WEBVTT

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<v Speaker 1>Doctor SEUs, doctor Wave the piano anymore.

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<v Speaker 2>Of course you can't.

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<v Speaker 1>Well I couldn't before.

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<v Speaker 2>Please, I love legitimate.

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<v Speaker 1>Theater fourfinger discount.

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<v Speaker 3>Dude, Welcome to forfigire this game with this week, we're

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<v Speaker 3>going back to review an iconic episode from season seven

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<v Speaker 3>of The Simpsons. It is a fish called sum rhyme.

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<v Speaker 4>Dander and I am guy and we are not alone.

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<v Speaker 3>We are not alone. Indeed, we are joined this week

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<v Speaker 3>by the showrunner at the time in this episode, ed

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<v Speaker 3>it is Josh Weinstein, an absolute icon of the Simpsons world.

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<v Speaker 3>He is just an absolute delight to talk to you.

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<v Speaker 3>You guys are gonna have an absolute ball listen to us,

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<v Speaker 3>just talk about all the not just this episode in general,

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<v Speaker 3>but just all the behind this means of his time

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<v Speaker 3>working on the Simpsons, post and pre Simpsons as well.

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<v Speaker 4>You will have a bit of fun listening to us,

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<v Speaker 4>but mostly you'll be listening to Josh. He's got a

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<v Speaker 4>lot to say, and he's very entertaining saying it. Yeah,

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<v Speaker 4>got a lot of behind the scenes dish, yeah, but

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<v Speaker 4>a lot of insight into yeah, the creation of the show.

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<v Speaker 4>But also, as listeners of the show will know, we're big,

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<v Speaker 4>big fans of Phil Harmon, and we got some great

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<v Speaker 4>stuff about Phil because this is a very Phil centric episode.

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<v Speaker 3>It was indeed, Yeah, and he's touched on how great

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<v Speaker 3>it was to finally give Phil an episode, just give

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<v Speaker 3>Troy McClure his own episode as well, and why they

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<v Speaker 3>wanted to do that, so or we'll dove into that,

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<v Speaker 3>but also just delve into his time at the retreats,

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<v Speaker 3>which are really really interesting, some really behind the scenes

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<v Speaker 3>stuff about, I know, just how they were able to

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<v Speaker 3>get away with certain gags on The Simpsons, and a

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<v Speaker 3>really interesting story about how he now kind of regrets

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<v Speaker 3>leaving the Simpsons in the first place, which is really

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<v Speaker 3>interesting as well, So look out for that. In our

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<v Speaker 3>chat he with Josh Winston as we discussed a fish

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<v Speaker 3>caught salmon. But Josh is one of those guys. He

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<v Speaker 3>and Bill they were a team where they joined the Simpsons,

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<v Speaker 3>I least season four, but they were the first sort

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<v Speaker 3>of Simpson fans to join the writing team, and it

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<v Speaker 3>really shines through in this interview here where he seems

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<v Speaker 3>you can tell he's genuinely excited to discuss his time

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<v Speaker 3>working on the show and as a fan, these are

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<v Speaker 3>the kind of people. Josh and Bill my two favorite

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<v Speaker 3>people to talk to you because they are fans just

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<v Speaker 3>like you and I, and they enjoyed their time working

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<v Speaker 3>on the show, and they enjoyed making their own version

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<v Speaker 3>of The Simpsons. And it's just it's just an absolute

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<v Speaker 3>fantastic chat and I'm glad that we finally got a

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<v Speaker 3>chance to do it.

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<v Speaker 4>No, it's great doing interviews like this. Yeah, just getting

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<v Speaker 4>a look behind the scenes at how the sausage is made.

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<v Speaker 4>Sometimes you say you shouldn't do that, but when the

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<v Speaker 4>sausage is this tasty, who cares how they made it?

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<v Speaker 2>Yeah.

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<v Speaker 4>Also just an insight into the creative process in general.

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<v Speaker 4>I find them really really illuminating. And when it's yeah,

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<v Speaker 4>someone is articulate and forthcoming as Josh. Yeah, it's even even.

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<v Speaker 3>Better now at the end of this so basically, we

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<v Speaker 3>usually do our full run through of the episode, so

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<v Speaker 3>we did. We will be doing that, but we talked

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<v Speaker 3>with Josh and we've got about, you know, two thirds

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<v Speaker 3>of the way through, and we'll be going for an hour.

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<v Speaker 3>It's probably too late now to start a full run through,

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<v Speaker 3>so we're just touching the key points of the episode

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<v Speaker 3>because we've already been discussing it for like an hour

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<v Speaker 3>as well as well. He's behind the scenes stuff, So

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<v Speaker 3>listen for once Josh and I, Well, once we finished

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<v Speaker 3>our chat with Josh, guy and I stick around and

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<v Speaker 3>we will record our full run through of the episode

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<v Speaker 3>as well, So if you want to hear the full

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<v Speaker 3>run through that is post our chat with Josh. But

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<v Speaker 3>you're wondering why is this episode so long? That is

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<v Speaker 3>why we didn't keep Josh in a line for three hours?

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<v Speaker 4>So look, who's ever complained about links?

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<v Speaker 3>I mean, he would have stuck around for three hours.

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<v Speaker 3>I feel like it was up for it.

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<v Speaker 4>We were like, Josh, we gotta go.

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<v Speaker 3>No, not at all. And Josh, that's going to be

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<v Speaker 3>coming back on the show next year sometime as well,

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<v Speaker 3>potentially to do this year Scratchy and Pucci show, or

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<v Speaker 3>maybe the Principle and the Porpa I think would be

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<v Speaker 3>a fune to talk to talk about as well, because yeah,

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<v Speaker 3>very iconic for dividing in the Simpsons fans, which he

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<v Speaker 3>was a part of creating. But again, don't forget. You

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<v Speaker 3>can support us on Patreon for as little as just

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<v Speaker 3>one dollar per month, so if you want early and

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<v Speaker 3>ad free access to this show, and all the other

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<v Speaker 3>shows we do here at the four figure discount Network,

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<v Speaker 3>as well as access to exclusive episodes of Talking Seinfeld

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<v Speaker 3>or Speaking of the Heel, or tales of Futurama or

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<v Speaker 3>all that other good stuff. Yeah, to find out, it's

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<v Speaker 3>on our Patreon channel and you can find a link

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<v Speaker 3>for that in the description of this podcast. Enough shilling

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<v Speaker 3>is now time you guys sit down and enjoy our

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<v Speaker 3>conversation with the legendary Josh Weinstein. And he was Josh Winstein,

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<v Speaker 3>how are you doing?

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<v Speaker 2>My good say a good thank you? Is it like,

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<v Speaker 2>is it Thursday there? Or Wednesday?

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<v Speaker 4>It is Wednesday morning?

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<v Speaker 3>It's Wednesday next week?

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<v Speaker 2>Yeah, all right, yeah, it's last week here, it's last

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<v Speaker 2>week nineteen ninety five.

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<v Speaker 4>Donald Trump is now in his third term. So you

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<v Speaker 4>got that to look forward.

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<v Speaker 2>Oh boy, well you.

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<v Speaker 3>Didn't you wrote but versus Australia, didn't you the episode?

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<v Speaker 2>Yeah, that's it. That's always We have always wondered about

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<v Speaker 2>that because you know, the story behind it is like

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<v Speaker 2>we got after we wrote it, because we were like

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<v Speaker 2>we got there. We it was one of the first

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<v Speaker 2>times they're going to another country and we're like, you

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<v Speaker 2>know what, Australias have a good sense of humor. Let's

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<v Speaker 2>do that. And then after it aired, we got all

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<v Speaker 2>these letters from school children saying, why did you make

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<v Speaker 2>fun of our couple of blah blah. But then we've

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<v Speaker 2>heard that it was all from just one sour teacher,

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<v Speaker 2>and I've met other Australians who were kids at the

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<v Speaker 2>time and said, oh, they loved it. So I don't

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<v Speaker 2>what did you guys?

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<v Speaker 3>Well, see, I was a child at that time. I

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<v Speaker 3>grew up in that moment in the nineties, and we

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<v Speaker 3>loved it. And whenever I see oh Australians they didn't

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<v Speaker 3>take it the right way. They were offended. I look

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<v Speaker 3>back and go, I don't recall seeing anybody or hearing

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<v Speaker 3>anybody who was offended. We're all walking around saying Dollarydoes

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<v Speaker 3>I mean bluey? Our beloved Blue now uses dollary dues

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<v Speaker 3>as their term for money.

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<v Speaker 4>Yeah.

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<v Speaker 2>So we really wanted that campaign to make it the

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<v Speaker 2>official denomination to go ahead because that would be so cool.

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<v Speaker 4>No, very small, very easily offended sub section of Australians

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<v Speaker 4>who were.

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<v Speaker 2>There's an easy to offend sub section everywhere, like even

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<v Speaker 2>including on the Simpsons. I have a story about that

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<v Speaker 2>about this episode about the table read.

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<v Speaker 3>I actually know the one you're talking about. Was it

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<v Speaker 3>about the smoking gag?

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<v Speaker 2>Yes, smoking for two?

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<v Speaker 4>Yeah, let's talk about it.

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<v Speaker 3>Let's about it now. So we did't talk about fish

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<v Speaker 3>called Salma and then always obviously Salma she got she

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<v Speaker 3>got in trouble for smoking in the first bit and

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<v Speaker 3>now it's worked, it works out well for choice Career

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<v Speaker 3>says no, she's now smoking for two because they're gonna

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<v Speaker 3>have a baby and go, Josh, what happened to the

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<v Speaker 3>table read when that line was run out?

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<v Speaker 2>Yeah, and it's also there's like they're they're already there's

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<v Speaker 2>a very like anti smoking and obviously cigarette smoker's bad

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<v Speaker 2>free blah blah blah. But it's there's antis we always

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<v Speaker 2>got notes about because you're not really supposed to show

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<v Speaker 2>cigarettes in cartoons because it's still kind of regarded as

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<v Speaker 2>a kid's show even then even then, so like we

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<v Speaker 2>get notes, but we are allowed, we are allowed to

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<v Speaker 2>do it. We are allowed to do it anyway. And

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<v Speaker 2>also so anyway, so here's the thing about Simpson's Table

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<v Speaker 2>Reads is like you're there to laugh and support the

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<v Speaker 2>script and if you don't like a joke, you know,

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<v Speaker 2>don't laugh, but don't, for god's sakes, don't call out

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<v Speaker 2>during the table read like this person did when they're

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<v Speaker 2>offended by the joke. Then was when they're decide that

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<v Speaker 2>they're gonna have a baby and the major d brings

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<v Speaker 2>up some cigarettes for Selma uh before because they didn't

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<v Speaker 2>like her smoking, but now that she's famous, blah blah blah,

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<v Speaker 2>they bring her cigarettes and Troy says, somebody asks somebody

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<v Speaker 2>something and Troy says, yeah, now she's smoking for two

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<v Speaker 2>And during the table read, somebody on the Simpsons staff

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<v Speaker 2>I will not say who called out and said that

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<v Speaker 2>has got to go, And it's like nobody and you

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<v Speaker 2>don't do that. Nobody does that. And it's also like

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<v Speaker 2>nobody except like the actors and the person running the

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<v Speaker 2>table read is supposed to ever say anything during a read.

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<v Speaker 2>And there was just like a moment of silence and

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<v Speaker 2>we just like continued.

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<v Speaker 3>Is that right? During the table raids? You just shut up?

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<v Speaker 3>Is that basically the case?

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<v Speaker 2>You should? You shut up and hopefully you laugh. And

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<v Speaker 2>normally there's like a ring, like there's a ring of writers,

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<v Speaker 2>like the actors and like the showrunner who's usually the

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<v Speaker 2>narrator sits at the table with actors and then like

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<v Speaker 2>the writers, and it's like, you know, like thirty of

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<v Speaker 2>her peat staff members who sit around the room and

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<v Speaker 2>we learned the writers. We would place ourselves next to

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<v Speaker 2>particularly sour people to like laugh ex and we'd laugh

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<v Speaker 2>extra loud to try to get them to laugh or

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<v Speaker 2>compensate for their sourness. But this was a person who'd

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<v Speaker 2>like never laughed and was not really as someone who

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<v Speaker 2>didn't really know what they did on the show. But

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<v Speaker 2>I guess it was to call out jokes they didn't like.

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<v Speaker 2>But eventually that person left the show. Not the joke.

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<v Speaker 4>So, but it is the thing, Josh, I mean, it

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<v Speaker 4>strikes me as kind of a fundamental misunderstanding of Troy McClue,

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<v Speaker 4>but also Troy McClure in this episode where he's extra selfish,

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<v Speaker 4>because I mean, you're putting this kind of dog gag

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<v Speaker 4>in the math of someone who's incredibly uh, you know, vain, insensitive, thoughtless.

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<v Speaker 4>You know, it works really really well.

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<v Speaker 2>Yeah, And that's the whole kind of point of a joke,

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<v Speaker 2>is it is like thoughtless, and it is like it

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<v Speaker 2>is like pointing out that that's not a good thing.

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<v Speaker 3>So anyway, Well, we do a staff pop podcast as well,

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<v Speaker 3>and quite off for me will heep people say, oh,

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<v Speaker 3>cotmany can you believe he's doing that? Can you believe

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<v Speaker 3>he's doing this? And it's saying this, It's like, yeah,

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<v Speaker 3>but it's common saying he's the bad guys to.

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<v Speaker 2>Be saying these things exactly.

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<v Speaker 3>But but yeah, do you miss your time working on

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<v Speaker 3>The Simpsons?

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<v Speaker 2>I do, because it was such they were really heavy

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<v Speaker 2>days because it was in it's I don't know how

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<v Speaker 2>it is now, but in the nineties it was also

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<v Speaker 2>because the internet was so nacent and like it was

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<v Speaker 2>really like it took ten minutes. It was a time

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<v Speaker 2>of dial up modems, so it take us ten minutes

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<v Speaker 2>to dial up to get online to read all TV

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<v Speaker 2>Simpsons where someone is saying worst episode ever, and it

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<v Speaker 2>ended up being an episode that everyone regarded as classic.

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<v Speaker 2>So we were kind of like, but we're kind of

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<v Speaker 2>very pleasantly sheltered because we really didn't like there wasn't

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<v Speaker 2>a lot of internet fandom going on, so we were

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<v Speaker 2>really just writing for ourselves. And also in the nineties,

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<v Speaker 2>during our time there, the Simpsons was still regarded as

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<v Speaker 2>like a kids show by adults. So like anyone over

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<v Speaker 2>forty either didn't like The Simpsons or didn't even know

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<v Speaker 2>about it, and so we were really like writing for ourselves.

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<v Speaker 2>And you know the whole story about how Fox wasn't

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<v Speaker 2>allowed to give us notes, So we were really like

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<v Speaker 2>sheltered in like a very good way, and we were

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<v Speaker 2>just writing for ourselves and Mac crating and Jim Brooks

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<v Speaker 2>was around occasionally. He had a big role in this episode,

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<v Speaker 2>by the way, and also like Matt was there and

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<v Speaker 2>they always like were super supportive of whatever we wanted

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<v Speaker 2>to do. So it was really that for that reason,

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<v Speaker 2>and also for the reason that Bill and I were

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<v Speaker 2>huge fans of the show before we started working on it,

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<v Speaker 2>and we were the first fans to ever write for

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<v Speaker 2>the show. So we were just in giddy la la land.

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<v Speaker 2>Even like when we were running the show and it

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<v Speaker 2>was really hard, in exhausting, it still was kind of

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<v Speaker 2>thrilling to be able to do it.

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<v Speaker 4>Just before we talk about you and Bill working a

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<v Speaker 4>showrunners on The Simpsons, I'd like to find out a

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<v Speaker 4>bit about your relationship, which is fairly long standing. Yeah,

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<v Speaker 4>I was thinking about when reading about you guys, in

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<v Speaker 4>your relationship, I was thinking about I'm a big Kids

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<v Speaker 4>in the Hall fan. And there was this great documentary

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<v Speaker 4>about them recently where they talked about how Dave falling,

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<v Speaker 4>Kevin McDonald and each other, and they sort of it

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<v Speaker 4>was love at first sight because they were able to

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<v Speaker 4>make each other laugh almost instantly, and they said, Oh,

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<v Speaker 4>he's the most integrated I feel with another person. It's

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<v Speaker 4>almost like, yeah, it's like finding your first love. Not

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<v Speaker 4>to I'm wondering if it's like that with you and Bill,

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<v Speaker 4>if you sort of have if you feel sympaticial in

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<v Speaker 4>that way.

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<v Speaker 2>A writing team is. It's always likened to marriages, and

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<v Speaker 2>it's very true, and it's also it helped that Bill

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<v Speaker 2>and I met when we were like sixteen in high

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<v Speaker 2>school and like still in our formative years, and in fact,

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<v Speaker 2>the first time we kind of really met was in

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<v Speaker 2>this geometry class with this horrible, this evil teacher who

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<v Speaker 2>in fact we put we put in the show She's

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<v Speaker 2>one of the child services woman in Home Sweet Diddly,

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<v Speaker 2>Dumb Diddly. She was an evil, horrible, mean spirited teacher

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<v Speaker 2>and she made people cry. And we were in high school.

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<v Speaker 2>But anyway, so we were in this geometry class and Bill,

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<v Speaker 2>who's also, who's a really good cartoonist threw caricatures of

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<v Speaker 2>everybody in the class and I really liked them, and

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<v Speaker 2>we started talking and then we just kind of like

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<v Speaker 2>hit it off from there. And then we started a

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<v Speaker 2>humor magazine in our high school and also a lot

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<v Speaker 2>of and and the headmaster of the high school tried

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<v Speaker 2>to shut it down, but everybody else liked it, and

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<v Speaker 2>then it ended up like teachers liked to be put

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<v Speaker 2>into it because they were like, oh, that means I'm

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<v Speaker 2>popular or whatever. So it was like it was like

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<v Speaker 2>a hit for while we were there.

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<v Speaker 4>I'm sorry, this is like a Superhero origin store I fixed.

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<v Speaker 2>Yeah. So And as a matter of fact, also, like

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<v Speaker 2>so a lot of like Principal Skinner existed before we

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<v Speaker 2>came on the show, but he are writing of him

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<v Speaker 2>and you is based on a lot of the teachers

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<v Speaker 2>and the headmaster at our high school.

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<v Speaker 3>So you guys were always planning to be a team

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<v Speaker 3>when it came to working in this field or is

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<v Speaker 3>it just to just work out that way?

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<v Speaker 2>No, we did. We like we were pretty I know, no,

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<v Speaker 2>not careerists, but like we we knew from like high school,

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<v Speaker 2>like it would be great if we could write comedy together,

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<v Speaker 2>and we had no idea, like would it be journalism,

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<v Speaker 2>would it be advertising, would it be TV? Like we

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<v Speaker 2>had no we had no idea, but we're like, this

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<v Speaker 2>would be this is a good thing to pursue him.

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<v Speaker 2>It's fun. So we did. We did, and we we

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<v Speaker 2>went to separate collegists. We both worked on our college

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<v Speaker 2>humor Magaze separate college humor magazines, but we actually did

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<v Speaker 2>a joint issue together on that and we, like I said,

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<v Speaker 2>we always just kind of work together from dead and

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<v Speaker 2>we also have our our own side stuff and like

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<v Speaker 2>now like we're not officially working together, but we're still

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<v Speaker 2>like really good friends.

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<v Speaker 3>What did you h bring to the table, because obviously

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<v Speaker 3>you had a lot of similarities, but you must have

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<v Speaker 3>h brought your own unique brand of comedy as well

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<v Speaker 3>to the team.

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<v Speaker 2>Yeah, it's I think the interesting thing is our comedy

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<v Speaker 2>is really similar, and I mean I think that's why

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<v Speaker 2>we hit it off. Like we have really similar senses

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<v Speaker 2>of humor, and our sense of humor I won't say matured,

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<v Speaker 2>but grew together. So like we like so like we

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<v Speaker 2>really like we don't have different senses of humor, and

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<v Speaker 2>in fact, at the time too. In The Simpsons, we

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<v Speaker 2>thought we were the only people in the world who

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<v Speaker 2>had that sense of humor and maybe a couple of

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<v Speaker 2>our friends. And so it's really what's really great is

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<v Speaker 2>like that we foisted our sense of humor on like

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<v Speaker 2>impressionable young minds. So now there's a lot more people

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<v Speaker 2>that sense of humor. But I would say, like we

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<v Speaker 2>did in a good partnership, each person has their strengths,

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<v Speaker 2>Like Bill was particularly good, though each of us are

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<v Speaker 2>really good at jokes. Bill was particularly good at story,

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<v Speaker 2>and I think I was particularly good at jokes, and

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<v Speaker 2>we kind of wore off on each other. So I

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<v Speaker 2>learned a lot about story from Bill and vice versa.

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<v Speaker 2>And so it was just like a good partnership. And

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<v Speaker 2>also when you're running a show like The Simpsons, for

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<v Speaker 2>it's a never ending task and it's much better when

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<v Speaker 2>you have two people and a lot of time. When

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<v Speaker 2>we were running the show, we would end up just

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<v Speaker 2>splitting up our different chores.

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<v Speaker 3>Who did you learn the most from more Rodes's perspective

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<v Speaker 3>at the Simpsons.

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<v Speaker 2>There were so many. It really was like when like

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<v Speaker 2>when we first started, we were The other new person

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<v Speaker 2>on the show is Conan, who had started like eight

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<v Speaker 2>months before us, And aside from that, it was all

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<v Speaker 2>the original writers and Bill and I were really lucky

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<v Speaker 2>because it just so happened that a team of writers,

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<v Speaker 2>Ja Kokan and Wally wall Darsky were leaving right when

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<v Speaker 2>we had our agent ask do you have an opening,

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<v Speaker 2>and they were like, well, we happen to have an

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<v Speaker 2>opening for a team, and we were a team, and

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<v Speaker 2>so we got in. But I think we learned from

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<v Speaker 2>all all those guys, and they were it was all

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<v Speaker 2>guys at the time, Yeah, which thankfully now has changed.

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<v Speaker 3>Was that a lot that threaout your time there the

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<v Speaker 3>entire time, that's just mostly a male dominated writers.

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<v Speaker 2>We hired some women and but it was like it

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<v Speaker 2>was still like what's interesting is that the early Simpsons,

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<v Speaker 2>though it was a totally new thing, it's like the

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<v Speaker 2>last gasp of the old sitcom comedy world and the

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<v Speaker 2>new breed of people are coming in. So it's kind

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<v Speaker 2>of like right at the cusp because like Sam Simon,

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<v Speaker 2>who is brilliant and who's one of the people that

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<v Speaker 2>we learned a lot from. He had worked on old

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<v Speaker 2>old timey sitcoms like Taxi and that's so stuff and Obviously,

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<v Speaker 2>Jim Brooks created some of the best sitcoms of like seventies,

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<v Speaker 2>like Mary Tyler Moore, but they were in which those

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<v Speaker 2>shows that were a little smarter and more emotionally in

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<v Speaker 2>touch than a lot of classic sitcoms. But then like

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<v Speaker 2>the Simpsons came along and kind of broke the mold,

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<v Speaker 2>but it still took a while for it to break

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<v Speaker 2>the mold of being like having a diverse writing staff.

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<v Speaker 4>Josh, you and Bill kind of got your start with

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<v Speaker 4>the Sonfeld speck, Is that right.

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<v Speaker 2>Yeah, we we had. We actually got started before that

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<v Speaker 2>on these cable comedy shows in New York, and actually

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<v Speaker 2>we worked on a game show and then a talk

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<v Speaker 2>show for this comedy network called HA, which eventually HA

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<v Speaker 2>and the Comedy Channel merged to become Comedy Central. But

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<v Speaker 2>this was in its early days, and a lot of

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<v Speaker 2>people on the both the game show and the talk

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<v Speaker 2>show ended up working on The Simpsons. And in fact,

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<v Speaker 2>our first boss on our very first show in New

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<v Speaker 2>York was Ian Maxtone Graham, and we hired to work

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<v Speaker 2>on The Simpsons.

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<v Speaker 3>You hired him, Yeah, that he.

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<v Speaker 2>Hired us, and then we hired him.

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<v Speaker 3>Yes, Well, didn't Al Jan didn't Al, Jen and Race

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<v Speaker 3>work on Carsons?

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<v Speaker 2>I think, yeah, they worked on They I think that

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<v Speaker 2>was they worked on Carson and then the Larry Sanders Show,

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<v Speaker 2>and I think maybe Alf. Yes, So like a lot

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<v Speaker 2>of a lot of writers cut cut their teeth on

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<v Speaker 2>these like classic comedy or shows or sitcoms. And then

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<v Speaker 2>Kate where I think, we're really happy to come to

387
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<v Speaker 2>The Simpsons where you could explode all those rules and

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<v Speaker 2>not have to go buy them and.

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<v Speaker 4>Yeah, but what an incredible ecosystem.

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<v Speaker 2>Yeah, And it's like so it was half. It was

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<v Speaker 2>half people like Mike and Al who had worked on

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<v Speaker 2>these other comedy shows, and some people like Sam. Sam

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<v Speaker 2>assembled the original writing staff, even though it's like Sam,

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<v Speaker 2>Matt and Jim all kind of developed and created the

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<v Speaker 2>show and it comes from Matt's original idea and Matt's family,

396
00:19:05.799 --> 00:19:09.720
<v Speaker 2>Matt's drawings, so they all and again like a partnership.

397
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<v Speaker 2>They each of them contributed something crucial to the show.

398
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<v Speaker 2>But Sam assembled the original writing staff, and part of

399
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<v Speaker 2>it was from you know a story about It's from

400
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<v Speaker 2>this magazine Army Man. And there are people like people

401
00:19:24.079 --> 00:19:28.640
<v Speaker 2>like both like Schwartzwelder and George Meyer and John Vitty

402
00:19:28.920 --> 00:19:32.680
<v Speaker 2>had all worked on SNL and had terrible experiences. And

403
00:19:32.720 --> 00:19:36.319
<v Speaker 2>for example, I believe that George was just like, I'm

404
00:19:36.599 --> 00:19:39.039
<v Speaker 2>quit this business. I hate it, and moved to Colorado

405
00:19:39.359 --> 00:19:41.720
<v Speaker 2>and he started this magazine call just like it was

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<v Speaker 2>like a mimeograph magazine, a zine called Army Man where

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00:19:45.400 --> 00:19:48.000
<v Speaker 2>he just have all his friends who are funny writers

408
00:19:48.039 --> 00:19:52.119
<v Speaker 2>contribute weird jokes. And the Army Man magazine became something

409
00:19:52.119 --> 00:19:55.759
<v Speaker 2>that people passed around in comedy writer circles as this

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00:19:55.839 --> 00:19:58.440
<v Speaker 2>kind of like holy Grail, like who is this and

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<v Speaker 2>who's making it an uncut, very mysterious thing. And and

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<v Speaker 2>Sam Simon loved it and actually kind of went down

413
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<v Speaker 2>the masthead and hired a number of people from Army

414
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<v Speaker 2>Man so brought he brought in like these delightful weirdos

415
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<v Speaker 2>from all different sectors and it just it just worked.

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<v Speaker 3>Do you think he pitched it with the idea of

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<v Speaker 3>we can do what we want, that they can't tell

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<v Speaker 3>us what we can't do something there's no senses basically, Yeah.

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<v Speaker 2>And Sam. Part of the reason Sam was so critical,

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<v Speaker 2>and and and Matt and Jim too is they all

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<v Speaker 2>kind of like didn't wouldn't suffer fools easily and could

422
00:20:34.319 --> 00:20:38.799
<v Speaker 2>eat all saw through corporate bullshit, and so they were

423
00:20:38.839 --> 00:20:41.880
<v Speaker 2>all like, we're going to do our own thing. But

424
00:20:41.920 --> 00:20:45.799
<v Speaker 2>it also happened that when when thanks to Jim Brooks,

425
00:20:45.839 --> 00:20:49.480
<v Speaker 2>who was a very powerful director and producer at the

426
00:20:49.519 --> 00:20:53.279
<v Speaker 2>time of movies and Fox Network was just starting out,

427
00:20:53.799 --> 00:20:56.799
<v Speaker 2>I believe like when they pitched it to them, they said,

428
00:20:56.839 --> 00:20:58.880
<v Speaker 2>we'll do this show for you, but you can't interfere

429
00:20:58.880 --> 00:21:01.359
<v Speaker 2>and you can't give notes. And from that moment on

430
00:21:01.920 --> 00:21:04.720
<v Speaker 2>they kind of and we actually during the time we were

431
00:21:04.680 --> 00:21:06.920
<v Speaker 2>running it, we were friends who have an executive who's

432
00:21:06.960 --> 00:21:09.480
<v Speaker 2>a really nice guy, and we actually had to sneak

433
00:21:09.559 --> 00:21:12.799
<v Speaker 2>him into table reads and not say to anybody like,

434
00:21:12.839 --> 00:21:14.799
<v Speaker 2>hey have Fox executive is here. By word, it's just like,

435
00:21:15.039 --> 00:21:18.119
<v Speaker 2>here's our friend coming in. Because it was like it

436
00:21:18.160 --> 00:21:20.920
<v Speaker 2>was like an amazing thing and you would never have

437
00:21:21.119 --> 00:21:25.000
<v Speaker 2>that on any other show at any other time. So

438
00:21:25.079 --> 00:21:28.880
<v Speaker 2>it really was like everybody was always allowed and still

439
00:21:29.200 --> 00:21:32.079
<v Speaker 2>to do their own thing, and it became and for

440
00:21:32.079 --> 00:21:35.000
<v Speaker 2>that reason, it became kind of a great comedy lab

441
00:21:35.839 --> 00:21:38.319
<v Speaker 2>where you could try all these different types of comedy.

442
00:21:39.119 --> 00:21:41.759
<v Speaker 3>This show is brought to you by the Forefinger Discount Patreon,

443
00:21:41.839 --> 00:21:44.880
<v Speaker 3>where you will find over one hundred hours of bonus podcasts,

444
00:21:45.000 --> 00:21:49.240
<v Speaker 3>including exclusive Simpsons reviews and commentaries, as well as exclusive

445
00:21:49.240 --> 00:21:52.440
<v Speaker 3>episodes of Going Down to South Park, Tales of Futurama,

446
00:21:52.720 --> 00:21:56.480
<v Speaker 3>Bob's Pods, Speaking of the Hill, Talking Cifold, The One

447
00:21:56.480 --> 00:21:59.279
<v Speaker 3>About Friends, and so much more. So go ahead and

448
00:21:59.359 --> 00:22:02.519
<v Speaker 3>join the family today at patreon dot com slash four

449
00:22:02.559 --> 00:22:03.200
<v Speaker 3>figure discount.

450
00:22:04.039 --> 00:22:06.240
<v Speaker 4>Josh, I wanted to ask about when you, when you

451
00:22:06.279 --> 00:22:08.960
<v Speaker 4>and Bill were given the reins of the show and

452
00:22:09.359 --> 00:22:11.720
<v Speaker 4>on you came on board as fans. In that regard,

453
00:22:12.200 --> 00:22:16.759
<v Speaker 4>I'm wondering about your mindset and your objective. Whether you've

454
00:22:16.799 --> 00:22:19.519
<v Speaker 4>got the Simpsons is great, we want to keep it

455
00:22:19.559 --> 00:22:21.559
<v Speaker 4>as it is. We've got a vision for the Simpsons,

456
00:22:21.640 --> 00:22:23.359
<v Speaker 4>and we want to move it in this direction. Or

457
00:22:23.400 --> 00:22:24.960
<v Speaker 4>is it a bit of a ven diagram with those

458
00:22:25.000 --> 00:22:25.759
<v Speaker 4>two overlap.

459
00:22:26.359 --> 00:22:28.720
<v Speaker 2>Yeah, it was more like we don't want to wreck

460
00:22:28.799 --> 00:22:33.640
<v Speaker 2>the show. And when we two to us, the seasons

461
00:22:33.680 --> 00:22:37.359
<v Speaker 2>three and four run by Mike and Now were the

462
00:22:37.400 --> 00:22:41.839
<v Speaker 2>greatest seasons of any television show ever, and we really

463
00:22:41.920 --> 00:22:46.000
<v Speaker 2>just were like, that's the Simpsons at its very best.

464
00:22:46.400 --> 00:22:49.279
<v Speaker 2>Let's just do that. And we actually kind of scientifically

465
00:22:49.920 --> 00:22:52.440
<v Speaker 2>broke down what they did, and they were like, Okay,

466
00:22:52.480 --> 00:22:57.039
<v Speaker 2>they had four Homer episodes a year, they had four

467
00:22:57.559 --> 00:23:00.839
<v Speaker 2>other family member episodes. They always had sites You're Bob,

468
00:23:01.039 --> 00:23:03.400
<v Speaker 2>they always had it itchy and scratchy, and then they

469
00:23:03.440 --> 00:23:07.039
<v Speaker 2>always had a couple of like experimental episodes, and we're like,

470
00:23:07.160 --> 00:23:10.359
<v Speaker 2>let's just we're gonna imitate seasons three and four, but

471
00:23:10.440 --> 00:23:14.039
<v Speaker 2>it will be new seasons three and four and seventy eight,

472
00:23:14.079 --> 00:23:17.799
<v Speaker 2>and that's that's kind of was our model for it.

473
00:23:18.119 --> 00:23:20.559
<v Speaker 3>My favorite ear of The Simpsons is literally when you

474
00:23:20.599 --> 00:23:22.559
<v Speaker 3>were the show runner seven eight. That's why I was

475
00:23:22.680 --> 00:23:24.400
<v Speaker 3>because I wasn't allowed to watch The Simpsons when I

476
00:23:24.440 --> 00:23:26.000
<v Speaker 3>was really younger, So when I was allowed to watch

477
00:23:26.039 --> 00:23:27.599
<v Speaker 3>it when it was a new episode, that's when those

478
00:23:27.640 --> 00:23:30.240
<v Speaker 3>episodes were airing. So they're very no nostalgia for them,

479
00:23:30.240 --> 00:23:31.799
<v Speaker 3>but I still think they're the best episodes. And what

480
00:23:31.839 --> 00:23:35.039
<v Speaker 3>I like about them is that you guys straight away

481
00:23:35.039 --> 00:23:36.799
<v Speaker 3>from the normal bit and you started focusing on some

482
00:23:36.839 --> 00:23:38.759
<v Speaker 3>of the side characters, just like this one here fish

483
00:23:38.759 --> 00:23:40.759
<v Speaker 3>called some or like trou McClay. You're giving characters that

484
00:23:40.759 --> 00:23:43.160
<v Speaker 3>hadn't really been given any time. You're fleshing them out

485
00:23:43.200 --> 00:23:45.799
<v Speaker 3>more and you expanded the universe of Springfield as a result.

486
00:23:46.160 --> 00:23:48.240
<v Speaker 2>That was the thing and people didn't do There wasn't

487
00:23:48.240 --> 00:23:51.839
<v Speaker 2>a lot of world building in shows and stuff back then.

488
00:23:52.000 --> 00:23:55.559
<v Speaker 2>But we were like, it's already been on six seasons

489
00:23:55.799 --> 00:23:57.960
<v Speaker 2>and we felt like love the show will go maybe

490
00:23:58.000 --> 00:24:02.680
<v Speaker 2>ten who and so we thought like it's time, let's

491
00:24:02.759 --> 00:24:05.720
<v Speaker 2>end on. There's so many great side characters that that

492
00:24:05.799 --> 00:24:08.359
<v Speaker 2>kind of came to life during the years before us.

493
00:24:08.480 --> 00:24:12.680
<v Speaker 2>So we're like, let's let's let's let's explore why Flanders

494
00:24:12.759 --> 00:24:16.240
<v Speaker 2>is like Flanders. Let's see Chief Wiggum's family, you know,

495
00:24:16.319 --> 00:24:19.440
<v Speaker 2>let's see Pooh's life, Let's see all those And that

496
00:24:19.559 --> 00:24:21.759
<v Speaker 2>was that, that was the impetus for it, and that also,

497
00:24:21.839 --> 00:24:24.599
<v Speaker 2>like that was an impetus behind twenty two short films

498
00:24:24.599 --> 00:24:27.400
<v Speaker 2>about Springfield is let's see let's see all the other

499
00:24:28.279 --> 00:24:29.519
<v Speaker 2>shows that are going on.

500
00:24:30.000 --> 00:24:32.279
<v Speaker 3>I think that's what's my favorite episode of all time

501
00:24:32.279 --> 00:24:34.359
<v Speaker 3>for that reason. I feel like you watched the episode

502
00:24:34.400 --> 00:24:35.880
<v Speaker 3>and that is as close as you'll get to being

503
00:24:35.920 --> 00:24:37.920
<v Speaker 3>a fly on the wall just flying around Springfield for

504
00:24:37.920 --> 00:24:40.000
<v Speaker 3>a day. I just I particularly love that one because

505
00:24:40.000 --> 00:24:42.839
<v Speaker 3>I love the ones that incorporate as many characters as possible.

506
00:24:43.160 --> 00:24:46.440
<v Speaker 3>Was there ever a when you handle the reins to Scully?

507
00:24:46.480 --> 00:24:46.599
<v Speaker 4>Right?

508
00:24:46.599 --> 00:24:48.319
<v Speaker 3>You gave it to Scully after that? Yeah, did you

509
00:24:48.319 --> 00:24:50.240
<v Speaker 3>ever say to him, hey, you should do this or

510
00:24:50.279 --> 00:24:51.960
<v Speaker 3>was it just he's your show, now you do what

511
00:24:52.000 --> 00:24:52.519
<v Speaker 3>you want with it.

512
00:24:52.720 --> 00:24:55.119
<v Speaker 2>Yeah, it was. It was always like that, and that

513
00:24:55.240 --> 00:24:57.559
<v Speaker 2>was That's kind of what's great is, first of all,

514
00:24:57.599 --> 00:25:01.480
<v Speaker 2>Simpsons is always a big democracy, like it didn't matter

515
00:25:01.519 --> 00:25:03.559
<v Speaker 2>like if you if you're assigned the script, then your

516
00:25:03.640 --> 00:25:06.039
<v Speaker 2>name will be on the episode. But it always was

517
00:25:06.079 --> 00:25:09.400
<v Speaker 2>like everybody's out for everybody else. It's very different from

518
00:25:09.400 --> 00:25:12.200
<v Speaker 2>a lot of shows, like the opposite is SNL, where

519
00:25:12.200 --> 00:25:15.519
<v Speaker 2>apparently writers are really competitive and always trying to kill

520
00:25:15.559 --> 00:25:19.359
<v Speaker 2>each other's sketches, whereas in the Simpsons it's a democracy.

521
00:25:19.359 --> 00:25:21.799
<v Speaker 2>And in fact, this went on our very first day,

522
00:25:21.880 --> 00:25:24.000
<v Speaker 2>like Mike and Now told us there's like a couple

523
00:25:24.000 --> 00:25:27.359
<v Speaker 2>of rules, and then we always live by these rules,

524
00:25:27.359 --> 00:25:30.160
<v Speaker 2>and then people like us or like Greg Daniels who's

525
00:25:30.160 --> 00:25:33.200
<v Speaker 2>gone on to create great shows, carry those rules with

526
00:25:33.279 --> 00:25:35.599
<v Speaker 2>them and like what rule number one is you leave

527
00:25:35.599 --> 00:25:38.119
<v Speaker 2>your ego at the door. And it's just like it

528
00:25:38.119 --> 00:25:40.400
<v Speaker 2>doesn't matter if you say the great joke or somebody

529
00:25:40.400 --> 00:25:43.920
<v Speaker 2>else it's all for the joke ord the story itself.

530
00:25:44.279 --> 00:25:48.440
<v Speaker 2>And also never say no to an idea. That's the

531
00:25:48.799 --> 00:25:51.680
<v Speaker 2>job of the person running the room. So you don't

532
00:25:51.720 --> 00:25:54.200
<v Speaker 2>like if someone pitches a joke or an idea you

533
00:25:54.200 --> 00:25:56.039
<v Speaker 2>don't like, you don't go I don't like that, or

534
00:25:56.079 --> 00:25:59.440
<v Speaker 2>that's not good. You either stay silent or you pitch

535
00:25:59.440 --> 00:26:02.200
<v Speaker 2>a better one and let the room runner do it.

536
00:26:02.240 --> 00:26:05.039
<v Speaker 2>And so it just creates a much more free flowing,

537
00:26:05.839 --> 00:26:09.640
<v Speaker 2>positive atmosphere in the room. And it's like we were

538
00:26:09.680 --> 00:26:12.039
<v Speaker 2>like because we had never been on a sitcom before,

539
00:26:12.480 --> 00:26:15.079
<v Speaker 2>so we didn't know, but there are people like Scully

540
00:26:15.319 --> 00:26:19.480
<v Speaker 2>had a lot of experience in in more mainstream sitcoms,

541
00:26:19.519 --> 00:26:22.279
<v Speaker 2>so he he came in knowing what was good and

542
00:26:22.359 --> 00:26:26.039
<v Speaker 2>bad about them, and he also like it's also like

543
00:26:26.440 --> 00:26:30.839
<v Speaker 2>everybody was always really friendly on the show. It's just

544
00:26:30.880 --> 00:26:32.960
<v Speaker 2>a bunch of nerds. So it's like it had a

545
00:26:33.039 --> 00:26:37.559
<v Speaker 2>much more cohesive, supportive atmosphere than other sitcoms where he

546
00:26:37.680 --> 00:26:39.880
<v Speaker 2>got a lot of like loud assholes.

547
00:26:40.519 --> 00:26:43.440
<v Speaker 4>Do you think that's evident in the show itself. Do

548
00:26:43.480 --> 00:26:44.640
<v Speaker 4>you think the tone of the show?

549
00:26:45.279 --> 00:26:47.839
<v Speaker 2>Yes, yeah, because it was And this is the thing

550
00:26:48.079 --> 00:26:51.279
<v Speaker 2>that that can't sort of came from both. Came a

551
00:26:51.319 --> 00:26:54.400
<v Speaker 2>lot from Matt and a lot from Jim Brooks and

552
00:26:54.480 --> 00:26:57.839
<v Speaker 2>a lot from Sam. And also all the people were

553
00:26:57.880 --> 00:27:00.720
<v Speaker 2>kind harder. It's like emotion, The emotion always have to

554
00:27:00.720 --> 00:27:06.039
<v Speaker 2>be real, even if it's a crazy circumstance. The characters

555
00:27:06.079 --> 00:27:10.279
<v Speaker 2>have to act and respond in realistically emotional ways. And

556
00:27:10.319 --> 00:27:13.160
<v Speaker 2>that's part of what made the show so great is

557
00:27:13.200 --> 00:27:16.160
<v Speaker 2>a lot of times it was more emotionally real than

558
00:27:16.279 --> 00:27:20.640
<v Speaker 2>other live action sitcoms, and I think that show still

559
00:27:20.680 --> 00:27:22.960
<v Speaker 2>maintains it. And it's also why I think part of

560
00:27:23.000 --> 00:27:27.440
<v Speaker 2>what was so appealing is there's an essential kindness and

561
00:27:27.559 --> 00:27:31.400
<v Speaker 2>sweetness to it. And we also found that the more

562
00:27:31.480 --> 00:27:34.160
<v Speaker 2>emotionally hooked in someone was to an episode, the more

563
00:27:34.279 --> 00:27:35.680
<v Speaker 2>they liked the jokes. Anyway.

564
00:27:36.319 --> 00:27:38.720
<v Speaker 4>Yeah, I don't know if we want to jump ahead

565
00:27:38.720 --> 00:27:41.480
<v Speaker 4>to talking about a Phish coal sell. Yeah, but I

566
00:27:41.519 --> 00:27:44.720
<v Speaker 4>mean that's really evident in this episode. I mean, this

567
00:27:44.799 --> 00:27:47.039
<v Speaker 4>is an episode that could be it could have a

568
00:27:47.079 --> 00:27:51.680
<v Speaker 4>really cold and cruel and cynical outlook, but it's really

569
00:27:51.759 --> 00:27:55.519
<v Speaker 4>sort of emotionally aware and mature in so many ways.

570
00:27:55.960 --> 00:27:58.519
<v Speaker 4>I mean, even the Indians kind of like, I mean,

571
00:27:59.079 --> 00:28:01.359
<v Speaker 4>try mcclus kind of kind of a hell. He's very

572
00:28:01.440 --> 00:28:03.240
<v Speaker 4>much a Haal in this, but he's also a guy.

573
00:28:04.279 --> 00:28:05.200
<v Speaker 3>I feel sorry for him.

574
00:28:06.079 --> 00:28:07.599
<v Speaker 4>He's trapped in his own.

