1 00:00:10,839 --> 00:00:16,160 Speaker 1: Maybe at the boardwalk over on Main Street. We can 2 00:00:16,239 --> 00:00:21,440 walk downtown. Let's see who we may sitting in. 3 00:00:21,399 --> 00:00:24,359 Speaker 2: The summertime on a local brewer class some. 4 00:00:24,559 --> 00:00:31,760 Speaker 1: High Not like a summer night and Maine, just another. 5 00:00:31,519 --> 00:00:33,280 Speaker 2: Summer night and May. 6 00:00:35,960 --> 00:00:42,359 Speaker 1: Just another summer night in May. Just another summer night 7 00:00:42,560 --> 00:01:01,039 in May. Yet another summer night. And may we sit 8 00:01:01,240 --> 00:01:06,159 back campfire that we made on the beach with a 9 00:01:06,319 --> 00:01:10,840 or not like this. Nothing's out of reach from the 10 00:01:10,879 --> 00:01:16,159 doors to the ocean and never seems the same. Nothing 11 00:01:16,280 --> 00:01:22,319 like summer night in May. Yeah, just another summer night 12 00:01:22,480 --> 00:01:31,359 in May. Just Ano, summer night in May. Just Ano 13 00:01:31,519 --> 00:01:38,079 summer night in May. This nothing like summer night in May. 14 00:01:38,439 --> 00:01:48,519 Speaker 3: Of gay, summer night mad. 15 00:01:58,439 --> 00:02:00,959 Speaker 4: Just to know summer that is cool. 16 00:02:01,040 --> 00:02:03,400 Speaker 5: Welcome back, everybody. We are well in our number two 17 00:02:03,519 --> 00:02:06,640 New Marrow dose of Matt Connorton Unleashed and we are 18 00:02:06,719 --> 00:02:10,639 live from the studios of wm NH ninety five point 19 00:02:10,639 --> 00:02:14,159 three FM, Inglorious Manchester, New Hampshire. Of course, you can 20 00:02:14,159 --> 00:02:16,800 also stream the show online. For all your streaming options, 21 00:02:16,919 --> 00:02:20,080 just go to Matt connorton dot com slash live to 22 00:02:20,120 --> 00:02:22,639 find out how you can stream and interact with the show, 23 00:02:22,680 --> 00:02:25,599 and of course, if you are in Manchester, New Hampshire, 24 00:02:25,840 --> 00:02:28,879 you can listen on your FM dial go to ninety 25 00:02:28,879 --> 00:02:32,520 five point three FM. Today is Saturday, February twenty two, 26 00:02:32,840 --> 00:02:35,919 twenty twenty five. Jenny is here, of course, at the 27 00:02:35,960 --> 00:02:39,439 news table, present account of and let's see let me 28 00:02:39,439 --> 00:02:42,120 get those mics up here. We have joined us live 29 00:02:42,159 --> 00:02:44,479 in studio. The man who performed that song by the way, 30 00:02:46,159 --> 00:02:49,599 another summer night in Maine, which is very very new 31 00:02:50,039 --> 00:02:52,680 Sean Manchester is here with us. We'll test these mics out. 32 00:02:52,680 --> 00:02:54,919 How you doing, Sean, Yes, thank you for having me. 33 00:02:55,080 --> 00:02:57,319 I can barely hear you, which is why I need 34 00:02:57,360 --> 00:02:58,560 to turn this up. 35 00:02:59,240 --> 00:02:59,680 Speaker 6: Check chow. 36 00:02:59,680 --> 00:03:00,599 Speaker 4: Oh there we go. 37 00:03:00,680 --> 00:03:02,800 Speaker 6: Yes, thank you for having me. I'm excited to be here. 38 00:03:02,919 --> 00:03:04,400 Speaker 4: Yeah. I love by the way. 39 00:03:04,439 --> 00:03:06,439 Speaker 5: So that song we played it during the first hour, 40 00:03:06,520 --> 00:03:08,560 Broke Man's Dream. Yeah, that was the first song of 41 00:03:08,599 --> 00:03:10,560 yours that I listened to and I just love it. 42 00:03:11,120 --> 00:03:12,360 Speaker 4: That is that is so cool? 43 00:03:12,719 --> 00:03:14,479 Speaker 5: And uh, let me put the camera on you for 44 00:03:14,520 --> 00:03:18,120 those watching online. Oh, actually, before we go any further, 45 00:03:18,360 --> 00:03:20,120 let me put the camera back on me for a second, 46 00:03:20,159 --> 00:03:22,560 because I want to show people for those watching live. 47 00:03:22,639 --> 00:03:27,719 If you're watching on YouTube or Facebook or LinkedIn or wherever. 48 00:03:27,800 --> 00:03:30,599 So Sean, you brought us. Now people will often bring 49 00:03:30,680 --> 00:03:33,240 us CDs and stuff like that. You brought us. So 50 00:03:33,360 --> 00:03:35,400 these little, these little bags. I'm gonna hold this up 51 00:03:35,400 --> 00:03:35,840 on camera. 