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<v Speaker 1>Hey, here I am with Margaret Schwartz in New York,

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<v Speaker 1>The Modern Antiquarian. Thank you so much for joining us.

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<v Speaker 1>So I'm really glad to have you on. And I

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<v Speaker 1>watched some of your interviews and I think, didn't I

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<v Speaker 1>see somewhere where you said you became an antique dealer

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<v Speaker 1>in one day?

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<v Speaker 2>Yes, thank you for having me on the show.

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<v Speaker 3>Yes, I became an antique dealer, like purely by accident.

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<v Speaker 3>He had gone to London for a family trip, so

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<v Speaker 3>I had done my semester broad there and I was

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<v Speaker 3>just looking for something different to do. So I reached

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<v Speaker 3>out to the Antiques Diva and they offer these antiques

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<v Speaker 3>tours over Europe. Look, I don't think I wouldn't buy anything,

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<v Speaker 3>but I'm curious about this, if there's any availability. It

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<v Speaker 3>was very close to the trip. I was like, if there's

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<v Speaker 3>any availability, I'd love to do this. My mom is

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<v Speaker 3>interested too, So they made some time for me and

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<v Speaker 3>we went on a one day tour, and again not

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<v Speaker 3>thinking I would buy a single thing, I ended up.

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<v Speaker 3>The first thing that I bought was actually a chandelier

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<v Speaker 3>for myself, a Morano chandelier that had these.

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<v Speaker 2>Oh yeah beautiful.

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<v Speaker 3>It was these beautiful lavender colored glass pieces.

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<v Speaker 2>So I was like, oh, yeah, that's this is great.

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<v Speaker 3>So what they call it once you've made your first

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<v Speaker 3>purchase over there they call it they say you've broken

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<v Speaker 3>your duck, which I have no idea.

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<v Speaker 2>There's a quirky British sayings.

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<v Speaker 3>And after that, yeah, the dam had broken and I

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<v Speaker 3>ended up it was a long day.

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<v Speaker 2>I ended up filling a twenty foot container in a day.

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<v Speaker 1>Oh my goodness, Oh wow, you caught the bug quick.

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<v Speaker 1>So I just want to talk the Morano chandelier I

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<v Speaker 1>was in for a while. I was in California and

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<v Speaker 1>the Bay Area, and I was in the original founder

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<v Speaker 1>of Victoria's Secrets home and he had this Morano chandelier,

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<v Speaker 1>like you couldn't believe. It was huge, and I had

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<v Speaker 1>to take that thing down. I was involved in that.

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<v Speaker 1>Oh my god, I can't That must have been very

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<v Speaker 1>hard to pack in the container. They're very tricky and

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<v Speaker 1>very fragile. You have to take them all apart.

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<v Speaker 3>Yes, and you do have to be very careful. But

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<v Speaker 3>it was a much smaller one, so it wasn't it

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<v Speaker 3>wasn't terrible. Each individual glass piece did have to be

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<v Speaker 3>taken off and wrapped and all of that, but it

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<v Speaker 3>really could sit in a box, in a couple of boxes,

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<v Speaker 3>the actual frame of the chandelier and the glass. So anyway,

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<v Speaker 3>that one wasn't terrible. I had a lot more pieces

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<v Speaker 3>that were a bit trickier.

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<v Speaker 1>Now, when you first started, you're talking about feeling container.

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<v Speaker 1>Was a lot of it for yourself or did you say, no,

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<v Speaker 1>I'm going to do this for a business.

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<v Speaker 3>So I had a store at the time, and it

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<v Speaker 3>was mostly new production pieces lines like Worlds Away into

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<v Speaker 3>his Company and all of that. And I had always.

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<v Speaker 2>Liked vintage and antique pieces, but I.

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<v Speaker 3>Don't have a degree in that. I never felt comfortable

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<v Speaker 3>with it. But when I was on that trip, I

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<v Speaker 3>was just like, you know what, I'll figure it out.

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<v Speaker 3>I'll just have to figure it out because there's no

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<v Speaker 3>way in leaving the stuff behind. It's way too special,

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<v Speaker 3>way too interesting, and so since and that was and

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<v Speaker 3>it was actually like a week.

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<v Speaker 2>Before my thirtieth birthday. I oh, wow, yeah, so it's again.

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<v Speaker 2>I totally fell into it. But yeah, I put.

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<v Speaker 3>Everything out on the floor, and I will tell you

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<v Speaker 3>that I made every mistake in the book. I still

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<v Speaker 3>do continue to make.

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<v Speaker 1>Yeah, yeah, there's the old saying that antique dealers learned

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<v Speaker 1>by their mistakes, and that was good to ask you

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<v Speaker 1>about that, because you know, when you're beginning, especially when

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<v Speaker 1>you're starting, it's so hard to tell. And people are

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<v Speaker 1>really good at I'm sure I'm making something look old

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<v Speaker 1>that's not. They're really good at that.

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<v Speaker 3>They are, And every now and again, I'll still I'll

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<v Speaker 3>make a mistake. I've transitioned away from furniture into more

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<v Speaker 3>garden antiques, and the age of those are a little

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<v Speaker 3>harder to fake. A Tina in the medal and all

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<v Speaker 3>of that, but yeah, still happens.

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<v Speaker 2>Yeah. I just totally fell in love with it.

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<v Speaker 3>And when I put everything out on the floor, I

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<v Speaker 3>didn't price anything the right way. I foss as much

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<v Speaker 3>as I should have. I just followed the old school

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<v Speaker 3>retail pricing structure, which is it wasn't a true Keystone

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<v Speaker 3>markup right. I didn't just double the price, but I

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<v Speaker 3>did the two and a half like a new Keystone markup,

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<v Speaker 3>and that was a disaster. System might not make any money,

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<v Speaker 3>so I it was just it was so silly. I

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<v Speaker 3>just dove into this, and thank god I had people

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<v Speaker 3>helping me out. So the Antiquesteva, Tom mclarkanes and Gal McCloud.

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<v Speaker 2>I stayed in touch with.

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<v Speaker 3>Them and they were very generous with me, offering advice

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<v Speaker 3>and wisdom and from kind of basic business things down

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<v Speaker 3>to understanding what I was looking at.

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<v Speaker 2>So I really very fortunate.

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<v Speaker 1>I think that's a really good point to bring up,

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<v Speaker 1>because if someone's new and getting into it, I always

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<v Speaker 1>suggest that if you're in an auction or whatever, you

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<v Speaker 1>see someone buy something really interesting that interests you. A

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<v Speaker 1>lot of times people love to share the history and

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<v Speaker 1>why it's what they bought and why they paid what

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<v Speaker 1>they did for it. Sometimes people will say no, like

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<v Speaker 1>they're protective and they want to protect their knowledge or whatever.

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<v Speaker 1>But more often than not, people will be glad to

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<v Speaker 1>share their knowledge, and I think it's a good thing

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<v Speaker 1>I do.

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<v Speaker 3>I am not a proprominent of gatekeeping at all. That's

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<v Speaker 3>just not how I operate. That's just in my life.

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<v Speaker 3>I don't think that's beneficial to anyone. So I am

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<v Speaker 3>willing to share whatever knowledge I have. But I will say,

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<v Speaker 3>in addition to the Anti Siva team, the people who

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<v Speaker 3>have taught me the most are the collectors. Like they're

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<v Speaker 3>so addressed with their knowledge, and I'm so appreciative of that.

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<v Speaker 1>They're so focused in whatever it is they collect, and

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<v Speaker 1>you know, and so something I bring up a number

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<v Speaker 1>of times too is how fakes and reproductions can really

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<v Speaker 1>sour someone that's new, and so it's really good advice

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<v Speaker 1>to talk to someone that seasoned that can tell you

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<v Speaker 1>what to look for. I bring up every once in

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<v Speaker 1>a while. Cast iron mechanical banks, for one, they're so

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<v Speaker 1>good at faking them. You can't really tell. The only

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<v Speaker 1>thing you can do is put them and measure them.

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<v Speaker 1>If they're a little tiny bit smaller than the patent size,

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<v Speaker 1>then is probably okay. But if they're exactly that size,

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<v Speaker 1>cast iron shrinks over time, so if they're exactly that size,

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<v Speaker 1>then you probably got a reproduction. It's so hard to tell.

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<v Speaker 1>They're so good at it all the way.

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<v Speaker 3>And one of the things that people have been frustrated

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<v Speaker 3>with is lead working with lead pieces, because there's so

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<v Speaker 3>many have the stakes in it right, and if you're

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<v Speaker 3>if you're not aware of what led how that should betina,

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<v Speaker 3>it really does put you off because they do these

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<v Speaker 3>faux finishes that look very natural, but it's an alloy

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<v Speaker 3>underneath and somebody, a friend of mine, a dealer friend

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<v Speaker 3>of mine, is she does not focus on garden. But

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<v Speaker 3>she had these fantastic peacocks, these huge peacocks that were

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<v Speaker 3>so beautiful, these garden ornaments, and she said that they

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<v Speaker 3>were and I looked at her and I was like,

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<v Speaker 3>I started to pick it up, and I was like,

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<v Speaker 3>there is absolutely no way that this is let. There's

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<v Speaker 3>just not And I started talking to her about it.

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<v Speaker 3>I was like, look, there's oxidation right here.

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<v Speaker 2>I was like, you can.

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<v Speaker 3>See the alloy, cast iron, whatever it is, right underneath it.

