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<v Speaker 1>You're this is Rayvaughn and you're checking out the Cruise

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<v Speaker 1>Show podcast.

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<v Speaker 2>Make sure to subscribe like.

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<v Speaker 3>Share one on the Cruise Show though.

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<v Speaker 2>Yeah that was hard.

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<v Speaker 3>Yeah man, Nico blitz right there and that was all

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<v Speaker 3>yeah yeah, yeah, yeah.

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<v Speaker 2>That over crazy, I say that.

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<v Speaker 3>Yeah, yeah, you come with the hits, bro, So you know, yeah, Nico,

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<v Speaker 3>you interviewed ravon Win like five years years ago.

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<v Speaker 2>Five years ago, Its like before t It was like

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<v Speaker 2>right before you.

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<v Speaker 3>Link up, you know, I think I just reached out

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<v Speaker 3>on I G or something quick. It was like a

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<v Speaker 3>I was you literally signed like a month later or something.

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<v Speaker 2>It was like a month to two months later.

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<v Speaker 3>It's crazy.

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<v Speaker 1>It was literally right right in in the pocket. It

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<v Speaker 1>was like a lot of momentum and the city building up,

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<v Speaker 1>and I was just like, Okay.

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<v Speaker 2>Something's gonna happen.

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<v Speaker 1>Somebody gonna pick me, somebody gonna sign me top I

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<v Speaker 1>didn't think it's gonna be top line, Is that right?

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<v Speaker 2>I didn't.

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<v Speaker 1>I didn't think it was gonna be top Dog, not

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<v Speaker 1>gonna get in these universal interscope and.

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<v Speaker 3>Something something like that. Yeah, yeah, def jam something like.

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<v Speaker 2>That right like that, you ain't even gonna sign to

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<v Speaker 2>the Lakers.

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<v Speaker 3>Crazy, you got a coffer, Phil Jackson.

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<v Speaker 2>Get a car and Phil like come down to what

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<v Speaker 2>was that?

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<v Speaker 3>Like, what was that day?

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<v Speaker 2>Like that was crazy? I shipped livers that day. Yeah,

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<v Speaker 2>for sure. He called me.

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<v Speaker 1>He like, yeah, come down to the office. Boy, came

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<v Speaker 1>down here, like, bring me five sons. You think gonna

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<v Speaker 1>change your life? I got to play twenty So that

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<v Speaker 1>means he sucked with it.

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<v Speaker 3>Yeah, yeah, how.

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<v Speaker 2>You feel about TV. I'm like, man, that's my dream,

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<v Speaker 2>like dead right, I need him right there. He was like,

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<v Speaker 2>he was like, welcome to your dream label.

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<v Speaker 3>Nah.

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<v Speaker 2>By the time I walked out, I had a check, though,

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<v Speaker 2>you give me. I just had the stamp.

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<v Speaker 1>Okay, okay, I still broke. I went back to the car.

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<v Speaker 1>I was signed, but I was nah.

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<v Speaker 3>Yeah. Some people think, right, especially a lot of artists, right,

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<v Speaker 3>they think, are you get signed to TD, you get

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<v Speaker 3>handed a million dollar check, you get handed a house

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<v Speaker 3>or change cars. It's not like that.

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<v Speaker 2>It don't work like that.

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<v Speaker 3>You don't work.

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<v Speaker 2>It's like the NBA.

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<v Speaker 1>You signed to the NBA, unless you like one of

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<v Speaker 1>the ball brothers they had a good father figure.

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<v Speaker 3>Yeah, Like other than that, you don't have that.

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<v Speaker 1>It's like you go to the NBA, you still gotta

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<v Speaker 1>work to even get off the bench. You're still rookie, right,

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<v Speaker 1>He's still rookie, So I'm still I'm still in my

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<v Speaker 1>rookie here for real. It's like my first year really

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<v Speaker 1>really popping out and being consistent and trying to like

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<v Speaker 1>create near it is about myself so people can see

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<v Speaker 1>what type of artists I am.

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<v Speaker 3>There's that rookie hazing going on by schoolboy Q who

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<v Speaker 3>fucking plays too much?

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<v Speaker 2>No no, no, no, no no no, I.

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<v Speaker 1>Mean they man, they Joe, they joke the clown b

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<v Speaker 1>clown school Boy Like what up?

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<v Speaker 3>I'm like, yo, bro yo bro.

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<v Speaker 2>Today saved and school boy c phone cup I fucked up.

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<v Speaker 3>So you've seen what I called. It's crazy. Yeah no,

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<v Speaker 3>but yeah, like yo, you join the crew and you

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<v Speaker 3>gotta work your way up. You gotta work your way up.

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<v Speaker 1>You got why, you got to prove your I thought

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<v Speaker 1>I was finna get every TD feature in the book when.

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<v Speaker 2>I got over here.

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<v Speaker 1>Yeah saying this, and then we're gonna have Kingshick doing

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<v Speaker 1>the background vocals. He's gonna stack it. In my head,

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<v Speaker 1>I had it all plan. That's what I like that

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<v Speaker 1>it don't work like that. It don't work like that.

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<v Speaker 1>You get over here and it's like you think you

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<v Speaker 1>ring you all the program. You just got to figure

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<v Speaker 1>out where you fit in the lineage because it's a

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<v Speaker 1>crazy lineage to be a part of. And given me,

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<v Speaker 1>how do I stand out versus like, uh, just guinea

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<v Speaker 1>gimmy guine me from everybody.

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<v Speaker 2>You know what I'm saying.

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<v Speaker 1>It's like, how do I create my own ship to

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<v Speaker 1>where people respect me enough to be like, you know what,

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<v Speaker 1>the little homie tight, let's put them on this.

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<v Speaker 3>That's where like that now consistency came from you where

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<v Speaker 3>you're just like.

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<v Speaker 2>Okay, well now I'm now because I'm being consistent, this

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<v Speaker 2>might come.

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<v Speaker 1>Yeah for sure, because it's like it's a it makes

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<v Speaker 1>sense and it don't look like here. Yeah, you know

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<v Speaker 1>what I'm saying that now we got what's that industry

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<v Speaker 1>plans they're calling people?

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<v Speaker 3>Yeah, that narrative was going around with you me plant

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<v Speaker 3>me right right whatever?

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<v Speaker 1>Whatever plant soil is the plant me and that like

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<v Speaker 1>I don't even about that.

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<v Speaker 2>I hate that ship.

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<v Speaker 3>I hate a plant water.

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<v Speaker 2>I don't I hate that.

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<v Speaker 1>I'll be like, you know, just because you didn't see

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<v Speaker 1>me grow doesn't mean you know what I'm saying, It

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<v Speaker 1>wasn't the work wasn't put in.

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<v Speaker 2>It works like that, but I don't care.

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<v Speaker 1>Like if you call in somebody industry plant, that means

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<v Speaker 1>something working, because some niggas not getting caught.

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<v Speaker 3>Nothing means you on fire, right, It means you're on fire.

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<v Speaker 3>That means everybody noticed.

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<v Speaker 2>It means you're growing.

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<v Speaker 1>It means you're growing. You're growing too fast. Yeah, you

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<v Speaker 1>know what I'm saying, you're growing too fast. So they don't,

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<v Speaker 1>they don't, they don't appreciate it. I don't give a fuck. Frankly,

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<v Speaker 1>I'll be like for show whatever that is, whatever. But

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<v Speaker 1>what I'm saying is like, once you start creating that momentum.