575
00:28:08.920 --> 00:28:11.440
<v Speaker 2>Yeah. That's one thing is I think we're we're very

576
00:28:11.480 --> 00:28:16.160
<v Speaker 2>good at is feeling for whichever character you're the story

577
00:28:16.319 --> 00:28:19.279
<v Speaker 2>is swirling around, and in this case, it's both Troy

578
00:28:19.799 --> 00:28:21.960
<v Speaker 2>and Sma. But I hadn't. I don't watched the episode

579
00:28:22.039 --> 00:28:24.279
<v Speaker 2>in a long time, and I watched it this morning

580
00:28:24.720 --> 00:28:27.359
<v Speaker 2>and I was struck by, like how that ending is

581
00:28:27.519 --> 00:28:31.039
<v Speaker 2>really both It's really realistic and it feels like they're

582
00:28:31.119 --> 00:28:33.640
<v Speaker 2>even though they're crazy characters, they kind of made their

583
00:28:33.720 --> 00:28:38.319
<v Speaker 2>right adult decision. And it's it's very bitter sweet and

584
00:28:38.359 --> 00:28:41.720
<v Speaker 2>that I mean, that's that's something that was always appealing

585
00:28:41.759 --> 00:28:44.400
<v Speaker 2>about the show, even when we were just fans as

586
00:28:44.440 --> 00:28:46.400
<v Speaker 2>there is that it's kind of like bittersweet.

587
00:28:46.839 --> 00:28:49.359
<v Speaker 3>Well, the takeaway I took from that ending was particularly

588
00:28:49.359 --> 00:28:51.400
<v Speaker 3>the shot of McClue just looking at the window the

589
00:28:51.400 --> 00:28:54.279
<v Speaker 3>sad music's plaining like he's not only watching Salma walk away,

590
00:28:54.279 --> 00:28:56.640
<v Speaker 3>but I'm essentially watching his career walk away with her.

591
00:28:56.720 --> 00:28:58.599
<v Speaker 3>You know, he's walking yeah without her, I've got no career,

592
00:28:58.680 --> 00:29:01.200
<v Speaker 3>Like this was my last chance not happening anymore. But

593
00:29:01.240 --> 00:29:03.759
<v Speaker 3>also just prior to that, when she's saying I'm leaving,

594
00:29:04.039 --> 00:29:05.960
<v Speaker 3>you could have easily taken a darker tone and gone,

595
00:29:05.960 --> 00:29:07.960
<v Speaker 3>nor were You're not because I need you you You're

596
00:29:07.960 --> 00:29:09.440
<v Speaker 3>staying here. But no, he lets her go.

597
00:29:10.319 --> 00:29:13.640
<v Speaker 2>Yeah, yeah, that's it. I can't I can't remember whose

598
00:29:13.680 --> 00:29:17.079
<v Speaker 2>idea that was. The idea about the fishes was came

599
00:29:17.119 --> 00:29:17.720
<v Speaker 2>from Jim.

600
00:29:17.519 --> 00:29:20.599
<v Speaker 3>Brooks, Yeah, which.

601
00:29:19.680 --> 00:29:22.279
<v Speaker 2>Is brilliant because we're like, we need him to have

602
00:29:22.319 --> 00:29:27.559
<v Speaker 2>some sort of like weird rumored set kink or sexual fetish,

603
00:29:27.640 --> 00:29:29.880
<v Speaker 2>but it can't be it can't be anything awful because

604
00:29:29.960 --> 00:29:33.319
<v Speaker 2>kids are watching. But so the fish thing is brilliant

605
00:29:33.319 --> 00:29:37.119
<v Speaker 2>because it's left up to your own devian mind what

606
00:29:37.480 --> 00:29:38.240
<v Speaker 2>what's going on?

607
00:29:38.599 --> 00:29:42.119
<v Speaker 3>Because you're not actually implying that he's sleeping with fish.

608
00:29:42.200 --> 00:29:44.240
<v Speaker 3>But I mean, although fat Tony kind of says.

609
00:29:44.039 --> 00:29:49.519
<v Speaker 2>That it's it's delightfully, it's delight it's the whole time,

610
00:29:49.519 --> 00:29:51.559
<v Speaker 2>it's delightfully dancing around it.

611
00:29:51.920 --> 00:29:53.400
<v Speaker 3>I remember my mom was not a fan of it.

612
00:29:53.559 --> 00:29:55.240
<v Speaker 3>My mom was like, what is this? What is this

613
00:29:55.359 --> 00:29:56.039
<v Speaker 3>rock you're watching?

614
00:29:56.960 --> 00:30:00.799
<v Speaker 4>And also is the fat Tony gag it is bout

615
00:30:00.799 --> 00:30:02.680
<v Speaker 4>Tony's appearance only so you can do this sleep with

616
00:30:02.759 --> 00:30:03.400
<v Speaker 4>the Fishes gag.

617
00:30:03.519 --> 00:30:06.279
<v Speaker 2>Yes, yeah, yes, That's what's so great about the Simpsons

618
00:30:06.480 --> 00:30:08.119
<v Speaker 2>is you have all these side characters. You know, Oh,

619
00:30:08.200 --> 00:30:11.559
<v Speaker 2>we need like a mafia style, so we got fat Tony. Yeah.

620
00:30:11.559 --> 00:30:13.680
<v Speaker 2>And also what I will see. What I really like

621
00:30:13.680 --> 00:30:16.519
<v Speaker 2>about this episode is up until this episode, Troy McClure

622
00:30:16.640 --> 00:30:19.559
<v Speaker 2>was just kind of like a one note joke character,

623
00:30:20.359 --> 00:30:23.680
<v Speaker 2>and we were like, he's there living his life. Let's

624
00:30:23.680 --> 00:30:25.799
<v Speaker 2>see what it's like. And it was our chance to

625
00:30:25.799 --> 00:30:28.599
<v Speaker 2>do kind of like sad Hollywood lives.

626
00:30:29.359 --> 00:30:31.039
<v Speaker 4>It's it's what I wanted to talk about because we

627
00:30:31.200 --> 00:30:34.400
<v Speaker 4>rewatching this episode. Listeners of our show will know that

628
00:30:34.440 --> 00:30:36.079
<v Speaker 4>one of my favorite movies is Once upon a Time

629
00:30:36.079 --> 00:30:39.559
<v Speaker 4>in Hollywood, particularly Rick Dalton and Terry mcclu is just

630
00:30:39.599 --> 00:30:41.960
<v Speaker 4>an absolute Rick Dalton, you know, in terms of like

631
00:30:42.440 --> 00:30:45.119
<v Speaker 4>just the body of work that he's got, the ego

632
00:30:45.160 --> 00:30:47.920
<v Speaker 4>that he has. You know, he's constantly sort of got

633
00:30:47.920 --> 00:30:49.400
<v Speaker 4>his eye out for the main chance, even though he

634
00:30:49.440 --> 00:30:52.559
<v Speaker 4>knows his careers on the way, and so yeah, having

635
00:30:52.599 --> 00:30:55.079
<v Speaker 4>this opportunity to flesh him out and give him a

636
00:30:55.079 --> 00:30:58.119
<v Speaker 4>whole life in the space of a a half hour episode.

637
00:30:58.359 --> 00:31:01.480
<v Speaker 4>I think it's just brilliant and also something I wanted

638
00:31:01.480 --> 00:31:05.240
<v Speaker 4>to say is want to ask was and if I'm wrong,

639
00:31:05.640 --> 00:31:08.240
<v Speaker 4>please just don't disabuse my notion. There was a whiteboard

640
00:31:08.240 --> 00:31:10.880
<v Speaker 4>in Simpson's HQ that is just all you may know

641
00:31:10.960 --> 00:31:12.319
<v Speaker 4>me from these titles.

642
00:31:12.799 --> 00:31:17.119
<v Speaker 2>No, those were so hard that when somebody came up

643
00:31:17.119 --> 00:31:19.839
<v Speaker 2>of it, we used it like those were like the

644
00:31:19.960 --> 00:31:22.440
<v Speaker 2>Troy mcclurr move, coming off a good Troy mccurr movie,

645
00:31:22.440 --> 00:31:27.039
<v Speaker 2>and this one episodes full of them is one of

646
00:31:27.039 --> 00:31:30.279
<v Speaker 2>the hardest Simpson's tax So the moment you have a

647
00:31:30.319 --> 00:31:33.400
<v Speaker 2>good one, it's going in the show. There's no there's

648
00:31:33.440 --> 00:31:36.519
<v Speaker 2>a whiteboard of like still episodes that we wanted to do,

649
00:31:36.599 --> 00:31:40.599
<v Speaker 2>but there was no joke, Joe, all good jokes were

650
00:31:40.680 --> 00:31:41.519
<v Speaker 2>used instantly.

651
00:31:42.759 --> 00:31:44.720
<v Speaker 3>I just thought, it's like Alice through the windshield glasses

652
00:31:44.720 --> 00:31:46.519
<v Speaker 3>one from a previous episode. But some of it are

653
00:31:46.559 --> 00:31:49.359
<v Speaker 3>so cruel, but they're so funny.

654
00:31:49.480 --> 00:31:52.799
<v Speaker 2>So yeah, that's like the the towel, the what is

655
00:31:52.799 --> 00:31:55.359
<v Speaker 2>it the towel with with Larry.

656
00:31:55.119 --> 00:31:57.920
<v Speaker 4>The blinding of lens, But yeah, that's.

657
00:31:57.720 --> 00:32:03.559
<v Speaker 2>Real chalitable again, kid got kinded with horror of horse plea.

658
00:32:03.279 --> 00:32:06.039
<v Speaker 4>But I love that it's that, but that you might

659
00:32:06.079 --> 00:32:08.039
<v Speaker 4>know me from or you might remember me from is

660
00:32:08.079 --> 00:32:10.400
<v Speaker 4>just a runner all through. It's not necessarily about you

661
00:32:10.480 --> 00:32:12.720
<v Speaker 4>might remembery from such films, you might remember from this

662
00:32:12.799 --> 00:32:14.480
<v Speaker 4>date last night or what. Yeah, the fact that it

663
00:32:14.480 --> 00:32:15.480
<v Speaker 4>becomes that running gag I.

664
00:32:15.440 --> 00:32:16.680
<v Speaker 3>Think part of his every day vernacular.

665
00:32:16.920 --> 00:32:19.000
<v Speaker 2>Yeah, yeah, it's yeah, I love that too.

666
00:32:19.359 --> 00:32:21.359
<v Speaker 4>Gold standard comedy writing as far as I'm concerned.

667
00:32:21.440 --> 00:32:23.559
<v Speaker 3>But what I love about this episode too is it's

668
00:32:23.559 --> 00:32:26.880
<v Speaker 3>a bittersweet because as a diehard Simpsons fan, you love

669
00:32:26.920 --> 00:32:29.319
<v Speaker 3>it because it wasn't long after this that we tragically

670
00:32:29.359 --> 00:32:31.440
<v Speaker 3>lost or Phil Harton was taken from us. So I'm

671
00:32:31.440 --> 00:32:35.920
<v Speaker 3>just so I'm appreciative that this episode exists because you know,

672
00:32:36.000 --> 00:32:37.920
<v Speaker 3>had you not done this, we might now never have

673
00:32:37.960 --> 00:32:39.880
<v Speaker 3>got it, you know, So the fact that you were

674
00:32:39.880 --> 00:32:42.319
<v Speaker 3>able to recognize, let's do it now, and the fact

675
00:32:42.319 --> 00:32:44.119
<v Speaker 3>that you did it, and it's such a great episode

676
00:32:44.160 --> 00:32:47.079
<v Speaker 3>as well, and it really it pays tribute to Troy McCay.

677
00:32:47.119 --> 00:32:48.880
<v Speaker 3>It mocks him, but it also pays love to him

678
00:32:48.920 --> 00:32:49.160
<v Speaker 3>as well.

679
00:32:49.240 --> 00:32:52.519
<v Speaker 2>Yeah, that's what I love about the Simpsons is particularly good.

680
00:32:52.759 --> 00:32:55.720
<v Speaker 2>It both makes fun of but loves every single character.

681
00:32:56.079 --> 00:32:58.160
<v Speaker 2>But we did it. Also one of one of the

682
00:32:58.200 --> 00:33:00.640
<v Speaker 2>reasons we did it too is is Bill Hartman is

683
00:33:00.680 --> 00:33:05.240
<v Speaker 2>like the Simpson's secret weapon, is he is somebody who

684
00:33:05.279 --> 00:33:09.000
<v Speaker 2>he would make straight lines funny. So we knew, like

685
00:33:09.160 --> 00:33:11.799
<v Speaker 2>we always wanted to work him into episodes because we

686
00:33:11.880 --> 00:33:14.960
<v Speaker 2>knew it would be a guaranteed laugh and in this

687
00:33:15.039 --> 00:33:19.400
<v Speaker 2>episode because he makes every single line funny and he's

688
00:33:19.440 --> 00:33:21.559
<v Speaker 2>just like, there's very there are very few people on

689
00:33:21.640 --> 00:33:25.000
<v Speaker 2>earth who could who could do that, and but but

690
00:33:25.079 --> 00:33:26.240
<v Speaker 2>Phil was one of them.

691
00:33:26.920 --> 00:33:28.480
<v Speaker 4>There's a bit I think when he first made Selm

692
00:33:28.519 --> 00:33:30.039
<v Speaker 4>when he says as an actor, I depend on my

693
00:33:30.119 --> 00:33:34.799
<v Speaker 4>remarkable looks. I've written that nobody did insincerity more sincerely

694
00:33:34.839 --> 00:33:35.599
<v Speaker 4>than Phil Hartman.

695
00:33:36.160 --> 00:33:39.000
<v Speaker 2>Yeah he would. Yeah, that's a real that's a real craft.

696
00:33:39.440 --> 00:33:41.920
<v Speaker 4>Yeah, I mean, can you just give us five ten

697
00:33:42.440 --> 00:33:44.279
<v Speaker 4>twenty minutes on Phil Hartman just like what it was

698
00:33:44.319 --> 00:33:45.559
<v Speaker 4>worked like to work with the guy.

699
00:33:46.039 --> 00:33:50.480
<v Speaker 2>Yeah, that's a both both he and Kelsey Grammer, who

700
00:33:51.240 --> 00:33:54.160
<v Speaker 2>they both when they would come in and we would

701
00:33:54.240 --> 00:33:58.960
<v Speaker 2>record them, everybody kind of like pepped up and were

702
00:33:59.200 --> 00:34:03.400
<v Speaker 2>excited because they were both both of them were incredibly

703
00:34:03.519 --> 00:34:07.200
<v Speaker 2>kind people, like just they you would not think that

704
00:34:07.279 --> 00:34:11.039
<v Speaker 2>they were TV stars like they would. They would be

705
00:34:11.079 --> 00:34:13.119
<v Speaker 2>people like, Oh, I wish I could hang out with them.

706
00:34:13.280 --> 00:34:16.719
<v Speaker 2>They're just like really down to earth, no ego, but

707
00:34:16.920 --> 00:34:20.079
<v Speaker 2>also just really funny and also gung ho for doing

708
00:34:20.360 --> 00:34:23.519
<v Speaker 2>Like some actors can be difficult, but like Phil, Phil

709
00:34:23.559 --> 00:34:26.880
<v Speaker 2>would do whatever you put in front of him, and

710
00:34:26.920 --> 00:34:29.519
<v Speaker 2>he'd also bring a lot of times it'd bring a

711
00:34:29.559 --> 00:34:33.480
<v Speaker 2>really weird spin to it. Like we knew, like, even

712
00:34:33.519 --> 00:34:35.559
<v Speaker 2>if it's a straight line, okay, he's gonna do something

713
00:34:35.599 --> 00:34:39.920
<v Speaker 2>funny with it. And and so we we just always

714
00:34:39.960 --> 00:34:43.639
<v Speaker 2>wanted to like Bart versus Australia, we intentionally wanted him

715
00:34:44.039 --> 00:34:47.119
<v Speaker 2>as the US embassy guy because we knew, like that's

716
00:34:47.320 --> 00:34:51.840
<v Speaker 2>like making a funny a funny preppy state department guy

717
00:34:51.960 --> 00:34:53.960
<v Speaker 2>is hard to do, but we're like, Phil's going to

718
00:34:54.079 --> 00:34:56.360
<v Speaker 2>do it. So we just we just he was one

719
00:34:56.360 --> 00:35:01.320
<v Speaker 2>of our very favorite people to work work into an episode.

720
00:35:02.199 --> 00:35:04.039
<v Speaker 3>It's been it's been a story at that you were

721
00:35:04.079 --> 00:35:06.719
<v Speaker 3>going to work on potentially a live action yeah, for

722
00:35:06.800 --> 00:35:09.480
<v Speaker 3>mcclu a movie. And you've mentioned to me that you

723
00:35:09.840 --> 00:35:12.239
<v Speaker 3>once discussed this with Phil. I need to hear about it.

724
00:35:12.280 --> 00:35:14.800
<v Speaker 2>Yes, we discussed it a number of times with Phil,

725
00:35:14.920 --> 00:35:19.159
<v Speaker 2>and it did it like it didn't get beyond talk

726
00:35:20.159 --> 00:35:25.960
<v Speaker 2>before he was tragically hurdering. And but what happened is

727
00:35:26.480 --> 00:35:30.119
<v Speaker 2>we would we were friends with people from the show

728
00:35:30.159 --> 00:35:33.320
<v Speaker 2>News Radio and so, and I do not I don't

729
00:35:33.679 --> 00:35:36.559
<v Speaker 2>the thing that I don't remember if this was while

730
00:35:36.639 --> 00:35:39.519
<v Speaker 2>Bill and I were still running the show or after

731
00:35:39.559 --> 00:35:42.000
<v Speaker 2>we had left, but the talk of it started. We'd

732
00:35:42.000 --> 00:35:44.920
<v Speaker 2>go to so we go to news radio parties and

733
00:35:44.960 --> 00:35:46.440
<v Speaker 2>Phil would see us and it's like, Oh, it's a

734
00:35:46.519 --> 00:35:49.400
<v Speaker 2>Simpsons friends and so we're talking and that's I know.

735
00:35:49.480 --> 00:35:51.599
<v Speaker 2>It was at one of us parties where we first said,

736
00:35:52.320 --> 00:35:55.119
<v Speaker 2>I want to do a live action Troy McClure movie.

737
00:35:55.159 --> 00:35:58.239
<v Speaker 2>And we were like, that is brilliant. That's so good

738
00:35:58.280 --> 00:36:00.599
<v Speaker 2>because it's like in a lot of like the voiceover

739
00:36:00.639 --> 00:36:02.880
<v Speaker 2>actors may or may not in real life be able

740
00:36:02.920 --> 00:36:06.119
<v Speaker 2>to play their characters, but Phil, it could. It's exactly

741
00:36:06.400 --> 00:36:10.960
<v Speaker 2>Troy McClure, you know. And so a live action Troy

742
00:36:11.039 --> 00:36:14.039
<v Speaker 2>McClure movie would just be brilliant where you could see

743
00:36:14.280 --> 00:36:17.119
<v Speaker 2>live action clips of his past movies. But he also

744
00:36:17.159 --> 00:36:21.119
<v Speaker 2>would have been having some sort of Troy McClure detective

745
00:36:21.320 --> 00:36:23.760
<v Speaker 2>or some sort of adventure that would be the true

746
00:36:23.760 --> 00:36:26.719
<v Speaker 2>line of a story and we and so we saw

747
00:36:26.800 --> 00:36:30.679
<v Speaker 2>a number of parties went on where that's all like

748
00:36:30.760 --> 00:36:32.800
<v Speaker 2>we would talk about, is we got to do this

749
00:36:32.880 --> 00:36:38.800
<v Speaker 2>Troy McClure movie, but then it then he got killed

750
00:36:38.840 --> 00:36:40.519
<v Speaker 2>and that that was that.

751
00:36:40.920 --> 00:36:43.840
<v Speaker 4>I have never been more excited for a project that

752
00:36:43.880 --> 00:36:45.719
<v Speaker 4>could have been and more sad that it never happened.

753
00:36:45.719 --> 00:36:48.079
<v Speaker 4>That I'm, yeah, holy shit, that would have been my

754
00:36:48.079 --> 00:36:49.159
<v Speaker 4>favorite movie of all time.

755
00:36:49.519 --> 00:36:51.280
<v Speaker 2>Because it was also like that would have been like

756
00:36:51.559 --> 00:36:54.800
<v Speaker 2>could have been like the first Simpsons movie. Yeah, and

757
00:36:54.880 --> 00:36:56.480
<v Speaker 2>it would have been. And it's also like such it's

758
00:36:56.519 --> 00:37:00.639
<v Speaker 2>such a kind of like a brilliantly left field idea

759
00:37:00.840 --> 00:37:02.599
<v Speaker 2>and I think it would have really worked.

760
00:37:02.920 --> 00:37:05.039
<v Speaker 3>So was he was he excited for the project then?

761
00:37:05.760 --> 00:37:08.880
<v Speaker 2>Yeah, but again it was like it never got it never.

762
00:37:08.760 --> 00:37:11.239
<v Speaker 3>Got beyond just talk we should do this.

763
00:37:11.719 --> 00:37:13.559
<v Speaker 2>Yeah, it's like we it never got to like, Okay,

764
00:37:13.679 --> 00:37:16.840
<v Speaker 2>let's let's let's write it out, let's bring it to

765
00:37:17.719 --> 00:37:20.679
<v Speaker 2>Jim Brooks and Matt and see and all that. It

766
00:37:20.760 --> 00:37:22.880
<v Speaker 2>was just it was just talk, but it short of

767
00:37:22.920 --> 00:37:26.039
<v Speaker 2>felt like it it could have led to something.

768
00:37:26.239 --> 00:37:29.599
<v Speaker 4>But even as an elevator pitch, it works because because

769
00:37:29.639 --> 00:37:32.280
<v Speaker 4>of Hartman, because he mean he Yeah, he had sort

770
00:37:32.280 --> 00:37:36.480
<v Speaker 4>of matinee idolish good looks but also slightly gone to see.

771
00:37:36.599 --> 00:37:38.599
<v Speaker 4>But he was also such a chameleon that you could

772
00:37:38.639 --> 00:37:41.280
<v Speaker 4>see him playing all these different roles as Troy McClure

773
00:37:41.440 --> 00:37:42.280
<v Speaker 4>in real life.

774
00:37:42.480 --> 00:37:44.280
<v Speaker 2>Yeah. And it was also an era of the nineties

775
00:37:44.280 --> 00:37:48.679
<v Speaker 2>of those type of really great crazy comedies. Yeah, so

776
00:37:48.840 --> 00:37:49.880
<v Speaker 2>it really could have worked.

777
00:37:50.000 --> 00:37:53.760
<v Speaker 3>I'm so glad that. I'm so glad at least we got. Yeah,

778
00:37:53.920 --> 00:37:56.000
<v Speaker 3>we got this episode that we because this was almost

779
00:37:56.039 --> 00:37:57.599
<v Speaker 3>it was a showcase for Teum mcclub, but it was

780
00:37:57.599 --> 00:38:00.559
<v Speaker 3>a showcase for Phil Hartman as well. Yeah, because he's characters.

781
00:38:01.039 --> 00:38:04.079
<v Speaker 3>It'd been it never really been the main character of

782
00:38:04.119 --> 00:38:05.679
<v Speaker 3>an episode yet. I don't think. I mean he was

783
00:38:05.760 --> 00:38:08.519
<v Speaker 3>Tom because Tom Cruise turned down that role. I think

784
00:38:08.519 --> 00:38:10.599
<v Speaker 3>of season three, season four episode, and he'd been Trom

785
00:38:10.639 --> 00:38:12.559
<v Speaker 3>McClure and loneld hats. But this is the first time

786
00:38:12.760 --> 00:38:14.840
<v Speaker 3>it was really about a Phil Hartman guy.

787
00:38:14.960 --> 00:38:17.360
<v Speaker 2>Yeah. Well that was like that was that was part

788
00:38:17.400 --> 00:38:20.239
<v Speaker 2>of our our goal for these seasons is let's see

789
00:38:20.320 --> 00:38:23.760
<v Speaker 2>a Troy McClure episode, let's see a Need Flanders episode.

790
00:38:23.880 --> 00:38:26.320
<v Speaker 2>And all these episodes were like the Simpsons are kind

791
00:38:26.360 --> 00:38:29.039
<v Speaker 2>of involved, but it's like it's no, it's gonna be

792
00:38:29.159 --> 00:38:32.360
<v Speaker 2>about or mill House's parents, for example. It's not there one.

793
00:38:32.480 --> 00:38:35.679
<v Speaker 2>It's like, let's see the lives of these other people

794
00:38:35.880 --> 00:38:36.639
<v Speaker 2>in Springfield.

795
00:38:37.159 --> 00:38:39.760
<v Speaker 4>It's smart on so many levels because it keeps the

796
00:38:39.800 --> 00:38:42.480
<v Speaker 4>audience engaged because like, oh, there's a wider world outside

797
00:38:42.480 --> 00:38:46.320
<v Speaker 4>of Evergreen terrorists. But it's also great for the for

798
00:38:46.400 --> 00:38:48.079
<v Speaker 4>the creative stuff as well, because it's like we get

799
00:38:48.079 --> 00:38:49.679
<v Speaker 4>to flex all these different muscles.

800
00:38:49.960 --> 00:38:52.960
<v Speaker 2>Yeah, and and honestly too, we really thought the show

801
00:38:53.000 --> 00:38:55.320
<v Speaker 2>would go for like ten years and then be done,

802
00:38:55.519 --> 00:38:57.440
<v Speaker 2>and we're like, so this is we got to do

803
00:38:57.519 --> 00:38:59.760
<v Speaker 2>it now because the show might not exist in a

804
00:38:59.800 --> 00:39:03.159
<v Speaker 2>couple years, So let's explore all these characters while we can.

805
00:39:03.880 --> 00:39:06.440
<v Speaker 3>Bill has said to us that he never left an

806
00:39:06.440 --> 00:39:08.599
<v Speaker 3>episode on an idea on the table. Everything he wanted

807
00:39:08.599 --> 00:39:11.119
<v Speaker 3>to do he did. Do you truly believe that, Oh,

808
00:39:11.159 --> 00:39:12.920
<v Speaker 3>there were there ideas that you kind of wish. I

809
00:39:12.960 --> 00:39:15.079
<v Speaker 3>wish we had like twenty four besides for that season.

810
00:39:16.000 --> 00:39:19.760
<v Speaker 2>Yeah. Now I think it's like we running the show

811
00:39:19.840 --> 00:39:22.920
<v Speaker 2>is so exhausting that like, by the end of season eight,

812
00:39:22.920 --> 00:39:25.559
<v Speaker 2>we're like, oh, I can't wait to give it to

813
00:39:25.599 --> 00:39:30.639
<v Speaker 2>somebody else. But I think, like, in hindsight, I'm like,

814
00:39:30.679 --> 00:39:33.440
<v Speaker 2>there's so many more. Yeah, we could have done, but

815
00:39:33.519 --> 00:39:36.679
<v Speaker 2>at the time we're like, we've done everything. We can't

816
00:39:36.719 --> 00:39:37.400
<v Speaker 2>do no more.

817
00:39:37.800 --> 00:39:40.159
<v Speaker 3>You know, how long did it take for you to

818
00:39:41.239 --> 00:39:43.840
<v Speaker 3>part with The Simpsons? Did you still watch it after

819
00:39:43.880 --> 00:39:46.079
<v Speaker 3>you left or once you once you were gone? Was

820
00:39:46.079 --> 00:39:48.440
<v Speaker 3>that I can't see what they're doing to my baby anymore?

821
00:39:48.800 --> 00:39:53.639
<v Speaker 2>Or it's more like we couldn't right when we left.

822
00:39:53.960 --> 00:39:56.559
<v Speaker 2>It was more like we couldn't do we still I

823
00:39:56.639 --> 00:39:58.599
<v Speaker 2>still watch, but it was more like I know how

824
00:39:58.599 --> 00:40:02.440
<v Speaker 2>the sausage is made, and I couldn't separate that from

825
00:40:02.440 --> 00:40:04.199
<v Speaker 2>like going like, oh, that much at joke must have

826
00:40:04.239 --> 00:40:06.400
<v Speaker 2>taken a long time to get or like, oh, I

827
00:40:06.400 --> 00:40:09.519
<v Speaker 2>could see why they did this, and so I couldn't

828
00:40:09.559 --> 00:40:12.599
<v Speaker 2>just enjoy it on its face value for the longest time.

829
00:40:13.079 --> 00:40:15.440
<v Speaker 2>And it wasn't until I have kids who are now

830
00:40:15.519 --> 00:40:18.960
<v Speaker 2>who are now grown in their twenties. But it wasn't

831
00:40:19.039 --> 00:40:22.239
<v Speaker 2>until my kids started watching the show. But I could

832
00:40:22.280 --> 00:40:24.440
<v Speaker 2>be like, I've been away from it long enough that

833
00:40:24.519 --> 00:40:26.760
<v Speaker 2>now I can just enjoy it as a fan.

834
00:40:27.199 --> 00:40:28.599
<v Speaker 3>Well, the Simpsons is kind of having a bit of

835
00:40:28.639 --> 00:40:30.760
<v Speaker 3>a resurgence in recent times, and I think that's a

836
00:40:30.760 --> 00:40:32.800
<v Speaker 3>lot of it is it's on Disney, plus it's just

837
00:40:32.800 --> 00:40:34.559
<v Speaker 3>so easily accessible now. But I think a lot of

838
00:40:34.639 --> 00:40:36.800
<v Speaker 3>kids who grew up on the era you went on

839
00:40:36.800 --> 00:40:39.559
<v Speaker 3>the show who may have sort of turned off postseason

840
00:40:39.559 --> 00:40:40.960
<v Speaker 3>ten or whatever and hadn't watched the show for a

841
00:40:41.000 --> 00:40:43.360
<v Speaker 3>long time, but their kids are now getting they're having kids,

842
00:40:43.360 --> 00:40:44.800
<v Speaker 3>and their kids are now watching the Simpsons, and they're

843
00:40:44.800 --> 00:40:47.400
<v Speaker 3>going back and revisiting The Simpsons as a result. But

844
00:40:47.480 --> 00:40:49.639
<v Speaker 3>I find I've got a seven and a five year old,

845
00:40:50.000 --> 00:40:52.679
<v Speaker 3>and they enjoy the new episodes. They really like them.

846
00:40:52.840 --> 00:40:55.559
<v Speaker 2>Yeah, and there's great. The thing is that there's still

847
00:40:55.639 --> 00:40:58.400
<v Speaker 2>like new Simpsons gets a bad rap because there's still

848
00:40:58.440 --> 00:41:02.000
<v Speaker 2>episodes that are would be regarded as a classic if

849
00:41:02.039 --> 00:41:05.480
<v Speaker 2>they were on in those years. And it's just the

850
00:41:05.559 --> 00:41:08.000
<v Speaker 2>thing I think people have come to say. But it's

851
00:41:08.039 --> 00:41:10.480
<v Speaker 2>also like there now there are writers on The Simpsons

852
00:41:10.519 --> 00:41:13.440
<v Speaker 2>who were kids when we were doing our episodes, who

853
00:41:13.480 --> 00:41:14.960
<v Speaker 2>grew up on it. And that's I have a whole

854
00:41:15.000 --> 00:41:19.360
<v Speaker 2>theory of comedy writers is that we like people. I'm

855
00:41:19.400 --> 00:41:23.519
<v Speaker 2>like gen X, I'm almost I'm almost sixty, and we

856
00:41:23.639 --> 00:41:26.920
<v Speaker 2>grew up on kind of crummy sitcoms like in the

857
00:41:26.920 --> 00:41:30.760
<v Speaker 2>eighties and stuff like Mad Magazine and then some brilliant

858
00:41:30.800 --> 00:41:33.920
<v Speaker 2>stuff like SETV and stuff like that, but we had

859
00:41:33.960 --> 00:41:38.480
<v Speaker 2>a much smaller area of like really great, truly great

860
00:41:38.519 --> 00:41:41.360
<v Speaker 2>comedy shows. But people who are kids in the nineties,

861
00:41:41.599 --> 00:41:44.000
<v Speaker 2>they didn't just have The Simpsons, and they had South Park,

862
00:41:44.119 --> 00:41:46.960
<v Speaker 2>and they had Seinfeld and they had all these great

863
00:41:47.239 --> 00:41:50.920
<v Speaker 2>really mister Show and all these other truly funny things.

864
00:41:51.119 --> 00:41:54.679
<v Speaker 2>So there, I believe that the young comedy writers are

865
00:41:54.840 --> 00:41:59.960
<v Speaker 2>funnier and also more emotionally in touch than us older

866
00:42:00.039 --> 00:42:03.400
<v Speaker 2>writers because they grew up with better stuff and also

867
00:42:03.440 --> 00:42:05.639
<v Speaker 2>they grew up with stuff that was starting to be

868
00:42:05.760 --> 00:42:10.400
<v Speaker 2>like emotionally realistic and stuff, so they're much better grounded.

869
00:42:10.400 --> 00:42:12.679
<v Speaker 2>But I think they also have better senses of humor

870
00:42:13.239 --> 00:42:15.280
<v Speaker 2>because of that, and like some of those writers now

871
00:42:15.360 --> 00:42:17.880
<v Speaker 2>are the young writers and as Simpsons, And it's also

872
00:42:18.159 --> 00:42:20.480
<v Speaker 2>people like Matt Selman is still like he still has

873
00:42:20.480 --> 00:42:23.280
<v Speaker 2>the spirit of like I'm going to try something new. Yeah,

874
00:42:23.360 --> 00:42:26.000
<v Speaker 2>I want to try something experimental and see and I

875
00:42:26.119 --> 00:42:26.480
<v Speaker 2>like that.

876
00:42:26.920 --> 00:42:28.719
<v Speaker 3>I feel like he's the guy that carries on the

877
00:42:28.719 --> 00:42:31.880
<v Speaker 3>twenty two short films of Bett Springfield Torch. You know,

878
00:42:32.159 --> 00:42:34.559
<v Speaker 3>he does the trilogy of Aaron. You watched the newer seasons,

879
00:42:34.599 --> 00:42:36.440
<v Speaker 3>and there's a lot more of those I call them

880
00:42:36.440 --> 00:42:38.199
<v Speaker 3>format bending episodes, but it's a lot more of those

881
00:42:38.199 --> 00:42:40.840
<v Speaker 3>episodes in recent years. I think since Matt's taken more

882
00:42:40.880 --> 00:42:43.400
<v Speaker 3>of the charge, he's willing to explore and experiment.

883
00:42:43.599 --> 00:42:46.440
<v Speaker 2>Yeah, that's like A really good example is the duff

884
00:42:46.559 --> 00:42:49.639
<v Speaker 2>Man and his Daughter episode, which is a total side

885
00:42:49.719 --> 00:42:54.039
<v Speaker 2>character but it's brilliantly emotional and hilarious and the same thing.

886
00:42:54.119 --> 00:42:57.400
<v Speaker 2>So there's yeah, so I think that I think the

887
00:42:57.480 --> 00:43:00.559
<v Speaker 2>tor Torches are being still carried.

888
00:43:01.119 --> 00:43:02.880
<v Speaker 3>This show is brought to you by the four Finger

889
00:43:02.920 --> 00:43:05.840
<v Speaker 3>Discount Patreon, where you will find over one hundred hours

890
00:43:05.880 --> 00:43:10.360
<v Speaker 3>of bonus podcasts, including exclusive Simpsons reviews and commentaries, as

891
00:43:10.400 --> 00:43:13.199
<v Speaker 3>well as exclusive episodes of Going Down to South Park,

892
00:43:13.400 --> 00:43:18.000
<v Speaker 3>Tales of Futurama, Bob's Pods, Speaking of the Hill, Talking Sifould,

893
00:43:18.199 --> 00:43:20.880
<v Speaker 3>the One About Friends, and so much more. So go

894
00:43:20.920 --> 00:43:24.079
<v Speaker 3>ahead and join the family today at patreon dot com

895
00:43:24.119 --> 00:43:27.280
<v Speaker 3>slash four finger Discount. Although sometimes we've found we're up

896
00:43:27.280 --> 00:43:29.280
<v Speaker 3>to season twenty one now with the shows we've been

897
00:43:29.320 --> 00:43:31.039
<v Speaker 3>going through, we still go back in movies at the

898
00:43:31.039 --> 00:43:34.480
<v Speaker 3>classic slot we have with you here, but we find

899
00:43:34.480 --> 00:43:38.400
<v Speaker 3>it sometimes those side characters didn't need to be fleshed out, Like,

900
00:43:38.440 --> 00:43:41.039
<v Speaker 3>for example, there's a Comic Book Guy episode where you

901
00:43:41.079 --> 00:43:43.079
<v Speaker 3>find out his real name and he starts marry I

902
00:43:43.119 --> 00:43:45.719
<v Speaker 3>starts dating Skinner's mum, and he's just kind of like,

903
00:43:46.119 --> 00:43:48.840
<v Speaker 3>I don't think Comic Book Guy needed this much information.

904
00:43:49.000 --> 00:43:52.760
<v Speaker 2>Yeah, I really as like an all sour puss. I

905
00:43:53.519 --> 00:43:55.559
<v Speaker 2>didn't like that they gave him a name because we

906
00:43:55.599 --> 00:43:57.800
<v Speaker 2>always just like like, we always just like he's comic

907
00:43:57.800 --> 00:44:01.199
<v Speaker 2>book guys. So it's true like some like some people

908
00:44:01.239 --> 00:44:03.480
<v Speaker 2>you don't you don't want.

909
00:44:03.320 --> 00:44:06.039
<v Speaker 3>To know, yeah, exactly. And Gil was another one. They

910
00:44:06.440 --> 00:44:09.360
<v Speaker 3>did an episode called what was It Killed Gill? Volumes

911
00:44:09.360 --> 00:44:10.880
<v Speaker 3>one and two or something where he moved in with

912
00:44:10.920 --> 00:44:13.119
<v Speaker 3>the Simpsons, and we all love Gill, you know, because

913
00:44:13.119 --> 00:44:15.159
<v Speaker 3>he's always yeah gotten, and he's you know, nothing goes

914
00:44:15.239 --> 00:44:16.880
<v Speaker 3>right for the guy. But then when he's in the

915
00:44:16.920 --> 00:44:19.800
<v Speaker 3>Simpsons has in that episode, he's a real moocha and

916
00:44:19.840 --> 00:44:22.800
<v Speaker 3>he's really he's horrible to people, and you lose sympathy

917
00:44:22.880 --> 00:44:24.760
<v Speaker 3>for him, and I'm gone, why did you make me

918
00:44:24.800 --> 00:44:27.719
<v Speaker 3>dislike this character? That's it just didn't seem to work.

919
00:44:27.760 --> 00:44:30.960
<v Speaker 3>So sometimes fleshing out these characters isn't necessary.

920
00:44:31.480 --> 00:44:34.000
<v Speaker 2>Yeah you have to, Yeah, you have to. I think

921
00:44:34.000 --> 00:44:36.239
<v Speaker 2>they have to be and I don't really thought about us.

922
00:44:36.360 --> 00:44:40.079
<v Speaker 2>They have to be characters that are like really emotionally loaded.

923
00:44:40.360 --> 00:44:42.760
<v Speaker 2>So like, you know, Troy McClure kind of has some

924
00:44:42.840 --> 00:44:46.239
<v Speaker 2>weird sadness in his life or some some weirdness in

925
00:44:46.280 --> 00:44:49.079
<v Speaker 2>his life, or like Ned Flanders, you really you want

926
00:44:49.119 --> 00:44:52.360
<v Speaker 2>to know why he's like that. But some characters are

927
00:44:52.480 --> 00:44:55.360
<v Speaker 2>just so one note that it's just like, just leave

928
00:44:55.440 --> 00:44:57.239
<v Speaker 2>him be one note.

929
00:44:57.440 --> 00:44:59.599
<v Speaker 3>Did you ever have ideas for a Linel Hot's episode?

930
00:45:00.599 --> 00:45:04.960
<v Speaker 2>No, No, because I think I think Troy McClure felt

931
00:45:05.000 --> 00:45:08.599
<v Speaker 2>like the richer Phil Hartman character, which is like like

932
00:45:08.679 --> 00:45:11.360
<v Speaker 2>Lionel Huts really does. I'm sure there's a good Lionel

933
00:45:11.440 --> 00:45:15.519
<v Speaker 2>Huts story out there, but I don't. I don't know it.

934
00:45:15.559 --> 00:45:18.519
<v Speaker 4>Give him like an emotionally loaded legal drama like the

935
00:45:18.639 --> 00:45:22.960
<v Speaker 4>Verdict or something where he's got a you know, like

936
00:45:23.000 --> 00:45:24.239
<v Speaker 4>a civil action or something.

937
00:45:24.480 --> 00:45:26.880
<v Speaker 2>Yeah, I but he's had something that has passed, some

938
00:45:27.239 --> 00:45:29.760
<v Speaker 2>legal thing that that drove him to be a lawyer.

939
00:45:30.320 --> 00:45:31.599
<v Speaker 2>So there's something there.

940
00:45:31.599 --> 00:45:34.239
<v Speaker 4>But you're gonna have a whole betterical soul series about

941
00:45:34.320 --> 00:45:34.960
<v Speaker 4>Lionel lot.

942
00:45:36.840 --> 00:45:39.079
<v Speaker 3>I think there's a there's betterical huts. But can we

943
00:45:39.119 --> 00:45:41.480
<v Speaker 3>talk about Jeff Golblum. So he stars in MacArthur Parker

944
00:45:41.519 --> 00:45:44.360
<v Speaker 3>in this episode here. I kind of really interesting. You

945
00:45:44.360 --> 00:45:47.480
<v Speaker 3>were saying in the commentary that and he couldn't even

946
00:45:47.519 --> 00:45:50.239
<v Speaker 3>remember doing this, but then until you reminded him, was yeah,

947
00:45:50.320 --> 00:45:53.079
<v Speaker 3>made him do it twice because he spoke in his

948
00:45:53.199 --> 00:45:56.320
<v Speaker 3>usual sort of slowish way. He's he's unique brand of comedy.

949
00:45:56.719 --> 00:46:01.480
<v Speaker 3>But because McClure and Salma such slow speakers, the episode

950
00:46:01.519 --> 00:46:03.519
<v Speaker 3>was just too long. The kind of had too many gags.

951
00:46:03.519 --> 00:46:05.440
<v Speaker 3>So you literally had to say, of Jeff, can you

952
00:46:05.440 --> 00:46:07.159
<v Speaker 3>do it again? And do it faster? Which is why

953
00:46:07.360 --> 00:46:09.079
<v Speaker 3>it took me a while to actually pick up on

954
00:46:09.119 --> 00:46:11.400
<v Speaker 3>this appearance because he's not speaking long he would normally speak.

955
00:46:11.440 --> 00:46:13.199
<v Speaker 3>He is speaking a lot faster.

956
00:46:13.880 --> 00:46:16.599
<v Speaker 2>Yeah, you know, I I forgot about that till you

957
00:46:16.719 --> 00:46:18.840
<v Speaker 2>reminded me. Because I was listening to it this morning.

958
00:46:18.840 --> 00:46:22.239
<v Speaker 2>I was like, that's a really fast read, and he's like, toy,

959
00:46:22.320 --> 00:46:24.719
<v Speaker 2>it's macfforin Parker, And I was like, why is he

960
00:46:24.960 --> 00:46:27.320
<v Speaker 2>talking so fast? Because we told him to because we

961
00:46:27.360 --> 00:46:29.639
<v Speaker 2>also we knew that was the thing, like when you

962
00:46:29.719 --> 00:46:33.840
<v Speaker 2>do an episode around certain characters. We knew Patty and

963
00:46:34.000 --> 00:46:38.079
<v Speaker 2>Selma were slow talkers, just like like Marge obviously, and

964
00:46:38.199 --> 00:46:40.920
<v Speaker 2>Toy McClure is. And so that's also like why there's

965
00:46:40.960 --> 00:46:43.920
<v Speaker 2>not like a real bet story because there's no time,

966
00:46:44.199 --> 00:46:47.639
<v Speaker 2>but everybody else gotta speak quickly because of that. Yeah,

967
00:46:47.639 --> 00:46:50.400
<v Speaker 2>I forgot about that. And Jeff Goldblum, as we said,

968
00:46:50.400 --> 00:46:52.039
<v Speaker 2>I think we said it in contary, was one of

969
00:46:52.079 --> 00:46:57.480
<v Speaker 2>our favorite guest stars because he was so nice. He

970
00:46:57.480 --> 00:47:03.039
<v Speaker 2>he and Peter Frampton and Will Dafoe were the nicest

971
00:47:03.079 --> 00:47:06.119
<v Speaker 2>people that we ever had. And I'll tell you, I

972
00:47:06.119 --> 00:47:08.480
<v Speaker 2>think I told the story on the commentary. But when

973
00:47:08.480 --> 00:47:11.360
<v Speaker 2>we recorded Jeff Goldbloom, we were doing that. We were

974
00:47:11.360 --> 00:47:15.159
<v Speaker 2>on the Fox lot, but Jim Brooks's company, Gracie Films,

975
00:47:15.199 --> 00:47:17.079
<v Speaker 2>is on the Sony Law So a lot of times

976
00:47:17.159 --> 00:47:20.239
<v Speaker 2>we record guest stars there just because they had more

977
00:47:20.280 --> 00:47:23.599
<v Speaker 2>recording studios. And so we were recording Jeff Goldblum, and

978
00:47:23.599 --> 00:47:26.079
<v Speaker 2>it's his little studio and they are like probably like

979
00:47:26.119 --> 00:47:30.199
<v Speaker 2>five other Simpsons people there, and Jeff Goldbloom came in

980
00:47:30.559 --> 00:47:33.960
<v Speaker 2>and he went to every single person in the room

981
00:47:34.000 --> 00:47:35.639
<v Speaker 2>and sat with them and talked to them for like

982
00:47:35.679 --> 00:47:38.760
<v Speaker 2>five minutes and said like, Hi, I'm Jeff. Who are you?

