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<v Speaker 1>This is going to be a little bit of a

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<v Speaker 1>different podcast. I haven't put one up in about six

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<v Speaker 1>or eight days, I think, but I've been busy on

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<v Speaker 1>the Steve Lily number twenty that I uploaded last Wednesday

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<v Speaker 1>or Thursday, I think. And I'm gonna talk about Steve

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<v Speaker 1>Lily further on in the podcast, and I'm going to

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<v Speaker 1>talk about some other things. So if this is one

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<v Speaker 1>of those podcasts that you hate to hear somebody ramble on,

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<v Speaker 1>then you can just click away. There are going to

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<v Speaker 1>be stories. I don't know how long the podcast is

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<v Speaker 1>going to be, but just hang on. I think this

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<v Speaker 1>might be interesting. But the first thing I want to

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<v Speaker 1>share with you is I picked up a book last week.

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<v Speaker 1>I have a list of favorite authors that I love

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<v Speaker 1>to read and seek out authors who may or may

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<v Speaker 1>not tell stories I'm interested in, but they write really well.

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<v Speaker 1>One of those authors is Dennis Johnson. D Nis Johnson.

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<v Speaker 1>You may know that name or you may recognize something

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<v Speaker 1>he wrote if you have watched a new film on

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<v Speaker 1>Netflix called Train Dreams. Dennis Johnson wrote that book. It's

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<v Speaker 1>a short I think if they would call it a novella.

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<v Speaker 1>It's not a very long book, but I stumbled across

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<v Speaker 1>that book about two or three years ago. I think

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<v Speaker 1>someone reviewed it. It looked interesting, so I bought it

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<v Speaker 1>and I read it, and I just love the way

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<v Speaker 1>this guy writes. He's won all kind of awards, and

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<v Speaker 1>he's written six or eight novels. He's a poet. He's

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<v Speaker 1>got two or three books of poetry out. So I'll

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<v Speaker 1>give these authors a read, and then i'll put it down,

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<v Speaker 1>and i'll write their name down, and then i'll go

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<v Speaker 1>to another author, and then when I want to come

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<v Speaker 1>back to them, I'll pick up another book that they wrote.

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<v Speaker 1>So I'm reading a book now by Dennis Johnson call

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<v Speaker 1>it's called Tree of Smoke. Now. I'm only five or

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<v Speaker 1>six chapters into it, and it's really good. It's a

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<v Speaker 1>Vietnam era book. The very first chapter I read a

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<v Speaker 1>short scene. It's about six or eight paragraphs long, and

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<v Speaker 1>I've recorded it. I want you to listen to it.

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<v Speaker 1>I know this isn't monster content. Listen to this little

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<v Speaker 1>micro story. Listen to the way he wrote it. Immediately

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<v Speaker 1>when it's over, I want you to hit the pause

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<v Speaker 1>button if you'd like to, and comment to me and

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<v Speaker 1>tell me what your immediate emotion is after hearing this

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<v Speaker 1>little six or eight paragraph scene at the very beginning

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<v Speaker 1>of Tree of Smoke, I'm curious to know what my

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<v Speaker 1>listeners can hear and pick up in a good piece

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<v Speaker 1>of writing. I'm just curious if you had any of

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<v Speaker 1>the same emotions I had when I stopped. I mean,

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<v Speaker 1>it's only a couple of pages long, and I read this,

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<v Speaker 1>and I stopped, and I reflected back on my life

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<v Speaker 1>at the time, when I was a kid and have

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<v Speaker 1>done this, I've done things like this, and how much

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<v Speaker 1>remorse I had at the time, and how at the

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<v Speaker 1>age of sixty three, I'll remember something all the way

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<v Speaker 1>back when I was eight years old. Whenever it crosses

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<v Speaker 1>my mind, just this wave of heat and embarrassment and

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<v Speaker 1>remorse comes over me for doing what I did. And

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<v Speaker 1>it is it is. I don't know how to describe

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<v Speaker 1>the emotion. But anyway, anyway, I want you to listen

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<v Speaker 1>to this, pause your video, tap the screen, immediately, make

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<v Speaker 1>a comment. Let me know the emotion that this evoked

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<v Speaker 1>from listening to this. I'm very interested in that. And

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<v Speaker 1>also let me know if you if you got to

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<v Speaker 1>the end of this and you a preated the way

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<v Speaker 1>he wrote it, to evoke an emotion from you and

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<v Speaker 1>to give you some kind of a microscope into this

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<v Speaker 1>boy's life and personality and demeanor. Because I think, as

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<v Speaker 1>I'm reading this book, it's gonna it's gonna give you

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<v Speaker 1>some insight into some of the things he goes through

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<v Speaker 1>in Vietnam, and you'll know who you're reading about. Okay,

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<v Speaker 1>I'll shut up. Here is the h here's the little

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<v Speaker 1>excerpt from Tree of Smoke. It was late in the

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<v Speaker 1>morning and Seemen Apprentice William Houston Jr. Began feeling sober

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<v Speaker 1>again as he stalked the jungle of Grand Island carrying

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<v Speaker 1>a Borrow twenty two rifle. There was supposed to be

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<v Speaker 1>some wild boars roaming this island military resort, which was

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<v Speaker 1>all he had seen so far in the Philippines. He

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<v Speaker 1>didn't know how he felt about this country. He just

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<v Speaker 1>wanted to do so hunting in the jungle. There were

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<v Speaker 1>supposed to be wild bores around here. He stepped carefully,

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<v Speaker 1>thinking about snakes and trying to be quiet because he

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<v Speaker 1>wanted to hear any bores before they charged him. He

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<v Speaker 1>was aware that he was terrifically on edge. From all

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<v Speaker 1>around came the ten thousand sounds of the jungle, as

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<v Speaker 1>well as the cries of gulls and the far off surf,

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<v Speaker 1>And if he stopped in and listened a minute, he

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<v Speaker 1>could hear also the pulse snickering of the heat of

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<v Speaker 1>his flesh, and the creak of sweat in his ears.

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<v Speaker 1>If he stayed motionless only another couple of seconds, the

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<v Speaker 1>bugs found him and whined around his head. He propped

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<v Speaker 1>the rifle against the stunted banana plant, and removed his

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<v Speaker 1>head band and wrung it out, and wiped his face,

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<v Speaker 1>and stood there a while, waving away mosquitoes with the

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<v Speaker 1>cloth and itching his crotch absent mindedly. Nearby, a seagull

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<v Speaker 1>seemed to be carrying on an argument with itself, a

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<v Speaker 1>series of protesting squeaks interrupted by contradictory, lower pitched cries

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<v Speaker 1>that sounded like huh huh, huh, And something moving from

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<v Speaker 1>one tree to another caught Semen Houston's eye. He kept

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<v Speaker 1>his vision on the spot where he'd seen it among

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<v Speaker 1>the branches of a rubber tree, putting his hand out

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<v Speaker 1>for the rifle without altering the direction of his gaze.

