1 00:00:16,920 --> 00:00:17,440 Speaker 1: Come in. 2 00:00:19,719 --> 00:00:21,519 Speaker 2: Welcome. I'm e G. 3 00:00:21,760 --> 00:00:22,160 Speaker 3: Marshall. 4 00:00:23,399 --> 00:00:26,760 Speaker 2: It is said that fine feathers do not make fine birds. 5 00:00:27,480 --> 00:00:29,800 It is also claimed that you cannot judge a book 6 00:00:29,839 --> 00:00:35,320 a beautiful firm. Unfortunately, both these trenchant observations have been 7 00:00:35,359 --> 00:00:38,679 consigned to the limbo of wise sayings that are constantly 8 00:00:38,759 --> 00:00:44,640 being disregarded. Birds, books, and even people are always being 9 00:00:44,719 --> 00:00:48,719 judged by their appearance. The sad truth is that the 10 00:00:48,799 --> 00:00:53,320 overwhelming majority of us will choose a beautiful fool over 11 00:00:53,399 --> 00:01:00,399 a homely philosopher. Well, that's life, and sometimes that's death. 12 00:01:01,600 --> 00:01:06,319 Our mystery drama Ape of the Maya was written especially 13 00:01:06,359 --> 00:01:10,079 for the Mystery Theater by Sam Dan and stars Arnold 14 00:01:10,120 --> 00:01:14,359 Stang and Norman Rose. It is sponsored in part by 15 00:01:14,519 --> 00:01:15,640 Dwick Motor Division. 16 00:01:16,280 --> 00:01:18,000 Speaker 1: I'll be back shortly with that. 17 00:01:18,159 --> 00:01:33,719 Speaker 2: One, beware, said Henry David Thoreau, of all enterprises that 18 00:01:33,879 --> 00:01:37,959 require new clothes. That was all very well for Henry 19 00:01:38,000 --> 00:01:42,280 t who liked to live singleow at Walden Pond, where 20 00:01:42,280 --> 00:01:45,680 he could commune with frogs and flowers and field mice. 21 00:01:46,159 --> 00:01:50,200 My Lord, if everybody had that attitude toward new clothes, 22 00:01:50,840 --> 00:01:53,680 what would happen to a certain little world that lies 23 00:01:53,799 --> 00:01:58,040 within the confines of Manhattan Island, a universe in microcosm 24 00:01:58,519 --> 00:02:03,000 which is simply known as Seventh Avenue. That's enough philosophy. 25 00:02:03,400 --> 00:02:05,799 You tune us in for action, We'll give you action. 26 00:02:06,799 --> 00:02:10,680 A most beautiful sir dove looking down Seventh Avenue near 27 00:02:10,759 --> 00:02:15,080 thirty seventh Street. She is clad in a stunning, shimmering, 28 00:02:15,400 --> 00:02:20,199 flowing dress. It is addressed to inflame the imagination. 29 00:02:20,159 --> 00:02:21,639 Speaker 1: And arouse the passions. 30 00:02:22,319 --> 00:02:25,479 Speaker 2: And here is a young man who has been obviously 31 00:02:25,560 --> 00:02:30,000 aroused and inflamed, because without warning he grabs. 32 00:02:29,599 --> 00:02:31,919 Speaker 4: Her dove me, who are you? 33 00:02:32,879 --> 00:02:33,599 Speaker 3: That's mine? 34 00:02:33,639 --> 00:02:37,039 Speaker 2: Now? That is mine? Ends off that cown? Where did 35 00:02:37,039 --> 00:02:39,800 you get that count? Take that dreath off? 36 00:02:39,800 --> 00:02:40,400 Speaker 3: It's mine? 37 00:02:41,319 --> 00:02:48,240 Speaker 2: Now, don't less just lessing, less than you pol you're 38 00:02:48,520 --> 00:02:49,960 talking with me, Yes. 39 00:02:49,919 --> 00:02:50,759 Speaker 3: I'm talking you. 40 00:02:51,039 --> 00:02:53,319 Speaker 2: I haven't make you stop creaming. Now look for an 41 00:02:53,400 --> 00:02:56,800 intelligent girl. Now you must promise to be good. No, no, 42 00:02:56,919 --> 00:03:00,479 don't him out. Just listen. I'm gonna I'm gonna you 43 00:03:00,599 --> 00:03:13,879 let all of you see now take off that dress. 44 00:03:13,879 --> 00:03:17,680 Still from your thank you, officer, I shall call when 45 00:03:17,719 --> 00:03:22,759 I require your services again. I'll kill him, I'll destroy him. 46 00:03:22,120 --> 00:03:25,360 One it's too early in the morning to talk about killing. 47 00:03:25,400 --> 00:03:28,800 He stole the Maya, he stole the mare, right, so 48 00:03:28,919 --> 00:03:32,080 he stole them? Oh sure you can say, all right, 49 00:03:32,360 --> 00:03:35,319 it's the Maya, your inspired vision, but the Maya to 50 00:03:35,400 --> 00:03:39,240 still from your blood. You you, you, you fat Philliston. 51 00:03:39,479 --> 00:03:40,680 Speaker 1: I'm trying to lose weight. 52 00:03:40,800 --> 00:03:43,560 Speaker 2: I shall assassinate that you're praying thief. You will be 53 00:03:43,560 --> 00:03:44,599 out of here by lunchtime. 54 00:03:44,599 --> 00:03:46,039 Speaker 3: I'll let out his heart's blood. 55 00:03:46,080 --> 00:03:48,520 Speaker 2: Enough one, what do you work? The show is in 56 00:03:48,599 --> 00:03:53,599 thirteen days. I need another design? Marus Marus, Marus, Marris Marrus, 57 00:03:54,039 --> 00:03:56,240 How can you speak of new designs? 58 00:03:56,520 --> 00:03:59,680 Speaker 3: I lie here, violated, ravaged to straw. 59 00:04:00,000 --> 00:04:02,560 Speaker 2: Give me something I can produce for forty nine ninety five? 60 00:04:02,680 --> 00:04:05,240 Speaker 3: Leave me, Mars with my great. 61 00:04:05,000 --> 00:04:08,639 Speaker 2: A simple little frock with a collar ban. What do 62 00:04:08,719 --> 00:04:11,719 you think about a collar that er? That viper? I 63 00:04:11,840 --> 00:04:15,120 allowed him to sit at my feet, basking in the 64 00:04:15,240 --> 00:04:16,879 rays of my creativity. 65 00:04:16,959 --> 00:04:17,439 Speaker 3: I got it. 66 00:04:17,560 --> 00:04:21,399 Speaker 2: Let's bring back the Peter pan kotinged into my infamous wretch, 67 00:04:21,920 --> 00:04:24,839 plunges a poisoned dagger into my back. 68 00:04:24,839 --> 00:04:25,399 Speaker 1: And listen to me. 69 00:04:25,839 --> 00:04:28,720 Speaker 2: The reason you're getting off easy. I saw that girl's 70 00:04:28,759 --> 00:04:31,319 father last night. I thought if I would explain to 71 00:04:31,399 --> 00:04:33,920 him about the Maya, rape of the Maya, How you 72 00:04:34,040 --> 00:04:37,600 designed this gorgeous dress and for only thirty nine ninety 73 00:04:37,600 --> 00:04:41,480 five See my witness, myers. The dagger he plunged into 74 00:04:41,560 --> 00:04:45,040 my back, it's the dagger I shall thrust into his heart. 75 00:04:45,120 --> 00:04:47,480 But I take a look at the father, a giant, 76 00:04:47,839 --> 00:04:48,720 a hard hat. 77 00:04:48,920 --> 00:04:50,680 Speaker 1: When I say who I am, he says, what do 78 00:04:50,720 --> 00:04:51,399 you want? 79 00:04:52,079 --> 00:04:52,240 Speaker 2: You know? 80 00:04:52,319 --> 00:04:53,000 Speaker 1: What could kill? 81 00:04:53,160 --> 00:04:57,040 Speaker 2: I'd be a corpse just design the Maya, Maya daughter 82 00:04:57,120 --> 00:05:00,519 of atlass and Diana. I was inspired by the ancient 83 00:05:00,600 --> 00:05:04,199 gods themselves. But I explained to him how you created 84 00:05:04,279 --> 00:05:07,759 such a masterpiece and had it stolen from you by by, 85 00:05:07,879 --> 00:05:10,759 by your best friend. Now who turns around himself, that's 86 00:05:10,839 --> 00:05:14,079 another manufacturer. Why this big giant you know what? He 87 00:05:14,199 --> 00:05:19,480 just sat down and croped God through his fold persidious heart. 88 00:05:20,000 --> 00:05:24,199 I shall stab him. No charges, everything's fixed. I shall 89 00:05:24,319 --> 00:05:28,600 rid the world of an abomination that calls itself Perry Fullington. 90 00:05:28,720 --> 00:05:31,279 You come right back to work this afternoon. I shall 91 00:05:31,360 --> 00:05:33,680 never take pencil in hand again. 92 00:05:34,439 --> 00:05:36,199 Speaker 3: Leave me with my grief. 