983
00:47:38.800 --> 00:47:40.800
<v Speaker 2>Tell me about you? And he was just like really

984
00:47:42.000 --> 00:47:46.400
<v Speaker 2>insanely yeah, Like you felt like wow, Jeff Goldblum was

985
00:47:46.440 --> 00:47:48.159
<v Speaker 2>talking to me. And then he was like, Oh, I'm

986
00:47:48.199 --> 00:47:50.800
<v Speaker 2>doing this movie about an alien invasion. It's called an

987
00:47:50.800 --> 00:47:54.519
<v Speaker 2>Independence Day and stuff like that. But he was just

988
00:47:54.760 --> 00:47:58.280
<v Speaker 2>so friendly, like he made it was our job to

989
00:47:58.360 --> 00:48:01.920
<v Speaker 2>make the actors feel comfortable, but he went around making

990
00:48:01.960 --> 00:48:04.159
<v Speaker 2>everybody else feel comfortable, and so it's just like a

991
00:48:04.880 --> 00:48:08.440
<v Speaker 2>lovely time. So I think we felt bad, but we

992
00:48:08.639 --> 00:48:11.639
<v Speaker 2>knew we didn't feel. It wasn't hard for us to

993
00:48:11.679 --> 00:48:13.440
<v Speaker 2>ask him to do it again, just because he was

994
00:48:13.480 --> 00:48:15.800
<v Speaker 2>so nice and amenable to everything.

995
00:48:16.159 --> 00:48:18.000
<v Speaker 4>It does my heart good to hear that Goldbloom is

996
00:48:18.039 --> 00:48:20.239
<v Speaker 4>actually a bit of a Manchel though, But yeah, he

997
00:48:20.280 --> 00:48:22.480
<v Speaker 4>said that he's really the only man who could give

998
00:48:22.519 --> 00:48:24.440
<v Speaker 4>Phil Hartman a run for his Smami money.

999
00:48:25.400 --> 00:48:28.079
<v Speaker 2>Yeah, yeah, he was a He was a really good

1000
00:48:28.159 --> 00:48:31.199
<v Speaker 2>choice for that agent. I don't think we had any

1001
00:48:31.239 --> 00:48:32.079
<v Speaker 2>other choices.

1002
00:48:32.440 --> 00:48:36.000
<v Speaker 3>How often did you write guest appearances or characters with

1003
00:48:36.199 --> 00:48:38.480
<v Speaker 3>a special guest in mind? Or did you write them

1004
00:48:38.480 --> 00:48:40.559
<v Speaker 3>and then go, let's just get this guy because he'd

1005
00:48:40.599 --> 00:48:41.400
<v Speaker 3>fit that character.

1006
00:48:41.920 --> 00:48:45.760
<v Speaker 2>That's yeah. For MacArthur Parker, I think I think you

1007
00:48:45.800 --> 00:48:48.639
<v Speaker 2>first came up with the character and then like Jeff

1008
00:48:48.679 --> 00:48:51.519
<v Speaker 2>Goldwum would be great. But other character there are things

1009
00:48:51.519 --> 00:48:54.960
<v Speaker 2>like obviously like Rodney Dangerfield, that whole episode was written

1010
00:48:55.559 --> 00:48:57.920
<v Speaker 2>under the pretense that it's going to be Rodney Dainshefield

1011
00:48:57.960 --> 00:49:01.480
<v Speaker 2>and if we don't get him, we can't do the episode.

1012
00:49:01.840 --> 00:49:05.400
<v Speaker 2>And but but usually it was we there was a

1013
00:49:05.440 --> 00:49:08.400
<v Speaker 2>side character, and we were like, first we kind of

1014
00:49:08.440 --> 00:49:10.440
<v Speaker 2>go down the list of like can you know, can

1015
00:49:10.480 --> 00:49:15.360
<v Speaker 2>Hank or Harry do this? Or or Dan and and

1016
00:49:15.800 --> 00:49:18.920
<v Speaker 2>some but we could tell when it was like a

1017
00:49:18.920 --> 00:49:23.880
<v Speaker 2>special role like Lisa versus Malibu Stacy, we knew we

1018
00:49:24.079 --> 00:49:27.039
<v Speaker 2>had to get some really great guest star.

1019
00:49:27.519 --> 00:49:30.079
<v Speaker 3>Yeah. Well, I just think in particular it's just Macathla Parker.

1020
00:49:30.199 --> 00:49:32.320
<v Speaker 3>This is fantastic. But there's one part here where he

1021
00:49:32.360 --> 00:49:35.920
<v Speaker 3>does do the Goblain esque dialogue where he goes and

1022
00:49:36.039 --> 00:49:39.079
<v Speaker 3>your and the wife, and just the way he says

1023
00:49:39.119 --> 00:49:41.719
<v Speaker 3>it that that's Goblin right there, right, Betsy.

1024
00:49:41.760 --> 00:49:44.840
<v Speaker 2>He's another personect Phil Harp, who will give spins to

1025
00:49:45.639 --> 00:49:49.280
<v Speaker 2>a line that you could never predict, but are so

1026
00:49:49.400 --> 00:49:52.400
<v Speaker 2>delightfully gold bloomby that you like, you know, you like him.

1027
00:49:52.559 --> 00:49:54.239
<v Speaker 3>But it's not even like a spin that Hartman puts

1028
00:49:54.239 --> 00:49:56.000
<v Speaker 3>on things. Sometimes it's just the way he like, it's

1029
00:49:56.000 --> 00:49:57.679
<v Speaker 3>just the way he says that. So I particularly love

1030
00:49:57.760 --> 00:49:59.840
<v Speaker 3>the way when he says so. Obviously the script must

1031
00:49:59.840 --> 00:50:02.960
<v Speaker 3>have say, McClure puts on glasses to read Salma's name,

1032
00:50:03.000 --> 00:50:06.440
<v Speaker 3>so he goes miss Bouvier the way. That's the way

1033
00:50:06.960 --> 00:50:09.159
<v Speaker 3>you can always imagine, you can visualize he's putting on

1034
00:50:09.199 --> 00:50:11.599
<v Speaker 3>glasses as he's saying that line. It's it's incredible.

1035
00:50:12.000 --> 00:50:14.079
<v Speaker 2>Yeah, yeah, for him, it's like sometimes you want to

1036
00:50:14.119 --> 00:50:17.679
<v Speaker 2>put stage stage directions that says, you know, would say

1037
00:50:17.719 --> 00:50:20.880
<v Speaker 2>like smart me or nervous or whatever, But with Phil

1038
00:50:21.159 --> 00:50:23.760
<v Speaker 2>you kind of you didn't need to, and he didn't

1039
00:50:23.800 --> 00:50:26.320
<v Speaker 2>want to give direction because he kind of wanted him

1040
00:50:26.360 --> 00:50:27.440
<v Speaker 2>to do his own thing.

1041
00:50:28.000 --> 00:50:28.320
<v Speaker 4>Yeah.

1042
00:50:28.440 --> 00:50:30.559
<v Speaker 3>Well, let's talk about Stop the Planet of the Apes.

1043
00:50:30.599 --> 00:50:34.000
<v Speaker 3>I want to get off because that is truly iconic and,

1044
00:50:34.039 --> 00:50:36.880
<v Speaker 3>in my opinion, could be a genuine Broadway musical. It's

1045
00:50:36.880 --> 00:50:38.320
<v Speaker 3>a shame that we're never going to get that as

1046
00:50:38.360 --> 00:50:40.199
<v Speaker 3>a result of Phil Hartmon Nolonger being with us. But

1047
00:50:40.599 --> 00:50:42.960
<v Speaker 3>take us back to how did that all come together?

1048
00:50:42.960 --> 00:50:44.760
<v Speaker 3>Because I think in the commentary, Bill says, I went

1049
00:50:44.800 --> 00:50:46.159
<v Speaker 3>to the bathroom and came back and it was already

1050
00:50:46.199 --> 00:50:47.119
<v Speaker 3>done or something like that.

1051
00:50:47.199 --> 00:50:50.679
<v Speaker 2>So that's basically it's like Bill Bill had as I said,

1052
00:50:50.719 --> 00:50:53.079
<v Speaker 2>like we had to split duties because it was so

1053
00:50:53.760 --> 00:50:57.159
<v Speaker 2>never ending amount of work, and so he was off

1054
00:50:57.239 --> 00:51:00.880
<v Speaker 2>doing something and I was like we would read. Usually

1055
00:51:01.000 --> 00:51:02.599
<v Speaker 2>a lot of times you'd have two rooms going and

1056
00:51:02.639 --> 00:51:06.000
<v Speaker 2>I'd run one and he'd run the other. But this

1057
00:51:06.119 --> 00:51:09.320
<v Speaker 2>day he had he had to go record somebody or

1058
00:51:09.440 --> 00:51:12.360
<v Speaker 2>edit something, and so I was running the room. And

1059
00:51:12.760 --> 00:51:15.480
<v Speaker 2>we knew Troy, we wanted Troy to be in a

1060
00:51:15.599 --> 00:51:18.480
<v Speaker 2>musical or something. We knew it had to be some

1061
00:51:18.519 --> 00:51:21.880
<v Speaker 2>sort of special show within the show. But that was it.

1062
00:51:21.960 --> 00:51:25.159
<v Speaker 2>And then it was I remember as Steve Hopkins, he said,

1063
00:51:25.239 --> 00:51:27.800
<v Speaker 2>what if we did planet a the Apes a musical?

1064
00:51:28.280 --> 00:51:30.559
<v Speaker 2>And there was a big pause where you couldn't tell

1065
00:51:30.559 --> 00:51:33.159
<v Speaker 2>if people are thinking, either this is really stupid or

1066
00:51:33.159 --> 00:51:35.800
<v Speaker 2>it's really brilliant. But like I had learned fun like

1067
00:51:35.880 --> 00:51:39.119
<v Speaker 2>learning from Mike and Alis, like you give something a chance,

1068
00:51:39.519 --> 00:51:42.159
<v Speaker 2>even if it sounds like the worst idea, dumbest idea

1069
00:51:42.199 --> 00:51:45.239
<v Speaker 2>in the world, give it at least like twenty minutes.

1070
00:51:45.760 --> 00:51:48.280
<v Speaker 2>And I was like, so, like, let's this. This could

1071
00:51:48.280 --> 00:51:51.440
<v Speaker 2>be really good or could beg insane or both, And

1072
00:51:52.000 --> 00:51:56.199
<v Speaker 2>so we just started talking about it and the ideas

1073
00:51:56.800 --> 00:52:00.360
<v Speaker 2>started to come. But there's a key moment, which is

1074
00:52:00.360 --> 00:52:04.039
<v Speaker 2>when David Cohen pitched a line I hate every apice

1075
00:52:04.159 --> 00:52:07.039
<v Speaker 2>from Chipen eight to Chimpanzee, which I believe it's not

1076
00:52:07.079 --> 00:52:09.559
<v Speaker 2>only the funniest Simpsons line ever, it's the funniest line

1077
00:52:09.800 --> 00:52:12.599
<v Speaker 2>ever uttered by a human. And that was like, that

1078
00:52:12.719 --> 00:52:14.639
<v Speaker 2>was like, what was so great about the Simpsons room?

1079
00:52:14.679 --> 00:52:18.280
<v Speaker 2>And there could be not in this case, but there

1080
00:52:18.280 --> 00:52:20.039
<v Speaker 2>would be moments like we're trying to think of a

1081
00:52:20.039 --> 00:52:23.199
<v Speaker 2>funny sign or whatever. It'd be twenty minutes of silence

1082
00:52:23.199 --> 00:52:25.480
<v Speaker 2>and people in the room just going like this, like

1083
00:52:25.599 --> 00:52:30.320
<v Speaker 2>deep in thought. But once he pitched that line, it

1084
00:52:30.440 --> 00:52:34.599
<v Speaker 2>was so inspirational and funny that everybody got to the

1085
00:52:34.679 --> 00:52:37.440
<v Speaker 2>top of their game and we're pitching funny things left

1086
00:52:37.480 --> 00:52:41.239
<v Speaker 2>and right. And so we mapped out and wrote the

1087
00:52:41.400 --> 00:52:46.079
<v Speaker 2>entire musical in like two to three hours that afternoon,

1088
00:52:46.119 --> 00:52:49.639
<v Speaker 2>and when Bill came back, I remember or he remembers.

1089
00:52:49.679 --> 00:52:51.320
<v Speaker 2>People go like you gotta hear this, you got to

1090
00:52:51.320 --> 00:52:52.719
<v Speaker 2>hear this, or hear this line. And it was like

1091
00:52:52.719 --> 00:52:56.199
<v Speaker 2>we it was, it was fully formed and it just

1092
00:52:56.320 --> 00:52:58.519
<v Speaker 2>it just needed the like music, and it was like

1093
00:52:58.599 --> 00:53:02.159
<v Speaker 2>different people could chrip. We did different things that in

1094
00:53:02.280 --> 00:53:05.159
<v Speaker 2>other rooms people would have just shot down, like like

1095
00:53:05.280 --> 00:53:07.920
<v Speaker 2>George Meyer was like, what if we do these Vodeville

1096
00:53:08.000 --> 00:53:10.719
<v Speaker 2>bits in between? Like where can I play the piano?

1097
00:53:11.079 --> 00:53:13.800
<v Speaker 2>Why couldn't before? Which is just that it's the hackiest

1098
00:53:14.559 --> 00:53:17.280
<v Speaker 2>literally it's an old Vodville style joke. But we're like,

1099
00:53:17.280 --> 00:53:20.639
<v Speaker 2>what if we work in these little Vaudeville routines in between? Yeah,

1100
00:53:20.719 --> 00:53:23.199
<v Speaker 2>let's do that. What if we did did the apes

1101
00:53:23.239 --> 00:53:25.880
<v Speaker 2>were breakdancing? Yeah, let's do that. Because part of it

1102
00:53:25.920 --> 00:53:29.519
<v Speaker 2>was also based on those the cheesy musicals of a time,

1103
00:53:30.039 --> 00:53:33.519
<v Speaker 2>like like Cats and that whatever, that roller skating musical

1104
00:53:33.760 --> 00:53:38.760
<v Speaker 2>Wash Starlight Express. Yeah, that the super cheesy things. But

1105
00:53:38.800 --> 00:53:41.000
<v Speaker 2>it was just like it was a combination of like

1106
00:53:41.239 --> 00:53:45.880
<v Speaker 2>five different insane things that all really work together and people.

1107
00:53:46.119 --> 00:53:49.119
<v Speaker 2>That was a case where the room was inspiring each

1108
00:53:49.159 --> 00:53:53.320
<v Speaker 2>other and it just like that that was a rarity,

1109
00:53:53.840 --> 00:53:57.079
<v Speaker 2>but when it happened, great things came from it.

1110
00:53:57.639 --> 00:53:59.480
<v Speaker 4>I'm so glad you said that, just because I mean,

1111
00:53:59.519 --> 00:54:01.880
<v Speaker 4>and this is out to dismiss the the expertise and

1112
00:54:01.920 --> 00:54:04.280
<v Speaker 4>the effort of the Simpsons writing stife, but I mean,

1113
00:54:04.280 --> 00:54:06.199
<v Speaker 4>there are some gags that feel like you can really

1114
00:54:06.639 --> 00:54:07.960
<v Speaker 4>see the effort that went into it.

1115
00:54:08.239 --> 00:54:10.239
<v Speaker 2>Yeah, And it's like that's the thing is too. I

1116
00:54:10.360 --> 00:54:13.320
<v Speaker 2>found always in writing that the best things are that

1117
00:54:13.519 --> 00:54:16.199
<v Speaker 2>things that just come to it, and you can feel

1118
00:54:16.199 --> 00:54:19.719
<v Speaker 2>when something is labored over, and it's just like, because

1119
00:54:19.719 --> 00:54:25.280
<v Speaker 2>comedy and jokes are such a weird, subconscious or unconscious

1120
00:54:25.320 --> 00:54:28.800
<v Speaker 2>reaction to things, like I think it has to it

1121
00:54:28.840 --> 00:54:33.199
<v Speaker 2>has comes from a deep, weird impulse as opposed to

1122
00:54:33.199 --> 00:54:36.800
<v Speaker 2>some like really like laboring over it. And we always

1123
00:54:36.800 --> 00:54:39.960
<v Speaker 2>found like the things that were written quickest actually are

1124
00:54:40.039 --> 00:54:41.559
<v Speaker 2>the things that people like the best.

1125
00:54:41.920 --> 00:54:44.159
<v Speaker 4>These feel like jugs that always existed that were just

1126
00:54:44.199 --> 00:54:46.480
<v Speaker 4>sort of you know, floating around in the ether and

1127
00:54:46.599 --> 00:54:48.679
<v Speaker 4>just gotta just gotta grab. I mean the fact that

1128
00:54:49.480 --> 00:54:53.360
<v Speaker 4>doctor Zias has the same amount of syllables as Emmadias,

1129
00:54:54.039 --> 00:54:56.000
<v Speaker 4>so you can just yah.

1130
00:54:56.280 --> 00:54:58.280
<v Speaker 2>That was that was my pitch. That was my pitch

1131
00:54:58.280 --> 00:55:01.760
<v Speaker 2>because we me and Bill and actually our friend Paul

1132
00:55:01.800 --> 00:55:04.880
<v Speaker 2>from News radio. We were obsessed with that song when

1133
00:55:04.920 --> 00:55:06.880
<v Speaker 2>it came out, and we're always making jokes and just

1134
00:55:06.920 --> 00:55:10.039
<v Speaker 2>saying things like thank you Amedeis and stuff like that.

1135
00:55:10.400 --> 00:55:12.559
<v Speaker 2>So I just kissed that. I think I said thank

1136
00:55:12.599 --> 00:55:14.960
<v Speaker 2>you doctors A. It's not even to help me, doctor Zayas.

1137
00:55:15.320 --> 00:55:17.920
<v Speaker 2>But then people were like, yeah, that's perfect for like

1138
00:55:18.000 --> 00:55:19.039
<v Speaker 2>the main song.

1139
00:55:19.840 --> 00:55:22.119
<v Speaker 3>Did you I always keep thinking motions going did I

1140
00:55:22.119 --> 00:55:23.800
<v Speaker 3>write a full music? When we're saying bits of it,

1141
00:55:23.840 --> 00:55:25.719
<v Speaker 3>like did you write a full did you write full songs?

1142
00:55:25.800 --> 00:55:27.719
<v Speaker 3>Or what we saw as what you write?

1143
00:55:28.039 --> 00:55:31.239
<v Speaker 2>The whole thing was written out, and at a certain

1144
00:55:31.280 --> 00:55:32.599
<v Speaker 2>point I was like, wait a minute, wait a minute,

1145
00:55:32.639 --> 00:55:36.239
<v Speaker 2>let's get this and let's get that. And you could

1146
00:55:36.480 --> 00:55:38.480
<v Speaker 2>it like you said, like they sort of came out

1147
00:55:38.519 --> 00:55:40.960
<v Speaker 2>of an ether. And there's a theory I have, like

1148
00:55:41.000 --> 00:55:44.239
<v Speaker 2>it's called like a joke radar. It's all all great,

1149
00:55:44.519 --> 00:55:47.599
<v Speaker 2>All jokes are out there. You just have to pinpoint

1150
00:55:47.599 --> 00:55:49.800
<v Speaker 2>it and find the right thing. And it was this

1151
00:55:49.920 --> 00:55:54.519
<v Speaker 2>was just a question of fitting the vaudeville routine with

1152
00:55:54.719 --> 00:55:58.039
<v Speaker 2>the break dancing with doctor Zaais and fitting it all

1153
00:55:58.079 --> 00:56:02.639
<v Speaker 2>together and and saying this is gonna work, by God,

1154
00:56:02.760 --> 00:56:04.079
<v Speaker 2>and than it did.

1155
00:56:04.400 --> 00:56:08.400
<v Speaker 4>And like him I love legitimate theater. So the fact

1156
00:56:08.400 --> 00:56:12.480
<v Speaker 4>that it closes out with I love you doctors, it's like, oh,

1157
00:56:12.599 --> 00:56:15.400
<v Speaker 4>I think I'm saying enough actual musical theater. They sort

1158
00:56:15.400 --> 00:56:16.920
<v Speaker 4>of closed that with a lot like that.

1159
00:56:17.440 --> 00:56:19.480
<v Speaker 2>Yeah, and that was based that one. It's based more

1160
00:56:19.519 --> 00:56:23.119
<v Speaker 2>on more classic musicals like Oklahoma or whatever, where the

1161
00:56:23.159 --> 00:56:26.400
<v Speaker 2>two characters are I love you, and it's just like, okay,

1162
00:56:26.920 --> 00:56:27.840
<v Speaker 2>so let's put that in.

1163
00:56:28.559 --> 00:56:30.639
<v Speaker 3>So what you're saying is somewhere out there there's a

1164
00:56:30.639 --> 00:56:32.239
<v Speaker 3>piece of paper or there's the script that has a

1165
00:56:32.280 --> 00:56:34.719
<v Speaker 3>full stop plan the fs want to get off script.

1166
00:56:35.119 --> 00:56:39.320
<v Speaker 2>Yeah, it's whatever that whatever that rewrite was, it's like,

1167
00:56:39.440 --> 00:56:44.119
<v Speaker 2>that's it. You could see from whatever the version was before.

1168
00:56:44.159 --> 00:56:47.800
<v Speaker 2>I don't even remember what was in its place, if

1169
00:56:47.800 --> 00:56:50.119
<v Speaker 2>it was a musical or what it was, but you

1170
00:56:50.159 --> 00:56:54.199
<v Speaker 2>would see it jumps from that to the entire musical.

1171
00:56:54.360 --> 00:56:56.440
<v Speaker 2>I don't know. I don't know that we changed any

1172
00:56:57.280 --> 00:57:02.000
<v Speaker 2>lines or ever from it. All just fit in a

1173
00:57:02.039 --> 00:57:05.199
<v Speaker 2>perfect package. And also I had I had never seen

1174
00:57:05.760 --> 00:57:08.760
<v Speaker 2>part of a I think to give myself some credit

1175
00:57:09.159 --> 00:57:12.400
<v Speaker 2>is I had never seen Planet of the Apes, so

1176
00:57:12.559 --> 00:57:15.519
<v Speaker 2>I only knew the main things, so I wasn't ruined

1177
00:57:15.719 --> 00:57:19.559
<v Speaker 2>my mind wasn't clouded with the whole movie and Howard

1178
00:57:19.599 --> 00:57:22.480
<v Speaker 2>gonna parody the whole movie because I only knew I

1179
00:57:22.559 --> 00:57:24.800
<v Speaker 2>only knew it was Earth all along. I only knew

1180
00:57:24.800 --> 00:57:27.360
<v Speaker 2>the Statue of Liberty. I only knew Charlton Heston was

1181
00:57:27.400 --> 00:57:31.320
<v Speaker 2>like a bad, overblown actor, and I knew doctor Sais

1182
00:57:31.679 --> 00:57:33.760
<v Speaker 2>and a couple of her names. So I was like,

1183
00:57:34.480 --> 00:57:37.079
<v Speaker 2>I was happy to like ruin it because I hadn't

1184
00:57:37.079 --> 00:57:37.440
<v Speaker 2>seen it.

1185
00:57:37.880 --> 00:57:40.239
<v Speaker 3>Because my daughter, she's just turned five, but I sometimes

1186
00:57:40.239 --> 00:57:42.119
<v Speaker 3>put the Simpsons songs on the carline we're listening because

1187
00:57:42.159 --> 00:57:45.920
<v Speaker 3>on Spotify now, and my daughter always asks Zaia's song

1188
00:57:46.199 --> 00:57:49.440
<v Speaker 3>zaias song. She loves it, like kids love the music.

1189
00:57:49.480 --> 00:57:51.800
<v Speaker 2>It's really it's really happy. You don't have to know

1190
00:57:51.840 --> 00:57:54.360
<v Speaker 2>about the movie or anything. It's like a really happy,

1191
00:57:54.440 --> 00:57:55.039
<v Speaker 2>fun song.

1192
00:57:55.519 --> 00:57:57.800
<v Speaker 4>Yeah. It's also got my favorite jogs, not necessarily the

1193
00:57:57.920 --> 00:58:00.719
<v Speaker 4>musical itself, but I mean, I love of so much

1194
00:58:00.760 --> 00:58:03.519
<v Speaker 4>in this episode. But at the very end, when when

1195
00:58:03.599 --> 00:58:06.079
<v Speaker 4>Dromicle is sort of giving his very self serving speech

1196
00:58:06.119 --> 00:58:08.559
<v Speaker 4>and take it bout sugar bait and you're getting something

1197
00:58:08.599 --> 00:58:10.519
<v Speaker 4>size down in front.

1198
00:58:11.519 --> 00:58:14.840
<v Speaker 2>I love that show that. It's also like there's some

1199
00:58:15.079 --> 00:58:17.920
<v Speaker 2>there's some things that are such good premises that then

1200
00:58:18.079 --> 00:58:20.880
<v Speaker 2>jokes come to them, like down in Front and all that,

1201
00:58:20.960 --> 00:58:24.480
<v Speaker 2>And I love legitimate theater. It's just like it's so

1202
00:58:25.199 --> 00:58:29.280
<v Speaker 2>it's such a meaty premise that you just want to

1203
00:58:29.320 --> 00:58:30.440
<v Speaker 2>come up with jokes for it.

1204
00:58:30.760 --> 00:58:32.199
<v Speaker 3>I will say, that's funny that you said you hadn't

1205
00:58:32.199 --> 00:58:33.559
<v Speaker 3>say a Planet of the APPEs because I hadn't say

1206
00:58:33.559 --> 00:58:35.000
<v Speaker 3>it as a kid e though, so you can imagine

1207
00:58:35.000 --> 00:58:36.840
<v Speaker 3>my disappointment a high Planet of the APPEs and it

1208
00:58:36.880 --> 00:58:37.679
<v Speaker 3>wasn't this musical.

1209
00:58:39.119 --> 00:58:41.440
<v Speaker 2>Yeah, that's what a lot of people say about a

1210
00:58:41.800 --> 00:58:44.440
<v Speaker 2>lot of Simpsons things as they see the movie parody

1211
00:58:44.760 --> 00:58:47.519
<v Speaker 2>before they ever saw the movie. And that was similar

1212
00:58:47.519 --> 00:58:50.679
<v Speaker 2>for me of like my genition in reading Mad magazine,

1213
00:58:50.920 --> 00:58:53.320
<v Speaker 2>where I know a lot of movies and TV shows

1214
00:58:53.639 --> 00:58:56.280
<v Speaker 2>from the sixties and seventies first from the Mad parody

1215
00:58:57.280 --> 00:59:00.280
<v Speaker 2>before I ever saw the actual thing.

1216
00:59:00.440 --> 00:59:02.800
<v Speaker 4>Josh, I'm generation X as well, and I mean I

1217
00:59:02.840 --> 00:59:04.760
<v Speaker 4>sort of wanted to go to that for our gen

1218
00:59:04.880 --> 00:59:07.760
<v Speaker 4>in terms of we watched a lot of good stuff,

1219
00:59:07.760 --> 00:59:09.639
<v Speaker 4>but we absorbed a lot of good culture. But because

1220
00:59:09.679 --> 00:59:13.000
<v Speaker 4>of the I guess limitations that we had in terms

1221
00:59:13.000 --> 00:59:15.679
<v Speaker 4>of like only three or four TV channels and only

1222
00:59:15.719 --> 00:59:19.360
<v Speaker 4>so many, only so much stuff that was available. You

1223
00:59:19.480 --> 00:59:21.039
<v Speaker 4>also were exposed to a lot of bad stuff, and

1224
00:59:21.079 --> 00:59:23.840
<v Speaker 4>you were able to recognize what was not good. It's like,

1225
00:59:24.280 --> 00:59:26.239
<v Speaker 4>this could be good if I did this to it,

1226
00:59:26.280 --> 00:59:27.679
<v Speaker 4>you know, if I took it. Yeah, think and put

1227
00:59:27.679 --> 00:59:29.960
<v Speaker 4>a clock in it. So yeah, I mean I think

1228
00:59:29.960 --> 00:59:34.239
<v Speaker 4>that's Yeah. A lot of what makes your seasons of

1229
00:59:34.280 --> 00:59:37.199
<v Speaker 4>the Simpsons, and of course other people who worked on

1230
00:59:37.199 --> 00:59:38.880
<v Speaker 4>the show, what makes it work so well is like

1231
00:59:38.920 --> 00:59:42.920
<v Speaker 4>you were filtering all of pop culture through your sort

1232
00:59:42.960 --> 00:59:44.119
<v Speaker 4>of your sensibilities.

1233
00:59:44.199 --> 00:59:46.760
<v Speaker 2>Yeah, that's the thing. And you'll see, like in the

1234
00:59:46.800 --> 00:59:50.320
<v Speaker 2>early Substance, there is a lot more pop culture reference

1235
00:59:50.360 --> 00:59:53.440
<v Speaker 2>to things in his sixties or fifties that like slightly

1236
00:59:53.480 --> 00:59:56.719
<v Speaker 2>older writers or you might have like heard of when

1237
00:59:56.719 --> 00:59:57.400
<v Speaker 2>they were kids.

1238
00:59:58.199 --> 01:00:00.119
<v Speaker 4>Well, you see it in Troy mcclau's movies as well. Well.

1239
01:00:00.159 --> 01:00:04.400
<v Speaker 4>I mean, god knows, I've probably watched things like I'm

1240
01:00:04.400 --> 01:00:07.679
<v Speaker 4>Gonna Butcher It, but you know the contablist reputation.

1241
01:00:08.119 --> 01:00:11.320
<v Speaker 2>Yeah, yeah, that's a very distinct, distinct type of movie

1242
01:00:11.360 --> 01:00:13.440
<v Speaker 2>like we want to have seen as kids, because there

1243
01:00:13.440 --> 01:00:16.760
<v Speaker 2>were like adult movies in the sixties, but all those

1244
01:00:16.800 --> 01:00:21.440
<v Speaker 2>like crazy names, like crazy Name musicals and movies was

1245
01:00:21.480 --> 01:00:24.000
<v Speaker 2>a type of genre in the sixties.

1246
01:00:24.599 --> 01:00:26.239
<v Speaker 4>I love that that's his passion project.

1247
01:00:28.039 --> 01:00:29.119
<v Speaker 2>Yeah, it's really sad.

1248
01:00:29.199 --> 01:00:32.920
<v Speaker 3>But when we go into into his house and there's

1249
01:00:32.960 --> 01:00:35.039
<v Speaker 3>posters on the wall, those three like I think it's

1250
01:00:35.079 --> 01:00:37.199
<v Speaker 3>one's assault on Gemini three is one of them?

1251
01:00:37.320 --> 01:00:41.079
<v Speaker 2>Yeah, Astro Astro something Gemini three.

1252
01:00:41.199 --> 01:00:43.800
<v Speaker 3>Yeah, yeah, yeah. I didn't realize that there's a game

1253
01:00:43.840 --> 01:00:47.039
<v Speaker 3>that came out in the nineties. No, it's called Virtual Springfield,

1254
01:00:47.039 --> 01:00:49.679
<v Speaker 3>and Troy McClure is the host of that game. And

1255
01:00:49.840 --> 01:00:52.440
<v Speaker 3>if you go into the game, those films actually got

1256
01:00:52.440 --> 01:00:54.519
<v Speaker 3>redesigned posters that are in that game. I was wondering

1257
01:00:54.519 --> 01:00:56.039
<v Speaker 3>whether you have actually ever seen them.

1258
01:00:56.440 --> 01:00:58.440
<v Speaker 2>No, I never, I don't. I don't think I ever

1259
01:00:58.480 --> 01:00:59.559
<v Speaker 2>saw Virtual Simpsons.

1260
01:00:59.599 --> 01:01:02.880
<v Speaker 3>I know, yeah, Virtual Spirit It's actually it still works

1261
01:01:02.920 --> 01:01:04.639
<v Speaker 3>on Windows ten. I still play it on my laptopic

1262
01:01:04.800 --> 01:01:07.079
<v Speaker 3>essially my kid Like basically just you're just walking your

1263
01:01:07.119 --> 01:01:09.639
<v Speaker 3>inn Springfield. And I think it's great that Traum mcclauw

1264
01:01:09.800 --> 01:01:11.679
<v Speaker 3>is the host, because of course he is. He hosted

1265
01:01:11.719 --> 01:01:14.280
<v Speaker 3>everything in the Simpsons universe. But getting that again from

1266
01:01:14.320 --> 01:01:16.559
<v Speaker 3>Phil just prior to what happened is just it's it's

1267
01:01:16.639 --> 01:01:18.199
<v Speaker 3>really it's kind of emotional.

1268
01:01:18.760 --> 01:01:19.920
<v Speaker 2>Yeah, that's nice.

1269
01:01:20.400 --> 01:01:22.519
<v Speaker 3>Yes, But look going back to this episode though, so

1270
01:01:22.559 --> 01:01:24.119
<v Speaker 3>what what was it about this one that you loved

1271
01:01:24.159 --> 01:01:25.559
<v Speaker 3>the most. Was it just the fact that you got

1272
01:01:25.559 --> 01:01:27.960
<v Speaker 3>to work so much with Phil in particular, just on

1273
01:01:28.000 --> 01:01:30.039
<v Speaker 3>this episode in particular, I.

1274
01:01:30.039 --> 01:01:33.000
<v Speaker 2>Think it was it was that, But it's also like,

1275
01:01:33.400 --> 01:01:38.119
<v Speaker 2>we really it's the perfect example of exploring a side

1276
01:01:38.199 --> 01:01:41.920
<v Speaker 2>character to side characters lives that like you could not

1277
01:01:42.079 --> 01:01:46.000
<v Speaker 2>have done in season three or four when we're still

1278
01:01:46.039 --> 01:01:49.719
<v Speaker 2>like getting to know the family and you just it

1279
01:01:49.800 --> 01:01:53.800
<v Speaker 2>was so it's such a perfect expiration of a and

1280
01:01:53.800 --> 01:01:56.400
<v Speaker 2>it's also like the jokes are so good, and it's

1281
01:01:56.400 --> 01:01:59.119
<v Speaker 2>also like a really nicely emotional story. It's just like

1282
01:01:59.519 --> 01:02:03.360
<v Speaker 2>I like it because it works on all all those levels.

1283
01:02:04.000 --> 01:02:06.880
<v Speaker 3>Was there original concern about maybe retreading the same story

1284
01:02:06.920 --> 01:02:09.400
<v Speaker 3>with Selma because she'd already had so many previous husbands.

1285
01:02:09.519 --> 01:02:11.519
<v Speaker 2>No, that was more just like a running joke. So

1286
01:02:11.559 --> 01:02:14.000
<v Speaker 2>it's like, of course it's Selma because she's always going

1287
01:02:14.079 --> 01:02:16.559
<v Speaker 2>to have like another husband that doesn't work out.

1288
01:02:16.599 --> 01:02:18.280
<v Speaker 3>And it was nice that you did play on the

1289
01:02:18.400 --> 01:02:20.079
<v Speaker 3>story that was sort of implemented with I think it

1290
01:02:20.119 --> 01:02:22.760
<v Speaker 3>was Salma's choice where she gets jubjub. Obviously you still

1291
01:02:22.760 --> 01:02:25.719
<v Speaker 3>continued on jubjub, but also just shares this design not

1292
01:02:25.800 --> 01:02:27.559
<v Speaker 3>just for love, but to have a baby, but to

1293
01:02:27.599 --> 01:02:30.199
<v Speaker 3>have a baby for the right reasons as well. Yeah,

1294
01:02:30.519 --> 01:02:31.480
<v Speaker 3>I just want to be a mum.

1295
01:02:31.760 --> 01:02:34.719
<v Speaker 2>Yeah, I remember that was that was discussed in the

1296
01:02:34.800 --> 01:02:37.920
<v Speaker 2>Story Retreat with Jim Brooks. It's like that that it

1297
01:02:38.000 --> 01:02:41.679
<v Speaker 2>was really important to him and to everybody that that

1298
01:02:41.880 --> 01:02:45.079
<v Speaker 2>be a Really, when you're talking about having a kid

1299
01:02:45.559 --> 01:02:48.519
<v Speaker 2>and for these for these not right purposes, it's like,

1300
01:02:48.599 --> 01:02:51.800
<v Speaker 2>that's a let's be really real about it.

1301
01:02:52.119 --> 01:02:53.719
<v Speaker 3>I want to hear about these retreats. You hear so

1302
01:02:53.800 --> 01:02:55.679
<v Speaker 3>much about them. How you guys all went away and

1303
01:02:55.719 --> 01:02:57.039
<v Speaker 3>you just sort of did you put your name in

1304
01:02:57.039 --> 01:02:58.599
<v Speaker 3>a hat and you picked that ideas or something? Or

1305
01:02:58.639 --> 01:02:59.679
<v Speaker 3>is it just people pitching idea?

1306
01:02:59.719 --> 01:03:02.280
<v Speaker 2>Yes, well it was like I think I think the

1307
01:03:02.320 --> 01:03:06.119
<v Speaker 2>original genesis of have any Story Retreats is like Jim Brooks,

1308
01:03:06.239 --> 01:03:11.360
<v Speaker 2>especially then, was always so busy making great movies that

1309
01:03:11.480 --> 01:03:15.400
<v Speaker 2>we couldn't We needed to trap him in a room

1310
01:03:15.880 --> 01:03:18.199
<v Speaker 2>and get all the ideas out of his head in

1311
01:03:18.280 --> 01:03:20.480
<v Speaker 2>like two days because we weren't going to see him

1312
01:03:20.519 --> 01:03:23.000
<v Speaker 2>for a while. So like that was like I think,

1313
01:03:23.039 --> 01:03:25.480
<v Speaker 2>like the main reason is like we and we did

1314
01:03:25.519 --> 01:03:28.000
<v Speaker 2>like like I know, like some shows like had story

1315
01:03:28.320 --> 01:03:33.280
<v Speaker 2>retreats like in Hawaii and like all in luxurious circumstances,

1316
01:03:33.400 --> 01:03:37.519
<v Speaker 2>and we our story retreats were at the hotel right

1317
01:03:37.559 --> 01:03:39.519
<v Speaker 2>next to the Fox Lot, and in fact we could

1318
01:03:39.519 --> 01:03:43.000
<v Speaker 2>look out the balcony and see the Simpsons offices.

1319
01:03:43.280 --> 01:03:45.679
<v Speaker 3>I'm envisioning a forest cabin somewhere.

1320
01:03:46.280 --> 01:03:49.480
<v Speaker 2>No, it was like the Hyatt or whatever. I don't

1321
01:03:50.199 --> 01:03:52.199
<v Speaker 2>the building still exists, It's not a hotel now.

1322
01:03:52.480 --> 01:03:53.800
<v Speaker 3>It was the tension. It was the tension.

1323
01:03:53.800 --> 01:03:57.039
<v Speaker 4>It wasn't just an inspiriting anonymous three style hotel.

1324
01:03:57.440 --> 01:04:00.800
<v Speaker 2>Yea literally just overlock looked the Fox Lot and you're

1325
01:04:00.880 --> 01:04:02.599
<v Speaker 2>just like locked in the room all day. Like they're

1326
01:04:02.599 --> 01:04:05.320
<v Speaker 2>bringing like a nice lunch and stuff. But it's also

1327
01:04:05.400 --> 01:04:09.239
<v Speaker 2>like it's an exciting kind of thrilling also very nerve

1328
01:04:09.280 --> 01:04:14.119
<v Speaker 2>wrecking time, because like you're you're not just pitching two

1329
01:04:14.159 --> 01:04:17.119
<v Speaker 2>people you know and and to Matt, but you're pitching

1330
01:04:17.159 --> 01:04:21.079
<v Speaker 2>to Jim Brooks, who's this brilliant not just sitcom but

1331
01:04:21.159 --> 01:04:25.840
<v Speaker 2>this brilliant entertainment comedy god. And you want him to

1332
01:04:25.960 --> 01:04:28.639
<v Speaker 2>like the idea but you also really want his take

1333
01:04:28.679 --> 01:04:31.519
<v Speaker 2>on it, because we we would often say, like Jim's

1334
01:04:31.800 --> 01:04:35.079
<v Speaker 2>Jim's gonna find the right emotional hook for this Marge

1335
01:04:35.119 --> 01:04:38.199
<v Speaker 2>story or whatever. It's like we have the makings of it,

1336
01:04:38.239 --> 01:04:41.400
<v Speaker 2>but we don't quite have it. I bet Jim will

1337
01:04:41.400 --> 01:04:44.960
<v Speaker 2>crack it. And and he was just he and he

1338
01:04:45.039 --> 01:04:47.320
<v Speaker 2>was really crucial in this life, not just for coming

1339
01:04:47.400 --> 01:04:51.360
<v Speaker 2>up with the fish idea, but with like those emotional

1340
01:04:51.400 --> 01:04:56.440
<v Speaker 2>cruxes and emotional points of like when Selma finds out

1341
01:04:56.920 --> 01:04:59.920
<v Speaker 2>that it's a sham marriage and when they're discussing how

1342
01:05:00.000 --> 01:05:03.440
<v Speaker 2>having a kid like that was really the moments where

1343
01:05:03.559 --> 01:05:06.280
<v Speaker 2>you really watch in Brooks, but those story retreats where

1344
01:05:06.320 --> 01:05:11.079
<v Speaker 2>it was also like Bill and I were really anal

1345
01:05:11.239 --> 01:05:14.480
<v Speaker 2>obsessed with people, so we'd always work out our pitches

1346
01:05:14.559 --> 01:05:17.320
<v Speaker 2>ahead of time and practice them, and so we got

1347
01:05:17.360 --> 01:05:21.599
<v Speaker 2>to learn to really like pitching and enjoy it, which

1348
01:05:21.639 --> 01:05:24.880
<v Speaker 2>is then's something that we took from The Simpsons, because like,

1349
01:05:24.920 --> 01:05:27.159
<v Speaker 2>now I like, I like going in a room and

1350
01:05:27.199 --> 01:05:31.039
<v Speaker 2>pitching something. I'll still be like horribly nervous beforehand, but

1351
01:05:31.079 --> 01:05:33.000
<v Speaker 2>when I'm pitching it, I like, I know I got it,

1352
01:05:33.360 --> 01:05:36.199
<v Speaker 2>I know it got mapped out. So like every writer

1353
01:05:36.320 --> 01:05:41.199
<v Speaker 2>would come with like two or three episode ideas and

1354
01:05:41.239 --> 01:05:43.079
<v Speaker 2>then like for example, Bill and I would always have

1355
01:05:43.119 --> 01:05:46.719
<v Speaker 2>the basic story beats worked out, and other other writers,

1356
01:05:46.760 --> 01:05:49.960
<v Speaker 2>like I remember Scully was always really good at at

1357
01:05:50.000 --> 01:05:53.440
<v Speaker 2>pitching and having stories and having really emotionally grounded stories.

1358
01:05:53.599 --> 01:05:55.360
<v Speaker 2>But then you pitch them to the room and then

1359
01:05:55.360 --> 01:05:59.599
<v Speaker 2>you get everybody kind of looks to Jim to see

1360
01:05:59.599 --> 01:06:01.559
<v Speaker 2>if he likes it, and then if he likes it,

1361
01:06:01.599 --> 01:06:05.880
<v Speaker 2>and Matt likes it, and when Sam was there, it

1362
01:06:05.960 --> 01:06:08.599
<v Speaker 2>was they were the big three. But if they like it,

1363
01:06:08.639 --> 01:06:10.280
<v Speaker 2>then you talk about it more and you kind of

1364
01:06:10.320 --> 01:06:13.599
<v Speaker 2>then you actually do a lot more. You spend maybe

1365
01:06:14.679 --> 01:06:17.679
<v Speaker 2>like half an hour on the stories, flashing it out,

1366
01:06:17.719 --> 01:06:19.679
<v Speaker 2>and then you'll go and then they always had a

1367
01:06:19.719 --> 01:06:22.400
<v Speaker 2>gong in the room, and it's like when we're done, ready,

1368
01:06:22.440 --> 01:06:25.679
<v Speaker 2>this story is ready, it's cooked, you know, you bang

1369
01:06:25.719 --> 01:06:27.920
<v Speaker 2>the gong and you move on to the next pitch.

1370
01:06:28.199 --> 01:06:30.440
<v Speaker 3>Can you call the first time you pitched something and

1371
01:06:30.519 --> 01:06:33.000
<v Speaker 3>how you're feeling. Were you nervous? But just to splad

1372
01:06:33.039 --> 01:06:34.760
<v Speaker 3>it out there, Look, what was the first thing you

1373
01:06:34.800 --> 01:06:35.639
<v Speaker 3>pitched in? That writer?

1374
01:06:36.239 --> 01:06:38.840
<v Speaker 2>Just just suck. My wife just walked in. I gotta

1375
01:06:38.840 --> 01:06:40.360
<v Speaker 2>tell her I'm doing this just a.