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<v Speaker 3>That doesn't happen, That doesn't happen of the age that

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<v Speaker 3>they're saying it is, which it's not. I was like,

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<v Speaker 3>the crown, the crest on the peacock would be melted right,

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<v Speaker 3>it was fall over on itself. And I was like,

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<v Speaker 3>there are just certain identifiers with lead that you really

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<v Speaker 3>need to be pay attention to. And I was like,

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<v Speaker 3>and not least of which is that this is not

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<v Speaker 3>nearly as heavy as it would be if it were lead. Right,

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<v Speaker 3>It's so heavy for its size. So she was like,

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<v Speaker 3>oh my gosh, thank you for explaining this to me.

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<v Speaker 3>And it was an honest mistake. She didn't know so,

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<v Speaker 3>and again, I make honest mistakes all the time, so

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<v Speaker 3>it's a bit it could be tricky, but I'm glad

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<v Speaker 3>that I am able to share that knowledge with people

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<v Speaker 3>so they know what they're getting into. And they were

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<v Speaker 3>still fabulous, and there were these beautiful, wonderful decorative pieces.

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<v Speaker 2>But she needed that knowledge to understand what.

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<v Speaker 3>The material was so that whoever she sold it to

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<v Speaker 3>understood how to care for them.

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<v Speaker 1>Wow, in northern California, I haven't seen in a lot

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<v Speaker 1>of places, but the antique dealers out there they prize

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<v Speaker 1>what they call rusticated and it's a misuse of the term,

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<v Speaker 1>but it just means something that has oxidation and say

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<v Speaker 1>a gardener and or something like that. It's all rested

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<v Speaker 1>and they say, ooh, it's nice to be rusticated.

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<v Speaker 3>You know, comes from the metal and that's the origin, right,

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<v Speaker 3>that's the problem that is about how metal ages, and

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<v Speaker 3>now it's more broadly used.

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<v Speaker 1>But yeah, yeah, But so garden furniture is really interesting.

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<v Speaker 1>I had a beautiful set of French garden chairs from

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<v Speaker 1>the late eighteen hundreds that were just absolutely very ornate

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<v Speaker 1>wrought iron and they were had this beautiful green patina

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<v Speaker 1>on I mean it was original, and boy, I tell

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<v Speaker 1>you what, some people there's a lot of demand for them,

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<v Speaker 1>because when I ended up putting them in auction, they

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<v Speaker 1>did really well. Can you tell me what are the

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<v Speaker 1>type of pieces that you really like to deal with

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<v Speaker 1>that excite you.

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<v Speaker 3>So I have really been loving the Four Seasons, the

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<v Speaker 3>different models of the Four Seasons. Oh yes, it's yeah,

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<v Speaker 3>not something that everybody knows and understands, so there isn't

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<v Speaker 3>quite as much education, but there are and they're prolific. Right,

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<v Speaker 3>you can get you know, you can probably get them

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<v Speaker 3>at home depot right now.

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<v Speaker 2>But it's true. I got to be aware, so there's

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<v Speaker 2>education there.

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<v Speaker 3>But I found this fabulous set of terra cotta Four Seasons.

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<v Speaker 3>There were life size, there were taller than I am,

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<v Speaker 3>and so beautifully molded and modeled, and if they had

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<v Speaker 3>shrouds on them right Winter had her head covered. It

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<v Speaker 3>was just this very unique style. So I've been interested

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<v Speaker 3>in finding more like a different variety than there's a classic,

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<v Speaker 3>like the typical neoclassical kind of styles that you see.

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<v Speaker 2>So that's been really fun.

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<v Speaker 3>But like the Arris furniture you're talking about from France,

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<v Speaker 3>late nineteenth century, the aris urture is always a cellar people.

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<v Speaker 3>I always love that they're beautifully made, But as you.

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<v Speaker 2>Were saying before, there are many that are reproduction.

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<v Speaker 3>And have this fake patina on them, which is it's

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<v Speaker 3>easier for us to tell, so I can avoid them

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<v Speaker 3>when I'm buying, but knowing the difference in eras based

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<v Speaker 3>on the feet what those look like.

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<v Speaker 2>So the ARUs is wonderful.

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<v Speaker 3>And then I will tell you My biggest sellers are

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<v Speaker 3>things that kind of keep the lights on.

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<v Speaker 2>Are those little stone garden animals right, the frogs? Yeah, yeah,

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<v Speaker 2>deer and all of that.

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<v Speaker 3>So that's what I sell year round constantly.

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<v Speaker 2>That really that covers my fences.

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<v Speaker 1>Now. Also, I've heard people use the term cast stone,

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<v Speaker 1>which basically yes, cement, yeah, is that something that you use?

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<v Speaker 2>Or it was a cast stone, marble de latte.

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<v Speaker 3>There are different definitions, right, So castone is actually where

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<v Speaker 3>it's a limestone base, so that will be heavier than

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<v Speaker 3>different kind of reconstituted composite stone, so that will be heavier.

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<v Speaker 3>Marble de lata uses a marble base which wasn't used

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<v Speaker 3>in Italy but really had a big resurgence in or

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<v Speaker 3>I say big, but a resurgence in the mid century

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<v Speaker 3>mid twentieth century in England. There were a lot of

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<v Speaker 3>pieces made there, so it's interesting to see these materials

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<v Speaker 3>weave in and out of history. But there are differences.

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<v Speaker 3>The marble de latte castone, there are serious differences.

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<v Speaker 2>And then there's.

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<v Speaker 3>Codestone, which is a totally different material that was created

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<v Speaker 3>I think in the nineteenth century. I think your name

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<v Speaker 3>was eleanor Code, so there's a lot of different things.

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<v Speaker 3>That's what the lions in Travaldor Square are codestone.

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<v Speaker 1>Now do you ever deal with garden fountains?

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<v Speaker 2>I do.

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<v Speaker 3>I'm getting into those now and I prefer the cast

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<v Speaker 3>iron ones.

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<v Speaker 2>I really like those.

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<v Speaker 3>But I found a marble de latte one recently that

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<v Speaker 3>was just so spectacular I couldn't pass it up.

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<v Speaker 2>And I found this.

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<v Speaker 3>Incredible terra cotta fountain which was so beautiful. It has

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<v Speaker 3>this swan motif right the base is the swan, and

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<v Speaker 3>I can't resist to swan motifs. So for just that one,

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<v Speaker 3>and yeah, I'm definitely getting more and more into them.

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<v Speaker 3>But I will say I tend to avoid some of

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<v Speaker 3>the neoclassical styles, like the pouti and any of the

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<v Speaker 3>of that, so I do avoid that, but yeah, that

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<v Speaker 3>there are plenty of other styles for me to be

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<v Speaker 3>interested in.

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<v Speaker 1>So now I have to say, recently I looked on

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<v Speaker 1>Facebook Marketplace and I saw a four season set, a

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<v Speaker 1>really nice one and for seven or ten thousand dollars

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<v Speaker 1>or something.

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<v Speaker 3>Yeah, yeah, they yeah, they are really senses of that

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<v Speaker 3>terra cotta set that I have. Is in my research,

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<v Speaker 3>I have not come across a single other set like

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<v Speaker 3>it in scale and in detail, like the quality of

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<v Speaker 3>everything a condition. Those set of those four seasons are

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<v Speaker 3>very expensive. I think they're the most expensive things I've

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<v Speaker 3>ever had, but but they're.

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<v Speaker 1>Beautiful. Now, speaking of Facebook Marketplace, I wanted to get

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<v Speaker 1>your take on that because I got to tell you

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<v Speaker 1>see the painting behind me, Yes, that is that's a

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<v Speaker 1>circle of Marillo sixteen seventies, the Young Fruit Seller. It's

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<v Speaker 1>a circle of It's after But anyway, that was, and

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<v Speaker 1>that's a hand woven, very early canvas. The frame is bad,

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<v Speaker 1>it's been reframed in a terrible frame. But that was

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<v Speaker 1>on Facebook Marketplace as a print, and it's such a

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<v Speaker 1>it's such a it's almost addictive to get on that.

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<v Speaker 1>For someone like myself, I don't know. Do you ever

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<v Speaker 1>look at that?

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<v Speaker 3>And anytime I do so, I would love to ask

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<v Speaker 3>when did you purchase that on Facebook Marketplace?

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<v Speaker 2>Was this recent or was this five years ago?

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<v Speaker 1>Nope, this was two years ago. It was I live

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<v Speaker 1>in the winters in South Carolina and that was only

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<v Speaker 1>half hour away in Savannah, so I went over and

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<v Speaker 1>picked it up.

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<v Speaker 2>Amazing.

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<v Speaker 3>That is the dream, right that you find these kind

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<v Speaker 3>of spectacular things when somebody doesn't know truly what they

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<v Speaker 3>have or is interested in it. I dru's Facebook Marketplace

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<v Speaker 3>all the time, but I will say the knowledge is

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<v Speaker 3>out there now, right, like people.

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<v Speaker 2>Are more aware of value and.

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<v Speaker 3>Especially regionally, what things are going for. So I was

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<v Speaker 3>looking what was it? I think somebody had a fountain

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<v Speaker 3>that was just so spectacular and it was like fifteen

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<v Speaker 3>thousand dollars on Facebook Marketplace. So people are on and

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<v Speaker 3>she was a professional dealer, right, and people also are

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<v Speaker 3>listing on Facebook marketplace. But even just somebody clearing out

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<v Speaker 3>their house, they had a swan planter listed for I

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<v Speaker 3>think it was three hundre dollars. Like, I can't there's

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<v Speaker 3>not margin in that for me, not enough even if

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<v Speaker 3>I were able to negotiate them down, so it's it

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<v Speaker 3>can be tricky, but every.

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<v Speaker 2>Now and again, you know that's some good vines.

