Speaker 1: Oh Venture Adventure in free mystery romance starring Humphrey Voguard
Speaker 1: and Lauren Bacall together in the sultry setting of tactical
Speaker 1: Havannah and the mysterious islands of the Caribbean.
Speaker 2: Oh Venture.
Speaker 1: Once again the magic names of Humphrey Bogart and Lauren
Speaker 1: Bacall bring you Low. Adventure had a tale of mystery
Speaker 1: Adventure and in freed all right, Sailor Havana, Cuba, where
Speaker 1: we started from. Well we get off out.
Speaker 2: How long can you keep it up? Slake? Come on,
Speaker 2: come on off the boat, I said, how long can
Speaker 2: you keep it up? You've been so ever since we
Speaker 2: left Chi West. So we didn't meet him, So he
Speaker 2: didn't pick up his targo. Sailor.
Speaker 1: A guy named Scan sends us a wire. He says,
Speaker 1: meet him in Key West, move his cargo.
Speaker 2: I didn't want to go. You wanted to go, all right,
Speaker 2: send mister Scan and whatever he wanted us to bring
Speaker 2: to Havana weren't there. So we had a boat ride
Speaker 2: the Key Western back You and me. That's nothing. Huh,
Speaker 2: Come on, sailor, let's get off the boat. I don't
Speaker 2: need any help. What are you angry? About the money
Speaker 2: we didn't make.
Speaker 1: No, it was time away from Havana, but I didn't
Speaker 1: have to be away from her.
Speaker 2: You talk about Havanah like it was a warming do I?
Speaker 2: How do you talk about me? Behind my back? Walk
Speaker 2: ahead of me and I'll think of something. There's your Havannah?
Speaker 2: A cock fight? Come on, let's take a look sailor,
Speaker 2: how's your blood much today?
Speaker 3: No, let's get out of here.
Speaker 1: And bitter at sailor two birds with steel spurs slashing
Speaker 1: each other the pieces.
Speaker 2: Let's pause and cheer.
Speaker 1: Come on, let's watch for a while. People get to
Speaker 1: enjoy this sort of thing. I find out why.
Speaker 2: I don't want to find out why. I'll see you
Speaker 2: back at Channing's place. All right, Okay, let's go. You
Speaker 2: got a bang out of watching this? Well, that gives
Speaker 2: me a chance to get bitter, makes me an honest man.
Speaker 3: Huh the cock fight disposed?
Speaker 2: You? Huh? See your tastes are too delicate? Or perhaps
Speaker 2: what's the place? A new way to catch the Yankee dollar?
Speaker 2: Or perhaps the young kid merchandise. If lady asks you
Speaker 2: what this is to me, go, who are you? Permit
Speaker 2: me to tell you the story of my life? I
Speaker 2: am a poet. I guess that's worth the dollar. Give
Speaker 2: me a dollar's sake, We patrons of the art, permit
Speaker 2: me to refuse the money. Formit me to return to
Speaker 2: the matter of the Yankee merchandise you have brought from
Speaker 2: key waste. This is a man with a problem. Say
Speaker 2: you are the people from the boat the Bowl's venture.
Speaker 2: We are the people from the boat the bold venture
Speaker 2: nor rhymes nice gone say then it is a simple matter.
Speaker 2: Seece you are the people from the boat. It is simple.
Speaker 2: We will make arrangements for the removal of the merchandise. Look,
Speaker 2: shall I the Mario my name? Permit me? That is
Speaker 2: my name? Amariyal?
Speaker 1: Sure I forgot My memory is a little shaky, mine too,
Speaker 1: Hurst too. So we're having a tough time remembering what
Speaker 1: this is all about.
Speaker 2: Slower reading, huh.
Speaker 3: Are you trying to be clever me, am ego, or
Speaker 3: perhaps your pleasure in tweaking my patience? The merchandise? Permit me,
Speaker 3: But the merchandise, it is a matter of life and death.
Speaker 3: When shall we remove it from your.
Speaker 2: The poet only knows one time is right? Yeah? Waiting goodbye?
