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<v Speaker 1>H h.

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<v Speaker 2>H joy listening to the David Night Show.

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<v Speaker 3>All right, welcome back and joining us now is Anthony Freda.

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<v Speaker 3>He's got a new book that's coming out. We're going

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<v Speaker 3>to talk to him about that, The Thought Crimes of

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<v Speaker 3>Anthony Frida, and Uh, he's got he's been very successful

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<v Speaker 3>as an artist, and he's his art is full of

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<v Speaker 3>very important critiques of the of what we see politically.

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<v Speaker 2>Uh.

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<v Speaker 3>He's actually had in his art put on display at

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<v Speaker 3>the nine to eleven Museum and Memorial in New York City,

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<v Speaker 3>and he's on the same page as we are, I

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<v Speaker 3>think about nine to eleven. His tenure tenure with Info

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<v Speaker 3>Wars as an illustrator and writer fully submitted his place

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<v Speaker 3>in the world of controversial alternative news and he's been

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<v Speaker 3>very vocal about his role in that space. And so

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<v Speaker 3>that's where I got to know Anthony, as well as

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<v Speaker 3>his work with Cheryl Slinty and Trend's Journal. So thank

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<v Speaker 3>you for joining us, Anthony. Good to see you again.

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<v Speaker 1>Great to see David, and thanks for having me beautiful set.

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<v Speaker 2>Well, thank you, thank you. Yeah.

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<v Speaker 3>I always wanted to talk to you about your background here,

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<v Speaker 3>and there's a whole other aspect of your background that

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<v Speaker 3>I wasn't aware of. Now that you're getting into Christian

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<v Speaker 3>art and you've got a project with that as well,

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<v Speaker 3>and to go fundme to help realize that project. But

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<v Speaker 3>let's talk about your personal journey here. You began doing

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<v Speaker 3>copy stuff for the advertising industry and you began helping

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<v Speaker 3>them to sell Joe Campbell. Talk a little bit about

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<v Speaker 3>that and how you got from there to where you

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<v Speaker 3>are now.

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<v Speaker 1>Yeah, so it's quite a journey. I've been doing it

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<v Speaker 1>for forty years, so I'll give you the condensed version.

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<v Speaker 1>But uh, yeah, I got out of art. I had

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<v Speaker 1>this dream of becoming this, you know, famous, prosperous, thriving artists,

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<v Speaker 1>and uh I just wasn't prepared. I mean I went

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<v Speaker 1>to Pratt at four years of training in art and

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<v Speaker 1>painting and drawing, and I was pretty proficient and I was,

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<v Speaker 1>you know, pretty confident, but they really didn't train you

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<v Speaker 1>how to make a living as an artist. So I

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<v Speaker 1>sort of figured that out of my own my own.

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<v Speaker 1>Now I have to make a living doing this. So

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<v Speaker 1>crossing that threshold from academy into the professional world for

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<v Speaker 1>any artist is a is a scary time. I mean,

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<v Speaker 1>I teach seniors now at f I T and that's

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<v Speaker 1>my way of giving back because I know how scared

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<v Speaker 1>they are, so I try to sort of pivot that.

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<v Speaker 3>And I think it's a SPERI your time right now

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<v Speaker 3>than ever has been. I mean, we look at AI

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<v Speaker 3>and a lot of people are just content to throw

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<v Speaker 3>a prompt at AI and take whatever it gives them.

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<v Speaker 2>What do you think about that? How is that going

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<v Speaker 2>to affect art?

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<v Speaker 1>Well? I think it's going to be not just art,

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<v Speaker 1>it's going to I mean, I think it's designed to

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<v Speaker 1>create a post human future where the robots do all

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<v Speaker 1>the work and they work twenty four hours a day.

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<v Speaker 1>And I mean the transhumanist you know, elevator pitch or

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<v Speaker 1>Elevator to Hell pitch is that the robots everything for

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<v Speaker 1>us and we have the freedom to do whatever we

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<v Speaker 1>want and they'll give us a basic unit of income.

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<v Speaker 1>I don't think it's going to work out that way,

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<v Speaker 1>but that's their utopian, post human transhumanist future.

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<v Speaker 2>Yeah.

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<v Speaker 1>I had my class yesterday. The kids were crying. They

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<v Speaker 1>were literally crying because they just went to school for

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<v Speaker 1>four years to learn how to be an artist. And

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<v Speaker 1>now anyone who has an AI program can do what

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<v Speaker 1>they do. So it's very demoralizing to the creatives. But

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<v Speaker 1>I mean the same thing goes for the guys who

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<v Speaker 1>remember they say to learn to code, like not anymore.

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<v Speaker 2>Yeah, they're putting themselves out of a job. That's right.

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<v Speaker 1>Well.

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<v Speaker 3>The other part of it is, though, and I think

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<v Speaker 3>we'll get to this when we get to where you

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<v Speaker 3>are right now, the machine has no soul. It's going

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<v Speaker 3>to put things together statistically, and it can copy and

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<v Speaker 3>paste and throw things against the wall. And in a sense,

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<v Speaker 3>it's a sophisticated version of a chimpanzee painting, right, And

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<v Speaker 3>so there is still going to be a niche there,

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<v Speaker 3>I think for the human soul, communicating truth and beauty.

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<v Speaker 3>I think that's really the issue there, and that's what

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<v Speaker 3>we have to focus on. And I think that that's

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<v Speaker 3>going to be pretty obvious to people. You know, there's

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<v Speaker 3>a lot of things that AI can do, especially I

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<v Speaker 3>think in the art aspect, because it can hallucinate and.

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<v Speaker 2>It looks like it's you.

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<v Speaker 3>Know, having a drug trip or whatever, and that can

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<v Speaker 3>be useful in art or even in music to some degree.

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<v Speaker 3>But when you look at the kind when I look

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<v Speaker 3>at it for music, for example, the thing about AI

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<v Speaker 3>is that you can't precisely get.

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<v Speaker 2>It to do what you want. You know, it can

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<v Speaker 2>get like eighty.

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<v Speaker 3>Percent there or eighty five percent there, which is not

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<v Speaker 3>good enough for art. As many people have said, art

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<v Speaker 3>has never finished simply abandoned. At some point you've got

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<v Speaker 3>to stop tweaking it and just go do something different

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<v Speaker 3>the next project or whatever. And I think that's the

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<v Speaker 3>problem with AI. It just throws this stuff out there

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<v Speaker 3>and people say, ah, that's good enough. I think there's

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<v Speaker 3>going to be a qualitative difference that people will be

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<v Speaker 3>able to tell that last fifteen or twenty percent that

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<v Speaker 3>is there. Yes, I agree with you, Yeah, that's my

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<v Speaker 3>hope we do.

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<v Speaker 1>But I think you're right. Listen, our advantage moving forward

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<v Speaker 1>is the robots don't laugh, they don't cry, they don't love.

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<v Speaker 1>That's right, They're not connected to God. In fact, I

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<v Speaker 1>think it's the opposite that you're right. I have this

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<v Speaker 1>idea that just as a whole spirit is this unifying

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<v Speaker 1>force and universal force of good and God, the adverse

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<v Speaker 1>the into that yang is this unifying force of darkness

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<v Speaker 1>which informs and which has basically a cauldron for this

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<v Speaker 1>AI to be created and we're incarnating it by giving

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<v Speaker 1>it prompts and giving it life. But that spirit is

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<v Speaker 1>a dark spirit, and I sense that, and I feel

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<v Speaker 1>that it's an anti human spirit.

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<v Speaker 3>But Elon Musk agrees with you as well. He said,

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<v Speaker 3>we're summoning the demon. Yeah, maybe we're to pay attention

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<v Speaker 3>to what he's saying about that.

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<v Speaker 1>Some of these guys who are atheists say, there's something

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<v Speaker 1>here that mathematics doesn't you know, describe or defined. So

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<v Speaker 1>it's something beyond mathematics. So what's going on? They don't

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<v Speaker 1>even know. The guys who created it don't even know how.

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<v Speaker 1>You know, these systems arrive at the decisions that they

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<v Speaker 1>make to certain points. It's called black box technolog righty,

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<v Speaker 1>it's it's it's opaque. But robots understand it. But they

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<v Speaker 1>might have, But did they understand us? Still that's the problem,

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<v Speaker 1>Like we don't understand how they do what they do,

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<v Speaker 1>but they understand us. I mean, they have so much

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<v Speaker 1>big data about humanity and what moves us and I

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<v Speaker 1>influence us that it's a lopsided uh relationship.

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<v Speaker 3>That's why it's such a good fit for the government

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<v Speaker 3>because the government knows everything about us. But the government

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<v Speaker 3>itself is by design a black box. That black box

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<v Speaker 3>is labeled national security. We can't tell you, we'd have

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<v Speaker 3>to kill you, right.

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<v Speaker 1>So exactly. Yeah, so man, I could talk about AI

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<v Speaker 1>for hours.

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<v Speaker 2>But yeah, yeah, but let's go back to your story.

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<v Speaker 3>You were you were doing, started working at an ad

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<v Speaker 3>agency as you gun out trying.

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<v Speaker 1>To start working at it. Yeah, I was a young man,

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<v Speaker 1>you know, young man. I left it after money and

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<v Speaker 1>woman and I was in my twenties and I became

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<v Speaker 1>very successful working for Fortune five hundred companies. And I

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<v Speaker 1>it was I was in an advertisement about ten years

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<v Speaker 1>and I started to learn and see all the psychological

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<v Speaker 1>tricks of manipulations, you know, informed by the ideas of

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<v Speaker 1>Edward Burneese. And he was the master of mass psychological manipulation, right,

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<v Speaker 1>and that was employed. He was contracted by the government

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<v Speaker 1>and by ad agencies. It's a long story, but those

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<v Speaker 1>ideas worked because people respond positively a certain stimuli negatively

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<v Speaker 1>to other stimuli. Like we're pretty predictable animals. Once you

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<v Speaker 1>break that code, you're trying to sell something, and you're

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<v Speaker 1>smart and clever, you can figure out a way to

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<v Speaker 1>do it. But I got really turned off. I was

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<v Speaker 1>working on the Joe Campbell ad campaign. And in those days,

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<v Speaker 1>they were, you know, paying us a lot of money

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<v Speaker 1>to do this stuff. And I was just enamored with

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<v Speaker 1>the money. And I bought a condo in Manhattan, and

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<v Speaker 1>I thought I was like living on top of the world.

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<v Speaker 1>And then so I kind of got lost in that

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<v Speaker 1>that world of money and success. And then the FTC

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<v Speaker 1>determined that our campaign was illegal because we were using

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<v Speaker 1>cartoon camels. They said we were marketing cigarettes to children.

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<v Speaker 1>So I sort of had a moral crisis and I

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<v Speaker 1>didn't become an artist to sell cigarette to kids, right,

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<v Speaker 1>And I said.

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<v Speaker 3>You know, maybe get a job provisor because they sell

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<v Speaker 3>poison the kids all the time.

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<v Speaker 1>Well that's what they're in the story. Yeah, So I

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<v Speaker 1>had this crisis has come to Jesus moment. I said,

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<v Speaker 1>that's it. I'm done with advertising. I'm not going to

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<v Speaker 1>sell my soul to the devil. So I was still

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<v Speaker 1>you know, now, I'm a young man in my thirties.