1376
01:06:40.320 --> 01:06:43.039
<v Speaker 4>Second, Josh before you begin. Sorry, this might be an

1377
01:06:43.039 --> 01:06:45.199
<v Speaker 4>opportunity time to ask, is it purely coincidence that your

1378
01:06:45.239 --> 01:06:46.719
<v Speaker 4>wife's name is Lisa Simmons.

1379
01:06:48.159 --> 01:06:51.440
<v Speaker 2>In fact, that was an amazing thing early on because

1380
01:06:51.480 --> 01:06:55.159
<v Speaker 2>like I asked Matt to do a birthday drawing for

1381
01:06:55.280 --> 01:06:59.119
<v Speaker 2>her and the because herd it's one letter away from

1382
01:06:59.199 --> 01:07:05.280
<v Speaker 2>Lisa Simpson. So we still have that drugs Happy Briefletely Simmons.

1383
01:07:06.239 --> 01:07:08.000
<v Speaker 3>This show is brought to you by the four figure

1384
01:07:08.039 --> 01:07:10.960
<v Speaker 3>discount Patreon, where you will find over one hundred hours

1385
01:07:10.960 --> 01:07:15.480
<v Speaker 3>of bonus podcasts, including exclusive Simpsons reviews and commentaries, as

1386
01:07:15.480 --> 01:07:18.320
<v Speaker 3>well as exclusive episodes of Going Down to South Park,

1387
01:07:18.519 --> 01:07:23.119
<v Speaker 3>tales of Futurama, Bob's Pods, Speaking of the Hill, Talking Seefeld,

1388
01:07:23.320 --> 01:07:26.000
<v Speaker 3>the One about Friends, and so much more. So go

1389
01:07:26.039 --> 01:07:29.199
<v Speaker 3>ahead and join the family today at patreon dot com

1390
01:07:29.199 --> 01:07:32.199
<v Speaker 3>slash four figure discount. But I was just asking, can

1391
01:07:32.239 --> 01:07:33.840
<v Speaker 3>you recall the first thing that you ever pitch and

1392
01:07:33.880 --> 01:07:35.840
<v Speaker 3>we're you nervous to pitch it? What was it?

1393
01:07:36.320 --> 01:07:40.800
<v Speaker 2>Yeah? I have a document and I remember there's I

1394
01:07:41.280 --> 01:07:44.960
<v Speaker 2>don't remember what the first things we pitched and there

1395
01:07:44.960 --> 01:07:48.440
<v Speaker 2>were a couple like we pitched a story of the

1396
01:07:48.559 --> 01:07:51.719
<v Speaker 2>kidnapping of Montgomery Burns. I think that was one of

1397
01:07:51.719 --> 01:07:55.079
<v Speaker 2>the things, and then elements of that we went into

1398
01:07:55.079 --> 01:07:57.960
<v Speaker 2>who Sharp mister Burns? But like that didn't like that

1399
01:07:58.000 --> 01:08:01.119
<v Speaker 2>episode was not approved, but there'd be. There are a

1400
01:08:01.199 --> 01:08:04.639
<v Speaker 2>number of episodes that we might have like pitched, and

1401
01:08:04.679 --> 01:08:08.199
<v Speaker 2>then we're able to use elements in later stories. But

1402
01:08:08.280 --> 01:08:11.639
<v Speaker 2>I don't I don't remember what the first couple of

1403
01:08:11.719 --> 01:08:15.599
<v Speaker 2>episodes we pitched were, and I or horror how they went.

1404
01:08:15.639 --> 01:08:19.399
<v Speaker 2>And I'm sure we're incredibly nervous, and it wasn't. It

1405
01:08:19.439 --> 01:08:23.840
<v Speaker 2>wasn't until a couple of seasons in that we felt confident.

1406
01:08:23.840 --> 01:08:25.920
<v Speaker 2>And that's the same in the room is It took

1407
01:08:25.920 --> 01:08:29.640
<v Speaker 2>a good, good couple of months when we were first

1408
01:08:29.680 --> 01:08:32.119
<v Speaker 2>in a room to feel confident to like really pitch

1409
01:08:32.479 --> 01:08:35.199
<v Speaker 2>jokes and it's I remember, I don't remember the joke,

1410
01:08:35.239 --> 01:08:38.199
<v Speaker 2>but I remember I pitched a joke and Sam Simon laughed,

1411
01:08:38.520 --> 01:08:40.960
<v Speaker 2>and from that moment on, I was like, Okay, I'm

1412
01:08:41.199 --> 01:08:42.920
<v Speaker 2>I'm not going to get fired. I got this.

1413
01:08:43.560 --> 01:08:46.199
<v Speaker 3>How good were they explaining to you why they were

1414
01:08:46.239 --> 01:08:47.880
<v Speaker 3>going to turn down an idea you had?

1415
01:08:48.520 --> 01:08:52.079
<v Speaker 2>They were really good. That's the thing. That's so unusual

1416
01:08:52.119 --> 01:08:55.680
<v Speaker 2>about like it's like Mike and Al and everybody who

1417
01:08:55.720 --> 01:08:58.880
<v Speaker 2>who I know it was Scully and everybody else and

1418
01:08:58.920 --> 01:09:04.359
<v Speaker 2>Matt Salmon and David Murkin. Is if they didn't like

1419
01:09:04.399 --> 01:09:09.000
<v Speaker 2>an idea, they would explain it in a really nice

1420
01:09:09.039 --> 01:09:11.680
<v Speaker 2>way as opposed to go that sucks or that would

1421
01:09:11.760 --> 01:09:14.680
<v Speaker 2>never work. They'd be like, I think that might not

1422
01:09:14.880 --> 01:09:18.600
<v Speaker 2>work because of so and so or whatever, or or

1423
01:09:18.640 --> 01:09:22.239
<v Speaker 2>they might go like that's good, but let's keep let's

1424
01:09:22.319 --> 01:09:23.239
<v Speaker 2>keep thinking.

1425
01:09:23.199 --> 01:09:24.960
<v Speaker 4>Did it make you a better roger As a result

1426
01:09:25.000 --> 01:09:27.680
<v Speaker 4>getting that kind of feedback, it's like, okay, this, but

1427
01:09:27.720 --> 01:09:28.439
<v Speaker 4>this doesn't And.

1428
01:09:28.359 --> 01:09:30.359
<v Speaker 3>Also knowing you didn't have to be there's no fear

1429
01:09:30.359 --> 01:09:32.159
<v Speaker 3>of pitching something because you know your right.

1430
01:09:32.199 --> 01:09:35.319
<v Speaker 2>And that's another rule is that we always that we

1431
01:09:35.479 --> 01:09:38.479
<v Speaker 2>learned from those guys older people, and that we always

1432
01:09:38.640 --> 01:09:41.399
<v Speaker 2>enacted as like there's no bad pitch because some of that,

1433
01:09:41.479 --> 01:09:43.920
<v Speaker 2>as you see with like planet a f apes, there's

1434
01:09:44.000 --> 01:09:46.960
<v Speaker 2>like even something that sounds like the dumbest idea could

1435
01:09:47.039 --> 01:09:49.800
<v Speaker 2>lead to something great. So you've always got to like

1436
01:09:50.039 --> 01:09:52.560
<v Speaker 2>give you it's it's your job running the room to

1437
01:09:52.600 --> 01:09:55.399
<v Speaker 2>know whether you're going to give an idea a chance.

1438
01:09:55.600 --> 01:09:59.079
<v Speaker 2>But you should never you just have a feeling about it.

1439
01:09:59.079 --> 01:10:01.000
<v Speaker 2>And there's a lot of things like might explore ideas

1440
01:10:01.039 --> 01:10:03.720
<v Speaker 2>that go nowhere, but at least we explore.

1441
01:10:03.359 --> 01:10:06.600
<v Speaker 3>Them exactly well. We usually do a big run through

1442
01:10:06.640 --> 01:10:08.039
<v Speaker 3>the episode. I feel I've had you long enough now.

1443
01:10:08.079 --> 01:10:09.239
<v Speaker 3>I feel we want to just pick out some key

1444
01:10:09.279 --> 01:10:10.720
<v Speaker 3>moments in the episode and just sort of dove into

1445
01:10:10.760 --> 01:10:14.359
<v Speaker 3>them because it's just passing interesting discussion. Yeah, so basically

1446
01:10:14.399 --> 01:10:17.000
<v Speaker 3>this one here you touch on the Muppets a couple

1447
01:10:17.039 --> 01:10:18.600
<v Speaker 3>of times, and it's one of my favorite moments from

1448
01:10:18.600 --> 01:10:20.920
<v Speaker 3>the episode is when he's taking somewhe to a special

1449
01:10:20.960 --> 01:10:23.640
<v Speaker 3>screening of his latest film, and it's just the Muppets

1450
01:10:23.640 --> 01:10:26.840
<v Speaker 3>go medieval from the opening scene there from nineteen seventy seven.

1451
01:10:26.880 --> 01:10:28.720
<v Speaker 3>They're the only ones there at the flea market driving

1452
01:10:28.720 --> 01:10:30.359
<v Speaker 3>which has been demolished the following day, which I think

1453
01:10:30.399 --> 01:10:33.520
<v Speaker 3>is just great. I'm a huge Muppets fan, right, I

1454
01:10:33.520 --> 01:10:35.399
<v Speaker 3>love the Muppets. It feels like you were just taking

1455
01:10:35.439 --> 01:10:36.960
<v Speaker 3>the mickey out of the Muppets here. So were you

1456
01:10:36.960 --> 01:10:38.800
<v Speaker 3>guys just not the Muppets fans or.

1457
01:10:39.079 --> 01:10:44.199
<v Speaker 2>Yes, here's the truth about that, because like I'm you're younger,

1458
01:10:44.319 --> 01:10:48.000
<v Speaker 2>so you're you're like the Muppets generation. I'm I'm the

1459
01:10:48.079 --> 01:10:51.720
<v Speaker 2>Sesame Street generation. So I like a certain type of

1460
01:10:51.840 --> 01:10:56.439
<v Speaker 2>Jim Hansen puppets, like I love like Sesame Street was

1461
01:10:56.479 --> 01:10:59.800
<v Speaker 2>the formative thing to me it growing up in the seventies,

1462
01:10:59.800 --> 01:11:02.239
<v Speaker 2>and they had a lot of great animation, but also

1463
01:11:02.560 --> 01:11:08.760
<v Speaker 2>puppet puppets. But I found the Muppets to be really corny,

1464
01:11:08.920 --> 01:11:11.159
<v Speaker 2>and I still watched it. I still liked it, but

1465
01:11:11.239 --> 01:11:15.039
<v Speaker 2>it's just like really really corny. So like that was like,

1466
01:11:15.640 --> 01:11:19.239
<v Speaker 2>so yeah, we were taking the mickey out of it.

1467
01:11:19.800 --> 01:11:23.600
<v Speaker 2>Not the world's biggest Muppet fan, though I love I

1468
01:11:23.640 --> 01:11:27.319
<v Speaker 2>love Jim Henson puppets, just not the Muppets.

1469
01:11:27.560 --> 01:11:29.479
<v Speaker 4>By the way, I've got to take issue with something here.

1470
01:11:29.520 --> 01:11:32.119
<v Speaker 4>I mean, first of all, we see the family watching

1471
01:11:32.640 --> 01:11:34.880
<v Speaker 4>the Muppets go Medieval on movie for a rained at

1472
01:11:34.880 --> 01:11:38.039
<v Speaker 4>ball game on TV. Yet later it's got a theatrical release.

1473
01:11:38.880 --> 01:11:39.800
<v Speaker 4>What's all that about?

1474
01:11:40.640 --> 01:11:43.000
<v Speaker 2>I don't know. I certainly I got fired for that

1475
01:11:43.039 --> 01:11:44.000
<v Speaker 2>blood I.

1476
01:11:44.039 --> 01:11:46.359
<v Speaker 4>Was exactly the same thing of I'm not going to

1477
01:11:46.359 --> 01:11:47.920
<v Speaker 4>acquire this to Josh.

1478
01:11:48.119 --> 01:11:50.439
<v Speaker 2>I don't There's a lot of stuff like that. Did it?

1479
01:11:50.600 --> 01:11:53.199
<v Speaker 2>Like people are like, what about this is? Like we

1480
01:11:53.279 --> 01:11:56.399
<v Speaker 2>did it never crossed our mind, and that never kind

1481
01:11:56.399 --> 01:11:58.119
<v Speaker 2>of crossed my mind for twenty five years.

1482
01:11:58.439 --> 01:12:00.800
<v Speaker 4>The Simpsons predicted so many things. You wils have predicted

1483
01:12:00.800 --> 01:12:02.720
<v Speaker 4>the shrinking of the theatrical window.

1484
01:12:03.960 --> 01:12:05.199
<v Speaker 2>Yeah, that we did.

1485
01:12:06.359 --> 01:12:08.079
<v Speaker 3>How often do you quote the Simpsons in your day

1486
01:12:08.079 --> 01:12:09.319
<v Speaker 3>to day life still to this day?

1487
01:12:09.640 --> 01:12:13.760
<v Speaker 2>Oh, all the time, every day, And in fact, we

1488
01:12:13.800 --> 01:12:17.359
<v Speaker 2>would quote before episodes ever aired. There are lines that

1489
01:12:17.399 --> 01:12:20.479
<v Speaker 2>we would quote around the office. So we're the original

1490
01:12:20.720 --> 01:12:24.079
<v Speaker 2>Simpsons quoters because there's certain lines that we love so

1491
01:12:24.159 --> 01:12:26.439
<v Speaker 2>much we would just repeat in the office or that

1492
01:12:26.479 --> 01:12:30.079
<v Speaker 2>would come up before episodes. So so like like all

1493
01:12:30.159 --> 01:12:32.720
<v Speaker 2>the time. Yeah, and I have to think of them.

1494
01:12:32.840 --> 01:12:35.720
<v Speaker 2>They're they're very just like a lot of Simpsons stuff,

1495
01:12:35.720 --> 01:12:39.520
<v Speaker 2>they're they're pretty obscure, but we really for whatever reason.

1496
01:12:39.720 --> 01:12:41.760
<v Speaker 2>But then they're also and I have to think if

1497
01:12:41.760 --> 01:12:44.720
<v Speaker 2>I can actually tell you one of them. There are

1498
01:12:44.920 --> 01:12:49.439
<v Speaker 2>certain lines that we loved and never thought that other

1499
01:12:49.560 --> 01:12:52.520
<v Speaker 2>people would like and then have ended up that. It's

1500
01:12:52.560 --> 01:12:55.720
<v Speaker 2>a delightful surprise when we learned, like, oh my god,

1501
01:12:55.800 --> 01:12:58.319
<v Speaker 2>other people out there in the world they love that

1502
01:12:58.399 --> 01:13:00.960
<v Speaker 2>line too, and they're quoting that line too. I don't

1503
01:13:00.960 --> 01:13:03.720
<v Speaker 2>have a particular example, but there have been many.

1504
01:13:04.000 --> 01:13:07.000
<v Speaker 3>Well, the big one now for the main culture is

1505
01:13:07.039 --> 01:13:09.600
<v Speaker 3>Stained Hams. Could you have any idea that Stained Hams

1506
01:13:09.600 --> 01:13:10.960
<v Speaker 3>is going to become a thing? I mean, Bills now

1507
01:13:10.960 --> 01:13:12.319
<v Speaker 3>a living from it with these.

1508
01:13:12.199 --> 01:13:16.199
<v Speaker 2>Days you do. And that's the thing, the rare thing.

1509
01:13:16.560 --> 01:13:22.520
<v Speaker 2>It's very rare that anything goes in verbatim from a

1510
01:13:22.520 --> 01:13:26.960
<v Speaker 2>writer like people. There's like very few sybstance writers like

1511
01:13:27.039 --> 01:13:30.880
<v Speaker 2>John Vitty or David Cohen who were so good at

1512
01:13:30.960 --> 01:13:34.640
<v Speaker 2>it like that they had. It's like if you got

1513
01:13:34.840 --> 01:13:38.279
<v Speaker 2>sixty percent of your first draft into the final episode,

1514
01:13:38.279 --> 01:13:41.399
<v Speaker 2>that's amazing. And that's the reserve for people like David

1515
01:13:41.439 --> 01:13:46.399
<v Speaker 2>Cohen and John Vetdy or Sportswelder. But so it's very

1516
01:13:46.479 --> 01:13:48.640
<v Speaker 2>rare because it's also, as you've got the feel from

1517
01:13:48.720 --> 01:13:52.720
<v Speaker 2>talking about it, it's very much a room written show.

1518
01:13:52.800 --> 01:13:57.319
<v Speaker 2>So anything, anything is going to be rewritten and made better.

1519
01:13:57.319 --> 01:14:01.279
<v Speaker 2>But for twenty two two Birthdays, it really was people

1520
01:14:01.359 --> 01:14:04.840
<v Speaker 2>took the characters that they really love and Bill and

1521
01:14:04.880 --> 01:14:10.159
<v Speaker 2>I but Bill obviously especially love Skinner and Chalmers, and

1522
01:14:10.720 --> 01:14:15.760
<v Speaker 2>we were and that was that episode. Myself and Greg

1523
01:14:15.840 --> 01:14:19.560
<v Speaker 2>Daniels were actually in charge of cobpling it together. Like Bill,

1524
01:14:19.720 --> 01:14:22.439
<v Speaker 2>we would split up episodes, Bill and I and so like,

1525
01:14:22.479 --> 01:14:25.760
<v Speaker 2>you're in charge of this this half of episodes, and

1526
01:14:25.800 --> 01:14:27.479
<v Speaker 2>I'm in charge of these half and but we'd like,

1527
01:14:27.720 --> 01:14:29.399
<v Speaker 2>you know, we would switch off to whatever so it

1528
01:14:29.439 --> 01:14:34.319
<v Speaker 2>gets the balance. But we're overseeing twenty two short films.

1529
01:14:34.359 --> 01:14:36.960
<v Speaker 2>And Bill wrote fist. I think he just wrote it

1530
01:14:37.079 --> 01:14:40.239
<v Speaker 2>like in a night, and it was so perfect to me.

1531
01:14:40.359 --> 01:14:44.439
<v Speaker 2>I think I cut out one couplet because it was long,

1532
01:14:45.199 --> 01:14:46.640
<v Speaker 2>Like I just caught out this couplet and I'm just

1533
01:14:46.680 --> 01:14:48.880
<v Speaker 2>going in because like Bill and I are like, we're

1534
01:14:48.880 --> 01:14:51.640
<v Speaker 2>in charge, this is this is perfect. We're not. It

1535
01:14:51.680 --> 01:14:53.920
<v Speaker 2>doesn't need to be rewritten. It's going in And that

1536
01:14:54.039 --> 01:14:57.319
<v Speaker 2>was it. Wow, And so it was really was I

1537
01:14:57.359 --> 01:15:02.199
<v Speaker 2>think it's it's entirely Bill one hundred percent. So he's

1538
01:15:02.399 --> 01:15:04.880
<v Speaker 2>he's a title to make a living from it. Yeah,

1539
01:15:05.159 --> 01:15:07.920
<v Speaker 2>and he had like he said, I'm sure he said it.

1540
01:15:08.359 --> 01:15:10.520
<v Speaker 2>We had no idea for like twenty years and then

1541
01:15:10.560 --> 01:15:14.520
<v Speaker 2>it just suddenly took off, I guess from Australia where

1542
01:15:14.640 --> 01:15:19.399
<v Speaker 2>they some supermarket was advertising steamed hams.

1543
01:15:19.479 --> 01:15:19.680
<v Speaker 4>Yeah.

1544
01:15:19.680 --> 01:15:22.920
<v Speaker 3>Well what happened was was Simpsons fandom is huge in Australia.

1545
01:15:22.920 --> 01:15:25.760
<v Speaker 3>It's just all and we're wondering why they never came back,

1546
01:15:25.840 --> 01:15:27.479
<v Speaker 3>you know, because we've got that one episodes, like come

1547
01:15:27.479 --> 01:15:29.600
<v Speaker 3>back and do another episode because it's huge here. But

1548
01:15:29.720 --> 01:15:32.319
<v Speaker 3>you know, we have stores like supermarkets that you can

1549
01:15:32.399 --> 01:15:33.920
<v Speaker 3>design your own signs, so the workers will draw a

1550
01:15:33.920 --> 01:15:35.640
<v Speaker 3>owne signs. Now, there was like Hamburgs and they went

1551
01:15:35.760 --> 01:15:37.680
<v Speaker 3>steamed hams Now on special as a joke because the

1552
01:15:38.000 --> 01:15:40.319
<v Speaker 3>worker was obviously a Simpsons fan, and someone took a

1553
01:15:40.319 --> 01:15:41.840
<v Speaker 3>photo of that send it to us. We shared it

1554
01:15:41.840 --> 01:15:45.880
<v Speaker 3>on our page and boom it exploded. And then now

1555
01:15:45.920 --> 01:15:47.960
<v Speaker 3>there's a store called JB. High Fire, which is kind

1556
01:15:47.960 --> 01:15:49.760
<v Speaker 3>of like the equivalent of what in the States. I know,

1557
01:15:49.760 --> 01:15:52.560
<v Speaker 3>they sell TV and things like the movies, like Tower

1558
01:15:52.560 --> 01:15:54.760
<v Speaker 3>Records if Tower Records still exists, that kind of thing.

1559
01:15:54.800 --> 01:15:57.079
<v Speaker 3>But they have a thing where it's now just they

1560
01:15:57.079 --> 01:15:59.159
<v Speaker 3>have a competition who can make the best Simpsons sign

1561
01:15:59.239 --> 01:16:01.600
<v Speaker 3>at their store. So it's just Simpsons culture is just

1562
01:16:01.600 --> 01:16:02.680
<v Speaker 3>so big in Australia.

1563
01:16:03.159 --> 01:16:05.239
<v Speaker 2>That's well, so you guys are part to thank for that.

1564
01:16:05.399 --> 01:16:07.600
<v Speaker 3>So Bill, where's that residual's?

1565
01:16:07.640 --> 01:16:10.439
<v Speaker 2>Bill? Yeah, that's I think that's what Bill's like, where's

1566
01:16:10.479 --> 01:16:12.720
<v Speaker 2>my residuals? For coming up with? Though he has he

1567
01:16:12.800 --> 01:16:17.840
<v Speaker 2>has trademarked that phrase, Steve pamsh he owns it, wisely

1568
01:16:17.880 --> 01:16:18.720
<v Speaker 2>owns the tradewark.

1569
01:16:18.920 --> 01:16:20.800
<v Speaker 3>It seemed like a clever businessman that Bill likely.

1570
01:16:21.359 --> 01:16:23.479
<v Speaker 2>Yeah, he's got he has. He always had a good

1571
01:16:23.600 --> 01:16:24.239
<v Speaker 2>business head.

1572
01:16:24.319 --> 01:16:26.720
<v Speaker 3>So yeah, yeah, exactly. Now there's a few other things

1573
01:16:26.720 --> 01:16:28.520
<v Speaker 3>in this episode. Fish called someone wanted to touch on.

1574
01:16:28.560 --> 01:16:28.720
<v Speaker 4>Now.

1575
01:16:28.760 --> 01:16:31.000
<v Speaker 3>I'm not sure whether you even realized because we mentioned

1576
01:16:31.000 --> 01:16:34.039
<v Speaker 3>it before. So the iconic sleept with the Fish's line,

1577
01:16:34.039 --> 01:16:36.000
<v Speaker 3>which is now incredibly dirty. As a kid, you have

1578
01:16:36.039 --> 01:16:37.760
<v Speaker 3>no idea what's going on, but you know, it's just

1579
01:16:37.800 --> 01:16:40.880
<v Speaker 3>it's it's a great, great gag. That is the only

1580
01:16:40.960 --> 01:16:44.439
<v Speaker 3>time that fat Tony was not voiced by Joe montagna

1581
01:16:44.520 --> 01:16:46.319
<v Speaker 3>in the history of The Simpsons. Do you know who

1582
01:16:46.399 --> 01:16:49.800
<v Speaker 3>voiced him in that scene? No, it was Phil Hartman.

1583
01:16:50.199 --> 01:16:54.079
<v Speaker 2>It was Phil. Really, Wow, I don't I don't really,

1584
01:16:54.159 --> 01:16:56.640
<v Speaker 2>I don't remember that. And I just saw I just

1585
01:16:56.680 --> 01:16:58.520
<v Speaker 2>saw the episode today and I was like, oh, and

1586
01:16:58.560 --> 01:17:01.800
<v Speaker 2>I assumed that was Joe Montagnan. Obviously we must have

1587
01:17:01.960 --> 01:17:04.560
<v Speaker 2>not been we must, do you know? Do you know

1588
01:17:04.640 --> 01:17:05.520
<v Speaker 2>the story behind it?

1589
01:17:05.920 --> 01:17:08.319
<v Speaker 3>I don't know the story. I'm I'm assuming because you're

1590
01:17:08.319 --> 01:17:10.199
<v Speaker 3>mentioning earlier how it was one of those oh, we're

1591
01:17:10.199 --> 01:17:11.439
<v Speaker 3>going to get this line in.

1592
01:17:11.840 --> 01:17:15.720
<v Speaker 2>Yeah, I think. I think because because Joe Montagna was

1593
01:17:15.840 --> 01:17:18.520
<v Speaker 2>really hard, like he's a big movie actor and was

1594
01:17:18.560 --> 01:17:20.840
<v Speaker 2>always who knows where in the world he was doing

1595
01:17:20.840 --> 01:17:22.920
<v Speaker 2>a movie, so we must not have been able to

1596
01:17:22.920 --> 01:17:25.800
<v Speaker 2>get him, and a lot of times to record, we'd

1597
01:17:25.840 --> 01:17:28.039
<v Speaker 2>have whatever actors are around, oh can you just tempt

1598
01:17:28.079 --> 01:17:32.119
<v Speaker 2>this line? So he we must have had him tempt it,

1599
01:17:32.640 --> 01:17:35.760
<v Speaker 2>and then we didn't get Joe Montaigne. But I honestly

1600
01:17:35.880 --> 01:17:40.239
<v Speaker 2>do not know if that is was intentional or we

1601
01:17:40.800 --> 01:17:44.359
<v Speaker 2>just forgot that it wasn't him, and then that's hilarious.

1602
01:17:44.520 --> 01:17:46.920
<v Speaker 2>I really I don't. That's something I don't remember.

1603
01:17:47.239 --> 01:17:48.560
<v Speaker 3>But the thing is, you listen to it and you

1604
01:17:48.600 --> 01:17:50.119
<v Speaker 3>don't realize it. If you don't, if you don't know,

1605
01:17:50.119 --> 01:17:51.560
<v Speaker 3>you don't know. But if you once you know, you

1606
01:17:51.600 --> 01:17:53.359
<v Speaker 3>listen to it and you're go, oh, yeah, it is

1607
01:17:53.399 --> 01:17:55.000
<v Speaker 3>slightly different, but it's close enough.

1608
01:17:55.079 --> 01:17:57.840
<v Speaker 2>Yeah, there's I mean, there's a few times where we

1609
01:17:58.680 --> 01:18:03.800
<v Speaker 2>cheated voices or even like took it from a previous episode.

1610
01:18:04.039 --> 01:18:06.520
<v Speaker 2>And there there's a few times like I put, I put,

1611
01:18:06.640 --> 01:18:10.680
<v Speaker 2>I did a few things that stayed in really look

1612
01:18:10.720 --> 01:18:13.720
<v Speaker 2>what like, you know, and there are weird things that

1613
01:18:14.000 --> 01:18:16.720
<v Speaker 2>the actors couldn't do and we asked them to do

1614
01:18:17.520 --> 01:18:21.239
<v Speaker 2>or the sound people like that one. This is so oblique,

1615
01:18:21.359 --> 01:18:23.720
<v Speaker 2>but in the summer four foot two, you know, if

1616
01:18:23.720 --> 01:18:28.640
<v Speaker 2>there's a millhouse sees a sand crab, and we wanted

1617
01:18:28.680 --> 01:18:31.960
<v Speaker 2>a really specific sound for the sand crab. And the

1618
01:18:32.039 --> 01:18:34.560
<v Speaker 2>sound guy, Travis Powers, who's like the most brilliant sound

1619
01:18:34.560 --> 01:18:36.840
<v Speaker 2>guy ever, just couldn't do it. And I was like, no,

1620
01:18:36.920 --> 01:18:40.960
<v Speaker 2>it's something like like that, and so they and they

1621
01:18:40.960 --> 01:18:42.439
<v Speaker 2>were like, well, why don't you just do it?

1622
01:18:42.840 --> 01:18:44.319
<v Speaker 3>And so I did it.

1623
01:18:44.439 --> 01:18:46.840
<v Speaker 2>And oh, but a weird, a weird one that you'd

1624
01:18:46.840 --> 01:18:49.239
<v Speaker 2>think of her actors could do is we wanted to

1625
01:18:49.399 --> 01:18:53.159
<v Speaker 2>Curly in in in the I'm Just a Bill parody,

1626
01:18:54.119 --> 01:18:54.399
<v Speaker 2>you know.

1627
01:18:54.479 --> 01:18:58.239
<v Speaker 3>You know, the A Amendment to be Yeah, and at

1628
01:18:58.279 --> 01:19:01.399
<v Speaker 3>the very end, which was very pression, where they're storming

1629
01:19:01.479 --> 01:19:04.439
<v Speaker 3>the Capitol, he says like doors open, boys or whatever,

1630
01:19:04.760 --> 01:19:08.039
<v Speaker 3>and all these crazy bills run in and there's one

1631
01:19:08.079 --> 01:19:10.479
<v Speaker 3>that runs in and goes who woo woop like Curly.

1632
01:19:10.880 --> 01:19:13.319
<v Speaker 2>But we couldn't get None of the actors who are

1633
01:19:13.359 --> 01:19:15.720
<v Speaker 2>brilliant could do it. So I just and we were

1634
01:19:15.720 --> 01:19:18.279
<v Speaker 2>on the sound stage mixing it and I'm so and

1635
01:19:18.600 --> 01:19:20.920
<v Speaker 2>Matt was like, why don't you just do it? And

1636
01:19:20.960 --> 01:19:23.560
<v Speaker 2>there's other thing. There's other things too, Like I remember

1637
01:19:23.600 --> 01:19:26.560
<v Speaker 2>on sound stage that was like, or Matt just did.

1638
01:19:26.399 --> 01:19:28.800
<v Speaker 3>It because Matt Gridon did it.

1639
01:19:29.239 --> 01:19:32.000
<v Speaker 2>Yeah, so he did. There. He did not that, but

1640
01:19:32.079 --> 01:19:35.960
<v Speaker 2>he did. There's other like sounds or people in crowds

1641
01:19:36.039 --> 01:19:38.880
<v Speaker 2>or whatever that we just didn't have and we had

1642
01:19:38.920 --> 01:19:42.520
<v Speaker 2>to mix and turn in the episode that night. So

1643
01:19:42.600 --> 01:19:45.479
<v Speaker 2>we're like, just one of us go down to the

1644
01:19:45.520 --> 01:19:49.640
<v Speaker 2>microphone on the soundstage and make duvis sound or say

1645
01:19:49.680 --> 01:19:52.119
<v Speaker 2>this word or whatever and it will go in.

1646
01:19:52.520 --> 01:19:54.279
<v Speaker 3>Didn't he didn't he do Maggie's Pacify?

1647
01:19:54.640 --> 01:19:56.479
<v Speaker 2>Yeah, he did. That was another thing that I think

1648
01:19:56.520 --> 01:19:59.880
<v Speaker 2>they couldn't They couldn't get right. But Matt did it

1649
01:20:00.119 --> 01:20:01.920
<v Speaker 2>us straight. So that's yeah, that's always Matt.

1650
01:20:02.720 --> 01:20:06.359
<v Speaker 4>Very brief side, but the old the original Running Man

1651
01:20:06.399 --> 01:20:09.239
<v Speaker 4>movie with Arnld Schwarzenegger. I was reading some oral history

1652
01:20:09.279 --> 01:20:10.920
<v Speaker 4>of it and apparently they couldn't get Arnold back to

1653
01:20:10.960 --> 01:20:14.000
<v Speaker 4>do some adr. So in the completed movie there's like

1654
01:20:14.079 --> 01:20:16.159
<v Speaker 4>three different people doing Arnold impersonation.

1655
01:20:16.800 --> 01:20:19.359
<v Speaker 2>Wow. I didn't know that, but yeah, there are. There

1656
01:20:19.359 --> 01:20:22.079
<v Speaker 2>are some times where like we couldn't we couldn't get

1657
01:20:22.079 --> 01:20:25.239
<v Speaker 2>the actor, and so it was it was somehow cheated,

1658
01:20:25.600 --> 01:20:26.920
<v Speaker 2>not often, but happened.

1659
01:20:27.359 --> 01:20:29.279
<v Speaker 4>One thing I like about the episode is how it

1660
01:20:29.279 --> 01:20:31.600
<v Speaker 4>feels kind of inside baseball when it comes to showbiz

1661
01:20:31.600 --> 01:20:33.880
<v Speaker 4>and showbiz scandals, but it's not really sort of overplaying

1662
01:20:33.880 --> 01:20:36.079
<v Speaker 4>its hand. That feels kind of like a Jim Brook's

1663
01:20:36.279 --> 01:20:38.920
<v Speaker 4>influence in a lot of ways. I mean, where your

1664
01:20:39.000 --> 01:20:42.520
<v Speaker 4>name checking people like this isn't necessarily shows, but yeah,

1665
01:20:42.680 --> 01:20:44.840
<v Speaker 4>JFK and Bing Crosby, it's like, oh, they've got scandals

1666
01:20:44.880 --> 01:20:47.239
<v Speaker 4>in their past, or even the whole thing with Troy

1667
01:20:47.279 --> 01:20:50.319
<v Speaker 4>McClure and his sort of his secret sexual fetishes or whatever.

1668
01:20:50.520 --> 01:20:53.199
<v Speaker 2>Yeah, I think everybody. I think everybody was kind of

1669
01:20:53.199 --> 01:20:55.800
<v Speaker 2>happy to be able to do that because like we're,

1670
01:20:55.920 --> 01:20:59.960
<v Speaker 2>especially on The Simpsons, it's like a real outlier show

1671
01:21:00.359 --> 01:21:02.600
<v Speaker 2>and staff, and it's like and we're not like we're

1672
01:21:02.600 --> 01:21:06.119
<v Speaker 2>not hanging out with celebrities in restaurants and stuff, and

1673
01:21:06.119 --> 01:21:10.520
<v Speaker 2>it's like we barely know anyone who's even remotely famous,

1674
01:21:10.560 --> 01:21:14.520
<v Speaker 2>and so it's like us kind of like glimpsing Hollywood

1675
01:21:14.560 --> 01:21:18.560
<v Speaker 2>from from being there, but not really participating in it.

1676
01:21:19.079 --> 01:21:21.439
<v Speaker 3>Yeah, So were you really did you really feel shut

1677
01:21:21.479 --> 01:21:22.600
<v Speaker 3>off from the world when you.

1678
01:21:22.520 --> 01:21:27.800
<v Speaker 2>Were We Yes, in a very good but weird way,

1679
01:21:28.039 --> 01:21:30.520
<v Speaker 2>Like we were not We were not at all weird.

1680
01:21:30.520 --> 01:21:33.159
<v Speaker 2>That were kids like you growing up that it might

1681
01:21:33.279 --> 01:21:36.479
<v Speaker 2>really influence. It was a big show, so we knew

1682
01:21:36.520 --> 01:21:38.760
<v Speaker 2>there was a big audience out there, but we were

1683
01:21:38.800 --> 01:21:41.640
<v Speaker 2>so sheltered, and like I said, the internet was so

1684
01:21:42.319 --> 01:21:45.840
<v Speaker 2>nascent and also so sour. The people who were weighing

1685
01:21:45.840 --> 01:21:49.039
<v Speaker 2>in the show were so angry about it that we stopped,

1686
01:21:49.239 --> 01:21:53.399
<v Speaker 2>we stopped looking at that. So we really were sheltered

1687
01:21:53.399 --> 01:21:56.560
<v Speaker 2>and we were just like and also because Fox couldn't

1688
01:21:56.560 --> 01:21:59.039
<v Speaker 2>give notes, we were just like, let's just do what

1689
01:21:59.119 --> 01:22:02.000
<v Speaker 2>makes us laugh and makes our friends laugh. And so

1690
01:22:02.079 --> 01:22:05.960
<v Speaker 2>that was that was a treasure that you don't realize.

1691
01:22:06.000 --> 01:22:08.520
<v Speaker 2>You have to you leave the show and go into

1692
01:22:08.560 --> 01:22:11.079
<v Speaker 2>the real world of Hollywood, where you got to take

1693
01:22:11.199 --> 01:22:13.680
<v Speaker 2>notes and you have to learn how to you have

1694
01:22:13.760 --> 01:22:16.359
<v Speaker 2>to be a good note taker and learn how to

1695
01:22:16.399 --> 01:22:18.920
<v Speaker 2>interpret them and all this other stuff, and you've got

1696
01:22:18.920 --> 01:22:22.840
<v Speaker 2>to deal with actors who have their own feelings about

1697
01:22:22.880 --> 01:22:25.600
<v Speaker 2>stuff and everything like that. Whereas an Assimpsons, it was

1698
01:22:25.680 --> 01:22:29.479
<v Speaker 2>just this team that was very happy to work together

1699
01:22:30.039 --> 01:22:33.920
<v Speaker 2>and get things from each other, and that was it's

1700
01:22:34.000 --> 01:22:34.920
<v Speaker 2>lightning in a bottle.

1701
01:22:35.239 --> 01:22:37.119
<v Speaker 3>You said you were burnt out when you finished on

1702
01:22:37.159 --> 01:22:40.399
<v Speaker 3>the sentence, But at any point post that when you left,

1703
01:22:40.479 --> 01:22:41.479
<v Speaker 3>did you regret leaving?

1704
01:22:42.479 --> 01:22:46.079
<v Speaker 2>Yeah, I do, to be honest, because like we thought

1705
01:22:46.239 --> 01:22:48.000
<v Speaker 2>it would be over in ten years. And it was

1706
01:22:48.000 --> 01:22:50.840
<v Speaker 2>also when we left, it was the height the TV

1707
01:22:51.159 --> 01:22:54.600
<v Speaker 2>was going super strong, and it was just like you

1708
01:22:54.640 --> 01:22:59.159
<v Speaker 2>could go out and probably get your own show and

1709
01:22:59.399 --> 01:23:02.840
<v Speaker 2>and and so like we and that was the it

1710
01:23:02.920 --> 01:23:05.119
<v Speaker 2>was the very tail end of that. It was like

1711
01:23:05.159 --> 01:23:08.760
<v Speaker 2>the late eighties through the late nineties was the height

1712
01:23:08.920 --> 01:23:12.760
<v Speaker 2>of what being a TV writer was was like a

1713
01:23:13.039 --> 01:23:17.479
<v Speaker 2>golden thing. But after very very soon after that, it

1714
01:23:17.520 --> 01:23:19.800
<v Speaker 2>didn't and it became harder and harder. And like we

1715
01:23:20.000 --> 01:23:22.119
<v Speaker 2>Bill and I would have to do and we'd love

1716
01:23:22.279 --> 01:23:24.800
<v Speaker 2>being able to do our own thing and like doing

1717
01:23:24.840 --> 01:23:27.720
<v Speaker 2>like Mission Hill and all these other shows are like

1718
01:23:27.840 --> 01:23:30.199
<v Speaker 2>being able to work on Gravity Falls was like a

1719
01:23:30.239 --> 01:23:32.600
<v Speaker 2>real treat that I would have never been able to

1720
01:23:32.600 --> 01:23:35.319
<v Speaker 2>do had I had I not left, And so like

1721
01:23:35.399 --> 01:23:41.359
<v Speaker 2>I feel like that is my career is rich for that,

1722
01:23:41.960 --> 01:23:44.479
<v Speaker 2>But I still like if I had known the show

1723
01:23:44.680 --> 01:23:47.479
<v Speaker 2>would keep going. I think I probably would have just

1724
01:23:47.560 --> 01:23:50.680
<v Speaker 2>stayed because it was so fun to do, and I

1725
01:23:50.760 --> 01:23:53.640
<v Speaker 2>might have become all old and bitter. I don't know,

1726
01:23:54.119 --> 01:23:59.039
<v Speaker 2>but but it yeah, I do, just just oftentimes when

1727
01:23:59.039 --> 01:24:01.720
<v Speaker 2>I'm like, oh, I miss I missed doing that show

1728
01:24:01.960 --> 01:24:03.159
<v Speaker 2>because it was such a treat.

1729
01:24:03.520 --> 01:24:04.319
<v Speaker 3>Would you go back?

1730
01:24:04.880 --> 01:24:07.359
<v Speaker 2>Yeah? Probably because I feel like I've been away long

1731
01:24:07.479 --> 01:24:10.239
<v Speaker 2>enough that I would. I could be fresh, I could

1732
01:24:10.279 --> 01:24:13.000
<v Speaker 2>be fresh enough. And it's also like I miss I

1733
01:24:13.199 --> 01:24:18.439
<v Speaker 2>miss writing those characters and the freedom of telling any

1734
01:24:18.560 --> 01:24:22.279
<v Speaker 2>story and joke we want to. Even though like there's

1735
01:24:22.319 --> 01:24:25.000
<v Speaker 2>shows that I've worked on, like Gravity Falls or the

1736
01:24:25.039 --> 01:24:27.119
<v Speaker 2>show I did this, I did a kid's puppet show

1737
01:24:27.119 --> 01:24:30.079
<v Speaker 2>for the BBC that I was delightful and I.

1738
01:24:29.960 --> 01:24:32.920
<v Speaker 3>Loved, not the Muppets, not the Muppets.

1739
01:24:33.119 --> 01:24:36.880
<v Speaker 2>It was not it was puppets but not muppets, very different.

1740
01:24:37.239 --> 01:24:42.640
<v Speaker 2>But yeah, I missed the freedom and the feeling of

1741
01:24:43.279 --> 01:24:48.159
<v Speaker 2>having this whole world to work with. So that was

1742
01:24:48.399 --> 01:24:50.439
<v Speaker 2>because I feel like when we started on show, it's

1743
01:24:50.439 --> 01:24:55.680
<v Speaker 2>like we were handed this incredible toy, video game type

1744
01:24:55.720 --> 01:24:59.560
<v Speaker 2>thing world where it's just so there's so much potential

1745
01:24:59.600 --> 01:25:02.640
<v Speaker 2>in it. It felt, you know, and less that we

1746
01:25:02.680 --> 01:25:04.319
<v Speaker 2>thought it would add after ten seasons.

1747
01:25:04.600 --> 01:25:07.439
<v Speaker 3>Well, the way that comedy and just the world has

1748
01:25:07.520 --> 01:25:10.119
<v Speaker 3>changed since then, though, in the last twenty five years,

1749
01:25:10.159 --> 01:25:13.279
<v Speaker 3>do you think your approach to the gags and the

1750
01:25:13.319 --> 01:25:15.000
<v Speaker 3>way you write Simpsons would have to change?

1751
01:25:15.399 --> 01:25:19.439
<v Speaker 2>No, because I think, thankfully what happened is the approach

1752
01:25:19.520 --> 01:25:21.960
<v Speaker 2>that we were taught by the older people, and then

1753
01:25:22.000 --> 01:25:26.760
<v Speaker 2>that we went forth and people like greg Or David

1754
01:25:26.760 --> 01:25:30.039
<v Speaker 2>Cohen went forth on their own shows, and so that's

1755
01:25:30.640 --> 01:25:33.199
<v Speaker 2>the Simpsons way of doing things is much more or

1756
01:25:33.199 --> 01:25:36.520
<v Speaker 2>for example of gravity Falls. At Alex Hirsch, who created

1757
01:25:36.560 --> 01:25:40.239
<v Speaker 2>gravity Falls, was a kid during our Simpsons and grew

1758
01:25:40.359 --> 01:25:44.720
<v Speaker 2>up being really inspired and influenced by it. So what

1759
01:25:44.800 --> 01:25:47.520
<v Speaker 2>I find is like, if I go on another show,

1760
01:25:48.319 --> 01:25:52.159
<v Speaker 2>it's much more like working on the Simpsons than the

1761
01:25:52.199 --> 01:25:55.520
<v Speaker 2>shows that were before the Simpsons. So I feel like

1762
01:25:55.560 --> 01:25:59.600
<v Speaker 2>the comedy writing world has gotten better because of shows

1763
01:25:59.600 --> 01:26:04.640
<v Speaker 2>like that and South Park and Seinfeld, like that's gotten better,

1764
01:26:04.840 --> 01:26:08.319
<v Speaker 2>But what's gotten a lot worse is the opportunities for

1765
01:26:08.479 --> 01:26:11.000
<v Speaker 2>comedy writers. Because it used to be like our showed Simpsons,

1766
01:26:11.479 --> 01:26:15.159
<v Speaker 2>if you worked hard and did a good job, you're

1767
01:26:15.199 --> 01:26:18.279
<v Speaker 2>on it for life, and shows would last for could

1768
01:26:18.279 --> 01:26:20.920
<v Speaker 2>go for ten seasons, but now shows will just go

1769
01:26:21.000 --> 01:26:24.079
<v Speaker 2>for three seasons and they'll only employ writers for part

1770
01:26:24.119 --> 01:26:26.640
<v Speaker 2>of that, and so it's harder and harder, especially for

1771
01:26:26.720 --> 01:26:29.840
<v Speaker 2>you young people starting out. To me, I feel like

1772
01:26:29.880 --> 01:26:32.520
<v Speaker 2>we got in, we were lucky to get in when

1773
01:26:32.560 --> 01:26:35.279
<v Speaker 2>we did because we were able to make careers of it.