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<v Speaker 1>And I thought I had momentum because I have a

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<v Speaker 1>lot of viral moments, people think like I've just got

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<v Speaker 1>I've been viral.

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<v Speaker 3>For for years and years and years and years viral crazy.

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<v Speaker 1>But now it turns into from virality to momentum where you're.

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<v Speaker 2>Like, oh I can you can.

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<v Speaker 1>It keeps going to where everything I do people tuning in,

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<v Speaker 1>We're like, oh what is this?

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<v Speaker 3>What is this? What is this? So it's kind of

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<v Speaker 3>like that, Yeah, man, Yo, the Good, the Bad, and

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<v Speaker 3>the dollar Menu. Yeah, it's a story. It's a brutal story, man.

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<v Speaker 3>It's honestly real life is sharing the six piece chicken

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<v Speaker 3>nugget with the kids. It's crazy. It's real life. You know,

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<v Speaker 3>dying must be easy because living is hard. That's fucked up. Now.

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<v Speaker 3>That had sleep for dinner. Yeah, that was the most real.

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<v Speaker 2>Shit telling you you ever had?

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<v Speaker 3>That?

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<v Speaker 1>Yeah, I mean I feel like that's That's like human music.

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<v Speaker 1>It's like we got a lot of music that people

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<v Speaker 1>put out and they talk about what they got and

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<v Speaker 1>what they could do. Don't get me wrong, once I

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<v Speaker 1>get up there, I probably have a couple of songs

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<v Speaker 1>like that too. But I've like, to my core audience

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<v Speaker 1>and to my famis that's what they want from me,

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<v Speaker 1>where they want me to talk about the real life

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<v Speaker 1>ship that we're going through on of course, of course,

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<v Speaker 1>and when I was going through that ship, I didn't

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<v Speaker 1>have music that was current to actually go listen to

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<v Speaker 1>where I'm like, oh damn, I feeling this.

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<v Speaker 2>I'm feeling them.

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<v Speaker 1>When I had a conversation about you, I was talking,

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<v Speaker 1>I didn't have music like that. I didn't have music

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<v Speaker 1>to be like, damn, who can I live to? Who

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<v Speaker 1>I'm dealing with this? I gotta go listen to old

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<v Speaker 1>songs that was made previously because the sounds and the

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<v Speaker 1>topics of music was changing directions, just like right when

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<v Speaker 1>the SoundCloud rappers and all that shit everything took off.

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<v Speaker 1>Not no disrepect to them, but it just changed it

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<v Speaker 1>sounds sonically and what people wanted to hear. Everybody, drug addicts,

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<v Speaker 1>everybody did everybody. I'm like, I don't even do Druss,

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<v Speaker 1>how to fun I'm supposed to do with it? How

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<v Speaker 1>do I make a song about that?

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<v Speaker 2>So it just changed into like.

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<v Speaker 1>A tool to help other people navigate where I'm like,

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<v Speaker 1>I'm gonna just talk about what I went through rap

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<v Speaker 1>and other people going to be able to relate because

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<v Speaker 1>I'm sure I'm not the only person going through this.

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<v Speaker 3>So figured out trauma though into a masterpiece.

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<v Speaker 2>Yeah I bottled it up and so did its Coca colas.

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<v Speaker 3>Yeah, now you really did. But walking around with all

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<v Speaker 3>of that and then be able to translate it so

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<v Speaker 3>vividly into music later on in life, that's a lot

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<v Speaker 3>to hold. That's a lot to carry.

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<v Speaker 2>I think. I'm like, like, what is that?

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<v Speaker 1>Well, just let's shit come up fall off me though,

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<v Speaker 1>I'm not like the person who's like, I take it.

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<v Speaker 1>What's I hate that saying? I take it a day

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<v Speaker 1>at a time, because you can't take it a week

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<v Speaker 1>at a time. You can't take it a month.

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<v Speaker 3>I gotta be a dad.

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<v Speaker 2>How else are you supposed to take it?

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<v Speaker 3>Yeah? I take it about five minutes at a time.

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<v Speaker 3>I can crash out at any second. I don't crash

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<v Speaker 3>out at any moment. Bro. I'm barely hanging on my bro.

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<v Speaker 3>But I'm I got my friends here.

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<v Speaker 2>Bro, and we're just waiting for my thirteen threes.

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<v Speaker 3>And to be honest, I don't talk like that.

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<v Speaker 1>Jesus said, Yeah, like my that was dark. But I

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<v Speaker 1>with it no, but like for like, I don't, uh,

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<v Speaker 1>I don't. I don't carry that like I carry it.

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<v Speaker 1>But it's like like package somewhere deep.

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<v Speaker 2>It's very deep.

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<v Speaker 1>You know what I'm saying that y'all probably never get

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<v Speaker 1>to see people. Some people never know that because I

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<v Speaker 1>was walking the room. But it's not because I'm asking anything.

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<v Speaker 1>It's just like I know where to I used to

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<v Speaker 1>say a compartment compartmentalize that word too. Compartmentalize it until

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<v Speaker 1>into until its own into its own thing because I don't.

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<v Speaker 1>I don't really walk around you walk around me. I'm

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<v Speaker 1>like jokes, laughs all the time, and it's not to

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<v Speaker 1>mask anything. It's just like, bro, I know what it

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<v Speaker 1>is when it gets bad, so.

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<v Speaker 2>I don't.

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<v Speaker 1>I don't have a guard up. I just feel like

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<v Speaker 1>it's not you don't. It don't bother me as much

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<v Speaker 1>as like it was normal to me. Then when you

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<v Speaker 1>get out of it's like when you're a kid, when

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<v Speaker 1>you're going through like rough shit, you eating peanut butter.

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<v Speaker 2>Sandwiches and then it turn the syrup sandwiches and then

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<v Speaker 2>you know what I'm saying.

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<v Speaker 1>Noodles, lights off, all that type of shit. Sleeping on

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<v Speaker 1>the floor. To you, that's normal.

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<v Speaker 2>You know what I'm saying.

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<v Speaker 1>That's a normal thing. Until you get older and you'd

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<v Speaker 1>be like help realizing the moment au traumatic it is,

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<v Speaker 1>so you're like, oh, then you unpack it later on.

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<v Speaker 1>But it's like it was normal to me. So I

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<v Speaker 1>ain't complaining about it because I'm here. If I wasn't here,

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<v Speaker 1>then I would have something to complain about. But I'm here,

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<v Speaker 1>and I'll be like, damn, I'm not even worried about

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<v Speaker 1>how much gas costs. And I got cousins who still

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<v Speaker 1>worry about how much gas costs, and they picking, Okay,

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<v Speaker 1>we can't go over here. This's ten cents more than this. Like,

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<v Speaker 1>I don't do that. So when I'm looking, I'm like,

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<v Speaker 1>what am I really ungrateful about?

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<v Speaker 3>No? No, no, you got to put your mindset too. Yo.

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<v Speaker 3>I get to make this album. I get to be

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<v Speaker 3>doing an interviews.

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<v Speaker 2>It's part of the story.

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<v Speaker 1>Yeah, yeah, yeah, yeah, anything that traumatic happened, anybody disrespect me,

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<v Speaker 1>You're going in a fucking song and like, no, no,

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<v Speaker 1>for real, anybody anybody like any type of bad ship

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<v Speaker 1>that happened to me.

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<v Speaker 2>I just put it in music for you. It's part

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<v Speaker 2>of it. It's part of the do it.

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<v Speaker 3>That's the way to do it. That's the way to

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<v Speaker 3>do it. Good for you, man, Flockers. I love the

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<v Speaker 3>way you open the album.