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<v Speaker 1>It moved again, and now he saw that it was

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<v Speaker 1>some sort of monkey, not much bigger than a Chihuahua dog,

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<v Speaker 1>not precisely a wild boar, but it presented itself as

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<v Speaker 1>something to be looked at, clinging by its left hand

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<v Speaker 1>and both feet to the tree's trunk, digging at the

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<v Speaker 1>thin rind with an air of tiny, exasperated haste. Semen

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<v Speaker 1>Houston took the money's meager back under the rifle sight.

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<v Speaker 1>He raised the barrel a few degrees and took the

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<v Speaker 1>monkey's head into his sight, and without really thinking about

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<v Speaker 1>anything at all, he squeezed the trigger. The monkey flattened

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<v Speaker 1>itself out against the tree, spreading its arms and legs enthusiastically,

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<v Speaker 1>and then reaching around with both hands as if trying

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<v Speaker 1>to scratch its back, and it tumbled down to the ground.

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<v Speaker 1>Semen Houston was terrified to witness its convulsions. There it

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<v Speaker 1>hoisted itself, pushing off the ground with one arm, and

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<v Speaker 1>sat back against the tree trunk with its legs spread

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<v Speaker 1>out before it, like somebody resting from a difficult job

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<v Speaker 1>of labor. Semen Houston took himself a few steps nearer,

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<v Speaker 1>and from the distance of only a few yards, he

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<v Speaker 1>saw the monkey's fur was very shiny and held a

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<v Speaker 1>heena tent, and the shadows and a blond tent, and

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<v Speaker 1>the light as the leaves moved above it. It looked

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<v Speaker 1>from side to side, its breath coming in great rapid gulps,

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<v Speaker 1>its belly expanding tremendously with every breath, like a balloon.

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<v Speaker 1>The shot had been low, exiting from the abdomen. Semen

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<v Speaker 1>Houston felt his own stomach terar itself in two Jesus Christ.

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<v Speaker 1>He shouted at the monkey, as if it might do

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<v Speaker 1>something about its embarrassing and hateful condition. He thought his

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<v Speaker 1>head would explode if the forenoon kept burning into the

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<v Speaker 1>jungle all around him, and the gulls kept screaming, and

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<v Speaker 1>the monkey kept regarding its surroundings, carefully moving its head

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<v Speaker 1>and black eyes from side to side, like someone following

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<v Speaker 1>the progress of some kind of conversation, some kind of debate,

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<v Speaker 1>some kind of struggle that the jungle the morning the moment,

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<v Speaker 1>was having with itself. Semen Houston walked over to the monkey,

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<v Speaker 1>laid the rifle down beside it, lifted the animal up

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<v Speaker 1>with his two hands and holding its buttocks in one

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<v Speaker 1>and cradling its head in the other. With fascination and

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<v Speaker 1>then revulsion, he realized that the monkey was crying. Its

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<v Speaker 1>breath came out in sobs, and tears welled out its eyes.

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<v Speaker 1>When it blinked, it looked here and there, appearing no

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<v Speaker 1>more interested in him than in anything else it might

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<v Speaker 1>be seen, Hey, Houston said, But the monkey didn't seem

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<v Speaker 1>to hear. As he held the animal in his hands,

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<v Speaker 1>its heart stopped beating. He gave it a shake, but

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<v Speaker 1>he knew it was useless. He felt as if everything

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<v Speaker 1>was all his fault, and with no one around to

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<v Speaker 1>know about it, he let himself cry like a child.

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<v Speaker 1>He was eighteen years old. All right, thank you for

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<v Speaker 1>your comments. If you haven't comment it, hit the pause

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<v Speaker 1>button on the video or the podcast. And I don't

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<v Speaker 1>know how to comment on these podcast apps, but I'm

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<v Speaker 1>assuming you can. The whole point of this exercise is

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<v Speaker 1>not for me to get comments. Comments do help the channel,

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<v Speaker 1>but that's not what I'm doing. I'm trying to demonstrate

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<v Speaker 1>for you how good writing can actually move a reader

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<v Speaker 1>to almost tears. If you want to listen to that

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<v Speaker 1>whole book on or if you want to read it,

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<v Speaker 1>just search for Dennis Johnson on Amazon and you can

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<v Speaker 1>buy the book or any of his books. I've only

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<v Speaker 1>read one book, Train Dreams, but if you want to search,

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<v Speaker 1>he's got six or eight novels out and I'm sure

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<v Speaker 1>they're all written extremely well. May not be the subject

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<v Speaker 1>matter you're interested in, but if you're like me, if

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<v Speaker 1>you just appreciate exceptional writing, Dennis Johnson is one of

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<v Speaker 1>those guys. Now, and let me say this, if you

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<v Speaker 1>want to listen to it on audible, Will Patten is

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<v Speaker 1>the narrator. He is the king of all narrators. He

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<v Speaker 1>did so much better with that little scene than I did.

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<v Speaker 1>If you listen to it, you'll hear it. You'll hear it.

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<v Speaker 1>You'll feel even more emotional when you hear Will Patten

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<v Speaker 1>when you hear Will Patten read it. But I just

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<v Speaker 1>wanted to share it with my audience, so I read it.

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<v Speaker 1>I couldn't grab Will Patten's audio and let you hear

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<v Speaker 1>it because it would have been a copyright. So anyway,

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<v Speaker 1>all that said, speaking of writing, let's talk about Steve Lily.

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<v Speaker 1>I don't have any notes here, and I don't know

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<v Speaker 1>exactly how to say what I'm about to say. And

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<v Speaker 1>it's not bad news. I'm going to keep writing Steve Lily,

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<v Speaker 1>but this for the last I think I've been writing

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<v Speaker 1>those for three four years now. And the first one,

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<v Speaker 1>just so you know, the first one that I put out,

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<v Speaker 1>I actually put it out on this podcast. I had

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<v Speaker 1>some free time and I just spent about three hours

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<v Speaker 1>and I just wrote this real quick story. And I'll

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<v Speaker 1>tell you why I wrote it is because all of

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<v Speaker 1>these Bigfoot stories they kind of run together, and they're

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<v Speaker 1>all basically the same. If you watch a Bigfoot movie,

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<v Speaker 1>the Bigfoot is always the terror in the woods, and

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<v Speaker 1>Bigfoot is the focus of all those films and all

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<v Speaker 1>of these stories. And I wanted to at that moment

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<v Speaker 1>when I wrote Steve Lily Number one, which would later

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<v Speaker 1>become I didn't plan it on being a series. I

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<v Speaker 1>just thought, you know, i've got an afternoon free, I'm

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<v Speaker 1>going to write something different. I'm going to turn the

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<v Speaker 1>tables and make the Bigfoot story about the people who,

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<v Speaker 1>in this case are hunting Bigfoot. And I kind of

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<v Speaker 1>ran through several scenarios of how this guy could get

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<v Speaker 1>roped into hunting Bigfoot by the government and just be

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<v Speaker 1>a personable guy that you could begin to know and like,

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<v Speaker 1>and then put some of his friends with him and

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<v Speaker 1>you begin to like them. I'm an old fashioned story

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<v Speaker 1>kind of person. I like the good guy versus the

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<v Speaker 1>bad guy, and there's a conflict and there's a resolution,

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<v Speaker 1>and there's an ending and the good guy comes out

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<v Speaker 1>on top. I may not write all the Steve Lilly

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<v Speaker 1>stories that way, but and then I got to thinking, well,

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<v Speaker 1>let me back up. So the first one so many

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<v Speaker 1>people liked it, I thought, well, okay, I'll write another one.

