Speaker 1: H h.
Speaker 2: H joy listening to the David Night Show.
Speaker 3: All right, welcome back and joining us now is Anthony Freda.
Speaker 3: He's got a new book that's coming out. We're going
Speaker 3: to talk to him about that, The Thought Crimes of
Speaker 3: Anthony Frida, and Uh, he's got he's been very successful
Speaker 3: as an artist, and he's his art is full of
Speaker 3: very important critiques of the of what we see politically.
Speaker 2: Uh.
Speaker 3: He's actually had in his art put on display at
Speaker 3: the nine to eleven Museum and Memorial in New York City,
Speaker 3: and he's on the same page as we are, I
Speaker 3: think about nine to eleven. His tenure tenure with Info
Speaker 3: Wars as an illustrator and writer fully submitted his place
Speaker 3: in the world of controversial alternative news and he's been
Speaker 3: very vocal about his role in that space. And so
Speaker 3: that's where I got to know Anthony, as well as
Speaker 3: his work with Cheryl Slinty and Trend's Journal. So thank
Speaker 3: you for joining us, Anthony. Good to see you again.
Speaker 1: Great to see David, and thanks for having me beautiful set.
Speaker 2: Well, thank you, thank you. Yeah.
Speaker 3: I always wanted to talk to you about your background here,
Speaker 3: and there's a whole other aspect of your background that
Speaker 3: I wasn't aware of. Now that you're getting into Christian
Speaker 3: art and you've got a project with that as well,
Speaker 3: and to go fundme to help realize that project. But
Speaker 3: let's talk about your personal journey here. You began doing
Speaker 3: copy stuff for the advertising industry and you began helping
Speaker 3: them to sell Joe Campbell. Talk a little bit about
Speaker 3: that and how you got from there to where you
Speaker 3: are now.
Speaker 1: Yeah, so it's quite a journey. I've been doing it
Speaker 1: for forty years, so I'll give you the condensed version.
Speaker 1: But uh, yeah, I got out of art. I had
Speaker 1: this dream of becoming this, you know, famous, prosperous, thriving artists,
Speaker 1: and uh I just wasn't prepared. I mean I went
Speaker 1: to Pratt at four years of training in art and
Speaker 1: painting and drawing, and I was pretty proficient and I was,
Speaker 1: you know, pretty confident, but they really didn't train you
Speaker 1: how to make a living as an artist. So I
Speaker 1: sort of figured that out of my own my own.
Speaker 1: Now I have to make a living doing this. So
Speaker 1: crossing that threshold from academy into the professional world for
Speaker 1: any artist is a is a scary time. I mean,
Speaker 1: I teach seniors now at f I T and that's
Speaker 1: my way of giving back because I know how scared
Speaker 1: they are, so I try to sort of pivot that.
Speaker 3: And I think it's a SPERI your time right now
Speaker 3: than ever has been. I mean, we look at AI
Speaker 3: and a lot of people are just content to throw
Speaker 3: a prompt at AI and take whatever it gives them.
Speaker 2: What do you think about that? How is that going
Speaker 2: to affect art?
Speaker 1: Well? I think it's going to be not just art,
Speaker 1: it's going to I mean, I think it's designed to
Speaker 1: create a post human future where the robots do all
Speaker 1: the work and they work twenty four hours a day.
Speaker 1: And I mean the transhumanist you know, elevator pitch or
Speaker 1: Elevator to Hell pitch is that the robots everything for
Speaker 1: us and we have the freedom to do whatever we
Speaker 1: want and they'll give us a basic unit of income.
Speaker 1: I don't think it's going to work out that way,
Speaker 1: but that's their utopian, post human transhumanist future.
Speaker 2: Yeah.
Speaker 1: I had my class yesterday. The kids were crying. They
Speaker 1: were literally crying because they just went to school for
Speaker 1: four years to learn how to be an artist. And
Speaker 1: now anyone who has an AI program can do what
Speaker 1: they do. So it's very demoralizing to the creatives. But
Speaker 1: I mean the same thing goes for the guys who
Speaker 1: remember they say to learn to code, like not anymore.
Speaker 2: Yeah, they're putting themselves out of a job. That's right.
Speaker 1: Well.
Speaker 3: The other part of it is, though, and I think
Speaker 3: we'll get to this when we get to where you
Speaker 3: are right now, the machine has no soul. It's going
Speaker 3: to put things together statistically, and it can copy and
Speaker 3: paste and throw things against the wall. And in a sense,
Speaker 3: it's a sophisticated version of a chimpanzee painting, right, And
Speaker 3: so there is still going to be a niche there,
Speaker 3: I think for the human soul, communicating truth and beauty.
Speaker 3: I think that's really the issue there, and that's what
Speaker 3: we have to focus on. And I think that that's
Speaker 3: going to be pretty obvious to people. You know, there's
Speaker 3: a lot of things that AI can do, especially I
Speaker 3: think in the art aspect, because it can hallucinate and.
Speaker 2: It looks like it's you.
Speaker 3: Know, having a drug trip or whatever, and that can
Speaker 3: be useful in art or even in music to some degree.
Speaker 3: But when you look at the kind when I look
Speaker 3: at it for music, for example, the thing about AI
Speaker 3: is that you can't precisely get.
Speaker 2: It to do what you want. You know, it can
Speaker 2: get like eighty.
Speaker 3: Percent there or eighty five percent there, which is not
Speaker 3: good enough for art. As many people have said, art
Speaker 3: has never finished simply abandoned. At some point you've got
Speaker 3: to stop tweaking it and just go do something different
Speaker 3: the next project or whatever. And I think that's the
Speaker 3: problem with AI. It just throws this stuff out there
Speaker 3: and people say, ah, that's good enough. I think there's
Speaker 3: going to be a qualitative difference that people will be
Speaker 3: able to tell that last fifteen or twenty percent that
Speaker 3: is there. Yes, I agree with you, Yeah, that's my
Speaker 3: hope we do.
Speaker 1: But I think you're right. Listen, our advantage moving forward
Speaker 1: is the robots don't laugh, they don't cry, they don't love.
Speaker 1: That's right, They're not connected to God. In fact, I
Speaker 1: think it's the opposite that you're right. I have this
Speaker 1: idea that just as a whole spirit is this unifying
Speaker 1: force and universal force of good and God, the adverse
Speaker 1: the into that yang is this unifying force of darkness
Speaker 1: which informs and which has basically a cauldron for this
Speaker 1: AI to be created and we're incarnating it by giving
Speaker 1: it prompts and giving it life. But that spirit is
Speaker 1: a dark spirit, and I sense that, and I feel
Speaker 1: that it's an anti human spirit.
Speaker 3: But Elon Musk agrees with you as well. He said,
Speaker 3: we're summoning the demon. Yeah, maybe we're to pay attention
Speaker 3: to what he's saying about that.
Speaker 1: Some of these guys who are atheists say, there's something
Speaker 1: here that mathematics doesn't you know, describe or defined. So
Speaker 1: it's something beyond mathematics. So what's going on? They don't
Speaker 1: even know. The guys who created it don't even know how.