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<v Speaker 1>I was pretty naive politically at that time, and I said,

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<v Speaker 1>I'm going to work for the good guys, right, I'm

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<v Speaker 1>going to work for New York Times and uh, the

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<v Speaker 1>New Yorker and I started working for you know, all

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<v Speaker 1>these mainstream publications as an editorial illustrator. And I worked

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<v Speaker 1>for the outbed page of the New York Times, which

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<v Speaker 1>is like a premier showcase for thinkers and for I

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<v Speaker 1>kind of like where the elite speak to each other. Sure, right,

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<v Speaker 1>And I was again, I was on top of the

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<v Speaker 1>oil and I'm working like, you know, the best place

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<v Speaker 1>for an illustrator to be. And I was doing articles

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<v Speaker 1>for them on a regular basis. And then I got

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<v Speaker 1>to see how the sausages made there, and the the

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<v Speaker 1>art director and the editor told me that every single

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<v Speaker 1>word that goes through here has to be vetted by

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<v Speaker 1>the State Department. And I said, I said, I thought,

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<v Speaker 1>you know, you're the fourth ward. You're I said, that's

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<v Speaker 1>like proud the world has to be the State Department.

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<v Speaker 1>They said, that's that's how it is. So my naive

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<v Speaker 1>ta started to, you know, unravel. At that point. I

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<v Speaker 1>started to become a little more educated about how the

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<v Speaker 1>world really works. And I feel silly now saying that,

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<v Speaker 1>but I thought The New York Times was just like

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<v Speaker 1>beacon up truth and objectivity. I mean, I couldn't be

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<v Speaker 1>more wrong. But so I got an assignment to do.

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<v Speaker 1>It was not that piece right before the Iraq War,

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<v Speaker 1>penned by the then Secretary of State Condoleeza Rice, and

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<v Speaker 1>it was outlining all the lives that we know now

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<v Speaker 1>that took us to that war. And I illustrated the peace.

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<v Speaker 1>And then I had another moral crisis. This guy said

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<v Speaker 1>to myself, my god, I went from selling cigarettes to

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<v Speaker 1>kids to selling war. This is I didn't think I

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<v Speaker 1>could do worse than that, but I did. So I

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<v Speaker 1>had another, you know, time to question what am I

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<v Speaker 1>doing with my life? What are my life choices? What

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<v Speaker 1>do I really what do I really want to do

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<v Speaker 1>with my skills and my my whatever gift Guy's given

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<v Speaker 1>me and my passions, And I mean, I love to

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<v Speaker 1>create imageries, the only thing I'm good at. So I

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<v Speaker 1>wanted to stay in that lane. So right then, it

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<v Speaker 1>was about the time that these seminal alternative news sides

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<v Speaker 1>started coming out, like info Wars, and there was a

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<v Speaker 1>few others and trans journal and I reached out to them,

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<v Speaker 1>and because I figured, these guys are exposing the lives

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<v Speaker 1>of the mainstream media that I used to work for

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<v Speaker 1>and of the advertising agencies I used to work for,

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<v Speaker 1>so I wanted to bite the hand that fed me,

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<v Speaker 1>so I started. I started working for people and the

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<v Speaker 1>health freedom movement and people and the liberty movement and

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<v Speaker 1>people and all these different movements, you know, people like

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<v Speaker 1>you included, and and I've been there ever since because

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<v Speaker 1>I do think there are there are good people out

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<v Speaker 1>there who would try trying to get to the truth

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<v Speaker 1>of the matter about all of these issues, and journalists

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<v Speaker 1>and activists and filmmakers and writers, and I've worked for

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<v Speaker 1>a lot of them and they're my heroes. So and

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<v Speaker 1>then politically I got I was in the contract for

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<v Speaker 1>the RFK campaign when he was running for president because

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<v Speaker 1>I believed in what he was doing and his his

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<v Speaker 1>work to expose the vaccines and the dangers of pharmaceuticals.

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<v Speaker 2>Right, So.

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<v Speaker 1>I still have a hand in the political realm, but

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<v Speaker 1>I'm basically working for people who I think are the

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<v Speaker 1>good guys. You know that I can sleep well at

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<v Speaker 1>night now, David, because I think I'm working for people,

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<v Speaker 1>or at least trying to tell the truth. You know,

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<v Speaker 1>It's like it's not equivalent, like when like when people

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<v Speaker 1>get fined for like the way they went after Alex

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<v Speaker 1>or whatever he said, like the New York Times and

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<v Speaker 1>CNN tell lies of much greater magnitude every day, and

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<v Speaker 1>nobody sued. And by the way, their lies lead to

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<v Speaker 1>wars that kill millions of people. Their lies so products

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<v Speaker 1>that kill millions of people, like and they're never held

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<v Speaker 1>accountabal and then and they're not. The difference between them

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<v Speaker 1>and say what independent journalists who is that they're purposely

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<v Speaker 1>trying to lie to you. They know they're lying to you.

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<v Speaker 1>You know, it's one thing to make a mistake in

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<v Speaker 1>the in the you know, the search for the truth.

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<v Speaker 1>We're not always going to be perfect. But there's a

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<v Speaker 1>big difference to somebody who's purposely knowing to lie to you,

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<v Speaker 1>to hurt you and your children, and somebody who's just

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<v Speaker 1>trying to figure out in real time what the hell's

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<v Speaker 1>going on, because it's very confusing. We've been lied to

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<v Speaker 1>so much about so about everything that people become so

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<v Speaker 1>skeptical that, you know, I think it. Unfortunately, it fosters

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<v Speaker 1>this environment where nobody believes anything that's we are right now,

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<v Speaker 1>buddy believes anything. So they come up with one hundred

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<v Speaker 1>different theories of how Charlie Kirk was killed. Right because

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<v Speaker 1>nobody believes the official story right, and we can never

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<v Speaker 1>get to the bottom of anything because everybody has their

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<v Speaker 1>own theory about what happened, and there's no universal truth anymore.

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<v Speaker 1>We're in the post truth age, and I think that's

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<v Speaker 1>the truth is going to be the greatest, most valuable

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<v Speaker 1>commodity in the future.

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<v Speaker 3>Here's what you need, here's the fundamental truth. Government lies,

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<v Speaker 3>it always has, always will for its own interest. So

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<v Speaker 3>if you understand that kind of whatever the government says

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<v Speaker 3>or the official press says with a healthy dose of skepticism,

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<v Speaker 3>I think that's the most important thing.

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<v Speaker 2>You know, you.

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<v Speaker 3>Mentioned the fact that you realize that they had to

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<v Speaker 3>get the approval of the State Department for what they

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<v Speaker 3>were saying at the New York Times, and of course

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<v Speaker 3>we know about Operation mocking Bird.

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<v Speaker 2>And the rest of this stuff.

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<v Speaker 3>I thought it was really amazing, the disingenuous astonishment of

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<v Speaker 3>the fact that Hegseth openly said, well, you're going to

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<v Speaker 3>have to get approval for anything that to release. I

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<v Speaker 3>don't like that, but that's not anything that's really different.

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<v Speaker 3>The only thing that's different about that is that they're

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<v Speaker 3>going to own it and say it out loud rather

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<v Speaker 3>than doing it behind closed doors. I had a friend

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<v Speaker 3>who worked at the Pentagon, and he worked for the

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<v Speaker 3>side that was vetting movie scripts.

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<v Speaker 2>If they liked your movie script.

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<v Speaker 3>If it was complimentary of them and their agenda, they

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<v Speaker 3>would give you access to military equipment that you could

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<v Speaker 3>use to film your movie. If they didn't like it,

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<v Speaker 3>you didn't get that equipment, and that might sink your

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<v Speaker 3>movie because the expense of trying to get that equipment.

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<v Speaker 3>Otherwise they provide it at a reduced cost or for free.

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<v Speaker 3>So that kind of thing has been going along for

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<v Speaker 3>a very long time.

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<v Speaker 1>Yeah, I mean I'm still surprised. I remember, I'm older.

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<v Speaker 1>I remember Frank Church, the Church Committee here, and it's

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<v Speaker 1>like he had the receipts, he proved it back in

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<v Speaker 1>the seventies, and nobody cared. It's like it did nothing.

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<v Speaker 1>They just went back to business as usual.

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<v Speaker 2>Yeah, that's right.

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<v Speaker 1>I mean, you know, God for him and his work,

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<v Speaker 1>but I mean, you really didn't do anything in the

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<v Speaker 1>big picture.

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<v Speaker 3>Yeah, and all this stuff about the heart attack gun.

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<v Speaker 3>As I've said before, that was really a distraction because

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<v Speaker 3>the whole thing began because from their inception, the CIA

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<v Speaker 3>and the NSA were spying on Americans without a search warrant,

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<v Speaker 3>which you know takes us we've been finding that thing

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<v Speaker 3>going up to you know, twenty twelve, twenty thirteen at

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<v Speaker 3>Snowed and all the rest of the stuff.

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<v Speaker 2>So the result of that was still the result.

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<v Speaker 3>Of the Church Committee hearings was the Faiza Act, the

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<v Speaker 3>Foreign Intelligent Surveillance Act, which they then used to give

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<v Speaker 3>themselves legal cover to do what they'd been doing from

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<v Speaker 3>their inception, which was to spy on Americans with a

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<v Speaker 3>search warrant, as Ran Paul says, you know, spying on

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<v Speaker 3>mister and missus Verizon. You know, you go to one

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<v Speaker 3>judge and a secret court that nobody knows about, and

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<v Speaker 3>you get legal cover to violate the Constitution. So they

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<v Speaker 3>always turned this stuff to their own advantage.

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<v Speaker 1>Well yeah, and I was speaking of that subject. I

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<v Speaker 1>worked One of my heroes is William Binny, and I

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<v Speaker 1>had the pleasure of working on a documentary about William.

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<v Speaker 1>I met him, just a great guy, and I mean

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<v Speaker 1>we quit because he said the systems he designed to

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<v Speaker 1>spy on potential terrorists were being used to spy on

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<v Speaker 1>everybody and that's against the oath he took, and that's illegal.

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<v Speaker 1>And he said he's not gonna do it, So what

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<v Speaker 1>do they do? They I rated his house and arrested

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<v Speaker 1>him under false pretenses and false charges. But yeah, so

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<v Speaker 1>just get back to my journey. Yeah, so, donna those track.

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<v Speaker 1>After the RFK thing, I worked for him for a

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<v Speaker 1>year and it was a great experience, and I got

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<v Speaker 1>to see just how dirty the Democrats are. I mean,

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<v Speaker 1>Republicans basically left him alone. You know, Trump would make

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<v Speaker 1>some you know, nasty comments now and then, but the

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<v Speaker 1>Democrats actively tried to destroy him with lawsuits and moles

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<v Speaker 1>and people doing dirty tricks. And it was a constant,

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<v Speaker 1>relentless assault on him that really opened my eyes again.