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<v Speaker 3>And I do the pieces in person because sometimes they'll

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<v Speaker 3>say it's been dish or whatever, but it's clearly maybe

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<v Speaker 3>yesterday I thought of things.

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<v Speaker 1>Yeah, it's always good to look in person. And I

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<v Speaker 1>have to say you're right about that, because I've noticed

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<v Speaker 1>if something's really good, it's instantly gone. Yeah, and there's

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<v Speaker 1>a lot. But when I first started looking a couple

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<v Speaker 1>of years ago, when I bought that piece behind me,

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<v Speaker 1>it was much easier to find something. And now everybody's

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<v Speaker 1>and I've told a lot of my friends in the

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<v Speaker 1>antiques world, hey, you got to check out marketplace. And

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<v Speaker 1>I have a friend of mine, we're joking all the time.

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<v Speaker 1>He had owns a pretty sizable auction gallery and he's saying,

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<v Speaker 1>we have to go to rehab because we're always on

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<v Speaker 1>Facebook marketplace subject. Yeah. But and I looked when I

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<v Speaker 1>was on some I've forgot a Caribbean island this enter

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<v Speaker 1>and I saw I send them a picture of a

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<v Speaker 1>chicken for sale and this is what you get down here.

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<v Speaker 1>But no, it's a fun tool and it's always now

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<v Speaker 1>I want to go back to just it's great to

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<v Speaker 1>get a really good find. I personally, as an appraiser,

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<v Speaker 1>if I go into a place and something is marked

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<v Speaker 1>a price, I'll buy it. But I don't go into

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<v Speaker 1>a place and say, oh that, what do you want

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<v Speaker 1>for that? Over there? They have to have a price

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<v Speaker 1>already for it, because you just have to. It's like

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<v Speaker 1>a code of ethics in a way. You have to

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<v Speaker 1>be carried.

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<v Speaker 2>Yeah, I agree, you're talking about having everything marked. Is

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<v Speaker 2>that or what's you know?

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<v Speaker 1>Yeah, if someone marks a price and I'm a willing buyer,

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<v Speaker 1>I'm just going to buy it. But I'm not going

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<v Speaker 1>to go in and say to someone look at something

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<v Speaker 1>that's worth ten thousand dollars and say to someone, hey,

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<v Speaker 1>I'll give you fifty dollars work, And that's criminal in

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<v Speaker 1>a way for me.

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<v Speaker 2>It was the story.

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<v Speaker 3>I think it was in I think maybe it was

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<v Speaker 3>in North Carotte. I can't remember where it was, but

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<v Speaker 3>there was a teapot there. Do you remember the story

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00:17:04.079 --> 00:17:07.400
<v Speaker 3>from the Yeah, it was this.

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<v Speaker 2>Very rare anti caach pot.

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<v Speaker 3>I think in England. Yeah, I think the buyer was

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<v Speaker 3>in England and they went in and this very extremely

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<v Speaker 3>rare American teapot was for was listed at like twenty

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<v Speaker 3>pounds or something, and they offered eighteen something like that,

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<v Speaker 3>something like a start crazy, and then they sold it

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<v Speaker 3>for I think six figures.

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<v Speaker 2>Now I would not do that.

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<v Speaker 3>I would pay the twenty eight pounds and rush on.

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<v Speaker 2>Out of there. Almost. You know, you feel bad for

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<v Speaker 2>that person.

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<v Speaker 3>Do you give them some of the suns that were

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<v Speaker 3>there's I'm sure most people would say no, that's absurd,

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<v Speaker 3>but I think I would feel guilty, just not especially

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<v Speaker 3>if I bid on it right.

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<v Speaker 1>Well, my dad had a story where he went on

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<v Speaker 1>a second generation. He was at a yard sale basically,

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<v Speaker 1>and he saw two beautiful lightship nantucket baskets or ten

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<v Speaker 1>dollars apiece, and so he said to the woman, he said, hey,

357
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<v Speaker 1>I can put them in one of my auctions and

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<v Speaker 1>do really well. She said, you want to buy him

359
00:18:06.920 --> 00:18:09.680
<v Speaker 1>or not. So he buys them, and he puts them

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<v Speaker 1>in one of his own auctions and they bring something

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<v Speaker 1>like eight hundred dollars. This is back when that was

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<v Speaker 1>real money. So he goes back to the house with

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00:18:19.119 --> 00:18:21.119
<v Speaker 1>a couple hundred dollars to give to the woman and

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<v Speaker 1>she starts screaming and yelling at him, telling him to

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<v Speaker 1>get out.

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<v Speaker 2>Oh my god, where was this? I have to ask?

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<v Speaker 1>Where was in Maine? This was in Maine, southern May Yeah, yeah, okay,

368
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<v Speaker 1>So I don't know what she thought he was trying

369
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<v Speaker 1>to do when he was bringing back the money.

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<v Speaker 3>But I would be more like your father if that

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<v Speaker 3>were to If I were ever in that situation, I

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<v Speaker 3>think it would feel a sense of obligation to the

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<v Speaker 3>person that I bought it from.

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<v Speaker 1>Hopefully, there are so many stories, aren't there. You hear

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<v Speaker 1>all these stories from people that are collectors. And one

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<v Speaker 1>of the things I think is nice or that we

377
00:18:57.160 --> 00:18:59.119
<v Speaker 1>may be losing a little bit of and just wanted

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<v Speaker 1>to hear your take on it is I grew up

379
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<v Speaker 1>long before the internet, and I was at this from

380
00:19:03.920 --> 00:19:06.440
<v Speaker 1>a very young age, and I was out there and

381
00:19:06.960 --> 00:19:10.759
<v Speaker 1>the stories that you have with these pieces, that makes

382
00:19:10.759 --> 00:19:13.640
<v Speaker 1>it all part of the fun. And then you get

383
00:19:13.680 --> 00:19:16.039
<v Speaker 1>online and it's just click and you get it in

384
00:19:16.119 --> 00:19:19.559
<v Speaker 1>the mail, and I just I think it loses some

385
00:19:19.640 --> 00:19:21.960
<v Speaker 1>of that and just wanted your take on. You said

386
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<v Speaker 1>just a minute ago that you like examining things in person,

387
00:19:25.759 --> 00:19:27.559
<v Speaker 1>and to me, that's all part of the story and

388
00:19:27.640 --> 00:19:29.599
<v Speaker 1>part of what you're doing and you're out there, So

389
00:19:29.640 --> 00:19:33.680
<v Speaker 1>what do you think about online? I know you probably

390
00:19:33.720 --> 00:19:36.920
<v Speaker 1>sell online. I know you do. I saw you. But

391
00:19:37.000 --> 00:19:39.839
<v Speaker 1>what do you think as far as you being a collector?

392
00:19:40.079 --> 00:19:42.240
<v Speaker 1>How that the different?

393
00:19:43.160 --> 00:19:45.119
<v Speaker 3>Since we're in the industry, You and I want the

394
00:19:45.200 --> 00:19:48.079
<v Speaker 3>story and when I saw so, I do the Round

395
00:19:48.079 --> 00:19:49.519
<v Speaker 3>Top Show down in Texas.

396
00:19:49.799 --> 00:19:51.839
<v Speaker 1>Oh, I love that show. I've been there, yees.

397
00:19:52.359 --> 00:19:55.200
<v Speaker 3>Yeah, yeah, it's a fun one. The community down there

398
00:19:55.279 --> 00:19:55.759
<v Speaker 3>is really great.

399
00:19:55.759 --> 00:19:57.000
<v Speaker 1>The community they're so nice.

400
00:19:57.400 --> 00:20:00.599
<v Speaker 3>Yes, yeah, they're really great. We have a time together.

401
00:20:01.400 --> 00:20:03.240
<v Speaker 3>I like being able to share the story with people

402
00:20:03.319 --> 00:20:05.640
<v Speaker 3>down there. They'll sit and they'll listen to me. But

403
00:20:05.839 --> 00:20:09.440
<v Speaker 3>online people just they don't even read the description a

404
00:20:09.480 --> 00:20:11.960
<v Speaker 3>lot of the time. Right, how many times have I

405
00:20:12.000 --> 00:20:15.000
<v Speaker 3>gotten a note saying, oh, this isn't the right size

406
00:20:15.079 --> 00:20:18.160
<v Speaker 3>or something. I put the description in the description or

407
00:20:18.200 --> 00:20:20.759
<v Speaker 3>the measurements. There's a whole section called dimensions.

408
00:20:21.200 --> 00:20:22.480
<v Speaker 2>I don't know that.

409
00:20:22.880 --> 00:20:25.039
<v Speaker 3>So people just they don't read the description at all.

410
00:20:25.480 --> 00:20:30.279
<v Speaker 3>So being able to properly tell a story about something

411
00:20:30.400 --> 00:20:34.319
<v Speaker 3>is really challenging, And especially on the marketplaces and firsted

412
00:20:34.440 --> 00:20:37.319
<v Speaker 3>shares things like that, using that kind of flowery language

413
00:20:37.359 --> 00:20:40.480
<v Speaker 3>isn't great. For the algorithm anyway, right, Like they don't

414
00:20:40.559 --> 00:20:44.480
<v Speaker 3>like that. They just want the straight details at the age,

415
00:20:44.559 --> 00:20:47.680
<v Speaker 3>the condition, the materials, and the original use. That's like

416
00:20:47.720 --> 00:20:50.319
<v Speaker 3>my formula, right, that's how people will use it now.

417
00:20:50.359 --> 00:20:52.359
<v Speaker 3>But that's really those are the key things that I

418
00:20:52.400 --> 00:20:52.960
<v Speaker 3>put in there.

419
00:20:53.480 --> 00:20:54.960
<v Speaker 2>And yeah, and the dimensions.

