise

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<v Speaker 2>defeat or banish a dragon, which is an obstacle, and

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<v Speaker 2>he has to do that in order to achieve a goal. Sometimes, well,

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<v Speaker 2>very often the drakon is wrecking havoc around the surrounding

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<v Speaker 2>landscape in the towns, so it's kind.

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<v Speaker 3>Of an enemy to everybody.

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<v Speaker 2>But other times, no, it's just an obstacle against one thing,

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<v Speaker 2>well in the way of one thing. But either way,

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<v Speaker 2>it's considered something to defeat a good deal of the time,

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<v Speaker 2>and right, sometimes it's a hero, sometimes it's a god

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<v Speaker 2>who slays the dragon, and I guess the commonality there's usually.

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<v Speaker 3>It is.

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<v Speaker 2>A negative thing, which is a bit ironic because also

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<v Speaker 2>in the circum Mediterranean world at the same time, snakes

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<v Speaker 2>that were called sacred dragons were kept in temples as

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<v Speaker 2>agents of healing, so they were also considered good things.

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<v Speaker 2>So the dragon had more than one face.

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<v Speaker 1>Yeah, a little side question there about can you talk

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<v Speaker 1>about what is it called the cadaces the staff with

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<v Speaker 1>the serpent that they used for medicine? What was the

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<v Speaker 1>original meaning of this? You mentioned this now we think

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<v Speaker 1>of it for healthcare in medicine, but like, what did

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<v Speaker 1>it mean? If it's a nation symbol, can you tell

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<v Speaker 1>us what it used to be and how it's changed.

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<v Speaker 2>Well, the cad you see us his staff with a

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<v Speaker 2>serpent wound around it. It may have been a magic symbol,

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<v Speaker 2>because very often when a deity or hero is performing

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<v Speaker 2>a magical act, there is a staff in the ancient

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<v Speaker 2>iconography that's pointing toward whatever the action is. Even the

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<v Speaker 2>the early, the earliest representations of Jesus on Roman sarcophag

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<v Speaker 2>g I have him with a staff pointing to whatever

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<v Speaker 2>thing he's doing, like raising Lazarus from the dead and

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<v Speaker 2>so forth, And it very well could be that a

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<v Speaker 2>Slepiosi's healing magic was symbolized by this staff, although it

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<v Speaker 2>could have meant something else, but it would kind of

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<v Speaker 2>make sense because the snake that's wrapped around it is

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<v Speaker 2>sort of his familiar and there were actual snakes that

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<v Speaker 2>were kept in the temples of Asclepios, and it was

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<v Speaker 2>considered a blessing to be tongued by these snakes, and

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<v Speaker 2>so that they were that was considered part of the

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<v Speaker 2>healing process, or at least a precursor to it. So

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<v Speaker 2>having that wrapped around his staff to symbolize the agent

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<v Speaker 2>of the magic might have had something to do with

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<v Speaker 2>the symbology there.

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<v Speaker 1>Interesting well, I did a little side quest thing and

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<v Speaker 1>it implied that it was adopted for modern medical stuff

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<v Speaker 1>in the in the sixteenth century, which seems around the

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<v Speaker 1>time that a lot of I guess a lot of

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<v Speaker 1>ancient texts had been published because of the printing press,

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<v Speaker 1>And it fits into that whole idea of the past

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<v Speaker 1>is magic too, which is white that's a running theme for.

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<v Speaker 2>Yeah, and that was towards the end of the Renaissance,

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<v Speaker 2>and the Renaissance was all about rebirthing all the ancient

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<v Speaker 2>ways of thinking, including the ancient myths. So it kind

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<v Speaker 2>of goes along with the whole zeitgeist of the time.

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<v Speaker 1>We talk a lot about you Heimerism here and the

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<v Speaker 1>idea that any legend probably has some grain of truth,

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<v Speaker 1>or you know, the idea that the ancient gods of

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<v Speaker 1>Greece were real men and heroes who had adventures, and

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<v Speaker 1>they got sort of expanded and it stretched on over time.

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<v Speaker 1>And I think in cryptosology that theme runs deep, the

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<v Speaker 1>idea that legends have a basis in reality. And I'm

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<v Speaker 1>wondering to what extent you think that natural phenomena are

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<v Speaker 1>encounters with unusual animals like crocodiles or whales, contributed to

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<v Speaker 1>the formation of these dragon legends.

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<v Speaker 3>I think there's a possibility there.