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<v Speaker 1>So I just kind of dreamed up another story, and

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<v Speaker 1>I put out number two. And I don't even remember

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<v Speaker 1>what I wrote in like two through I kind of

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<v Speaker 1>remember a three part series, fifteen, sixteen, seventeen. I don't know.

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<v Speaker 1>I've got one that's two parts and one that's three parts,

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<v Speaker 1>and then I've got nineteen, and then I've got twenty.

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<v Speaker 1>But what is going on with the Steve Lilly thing? People?

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<v Speaker 1>I've had complaints about Steve Lilly. I've had these mostly

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<v Speaker 1>ninety nine percent people seem to really enjoy Steve Lily,

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<v Speaker 1>and thank you so much for the encouraging comments. This

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<v Speaker 1>is the best audience on the planet. But there is

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<v Speaker 1>a certain group of people that expect every story to

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<v Speaker 1>be like Steve Lily, maybe like one through ten but

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<v Speaker 1>you have to understand I didn't know how to write.

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<v Speaker 1>I had never written much of anything. I've always wanted

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<v Speaker 1>to write, but I've never had time to. You know,

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<v Speaker 1>to write, you have to sit down and think, and

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<v Speaker 1>you have to write and then go back and edit

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<v Speaker 1>it and clean it up and make it more legible.

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<v Speaker 1>And it's kind of a process that I didn't expect

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<v Speaker 1>that I would have to go through, but that is

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<v Speaker 1>the process. And you want to write something different, something,

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<v Speaker 1>you know, a story people can relate to. And anyway,

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<v Speaker 1>every guy in the Steve Lily, every person in the

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<v Speaker 1>Steve Lilly series is someone I know, even Steve Leary

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<v Speaker 1>Steve Lily, He's sort of a composite of several iron

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<v Speaker 1>workers I've known through the years in my business. But

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<v Speaker 1>here's what I'm trying to get across to you. I'm

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<v Speaker 1>teaching myself how to write. And around episode nine or ten,

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<v Speaker 1>I decided, you know what I need to I owe

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<v Speaker 1>this audience a better story, a better written story. And

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<v Speaker 1>I want to even though it's a silly, kind of

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<v Speaker 1>slapstick jamble of stories that really go nowhere, they're just

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<v Speaker 1>episodes of They're just little ideas I come up with

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<v Speaker 1>all these stories are kind of built off of some

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<v Speaker 1>little funny EPs I have in my mind. So for

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<v Speaker 1>instance nineteen where they go to help out Charlie with

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<v Speaker 1>the bigfoot that he dug up or the Bigfoot clan

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<v Speaker 1>that comes after him because he dug up a bigfoot skeleton.

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<v Speaker 1>That started out with a vision for some reason, it

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<v Speaker 1>just popped in my head a bigfoot sitting on a

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<v Speaker 1>tractor driving a tractor. I have no idea why that

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<v Speaker 1>popped in my head. Well, it wound up being a skeleton,

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<v Speaker 1>but it was some method that they used to draw

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<v Speaker 1>these bigfoots out and kill them, like that whole open

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<v Speaker 1>Door story. And I'll admit I went too far in

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<v Speaker 1>that story. That story was dealt with portals and hundreds

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<v Speaker 1>of bigfoots pouring out of the portals, and it was

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<v Speaker 1>kind of silly, and I don't really go into the

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<v Speaker 1>woo stuff. I guess I just felt like righting that

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<v Speaker 1>kind of story at that time. And then twenty was

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<v Speaker 1>about I had a vision of a baby big Foot

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<v Speaker 1>and a woman bringing it back to camping and attacking everybody,

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<v Speaker 1>So that whole story was built around that. So you

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<v Speaker 1>got to have a bad guy good guy gotta have

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<v Speaker 1>annoying characters. I like putting in annoying characters. Now, I

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<v Speaker 1>told you all I was going to ramble on in

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<v Speaker 1>this podcast, so hang with me. If you're still with me,

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<v Speaker 1>I just want you to know that I'm trying to

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<v Speaker 1>teach myself how to write, and I feel like that

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<v Speaker 1>you cannot become a good writer unless you're a prolific reader,

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<v Speaker 1>which I am. I read as much as I can

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<v Speaker 1>possibly read fiction nonfiction. I just finished a book, well

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<v Speaker 1>it's on my nightstand, but it's a nonfiction book by

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<v Speaker 1>Buddy Levy about a polar expedition into the toward the

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<v Speaker 1>North Pole, and it's a harrowing thing. I love good history.

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<v Speaker 1>But you can read good history and good contemporary narrative

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<v Speaker 1>history and you can get great ideas of how to write,

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<v Speaker 1>and you if those things teach you how to write,

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<v Speaker 1>and you also get ideas for stories. Now I'm reading

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<v Speaker 1>some other stuff by some non best selling authors, some

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<v Speaker 1>guys I actually met this weekend. Two of those guys

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<v Speaker 1>handed me their books, and I'm gonna I'm going to

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<v Speaker 1>try to do their audio books on the podcast, maybe

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<v Speaker 1>sooner than later, because they're they're kind of they're they're

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<v Speaker 1>real interesting to me. So anyway, all that to say,

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<v Speaker 1>if you're disappointed in Steve Lily or if you're happy

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<v Speaker 1>with Steve Lily, I want you to know that I'm

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<v Speaker 1>teaching myself to write how to write, and you're kind of,

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<v Speaker 1>whether you know it or not, you're kind of following

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<v Speaker 1>along the evolution of a man in his sixties who

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<v Speaker 1>has found a passion late in life. And I'm teaching

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<v Speaker 1>myself to write. And I am trying to teach myself

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<v Speaker 1>that by reading great authors like Dennis Johnson. I've read

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<v Speaker 1>several passages from several books. I've even read short stories

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<v Speaker 1>by really good authors, Tom Franklin, Michael Ferris Smith, Larry Brown,

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<v Speaker 1>and there are Jeff Crawford is a good author I've read.