420
00:20:55.119 --> 00:20:58.720
<v Speaker 3>So it's yeah, some of that is lost, and that

421
00:20:58.799 --> 00:21:00.680
<v Speaker 3>it does make me sad. I also do feel like

422
00:21:00.799 --> 00:21:03.519
<v Speaker 3>so much of the knowledge is being lost in general

423
00:21:03.759 --> 00:21:08.000
<v Speaker 3>from not enough people really re entering into this industry

424
00:21:08.079 --> 00:21:10.559
<v Speaker 3>or really getting involved in this industry as much as

425
00:21:10.599 --> 00:21:14.559
<v Speaker 3>they should. I'm somewhat hopeful that may turn around because

426
00:21:14.640 --> 00:21:18.640
<v Speaker 3>these gen Z kids are just green living is so

427
00:21:18.720 --> 00:21:21.759
<v Speaker 3>important to them, and so I think they're starting to see, Okay,

428
00:21:21.880 --> 00:21:25.000
<v Speaker 3>I'd rather save money and buy a pair of chairs

429
00:21:25.000 --> 00:21:26.279
<v Speaker 3>that I know I'm going to have for a very

430
00:21:26.319 --> 00:21:29.400
<v Speaker 3>long time than the twenty bucks at a big box store.

431
00:21:30.200 --> 00:21:32.200
<v Speaker 3>So it's autiously.

432
00:21:33.519 --> 00:21:35.559
<v Speaker 1>Yes, I am too think. I hear a lot of

433
00:21:35.599 --> 00:21:39.319
<v Speaker 1>people say it's always in cycles. Maybe there'll be a

434
00:21:39.359 --> 00:21:42.799
<v Speaker 1>cycle of people getting back into it. I hope so.

435
00:21:44.039 --> 00:21:46.160
<v Speaker 1>But when I attend to auctions, it's a lot of

436
00:21:46.200 --> 00:21:49.920
<v Speaker 1>older people, but occasionally I see younger people, and I

437
00:21:49.920 --> 00:21:51.960
<v Speaker 1>actually do go up and talk with them a lot

438
00:21:51.960 --> 00:21:55.000
<v Speaker 1>of the time and ask them what sparked your interests

439
00:21:55.359 --> 00:21:58.319
<v Speaker 1>in this type of thing. So I like the fact

440
00:21:58.359 --> 00:22:01.799
<v Speaker 1>that they call the ultimate cyclost auctions and things like that,

441
00:22:01.920 --> 00:22:05.880
<v Speaker 1>and instead of if they are thinking in a green way,

442
00:22:06.160 --> 00:22:10.480
<v Speaker 1>manufacturing furniture, for one, really affects the environment quite a bit.

443
00:22:11.119 --> 00:22:12.920
<v Speaker 1>So if you can buy a nice piece, that'll be

444
00:22:13.000 --> 00:22:16.359
<v Speaker 1>around forever. And I know simplicity. There's a lot of

445
00:22:16.359 --> 00:22:19.319
<v Speaker 1>people now collecting Danish muttern and things like that that

446
00:22:19.359 --> 00:22:22.480
<v Speaker 1>are simplistic. And I know that you were dealing in

447
00:22:22.519 --> 00:22:26.359
<v Speaker 1>the Gustovian antiques, which is really I had a beautiful

448
00:22:26.480 --> 00:22:30.680
<v Speaker 1>silver chest one time. And did you deal mostly in

449
00:22:31.119 --> 00:22:35.200
<v Speaker 1>later pieces that were like copies or did you deal

450
00:22:35.240 --> 00:22:35.920
<v Speaker 1>in the period?

451
00:22:37.119 --> 00:22:39.920
<v Speaker 3>So I had some period pieces and one of my

452
00:22:39.960 --> 00:22:44.200
<v Speaker 3>favorite period pieces is the Secretary that inside one of

453
00:22:44.200 --> 00:22:48.200
<v Speaker 3>the pigeonholes was a letter that was dated. I can't

454
00:22:48.279 --> 00:22:50.359
<v Speaker 3>quite recall what the day was. I think I think

455
00:22:50.400 --> 00:22:52.400
<v Speaker 3>it was like eighteen oh seven or something like that.

456
00:22:53.359 --> 00:22:56.039
<v Speaker 3>How it survived all this time, but it was a

457
00:22:56.200 --> 00:22:58.640
<v Speaker 3>We had it translated because it wasn't Swedish. We had

458
00:22:58.640 --> 00:23:02.759
<v Speaker 3>it translated and it was a birthday card. Ah, I know,

459
00:23:03.119 --> 00:23:05.759
<v Speaker 3>just like that's such an intimate personal connection to this

460
00:23:05.799 --> 00:23:09.240
<v Speaker 3>piece and that somebody received that and cared for it

461
00:23:09.319 --> 00:23:11.720
<v Speaker 3>to hold on to it, and it was just really

462
00:23:11.880 --> 00:23:14.839
<v Speaker 3>it's really wonderful. So by bringing it back to the stories, right,

463
00:23:14.880 --> 00:23:18.039
<v Speaker 3>being able to communicate that properly on a marketplace listing

464
00:23:18.160 --> 00:23:18.839
<v Speaker 3>is challenging.

465
00:23:19.599 --> 00:23:20.079
<v Speaker 2>Yeah.

466
00:23:20.440 --> 00:23:24.279
<v Speaker 1>Yeah, it's Lee Keno from the Antique Scroat Show. I

467
00:23:24.559 --> 00:23:27.480
<v Speaker 1>communicate with him now and then one of the twins

468
00:23:27.480 --> 00:23:30.519
<v Speaker 1>of the Keno Twins, and we were talking the other

469
00:23:30.599 --> 00:23:33.519
<v Speaker 1>day recently about how things have the story as they

470
00:23:33.559 --> 00:23:36.400
<v Speaker 1>go through time, which is so intriguing to me. And

471
00:23:36.440 --> 00:23:40.279
<v Speaker 1>that's a really good example of that. And if things

472
00:23:40.319 --> 00:23:44.680
<v Speaker 1>could talk about their whole passing through. We're just guardians

473
00:23:44.680 --> 00:23:47.160
<v Speaker 1>for these pieces and pass them along.

474
00:23:48.160 --> 00:23:51.480
<v Speaker 3>I completely agree with that that we're we're just custodians, right,

475
00:23:51.519 --> 00:23:54.160
<v Speaker 3>We're just we're holding onto these for a little while,

476
00:23:54.400 --> 00:23:56.160
<v Speaker 3>doing our best to take care of them and hope

477
00:23:56.160 --> 00:23:57.880
<v Speaker 3>that somebody else loves them as much as we do

478
00:23:57.960 --> 00:24:01.160
<v Speaker 3>in the future. In my own apartment, in my own home,

479
00:24:01.200 --> 00:24:03.960
<v Speaker 3>I have a Gastavian almost like a farmhouse table.

480
00:24:04.039 --> 00:24:04.759
<v Speaker 2>It's very simple.

481
00:24:05.319 --> 00:24:09.279
<v Speaker 3>Yeah, and it's inside there's a single drawer, and inside

482
00:24:09.319 --> 00:24:11.559
<v Speaker 3>the drawer are the family names and the years that

483
00:24:11.559 --> 00:24:12.519
<v Speaker 3>they had it.

484
00:24:12.759 --> 00:24:14.079
<v Speaker 1>Oh isn't that nice?

485
00:24:14.319 --> 00:24:14.519
<v Speaker 2>Yeah?

486
00:24:14.519 --> 00:24:17.920
<v Speaker 3>And DC signatures and had the kind of a handwriting

487
00:24:17.960 --> 00:24:20.720
<v Speaker 3>evolved over decades in a century.

488
00:24:20.839 --> 00:24:24.359
<v Speaker 2>So it's really special to me. It's really special now

489
00:24:24.400 --> 00:24:25.039
<v Speaker 2>if I have that.

490
00:24:25.119 --> 00:24:30.039
<v Speaker 1>I think it was a king of Sweden visited France

491
00:24:30.279 --> 00:24:32.720
<v Speaker 1>and then just loved the furniture and came back, And

492
00:24:32.799 --> 00:24:35.480
<v Speaker 1>that is all through Europe. I spent a lot of

493
00:24:35.519 --> 00:24:38.319
<v Speaker 1>time in Russia and there's very it looks like you're

494
00:24:38.359 --> 00:24:42.160
<v Speaker 1>looking at Louis fifteen furniture Louis sixteen and fifteen a

495
00:24:42.200 --> 00:24:45.799
<v Speaker 1>lot over there. And so the influence really went worldwide,

496
00:24:45.799 --> 00:24:49.000
<v Speaker 1>like it did with all the American pieces like Chippendale

497
00:24:49.079 --> 00:24:52.160
<v Speaker 1>and Sheridan and all the different things. But yeah, and

498
00:24:52.519 --> 00:24:56.240
<v Speaker 1>I know that Canada when Canada had that French influence.

499
00:24:56.599 --> 00:25:00.759
<v Speaker 1>The original pieces are they're so expensive? Is were those

500
00:25:00.799 --> 00:25:03.160
<v Speaker 1>pieces that you found and dealt with that were they

501
00:25:03.279 --> 00:25:05.720
<v Speaker 1>very expensive pieces? To it?