Speaker 2: A fun farewell now, But it is a.
Speaker 3: Matter you cannot be merchandise. If it can mean life,
Speaker 3: it can mean death.
Speaker 2: You can a refuse about the merchandise die.
Speaker 3: If you want to be happy and leader. King's life
Speaker 3: never makes a pretty woman your life. Therefore, from a
Speaker 3: logical on a few, marry a woman uglier than you.
Speaker 3: A pretty woman make a husband looks fall and then
Speaker 3: he is very often falls the alcohol. Therefore, from a
Speaker 3: logical on a few merrier woman uglier than you, Oh,
Speaker 3: lady sailor, mister slave, why do you come back so soon
Speaker 3: to King Moses? Because you love me?
Speaker 2: Why else? King Moses? I tell why else?
Speaker 3: Because on tripty key West something sour must have turned
Speaker 3: mo soa am I inevitably correct?
Speaker 2: You are inevitably correct, King Morses.
Speaker 3: You come back to make King Moses sloppy with happiness.
Speaker 3: Mister slake, therefore, aught of me about bringing something to eat?
Speaker 2: King? Oh?
Speaker 3: An ecstasy, a joy, a frenzy, a kick.
Speaker 2: Just bring us something to eat right now, mister slave,
Speaker 2: You really do love him, don't you? Slave? Uh huh,
Speaker 2: I give its my own. How long does it take
Speaker 2: for someone to be around? Ah?
Speaker 1: That depends Ready with the food, King, Ready yours, mister slave, yours, Lady, Sailor,
Speaker 1: you talk, I smile inside myself.
Speaker 3: I get my guitar.
Speaker 2: I got song for you, said king.
Speaker 3: A lady I approach, who waits for slave? A lady
Speaker 3: so handsome no one can a A lady who in
Speaker 3: the hotel did read your star? A lady who brings jr.
Speaker 3: Maybe desper.
Speaker 4: You don't even, but I think perhaps you were looking
Speaker 4: for me for BB nur Sena.
Speaker 1: I don't know you, but I I think perhaps I
Speaker 1: was looking for you for a BBO light. I want
Speaker 1: to explain something to you about the hotel business, Sailor.
Speaker 1: I am what is known as a mine host that
Speaker 1: comes in two parts mine and host.
Speaker 2: Sit down, baby, Bill.
Speaker 4: You have not answered my question.
Speaker 2: Soron he'll look for me.
Speaker 1: I look for a lot of things, why particularly for you, because.
Speaker 4: You are the man who brought his board in supports
Speaker 4: on a little while ago.
Speaker 2: Oh, a lady wants a boat bride. Why don't you
Speaker 2: try the nearest tunnel of love, miss BB. This is
Speaker 2: included in the price room of people the merchandise. No biby,
Speaker 2: I'll throw that in for free.
Speaker 1: Wait a minute, you said merchandise, BB is Now what
Speaker 1: you said.
Speaker 2: Yes, maybe the gentleman POWs your question? Will you answer
Speaker 2: the gentleman's question?
Speaker 4: Do you know very well what it is we want?
Speaker 2: Sure? Sure? But uh let's hear it from her own
Speaker 2: red lips.
Speaker 4: Huh Now I understand it's a matter of more money.
Speaker 2: Huh. Well, we expected it and we'll decise you for it,
Speaker 2: but we will pay it.
Speaker 4: I have room six as I will wait for you there.
Speaker 4: I'll give you ten minutes to a range for more money.
Speaker 4: When I pay your price, there will be no more delay.
Speaker 2: Is is? It's final? It is final? Now, let's see
Speaker 2: uh six A she said, And that's what she said, slave,
Speaker 2: that's just what she said.
Speaker 1: You know, say, well, I think I can handle it alone.
Speaker 1: Why don't you wait for me downstairs?
Speaker 2: Huh? Because I'm afraid of the dog I cry, And
Speaker 2: that's what I thought. Now, you know, Slate, that noise,
Speaker 2: it's already happened to us once today.
Speaker 1: A little lady is a bookie for gamecock fighting.