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<v Speaker 1>I mean I was naive again, like whenever I underestimate

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<v Speaker 1>how evil these people are and how they are to

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<v Speaker 1>be corrupt and to use the power they have or

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<v Speaker 1>abuse any power they have in the courts, in the media,

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<v Speaker 1>in academia, in tech, I mean, which which they control

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<v Speaker 1>those institutions, unfortunately, And it just it sickened me. It

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<v Speaker 1>sick of me the way that they smeared him and

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<v Speaker 1>lied about him and sued him and tried to play

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<v Speaker 1>dirty tricks with ballots and just on and on and on,

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<v Speaker 1>so so then I got that made me realize that

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<v Speaker 1>the battle isn't political, this battle is spiritual. So I

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<v Speaker 1>had I wanted to move from the temporal plane into

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<v Speaker 1>the spiritual plane with my work and cut back to

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<v Speaker 1>my Christian roots. I was raised a Catholic and I

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<v Speaker 1>had a personal experience with my fiance started having seizures

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<v Speaker 1>one night we were watching actually it was the Obama movie. Uh,

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<v Speaker 1>it was like an apocalyptic Obama movie, Leave the Leave

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<v Speaker 1>the World Behind, which have to be a foreboding title

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<v Speaker 1>because my girlfriends were watching this. She says, my heart

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<v Speaker 1>hurts and I don't feel right. And I said, I said,

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<v Speaker 1>maybe this anxiety from this Obama show is you know,

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<v Speaker 1>screw Obama. It's not watched this as upsetting you. And

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<v Speaker 1>then she just went into seizures. And she was street healthy,

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<v Speaker 1>she was extremely there was nothing, no pre existing condition.

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<v Speaker 1>She just started composting and seizing and just went thousand

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<v Speaker 1>yards stare and stopped breathing. And I'm not a doctor,

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<v Speaker 1>but I think breathing is pretty important. And I didn't

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<v Speaker 1>know what to do, David. I felt so inadequate and helpless.

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<v Speaker 1>I had no idea what to do. I should I do?

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<v Speaker 1>Chest compression. I didn't know. I didn't know what except

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<v Speaker 1>to call nine one one and and I just held

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<v Speaker 1>her and she was in this in this state of

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<v Speaker 1>a comotose state. I don't know she was dying. I

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<v Speaker 1>thought she was dying. And then she came out of

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<v Speaker 1>it from a for a brief moment with this from

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<v Speaker 1>this look of just terror and fear to this this

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<v Speaker 1>calm and this peace came over her and she started laughing.

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<v Speaker 1>H And I thought, was this all a joke? But

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<v Speaker 1>she's not that. It's not that kind of person. And

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<v Speaker 1>she and she was laughing, and her whole faces and

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<v Speaker 1>the whole body was just relaxed, and she was at

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<v Speaker 1>a place of peace. And then she clinched back and

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<v Speaker 1>went back into this convulsive state. And I believe like

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<v Speaker 1>she went to the other side. I believe she was,

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<v Speaker 1>she was at peace with God for a brief period

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<v Speaker 1>and that it just wasn't her time where she just

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<v Speaker 1>got sent back or I don't know obviously what happened,

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<v Speaker 1>but it was.

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<v Speaker 2>Do you have any recollection of that.

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<v Speaker 1>None, none of any of it. Your brain doesn't remember

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<v Speaker 1>that stuff that probably protect you. But it was extraordinary

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<v Speaker 1>and it reawakened my faith. And that was a year

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<v Speaker 1>and a half ago, and thank god she's healthy now.

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<v Speaker 1>Seventy five percent of the people who go through when

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<v Speaker 1>she went went through, it was a brain brain bleed.

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<v Speaker 1>Seventy five percent of the people die that happens to

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<v Speaker 1>so she was in homa. She had a long convalescence,

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<v Speaker 1>but thank god she's she's healthy now. Yes, and it

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<v Speaker 1>brought both of us closer to God, and it made

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<v Speaker 1>me want to dedicate my work to the Lord. And

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<v Speaker 1>every piece I do now is is a devotion to God.

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<v Speaker 1>Every stroke of my pen is a meditation of prayer,

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<v Speaker 1>and I want to lean into that as much as

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<v Speaker 1>I possibly can.

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<v Speaker 2>That's great.

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<v Speaker 3>You know, before you came on, we were talking about

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<v Speaker 3>what's going on in Canterbury Cathedral and that used to

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<v Speaker 3>be the basis for why people would make these elaborate

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<v Speaker 3>cathedrals was out of a devotion to God and wanting

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<v Speaker 3>to honor him. And of course, depending on what gifts

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<v Speaker 3>He has given us, we can all have different ways

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<v Speaker 3>that we.

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<v Speaker 2>Can do that.

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<v Speaker 3>And you know, whatever your job is, you can always

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<v Speaker 3>do it in a way that you try to honor God.

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<v Speaker 3>And yet, what do you think about did you see

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<v Speaker 3>that that story where they paid somebody to do graffiti

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<v Speaker 3>on the interior walls of Canterbury Cathedral.

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00:23:47.000 --> 00:23:47.640
<v Speaker 2>Did you see that?

424
00:23:48.960 --> 00:23:56.240
<v Speaker 1>Yeah? To me, it's it's worse than graffiti's mis vandalism.

425
00:23:56.400 --> 00:23:59.400
<v Speaker 1>But you know, it's like it's so funny because these

426
00:23:59.400 --> 00:24:01.400
<v Speaker 1>things that would create in the so called Dark Ages,

427
00:24:01.839 --> 00:24:05.000
<v Speaker 1>they couldn't make those today. It's because of what you said.

428
00:24:05.640 --> 00:24:09.119
<v Speaker 1>It's because they weren't doing it for the profit motive, right,

429
00:24:09.359 --> 00:24:14.160
<v Speaker 1>they were doing it the profit motives you know, spelled differently.

430
00:24:14.799 --> 00:24:19.319
<v Speaker 1>And that's the only way humans can create something like that.

431
00:24:19.559 --> 00:24:21.039
<v Speaker 1>Your heart and soul has to be in it. I mean,

432
00:24:21.039 --> 00:24:23.759
<v Speaker 1>you go into those cathedrals and you feel the presence

433
00:24:23.759 --> 00:24:27.920
<v Speaker 1>of God, you feel the presence of the highest achievement

434
00:24:27.920 --> 00:24:30.359
<v Speaker 1>of humanity is capable of. And they did it in

435
00:24:30.400 --> 00:24:32.720
<v Speaker 1>the so called Dark Ages, like with none of the

436
00:24:32.759 --> 00:24:37.559
<v Speaker 1>tools and the technology we have, Like it's astonishing, And

437
00:24:37.599 --> 00:24:41.960
<v Speaker 1>it's just just the amount of time and human labor

438
00:24:42.039 --> 00:24:45.079
<v Speaker 1>and life force and sacrifice and artistry and craftsmanship and

439
00:24:45.160 --> 00:24:48.359
<v Speaker 1>skill that went into those things. Just that alone is

440
00:24:48.480 --> 00:24:55.000
<v Speaker 1>enough to uplift your spirit. They're uplifting edifices and monuments,

441
00:24:55.039 --> 00:24:59.920
<v Speaker 1>and today we have monuments like the nine to eleven Monument,

442
00:25:00.000 --> 00:25:02.880
<v Speaker 1>which is a it's a black box, it's a whole.

443
00:25:03.039 --> 00:25:06.559
<v Speaker 1>It's like a giant urinal you go to it's the

444
00:25:07.160 --> 00:25:11.319
<v Speaker 1>you know that black Box memorial, and it's just like

445
00:25:11.359 --> 00:25:16.319
<v Speaker 1>a spinning sucking hole to hell. No light escapes, and

446
00:25:16.359 --> 00:25:20.519
<v Speaker 1>it's just it. There's nothing uplifting about it. So you

447
00:25:20.559 --> 00:25:22.799
<v Speaker 1>want to jump in and kill yourself and be sucked

448
00:25:22.799 --> 00:25:28.240
<v Speaker 1>into hell. So that's the feeling I get when I

449
00:25:28.240 --> 00:25:30.480
<v Speaker 1>go there, And I think in some ways it's appropriate

450
00:25:30.559 --> 00:25:37.200
<v Speaker 1>considering that we know what happened there. But it's just

451
00:25:38.160 --> 00:25:41.720
<v Speaker 1>the answer to everything I think is just we had

452
00:25:41.720 --> 00:25:43.759
<v Speaker 1>to try to live like saints. I mean, if everybody

453
00:25:43.960 --> 00:25:48.000
<v Speaker 1>lived to the to the better Angels, the whole world

454
00:25:48.000 --> 00:25:51.279
<v Speaker 1>would overnight become a better place. Everybody's trying to fix

455
00:25:51.519 --> 00:25:55.119
<v Speaker 1>go into all these marches and protests and all this nonsense,

456
00:25:55.160 --> 00:25:58.400
<v Speaker 1>and it's like, fix yourself first. If you fix your

457
00:25:58.839 --> 00:26:01.480
<v Speaker 1>and you just just be a good person, that's it.

458
00:26:02.319 --> 00:26:05.079
<v Speaker 1>Don't lie, don't cheat, don't steal, don't hurt your neighbor.

459
00:26:06.119 --> 00:26:08.799
<v Speaker 1>That alone, there'll be no more crime, right, Why would

460
00:26:08.839 --> 00:26:11.240
<v Speaker 1>they be? A crime? Crime is based on a human

461
00:26:11.319 --> 00:26:14.000
<v Speaker 1>doing something that he knows is stinful and knows is

462
00:26:14.000 --> 00:26:17.799
<v Speaker 1>illegal and ose is wrong. So instead of trying to

463
00:26:17.799 --> 00:26:22.599
<v Speaker 1>fix the world from the outside, you gotta fix it inwardly,

464
00:26:23.279 --> 00:26:27.279
<v Speaker 1>you know, get closer to God and understand that the

465
00:26:27.400 --> 00:26:30.920
<v Speaker 1>infinite power and glory of God is not a separate

466
00:26:30.960 --> 00:26:33.519
<v Speaker 1>thing from you. It's within you. That light is within you,

467
00:26:34.559 --> 00:26:40.440
<v Speaker 1>and you just need to accept it and let that

468
00:26:40.799 --> 00:26:45.079
<v Speaker 1>connection grow and become stronger with everything you do, and

469
00:26:45.119 --> 00:26:48.119
<v Speaker 1>every good thing you do makes it stronger. You feel

470
00:26:48.119 --> 00:26:50.359
<v Speaker 1>closer to God from every good thing you do, every

471
00:26:50.400 --> 00:26:51.279
<v Speaker 1>good work you make.

472
00:26:52.680 --> 00:26:56.400
<v Speaker 3>And I agree, Yeah, it's a very powerful sermon that

473
00:26:56.440 --> 00:27:00.240
<v Speaker 3>they actually wound up doing as a lecturer as to

474
00:27:00.519 --> 00:27:02.640
<v Speaker 3>what is wrong with our society. I think because when

475
00:27:02.640 --> 00:27:06.000
<v Speaker 3>you look at the graffiti, not only did they go

476
00:27:06.079 --> 00:27:10.440
<v Speaker 3>into a place that was beautiful and uplifting and they

477
00:27:10.640 --> 00:27:13.519
<v Speaker 3>essentially tear it down with their ugly stuff that they

478
00:27:13.559 --> 00:27:17.160
<v Speaker 3>put on it. And the most the ugliest thing about

479
00:27:17.160 --> 00:27:19.359
<v Speaker 3>what they were putting on there with their graffiti was.