502
00:25:05.839 --> 00:25:08.799
<v Speaker 3>With period Gustavian pieces can be a bit tricky too,

503
00:25:08.920 --> 00:25:12.119
<v Speaker 3>because at a certain level of the market, a certain

504
00:25:12.200 --> 00:25:14.599
<v Speaker 3>kind of price point and quality and all that you

505
00:25:14.680 --> 00:25:18.480
<v Speaker 3>do need an export license with them, so I try

506
00:25:18.480 --> 00:25:20.920
<v Speaker 3>to be mindful about that when I'm actually bringing things

507
00:25:20.960 --> 00:25:25.640
<v Speaker 3>out of Sweden. But it's yeah, it's an interesting story,

508
00:25:25.720 --> 00:25:30.640
<v Speaker 3>but being inspired from France. And then what I loved

509
00:25:30.640 --> 00:25:33.240
<v Speaker 3>about it was that they brought it to Sweden and

510
00:25:33.440 --> 00:25:36.000
<v Speaker 3>used the appropriate materials.

511
00:25:35.440 --> 00:25:37.720
<v Speaker 2>For that for that age, for that location.

512
00:25:37.960 --> 00:25:40.880
<v Speaker 3>It turned into more like pine and birch in those

513
00:25:41.000 --> 00:25:44.160
<v Speaker 3>kinds of woods, and it was a simplified style to

514
00:25:44.440 --> 00:25:48.319
<v Speaker 3>reflect more of the Swedish sensibility. And instead of having

515
00:25:48.440 --> 00:25:51.920
<v Speaker 3>mahogany as much mahogany veneer they were painted to bring

516
00:25:51.960 --> 00:25:53.680
<v Speaker 3>in that extra light understanding that.

517
00:25:53.759 --> 00:25:54.400
<v Speaker 2>History of it.

518
00:25:54.519 --> 00:25:58.240
<v Speaker 3>And there are the Stockholm pieces that are very expensive, rare,

519
00:25:58.559 --> 00:26:01.200
<v Speaker 3>but I've never dealt at that exact level. Right, I'm

520
00:26:01.200 --> 00:26:04.039
<v Speaker 3>a decorative dealer. I'm not a museum quality dealer. So

521
00:26:04.039 --> 00:26:06.079
<v Speaker 3>that's that's what they have had to come up against

522
00:26:06.279 --> 00:26:09.000
<v Speaker 3>as much as other other high level dealers.

523
00:26:09.079 --> 00:26:12.400
<v Speaker 1>Now, you worked with the Martha Stewart living at one time,

524
00:26:13.039 --> 00:26:15.119
<v Speaker 1>you did some work on that, what's that like?

525
00:26:16.200 --> 00:26:17.799
<v Speaker 2>So I worked there for four years.

526
00:26:17.880 --> 00:26:21.440
<v Speaker 3>It was my first job out of college and it

527
00:26:21.559 --> 00:26:22.559
<v Speaker 3>was fantastic.

528
00:26:22.720 --> 00:26:23.759
<v Speaker 2>It was really fantastic.

529
00:26:23.799 --> 00:26:28.079
<v Speaker 3>It was extremely high pressure and very stressful, and it

530
00:26:28.119 --> 00:26:30.359
<v Speaker 3>was a very different time when I worked there, So

531
00:26:31.240 --> 00:26:32.240
<v Speaker 3>it was a very different time.

532
00:26:32.599 --> 00:26:35.400
<v Speaker 2>But it was a pressure cut there and I but

533
00:26:35.440 --> 00:26:35.920
<v Speaker 2>I loved it.

534
00:26:36.039 --> 00:26:38.720
<v Speaker 3>My my managers and the people that I got to

535
00:26:38.720 --> 00:26:41.599
<v Speaker 3>work with all the time were fantastic. I was working

536
00:26:41.599 --> 00:26:44.640
<v Speaker 3>on a project once and I spelled wax on my

537
00:26:44.720 --> 00:26:47.480
<v Speaker 3>shirt because of this project was craft project I was doing.

538
00:26:47.480 --> 00:26:50.319
<v Speaker 3>I spelled wax my shirt. So I went up to

539
00:26:50.440 --> 00:26:52.759
<v Speaker 3>editorial and I was like, Hey, can you guys get

540
00:26:52.759 --> 00:26:53.839
<v Speaker 3>this wax out of my shirt?

541
00:26:53.839 --> 00:26:54.799
<v Speaker 2>And they're like, gando problem.

542
00:26:54.839 --> 00:26:56.680
<v Speaker 3>And then an hour later they called me back and

543
00:26:56.759 --> 00:26:58.119
<v Speaker 3>you got to go off with this and go get

544
00:26:58.119 --> 00:27:00.720
<v Speaker 3>my clean shirt. So it was there were funny things

545
00:27:00.759 --> 00:27:03.000
<v Speaker 3>like that you could really it was a very special

546
00:27:03.039 --> 00:27:06.240
<v Speaker 3>place to work. There were a lot of quirky people

547
00:27:06.240 --> 00:27:10.240
<v Speaker 3>who were celebrated, really honored and celebrated for their knowledge,

548
00:27:10.240 --> 00:27:12.519
<v Speaker 3>for their just what their passions were. And there was

549
00:27:12.599 --> 00:27:17.559
<v Speaker 3>a lot of editorial freedom back then. A lot much anymore,

550
00:27:17.599 --> 00:27:19.079
<v Speaker 3>which makes me very sad.

551
00:27:20.200 --> 00:27:23.599
<v Speaker 1>Now you mentioned before antiques for entertaining. Can you go

552
00:27:23.720 --> 00:27:25.160
<v Speaker 1>into what you meant by that?

553
00:27:27.079 --> 00:27:29.799
<v Speaker 3>So antiques for entertaining I think are and I do

554
00:27:29.880 --> 00:27:32.319
<v Speaker 3>look antiques for modern life. That's my big thing is

555
00:27:32.359 --> 00:27:36.200
<v Speaker 3>antiques for modern life, but antius or just using these

556
00:27:36.279 --> 00:27:38.880
<v Speaker 3>things every day, like not saving them. And a lot

557
00:27:38.880 --> 00:27:42.359
<v Speaker 3>of people talk about this now, but it's about bringing

558
00:27:42.359 --> 00:27:45.480
<v Speaker 3>out these things that I use. My grandmother's china and

559
00:27:45.519 --> 00:27:47.680
<v Speaker 3>it's very special to me because it was made in

560
00:27:47.720 --> 00:27:51.440
<v Speaker 3>the town that my grandmother was born in. Yeah, so

561
00:27:51.680 --> 00:27:54.079
<v Speaker 3>it's very special to me. But there's just no need

562
00:27:54.119 --> 00:27:56.839
<v Speaker 3>to save these things. And I think people treat these

563
00:27:56.839 --> 00:28:00.680
<v Speaker 3>antiques and so there's these these very precious that.

564
00:28:00.680 --> 00:28:02.680
<v Speaker 2>I shouldn't be used every day, but it really should.

565
00:28:02.799 --> 00:28:04.680
<v Speaker 2>They really should be using an.

566
00:28:04.519 --> 00:28:07.960
<v Speaker 3>Antique china cabinet or cupboard or something like that like this.

567
00:28:08.480 --> 00:28:10.400
<v Speaker 2>The storage is fantastic.

568
00:28:09.880 --> 00:28:12.640
<v Speaker 3>In there, and it's just they're not meant to live

569
00:28:12.680 --> 00:28:14.720
<v Speaker 3>in a museum. These are pieces that were meant to

570
00:28:14.799 --> 00:28:17.759
<v Speaker 3>be used every day. And I think of my grandmother

571
00:28:17.920 --> 00:28:19.640
<v Speaker 3>every day when I use them. Right, she gave me

572
00:28:19.680 --> 00:28:22.920
<v Speaker 3>her silver and she gave me this. It's Newcastle, Pennsylvania

573
00:28:23.079 --> 00:28:26.960
<v Speaker 3>is where my grandmother or my grandparents, and they had

574
00:28:27.039 --> 00:28:31.839
<v Speaker 3>this fabulous factory there Shenango Pottery and Castleton China.

575
00:28:32.160 --> 00:28:33.000
<v Speaker 2>So those were the two.

576
00:28:33.039 --> 00:28:35.359
<v Speaker 3>And I could go on for a while because that

577
00:28:35.440 --> 00:28:38.640
<v Speaker 3>particular company has a really fascinating history with World War

578
00:28:38.680 --> 00:28:45.119
<v Speaker 3>two and protecting patterns. But that factory really supported the

579
00:28:45.160 --> 00:28:46.799
<v Speaker 3>town in a significant way.

580
00:28:46.920 --> 00:28:49.559
<v Speaker 2>So having that close to weight, using it every day,

581
00:28:50.000 --> 00:28:50.400
<v Speaker 2>trying to.

582
00:28:50.480 --> 00:28:52.880
<v Speaker 3>Keep like the platinum rim, I do try to be

583
00:28:52.880 --> 00:28:54.839
<v Speaker 3>careful about that, but whatever, I'm also going to put

584
00:28:54.839 --> 00:28:56.960
<v Speaker 3>in a dishwasher because I'm a busy person and I

585
00:28:57.000 --> 00:28:58.160
<v Speaker 3>have a lot of obligations.

586
00:28:58.640 --> 00:29:01.119
<v Speaker 2>But so it's just don't worry about it.

587
00:29:01.160 --> 00:29:04.720
<v Speaker 3>Don't mind if it gets little nicks and whatever like,

588
00:29:04.759 --> 00:29:06.680
<v Speaker 3>That's just we're adding to the story. That's how I

589
00:29:06.720 --> 00:29:09.400
<v Speaker 3>feel is that, don't worry if you nick a piece

590
00:29:09.400 --> 00:29:11.480
<v Speaker 3>of furniture or something like. That's just you've left your

591
00:29:11.519 --> 00:29:14.559
<v Speaker 3>little piece of story on this piece now in that furniture.