52 00:03:35,960 --> 00:03:38,800 Speaker 7: Yeah, little grab bag, little Sean Manch grab bag. My 53 00:03:38,879 --> 00:03:42,080 last name is Manchester. But yeah, you know, for stage purposes, 54 00:03:42,080 --> 00:03:44,960 it's easier for people to chant Sean Manch, Sewan Manchell. 55 00:03:45,000 --> 00:03:47,599 That makes Sean Manchell. Yeah, that makes sense. And in 56 00:03:47,639 --> 00:03:50,439 this so this is a cool concept. You've got a 57 00:03:50,520 --> 00:03:53,360 USB drive with your album, Yes, which is that song 58 00:03:53,400 --> 00:03:54,560 Another Summer Night in Maine. 59 00:03:54,560 --> 00:03:56,599 Speaker 5: That's where that that's where we pulled that from. Yep, 60 00:03:56,800 --> 00:03:59,000 so thank you for bringing that. And you got a little. 61 00:03:59,560 --> 00:04:02,719 Speaker 6: Little in the dark three D printed Sean Manch key 62 00:04:02,800 --> 00:04:03,479 chain exactly. 63 00:04:03,560 --> 00:04:03,960 Speaker 4: Yeah, that is. 64 00:04:04,039 --> 00:04:06,759 Speaker 7: And that's actually a pick as well, saying very cool 65 00:04:06,840 --> 00:04:08,919 D printed, oh glow in the dark. 66 00:04:09,240 --> 00:04:11,599 Speaker 4: Oh outstanding. Yep, got a pick in there. 67 00:04:11,439 --> 00:04:12,759 Speaker 6: A little custom grab bag. 68 00:04:12,840 --> 00:04:15,800 Speaker 5: Yeah, very cool, very cool and h and also a 69 00:04:15,840 --> 00:04:18,600 sticker which is nice. Jenny love stickers. So as you 70 00:04:18,639 --> 00:04:23,560 can see from the computer, definitely, so you brought one 71 00:04:23,600 --> 00:04:25,160 for each of us. So thank you very much, John, 72 00:04:25,279 --> 00:04:28,079 very welcome. That is that is very cool. And I 73 00:04:28,120 --> 00:04:31,360 love that song broke Man's Stream and uh you are 74 00:04:32,360 --> 00:04:34,800 I'm dying to hear you play live. Do you want 75 00:04:34,800 --> 00:04:36,839 to strum that guitar a little for me and we'll 76 00:04:36,879 --> 00:04:39,000 see yuh and see see. 77 00:04:41,000 --> 00:04:44,079 Speaker 4: Oh yeah, that sounds nice. Perfect, that sounds nice. 78 00:04:46,959 --> 00:04:48,879 Speaker 5: Pull that, Pull those other mics up a little bit, 79 00:04:48,920 --> 00:04:50,199 make sure we got the cahone. 80 00:04:50,639 --> 00:04:50,839 Speaker 6: Yeah. 81 00:04:50,879 --> 00:04:53,759 Speaker 7: Playing the drums with my feet while singing and playing 82 00:04:54,040 --> 00:04:56,040 makes a nice full arrangement. 83 00:04:56,040 --> 00:04:57,480 Speaker 6: I like to have that a little bit of rhythm 84 00:04:57,480 --> 00:04:57,759 with it. 85 00:04:57,839 --> 00:04:59,839 Speaker 5: You are a one man band, Yeah, that's that's for. 86 00:05:00,399 --> 00:05:02,879 Is it difficult to learn to do that? Or does 87 00:05:02,920 --> 00:05:05,519 that come naturally? Because most people tap their foot anyway 88 00:05:05,519 --> 00:05:06,399 when listening to music? 89 00:05:06,480 --> 00:05:08,519 Speaker 7: So does that just kind of that definitely helps you 90 00:05:08,560 --> 00:05:11,399 know a lot of times if I'm just practicing without 91 00:05:11,680 --> 00:05:14,199 any drums or anything, just tapping my feet and I 92 00:05:14,279 --> 00:05:16,399 was I thought that was just a natural way to 93 00:05:16,480 --> 00:05:19,480 keep time. Might as well add some drums underneath the 94 00:05:19,519 --> 00:05:20,759 tappen and see how it goes. 95 00:05:20,959 --> 00:05:23,519 Speaker 4: Yeah, yeah, no, that makes sense. That makes sense. 96 00:05:23,600 --> 00:05:26,160 Speaker 7: I'm left handed, although I play a right handed guitar, 97 00:05:26,319 --> 00:05:29,560 so yeah, the ambidexterousness. 98 00:05:28,600 --> 00:05:30,360 Speaker 6: I'm sure helps with that independence. 99 00:05:30,480 --> 00:05:34,160 Speaker 5: For instrument I have a theory that we're all ambidextrous. 