Speaker 1: You know, these systems arrive at the decisions that they
Speaker 1: make to certain points. It's called black box technolog righty,
Speaker 1: it's it's it's opaque. But robots understand it. But they
Speaker 1: might have, But did they understand us? Still that's the problem,
Speaker 1: Like we don't understand how they do what they do,
Speaker 1: but they understand us. I mean, they have so much
Speaker 1: big data about humanity and what moves us and I
Speaker 1: influence us that it's a lopsided uh relationship.
Speaker 3: That's why it's such a good fit for the government
Speaker 3: because the government knows everything about us. But the government
Speaker 3: itself is by design a black box. That black box
Speaker 3: is labeled national security. We can't tell you, we'd have
Speaker 3: to kill you, right.
Speaker 1: So exactly. Yeah, so man, I could talk about AI
Speaker 1: for hours.
Speaker 2: But yeah, yeah, but let's go back to your story.
Speaker 3: You were you were doing, started working at an ad
Speaker 3: agency as you gun out trying.
Speaker 1: To start working at it. Yeah, I was a young man,
Speaker 1: you know, young man. I left it after money and
Speaker 1: woman and I was in my twenties and I became
Speaker 1: very successful working for Fortune five hundred companies. And I
Speaker 1: it was I was in an advertisement about ten years
Speaker 1: and I started to learn and see all the psychological
Speaker 1: tricks of manipulations, you know, informed by the ideas of
Speaker 1: Edward Burneese. And he was the master of mass psychological manipulation, right,
Speaker 1: and that was employed. He was contracted by the government
Speaker 1: and by ad agencies. It's a long story, but those
Speaker 1: ideas worked because people respond positively a certain stimuli negatively
Speaker 1: to other stimuli. Like we're pretty predictable animals. Once you
Speaker 1: break that code, you're trying to sell something, and you're
Speaker 1: smart and clever, you can figure out a way to
Speaker 1: do it. But I got really turned off. I was
Speaker 1: working on the Joe Campbell ad campaign. And in those days,
Speaker 1: they were, you know, paying us a lot of money
Speaker 1: to do this stuff. And I was just enamored with
Speaker 1: the money. And I bought a condo in Manhattan, and
Speaker 1: I thought I was like living on top of the world.
Speaker 1: And then so I kind of got lost in that
Speaker 1: that world of money and success. And then the FTC
Speaker 1: determined that our campaign was illegal because we were using
Speaker 1: cartoon camels. They said we were marketing cigarettes to children.
Speaker 1: So I sort of had a moral crisis and I
Speaker 1: didn't become an artist to sell cigarette to kids, right,
Speaker 1: And I said.
Speaker 3: You know, maybe get a job provisor because they sell
Speaker 3: poison the kids all the time.
Speaker 1: Well that's what they're in the story. Yeah, So I
Speaker 1: had this crisis has come to Jesus moment. I said,
Speaker 1: that's it. I'm done with advertising. I'm not going to
Speaker 1: sell my soul to the devil. So I was still
Speaker 1: you know, now, I'm a young man in my thirties.
Speaker 1: I was pretty naive politically at that time, and I said,
Speaker 1: I'm going to work for the good guys, right, I'm
Speaker 1: going to work for New York Times and uh, the
Speaker 1: New Yorker and I started working for you know, all
Speaker 1: these mainstream publications as an editorial illustrator. And I worked
Speaker 1: for the outbed page of the New York Times, which
Speaker 1: is like a premier showcase for thinkers and for I
Speaker 1: kind of like where the elite speak to each other. Sure, right,
Speaker 1: And I was again, I was on top of the
Speaker 1: oil and I'm working like, you know, the best place
Speaker 1: for an illustrator to be. And I was doing articles
Speaker 1: for them on a regular basis. And then I got
Speaker 1: to see how the sausages made there, and the the
Speaker 1: art director and the editor told me that every single
Speaker 1: word that goes through here has to be vetted by
Speaker 1: the State Department. And I said, I said, I thought,
Speaker 1: you know, you're the fourth ward. You're I said, that's
Speaker 1: like proud the world has to be the State Department.
Speaker 1: They said, that's that's how it is. So my naive
Speaker 1: ta started to, you know, unravel. At that point. I
Speaker 1: started to become a little more educated about how the
Speaker 1: world really works. And I feel silly now saying that,
Speaker 1: but I thought The New York Times was just like
Speaker 1: beacon up truth and objectivity. I mean, I couldn't be
Speaker 1: more wrong. But so I got an assignment to do.
Speaker 1: It was not that piece right before the Iraq War,
Speaker 1: penned by the then Secretary of State Condoleeza Rice, and
Speaker 1: it was outlining all the lives that we know now
Speaker 1: that took us to that war. And I illustrated the peace.
Speaker 1: And then I had another moral crisis. This guy said
Speaker 1: to myself, my god, I went from selling cigarettes to
Speaker 1: kids to selling war. This is I didn't think I
Speaker 1: could do worse than that, but I did. So I
Speaker 1: had another, you know, time to question what am I
Speaker 1: doing with my life? What are my life choices? What
Speaker 1: do I really what do I really want to do
Speaker 1: with my skills and my my whatever gift Guy's given
Speaker 1: me and my passions, And I mean, I love to
Speaker 1: create imageries, the only thing I'm good at. So I
Speaker 1: wanted to stay in that lane. So right then, it
Speaker 1: was about the time that these seminal alternative news sides
Speaker 1: started coming out, like info Wars, and there was a
Speaker 1: few others and trans journal and I reached out to them,
Speaker 1: and because I figured, these guys are exposing the lives
Speaker 1: of the mainstream media that I used to work for
Speaker 1: and of the advertising agencies I used to work for,
Speaker 1: so I wanted to bite the hand that fed me,
Speaker 1: so I started. I started working for people and the
Speaker 1: health freedom movement and people and the liberty movement and
Speaker 1: people and all these different movements, you know, people like
Speaker 1: you included, and and I've been there ever since because
Speaker 1: I do think there are there are good people out
Speaker 1: there who would try trying to get to the truth
Speaker 1: of the matter about all of these issues, and journalists
Speaker 1: and activists and filmmakers and writers, and I've worked for
Speaker 1: a lot of them and they're my heroes. So and
Speaker 1: then politically I got I was in the contract for
Speaker 1: the RFK campaign when he was running for president because
Speaker 1: I believed in what he was doing and his his
Speaker 1: work to expose the vaccines and the dangers of pharmaceuticals.
Speaker 2: Right, So.