592
00:29:14.200 --> 00:29:14.480
<v Speaker 2>Ight now.

593
00:29:14.519 --> 00:29:17.400
<v Speaker 1>So yeah, yeah, I got to tell you preaching to

594
00:29:17.440 --> 00:29:21.559
<v Speaker 1>the choir here because I think that's exactly right how

595
00:29:21.599 --> 00:29:24.480
<v Speaker 1>I feel exactly that these things were made to be used,

596
00:29:24.799 --> 00:29:28.839
<v Speaker 1>and that is the problem where we have as collectors

597
00:29:28.920 --> 00:29:31.160
<v Speaker 1>over the years, shot ourselves in the foot. And I'll

598
00:29:31.160 --> 00:29:33.680
<v Speaker 1>tell you my opinion on that. When it had to

599
00:29:33.720 --> 00:29:37.319
<v Speaker 1>be people tucking things in the China cabinet and saying, oh,

600
00:29:37.359 --> 00:29:39.799
<v Speaker 1>you can't use that. That costs a lot of money.

601
00:29:40.039 --> 00:29:42.119
<v Speaker 1>So that's worth a lot of money. You can't use that,

602
00:29:42.519 --> 00:29:46.559
<v Speaker 1>so it loses that family connection of growing up. And

603
00:29:46.640 --> 00:29:50.720
<v Speaker 1>like the chocolate pot as an example, having hot cocoa

604
00:29:50.759 --> 00:29:54.079
<v Speaker 1>with my grandmother. And I remember that china set Nortoki,

605
00:29:54.160 --> 00:29:58.759
<v Speaker 1>I don't even care, it's Nartokia whatever, like it became collectible,

606
00:29:59.240 --> 00:30:02.240
<v Speaker 1>then stuff away, or you can't sit in that chair

607
00:30:02.400 --> 00:30:04.880
<v Speaker 1>that windsor chair. The windsor chairs were meant to be

608
00:30:05.279 --> 00:30:09.440
<v Speaker 1>sad and they last. They'll be around another several hundred years,

609
00:30:09.839 --> 00:30:12.319
<v Speaker 1>you know, the way they made them in the beginning

610
00:30:12.599 --> 00:30:16.519
<v Speaker 1>or whatever, so men to be used. I like what

611
00:30:16.559 --> 00:30:19.799
<v Speaker 1>you said about wearing the marks as part of the story,

612
00:30:20.319 --> 00:30:23.359
<v Speaker 1>because there's so many things about antiques that you can

613
00:30:23.599 --> 00:30:26.680
<v Speaker 1>I mentioned lee Kino earlier and he flipped over it

614
00:30:27.200 --> 00:30:30.319
<v Speaker 1>eighteenth century American table and it said, what are these

615
00:30:30.319 --> 00:30:32.559
<v Speaker 1>little scratch lines on? And people were coming back with

616
00:30:32.640 --> 00:30:36.039
<v Speaker 1>all matches or pipe was the clay pipes from the

617
00:30:36.079 --> 00:30:39.200
<v Speaker 1>early times. Another thing that's really fun to see is

618
00:30:39.240 --> 00:30:42.960
<v Speaker 1>a lot of early small chairs or youth chairs will

619
00:30:43.000 --> 00:30:45.119
<v Speaker 1>be flat on one side, and you look at why

620
00:30:45.160 --> 00:30:47.400
<v Speaker 1>is it flat on one side, the little kid was

621
00:30:47.519 --> 00:30:50.200
<v Speaker 1>learning how to walk by pushing the chair along the floor.

622
00:30:50.720 --> 00:30:54.319
<v Speaker 1>So generation after generation they wore the front of it

623
00:30:54.440 --> 00:30:57.519
<v Speaker 1>flat by holding onto the back legs and pushing it

624
00:30:57.559 --> 00:31:00.839
<v Speaker 1>along the floor. So yeah, these things all have stories,

625
00:31:00.920 --> 00:31:02.680
<v Speaker 1>and I think that's it's precious.

626
00:31:04.240 --> 00:31:07.319
<v Speaker 2>Yes, it really is. It really is very meaningful. My

627
00:31:08.160 --> 00:31:10.279
<v Speaker 2>parents are not They're not collected.

628
00:31:10.359 --> 00:31:12.400
<v Speaker 3>They have art that they really love, but as far

629
00:31:12.400 --> 00:31:15.599
<v Speaker 3>as furniture, that's not really what their focus was on ever.

630
00:31:15.920 --> 00:31:18.160
<v Speaker 3>But we did have I'm actually at their house right now.

631
00:31:18.319 --> 00:31:20.039
<v Speaker 3>They are packing up and moving out of this house

632
00:31:20.079 --> 00:31:24.400
<v Speaker 3>after forty years. So and here, but we did. The

633
00:31:24.480 --> 00:31:26.559
<v Speaker 3>room behind me was this blue and white room when

634
00:31:26.559 --> 00:31:28.200
<v Speaker 3>we were growing up, and that was like you did

635
00:31:28.240 --> 00:31:31.359
<v Speaker 3>not enter that room like you did. It was apt

636
00:31:31.599 --> 00:31:34.640
<v Speaker 3>for it in and it was just it was very funny.

637
00:31:34.880 --> 00:31:37.440
<v Speaker 3>But now it's I just don't feel like it's like

638
00:31:37.480 --> 00:31:39.960
<v Speaker 3>that anymore. I feel like every space is used and

639
00:31:40.039 --> 00:31:43.359
<v Speaker 3>every space is welcome to children. Right and now there

640
00:31:43.359 --> 00:31:46.359
<v Speaker 3>are all these indoor outdoor fabrics that people are using.

641
00:31:46.559 --> 00:31:49.640
<v Speaker 3>But I just I want people to feel free to

642
00:31:49.799 --> 00:31:53.440
<v Speaker 3>not treat these things look so preciously. Just I really

643
00:31:53.519 --> 00:31:55.599
<v Speaker 3>want them to be used and to be added, it's

644
00:31:55.720 --> 00:31:56.400
<v Speaker 3>very important to me.

645
00:31:56.480 --> 00:31:58.039
<v Speaker 2>I'm very vocal about that.

646
00:31:59.200 --> 00:32:01.359
<v Speaker 1>It's pretty funny because when I grew up, we had

647
00:32:01.400 --> 00:32:04.720
<v Speaker 1>what was called the good Room, and you couldn't go

648
00:32:04.799 --> 00:32:08.720
<v Speaker 1>in the goodroom. It's totally off limits. It's so funny. Yeah,

649
00:32:08.960 --> 00:32:09.880
<v Speaker 1>to hear someone else.

650
00:32:09.720 --> 00:32:11.200
<v Speaker 2>Say that, I will say.

651
00:32:11.200 --> 00:32:13.720
<v Speaker 3>My grandmother, the one that gave me the china that

652
00:32:13.799 --> 00:32:17.240
<v Speaker 3>I have, which is so pretty. She and my grandfather

653
00:32:17.440 --> 00:32:20.240
<v Speaker 3>did used to go to auctions and so they collected

654
00:32:20.240 --> 00:32:22.240
<v Speaker 3>all these things that I do remember as a child's

655
00:32:22.279 --> 00:32:26.279
<v Speaker 3>being in their home, sitting at this lovely little reproduction

656
00:32:26.359 --> 00:32:30.039
<v Speaker 3>French secretary. But I just felt so fancy sitting there

657
00:32:30.079 --> 00:32:32.359
<v Speaker 3>and what I just like having this kind of fun,

658
00:32:32.480 --> 00:32:34.640
<v Speaker 3>And she had these wonderful memories of me doing that.

659
00:32:34.759 --> 00:32:37.599
<v Speaker 3>So when she passed away, she left me that desk

660
00:32:37.680 --> 00:32:40.839
<v Speaker 3>and the desk chair that went with it. It's just, yeah,

661
00:32:41.039 --> 00:32:44.079
<v Speaker 3>is it a particularly valuable a piece of furniture now?

662
00:32:44.160 --> 00:32:46.839
<v Speaker 2>But the memories for me are so important.

663
00:32:47.119 --> 00:32:47.319
<v Speaker 3>Yeah.

664
00:32:47.319 --> 00:32:49.279
<v Speaker 2>I live like people to share these stories.

665
00:32:50.079 --> 00:32:53.160
<v Speaker 1>Right. So what are you seeing in trends these days?

666
00:32:53.160 --> 00:32:53.799
<v Speaker 1>And what you do?

667
00:32:55.720 --> 00:32:58.480
<v Speaker 3>It's so hard I really try not to focus on trends.

668
00:32:58.519 --> 00:33:01.720
<v Speaker 3>I think that's a I don't know, I find it demoralizing, right,

669
00:33:01.759 --> 00:33:03.599
<v Speaker 3>Like you're supposed to buy what sells a lot of

670
00:33:03.640 --> 00:33:06.200
<v Speaker 3>people I think that come with that approach, and then

671
00:33:06.200 --> 00:33:08.160
<v Speaker 3>it's just so not me. I just want to buy

672
00:33:08.160 --> 00:33:10.680
<v Speaker 3>what I love and I'll find the right people. That's

673
00:33:10.960 --> 00:33:14.279
<v Speaker 3>very much how I feel. So I evolved from gustav

674
00:33:14.440 --> 00:33:16.759
<v Speaker 3>Well first, when I told you, when I started, I

675
00:33:16.799 --> 00:33:19.319
<v Speaker 3>had no point of view at all. It was such

676
00:33:19.319 --> 00:33:22.279
<v Speaker 3>a mix of that first container. And then as I

677
00:33:22.440 --> 00:33:25.839
<v Speaker 3>grew it became more about the Gustavian and painted pieces,

678
00:33:25.839 --> 00:33:28.759
<v Speaker 3>but even beyond that, and think about it, I'm only

679
00:33:28.920 --> 00:33:31.440
<v Speaker 3>I haven't even been a dealer for twelve years yet.