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<v Speaker 1>I love that skit too, where you call an album,

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<v Speaker 1>well not with a song, right, but you call the

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<v Speaker 1>project and album though?

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<v Speaker 2>Was that you called the project and album?

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<v Speaker 3>I did.

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<v Speaker 2>It's a mixtape.

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<v Speaker 3>It's an album.

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<v Speaker 2>It's a mixtape. We don't how this debate? Oh yeah, debate?

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<v Speaker 3>Yeah. The album The way you did that, bro, and

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<v Speaker 3>those skits took me.

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<v Speaker 1>That's like high quality. What do you think my album

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<v Speaker 1>is going to shout?

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<v Speaker 3>Like? This is an album?

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<v Speaker 2>What do you think sound like?

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<v Speaker 3>Bro?

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<v Speaker 2>This is crazy.

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<v Speaker 3>It's an album to me, bro, because it's got these

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<v Speaker 3>skits in it, right, and it's not this truth in it.

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<v Speaker 3>And it kicks off with flockers and it's like, Yo,

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<v Speaker 3>you're thinking about robbing the burger spot and Yo, like

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<v Speaker 3>the way the homie says, dummy, dog, I couldn't get

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<v Speaker 3>that ship, Bro, that's damn down.

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<v Speaker 1>Heel me, yo, he was just like dummy, hey, free

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<v Speaker 1>b Why he's in jail right now?

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<v Speaker 2>He's incarcerated?

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<v Speaker 3>Is he right?

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<v Speaker 2>Huh?

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<v Speaker 3>Is he right? Yeah?

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<v Speaker 2>He did he he uh he he up there he

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<v Speaker 2>up there with toy.

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<v Speaker 1>Huh he up there with Toy and was oh yeah

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<v Speaker 1>but Tory moved, but he did.

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<v Speaker 3>He's safe though, yeah yeah, no, no, he's good though.

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<v Speaker 2>No, no for man blessing him.

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<v Speaker 3>He's coming home soon. Who your boy?

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<v Speaker 2>Oh yeah, he come out time, dog.

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<v Speaker 1>He was saying to is going on, I don't know boy,

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<v Speaker 1>You're not not my boy, my boy. Come out next month, man, Yeah,

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<v Speaker 1>come on next month.

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<v Speaker 3>That's right, that's right. Yeah, sure, no man, And these

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<v Speaker 3>skits that you got throughout the project, right throughout the

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<v Speaker 3>mixtape album, right throughout his masterpiece. Right, it's brutally on

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<v Speaker 3>his piece. No. I love that, right, Like YO, Like

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<v Speaker 3>creating those skits for a project to kind of narrate

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<v Speaker 3>the project is very important.

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<v Speaker 1>I think I feel like it's a mything art piece

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<v Speaker 1>because I think some people O d on it. They

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00:11:08.639 --> 00:11:11.919
<v Speaker 1>like put like two minute skits. Me like, bro, turn

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<v Speaker 1>this off. Can we get to the song already?

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<v Speaker 3>That's not a song, that's a skit, like it don't

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<v Speaker 3>make it two minutes.

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<v Speaker 2>Yeah, it's like, yeah, we don't want to hear that.

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<v Speaker 1>But minds, I feel like the first one is like

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<v Speaker 1>the longest one where you kind of like it just

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<v Speaker 1>sets the tone so you understand like every other piece,

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<v Speaker 1>and then everything else is.

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<v Speaker 2>Like ten fifteen seconds.

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<v Speaker 1>I tried to keep it very short and succinct so

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<v Speaker 1>that you can get to the next song, but you

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<v Speaker 1>still understand where it's navigating, like.

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<v Speaker 2>Good Kid in My City.

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<v Speaker 1>Even then, though they had like some skits on that

302
00:11:36.519 --> 00:11:38.399
<v Speaker 1>that shit, it's not like a movie. But that was

303
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<v Speaker 1>at a time where people were able to digest that

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<v Speaker 1>long of skits. I feel like now people are so

305
00:11:42.720 --> 00:11:44.960
<v Speaker 1>over like they don't want to hear It's like everything

306
00:11:45.039 --> 00:11:47.279
<v Speaker 1>is quick. I don't want to have an album that's

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<v Speaker 1>like six songs because people don't want to sit down

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00:11:49.480 --> 00:11:51.519
<v Speaker 1>and listen to a full body of work. So I'm

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00:11:51.559 --> 00:11:54.360
<v Speaker 1>trying to get my fans conditioned to understand that, like

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<v Speaker 1>a full body of work for me is like ten

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<v Speaker 1>songs up, you know what I'm saying. So it's like

312
00:11:58.559 --> 00:12:01.120
<v Speaker 1>again where we can have three verses on the song

313
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<v Speaker 1>like Jankie Moore Compass, you know what I'm saying, where

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<v Speaker 1>it's like you can there is good music, it's just

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00:12:05.840 --> 00:12:08.440
<v Speaker 1>you don't want to hear three verses of somebody talking

316
00:12:08.440 --> 00:12:12.759
<v Speaker 1>about killing each other, killing us, drugs, fucking bitches, Like

317
00:12:12.759 --> 00:12:14.360
<v Speaker 1>you don't want to hear three verses of that. No more,

318
00:12:14.399 --> 00:12:15.919
<v Speaker 1>people act like they don't want to hear that. So

319
00:12:15.919 --> 00:12:17.919
<v Speaker 1>it's like what about real life? Like you know what

320
00:12:17.919 --> 00:12:20.240
<v Speaker 1>I'm saying. Somebody said there's a trauma dump, but I'm

321
00:12:20.279 --> 00:12:24.720
<v Speaker 1>not even whatever whatever whatever.

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00:12:24.519 --> 00:12:26.159
<v Speaker 3>I mean it is, I mean, you know you're you're

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00:12:26.240 --> 00:12:28.840
<v Speaker 3>dropping off a lot of that trauma, but it's created

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00:12:28.840 --> 00:12:30.480
<v Speaker 3>a story and it's created this victory.

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<v Speaker 1>I feel like if you're watch a movie or somebody

326
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<v Speaker 1>writes a movie and they write a movie where it's

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<v Speaker 1>like precious, is that a trauma dump? No, that's just

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00:12:36.879 --> 00:12:39.840
<v Speaker 1>a good fucking movie where side ship going on with

329
00:12:39.960 --> 00:12:42.080
<v Speaker 1>a story. It's a good story going on. Yeah it is,

330
00:12:42.120 --> 00:12:44.120
<v Speaker 1>but it's to follow the trauma. I'm like, come on, bro,

331
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<v Speaker 1>like it's art. This is this is this is how

332
00:12:46.440 --> 00:12:48.120
<v Speaker 1>we create art. If I make it like this and

333
00:12:48.159 --> 00:12:49.159
<v Speaker 1>I made this in a movie, you'd be.

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<v Speaker 2>Like, that's a good fucking movie. I love that movie.

335
00:12:52.600 --> 00:12:53.279
<v Speaker 3>That's right.

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00:12:54.360 --> 00:12:55.840
<v Speaker 1>Yeah, but they gotta make it. I don't even know

337
00:12:55.840 --> 00:12:57.519
<v Speaker 1>what trauma dumb. But I didn't know what that was.

338
00:12:57.639 --> 00:13:00.759
<v Speaker 1>I didn't know what love. Somebody said, what say love vomit?

339
00:13:00.919 --> 00:13:01.720
<v Speaker 1>I was like, what is that?