Speaker 1: I still have a hand in the political realm, but
Speaker 1: I'm basically working for people who I think are the
Speaker 1: good guys. You know that I can sleep well at
Speaker 1: night now, David, because I think I'm working for people,
Speaker 1: or at least trying to tell the truth. You know,
Speaker 1: It's like it's not equivalent, like when like when people
Speaker 1: get fined for like the way they went after Alex
Speaker 1: or whatever he said, like the New York Times and
Speaker 1: CNN tell lies of much greater magnitude every day, and
Speaker 1: nobody sued. And by the way, their lies lead to
Speaker 1: wars that kill millions of people. Their lies so products
Speaker 1: that kill millions of people, like and they're never held
Speaker 1: accountabal and then and they're not. The difference between them
Speaker 1: and say what independent journalists who is that they're purposely
Speaker 1: trying to lie to you. They know they're lying to you.
Speaker 1: You know, it's one thing to make a mistake in
Speaker 1: the in the you know, the search for the truth.
Speaker 1: We're not always going to be perfect. But there's a
Speaker 1: big difference to somebody who's purposely knowing to lie to you,
Speaker 1: to hurt you and your children, and somebody who's just
Speaker 1: trying to figure out in real time what the hell's
Speaker 1: going on, because it's very confusing. We've been lied to
Speaker 1: so much about so about everything that people become so
Speaker 1: skeptical that, you know, I think it. Unfortunately, it fosters
Speaker 1: this environment where nobody believes anything that's we are right now,
Speaker 1: buddy believes anything. So they come up with one hundred
Speaker 1: different theories of how Charlie Kirk was killed. Right because
Speaker 1: nobody believes the official story right, and we can never
Speaker 1: get to the bottom of anything because everybody has their
Speaker 1: own theory about what happened, and there's no universal truth anymore.
Speaker 1: We're in the post truth age, and I think that's
Speaker 1: the truth is going to be the greatest, most valuable
Speaker 1: commodity in the future.
Speaker 3: Here's what you need, here's the fundamental truth. Government lies,
Speaker 3: it always has, always will for its own interest. So
Speaker 3: if you understand that kind of whatever the government says
Speaker 3: or the official press says with a healthy dose of skepticism,
Speaker 3: I think that's the most important thing.
Speaker 2: You know, you.
Speaker 3: Mentioned the fact that you realize that they had to
Speaker 3: get the approval of the State Department for what they
Speaker 3: were saying at the New York Times, and of course
Speaker 3: we know about Operation mocking Bird.
Speaker 2: And the rest of this stuff.
Speaker 3: I thought it was really amazing, the disingenuous astonishment of
Speaker 3: the fact that Hegseth openly said, well, you're going to
Speaker 3: have to get approval for anything that to release. I
Speaker 3: don't like that, but that's not anything that's really different.
Speaker 3: The only thing that's different about that is that they're
Speaker 3: going to own it and say it out loud rather
Speaker 3: than doing it behind closed doors. I had a friend
Speaker 3: who worked at the Pentagon, and he worked for the
Speaker 3: side that was vetting movie scripts.
Speaker 2: If they liked your movie script.
Speaker 3: If it was complimentary of them and their agenda, they
Speaker 3: would give you access to military equipment that you could
Speaker 3: use to film your movie. If they didn't like it,
Speaker 3: you didn't get that equipment, and that might sink your
Speaker 3: movie because the expense of trying to get that equipment.
Speaker 3: Otherwise they provide it at a reduced cost or for free.
Speaker 3: So that kind of thing has been going along for
Speaker 3: a very long time.
Speaker 1: Yeah, I mean I'm still surprised. I remember, I'm older.
Speaker 1: I remember Frank Church, the Church Committee here, and it's
Speaker 1: like he had the receipts, he proved it back in
Speaker 1: the seventies, and nobody cared. It's like it did nothing.
Speaker 1: They just went back to business as usual.
Speaker 2: Yeah, that's right.
Speaker 1: I mean, you know, God for him and his work,
Speaker 1: but I mean, you really didn't do anything in the
Speaker 1: big picture.
Speaker 3: Yeah, and all this stuff about the heart attack gun.
Speaker 3: As I've said before, that was really a distraction because
Speaker 3: the whole thing began because from their inception, the CIA
Speaker 3: and the NSA were spying on Americans without a search warrant,
Speaker 3: which you know takes us we've been finding that thing
Speaker 3: going up to you know, twenty twelve, twenty thirteen at
Speaker 3: Snowed and all the rest of the stuff.
Speaker 2: So the result of that was still the result.
Speaker 3: Of the Church Committee hearings was the Faiza Act, the
Speaker 3: Foreign Intelligent Surveillance Act, which they then used to give
Speaker 3: themselves legal cover to do what they'd been doing from
Speaker 3: their inception, which was to spy on Americans with a
Speaker 3: search warrant, as Ran Paul says, you know, spying on
Speaker 3: mister and missus Verizon. You know, you go to one
Speaker 3: judge and a secret court that nobody knows about, and
Speaker 3: you get legal cover to violate the Constitution. So they
Speaker 3: always turned this stuff to their own advantage.
Speaker 1: Well yeah, and I was speaking of that subject. I
Speaker 1: worked One of my heroes is William Binny, and I
Speaker 1: had the pleasure of working on a documentary about William.
Speaker 1: I met him, just a great guy, and I mean
Speaker 1: we quit because he said the systems he designed to
Speaker 1: spy on potential terrorists were being used to spy on
Speaker 1: everybody and that's against the oath he took, and that's illegal.
Speaker 1: And he said he's not gonna do it, So what
Speaker 1: do they do? They I rated his house and arrested
Speaker 1: him under false pretenses and false charges. But yeah, so
Speaker 1: just get back to my journey. Yeah, so, donna those track.
Speaker 1: After the RFK thing, I worked for him for a
Speaker 1: year and it was a great experience, and I got
Speaker 1: to see just how dirty the Democrats are. I mean,
Speaker 1: Republicans basically left him alone. You know, Trump would make
Speaker 1: some you know, nasty comments now and then, but the
Speaker 1: Democrats actively tried to destroy him with lawsuits and moles
Speaker 1: and people doing dirty tricks. And it was a constant,
Speaker 1: relentless assault on him that really opened my eyes again.
Speaker 1: I mean I was naive again, like whenever I underestimate
Speaker 1: how evil these people are and how they are to
Speaker 1: be corrupt and to use the power they have or
Speaker 1: abuse any power they have in the courts, in the media,
Speaker 1: in academia, in tech, I mean, which which they control
Speaker 1: those institutions, unfortunately, And it just it sickened me. It
Speaker 1: sick of me the way that they smeared him and
Speaker 1: lied about him and sued him and tried to play
Speaker 1: dirty tricks with ballots and just on and on and on,
Speaker 1: so so then I got that made me realize that
Speaker 1: the battle isn't political, this battle is spiritual. So I
Speaker 1: had I wanted to move from the temporal plane into
Speaker 1: the spiritual plane with my work and cut back to
Speaker 1: my Christian roots. I was raised a Catholic and I
Speaker 1: had a personal experience with my fiance started having seizures
Speaker 1: one night we were watching actually it was the Obama movie. Uh,
Speaker 1: it was like an apocalyptic Obama movie, Leave the Leave
Speaker 1: the World Behind, which have to be a foreboding title
Speaker 1: because my girlfriends were watching this. She says, my heart
Speaker 1: hurts and I don't feel right. And I said, I said,
Speaker 1: maybe this anxiety from this Obama show is you know,
Speaker 1: screw Obama. It's not watched this as upsetting you. And
Speaker 1: then she just went into seizures. And she was street healthy,
Speaker 1: she was extremely there was nothing, no pre existing condition.