100 00:05:34,240 --> 00:05:37,279 We just don't know it. Because you learn to play 101 00:05:37,279 --> 00:05:40,079 a musical instrument, you're using both your hands are exactly 102 00:05:40,319 --> 00:05:46,000 exactly yeah, sometimes your feet yeah exactly right, exactly yeah, 103 00:05:46,079 --> 00:05:47,920 especially like if you're a drummer, you're using all four 104 00:05:47,959 --> 00:05:51,000 of your limbs and doing some complex stuff, and that. 105 00:05:50,800 --> 00:05:51,279 Speaker 6: That helps you. 106 00:05:51,360 --> 00:05:55,639 Speaker 7: Because I play, you know, piano, drums, bass, the instrumentalists 107 00:05:55,639 --> 00:05:57,879 as well. That's what helps me record the full band 108 00:05:58,000 --> 00:05:59,240 sound with a lot of those songs. 109 00:05:59,279 --> 00:06:01,480 Speaker 5: Oh okay, So on your studio tracks, is it all you? 110 00:06:01,720 --> 00:06:01,920 Speaker 6: Yeah? 111 00:06:01,959 --> 00:06:05,040 Speaker 7: All me playing all my writing and nice all self 112 00:06:05,079 --> 00:06:07,399 recorded and produced in my little shack and mane. 113 00:06:07,480 --> 00:06:10,399 Speaker 4: Oh that's fantastic. That's fantastic. Uh, what are you gonna 114 00:06:10,399 --> 00:06:10,879 play for us? 115 00:06:11,079 --> 00:06:12,879 Speaker 6: I'll start out with broke Man's stream Awesome. 116 00:06:12,920 --> 00:06:13,720 Speaker 5: I love this song. 117 00:06:13,839 --> 00:06:14,120 Speaker 6: Thank you. 118 00:06:14,160 --> 00:06:16,040 Speaker 5: I love the song. If you're just joining us, Sean 119 00:06:16,079 --> 00:06:18,439 Manchester is here with us live in studio. 120 00:06:28,920 --> 00:06:32,319 Speaker 1: A cat sixteen bucks, gotta make it to Friday, trying 121 00:06:32,319 --> 00:06:36,079 to do right. He going my way money suit. What 122 00:06:36,240 --> 00:06:40,480 can't I say? I'm living on a brooke Man's dreams 123 00:06:50,120 --> 00:06:53,399 running on gas and no, won't blast a couple of counts. 124 00:06:53,519 --> 00:06:56,680 Get through the week, keep my head and high an 125 00:06:56,759 --> 00:06:59,519 atone noon while I win the fives running down on me. 126 00:07:00,279 --> 00:07:03,120 I got sixteen bucks, gotta make it to Friday. They 127 00:07:03,240 --> 00:07:06,199 trying to do a right, ain't going my way? Money 128 00:07:06,240 --> 00:07:10,319 suit tight? What can't I say? I'm living on a 129 00:07:10,399 --> 00:07:13,959 broke man sixteen bucks and I'm making Friday trying to 130 00:07:13,959 --> 00:07:17,160 do a right. Ain't going my way? Money so tight? 131 00:07:17,480 --> 00:07:27,879 What can I say? I'm living on a broke man's dreams? 132 00:07:31,519 --> 00:07:34,480 Now I find the sea that it ain't just a dream, 133 00:07:34,519 --> 00:07:38,360 making it half en today? Now keep on now and okay, 134 00:07:38,560 --> 00:07:42,240 moving shaw till I can final, Liz say a half 135 00:07:42,360 --> 00:07:45,240 sixteen bucks and I made it to Friday. I finally 136 00:07:45,240 --> 00:07:48,439 do the right. It went my way. Money's out tight. 137 00:07:48,800 --> 00:07:56,079 What can I say? I'm living a broke man's dreams. 138 00:07:56,639 --> 00:07:58,319 Speaker 2: I've lived everything in between. 139 00:08:02,879 --> 00:08:06,160 Speaker 1: We got sixteen bucks, gotta make it to Friday, trying 140 00:08:06,199 --> 00:08:09,439 to do right, ain't doing my way? Money so tight? 141 00:08:09,800 --> 00:08:13,639 What can't I say? I'm living on a broad man. 142 00:08:13,800 --> 00:08:16,680 Sixteen bucks? Would have made it to Friday? I finally 143 00:08:16,720 --> 00:08:19,920 did a right, It went my way. Money's not tight. 144 00:08:20,279 --> 00:08:25,360 What can't I say? I'm living a broad man's dreams 145 00:08:28,600 --> 00:08:31,000 and now I've lived everything in between. 146 00:08:35,759 --> 00:08:37,039 Speaker 4: Oh I do love that song. 147 00:08:37,120 --> 00:08:37,840 Speaker 1: That was awful. 148 00:08:38,639 --> 00:08:39,639 Speaker 4: I do love that song. 149 00:08:39,919 --> 00:08:43,960 Speaker 5: You're what we do absolutely absolutely if you're just joining us. 150 00:08:44,120 --> 00:08:47,279 Sean Manchester is here with us live in studio on 151 00:08:47,320 --> 00:08:49,440 this this Saturday morning. 152 00:08:49,679 --> 00:08:51,080 Speaker 4: And Sean, where are you from? 153 00:08:51,799 --> 00:08:51,879 Speaker 1: So? 154 00:08:51,960 --> 00:08:53,879 Speaker 6: Originally Massachusetts? Attleborough? 