93 00:05:36,279 --> 00:05:42,079 Speaker 2: Thought I God, I you know when I heard that 94 00:05:42,160 --> 00:05:46,600 you were arrested for attacking a girl, I how could 95 00:05:46,639 --> 00:05:59,199 I believe it really, Sally Joe, I have to talk 96 00:05:59,240 --> 00:06:06,319 to you. Well, Sally Joe, I'm in trouble. 97 00:06:06,560 --> 00:06:08,519 Speaker 4: Oh I'm sorry to hear that, Sugar. 98 00:06:08,839 --> 00:06:11,439 Speaker 2: What I mean is real trouble. 99 00:06:11,680 --> 00:06:13,920 Speaker 4: Oh, I'm genuinely sorry to hear that. 100 00:06:14,040 --> 00:06:17,839 Speaker 2: Oh it's a bad scene. Like, oh, it's total trouble. 101 00:06:18,079 --> 00:06:18,879 Speaker 4: Pair of honey? 102 00:06:19,879 --> 00:06:24,519 Speaker 2: He did Adrian Adrian? Yes, if Adrian finds me a 103 00:06:24,560 --> 00:06:28,839 Harry Sugar, and why should you be scared? I need 104 00:06:28,879 --> 00:06:29,839 five hundred dollars? 105 00:06:29,879 --> 00:06:34,360 Speaker 5: Like, but you got five hundred dollars. You took that 106 00:06:34,439 --> 00:06:36,399 a door, but letting my address over to the. 107 00:06:36,319 --> 00:06:39,279 Speaker 4: Man at Personality Fox, and he gave you five hundred 108 00:06:39,279 --> 00:06:39,720 dollars a. 109 00:06:39,879 --> 00:06:41,920 Speaker 2: Nice new bill, he did. 110 00:06:42,720 --> 00:06:45,120 Speaker 4: Well, then you have the five hundred dollars. 111 00:06:45,160 --> 00:06:46,720 Speaker 3: Well, well, what. 112 00:06:47,199 --> 00:06:49,120 Speaker 2: He don't have the five hundreds? 113 00:06:49,680 --> 00:06:50,199 Speaker 3: Adrian? 114 00:06:50,399 --> 00:06:54,600 Speaker 2: Yeah's Adrian, Sally Joe? What what what is he doing here? 115 00:06:54,720 --> 00:06:57,439 What am I doing here? I paid a right, That's 116 00:06:57,439 --> 00:07:00,319 what I'm doing. Well, now that's not really true. Ain't 117 00:07:00,879 --> 00:07:04,439 they owes me five hundred? So he's paying you with 118 00:07:04,480 --> 00:07:05,120 my money? 119 00:07:05,199 --> 00:07:05,759 Speaker 3: Adrian? 120 00:07:06,199 --> 00:07:10,360 Speaker 2: Adrian, let me explain once, to explain, you just come 121 00:07:10,439 --> 00:07:13,040 up with five big bills which you owe me dig 122 00:07:13,079 --> 00:07:17,839 in it and green pantsy yours. They're awkward hand over 123 00:07:17,920 --> 00:07:22,439 the dough. Well, well I have the money. I don't 124 00:07:22,680 --> 00:07:26,480 like where this is headed. But but you know, do 125 00:07:26,519 --> 00:07:28,800 you know the shoddy way they make things? You ain't 126 00:07:28,879 --> 00:07:31,639 gonna like it either. Well, there's a hole in my pocket, 127 00:07:31,680 --> 00:07:32,720 you see, and. 128 00:07:32,720 --> 00:07:36,279 Speaker 6: The money just just slip dials tell you where? But 129 00:07:36,439 --> 00:07:39,759 he pushes doubt you stopped off on the way down here. 130 00:07:39,920 --> 00:07:43,560 You laid the whole five hundred on some nag. 131 00:07:43,879 --> 00:07:47,560 Speaker 2: That's not true. The race is over, but your nag 132 00:07:47,680 --> 00:07:52,480 is still running. Now, Adrian, don't don't press me. You 133 00:07:52,560 --> 00:07:57,959 see this little slip of paper, read it? Nobody, Nobody 134 00:07:58,120 --> 00:08:01,519 pushes me around. Everybody push you were around, funk. Read 135 00:08:01,560 --> 00:08:06,480 what it says on the paper. Maya five hundred Pierre, 136 00:08:06,720 --> 00:08:10,759 Well that's your muker. You showed you that on her nose, 137 00:08:10,839 --> 00:08:16,079 and she come in dead last, Maya, Maya of my hot? 138 00:08:16,439 --> 00:08:19,560 How can a horse name Maya loose? Vaughan and I 139 00:08:19,639 --> 00:08:23,600 designed the gown called Maya Vaughan And you, oh, no, sugar, 140 00:08:23,959 --> 00:08:27,560 you're always trying to put me down. Sally Vaughan warned 141 00:08:27,600 --> 00:08:31,079 me about shut up. She's on your side. She showed 142 00:08:31,120 --> 00:08:33,200 you how to raise five on it by stealing the 143 00:08:33,279 --> 00:08:37,279 dress design. But the natural born sucker like you can't 144 00:08:37,320 --> 00:08:39,120 pass by a Betton collar. 145 00:08:38,919 --> 00:08:39,720 Speaker 1: Or a bookie. 146 00:08:40,120 --> 00:08:41,679 Speaker 2: You must have dropped the whole five on. 147 00:08:41,919 --> 00:08:42,440 Speaker 3: I kill him. 148 00:08:42,559 --> 00:08:45,039 Speaker 2: Told you there was a hole in my pocket of 149 00:08:45,200 --> 00:08:48,000 my name, bind a hole in it. You treat yourself 150 00:08:48,000 --> 00:08:51,559 pretty good on my though, don't you funk? You must 151 00:08:51,559 --> 00:08:55,679 have paid fifty sixty bucks for that red shirt. It's pink, 152 00:08:55,840 --> 00:08:59,480 flamingo pink. You don't make a sucker out of me. 153 00:09:00,159 --> 00:09:02,960 Speaker 4: Sugar, you're raising your voice this fun. 154 00:09:04,559 --> 00:09:07,919 Speaker 2: That That won't get you your five hundred dollars. You'll 155 00:09:07,919 --> 00:09:09,759 get me something else, satisfaction. 156 00:09:09,919 --> 00:09:13,480 Speaker 5: Hey, you can't affold to kill a person just for satisfaction? 157 00:09:13,559 --> 00:09:16,559 Speaker 2: Why not? Why can't I know? Just because he wants 158 00:09:16,600 --> 00:09:22,679 to whine you I got needs, Adrian. Hey, now you've 159 00:09:22,679 --> 00:09:27,120 got the fold up that nice? You don't want to 160 00:09:27,200 --> 00:09:31,279 kill me? What I do, I'll pay you. You ain't 161 00:09:31,399 --> 00:09:33,679 never gonna fake no, but I will. I swear, I 162 00:09:33,960 --> 00:09:36,679 swear I will the money. I know, I know. And 163 00:09:36,759 --> 00:09:39,320 on the way down here, well, I heard about a 164 00:09:39,320 --> 00:09:42,440 good thing in the fifth at Starlight Park at eight 165 00:09:42,559 --> 00:09:49,600 to one. His name was close, horse, close, horse, and 166 00:09:49,840 --> 00:09:51,080 I'm a designer. 167 00:09:51,320 --> 00:09:54,919 Speaker 4: You're an assistant designer, so I. 168 00:09:54,879 --> 00:09:59,639 Speaker 2: Thought, well, I have enough to pay you back plus close. 169 00:10:01,200 --> 00:10:04,120 Oh if you were me, wouldn't you bet your life 170 00:10:04,159 --> 00:10:07,960 on clothes? Horse? You know what you are? You are 171 00:10:08,039 --> 00:10:11,399 a hunch better? Oh yes, yes, yes, indeed I am 172 00:10:11,440 --> 00:10:13,840 a hunch better. You know what happens to hunch better 173 00:10:13,840 --> 00:10:17,799 as they die broke? You understand? Oh yeses indeed I do. 174 00:10:17,840 --> 00:10:19,399 Speaker 3: They die broke, So. 175 00:10:20,919 --> 00:10:23,759 Speaker 2: Why shouldn't you die now? I swear to you, Adrian, 176 00:10:23,919 --> 00:10:27,440 I'll get that money. I'll pay you back only please 177 00:10:28,080 --> 00:10:32,679 please don't kill me. Oh, I don't know how can 178 00:10:32,720 --> 00:10:35,679 the soft dodded guy like me expect to get anywhere 179 00:10:35,759 --> 00:10:39,200 this all? Believe me, Adrian, I forget what you hear. 180 00:10:39,759 --> 00:10:44,120 Nice guys don't finish first. So I ain't gonna kill 181 00:10:44,200 --> 00:10:47,320 you and you won't regret it. I'll pay you back 182 00:10:47,480 --> 00:10:52,159 every step, but just to make sure you remember, I'm 183 00:10:52,200 --> 00:10:57,080 gonna come. No, no, you keep on the right side 184 00:10:57,120 --> 00:11:00,480 of that shitty equation. No, no, no, no, my wound. 