480
00:27:19.319 --> 00:27:20.319
<v Speaker 2>What it actually said.

481
00:27:21.279 --> 00:27:24.680
<v Speaker 3>It was a rage against God and his creation, every

482
00:27:24.680 --> 00:27:28.559
<v Speaker 3>bit of it. And that's really kind of shows us

483
00:27:28.559 --> 00:27:31.680
<v Speaker 3>where our society is. So the Church of England is

484
00:27:31.680 --> 00:27:36.400
<v Speaker 3>still setting the foundation for England. It's just setting a

485
00:27:36.480 --> 00:27:38.440
<v Speaker 3>Satanic foundation that is there.

486
00:27:38.680 --> 00:27:44.359
<v Speaker 1>And absolutely, yeah, that's I mean, that's a purposeful defilement.

487
00:27:44.480 --> 00:27:46.880
<v Speaker 1>It's like putting the Cross upside down. Like everything they

488
00:27:46.880 --> 00:27:50.759
<v Speaker 1>do is a version like the Pentagram that the original

489
00:27:50.839 --> 00:27:54.000
<v Speaker 1>five point store was supposed to represent the five wounds

490
00:27:54.519 --> 00:27:58.039
<v Speaker 1>of Christ, and so the Satanists inverted it and turned

491
00:27:58.039 --> 00:28:02.799
<v Speaker 1>it into the pentagram. So those symbols are very important,

492
00:28:02.880 --> 00:28:07.359
<v Speaker 1>and imagery is important and they know that, and they

493
00:28:07.440 --> 00:28:13.079
<v Speaker 1>use it to their satanic purposes. Yes, and the defilement

494
00:28:13.559 --> 00:28:16.599
<v Speaker 1>of God and dishonoring of God and the and we

495
00:28:16.720 --> 00:28:22.559
<v Speaker 1>see the you know the result. Just look around you.

496
00:28:22.720 --> 00:28:27.720
<v Speaker 1>I mean it's like there's demons everywhere, and there's demons

497
00:28:27.720 --> 00:28:30.920
<v Speaker 1>in high places and low places, and and you know,

498
00:28:31.160 --> 00:28:33.759
<v Speaker 1>society rots from the top down. I think it starts

499
00:28:33.799 --> 00:28:39.000
<v Speaker 1>with these people who just who design these so called

500
00:28:39.079 --> 00:28:43.000
<v Speaker 1>utopias for us, like the AI post human utopia. I

501
00:28:43.079 --> 00:28:47.319
<v Speaker 1>think they hate themselves, the missanthropes, and they project their

502
00:28:47.359 --> 00:28:51.240
<v Speaker 1>hatred self hatred onto humanity, and then if they can

503
00:28:51.279 --> 00:28:54.319
<v Speaker 1>destroy humanity, they can somehow destroy the parts of themselves

504
00:28:54.359 --> 00:28:57.240
<v Speaker 1>that they hate, like in a Youngie and Shadow sort of.

505
00:28:57.599 --> 00:28:58.039
<v Speaker 2>I agree.

506
00:28:58.119 --> 00:29:01.359
<v Speaker 3>Yeah, especially when you look at the transgender stuff. The

507
00:29:01.359 --> 00:29:04.960
<v Speaker 3>purpose of that is to take very young, impressionable people

508
00:29:05.519 --> 00:29:08.519
<v Speaker 3>or maybe even somebody who's an adult and that's very impressionable,

509
00:29:08.599 --> 00:29:12.200
<v Speaker 3>like Christopher Beck who was a Navy seal that they

510
00:29:12.319 --> 00:29:15.359
<v Speaker 3>pushed into becoming a training But it's to train them

511
00:29:15.440 --> 00:29:18.880
<v Speaker 3>to hate their body, to hate themselves, uh, and then

512
00:29:18.920 --> 00:29:22.400
<v Speaker 3>to engage in self mutilation. And so I think that

513
00:29:22.559 --> 00:29:25.720
<v Speaker 3>is truly the satanic aspect of it. Tell us little

514
00:29:25.720 --> 00:29:29.759
<v Speaker 3>bit about your project Jesus Jesus Park that you're working on.

515
00:29:29.880 --> 00:29:32.960
<v Speaker 3>You've got to go fundme attached to that as well,

516
00:29:33.000 --> 00:29:35.839
<v Speaker 3>But tell us about that. I think we've got a picture.

517
00:29:35.559 --> 00:29:38.160
<v Speaker 2>Lance of that you can show the audience of that.

518
00:29:38.880 --> 00:29:43.000
<v Speaker 1>So free is that I just started, Yeah, I had this.

519
00:29:43.359 --> 00:29:49.359
<v Speaker 1>I had this dream. Is this vision, David, of this

520
00:29:49.599 --> 00:29:58.640
<v Speaker 1>park and this beautiful sort of pastoral natural setting with

521
00:29:58.759 --> 00:30:04.799
<v Speaker 1>trees and and rocks, and and I've done a lot

522
00:30:04.799 --> 00:30:09.640
<v Speaker 1>of imagery of Christ, and I wanted to create the

523
00:30:09.720 --> 00:30:13.160
<v Speaker 1>face of Christ out of all natural materials, like his

524
00:30:13.279 --> 00:30:17.319
<v Speaker 1>crown of thorns would be actual trees, like you know,

525
00:30:17.400 --> 00:30:19.599
<v Speaker 1>so the scale would be enormous, like his face might

526
00:30:19.599 --> 00:30:23.519
<v Speaker 1>take up a half acre or more but it'll be

527
00:30:23.559 --> 00:30:28.240
<v Speaker 1>a place of a contemplation, a place of prayer, pace

528
00:30:28.319 --> 00:30:32.200
<v Speaker 1>of place of peace. And for me, it'll be a

529
00:30:32.240 --> 00:30:37.160
<v Speaker 1>labor of love and a devotion to God. And they

530
00:30:37.240 --> 00:30:40.119
<v Speaker 1>say it came to me in the dream download, and

531
00:30:40.200 --> 00:30:43.400
<v Speaker 1>I just feel like, I feel like I have I

532
00:30:43.480 --> 00:30:46.759
<v Speaker 1>have to make this thing, and while I still I'm

533
00:30:46.799 --> 00:30:54.839
<v Speaker 1>still young enough, which might not be So that's what

534
00:30:54.880 --> 00:30:59.240
<v Speaker 1>I'm working on right now. And I do need some

535
00:30:59.279 --> 00:31:04.319
<v Speaker 1>funds to realize it, talking to some some churches and

536
00:31:04.599 --> 00:31:06.920
<v Speaker 1>to have land and trying to find the right spot

537
00:31:07.000 --> 00:31:12.279
<v Speaker 1>for it. But I think it would be an incredible

538
00:31:13.720 --> 00:31:20.079
<v Speaker 1>lasting monument and shrine really that I hope that people

539
00:31:20.119 --> 00:31:21.119
<v Speaker 1>can enjoy.

540
00:31:21.720 --> 00:31:23.839
<v Speaker 3>And so you'll be able to see the picture that

541
00:31:23.880 --> 00:31:26.200
<v Speaker 3>we've got. That'd be like an aerial view that people

542
00:31:26.359 --> 00:31:26.680
<v Speaker 3>be able to.

543
00:31:26.680 --> 00:31:31.000
<v Speaker 1>See in my in my vision. You know, I've done

544
00:31:31.039 --> 00:31:33.319
<v Speaker 1>models of it and it's I mean, if it's on

545
00:31:33.359 --> 00:31:36.000
<v Speaker 1>a slight slope, you should be able to make out

546
00:31:36.039 --> 00:31:38.400
<v Speaker 1>his face from the ground, but you won't be able

547
00:31:38.440 --> 00:31:40.720
<v Speaker 1>to the full picture. So maybe you know from a

548
00:31:40.759 --> 00:31:43.160
<v Speaker 1>your own shot or something like that, but you'll be

549
00:31:43.200 --> 00:31:48.519
<v Speaker 1>able to see what it is. And uh, it looks

550
00:31:48.519 --> 00:31:50.200
<v Speaker 1>great in my dream you know. Now I just have

551
00:31:50.319 --> 00:31:50.720
<v Speaker 1>to make it.

552
00:31:51.839 --> 00:31:53.720
<v Speaker 3>Have you got any You haven't got a sight for

553
00:31:53.759 --> 00:31:56.000
<v Speaker 3>it yet, But are are you angling for a particular

554
00:31:56.079 --> 00:31:59.720
<v Speaker 3>geographical area that would have Well I.

555
00:31:59.640 --> 00:32:02.559
<v Speaker 1>Live on Yeah, I live on Long Island, and there's

556
00:32:02.559 --> 00:32:05.000
<v Speaker 1>this beautiful shrine out on the east end of Long

557
00:32:05.039 --> 00:32:08.880
<v Speaker 1>Island called Our Lady of the Island, and they have

558
00:32:09.400 --> 00:32:12.880
<v Speaker 1>I think about one hundred acres of land and there's

559
00:32:12.880 --> 00:32:16.640
<v Speaker 1>a full twenty foot marble sculpture. Married there's an outdoor

560
00:32:17.119 --> 00:32:20.920
<v Speaker 1>church that I go to there and it overlooks the

561
00:32:20.920 --> 00:32:25.519
<v Speaker 1>Great South Bay. It's just an incredible spot and they

562
00:32:25.519 --> 00:32:28.119
<v Speaker 1>have a lot of land there. So I've reached out

563
00:32:28.160 --> 00:32:31.039
<v Speaker 1>to them. I don't know if it's going to work out,

564
00:32:31.079 --> 00:32:33.160
<v Speaker 1>but you know, there's a lot of logistics and bolve

565
00:32:33.359 --> 00:32:36.720
<v Speaker 1>so it's going to take some planning in a little time.

566
00:32:36.799 --> 00:32:40.920
<v Speaker 1>But but I'm determined. So if I have to at

567
00:32:40.960 --> 00:32:43.759
<v Speaker 1>some point just buy a small piece of land, maybe

568
00:32:43.839 --> 00:32:49.720
<v Speaker 1>upstate New York, you can get an expensive land. Whatever

569
00:32:49.759 --> 00:32:51.640
<v Speaker 1>I have to do, you know, I'm going to make

570
00:32:51.680 --> 00:32:52.200
<v Speaker 1>this happen.

571
00:32:52.599 --> 00:32:55.960
<v Speaker 3>Yeah, that's great. Well, you know, in Tennessee, land is

572
00:32:55.960 --> 00:32:58.759
<v Speaker 3>fairly cheap and they have a lot of unusual sits

573
00:32:58.759 --> 00:33:00.759
<v Speaker 3>for people to come see. You might get a lot

574
00:33:00.759 --> 00:33:02.960
<v Speaker 3>of traffic there if you put it further south.

575
00:33:03.079 --> 00:33:06.599
<v Speaker 1>But that's a good idea. I don't know much about it,

576
00:33:06.680 --> 00:33:08.480
<v Speaker 1>but I'll take it right down Tennessee. Why not.