1774
01:26:35.279 --> 01:26:38.199
<v Speaker 2>It's much harder these days to make a career, and like,

1775
01:26:38.399 --> 01:26:41.920
<v Speaker 2>younger writers have to have multiple writing jobs or even

1776
01:26:41.920 --> 01:26:46.479
<v Speaker 2>other outside jobs to support themselves, which.

1777
01:26:46.279 --> 01:26:48.479
<v Speaker 3>I find interesting because I feel like there's more content

1778
01:26:48.560 --> 01:26:50.720
<v Speaker 3>out there than ever. Yeah, but the problem is just

1779
01:26:50.800 --> 01:26:53.039
<v Speaker 3>the approachures that the Apressure have they hire the riders

1780
01:26:53.119 --> 01:26:53.520
<v Speaker 3>is different.

1781
01:26:54.239 --> 01:26:57.119
<v Speaker 2>It is. And it's also like there was a bubble

1782
01:26:57.239 --> 01:26:59.920
<v Speaker 2>that you could just see about to burst where they're

1783
01:27:00.239 --> 01:27:03.840
<v Speaker 2>too there were just too many shows and that's and

1784
01:27:03.920 --> 01:27:06.560
<v Speaker 2>that's like that was kind of a big factor because

1785
01:27:06.560 --> 01:27:09.479
<v Speaker 2>like ten years ago when like and Netflix was kind

1786
01:27:09.520 --> 01:27:13.079
<v Speaker 2>of just booming and they would buy tons of shows

1787
01:27:13.119 --> 01:27:15.960
<v Speaker 2>and they're like, I think they're like five hundred, four

1788
01:27:16.039 --> 01:27:18.439
<v Speaker 2>hundred and five hundred shows on the air, and like

1789
01:27:18.479 --> 01:27:21.840
<v Speaker 2>when we were starting out there maybe fifty, and it

1790
01:27:22.039 --> 01:27:25.039
<v Speaker 2>just was too many and it was it was bound

1791
01:27:25.159 --> 01:27:29.079
<v Speaker 2>to burst, and it did, and also, yeah, the way

1792
01:27:29.560 --> 01:27:33.600
<v Speaker 2>budgets became tighter and tighter too, so employing writers for

1793
01:27:33.640 --> 01:27:36.119
<v Speaker 2>the full run of show, which is really important because

1794
01:27:36.119 --> 01:27:38.880
<v Speaker 2>that's how writers like us learned how to do things.

1795
01:27:39.880 --> 01:27:43.600
<v Speaker 2>Is like we like apprenticed under the older writers and

1796
01:27:43.680 --> 01:27:45.600
<v Speaker 2>producers and you learn to do or if you learn

1797
01:27:45.640 --> 01:27:48.720
<v Speaker 2>how to direct actors, you learn how to edit and

1798
01:27:48.800 --> 01:27:51.279
<v Speaker 2>all this sort of thing that writers now don't get

1799
01:27:51.359 --> 01:27:54.119
<v Speaker 2>to do because they're not given a chance. And that's

1800
01:27:54.159 --> 01:27:54.840
<v Speaker 2>that's a shame.

1801
01:27:55.239 --> 01:27:57.159
<v Speaker 4>Yeah, you're getting a lot of content, but you're building

1802
01:27:57.199 --> 01:27:58.680
<v Speaker 4>a lot of houses, but they might out of balsa

1803
01:27:58.680 --> 01:28:00.000
<v Speaker 4>wood essentially.

1804
01:27:59.720 --> 01:28:02.800
<v Speaker 2>Yeah, yeah, exactly, and they and they're torn down after

1805
01:28:03.359 --> 01:28:05.640
<v Speaker 2>a certain number of seasons where the companies then it's

1806
01:28:05.680 --> 01:28:08.199
<v Speaker 2>going to be to we don't want to pay residuals

1807
01:28:08.279 --> 01:28:11.439
<v Speaker 2>or whatever. And it's just like it's it's much it's

1808
01:28:11.520 --> 01:28:12.439
<v Speaker 2>much tougher now.

1809
01:28:13.159 --> 01:28:14.880
<v Speaker 3>This show is brought to you by the four Finger

1810
01:28:14.960 --> 01:28:17.960
<v Speaker 3>Discount Patreon, where you'll find over one hundred hours of

1811
01:28:18.039 --> 01:28:22.560
<v Speaker 3>bonus podcasts, including exclusive Simpsons reviews and commentaries, as well

1812
01:28:22.560 --> 01:28:25.720
<v Speaker 3>as exclusive episodes of Going Down to South Park, Tales

1813
01:28:25.760 --> 01:28:30.000
<v Speaker 3>of Futurama, Bob's Pods. Speaking of the Hill, Talking Seifeld,

1814
01:28:30.239 --> 01:28:32.880
<v Speaker 3>the one about friends, and so much more. So go

1815
01:28:32.920 --> 01:28:36.079
<v Speaker 3>ahead and join the family today at patreon dot com

1816
01:28:36.119 --> 01:28:39.399
<v Speaker 3>slash four finger discount. We call back to write for

1817
01:28:39.439 --> 01:28:41.159
<v Speaker 3>the Simpsons movie kind of A few of the visual

1818
01:28:41.199 --> 01:28:45.199
<v Speaker 3>writers were called back. No, you weren't okay.

1819
01:28:44.960 --> 01:28:48.279
<v Speaker 2>No, I know, and I don't know. I don't know mine.

1820
01:28:48.800 --> 01:28:50.920
<v Speaker 3>Yeah, because I was Bill. I guess I guess Bill

1821
01:28:50.960 --> 01:28:51.520
<v Speaker 3>wasn't either then.

1822
01:28:51.640 --> 01:28:54.319
<v Speaker 2>But but we also, like we we left, we like

1823
01:28:54.439 --> 01:28:57.199
<v Speaker 2>lots of like we were really young, and we like

1824
01:28:57.319 --> 01:29:00.600
<v Speaker 2>we let like some people were small, like when they

1825
01:29:00.680 --> 01:29:02.840
<v Speaker 2>left the Simpsons and there still had kept their hand

1826
01:29:02.920 --> 01:29:05.600
<v Speaker 2>in it and consult but we were like we're full

1827
01:29:05.640 --> 01:29:08.520
<v Speaker 2>of We're like little house and full of beans and

1828
01:29:08.760 --> 01:29:10.600
<v Speaker 2>ready ready to go out in the world and do

1829
01:29:10.680 --> 01:29:13.800
<v Speaker 2>our own thing. So we kind of just just went

1830
01:29:13.840 --> 01:29:14.439
<v Speaker 2>out cold.

1831
01:29:14.840 --> 01:29:17.239
<v Speaker 3>So we offered opportunities to come back and just work

1832
01:29:17.279 --> 01:29:19.039
<v Speaker 3>on certain episodes or whatnot, and turned it down. Or

1833
01:29:19.079 --> 01:29:20.880
<v Speaker 3>you just once you left clean slate were done. We

1834
01:29:20.920 --> 01:29:23.159
<v Speaker 3>didn't even get acknowledged anymore, were contacted.

1835
01:29:23.279 --> 01:29:25.720
<v Speaker 2>Yeah, it's kind of in between because then like we

1836
01:29:25.760 --> 01:29:27.199
<v Speaker 2>worked and I worked on the Futurama.

1837
01:29:27.279 --> 01:29:29.760
<v Speaker 3>Yeah, and then you went disenchantment as well in recent years.

1838
01:29:29.840 --> 01:29:33.279
<v Speaker 2>Yeah. Yeah, so like we're all like friends with everybody.

1839
01:29:33.520 --> 01:29:35.960
<v Speaker 2>It's just I think like we we were like really

1840
01:29:36.000 --> 01:29:38.960
<v Speaker 2>full of beans and very young, whereas like older people

1841
01:29:39.000 --> 01:29:41.439
<v Speaker 2>like Skully who had been around the business kind of

1842
01:29:41.520 --> 01:29:44.119
<v Speaker 2>knew like it's it's tough out there.

1843
01:29:44.880 --> 01:29:47.800
<v Speaker 3>We recently reviewed the Treots of Horror, the latest one,

1844
01:29:47.800 --> 01:29:50.079
<v Speaker 3>which it was it was all right, But what were

1845
01:29:50.119 --> 01:29:52.319
<v Speaker 3>your thoughts on the Trios of Horror episodes? Were they

1846
01:29:52.319 --> 01:29:53.960
<v Speaker 3>fun to write or were you not really much of

1847
01:29:54.000 --> 01:29:54.560
<v Speaker 3>a horror fan?

1848
01:29:54.720 --> 01:29:59.840
<v Speaker 2>Yes, because now they were. They provided a big dose

1849
01:30:00.279 --> 01:30:03.439
<v Speaker 2>variety of what you could do because they couldn't in

1850
01:30:03.479 --> 01:30:05.600
<v Speaker 2>a in a regular episode. You can't you can't have

1851
01:30:05.800 --> 01:30:09.800
<v Speaker 2>characters die in a funny way. You can't do you

1852
01:30:09.840 --> 01:30:13.439
<v Speaker 2>can't do aliens, you can't do supernatural because the Simpsons

1853
01:30:13.479 --> 01:30:17.399
<v Speaker 2>is an extremely realistic world. So the Halloween episodes where

1854
01:30:17.439 --> 01:30:20.840
<v Speaker 2>our chants to both do that do stuff that we

1855
01:30:20.880 --> 01:30:23.479
<v Speaker 2>couldn't do, but also ventin you get to parody great

1856
01:30:23.960 --> 01:30:27.000
<v Speaker 2>sci fi or horror movies. So it was always like

1857
01:30:27.039 --> 01:30:29.119
<v Speaker 2>a treat to be able to do those.

1858
01:30:29.600 --> 01:30:32.159
<v Speaker 3>I always say on the podcast, how many of my

1859
01:30:32.279 --> 01:30:34.479
<v Speaker 3>generation we don't call the Shining, The Shining. We call

1860
01:30:34.520 --> 01:30:37.119
<v Speaker 3>it the Shinning because that was our first introduction to

1861
01:30:37.199 --> 01:30:40.880
<v Speaker 3>that movie. Yeah, there were so many films and TV shows,

1862
01:30:40.880 --> 01:30:44.119
<v Speaker 3>just pop culture icons in general that as we got older,

1863
01:30:44.119 --> 01:30:45.840
<v Speaker 3>we went, oh, it's that person from the Simpsons. H

1864
01:30:45.840 --> 01:30:47.600
<v Speaker 3>it is that movie from the No, the Simpsons were

1865
01:30:47.640 --> 01:30:50.000
<v Speaker 3>parenting this. This came first, but we were introduced to

1866
01:30:50.000 --> 01:30:51.119
<v Speaker 3>it by the Simpsons.

1867
01:30:51.439 --> 01:30:53.960
<v Speaker 2>Yeah, fair too. Like da I was saying about Mad Magazine.

1868
01:30:53.960 --> 01:30:56.600
<v Speaker 2>For our generation, it is like I know, tons of

1869
01:30:56.640 --> 01:30:59.000
<v Speaker 2>kids were exposed to stuff or exposed to stuff that

1870
01:30:59.039 --> 01:31:02.439
<v Speaker 2>they still don't know was a reference to a certain movie.

1871
01:31:03.079 --> 01:31:05.560
<v Speaker 3>Yeah, exactly, exactly. Yeah, But anyway, thank you so much again,

1872
01:31:05.800 --> 01:31:07.760
<v Speaker 3>Josh via time. It's been great to delve into a

1873
01:31:07.800 --> 01:31:09.079
<v Speaker 3>fish court some Like I said, we should do a

1874
01:31:09.119 --> 01:31:11.000
<v Speaker 3>full run through, but it's just been so interesting hearing

1875
01:31:11.199 --> 01:31:12.800
<v Speaker 3>just your time working on the show. And I would

1876
01:31:12.800 --> 01:31:14.439
<v Speaker 3>love to have you on again just to talk more

1877
01:31:14.479 --> 01:31:16.960
<v Speaker 3>about it, because, as I said, you were running the

1878
01:31:17.000 --> 01:31:19.079
<v Speaker 3>show during my favorite ear of the show, and it's

1879
01:31:19.119 --> 01:31:21.119
<v Speaker 3>just I could eat it all up. You could talk

1880
01:31:21.159 --> 01:31:23.079
<v Speaker 3>for hours. I never get tired of hearing your story.

1881
01:31:23.119 --> 01:31:24.600
<v Speaker 3>So thank you again for your time.

1882
01:31:24.720 --> 01:31:27.039
<v Speaker 2>Yeah, well, thank you we're both Bill and I are

1883
01:31:27.159 --> 01:31:30.279
<v Speaker 2>happy to blab on forever because, as I said, we

1884
01:31:30.279 --> 01:31:32.800
<v Speaker 2>were fans before, so like we were while we were

1885
01:31:32.880 --> 01:31:35.920
<v Speaker 2>running the show, we're still obsessed with the show. Yeah,

1886
01:31:35.920 --> 01:31:37.279
<v Speaker 2>and we'ld talk about it endlessly.

1887
01:31:37.359 --> 01:31:38.880
<v Speaker 3>So is that why you would get? Is that why

1888
01:31:38.880 --> 01:31:40.600
<v Speaker 3>you woul get? Would you get frustrated when you used

1889
01:31:40.600 --> 01:31:43.600
<v Speaker 3>to read the negative comments online because you're thinking, I'm

1890
01:31:43.600 --> 01:31:45.680
<v Speaker 3>writing this, I'm a fan like you guys, why aren't you?

1891
01:31:46.000 --> 01:31:48.119
<v Speaker 3>Did you second guess yourself when you would read those.

1892
01:31:48.479 --> 01:31:51.800
<v Speaker 2>Reviews or no? It just made us mad and it

1893
01:31:51.880 --> 01:31:55.319
<v Speaker 2>also made our heads explode. We're like, these were they

1894
01:31:55.359 --> 01:31:59.279
<v Speaker 2>were saying worst episode ever, like in season four, which

1895
01:31:59.319 --> 01:32:02.079
<v Speaker 2>is the greatest ever of any TV show, and it

1896
01:32:02.239 --> 01:32:05.279
<v Speaker 2>just made us crazy. We're like, how could you even

1897
01:32:05.600 --> 01:32:09.079
<v Speaker 2>be how could you be so wrongheaded? So but it's

1898
01:32:09.119 --> 01:32:11.159
<v Speaker 2>also like when you I know that a lot of

1899
01:32:11.159 --> 01:32:13.520
<v Speaker 2>writers are like that, you would, Oh, you'll read every

1900
01:32:13.560 --> 01:32:16.640
<v Speaker 2>review until you get to the point that makes something

1901
01:32:16.680 --> 01:32:19.359
<v Speaker 2>that enrages you. Where you get to something, you will

1902
01:32:19.359 --> 01:32:22.079
<v Speaker 2>read any review or all comments until you get to

1903
01:32:22.159 --> 01:32:24.520
<v Speaker 2>negative comments, and that then drive you.

1904
01:32:24.520 --> 01:32:25.720
<v Speaker 3>Crazy doom scrolling.

1905
01:32:25.840 --> 01:32:28.800
<v Speaker 2>Yeah, yeah, exactly, because.

1906
01:32:28.520 --> 01:32:31.319
<v Speaker 3>You're big on on X on Twitter, and you're in

1907
01:32:31.319 --> 01:32:33.359
<v Speaker 3>the every day and I just love you give so

1908
01:32:33.439 --> 01:32:35.640
<v Speaker 3>many insights. One thing you mentioned recently, just before you

1909
01:32:35.720 --> 01:32:38.000
<v Speaker 3>go a couple of things on the touch on you know,

1910
01:32:38.199 --> 01:32:42.239
<v Speaker 3>somewhere you have the audio tape of Albert Brooks as

1911
01:32:42.239 --> 01:32:46.760
<v Speaker 3>Hank Scorpio improving with Dan. You've got to find that tape.

1912
01:32:47.039 --> 01:32:50.119
<v Speaker 2>I don't know it's somewhere. It's like it's probably in

1913
01:32:50.159 --> 01:32:52.640
<v Speaker 2>my garage, and my garage is full of spiders and

1914
01:32:52.680 --> 01:32:56.000
<v Speaker 2>and and stuff, but it's like, I know it somewhere.

1915
01:32:56.039 --> 01:32:59.760
<v Speaker 2>Because they gave us that. That whole episode is cobbled

1916
01:32:59.800 --> 01:33:04.119
<v Speaker 2>to other from basically like three hours of improv between

1917
01:33:04.680 --> 01:33:07.399
<v Speaker 2>Dan and Albert Brooks, and like we had to put

1918
01:33:07.439 --> 01:33:10.880
<v Speaker 2>it all together because Albert Brooks is crazily brilliant and

1919
01:33:10.880 --> 01:33:13.279
<v Speaker 2>we'll just go off on these tangents, and Dan is

1920
01:33:13.279 --> 01:33:16.319
<v Speaker 2>so good at ad libbing. He kept like the homewer's

1921
01:33:16.399 --> 01:33:20.560
<v Speaker 2>reactions in the episode are just Dan's reactions to Albert

1922
01:33:20.560 --> 01:33:23.840
<v Speaker 2>Brooks's saying something and so, but we had to like, really,

1923
01:33:24.840 --> 01:33:29.239
<v Speaker 2>when we wrote that episode, we knew that Albert Brooks

1924
01:33:29.600 --> 01:33:32.279
<v Speaker 2>is a crazy ad liber and we're like, we know

1925
01:33:32.359 --> 01:33:34.039
<v Speaker 2>he's going to come up with something better for this,

1926
01:33:35.239 --> 01:33:38.520
<v Speaker 2>but we had to we got there. We get They

1927
01:33:38.560 --> 01:33:42.119
<v Speaker 2>gave us the tape of that full record so we

1928
01:33:42.119 --> 01:33:44.880
<v Speaker 2>could listen to it and go like, let's use this

1929
01:33:44.960 --> 01:33:48.600
<v Speaker 2>bit and let's use that bit. So and I know,

1930
01:33:48.800 --> 01:33:51.319
<v Speaker 2>so I know it's somewhere because I I don't throw

1931
01:33:51.359 --> 01:33:53.079
<v Speaker 2>anything away, but I don't know where.

1932
01:33:53.239 --> 01:33:56.079
<v Speaker 3>Let's rescue it from the spider cob webs immediately, Dan

1933
01:33:56.199 --> 01:33:56.760
<v Speaker 3>and I will.

1934
01:33:56.760 --> 01:33:59.319
<v Speaker 4>Overcome our fear of spiders to come to your house

1935
01:33:59.399 --> 01:34:01.079
<v Speaker 4>and rummage to your garage to find it.

1936
01:34:01.560 --> 01:34:04.239
<v Speaker 2>Yeah, and that's that's why I'm not disclosing my address,

1937
01:34:04.319 --> 01:34:06.680
<v Speaker 2>because I don't want people going for my garage. But

1938
01:34:06.720 --> 01:34:10.239
<v Speaker 2>also but also I remember, I think this is a

1939
01:34:10.279 --> 01:34:15.079
<v Speaker 2>long time ago. Like we asked the editor at the Simpsons,

1940
01:34:15.159 --> 01:34:18.039
<v Speaker 2>like do you have these? And they erased a lot

1941
01:34:18.079 --> 01:34:22.199
<v Speaker 2>of the tapes, so it doesn't it. It may only

1942
01:34:22.279 --> 01:34:24.079
<v Speaker 2>exist on this cassette tape.

1943
01:34:24.159 --> 01:34:27.119
<v Speaker 3>It's a piece of history. You need to this type.

1944
01:34:27.119 --> 01:34:28.840
<v Speaker 2>Because you can make it. I've always said you can

1945
01:34:28.880 --> 01:34:32.359
<v Speaker 2>make you can make the next Simpsons movie out of that.

1946
01:34:33.079 --> 01:34:36.920
<v Speaker 4>How much I'm just picturing your garage like the like

1947
01:34:36.960 --> 01:34:38.199
<v Speaker 4>the way it hasn't the in the writers of the

1948
01:34:38.199 --> 01:34:41.239
<v Speaker 4>lost doc. Oh, here's the full script for stop the

1949
01:34:41.239 --> 01:34:43.800
<v Speaker 4>plan of the ex I want to get on. Here's

1950
01:34:43.840 --> 01:34:45.319
<v Speaker 4>this type of Albert Brooks ripping.

1951
01:34:45.439 --> 01:34:47.560
<v Speaker 2>That's what I did find. Like I did find stuff

1952
01:34:47.600 --> 01:34:50.279
<v Speaker 2>like I went this is like a year ago. I

1953
01:34:50.279 --> 01:34:52.479
<v Speaker 2>went for and it's like, hey, here's the notes that

1954
01:34:52.520 --> 01:34:55.199
<v Speaker 2>Conan wrote to us and and stuff like that, Like

1955
01:34:55.239 --> 01:34:58.199
<v Speaker 2>I found or I found the letter that Jim Brooks

1956
01:34:58.239 --> 01:35:00.159
<v Speaker 2>sent to the network when they tried to send so

1957
01:35:01.520 --> 01:35:04.119
<v Speaker 2>that Laurence Tierney line about putting a.

1958
01:35:05.640 --> 01:35:06.560
<v Speaker 3>Hose.

1959
01:35:07.079 --> 01:35:12.119
<v Speaker 2>Yeahs, and Jim Brooks wrote a really eloquent, great cutting

1960
01:35:12.239 --> 01:35:15.520
<v Speaker 2>letter to Fox of like how dear you censor this

1961
01:35:15.760 --> 01:35:18.520
<v Speaker 2>great line and stuff? And I've that that letters somewhere

1962
01:35:18.680 --> 01:35:19.920
<v Speaker 2>in my garage and stuff.

1963
01:35:20.199 --> 01:35:23.319
<v Speaker 3>So when he said Fox, so they weren't allowed to interfere,

1964
01:35:23.479 --> 01:35:26.279
<v Speaker 3>but were they, they say, still attempted to what's what's

1965
01:35:26.279 --> 01:35:26.560
<v Speaker 3>the gun?

1966
01:35:26.880 --> 01:35:29.960
<v Speaker 2>Well, they were allowed to. They could not give us notes,

1967
01:35:30.000 --> 01:35:33.439
<v Speaker 2>but they still had a censor who like so they

1968
01:35:33.479 --> 01:35:35.960
<v Speaker 2>they they we would get notes and I have this

1969
01:35:36.039 --> 01:35:38.000
<v Speaker 2>is a great thing, but I can't I can't ever

1970
01:35:38.079 --> 01:35:41.720
<v Speaker 2>show it because it's not it would be breaking my

1971
01:35:42.560 --> 01:35:46.600
<v Speaker 2>legal agreement. But like NDA, yeah, to to ever show

1972
01:35:46.680 --> 01:35:49.880
<v Speaker 2>these notes and they're great, they're really delightful where it's

1973
01:35:49.880 --> 01:35:53.359
<v Speaker 2>like Bart can Bart must not expose his but but

1974
01:35:53.680 --> 01:35:56.119
<v Speaker 2>can only do it for three seconds or just like

1975
01:35:56.159 --> 01:35:58.199
<v Speaker 2>a lot of stuff like stuff like that. So so

1976
01:35:58.239 --> 01:36:02.520
<v Speaker 2>they were allowed to buy stand and practices to give

1977
01:36:02.600 --> 01:36:06.520
<v Speaker 2>us notes like that, but we usually either that scene

1978
01:36:06.520 --> 01:36:10.159
<v Speaker 2>would be cut or we'd find some way around it

1979
01:36:10.199 --> 01:36:13.560
<v Speaker 2>by like we did. We did have to take those notes,

1980
01:36:13.600 --> 01:36:16.720
<v Speaker 2>but we could often argue for them or say, if

1981
01:36:16.800 --> 01:36:19.560
<v Speaker 2>we do, we're gonna do these three notes, but can

1982
01:36:19.600 --> 01:36:22.680
<v Speaker 2>we do this and this? And the person who were

1983
01:36:22.680 --> 01:36:26.039
<v Speaker 2>the censor usually was like very reasonable about it. And

1984
01:36:26.079 --> 01:36:29.960
<v Speaker 2>also the Simpsons have this great lawyer who was at

1985
01:36:29.960 --> 01:36:33.720
<v Speaker 2>Fox who would always like support us because he really

1986
01:36:33.800 --> 01:36:36.720
<v Speaker 2>liked the show. So we have like when normally, like

1987
01:36:36.800 --> 01:36:40.560
<v Speaker 2>lawyers might get all concerned about making fun of somebody

1988
01:36:40.640 --> 01:36:43.560
<v Speaker 2>or something and our lawyer was like, it's funny, go ahead.

1989
01:36:44.319 --> 01:36:51.039
<v Speaker 2>So so normally but we did, so we did. We

1990
01:36:51.079 --> 01:36:53.439
<v Speaker 2>got away of a lot, but we did have to

1991
01:36:53.439 --> 01:36:56.960
<v Speaker 2>take those standards in practices notes. But you know, you

1992
01:36:56.960 --> 01:36:59.600
<v Speaker 2>know the story of Homer's phobia.

1993
01:36:59.279 --> 01:37:02.439
<v Speaker 3>Right, we're probably do but tell me again.

1994
01:37:02.720 --> 01:37:08.159
<v Speaker 2>But that we there's a sensor who was particularly annoying.

1995
01:37:08.840 --> 01:37:11.720
<v Speaker 2>And from the beginning of when you have to like

1996
01:37:12.039 --> 01:37:14.960
<v Speaker 2>you still have to like submit the story. When you

1997
01:37:15.439 --> 01:37:19.640
<v Speaker 2>after story conference and you know the showrunner or showrunners

1998
01:37:19.680 --> 01:37:22.159
<v Speaker 2>figure out what episode you're gonna do that season, you

1999
01:37:22.319 --> 01:37:26.039
<v Speaker 2>like submit a synopsis of those episodes to Fox also

2000
01:37:26.079 --> 01:37:30.039
<v Speaker 2>for their publicity so they can know what's coming. And

2001
01:37:30.039 --> 01:37:34.119
<v Speaker 2>and from the beginning they said, the censor said, this

2002
01:37:34.239 --> 01:37:38.479
<v Speaker 2>episode is not acceptable. You can't do that, you can't

2003
01:37:38.960 --> 01:37:43.840
<v Speaker 2>do the subject. And we're like, this is a really realistic.

2004
01:37:43.800 --> 01:37:46.520
<v Speaker 3>It's a positive episode, even handed love.

2005
01:37:46.560 --> 01:37:52.000
<v Speaker 2>And yeah, it's super positive, very good, very sensitive and

2006
01:37:52.039 --> 01:37:56.199
<v Speaker 2>funny and episode, and we're gonna do it. And we

2007
01:37:56.399 --> 01:38:01.439
<v Speaker 2>but we constantly after every draft, we normally get uh

2008
01:38:02.199 --> 01:38:05.800
<v Speaker 2>sensor notes and they might have like five or six things,

2009
01:38:06.560 --> 01:38:09.560
<v Speaker 2>and and half of them are like reasonable and the

2010
01:38:09.560 --> 01:38:12.039
<v Speaker 2>other half of you can like we'll ignore, we'll end

2011
01:38:12.079 --> 01:38:17.079
<v Speaker 2>up cutting or whatever. But for Homostopia, we got pages

2012
01:38:17.600 --> 01:38:20.840
<v Speaker 2>and pages and pages of notes saying you can't do this,

2013
01:38:21.000 --> 01:38:22.800
<v Speaker 2>you can't do that, you can't do this, you can't

2014
01:38:23.119 --> 01:38:25.760
<v Speaker 2>say this, blah blah blah. And we were just like

2015
01:38:26.199 --> 01:38:29.640
<v Speaker 2>and and and and but people like like Matt and

2016
01:38:29.720 --> 01:38:34.560
<v Speaker 2>I think Jim two were just very supportive and and said, no,

2017
01:38:34.640 --> 01:38:38.359
<v Speaker 2>we can do this episode. So we just ignored those notes.

2018
01:38:38.680 --> 01:38:43.399
<v Speaker 2>And then what happened is and the notes at the

2019
01:38:43.479 --> 01:38:46.920
<v Speaker 2>end said this episode is unacceptable for broadcast. And then

2020
01:38:47.119 --> 01:38:50.760
<v Speaker 2>what ended up is that that sensor left Fox and

2021
01:38:50.840 --> 01:38:54.000
<v Speaker 2>the next sensor. The next set of notes we got

2022
01:38:54.039 --> 01:38:57.239
<v Speaker 2>on it was this episode is acceptable for broadcasts. So

2023
01:38:57.279 --> 01:39:00.720
<v Speaker 2>it's like whatever that so so we out we kind

2024
01:39:00.760 --> 01:39:03.560
<v Speaker 2>of outlived because every episode takes like a year to

2025
01:39:03.680 --> 01:39:05.680
<v Speaker 2>make we outlive the censor on that.

2026
01:39:06.439 --> 01:39:08.600
<v Speaker 3>Did you have that in mind when you were writing episodes,

2027
01:39:08.640 --> 01:39:10.920
<v Speaker 3>going these references here and make sure they're not too

2028
01:39:11.000 --> 01:39:13.039
<v Speaker 3>topical now because they're going to be outdated because a

2029
01:39:13.039 --> 01:39:15.479
<v Speaker 3>lot of the later episodes that we review, by the

2030
01:39:15.560 --> 01:39:17.439
<v Speaker 3>time it aired, some of the reference would have been

2031
01:39:17.479 --> 01:39:20.359
<v Speaker 3>so out of date. But say with the early same sense,

2032
01:39:20.359 --> 01:39:22.880
<v Speaker 3>it was a lot of timeless references in the early season.

2033
01:39:23.079 --> 01:39:25.159
<v Speaker 2>Yeah, and that's a that's another thing that we were

2034
01:39:25.159 --> 01:39:27.079
<v Speaker 2>told by like Mike and al on Our in our

2035
01:39:27.119 --> 01:39:30.399
<v Speaker 2>first week is don't do it or the other writers

2036
01:39:30.399 --> 01:39:35.000
<v Speaker 2>too that don't do topical references because this episode's not

2037
01:39:35.039 --> 01:39:37.239
<v Speaker 2>gonna air for ten months, so it's already going to

2038
01:39:37.279 --> 01:39:39.359
<v Speaker 2>be out of date. So that's why it is like

2039
01:39:39.600 --> 01:39:42.520
<v Speaker 2>and very rarely, like the in the Halloween episode where

2040
01:39:42.520 --> 01:39:46.039
<v Speaker 2>we had Clinton and Dole who were running for president,

2041
01:39:46.399 --> 01:39:50.279
<v Speaker 2>like that was like everybody knows them, so it's gonna

2042
01:39:50.279 --> 01:39:52.720
<v Speaker 2>be okay even though it we'll be out of the

2043
01:39:52.760 --> 01:39:56.960
<v Speaker 2>election world past. But usually, Yeah, we just wanted to

2044
01:39:57.000 --> 01:39:59.239
<v Speaker 2>stayed away from it because of that. And it's also

2045
01:39:59.279 --> 01:40:01.760
<v Speaker 2>like South Park was so good at that and they

2046
01:40:01.760 --> 01:40:04.439
<v Speaker 2>had such a shorter lead time. It's like let that

2047
01:40:04.479 --> 01:40:07.800
<v Speaker 2>they'd let they're the masters of the topical references. We'll

2048
01:40:07.840 --> 01:40:10.039
<v Speaker 2>do the more, we'll do the really out of date,

2049
01:40:10.119 --> 01:40:11.199
<v Speaker 2>obscure references.

2050
01:40:11.239 --> 01:40:12.239
<v Speaker 4>You'll play the long game.

2051
01:40:12.359 --> 01:40:15.000
<v Speaker 3>Yeah, well your thoughts because you were running the Simpsons?

2052
01:40:15.079 --> 01:40:16.720
<v Speaker 3>Were you running the Simpsons when South Park kicked off?

2053
01:40:16.720 --> 01:40:18.479
<v Speaker 3>They kicked off ninety seven? When did you leave?

2054
01:40:19.159 --> 01:40:22.600
<v Speaker 2>We I think we left like ninety eight and were

2055
01:40:22.680 --> 01:40:25.920
<v Speaker 2>kind of pseudo involved. Maybe in ninety nine.

2056
01:40:26.159 --> 01:40:27.960
<v Speaker 3>I was gonna say, what was the vibelot with South

2057
01:40:28.000 --> 01:40:28.640
<v Speaker 3>Pok coming on?

2058
01:40:28.880 --> 01:40:31.319
<v Speaker 2>You know, South Park? We were there. It was like

2059
01:40:31.840 --> 01:40:34.720
<v Speaker 2>I think it was our very early years where we

2060
01:40:34.800 --> 01:40:39.319
<v Speaker 2>were just writers, like it was under I believe it

2061
01:40:39.359 --> 01:40:40.960
<v Speaker 2>was with Mike and now so I think it was,

2062
01:40:41.359 --> 01:40:45.119
<v Speaker 2>and maybe it was with Murkid. For seasons four or five,

2063
01:40:45.640 --> 01:40:50.199
<v Speaker 2>a tape of the south Park pilot circulated. Yeah, and

2064
01:40:50.279 --> 01:40:52.479
<v Speaker 2>we saw in the office and we're like, whoa, this

2065
01:40:52.640 --> 01:40:54.399
<v Speaker 2>is great. It's like this is going to be a

2066
01:40:54.439 --> 01:40:56.199
<v Speaker 2>new show. And people are like, yeah, this is a

2067
01:40:56.239 --> 01:41:00.399
<v Speaker 2>new show. So we saw that tape of people people

2068
01:41:00.880 --> 01:41:04.159
<v Speaker 2>always liked South Park in the offices. I think I

2069
01:41:04.159 --> 01:41:07.840
<v Speaker 2>think people saw didn't like Family Guy when it first

2070
01:41:07.920 --> 01:41:09.680
<v Speaker 2>came on, But I think Family Guy is such a

2071
01:41:09.720 --> 01:41:12.039
<v Speaker 2>different thing, and it's so good at just being a

2072
01:41:12.159 --> 01:41:15.960
<v Speaker 2>joke machine. Like I like it for that, but I

2073
01:41:15.960 --> 01:41:17.920
<v Speaker 2>remember at the time it's like, oh, a Family Guys

2074
01:41:17.960 --> 01:41:19.159
<v Speaker 2>just a Simpsons rip off.

2075
01:41:19.680 --> 01:41:21.920
<v Speaker 3>Well, I always can. I use it on the podcast

2076
01:41:21.960 --> 01:41:24.439
<v Speaker 3>a few times. I always compare Family on the Simpsons too,

2077
01:41:24.479 --> 01:41:27.920
<v Speaker 3>saying Family Guy is like takeout where Simpsons is a

2078
01:41:27.920 --> 01:41:29.399
<v Speaker 3>Sunday roast meal with a family.

2079
01:41:29.680 --> 01:41:30.960
<v Speaker 2>Yeah, that's a good analogy.

2080
01:41:31.039 --> 01:41:32.800
<v Speaker 3>It's good in short doses, but you get tired of

2081
01:41:32.840 --> 01:41:35.119
<v Speaker 3>it real quick. That's how I approach anyway. I'm like, yeah,

2082
01:41:35.159 --> 01:41:37.319
<v Speaker 3>I get this, it's just but it's just joke, joke, joke, joke,

2083
01:41:37.359 --> 01:41:38.880
<v Speaker 3>without any real emotion.

2084
01:41:38.680 --> 01:41:41.520
<v Speaker 4>For a lot of the time empty calories. Satisfying, but

2085
01:41:41.560 --> 01:41:42.159
<v Speaker 4>empty calories.

2086
01:41:42.199 --> 01:41:44.880
<v Speaker 2>But that's how I feel like that. It's similar to

2087
01:41:44.960 --> 01:41:47.279
<v Speaker 2>like like after leaving The Simpsons, I couldn't watch the

2088
01:41:47.319 --> 01:41:49.319
<v Speaker 2>show for a while, And it's the same with Family

2089
01:41:49.359 --> 01:41:52.239
<v Speaker 2>Guy or any animated show. I just didn't watch for

2090
01:41:52.279 --> 01:41:55.000
<v Speaker 2>a while because I was just like, I know, I'm

2091
01:41:55.039 --> 01:41:57.319
<v Speaker 2>seeing too much behind the scenes and I'm not just

2092
01:41:57.479 --> 01:41:58.079
<v Speaker 2>enjoying it.

2093
01:41:58.640 --> 01:42:00.600
<v Speaker 3>Oh, you mentioned you did regret leaving show. How long

2094
01:42:00.640 --> 01:42:02.840
<v Speaker 3>after leaving did you start to realize, Oh, maybe I

2095
01:42:02.840 --> 01:42:04.359
<v Speaker 3>shouldn't have done that.

2096
01:42:04.359 --> 01:42:09.279
<v Speaker 2>That's it probably took like a few years of like

2097
01:42:09.840 --> 01:42:12.600
<v Speaker 2>being in the real world where it's so much more

2098
01:42:12.640 --> 01:42:15.159
<v Speaker 2>difficult to get something on the air, even though it's

2099
01:42:15.159 --> 01:42:16.079
<v Speaker 2>thrilling when you do.

2100
01:42:16.279 --> 01:42:18.319
<v Speaker 3>Because he had struggles with Mission Hill, right.

2101
01:42:18.560 --> 01:42:21.640
<v Speaker 2>Yeah, and that was like we were like, this is

2102
01:42:21.680 --> 01:42:24.640
<v Speaker 2>gonna be the greatest thing, and very quickly realized, oh

2103
01:42:24.640 --> 01:42:27.520
<v Speaker 2>my god, we're gonna this show's gonna be canceled after

2104
01:42:27.600 --> 01:42:30.199
<v Speaker 2>a few episodes and and no one is ever going

2105
01:42:30.239 --> 01:42:32.600
<v Speaker 2>to see it. It was only because of Adult Swim a

2106
01:42:32.600 --> 01:42:36.600
<v Speaker 2>few years later, not having much to show, so that

2107
01:42:36.680 --> 01:42:39.520
<v Speaker 2>they showed Mission Hill over and over again and developed

2108
01:42:39.520 --> 01:42:42.239
<v Speaker 2>this huge fan base, but the show was long dead.

2109
01:42:42.239 --> 01:42:44.840
<v Speaker 2>But that was like, that was really heartening, where like

2110
01:42:45.079 --> 01:42:49.000
<v Speaker 2>meeting people around the country who loved Mission Hill, even

2111
01:42:49.000 --> 01:42:52.000
<v Speaker 2>though like for us it was a horrible it stopped

2112
01:42:52.000 --> 01:42:54.279
<v Speaker 2>being it stopped it from being a horrible tragedy to

2113
01:42:54.319 --> 01:42:58.479
<v Speaker 2>being something that we could fondly remember. And it's like

2114
01:42:58.720 --> 01:43:01.000
<v Speaker 2>and so like, it's like whenever I've worked on a

2115
01:43:01.039 --> 01:43:06.960
<v Speaker 2>show I loved, like Futurama or Gravity Falls or Disenchantment,

2116
01:43:07.319 --> 01:43:09.640
<v Speaker 2>that I don't think about it where I'm like, oh,

2117
01:43:09.680 --> 01:43:12.000
<v Speaker 2>I'm happy to be doing this really fun show. But

2118
01:43:12.079 --> 01:43:14.720
<v Speaker 2>other times I'm like, I miss working on that show

2119
01:43:15.479 --> 01:43:16.720
<v Speaker 2>because there's nothing like it.

2120
01:43:17.279 --> 01:43:19.039
<v Speaker 3>This show is brought to you by the four Finger

2121
01:43:19.079 --> 01:43:22.119
<v Speaker 3>Discount Patreon, where you'll find over one hundred hours of

2122
01:43:22.199 --> 01:43:26.680
<v Speaker 3>bonus podcasts, including exclusive Simpsons reviews and commentaries, as well

2123
01:43:26.720 --> 01:43:29.880
<v Speaker 3>as exclusive episodes of Going Down to South Park, tales

2124
01:43:29.920 --> 01:43:34.159
<v Speaker 3>of Futurama, Bob's Pods, Speaking of the Hill, Talking Sifold,

2125
01:43:34.359 --> 01:43:37.039
<v Speaker 3>the One about Friends, and so much more. So go

2126
01:43:37.079 --> 01:43:40.239
<v Speaker 3>ahead and join the family today at patreon dot com

2127
01:43:40.279 --> 01:43:44.560
<v Speaker 3>slash four Finger Discount. There's one final episode that I

2128
01:43:44.560 --> 01:43:46.159
<v Speaker 3>wanted to just mention before we go to one touch

2129
01:43:46.199 --> 01:43:47.720
<v Speaker 3>on because I wasn't sure whether you worked on it

2130
01:43:47.800 --> 01:43:50.000
<v Speaker 3>or not. I feel like it may have principle and

2131
01:43:50.039 --> 01:43:52.479
<v Speaker 3>the Pauper. Yes, how much did you guys have to

2132
01:43:52.520 --> 01:43:54.159
<v Speaker 3>do with this one? Because this is probably the most

2133
01:43:54.199 --> 01:43:55.479
<v Speaker 3>divisive episode of all time.

2134
01:43:55.560 --> 01:43:56.880
<v Speaker 2>That was one of our episodes.

2135
01:43:57.000 --> 01:43:59.439
<v Speaker 3>I thought it was. It was a carryover from season eight. Yeah,

2136
01:43:59.479 --> 01:44:03.600
<v Speaker 3>so that one that you know that divided the nation

2137
01:44:03.720 --> 01:44:04.680
<v Speaker 3>when it comes to Simpsons.

2138
01:44:04.760 --> 01:44:07.960
<v Speaker 2>Yeah, and we had we had no Honestly, we had

2139
01:44:08.000 --> 01:44:10.520
<v Speaker 2>no idea because it's all like it's based on a

2140
01:44:10.520 --> 01:44:12.840
<v Speaker 2>couple of movies, including like the Return of Martin Gear

2141
01:44:13.279 --> 01:44:17.119
<v Speaker 2>and we thought that we're we're soldiers, somebody coming bits

2142
01:44:17.159 --> 01:44:19.920
<v Speaker 2>back from a war and pretends they were this guy

2143
01:44:19.960 --> 01:44:22.279
<v Speaker 2>who they were, and we're just like this is like

2144
01:44:22.560 --> 01:44:25.359
<v Speaker 2>this is That was our principal Skinner episode where like,

2145
01:44:25.439 --> 01:44:29.239
<v Speaker 2>let's explore why he's like that. And we had no

2146
01:44:30.039 --> 01:44:33.479
<v Speaker 2>idea because it's so but I understand why it made

2147
01:44:33.479 --> 01:44:35.399
<v Speaker 2>people mad. That's one of the things where I do

2148
01:44:35.479 --> 01:44:40.640
<v Speaker 2>get it. I do get it where it's so rather

2149
01:44:40.720 --> 01:44:44.720
<v Speaker 2>than like with Flanders, it explains why he is. But

2150
01:44:44.840 --> 01:44:47.199
<v Speaker 2>with Principaun and Popper kind of I can see the

2151
01:44:47.279 --> 01:44:51.680
<v Speaker 2>certain people that it kind of exploded the character and

2152
01:44:51.680 --> 01:44:54.119
<v Speaker 2>that it I can understand how they feel like it

2153
01:44:54.199 --> 01:44:57.319
<v Speaker 2>ruined everything that came before a principal Skinner because now

2154
01:44:57.399 --> 01:44:59.880
<v Speaker 2>you know, he's not really that and he's this guy

2155
01:45:00.000 --> 01:45:02.039
<v Speaker 2>Garb tams here and I get so I get it.

2156
01:45:02.199 --> 01:45:06.039
<v Speaker 2>And like, while I stand by that episode, the trouble

2157
01:45:06.319 --> 01:45:09.840
<v Speaker 2>that it has caused makes me feel like we probably

2158
01:45:09.840 --> 01:45:11.960
<v Speaker 2>just shouldn't have done it, but only for that reason,

2159
01:45:12.239 --> 01:45:14.760
<v Speaker 2>not if I'd stand by like the story and all

2160
01:45:14.800 --> 01:45:16.960
<v Speaker 2>of that, and it has a lot of good jokes,

2161
01:45:17.199 --> 01:45:20.439
<v Speaker 2>but I get, I do get what I mean. It's

2162
01:45:20.479 --> 01:45:24.479
<v Speaker 2>also crazy that a cartoon could enrage people, but that

2163
01:45:24.560 --> 01:45:25.680
<v Speaker 2>episode certainly did.

2164
01:45:25.800 --> 01:45:27.520
<v Speaker 3>But it's more than a cartoon, no, I think, isn't

2165
01:45:27.520 --> 01:45:28.079
<v Speaker 3>it the same thing?