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<v Speaker 2>But given the fact that the word meant snake, and

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<v Speaker 2>that every representation in the Greek and Roman iconography of

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<v Speaker 2>a dragon from a store is a snake, I would

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<v Speaker 2>say that they were probably inspired by actual snakes.

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<v Speaker 1>Yeah, Violid, I like it makes sense.

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<v Speaker 4>So you mentioned in the book that Renaissance taxidermy, like

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<v Speaker 4>fabricated dragons contributed to the mythology. So could you tell

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<v Speaker 4>us a little bit about one of your favorite fake

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<v Speaker 4>dragon stories from that era and what it tells us

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<v Speaker 4>about human credulity and imagination.

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<v Speaker 2>Oh, yes, well, one of the best has got to

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<v Speaker 2>be Elder Vandi's dragon. The Italian naturalist, at least say

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<v Speaker 2>Elder of Bandi, had a museum of biological curiosities that.

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<v Speaker 3>He let people come to study.

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<v Speaker 2>And this was in a town that happened to be

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<v Speaker 2>the hometown of a man who was elected pope. And

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<v Speaker 2>the day of the election, this dragon appeared outside the

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<v Speaker 2>walls of this town, along with a fabricated backstory that

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<v Speaker 2>it had been beaten to death by a peasant who

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<v Speaker 2>had found it, and it frightened his oxen, and he

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<v Speaker 2>wanted to pass, and the dragon was making the oxen balk,

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<v Speaker 2>so he beat it in the head and killed it, supposedly.

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<v Speaker 2>And the item was of course not a real dragon

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<v Speaker 2>as it was conceived in those days, In other words,

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<v Speaker 2>no longer a snake, but this monstrous thing. What it

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<v Speaker 2>was was a grass snake that had its mid section

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<v Speaker 2>replaced with the mid section of a fish, and there

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<v Speaker 2>were little arms from a toad that were added to it,

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<v Speaker 2>and it fooled a lot of people into thinking this

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<v Speaker 2>was a real dragon.

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<v Speaker 1>And but you're saying it was a total fraud.

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<v Speaker 3>Yes it was.

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<v Speaker 2>It was a complete fraud, and it probably had some

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00:18:08.279 --> 00:18:12.400
<v Speaker 2>politics going on with it, because the pope that had

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<v Speaker 2>just got elected his family crest was a dragon, and

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<v Speaker 2>to be elected on the on the day when a

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<v Speaker 2>dragon appears near his hometown, the pope's hometown which happened

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<v Speaker 2>to be where Aldervandi was also living and had his museum,

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<v Speaker 2>and a dragon had been beaten to death by a

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<v Speaker 2>peasant whose name was supposedly Baptista, in other words, a baptizer.

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<v Speaker 2>I mean, there's religious and political innuindo in here. Apparently

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<v Speaker 2>somebody did not like the pope and was beating him

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<v Speaker 2>in effigy, and then the dragon was donated to Aldervandi,

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00:18:52.880 --> 00:18:57.319
<v Speaker 2>who put it on display, and obviously somebody knew it

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00:18:57.359 --> 00:18:59.000
<v Speaker 2>was going to go on display, because that's what you

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00:18:59.039 --> 00:19:01.759
<v Speaker 2>do with the museum. So this kind of in your

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00:19:01.799 --> 00:19:04.359
<v Speaker 2>face to the new pope was now public and permanent.

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<v Speaker 2>There must have been some other intrigue going on with that,

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00:19:08.319 --> 00:19:14.079
<v Speaker 2>but I mean the the audacity to do them on

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00:19:14.160 --> 00:19:17.640
<v Speaker 2>that particular day, and they prepared for it too. The

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00:19:17.720 --> 00:19:19.759
<v Speaker 2>dragon appeared on that day, but they had to have

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00:19:19.759 --> 00:19:24.759
<v Speaker 2>put it together some days before. So someone was anticipating

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00:19:24.759 --> 00:19:28.359
<v Speaker 2>that this guy would be elected and had gone to

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<v Speaker 2>the trouble to express their displeasure.

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<v Speaker 3>Ahead of time.

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<v Speaker 2>So who knows what sort of feud was going on

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<v Speaker 2>and who knows who it was. But I would like

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00:19:40.200 --> 00:19:43.200
<v Speaker 2>to travel back in time a little bit and find

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00:19:43.279 --> 00:19:43.720
<v Speaker 2>that out.