577
00:33:08.799 --> 00:33:11.279
<v Speaker 3>Yeah, instead of people going to see Rock City, they

578
00:33:11.279 --> 00:33:14.000
<v Speaker 3>can see the Jesus Park that's there.

579
00:33:14.400 --> 00:33:18.279
<v Speaker 2>Where can people find the GoFundMe? How do they find that?

580
00:33:19.160 --> 00:33:21.319
<v Speaker 1>You can find all of my thought crimes on it

581
00:33:21.359 --> 00:33:24.160
<v Speaker 1>if you got just Anthony Frieda dot com Anthony f

582
00:33:24.279 --> 00:33:26.599
<v Speaker 1>r a dot com like the links to all my

583
00:33:27.400 --> 00:33:28.279
<v Speaker 1>projects there.

584
00:33:28.519 --> 00:33:29.119
<v Speaker 2>Okay, good?

585
00:33:29.359 --> 00:33:31.279
<v Speaker 3>And and your book is not out yet, is it

586
00:33:31.359 --> 00:33:33.319
<v Speaker 3>Thought Crimes of Anthony Frieda?

587
00:33:33.759 --> 00:33:34.519
<v Speaker 2>Is that out yet?

588
00:33:35.359 --> 00:33:38.680
<v Speaker 1>No, that's not. But that was the title was inspired

589
00:33:38.680 --> 00:33:43.559
<v Speaker 1>by an actual crime that was happened because of my artwork.

590
00:33:43.640 --> 00:33:46.000
<v Speaker 1>I did a book cover for C. J. Hopkins, who

591
00:33:46.000 --> 00:33:51.160
<v Speaker 1>wrote this book, The Rise and Full of the of

592
00:33:51.200 --> 00:33:56.440
<v Speaker 1>the New Normal, and I did a take off of

593
00:33:57.119 --> 00:33:59.799
<v Speaker 1>The Rise and Poll of the Third Reich that cover,

594
00:34:00.319 --> 00:34:03.279
<v Speaker 1>and I put the COVID mask with a little with

595
00:34:03.400 --> 00:34:07.559
<v Speaker 1>a swastika barely visible behind the mask the COVID mask.

596
00:34:09.000 --> 00:34:13.920
<v Speaker 1>And they decided to charge him for disseminating Nazi propaganda.

597
00:34:14.000 --> 00:34:18.000
<v Speaker 1>In Germany and had to go. He was facing like

598
00:34:18.119 --> 00:34:18.800
<v Speaker 1>years in prison.

599
00:34:19.079 --> 00:34:19.960
<v Speaker 2>Yeah, I remember that.

600
00:34:20.960 --> 00:34:23.079
<v Speaker 1>Yeah, So that was my book cover and all he

601
00:34:23.119 --> 00:34:27.760
<v Speaker 1>did was tweet that cover to get to get and dieted.

602
00:34:28.320 --> 00:34:32.519
<v Speaker 1>So that's a literal crime that I've been involved with

603
00:34:32.559 --> 00:34:33.440
<v Speaker 1>as an accessory.

604
00:34:34.079 --> 00:34:36.599
<v Speaker 3>So he can't use the symbols of the Nazi regime,

605
00:34:36.760 --> 00:34:39.440
<v Speaker 3>but you can act like Nazis, and that's okay, right.

606
00:34:39.920 --> 00:34:43.920
<v Speaker 1>No, right, no, But it's selectively enforced because you know,

607
00:34:44.199 --> 00:34:48.320
<v Speaker 1>the stern and magazines in Germany they'll show Trump in

608
00:34:48.400 --> 00:34:52.719
<v Speaker 1>full Hitler regalia all the time. That's just that's fine,

609
00:34:52.840 --> 00:34:55.559
<v Speaker 1>and it was for the purposes of the left. They

610
00:34:55.599 --> 00:34:58.840
<v Speaker 1>get a pass. And CJ is not even a right

611
00:34:58.840 --> 00:35:01.559
<v Speaker 1>wing guy. He's just one of these guys who there's

612
00:35:01.599 --> 00:35:06.079
<v Speaker 1>a skeptic, he questions everything. Yeah, so it's kind of

613
00:35:06.079 --> 00:35:10.920
<v Speaker 1>ironic that they're using this illegal subversion of their own laws,

614
00:35:11.360 --> 00:35:13.760
<v Speaker 1>which is something the Nazis would do to prove that

615
00:35:13.800 --> 00:35:18.039
<v Speaker 1>they're not Nazis. You know, it's like, uh, there's a

616
00:35:18.079 --> 00:35:20.960
<v Speaker 1>lot of ironies there. But anyway, he has his ongoing

617
00:35:21.079 --> 00:35:24.000
<v Speaker 1>legal battle with them, and in Germany they don't have

618
00:35:24.079 --> 00:35:27.360
<v Speaker 1>double jeopardy like we do, so they charged him, and

619
00:35:27.400 --> 00:35:29.800
<v Speaker 1>he went to trial and he was acquitted, and now

620
00:35:29.800 --> 00:35:31.639
<v Speaker 1>they're going to charge him again with the same crime.

621
00:35:32.519 --> 00:35:32.800
<v Speaker 2>Just case.

622
00:35:32.840 --> 00:35:35.199
<v Speaker 1>They can keep charging them. They can keep coming until

623
00:35:35.239 --> 00:35:36.239
<v Speaker 1>they get the burder they want.

624
00:35:36.440 --> 00:35:38.320
<v Speaker 2>Wow. Wow uh.

625
00:35:38.440 --> 00:35:40.400
<v Speaker 3>And it's not a new incident of anything. It's for

626
00:35:40.480 --> 00:35:43.840
<v Speaker 3>the same exact thing. Right, Well, we just had somebody

627
00:35:43.880 --> 00:35:46.360
<v Speaker 3>that was arrested here in Tennessee for a meme that

628
00:35:46.440 --> 00:35:49.880
<v Speaker 3>he put up and they got him in you know,

629
00:35:50.000 --> 00:35:53.159
<v Speaker 3>two million dollar bond to get him out of jail.

630
00:35:53.719 --> 00:35:56.960
<v Speaker 3>And again it was because and we see this kind

631
00:35:56.960 --> 00:35:59.440
<v Speaker 3>of censorship is going on both the left and the right.

632
00:36:00.000 --> 00:36:03.000
<v Speaker 3>This was about the fact that this guy didn't like

633
00:36:03.199 --> 00:36:06.000
<v Speaker 3>Charlie Kirk or conservatives. And so there was a school

634
00:36:06.039 --> 00:36:08.599
<v Speaker 3>that was going to have an event Donnor Charlie Kirk,

635
00:36:09.239 --> 00:36:13.440
<v Speaker 3>and he put up a meme that he didn't even create,

636
00:36:13.880 --> 00:36:15.519
<v Speaker 3>that other people had created. It was a picture of

637
00:36:15.519 --> 00:36:18.320
<v Speaker 3>trump and it was a quote about what Trumpet said

638
00:36:18.519 --> 00:36:22.039
<v Speaker 3>about a school shooting, and it said we got to

639
00:36:22.079 --> 00:36:24.320
<v Speaker 3>get over this and move on. And so he put

640
00:36:24.360 --> 00:36:27.119
<v Speaker 3>that up as his comment about the Charlie Kirk shooting.

641
00:36:27.519 --> 00:36:30.760
<v Speaker 3>And because the place that he did it was something

642
00:36:30.800 --> 00:36:33.119
<v Speaker 3>that Perry, Idaho or something was where the high school

643
00:36:33.320 --> 00:36:37.360
<v Speaker 3>was that where the shooting had been, and this was

644
00:36:37.400 --> 00:36:40.920
<v Speaker 3>in Perry County, and they said, well, you were trying

645
00:36:40.920 --> 00:36:44.320
<v Speaker 3>to intimidate people here in Perry County by using this

646
00:36:44.480 --> 00:36:47.920
<v Speaker 3>meme that you didn't even create, and so the sheriff

647
00:36:47.960 --> 00:36:51.079
<v Speaker 3>arrested him for that two million dollar bail. We're seeing

648
00:36:51.320 --> 00:36:56.480
<v Speaker 3>free speech attacked everywhere every country. Every political philosophy is

649
00:36:56.519 --> 00:36:59.960
<v Speaker 3>coming for speech because especially when we're looking at memes

650
00:37:00.079 --> 00:37:04.480
<v Speaker 3>or political commentary like you do, it's very very powerful.

651
00:37:04.519 --> 00:37:06.159
<v Speaker 3>They wouldn't be coming after it otherwise.

652
00:37:07.719 --> 00:37:10.920
<v Speaker 1>Yeah, definitely. Well, I'm pretty certain he's going to win

653
00:37:10.920 --> 00:37:16.960
<v Speaker 1>that lawsuit, because that's that's rageous. I'm used as censorship

654
00:37:17.039 --> 00:37:20.159
<v Speaker 1>and I've been I mean, I know you've been through

655
00:37:20.199 --> 00:37:24.800
<v Speaker 1>it too. It's just constantly platformed and demonetized and d

656
00:37:25.000 --> 00:37:28.719
<v Speaker 1>this and do that, and it's you know, and by

657
00:37:28.719 --> 00:37:31.159
<v Speaker 1>the way, everything that I was, you know, censored for,

658
00:37:31.719 --> 00:37:35.440
<v Speaker 1>turns out I was right about. I was right about

659
00:37:35.480 --> 00:37:36.920
<v Speaker 1>all of it, every single thing I said. It was

660
00:37:36.920 --> 00:37:40.880
<v Speaker 1>mostly about COVID. And then I'm also fairly certain I

661
00:37:40.920 --> 00:37:44.000
<v Speaker 1>was put on a domestic terror list because Biden had

662
00:37:44.000 --> 00:37:47.639
<v Speaker 1>a list of anyone who questioned the COVID narrative was

663
00:37:47.679 --> 00:37:50.519
<v Speaker 1>put on a list. Yeah, and I would high profile

664
00:37:50.519 --> 00:37:54.960
<v Speaker 1>about that. So, I mean I'm considered potential violent. They

665
00:37:55.079 --> 00:38:01.440
<v Speaker 1>use the word violent, potential violent, domestic extremist terror if

666
00:38:01.480 --> 00:38:03.760
<v Speaker 1>you were questioning COVID.

667
00:38:03.760 --> 00:38:06.719
<v Speaker 3>That's right, Yeah, because they say that, you know, speech

668
00:38:07.039 --> 00:38:12.079
<v Speaker 3>is violence, and I say, no, censorship is violence. And

669
00:38:12.159 --> 00:38:15.000
<v Speaker 3>the people who use and enforce censorship are the ones

670
00:38:15.000 --> 00:38:18.519
<v Speaker 3>who usually do resort to violence. But the other you know,

671
00:38:18.599 --> 00:38:21.239
<v Speaker 3>like arresting this guy. The sad thing is is that

672
00:38:21.280 --> 00:38:24.000
<v Speaker 3>you see that both sides of the political spectrum. And

673
00:38:24.039 --> 00:38:27.400
<v Speaker 3>I'm talking about notes and politicians, I'm talking about the grassroots.