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<v Speaker 1>I just put up a whole audio book on my

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<v Speaker 1>podcast network that he wrote. And I feel like the

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<v Speaker 1>more I read, the more I learned to write. And

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<v Speaker 1>you're getting not getting don't feel like you're I don't

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<v Speaker 1>think you're privileged to do this, but you're kind of

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<v Speaker 1>coming along with me on that road. And So I

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<v Speaker 1>had started a Steve Lilly novel two years ago, and

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<v Speaker 1>every time I read another book I think about what

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<v Speaker 1>I've written, and I go back and change it because

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<v Speaker 1>I think, damn, I can do that better, and so

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<v Speaker 1>I'll try to do it better. And so I hope

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<v Speaker 1>to get a Steve Lilly novel out, maybe by the

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<v Speaker 1>end of the summer. I don't know, and I'm going

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<v Speaker 1>to record the audiobook and put it out. Maybe we

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<v Speaker 1>can do a series. I have other stories in my

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<v Speaker 1>head I want to write that have nothing to do

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<v Speaker 1>with Bigfoot or they're just normal stories. So I wanted

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<v Speaker 1>to read that to you to tell you that good

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<v Speaker 1>writing will provoke these emotions from you. And that is

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<v Speaker 1>what I tried to do in Steve Lily twenty, specifically

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<v Speaker 1>that sorry couple on the side of the road, leaving

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<v Speaker 1>those dogs behind them. The goal was to get you

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<v Speaker 1>to hate them, and based on the comments I've got

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<v Speaker 1>on Steve Lily twenty, accomplished my mission. I've got so

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<v Speaker 1>many emails. There's a lot of people pissed off about that.

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<v Speaker 1>Matter of fact, I got about a half a dozen

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<v Speaker 1>comments and emails from people saying they're unsubscribing because I

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<v Speaker 1>wrote that scene in that story. It's fiction, it's not real,

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<v Speaker 1>but you know, those things do happen. I mean, there

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<v Speaker 1>are plenty of people who just leave dogs on the

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<v Speaker 1>side of the highway, and that is a part of reality.

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<v Speaker 1>But if it made you hate that couple that was

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<v Speaker 1>in the car, then I accomplished my mission. So I

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<v Speaker 1>consider that one of the best things I've written. Even

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<v Speaker 1>though it may have made you mad, it evoked this

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<v Speaker 1>emotion from you that was I want to use the

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<v Speaker 1>word visceral, but I don't really know what the word

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<v Speaker 1>visceral means, but it seems appropriate, like this visceral, obvious

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<v Speaker 1>type emotion from people. And so I learned a little

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<v Speaker 1>bit about how to develop characters and make you like them,

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<v Speaker 1>make you hate them, all those kind of things, and

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<v Speaker 1>I was just trying to do that in this story. Anyway.

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<v Speaker 1>That's kind of what's going on with Steve Lilly. Now

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<v Speaker 1>I want to read you a story I got from

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<v Speaker 1>This is actually an email I got. It's a story

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<v Speaker 1>a published author has written specifically for this podcast. I'm

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<v Speaker 1>sure he's published in other places, but it is his

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<v Speaker 1>struggle with depression. This guy went down a road that

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<v Speaker 1>was terrible, terrible, terrible, and he's just listening to the story.

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<v Speaker 1>But it's a happy ending. We won't drop off on

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<v Speaker 1>this podcast with a gloomy kind of mood. But I

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<v Speaker 1>think you're really gonna like this and you're gonna appreciate it,

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<v Speaker 1>and it ought to provoke an emotion from you that is,

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<v Speaker 1>I'll use the word again, visceral. You will. You'll actually

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<v Speaker 1>be moved by the story. So again, this is a

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<v Speaker 1>different podcast. It's just something I've been wanting to do

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<v Speaker 1>for a while. Talk about writing, talk about Steve Lilly,

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<v Speaker 1>talk about good writing, talk about emotional writing and how

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<v Speaker 1>it can move you. And here is one of those

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<v Speaker 1>stories that will do that. And then I'll sign off

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<v Speaker 1>at the end. But listen into the story, and when

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<v Speaker 1>you get to the end of it, even if you've

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<v Speaker 1>commented before, push the pause button and let me know

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<v Speaker 1>how this story makes you feel. It's going to take

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<v Speaker 1>you deep into the recesses of the human mind that

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<v Speaker 1>makes some of us want to do things that we

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<v Speaker 1>probably that are dangerous for us. So listen to it,

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<v Speaker 1>leave a comment and I'll talk to you at the end. Thanks.

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<v Speaker 1>This email is from Greg ball And Greg Ballin is

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<v Speaker 1>a published author. A published author, it's several books out

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<v Speaker 1>on Amazon. Greg Ballin, GR E, G. B. A L.

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<v Speaker 1>L A N. You can look him up. I've done

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<v Speaker 1>a couple of his creature stories on this podcast, one

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<v Speaker 1>being that I remember is called The War of the Species,

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<v Speaker 1>really good story he wrote. This is a personal story

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<v Speaker 1>that he sent to me. I called Greg, I said,

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<v Speaker 1>can I attach your name to this email? He said yes,

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<v Speaker 1>so let's read the email. Thank you so much for

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<v Speaker 1>reading the many of my stories. I'm extremely humbled and grateful.

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<v Speaker 1>This is a tale about a real experience I had

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<v Speaker 1>in September of nineteen ninety eight. I was experiencing an

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<v Speaker 1>incredibly bad depression. I had never been at such a

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<v Speaker 1>low point in my life. I've been through hard times before,

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<v Speaker 1>but nothing like what I was in during that late

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<v Speaker 1>summer and fall. I can no longer take the pain,

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<v Speaker 1>and I decided to end my life. I called in

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<v Speaker 1>sick to work on a cloudy Wednesday and went to

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<v Speaker 1>the gun range intent on suicide. The attached is the

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<v Speaker 1>true tale of my experience and how a strange old

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<v Speaker 1>man saved me from making a horrible, horrible choice. Five

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<v Speaker 1>years later, my best friend and hunting buddy took his

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<v Speaker 1>own life. Often wonder why I was fortunate enough to

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<v Speaker 1>escape my fate, and he wasn't. I witnessed the pain

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<v Speaker 1>his death caused his sons and daughter, at the horrible

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<v Speaker 1>months of tears and the questions that followed his passing.

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<v Speaker 1>I can only imagine what my young wife and small

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<v Speaker 1>children would have gone through. My death would have ended

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<v Speaker 1>my pain, but permanently scarred my children. My friend's children

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<v Speaker 1>have been scarred for life. And even today, twenty one

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<v Speaker 1>years later, I still miss my friend and long for

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<v Speaker 1>the times we had spent together in the woods and

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<v Speaker 1>at his dinner table, talking and laughing. I hope you

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<v Speaker 1>find merit in this true story. It is not as

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<v Speaker 1>creepy as the haunted forest, or the scary or as

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<v Speaker 1>scary as the war of the species or the binding Watch.