Speaker 1: She just started composting and seizing and just went thousand
Speaker 1: yards stare and stopped breathing. And I'm not a doctor,
Speaker 1: but I think breathing is pretty important. And I didn't
Speaker 1: know what to do, David. I felt so inadequate and helpless.
Speaker 1: I had no idea what to do. I should I do?
Speaker 1: Chest compression. I didn't know. I didn't know what except
Speaker 1: to call nine one one and and I just held
Speaker 1: her and she was in this in this state of
Speaker 1: a comotose state. I don't know she was dying. I
Speaker 1: thought she was dying. And then she came out of
Speaker 1: it from a for a brief moment with this from
Speaker 1: this look of just terror and fear to this this
Speaker 1: calm and this peace came over her and she started laughing.
Speaker 1: H And I thought, was this all a joke? But
Speaker 1: she's not that. It's not that kind of person. And
Speaker 1: she and she was laughing, and her whole faces and
Speaker 1: the whole body was just relaxed, and she was at
Speaker 1: a place of peace. And then she clinched back and
Speaker 1: went back into this convulsive state. And I believe like
Speaker 1: she went to the other side. I believe she was,
Speaker 1: she was at peace with God for a brief period
Speaker 1: and that it just wasn't her time where she just
Speaker 1: got sent back or I don't know obviously what happened,
Speaker 1: but it was.
Speaker 2: Do you have any recollection of that.
Speaker 1: None, none of any of it. Your brain doesn't remember
Speaker 1: that stuff that probably protect you. But it was extraordinary
Speaker 1: and it reawakened my faith. And that was a year
Speaker 1: and a half ago, and thank god she's healthy now.
Speaker 1: Seventy five percent of the people who go through when
Speaker 1: she went went through, it was a brain brain bleed.
Speaker 1: Seventy five percent of the people die that happens to
Speaker 1: so she was in homa. She had a long convalescence,
Speaker 1: but thank god she's she's healthy now. Yes, and it
Speaker 1: brought both of us closer to God, and it made
Speaker 1: me want to dedicate my work to the Lord. And
Speaker 1: every piece I do now is is a devotion to God.
Speaker 1: Every stroke of my pen is a meditation of prayer,
Speaker 1: and I want to lean into that as much as
Speaker 1: I possibly can.
Speaker 2: That's great.
Speaker 3: You know, before you came on, we were talking about
Speaker 3: what's going on in Canterbury Cathedral and that used to
Speaker 3: be the basis for why people would make these elaborate
Speaker 3: cathedrals was out of a devotion to God and wanting
Speaker 3: to honor him. And of course, depending on what gifts
Speaker 3: He has given us, we can all have different ways
Speaker 3: that we.
Speaker 2: Can do that.
Speaker 3: And you know, whatever your job is, you can always
Speaker 3: do it in a way that you try to honor God.
Speaker 3: And yet, what do you think about did you see
Speaker 3: that that story where they paid somebody to do graffiti
Speaker 3: on the interior walls of Canterbury Cathedral.
Speaker 2: Did you see that?
Speaker 1: Yeah? To me, it's it's worse than graffiti's mis vandalism.
Speaker 1: But you know, it's like it's so funny because these
Speaker 1: things that would create in the so called Dark Ages,
Speaker 1: they couldn't make those today. It's because of what you said.
Speaker 1: It's because they weren't doing it for the profit motive, right,
Speaker 1: they were doing it the profit motives you know, spelled differently.
Speaker 1: And that's the only way humans can create something like that.
Speaker 1: Your heart and soul has to be in it. I mean,
Speaker 1: you go into those cathedrals and you feel the presence
Speaker 1: of God, you feel the presence of the highest achievement
Speaker 1: of humanity is capable of. And they did it in
Speaker 1: the so called Dark Ages, like with none of the
Speaker 1: tools and the technology we have, Like it's astonishing, And
Speaker 1: it's just just the amount of time and human labor
Speaker 1: and life force and sacrifice and artistry and craftsmanship and
Speaker 1: skill that went into those things. Just that alone is
Speaker 1: enough to uplift your spirit. They're uplifting edifices and monuments,
Speaker 1: and today we have monuments like the nine to eleven Monument,
Speaker 1: which is a it's a black box, it's a whole.
Speaker 1: It's like a giant urinal you go to it's the
Speaker 1: you know that black Box memorial, and it's just like
Speaker 1: a spinning sucking hole to hell. No light escapes, and
Speaker 1: it's just it. There's nothing uplifting about it. So you
Speaker 1: want to jump in and kill yourself and be sucked
Speaker 1: into hell. So that's the feeling I get when I
Speaker 1: go there, And I think in some ways it's appropriate
Speaker 1: considering that we know what happened there. But it's just
Speaker 1: the answer to everything I think is just we had
Speaker 1: to try to live like saints. I mean, if everybody
Speaker 1: lived to the to the better Angels, the whole world
Speaker 1: would overnight become a better place. Everybody's trying to fix
Speaker 1: go into all these marches and protests and all this nonsense,
Speaker 1: and it's like, fix yourself first. If you fix your
Speaker 1: and you just just be a good person, that's it.
Speaker 1: Don't lie, don't cheat, don't steal, don't hurt your neighbor.
Speaker 1: That alone, there'll be no more crime, right, Why would
Speaker 1: they be? A crime? Crime is based on a human
Speaker 1: doing something that he knows is stinful and knows is
Speaker 1: illegal and ose is wrong. So instead of trying to
Speaker 1: fix the world from the outside, you gotta fix it inwardly,
Speaker 1: you know, get closer to God and understand that the
Speaker 1: infinite power and glory of God is not a separate
Speaker 1: thing from you. It's within you. That light is within you,
Speaker 1: and you just need to accept it and let that
Speaker 1: connection grow and become stronger with everything you do, and
Speaker 1: every good thing you do makes it stronger. You feel
Speaker 1: closer to God from every good thing you do, every
Speaker 1: good work you make.
Speaker 3: And I agree, Yeah, it's a very powerful sermon that
Speaker 3: they actually wound up doing as a lecturer as to
Speaker 3: what is wrong with our society. I think because when
Speaker 3: you look at the graffiti, not only did they go
Speaker 3: into a place that was beautiful and uplifting and they
Speaker 3: essentially tear it down with their ugly stuff that they
Speaker 3: put on it. And the most the ugliest thing about
Speaker 3: what they were putting on there with their graffiti was.
Speaker 2: What it actually said.
Speaker 3: It was a rage against God and his creation, every
Speaker 3: bit of it. And that's really kind of shows us
Speaker 3: where our society is. So the Church of England is
Speaker 3: still setting the foundation for England. It's just setting a
Speaker 3: Satanic foundation that is there.