155 00:08:54,120 --> 00:08:56,919 Speaker 7: Okay, you know a family that still lives down there, 156 00:08:57,000 --> 00:08:59,279 but I currently live up in Clinton, Maine. 157 00:09:00,279 --> 00:09:02,399 Speaker 4: Is it must be cold there? Imagine? 158 00:09:02,480 --> 00:09:05,080 Speaker 6: Oh yeah, tongues of snow these past couple of weeks. 159 00:09:05,120 --> 00:09:07,080 But yeah, springs right around the corner. 160 00:09:07,080 --> 00:09:10,200 Speaker 7: I mentioned to get into some of the springtime gardening 161 00:09:10,240 --> 00:09:12,240 and all that. I live off grid in a little 162 00:09:12,279 --> 00:09:14,480 tiny house, you know, all solar. 163 00:09:14,240 --> 00:09:14,879 Speaker 5: Oh no kidding. 164 00:09:14,960 --> 00:09:17,399 Speaker 7: Yeah, it's on Main Street, which is convenient. I can 165 00:09:17,399 --> 00:09:19,879 walk to everything I need if I need to, no kidding, 166 00:09:20,080 --> 00:09:23,480 but enough in the woods that I have the privacy, 167 00:09:23,519 --> 00:09:23,639 you know. 168 00:09:23,720 --> 00:09:23,960 Speaker 1: Yeah. 169 00:09:24,080 --> 00:09:25,240 Speaker 6: It's a good balance of that. 170 00:09:25,519 --> 00:09:28,240 Speaker 5: Oh that's really cool. Are you Are you a minimalist? 171 00:09:28,480 --> 00:09:28,679 Speaker 4: Yeah? 172 00:09:28,919 --> 00:09:33,399 Speaker 6: I like, you know, to not keep it not very materialistic, 173 00:09:33,480 --> 00:09:33,679 you know. 174 00:09:33,840 --> 00:09:37,159 Speaker 5: Yeah, I admire that a lot. That's that's very cool. 175 00:09:37,200 --> 00:09:39,240 I mean life is simpler that way, right. 176 00:09:39,279 --> 00:09:41,600 Speaker 7: Exactly, as long as I can go outside and enjoy 177 00:09:41,600 --> 00:09:44,440 the sun and a hammock and have a campfire, yeah, guitar, 178 00:09:44,559 --> 00:09:45,440 a couple of friends. 179 00:09:46,080 --> 00:09:47,200 Speaker 4: Yeah. Yeah, that's the. 180 00:09:47,200 --> 00:09:48,240 Speaker 6: Beauty of life right there. 181 00:09:48,440 --> 00:09:50,759 Speaker 5: What's what's the scene like there as far as are 182 00:09:50,799 --> 00:09:52,600 there a lot of places where you live to play 183 00:09:52,679 --> 00:09:53,200 or yeah? 184 00:09:53,320 --> 00:09:56,240 Speaker 7: It's uh, you know, I did the cover songs for 185 00:09:56,320 --> 00:09:58,919 a long time in the local bar kind of gigs, 186 00:09:59,399 --> 00:10:02,360 and there's a a lot of local breweries and yeah, 187 00:10:02,399 --> 00:10:05,120 you know, so if you're trying to find somewhere to play, 188 00:10:05,120 --> 00:10:07,240 you might have to travel a half an hour in 189 00:10:07,279 --> 00:10:09,440 pretty much any direction, but you know, you can normally 190 00:10:09,480 --> 00:10:11,799 find a decent amount of gigs. Yeah, I'm focusing a 191 00:10:11,799 --> 00:10:16,399 lot on the original songs now, and I'm gonna move 192 00:10:16,519 --> 00:10:18,879 more towards running my own shows. You know, rent a 193 00:10:18,960 --> 00:10:22,000 venue out and then do the promotion and that sort 194 00:10:22,000 --> 00:10:22,960 of thing more on my own. 195 00:10:23,039 --> 00:10:25,120 Speaker 4: Oh excellent, excellent. Do you do some of that now 196 00:10:25,240 --> 00:10:26,480 or just starting out? 197 00:10:26,519 --> 00:10:28,200 Speaker 7: I've done it in the past just as kind of 198 00:10:28,240 --> 00:10:32,200 trial and er, you know, half covers, half originals and 199 00:10:32,240 --> 00:10:34,320 see who shows up, and it turned out pretty decent 200 00:10:34,399 --> 00:10:38,039 and hoping you know, the grab bags, they'll sweeten the deals. Yeah, 201 00:10:38,320 --> 00:10:41,120 the first ten people that come, you know, get a 202 00:10:41,159 --> 00:10:42,840 gift bag or you know something like that. 203 00:10:43,039 --> 00:10:44,919 Speaker 6: Yeah, and they'll be free shows. I'm just in it 204 00:10:44,960 --> 00:10:45,879 for the music, so. 205 00:10:46,039 --> 00:10:46,960 Speaker 4: Gotcha, gotcha? 206 00:10:47,039 --> 00:10:50,279 Speaker 5: Yeah, So you do everything, So I have the studio tracks, 207 00:10:50,279 --> 00:10:51,240 you do everything yourself. 