Speaker 2: And let's go slate. Look look the faith her body. Yeah, slash,
Speaker 2: he riddens slashed to death by a gamecock late? Oh late? Now,
Speaker 2: how do you like Havana sailor mister sleep?
Speaker 3: Mister sleep.
Speaker 2: Mister slade is wearing out his office floor. King Moses
Speaker 2: tell me, I'll tell him.
Speaker 3: The police have made up fively well to the front door,
Speaker 3: Lady Sailor, they're five.
Speaker 2: Let's go. Thanks. I'll tell mister slave.
Speaker 3: You want anything I can do for the after the
Speaker 3: police occasion, Lady Sailor, you, mister slave.
Speaker 2: No, I'll call if we want anything.
Speaker 3: Might get down knee and hammels outside. You opened the
Speaker 3: women and whistle for King Moses.
Speaker 2: If you want slate, slate, what are you trying to build? Alright?
Speaker 2: I don't blame you, slater. I know it's it's hard
Speaker 2: to believe.
Speaker 1: What's hard to believe? Beautiful woman killed by a fighting bird,
Speaker 1: A bird would.
Speaker 2: Steel spurs on it. Slave at my hotel.
Speaker 1: Girl locked in a in a room in my hotel
Speaker 1: with a bird bred just slashed for blood. I don't
Speaker 1: like cops in my place. Cops are for the tourist trade,
Speaker 1: not not all.
Speaker 3: That bothers you.
Speaker 2: The fact that the police were here wasn't it to you?
Speaker 2: What bothers me? I didn't ask you questions, I didn't
Speaker 2: ask for you. All right, slay all right? Kind of
Speaker 2: a jerk?
Speaker 1: Am I anyhow Man tells me to take care of it,
Speaker 1: so I take care of his daughter.
Speaker 2: You what am I out of my mind? I don't
Speaker 2: need you hanging around.
Speaker 1: Here, Sailor. I don't need anything about you. I got
Speaker 1: along great before.
Speaker 2: Before my father died. What do you want me to do? Slate?
Speaker 2: Leave well, sit down, Slate. You're sweating. Hm, it's a trick.
Speaker 2: I know it's hot, so I sweat. You want me
Speaker 2: to sign you, I'll sign you. Might you like me
Speaker 2: to sign you? Slate like this? Nuh? Look at you.
Speaker 1: The way you're dressed, jeans, the way your hair is.
Speaker 1: Man has to walk towards you.
Speaker 2: I know you're a woman. I should do something about
Speaker 2: your hair, sailor. What's the matter with it? Other woman's
Speaker 2: hair like that? They don't there like what like this?
Speaker 2: You can touch it, Slate, touch it that I had
Speaker 2: touch it. Answer the door, you'll answer it. Yeah, there
Speaker 2: a neatness. Ay, it's a poet tell times to come in.
Speaker 2: He can wave the sign.
Speaker 1: An explanation for the events of this afternoon out in order.
Speaker 1: See if we don't make a chest this time? Now, I, oh,
Speaker 1: what are you trying to tell us? That tragedy the
Speaker 1: King of the Girl of b B was a tragedy.
Speaker 1: Now I don't what do you know about baby Digney
Speaker 1: was the sister of my wife. She and it's what
Speaker 1: time is?
Speaker 2: Hey? Look if you don't, it's almost two thirty now yeah,
Speaker 2: yeses now puttmit me. He's very wrong that BB's dead.
Speaker 2: They're wrong that he's part of an even great rong.
Speaker 2: So help me. What's kind of wrong? Like so the
Speaker 2: merchandise you have broke those of us on an island,
Speaker 2: you know he didn't. He gotta be in those of
Speaker 2: us who wait for the guns. Guns. So that's it.
Speaker 2: That's the merchandise guns. H see, well has he's a
Speaker 2: better way to purchase human dignity? Bucom it? We need
Speaker 2: those guns, and you think we have the guns for
Speaker 2: your evolution? Of course? Like, so you can meet the
Speaker 2: boat to permit me. I will answer it a complatriot.
Speaker 2: I am expecting he's to meet me here.