340
00:13:01.879 --> 00:13:02.200
<v Speaker 3>A lot?

341
00:13:02.600 --> 00:13:04.039
<v Speaker 2>I was like, when you come to somebody and you

342
00:13:04.080 --> 00:13:05.960
<v Speaker 2>give them gifts and you chat them, I'm like.

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<v Speaker 1>Like, I thought that was just being a good ma

344
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<v Speaker 1>Oh my god, that's men like.

345
00:13:13.440 --> 00:13:16.039
<v Speaker 2>This really strong. And then you're like, but what if

346
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<v Speaker 2>short he changed?

347
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<v Speaker 3>Do you listen? That's your guess? Yeah.

348
00:13:20.120 --> 00:13:22.519
<v Speaker 2>Yeah, I'm trying to go to Amsterdam.

349
00:13:23.159 --> 00:13:26.000
<v Speaker 1>Amsterdamn Bro, I'm trying to go to Amsterdam and I'm

350
00:13:26.000 --> 00:13:30.240
<v Speaker 1>over here. I'm important now if you listen, Now, what

351
00:13:30.320 --> 00:13:32.519
<v Speaker 1>if I fucked with you for for a minute and

352
00:13:32.600 --> 00:13:35.000
<v Speaker 1>then you start doing it down like you start talking crazy,

353
00:13:35.279 --> 00:13:36.879
<v Speaker 1>your little attitude because females do that.

354
00:13:36.960 --> 00:13:39.279
<v Speaker 2>You hide your little attitude, and then.

355
00:13:39.120 --> 00:13:41.440
<v Speaker 1>You start liking a person, and then the attitude start

356
00:13:41.440 --> 00:13:41.960
<v Speaker 1>coming out more.

357
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<v Speaker 2>And I was like, I'm not buying you that.

358
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<v Speaker 3>Because there's no consistency with it.

359
00:13:45.519 --> 00:13:50.559
<v Speaker 2>It's just is like and then done, it didn't do

360
00:13:50.759 --> 00:13:55.000
<v Speaker 2>it didn't happen because it was love moming. It happened.

361
00:13:55.000 --> 00:13:57.200
<v Speaker 1>Maybe it could have been something you've done, you just

362
00:13:57.240 --> 00:14:00.399
<v Speaker 1>didn't recognize it. I'm usually the person that does and talking.

363
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<v Speaker 2>I'm gonna do this.

364
00:14:00.960 --> 00:14:02.799
<v Speaker 1>I'm gonna be like this, and if I love bomb somebody,

365
00:14:02.840 --> 00:14:05.200
<v Speaker 1>I'm gonna be like it's because it's like, okay. The

366
00:14:05.240 --> 00:14:08.360
<v Speaker 1>way she responds is nasty. The way she gets when

367
00:14:08.360 --> 00:14:10.080
<v Speaker 1>she's upset about something that has nothing to do with

368
00:14:10.080 --> 00:14:12.120
<v Speaker 1>me is nasty. So I'm gonna be all right for show.

369
00:14:12.519 --> 00:14:15.000
<v Speaker 1>I don't even want too much. I'm a cutting voice off.

370
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<v Speaker 1>I don't want to talk about it no more.

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<v Speaker 2>You got it?

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<v Speaker 1>And then I'm I'm gonna just slow ease up. I'm

373
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<v Speaker 1>really trying to ghost you, but I'm just not gonna

374
00:14:23.080 --> 00:14:24.559
<v Speaker 1>just you know what I'm saying.

375
00:14:24.720 --> 00:14:28.600
<v Speaker 2>I'm trying to like ghost you like and like.

376
00:14:30.759 --> 00:14:33.519
<v Speaker 3>Get increments.

377
00:14:33.639 --> 00:14:35.879
<v Speaker 1>Is like because I might still want to pull out

378
00:14:36.039 --> 00:14:38.200
<v Speaker 1>micro you know what I'm saying.

379
00:14:38.240 --> 00:14:38.919
<v Speaker 2>Now, Now we just.

380
00:14:41.519 --> 00:14:47.000
<v Speaker 1>Boom micro he Hey Patty, yeah, just said you and

381
00:14:47.039 --> 00:14:49.440
<v Speaker 1>see her own that Michael microhost.

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00:14:49.600 --> 00:14:50.200
<v Speaker 2>Let's get it.

383
00:14:51.120 --> 00:14:53.519
<v Speaker 3>Hey, triple x T as well crazy. I love that

384
00:14:53.559 --> 00:14:55.559
<v Speaker 3>song when they sell T yeah, it's always the little

385
00:14:55.559 --> 00:14:56.840
<v Speaker 3>homies with the big ass shirts.

386
00:14:56.840 --> 00:14:58.240
<v Speaker 1>Back in the I for sure had a big ass

387
00:14:58.240 --> 00:15:02.720
<v Speaker 1>T shirt and the Nico Yeah make sir wow with

388
00:15:02.840 --> 00:15:05.679
<v Speaker 1>a bro soldier boy, Soldier boy, sir, No, I didn't have.

389
00:15:05.799 --> 00:15:09.320
<v Speaker 1>I didn't didn't even have. I had the Snowman like

390
00:15:09.360 --> 00:15:11.360
<v Speaker 1>the little you know it has sponge Vibe with a

391
00:15:11.440 --> 00:15:11.919
<v Speaker 1>gun on it.

392
00:15:12.039 --> 00:15:15.399
<v Speaker 3>Yeah yeah Wanner.

393
00:15:15.480 --> 00:15:17.519
<v Speaker 1>Rather than see at least like it was them type

394
00:15:17.519 --> 00:15:19.720
<v Speaker 1>of ours, I was on that feel me So that

395
00:15:19.799 --> 00:15:22.759
<v Speaker 1>was kind of like me joints. Yeah that was me,

396
00:15:23.360 --> 00:15:24.919
<v Speaker 1>but I was so I mean, I was still my

397
00:15:24.960 --> 00:15:27.440
<v Speaker 1>mama foodstep cart and take the cachede off and then

398
00:15:27.480 --> 00:15:28.519
<v Speaker 1>go buy from crushing sheet.

399
00:15:28.639 --> 00:15:34.679
<v Speaker 2>Oh okay, so my mom was. My mam was. She

400
00:15:34.799 --> 00:15:38.240
<v Speaker 2>was many things. So she's the drug that she worked

401
00:15:38.240 --> 00:15:39.799
<v Speaker 2>at the oil with Friery.

402
00:15:40.159 --> 00:15:41.799
<v Speaker 3>And an artists at some point as well.

403
00:15:41.879 --> 00:15:43.759
<v Speaker 2>Mama used to rap. Yeah, she was a rapper, she

404
00:15:43.919 --> 00:15:44.200
<v Speaker 2>just was.

405
00:15:45.519 --> 00:15:53.000
<v Speaker 1>But her music, child, child, your music is her music.

406
00:15:53.039 --> 00:15:54.159
<v Speaker 2>Well, she used to play everybody.

407
00:15:54.320 --> 00:15:57.440
<v Speaker 3>We used to like, stop.

408
00:16:00.120 --> 00:16:01.720
<v Speaker 2>You didn't even I love my mama.

409
00:16:02.200 --> 00:16:07.879
<v Speaker 3>We gotta be honest, I love Mama, but they don't

410
00:16:07.960 --> 00:16:08.399
<v Speaker 3>that on me.

411
00:16:08.600 --> 00:16:10.440
<v Speaker 2>Your fucking music, don't sun.

412
00:16:11.759 --> 00:16:12.559
<v Speaker 3>That ship suck.