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<v Speaker 1>But I have never forgotten that afternoon when I almost

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<v Speaker 1>made the worst possible decision the human can make. Thank

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<v Speaker 1>you for getting me through my damn. I hadn't even

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<v Speaker 1>gotten the story in his Every time I read this note,

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<v Speaker 1>he said to me, it chokes me up. Thank you

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<v Speaker 1>for getting me through my long workdays. I feel like

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<v Speaker 1>we're old friends, and I have several colleagues following your podcast.

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<v Speaker 1>Very respectfully, Greg Balin, Well Greg, thank you now Here's

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<v Speaker 1>Greg's story. It's called a talk with an angel. I

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<v Speaker 1>had nowhere else to turn. No other solution seemed viable.

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<v Speaker 1>Why oh why want this pain and misery leave me?

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<v Speaker 1>I can't find the strength to get up in the morning,

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<v Speaker 1>and I find myself dragging through each day the misery

416
00:25:06.759 --> 00:25:10.079
<v Speaker 1>of mere existence more than my tortured soul can bear.

417
00:25:11.319 --> 00:25:15.839
<v Speaker 1>Work is hopeless. I'm falling further and further behind. Home

418
00:25:16.160 --> 00:25:21.039
<v Speaker 1>is nothing but strife and turmoil. I'm constantly being yelled at.

419
00:25:21.240 --> 00:25:24.160
<v Speaker 1>What's wrong with you? Why can't you just stop this?

420
00:25:25.240 --> 00:25:30.119
<v Speaker 1>You have responsibilities in a family to support. Everybody is

421
00:25:30.200 --> 00:25:33.200
<v Speaker 1>relying on me, depending on me, and counting on me

422
00:25:33.319 --> 00:25:37.400
<v Speaker 1>for some chore, some favor, some task that needs my attention.

423
00:25:38.519 --> 00:25:43.759
<v Speaker 1>Nobody asks how I'm feeling, how I'm doing? Am I okay?

424
00:25:44.279 --> 00:25:47.599
<v Speaker 1>I'm supposed to be strong and a warrior. I'm not

425
00:25:47.680 --> 00:25:50.079
<v Speaker 1>allowed to be weak. I have too many people counting

426
00:25:50.119 --> 00:25:52.359
<v Speaker 1>on me, and now I'm only allowed to be strong

427
00:25:52.400 --> 00:25:56.279
<v Speaker 1>and carry others. This is my sole purpose to give

428
00:25:56.359 --> 00:26:00.640
<v Speaker 1>and never receive. The well is run dry. The giving

429
00:26:00.680 --> 00:26:04.440
<v Speaker 1>tree has no more branches. No one can understand how

430
00:26:04.599 --> 00:26:07.839
<v Speaker 1>or why this happened to me. Hell I can't figure

431
00:26:07.880 --> 00:26:11.440
<v Speaker 1>out how this happened. I've fallen so far, so fast,

432
00:26:11.519 --> 00:26:15.079
<v Speaker 1>and I never saw it coming. This was the only answer.

433
00:26:15.480 --> 00:26:19.079
<v Speaker 1>It will end my pain and I can finally rest.

434
00:26:19.759 --> 00:26:22.359
<v Speaker 1>I drove my truck to the rifle range. It's the

435
00:26:22.400 --> 00:26:26.359
<v Speaker 1>middle of a weekday, so I'm completely alone. I took

436
00:26:26.359 --> 00:26:29.359
<v Speaker 1>out my nine millimeter auto and loaded a hallow point

437
00:26:29.440 --> 00:26:33.160
<v Speaker 1>into the gun. I cycled around and removed the safety.

438
00:26:33.680 --> 00:26:36.160
<v Speaker 1>I can feel the tears flowing from my eyes as

439
00:26:36.160 --> 00:26:39.880
<v Speaker 1>I stared down the barrel of the pistol. The muted

440
00:26:40.000 --> 00:26:43.279
<v Speaker 1>black grip feels perversely comforting in my hand, and the

441
00:26:43.319 --> 00:26:46.680
<v Speaker 1>weapon is waiting to bark, its doom filled answer to

442
00:26:46.759 --> 00:26:51.799
<v Speaker 1>my problems. My mood like the sky is bleak, cold

443
00:26:51.839 --> 00:26:56.839
<v Speaker 1>and gray, a perfect day to expire. Is this really

444
00:26:56.880 --> 00:27:00.960
<v Speaker 1>my only option? Something inside me screamed as my finger

445
00:27:01.039 --> 00:27:05.279
<v Speaker 1>starts to squeeze the trigger. Yes, A voice whispered back,

446
00:27:05.839 --> 00:27:09.079
<v Speaker 1>it's my own. I hear the words, but am I

447
00:27:09.160 --> 00:27:13.559
<v Speaker 1>actually saying it? A sense of peace washes over me. Finally,

448
00:27:13.880 --> 00:27:17.119
<v Speaker 1>I've made a decision to do it. I can feel

449
00:27:17.160 --> 00:27:20.960
<v Speaker 1>the release point on the trigger. Another millimeter and I'll

450
00:27:21.000 --> 00:27:23.640
<v Speaker 1>be free of all the pain and all the misery.

451
00:27:24.480 --> 00:27:27.680
<v Speaker 1>There'll be no more yelling, no more stress, no more pain.

452
00:27:28.519 --> 00:27:33.559
<v Speaker 1>Oh God, finally, no more pain. I hesitated for a second,

453
00:27:33.640 --> 00:27:37.279
<v Speaker 1>hovering over the brink of my life. An instant eradication.

454
00:27:38.440 --> 00:27:41.079
<v Speaker 1>The sound of footsteps make me ease off the trigger.

455
00:27:42.119 --> 00:27:44.799
<v Speaker 1>I lower the gun just as the stranger arrives with

456
00:27:44.920 --> 00:27:48.960
<v Speaker 1>his gun case in supply pack. You shooting today? Do

457
00:27:48.960 --> 00:27:51.799
<v Speaker 1>you mind some company, an old man asked in a

458
00:27:51.839 --> 00:27:55.200
<v Speaker 1>soft voice. Well, I don't own this place, and just

459
00:27:55.279 --> 00:28:00.519
<v Speaker 1>remember like you, I replied in an unfriendly tone. Snarky

460
00:28:00.559 --> 00:28:03.680
<v Speaker 1>reply I didn't seem to bother him. He unpacked his

461
00:28:03.759 --> 00:28:07.200
<v Speaker 1>rifle and opened his shooting bag. I'd never seen such

462
00:28:07.240 --> 00:28:12.240
<v Speaker 1>an elegant rifle before. The engraving was inlaid into the stock.

463
00:28:12.319 --> 00:28:17.559
<v Speaker 1>Beautifully breathtaking images were intricately carved and further embellished upon

464
00:28:17.599 --> 00:28:21.440
<v Speaker 1>the silvery gun medal. The stranger caught me staring at

465
00:28:21.480 --> 00:28:24.440
<v Speaker 1>his rifle and without warning, tossed the weapon at me.