2166
01:45:28.199 --> 01:45:28.399
<v Speaker 4>Yeah?

2167
01:45:28.439 --> 01:45:30.239
<v Speaker 2>Well, I mean that's the thing. And as a fan,

2168
01:45:30.840 --> 01:45:34.239
<v Speaker 2>I can understand that because you get so attached to

2169
01:45:34.279 --> 01:45:36.720
<v Speaker 2>these characters that if you're suddenly thrown for a loop

2170
01:45:36.760 --> 01:45:40.119
<v Speaker 2>and go like, what principal Skinner isn't principal Skinner And

2171
01:45:40.159 --> 01:45:42.960
<v Speaker 2>that's a thing too, Whereas like Ned Flanders was always

2172
01:45:43.000 --> 01:45:45.119
<v Speaker 2>Ned Flanders, Like when you see him as a kid,

2173
01:45:45.159 --> 01:45:47.680
<v Speaker 2>that's Ned Flanders, you go, I get it. So I

2174
01:45:47.720 --> 01:45:50.720
<v Speaker 2>get I get why it made people so bad.

2175
01:45:51.039 --> 01:45:53.760
<v Speaker 3>I think people were annoyed because we'd seen in previous

2176
01:45:53.800 --> 01:45:57.520
<v Speaker 3>episodes he having flashbacks to certain things that were thrown

2177
01:45:57.520 --> 01:45:59.760
<v Speaker 3>out the window for the logic of this episode, I think, right.

2178
01:45:59.640 --> 01:46:01.720
<v Speaker 2>Yeah, it makes you have to it makes you have

2179
01:46:01.800 --> 01:46:05.279
<v Speaker 2>to reassess everything in a new context.

2180
01:46:05.399 --> 01:46:08.319
<v Speaker 3>So yeah, but also I've sort of learned to as

2181
01:46:08.359 --> 01:46:09.880
<v Speaker 3>time went on. I was used to be a stickler

2182
01:46:09.880 --> 01:46:11.960
<v Speaker 3>for Cannon, and then you know, as I said about

2183
01:46:11.920 --> 01:46:13.760
<v Speaker 3>to season twenty one, and we've talked to Matt Salmon,

2184
01:46:13.840 --> 01:46:16.119
<v Speaker 3>who was very anti Cannon. He's like, who cares about Cannon?

2185
01:46:16.199 --> 01:46:18.640
<v Speaker 3>Every episode's in its own vacuum. I think just for

2186
01:46:18.720 --> 01:46:21.479
<v Speaker 3>that first few seasons of The Simpsons, though, canon was

2187
01:46:21.560 --> 01:46:23.800
<v Speaker 3>kind of important because you felt like you were part

2188
01:46:23.800 --> 01:46:25.920
<v Speaker 3>of this universe. It felt like it was real, and

2189
01:46:25.920 --> 01:46:27.760
<v Speaker 3>if canon doesn't exist, then it doesn't no longer, if

2190
01:46:27.800 --> 01:46:29.680
<v Speaker 3>it doesn't really feel us real anymore.

2191
01:46:30.079 --> 01:46:34.159
<v Speaker 2>Yeah, we were weird in between of that, because like

2192
01:46:34.239 --> 01:46:37.079
<v Speaker 2>we were really attached to all the characters and also

2193
01:46:37.119 --> 01:46:39.720
<v Speaker 2>felt we really want to be real, Like the way

2194
01:46:40.840 --> 01:46:43.600
<v Speaker 2>Jim and Matt and Sam created a show is like

2195
01:46:43.720 --> 01:46:47.159
<v Speaker 2>always to be real. So like we were big adherents

2196
01:46:47.199 --> 01:46:50.319
<v Speaker 2>of that, but then the principal Skinner episode kind of

2197
01:46:50.399 --> 01:46:53.720
<v Speaker 2>does it does kind of break those rules. And while

2198
01:46:53.760 --> 01:46:56.920
<v Speaker 2>I get I like, like Matt Salmon, I'll get really

2199
01:46:56.920 --> 01:47:00.000
<v Speaker 2>annoyed at people nippicking things that are ches supposed to

2200
01:47:00.159 --> 01:47:04.840
<v Speaker 2>be a good funny cartoon. So like I'm usually you

2201
01:47:04.920 --> 01:47:08.279
<v Speaker 2>will be on that side. But I also get people

2202
01:47:08.319 --> 01:47:11.000
<v Speaker 2>being attached to the characters because we weren't too.

2203
01:47:11.359 --> 01:47:12.760
<v Speaker 4>I think you have to do a degree of well

2204
01:47:12.840 --> 01:47:16.479
<v Speaker 4>building to a level that makes emotional sense, if not

2205
01:47:16.520 --> 01:47:19.720
<v Speaker 4>necessarily logical sense. Yeah, and if you do something that

2206
01:47:19.720 --> 01:47:21.119
<v Speaker 4>that strips a bit of the way it was sort

2207
01:47:21.119 --> 01:47:23.199
<v Speaker 4>of they phrase a little bit, that's when people start

2208
01:47:23.199 --> 01:47:23.880
<v Speaker 4>to get a bit annoyed.

2209
01:47:23.960 --> 01:47:28.319
<v Speaker 2>That pushes that episode pushes all those all those bounds.

2210
01:47:28.680 --> 01:47:31.039
<v Speaker 2>So if I if I had to do that's that's

2211
01:47:31.079 --> 01:47:32.920
<v Speaker 2>the only there's I will say, and I will I

2212
01:47:32.960 --> 01:47:35.720
<v Speaker 2>will ever say what the episode. There's a couple episodes

2213
01:47:36.000 --> 01:47:39.199
<v Speaker 2>that in season eight that I think we were so

2214
01:47:39.680 --> 01:47:45.800
<v Speaker 2>tired we didn't do as good a job on polishing

2215
01:47:45.840 --> 01:47:49.000
<v Speaker 2>them as we should have. And there's a couple episodes

2216
01:47:49.000 --> 01:47:53.079
<v Speaker 2>that I think didn't come out as well as they

2217
01:47:53.079 --> 01:47:53.399
<v Speaker 2>could have.

2218
01:47:53.680 --> 01:47:54.039
<v Speaker 3>And you don't.

2219
01:47:55.119 --> 01:47:56.640
<v Speaker 2>No, I don't want to say, because it would it

2220
01:47:56.640 --> 01:47:58.920
<v Speaker 2>would be insult the writer whose name is on it.

2221
01:47:59.039 --> 01:48:00.920
<v Speaker 2>And it's more our fault for just like being so

2222
01:48:01.079 --> 01:48:03.520
<v Speaker 2>tired that we're like, oh my god, we can't like

2223
01:48:04.399 --> 01:48:07.119
<v Speaker 2>this episode. Is it came to like we liked every

2224
01:48:07.119 --> 01:48:09.960
<v Speaker 2>episode to be perfect, and those couple of episodes like,

2225
01:48:10.039 --> 01:48:13.399
<v Speaker 2>they're not perfect and if we had more time and

2226
01:48:13.479 --> 01:48:15.560
<v Speaker 2>weren't so tired, we would have made them better.

2227
01:48:15.960 --> 01:48:18.760
<v Speaker 3>And wasn't your final episode? Was that? Lisa the Simpson

2228
01:48:18.800 --> 01:48:19.279
<v Speaker 3>the final one?

2229
01:48:19.279 --> 01:48:19.359
<v Speaker 2>That?

2230
01:48:19.399 --> 01:48:22.840
<v Speaker 3>Yah, that is brilliant with my kids the other day,

2231
01:48:22.920 --> 01:48:24.199
<v Speaker 3>I loved that episode.

2232
01:48:24.319 --> 01:48:27.279
<v Speaker 2>Oh thank you, we want that. That was intentional to

2233
01:48:27.439 --> 01:48:30.039
<v Speaker 2>be our last episode because we wanted to be a

2234
01:48:30.079 --> 01:48:33.640
<v Speaker 2>real family episode and like that like kind of it

2235
01:48:34.000 --> 01:48:38.600
<v Speaker 2>to explain Lisa to herself. So that was the because

2236
01:48:38.640 --> 01:48:41.960
<v Speaker 2>we liked we liked the like envelope pushing weird episodes,

2237
01:48:42.199 --> 01:48:45.840
<v Speaker 2>but we also love the emotional episodes the most, So

2238
01:48:45.880 --> 01:48:47.439
<v Speaker 2>that's why we wanted to go out on that.

2239
01:48:47.680 --> 01:48:48.760
<v Speaker 4>Josh, you do good work.

2240
01:48:49.640 --> 01:48:50.479
<v Speaker 2>Thank thank you.

2241
01:48:51.039 --> 01:48:52.560
<v Speaker 3>But yeah, but as I said, we would love to

2242
01:48:52.600 --> 01:48:54.079
<v Speaker 3>have you on a game because there's so much more

2243
01:48:54.119 --> 01:48:54.680
<v Speaker 3>to discuss.

2244
01:48:55.319 --> 01:48:59.319
<v Speaker 2>Yeah, I'll talk I'll blab on about any episode, so please.

2245
01:49:00.119 --> 01:49:02.079
<v Speaker 3>We haven't even touched on itching Scratchy and Pucci Sho yet.

2246
01:49:02.079 --> 01:49:04.479
<v Speaker 2>Maybe that can be for the Oh my god, that's

2247
01:49:04.520 --> 01:49:05.760
<v Speaker 2>another one I could go on.

2248
01:49:05.760 --> 01:49:06.720
<v Speaker 3>When you're in that one.

2249
01:49:07.279 --> 01:49:10.520
<v Speaker 2>Yeah, that was. That was a we'll talk about event.

2250
01:49:10.800 --> 01:49:12.640
<v Speaker 2>That was a real treat to be able to to

2251
01:49:12.880 --> 01:49:16.760
<v Speaker 2>whatever reasons I think writers like to do itchy scratchy episodes.

2252
01:49:17.039 --> 01:49:19.600
<v Speaker 2>Was you got to work yourself into into it.

2253
01:49:20.000 --> 01:49:21.439
<v Speaker 3>Yes, all right, we'll touch on that one the next

2254
01:49:21.520 --> 01:49:22.640
<v Speaker 3>the next time we have you on. But thank you

2255
01:49:22.640 --> 01:49:24.039
<v Speaker 3>so much again, Josh for your time. It's been an

2256
01:49:24.079 --> 01:49:24.880
<v Speaker 3>absolute pleasure.

2257
01:49:25.399 --> 01:49:27.960
<v Speaker 2>All right. Yeah, likewise, thank you, thanks about.

2258
01:49:27.880 --> 01:49:28.399
<v Speaker 4>Josh, and.

2259
01:49:34.640 --> 01:49:38.000
<v Speaker 3>We are back here without Josh Winstein. Unfortunately he is

2260
01:49:38.079 --> 01:49:40.439
<v Speaker 3>East leftist. Oh no, he went back to his home plan.

2261
01:49:40.479 --> 01:49:43.039
<v Speaker 3>He's planet needed him. Fortunately he didn't dine on his

2262
01:49:43.039 --> 01:49:44.319
<v Speaker 3>way back to his home plan. And he shall be

2263
01:49:44.319 --> 01:49:46.640
<v Speaker 3>back here on fourthing a discount in coming months.

2264
01:49:46.399 --> 01:49:47.880
<v Speaker 4>I would hope. So, I mean, I think that was

2265
01:49:48.399 --> 01:49:49.840
<v Speaker 4>it was a really good chat. You you'll think it's

2266
01:49:49.880 --> 01:49:52.520
<v Speaker 4>one of the best we've ever done. I'm inclined to agree.

2267
01:49:52.600 --> 01:49:54.640
<v Speaker 3>Yeah, the guys are so afformative and just he just

2268
01:49:54.720 --> 01:49:57.079
<v Speaker 3>clearly loves the Simpsons, which it just shines through when

2269
01:49:57.119 --> 01:49:58.880
<v Speaker 3>he when he's talking about it. But it's just as

2270
01:49:58.880 --> 01:50:00.760
<v Speaker 3>I said, he was in charge of the show during

2271
01:50:00.760 --> 01:50:02.399
<v Speaker 3>my favorite era, so I was just eating everything he

2272
01:50:02.439 --> 01:50:03.840
<v Speaker 3>had to say out. But I would love to get

2273
01:50:04.279 --> 01:50:06.680
<v Speaker 3>he and Bill On to do Bart versus Australia.

2274
01:50:06.720 --> 01:50:08.000
<v Speaker 4>Well, if anyone can do it, you can.

2275
01:50:10.000 --> 01:50:12.079
<v Speaker 3>You're just you know, make things happen.

2276
01:50:12.359 --> 01:50:16.239
<v Speaker 4>It's like the staff of the Simpsons Pokemon and you've

2277
01:50:16.279 --> 01:50:18.319
<v Speaker 4>got to catch them. We're gonna you like it? Do

2278
01:50:18.359 --> 01:50:19.920
<v Speaker 4>you like how I folded all those references? And I

2279
01:50:19.920 --> 01:50:22.920
<v Speaker 4>thought I did pretty well there for an old fucker bad.

2280
01:50:22.840 --> 01:50:24.640
<v Speaker 3>You know what works about chatting to like, you know,

2281
01:50:24.800 --> 01:50:26.960
<v Speaker 3>just want someone and whatnot. What we've been to the

2282
01:50:26.960 --> 01:50:29.479
<v Speaker 3>table is I'm the fan, but you're also you're sort

2283
01:50:29.520 --> 01:50:31.720
<v Speaker 3>of a similar age them as well, so you you can,

2284
01:50:32.239 --> 01:50:33.760
<v Speaker 3>I don't know, you can engage with them on things.

2285
01:50:33.800 --> 01:50:36.000
<v Speaker 3>References that they're talking about from like the seventies and eighties,

2286
01:50:36.039 --> 01:50:37.640
<v Speaker 3>and you know what the fuck they're talking about. It's

2287
01:50:37.640 --> 01:50:39.079
<v Speaker 3>half the time I don't know they're talking about it.

2288
01:50:39.119 --> 01:50:40.880
<v Speaker 3>But like there was one part during the interview where

2289
01:50:40.880 --> 01:50:42.479
<v Speaker 3>you were talking about you want to know about a

2290
01:50:42.560 --> 01:50:44.920
<v Speaker 3>musical and you're like yes, starlout express and you're like yes,

2291
01:50:45.279 --> 01:50:47.039
<v Speaker 3>And I was like, that's what you've been to the

2292
01:50:47.039 --> 01:50:49.439
<v Speaker 3>table as well, you know, just your plethora of knowledge

2293
01:50:49.479 --> 01:50:50.000
<v Speaker 3>about everything.

2294
01:50:50.039 --> 01:50:52.279
<v Speaker 4>It's good that I'm bringing something to the but no, no,

2295
01:50:52.279 --> 01:50:55.520
<v Speaker 4>you're right. But your your enthusiasm, you know, just really

2296
01:50:55.520 --> 01:50:57.920
<v Speaker 4>really shines through. And I think these guys respond to that.

2297
01:50:58.439 --> 01:51:01.560
<v Speaker 4>But also you know, they find themselves willing to not

2298
01:51:01.640 --> 01:51:06.159
<v Speaker 4>even willing to enthusiastic to share their reminiscences and their

2299
01:51:06.479 --> 01:51:08.680
<v Speaker 4>recollections about you know, what they've done and all that

2300
01:51:08.720 --> 01:51:11.399
<v Speaker 4>kind of stuff. Yeah, what it creates is a really

2301
01:51:11.439 --> 01:51:11.840
<v Speaker 4>good show.

2302
01:51:13.319 --> 01:51:16.800
<v Speaker 3>Hope you guys enjoyed it, like and subscribe. But what

2303
01:51:16.800 --> 01:51:18.279
<v Speaker 3>we're doing now is we're going to be doing our

2304
01:51:18.319 --> 01:51:20.840
<v Speaker 3>full run through because obviously we went for over an

2305
01:51:20.840 --> 01:51:22.159
<v Speaker 3>hour and a half with Josh and I was like,

2306
01:51:22.399 --> 01:51:23.640
<v Speaker 3>it's going to be too long. I felt like I

2307
01:51:23.680 --> 01:51:25.319
<v Speaker 3>was getting laid. I don't want to keep him anymore.

2308
01:51:25.319 --> 01:51:26.840
<v Speaker 3>So we will do our run through now of a

2309
01:51:26.880 --> 01:51:29.840
<v Speaker 3>fish Court, Summer, favorite Moments, trivia, all the fun stuff,

2310
01:51:29.880 --> 01:51:31.840
<v Speaker 3>all the fun stuff, all the fun stuff. Starting with

2311
01:51:32.079 --> 01:51:35.680
<v Speaker 3>favorite moments, My favorite.

2312
01:51:35.319 --> 01:51:37.479
<v Speaker 4>Favorite, Oh, my god, so many in this and look

2313
01:51:37.479 --> 01:51:38.319
<v Speaker 4>I probably.

2314
01:51:38.159 --> 01:51:39.399
<v Speaker 3>Well probably touched on most of them.

2315
01:51:39.439 --> 01:51:41.359
<v Speaker 4>Yeah, we probably did, but you give us a few

2316
01:51:41.359 --> 01:51:41.720
<v Speaker 4>of yours.

2317
01:51:41.760 --> 01:51:41.960
<v Speaker 2>First.

2318
01:51:42.000 --> 01:51:43.840
<v Speaker 3>Well, one of my favorite lines that I quote all

2319
01:51:43.840 --> 01:51:45.920
<v Speaker 3>the time is the movie or the Planet.

2320
01:51:47.039 --> 01:51:50.039
<v Speaker 4>I've got that written down here, So yeah, clearly I

2321
01:51:50.119 --> 01:51:54.079
<v Speaker 4>enjoyed that. Look, anytime Jeff goblins in anything, it's it's

2322
01:51:54.119 --> 01:51:57.239
<v Speaker 4>pretty good value. As I said to Josh, it's really

2323
01:51:57.279 --> 01:51:59.520
<v Speaker 4>good casting because he's pretty much the only man who

2324
01:51:59.520 --> 01:52:02.039
<v Speaker 4>could give Phil Hartman a run for his smamy. Yeah

2325
01:52:02.079 --> 01:52:05.079
<v Speaker 4>you're saying that, Yeah, So yeah, I think Goldwin just

2326
01:52:05.119 --> 01:52:07.560
<v Speaker 4>sort of nails pretty much every every line delivery he

2327
01:52:07.880 --> 01:52:08.359
<v Speaker 4>gives in this.

2328
01:52:08.840 --> 01:52:10.640
<v Speaker 3>I think he really shines through with the line I

2329
01:52:10.720 --> 01:52:12.680
<v Speaker 3>was touching with Josh where he actually sounds like Golden,

2330
01:52:12.680 --> 01:52:16.640
<v Speaker 3>where he goes you and the waif threate the most

2331
01:52:16.680 --> 01:52:19.079
<v Speaker 3>of it. He was talking faster because they asked you

2332
01:52:19.159 --> 01:52:20.560
<v Speaker 3>because everyone else was talking slower.

2333
01:52:20.640 --> 01:52:24.359
<v Speaker 4>Yeah, the way that Troy McClure answers the phone, saying team.

2334
01:52:24.279 --> 01:52:24.520
<v Speaker 5>M C.

2335
01:52:26.199 --> 01:52:26.760
<v Speaker 3>Pick up on that.

2336
01:52:26.880 --> 01:52:29.960
<v Speaker 4>Yeah, yeah, yeah, I have to start answering the phone.

2337
01:52:30.000 --> 01:52:30.239
<v Speaker 3>G D.

2338
01:52:33.720 --> 01:52:36.439
<v Speaker 4>See, I don't know. We alluded to this when we

2339
01:52:36.479 --> 01:52:38.880
<v Speaker 4>spoke with Josh, but just when at the very start

2340
01:52:38.920 --> 01:52:41.640
<v Speaker 4>of the episode where the they're watching it.

2341
01:52:41.720 --> 01:52:43.279
<v Speaker 3>It's called muggets goo medieval.

2342
01:52:43.399 --> 01:52:45.520
<v Speaker 4>Yeah, but what do they call it? Rained out rained

2343
01:52:45.520 --> 01:52:49.600
<v Speaker 4>owt ballgame theater or something. But home is just you know,

2344
01:52:49.600 --> 01:52:52.119
<v Speaker 4>talking about something. So to answer your question, I don't know.

2345
01:52:54.199 --> 01:52:56.439
<v Speaker 4>I've got to start incorporating every day.

2346
01:52:56.479 --> 01:52:57.720
<v Speaker 3>So she says, Dad, what's a muppets?

2347
01:52:59.840 --> 01:53:00.640
<v Speaker 4>Not what a muppet?

2348
01:53:00.720 --> 01:53:06.039
<v Speaker 3>Yeah, So that's what it's like as a parents sometimes. Yeah,

2349
01:53:06.239 --> 01:53:08.520
<v Speaker 3>kids ask a question, you go, I know, I should

2350
01:53:08.560 --> 01:53:10.359
<v Speaker 3>know the answer to this, and you try and make

2351
01:53:10.359 --> 01:53:12.600
<v Speaker 3>sit up, and the more you're making shit up, you go. Look,

2352
01:53:12.640 --> 01:53:14.600
<v Speaker 3>Alie asked the other day, and I should know this.

2353
01:53:15.479 --> 01:53:18.079
<v Speaker 3>Why does rain fall from clouds? How does that happen?

2354
01:53:18.159 --> 01:53:21.399
<v Speaker 3>And I'm going, well, trying to use basic common knowledge.

2355
01:53:21.399 --> 01:53:25.199
<v Speaker 3>He maybe because the all the I don't.

2356
01:53:25.039 --> 01:53:27.680
<v Speaker 4>Know, I want to say condensation.

2357
01:53:27.800 --> 01:53:29.199
<v Speaker 3>Yeah, it all builds up into the clouds and it

2358
01:53:29.199 --> 01:53:30.920
<v Speaker 3>gets too heavy and it all has to come out again.

2359
01:53:31.319 --> 01:53:33.479
<v Speaker 3>And Nicolas goes because the clouds are sad, and I

2360
01:53:33.520 --> 01:53:39.600
<v Speaker 3>was like that that will work. Yeah, but you're a

2361
01:53:39.600 --> 01:53:41.640
<v Speaker 3>big muppet guy, you probably do know this. Why are

2362
01:53:41.640 --> 01:53:44.720
<v Speaker 3>they called muppets and monsters? And puppets, Monsters and puppets. Yeah, okay,

2363
01:53:44.800 --> 01:53:46.720
<v Speaker 3>I think I shouldn't. I should know that you're right

2364
01:53:46.800 --> 01:53:48.720
<v Speaker 3>a little bit of double check, because that's pretty much

2365
01:53:49.399 --> 01:53:55.920
<v Speaker 3>what I've always thought. Why muppets called muppets it is

2366
01:53:56.560 --> 01:54:00.079
<v Speaker 3>the muppet was coined. I'm marrying Nette and puppet and

2367
01:54:00.159 --> 01:54:00.640
<v Speaker 3>the monsters.

2368
01:54:01.359 --> 01:54:04.800
<v Speaker 4>Thanks Google, he would have been going around saying, yeah,

2369
01:54:05.000 --> 01:54:06.800
<v Speaker 4>next time, you're like, why they got Mauppet's not Papa?

2370
01:54:06.880 --> 01:54:09.479
<v Speaker 4>He was it because the monster Puppet's son. Then ten

2371
01:54:09.560 --> 01:54:12.359
<v Speaker 4>years later therapy.

2372
01:54:12.079 --> 01:54:16.960
<v Speaker 3>It was like a dead lion. Why I trusted you

2373
01:54:17.880 --> 01:54:19.520
<v Speaker 3>so marrying it and Pappa? That's why they carried that.

2374
01:54:21.199 --> 01:54:21.520
<v Speaker 2>Again.

2375
01:54:21.640 --> 01:54:23.119
<v Speaker 4>Sorry, this is a lot of stuff that we alluded

2376
01:54:23.119 --> 01:54:24.680
<v Speaker 4>to during our chat with Josh, But I mean I

2377
01:54:24.720 --> 01:54:29.199
<v Speaker 4>really liked the way some came through in this. Yeah.

2378
01:54:29.199 --> 01:54:31.520
<v Speaker 4>I just liked her sort of like it felt very

2379
01:54:31.520 --> 01:54:33.880
<v Speaker 4>grown up and mature, just her approach to sort of

2380
01:54:34.479 --> 01:54:37.039
<v Speaker 4>love and romance and or even just you know, dating.

2381
01:54:37.079 --> 01:54:39.880
<v Speaker 4>I mean you probably already said that, but yeah, thanks

2382
01:54:39.880 --> 01:54:41.359
<v Speaker 4>for holding up your into the bargain. I had a

2383
01:54:41.359 --> 01:54:43.760
<v Speaker 4>pretty good time at the end of the date. It's like,

2384
01:54:44.319 --> 01:54:46.600
<v Speaker 4>that's a really great line. I don't know, Yeah, but.

2385
01:54:46.560 --> 01:54:48.479
<v Speaker 3>It's also the fact that it's like, had a pretty

2386
01:54:48.479 --> 01:54:48.960
<v Speaker 3>good time.

2387
01:54:49.760 --> 01:54:54.800
<v Speaker 4>Great, but also thanks for holding up your into the bargain.

2388
01:54:55.079 --> 01:54:56.800
<v Speaker 3>But it's also she was willing to go through with

2389
01:54:56.840 --> 01:54:59.199
<v Speaker 3>this marriage knowing it was a sham, and once a

2390
01:54:59.319 --> 01:55:01.600
<v Speaker 3>kid was brought the equation, then she went, I can't

2391
01:55:01.600 --> 01:55:01.880
<v Speaker 3>do this.

2392
01:55:02.079 --> 01:55:06.079
<v Speaker 4>Yeah. I think that's one of my favorite parts of

2393
01:55:06.119 --> 01:55:08.680
<v Speaker 4>the episode. Yeah, I guess it folds in the favorite moments.

2394
01:55:08.880 --> 01:55:11.319
<v Speaker 4>But to her saying, you know, it's fine for us,

2395
01:55:11.640 --> 01:55:14.199
<v Speaker 4>and you know you it really reveals some character depth.

2396
01:55:14.199 --> 01:55:16.920
<v Speaker 4>It's like depth and kind of like, yeah, look it's

2397
01:55:16.960 --> 01:55:20.119
<v Speaker 4>a sham, it's fine, but it's a pretty nice set

2398
01:55:20.199 --> 01:55:20.800
<v Speaker 4>up here, you know.

2399
01:55:20.880 --> 01:55:23.279
<v Speaker 3>And jud Job gets his rock in and these are

2400
01:55:23.279 --> 01:55:24.159
<v Speaker 3>two people who.

2401
01:55:24.159 --> 01:55:26.239
<v Speaker 4>If they're not in love, they they kind of seem

2402
01:55:26.279 --> 01:55:29.399
<v Speaker 4>to like each other or they're compatible. Yeah a lot.

2403
01:55:29.680 --> 01:55:33.239
<v Speaker 4>So yeah, it's a really deep and thoughtful episode in

2404
01:55:33.279 --> 01:55:34.600
<v Speaker 4>a lot of ways, and also just being one of

2405
01:55:34.600 --> 01:55:36.359
<v Speaker 4>the funniest. So yeah, that's that's fantastic.

2406
01:55:36.560 --> 01:55:38.800
<v Speaker 3>I also love that that he was taking someone to

2407
01:55:38.840 --> 01:55:40.720
<v Speaker 3>a special screen of his latest movie and it was

2408
01:55:40.720 --> 01:55:42.720
<v Speaker 3>the Mother movie from nineteen seventy seven. So not only

2409
01:55:42.840 --> 01:55:45.680
<v Speaker 3>is it like at this shitty flea market drive in

2410
01:55:45.800 --> 01:55:47.560
<v Speaker 3>right that no one else is there but them? But

2411
01:55:47.600 --> 01:55:49.560
<v Speaker 3>that's his latest movie from nineteen seventy seven. It hasn't

2412
01:55:49.560 --> 01:55:50.199
<v Speaker 3>been a movie since.

2413
01:55:53.199 --> 01:55:55.760
<v Speaker 4>Why is it on rained at ballgame Theater but also

2414
01:55:55.760 --> 01:55:58.399
<v Speaker 4>at the drum? I don't know. I don't know that.

2415
01:55:59.239 --> 01:56:00.920
<v Speaker 4>I'm sure I have otheravorite moments. And as we do,

2416
01:56:01.840 --> 01:56:03.840
<v Speaker 4>we sort of doing a run through. Yeah, of course,

2417
01:56:04.439 --> 01:56:05.880
<v Speaker 4>then more will come up as we go.

2418
01:56:05.920 --> 01:56:07.960
<v Speaker 3>But before that though, trivia trivia.

2419
01:56:08.199 --> 01:56:10.680
<v Speaker 6>Next question, you there eating the Beast.

2420
01:56:11.319 --> 01:56:13.840
<v Speaker 3>My first question for you is I've already spoilt it.

2421
01:56:14.000 --> 01:56:15.560
<v Speaker 3>I would just say it. What year was The Muppets

2422
01:56:15.600 --> 01:56:16.600
<v Speaker 3>Go Medieval released?

2423
01:56:17.159 --> 01:56:18.600
<v Speaker 4>It wasn't nineteen seventy seven?

2424
01:56:18.720 --> 01:56:21.000
<v Speaker 3>Yeah, just said that one. Yeah. Yeah. What is MacArthur

2425
01:56:21.000 --> 01:56:24.960
<v Speaker 3>Parker's agency called representations?

2426
01:56:25.079 --> 01:56:28.960
<v Speaker 4>Right? Yes? Representations? Yes? Yeah, you know you've already sort

2427
01:56:28.960 --> 01:56:31.039
<v Speaker 4>of alluded to this as well. What is the name

2428
01:56:31.079 --> 01:56:34.399
<v Speaker 4>of the full name of the drive in that Troy

2429
01:56:34.439 --> 01:56:35.199
<v Speaker 4>and Sommer.

2430
01:56:35.159 --> 01:56:37.880
<v Speaker 3>Oh, I don't know, and it's highway something.

2431
01:56:37.960 --> 01:56:40.439
<v Speaker 4>Yeah, it's Route eighteen, flea market and driving.

2432
01:56:40.520 --> 01:56:44.199
<v Speaker 3>Yes, there we go. Yeah, And finally for me, who

2433
01:56:44.239 --> 01:56:48.479
<v Speaker 3>else has was welcome at the Aphrodite Inn? Welcome Troy

2434
01:56:48.520 --> 01:56:50.640
<v Speaker 3>mccluur of mister and Missus McLure, and it says also,

2435
01:56:51.000 --> 01:56:53.800
<v Speaker 3>oh damn, it was Share and contest winner.

2436
01:56:53.840 --> 01:56:57.000
<v Speaker 4>That's right, Sharing contest with one last question for you.

2437
01:56:57.119 --> 01:57:03.239
<v Speaker 4>Troy turns down the co starring role McBain What McBain four, Yes,

2438
01:57:03.279 --> 01:57:06.119
<v Speaker 4>but it's a McBain four Colon Watts.

2439
01:57:06.239 --> 01:57:06.640
<v Speaker 3>I don't know.

2440
01:57:07.399 --> 01:57:08.279
<v Speaker 4>Fatal discharge.

2441
01:57:08.279 --> 01:57:12.520
<v Speaker 3>Fatal discharge, all right, unfortunate that with for somebody. Yeah, yes,

2442
01:57:12.920 --> 01:57:15.239
<v Speaker 3>all right. So let's get into our run through of

2443
01:57:15.359 --> 01:57:18.960
<v Speaker 3>a fish Cord Summer, which originally aired March twenty fourth,

2444
01:57:19.039 --> 01:57:20.920
<v Speaker 3>nineteen ninety six, or top three films at the US

2445
01:57:20.920 --> 01:57:24.119
<v Speaker 3>box office at this time. Number three, Die a Bleak,

2446
01:57:24.640 --> 01:57:25.640
<v Speaker 3>You a beleak, you bleek.

2447
01:57:25.680 --> 01:57:28.760
<v Speaker 4>I don't know what that is, one that stars Sharon

2448
01:57:28.800 --> 01:57:32.640
<v Speaker 4>Stone and French goddess Isabelle a Janni and it got

2449
01:57:32.760 --> 01:57:34.199
<v Speaker 4>like an erotic murder mystery.

2450
01:57:34.279 --> 01:57:38.000
<v Speaker 3>Oh okay. And number two is Executive Decision. What a movie?

2451
01:57:38.079 --> 01:57:40.880
<v Speaker 4>Oh yeah, yeah, starring Steven Sagre.

2452
01:57:40.960 --> 01:57:43.159
<v Speaker 3>Funny thing is I've got a VHS of Executive Decision

2453
01:57:43.159 --> 01:57:44.640
<v Speaker 3>the other week and it's got to goal on the

2454
01:57:44.680 --> 01:57:45.000
<v Speaker 3>front cover.

2455
01:57:45.000 --> 01:57:46.079
<v Speaker 4>Oh yeah, had to remove him.

2456
01:57:47.800 --> 01:57:49.960
<v Speaker 3>Were you annoyed? When when he went then he was killed. No,

2457
01:57:50.000 --> 01:57:51.600
<v Speaker 3>not at all. I think it's pretty bad. It's a

2458
01:57:51.600 --> 01:57:54.399
<v Speaker 3>great it's a good twist. Yeah, at his peak when

2459
01:57:54.399 --> 01:57:56.840
<v Speaker 3>he was actually popular before he went like for karate.

2460
01:57:56.920 --> 01:57:58.239
<v Speaker 3>Is he karate muster now or something?

2461
01:57:58.680 --> 01:57:59.560
<v Speaker 4>I don't know what he's doing.

2462
01:58:00.560 --> 01:58:02.640
<v Speaker 3>And number one is oh, speaking of the Simpsons, the

2463
01:58:02.680 --> 01:58:06.479
<v Speaker 3>bird cage doing his doing his.

2464
01:58:09.479 --> 01:58:12.279
<v Speaker 4>Spanished thick uh and in.

2465
01:58:12.279 --> 01:58:16.119
<v Speaker 3>This episode was written by Jack Barth and directed by

2466
01:58:16.439 --> 01:58:19.680
<v Speaker 3>Mark Kirkland guestar and Phil Hartman's Tropic Clure and Fat

2467
01:58:19.720 --> 01:58:23.439
<v Speaker 3>Tony as we discussed Corey with Josh and Jeff Goblin

2468
01:58:23.479 --> 01:58:26.239
<v Speaker 3>as MacArthur Parker. The couch gave the Simpsons are five

2469
01:58:26.479 --> 01:58:29.399
<v Speaker 3>malfunctioning wind up dolls who buzzed their way to the couch.

2470
01:58:29.520 --> 01:58:31.279
<v Speaker 3>See episode kicks off with the movie for a Rained

2471
01:58:31.279 --> 01:58:35.920
<v Speaker 3>Out Ball Game and it stars Troy McClure, featuring Tropic

2472
01:58:35.920 --> 01:58:38.319
<v Speaker 3>cler and the Muppets, and Lisa then asked Homer, what

2473
01:58:38.359 --> 01:58:39.359
<v Speaker 3>is a muppet? And what is it?

2474
01:58:39.439 --> 01:58:42.319
<v Speaker 4>Guy? What is a muppet? It's a marionette par a

2475
01:58:42.319 --> 01:58:45.119
<v Speaker 4>monsterous puppet. By the way, have you have you seen

2476
01:58:45.159 --> 01:58:48.760
<v Speaker 4>need to be heard about this? Probably, but apparently Jennifer

2477
01:58:48.800 --> 01:58:52.840
<v Speaker 4>Lawrence and Emma Stone are collaborating to do a Miss

2478
01:58:52.840 --> 01:58:56.960
<v Speaker 4>Piggy solo project, Miss Piggy movie. Emma Stone and who

2479
01:58:57.119 --> 01:59:01.079
<v Speaker 4>Jennifer Lawrence. They're like working behind the scenes to so

2480
01:59:01.159 --> 01:59:02.319
<v Speaker 4>that they're not going to be in it, or they're

2481
01:59:02.319 --> 01:59:03.960
<v Speaker 4>going to be in it. No, I think Emmistone might producing.

2482
01:59:03.960 --> 01:59:05.079
<v Speaker 4>I think Jennif Lawrence might.

2483
01:59:05.000 --> 01:59:05.319
<v Speaker 2>Be in it.

2484
01:59:06.039 --> 01:59:07.960
<v Speaker 3>The Muppets is one of those franchises, one of those

2485
01:59:08.000 --> 01:59:10.319
<v Speaker 3>licenses that Disney have just never been able to work out.

2486
01:59:10.520 --> 01:59:13.600
<v Speaker 3>You know, they were a big success throughout the eighties, nineties,

2487
01:59:13.640 --> 01:59:16.439
<v Speaker 3>right and seventies as well late seventies, but since Disney

2488
01:59:16.439 --> 01:59:18.439
<v Speaker 3>took over it, they never seem to know what to

2489
01:59:18.439 --> 01:59:18.800
<v Speaker 3>do with it.

2490
01:59:18.840 --> 01:59:20.479
<v Speaker 4>Did you like the Jason Siegal movie.

2491
01:59:20.760 --> 01:59:23.159
<v Speaker 3>I actually really liked that movie. I thought it was

2492
01:59:23.199 --> 01:59:24.720
<v Speaker 3>great and the kids love it as well. Muppets Most

2493
01:59:24.760 --> 01:59:26.920
<v Speaker 3>Wanted is a lot of fun as well. But apparently

2494
01:59:26.960 --> 01:59:28.520
<v Speaker 3>Muppets Most Wanted didn't do too well so which is

2495
01:59:28.520 --> 01:59:30.560
<v Speaker 3>why they didn't do a third one, which is a shame.

2496
01:59:30.560 --> 01:59:32.159
<v Speaker 3>But when it comes to like the TV show they

2497
01:59:32.199 --> 01:59:35.000
<v Speaker 3>tried that Muppets, it was more like the Office kind

2498
01:59:35.039 --> 01:59:37.760
<v Speaker 3>of style and it was more adult based kind of comedy,

2499
01:59:37.800 --> 01:59:39.960
<v Speaker 3>and I don't know, I just didn't just didn't work

2500
01:59:39.960 --> 01:59:41.880
<v Speaker 3>for me. The Muppets need to be just go back

2501
01:59:41.880 --> 01:59:43.880
<v Speaker 3>to the classic style of in the Muppet Theater, and

2502
01:59:43.920 --> 01:59:45.760
<v Speaker 3>I think kids would enjoy that now. I think parents

2503
01:59:45.800 --> 01:59:47.520
<v Speaker 3>would enjoy watching it with their kids because it feels

2504
01:59:47.520 --> 01:59:49.319
<v Speaker 3>like there's not much content out there that you can

2505
01:59:49.359 --> 01:59:53.439
<v Speaker 3>watch that's wholesome for more. Yeah, adult adults and kids

2506
01:59:53.439 --> 01:59:55.000
<v Speaker 3>can enjoy. But what do you think.

2507
01:59:55.520 --> 01:59:59.680
<v Speaker 4>Well, look, I'm not a huge Muppets guy. Certainly, when

2508
01:59:59.720 --> 02:00:02.319
<v Speaker 4>I was kid on the Muppet Show on TV was

2509
02:00:02.359 --> 02:00:04.680
<v Speaker 4>like pretty huge. I mean, you know, I was attracting big,

2510
02:00:04.720 --> 02:00:06.760
<v Speaker 4>big stars to be part of it. I think people

2511
02:00:06.800 --> 02:00:10.840
<v Speaker 4>recognize Jim Henson's you know, creativity and imagination. Just wanted

2512
02:00:10.840 --> 02:00:14.039
<v Speaker 4>to be in the sphere of that. So look, it's

2513
02:00:14.119 --> 02:00:15.920
<v Speaker 4>all a matter of finding the right people to be behind.

2514
02:00:15.920 --> 02:00:18.039
<v Speaker 4>Some people who really dig the Muppets and also have

2515
02:00:18.600 --> 02:00:21.159
<v Speaker 4>It's like we say about the Simpsons, like, oh, you

2516
02:00:21.159 --> 02:00:23.279
<v Speaker 4>get writers and creative people like I really want to

2517
02:00:23.279 --> 02:00:24.760
<v Speaker 4>be part of the Simpsons, but they've grown up on

2518
02:00:24.800 --> 02:00:27.520
<v Speaker 4>the Simpsons. You need to have creative interest outside it,

2519
02:00:28.079 --> 02:00:29.960
<v Speaker 4>you know, you need to appreciation for what you're working on,

2520
02:00:30.000 --> 02:00:32.159
<v Speaker 4>but also you need to bring something else to the

2521
02:00:32.159 --> 02:00:33.880
<v Speaker 4>table as well. It can't be just like I want

2522
02:00:33.880 --> 02:00:35.439
<v Speaker 4>to do Muppets like the way I saw Muppets, like

2523
02:00:36.199 --> 02:00:39.279
<v Speaker 4>I bring something else to it as well, bringing a

2524
02:00:39.279 --> 02:00:40.119
<v Speaker 4>bigger spark.

2525
02:00:40.479 --> 02:00:43.199
<v Speaker 3>This show is brought to you by the Forefinger Discount Patreon,

2526
02:00:43.239 --> 02:00:46.359
<v Speaker 3>where you'll find over one hundred hours of bonus podcasts,

2527
02:00:46.399 --> 02:00:50.640
<v Speaker 3>including exclusive Simpsons reviews and commentaries, as well as exclusive

2528
02:00:50.640 --> 02:00:53.840
<v Speaker 3>episodes of Going Down to South Park, Tales of Futurama,

2529
02:00:54.119 --> 02:00:57.880
<v Speaker 3>Bob's Pods, Speaking of the Hill, Talking Sifould, The One

2530
02:00:57.880 --> 02:01:00.720
<v Speaker 3>About Friends, and so much more. To go ahead and

2531
02:01:00.800 --> 02:01:03.920
<v Speaker 3>join the family today at patreon dot com Slash four

2532
02:01:03.960 --> 02:01:07.159
<v Speaker 3>figure discount. Do white kids really love the Sing Movies?

2533
02:01:07.640 --> 02:01:10.039
<v Speaker 3>And I watched this This is just the fucking Muppet Show.

2534
02:01:10.119 --> 02:01:12.520
<v Speaker 3>There's just people up on stage just doing cover songs.

2535
02:01:12.600 --> 02:01:14.159
<v Speaker 4>So they didn't get the people who make the sing

2536
02:01:14.199 --> 02:01:15.479
<v Speaker 4>movies to do it.

2537
02:01:14.960 --> 02:01:16.920
<v Speaker 3>It's just like watching the Muppet Show.

2538
02:01:21.479 --> 02:01:23.159
<v Speaker 4>Trying to slap shit together and make it all work.

2539
02:01:23.199 --> 02:01:25.479
<v Speaker 4>I've never watched the Sing movies, but yeah, so that's

2540
02:01:25.479 --> 02:01:27.239
<v Speaker 4>what it is. It's like it's on a show and

2541
02:01:27.279 --> 02:01:29.079
<v Speaker 4>you've got people behind the scenes like let's put it

2542
02:01:29.079 --> 02:01:31.199
<v Speaker 4>on a show. Ah, the stage is falling over. Oh

2543
02:01:31.239 --> 02:01:33.039
<v Speaker 4>so and so hasn't shown up, and occasionally someone will

2544
02:01:33.039 --> 02:01:33.640
<v Speaker 4>get up and sing.

2545
02:01:33.680 --> 02:01:36.520
<v Speaker 3>So basically sing is a koala who I believe he

2546
02:01:36.760 --> 02:01:39.520
<v Speaker 3>owes money or he's wanted to be a big successful

2547
02:01:39.600 --> 02:01:42.560
<v Speaker 3>like Broadway director, not working out for him, and then

2548
02:01:42.640 --> 02:01:45.039
<v Speaker 3>he gets a bunch of rag tag you know, rejects

2549
02:01:45.039 --> 02:01:47.920
<v Speaker 3>of people who ordinary people who have talent but haven't

2550
02:01:47.960 --> 02:01:51.199
<v Speaker 3>got the maybe the appearance, or haven't just got the

2551
02:01:51.199 --> 02:01:53.760
<v Speaker 3>the avenue to become stars. And they all put together

2552
02:01:53.800 --> 02:01:55.640
<v Speaker 3>this show and people gather at the end they're like, oh,

2553
02:01:55.680 --> 02:01:57.039
<v Speaker 3>you guys are really talent. You guys are great, and

2554
02:01:57.239 --> 02:01:59.399
<v Speaker 3>to start singing cover songs of just you know, shake

2555
02:01:59.439 --> 02:02:01.840
<v Speaker 3>it Off and these other I wanted my Way, and

2556
02:02:01.840 --> 02:02:02.680
<v Speaker 3>it's like this.

2557
02:02:02.720 --> 02:02:06.479
<v Speaker 4>Is literally what the Muppet Show used to be. Cool, Okay,

2558
02:02:06.640 --> 02:02:09.439
<v Speaker 4>that works. And those thing movies, well how many of they.