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<v Speaker 4>I'm just listening to and a question came to mind.

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<v Speaker 4>I'm just starting to wonder. We're talking about serpents and snakes,

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00:19:57.680 --> 00:20:01.279
<v Speaker 4>and evolution is going to come into this discussion soon,

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<v Speaker 4>but right now, I'm wondering, how did this mythical creature

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<v Speaker 4>evolve from a snakelike creature to a kind of reptilian

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<v Speaker 4>bast that has claws and wings and can breathe fire

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00:20:15.319 --> 00:20:17.599
<v Speaker 4>into all of these other things that we associate with

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<v Speaker 4>dragons today.

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<v Speaker 2>Well, the first bit of transformation was the fire. When

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<v Speaker 2>Christianity became the predominant religion in the Roman Empire, the

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<v Speaker 2>Christian storytellers began to make stories about their saints, stories

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<v Speaker 2>about real people. But things that had not actually happened

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<v Speaker 2>to those people, And there were encounters with serpents in

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<v Speaker 2>which the saint was cast almost in the Greek or

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<v Speaker 2>Roman hero role, with the serpent as adversary, and in

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<v Speaker 2>the literature was called draco or draco, which is a

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<v Speaker 2>formal way to say snake, like today we would say

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00:21:06.319 --> 00:21:08.759
<v Speaker 2>serpent instead of snake, so that they were trying to

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00:21:08.799 --> 00:21:09.599
<v Speaker 2>make it.

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00:21:09.440 --> 00:21:10.680
<v Speaker 3>Impressive and hyghalutine.

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00:21:11.519 --> 00:21:16.799
<v Speaker 2>Well, before Christianity had taken over, a lot of the

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00:21:16.880 --> 00:21:23.240
<v Speaker 2>dragon stories had the dragon spitting venom and venom burns.

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<v Speaker 2>I can attest to this, having venomated at least once

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00:21:28.039 --> 00:21:28.759
<v Speaker 2>I got you.

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00:21:28.759 --> 00:21:32.960
<v Speaker 1>You mean it feels it burns? Yeah, yeah, gotcha, gotcha. Slamble,

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00:21:33.039 --> 00:21:35.680
<v Speaker 1>it feels like you're on fire, got it exactly.

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00:21:35.799 --> 00:21:38.000
<v Speaker 2>It won't set anything on fire, but you will feel

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00:21:38.000 --> 00:21:40.960
<v Speaker 2>like there is fire inside you when when the venom

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00:21:41.039 --> 00:21:43.240
<v Speaker 2>has been pumped into your system.

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<v Speaker 4>And eating Chili's right.

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<v Speaker 3>Well, with these.

347
00:21:47.440 --> 00:21:52.720
<v Speaker 2>Christian stories, the the venom spitting got replaced with fire spitting,

348
00:21:53.160 --> 00:21:55.319
<v Speaker 2>and it's not too much of a stretch to do

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00:21:55.440 --> 00:21:57.160
<v Speaker 2>one from one to the other, because there was an

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00:21:57.200 --> 00:22:00.160
<v Speaker 2>association in people's minds with that, so that was the

351
00:22:00.160 --> 00:22:07.000
<v Speaker 2>the first transformation. The dragon became fire breathing in Christian traditions,

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00:22:07.799 --> 00:22:13.119
<v Speaker 2>and then about the eighth or ninth century, for no

353
00:22:13.240 --> 00:22:19.079
<v Speaker 2>apparent reason, artists began putting feathered bird wings and one

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00:22:19.119 --> 00:22:24.279
<v Speaker 2>pair of legs on dragon depictions. And I have searched

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00:22:24.400 --> 00:22:30.480
<v Speaker 2>the literature to see whether there was some inspiration from

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00:22:30.960 --> 00:22:34.160
<v Speaker 2>something written, and I've come up with squat, so I

357
00:22:34.160 --> 00:22:38.480
<v Speaker 2>think the artists were just being imaginative. But once that

358
00:22:38.559 --> 00:22:42.839
<v Speaker 2>got started, it stuck. And then a few centuries later

359
00:22:43.799 --> 00:22:48.000
<v Speaker 2>it became popular to trade the bird wings for batwings,

360
00:22:49.160 --> 00:22:52.400
<v Speaker 2>and this did not become really popular until the Renaissance.