466
00:28:25.440 --> 00:28:28.359
<v Speaker 1>I reached out on instinct and grabbed a stock and

467
00:28:28.440 --> 00:28:31.240
<v Speaker 1>twisted the muzzle toward the ground in one fluid motion.

468
00:28:32.279 --> 00:28:35.119
<v Speaker 1>Not bad for a Yankee, he said, walking toward me.

469
00:28:36.000 --> 00:28:39.519
<v Speaker 1>I knew you wouldn't drop it. Are you a member here,

470
00:28:40.039 --> 00:28:43.480
<v Speaker 1>I challenged, handing him back his rifle after admiring the

471
00:28:43.519 --> 00:28:48.720
<v Speaker 1>weapon's beauty, Oh, I just joined, the stranger replied. I

472
00:28:48.720 --> 00:28:51.720
<v Speaker 1>hadn't been to a meeting since the onset of my depression,

473
00:28:51.799 --> 00:28:54.480
<v Speaker 1>so I had no reason to doubt his word. I

474
00:28:54.519 --> 00:28:56.799
<v Speaker 1>turned my back, staring at my pistol lying on the

475
00:28:56.799 --> 00:29:01.119
<v Speaker 1>shooting bench. Couldn't do this with an audience. I'd head

476
00:29:01.160 --> 00:29:03.799
<v Speaker 1>into the woods and find a peaceful spot and make

477
00:29:03.880 --> 00:29:07.559
<v Speaker 1>it my final resting place. Have a good time. It's

478
00:29:07.599 --> 00:29:10.920
<v Speaker 1>all yours, I said. I grabbed my stuff, ready to

479
00:29:10.960 --> 00:29:15.400
<v Speaker 1>face oblivion alone in the woods. I turned to go,

480
00:29:15.799 --> 00:29:19.640
<v Speaker 1>and the old man sighed in frustration. I looked over

481
00:29:19.680 --> 00:29:21.640
<v Speaker 1>at him, and he asked me if I knew anything

482
00:29:21.680 --> 00:29:26.519
<v Speaker 1>about rifles. I nodded a great deal. Actually, I don't

483
00:29:26.519 --> 00:29:29.920
<v Speaker 1>know why I felt compelled to answer him. The bolt

484
00:29:30.000 --> 00:29:33.799
<v Speaker 1>isn't sliding properly. I think something's wrong, but I don't

485
00:29:33.839 --> 00:29:38.119
<v Speaker 1>have any tools, he commented, struggling with the rifle bolt action.

486
00:29:38.960 --> 00:29:40.960
<v Speaker 1>We'll put it on the bench. I'll take a look

487
00:29:41.000 --> 00:29:44.319
<v Speaker 1>at it. I sighed. I had come here intent on

488
00:29:44.519 --> 00:29:47.279
<v Speaker 1>ending my life, and I wound up performing a service call.

489
00:29:48.799 --> 00:29:51.519
<v Speaker 1>I started wrestling with the bolt on his rifle, and

490
00:29:51.599 --> 00:29:55.000
<v Speaker 1>he just began to talk. He spoke of his travels

491
00:29:55.039 --> 00:29:57.720
<v Speaker 1>and his love of hunting and shooting, and his appreciation

492
00:29:57.880 --> 00:30:02.079
<v Speaker 1>of nature. I found him. I'm annoyingly happy for the

493
00:30:02.119 --> 00:30:05.200
<v Speaker 1>first five minutes while he babbled on like we were

494
00:30:05.279 --> 00:30:10.240
<v Speaker 1>old friends. He began asking questions about me. Where did

495
00:30:10.279 --> 00:30:12.960
<v Speaker 1>I live, how did I find the love of the outdoors,

496
00:30:13.000 --> 00:30:16.839
<v Speaker 1>and other things that only two hunters can appreciate. I

497
00:30:16.880 --> 00:30:20.920
<v Speaker 1>don't remember exactly when I realized it, but suddenly, for

498
00:30:21.000 --> 00:30:23.000
<v Speaker 1>the first time in three months, I felt like I

499
00:30:23.000 --> 00:30:27.640
<v Speaker 1>had someone I could actually relate with. I began answering

500
00:30:27.680 --> 00:30:30.440
<v Speaker 1>his questions while asking a few of my own. Between

501
00:30:30.480 --> 00:30:34.359
<v Speaker 1>wrestling with a stubborn rifle action. We talked a great

502
00:30:34.359 --> 00:30:37.839
<v Speaker 1>deal more about our lives and our problems, mine in particular.

503
00:30:39.240 --> 00:30:41.960
<v Speaker 1>I never confessed to this stranger why I had come

504
00:30:42.000 --> 00:30:44.960
<v Speaker 1>here today as I finished freeing and cleaning the jam

505
00:30:45.079 --> 00:30:49.039
<v Speaker 1>bolt action. But since the old man knew all too well.

506
00:30:49.079 --> 00:30:52.880
<v Speaker 1>When he interrupted, he read the guilt in my eyes.

507
00:30:53.839 --> 00:30:55.960
<v Speaker 1>He knew if I walked away it would be to

508
00:30:56.000 --> 00:30:59.880
<v Speaker 1>finish what he interrupted. Where do you store this right

509
00:31:00.440 --> 00:31:04.240
<v Speaker 1>in alent factory. I lightly teased him, and he laughed,

510
00:31:04.240 --> 00:31:07.079
<v Speaker 1>a joyous sound that made me chuckle along with him.

511
00:31:07.720 --> 00:31:10.559
<v Speaker 1>The lent mixed with the gun ole and powder residue

512
00:31:10.640 --> 00:31:14.039
<v Speaker 1>coated this thing like tarl like coating. You're lucky this

513
00:31:14.079 --> 00:31:17.000
<v Speaker 1>thing cycled at all, I explained, as I threw away

514
00:31:17.039 --> 00:31:21.039
<v Speaker 1>two filthy cleaning rags. She smoothed in silk across the

515
00:31:21.039 --> 00:31:26.279
<v Speaker 1>babies behind now, I added, handing him his rifle. The

516
00:31:26.319 --> 00:31:29.359
<v Speaker 1>old man worked the action a few times and smiled warmly.

517
00:31:29.759 --> 00:31:32.880
<v Speaker 1>He haded my pistol lying on the shooting bench. I

518
00:31:32.880 --> 00:31:36.359
<v Speaker 1>followed his gaze and looked upon my weapon. He seemed

519
00:31:36.400 --> 00:31:38.880
<v Speaker 1>to be waiting for me to say something, offer up

520
00:31:38.920 --> 00:31:42.440
<v Speaker 1>a reason for what we both knew he'd seen. I

521
00:31:42.519 --> 00:31:45.680
<v Speaker 1>chose to keep silent. You any good with that? He

522
00:31:45.799 --> 00:31:49.200
<v Speaker 1>pointed toward the pistol. Uh good enough, but I could

523
00:31:49.200 --> 00:31:52.119
<v Speaker 1>always be better, I answered, in a much warmer tone

524
00:31:52.160 --> 00:31:56.920
<v Speaker 1>than I originally greeted him. So let's shoot, Yankee impressed me.