185 00:11:00,759 --> 00:11:03,080 Don't try to find him Perry now, don't go my 186 00:11:03,240 --> 00:11:03,679 arm funk. 187 00:11:03,759 --> 00:11:05,200 Speaker 3: No, I won't let you kick me. 188 00:11:06,799 --> 00:11:09,919 Speaker 2: No, don't don't carry you're getting my faith. 189 00:11:15,159 --> 00:11:19,679 Speaker 3: You kills him. 190 00:11:19,000 --> 00:11:22,120 Speaker 2: Full of them to stand still? Who was his own fault? 191 00:11:23,399 --> 00:11:23,919 Speaker 3: The blood? 192 00:11:24,519 --> 00:11:25,519 Speaker 4: Look at that blood? 193 00:11:25,799 --> 00:11:26,080 Speaker 3: Hold? 194 00:11:26,080 --> 00:11:26,919 Speaker 2: What do we do it? 195 00:11:29,039 --> 00:11:29,399 Speaker 1: Who's that? 196 00:11:30,279 --> 00:11:33,480 Speaker 2: Open up? Perry Bulletin, I know you're in there. Open 197 00:11:33,519 --> 00:11:38,200 the door and faint me. You still go away the door? 198 00:11:38,480 --> 00:11:40,440 What about the door? Hurried Bulletin? 199 00:11:40,600 --> 00:11:44,559 Speaker 4: You have raped the lay you fall, reap the wall, 200 00:11:44,559 --> 00:11:45,720 away the door. 201 00:11:46,039 --> 00:11:46,879 Speaker 2: It isn't locked. 202 00:11:47,320 --> 00:11:48,480 Speaker 3: Ho what do we do with it? 203 00:11:48,519 --> 00:11:51,360 Speaker 2: If he turns, then party, I have a gift for 204 00:11:51,559 --> 00:11:53,720 you who came and let me look at our faith 205 00:11:53,840 --> 00:11:58,679 as I are rapping Harry Bulletin, you forgot to lock 206 00:11:58,840 --> 00:12:06,720 the back, fag, you are a dead man. I'm oh, 207 00:12:07,039 --> 00:12:13,519 I'm gonna why he just stated? You know this creep? Well, 208 00:12:13,639 --> 00:12:17,200 sure of course his name is Varne nothing more. It 209 00:12:17,240 --> 00:12:22,320 ain't it's just been changed. It has the patsy. Leave 210 00:12:22,480 --> 00:12:35,159 me make a few arrangements, based officer, tell me business 211 00:12:35,200 --> 00:12:38,879 where I came in Upo. You know what they say. 212 00:12:39,440 --> 00:12:42,639 They say you killed him. The door was open, a 213 00:12:42,759 --> 00:12:46,399 neighbor passed by. They say you were lying there unconscious 214 00:12:46,480 --> 00:12:49,600 on the floor next to him. The knife, the knife 215 00:12:49,639 --> 00:12:52,879 with the switchblade with blood on it was in your hand. Yes, 216 00:12:53,399 --> 00:12:56,480 they say you had the motive. Yes, and so when 217 00:12:56,519 --> 00:12:59,320 you add all this together, it proved you killed him. 218 00:12:59,519 --> 00:13:00,519 Speaker 1: That's what they say. 219 00:13:00,639 --> 00:13:02,399 Speaker 3: Yes, Marus, that's what they say. 220 00:13:02,480 --> 00:13:06,279 Speaker 2: But Vaun, you know I say, I say, I don't 221 00:13:06,279 --> 00:13:07,000 believe a word. 222 00:13:07,039 --> 00:13:08,240 Speaker 1: They say, why. 223 00:13:08,200 --> 00:13:08,960 Speaker 3: Marius, Why? 224 00:13:09,120 --> 00:13:12,480 Speaker 2: Because I believe you're innocent. I refuse, point blank to 225 00:13:12,519 --> 00:13:15,960 believe them. No, Marus, believe them. What are you saying? 226 00:13:16,000 --> 00:13:18,679 Why should I believe? Because they happen to be right. 227 00:13:19,600 --> 00:13:23,399 I'm guilty, guilty, Vaughn. How can you even say such 228 00:13:23,399 --> 00:13:23,679 a thing? 229 00:13:24,159 --> 00:13:27,399 Speaker 3: Mars? It's true, No, not you. 230 00:13:27,919 --> 00:13:31,399 Speaker 2: I killed and I can't believe it. How could a 231 00:13:31,440 --> 00:13:40,559 person like you kill another human being? Well, what a 232 00:13:40,679 --> 00:13:45,159 pointed and pertinent question. How could Vaughan have done it? 233 00:13:45,360 --> 00:13:49,000 Especially since we were present and know full well how 234 00:13:49,159 --> 00:13:52,879 matters went. The usual procedure is for the guilty to 235 00:13:52,960 --> 00:13:56,399 claim innocence. Here, on the other hand, is an innocent 236 00:13:56,679 --> 00:14:01,159 who claims guilt. Well, that's why we have a second act, 237 00:14:01,799 --> 00:14:05,159 so we can turn the screw even tighter. 238 00:14:09,720 --> 00:14:10,039 Speaker 1: Gown. 239 00:14:15,320 --> 00:14:18,799 Speaker 2: Maya was the name of the ancient Greek goddess of fertility. 240 00:14:19,679 --> 00:14:22,200 Maya is also the name of a sleek three year 241 00:14:22,200 --> 00:14:26,519 old racehorse who is still considered a maiden, meaning she 242 00:14:26,600 --> 00:14:30,480 hasn't won yet. And finally, Maya is the name of 243 00:14:30,519 --> 00:14:35,799 a beautiful gown designed by Vaughan Lamaire. Well, the goddess 244 00:14:35,879 --> 00:14:39,720 named Maya inspired the gown, but the race horse named 245 00:14:39,720 --> 00:14:45,120 Maya inspired a losing bet that diehyist a chain of circumstances, 246 00:14:45,759 --> 00:14:49,279 the latest link of which finds our poor Vaughan Lamaire 247 00:14:49,320 --> 00:14:52,879 in prison, charged with murder. 248 00:14:54,039 --> 00:14:56,840 Speaker 1: And not You probably are but a murderer, definitely not. 249 00:14:57,039 --> 00:14:59,720 Speaker 2: Oh how little we know the inner heart of another. 250 00:14:59,840 --> 00:15:01,840 Speaker 1: Un don't start up with me, Vaughn. 251 00:15:01,919 --> 00:15:02,399 Speaker 2: I know you. 252 00:15:02,480 --> 00:15:03,879 Speaker 3: I'm Mars Marus. 253 00:15:04,080 --> 00:15:08,679 Speaker 2: Like Diogenes, you seek so desperately for the minuscule speck 254 00:15:08,720 --> 00:15:10,919 of what is good in man? Did you kill it? 255 00:15:11,039 --> 00:15:13,919 Did I kill? Say yes or no? Yes I don't 256 00:15:13,919 --> 00:15:19,960 believe it essential goodness I and say yes, yes, I 257 00:15:20,000 --> 00:15:23,000 still don't believe it. Why why won't you believe It's 258 00:15:23,080 --> 00:15:25,360 not being stubborn? You want to sit the elect the chair. 259 00:15:25,759 --> 00:15:28,039 You didn't kill him, And that's all there is too. 260 00:15:28,000 --> 00:15:30,080 Speaker 3: In Marus except reality. 261 00:15:30,200 --> 00:15:33,120 Speaker 2: You talk to me about reality, Oh, poor Marus, the 262 00:15:33,240 --> 00:15:36,600 eternal optimist, you so desperately want to believe in the 263 00:15:36,759 --> 00:15:40,000 essential goodness of man. But man is evil, the flesh 264 00:15:40,120 --> 00:15:40,600 is wicked. 265 00:15:40,960 --> 00:15:43,360 Speaker 3: I have the brand of Cain. The murderer is Mark. 266 00:15:43,440 --> 00:15:46,120 Speaker 2: What are you talking about? How could you kill anybody? 267 00:15:46,279 --> 00:15:49,360 You faint at the sight of blood, yes, Marus, but 268 00:15:49,519 --> 00:15:53,960 you don't see the blood until afterwards. Okay, okay, mister 269 00:15:54,080 --> 00:15:57,039 wise guy wind up in the chair with the wires 270 00:15:57,039 --> 00:16:00,360 and the metal cat. I decided to kill him, just 271 00:16:00,399 --> 00:16:04,639 the knife. I went to the apartment and I killed him. 272 00:16:05,039 --> 00:16:06,720 Speaker 3: You must accept it, Marus. 273 00:16:06,799 --> 00:16:12,039 Speaker 2: No, Oh, poor Marus, poor loyal, loving Mars. You mean 274 00:16:13,519 --> 00:16:20,799 you mean you killed him? You really actually kill hire? 275 00:16:21,279 --> 00:16:22,679 Do you feel so badly? 276 00:16:22,799 --> 00:16:23,480 Speaker 1: I'll get you a lawyer. 277 00:16:23,600 --> 00:16:26,320 Speaker 2: No, please, Marus, not your son in law. Shelvin's a 278 00:16:26,320 --> 00:16:28,360 wonderful lawyer. I don't want a wonderful lawyer. 