674
00:38:27.400 --> 00:38:30.719
<v Speaker 3>People are cheering this kind of censorship if they don't

675
00:38:30.920 --> 00:38:34.239
<v Speaker 3>like what you have to say. We have lost the

676
00:38:35.000 --> 00:38:38.039
<v Speaker 3>understanding of the importance of free speech in our society,

677
00:38:38.079 --> 00:38:40.760
<v Speaker 3>and that includes America's not just in Europe, but in

678
00:38:40.800 --> 00:38:45.480
<v Speaker 3>America as well. People don't realize that these tools of

679
00:38:45.480 --> 00:38:50.440
<v Speaker 3>tyranny will be used against them eventually and have already

680
00:38:50.480 --> 00:38:52.719
<v Speaker 3>been used against them in many cases, and they still

681
00:38:52.760 --> 00:38:56.039
<v Speaker 3>are cheering this on. It's truly amazing. I don't know

682
00:38:56.039 --> 00:38:56.920
<v Speaker 3>how you get around it.

683
00:38:57.119 --> 00:39:02.639
<v Speaker 1>Yeah, oh no, I've never seen the country there's there's

684
00:39:02.679 --> 00:39:05.440
<v Speaker 1>no room. That's why, you know, the Charlie Kirk thing

685
00:39:05.519 --> 00:39:08.840
<v Speaker 1>was so symbolic, because if you're not going to talk,

686
00:39:09.360 --> 00:39:12.280
<v Speaker 1>you're going to kill each other. And people are It's like,

687
00:39:12.360 --> 00:39:15.239
<v Speaker 1>because they don't want to talk, they want to kill.

688
00:39:15.400 --> 00:39:17.039
<v Speaker 1>And what is that? I mean, if you, I know,

689
00:39:17.079 --> 00:39:19.760
<v Speaker 1>you're a great student of history, like, where does this go?

690
00:39:19.920 --> 00:39:22.599
<v Speaker 1>It goes one place. It's called civil war. That's where

691
00:39:22.599 --> 00:39:24.519
<v Speaker 1>it goes. It's like, this is nothing new. We've seen

692
00:39:24.599 --> 00:39:28.559
<v Speaker 1>it thousands of times before, all throughout history. This when

693
00:39:28.599 --> 00:39:32.480
<v Speaker 1>there's a divide of this extreme nature, where there's no

694
00:39:32.679 --> 00:39:35.960
<v Speaker 1>there's no communication. They're either good or evil, either with

695
00:39:36.039 --> 00:39:39.480
<v Speaker 1>me or against me, it leads to civil war. I mean,

696
00:39:40.679 --> 00:39:42.719
<v Speaker 1>I don't know how close we are to it, but

697
00:39:42.960 --> 00:39:45.880
<v Speaker 1>unless something radically changes, which I don't see any evidence of,

698
00:39:46.880 --> 00:39:48.800
<v Speaker 1>where we're in some perilous times here.

699
00:39:49.119 --> 00:39:53.559
<v Speaker 3>I agree. I agree, yeah, we have. We've lost our foundation.

700
00:39:53.840 --> 00:39:56.079
<v Speaker 3>You know, we've lost our foundation in terms of the principles

701
00:39:56.119 --> 00:39:59.199
<v Speaker 3>that made the West great. And we've lost our foundation

702
00:39:59.239 --> 00:40:01.079
<v Speaker 3>because we've turned up back on God. That's what we

703
00:40:01.079 --> 00:40:04.519
<v Speaker 3>were talking about earlier, and that truly is the foundation,

704
00:40:04.880 --> 00:40:08.280
<v Speaker 3>as the Lord Jesus Christ and once we turn away

705
00:40:08.280 --> 00:40:12.360
<v Speaker 3>from that, we are adrift as a society. And so

706
00:40:13.159 --> 00:40:15.360
<v Speaker 3>even though we used to have guns everywhere, now the

707
00:40:15.360 --> 00:40:17.559
<v Speaker 3>guns are being turned on each other and being used

708
00:40:17.559 --> 00:40:19.719
<v Speaker 3>on us, and there's a lot of different aspects to it.

709
00:40:20.079 --> 00:40:23.639
<v Speaker 3>I think the heavy use of drugs is a part

710
00:40:23.719 --> 00:40:26.400
<v Speaker 3>of that. I think that even plays a role actually

711
00:40:26.639 --> 00:40:30.159
<v Speaker 3>in the technocrats. I had been told years ago that

712
00:40:30.199 --> 00:40:32.960
<v Speaker 3>when these guys would go hang out at the Burning

713
00:40:33.039 --> 00:40:36.760
<v Speaker 3>Man thing that they were dropping LSD and they were

714
00:40:36.800 --> 00:40:39.679
<v Speaker 3>also taking what was that DMT or something where they

715
00:40:39.840 --> 00:40:42.639
<v Speaker 3>come in contact with machine elves. And the interesting thing

716
00:40:42.719 --> 00:40:46.159
<v Speaker 3>about this is that you hear from the same people

717
00:40:46.199 --> 00:40:48.320
<v Speaker 3>who are in different geographical areas.

718
00:40:48.559 --> 00:40:49.519
<v Speaker 2>They start talking.

719
00:40:49.280 --> 00:40:52.519
<v Speaker 3>About how they had the same types of encounters, and

720
00:40:53.000 --> 00:40:57.400
<v Speaker 3>they're channeling technology from these entities that they're coming in

721
00:40:57.480 --> 00:41:00.960
<v Speaker 3>contact with, and you can have people and radically different

722
00:41:01.000 --> 00:41:04.199
<v Speaker 3>places that have the same experiences that are there. They

723
00:41:04.199 --> 00:41:08.159
<v Speaker 3>even call them psycho knots, not nuts, but notts, like

724
00:41:08.199 --> 00:41:10.639
<v Speaker 3>an astronaut or something, And so that's what.

725
00:41:11.239 --> 00:41:14.880
<v Speaker 1>Yeah, it's interdimensional travel, I think. I mean they're opening

726
00:41:14.880 --> 00:41:18.159
<v Speaker 1>a portal to Hell for lack of a better word.

727
00:41:18.199 --> 00:41:21.360
<v Speaker 1>I mean, this tells another dimension Heaven's dimension, our plane

728
00:41:21.400 --> 00:41:25.480
<v Speaker 1>is dimension, and those drugs somehow, I don't know how

729
00:41:25.519 --> 00:41:27.559
<v Speaker 1>it works. I can't even come close to explain it,

730
00:41:27.599 --> 00:41:34.880
<v Speaker 1>but it makes the veil between the dimensions permeable. Yeah,

731
00:41:34.440 --> 00:41:38.840
<v Speaker 1>and they're able to permeate it with these substances, and

732
00:41:39.840 --> 00:41:42.639
<v Speaker 1>it's a dark energy and we're seeing it, and that's

733
00:41:42.679 --> 00:41:45.400
<v Speaker 1>connected to whole a I think we were talking about before. Yes,

734
00:41:46.440 --> 00:41:49.559
<v Speaker 1>and these drugs are facilitating it, and you're totally right.

735
00:41:49.559 --> 00:41:51.760
<v Speaker 1>But the other things when you turn away from God,

736
00:41:52.320 --> 00:41:55.000
<v Speaker 1>I mean Deeparktropa said, you leave a God shaped hole.

737
00:41:55.480 --> 00:41:57.920
<v Speaker 1>So what you fill that hole? You're going to fill

738
00:41:57.960 --> 00:42:03.800
<v Speaker 1>with drugs or porn or wolk is or something or satan.

739
00:42:04.000 --> 00:42:06.559
<v Speaker 1>You know, it's like it has to be filled because

740
00:42:06.559 --> 00:42:10.840
<v Speaker 1>that's part of our human makeup that we have to

741
00:42:10.960 --> 00:42:14.760
<v Speaker 1>have something to believe in. So if you don't fill

742
00:42:14.840 --> 00:42:19.960
<v Speaker 1>with God, the alternatives are anti human and their satanic

743
00:42:20.079 --> 00:42:23.000
<v Speaker 1>and they're dark. You're taking something that should be filled

744
00:42:23.000 --> 00:42:24.840
<v Speaker 1>with light and you're filling with darkness.

745
00:42:25.199 --> 00:42:28.000
<v Speaker 3>That's right, absolutely, Well, you know it's kind of interesting.

746
00:42:28.079 --> 00:42:31.960
<v Speaker 3>I use this quite a bit to attack.

747
00:42:31.800 --> 00:42:32.960
<v Speaker 2>The pharmaceutical companies.

748
00:42:33.000 --> 00:42:37.119
<v Speaker 3>I'd call them pharmachia because that's the Greek term that's

749
00:42:37.199 --> 00:42:41.800
<v Speaker 3>using the New Testament frequently was transferred translated as sorcery

750
00:42:42.039 --> 00:42:46.960
<v Speaker 3>because people would include these lucinogenic drugs as part of their.

751
00:42:47.559 --> 00:42:50.280
<v Speaker 2>Spiritual experience and that type of thing. That's very old thing.

752
00:42:50.360 --> 00:42:54.079
<v Speaker 3>But also it talks about how the pharmachia and the

753
00:42:54.119 --> 00:42:57.079
<v Speaker 3>great men of the world would not repent of their murders.

754
00:42:57.079 --> 00:42:59.559
<v Speaker 3>That's how I was using it for the pharmaceutical companies,

755
00:43:00.039 --> 00:43:02.559
<v Speaker 3>and I thought it really fit. But that really is

756
00:43:02.880 --> 00:43:06.719
<v Speaker 3>what we're seeing. And with all the technology that we've gotten,

757
00:43:06.760 --> 00:43:10.440
<v Speaker 3>all of this idea about how we are so scientific

758
00:43:10.519 --> 00:43:13.800
<v Speaker 3>and materialistic and we don't believe anything unless we can

759
00:43:13.840 --> 00:43:15.920
<v Speaker 3>measure it well that we have seen over and over

760
00:43:15.920 --> 00:43:19.840
<v Speaker 3>again is simply not true. The people that we disagree

761
00:43:19.840 --> 00:43:23.039
<v Speaker 3>with are more than willing to pursue by faith a

762
00:43:23.039 --> 00:43:25.599
<v Speaker 3>lot of different things. Whether they talk about the climate

763
00:43:25.679 --> 00:43:29.679
<v Speaker 3>change agenda or the pandemic. They accept a lot of

764
00:43:29.719 --> 00:43:32.320
<v Speaker 3>stuff on the basis of faith. It's just what they

765
00:43:32.320 --> 00:43:35.760
<v Speaker 3>have faith in. They have faith in these institutions, they

766
00:43:35.760 --> 00:43:39.559
<v Speaker 3>have faith in people who have credentials that say that

767
00:43:39.599 --> 00:43:41.920
<v Speaker 3>they're a scientist or an authority in something. So it's

768
00:43:41.960 --> 00:43:45.159
<v Speaker 3>just a difference in what they have faith in. But

769
00:43:45.199 --> 00:43:47.480
<v Speaker 3>I think it's very important what you're doing in terms

770
00:43:47.480 --> 00:43:50.599
<v Speaker 3>of artwork that gets to people on a different level

771
00:43:51.000 --> 00:43:54.000
<v Speaker 3>than just talking to them straight about the facts.