680
00:33:31.759 --> 00:33:34.480
<v Speaker 3>But then I grew into the garden antiques, and that

681
00:33:34.640 --> 00:33:37.480
<v Speaker 3>was just by being over in England in the spring

682
00:33:37.519 --> 00:33:39.440
<v Speaker 3>and there was this one dealer who had all these

683
00:33:39.480 --> 00:33:45.200
<v Speaker 3>wonderful swanstone planters and just these adorable little garden ornaments,

684
00:33:45.240 --> 00:33:47.039
<v Speaker 3>and so I ended up buying those, and the more

685
00:33:47.079 --> 00:33:49.480
<v Speaker 3>I looked at them, they just brought me a lot

686
00:33:49.519 --> 00:33:53.240
<v Speaker 3>of joy, think just looking at their face ornaments and

687
00:33:53.559 --> 00:33:57.680
<v Speaker 3>thinking about being outside and creating these kind of beautiful

688
00:33:57.720 --> 00:34:00.279
<v Speaker 3>garden spaces for people to go out and enjoy, and

689
00:34:00.839 --> 00:34:04.319
<v Speaker 3>a lot of that happened during COVID when we were

690
00:34:04.319 --> 00:34:07.839
<v Speaker 3>all stuck inside and people wanted to bring the outside in,

691
00:34:08.239 --> 00:34:11.760
<v Speaker 3>or we're finally really using their outdoor spaces. I feel

692
00:34:11.760 --> 00:34:14.400
<v Speaker 3>like for so long people just took outdoor spaces for granted,

693
00:34:14.920 --> 00:34:16.559
<v Speaker 3>So it's good to see.

694
00:34:16.320 --> 00:34:17.159
<v Speaker 2>People doing that.

695
00:34:17.239 --> 00:34:19.559
<v Speaker 3>But I just had happened to fall in love with

696
00:34:19.599 --> 00:34:22.440
<v Speaker 3>it not long before that and had a decent amount

697
00:34:22.480 --> 00:34:25.360
<v Speaker 3>of inventory. That was a good time to be an

698
00:34:25.360 --> 00:34:30.119
<v Speaker 3>antique garden antiques advantage dealer. But it's I didn't have

699
00:34:30.199 --> 00:34:32.400
<v Speaker 3>much knowledge about it then, but now I do know

700
00:34:32.519 --> 00:34:34.800
<v Speaker 3>what we were talking about, like cast Own, Marvel, the

701
00:34:34.880 --> 00:34:42.280
<v Speaker 3>latte and the different alloys of metals. It's there's a

702
00:34:42.320 --> 00:34:45.079
<v Speaker 3>lot of fun for me, like finding quirky little details,

703
00:34:45.079 --> 00:34:49.280
<v Speaker 3>and and I'm constantly learning and making mistakes.

704
00:34:49.719 --> 00:34:51.400
<v Speaker 1>I've been at this all my life, and I make

705
00:34:51.440 --> 00:34:53.920
<v Speaker 1>mistakes all the time. So that's you're never going to

706
00:34:53.920 --> 00:34:56.719
<v Speaker 1>get over that. But I liked that what you said

707
00:34:57.159 --> 00:34:59.480
<v Speaker 1>by what you love, and I think that's such an

708
00:34:59.480 --> 00:35:03.800
<v Speaker 1>important message too, because you're living with it. And when

709
00:35:03.880 --> 00:35:06.199
<v Speaker 1>a lot of people do ask me, they'll say things, Oh,

710
00:35:06.239 --> 00:35:08.320
<v Speaker 1>what should I invest in? What's trendy, what should it?

711
00:35:08.760 --> 00:35:12.159
<v Speaker 1>And I said, just buy, just enjoy whatever it is

712
00:35:12.199 --> 00:35:14.639
<v Speaker 1>and just think of it that way. Don't buy it

713
00:35:14.679 --> 00:35:16.880
<v Speaker 1>because you think you're going to make some money, and.

714
00:35:16.840 --> 00:35:18.559
<v Speaker 3>I don't know if that's really going to foster your

715
00:35:18.639 --> 00:35:21.400
<v Speaker 3>growth in the industry, right if you're just buying what's selling, Like,

716
00:35:21.440 --> 00:35:23.719
<v Speaker 3>how are you going to stay and interested and invested

717
00:35:23.800 --> 00:35:27.199
<v Speaker 3>in growing your business if you're not connected to these pieces,

718
00:35:27.320 --> 00:35:28.320
<v Speaker 3>Like I can't sell.

719
00:35:28.119 --> 00:35:31.639
<v Speaker 2>Something not that I don't love. How am I just

720
00:35:31.679 --> 00:35:33.480
<v Speaker 2>how am I going to do that? I just wouldn't

721
00:35:33.480 --> 00:35:33.760
<v Speaker 2>want to.

722
00:35:33.800 --> 00:35:38.280
<v Speaker 3>I wouldn't be like this is a lovely you know, like, yeah,

723
00:35:38.480 --> 00:35:40.480
<v Speaker 3>I have to say and my friends tease me a

724
00:35:40.480 --> 00:35:41.960
<v Speaker 3>lot because I'm like, oh my gosh, isn't this a

725
00:35:41.960 --> 00:35:43.800
<v Speaker 3>wonderful piece? And now like you say that about everything,

726
00:35:43.800 --> 00:35:45.280
<v Speaker 3>I was like, is that everything is wonderful?

727
00:35:45.440 --> 00:35:49.360
<v Speaker 2>So I completely agree with you for so many reasons.

728
00:35:50.039 --> 00:35:54.000
<v Speaker 1>Now, so what do you think the future is going

729
00:35:54.039 --> 00:35:56.480
<v Speaker 1>to be? Do you think it's going to be unfortunately

730
00:35:56.519 --> 00:36:01.360
<v Speaker 1>more online this trade are Do you think that people

731
00:36:01.400 --> 00:36:04.119
<v Speaker 1>are going to get back to the basics a little more?

732
00:36:04.280 --> 00:36:07.800
<v Speaker 1>It's probably anyone's guests, but just what your thoughts are.

733
00:36:08.519 --> 00:36:12.440
<v Speaker 3>Yeah, online is obviously here to stay and growing at first.

734
00:36:12.519 --> 00:36:16.599
<v Speaker 3>Its cherish eBay has been around for however many thirty years,

735
00:36:16.639 --> 00:36:19.119
<v Speaker 3>I don't even know how long, so it's nothing new.

736
00:36:19.199 --> 00:36:23.840
<v Speaker 3>But really COVID led to a mass adoption of that

737
00:36:24.079 --> 00:36:26.840
<v Speaker 3>being more comfortable buying online the antiques and everything, whereas

738
00:36:26.840 --> 00:36:29.159
<v Speaker 3>I feel like before that people just want to see

739
00:36:29.199 --> 00:36:32.599
<v Speaker 3>every little nook and cranny of an antique, so it's

740
00:36:32.679 --> 00:36:35.079
<v Speaker 3>not like that anymore. I do hope there is, and

741
00:36:35.119 --> 00:36:37.760
<v Speaker 3>I do have some kind of optimism around it because

742
00:36:37.800 --> 00:36:41.079
<v Speaker 3>of the roundtop shows and Brimfield and things like that.

743
00:36:41.119 --> 00:36:43.519
<v Speaker 3>I feel like the attendance is just growing, so there

744
00:36:43.639 --> 00:36:47.880
<v Speaker 3>is still an appetite for that. In individual antique shops,

745
00:36:47.960 --> 00:36:51.039
<v Speaker 3>I don't know. I really hope that there's a revival,

746
00:36:51.199 --> 00:36:53.079
<v Speaker 3>but I imagine that's very regional.

747
00:36:53.559 --> 00:36:54.639
<v Speaker 2>I do the collectives.

748
00:36:54.760 --> 00:36:57.119
<v Speaker 3>I was at a collective in Stanford for a very

749
00:36:57.159 --> 00:36:59.119
<v Speaker 3>long time, and then I moved back to Manhattan. I

750
00:36:59.199 --> 00:37:01.679
<v Speaker 3>ended up leaving that, although I still go there and

751
00:37:01.880 --> 00:37:05.239
<v Speaker 3>love them, and again a wonderful community of people, the

752
00:37:05.280 --> 00:37:08.320
<v Speaker 3>owners and the sellers there. And I'm in a collective

753
00:37:08.360 --> 00:37:11.280
<v Speaker 3>in Manhattan now instead, and that's wonderful. So I know

754
00:37:11.400 --> 00:37:13.880
<v Speaker 3>people still want to go see things in person, and

755
00:37:13.960 --> 00:37:16.280
<v Speaker 3>I do think it's harder to sell things online, even

756
00:37:16.320 --> 00:37:19.280
<v Speaker 3>though people are more comfortable with it, because you want

757
00:37:19.320 --> 00:37:21.639
<v Speaker 3>to hold these objects, you want to feel them. There

758
00:37:21.719 --> 00:37:24.400
<v Speaker 3>is that emotional connection that you're just drawn to something.

759
00:37:24.920 --> 00:37:27.599
<v Speaker 3>How are you going to experience that when it's just

760
00:37:27.639 --> 00:37:29.119
<v Speaker 3>a little picture on a screen.