279 00:16:28,440 --> 00:16:30,039 Speaker 3: Why he might get me acquitted. 280 00:16:30,080 --> 00:16:30,679 Speaker 1: That will be bad. 281 00:16:30,799 --> 00:16:31,399 Speaker 2: I'm guilty. 282 00:16:31,440 --> 00:16:32,759 Speaker 3: I must pay for my crime. 283 00:16:33,320 --> 00:16:35,320 Speaker 1: Born. Is there anything you need? 284 00:16:35,559 --> 00:16:38,399 Speaker 3: Solitude? I must compose the speech? 285 00:16:38,840 --> 00:16:39,679 Speaker 1: What speech? 286 00:16:39,759 --> 00:16:43,200 Speaker 2: And the judge will say, Vaughan Lemire, do you have 287 00:16:43,320 --> 00:16:46,159 anything to say before sentences passed upon you? 288 00:16:47,080 --> 00:16:49,240 Speaker 3: I intend to be ready. 289 00:16:49,200 --> 00:16:53,679 Speaker 2: Yeah, I tell you Vaughan after they made you. You 290 00:16:53,759 --> 00:17:04,920 in the middle of a pool away the model. Uh, 291 00:17:05,759 --> 00:17:09,400 Lieutenant Valentine, What can I do for you? Mister Goodman 292 00:17:09,880 --> 00:17:14,720 Morris Goodman, not Goodman Originals. We're almost neighbors. I hate 293 00:17:14,759 --> 00:17:16,920 to bother you in the middle of a working day. Oh, 294 00:17:17,000 --> 00:17:20,079 that's perfectly all right, mister Goodman. We at your police 295 00:17:20,079 --> 00:17:24,839 department or public servants constantly at your dispos it's about 296 00:17:27,400 --> 00:17:30,200 Oh yes, yes, von lemaire. 297 00:17:31,440 --> 00:17:33,759 Speaker 1: Are you a blood reletant. I'm closer than that. He's 298 00:17:33,799 --> 00:17:34,480 my designer. 299 00:17:35,400 --> 00:17:38,400 Speaker 2: How may I help you? Well, I just can't believe 300 00:17:38,440 --> 00:17:39,680 he would commit a murder. 301 00:17:40,119 --> 00:17:41,119 Speaker 3: Why can't you believe? 302 00:17:41,960 --> 00:17:47,759 Speaker 2: Because and because people we know do not commit murder? Correct, 303 00:17:48,680 --> 00:17:51,880 murderers are sub human, evil, stranger. 304 00:17:52,119 --> 00:17:54,839 Speaker 1: But he's such a gentle Person's crazy? 305 00:17:55,000 --> 00:17:58,319 Speaker 2: Maybe, but yes, but there's an extensive literature. 306 00:17:57,839 --> 00:17:58,559 Speaker 3: On the subject. 307 00:17:58,680 --> 00:18:02,440 Speaker 2: Yeah, are you familiar the Kabelevski's theory of supportive denial? 308 00:18:02,880 --> 00:18:03,079 Speaker 3: Yeah? 309 00:18:03,400 --> 00:18:04,759 Speaker 1: No, I'm not sure. 310 00:18:04,920 --> 00:18:08,440 Speaker 2: In a situation where the accused is an algably gentle, 311 00:18:08,599 --> 00:18:12,640 law abiding person who does not fulfill the normal stereotype 312 00:18:12,640 --> 00:18:18,160 of the psychotic with homicidal tendencies, his immediate personal community 313 00:18:18,319 --> 00:18:20,200 will weave a protective. 314 00:18:19,680 --> 00:18:21,759 Speaker 1: Web, I think I understand. 315 00:18:21,880 --> 00:18:24,960 Speaker 2: Yes, to protect the murderer, yes, yes, but also to 316 00:18:25,000 --> 00:18:26,559 protect their own. 317 00:18:26,759 --> 00:18:28,559 Speaker 3: Emotional investment in guest. 318 00:18:28,599 --> 00:18:33,680 Speaker 2: But even so, our faith in the cause in another 319 00:18:33,759 --> 00:18:39,319 human being dies hard. But fact, as Travelian wrote, is 320 00:18:39,519 --> 00:18:46,400 usually the killer of faith. A motive under Perry Fullerton's body. 321 00:18:47,319 --> 00:18:49,720 This slip of paper please read it. 322 00:18:52,440 --> 00:18:55,079 Speaker 1: Maya five hundred. 323 00:18:55,519 --> 00:19:01,000 Speaker 2: P F A note to himself. How he could get 324 00:19:01,039 --> 00:19:05,759 five hundred dollars from PF this fox for the mayer, 325 00:19:06,720 --> 00:19:11,640 which he did. Yes, Yes, the knife itself flew switchblade, 326 00:19:12,119 --> 00:19:15,359 bloodstained and with his fingerprints. 327 00:19:14,559 --> 00:19:15,400 Speaker 3: On the handle. 328 00:19:16,000 --> 00:19:19,920 Speaker 1: Yes. Tell me what's in that box, the one with 329 00:19:19,920 --> 00:19:20,680 the gift wrapping. 330 00:19:21,160 --> 00:19:24,160 Speaker 2: It looks like something he bought at Julio's down the street. 331 00:19:24,400 --> 00:19:30,759 Inside this gift wrap box was nothing. Why would he 332 00:19:30,880 --> 00:19:36,559 bring a gift wrap box with nothing inside? For a reason, 333 00:19:37,279 --> 00:19:41,920 perhaps because what he was truly bringing Perry Fullerton was death? 334 00:19:42,319 --> 00:19:42,960 Speaker 1: Yes? Yes. 335 00:19:43,039 --> 00:19:48,759 Speaker 2: And finally this document his confession, fully and freely given, 336 00:19:49,319 --> 00:19:54,039 in which he admits the murder. Well, mister goodnow, well 337 00:19:54,160 --> 00:19:58,799 I have to prove murder. We must show the accused 338 00:19:58,960 --> 00:20:05,200 is guilty. Be young, shop, I don't are you still 339 00:20:05,400 --> 00:20:10,680 in that shadow, mister Goodman. H No, now you're You're right. 340 00:20:10,720 --> 00:20:13,920 I didn't want to believe it. But how long can 341 00:20:13,960 --> 00:20:23,720 I insist the earth is flat? Thank you, Lieutenant, thank you, 342 00:20:23,839 --> 00:20:26,759 Thank you, Officer Marris. I came over as fast as 343 00:20:26,799 --> 00:20:29,759 I could. Now, what is the matter born, You're so excited, Mars. 344 00:20:29,880 --> 00:20:32,519 I'm I'm being framed for murder. 345 00:20:33,119 --> 00:20:34,559 Speaker 3: I didn't in the apartment. 346 00:20:34,960 --> 00:20:38,799 Speaker 2: Yes you did. I saw who you. You convinced me 347 00:20:38,880 --> 00:20:42,000 that you killed him the knife the finger Princes thought 348 00:20:42,039 --> 00:20:45,720 I killed him, you fought How could you think? Because 349 00:20:46,359 --> 00:20:50,519 because I was making a natural assumptions that so I 350 00:20:50,559 --> 00:20:53,319 had every intention of killing him. Therefore I went to Julios, 351 00:20:53,799 --> 00:20:54,880 I purchased a knife. 352 00:20:54,960 --> 00:20:56,079 Speaker 3: I went to the apartment. 353 00:20:56,920 --> 00:20:59,799 Speaker 2: The next thing I knew, I was lying there beside 354 00:21:00,119 --> 00:21:02,559 is dead body on the floor, the knife. 355 00:21:02,319 --> 00:21:02,839 Speaker 3: In my hand. 356 00:21:02,880 --> 00:21:07,079 Speaker 2: And so would no, no, no, natural to assume that 357 00:21:07,200 --> 00:21:09,599 I had accomplished my vision and killed him. 358 00:21:09,680 --> 00:21:11,079 Speaker 1: Yes, yes, it would be natural. 359 00:21:11,160 --> 00:21:15,359 Speaker 2: But this morning, as I awoke from troubled slumber, I 360 00:21:15,599 --> 00:21:19,200 realized him did not kill him. How could you realize that? 361 00:21:19,240 --> 00:21:22,599 When I walked inside the door, he was already lying 362 00:21:22,640 --> 00:21:25,119 dead on the floor, and I fainted at the side 363 00:21:25,160 --> 00:21:25,880 of the blind thoat. 364 00:21:26,279 --> 00:21:28,480 Speaker 1: No, no, no, no, Vaughn, you convinced me. 365 00:21:28,519 --> 00:21:31,720 Speaker 2: The other day two people were standing there in that room. 366 00:21:31,759 --> 00:21:34,279 Oh yes, I know, and they had just gotten off 367 00:21:34,400 --> 00:21:37,960 from a flying saucer. Or please, vare I didn't kill him. 368 00:21:38,319 --> 00:21:41,079 Sally Joe. You know Sally Joe. She used to be 369 00:21:41,079 --> 00:21:45,079 on model. I fired her because she became a bobie, 370 00:21:45,319 --> 00:21:46,960 or maybe she put on a little weight. But Tho, 371 00:21:47,279 --> 00:21:49,839 he was standing there with eight in the entire could 372 00:21:49,920 --> 00:21:52,359 believe such a story. A person who calls himself my 373 00:21:52,519 --> 00:21:54,920 friend could believe it. I can't keep up with you. 374 00:21:55,200 --> 00:21:57,839 One day you're guilty, the next day you're innocent. Right, 375 00:21:57,920 --> 00:22:00,359 all right, let me prove it to you that I 376 00:22:00,400 --> 00:22:04,039 am innocent. I went to Julio's to purchase the knife. 