413
00:16:12.759 --> 00:16:14.320
<v Speaker 1>Like if I was like back in there and I

414
00:16:14.399 --> 00:16:17.200
<v Speaker 1>was hanging on, I would have like I would have else,

415
00:16:17.279 --> 00:16:18.080
<v Speaker 1>I would have turned it off.

416
00:16:18.080 --> 00:16:19.320
<v Speaker 2>So what does she thinking of your music?

417
00:16:19.360 --> 00:16:19.480
<v Speaker 3>Now?

418
00:16:19.519 --> 00:16:22.039
<v Speaker 2>My mom liked my music. She like fuck with my music.

419
00:16:22.559 --> 00:16:25.080
<v Speaker 2>So my mom had like a good rap voice. It's

420
00:16:25.159 --> 00:16:28.720
<v Speaker 2>just it's just the she was just too gangster for me.

421
00:16:30.720 --> 00:16:31.919
<v Speaker 3>My mom she was on that ship.

422
00:16:32.000 --> 00:16:35.120
<v Speaker 2>My mama music was gagster, like robbing niggas and killing niggas.

423
00:16:35.120 --> 00:16:39.679
<v Speaker 1>I'm like, it's my mom, No, it's my mom, mom,

424
00:16:40.519 --> 00:16:43.120
<v Speaker 1>my mom. Bro, I don't want no talking about she

425
00:16:43.279 --> 00:16:46.279
<v Speaker 1>running up on niggas. I'm like, man, you just cook chicken.

426
00:16:47.600 --> 00:16:49.799
<v Speaker 2>He was not doing all that. He just was cooking

427
00:16:51.080 --> 00:16:53.320
<v Speaker 2>when you have the time to be this fucking villain,

428
00:16:53.519 --> 00:16:56.000
<v Speaker 2>to make yourself how to be you know what I mean.

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00:16:56.200 --> 00:16:58.600
<v Speaker 4>Just signed my permissions, right, you just signed me shooting

430
00:16:58.600 --> 00:17:01.639
<v Speaker 4>nobody but my mom ma, my own got it was

431
00:17:01.639 --> 00:17:04.119
<v Speaker 4>a rapper too, right. All my uncles was rappers, all

432
00:17:04.160 --> 00:17:06.400
<v Speaker 4>of them. That's that's kind of like pushed me to rap.

433
00:17:06.839 --> 00:17:08.519
<v Speaker 4>They all used to wrap. They had like this group

434
00:17:08.559 --> 00:17:11.039
<v Speaker 4>called Bitter Child. Okay, so it was happening.

435
00:17:11.079 --> 00:17:11.519
<v Speaker 3>It was happening.

436
00:17:11.519 --> 00:17:12.079
<v Speaker 2>It was yeah.

437
00:17:12.079 --> 00:17:14.160
<v Speaker 1>When I was like nine, your way, it was yeah,

438
00:17:14.160 --> 00:17:15.519
<v Speaker 1>it was it was bound to hit me and I

439
00:17:15.559 --> 00:17:17.400
<v Speaker 1>would rap, and all my other brothers would rap, and

440
00:17:17.400 --> 00:17:18.880
<v Speaker 1>all my cousins and ship and all the little homies

441
00:17:18.880 --> 00:17:19.720
<v Speaker 1>around the neighborhood.

442
00:17:19.839 --> 00:17:21.680
<v Speaker 2>But when I rapped, everybody be like wait, go again.

443
00:17:22.000 --> 00:17:23.839
<v Speaker 1>So like one of those things where it's like you

444
00:17:23.960 --> 00:17:25.319
<v Speaker 1>kind of like it's like when you dance as a

445
00:17:25.359 --> 00:17:26.839
<v Speaker 1>kid and they like make you dance and do the

446
00:17:26.839 --> 00:17:28.519
<v Speaker 1>same dance you kind of you kind of think you

447
00:17:28.519 --> 00:17:30.279
<v Speaker 1>could dance, and you know what I'm saying. I was

448
00:17:30.279 --> 00:17:31.960
<v Speaker 1>like all right for show, and I just never let

449
00:17:32.000 --> 00:17:34.480
<v Speaker 1>go of that. Then when I became like thirteen twelve,

450
00:17:34.559 --> 00:17:37.759
<v Speaker 1>I was like fuck it I'm gonna just rap because

451
00:17:37.759 --> 00:17:39.279
<v Speaker 1>everybody's saying I could rap. So I was like, I'm

452
00:17:39.279 --> 00:17:41.599
<v Speaker 1>a rapping okay, and I never wanted to here, but

453
00:17:41.720 --> 00:17:42.799
<v Speaker 1>my uncle's music was fire.

454
00:17:43.799 --> 00:17:45.319
<v Speaker 2>Yeah, I'll be stilling. I'll be stilling some of their

455
00:17:45.319 --> 00:17:46.000
<v Speaker 2>like quotes and shit.

456
00:17:46.119 --> 00:17:46.279
<v Speaker 3>OK.

457
00:17:46.519 --> 00:17:48.359
<v Speaker 2>Like good, it's like a hell of years ago, so

458
00:17:48.400 --> 00:17:49.160
<v Speaker 2>I can you know what I'm saying?

459
00:17:49.319 --> 00:17:50.480
<v Speaker 3>All yours, They're all yours?

460
00:17:51.200 --> 00:17:56.400
<v Speaker 1>Tesus who no pub, no pub, no pub, no pub,

461
00:17:56.680 --> 00:17:59.160
<v Speaker 1>pub no pub, no pub. I throw a little line

462
00:17:59.200 --> 00:18:01.440
<v Speaker 1>or two in there the niggas, Hey.

463
00:18:01.720 --> 00:18:02.680
<v Speaker 2>I didn't use your.

464
00:18:05.440 --> 00:18:09.720
<v Speaker 1>Yeah, happy for you. You know I'm about to get

465
00:18:09.759 --> 00:18:13.119
<v Speaker 1>thirty thousand off the song you Can't get Ship.

466
00:18:13.559 --> 00:18:15.799
<v Speaker 3>Garcia and I were outside a few weeks ago. Bro

467
00:18:15.880 --> 00:18:18.039
<v Speaker 3>and Top walked in and looked at us and was like, yo,

468
00:18:18.119 --> 00:18:19.839
<v Speaker 3>Ravon been out, Bro, and I haven't heard him on

469
00:18:19.920 --> 00:18:20.880
<v Speaker 3>your radio stations.

470
00:18:22.279 --> 00:18:24.839
<v Speaker 2>Mind pressing the issue on side mine pressing.

471
00:18:24.920 --> 00:18:26.279
<v Speaker 3>We was like all right, cool. I was like, Yo,

472
00:18:26.359 --> 00:18:28.640
<v Speaker 3>let's change that, not knowing how we're gonna do that, right,

473
00:18:28.640 --> 00:18:31.160
<v Speaker 3>because this is radio, right heart radio, there's channels, right

474
00:18:31.279 --> 00:18:32.960
<v Speaker 3>of course. She was like, yo, you better talk to Doc.

475
00:18:33.039 --> 00:18:35.599
<v Speaker 3>You know what I mean? Doc winter a program director,

476
00:18:35.599 --> 00:18:36.039
<v Speaker 3>you feel me?

477
00:18:36.039 --> 00:18:38.559
<v Speaker 2>But he said that to the top. Yeah, oh oh,

478
00:18:40.240 --> 00:18:41.200
<v Speaker 2>He's like he's still here.