208 00:10:51,320 --> 00:10:51,519 Speaker 6: Yep. 209 00:10:51,600 --> 00:10:55,759 Speaker 7: When all the mixing, mastering, no conduction. I use a 210 00:10:55,799 --> 00:10:59,000 service online called Lander and that so I'm on Spotify. 211 00:10:59,360 --> 00:11:03,320 It pushes it out to all Spotify, Apple Music, Facebook, 212 00:11:03,480 --> 00:11:04,159 all that stuff. 213 00:11:04,200 --> 00:11:09,559 Speaker 5: So okay, excellent. Some musicians hate having to do that part. 214 00:11:09,720 --> 00:11:13,039 But you know the but you sound like you embrace it. Well. 215 00:11:13,080 --> 00:11:17,200 Speaker 7: I way back when I was younger, I was a programmer, 216 00:11:17,440 --> 00:11:19,080 you know, web developer, that kind of thing. 217 00:11:19,120 --> 00:11:20,639 Speaker 6: So I have a decent tech background. 218 00:11:20,799 --> 00:11:22,720 Speaker 7: Yeah, and you know the arts side, so I kind 219 00:11:22,720 --> 00:11:25,639 of just use what I've learned from that in business 220 00:11:25,679 --> 00:11:27,960 marketing and things, you know, and there you go, added 221 00:11:28,000 --> 00:11:30,279 it to the music to you know, enhance the hobby 222 00:11:30,320 --> 00:11:32,000 and just make it go a little bit further. 223 00:11:32,080 --> 00:11:34,799 Speaker 6: It helps. Yeah, Oh, I mean, and I definitely enjoy it. 224 00:11:34,879 --> 00:11:36,840 Speaker 5: Yeah, yeah, I mean it sounds like more than a hobby. 225 00:11:36,840 --> 00:11:39,080 I mean, you know, it's definitely a passion. Yeah, and 226 00:11:39,080 --> 00:11:41,720 you're accomplishing a lot with it, so that's great. 227 00:11:41,919 --> 00:11:44,720 Speaker 7: It keeps me busy too, you know, always always something 228 00:11:44,720 --> 00:11:46,840 to work on. And ye then when you finish a 229 00:11:46,919 --> 00:11:50,200 song or a video, it feels like you've gotten something done. 230 00:11:50,360 --> 00:11:51,799 Speaker 4: Yeah. Yeah. 231 00:11:52,000 --> 00:11:54,720 Speaker 5: Broke Band's stream is that? Is that based on real 232 00:11:54,759 --> 00:11:56,919 life experience? Because it's very relatable. 233 00:11:57,120 --> 00:11:59,919 Speaker 7: Yeah, well, I'm sure everyone can relate, you know, trying 234 00:11:59,919 --> 00:12:02,600 to get to that Friday was sixteen bucks in the 235 00:12:02,639 --> 00:12:04,879 account and trying to make it there. Yeah, you know, 236 00:12:05,000 --> 00:12:08,600 starting out saving up for the land and had an 237 00:12:08,600 --> 00:12:12,120 old van down by the river, nice you know, nineteen 238 00:12:12,320 --> 00:12:15,759 eighty two Chevy G twenty conversion van, so I had everything, 239 00:12:15,799 --> 00:12:19,080 but yeah, my job paid for you know, a lot rent, 240 00:12:19,159 --> 00:12:23,919 so a lot rent. It was a parking spot the 241 00:12:24,000 --> 00:12:27,159 van there, and started out from there walking around to 242 00:12:27,200 --> 00:12:29,720 bars with my guitar and can I play a couple 243 00:12:29,799 --> 00:12:32,639 songs and put a tip jar out? And from there 244 00:12:32,759 --> 00:12:36,200 blossomed into all of this fun stuff going on now. 245 00:12:36,320 --> 00:12:40,120 Speaker 5: So yeah, yeah, have you how long have you been 246 00:12:40,159 --> 00:12:42,720 really focused on that part the music career? 247 00:12:42,879 --> 00:12:46,200 Speaker 6: Probably about the last four four or five years. Yeah, 248 00:12:46,200 --> 00:12:47,120 I say about that. 249 00:12:47,240 --> 00:12:50,120 Speaker 7: You know, I have kids, so yeah, spent a lot 250 00:12:50,120 --> 00:12:53,000 of time working on that. You know, kids when they 251 00:12:53,000 --> 00:12:55,919 were younger, you know, take a little bit more attention 252 00:12:56,200 --> 00:12:58,919 changing diapers now that they're a little bit more self sustaining, 253 00:13:00,039 --> 00:13:00,960 little bit of time for me. 254 00:13:01,440 --> 00:13:03,279 Speaker 4: Yeah. 255 00:13:03,399 --> 00:13:05,360 Speaker 5: Is it like living in a tiny house? Is that 256 00:13:05,360 --> 00:13:07,840 a big adjustment or did that come naturally? 