377 00:22:04,119 --> 00:22:05,480 Speaker 3: It was a damascene blade. 378 00:22:05,519 --> 00:22:08,920 Speaker 2: Oh please, This was to be the most artistic and 379 00:22:09,160 --> 00:22:13,960 exquisite killing in the entire history of Purian assassination. Even 380 00:22:13,960 --> 00:22:15,640 when you talk about a knife, it makes me. I 381 00:22:15,640 --> 00:22:18,799 would confront him and I would say, I have a gift. 382 00:22:19,400 --> 00:22:23,880 I shall unwrap it, I shall present it point first, 383 00:22:24,160 --> 00:22:28,319 and I would, But I fainted, you yourself, you know, 384 00:22:28,480 --> 00:22:31,559 I faint at the sight of blood. Sheldon says, it 385 00:22:31,599 --> 00:22:35,440 won't be too bad. You complete temporary insanity. But you see, 386 00:22:35,759 --> 00:22:39,240 I couldn't have killed him unless and until I could 387 00:22:39,359 --> 00:22:42,519 make him change his shirt. Of what is this, Morris? 388 00:22:43,240 --> 00:22:48,599 His shirt was flamingo, for his blood was bright red. Truthfully, 389 00:22:48,759 --> 00:22:51,400 the sight of that atrocious clash in colors is what 390 00:22:51,559 --> 00:22:54,640 made me pass out. But as you said yourself, the 391 00:22:54,680 --> 00:22:58,599 blood you don't see too afterwards, oh, Marris, not. I 392 00:22:58,680 --> 00:23:01,680 had he been alive and I entered the flat, had 393 00:23:01,720 --> 00:23:04,000 I held the knife to his breast, I would have 394 00:23:04,039 --> 00:23:07,599 seen the red blood before it gushed. Boys to stain 395 00:23:07,720 --> 00:23:10,880 the pink shirt eye. A designer see things before they exist, 396 00:23:11,079 --> 00:23:15,319 were then born? How Marris, Hi, have you ever known 397 00:23:15,440 --> 00:23:20,079 me to mix peon? Believe me? I? I just can't 398 00:23:20,079 --> 00:23:23,079 think of it. Bong, Will you please shut up? A 399 00:23:23,160 --> 00:23:27,599 person can't hear himself thing? Morris? Have I ever lied 400 00:23:27,640 --> 00:23:31,319 to your own constantly? I don't mind, it's it's part 401 00:23:31,359 --> 00:23:31,960 of your genius. 402 00:23:32,039 --> 00:23:33,079 Speaker 3: I wanted to kill him. 403 00:23:33,079 --> 00:23:35,279 Speaker 2: I bought the knife, but I never even run wrapped 404 00:23:35,319 --> 00:23:35,880 the package. 405 00:23:36,119 --> 00:23:37,400 Speaker 3: It was dead when I got there. 406 00:23:37,440 --> 00:23:41,240 Speaker 2: I menaced man. Believe me, Maris, you must believe me. 407 00:23:47,119 --> 00:23:51,119 I understand, mister Goodman. And there is also an extensive. 408 00:23:52,240 --> 00:23:53,359 Speaker 1: Is that so, Lieutenant? 409 00:23:53,519 --> 00:23:56,359 Speaker 2: Have you read Payerbahar on immaculate cancelation? 410 00:23:56,640 --> 00:23:57,839 Speaker 1: Well, I couldn't be sure. 411 00:23:58,119 --> 00:24:02,440 Speaker 2: Unwilling to face defective murder the worst of crimes, the 412 00:24:02,480 --> 00:24:07,000 subject will cancel the memory and thus cleanse himself of guilt. 413 00:24:07,400 --> 00:24:10,400 Speaker 1: What you're saying is he's telling a lie. 414 00:24:10,519 --> 00:24:14,160 Speaker 2: Of course, he cannot face the enormity of the deed. 415 00:24:16,319 --> 00:24:18,359 Speaker 1: One thing he said made sense. 416 00:24:18,920 --> 00:24:22,319 Speaker 2: He couldn't stab a man who was wearing a bright 417 00:24:22,559 --> 00:24:28,119 pink shous colors would clash. You're saying he wouldn't violate 418 00:24:28,160 --> 00:24:32,000 his artistic principle. Yes, yes, that's what I'm saying. Why 419 00:24:32,039 --> 00:24:35,039 not he was willing to violate his moral one? 420 00:24:35,160 --> 00:24:36,480 Speaker 1: But I believe him. 421 00:24:36,680 --> 00:24:40,440 Speaker 2: Here is the knife with his fingerprime though, But yet 422 00:24:40,480 --> 00:24:42,839 he says he brought it there in that box and 423 00:24:42,920 --> 00:24:48,400 never even took it out. Fingerprints, brodstains. These are the facts. 424 00:24:48,039 --> 00:24:49,519 Speaker 3: Which tell us otherwise. 425 00:24:49,720 --> 00:24:55,640 Speaker 2: The knife No wait, it's a switchblade knife now, yes, 426 00:24:56,240 --> 00:25:00,119 the trill is he would call highly artistic in all 427 00:25:00,200 --> 00:25:04,720 what you would call it highly effective? This this is 428 00:25:04,759 --> 00:25:07,400 the knife he bought. Why not? 429 00:25:08,559 --> 00:25:15,319 Speaker 1: It's good enough to do the job. You lied to me. 430 00:25:15,680 --> 00:25:18,640 Speaker 2: I swear you, Marris, I told you the truth. Is 431 00:25:18,720 --> 00:25:22,720 this nonsense about an artistic knife with a demo whatever 432 00:25:22,759 --> 00:25:23,559 you call it? Blade? 433 00:25:23,559 --> 00:25:24,119 Speaker 3: It's true. 434 00:25:24,160 --> 00:25:26,720 Speaker 2: I saw the knife that had your fingerprints on, and 435 00:25:26,839 --> 00:25:31,079 he placed them there while I was uncontacchoolic, common ordinary, 436 00:25:31,240 --> 00:25:35,759 every day switchblade knife. But any common, ordinary, everyday hoodlum 437 00:25:35,799 --> 00:25:39,000 with you? Impossible. Here I'll show you. I have the 438 00:25:39,119 --> 00:25:43,960 sales slip from Julio. Well, I don't have it with me. 439 00:25:44,079 --> 00:25:45,599 Speaker 3: They took everything out of my pocket. 440 00:25:46,559 --> 00:25:47,839 Speaker 1: Please, you should. 441 00:25:47,640 --> 00:25:51,160 Speaker 2: Really tell me the truth. And it's true, Yk Coolio, 442 00:25:51,440 --> 00:26:00,559 He'll tell you. Just ask Coolio. You know one he 443 00:26:00,680 --> 00:26:03,720 walks up the island and you diland bound his face 444 00:26:03,880 --> 00:26:07,839 on the counter. He's going to kill Perry Fullerton? Can 445 00:26:07,920 --> 00:26:10,640 I sell him a knife? And so you sold him 446 00:26:10,680 --> 00:26:11,319 a knife? Oh? 447 00:26:11,559 --> 00:26:14,240 Speaker 1: Hold yo, how could you sell him a knife? He 448 00:26:14,319 --> 00:26:15,720 was behaving like a maniac? 449 00:26:15,920 --> 00:26:19,319 Speaker 2: What is how can you say such a thing about me? 450 00:26:19,519 --> 00:26:21,079 Speaker 1: But you did tell him a knife. 451 00:26:21,279 --> 00:26:24,200 Speaker 2: You knew he was ready to kill, and you sold 452 00:26:24,279 --> 00:26:27,480 him a knife. I sold it to and I did 453 00:26:27,680 --> 00:26:30,039 sell it Torain at the same time I had one 454 00:26:30,119 --> 00:26:33,839 at the same time. You realize we're discussing a physical impossibility. 455 00:26:33,960 --> 00:26:38,440 Listen to Cop that he picks out the dagger, genuine 456 00:26:38,720 --> 00:26:41,200 made in Toledo, not Ohio, Spain. 457 00:26:41,640 --> 00:26:44,880 Speaker 1: Continue and he wants it. Gift rap this much. 458 00:26:44,920 --> 00:26:47,960 Speaker 2: I know without you. What you don't know is how 459 00:26:48,079 --> 00:26:50,279 I gift rap it. I gave it to Roy Hanen. 460 00:26:50,480 --> 00:26:51,400 Speaker 1: Huh, she still works. 