479
00:18:42.359 --> 00:18:43.240
<v Speaker 3>We don't call the player.

480
00:18:43.359 --> 00:18:44.759
<v Speaker 2>So you just was like you said it like that,

481
00:18:44.839 --> 00:18:45.480
<v Speaker 2>like you better.

482
00:18:45.319 --> 00:18:49.359
<v Speaker 3>Go no like that. No, no, no, it wasn't that tone.

483
00:18:49.559 --> 00:18:51.559
<v Speaker 3>It wasn't that tone. It was like, Yo, you should

484
00:18:51.559 --> 00:18:55.480
<v Speaker 3>call called Doc Winter. You know, he's a really good guy.

485
00:18:55.759 --> 00:18:56.960
<v Speaker 3>You know, I'm sure he'll help you.

486
00:18:56.920 --> 00:19:03.039
<v Speaker 1>Out right after I and here we are, No, we're

487
00:19:03.079 --> 00:19:03.720
<v Speaker 1>right here right.

488
00:19:03.920 --> 00:19:05.799
<v Speaker 3>Yeah. But also that was happening like during all the

489
00:19:05.880 --> 00:19:07.440
<v Speaker 3>Joey shit, you know what I mean. So we're just

490
00:19:07.519 --> 00:19:10.039
<v Speaker 3>kind of being very careful. Yeah with everything.

491
00:19:10.400 --> 00:19:10.759
<v Speaker 2>It's good.

492
00:19:10.759 --> 00:19:14.880
<v Speaker 3>I'm you know, it seems like that Joey shit is done. Yeah.

493
00:19:14.920 --> 00:19:17.039
<v Speaker 3>I don't know, it's over. It's over for me. I

494
00:19:17.519 --> 00:19:19.599
<v Speaker 3>paid attention for a little bit. But I'm like, nah,

495
00:19:19.759 --> 00:19:23.480
<v Speaker 3>why because you know, dude can obviously wrap. We've interviewed

496
00:19:23.519 --> 00:19:25.359
<v Speaker 3>him before, right, It seemed like a good guy. We

497
00:19:25.359 --> 00:19:27.559
<v Speaker 3>don't know him personally, right, and I'm sure we'll interview

498
00:19:27.599 --> 00:19:30.359
<v Speaker 3>him again. Maybe not. I don't know, but I don't know.

499
00:19:30.400 --> 00:19:33.079
<v Speaker 3>There was all there was just the TD motion was

500
00:19:33.200 --> 00:19:36.640
<v Speaker 3>just was was moving too fast and for me to

501
00:19:36.680 --> 00:19:39.160
<v Speaker 3>even stop and pay more attention to that.

502
00:19:39.720 --> 00:19:41.000
<v Speaker 2>I unpacked that. What do you mean by that?

503
00:19:41.240 --> 00:19:42.000
<v Speaker 3>Well? Do we have time?

504
00:19:42.599 --> 00:19:42.839
<v Speaker 2>Yeah?

505
00:19:42.960 --> 00:19:45.759
<v Speaker 3>Okay, the concert was going on. GNX was in town,

506
00:19:46.000 --> 00:19:48.400
<v Speaker 3>right obviously, you know we had the fires too. When

507
00:19:48.480 --> 00:19:52.680
<v Speaker 3>when all that was happening? Yeah, sure, But you.

508
00:19:52.640 --> 00:19:54.160
<v Speaker 1>Know, I think that's when we kicked it off. That's

509
00:19:54.160 --> 00:19:55.640
<v Speaker 1>when I kicked off. Yeah, That's when I was like.

510
00:19:55.799 --> 00:19:57.839
<v Speaker 3>Paying attention then, right, But I don't know. I think

511
00:19:57.880 --> 00:19:59.279
<v Speaker 3>at a certain point it's like, all right, what else

512
00:19:59.279 --> 00:20:01.200
<v Speaker 3>do we got to say? Like, we can only mention

513
00:20:01.359 --> 00:20:04.599
<v Speaker 3>top and and and and dot so much. Let's move on.

514
00:20:05.160 --> 00:20:08.079
<v Speaker 3>We got a project out. I call it an album.

515
00:20:09.119 --> 00:20:11.519
<v Speaker 3>It's got it's got some crazy ship on it. Let's

516
00:20:11.519 --> 00:20:15.759
<v Speaker 3>pay attention to that. Yeah, so that's where I was. Yeah,

517
00:20:15.799 --> 00:20:18.160
<v Speaker 3>I decided to pay attention to the music. That was

518
00:20:18.200 --> 00:20:21.000
<v Speaker 3>a music though, so and listen, we got bars out

519
00:20:21.039 --> 00:20:24.200
<v Speaker 3>of it. You know, how do you assess it? How

520
00:20:24.200 --> 00:20:25.640
<v Speaker 3>do I assess the situation?

521
00:20:26.400 --> 00:20:27.720
<v Speaker 2>I fuck with it. I feel like it was I know,

522
00:20:27.799 --> 00:20:28.440
<v Speaker 2>you fucked with it.

523
00:20:28.519 --> 00:20:29.720
<v Speaker 3>Yeah you had a good time.

524
00:20:29.799 --> 00:20:32.480
<v Speaker 1>Yeah, I'm bound wick you know, so I feel like

525
00:20:32.480 --> 00:20:34.279
<v Speaker 1>I was like it was fun, it was good for

526
00:20:34.359 --> 00:20:34.759
<v Speaker 1>hip hop.

527
00:20:35.079 --> 00:20:37.240
<v Speaker 3>Yeah, it really was, But I think it's I think

528
00:20:37.279 --> 00:20:38.839
<v Speaker 3>that's it. I think we had a good run. And

529
00:20:39.000 --> 00:20:39.799
<v Speaker 3>what's what's left?

530
00:20:39.839 --> 00:20:41.480
<v Speaker 2>What now for who?

531
00:20:41.920 --> 00:20:44.400
<v Speaker 1>For anyone, for any one of us in that situation

532
00:20:44.519 --> 00:20:46.920
<v Speaker 1>far as fans, like what now? Oh no, we just

533
00:20:47.079 --> 00:20:50.000
<v Speaker 1>we just keep rapping, just keep wrapping, keep it moving, rappers,

534
00:20:50.039 --> 00:20:52.000
<v Speaker 1>we both. It's like it's this good for the coachure.

535
00:20:52.039 --> 00:20:53.519
<v Speaker 3>Yeah, it almost felt like a rap Olympics.

536
00:20:53.599 --> 00:20:55.400
<v Speaker 1>Yeah you feel me, Yeah, because you had like two

537
00:20:55.480 --> 00:20:56.519
<v Speaker 1>hundred other people jumping in.

538
00:20:56.880 --> 00:20:59.200
<v Speaker 3>Yeah, it was that too. Yeah, you know, I.

539
00:20:59.240 --> 00:21:01.759
<v Speaker 1>Feel like but I for all, it made everybody focus

540
00:21:01.799 --> 00:21:04.400
<v Speaker 1>on rap. I feel like that's one time this year

541
00:21:04.599 --> 00:21:06.599
<v Speaker 1>like where everybody focused on rap.

542
00:21:06.759 --> 00:21:09.039
<v Speaker 2>It wasn't about like who's clouded up?