257 00:13:08,000 --> 00:13:11,559 Speaker 7: I love it, you know, I have plenty of space, especially, 258 00:13:11,639 --> 00:13:14,159 I mean the one that I built now has plenty 259 00:13:14,159 --> 00:13:16,600 of space. The first couple of tiny houses, you know, 260 00:13:16,919 --> 00:13:17,559 not a builder. 261 00:13:17,639 --> 00:13:19,799 Speaker 5: Oh so it's not your first one, yeah, exactly. 262 00:13:19,919 --> 00:13:22,200 Speaker 7: This one actually turned out really nice, you know. Okay, 263 00:13:22,600 --> 00:13:25,000 it was a learning curve, the first couple of tiny houses, 264 00:13:25,039 --> 00:13:27,080 trying to figure out how to build. I'm a musician, 265 00:13:27,200 --> 00:13:30,960 not a carpenter. So yeah, but this one. Yeah, it's 266 00:13:31,360 --> 00:13:33,600 so you built these oh yeah yeah wow. And I 267 00:13:34,039 --> 00:13:38,240 prefer it, you know, the tiny living, less space to heat. Yeah, 268 00:13:38,480 --> 00:13:39,919 everything has a place. 269 00:13:40,120 --> 00:13:42,279 Speaker 5: Yeah yeah, oh very cool. 270 00:13:42,360 --> 00:13:42,799 Speaker 6: I enjoy it. 271 00:13:42,840 --> 00:13:45,600 Speaker 5: Well yeah yeah, yeah. How do the kids feel about it? 272 00:13:45,639 --> 00:13:46,080 Speaker 6: They love it? 273 00:13:46,320 --> 00:13:46,519 Speaker 4: Yeah. 274 00:13:46,559 --> 00:13:49,320 Speaker 7: Well I got a frog pond too, so as long 275 00:13:49,360 --> 00:13:51,120 as you can go outside and catch frogs in the 276 00:13:51,159 --> 00:13:52,919 spring and summer, they love it. 277 00:13:53,000 --> 00:13:53,960 Speaker 4: Oh, that's really cool. 278 00:13:54,200 --> 00:13:55,000 Speaker 5: That's really cool. 279 00:13:55,799 --> 00:13:56,840 Speaker 4: Do you want to play another one? 280 00:13:56,919 --> 00:13:59,039 Speaker 5: Yeah, I'm dying to hear more if you're just joining us. 281 00:13:59,080 --> 00:14:01,840 Sean Manchester is with us live in studio and traveled 282 00:14:02,080 --> 00:14:03,919 quite far but of a hall. 283 00:14:04,320 --> 00:14:04,480 Speaker 6: Yeah. 284 00:14:04,480 --> 00:14:06,799 Speaker 7: It was about two and a half hours. Just a 285 00:14:06,879 --> 00:14:08,720 nice drive though, watching the sun come up. 286 00:14:08,879 --> 00:14:09,120 Speaker 4: Yeah. 287 00:14:09,279 --> 00:14:12,240 Speaker 6: Trees, yeah, cute little city here too. 288 00:14:12,440 --> 00:14:13,559 Speaker 4: Yeah, oh, thank you, thank you. 289 00:14:13,639 --> 00:14:16,080 Speaker 6: Wandering around for a little bit, driving and seeing all 290 00:14:16,120 --> 00:14:17,240 the sights, nice. 291 00:14:17,120 --> 00:14:18,759 Speaker 5: Architects, a lot of mill buildings. 292 00:14:18,840 --> 00:14:23,919 Speaker 6: Yep. This next song, the wind between us, I'll play 293 00:14:23,960 --> 00:14:24,240 that one. 294 00:14:24,240 --> 00:14:26,840 Speaker 5: Oh, very cool, very cool. We have Sean Manchester here 295 00:14:26,879 --> 00:14:29,600 with us, live in studio on this Saturday morning. 296 00:14:30,120 --> 00:14:48,279 Speaker 7: You're on the program and a jew This one just acoustic, okay. 297 00:14:51,320 --> 00:14:53,919 Speaker 1: I've seen the wind take it all the way, never 298 00:14:54,039 --> 00:14:58,759 had a chance of reason to stay this enviasible stay. 299 00:15:00,759 --> 00:15:03,919 I hear the whisper of the wind through the years distance, 300 00:15:04,039 --> 00:15:11,360 like Raleigh's fears, I wish we could stay toom left. 301 00:15:11,519 --> 00:15:17,840 The wind never come between us. We'll never be seen 302 00:15:20,120 --> 00:15:26,679 through your heart and tone for copy to writhe the 303 00:15:26,919 --> 00:15:50,080 winds of change and Dick, it's hard to man to 304 00:15:50,200 --> 00:15:52,600 watch you gotta find the key to a toil like 305 00:15:52,759 --> 00:15:59,399 shut through away the past. Come for a minute, come 306 00:15:59,480 --> 00:16:03,159 for it, but don't come long, don't go to stay. 307 00:16:03,440 --> 00:16:09,480 Can't you hear me say? Do have no wind ever 308 00:16:09,679 --> 00:16:18,399 come between us? We will never be same through your 309 00:16:18,399 --> 00:16:41,759 heart and don't forecat me. Don't ride though wins of change. 