2559
02:02:09.359 --> 02:02:11.319
<v Speaker 3>Made like two and then making a third one I believe. Yeah.

2560
02:02:11.479 --> 02:02:13.880
<v Speaker 4>Yeah, So the clue is an audience, yes, there is, indeed,

2561
02:02:13.920 --> 02:02:17.479
<v Speaker 4>but there is not an audience apparently for Tromicclure or

2562
02:02:17.479 --> 02:02:19.479
<v Speaker 4>the Muppets go Medieval. What a well done segue, way

2563
02:02:19.520 --> 02:02:20.000
<v Speaker 4>on your pat.

2564
02:02:20.039 --> 02:02:21.880
<v Speaker 3>I would watch this movie. There were a lot of

2565
02:02:21.920 --> 02:02:23.279
<v Speaker 3>There were a lot of these movies. It was just

2566
02:02:23.399 --> 02:02:26.199
<v Speaker 3>the Muppets with so and so. Yeah, the Muppets Take Manhattan.

2567
02:02:26.199 --> 02:02:27.960
<v Speaker 3>That was a TV I think I was released in

2568
02:02:28.039 --> 02:02:31.399
<v Speaker 3>film in cinemas, yeah, yeah, But I only ever saw it.

2569
02:02:31.600 --> 02:02:33.119
<v Speaker 3>My name taped it off TV. So I always saw

2570
02:02:33.119 --> 02:02:35.000
<v Speaker 3>it as like a TV movie because it doesn't feel

2571
02:02:35.039 --> 02:02:38.319
<v Speaker 3>like a big budget movie. But because you know, I

2572
02:02:38.319 --> 02:02:40.039
<v Speaker 3>found out it was later on. But because Frank Cole's

2573
02:02:40.079 --> 02:02:42.960
<v Speaker 3>directed that one believe ye, But I saw it. My

2574
02:02:43.359 --> 02:02:44.880
<v Speaker 3>only knowledge of it moving when I was a kid

2575
02:02:44.920 --> 02:02:47.000
<v Speaker 3>was Nan tapping off the TV. There's always those commercial

2576
02:02:47.000 --> 02:02:48.479
<v Speaker 3>breaks throughut and I'm like, oh, this must have been

2577
02:02:48.479 --> 02:02:51.039
<v Speaker 3>a TV movie then, but no, it's not right.

2578
02:02:51.119 --> 02:02:55.239
<v Speaker 4>Muppet Caper, Muppy Christmas, Carol, Upper Treasure Island.

2579
02:02:55.279 --> 02:02:57.079
<v Speaker 3>I fell off after My Treasure. I never I never

2580
02:02:57.079 --> 02:02:58.920
<v Speaker 3>saw it. I never saw it.

2581
02:02:59.239 --> 02:02:59.800
<v Speaker 4>Tim carry in.

2582
02:03:00.399 --> 02:03:03.439
<v Speaker 3>What am I doing? I look about themuppets.

2583
02:03:03.439 --> 02:03:05.239
<v Speaker 4>Though we were now returning to Fish called Selm, We're

2584
02:03:05.239 --> 02:03:05.960
<v Speaker 4>already in progress.

2585
02:03:05.960 --> 02:03:07.960
<v Speaker 3>That Bart thinks that trou mcclauw, who's that guy made

2586
02:03:07.960 --> 02:03:10.239
<v Speaker 3>a leather and it's actually trauma claw and Marge explains

2587
02:03:10.279 --> 02:03:12.199
<v Speaker 3>that he was once a teen heart throb in the seventies,

2588
02:03:12.399 --> 02:03:14.399
<v Speaker 3>which is the first time I've ever mentioned or heard

2589
02:03:14.439 --> 02:03:17.159
<v Speaker 3>Marge mention that he was like a heart thriber. We've

2590
02:03:17.159 --> 02:03:19.000
<v Speaker 3>always just seen him as this is, as a washedout,

2591
02:03:19.159 --> 02:03:20.760
<v Speaker 3>washed up guy. But no, apparently he was a heart

2592
02:03:20.800 --> 02:03:23.479
<v Speaker 3>throb back in the day. And Homer brings up, who'd

2593
02:03:23.479 --> 02:03:25.279
<v Speaker 3>have thought he'd become such a weirdo, And we find

2594
02:03:25.319 --> 02:03:27.439
<v Speaker 3>out why in just a few moments, and they discussed

2595
02:03:27.439 --> 02:03:29.119
<v Speaker 3>the weird things he does at the aquarium and Marsha,

2596
02:03:29.159 --> 02:03:32.199
<v Speaker 3>it's just an over legend. Reminded me of the Jobel.

2597
02:03:32.439 --> 02:03:34.720
<v Speaker 3>It's a very much the Richard gear story. Yeah, yeah,

2598
02:03:35.079 --> 02:03:39.319
<v Speaker 3>which is still to this day bizarre. People don't do

2599
02:03:39.319 --> 02:03:41.399
<v Speaker 3>that kind of thing of fish. March says. It's one

2600
02:03:41.399 --> 02:03:43.560
<v Speaker 3>of those things where it's like, you know it might

2601
02:03:43.600 --> 02:03:45.920
<v Speaker 3>be true, but you'd rather believe it's not. Oh sure,

2602
02:03:46.000 --> 02:03:47.560
<v Speaker 3>but it just shatters the illusion of this hero that

2603
02:03:47.600 --> 02:03:48.840
<v Speaker 3>you had, or this heart throat that you had when

2604
02:03:48.840 --> 02:03:49.439
<v Speaker 3>you're growing up.

2605
02:03:49.479 --> 02:03:51.800
<v Speaker 4>Oh look, well, not far from now, not long from now,

2606
02:03:51.800 --> 02:03:55.079
<v Speaker 4>we're about to record the movie Guy with Marlton Davis.

2607
02:03:55.079 --> 02:03:57.720
<v Speaker 4>We're going to be talking about the grew of Eddie Murphy. Yeah,

2608
02:03:58.039 --> 02:04:01.920
<v Speaker 4>roller coaster, and he's got some stuff in his personal life. Yeah,

2609
02:04:01.960 --> 02:04:04.520
<v Speaker 4>we either sort of memory hole, We're just like, oh,

2610
02:04:04.560 --> 02:04:08.000
<v Speaker 4>that's bullshit, or or we're just going I choose to

2611
02:04:08.000 --> 02:04:11.680
<v Speaker 4>believe that doesn't happen with Jackson. Fans Saxon Jackson, Yeah,

2612
02:04:11.720 --> 02:04:14.199
<v Speaker 4>don't be ignorat as much, says he's a perfect gentleman,

2613
02:04:14.279 --> 02:04:17.840
<v Speaker 4>like Bing Crosby or JFK, who were both known for

2614
02:04:17.880 --> 02:04:25.399
<v Speaker 4>what being legendary pantsman shall we say, Yeah, unfaithful, infidelity,

2615
02:04:25.439 --> 02:04:26.000
<v Speaker 4>all that kind.

2616
02:04:25.880 --> 02:04:28.439
<v Speaker 3>Of stuff exactly, And she wonders what he's doing now,

2617
02:04:28.479 --> 02:04:30.640
<v Speaker 3>and it cuts to Troy driving his I love this.

2618
02:04:30.720 --> 02:04:32.800
<v Speaker 3>We forgot to mention this with Josh the Dolorean. Oh yeah,

2619
02:04:32.960 --> 02:04:35.520
<v Speaker 3>it just it just seems to fit in right back

2620
02:04:35.560 --> 02:04:38.199
<v Speaker 3>when he was a big star, like late seventies, you know, earlierighties,

2621
02:04:38.319 --> 02:04:40.199
<v Speaker 3>having a Dolouri would have been the fucking coolest thing

2622
02:04:40.279 --> 02:04:42.359
<v Speaker 3>in the world, right, Yeah, would you drive a Doloreian?

2623
02:04:42.359 --> 02:04:43.960
<v Speaker 3>Now you if you had the ability to drive a Doloreian,

2624
02:04:43.960 --> 02:04:44.479
<v Speaker 3>would you do it?

2625
02:04:44.520 --> 02:04:46.119
<v Speaker 4>I would do it once. I would not own a door.

2626
02:04:47.479 --> 02:04:48.960
<v Speaker 4>I think it's a kin to what I think. It's

2627
02:04:48.960 --> 02:04:50.720
<v Speaker 4>a kin to owning, say like a cyber truck.

2628
02:04:51.119 --> 02:04:54.039
<v Speaker 3>Well, I don't know. I feel like it's one of

2629
02:04:54.079 --> 02:04:56.399
<v Speaker 3>those things where if you drive a Dolorian around, everyone's

2630
02:04:56.399 --> 02:04:57.880
<v Speaker 3>gonna be looking at you the entire time. You're never

2631
02:04:57.880 --> 02:04:59.399
<v Speaker 3>going to get a chance. You can't just part a

2632
02:04:59.439 --> 02:05:01.000
<v Speaker 3>Dolarey in the Safeway car park.

2633
02:05:01.000 --> 02:05:04.439
<v Speaker 4>Here's the thing. We're both from Geelong. Yeah, it's it's

2634
02:05:04.479 --> 02:05:07.199
<v Speaker 4>a it's a regional city. It's not necessarily a small town,

2635
02:05:07.840 --> 02:05:10.479
<v Speaker 4>but that there is there at least maybe two or

2636
02:05:10.479 --> 02:05:14.279
<v Speaker 4>three residents of this place where we leavest this Yeah,

2637
02:05:14.399 --> 02:05:17.920
<v Speaker 4>who have either a Lamboat or a Ferrari. And it's like, no,

2638
02:05:18.399 --> 02:05:20.680
<v Speaker 4>you don't drive that here. You can top out at

2639
02:05:20.680 --> 02:05:23.600
<v Speaker 4>a Porsche. That's a that's as exotic as you get

2640
02:05:23.640 --> 02:05:26.239
<v Speaker 4>with a sports car. Here, maybe a Maserati because they

2641
02:05:26.239 --> 02:05:27.039
<v Speaker 4>seem fairly sort of.

2642
02:05:27.319 --> 02:05:29.239
<v Speaker 3>Low key, and you're also asking for trouble if your driving.

2643
02:05:29.560 --> 02:05:33.439
<v Speaker 4>Ask you park that ship of Dan Murphy's yet, Fuck,

2644
02:05:33.600 --> 02:05:34.880
<v Speaker 4>you're getting so cy.

2645
02:05:36.199 --> 02:05:39.039
<v Speaker 3>And it just looks weird. Ri I mean next to

2646
02:05:39.079 --> 02:05:40.640
<v Speaker 3>hender XL pretty.

2647
02:05:40.439 --> 02:05:44.680
<v Speaker 4>Much out of my way kya.

2648
02:05:46.239 --> 02:05:47.560
<v Speaker 3>But love on the back of his dolor and he's

2649
02:05:47.600 --> 02:05:49.479
<v Speaker 3>got a bumper Stiket says, joined me at the Springfield

2650
02:05:50.079 --> 02:05:52.760
<v Speaker 3>Aquarium and he's crashing into various cars and he gets

2651
02:05:52.800 --> 02:05:54.880
<v Speaker 3>put over by Wigham and he opens the door door

2652
02:05:54.960 --> 02:05:56.640
<v Speaker 3>hits him in the head because they go up obviously,

2653
02:05:57.039 --> 02:05:59.520
<v Speaker 3>and I'm seeing stars here, No, just one, and he

2654
02:05:59.520 --> 02:06:02.479
<v Speaker 3>brings up, so we should name all the movies to

2655
02:06:02.560 --> 02:06:05.880
<v Speaker 3>find the greatest story that ever Hulard and they came to.

2656
02:06:06.039 --> 02:06:09.840
<v Speaker 4>Burgle Carnie Hall. That's the one that I read, because

2657
02:06:09.880 --> 02:06:13.399
<v Speaker 4>I mean, yeah, I agree. From the seventies when and

2658
02:06:13.439 --> 02:06:16.640
<v Speaker 4>seventies and eighties, but there were millions of movies like this,

2659
02:06:16.760 --> 02:06:18.279
<v Speaker 4>and they would show them all the time on your

2660
02:06:18.319 --> 02:06:20.680
<v Speaker 4>three or four TV channels, and you ended up watching them.

2661
02:06:20.680 --> 02:06:22.319
<v Speaker 4>As I said to you, you're in Josh, I mean,

2662
02:06:22.680 --> 02:06:24.359
<v Speaker 4>as I said during our interview with Josh. And when

2663
02:06:24.359 --> 02:06:27.319
<v Speaker 4>we've spoken to other people who create the show who

2664
02:06:27.359 --> 02:06:29.560
<v Speaker 4>are sort of more of my vintage. When you grow

2665
02:06:29.600 --> 02:06:31.800
<v Speaker 4>up and you've got less sort of or you've got

2666
02:06:31.800 --> 02:06:34.800
<v Speaker 4>exposure to everything, it's like, all this works and this

2667
02:06:34.880 --> 02:06:36.680
<v Speaker 4>is shit, and I know what to do and what.

2668
02:06:36.600 --> 02:06:38.800
<v Speaker 3>Not to do, and everyone was exposed to the same things.

2669
02:06:38.880 --> 02:06:43.079
<v Speaker 3>Oh yeah, you wouldn't choose Yeah, yeah.

2670
02:06:42.119 --> 02:06:46.399
<v Speaker 2>All right, Captain rash rash out of the car. Oh,

2671
02:06:46.479 --> 02:06:49.439
<v Speaker 2>I'm seeing stars here, No just one.

2672
02:06:50.039 --> 02:06:52.560
<v Speaker 6>I am try McClure, you may remember me from such

2673
02:06:52.600 --> 02:06:55.479
<v Speaker 6>films as the greatest story ever hulaed And they came

2674
02:06:55.520 --> 02:06:56.479
<v Speaker 6>to Burglar Carnegie.

2675
02:06:56.520 --> 02:06:59.279
<v Speaker 2>Ha ah fred N.

2676
02:07:01.119 --> 02:07:03.079
<v Speaker 3>I also liked to hear too that it's kind of

2677
02:07:03.079 --> 02:07:05.880
<v Speaker 3>sad for McClure. He's like, may I remember me from

2678
02:07:05.880 --> 02:07:09.920
<v Speaker 3>this week? And I was like, A, still, you have

2679
02:07:09.960 --> 02:07:11.600
<v Speaker 3>to ask for your license and he says he has

2680
02:07:11.640 --> 02:07:14.560
<v Speaker 3>to wear his glasses as pro's license where this is

2681
02:07:14.560 --> 02:07:16.600
<v Speaker 3>a crime against nature, and he puts on. He goes

2682
02:07:16.720 --> 02:07:18.000
<v Speaker 3>he he you look like kind of a nerd. Look,

2683
02:07:18.039 --> 02:07:19.600
<v Speaker 3>I'll rip up your ticket, but make sure you go

2684
02:07:19.680 --> 02:07:20.359
<v Speaker 3>do an eye test.

2685
02:07:20.840 --> 02:07:22.560
<v Speaker 4>But he still, I'm sure going to have to ask

2686
02:07:22.600 --> 02:07:23.239
<v Speaker 4>you for a bride.

2687
02:07:23.439 --> 02:07:25.520
<v Speaker 3>Out the d m V, Grandpa thinks that Patty and

2688
02:07:25.560 --> 02:07:28.359
<v Speaker 3>Summer are both March and they say, why do we

2689
02:07:28.359 --> 02:07:30.399
<v Speaker 3>always get these widows coming to DMV. They go all

2690
02:07:30.399 --> 02:07:33.960
<v Speaker 3>the Chippendale dances aren't pulling with each other, and Grandpa

2691
02:07:34.039 --> 02:07:37.720
<v Speaker 3>is annoyed because he wanted his license revoked. I wanted

2692
02:07:37.720 --> 02:07:40.880
<v Speaker 3>this revote. Then McClure enters and Hibbit surprised he'd be there,

2693
02:07:41.239 --> 02:07:43.279
<v Speaker 3>and this week get the moment we're discussing where Phil

2694
02:07:43.319 --> 02:07:45.720
<v Speaker 3>Hartman actually voices fat Tony. If you watch it now

2695
02:07:45.760 --> 02:07:49.439
<v Speaker 3>knowing that you go and actually sounds quite different to

2696
02:07:49.520 --> 02:07:50.640
<v Speaker 3>Joe doing fat Tony.

2697
02:07:51.359 --> 02:07:54.159
<v Speaker 2>Hey, I thought you said try McClue was dead. No,

2698
02:07:54.720 --> 02:07:57.600
<v Speaker 2>what I said was he sleeps with the fishes. You

2699
02:07:57.640 --> 02:08:00.920
<v Speaker 2>see Coney Please No, I just stayed a whole pleated.

2700
02:08:00.640 --> 02:08:03.760
<v Speaker 3>Ding my gul, ding gammago? What is that?

2701
02:08:04.279 --> 02:08:06.479
<v Speaker 4>I think I've said in the past My secret shame

2702
02:08:06.840 --> 02:08:11.000
<v Speaker 4>is that I haven't actually watched the Sopranos really. Yeah, ever,

2703
02:08:11.680 --> 02:08:13.680
<v Speaker 4>I've seen some episodes of it, but I need to

2704
02:08:13.680 --> 02:08:16.199
<v Speaker 4>watch it all the way through blue. That's my that's

2705
02:08:16.199 --> 02:08:17.720
<v Speaker 4>my twenty twenty six project.

2706
02:08:18.039 --> 02:08:20.359
<v Speaker 3>It's worth it. Yeah, but they actually I did look

2707
02:08:20.399 --> 02:08:22.439
<v Speaker 3>it up as actually isn't made up. There's possibly a

2708
02:08:22.439 --> 02:08:23.680
<v Speaker 3>reference to pasta fazoo.

2709
02:08:24.199 --> 02:08:26.399
<v Speaker 4>Yeah, and there's also gabba gul which they talk about

2710
02:08:26.399 --> 02:08:28.560
<v Speaker 4>on me, which I'm assuming is some kind.

2711
02:08:28.399 --> 02:08:31.359
<v Speaker 3>Of dish that something you eat.

2712
02:08:32.199 --> 02:08:33.279
<v Speaker 4>What do they call it? What do they call it?

2713
02:08:34.479 --> 02:08:38.039
<v Speaker 3>I just dingo dinga magoo, I said, all pleat of

2714
02:08:38.079 --> 02:08:42.199
<v Speaker 3>dinga magool. Someone can't believe he's there though, but and

2715
02:08:42.279 --> 02:08:43.840
<v Speaker 3>he isn't wearing his glasses, and he thinks he's really

2716
02:08:43.840 --> 02:08:46.119
<v Speaker 3>attractive until he puts his glasses on, and he's like oh,

2717
02:08:46.399 --> 02:08:48.319
<v Speaker 3>and he says you may remember from oh. She remembers

2718
02:08:48.359 --> 02:08:50.239
<v Speaker 3>him from such films as Mit, Joe Blow and Give

2719
02:08:50.279 --> 02:08:53.560
<v Speaker 3>My Remains to Broadway. Then he says stars like him,

2720
02:08:53.600 --> 02:08:56.039
<v Speaker 3>though she starts him that wear glasses, and Patty thinks

2721
02:08:56.039 --> 02:08:58.760
<v Speaker 3>he's gross. She thinks this is like, this interaction is

2722
02:08:58.760 --> 02:09:02.399
<v Speaker 3>gross because Paty's always been not loveless, but she's just

2723
02:09:04.039 --> 02:09:07.159
<v Speaker 3>affection in every way. But she says, read the top line.

2724
02:09:07.239 --> 02:09:10.640
<v Speaker 3>It's just the letter eat. You can't read it. Puts

2725
02:09:10.680 --> 02:09:12.239
<v Speaker 3>his glasses on, and this is I was discussing this

2726
02:09:12.279 --> 02:09:14.239
<v Speaker 3>with Josh. I love the reading here from Phil where

2727
02:09:14.279 --> 02:09:17.720
<v Speaker 3>he's like, listen, miss Boovia and takes the glasses bake

2728
02:09:17.720 --> 02:09:20.279
<v Speaker 3>off again, and he says, you were a payer. If

2729
02:09:20.319 --> 02:09:23.000
<v Speaker 3>she passes him, you take her for dinner. She passed him.

2730
02:09:23.000 --> 02:09:25.560
<v Speaker 3>That took a lot of class. Now at Pimento Grove

2731
02:09:25.840 --> 02:09:27.840
<v Speaker 3>and the various stars are on the wall, and I

2732
02:09:27.960 --> 02:09:29.760
<v Speaker 3>like that a lot of the stars are previous guest

2733
02:09:29.760 --> 02:09:33.399
<v Speaker 3>stars as well. Titoe, Tom Cruse, who didn't actually guest star,

2734
02:09:33.479 --> 02:09:36.079
<v Speaker 3>but he's been on The Simpsons. He was in isn't

2735
02:09:36.119 --> 02:09:39.520
<v Speaker 3>the deleted scene I believe from the Spring the gambling

2736
02:09:39.520 --> 02:09:43.800
<v Speaker 3>episode because rain Man, right, yeah, And because I had

2737
02:09:43.840 --> 02:09:45.239
<v Speaker 3>no idea what was going on in that deleted scene,

2738
02:09:45.239 --> 02:09:47.520
<v Speaker 3>because they showed deleted scenes in one hundred and thirtyeth

2739
02:09:47.520 --> 02:09:50.399
<v Speaker 3>them so spectacular, and it's just this guy going and

2740
02:09:50.479 --> 02:09:54.039
<v Speaker 3>I'm like, what the hell is going on? Rain Man?

2741
02:09:54.479 --> 02:09:56.640
<v Speaker 3>But as a kid, I'm like, what is going on here?

2742
02:09:57.079 --> 02:10:00.600
<v Speaker 3>But then Barry White is there, Liz Taylor, Bet Midler, Nimoy,

2743
02:10:00.680 --> 02:10:04.000
<v Speaker 3>Adam Wes Sting, David Crosby, k Brian, James Woods, and

2744
02:10:04.039 --> 02:10:06.600
<v Speaker 3>Troy is where on the toilet on the cat door,

2745
02:10:06.640 --> 02:10:08.520
<v Speaker 3>Well on the cat door, So yes, the cat door

2746
02:10:08.560 --> 02:10:11.880
<v Speaker 3>of the toilet. I believe of something. Yeah. Then they

2747
02:10:11.880 --> 02:10:14.479
<v Speaker 3>start some small talk and she's getting repetitive stressed, sort

2748
02:10:14.479 --> 02:10:16.640
<v Speaker 3>from scratching it but all day. And then she sees

2749
02:10:16.680 --> 02:10:18.800
<v Speaker 3>the conversation more towards him, and he says has been

2750
02:10:18.800 --> 02:10:20.560
<v Speaker 3>reading a lot of scripts. It's cheaper than going to

2751
02:10:20.600 --> 02:10:23.800
<v Speaker 3>the movie. Every line he says in this episode is

2752
02:10:23.800 --> 02:10:26.159
<v Speaker 3>a zinger. Oh yeah, I don't think there's a line

2753
02:10:26.159 --> 02:10:28.560
<v Speaker 3>here where it doesn't end with the punchline, so it's amazing.

2754
02:10:29.319 --> 02:10:30.800
<v Speaker 3>They leave and she thanks him for holding of his

2755
02:10:30.960 --> 02:10:34.439
<v Speaker 3>end of the bar. Had a pretty good time at least,

2756
02:10:34.479 --> 02:10:36.479
<v Speaker 3>he's honest. Looks like it was five.

2757
02:10:36.720 --> 02:10:39.000
<v Speaker 4>It's like her expectations are a low.

2758
02:10:39.920 --> 02:10:42.439
<v Speaker 3>Yeah, I had a pretty good time. Yeah yeah, yeah.

2759
02:10:42.479 --> 02:10:44.720
<v Speaker 3>But also we need to acknowledge that through all of

2760
02:10:44.720 --> 02:10:47.319
<v Speaker 3>his faults, Troy did come through. He said, if I

2761
02:10:47.319 --> 02:10:49.439
<v Speaker 3>will take you to dinner, if you pass me, he

2762
02:10:49.439 --> 02:10:51.159
<v Speaker 3>could have easily just walked out forgotten about it, so

2763
02:10:51.239 --> 02:10:55.000
<v Speaker 3>he took it to dinner. He's insincere, but he's got integrity. Yeah. Yeah.

2764
02:10:55.159 --> 02:10:57.760
<v Speaker 3>Then the photographers see him with a woman and it

2765
02:10:57.800 --> 02:10:59.840
<v Speaker 3>gives him a little he's a little something for page

2766
02:11:00.720 --> 02:11:06.479
<v Speaker 3>and it cuts to what page ten, and I love

2767
02:11:06.560 --> 02:11:08.880
<v Speaker 3>the headline here they give for this part of the

2768
02:11:08.920 --> 02:11:12.039
<v Speaker 3>celebrity gossip. It's Troy a little tenderness, oh yeah yeah.

2769
02:11:12.079 --> 02:11:13.680
<v Speaker 3>And at the bottom, look he's drug and it's just

2770
02:11:13.760 --> 02:11:16.600
<v Speaker 3>Rainiew wolf Castle. Then Lenny and Carl see this in

2771
02:11:16.640 --> 02:11:19.039
<v Speaker 3>the newspaper at the at the power plant and Homa

2772
02:11:19.079 --> 02:11:20.880
<v Speaker 3>doesn't believe it. No, there's no way he's washed up.

2773
02:11:20.880 --> 02:11:23.520
<v Speaker 3>Movie Stough she'd be dating washed up supermodels, and Carl says,

2774
02:11:23.520 --> 02:11:25.000
<v Speaker 3>oh no, I'd paid the scene in a movie. Now,

2775
02:11:25.520 --> 02:11:28.039
<v Speaker 3>if only that were possible. Has there been ever been

2776
02:11:28.159 --> 02:11:31.319
<v Speaker 3>actors who had some sort of controversy and their movie career.

2777
02:11:31.560 --> 02:11:33.600
<v Speaker 3>Kevin Spacey be a big one, obviously, wouldn't he, And

2778
02:11:33.640 --> 02:11:34.680
<v Speaker 3>it's just their career just.

2779
02:11:34.640 --> 02:11:37.880
<v Speaker 4>Died pretty much. Yeah, there are people they mentioned later

2780
02:11:37.880 --> 02:11:40.079
<v Speaker 4>in this episode. It's like they mentioned Hugh Grant and

2781
02:11:40.159 --> 02:11:41.199
<v Speaker 4>Rob Low of course.

2782
02:11:41.239 --> 02:11:43.359
<v Speaker 3>Yeah, those sick freaks, those sick freaks, but I mean,

2783
02:11:43.600 --> 02:11:46.520
<v Speaker 3>but they make comebacks, oh definitely. So their things was

2784
02:11:46.560 --> 02:11:48.399
<v Speaker 3>just they're being young where.

2785
02:11:48.680 --> 02:11:50.359
<v Speaker 4>And Hugh Grant, you know, Hugh Grant was like there

2786
02:11:50.439 --> 02:11:54.039
<v Speaker 4>was a prostitute, right yeah, getting a BJ from a

2787
02:11:54.079 --> 02:11:57.359
<v Speaker 4>sex worker and he played it perfectly.

2788
02:11:57.399 --> 02:11:58.560
<v Speaker 3>Who among us, right, yeah?

2789
02:11:58.600 --> 02:12:03.600
<v Speaker 4>Exactly? Who would say not to know that, Elizabeth Early,

2790
02:12:03.680 --> 02:12:04.840
<v Speaker 4>I'm going down sunset all of that.

2791
02:12:05.199 --> 02:12:06.880
<v Speaker 3>It was a Jay Lender that said, what were you thinking?

2792
02:12:06.960 --> 02:12:08.680
<v Speaker 4>It's great? Yeah, that's and That's what I'm about to say.

2793
02:12:08.760 --> 02:12:11.000
<v Speaker 4>Yeah did he Yeah, played it just right. He sort

2794
02:12:11.039 --> 02:12:12.920
<v Speaker 4>of not faced the head on, but he did. He

2795
02:12:12.960 --> 02:12:14.520
<v Speaker 4>weaponized the Hugh Grant charms.

2796
02:12:15.000 --> 02:12:16.000
<v Speaker 2>I don't know what it was he.

2797
02:12:16.000 --> 02:12:17.760
<v Speaker 3>Didn even say anything, what were you thinking?

2798
02:12:17.760 --> 02:12:23.399
<v Speaker 4>You're just like, oh goodness me, what a blunder. So, yeah,

2799
02:12:23.520 --> 02:12:25.960
<v Speaker 4>Space is probably the one. And even he's sort of

2800
02:12:26.000 --> 02:12:29.520
<v Speaker 4>made a few, he's made a few very sort of

2801
02:12:29.600 --> 02:12:32.039
<v Speaker 4>cheap movies in the in the interim.

2802
02:12:31.680 --> 02:12:34.119
<v Speaker 3>Well, he tried various sort of not comebacks, but tried

2803
02:12:34.159 --> 02:12:35.960
<v Speaker 3>to sort of put himself back in the spotlight and

2804
02:12:35.960 --> 02:12:38.239
<v Speaker 3>they were just terrible. Well he keeps trying it as well,

2805
02:12:38.279 --> 02:12:40.800
<v Speaker 3>trying as the House of Cards character, and you're like, no, yeah.

2806
02:12:40.680 --> 02:12:43.319
<v Speaker 4>Yeah, And he's actually he gave a recent interview where

2807
02:12:43.359 --> 02:12:46.359
<v Speaker 4>he's saying, yeah, oh look, I'm broken, homeless, living in Airbnb's,

2808
02:12:46.359 --> 02:12:47.680
<v Speaker 4>at which point someone said to be living in an

2809
02:12:47.720 --> 02:12:48.399
<v Speaker 4>Nbnb's and not.

2810
02:12:48.439 --> 02:12:51.239
<v Speaker 3>Broke, but and you also, what did you do with

2811
02:12:51.279 --> 02:12:51.920
<v Speaker 3>all of your money?

2812
02:12:52.560 --> 02:12:55.239
<v Speaker 4>Yeah, it's apparently really really rich. But he was also saying,

2813
02:12:56.399 --> 02:12:58.239
<v Speaker 4>I've been talking with people in Hollywood and there are

2814
02:12:58.239 --> 02:12:59.920
<v Speaker 4>a lot of higher level people who are saying, yeah, look,

2815
02:12:59.920 --> 02:13:02.239
<v Speaker 4>we want you back in movies. It just and you say,

2816
02:13:02.279 --> 02:13:04.359
<v Speaker 4>it just takes one. It's just like Monks says, you're

2817
02:13:04.399 --> 02:13:06.000
<v Speaker 4>Quentin Tarantine to put me in a movie, and then

2818
02:13:06.079 --> 02:13:10.079
<v Speaker 4>you know Tarantine and tilta. Yeah, oh well he didn't

2819
02:13:10.079 --> 02:13:11.840
<v Speaker 4>have a controverse, but his career was just waning. Yeah,

2820
02:13:11.880 --> 02:13:15.439
<v Speaker 4>pretty much. But I don't know, it just seemed like,

2821
02:13:15.720 --> 02:13:19.159
<v Speaker 4>come on, guys, help help given space outs Like I

2822
02:13:19.159 --> 02:13:20.600
<v Speaker 4>don't know, I think we've got people who can do

2823
02:13:20.640 --> 02:13:22.439
<v Speaker 4>what you do, only better. Okay.

2824
02:13:22.840 --> 02:13:26.960
<v Speaker 3>But this next scene here I really liked because it's

2825
02:13:26.960 --> 02:13:29.560
<v Speaker 3>the theory of McClure's house right as it's for sale

2826
02:13:29.560 --> 02:13:32.560
<v Speaker 3>by owner and it's a from an iconic movie one

2827
02:13:32.640 --> 02:13:34.039
<v Speaker 3>of your Men, from Your.

2828
02:13:33.880 --> 02:13:35.880
<v Speaker 4>Man, it's from Body Double. Yeah, yeah, I need you

2829
02:13:35.960 --> 02:13:38.560
<v Speaker 4>love this movie. Oh yeah, yeah, what's what's it called?

2830
02:13:38.760 --> 02:13:39.680
<v Speaker 4>The movie is called Body Dub.

2831
02:13:39.720 --> 02:13:40.520
<v Speaker 3>They know that the house.

2832
02:13:40.800 --> 02:13:42.840
<v Speaker 4>Oh it's called I want to say that the chemisphere.

2833
02:13:42.880 --> 02:13:45.319
<v Speaker 3>Is that correct? That's correct? Yeah, okay. It's just a

2834
02:13:45.319 --> 02:13:48.600
<v Speaker 3>great example of references that you know, you look at

2835
02:13:48.640 --> 02:13:50.239
<v Speaker 3>it and as a kid, you go, that's a weird

2836
02:13:50.239 --> 02:13:53.680
<v Speaker 3>looking house. But if it seems like it just it feels.

2837
02:13:53.399 --> 02:13:55.680
<v Speaker 4>Like a house that McClure would design, like yeah, well,

2838
02:13:55.720 --> 02:13:58.760
<v Speaker 4>like a movie star would buy. It's like, yeah, I've

2839
02:13:58.760 --> 02:14:01.039
<v Speaker 4>made it, you know. Yeah, I need the house I

2840
02:14:01.079 --> 02:14:03.439
<v Speaker 4>live in to sort of reflect my high opinion myself

2841
02:14:03.439 --> 02:14:04.880
<v Speaker 4>in the opinion that people haven't.

2842
02:14:05.000 --> 02:14:07.359
<v Speaker 3>Yeah, has a house from Buddy Double.

2843
02:14:07.439 --> 02:14:09.039
<v Speaker 4>Yeah, there are a few houses in LA that I

2844
02:14:09.159 --> 02:14:10.720
<v Speaker 4>kind of like that. I mean there's that one that's

2845
02:14:10.760 --> 02:14:15.000
<v Speaker 4>in Tim Allen lives in Galaxy Quiest as well. I

2846
02:14:15.039 --> 02:14:17.119
<v Speaker 4>don't know if it's the same house, but it's feel

2847
02:14:17.119 --> 02:14:18.239
<v Speaker 4>similar to similar design.

2848
02:14:18.399 --> 02:14:25.960
<v Speaker 3>Yeah, yeah, But Macartha Parker then calls him.

2849
02:14:23.800 --> 02:14:24.560
<v Speaker 4>Troy, my man.

2850
02:14:24.800 --> 02:14:30.079
<v Speaker 1>It's MacArthur Parker, MacArthur Parker, the agent, MacArthur Parker, my agent.

2851
02:14:30.560 --> 02:14:33.119
<v Speaker 7>Just checking in, my friend. So, how's my favorite client.

2852
02:14:33.439 --> 02:14:37.199
<v Speaker 7>We haven't spoken in eight years. Yes, so I saw

2853
02:14:37.239 --> 02:14:40.760
<v Speaker 7>the papers today, Troy looking good. That wholesome stuff really

2854
02:14:40.800 --> 02:14:42.640
<v Speaker 7>helps when I'm trying to find your work.

2855
02:14:42.880 --> 02:14:45.119
<v Speaker 6>You haven't found me working twelve years.

2856
02:14:45.399 --> 02:14:47.319
<v Speaker 3>Oh you Joy, Judy is work.

2857
02:14:47.439 --> 02:14:49.920
<v Speaker 7>And listen, you keep getting seen in public with human

2858
02:14:50.000 --> 02:14:59.720
<v Speaker 7>females and I can get you work in the entertainment industry.

2859
02:15:01.079 --> 02:15:04.960
<v Speaker 6>Hello, Selma Bouvier. It's Troy McLure. You may remember me

2860
02:15:05.000 --> 02:15:07.399
<v Speaker 6>from such dates as last night's dinner.

2861
02:15:08.039 --> 02:15:10.039
<v Speaker 3>And we touched on this with Josh. I love how

2862
02:15:10.560 --> 02:15:12.239
<v Speaker 3>just the you may remember me has just become part

2863
02:15:12.279 --> 02:15:14.920
<v Speaker 3>of his everyday vernacular. Absolutely, it's just it's who he is.

2864
02:15:15.000 --> 02:15:18.039
<v Speaker 4>Now, Yeah, and you saw that, you know, when someone

2865
02:15:18.119 --> 02:15:21.439
<v Speaker 4>said I remember you from such films as It's like, oh, okay,

2866
02:15:21.479 --> 02:15:23.079
<v Speaker 4>well at least two might have you know, they might

2867
02:15:23.119 --> 02:15:23.600
<v Speaker 4>be lined.

2868
02:15:23.880 --> 02:15:24.399
<v Speaker 2>That's true.

2869
02:15:24.479 --> 02:15:27.960
<v Speaker 3>Yeah, but now at ugly U G L I. And

2870
02:15:28.000 --> 02:15:30.359
<v Speaker 3>this is where it kicks off of Troy laughing, you know,

2871
02:15:30.760 --> 02:15:34.680
<v Speaker 3>uproarsley at an anecdote. Now you tell one.

2872
02:15:36.079 --> 02:15:38.479
<v Speaker 6>I can't remember when I've heard a funnier anecdote.

2873
02:15:39.600 --> 02:15:40.720
<v Speaker 3>Okay, now you tell one.

2874
02:15:41.000 --> 02:15:44.560
<v Speaker 1>Well, not much happens to me, but I once had

2875
02:15:44.560 --> 02:15:47.600
<v Speaker 1>dinner with a movie star and it was the most

2876
02:15:47.800 --> 02:15:49.720
<v Speaker 1>wonderful night of my life.

2877
02:15:50.319 --> 02:15:51.840
<v Speaker 2>Really, who was it?

2878
02:15:51.920 --> 02:15:58.560
<v Speaker 6>Jordan Siegel? I hear he plays the banjo.

2879
02:16:01.399 --> 02:16:03.960
<v Speaker 7>Excuse me, I ordered a zema, not emphysema.

2880
02:16:04.239 --> 02:16:08.000
<v Speaker 2>Please don't smoke in our restaurant. We don't serve contemporary

2881
02:16:08.039 --> 02:16:10.399
<v Speaker 2>California cuisine. In your lungs.

2882
02:16:13.000 --> 02:16:16.159
<v Speaker 3>Til I'm sorry, I ruined her evening.

2883
02:16:17.239 --> 02:16:26.680
<v Speaker 2>I have to gone. My god, I'm such a.

2884
02:16:26.560 --> 02:16:33.479
<v Speaker 3>Fool, gotta late. Yeah, I'm just saying I feel really

2885
02:16:33.520 --> 02:16:35.200
<v Speaker 3>sorry for someone here because you get the impor she

2886
02:16:35.239 --> 02:16:36.719
<v Speaker 3>gets the impression that he wants to be with her,

2887
02:16:36.760 --> 02:16:39.840
<v Speaker 3>when really you know, he's only using for your career.

2888
02:16:39.959 --> 02:16:42.000
<v Speaker 3>But I think as the night goes on and as

2889
02:16:42.040 --> 02:16:43.559
<v Speaker 3>time goes on, as he said, I think he just

2890
02:16:43.600 --> 02:16:46.639
<v Speaker 3>grows to actually like having her around as much as

2891
02:16:46.639 --> 02:16:50.280
<v Speaker 3>he's just using her, and she's you know, she's what's

2892
02:16:50.280 --> 02:16:54.799
<v Speaker 3>the term beneficial to his career? He still wants somebody around.

2893
02:16:54.959 --> 02:16:57.520
<v Speaker 4>Oh yeah, I think it's like initially thinking, look, we've

2894
02:16:57.520 --> 02:16:59.399
<v Speaker 4>got we've got an agreement here, we've got a good

2895
02:16:59.399 --> 02:17:00.120
<v Speaker 4>thing going here.

2896
02:17:00.159 --> 02:17:01.799
<v Speaker 3>Do you think he's a lonely character.

2897
02:17:02.239 --> 02:17:03.159
<v Speaker 4>Oh yeah, I think so.

2898
02:17:03.840 --> 02:17:05.440
<v Speaker 3>Yeah, And I think think he enjoys his own company,

2899
02:17:05.440 --> 02:17:07.000
<v Speaker 3>but also I feel like he just is now enjoyed.

2900
02:17:07.639 --> 02:17:09.840
<v Speaker 4>I think he's lonely, but I think he likes having

2901
02:17:09.879 --> 02:17:12.280
<v Speaker 4>people around a sort of bask in his glory.

2902
02:17:12.360 --> 02:17:13.079
<v Speaker 3>Yeah that's true.

2903
02:17:13.159 --> 02:17:15.440
<v Speaker 4>Yeah, and remind him that he's try McClure, so he

2904
02:17:15.559 --> 02:17:17.440
<v Speaker 4>needs someone quite specific.

2905
02:17:17.000 --> 02:17:19.000
<v Speaker 3>But as the episode went on, it felt like someone

2906
02:17:19.120 --> 02:17:21.440
<v Speaker 3>was less busting in his glory. And she's just like,

2907
02:17:21.639 --> 02:17:24.000
<v Speaker 3>I just like being around you as opposed to oh

2908
02:17:24.040 --> 02:17:25.440
<v Speaker 3>my god, you're Trum mc clure and it's just oh no,

2909
02:17:25.520 --> 02:17:27.959
<v Speaker 3>you're just Troy. Well, it's what makes me the episode good.

2910
02:17:27.959 --> 02:17:31.280
<v Speaker 3>And is that complications? Like I think she likes the

2911
02:17:31.639 --> 02:17:33.559
<v Speaker 3>spoilers of war, so to speak. I think she likes

2912
02:17:33.600 --> 02:17:36.079
<v Speaker 3>the big house and the attention and all that kind

2913
02:17:36.079 --> 02:17:38.520
<v Speaker 3>of stuff. But yeah, you also it's like I'm in

2914
02:17:38.520 --> 02:17:42.079
<v Speaker 3>a relationship. I'm with someone, you know, and it's not Yeah,

2915
02:17:42.440 --> 02:17:43.920
<v Speaker 3>they're not separate from one another.

2916
02:17:44.159 --> 02:17:46.040
<v Speaker 4>They're kind of they're a unit, they're a pair, they

2917
02:17:46.040 --> 02:17:46.520
<v Speaker 4>are a couple.

2918
02:17:46.600 --> 02:17:49.000
<v Speaker 3>Yeah, but yeah, it could be better. I'd like two.

2919
02:17:49.000 --> 02:17:51.000
<v Speaker 3>When I were walking in there, He's like, that's right, boys,

2920
02:17:51.239 --> 02:17:53.000
<v Speaker 3>Troy's back from the gutter, and had he brought someone

2921
02:17:53.040 --> 02:17:56.360
<v Speaker 3>with him. But after that date and now the Simpsons house,

2922
02:17:56.479 --> 02:17:58.280
<v Speaker 3>someone thinks that they're both jealous of her, and he

2923
02:17:58.360 --> 02:18:00.120
<v Speaker 3>says that he's taken her to a special screening of

2924
02:18:00.120 --> 02:18:02.120
<v Speaker 3>his latest film, which again is Muppet's Go Media from

2925
02:18:02.159 --> 02:18:04.719
<v Speaker 3>nineteen seventy seven, at the Route eighteenth flea market and

2926
02:18:04.840 --> 02:18:07.639
<v Speaker 3>driving as you were saying, close with Demolition on Saturday. Yes,

2927
02:18:07.799 --> 02:18:09.280
<v Speaker 3>the only one's there watching the movie. It's kind of

2928
02:18:09.319 --> 02:18:11.760
<v Speaker 3>sad that you know that he's just his last film

2929
02:18:11.840 --> 02:18:13.959
<v Speaker 3>was also was only twenty years ago before this episode there,

2930
02:18:14.000 --> 02:18:16.319
<v Speaker 3>but twenty years ago. He's sitting there by himself, and

2931
02:18:16.479 --> 02:18:18.120
<v Speaker 3>but I did like the fact that he was copying

2932
02:18:18.200 --> 02:18:20.719
<v Speaker 3>the dialogue from the movie, and then she was as well.

2933
02:18:20.799 --> 02:18:23.399
<v Speaker 3>And then before they both kiss, he spraysed some breath

2934
02:18:23.399 --> 02:18:27.479
<v Speaker 3>threshener into her mouth. We come back with a news

2935
02:18:27.479 --> 02:18:29.319
<v Speaker 3>report and apparently this guy's meant to be John Tesh.

2936
02:18:29.319 --> 02:18:31.440
<v Speaker 3>I don't know who John Tesh is. He was the

2937
02:18:31.440 --> 02:18:34.520
<v Speaker 3>host of Entertainment Tonight. Oh, speaking of entertainment tonight, Leond Moulton,

2938
02:18:34.920 --> 02:18:36.239
<v Speaker 3>a movie guy with Maltlon Davis.

2939
02:18:36.239 --> 02:18:40.239
<v Speaker 4>Indeed, well, you can run that past when we record our.

2940
02:18:40.239 --> 02:18:44.360
<v Speaker 3>Next to Yes episode. Yes, he can't believe you. What

2941
02:18:46.440 --> 02:18:49.000
<v Speaker 3>the verdict was male fraud and Leper in the backfield.