543
00:21:09.519 --> 00:21:11.519
<v Speaker 1>Because you see people who not even who don't even

544
00:21:11.599 --> 00:21:14.880
<v Speaker 1>have clout, who didn't even have numbers or no type

545
00:21:14.880 --> 00:21:16.880
<v Speaker 1>of label behind them. They just rapping, just jumping down

546
00:21:16.880 --> 00:21:20.720
<v Speaker 1>the wheel words and everybody getting reacted to by people

547
00:21:20.759 --> 00:21:22.680
<v Speaker 1>with millions of subscribers. You get what I'm saying, to

548
00:21:22.680 --> 00:21:26.200
<v Speaker 1>give them those looks, And I feel like that's what

549
00:21:26.319 --> 00:21:29.039
<v Speaker 1>hip hop was built on, Like rap battling, you know

550
00:21:29.119 --> 00:21:32.519
<v Speaker 1>what I'm saying, So formula. Yeah, so it's like four yeah,

551
00:21:32.599 --> 00:21:35.319
<v Speaker 1>it works. So it's like people love as much as

552
00:21:35.359 --> 00:21:40.880
<v Speaker 1>we like we push for positivity, we love drama and

553
00:21:40.920 --> 00:21:43.920
<v Speaker 1>it's just real. Like you somebody's flight night, It's no,

554
00:21:43.960 --> 00:21:44.440
<v Speaker 1>it's just real.

555
00:21:44.559 --> 00:21:44.839
<v Speaker 2>Somebody.

556
00:21:44.880 --> 00:21:46.880
<v Speaker 1>If you got a comment full of like, oh my god,

557
00:21:47.240 --> 00:21:49.920
<v Speaker 1>that show is fired, then somebody comment that shit, fuck

558
00:21:49.960 --> 00:21:53.240
<v Speaker 1>it sucked, you're gonna respond. You're gonna feel more prone

559
00:21:53.319 --> 00:21:55.200
<v Speaker 1>to respond to that person who said that sucked because

560
00:21:55.200 --> 00:21:56.440
<v Speaker 1>you're like, who is you talking to?

561
00:21:57.400 --> 00:21:57.559
<v Speaker 3>There?

562
00:21:58.359 --> 00:22:01.039
<v Speaker 1>I go there, type down the time out of your

563
00:22:01.079 --> 00:22:02.079
<v Speaker 1>shd like you're gonna.

564
00:22:01.839 --> 00:22:04.440
<v Speaker 2>Turn it like fabricated drama, like that.

565
00:22:05.960 --> 00:22:09.400
<v Speaker 1>Fabricated is crazy because it was fabricated. It's fabricate. Fabricated.

566
00:22:09.680 --> 00:22:11.319
<v Speaker 1>Fabricated drama is movies.

567
00:22:12.039 --> 00:22:12.599
<v Speaker 3>Hm hmmm.

568
00:22:13.519 --> 00:22:15.680
<v Speaker 1>I feel like all drama gonna get attention because it's

569
00:22:15.720 --> 00:22:18.440
<v Speaker 1>like we just as humans, what's going on over there?

570
00:22:19.119 --> 00:22:22.359
<v Speaker 1>Don't let you be a nosey nancy. You're gonna be

571
00:22:22.400 --> 00:22:24.319
<v Speaker 1>paying attention to every fucking thing moving. So I feel

572
00:22:24.319 --> 00:22:28.279
<v Speaker 1>like for hip hop, though, everything everything centered around you

573
00:22:28.359 --> 00:22:30.799
<v Speaker 1>see like Shade Room posting it. You see people who

574
00:22:31.000 --> 00:22:33.359
<v Speaker 1>who most of their ship is about drama, this, this, this,

575
00:22:33.400 --> 00:22:35.839
<v Speaker 1>and it doesn't have anything to do with rap now,

576
00:22:36.039 --> 00:22:37.359
<v Speaker 1>but it was built off rap.

577
00:22:38.480 --> 00:22:38.960
<v Speaker 2>It doesn't.

578
00:22:39.000 --> 00:22:43.599
<v Speaker 1>We don't get those type of looks from those channels

579
00:22:43.680 --> 00:22:47.279
<v Speaker 1>or platforms. You don't get those looks for everybody. But

580
00:22:47.400 --> 00:22:49.799
<v Speaker 1>at that very moment, I feel like everybody was like

581
00:22:49.920 --> 00:22:53.759
<v Speaker 1>tuned in to hip hop, like, oh, these niggas is rapping,

582
00:22:53.839 --> 00:22:54.440
<v Speaker 1>what's going on?

583
00:22:55.640 --> 00:22:57.480
<v Speaker 2>And we did We didn't. We didn't need it. It's

584
00:22:57.480 --> 00:22:59.960
<v Speaker 2>not because it's very disposable at time, and it's not

585
00:23:00.240 --> 00:23:03.640
<v Speaker 2>it's not as big as like Drake and Kendrick.

586
00:23:03.440 --> 00:23:06.400
<v Speaker 1>Where tears like nah, you know what I'm saying, the

587
00:23:06.480 --> 00:23:07.960
<v Speaker 1>tears that it's like its own.

588
00:23:08.319 --> 00:23:12.880
<v Speaker 2>It's like, no, this is like, this is just fun hip.

589
00:23:12.720 --> 00:23:14.279
<v Speaker 3>Hop, you know what. I was grateful for it too,

590
00:23:14.319 --> 00:23:17.799
<v Speaker 3>because pop music is on such a run. So when

591
00:23:17.880 --> 00:23:20.759
<v Speaker 3>there's when there's a rap battle going on or some

592
00:23:20.839 --> 00:23:23.519
<v Speaker 3>tension or some fun going on, right some some like

593
00:23:23.759 --> 00:23:25.720
<v Speaker 3>you know, a friendly fade if you have you right, like,

594
00:23:26.039 --> 00:23:28.359
<v Speaker 3>it brings the attention back to hip hop. Yeah, and

595
00:23:28.400 --> 00:23:28.960
<v Speaker 3>I like that.

596
00:23:29.119 --> 00:23:31.599
<v Speaker 2>I do too. That's what That's what the whole moment

597
00:23:31.640 --> 00:23:32.599
<v Speaker 2>for me in pop.

598
00:23:32.400 --> 00:23:34.960
<v Speaker 3>Music is having a moment dog and I need it

599
00:23:35.000 --> 00:23:35.960
<v Speaker 3>back or what it was.

600
00:23:36.079 --> 00:23:37.559
<v Speaker 1>I feel like we ain't gonna get it back until

601
00:23:37.559 --> 00:23:41.240
<v Speaker 1>people start rapping. Okay, Like we don't got music. That's

602
00:23:41.279 --> 00:23:43.039
<v Speaker 1>like moo the love of startists. You heard that you

603
00:23:43.079 --> 00:23:44.039
<v Speaker 1>can hold on to their music.

604
00:23:45.720 --> 00:23:46.039
<v Speaker 2>I can't.

605
00:23:46.039 --> 00:23:48.599
<v Speaker 1>It's like and my project you just said you can

606
00:23:48.680 --> 00:23:50.400
<v Speaker 1>you take you can take a lot home. What you

607
00:23:50.440 --> 00:23:52.119
<v Speaker 1>have to listen to that where you're like, damn, I

608
00:23:52.160 --> 00:23:53.759
<v Speaker 1>went through this. I could play this. I can still

609
00:23:53.759 --> 00:23:55.160
<v Speaker 1>play this because I relate to it so much.

610
00:23:55.160 --> 00:23:57.319
<v Speaker 3>And it also, yeah, relate, that's the word. It also

611
00:23:57.359 --> 00:23:59.960
<v Speaker 3>reminds you of what you went through, right and all right,

612
00:24:00.039 --> 00:24:02.000
<v Speaker 3>some of it wasn't that bad. Maybe I thought it was.