361
00:22:52.480 --> 00:22:55.920
<v Speaker 2>Didn't become standard until after the Renaissance. And the same

362
00:22:55.960 --> 00:22:58.640
<v Speaker 2>goes for adding a second pair of limbs so that

363
00:22:58.680 --> 00:23:01.799
<v Speaker 2>the dragon becomes a quite with wings. There was a

364
00:23:01.799 --> 00:23:03.839
<v Speaker 2>little bit of that in the twelfth century, but it

365
00:23:03.920 --> 00:23:07.279
<v Speaker 2>did not become standard until the Renaissance was at its height,

366
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<v Speaker 2>so it took a while for this to catch on,

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<v Speaker 2>and by the time the Renaissance was over, a lot

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00:23:15.799 --> 00:23:19.119
<v Speaker 2>of artists had stopped depicting the dragon with the sort

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00:23:19.119 --> 00:23:23.000
<v Speaker 2>of a bird shaped torso and had replaced that with

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00:23:23.079 --> 00:23:27.400
<v Speaker 2>a mammalian torso with mammalian haunches and the limbs that

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00:23:27.440 --> 00:23:30.960
<v Speaker 2>were clearly upright like those of a mammal, which just

372
00:23:31.039 --> 00:23:33.400
<v Speaker 2>so happens to be how dinosaurs hold their limbs. So

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<v Speaker 2>by the time dinosaurs were discovered for what they were

374
00:23:37.039 --> 00:23:41.799
<v Speaker 2>in the nineteenth century, the dragon had come to resemble

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<v Speaker 2>one with wings, quite by accident.

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<v Speaker 1>It's interesting because you go from this idea that it's

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<v Speaker 1>a serpent, and then it becomes a leged animal and

378
00:23:53.680 --> 00:23:58.920
<v Speaker 1>winged animal and a fire breeding animal. And then Europeans

379
00:23:58.920 --> 00:24:01.640
<v Speaker 1>as they go around the world, anytime they encounter is

380
00:24:01.680 --> 00:24:05.119
<v Speaker 1>something that looks big and reptilian that's also a dragon.

381
00:24:05.519 --> 00:24:07.799
<v Speaker 1>You know, even if that culture doesn't even have a dragon,

382
00:24:07.960 --> 00:24:11.200
<v Speaker 1>it becomes part of the dragons. And you get things

383
00:24:11.279 --> 00:24:14.720
<v Speaker 1>like we have a taxonomy. You know, if it's got

384
00:24:14.720 --> 00:24:16.759
<v Speaker 1>four legs, it's a dragon. If it's got two leg

385
00:24:16.759 --> 00:24:19.200
<v Speaker 1>it's a wyburn. You know, some people call them worms.

386
00:24:19.359 --> 00:24:24.920
<v Speaker 1>It's really interesting and creative, and I think I struggle

387
00:24:24.960 --> 00:24:28.359
<v Speaker 1>sometimes because, again going back to that Euhimmerist idea, the

388
00:24:28.400 --> 00:24:31.440
<v Speaker 1>idea that things are based on real encounters kind of

389
00:24:31.480 --> 00:24:35.200
<v Speaker 1>lies at the core of what is the challenge with

390
00:24:35.559 --> 00:24:39.400
<v Speaker 1>dealing with people who don't have a scientific take on

391
00:24:39.440 --> 00:24:43.400
<v Speaker 1>the world, or who like to have literally supernatural takes

392
00:24:43.440 --> 00:24:48.519
<v Speaker 1>on the world. That these magical, supernatural creatures can somehow

393
00:24:48.599 --> 00:24:51.680
<v Speaker 1>fit into a natural world, that there's a way to

394
00:24:51.720 --> 00:24:54.960
<v Speaker 1>make them fit. There's a way it makes sense, and

395
00:24:55.160 --> 00:24:57.359
<v Speaker 1>the easiest way, it seems like it's to reject science.

396
00:24:58.039 --> 00:25:00.799
<v Speaker 1>But I guess I do have a question here after

397
00:25:00.839 --> 00:25:03.799
<v Speaker 1>that little ramble, which is this. And this is one

398
00:25:03.839 --> 00:25:06.039
<v Speaker 1>of those questions that sometimes annoy our listeners because it's

399
00:25:06.039 --> 00:25:09.200
<v Speaker 1>a thoughtful, feely kind of question. But if you leave

400
00:25:09.240 --> 00:25:11.839
<v Speaker 1>inside the science for a minute, why do you think

401
00:25:11.920 --> 00:25:16.279
<v Speaker 1>this idea of dragons, this powerful fire breathing creature has

402
00:25:16.319 --> 00:25:20.160
<v Speaker 1>such an emotional value even in modernity? Like why do

403
00:25:20.240 --> 00:25:22.920
<v Speaker 1>people love dragons so much? And why do they want

404
00:25:22.960 --> 00:25:23.640
<v Speaker 1>them to be real?