525
00:31:57.319 --> 00:32:02.039
<v Speaker 1>He gestured toward the range targets. We spent an hour

526
00:32:02.200 --> 00:32:06.160
<v Speaker 1>going through several hundred rounds of ammunition, chatting like we

527
00:32:06.160 --> 00:32:09.480
<v Speaker 1>were old friends as we paused to reload and examine

528
00:32:09.480 --> 00:32:13.359
<v Speaker 1>our targets. As I was firing round after round, my

529
00:32:13.440 --> 00:32:16.319
<v Speaker 1>mind began to visualize what would have happened when my

530
00:32:16.400 --> 00:32:19.960
<v Speaker 1>children learned Daddy splattered his brains all over this gun club.

531
00:32:20.880 --> 00:32:23.839
<v Speaker 1>They were too young to understand my pain and my problems.

532
00:32:24.319 --> 00:32:26.960
<v Speaker 1>It just knew Daddy wasn't feeling well, but he'd be

533
00:32:26.960 --> 00:32:30.880
<v Speaker 1>better soon. Now. I had visions of them at my funerals,

534
00:32:30.960 --> 00:32:34.640
<v Speaker 1>staring at my headstone, not really comprehending the fact that

535
00:32:34.720 --> 00:32:38.200
<v Speaker 1>I was never coming home. I envisioned the bank for

536
00:32:38.400 --> 00:32:42.440
<v Speaker 1>closing on the house, and other terrible visions. I put

537
00:32:42.480 --> 00:32:44.680
<v Speaker 1>the gun down and tried to fight back the tears.

538
00:32:45.839 --> 00:32:49.319
<v Speaker 1>What did I almost do? I mumbled, staring at the

539
00:32:49.359 --> 00:32:53.559
<v Speaker 1>target I had totally destroyed. I looked over and the

540
00:32:53.599 --> 00:32:56.720
<v Speaker 1>old man was staring at me concerned. Are you okay?

541
00:32:56.960 --> 00:33:00.680
<v Speaker 1>He asked me. Yeah, I think so, I replied, as

542
00:33:00.759 --> 00:33:05.200
<v Speaker 1>that morbid cemetery vision stayed with me. You sure, greg,

543
00:33:05.599 --> 00:33:09.400
<v Speaker 1>he asked me again. Yeah, I'm gonna be fine, I answered,

544
00:33:09.440 --> 00:33:13.480
<v Speaker 1>as a sense of relief washed over me. He packed

545
00:33:13.559 --> 00:33:16.559
<v Speaker 1>up his rifle and gathered his equipment and prepared to leave.

546
00:33:17.319 --> 00:33:20.319
<v Speaker 1>I watched him in silence, still thinking about what would

547
00:33:20.359 --> 00:33:23.759
<v Speaker 1>have happened had this man not come here. He walked

548
00:33:23.759 --> 00:33:27.240
<v Speaker 1>over and extended his hand. Thanks for fixing me up,

549
00:33:27.559 --> 00:33:31.039
<v Speaker 1>he raised his rifle case. I don't mention it. Clean

550
00:33:31.079 --> 00:33:33.519
<v Speaker 1>that beauty as soon as you get home. And thanks

551
00:33:33.559 --> 00:33:36.839
<v Speaker 1>for the company, I noted, and gave him a half salute.

552
00:33:37.519 --> 00:33:41.079
<v Speaker 1>You're welcome, he answered with a deep smile. Funny thing

553
00:33:41.119 --> 00:33:44.839
<v Speaker 1>about problems, Greg, they oftentimes seem bigger because you're in

554
00:33:44.880 --> 00:33:47.839
<v Speaker 1>the middle of them. Take a step outside of them

555
00:33:47.839 --> 00:33:50.279
<v Speaker 1>for a while, and don't be afraid to talk to somebody.

556
00:33:50.960 --> 00:33:53.559
<v Speaker 1>Even a warrior needs to rest once in a while.

557
00:33:54.079 --> 00:33:57.880
<v Speaker 1>After all, you are only human. Amen to that, brother,

558
00:33:58.079 --> 00:34:00.680
<v Speaker 1>I shouted back. As I turned together up my things.

559
00:34:02.079 --> 00:34:03.839
<v Speaker 1>I heard him laugh for a moment, and then I

560
00:34:03.880 --> 00:34:08.000
<v Speaker 1>heard nothing, no footfalls or rustling or twelve fabric that

561
00:34:08.119 --> 00:34:11.559
<v Speaker 1>had announced his presence. And I spun back around quickly

562
00:34:11.599 --> 00:34:14.880
<v Speaker 1>and he was gone. I made my way up the

563
00:34:14.920 --> 00:34:17.480
<v Speaker 1>path at a rapid pace, only to find an empty

564
00:34:17.519 --> 00:34:20.559
<v Speaker 1>parking lot and my truck parked nearby in the grass.

565
00:34:21.840 --> 00:34:23.920
<v Speaker 1>It was no way the old man could have moved

566
00:34:23.960 --> 00:34:27.159
<v Speaker 1>so fast. I would have heard his car start if

567
00:34:27.199 --> 00:34:30.239
<v Speaker 1>he had driven here. If he had walked, he would

568
00:34:30.239 --> 00:34:34.199
<v Speaker 1>easily be within visual range. And then it hit me

569
00:34:34.320 --> 00:34:39.039
<v Speaker 1>like an electric shock, A tingling sensation raced through my body,

570
00:34:39.639 --> 00:34:43.480
<v Speaker 1>and he called me by name. Never once in our

571
00:34:43.559 --> 00:34:46.400
<v Speaker 1>conversation did I give him my name, and I never

572
00:34:46.480 --> 00:34:50.239
<v Speaker 1>bothered to ask for his. I used the terms guy,

573
00:34:50.519 --> 00:34:54.599
<v Speaker 1>my friend bud on one occasion, and he always called

574
00:34:54.719 --> 00:34:59.400
<v Speaker 1>me yankee, but we never bothered to exchange names. But

575
00:34:59.440 --> 00:35:02.440
<v Speaker 1>through all of talking in conversation, I had never even

576
00:35:02.480 --> 00:35:05.519
<v Speaker 1>thought to ask him, how did he know my name?

577
00:35:06.280 --> 00:35:09.119
<v Speaker 1>Why did he use the term warrior? How did he

578
00:35:09.199 --> 00:35:12.840
<v Speaker 1>know that particular word would hit home with me? I

579
00:35:12.920 --> 00:35:15.519
<v Speaker 1>was a student of Bashido, the way of the warrior.