461 00:26:51,440 --> 00:26:54,119 Speaker 2: I thought she got married, and the receipt I write 462 00:26:54,160 --> 00:26:59,119 the letters Cop, Coup, that's what cop. He also stands 463 00:26:59,160 --> 00:27:03,440 for goul Off period. When I sell an angry person 464 00:27:03,559 --> 00:27:06,759 a whapon and make sure he don't walk out of 465 00:27:06,799 --> 00:27:09,680 this great idea. He can't come here murder on the spot, 466 00:27:09,920 --> 00:27:12,200 So what do you do? I give this signal to 467 00:27:12,359 --> 00:27:15,720 Rakina not to put it in the box, so she 468 00:27:15,920 --> 00:27:20,039 give Raps an empty package. A day or two later, 469 00:27:20,079 --> 00:27:22,599 the customer comes back, but he ain't angry enough to 470 00:27:22,680 --> 00:27:26,319 kill anybody anymore. So what you're telling me is he 471 00:27:26,440 --> 00:27:29,839 walked out of here without the nigh great idea. Marris, No, 472 00:27:30,119 --> 00:27:32,799 so he never used it to kill Perry. How coury 473 00:27:32,920 --> 00:27:35,319 used to to kill Perry still in this fall, But 474 00:27:35,440 --> 00:27:39,359 he was telling you the truth. He didn't kill Perry. 475 00:27:39,559 --> 00:27:41,200 Speaker 1: But I'll have to do it too, possible. 476 00:27:47,799 --> 00:27:50,680 Speaker 2: Well, you knew it all along, but then, of course 477 00:27:50,920 --> 00:27:54,920 you were there when it happened. Remember, Morris is trying 478 00:27:54,960 --> 00:27:57,640 to put it all together out of thin air, and 479 00:27:57,720 --> 00:28:01,480 he isn't even a police officer. What is Morris going 480 00:28:01,559 --> 00:28:06,039 to do to convince people of Vaughan's innocence? With ethereal 481 00:28:06,160 --> 00:28:09,279 characters like Vaughan, there's really nothing solid to hold on to. 482 00:28:10,400 --> 00:28:14,839 Yesterday Vaughan was guilty to do Vaughn. Let will the 483 00:28:14,880 --> 00:28:19,599 pendulum swing again tomorrow? We still have a third act. 484 00:28:30,000 --> 00:28:34,480 Perry Fullerton cheated two people. He stole a design from 485 00:28:34,599 --> 00:28:38,160 Vaughne Lamaire, and he welshed on a bet he owed 486 00:28:38,160 --> 00:28:42,640 to bookmaker Adrian Smollett. Both Vaughan and Adrian were furious 487 00:28:42,759 --> 00:28:46,000 enough to kill him, and while Adrian committed the miscover, 488 00:28:46,160 --> 00:28:49,920 the poor Vaughan is getting the blame, thus proving the 489 00:28:50,000 --> 00:28:54,519 old proverb the early bird gets the credit. But Lieutenant, 490 00:28:54,599 --> 00:28:56,920 he didn't even have a knife. I'm afraid he did, 491 00:28:57,000 --> 00:29:00,319 mister Goodman. It's here on the tape that isn't the 492 00:29:00,400 --> 00:29:03,119 knife he bought from Julio. Julio didn't put the knife 493 00:29:03,160 --> 00:29:07,640 in the package precisely, mister Goodman, and when Vaughn discovered 494 00:29:07,640 --> 00:29:10,680 the package was empty, he picked up another knife this night, 495 00:29:11,000 --> 00:29:14,200 the bloodstay knife with his fingerprints on it, and he 496 00:29:14,400 --> 00:29:17,960 swears that he saw Sally Joe Crabtree and mister Adrian 497 00:29:18,039 --> 00:29:21,319 Smillow others. You're the room and Perry was already dead 498 00:29:21,319 --> 00:29:24,440 on the floor when he arlive. There is an extensive 499 00:29:24,599 --> 00:29:26,000 literature on the subject. 500 00:29:26,119 --> 00:29:27,559 Speaker 1: Mister Goodman, I should have known. 501 00:29:27,839 --> 00:29:31,319 Speaker 2: Have you heard Tilling has on compulsive psychotic association? 502 00:29:31,559 --> 00:29:31,599 Speaker 1: No? 503 00:29:32,599 --> 00:29:36,880 Speaker 2: I suppose you could say it means misery loves company. 504 00:29:37,599 --> 00:29:40,440 The man in trouble tries to involve others. 505 00:29:40,480 --> 00:29:41,920 Speaker 1: You say he's lying. 506 00:29:41,759 --> 00:29:45,359 Speaker 2: He's fantasizing, but he says he saw them. We asked 507 00:29:45,400 --> 00:29:48,039 missus Crabtree and mister Smollett to come in for question, 508 00:29:48,160 --> 00:29:50,599 and what happened? They were out of turn these past 509 00:29:50,599 --> 00:29:54,680 three days. They only returned this morning. Lieutenant, I am 510 00:29:54,720 --> 00:29:57,640 a judge of character. I tell you, and you heard 511 00:29:57,640 --> 00:30:06,640 it here first, that Vaughn la maire Is is not guilty. Marius, 512 00:30:07,519 --> 00:30:11,440 uh uh, how who are you? Mari's quam mine needs launch. 513 00:30:11,519 --> 00:30:13,799 He should have a smile on his face. With his 514 00:30:13,920 --> 00:30:16,720 weight on my heart? How can I have a smile 515 00:30:16,799 --> 00:30:21,720 on my face, go hul He was like a like 516 00:30:21,759 --> 00:30:24,880 a son to me. He was a good picure. I 517 00:30:24,920 --> 00:30:25,960 say that much for him. 518 00:30:26,000 --> 00:30:26,440 Speaker 3: What do you mean? 519 00:30:26,759 --> 00:30:28,880 Speaker 2: Was you talk like he's dead? They want to put 520 00:30:28,960 --> 00:30:32,400 kin away? Maris, he's so put on glass. While there 521 00:30:32,519 --> 00:30:36,000 is life, there's hope. But is that enough? He listen? 522 00:30:36,519 --> 00:30:38,000 Do you want to bet on a course? Did I 523 00:30:38,039 --> 00:30:40,720 have a better on a horse in my life? You thinks, Marius, 524 00:30:40,960 --> 00:30:44,279 that's the secret of keeping young. This is a horse 525 00:30:44,720 --> 00:30:47,599 Joe in particular should bet on It would be good 526 00:30:47,680 --> 00:30:50,400 enough to explain why I should violate the principles of 527 00:30:50,400 --> 00:30:51,519 a lifetime. 528 00:30:51,200 --> 00:30:52,440 Speaker 1: Because of their horse. 529 00:30:52,559 --> 00:30:57,519 Speaker 2: His name. Yes, this horse is called Mayer amtelligent girl, 530 00:30:57,799 --> 00:31:00,759 a hey, that was the name of bones. Why there 531 00:31:00,839 --> 00:31:03,279 is a horse called my Also. 532 00:31:03,200 --> 00:31:04,079 Speaker 1: I never heard of him. 533 00:31:04,319 --> 00:31:07,000 Speaker 2: I think he's a horror you mean, lady, horses also 534 00:31:07,119 --> 00:31:09,960 run along with the men. That's why I understand only 535 00:31:09,960 --> 00:31:13,279 an American on a Puerto Rico to a horse called Maya. 536 00:31:13,640 --> 00:31:17,039 I can't get over. Raquina, she read a pepper sala. 537 00:31:17,319 --> 00:31:19,079 Speaker 1: I always said she was an intelligent girl. 538 00:31:19,279 --> 00:31:21,720 Speaker 2: She read The One Acts to find the job for 539 00:31:21,799 --> 00:31:25,200 her horseband. The actor the one ads are near the 540 00:31:26,440 --> 00:31:31,319 racing pages, and there she sees a horse fire. He's 541 00:31:31,359 --> 00:31:33,480 going to race at Southern Gardens. 542 00:31:33,559 --> 00:31:35,079 Speaker 1: I never heard of it, me neither. 543 00:31:35,839 --> 00:31:40,640 Speaker 2: He is somewhere in uh Luisi. I'm maya is also 544 00:31:40,720 --> 00:31:47,440 a racehorse. Ah ah what right now? 545 00:31:47,480 --> 00:31:48,720 Speaker 1: With only ah? 546 00:31:48,759 --> 00:31:59,079 Speaker 2: Maybe later there'll be something else, Marath, I swear to 547 00:31:59,160 --> 00:32:01,640 you I did. I killed him, but he is dead. 548 00:32:01,880 --> 00:32:04,880 Of course he somebody had to kill it. But it 549 00:32:05,000 --> 00:32:06,839 wasn't me. Then who else could it be? 550 00:32:07,000 --> 00:32:08,440 Speaker 3: Are you asking me, Maras? 