Speaker 3: All right, Mary might help him? He shot?
Speaker 2: Yeah, yeah, shot dead. Like so.
Speaker 1: Now back to the Bold Venture our stars Humphrey Bogarde
Speaker 1: and Lauren McCall and the second act of our story.
Speaker 3: A lady she come to Samon's place, a directed figure
Speaker 3: and clothes of lace.
Speaker 2: Then the lady she died in.
Speaker 3: Samon's pace again cock Witsburg.
Speaker 2: He slash her pa a poet.
Speaker 3: He came to miss the slave, make big apologies for bear.
Speaker 3: He explains his bones to mister Sleeve, but bullied in
Speaker 3: heart bring him fort to sly, mister Slade. He turned
Speaker 3: to lady Sailah.
Speaker 2: He says, you know, King.
Speaker 3: Do I call the police again, mister Slade?
Speaker 1: No, Two people die in my place. That makes it personal.
Speaker 1: I like that poet.
Speaker 2: You're not always a real tough man, are you, Slay?
Speaker 2: I said, I like that poet and that girl Bebie
Speaker 2: and that girl Bebi? What about it? Did you like
Speaker 2: her too? And she had a problem. She came to
Speaker 2: me for help. She died. My father said, you'd be
Speaker 2: a man like that.
Speaker 1: Why don't you get out of here? Saylorh Why don't
Speaker 1: you go back to the States. Look at the mess.
Speaker 1: I'm in it, you're in it.
Speaker 2: Why don't you leave? Saylor? You don't know? Do you? Missus? Slee? Yeah?
Speaker 2: What do you want? King? See all the dead gentleman's
Speaker 2: papers from his pocket? Oh, let's have a look. Mario
Speaker 2: Tallana sixty four, Aven out of love cut we're going
Speaker 2: calling huh, say h a man like Mario die.
Speaker 1: If somebody's got to tell somebody because somebody might wanna.
Speaker 2: Know, I would, I'd wanna know. Let's go to Avenue
Speaker 2: to love a sailor.
Speaker 4: Yeah, what is it you want, Senior Senorita?
Speaker 2: Oh we uh, we come to it.
Speaker 5: About Bieby, my sister Biby. If you have come to
Speaker 5: tell me of her death, it has already been revealed
Speaker 5: to me.
Speaker 2: Just a minute, Senor, I am called Celestine. Will it
Speaker 2: not be easier for you?
Speaker 1: So?
Speaker 2: Yeah? Easier is your baby sister than the poet Mario Mario.
Speaker 2: He's my husband, yes, a poet and a husband.
Speaker 3: I'm fortunate, am I not? You are friends of Mario's?
Speaker 2: Yes, friends, Sailor. I can't do it. You tell her?
Speaker 2: Thanks lords h Senior Selvestale of your husband?
Speaker 5: What he is it?
Speaker 2: Of my husband? What is it? He's dead? Okay? Okay, Saila?
Speaker 1: How long can you take to tell a woman her
Speaker 1: husband's dead?
Speaker 2: He said it was going to the water sun to
Speaker 2: write me a verse to first?
Speaker 3: Who are you? Are you of the police?
Speaker 2: Well married Mario's friends? You wanna find his murderer? It
Speaker 2: will not bring him back. Mario was telling you something
Speaker 2: before he died, about a revolution about guns.
Speaker 5: Mario was to me a man who loved me, who
Speaker 5: wrote little verses.
Speaker 3: For me of the saw the Mario that you speak.
Speaker 3: I know nothing.
Speaker 5: Who what Senorretti en Eparada maybe Senorretti? And he spoke
Speaker 5: often with Mario late into the.
Speaker 2: Night while I slept. I would bring them food and
Speaker 2: then leave them to talk among men. All we signed,
Speaker 2: senor Atiennes here's.
Speaker 5: A villa seventeen aveny the quest us.
Speaker 3: I think there is nothing more.
Speaker 2: For us to say to each other. Adio's friends of Marios.
Speaker 3: Come right in, Senor Senorita.
Speaker 2: Sure, and I am my chien.