405
00:25:25.960 --> 00:25:28.240
<v Speaker 2>I can only give you an opinion here, That's all

406
00:25:28.240 --> 00:25:28.599
<v Speaker 2>we got.

407
00:25:28.640 --> 00:25:30.519
<v Speaker 1>I mean, go for you, that's all we would ask.

408
00:25:30.599 --> 00:25:31.799
<v Speaker 3>Yeah, good enough.

409
00:25:33.039 --> 00:25:35.599
<v Speaker 2>I think, for lack of a better word, dragons are cool.

410
00:25:36.079 --> 00:25:45.000
<v Speaker 5>Oh, even in the Renaissance when they were just starting

411
00:25:45.039 --> 00:25:48.160
<v Speaker 5>to get the bells and whistles and only a few

412
00:25:48.240 --> 00:25:51.559
<v Speaker 5>artists were putting the frill of spikes down the back

413
00:25:51.599 --> 00:25:54.319
<v Speaker 5>and horns on the head, and they were.

414
00:25:54.720 --> 00:26:02.839
<v Speaker 2>Finally giving the bat wings and the four limbs instead

415
00:26:02.839 --> 00:26:05.240
<v Speaker 2>of two, and a little arrowhead thing on the end

416
00:26:05.279 --> 00:26:10.319
<v Speaker 2>of the tail. Even before that got started, artists were

417
00:26:10.359 --> 00:26:14.839
<v Speaker 2>trying their best to make the dragon look impressive, to

418
00:26:14.920 --> 00:26:18.000
<v Speaker 2>make it look like you had to look twice at

419
00:26:18.000 --> 00:26:20.279
<v Speaker 2>this painting, And so dragons were kind of an outlet

420
00:26:20.279 --> 00:26:24.920
<v Speaker 2>for artistic creativity, if you will. And the more the

421
00:26:24.960 --> 00:26:28.640
<v Speaker 2>centuries go by, the more ornate the dragon gets, until

422
00:26:28.680 --> 00:26:30.720
<v Speaker 2>by the time we get to the twentieth century, Oh,

423
00:26:30.759 --> 00:26:33.160
<v Speaker 2>it is full of bells and whistles. It's got spikes

424
00:26:33.200 --> 00:26:36.559
<v Speaker 2>all over it, it's got scales that are modified into

425
00:26:36.680 --> 00:26:43.279
<v Speaker 2>these big, larger scuts and with patterns going over the animal,

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00:26:44.119 --> 00:26:49.559
<v Speaker 2>and little hornlets on its face in addition to bigger horns.

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<v Speaker 2>And it's the ornateness of it that just makes you

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<v Speaker 2>take a second look and makes them so fun to see.

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<v Speaker 2>And I think that has a lot to do with

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<v Speaker 2>the fact that the artists have been trying to make

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<v Speaker 2>you take a second look and they have figured out

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<v Speaker 2>how to do it.

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<v Speaker 1>Oh, that's near to my heart. We have an idea

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00:27:10.799 --> 00:27:12.839
<v Speaker 1>we talk about here. It started as sort of a joke,

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00:27:12.880 --> 00:27:16.440
<v Speaker 1>but it's not a joke. Which is we talk about cryptids.

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00:27:16.079 --> 00:27:17.400
<v Speaker 3>And how much.

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00:27:18.680 --> 00:27:25.559
<v Speaker 1>Fiction and film and the way that non real stories

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00:27:25.559 --> 00:27:30.599
<v Speaker 1>and nonreal images end up affecting how people really experience things.

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00:27:30.599 --> 00:27:35.359
<v Speaker 1>So I think, I guess probably the best example would

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00:27:35.359 --> 00:27:39.119
<v Speaker 1>be the Patterson Gimblin film. Bigfoot sort of came into

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00:27:39.200 --> 00:27:42.519
<v Speaker 1>existence in the nineteen fifties, but after the Patterson Gimblin film,

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00:27:42.599 --> 00:27:46.079
<v Speaker 1>everybody knew what they were looking for, so anytime people

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<v Speaker 1>saw a bigfoot, it started to conform to that sort

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00:27:49.160 --> 00:27:51.119
<v Speaker 1>of a shape and size, And so I started calling

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00:27:51.119 --> 00:27:55.599
<v Speaker 1>this instead of cryptids scriptids, because the movies were influencing them.