551 00:32:08,599 --> 00:32:10,400 Speaker 2: Is there somebody else sitting in this cell that I 552 00:32:10,400 --> 00:32:13,720 could ask by a detective? Am I? For the last week, 553 00:32:13,759 --> 00:32:15,880 I haven't been in the shop. I don't know who 554 00:32:15,880 --> 00:32:16,799 could have killed him? 555 00:32:16,920 --> 00:32:17,960 Speaker 1: Tell me the old money. 556 00:32:17,960 --> 00:32:20,920 Speaker 2: He's dead and I must protect his name. 557 00:32:21,000 --> 00:32:22,960 Speaker 1: Then I say goodbye right now. 558 00:32:22,960 --> 00:32:26,000 Speaker 2: Marris, he he didn't know what he was doing. 559 00:32:26,079 --> 00:32:29,039 Speaker 3: I did see. He was desperate. He needed five hundred dollars. 560 00:32:29,240 --> 00:32:30,160 I refused him. 561 00:32:30,279 --> 00:32:33,200 Speaker 2: That's why that's why he sold the bayer. Tell me 562 00:32:33,759 --> 00:32:38,960 did he vet else? Can't we leave his memory green? Yes? 563 00:32:39,279 --> 00:32:40,400 Speaker 1: Or no? Yes? 564 00:32:40,799 --> 00:32:45,640 Speaker 2: Marius? Why this inquisition? If this man, this Adrian smileet, 565 00:32:46,519 --> 00:32:47,319 what does he do? 566 00:32:48,160 --> 00:32:51,559 Speaker 3: I think he's a gambler? Now it fits. 567 00:32:51,680 --> 00:32:53,559 Speaker 2: Now it's a perfect size ten. 568 00:32:53,680 --> 00:32:55,000 Speaker 3: What are you saying, Marius? 569 00:32:55,119 --> 00:32:58,359 Speaker 1: But my problem is how do I sell it? 570 00:33:05,680 --> 00:33:09,079 Speaker 2: Be right with your sugar, Perry. 571 00:33:10,319 --> 00:33:11,799 Speaker 4: Oh, it's Morris. 572 00:33:12,440 --> 00:33:13,119 Speaker 1: May I come in? 573 00:33:13,359 --> 00:33:14,079 Speaker 2: Well certainly. 574 00:33:17,880 --> 00:33:22,759 Speaker 1: Well it's a very nice looking place. 575 00:33:23,519 --> 00:33:24,640 Speaker 4: Thank you, Maris. 576 00:33:25,720 --> 00:33:28,599 Speaker 2: Oh, I haven't had a chance yet to say how 577 00:33:28,640 --> 00:33:31,680 sorry I am about Perry after all you and Parry 578 00:33:31,720 --> 00:33:32,359 thank you again. 579 00:33:32,440 --> 00:33:34,599 Speaker 4: Mars, you're so sweet. 580 00:33:35,839 --> 00:33:40,079 Speaker 1: I wonder could you do me a small favors? 581 00:33:40,160 --> 00:33:41,920 Speaker 2: And I saw he delighted Mary. 582 00:33:42,440 --> 00:33:45,720 Speaker 1: Well, you see this is something new to me when. 583 00:33:45,559 --> 00:33:48,000 Speaker 5: You sound like a man who's going to attempt something naughty. 584 00:33:48,359 --> 00:33:51,119 Speaker 1: Well, Sally Joe, for me, it would be naughty. 585 00:33:52,480 --> 00:33:56,359 Speaker 2: I think I want to bet on a horse? May Oh, 586 00:33:56,400 --> 00:33:58,599 I shouldn't a man have some fun from life? 587 00:33:58,720 --> 00:33:58,960 Speaker 4: Well? 588 00:33:59,079 --> 00:34:02,160 Speaker 2: Absolutely, I was reading in the papers and I saw 589 00:34:03,000 --> 00:34:07,519 the name of a horse. It runs somewhere I don't know, 590 00:34:07,599 --> 00:34:08,599 way down the massage. 591 00:34:08,639 --> 00:34:12,000 Speaker 1: Oh be a horse named you know? I can't get 592 00:34:12,039 --> 00:34:12,400 over it. 593 00:34:12,440 --> 00:34:15,000 Speaker 2: Could you believe Perry let him rest this horse? 594 00:34:15,480 --> 00:34:21,880 Speaker 5: Well, Sugar, i'd have to know it first, wouldn't I maya, maya, 595 00:34:22,000 --> 00:34:25,400 But that that's what Oh? 596 00:34:26,039 --> 00:34:30,960 Speaker 2: Oh, nothing is just a coincidence. Isn't it true it 597 00:34:31,119 --> 00:34:34,679 was stolen? No, let us not say that he's he's dead, 598 00:34:34,760 --> 00:34:38,159 poor Perry. Let him rest anyhow, it was Born's greatest design. 599 00:34:38,559 --> 00:34:43,159 And now I see a horse named Maya. Isn't this 600 00:34:43,400 --> 00:34:46,920 fay to Let me see the paper sugar five? 601 00:34:49,599 --> 00:34:53,599 Speaker 5: Oh yeah, yeah, here she is at Southern Garden. Oh 602 00:34:53,639 --> 00:34:55,840 my goodness, she's running up thirty two to one. 603 00:34:55,960 --> 00:34:56,760 Speaker 2: As that a fact. 604 00:34:57,320 --> 00:34:58,159 Speaker 1: So let me see. 605 00:34:58,280 --> 00:35:01,480 Speaker 2: Now for five hundred dollars, five hundred dollars I should 606 00:35:01,559 --> 00:35:05,199 get back and sixteen thousand, Well, it'll make up a 607 00:35:05,239 --> 00:35:06,960 little bit for what we lost on the Maya. 608 00:35:07,280 --> 00:35:09,360 Speaker 4: You want to bet five hundred dollars? 609 00:35:09,760 --> 00:35:10,960 Speaker 2: Is it too small a bit? 610 00:35:11,519 --> 00:35:14,079 Speaker 4: No? No, no, I think it's just fine. 611 00:35:14,559 --> 00:35:17,119 Speaker 1: I was wondering if you could do me a favor. 612 00:35:17,239 --> 00:35:18,840 Speaker 4: Oh, yes, of course, a favor. 613 00:35:18,639 --> 00:35:22,320 Speaker 2: Where you see, I don't know any bookmakers, I mean 614 00:35:22,400 --> 00:35:23,960 after all, Oh, I understand. 615 00:35:24,039 --> 00:35:25,840 Speaker 1: So I was wondering if. 616 00:35:25,679 --> 00:35:28,199 Speaker 4: You, well, certainly, certainly you want me to call one 617 00:35:28,400 --> 00:35:29,159 on the telephone. 618 00:35:29,199 --> 00:35:31,639 Speaker 2: It's like a taxializ he's just seen doing you. You 619 00:35:31,639 --> 00:35:32,320 just pick up the phone. 620 00:35:32,360 --> 00:35:33,360 Speaker 4: Now you're got through. 621 00:35:33,679 --> 00:35:34,360 Speaker 2: Now you hold on. 622 00:35:34,360 --> 00:35:45,760 Speaker 5: This minute, salad Joe A gentleman's here? 623 00:35:46,000 --> 00:35:47,119 Speaker 2: Wats the place? A little bad? 624 00:35:48,480 --> 00:35:49,719 Speaker 4: Eighteen calap. 625 00:35:51,119 --> 00:35:59,199 Speaker 2: Very solid, Maurice, Oh, yes, thank you? Hello with whom 626 00:35:59,199 --> 00:36:02,400 am I speaking? That don't matter? Just say your peace. 627 00:36:03,760 --> 00:36:06,559 There's a horse called Maya running in the fifth and 628 00:36:06,679 --> 00:36:09,440 sudden gardens study due to one and carrying one hundred 629 00:36:09,480 --> 00:36:12,159 and six pounds. How much you want? Will five hundred 630 00:36:12,199 --> 00:36:14,719 dollars be all right? Win? Of course? To win? 631 00:36:14,760 --> 00:36:15,599 Speaker 1: What then? To lose? 632 00:36:15,880 --> 00:36:19,280 Speaker 2: Most times in ten minutes five under one? Mayer? What's 633 00:36:19,320 --> 00:36:20,039 your initials? 634 00:36:20,440 --> 00:36:21,199 Speaker 1: Maurics Goodman? 635 00:36:21,320 --> 00:36:32,039 Speaker 2: MG staying here that phone? I'll call you back. It's 636 00:36:32,039 --> 00:36:37,760 for you, Sugar answered, Hello, Mars Goodman speaking. You run 637 00:36:37,760 --> 00:36:38,599 out of the money. 638 00:36:38,840 --> 00:36:39,480 Speaker 1: What does that mean? 639 00:36:39,880 --> 00:36:43,480 Speaker 2: It means you loves Oh it also means you gotta 640 00:36:43,480 --> 00:36:46,400 pay me five big bills. Yeah, I understand you've got 641 00:36:46,440 --> 00:36:46,920 an onion? 642 00:36:47,159 --> 00:36:48,280 Speaker 1: Would I bet if I didn't? 643 00:36:48,480 --> 00:36:50,719 Speaker 2: You are a man in a million? Stay there or. 644 00:36:50,760 --> 00:36:51,320 Speaker 1: Be right over? 645 00:36:57,639 --> 00:36:57,800 Speaker 3: Huh? 646 00:37:01,559 --> 00:37:04,760 Speaker 2: You got my five hundred for a business? How quick 647 00:37:05,079 --> 00:37:06,280 money changes hands? 648 00:37:06,559 --> 00:37:10,519 Speaker 1: You're no? What you got my five? Let me ask 649 00:37:10,559 --> 00:37:11,199 you a question? 