Speaker 3: No, Senor, I am your brother. Where's that chien in
Speaker 3: the other proum with the rest of the guests. There
Speaker 3: is a concert this way in here.
Speaker 2: I will leave you Abil. There is some concept that
Speaker 2: girl when she danced and said, it's one letter. Yeah,
Speaker 2: we are alex am I being rude? Yes, yes you are.
Speaker 3: Can't you say that?
Speaker 2: Girls trying to express herself? I am your host. My
Speaker 2: name is that Jenny? This way? Please? Yeah?
Speaker 3: Yeah?
Speaker 2: Sure? Tell Ustine a call. She told me to expect you.
Speaker 3: Did he tell you about her husband?
Speaker 2: About Mario? Yes? Yes, did you to kill him? Now's
Speaker 2: your record at jan not flawless in hip hop? About
Speaker 2: this room, pebbe, Hey what is this? Who is this guy?
Speaker 2: These are the ones Peppy, the man and woman we
Speaker 2: have been waiting for. Now, Senor, you will tell us
Speaker 2: why have you come to a Kenny?
Speaker 1: Because I don't like my hotel to be loused up
Speaker 1: with dead bodies. First, the girl was killed in a
Speaker 1: poet But you know why?
Speaker 2: Yes, yes, I would know. Why Who are you at gen?
Speaker 2: Why should you know so much? He does not embarrass
Speaker 2: me to say that I am a patriar. You see,
Speaker 2: BB and Mario were revolutionary. They were killed by our enemies.
Speaker 2: They were killed to prevent them from taking guns across
Speaker 2: the Caribbean to our islands, the guns they thought were
Speaker 2: on your boat. We shall proceed without BB and Mario.
Speaker 2: The man is talking like he's got the guns anyhow, Slate,
Speaker 2: see we have them. They came on another boat, not yours. Well,
Speaker 2: here's the now, good health, let's go to say right eh?
Speaker 2: Why sane? I knew it? Speak over your shoulder, slight.
Speaker 1: Just question what's the caliber? The gun happy has in
Speaker 1: his hand at thirty two or thirty eight.
Speaker 2: What's like a thirty two is a thirty eight? You
Speaker 2: will help uster, hope, you're the what we have the guns.
Speaker 2: You have a boat. It's necessary to have both to
Speaker 2: get the guns to my island. Besides, I prefer not
Speaker 2: to have your roam in the streets at Guana until
Speaker 2: we have disposed. But the weapon who wants to roam
Speaker 2: the streets me daddy. The Senor moves quickly. There is
Speaker 2: a great knee to hurry.
Speaker 1: You admire the view, Senorah, this clip that screams down
Speaker 1: into the sea.
Speaker 2: Or perhaps Senyor is afraid of such heights, but the
Speaker 2: view is magnificent. The guns are nice too. You have exquisite,
Speaker 2: this Senyor, in guns, in boats and in me e
Speaker 2: precise listener, See you are wrong. You can be slay.
Speaker 2: The man said that you ad what do we play now? Oh?
Speaker 1: No place, And I assure you hard work. Peppy is
Speaker 1: below and your boat waiting for the guns. You will
Speaker 1: see that he gets in. Then you will take us
Speaker 1: to our destination on your exquisite boat. You mean I
Speaker 1: locked them all the way and this class down to
Speaker 1: the boat not.
Speaker 2: Quite so hard, and you're you see, we are prepared
Speaker 2: the cargo net Winch. You place the guns in the net,
Speaker 2: then load, then to Peppy quit simple like pie. It'll
Speaker 2: be like pie. Wanted slave, I'll help Noura. No, no,
Speaker 2: you will simply spend there, because you will inspire the
Speaker 2: senor to magnifue an effort. You may begin, sen what
Speaker 2: happens when through here? You will be killed? Ask you
Speaker 2: so that question. But it's so easy for you. You
Speaker 2: have but to die me. I have to commit a murder.
Speaker 2: My heart pleads for you. Thank you. I did not
Speaker 2: send your for one, Lord, Lord the wench One. We're
Speaker 2: glad you're happy CELASKI.