2942
02:18:49.040 --> 02:18:50.399
<v Speaker 3>And we get a clip on Leper in the backfield

2943
02:18:50.440 --> 02:18:52.799
<v Speaker 3>here and they say he's got he's up for some

2944
02:18:52.879 --> 02:18:54.879
<v Speaker 3>choice roles now because he's been seen with an actual

2945
02:18:54.920 --> 02:18:57.319
<v Speaker 3>woman and she says, looks like you're Does he say

2946
02:18:57.319 --> 02:18:58.520
<v Speaker 3>to her or she say to him, looks like you're

2947
02:18:58.520 --> 02:19:00.399
<v Speaker 3>wrong when you called him a washed up DV right,

2948
02:19:00.479 --> 02:19:01.920
<v Speaker 3>I think he said that to the woman.

2949
02:19:02.040 --> 02:19:02.840
<v Speaker 4>Yeah.

2950
02:19:02.959 --> 02:19:05.879
<v Speaker 3>Then Salma is now moving into Troy's place, and Troy

2951
02:19:05.920 --> 02:19:10.239
<v Speaker 3>brings out Jubjub. He's fantastic, He's everywhere you want to be.

2952
02:19:12.520 --> 02:19:14.360
<v Speaker 3>I did like the Jubjub just didn't become a forgotten

2953
02:19:14.440 --> 02:19:18.440
<v Speaker 3>character because he was introduced as for a child. Yeah,

2954
02:19:18.479 --> 02:19:20.639
<v Speaker 3>and he's still a part of Salema's life, which was

2955
02:19:20.719 --> 02:19:23.680
<v Speaker 3>very important. He shows off the house. It's fantastic and

2956
02:19:23.719 --> 02:19:26.360
<v Speaker 3>we get various posters here. So incident at noon my

2957
02:19:26.520 --> 02:19:31.440
<v Speaker 3>Darling beef Eater with Dolores Montenegro and Astro heist on

2958
02:19:31.520 --> 02:19:35.040
<v Speaker 3>Gemini three And as I was telling Josh, in the

2959
02:19:35.200 --> 02:19:40.159
<v Speaker 3>iconic virtual Springfield game, there is redesigned posts for a Yeah,

2960
02:19:40.360 --> 02:19:42.959
<v Speaker 3>then what are the one of the things he tells

2961
02:19:42.719 --> 02:19:45.559
<v Speaker 3>it gubbage collection is Monday. If you want to throt

2962
02:19:45.600 --> 02:19:48.959
<v Speaker 3>a box, you have to cut it up. Do you

2963
02:19:48.959 --> 02:19:50.719
<v Speaker 3>do this? You the boxes to fit more stuff in

2964
02:19:50.760 --> 02:19:52.639
<v Speaker 3>you're cycling. This is like a life hack that my

2965
02:19:52.680 --> 02:19:54.600
<v Speaker 3>next one name only taught me like last year, because

2966
02:19:54.600 --> 02:19:56.760
<v Speaker 3>he used to used to just chuck boxes in. It's

2967
02:19:56.760 --> 02:19:58.399
<v Speaker 3>like they rip it up and something fit more. Like,

2968
02:19:58.520 --> 02:20:01.280
<v Speaker 3>holy shit, I have I gone the first thirty four

2969
02:20:01.319 --> 02:20:02.559
<v Speaker 3>years of my life not doing this.

2970
02:20:02.600 --> 02:20:03.200
<v Speaker 4>It's amazing.

2971
02:20:05.719 --> 02:20:07.799
<v Speaker 3>She thinks his house is ultra modern and he shows

2972
02:20:07.799 --> 02:20:09.799
<v Speaker 3>her the aquarium bedroom but he's going to be sleeping

2973
02:20:09.799 --> 02:20:12.120
<v Speaker 3>downstairs and the visitor center and he reminds me about

2974
02:20:12.120 --> 02:20:13.760
<v Speaker 3>the Tens turns it tomorrow. It comes on at ten.

2975
02:20:14.600 --> 02:20:16.360
<v Speaker 3>This show is brought to you by the four Fingure

2976
02:20:16.399 --> 02:20:19.399
<v Speaker 3>discount Patreon, where you'll find over one hundred hours of

2977
02:20:19.479 --> 02:20:24.000
<v Speaker 3>bonus podcasts, including exclusive Simpsons reviews and commentaries, as well

2978
02:20:24.040 --> 02:20:27.200
<v Speaker 3>as exclusive episodes of Going Down to South Park, Tales

2979
02:20:27.200 --> 02:20:31.520
<v Speaker 3>of Futurama, Bob's Pods, Speaking of the Hill, Talking Sifould,

2980
02:20:31.680 --> 02:20:34.360
<v Speaker 3>the One about Friends, and so much more. So go

2981
02:20:34.399 --> 02:20:37.559
<v Speaker 3>ahead and join the family today at patreon dot com

2982
02:20:37.559 --> 02:20:41.399
<v Speaker 3>slash four fingure Discout. Then MacArthur Parker calls up about

2983
02:20:41.440 --> 02:20:43.799
<v Speaker 3>the Planet of the Apes the movie or the Planet

2984
02:20:43.840 --> 02:20:46.799
<v Speaker 3>as the part. He says, You're gonna be starring as

2985
02:20:46.879 --> 02:20:48.719
<v Speaker 3>the human as the part who's born to play baby,

2986
02:20:48.959 --> 02:20:51.040
<v Speaker 3>and we cut to stop the Planet of the Apes.

2987
02:20:51.040 --> 02:20:53.319
<v Speaker 3>I want to get off, which is just one of

2988
02:20:53.360 --> 02:20:55.319
<v Speaker 3>the most iconic Simpsons bits of all time. I think

2989
02:20:55.520 --> 02:20:57.879
<v Speaker 3>it's really really good. Yeah, we went really in depth

2990
02:20:57.920 --> 02:20:59.319
<v Speaker 3>with Josh, but just even the story of how they

2991
02:20:59.319 --> 02:21:01.559
<v Speaker 3>made it come together. It was like one line that

2992
02:21:01.879 --> 02:21:05.040
<v Speaker 3>I think was David Merkan or Davis Cohen Chimpanee Chimpanzee

2993
02:21:05.079 --> 02:21:06.760
<v Speaker 3>was straight. It was like, Okay, we have to make

2994
02:21:06.799 --> 02:21:07.239
<v Speaker 3>this way there.

2995
02:21:07.239 --> 02:21:08.799
<v Speaker 4>You build it around that absolutely, Yeah.

2996
02:21:08.840 --> 02:21:11.000
<v Speaker 3>Yeah, but if you can think of that, that's the

2997
02:21:11.000 --> 02:21:13.120
<v Speaker 3>core of this. Yeah. And just as you were saying,

2998
02:21:13.159 --> 02:21:14.840
<v Speaker 3>I thought it was a great comment by you as

2999
02:21:14.879 --> 02:21:17.520
<v Speaker 3>well with Josh, how you're saying these gags felt like

3000
02:21:17.559 --> 02:21:20.280
<v Speaker 3>they were already out there, you just have to pick them, yeah, said.

3001
02:21:20.360 --> 02:21:23.000
<v Speaker 3>And it's just like the doctor zais rhyming with Amadaeus.

3002
02:21:24.559 --> 02:21:25.719
<v Speaker 3>It's like, how nobody thought this.

3003
02:21:27.879 --> 02:21:29.319
<v Speaker 4>Look at this beautiful low hanging fruit.

3004
02:21:30.079 --> 02:21:31.840
<v Speaker 3>It must be so exciting when he caught something so

3005
02:21:32.040 --> 02:21:35.200
<v Speaker 3>clever and so obvious, but it's never been done before.

3006
02:21:35.200 --> 02:21:36.120
<v Speaker 3>You're ship.

3007
02:21:40.600 --> 02:21:48.360
<v Speaker 1>I hate every eight by se from Jimpane to Chimpanzee. No,

3008
02:21:48.719 --> 02:21:53.120
<v Speaker 1>you'll never make a monkey out of me.

3009
02:21:56.000 --> 02:22:02.239
<v Speaker 2>Oh my god, I was wrong all along.

3010
02:22:03.360 --> 02:22:06.239
<v Speaker 5>You finally made a monkey.

3011
02:22:07.040 --> 02:22:09.760
<v Speaker 3>Yes, finally made monkey.

3012
02:22:10.200 --> 02:22:31.479
<v Speaker 5>Yes, you finally made.

3013
02:22:24.799 --> 02:22:34.319
<v Speaker 1>I love you, doctor Sam, thank you. It's great to

3014
02:22:34.360 --> 02:22:36.959
<v Speaker 1>be back. I just want to say I wouldn't be

3015
02:22:37.000 --> 02:22:39.520
<v Speaker 1>here without the support of a very special lady, my

3016
02:22:39.639 --> 02:22:46.920
<v Speaker 1>always outrageous fiance, Salma. Take about sugar Beet, about it run?

3017
02:22:48.239 --> 02:22:49.440
<v Speaker 3>What is your favorite part about it?

3018
02:22:49.479 --> 02:22:49.639
<v Speaker 5>All?

3019
02:22:49.959 --> 02:22:54.200
<v Speaker 3>The whole thing? I love the Oh, it's probably not

3020
02:22:54.280 --> 02:22:57.479
<v Speaker 3>to play the piano. That's great, that is fantastic.

3021
02:22:57.520 --> 02:23:00.280
<v Speaker 4>Just think, I said to Josh, I love how it

3022
02:23:00.360 --> 02:23:01.520
<v Speaker 4>closes out on Jose.

3023
02:23:01.520 --> 02:23:06.760
<v Speaker 3>I love you doctor, which is yeah, broad which you

3024
02:23:06.879 --> 02:23:07.879
<v Speaker 3>need You need.

3025
02:23:07.719 --> 02:23:09.280
<v Speaker 4>To either close the first aid or just close the

3026
02:23:09.280 --> 02:23:12.479
<v Speaker 4>show with someone just declaring something. It's like it doesn't

3027
02:23:12.479 --> 02:23:13.399
<v Speaker 4>really mean anything.

3028
02:23:13.959 --> 02:23:16.200
<v Speaker 3>But the down in front is also fantastic coming up, isn't it?

3029
02:23:16.239 --> 02:23:16.879
<v Speaker 4>Oh my god?

3030
02:23:17.000 --> 02:23:20.360
<v Speaker 3>Thanks, he's beautiful fiance. He's always outrageous fiance.

3031
02:23:24.799 --> 02:23:26.399
<v Speaker 4>I love Dram mclue, but he's a douche.

3032
02:23:27.959 --> 02:23:30.319
<v Speaker 3>Down in front is just like the permanent. But isn't

3033
02:23:30.319 --> 02:23:37.280
<v Speaker 3>it well, omer can't be happy for it? But also

3034
02:23:37.639 --> 02:23:40.719
<v Speaker 3>the acting here too, I feel Phil Hartmon genuinely sounds

3035
02:23:40.719 --> 02:23:42.879
<v Speaker 3>like he's exhausted. I like to think like he's jogged

3036
02:23:42.879 --> 02:23:45.319
<v Speaker 3>on the spot fly just before doing this spiel. This

3037
02:23:45.399 --> 02:23:46.079
<v Speaker 3>sounds exhausting.

3038
02:23:46.159 --> 02:23:46.680
<v Speaker 4>It's great.

3039
02:23:46.799 --> 02:23:48.399
<v Speaker 3>But now back at Troy's place and the kids are

3040
02:23:48.399 --> 02:23:50.639
<v Speaker 3>now playing in the pool. My face paid for that

3041
02:23:50.639 --> 02:23:52.520
<v Speaker 3>pool and my talent filled it with water. Hi, I'm

3042
02:23:52.559 --> 02:23:55.879
<v Speaker 3>Troy McClure, your future uncle, and Lisa remembers him from

3043
02:23:55.879 --> 02:23:58.239
<v Speaker 3>such film strips as Locker Room Tower Fight, The Blinding

3044
02:23:58.280 --> 02:24:03.319
<v Speaker 3>of Larry, it's great. Should you describe to explain what

3045
02:24:03.360 --> 02:24:03.680
<v Speaker 3>that is?

3046
02:24:04.159 --> 02:24:07.319
<v Speaker 4>Well, yeah, I guess it doesn't really happen in school anymore,

3047
02:24:07.360 --> 02:24:08.840
<v Speaker 4>maybe even when you were at school.

3048
02:24:08.840 --> 02:24:10.079
<v Speaker 3>But I mean you get in trouble if you did it.

3049
02:24:10.159 --> 02:24:13.639
<v Speaker 4>Yeah, oh yeah when you just yeah, you'd have a tower,

3050
02:24:14.680 --> 02:24:16.319
<v Speaker 4>you'd be able to fashion your towel and do a whip.

3051
02:24:16.399 --> 02:24:18.639
<v Speaker 3>Yeah, and you'd just whip someone on the butt. Don't

3052
02:24:18.680 --> 02:24:20.079
<v Speaker 3>chase me a full chocolate, don't make me run a

3053
02:24:20.079 --> 02:24:21.799
<v Speaker 3>full kid's got bosoms.

3054
02:24:23.159 --> 02:24:25.079
<v Speaker 4>Yeah, if you really want to go hardcore, you used

3055
02:24:25.120 --> 02:24:25.719
<v Speaker 4>a wet towel.

3056
02:24:25.799 --> 02:24:28.840
<v Speaker 3>Yeah, wet towels were insane. Oh no, it's a lethal weapon,

3057
02:24:28.920 --> 02:24:31.239
<v Speaker 3>it is. But some are in Margin they're just chatting.

3058
02:24:31.520 --> 02:24:33.959
<v Speaker 3>I liked hear the designs and Margins wearing a much

3059
02:24:33.959 --> 02:24:38.280
<v Speaker 3>more plain just Kmart swimsuit and an Ancho swimsuit where

3060
02:24:38.920 --> 02:24:42.280
<v Speaker 3>someone was wearing this very movie stars it up. Yeah. Yeah,

3061
02:24:42.399 --> 02:24:44.159
<v Speaker 3>And as girls, we dream always dream of having the

3062
02:24:44.200 --> 02:24:46.000
<v Speaker 3>idea of husband who knew it would come true for

3063
02:24:46.040 --> 02:24:49.040
<v Speaker 3>one of us. Guess which one seldom?

3064
02:24:51.719 --> 02:24:54.000
<v Speaker 4>Yeah, it's not a heel turned by someone, but she's

3065
02:24:54.000 --> 02:24:56.840
<v Speaker 4>starting to sort of buy into the whole Hollywood. Yeah,

3066
02:24:56.920 --> 02:24:59.159
<v Speaker 4>the whole show biz myth and yeah, the fact that

3067
02:24:59.600 --> 02:25:02.719
<v Speaker 4>do you think it makes it better? Her proximity to

3068
02:25:02.760 --> 02:25:04.239
<v Speaker 4>fame makes her better than everybody else.

3069
02:25:04.319 --> 02:25:08.079
<v Speaker 3>Yeah, there's actually a deleted scene which makes this next

3070
02:25:08.079 --> 02:25:10.239
<v Speaker 3>scene make more sense. So we're at Most and Homer

3071
02:25:10.280 --> 02:25:13.239
<v Speaker 3>and Troy just randomly they're getting drunk together. What that

3072
02:25:13.360 --> 02:25:15.120
<v Speaker 3>was was actually a bit of a subplot here where

3073
02:25:15.200 --> 02:25:18.360
<v Speaker 3>Marge asked Homer to take to organize Troy's bachelor party.

3074
02:25:18.399 --> 02:25:21.559
<v Speaker 3>Oh okay, and thats all the the bachelor party was

3075
02:25:21.639 --> 02:25:24.000
<v Speaker 3>at MOS. So that's why that at Most it's the

3076
02:25:24.079 --> 02:25:25.840
<v Speaker 3>end of the bachelor party. Because I've always sort of thought,

3077
02:25:26.079 --> 02:25:28.399
<v Speaker 3>why is Troy having to be with Homer there doesn't

3078
02:25:28.399 --> 02:25:30.920
<v Speaker 3>really talk. Maybe you'd like to sort of create the

3079
02:25:30.920 --> 02:25:32.600
<v Speaker 3>idea in here, maybe someone said go hang out with

3080
02:25:32.639 --> 02:25:35.280
<v Speaker 3>Homer or that kind of thing. But that's why because

3081
02:25:35.319 --> 02:25:37.399
<v Speaker 3>there was deleted story, deleted scene. He wat your deleted

3082
02:25:37.399 --> 02:25:40.360
<v Speaker 3>scenes on the DVD where Marge says organize the bachelor

3083
02:25:40.399 --> 02:25:42.719
<v Speaker 3>party and it's with the Pooh and whatnot. At at

3084
02:25:42.719 --> 02:25:48.239
<v Speaker 3>Most interesting discussion us discussing here potential film ideas. There's

3085
02:25:48.239 --> 02:25:52.120
<v Speaker 3>already a lot of films on World War Two, nuts

3086
02:25:52.280 --> 02:25:55.520
<v Speaker 3>a little bit Dracula. Then he says, you know what,

3087
02:25:55.520 --> 02:25:57.360
<v Speaker 3>you'll be a four star brother in law. And then

3088
02:25:57.399 --> 02:25:58.799
<v Speaker 3>Homer says, why are you even marrying someone?

3089
02:25:58.840 --> 02:25:59.159
<v Speaker 2>Like, what's that?

3090
02:25:59.200 --> 02:26:01.440
<v Speaker 3>What's the deal? He reveals his secret and he whispers

3091
02:26:01.479 --> 02:26:03.680
<v Speaker 3>in his ear, and Homer's immediately that's why it's a

3092
02:26:03.719 --> 02:26:06.159
<v Speaker 3>great home, because even home is like, I need to

3093
02:26:06.200 --> 02:26:08.559
<v Speaker 3>do something about this. As much as somewhere annoys me,

3094
02:26:09.200 --> 02:26:11.399
<v Speaker 3>I can't let her go through with this. So the

3095
02:26:11.479 --> 02:26:14.600
<v Speaker 3>wedding is now at the Botanical Gardens. Lady told you, yes,

3096
02:26:14.680 --> 02:26:17.200
<v Speaker 3>just wants to get married to the guy. Lovejoy then

3097
02:26:17.239 --> 02:26:19.959
<v Speaker 3>asked if anyone knows why these two shouldn't be married,

3098
02:26:20.040 --> 02:26:21.680
<v Speaker 3>and a customer Homer singing, what in his head?

3099
02:26:22.799 --> 02:26:22.959
<v Speaker 4>Is it?

3100
02:26:23.000 --> 02:26:23.559
<v Speaker 3>Rock and wrong?

3101
02:26:23.719 --> 02:26:29.200
<v Speaker 4>Yeah? Interesting that an episode about a canceled movie star

3102
02:26:29.239 --> 02:26:31.360
<v Speaker 4>would have a music to you buy a canceled rock star?

3103
02:26:31.559 --> 02:26:34.399
<v Speaker 3>Yeah? Was he canceled by this point though? Gary Glitter?

3104
02:26:34.719 --> 02:26:36.040
<v Speaker 3>I don't know if it was by this day.

3105
02:26:36.159 --> 02:26:38.920
<v Speaker 4>But look, if I don't know about Gary Glitter, google

3106
02:26:38.920 --> 02:26:39.920
<v Speaker 4>Gary Glitter.

3107
02:26:39.680 --> 02:26:41.479
<v Speaker 3>And that that song was. That song is now known

3108
02:26:41.479 --> 02:26:42.760
<v Speaker 3>for the Joker going down the stairs.

3109
02:26:42.879 --> 02:26:46.959
<v Speaker 4>It is. It's a great song, fucking banger.

3110
02:26:51.040 --> 02:26:54.239
<v Speaker 3>It's so good. She kisses Troy so going for the kiss,

3111
02:26:54.319 --> 02:26:56.079
<v Speaker 3>and Troy turns his head, kiss on the cheek, not

3112
02:26:56.120 --> 02:26:58.239
<v Speaker 3>on the mouth, on the cheek, and she says this

3113
02:26:58.319 --> 02:26:59.879
<v Speaker 3>is the best day of her life. He says it

3114
02:27:00.000 --> 02:27:01.559
<v Speaker 3>good for him too, because he's gonna be in the

3115
02:27:01.559 --> 02:27:03.639
<v Speaker 3>front page of every news stand in the country. And

3116
02:27:03.680 --> 02:27:06.000
<v Speaker 3>then that night at home and Margin's in bed and

3117
02:27:06.040 --> 02:27:08.239
<v Speaker 3>Hammer walks and he shows he swiped the candy brightening

3118
02:27:08.280 --> 02:27:10.920
<v Speaker 3>room from the from the wedding cake that eats them

3119
02:27:11.200 --> 02:27:13.840
<v Speaker 3>and realize that they are not candy pointy, and Marge

3120
02:27:13.840 --> 02:27:17.479
<v Speaker 3>says she's never seen Selma happier, and Homer reveals that

3121
02:27:17.479 --> 02:27:19.760
<v Speaker 3>it's just a sham though, But enough talk. Let's struggle,

3122
02:27:21.799 --> 02:27:24.120
<v Speaker 3>and she doesn't want too turns off the lights by

3123
02:27:24.159 --> 02:27:26.200
<v Speaker 3>closing your eyes and trying to get to sleep. That's

3124
02:27:26.440 --> 02:27:28.200
<v Speaker 3>they always do the gag in The Simpsons. Does any

3125
02:27:28.200 --> 02:27:30.559
<v Speaker 3>other show do that? Whether you see their eyes at night?

3126
02:27:30.959 --> 02:27:34.360
<v Speaker 3>Not that I'm aware, it makes absolutely no logisical sense

3127
02:27:35.000 --> 02:27:36.879
<v Speaker 3>go with it. Of course he was animated, I guess.

3128
02:27:36.920 --> 02:27:39.280
<v Speaker 3>But we come back from commercial. I'm now at the

3129
02:27:39.319 --> 02:27:42.239
<v Speaker 3>Aphrodity Inn. Welcome mister and missus. Troy McClure as well

3130
02:27:42.280 --> 02:27:43.479
<v Speaker 3>as Share and contest winner.

3131
02:27:45.040 --> 02:27:46.079
<v Speaker 6>This better be important.

3132
02:27:46.120 --> 02:27:46.959
<v Speaker 4>It's my wedding night.

3133
02:27:47.159 --> 02:27:48.120
<v Speaker 6>I'm trying to sleep.

3134
02:27:48.319 --> 02:27:51.000
<v Speaker 7>Hey, sleeper is for Hasban's my friend, and you're about

3135
02:27:51.040 --> 02:27:54.000
<v Speaker 7>to have a very crowded schedule. This marriage scam is

3136
02:27:54.000 --> 02:27:55.840
<v Speaker 7>his panoff big time phone for you.

3137
02:27:56.360 --> 02:27:59.559
<v Speaker 1>Damn try, darling, come to bed.

3138
02:28:00.120 --> 02:28:02.440
<v Speaker 2>I want to see the Troy McClure I remember from

3139
02:28:02.520 --> 02:28:07.520
<v Speaker 2>such films as Makeout, King of Montana and The Electric Jigglow.

3140
02:28:09.600 --> 02:28:11.040
<v Speaker 4>Yeah in a minute, darling.

3141
02:28:12.079 --> 02:28:14.159
<v Speaker 6>Oh, she may be helping my career, but she's starting

3142
02:28:14.159 --> 02:28:15.399
<v Speaker 6>to cramp my style.

3143
02:28:15.760 --> 02:28:18.760
<v Speaker 7>Oh who cares? The offers are rolling in Paramount Wants.

3144
02:28:18.760 --> 02:28:21.479
<v Speaker 7>You're for a buddy comedy with Roblow and Hugh.

3145
02:28:21.280 --> 02:28:23.200
<v Speaker 2>Grant, those sick freaks.

3146
02:28:23.600 --> 02:28:24.719
<v Speaker 4>Okay, then get this.

3147
02:28:25.000 --> 02:28:27.639
<v Speaker 7>I think they want you to play McBain's sidekick in

3148
02:28:28.440 --> 02:28:30.559
<v Speaker 7>em Brace Yourself, the new McBain.

3149
02:28:30.239 --> 02:28:32.120
<v Speaker 4>Movie, McBain's sidekick.

3150
02:28:32.239 --> 02:28:35.600
<v Speaker 5>God, damn, I'm going to see world.

3151
02:28:36.079 --> 02:28:39.399
<v Speaker 3>So Roblo was a thracome with prostitutes, was at all young.

3152
02:28:39.600 --> 02:28:41.639
<v Speaker 4>He was at like a political convention. I think somewhere

3153
02:28:41.639 --> 02:28:45.440
<v Speaker 4>in like I've forgot an exactly whyeah, but I think

3154
02:28:45.479 --> 02:28:46.879
<v Speaker 4>one of the girls was like underage.

3155
02:28:47.040 --> 02:28:48.000
<v Speaker 3>Oh, that's trouble.

3156
02:28:48.319 --> 02:28:49.959
<v Speaker 4>She was like sixteen or seventeen or something.

3157
02:28:50.159 --> 02:28:53.920
<v Speaker 3>Not good, but a movie with Phil Hartman that sort

3158
02:28:53.920 --> 02:28:56.280
<v Speaker 3>of feel I'm with Trump called Roblow and I want

3159
02:28:56.280 --> 02:28:56.760
<v Speaker 3>to see the movie.

3160
02:28:56.840 --> 02:28:57.600
<v Speaker 4>Of course you will. Yes.

3161
02:28:57.920 --> 02:29:00.440
<v Speaker 3>Then Marge and Patty try to break the news too, smer.

3162
02:29:01.159 --> 02:29:03.520
<v Speaker 3>They say he's wrong for her. They're trying to break

3163
02:29:03.559 --> 02:29:05.879
<v Speaker 3>the news without actually telling her that it's an actual sham.

3164
02:29:05.959 --> 02:29:08.399
<v Speaker 3>You've got the case of the Green Eyed Gazongas. And

3165
02:29:08.440 --> 02:29:10.760
<v Speaker 3>then she calls out Patty's job and Marge's being stuck

3166
02:29:10.799 --> 02:29:12.520
<v Speaker 3>with Homer and Marge just like, you know what, fuck it,

3167
02:29:12.559 --> 02:29:13.440
<v Speaker 3>I'm just going to tell you.

3168
02:29:13.360 --> 02:29:15.959
<v Speaker 4>Well, referring to her as a man who'd had to

3169
02:29:16.000 --> 02:29:18.319
<v Speaker 4>bathe to be a slob. Yeah, fantastic, it is.

3170
02:29:18.399 --> 02:29:20.440
<v Speaker 3>Yes, much is shedding up, and he just blurts out

3171
02:29:20.440 --> 02:29:21.879
<v Speaker 3>de Troy doesn't love her, and he's just using her

3172
02:29:21.879 --> 02:29:23.959
<v Speaker 3>to revive his career. And it's almost like at the

3173
02:29:24.000 --> 02:29:27.360
<v Speaker 3>moment he was someone's like realizes, oh that's true, isn't it. Yeah,

3174
02:29:27.399 --> 02:29:28.760
<v Speaker 3>but she has to go confirm it anyway.

3175
02:29:28.840 --> 02:29:30.920
<v Speaker 4>She's suppressed that information.

3176
02:29:31.079 --> 02:29:31.280
<v Speaker 3>Yeah.

3177
02:29:31.280 --> 02:29:31.479
<v Speaker 4>Sure.

3178
02:29:31.639 --> 02:29:35.159
<v Speaker 3>Troy's then at home reading the newspaper, mccluere ankle's obscurity

3179
02:29:35.639 --> 02:29:38.000
<v Speaker 3>and I love the pools the paper down, is this

3180
02:29:38.000 --> 02:29:40.440
<v Speaker 3>a sham? Marriage's right there? Sure, baby's had a Probably

3181
02:29:41.879 --> 02:29:44.280
<v Speaker 3>ankles means cuts it off at the ankles.

3182
02:29:44.360 --> 02:29:48.600
<v Speaker 4>No, no, it means it means exits. Okay, yeah, apparently it.

3183
02:29:48.639 --> 02:29:50.239
<v Speaker 3>Was a I thought like he cuts his obscurity for

3184
02:29:50.280 --> 02:29:52.159
<v Speaker 3>the ankles, which means he's like, yeah.

3185
02:29:52.040 --> 02:29:56.399
<v Speaker 4>Yeah, the showbiz trade publication variety. I think he had

3186
02:29:56.479 --> 02:29:58.680
<v Speaker 4>its own own lingo for a lot of things. But yeah,

3187
02:29:58.680 --> 02:30:01.120
<v Speaker 4>ankles was one of the terms that they ankles. Okay,

3188
02:30:01.719 --> 02:30:04.600
<v Speaker 4>but it justifies it because they have fun. She's happy,

3189
02:30:04.680 --> 02:30:07.200
<v Speaker 4>she's got money, job, job, has his own big hot

3190
02:30:07.239 --> 02:30:09.079
<v Speaker 4>flat rock, you know, his love and life.

3191
02:30:08.920 --> 02:30:10.639
<v Speaker 3>At the moment. And then she says, but don't you

3192
02:30:10.680 --> 02:30:12.200
<v Speaker 3>love me, and he's like, of course do, Like I

3193
02:30:12.239 --> 02:30:17.159
<v Speaker 3>love Fresco. The difference is, we know our marriage is

3194
02:30:17.200 --> 02:30:19.440
<v Speaker 3>a sham. I love that line. There's plenty of marriages

3195
02:30:19.440 --> 02:30:21.760
<v Speaker 3>are at least we know ours is a sham. And

3196
02:30:21.760 --> 02:30:22.879
<v Speaker 3>then she asks are you gay?

3197
02:30:23.000 --> 02:30:23.559
<v Speaker 4>I wish?

3198
02:30:24.879 --> 02:30:27.440
<v Speaker 3>And then he starts detailing his romantic abnormality which must

3199
02:30:27.440 --> 02:30:29.719
<v Speaker 3>be hidden from public at all costs. And you don't

3200
02:30:29.719 --> 02:30:31.360
<v Speaker 3>want to hear that. No if you're Selma, no, no,

3201
02:30:31.440 --> 02:30:33.360
<v Speaker 3>just keep that to yourself. But she doesn't think she

3202
02:30:33.399 --> 02:30:36.040
<v Speaker 3>can do it. And then he says, smile for the camera.

3203
02:30:36.079 --> 02:30:38.600
<v Speaker 3>You just smile for the camera and enjoyed Troy's wild Ride.

3204
02:30:38.959 --> 02:30:40.920
<v Speaker 3>You go to the right parties, meet the right people.

3205
02:30:41.280 --> 02:30:42.639
<v Speaker 3>Sure you'll be a sham wife, but you be the

3206
02:30:42.719 --> 02:30:45.000
<v Speaker 3>envy of every other person in town. Wife in town.

3207
02:30:45.239 --> 02:30:47.239
<v Speaker 3>And then she says, tell me again about Troy's Wild Rider.

3208
02:30:47.239 --> 02:30:49.319
<v Speaker 3>And she's like, you know what, I can actually probably.

3209
02:30:49.000 --> 02:30:51.159
<v Speaker 4>Do this, and I'm sure there are many people who.

3210
02:30:51.120 --> 02:30:54.360
<v Speaker 3>Have as a compromise because she does want love. Oh yeah, yeah,

3211
02:30:54.479 --> 02:30:57.120
<v Speaker 3>but that's like, yeah, you know, I'm getting all the

3212
02:30:57.200 --> 02:30:59.600
<v Speaker 3>other good stuff as well. You know what, I feel

3213
02:30:59.600 --> 02:31:00.959
<v Speaker 3>like Troy the kind of guy would be like, you know,

3214
02:31:01.079 --> 02:31:03.639
<v Speaker 3>go find somebody else on the side. It wouldn't care. Yes,

3215
02:31:04.120 --> 02:31:07.799
<v Speaker 3>the best of both worlds. Then they replaced Buster Keaton's

3216
02:31:07.799 --> 02:31:10.959
<v Speaker 3>star on the Hollywood Walk of Fame with Troy's and

3217
02:31:11.000 --> 02:31:12.680
<v Speaker 3>he says, one day someone's going to have one too,

3218
02:31:12.879 --> 02:31:14.520
<v Speaker 3>And then we get another news report on me baying

3219
02:31:14.559 --> 02:31:17.479
<v Speaker 3>for fatal discharge. MacArthur says, now you need a family,

3220
02:31:17.600 --> 02:31:19.079
<v Speaker 3>because you know you're in the running, but you're gonna

3221
02:31:19.079 --> 02:31:20.920
<v Speaker 3>need a family because you and the wife you're gonna

3222
02:31:20.920 --> 02:31:22.719
<v Speaker 3>have a baby, a baby. Ay, what do I do.

3223
02:31:23.600 --> 02:31:27.440
<v Speaker 3>I'll send over a pamphlet. I'll send over a pamplet. Basically,

3224
02:31:27.879 --> 02:31:30.360
<v Speaker 3>it'll be the kind of publicity you can't buy. You

3225
02:31:30.399 --> 02:31:32.680
<v Speaker 3>can't use baby names like Montana, Dakota or Florida has

3226
02:31:32.680 --> 02:31:36.959
<v Speaker 3>already taken and it's just Oregon. Pacific's very hard like

3227
02:31:38.920 --> 02:31:41.760
<v Speaker 3>then ugly once again, and he tells Somemer that he

3228
02:31:41.799 --> 02:31:44.120
<v Speaker 3>wants to have a baby, and you know, I can

3229
02:31:44.120 --> 02:31:47.719
<v Speaker 3>get my own fragrance smelling of Troy, and he says

3230
02:31:47.719 --> 02:31:49.520
<v Speaker 3>her last, this could be her last. Oh. She says,

3231
02:31:49.520 --> 02:31:50.879
<v Speaker 3>this could be my last chance to be a mummy.

3232
02:31:50.879 --> 02:31:53.520
<v Speaker 3>It's almost like she's compromised. She's like, Ah, I don't know.

3233
02:31:53.639 --> 02:31:54.840
<v Speaker 3>I want to have a baby, but do want to

3234
02:31:54.840 --> 02:31:56.799
<v Speaker 3>have it with this guy here? And then the waiters

3235
02:31:56.840 --> 02:31:59.360
<v Speaker 3>now offering her a cigarette, and he said, this is

3236
02:31:59.360 --> 02:32:01.399
<v Speaker 3>the line we'll discuss with Josh that someone wanted to

3237
02:32:01.399 --> 02:32:03.879
<v Speaker 3>cut out from now on. She's smoking for two which

3238
02:32:03.920 --> 02:32:07.479
<v Speaker 3>is brutal but funny. Someone and Troy then do their

3239
02:32:07.520 --> 02:32:09.479
<v Speaker 3>best to get into the mood and it's just not happening.

3240
02:32:09.520 --> 02:32:13.799
<v Speaker 3>Would you like some wine? Yes, and to come over here?

3241
02:32:14.000 --> 02:32:17.040
<v Speaker 3>But you come over here, make yourself comfortable, and it's

3242
02:32:17.040 --> 02:32:18.479
<v Speaker 3>just not going to happen here. She says, you having

3243
02:32:18.479 --> 02:32:20.239
<v Speaker 3>a baby shouldn't be work. It's supposed to be expression

3244
02:32:20.280 --> 02:32:22.239
<v Speaker 3>of the love that we have for each other. And

3245
02:32:22.280 --> 02:32:23.760
<v Speaker 3>she just says, no, what, I just can't bring a

3246
02:32:23.799 --> 02:32:26.479
<v Speaker 3>child into a loveless marriage. And I think that's the

3247
02:32:26.520 --> 02:32:29.000
<v Speaker 3>Simpsons in a nutshell. What differs it from other shows

3248
02:32:29.040 --> 02:32:31.600
<v Speaker 3>where this character here feels like a real person.

3249
02:32:31.639 --> 02:32:31.719
<v Speaker 5>Oh?

3250
02:32:31.799 --> 02:32:33.639
<v Speaker 3>Absolutely, there is so much depth to sell. We here

3251
02:32:33.639 --> 02:32:35.920
<v Speaker 3>where you go? And she's like, I can do the marriage,

3252
02:32:35.959 --> 02:32:37.680
<v Speaker 3>but I can't bring a child here. It's just not

3253
02:32:37.719 --> 02:32:40.440
<v Speaker 3>going to happen. And Troy says, look, we'll just adopt.

3254
02:32:40.520 --> 02:32:42.680
<v Speaker 3>I'll call my agent, he'll find some child who's in

3255
02:32:42.719 --> 02:32:46.719
<v Speaker 3>on the deal. But she just says goodbye. I think

3256
02:32:46.719 --> 02:32:48.799
<v Speaker 3>she maye kissed them on the chee. I'm not too sure. Sure.

3257
02:32:48.799 --> 02:32:50.920
<v Speaker 3>Always remember him, but not from his films, which is

3258
02:32:50.959 --> 02:32:52.760
<v Speaker 3>a great partying line.

3259
02:32:53.120 --> 02:32:54.600
<v Speaker 4>This is such a well written episode.

3260
02:32:54.920 --> 02:32:58.040
<v Speaker 3>Just the ending that absolutely sticked this landing. Yeah, and

3261
02:32:58.079 --> 02:33:00.840
<v Speaker 3>he sadly watches her walk away with job as I

3262
02:33:00.879 --> 02:33:02.959
<v Speaker 3>was saying with Josh and yourself that he's not only

3263
02:33:02.959 --> 02:33:04.959
<v Speaker 3>watching her walk away, he's watching his career walk away

3264
02:33:04.959 --> 02:33:07.639
<v Speaker 3>with it. Because without that baby, without that, that's true, he's.

3265
02:33:07.440 --> 02:33:09.200
<v Speaker 4>Built a little bit of momentum. Though, I mean, you

3266
02:33:09.239 --> 02:33:11.760
<v Speaker 4>get this not really a happy ending, but I mean

3267
02:33:12.239 --> 02:33:14.879
<v Speaker 4>chronic clau is not going anywhere. Well, that sadly is,

3268
02:33:14.959 --> 02:33:17.959
<v Speaker 4>but yeah, he's riding a little bit of a crest

3269
02:33:18.000 --> 02:33:19.520
<v Speaker 4>of the wave, and you know he may not be

3270
02:33:19.559 --> 02:33:21.639
<v Speaker 4>and it well decides not to be in McBain for

3271
02:33:21.799 --> 02:33:25.360
<v Speaker 4>fatal discharge. Instead, he does his own passion project.

3272
02:33:24.959 --> 02:33:27.200
<v Speaker 3>Makes a bad philt. MacArthur Parker did not want this

3273
02:33:27.239 --> 02:33:32.399
<v Speaker 3>decision to happen. The contrabulous fab traption of Professor Horatio

3274
02:33:32.399 --> 02:33:37.040
<v Speaker 3>Fuffnagel pull this gable payoff. Twentieth Centry Fox says it.

3275
02:33:37.120 --> 02:33:42.440
<v Speaker 4>Will loved it. I've got nothing more is I own

3276
02:33:42.520 --> 02:33:42.719
<v Speaker 4>love it?

3277
02:33:42.840 --> 02:33:44.879
<v Speaker 3>Yes, And that is the end of a fish Caught Summer.

3278
02:33:44.920 --> 02:33:47.760
<v Speaker 3>Just an absolutely just It's just I think it's one

3279
02:33:47.799 --> 02:33:49.879
<v Speaker 3>of my favorite episodes now. I think being a kid,

3280
02:33:49.920 --> 02:33:52.399
<v Speaker 3>I never really liked this one. I think being a

3281
02:33:52.399 --> 02:33:55.040
<v Speaker 3>bit older, a few miles in the meter, being married,

3282
02:33:55.120 --> 02:33:58.120
<v Speaker 3>you know, experiencing your actual genuine love and I just think,

3283
02:33:59.040 --> 02:34:01.719
<v Speaker 3>I don't know, maybe it's just the u the fact

3284
02:34:01.719 --> 02:34:03.280
<v Speaker 3>that I love it, that we've got it before Phil

3285
02:34:03.280 --> 02:34:05.799
<v Speaker 3>Hammont passed away as well, that that part of as well.

3286
02:34:05.799 --> 02:34:07.719
<v Speaker 3>But there's just so many gags in this.

3287
02:34:08.399 --> 02:34:10.680
<v Speaker 4>There's a lots and I'm only so much like about it.

3288
02:34:10.719 --> 02:34:12.959
<v Speaker 4>I mean, yeah, it's just got, as you said, one

3289
02:34:12.959 --> 02:34:14.680
<v Speaker 4>of the great set pieces and stop the plan of

3290
02:34:14.680 --> 02:34:15.559
<v Speaker 4>the apes I want to get off.

3291
02:34:15.600 --> 02:34:17.760
<v Speaker 3>It's yeah, which is just like out of nowhere.

3292
02:34:17.840 --> 02:34:21.159
<v Speaker 4>Yeah, it's a fantastic showcase for Phil Hartman and his

3293
02:34:21.239 --> 02:34:24.239
<v Speaker 4>talents and his skill set. It's funny from go to woe.

3294
02:34:24.719 --> 02:34:29.760
<v Speaker 4>It's really really tightly constructed, and yeah, it's it's emotionally

3295
02:34:29.799 --> 02:34:32.239
<v Speaker 4>mature and not in a way that feels kind of

3296
02:34:33.680 --> 02:34:36.239
<v Speaker 4>oh now it's slathering on the sentiment. No, just it

3297
02:34:36.239 --> 02:34:38.600
<v Speaker 4>does it almost stealthily.

3298
02:34:39.360 --> 02:34:41.159
<v Speaker 3>Yes, We'll hope you guys enjoyed our review of a

3299
02:34:41.200 --> 02:34:42.799
<v Speaker 3>Fish Court Someone. Hope you enjoyed our chat with Josh

3300
02:34:42.879 --> 02:34:44.440
<v Speaker 3>Weinstein as well. We're going to be getting back on

3301
02:34:44.479 --> 02:34:46.760
<v Speaker 3>the show next year. Hopefully maybe we can do Bartvia's

3302
02:34:46.799 --> 02:34:48.520
<v Speaker 3>Australia with Bill locally. I think having them both at

3303
02:34:48.520 --> 02:34:50.159
<v Speaker 3>the same time and just be like seeing them just

3304
02:34:50.239 --> 02:34:52.079
<v Speaker 3>banter with ideas and stories would be great.

3305
02:34:52.440 --> 02:34:56.200
<v Speaker 4>We wouldn't have to talk much at all. Let's just

3306
02:34:56.239 --> 02:34:57.840
<v Speaker 4>hope that they start their own since this podcast because

3307
02:34:57.840 --> 02:34:58.440
<v Speaker 4>they were in trouble.

3308
02:34:58.799 --> 02:35:01.120
<v Speaker 3>Oh man, oh me, don't do it. Don't do it.

3309
02:35:01.120 --> 02:35:03.040
<v Speaker 3>But what you should be doing, guys out there listening

3310
02:35:03.120 --> 02:35:05.319
<v Speaker 3>is supporting us on Patreon. If you enjoyed the show,

3311
02:35:05.399 --> 02:35:06.959
<v Speaker 3>you can support us for as little as just one

3312
02:35:07.040 --> 02:35:08.959
<v Speaker 3>dollar per month. That's right, just one dollar per month.

3313
02:35:09.360 --> 02:35:10.760
<v Speaker 3>You can suppor us on Patreon. The link is in

3314
02:35:10.799 --> 02:35:13.440
<v Speaker 3>a description of this show, and for five dollars or more,

3315
02:35:13.479 --> 02:35:15.559
<v Speaker 3>you can get access to over one hundred hours of

3316
02:35:15.760 --> 02:35:19.079
<v Speaker 3>bonus podcasts, all the various shows we do exclusively on

3317
02:35:19.120 --> 02:35:21.639
<v Speaker 3>our Patreon channel, as well as early and ad free

3318
02:35:21.680 --> 02:35:24.399
<v Speaker 3>access to this show going down to South Park and

3319
02:35:24.520 --> 02:35:26.040
<v Speaker 3>one of our friends. But you also get access to

3320
02:35:26.040 --> 02:35:29.079
<v Speaker 3>our entire archive from the first ten seasons as well

3321
02:35:29.200 --> 02:35:30.680
<v Speaker 3>ad free, so if you don't want to hear any

3322
02:35:30.680 --> 02:35:32.319
<v Speaker 3>more of those ads, five dollars a month is all

3323
02:35:32.319 --> 02:35:32.879
<v Speaker 3>it cost you.

3324
02:35:32.959 --> 02:35:34.680
<v Speaker 4>Kind of a bargain, kind of a bargain in ded

3325
02:35:34.680 --> 02:35:38.120
<v Speaker 4>make it a Christmas present to Guyandanda, Oh, excellent idea,

3326
02:35:38.200 --> 02:35:40.559
<v Speaker 4>excellent idea in d But this has been a review

3327
02:35:40.559 --> 02:35:42.200
<v Speaker 4>of a fish course someone. We'll back next week with

3328
02:35:42.239 --> 02:35:45.479
<v Speaker 4>a season twenty one review. But and you find the

3329
02:35:45.520 --> 02:35:48.360
<v Speaker 4>words for those incredible listeners out there, you've been listening

3330
02:35:48.360 --> 02:35:51.200
<v Speaker 4>to Guyandano. You may remember us from podcasts such as

3331
02:35:51.280 --> 02:35:52.760
<v Speaker 4>Forfinger Discount