310 00:16:45,120 --> 00:16:47,679 Speaker 2: I've seen the word you take it away. I've never 311 00:16:47,759 --> 00:16:49,519 had changed reason to say it. 312 00:16:50,440 --> 00:16:57,080 Speaker 1: This isn't b stay. Don't let the wind ever come 313 00:16:57,320 --> 00:17:06,039 between us. Will never beat sing thing real hard and 314 00:17:06,200 --> 00:17:12,559 too for cavy too rathmins. 315 00:17:13,400 --> 00:17:19,160 Speaker 5: Love change, m I love it. 316 00:17:19,240 --> 00:17:19,720 Speaker 4: I love it. 317 00:17:20,000 --> 00:17:23,440 Speaker 5: Sean Manchester here with us live in studio. Yeah, I 318 00:17:23,480 --> 00:17:25,519 love your voice. Did how did you learn to singer? 319 00:17:25,559 --> 00:17:27,440 You self taught or did you take lessons or. 320 00:17:27,960 --> 00:17:29,000 Speaker 6: Just all self taught? 321 00:17:29,039 --> 00:17:32,000 Speaker 7: I mean, I think the earliest was when I was 322 00:17:32,039 --> 00:17:36,079 three years old, singing Run Joey Run and Billy don't 323 00:17:36,079 --> 00:17:38,519 be a Heroes. Oh really, my mom had you know 324 00:17:38,599 --> 00:17:42,839 some home tapes, you know, yeah, Marching Ben came down 325 00:17:43,000 --> 00:17:49,799 along Main Street. Yeah, early nineties or late eighties, okay, okay, yeah, 326 00:17:49,839 --> 00:17:52,240 but then you know really took it on, you know, 327 00:17:52,279 --> 00:17:56,119 in high school when I was probably seventeen, started playing, 328 00:17:56,599 --> 00:17:58,880 and then a couple of Battle of the Bands and 329 00:17:58,960 --> 00:17:59,920 when those went to. 330 00:17:59,839 --> 00:18:02,119 Speaker 6: Bed Fast Area High School Okay, yeah, up. 331 00:18:02,000 --> 00:18:04,960 Speaker 7: In Maine, and yeah, so took off from there though. 332 00:18:05,000 --> 00:18:07,240 I once I got on stage for the first time 333 00:18:07,319 --> 00:18:09,200 doing that, it was all over from there. 334 00:18:10,119 --> 00:18:11,039 Speaker 6: Couldn't stay away. 335 00:18:11,359 --> 00:18:12,400 Speaker 4: Do you do you ever? 336 00:18:12,519 --> 00:18:13,920 Speaker 5: Have you ever played with a band or has it 337 00:18:13,920 --> 00:18:15,319 always been a solo acoustic thing. 338 00:18:15,400 --> 00:18:18,559 Speaker 7: Yeah, I've done a lot, you know, jammed with different friends, 339 00:18:18,640 --> 00:18:20,759 had cover bands and stuff like that, and I do 340 00:18:21,000 --> 00:18:24,160 intend on getting a bassist and a drummer eventually, Okay, 341 00:18:24,160 --> 00:18:27,759 just probably sometime this summer kind of work on that. Oh. 342 00:18:27,880 --> 00:18:29,559 Speaker 6: Ok, I've been doing the solo thing though a couple 343 00:18:29,559 --> 00:18:31,839 of years. Yeah, a little bit easier logistically. 344 00:18:32,000 --> 00:18:32,960 Speaker 4: Oh yeah, you don't. 345 00:18:32,799 --> 00:18:34,920 Speaker 5: Have to check with anybody about their schedule if you 346 00:18:35,000 --> 00:18:39,599 had live shows to play exactly, all that kind of stuff. Yeah, yeah, 347 00:18:39,720 --> 00:18:42,480 you probably. You strike me as someone who's probably always writing. 348 00:18:43,000 --> 00:18:44,519 You have a lot of songs that you've. 349 00:18:44,440 --> 00:18:45,160 Speaker 6: Written, exactly. 350 00:18:45,240 --> 00:18:45,440 Speaker 1: Yeah. 351 00:18:45,440 --> 00:18:47,519 Speaker 7: I have a lot of stuff that I've recorded, you know, 352 00:18:47,559 --> 00:18:49,720 I like to just get it out of my mind 353 00:18:49,759 --> 00:18:51,599 and get it all recorded, So I have at least 354 00:18:51,640 --> 00:18:54,400 some kind of demo and then I can come back 355 00:18:54,440 --> 00:18:56,680 to it, tear the song apart, and you know, figure 356 00:18:56,680 --> 00:18:57,519 out how I wrote it. 357 00:18:57,759 --> 00:18:58,039 Speaker 4: Yeah. 358 00:18:58,119 --> 00:19:01,119 Speaker 7: Yeah, So I'm always writing, picking and choosing what I 359 00:19:01,160 --> 00:19:03,640 want to you know, publish, and what might need a 360 00:19:03,680 --> 00:19:04,720 little bit more time. 361 00:19:04,920 --> 00:19:06,880 Speaker 5: Doing all the mixing and mastering and everything. If you've 362 00:19:06,880 --> 00:19:08,880 done it that way from the beginning, like all doing 363 00:19:08,920 --> 00:19:10,519 all of it yourself, Yeah, that's awesome. 