772
00:43:54.079 --> 00:43:54.840
<v Speaker 2>You know, whenever we.

773
00:43:54.800 --> 00:43:59.039
<v Speaker 3>Can engage the emotions, and art does that, and you know,

774
00:43:59.239 --> 00:44:01.679
<v Speaker 3>movies do that, and Christians are starting to learn to

775
00:44:01.800 --> 00:44:04.440
<v Speaker 3>use the tools of movie making and so I think

776
00:44:04.480 --> 00:44:07.039
<v Speaker 3>there's going to be some very important work that has

777
00:44:07.079 --> 00:44:11.679
<v Speaker 3>done there. But gradually the Christian movie industry is picking up.

778
00:44:11.880 --> 00:44:13.960
<v Speaker 3>But I think there's so much that's been lost in

779
00:44:14.079 --> 00:44:17.320
<v Speaker 3>terms of artwork that would move people. I think that

780
00:44:17.679 --> 00:44:18.920
<v Speaker 3>what you're doing is very important.

781
00:44:20.039 --> 00:44:22.360
<v Speaker 1>Well, thank you, David. Yeah, it's speaking of a film. I

782
00:44:22.360 --> 00:44:25.039
<v Speaker 1>started working with a film production company. I think you're right.

783
00:44:25.079 --> 00:44:28.480
<v Speaker 1>The answer is to create a parallel M and E

784
00:44:28.480 --> 00:44:33.920
<v Speaker 1>economy that is in accordance with our values yea, and

785
00:44:34.000 --> 00:44:39.199
<v Speaker 1>the values of Western civilization and Christensen, the things that

786
00:44:39.239 --> 00:44:42.559
<v Speaker 1>we have faith in, things that we believe in, and

787
00:44:42.599 --> 00:44:44.360
<v Speaker 1>a lot of it's been sort of kind of hulkey

788
00:44:44.519 --> 00:44:46.880
<v Speaker 1>kitschy stuff up to this point. But we're trying to

789
00:44:46.920 --> 00:44:50.199
<v Speaker 1>create with man Alive Media group, this group I'm working

790
00:44:50.199 --> 00:44:54.159
<v Speaker 1>with right now, we're working on a film about World

791
00:44:54.159 --> 00:44:55.719
<v Speaker 1>War One. We're going to do a film aby Joan

792
00:44:55.760 --> 00:44:58.440
<v Speaker 1>of Arc and we're trying to make them very high

793
00:44:58.519 --> 00:45:02.119
<v Speaker 1>minded and and to the best of our ability, great

794
00:45:02.159 --> 00:45:05.039
<v Speaker 1>pieces of art, because you're right, art speaks on a

795
00:45:05.079 --> 00:45:09.599
<v Speaker 1>different level than just there's a conversation. With some kind

796
00:45:09.639 --> 00:45:12.719
<v Speaker 1>of conversation, it's like, you know, poetry or prose. It's

797
00:45:12.719 --> 00:45:16.440
<v Speaker 1>like it's something that engages our mind in a different

798
00:45:16.480 --> 00:45:21.480
<v Speaker 1>way and hopefully opens up and our mind to this conversation.

799
00:45:23.159 --> 00:45:25.280
<v Speaker 1>But we have to be able to talk, and censorship

800
00:45:25.320 --> 00:45:29.480
<v Speaker 1>is the enemy of all of us, because then we're

801
00:45:29.519 --> 00:45:31.960
<v Speaker 1>not talking. And if we're not talking, we're probably shooting

802
00:45:31.960 --> 00:45:32.360
<v Speaker 1>each other.

803
00:45:32.599 --> 00:45:36.960
<v Speaker 3>Because so we make peaceful change if possible, we make

804
00:45:37.039 --> 00:45:38.159
<v Speaker 3>violent change inevitable.

805
00:45:38.159 --> 00:45:40.840
<v Speaker 2>As Kennedy said, that's right, and.

806
00:45:40.840 --> 00:45:42.960
<v Speaker 3>I think it's very important. You know, for the longest time,

807
00:45:43.280 --> 00:45:46.880
<v Speaker 3>Christians have retreated from the arts, and they feel like

808
00:45:46.960 --> 00:45:51.480
<v Speaker 3>the best way to engage people is with a didactic aspect,

809
00:45:51.480 --> 00:45:53.960
<v Speaker 3>and of course there's value in that, but there's another

810
00:45:53.960 --> 00:45:56.599
<v Speaker 3>way to reach people, and that is by showing them,

811
00:45:56.719 --> 00:45:59.880
<v Speaker 3>you know, and portraying as a narrative. I just to

812
00:46:00.400 --> 00:46:04.360
<v Speaker 3>the author of Flags of Our Fathers, who's just done

813
00:46:04.679 --> 00:46:07.719
<v Speaker 3>a book on Vietnam. He spent ten years in Vietnam

814
00:46:07.760 --> 00:46:11.480
<v Speaker 3>talking to people there. And his name is James. Was

815
00:46:11.519 --> 00:46:14.599
<v Speaker 3>it James Bradley. I think it was Bradley or Bradley.

816
00:46:15.239 --> 00:46:18.800
<v Speaker 3>I'm sorry, I can't remember his last name, but very

817
00:46:18.840 --> 00:46:22.360
<v Speaker 3>interesting guy. And when he did this book, you know,

818
00:46:22.400 --> 00:46:26.119
<v Speaker 3>his previous books were nonfiction, but he wanted to do

819
00:46:26.159 --> 00:46:28.400
<v Speaker 3>a fictional book because he said there were so many

820
00:46:28.440 --> 00:46:31.360
<v Speaker 3>facets and so many different things that he had to

821
00:46:31.400 --> 00:46:34.880
<v Speaker 3>use fictional characters to bring them together. And so not

822
00:46:34.920 --> 00:46:37.880
<v Speaker 3>only does it engage our emotions more so if we

823
00:46:37.960 --> 00:46:41.039
<v Speaker 3>have a narrative story, but it also allows us to

824
00:46:42.239 --> 00:46:44.719
<v Speaker 3>pull together the relevant things in a way that we

825
00:46:44.719 --> 00:46:47.519
<v Speaker 3>couldn't if we had to stick to exactly what the

826
00:46:47.519 --> 00:46:49.519
<v Speaker 3>true story was. And Hollywood knows that for the longest

827
00:46:49.559 --> 00:46:52.599
<v Speaker 3>time go see something's based on true event, they always

828
00:46:52.719 --> 00:46:55.280
<v Speaker 3>change it, always begin this is based on a true story,

829
00:46:55.320 --> 00:46:57.360
<v Speaker 3>but the actual characters are fictionalized and so forth.

830
00:46:57.400 --> 00:46:58.320
<v Speaker 2>They always do that.

831
00:46:58.880 --> 00:47:02.280
<v Speaker 3>And so I think it's good the kind of projects

832
00:47:02.320 --> 00:47:04.920
<v Speaker 3>that you mentioned there, when we're talking about people living

833
00:47:05.119 --> 00:47:09.000
<v Speaker 3>their life according to Christian principles, I think that's probably

834
00:47:09.039 --> 00:47:12.000
<v Speaker 3>the best way that that can be done rather than

835
00:47:12.079 --> 00:47:15.400
<v Speaker 3>going in to the Bible and then fictionalizing that. That

836
00:47:15.480 --> 00:47:18.880
<v Speaker 3>always kind of rubs me the wrong way trying to

837
00:47:18.920 --> 00:47:19.519
<v Speaker 3>rewrite it.

838
00:47:19.679 --> 00:47:23.920
<v Speaker 1>Yeah, it doesn't have to be didactic or so blatant

839
00:47:23.960 --> 00:47:27.559
<v Speaker 1>like I mean, there was great Christian authors, you know,

840
00:47:28.000 --> 00:47:30.159
<v Speaker 1>Tolkien and C. S. Lewis, and they were they were

841
00:47:30.159 --> 00:47:33.559
<v Speaker 1>coming up with their own mythology to sort of mirror

842
00:47:34.360 --> 00:47:38.159
<v Speaker 1>Christian themes without you know, saying literally, this is Jesus

843
00:47:38.159 --> 00:47:44.000
<v Speaker 1>and this is what happened. So you know, Christianity to

844
00:47:44.039 --> 00:47:47.320
<v Speaker 1>me is a myth. That's true, yes, but we need

845
00:47:47.360 --> 00:47:50.960
<v Speaker 1>to create alternative myths to reinforce that myth to bring

846
00:47:51.000 --> 00:47:53.599
<v Speaker 1>people to us, because it's just so boring to just

847
00:47:54.079 --> 00:47:58.119
<v Speaker 1>you know, tell the same story, even in brilliant filmmakers' hands,

848
00:47:58.159 --> 00:48:01.599
<v Speaker 1>like it's been done and so it's just going to

849
00:48:01.639 --> 00:48:03.159
<v Speaker 1>turn a lot of people off. But if you do

850
00:48:03.239 --> 00:48:06.639
<v Speaker 1>it in a way that's creative and original and interesting

851
00:48:07.280 --> 00:48:13.760
<v Speaker 1>and unexpected and entertaining and edifying something different. Now it's

852
00:48:13.760 --> 00:48:16.039
<v Speaker 1>the work of art on its own, not just pastiche

853
00:48:16.039 --> 00:48:20.119
<v Speaker 1>and not just biblical scripture translated into film.

854
00:48:20.400 --> 00:48:20.840
<v Speaker 2>That's right.

855
00:48:21.320 --> 00:48:25.119
<v Speaker 3>I remember the film critic Brian Goodowa and he actually

856
00:48:25.280 --> 00:48:27.639
<v Speaker 3>was able to do a film. I think it was

857
00:48:27.679 --> 00:48:30.599
<v Speaker 3>called To End All Wars, I'm not sure about that,

858
00:48:30.679 --> 00:48:34.800
<v Speaker 3>but it took place in American soldiers in Japanese in

859
00:48:34.880 --> 00:48:38.400
<v Speaker 3>tern prison camp during World War Two. But his whole

860
00:48:38.440 --> 00:48:41.000
<v Speaker 3>idea is that very much like you know, I think

861
00:48:41.039 --> 00:48:43.840
<v Speaker 3>it was C. S. Lewis who said that the Christian

862
00:48:43.920 --> 00:48:46.559
<v Speaker 3>myth is the greatest myth and it's real. You know,

863
00:48:46.760 --> 00:48:49.719
<v Speaker 3>he doesn't mean that it's fictional. He just means by myth,

864
00:48:49.760 --> 00:48:53.679
<v Speaker 3>he means an epic story. And so that was kind

865
00:48:53.719 --> 00:48:55.760
<v Speaker 3>of Brian Goadawa's take on it. He said, you know,

866
00:48:55.840 --> 00:48:59.400
<v Speaker 3>every one of our really the stories that really resonate

867
00:48:59.440 --> 00:49:03.239
<v Speaker 3>with people always have a redemptive arc in the story.