Speaker 1: Yeah, we're glad. Thanks for saving our lives. It was messy,
Speaker 1: but thanks.
Speaker 3: My heart is seeded with kindness for your bull.
Speaker 1: We'll drink to your heart filled with kindness in Havana.
Speaker 1: Heady boy, to take that gun away and we'll go.
Speaker 2: You are so kind to come and tell me of
Speaker 2: my husband's death.
Speaker 3: I want to do something.
Speaker 2: Gracious for you in Shannon's place. Do something gracious for
Speaker 2: us in Shannon's place.
Speaker 5: I will not permit one to kill you.
Speaker 4: You will die as suicide.
Speaker 1: I wouldn't have it any other way. Tell us about
Speaker 1: killing people, cel Estie, So you're.
Speaker 2: Born that way? Or didn't come on you all of
Speaker 2: a sudden tried.
Speaker 3: To make a revolution.
Speaker 2: You were foolish enough to stumbled into it. It is
Speaker 2: a pity you stumbled into the wrong side. You're and one.
Speaker 2: Here are the right ones. You are all.
Speaker 5: Alike through its revolutionary is adventurous all over the intellect
Speaker 5: of trained fleet BB Mario.
Speaker 2: At the end e Peppy, Oh yes, Steppe is dead.
Speaker 2: Also one took care of it. Phoebe was your sister.
Speaker 2: There were fools. They are happier dead now to the
Speaker 2: edge of the cliff walk. Yeah happy, I'll say, well,
Speaker 2: you're real happy what you came to with, honey, you.
Speaker 1: Got what you came for.
Speaker 2: Huh. Excite romance the Tropic Moon people killed? You can't crazy?
Speaker 2: What are you talking about? What you wanted?
Speaker 1: Isn't its sarily, That's why you came to me, because
Speaker 1: it was empty for a girl like you back there
Speaker 1: from wherever you came from, real empty. Why why you
Speaker 1: don't slap me, sailor I'll break in two.
Speaker 4: No one, no, do not put your hands on in
Speaker 4: keep them a low.
Speaker 3: Don't keep the gun in his bat They were kill
Speaker 3: each other.
Speaker 2: Watch it, you watch it. He's got a gun in
Speaker 2: your back, have a gun in my back? Say for
Speaker 2: one the gun? Got it, sailor?
Speaker 3: Pick it up?
Speaker 2: Now, you Celastinea, don't struggle.
Speaker 1: To lastine, relax, enjoy yourself.
Speaker 2: I'm a tender guy. I'm taking you back to Havannah.
Speaker 4: Take your hands off me.
Speaker 2: Let's go. I'm holding you a real tight till Havannah
Speaker 2: police take you away from the hold of that type.
Speaker 2: She's not going to be in any condition for the police.
Speaker 2: What about one, got a gun in your hand, I'm sailor.
Speaker 2: Oh sure, sorry, I forgot some of them. Get with it, Sailor.
Speaker 1: Keep that gun pointed to wind and we get back
Speaker 1: to Havanna. Then what then, Shannon's place? Better back there?
Speaker 2: I want you with me. How do you like it? Slave? Like?
Speaker 2: Why dancing with me?
Speaker 1: Oh?
Speaker 2: It's all right. I'm wearing a dress. Now, Yeah, I
Speaker 2: noticed my hair? You like it this way? Do you
Speaker 2: like my hair this way? Slay, Let's get out of here.
Speaker 2: I like it here, come on, let's go go ahead.
Speaker 2: I'll find somebody who likes it. There, I said, come on,
Speaker 2: Why well, there's a breeze outside. What's a breeze got
Speaker 2: to do it? I want to see what it does
Speaker 2: to your hair.
Speaker 1: And so our two stars, Humphrey Bogart and Lauren Bacall
Speaker 1: have brought to a close our latest bold venture story.
Speaker 1: Special music was composed and conducted by David Rose. May
Speaker 1: we invite you to listen again next week at this
Speaker 1: time or another exciting adventure starring Humphrey Bogart and Lauren
Speaker 1: Bacall together in Old Venture