Speaker 1: And absolutely, yeah, that's I mean, that's a purposeful defilement.
Speaker 1: It's like putting the Cross upside down. Like everything they
Speaker 1: do is a version like the Pentagram that the original
Speaker 1: five point store was supposed to represent the five wounds
Speaker 1: of Christ, and so the Satanists inverted it and turned
Speaker 1: it into the pentagram. So those symbols are very important,
Speaker 1: and imagery is important and they know that, and they
Speaker 1: use it to their satanic purposes. Yes, and the defilement
Speaker 1: of God and dishonoring of God and the and we
Speaker 1: see the you know the result. Just look around you.
Speaker 1: I mean it's like there's demons everywhere, and there's demons
Speaker 1: in high places and low places, and and you know,
Speaker 1: society rots from the top down. I think it starts
Speaker 1: with these people who just who design these so called
Speaker 1: utopias for us, like the AI post human utopia. I
Speaker 1: think they hate themselves, the missanthropes, and they project their
Speaker 1: hatred self hatred onto humanity, and then if they can
Speaker 1: destroy humanity, they can somehow destroy the parts of themselves
Speaker 1: that they hate, like in a Youngie and Shadow sort of.
Speaker 2: I agree.
Speaker 3: Yeah, especially when you look at the transgender stuff. The
Speaker 3: purpose of that is to take very young, impressionable people
Speaker 3: or maybe even somebody who's an adult and that's very impressionable,
Speaker 3: like Christopher Beck who was a Navy seal that they
Speaker 3: pushed into becoming a training But it's to train them
Speaker 3: to hate their body, to hate themselves, uh, and then
Speaker 3: to engage in self mutilation. And so I think that
Speaker 3: is truly the satanic aspect of it. Tell us little
Speaker 3: bit about your project Jesus Jesus Park that you're working on.
Speaker 3: You've got to go fundme attached to that as well,
Speaker 3: But tell us about that. I think we've got a picture.
Speaker 2: Lance of that you can show the audience of that.
Speaker 1: So free is that I just started, Yeah, I had this.
Speaker 1: I had this dream. Is this vision, David, of this
Speaker 1: park and this beautiful sort of pastoral natural setting with
Speaker 1: trees and and rocks, and and I've done a lot
Speaker 1: of imagery of Christ, and I wanted to create the
Speaker 1: face of Christ out of all natural materials, like his
Speaker 1: crown of thorns would be actual trees, like you know,
Speaker 1: so the scale would be enormous, like his face might
Speaker 1: take up a half acre or more but it'll be
Speaker 1: a place of a contemplation, a place of prayer, pace
Speaker 1: of place of peace. And for me, it'll be a
Speaker 1: labor of love and a devotion to God. And they
Speaker 1: say it came to me in the dream download, and
Speaker 1: I just feel like, I feel like I have I
Speaker 1: have to make this thing, and while I still I'm
Speaker 1: still young enough, which might not be So that's what
Speaker 1: I'm working on right now. And I do need some
Speaker 1: funds to realize it, talking to some some churches and
Speaker 1: to have land and trying to find the right spot
Speaker 1: for it. But I think it would be an incredible
Speaker 1: lasting monument and shrine really that I hope that people
Speaker 1: can enjoy.
Speaker 3: And so you'll be able to see the picture that
Speaker 3: we've got. That'd be like an aerial view that people
Speaker 3: be able to.
Speaker 1: See in my in my vision. You know, I've done
Speaker 1: models of it and it's I mean, if it's on
Speaker 1: a slight slope, you should be able to make out
Speaker 1: his face from the ground, but you won't be able
Speaker 1: to the full picture. So maybe you know from a
Speaker 1: your own shot or something like that, but you'll be
Speaker 1: able to see what it is. And uh, it looks
Speaker 1: great in my dream you know. Now I just have
Speaker 1: to make it.
Speaker 3: Have you got any You haven't got a sight for
Speaker 3: it yet, But are are you angling for a particular
Speaker 3: geographical area that would have Well I.
Speaker 1: Live on Yeah, I live on Long Island, and there's
Speaker 1: this beautiful shrine out on the east end of Long
Speaker 1: Island called Our Lady of the Island, and they have
Speaker 1: I think about one hundred acres of land and there's
Speaker 1: a full twenty foot marble sculpture. Married there's an outdoor
Speaker 1: church that I go to there and it overlooks the
Speaker 1: Great South Bay. It's just an incredible spot and they
Speaker 1: have a lot of land there. So I've reached out
Speaker 1: to them. I don't know if it's going to work out,
Speaker 1: but you know, there's a lot of logistics and bolve
Speaker 1: so it's going to take some planning in a little time.
Speaker 1: But but I'm determined. So if I have to at
Speaker 1: some point just buy a small piece of land, maybe
Speaker 1: upstate New York, you can get an expensive land. Whatever
Speaker 1: I have to do, you know, I'm going to make
Speaker 1: this happen.
Speaker 3: Yeah, that's great. Well, you know, in Tennessee, land is
Speaker 3: fairly cheap and they have a lot of unusual sits
Speaker 3: for people to come see. You might get a lot
Speaker 3: of traffic there if you put it further south.
Speaker 1: But that's a good idea. I don't know much about it,
Speaker 1: but I'll take it right down Tennessee. Why not.
Speaker 3: Yeah, instead of people going to see Rock City, they
Speaker 3: can see the Jesus Park that's there.
Speaker 2: Where can people find the GoFundMe? How do they find that?
Speaker 1: You can find all of my thought crimes on it
Speaker 1: if you got just Anthony Frieda dot com Anthony f
Speaker 1: r a dot com like the links to all my
Speaker 1: projects there.
Speaker 2: Okay, good?
Speaker 3: And and your book is not out yet, is it
Speaker 3: Thought Crimes of Anthony Frieda?
Speaker 2: Is that out yet?
Speaker 1: No, that's not. But that was the title was inspired
Speaker 1: by an actual crime that was happened because of my artwork.
Speaker 1: I did a book cover for C. J. Hopkins, who
Speaker 1: wrote this book, The Rise and Full of the of
Speaker 1: the New Normal, and I did a take off of
Speaker 1: The Rise and Poll of the Third Reich that cover,
Speaker 1: and I put the COVID mask with a little with
Speaker 1: a swastika barely visible behind the mask the COVID mask.
Speaker 1: And they decided to charge him for disseminating Nazi propaganda.
Speaker 1: In Germany and had to go. He was facing like
Speaker 1: years in prison.
Speaker 2: Yeah, I remember that.
Speaker 1: Yeah, So that was my book cover and all he
Speaker 1: did was tweet that cover to get to get and dieted.
Speaker 1: So that's a literal crime that I've been involved with
Speaker 1: as an accessory.
Speaker 3: So he can't use the symbols of the Nazi regime,
Speaker 3: but you can act like Nazis, and that's okay, right.