580
00:35:16.199 --> 00:35:19.000
<v Speaker 1>How did he know? There's no possible way he could

581
00:35:19.039 --> 00:35:24.199
<v Speaker 1>have known. I recovered from my depression in the weeks following.

582
00:35:24.559 --> 00:35:27.159
<v Speaker 1>I was able to step outside my problems and take

583
00:35:27.199 --> 00:35:29.760
<v Speaker 1>hold of them and control them, just as the old

584
00:35:29.840 --> 00:35:33.679
<v Speaker 1>man suggested. I talked to a few people at work

585
00:35:33.719 --> 00:35:35.960
<v Speaker 1>about my job, and I got the help that I

586
00:35:36.000 --> 00:35:40.239
<v Speaker 1>needed there. Things were turning around. And as for the

587
00:35:40.280 --> 00:35:43.719
<v Speaker 1>old man at the rifle range, I kept these mysteries

588
00:35:43.760 --> 00:35:46.880
<v Speaker 1>to myself. I attended the next club meeting and I

589
00:35:46.880 --> 00:35:50.039
<v Speaker 1>looked for the old man, but he never came. I

590
00:35:50.039 --> 00:35:53.480
<v Speaker 1>asked around if anyone had seen him before. No one had.

591
00:35:54.199 --> 00:35:56.400
<v Speaker 1>I asked the board members if they had voted in

592
00:35:56.480 --> 00:35:59.760
<v Speaker 1>any new members had, but they were all men my

593
00:36:00.039 --> 00:36:03.440
<v Speaker 1>age or younger, nobody as old as the man I described.

594
00:36:04.920 --> 00:36:06.880
<v Speaker 1>I spent the rest of the meeting in a fog.

595
00:36:07.559 --> 00:36:10.280
<v Speaker 1>I had been sent an angel in the form of

596
00:36:10.360 --> 00:36:14.360
<v Speaker 1>an old man. I would have taken my own life

597
00:36:14.400 --> 00:36:17.599
<v Speaker 1>that cold fall afternoon. Had he not been there to

598
00:36:17.599 --> 00:36:21.119
<v Speaker 1>stop me, I would have put that nine milimeter around

599
00:36:21.159 --> 00:36:23.760
<v Speaker 1>through my skull and left my kids without a father.

600
00:36:25.079 --> 00:36:27.239
<v Speaker 1>I look back, and I wonder how I ever let

601
00:36:27.280 --> 00:36:31.039
<v Speaker 1>things spiral so far out of control. Was it my

602
00:36:31.239 --> 00:36:34.800
<v Speaker 1>pride at always having to be perfect? Was I really

603
00:36:34.800 --> 00:36:38.559
<v Speaker 1>feeling like everybody wanted more than I could give? Will

604
00:36:38.599 --> 00:36:41.280
<v Speaker 1>I ever be able to thank that old man for

605
00:36:41.320 --> 00:36:45.320
<v Speaker 1>saving my life. I still don't know the answers, and

606
00:36:45.400 --> 00:36:49.119
<v Speaker 1>I've gathered enough wisdom to realize I'll always have more

607
00:36:49.199 --> 00:36:53.239
<v Speaker 1>questions than answers. The old man taught me that problems

608
00:36:53.280 --> 00:36:56.679
<v Speaker 1>aren't always as big as they see, provided there's someone

609
00:36:56.760 --> 00:37:00.800
<v Speaker 1>around to hell put them in perspective. The price for

610
00:37:00.960 --> 00:37:03.960
<v Speaker 1>my life, and that piece of wisdom was the twenty

611
00:37:04.079 --> 00:37:07.480
<v Speaker 1>minutes it took me to dissemble and clean a bolt

612
00:37:07.559 --> 00:37:11.280
<v Speaker 1>action rifle. I write this in the memory of my

613
00:37:11.400 --> 00:37:15.000
<v Speaker 1>dearest friend Glenn, who took his life in October of

614
00:37:15.039 --> 00:37:18.719
<v Speaker 1>two thousand and four. My friend, I miss you greatly.

615
00:37:21.000 --> 00:37:24.280
<v Speaker 1>Trying to get my composure here. That is a letter

616
00:37:24.800 --> 00:37:27.960
<v Speaker 1>from a real man. You know his name, you know

617
00:37:28.039 --> 00:37:31.440
<v Speaker 1>the problems he went through. He listed them all. These

618
00:37:31.440 --> 00:37:35.960
<v Speaker 1>are problems that men from twenty years old to eighty

619
00:37:36.039 --> 00:37:39.159
<v Speaker 1>year olds have. We have no one to talk to,

620
00:37:39.800 --> 00:37:42.360
<v Speaker 1>We have no one, and we can relate these feelings to.

621
00:37:43.880 --> 00:37:47.360
<v Speaker 1>Greg was provided. I believe one hundred percent it was

622
00:37:47.400 --> 00:37:51.400
<v Speaker 1>an angel. If you're in a season of depression and

623
00:37:51.440 --> 00:37:55.920
<v Speaker 1>you hear this story, there is hope. Just hang in there,

624
00:37:55.960 --> 00:37:59.639
<v Speaker 1>Just hang on. That's all you have to do. I'm

625
00:37:59.639 --> 00:38:03.559
<v Speaker 1>not a psychologists or a psychiatrist, and Greg, I'm sorry

626
00:38:03.559 --> 00:38:07.559
<v Speaker 1>if I'm adding some commentary that you don't appreciate. I'm

627
00:38:07.639 --> 00:38:10.320
<v Speaker 1>just asking these people to hang on, because that's what

628
00:38:10.400 --> 00:38:13.840
<v Speaker 1>I got from this story. This man that just showed

629
00:38:13.920 --> 00:38:16.519
<v Speaker 1>up at the rifle range just held him there and

630
00:38:16.559 --> 00:38:19.280
<v Speaker 1>he was hanging on for just a minute, just another minute,

631
00:38:19.400 --> 00:38:23.280
<v Speaker 1>just another minute, just another sentence. Until it all worked

632
00:38:23.320 --> 00:38:27.000
<v Speaker 1>out in Greg's head. Thank you Greg for sending this.

633
00:38:27.679 --> 00:38:31.559
<v Speaker 1>Please please please not comment for the sake of commenting,

634
00:38:31.840 --> 00:38:35.400
<v Speaker 1>but comment how this letter from Greg Ballin made you

635
00:38:35.440 --> 00:38:38.840
<v Speaker 1>feel he would be interested in seeing your comments and

636
00:38:38.880 --> 00:38:41.840
<v Speaker 1>so so I'll end that podcast with this. It was

637
00:38:41.920 --> 00:38:45.320
<v Speaker 1>a different podcast every once in a while, I don't know,

638
00:38:45.440 --> 00:38:48.039
<v Speaker 1>I like to do something different. Hope you enjoyed it

639
00:38:48.079 --> 00:38:49.440
<v Speaker 1>and we'll see guys on the next week.