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00:27:56.400 --> 00:27:59.119
<v Speaker 1>And he likes puns and I love puns. And I

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00:27:59.200 --> 00:28:01.240
<v Speaker 1>noticed you included a lot in your chapter titles and

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00:28:01.240 --> 00:28:04.279
<v Speaker 1>headings and stuff, so I definitely appreciate you, very impressed.

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00:28:05.559 --> 00:28:13.319
<v Speaker 1>But unfortunately these ideas, these I think wonderful fantasy ideas

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00:28:13.319 --> 00:28:20.640
<v Speaker 1>of dragons, have gotten lastoed into an anti science narrative

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00:28:21.319 --> 00:28:24.440
<v Speaker 1>that we've talked about several times here on Monster Talk,

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00:28:24.480 --> 00:28:28.079
<v Speaker 1>and that is the use of cryptozoology to support the

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00:28:28.160 --> 00:28:31.720
<v Speaker 1>idea of creationism. And in the second half of this interview,

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00:28:31.720 --> 00:28:35.200
<v Speaker 1>which we will go to soon, we're going to continue

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00:28:35.279 --> 00:28:37.480
<v Speaker 1>questions along those lines, because that's really the heart of

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00:28:37.480 --> 00:28:40.799
<v Speaker 1>this book is what is evolution? What are dragons? And

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00:28:40.839 --> 00:28:43.200
<v Speaker 1>why are people using dragons to support the idea that

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<v Speaker 1>evolution is wrong? So tune in next week for part two.

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<v Speaker 1>More monster You've been listening to Monster Talk, the science

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00:28:52.640 --> 00:28:53.759
<v Speaker 1>show about monsters.

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00:28:54.119 --> 00:28:57.039
<v Speaker 3>I'm Blake Smith and I'm Karen Stolsner.

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<v Speaker 1>You just heard part one of our two part interview

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00:28:59.599 --> 00:29:02.759
<v Speaker 1>with doctor Philip Center discussing his new book, The Real

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00:29:02.839 --> 00:29:06.559
<v Speaker 1>Story of Dinosaurs and Dragons Science Sets the Fossil Record Straight,

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00:29:06.799 --> 00:29:09.559
<v Speaker 1>which details how creationists are trying to use dragons to

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<v Speaker 1>undermine the science of natural selection and evolution. In part two,

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<v Speaker 1>we're going to dive deeper into the conceptual battle between

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00:29:15.880 --> 00:29:19.119
<v Speaker 1>these ideas. Come back next week for that. We hope

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00:29:19.160 --> 00:29:22.559
<v Speaker 1>you've enjoyed this episode of Monster Talk. Each episode we

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00:29:22.599 --> 00:29:25.599
<v Speaker 1>strive to bring you the very best in monster related content,

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00:29:25.680 --> 00:29:29.039
<v Speaker 1>with a focus on bringing scientific skepticism into the conversation.

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00:29:29.920 --> 00:29:32.759
<v Speaker 1>If you enjoy Monster Talk, we now have a variety

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00:29:32.799 --> 00:29:36.039
<v Speaker 1>of ways to support the show, all with convenient links

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00:29:36.200 --> 00:29:40.759
<v Speaker 1>at monster talk dot org, forwarde slash support. That's monster

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00:29:40.799 --> 00:29:44.880
<v Speaker 1>talk dot org forwarde slash support. We have links there

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00:29:44.880 --> 00:29:47.359
<v Speaker 1>to our Patreon page, as well as a donation button.

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00:29:48.319 --> 00:29:50.279
<v Speaker 1>Another great way to support the show is to buy

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00:29:59.559 --> 00:30:02.000
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<v Speaker 1>to help us find you listeners, and please share our

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<v Speaker 1>show on your favorite social media platforms. Monster Talks theme

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00:30:24.079 --> 00:30:26.880
<v Speaker 1>music is by Peach Stealing Monkeys. The fun thing about

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<v Speaker 1>science is that it says we get to see dinosaurs

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<v Speaker 1>just about every day. This has been a Monster House

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<v Speaker 1>presentation