Speaker 1: No, right, no, But it's selectively enforced because you know,
Speaker 1: the stern and magazines in Germany they'll show Trump in
Speaker 1: full Hitler regalia all the time. That's just that's fine,
Speaker 1: and it was for the purposes of the left. They
Speaker 1: get a pass. And CJ is not even a right
Speaker 1: wing guy. He's just one of these guys who there's
Speaker 1: a skeptic, he questions everything. Yeah, so it's kind of
Speaker 1: ironic that they're using this illegal subversion of their own laws,
Speaker 1: which is something the Nazis would do to prove that
Speaker 1: they're not Nazis. You know, it's like, uh, there's a
Speaker 1: lot of ironies there. But anyway, he has his ongoing
Speaker 1: legal battle with them, and in Germany they don't have
Speaker 1: double jeopardy like we do, so they charged him, and
Speaker 1: he went to trial and he was acquitted, and now
Speaker 1: they're going to charge him again with the same crime.
Speaker 2: Just case.
Speaker 1: They can keep charging them. They can keep coming until
Speaker 1: they get the burder they want.
Speaker 2: Wow. Wow uh.
Speaker 3: And it's not a new incident of anything. It's for
Speaker 3: the same exact thing. Right, Well, we just had somebody
Speaker 3: that was arrested here in Tennessee for a meme that
Speaker 3: he put up and they got him in you know,
Speaker 3: two million dollar bond to get him out of jail.
Speaker 3: And again it was because and we see this kind
Speaker 3: of censorship is going on both the left and the right.
Speaker 3: This was about the fact that this guy didn't like
Speaker 3: Charlie Kirk or conservatives. And so there was a school
Speaker 3: that was going to have an event Donnor Charlie Kirk,
Speaker 3: and he put up a meme that he didn't even create,
Speaker 3: that other people had created. It was a picture of
Speaker 3: trump and it was a quote about what Trumpet said
Speaker 3: about a school shooting, and it said we got to
Speaker 3: get over this and move on. And so he put
Speaker 3: that up as his comment about the Charlie Kirk shooting.
Speaker 3: And because the place that he did it was something
Speaker 3: that Perry, Idaho or something was where the high school
Speaker 3: was that where the shooting had been, and this was
Speaker 3: in Perry County, and they said, well, you were trying
Speaker 3: to intimidate people here in Perry County by using this
Speaker 3: meme that you didn't even create, and so the sheriff
Speaker 3: arrested him for that two million dollar bail. We're seeing
Speaker 3: free speech attacked everywhere every country. Every political philosophy is
Speaker 3: coming for speech because especially when we're looking at memes
Speaker 3: or political commentary like you do, it's very very powerful.
Speaker 3: They wouldn't be coming after it otherwise.
Speaker 1: Yeah, definitely. Well, I'm pretty certain he's going to win
Speaker 1: that lawsuit, because that's that's rageous. I'm used as censorship
Speaker 1: and I've been I mean, I know you've been through
Speaker 1: it too. It's just constantly platformed and demonetized and d
Speaker 1: this and do that, and it's you know, and by
Speaker 1: the way, everything that I was, you know, censored for,
Speaker 1: turns out I was right about. I was right about
Speaker 1: all of it, every single thing I said. It was
Speaker 1: mostly about COVID. And then I'm also fairly certain I
Speaker 1: was put on a domestic terror list because Biden had
Speaker 1: a list of anyone who questioned the COVID narrative was
Speaker 1: put on a list. Yeah, and I would high profile
Speaker 1: about that. So, I mean I'm considered potential violent. They
Speaker 1: use the word violent, potential violent, domestic extremist terror if
Speaker 1: you were questioning COVID.
Speaker 3: That's right, Yeah, because they say that, you know, speech
Speaker 3: is violence, and I say, no, censorship is violence. And
Speaker 3: the people who use and enforce censorship are the ones
Speaker 3: who usually do resort to violence. But the other you know,
Speaker 3: like arresting this guy. The sad thing is is that
Speaker 3: you see that both sides of the political spectrum. And
Speaker 3: I'm talking about notes and politicians, I'm talking about the grassroots.
Speaker 3: People are cheering this kind of censorship if they don't
Speaker 3: like what you have to say. We have lost the
Speaker 3: understanding of the importance of free speech in our society,
Speaker 3: and that includes America's not just in Europe, but in
Speaker 3: America as well. People don't realize that these tools of
Speaker 3: tyranny will be used against them eventually and have already
Speaker 3: been used against them in many cases, and they still
Speaker 3: are cheering this on. It's truly amazing. I don't know
Speaker 3: how you get around it.
Speaker 1: Yeah, oh no, I've never seen the country there's there's
Speaker 1: no room. That's why, you know, the Charlie Kirk thing
Speaker 1: was so symbolic, because if you're not going to talk,
Speaker 1: you're going to kill each other. And people are It's like,
Speaker 1: because they don't want to talk, they want to kill.
Speaker 1: And what is that? I mean, if you, I know,
Speaker 1: you're a great student of history, like, where does this go?
Speaker 1: It goes one place. It's called civil war. That's where
Speaker 1: it goes. It's like, this is nothing new. We've seen
Speaker 1: it thousands of times before, all throughout history. This when
Speaker 1: there's a divide of this extreme nature, where there's no
Speaker 1: there's no communication. They're either good or evil, either with
Speaker 1: me or against me, it leads to civil war. I mean,
Speaker 1: I don't know how close we are to it, but
Speaker 1: unless something radically changes, which I don't see any evidence of,
Speaker 1: where we're in some perilous times here.
Speaker 3: I agree. I agree, yeah, we have. We've lost our foundation.
Speaker 3: You know, we've lost our foundation in terms of the principles
Speaker 3: that made the West great. And we've lost our foundation
Speaker 3: because we've turned up back on God. That's what we
Speaker 3: were talking about earlier, and that truly is the foundation,
Speaker 3: as the Lord Jesus Christ and once we turn away
Speaker 3: from that, we are adrift as a society. And so
Speaker 3: even though we used to have guns everywhere, now the
Speaker 3: guns are being turned on each other and being used
Speaker 3: on us, and there's a lot of different aspects to it.
Speaker 3: I think the heavy use of drugs is a part
Speaker 3: of that. I think that even plays a role actually
Speaker 3: in the technocrats. I had been told years ago that
Speaker 3: when these guys would go hang out at the Burning
Speaker 3: Man thing that they were dropping LSD and they were
Speaker 3: also taking what was that DMT or something where they
Speaker 3: come in contact with machine elves. And the interesting thing
Speaker 3: about this is that you hear from the same people
Speaker 3: who are in different geographical areas.
Speaker 2: They start talking.
Speaker 3: About how they had the same types of encounters, and
Speaker 3: they're channeling technology from these entities that they're coming in
Speaker 3: contact with, and you can have people and radically different
Speaker 3: places that have the same experiences that are there. They
Speaker 3: even call them psycho knots, not nuts, but notts, like
Speaker 3: an astronaut or something, And so that's what.