650 00:37:11,880 --> 00:37:17,000 Speaker 2: Yeah, how could you prove I made such a bet? 651 00:37:17,480 --> 00:37:18,800 I got it written down? 652 00:37:19,199 --> 00:37:20,039 Speaker 1: Uh? 653 00:37:20,199 --> 00:37:23,199 Speaker 2: You write down every time somebody makes a bet with you. 654 00:37:23,400 --> 00:37:25,159 Don't you keep a record in your business? 655 00:37:25,159 --> 00:37:25,800 Speaker 1: Who ows what? 656 00:37:25,960 --> 00:37:27,800 Speaker 2: When I got an accountant, I keep books? 657 00:37:28,639 --> 00:37:29,400 Speaker 1: What have you got? 658 00:37:29,840 --> 00:37:33,159 Speaker 2: I five slip slips of paper? 659 00:37:33,480 --> 00:37:36,239 Speaker 1: Uh? Do you deny you made the bet? Oh? 660 00:37:36,320 --> 00:37:38,920 Speaker 2: No, no, I made it, and hand over my five? 661 00:37:39,039 --> 00:37:42,239 Could I see my slip first? What do you want 662 00:37:42,280 --> 00:37:52,880 it for? A souvenir? Okay? Yeah? Mm hm maya five hundred? 663 00:37:53,440 --> 00:37:57,199 Speaker 1: Mg h it's an expensive slip of paper. 664 00:37:57,519 --> 00:38:03,000 Speaker 2: Yeah, come, Morris, hand over my You are under and 665 00:38:03,119 --> 00:38:07,440 why sugar? Kind of joke? No joke, I'm serious, you chump. 666 00:38:07,519 --> 00:38:09,679 Did you ring in a cup on me? Sugar? It's 667 00:38:09,760 --> 00:38:12,239 more as good. Now I am making what is known 668 00:38:12,280 --> 00:38:16,400 as the citizens arrest any citizens. I don't like this, 669 00:38:16,719 --> 00:38:19,599 give me my though. You're gonna like it a lot less. 670 00:38:19,639 --> 00:38:23,440 I am arresting you for the murder of Perry Fullerton. 671 00:38:25,360 --> 00:38:28,360 Speaker 4: Wait a minute, you want to be careful, mister Goodman? 672 00:38:28,480 --> 00:38:31,840 Speaker 2: Listen, Marris, I can take it. Joe, you were here 673 00:38:32,079 --> 00:38:35,320 and you killed him. On says he saw both of 674 00:38:35,360 --> 00:38:37,719 you here. Why shouldn't he say that it's his work 675 00:38:37,719 --> 00:38:40,199 against Now in Atlantic City, you make sure you can 676 00:38:40,280 --> 00:38:42,440 prove it. Where did you stay? Huh with whom have 677 00:38:42,559 --> 00:38:45,360 you got received tickets? I think I'm going to have 678 00:38:45,519 --> 00:38:48,400 stray road to him for this jump. Don't be crazy, Haydrin. 679 00:38:48,480 --> 00:38:50,880 What can he prove? I can prove that this slip 680 00:38:50,920 --> 00:38:54,239 of paper of yours is exactly the same as the 681 00:38:54,320 --> 00:38:57,719 one that was found on the floor under Perry Fullerton's body. 682 00:38:57,880 --> 00:39:02,920 It's the exact same paper, the exact same handwriting yours. Oh, 683 00:39:02,960 --> 00:39:06,639 I gotta kill this clown. Tennon Valentine thinks it's a 684 00:39:06,719 --> 00:39:10,480 note Perry wrote to himself. He thinks maya five hundred 685 00:39:10,519 --> 00:39:14,880 PF means personality. Fox would pay him five hundred dollars 686 00:39:15,000 --> 00:39:18,159 for the maya. But this, this is a bet slip. 687 00:39:18,639 --> 00:39:22,119 He's not slip p F is Perry Fullerton. He's too 688 00:39:22,159 --> 00:39:23,400 smart too. Smile. 689 00:39:23,519 --> 00:39:24,840 Speaker 4: You can't kill and here. 690 00:39:24,840 --> 00:39:28,079 Speaker 2: We'll take him some place quiet, all right, You get moving, chump, 691 00:39:28,199 --> 00:39:29,559 and don't make a noise. 692 00:39:29,760 --> 00:39:30,960 Speaker 1: You certainly have enough nice. 693 00:39:30,960 --> 00:39:35,320 Speaker 2: Just stay close to me and shut up. Why sorrybody 694 00:39:35,320 --> 00:39:41,639 go look out for him. Holyoke, he's not trouble. You 695 00:39:41,800 --> 00:39:45,960 saw Morris, we walk hand. What are we doing? Oh well, 696 00:39:46,519 --> 00:39:49,920 we're making a citizens arrest. Hey, that's why we should 697 00:39:50,000 --> 00:39:52,760 do this. Morrow in the face of Well, once is 698 00:39:52,920 --> 00:39:59,480 enough for me, Petendant? 699 00:39:59,599 --> 00:40:00,960 Speaker 1: How fair can I get born out? 700 00:40:01,000 --> 00:40:03,159 Speaker 2: He has to get back to work. Oh, the papers 701 00:40:03,199 --> 00:40:05,400 won't take more than half an hour, Our fall showing 702 00:40:05,400 --> 00:40:07,880 if less than a week away. Tell me, mister Goodman, 703 00:40:08,719 --> 00:40:12,199 how were you able to perceive the salient facts? How 704 00:40:12,239 --> 00:40:14,920 could you, in the face of all this apparent evidence, 705 00:40:15,360 --> 00:40:19,559 believed that Bourne was innocent? Well, lieutenant, how could he 706 00:40:20,119 --> 00:40:25,280 mix red with pink? There must have been something, Oh, tenant. 707 00:40:25,679 --> 00:40:29,159 There's an extensive literature written on the subject. Have you 708 00:40:29,239 --> 00:40:32,960 ever heard the poem that says, let me clasp his 709 00:40:33,079 --> 00:40:36,280 hand and call him friend, and I'll stand by his 710 00:40:36,480 --> 00:40:39,800 side till the bitter end? Who wrote that? 711 00:40:41,199 --> 00:40:43,400 Speaker 1: Who do you think, Marius Goodman? 712 00:40:50,599 --> 00:40:54,320 Speaker 2: This has been a story of friends, Friends who were 713 00:40:54,360 --> 00:41:00,440 loyal and friends who were full friends. They make living possible, 714 00:41:01,280 --> 00:41:05,800 but also can make living impossible. The book tells us 715 00:41:06,239 --> 00:41:09,480 that a faithful friend is the medicine of life, and 716 00:41:09,559 --> 00:41:15,719 while medicines cure, they can also kill friends for better 717 00:41:15,800 --> 00:41:16,320 for worse? 718 00:41:16,840 --> 00:41:17,960 Speaker 1: Who can do without them? 719 00:41:18,800 --> 00:41:21,760 Speaker 2: Since we can do without you? I shall be back 720 00:41:21,920 --> 00:41:24,000 in just a few moments. 721 00:41:28,920 --> 00:41:30,039 Speaker 1: Better to look upon. 722 00:41:29,960 --> 00:41:32,159 Speaker 2: Vanity of vanity, said the preacher. 723 00:41:33,079 --> 00:41:34,840 Speaker 1: All is vanity. 724 00:41:35,119 --> 00:41:39,840 Speaker 2: And our story was based on one of mankind's greatest vanities, the. 725 00:41:39,840 --> 00:41:41,239 Speaker 1: Adornment of the body. 726 00:41:42,119 --> 00:41:45,519 Speaker 2: And yet is it so sinful for a woman to 727 00:41:45,760 --> 00:41:49,840 wish to fear lovely? After all, isn't a well dressed 728 00:41:49,880 --> 00:41:54,960 woman sweeter to look upon? Besides, it gives gainful employment 729 00:41:55,320 --> 00:41:58,239 to so many people, and it has given us a 730 00:41:58,320 --> 00:42:03,320 subject for a tale of murder. Next cast included Arnold Stang, 731 00:42:03,679 --> 00:42:08,159 Norman Rose Jackson, beck Earl Hammond, and Joan Shay. The 732 00:42:08,400 --> 00:42:11,199 entire production was under the direction of Hyman Brown. 733 00:42:14,480 --> 00:42:15,119 Speaker 3: This is E. G. 734 00:42:15,360 --> 00:42:18,800 Speaker 2: Marshall inviting you to return to our Mystery Theater for 735 00:42:18,880 --> 00:42:25,480 another adventure in the macabre. Until next time, Pleasant. 736 00:42:25,800 --> 00:42:37,760 Speaker 1: Dreams to Night's w R. Mystery Theater was also brought 737 00:42:37,760 --> 00:42:38,119 to you in. 738 00:42:38,079 --> 00:42:40,679 Speaker 2: Part by Shopwright Supermarkets, where you get a lot more 739 00:42:40,719 --> 00:42:44,159 for a little less. The preceding program was furnished by