613
00:24:03.200 --> 00:24:04.279
<v Speaker 3>And you relate to that ship.

614
00:24:04.160 --> 00:24:04.599
<v Speaker 2>Have my chirp.

615
00:24:04.640 --> 00:24:08.519
<v Speaker 3>Hold on, what you're doing is that your phone? Where

616
00:24:08.519 --> 00:24:13.440
<v Speaker 3>are your phone? At? Man? Fell on the floor, my man,

617
00:24:13.480 --> 00:24:20.759
<v Speaker 3>you saw fall on the floor, just giving them laughing.

618
00:24:20.759 --> 00:24:22.240
<v Speaker 3>Earlier you just giving them.

619
00:24:22.680 --> 00:24:23.920
<v Speaker 1>He was just trying to give me to step out

620
00:24:23.920 --> 00:24:25.160
<v Speaker 1>of the chair so I could be the same height

621
00:24:28.839 --> 00:24:31.599
<v Speaker 1>sevent salar.

622
00:24:34.759 --> 00:24:40.160
<v Speaker 3>Fuck it though, yo, Let's try something. What are we

623
00:24:40.160 --> 00:24:45.279
<v Speaker 3>calling this, Christia? FaceTime roulette? All right, open up your phone,

624
00:24:45.440 --> 00:24:48.559
<v Speaker 3>go through your contact scroll up once and then FaceTime

625
00:24:48.599 --> 00:24:52.759
<v Speaker 3>the first person put your finger on scroll up and

626
00:24:52.759 --> 00:24:55.279
<v Speaker 3>then stop it. Don't try to fix it.

627
00:24:55.359 --> 00:24:58.319
<v Speaker 2>Let's go and who I'm picking on you?

628
00:24:58.799 --> 00:25:01.799
<v Speaker 1>Just scroll and stop it, like and just look at

629
00:25:01.799 --> 00:25:02.920
<v Speaker 1>me and then just point.

630
00:25:02.680 --> 00:25:03.720
<v Speaker 2>Out out a name.

631
00:25:05.279 --> 00:25:09.720
<v Speaker 3>All right, FaceTime roulette, FaceTime for us to answer, well,

632
00:25:10.039 --> 00:25:11.920
<v Speaker 3>we'll see who is it.

633
00:25:13.039 --> 00:25:13.720
<v Speaker 2>That's my sister.

634
00:25:16.680 --> 00:25:24.240
<v Speaker 3>Is your sister? Yep? Family don't ever answer. Never, women

635
00:25:24.319 --> 00:25:29.519
<v Speaker 3>don't answer. H. She'd be on D and D though, Hey,

636
00:25:29.519 --> 00:25:30.039
<v Speaker 3>no excuses.

637
00:25:30.039 --> 00:25:32.319
<v Speaker 1>Bro, Let's see if she has streets of voicemail though

638
00:25:32.519 --> 00:25:34.000
<v Speaker 1>it wouldn't even nah she.

639
00:25:34.000 --> 00:25:34.480
<v Speaker 3>Be D D.

640
00:25:34.519 --> 00:25:43.880
<v Speaker 1>You'd be going, oh, she loves you.

641
00:25:44.279 --> 00:25:48.160
<v Speaker 2>Hey, somebody love you. Stop playing with me. Somebody love

642
00:25:48.920 --> 00:25:50.440
<v Speaker 2>Stop playing with me. It's my sister.

643
00:25:50.519 --> 00:25:53.319
<v Speaker 1>Next time, I'm at the radio station doing this interview

644
00:25:53.400 --> 00:25:57.480
<v Speaker 1>and we're playing FaceTime roulette. Basically I had to pay somebody,

645
00:25:57.519 --> 00:26:01.000
<v Speaker 1>call somebody and see if they answered the phone. I said,

646
00:26:01.119 --> 00:26:04.519
<v Speaker 1>I I just picked on you accidentally, and I was like,

647
00:26:04.559 --> 00:26:06.720
<v Speaker 1>he gonna pick out the fucking phone, nigga.

648
00:26:09.200 --> 00:26:17.039
<v Speaker 3>Actually that's right, God bless you.

649
00:26:17.359 --> 00:26:21.359
<v Speaker 1>Hey, I'm gonna call you after we getting Starbucks.

650
00:26:20.920 --> 00:26:26.359
<v Speaker 5>All right, that's right, getting the cake pop cake cookies

651
00:26:26.359 --> 00:26:32.960
<v Speaker 5>and creams is crazy.

652
00:26:33.279 --> 00:26:34.920
<v Speaker 3>They got a good coffee cake too. I'm not mad

653
00:26:34.920 --> 00:26:38.440
<v Speaker 3>at it, but the croissanser trash though the lemmon case,

654
00:26:39.000 --> 00:26:43.039
<v Speaker 3>the lemon cake never had it. Coffee cake is good. Yeah,

655
00:26:43.599 --> 00:26:44.440
<v Speaker 3>she's Danish, is good.

656
00:26:44.480 --> 00:26:47.000
<v Speaker 1>One got a Danning type of god. No, stop it, No,

657
00:26:48.519 --> 00:26:53.359
<v Speaker 1>I feel like sassy. Yeah, Hey, that's like too much.

658
00:26:53.440 --> 00:26:55.640
<v Speaker 1>Ain't like that like a nigga going to be like

659
00:26:56.400 --> 00:26:58.480
<v Speaker 1>imagine you go to start us and give me a

660
00:26:58.559 --> 00:26:59.000
<v Speaker 1>cheese dating?

661
00:26:59.559 --> 00:27:03.440
<v Speaker 3>What I order? You don't order that? Word of god.

662
00:27:03.480 --> 00:27:04.079
<v Speaker 3>You're a liar.

663
00:27:04.119 --> 00:27:06.480
<v Speaker 1>You just said they have good coffee, k have good coffee.

664
00:27:06.599 --> 00:27:08.839
<v Speaker 1>But I'm like, babe, give you sound you sound real? Guys,

665
00:27:09.079 --> 00:27:10.079
<v Speaker 1>go give me a coffee cake.

666
00:27:10.200 --> 00:27:15.759
<v Speaker 3>No, I need to cheese. Danish cheese dating if they

667
00:27:15.759 --> 00:27:16.200
<v Speaker 3>have one.

668
00:27:16.119 --> 00:27:18.160
<v Speaker 2>Of course, isn't even worse.

669
00:27:20.200 --> 00:27:23.559
<v Speaker 3>To be warmed up, warm warming.

670
00:27:25.079 --> 00:27:26.559
<v Speaker 2>See he's too boozy.

671
00:27:26.599 --> 00:27:30.079
<v Speaker 3>Youn't got boozy? After all that, After all that is

672
00:27:30.160 --> 00:27:33.480
<v Speaker 3>greaty You're good the bast the men you yo. Ray Vaughn,

673
00:27:33.559 --> 00:27:36.200
<v Speaker 3>appreciate your time and energy. Dog music, No prouble on

674
00:27:36.279 --> 00:27:37.279
<v Speaker 3>dog all day.

675
00:27:37.960 --> 00:27:39.599
<v Speaker 1>Hey check get rich from the Cruise Show. Thanks for

676
00:27:39.640 --> 00:27:42.319
<v Speaker 1>listening to the Cruise Show podcast. Make sure to subscribe

677
00:27:42.319 --> 00:27:44.279
<v Speaker 1>and hey auto download so you don't miss an episode

678
00:27:44.279 --> 00:27:45.119
<v Speaker 1>of SO