Speaker 1: Yeah, it's interdimensional travel, I think. I mean they're opening
Speaker 1: a portal to Hell for lack of a better word.
Speaker 1: I mean, this tells another dimension Heaven's dimension, our plane
Speaker 1: is dimension, and those drugs somehow, I don't know how
Speaker 1: it works. I can't even come close to explain it,
Speaker 1: but it makes the veil between the dimensions permeable. Yeah,
Speaker 1: and they're able to permeate it with these substances, and
Speaker 1: it's a dark energy and we're seeing it, and that's
Speaker 1: connected to whole a I think we were talking about before. Yes,
Speaker 1: and these drugs are facilitating it, and you're totally right.
Speaker 1: But the other things when you turn away from God,
Speaker 1: I mean Deeparktropa said, you leave a God shaped hole.
Speaker 1: So what you fill that hole? You're going to fill
Speaker 1: with drugs or porn or wolk is or something or satan.
Speaker 1: You know, it's like it has to be filled because
Speaker 1: that's part of our human makeup that we have to
Speaker 1: have something to believe in. So if you don't fill
Speaker 1: with God, the alternatives are anti human and their satanic
Speaker 1: and they're dark. You're taking something that should be filled
Speaker 1: with light and you're filling with darkness.
Speaker 3: That's right, absolutely, Well, you know it's kind of interesting.
Speaker 3: I use this quite a bit to attack.
Speaker 2: The pharmaceutical companies.
Speaker 3: I'd call them pharmachia because that's the Greek term that's
Speaker 3: using the New Testament frequently was transferred translated as sorcery
Speaker 3: because people would include these lucinogenic drugs as part of their.
Speaker 2: Spiritual experience and that type of thing. That's very old thing.
Speaker 3: But also it talks about how the pharmachia and the
Speaker 3: great men of the world would not repent of their murders.
Speaker 3: That's how I was using it for the pharmaceutical companies,
Speaker 3: and I thought it really fit. But that really is
Speaker 3: what we're seeing. And with all the technology that we've gotten,
Speaker 3: all of this idea about how we are so scientific
Speaker 3: and materialistic and we don't believe anything unless we can
Speaker 3: measure it well that we have seen over and over
Speaker 3: again is simply not true. The people that we disagree
Speaker 3: with are more than willing to pursue by faith a
Speaker 3: lot of different things. Whether they talk about the climate
Speaker 3: change agenda or the pandemic. They accept a lot of
Speaker 3: stuff on the basis of faith. It's just what they
Speaker 3: have faith in. They have faith in these institutions, they
Speaker 3: have faith in people who have credentials that say that
Speaker 3: they're a scientist or an authority in something. So it's
Speaker 3: just a difference in what they have faith in. But
Speaker 3: I think it's very important what you're doing in terms
Speaker 3: of artwork that gets to people on a different level
Speaker 3: than just talking to them straight about the facts.
Speaker 2: You know, whenever we.
Speaker 3: Can engage the emotions, and art does that, and you know,
Speaker 3: movies do that, and Christians are starting to learn to
Speaker 3: use the tools of movie making and so I think
Speaker 3: there's going to be some very important work that has
Speaker 3: done there. But gradually the Christian movie industry is picking up.
Speaker 3: But I think there's so much that's been lost in
Speaker 3: terms of artwork that would move people. I think that
Speaker 3: what you're doing is very important.
Speaker 1: Well, thank you, David. Yeah, it's speaking of a film. I
Speaker 1: started working with a film production company. I think you're right.
Speaker 1: The answer is to create a parallel M and E
Speaker 1: economy that is in accordance with our values yea, and
Speaker 1: the values of Western civilization and Christensen, the things that
Speaker 1: we have faith in, things that we believe in, and
Speaker 1: a lot of it's been sort of kind of hulkey
Speaker 1: kitschy stuff up to this point. But we're trying to
Speaker 1: create with man Alive Media group, this group I'm working
Speaker 1: with right now, we're working on a film about World
Speaker 1: War One. We're going to do a film aby Joan
Speaker 1: of Arc and we're trying to make them very high
Speaker 1: minded and and to the best of our ability, great
Speaker 1: pieces of art, because you're right, art speaks on a
Speaker 1: different level than just there's a conversation. With some kind
Speaker 1: of conversation, it's like, you know, poetry or prose. It's
Speaker 1: like it's something that engages our mind in a different
Speaker 1: way and hopefully opens up and our mind to this conversation.
Speaker 1: But we have to be able to talk, and censorship
Speaker 1: is the enemy of all of us, because then we're
Speaker 1: not talking. And if we're not talking, we're probably shooting
Speaker 1: each other.
Speaker 3: Because so we make peaceful change if possible, we make
Speaker 3: violent change inevitable.
Speaker 2: As Kennedy said, that's right, and.
Speaker 3: I think it's very important. You know, for the longest time,
Speaker 3: Christians have retreated from the arts, and they feel like
Speaker 3: the best way to engage people is with a didactic aspect,
Speaker 3: and of course there's value in that, but there's another
Speaker 3: way to reach people, and that is by showing them,
Speaker 3: you know, and portraying as a narrative. I just to
Speaker 3: the author of Flags of Our Fathers, who's just done
Speaker 3: a book on Vietnam. He spent ten years in Vietnam
Speaker 3: talking to people there. And his name is James. Was
Speaker 3: it James Bradley. I think it was Bradley or Bradley.
Speaker 3: I'm sorry, I can't remember his last name, but very
Speaker 3: interesting guy. And when he did this book, you know,
Speaker 3: his previous books were nonfiction, but he wanted to do
Speaker 3: a fictional book because he said there were so many
Speaker 3: facets and so many different things that he had to
Speaker 3: use fictional characters to bring them together. And so not
Speaker 3: only does it engage our emotions more so if we
Speaker 3: have a narrative story, but it also allows us to
Speaker 3: pull together the relevant things in a way that we
Speaker 3: couldn't if we had to stick to exactly what the
Speaker 3: true story was. And Hollywood knows that for the longest
Speaker 3: time go see something's based on true event, they always
Speaker 3: change it, always begin this is based on a true story,
Speaker 3: but the actual characters are fictionalized and so forth.
Speaker 2: They always do that.
Speaker 3: And so I think it's good the kind of projects
Speaker 3: that you mentioned there, when we're talking about people living
Speaker 3: their life according to Christian principles, I think that's probably
Speaker 3: the best way that that can be done rather than
Speaker 3: going in to the Bible and then fictionalizing that. That
Speaker 3: always kind of rubs me the wrong way trying to
Speaker 3: rewrite it.