868
00:49:03.800 --> 00:49:06.440
<v Speaker 3>And and he did a really good job with that,

869
00:49:06.639 --> 00:49:10.440
<v Speaker 3>and he also would kind of draw that out in

870
00:49:10.519 --> 00:49:11.360
<v Speaker 3>his film.

871
00:49:11.079 --> 00:49:11.960
<v Speaker 2>Reviews that he did.

872
00:49:12.000 --> 00:49:15.920
<v Speaker 3>But uh, that that I think is something that, you know,

873
00:49:16.480 --> 00:49:18.079
<v Speaker 3>if we're not going to be able to fight a

874
00:49:18.079 --> 00:49:19.639
<v Speaker 3>culture war, if we don't have culture.

875
00:49:19.760 --> 00:49:22.079
<v Speaker 2>Someone said, I think that's exactly true.

876
00:49:22.360 --> 00:49:29.840
<v Speaker 3>Right, We're going in unarmed, right, I mean, yeah.

877
00:49:29.639 --> 00:49:32.519
<v Speaker 1>It's staying the obvious, but yeah, I mean we got listen.

878
00:49:33.239 --> 00:49:37.440
<v Speaker 1>You know, it's on us. You know, yeah, incumbent upon

879
00:49:37.519 --> 00:49:40.719
<v Speaker 1>Christians of people who were means, people who are creative,

880
00:49:40.719 --> 00:49:43.840
<v Speaker 1>people who have talent or something to give, like put

881
00:49:43.880 --> 00:49:46.679
<v Speaker 1>it towards the cause because the other side certainly is

882
00:49:47.159 --> 00:49:49.599
<v Speaker 1>you know, the Satanists and the Demons and the war

883
00:49:49.760 --> 00:49:55.639
<v Speaker 1>Lunatic and the Islamicists and the Marxists, like they're all

884
00:49:55.719 --> 00:49:58.199
<v Speaker 1>on board. You know. You just watch Netflix and there's

885
00:49:58.280 --> 00:50:01.559
<v Speaker 1>messaging in every single thing they do. Oh yeah, so

886
00:50:01.679 --> 00:50:06.039
<v Speaker 1>all anti Christian, anti mail, anti white, anti American, and

887
00:50:06.079 --> 00:50:09.199
<v Speaker 1>it's just I mean, it's so ham fisted, but they

888
00:50:09.239 --> 00:50:11.639
<v Speaker 1>shoehorned into everything. A story does nothing to do with

889
00:50:11.719 --> 00:50:15.440
<v Speaker 1>what they're talking about those you know, white people are bad?

890
00:50:15.760 --> 00:50:18.039
<v Speaker 1>What does that have to do with the comedy I

891
00:50:18.079 --> 00:50:18.519
<v Speaker 1>was watching?

892
00:50:19.400 --> 00:50:20.199
<v Speaker 2>So right?

893
00:50:20.960 --> 00:50:23.639
<v Speaker 1>You know, we could do it more artfully. There's so

894
00:50:23.679 --> 00:50:26.000
<v Speaker 1>many great artists and writers out there that are Christian,

895
00:50:26.119 --> 00:50:29.880
<v Speaker 1>and we need to come together and build these teams.

896
00:50:29.920 --> 00:50:31.960
<v Speaker 1>And that's what I'm trying to do in my own

897
00:50:31.960 --> 00:50:32.480
<v Speaker 1>little way.

898
00:50:33.199 --> 00:50:33.719
<v Speaker 2>That's great.

899
00:50:33.800 --> 00:50:36.440
<v Speaker 3>So the best place for people to find out how

900
00:50:36.480 --> 00:50:39.440
<v Speaker 3>they can get your book when it's available, and also

901
00:50:39.679 --> 00:50:42.440
<v Speaker 3>to find out about the Jesus Park if they want

902
00:50:42.440 --> 00:50:44.280
<v Speaker 3>to get involved, and they go fund me. We need

903
00:50:44.320 --> 00:50:46.840
<v Speaker 3>to go to your website, Anthony Frieda, and that is

904
00:50:47.159 --> 00:50:51.280
<v Speaker 3>f R E d A dot com right, yes, for

905
00:50:51.320 --> 00:50:51.960
<v Speaker 3>them to find you.

906
00:50:52.800 --> 00:50:53.119
<v Speaker 2>Anthony.

907
00:50:53.159 --> 00:50:55.239
<v Speaker 3>It's always been great talking to you. I only had

908
00:50:55.239 --> 00:50:56.920
<v Speaker 3>a chance to meet you once and that was up

909
00:50:56.960 --> 00:51:01.880
<v Speaker 3>at Jerrold's event four years ago and his occupy piece thing,

910
00:51:01.960 --> 00:51:04.960
<v Speaker 3>And so when I saw that he had a book

911
00:51:04.960 --> 00:51:06.760
<v Speaker 3>out there, it's like, oh yeah, I definitely love to

912
00:51:06.760 --> 00:51:09.119
<v Speaker 3>talk to anything about that. You've got a great story

913
00:51:09.159 --> 00:51:12.079
<v Speaker 3>to tell and it's been a great journey that you've

914
00:51:12.079 --> 00:51:14.639
<v Speaker 3>been on. I really want to thank you for the

915
00:51:14.679 --> 00:51:17.559
<v Speaker 3>work that you have done. It's been very important and

916
00:51:17.960 --> 00:51:19.840
<v Speaker 3>look forward to a lot more to come from you

917
00:51:19.880 --> 00:51:20.400
<v Speaker 3>in the future.

918
00:51:20.440 --> 00:51:22.079
<v Speaker 2>Thank you so much for joining us.

919
00:51:22.679 --> 00:51:24.719
<v Speaker 1>Thank you, David, all right, thank you.

920
00:51:25.039 --> 00:51:27.559
<v Speaker 3>Let me before we run out of time, let me

921
00:51:27.599 --> 00:51:29.400
<v Speaker 3>get to some of the comments that are up here.

922
00:51:30.199 --> 00:51:35.599
<v Speaker 3>And as Lance, my producer, said, Jesus used parables and analogies.

923
00:51:35.639 --> 00:51:39.400
<v Speaker 3>That's right, So we're following in the right way when

924
00:51:39.440 --> 00:51:41.679
<v Speaker 3>we use those type of things as well. Some one

925
00:51:41.679 --> 00:51:45.039
<v Speaker 3>of his favorite ways to get a point across was

926
00:51:45.079 --> 00:51:48.800
<v Speaker 3>to use a parable a story about something, and in

927
00:51:48.800 --> 00:51:51.480
<v Speaker 3>most cases I think there was at least one or

928
00:51:51.480 --> 00:51:55.079
<v Speaker 3>two that were not fictional, but they were all giving

929
00:51:56.079 --> 00:52:02.920
<v Speaker 3>a story there and so crash and splash seventy five

930
00:52:02.960 --> 00:52:07.880
<v Speaker 3>says The average lifespan of lithium minor thirty years. So enjoy

931
00:52:07.880 --> 00:52:10.199
<v Speaker 3>your battery, I said, like a lot of these things,

932
00:52:10.719 --> 00:52:14.360
<v Speaker 3>cobalt as well, cobalt Cobalt is being dug out of

933
00:52:14.400 --> 00:52:19.920
<v Speaker 3>the mines by young children operating at slave wages and

934
00:52:20.119 --> 00:52:24.480
<v Speaker 3>a situation that kills them. So yeah, that is we

935
00:52:24.760 --> 00:52:26.880
<v Speaker 3>have to understand this. Behind a lot of this stuff.

936
00:52:27.440 --> 00:52:30.360
<v Speaker 3>Car insurance is now hire to pay for than battery burns,

937
00:52:30.440 --> 00:52:33.440
<v Speaker 3>says Joelson's and Guard Goldsmith, good to see you, Guard

938
00:52:33.599 --> 00:52:37.559
<v Speaker 3>Liberty Conspiracy says. Last year, the very US government bureau

939
00:52:37.639 --> 00:52:42.199
<v Speaker 3>tasked with promoting EV travel banned EV buyings and scooters

940
00:52:42.400 --> 00:52:46.199
<v Speaker 3>from being brought into their Colorado building for fear of fire.

941
00:52:46.440 --> 00:52:50.480
<v Speaker 3>That's right, Jason Barker, nice the storm, good to see you,

942
00:52:50.480 --> 00:52:53.400
<v Speaker 3>He says. AI is good for memes, but not for

943
00:52:53.440 --> 00:52:57.480
<v Speaker 3>real art. Meme images and music, and that's really you

944
00:52:57.559 --> 00:52:59.880
<v Speaker 3>know what it does. I mean, a meme just kind

945
00:52:59.880 --> 00:53:02.320
<v Speaker 3>of picks up on a theme and imitates it, and

946
00:53:02.360 --> 00:53:06.719
<v Speaker 3>that's precisely what AI is. But the real danger of

947
00:53:06.760 --> 00:53:09.000
<v Speaker 3>AI is not that it's going to become some self

948
00:53:09.039 --> 00:53:12.199
<v Speaker 3>aware sky neet thing. I think the real danger is

949
00:53:12.239 --> 00:53:15.280
<v Speaker 3>that it is a very effective tool for pulling together

950
00:53:15.480 --> 00:53:19.599
<v Speaker 3>data and for doing searches and surveillance that can be

951
00:53:19.679 --> 00:53:22.559
<v Speaker 3>used to control us. That's really where the devil is

952
00:53:22.639 --> 00:53:25.320
<v Speaker 3>in that detail. Thank you so much for joining us.

953
00:53:25.719 --> 00:53:43.480
<v Speaker 3>Have a good day. The common Man. They created common Core,

954
00:53:43.840 --> 00:53:47.039
<v Speaker 3>dumbed down our children. They created common Past to track

955
00:53:47.119 --> 00:53:50.639
<v Speaker 3>and control us. Their Commons project to make sure the

956
00:53:50.639 --> 00:53:56.840
<v Speaker 3>commoners own nothing and the communist future. They see the

957
00:53:56.840 --> 00:54:01.599
<v Speaker 3>common man as simple, not sophisticated, ordinary, but each of

958
00:54:01.679 --> 00:54:04.880
<v Speaker 3>us has worth and dignity. Create it in the image

959
00:54:04.920 --> 00:54:09.719
<v Speaker 3>of God. That is what we have in common. That

960
00:54:10.079 --> 00:54:12.920
<v Speaker 3>is what they want to take away. The most powerful

961
00:54:12.920 --> 00:54:18.679
<v Speaker 3>weapons are isolation, deception, intimidation. They desire to know everything

962
00:54:18.840 --> 00:54:23.239
<v Speaker 3>about us, while they hide everything from us. It's time

963
00:54:23.280 --> 00:54:26.440
<v Speaker 3>to turn that around and expose what they want to hide.

964
00:54:27.679 --> 00:54:30.440
<v Speaker 3>Please share the information and links you'll find at The

965
00:54:30.599 --> 00:54:34.519
<v Speaker 3>Davidnightshow dot com. Thank you for listening, Thank you for sharing.

966
00:54:40.280 --> 00:54:42.760
<v Speaker 3>If you can't support us financially, please keep us in

967
00:54:42.800 --> 00:55:06.440
<v Speaker 3>your prayers. The Davidknikeshow dot com