761
00:37:30.559 --> 00:37:35.119
<v Speaker 1>During COVID, I remember I reached out too pard me

762
00:37:35.199 --> 00:37:39.960
<v Speaker 1>several auction halls, and I thought that Wes Cowen had

763
00:37:40.320 --> 00:37:44.639
<v Speaker 1>from Cowen's Auctions out in Ohio. I thought he had

764
00:37:44.679 --> 00:37:49.159
<v Speaker 1>the best response. He said, collectors are going to figure

765
00:37:49.199 --> 00:37:52.360
<v Speaker 1>it out. Collectors have to collect and I thought that

766
00:37:52.480 --> 00:37:56.039
<v Speaker 1>was such a good phrase, and he was right. And

767
00:37:56.079 --> 00:37:59.519
<v Speaker 1>then all of a sudden, the group shops somehow took off,

768
00:38:00.119 --> 00:38:02.159
<v Speaker 1>like all these group shops. So I have a friend

769
00:38:02.199 --> 00:38:04.480
<v Speaker 1>in Texas he says, oh, yeah, I'm super busy now,

770
00:38:04.639 --> 00:38:07.880
<v Speaker 1>Like really, it's like all but the little small shops.

771
00:38:07.960 --> 00:38:12.519
<v Speaker 1>Unfortunately a lot of them did go out, but yeah,

772
00:38:12.599 --> 00:38:15.199
<v Speaker 1>they had the mask requirements. People were wearing masks and

773
00:38:15.239 --> 00:38:17.880
<v Speaker 1>going into the big group shops and having a ball

774
00:38:17.960 --> 00:38:21.119
<v Speaker 1>and spending money and yeah, so we learned to adapt

775
00:38:21.159 --> 00:38:24.920
<v Speaker 1>no matter what. And with that, things like auction Ninja

776
00:38:25.000 --> 00:38:27.840
<v Speaker 1>came out, A number of things came out during that time,

777
00:38:28.440 --> 00:38:31.000
<v Speaker 1>and yeah, we we just roll with the punches here.

778
00:38:31.119 --> 00:38:34.559
<v Speaker 1>But I'm glad that things have been really since I

779
00:38:34.599 --> 00:38:37.159
<v Speaker 1>started this show in two thousand and nine, things have

780
00:38:37.360 --> 00:38:41.400
<v Speaker 1>just gone up and down. It's really hard to figure

781
00:38:41.599 --> 00:38:43.400
<v Speaker 1>I would never want to really try to figure out

782
00:38:43.440 --> 00:38:46.320
<v Speaker 1>the future myself because it's always I'm always wrong.

783
00:38:47.119 --> 00:38:49.840
<v Speaker 3>Yeah, and you think you figured it out right, Everything changes.

784
00:38:50.039 --> 00:38:52.719
<v Speaker 3>There's no sense in predicting the future. But I and

785
00:38:52.760 --> 00:38:55.599
<v Speaker 3>I do think some of the changes are really wonderful. Yes,

786
00:38:55.679 --> 00:38:59.000
<v Speaker 3>collectors are going to always buy, but we want to

787
00:38:59.000 --> 00:39:00.840
<v Speaker 3>grow our audience, right, You and I were talking about

788
00:39:00.880 --> 00:39:03.480
<v Speaker 3>getting the younger audience involved. We want to meet them

789
00:39:03.480 --> 00:39:06.280
<v Speaker 3>where they're at, and if they're digitally native, I think

790
00:39:06.320 --> 00:39:07.039
<v Speaker 3>you just.

791
00:39:07.000 --> 00:39:09.199
<v Speaker 2>Have to be online with them. Yeah.

792
00:39:09.360 --> 00:39:11.360
<v Speaker 3>I am a big fan of kind of meeting people

793
00:39:11.360 --> 00:39:13.519
<v Speaker 3>where they're at. I think that's really important to just

794
00:39:13.599 --> 00:39:16.639
<v Speaker 3>not be intimidating, because it is a very intimidating industry.

795
00:39:16.719 --> 00:39:19.199
<v Speaker 2>Even for me entering it, I was like, I don't have.

796
00:39:19.199 --> 00:39:21.559
<v Speaker 3>Any knowledge, who am I to do this that I

797
00:39:21.599 --> 00:39:25.480
<v Speaker 3>went in blind and just made it work. So it's

798
00:39:25.519 --> 00:39:29.199
<v Speaker 3>important to just allow people to enter at their own

799
00:39:29.280 --> 00:39:32.440
<v Speaker 3>level and grow, and over time they'll figure out what

800
00:39:32.480 --> 00:39:35.639
<v Speaker 3>they're interested in, what kind of whether they're interested in

801
00:39:35.719 --> 00:39:39.800
<v Speaker 3>a certain style or particular object or material, whatever it

802
00:39:39.880 --> 00:39:43.079
<v Speaker 3>may be. Allowing them to explore and figure that out

803
00:39:43.119 --> 00:39:46.760
<v Speaker 3>and grow with that. But I even with the language

804
00:39:46.760 --> 00:39:49.599
<v Speaker 3>that I use in my descriptions, I try to democratize

805
00:39:49.599 --> 00:39:52.039
<v Speaker 3>it by saying, I think it's important that we speak

806
00:39:52.079 --> 00:39:53.800
<v Speaker 3>their language right, meet them where they're at.

807
00:39:53.880 --> 00:39:56.079
<v Speaker 2>And so what you and I might know as a

808
00:39:56.199 --> 00:39:59.000
<v Speaker 2>duchess breeze, people aren't going to know that.

809
00:39:59.320 --> 00:40:02.159
<v Speaker 3>So call it a shatyse lounge, you call it whatever

810
00:40:02.199 --> 00:40:03.960
<v Speaker 3>it is, Like I will call it a chest of

811
00:40:04.079 --> 00:40:07.480
<v Speaker 3>drawers addresser, like a comode, even though it's not a como, right,

812
00:40:07.559 --> 00:40:10.159
<v Speaker 3>I still try and use these words so that people

813
00:40:10.519 --> 00:40:13.360
<v Speaker 3>will still find my objects. I think that's I think

814
00:40:13.400 --> 00:40:16.280
<v Speaker 3>that's helpful to people. They're not like, you just don't

815
00:40:16.280 --> 00:40:18.360
<v Speaker 3>want to come across as snoody. I'm you just don't

816
00:40:18.400 --> 00:40:20.000
<v Speaker 3>want to come across that way. You want to come

817
00:40:20.039 --> 00:40:23.079
<v Speaker 3>across as knowledgeable and friendly and accessible.

818
00:40:24.039 --> 00:40:26.880
<v Speaker 1>That's really great points that you're bringing up here, Really

819
00:40:26.920 --> 00:40:30.079
<v Speaker 1>that a lot and people can get into this that's

820
00:40:30.119 --> 00:40:33.559
<v Speaker 1>the misconception for young people that think, oh no, they're

821
00:40:33.559 --> 00:40:36.880
<v Speaker 1>too expensive whatever. But the market is definitely self adjusted

822
00:40:37.360 --> 00:40:40.119
<v Speaker 1>for that. Where there were twenty thousand dollar pieces there

823
00:40:40.119 --> 00:40:43.880
<v Speaker 1>now could be twelve hundred, and it's unfortunate for the

824
00:40:43.920 --> 00:40:46.199
<v Speaker 1>people that invested that type of money and things, but

825
00:40:46.880 --> 00:40:49.039
<v Speaker 1>it's down to the point where you can have a

826
00:40:49.119 --> 00:40:51.880
<v Speaker 1>beautiful piece of furniture that was all handmade. I'm just

827
00:40:51.920 --> 00:40:55.159
<v Speaker 1>talking furniture, because other things, of course, that you can

828
00:40:55.280 --> 00:40:57.880
<v Speaker 1>get such a great deal on and live with something

829
00:40:57.920 --> 00:41:01.559
<v Speaker 1>wonderful that you love a fair price. I would say,

830
00:41:01.719 --> 00:41:05.280
<v Speaker 1>dip your toe in and see what happens. But to

831
00:41:05.320 --> 00:41:09.119
<v Speaker 1>take advice from people like my guests and other people

832
00:41:09.159 --> 00:41:11.400
<v Speaker 1>that have been around a while, and so you don't

833
00:41:11.400 --> 00:41:15.039
<v Speaker 1>make so many We all make mistakes, but it's always

834
00:41:15.039 --> 00:41:18.400
<v Speaker 1>better the least amount of mistakes you can make. Anyway,

835
00:41:19.039 --> 00:41:22.480
<v Speaker 1>it's been really fun. Yeah, it's been really fun to

836
00:41:22.559 --> 00:41:24.639
<v Speaker 1>talk to you, and I wish you all the luck

837
00:41:24.639 --> 00:41:26.719
<v Speaker 1>in the future. I think you're doing a wonderful thing

838
00:41:26.800 --> 00:41:29.199
<v Speaker 1>here and you've been a real pleasure to talk to.

839
00:41:30.320 --> 00:41:32.599
<v Speaker 3>Yeah, thank you very much. I really appreciate it. Obviously,

840
00:41:32.639 --> 00:41:33.920
<v Speaker 3>we're both very passionate about this.

841
00:41:34.039 --> 00:41:38.599
<v Speaker 1>I appreciate the opportunity absolutely so. You can find links

842
00:41:38.599 --> 00:41:42.920
<v Speaker 1>down below to Margaret's all her links, her instagram I

843
00:41:42.920 --> 00:41:45.119
<v Speaker 1>think it is, and website and all that all down

844
00:41:45.360 --> 00:41:48.440
<v Speaker 1>below in the text. Thank you all right, and until

845
00:41:48.480 --> 00:41:49.079
<v Speaker 1>next time.

846
00:42:02.440 --> 00:42:02.719
<v Speaker 3>Two