Speaker 1: Yeah, it doesn't have to be didactic or so blatant
Speaker 1: like I mean, there was great Christian authors, you know,
Speaker 1: Tolkien and C. S. Lewis, and they were they were
Speaker 1: coming up with their own mythology to sort of mirror
Speaker 1: Christian themes without you know, saying literally, this is Jesus
Speaker 1: and this is what happened. So you know, Christianity to
Speaker 1: me is a myth. That's true, yes, but we need
Speaker 1: to create alternative myths to reinforce that myth to bring
Speaker 1: people to us, because it's just so boring to just
Speaker 1: you know, tell the same story, even in brilliant filmmakers' hands,
Speaker 1: like it's been done and so it's just going to
Speaker 1: turn a lot of people off. But if you do
Speaker 1: it in a way that's creative and original and interesting
Speaker 1: and unexpected and entertaining and edifying something different. Now it's
Speaker 1: the work of art on its own, not just pastiche
Speaker 1: and not just biblical scripture translated into film.
Speaker 2: That's right.
Speaker 3: I remember the film critic Brian Goodowa and he actually
Speaker 3: was able to do a film. I think it was
Speaker 3: called To End All Wars, I'm not sure about that,
Speaker 3: but it took place in American soldiers in Japanese in
Speaker 3: tern prison camp during World War Two. But his whole
Speaker 3: idea is that very much like you know, I think
Speaker 3: it was C. S. Lewis who said that the Christian
Speaker 3: myth is the greatest myth and it's real. You know,
Speaker 3: he doesn't mean that it's fictional. He just means by myth,
Speaker 3: he means an epic story. And so that was kind
Speaker 3: of Brian Goadawa's take on it. He said, you know,
Speaker 3: every one of our really the stories that really resonate
Speaker 3: with people always have a redemptive arc in the story.
Speaker 3: And and he did a really good job with that,
Speaker 3: and he also would kind of draw that out in
Speaker 3: his film.
Speaker 2: Reviews that he did.
Speaker 3: But uh, that that I think is something that, you know,
Speaker 3: if we're not going to be able to fight a
Speaker 3: culture war, if we don't have culture.
Speaker 2: Someone said, I think that's exactly true.
Speaker 3: Right, We're going in unarmed, right, I mean, yeah.
Speaker 1: It's staying the obvious, but yeah, I mean we got listen.
Speaker 1: You know, it's on us. You know, yeah, incumbent upon
Speaker 1: Christians of people who were means, people who are creative,
Speaker 1: people who have talent or something to give, like put
Speaker 1: it towards the cause because the other side certainly is
Speaker 1: you know, the Satanists and the Demons and the war
Speaker 1: Lunatic and the Islamicists and the Marxists, like they're all
Speaker 1: on board. You know. You just watch Netflix and there's
Speaker 1: messaging in every single thing they do. Oh yeah, so
Speaker 1: all anti Christian, anti mail, anti white, anti American, and
Speaker 1: it's just I mean, it's so ham fisted, but they
Speaker 1: shoehorned into everything. A story does nothing to do with
Speaker 1: what they're talking about those you know, white people are bad?
Speaker 1: What does that have to do with the comedy I
Speaker 1: was watching?
Speaker 2: So right?
Speaker 1: You know, we could do it more artfully. There's so
Speaker 1: many great artists and writers out there that are Christian,
Speaker 1: and we need to come together and build these teams.
Speaker 1: And that's what I'm trying to do in my own
Speaker 1: little way.
Speaker 2: That's great.
Speaker 3: So the best place for people to find out how
Speaker 3: they can get your book when it's available, and also
Speaker 3: to find out about the Jesus Park if they want
Speaker 3: to get involved, and they go fund me. We need
Speaker 3: to go to your website, Anthony Frieda, and that is
Speaker 3: f R E d A dot com right, yes, for
Speaker 3: them to find you.
Speaker 2: Anthony.
Speaker 3: It's always been great talking to you. I only had
Speaker 3: a chance to meet you once and that was up
Speaker 3: at Jerrold's event four years ago and his occupy piece thing,
Speaker 3: And so when I saw that he had a book
Speaker 3: out there, it's like, oh yeah, I definitely love to
Speaker 3: talk to anything about that. You've got a great story
Speaker 3: to tell and it's been a great journey that you've
Speaker 3: been on. I really want to thank you for the
Speaker 3: work that you have done. It's been very important and
Speaker 3: look forward to a lot more to come from you
Speaker 3: in the future.
Speaker 2: Thank you so much for joining us.
Speaker 1: Thank you, David, all right, thank you.
Speaker 3: Let me before we run out of time, let me
Speaker 3: get to some of the comments that are up here.
Speaker 3: And as Lance, my producer, said, Jesus used parables and analogies.
Speaker 3: That's right, So we're following in the right way when
Speaker 3: we use those type of things as well. Some one
Speaker 3: of his favorite ways to get a point across was
Speaker 3: to use a parable a story about something, and in
Speaker 3: most cases I think there was at least one or
Speaker 3: two that were not fictional, but they were all giving
Speaker 3: a story there and so crash and splash seventy five
Speaker 3: says The average lifespan of lithium minor thirty years. So enjoy
Speaker 3: your battery, I said, like a lot of these things,
Speaker 3: cobalt as well, cobalt Cobalt is being dug out of
Speaker 3: the mines by young children operating at slave wages and
Speaker 3: a situation that kills them. So yeah, that is we
Speaker 3: have to understand this. Behind a lot of this stuff.
Speaker 3: Car insurance is now hire to pay for than battery burns,
Speaker 3: says Joelson's and Guard Goldsmith, good to see you, Guard
Speaker 3: Liberty Conspiracy says. Last year, the very US government bureau
Speaker 3: tasked with promoting EV travel banned EV buyings and scooters
Speaker 3: from being brought into their Colorado building for fear of fire.
Speaker 3: That's right, Jason Barker, nice the storm, good to see you,
Speaker 3: He says. AI is good for memes, but not for
Speaker 3: real art. Meme images and music, and that's really you
Speaker 3: know what it does. I mean, a meme just kind
Speaker 3: of picks up on a theme and imitates it, and
Speaker 3: that's precisely what AI is. But the real danger of
Speaker 3: AI is not that it's going to become some self
Speaker 3: aware sky neet thing. I think the real danger is
Speaker 3: that it is a very effective tool for pulling together
Speaker 3: data and for doing searches and surveillance that can be
Speaker 3: used to control us. That's really where the devil is
Speaker 3: in that detail. Thank you so much for joining us.
Speaker 3: Have a good day. The common Man. They created common Core,
Speaker 3: dumbed down our children. They created common Past to track
Speaker 3: and control us. Their Commons project to make sure the
Speaker 3: commoners own nothing and the communist future. They see the
Speaker 3: common man as simple, not sophisticated, ordinary, but each of
Speaker 3: us has worth and dignity. Create it in the image
Speaker 3: of God. That is what we have in common. That
Speaker 3: is what they want to take away. The most powerful
Speaker 3: weapons are isolation, deception, intimidation. They desire to know everything
Speaker 3: about us, while they hide everything from us. It's time
Speaker 3: to turn that around and expose what they want to hide.
Speaker 3: Please share the information and links you'll find at The
Speaker 3: Davidnightshow dot com. Thank you for listening, Thank you for sharing.
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Speaker 3: your prayers. The Davidknikeshow dot com