364 00:19:10,599 --> 00:19:11,359 Speaker 6: Yeah, that's awesome. 365 00:19:11,440 --> 00:19:11,599 Speaker 4: Yeah. 366 00:19:11,640 --> 00:19:15,720 Speaker 7: I enjoy it. And it's come a long way, that's 367 00:19:15,799 --> 00:19:18,039 for sure. I listened to some of the stuff even 368 00:19:18,160 --> 00:19:21,880 just five years ago, and I can tell it's come. 369 00:19:21,759 --> 00:19:22,359 Speaker 1: Along with really. 370 00:19:22,400 --> 00:19:23,200 Speaker 4: Yeah. 371 00:19:23,240 --> 00:19:25,559 Speaker 6: Someday maybe I'll release it as like a gag track 372 00:19:25,680 --> 00:19:26,079 or something. 373 00:19:26,160 --> 00:19:27,720 Speaker 5: Yeah. 374 00:19:27,880 --> 00:19:29,960 Speaker 6: See, you know it takes time to get there. 375 00:19:30,839 --> 00:19:32,359 Speaker 4: Do you remember the first song you ever wrote? 376 00:19:34,000 --> 00:19:38,799 Speaker 7: M Actually, I so I had started. Must have been 377 00:19:38,839 --> 00:19:42,759 like sixteen or seventeen. Yeah, I don't play it because 378 00:19:42,839 --> 00:19:45,599 it's so this is again something. 379 00:19:45,359 --> 00:19:51,039 Speaker 6: People haven't heard. Okay, I actually do remember it. 380 00:19:51,119 --> 00:19:51,880 Speaker 4: So oh okay. 381 00:19:52,039 --> 00:20:02,079 Speaker 1: In dreams, everything looks perfect. It seems everything word now 382 00:20:02,279 --> 00:20:07,680 I see on the pain im causin a dream of you, 383 00:20:08,119 --> 00:20:15,799 and my heart is pauson. I'm moving on weir about you. 384 00:20:16,759 --> 00:20:23,119 I'm moving on because you're run true. I'm moving on. 385 00:20:23,599 --> 00:20:28,119 Speaker 2: Through this dark blue called you all. 386 00:20:28,720 --> 00:20:32,480 Speaker 7: I like seventeen sixteen seventeen started playing the guitar. 387 00:20:32,559 --> 00:20:35,039 Speaker 6: That's why it's just I'm GC and D. 388 00:20:35,920 --> 00:20:38,440 Speaker 4: I like it though. That's good. That's not a bad way. 389 00:20:38,359 --> 00:20:40,680 Speaker 6: To start write. Not a bad song for a first song, No, 390 00:20:40,839 --> 00:20:44,359 not bad at all. That's funny. I haven't thought about 391 00:20:44,359 --> 00:20:45,240 that song in a while. 392 00:20:45,319 --> 00:20:45,680 Speaker 5: Oh really? 393 00:20:45,759 --> 00:20:47,079 Speaker 4: Yeah, yeah, no, I like it. 394 00:20:47,160 --> 00:20:47,559 Speaker 5: I dig it. 395 00:20:47,640 --> 00:20:50,279 Speaker 4: Yeah, yeah, yeah. 396 00:20:50,200 --> 00:20:52,920 Speaker 5: Who are some of your inspirations as far as songwriters 397 00:20:52,920 --> 00:20:54,599 and performers. 398 00:20:54,680 --> 00:20:56,920 Speaker 7: It's gotta be a lot of classic rock, yeah, I 399 00:20:57,000 --> 00:20:59,799 like classic rock a lot. And then on the other 400 00:21:00,000 --> 00:21:02,559 side of things, I listened to a lot of like 401 00:21:02,680 --> 00:21:06,279 the Jason Moraz, John Mayer, you know, early two thousands 402 00:21:06,359 --> 00:21:07,759 kind of yeah. 403 00:21:08,200 --> 00:21:11,200 Speaker 6: Acoustic guys. Yeah, so a lot of that. 404 00:21:11,400 --> 00:21:13,720 Speaker 7: But yeah, yeah, I'd say it's kind of a mix 405 00:21:13,759 --> 00:21:15,119 of that, the classic rock, you know. 406 00:21:15,160 --> 00:21:17,160 Speaker 6: I like a lot of Led Zeppelin and yeah. 407 00:21:17,839 --> 00:21:22,759 Speaker 5: Yeah. Is there anyone who who inspires you in terms 408 00:21:22,799 --> 00:21:25,319 of because I love your voice, I mean, is there 409 00:21:25,319 --> 00:21:28,240 anyone you try to emulate vocally or or or who 410 00:21:28,279 --> 00:21:29,440 is uh influence? 411 00:21:29,480 --> 00:21:32,160 Speaker 6: I'd say that, like, you know, Rob Thomas. That's another one. 412 00:21:32,200 --> 00:21:34,400 Speaker 7: A lot of like Matchbox twenty, Yeah, you know those 413 00:21:34,519 --> 00:21:36,640 kind of songs. Yeah, A lot of influence from that 414 00:21:36,720 --> 00:21:39,000 kind of stuff too, like that soft rock. 415 00:21:39,279 --> 00:21:41,759 Speaker 5: Yeah yeah, but you've got there's a little bit of 416 00:21:41,799 --> 00:21:43,839 a rawness though that you have that a guy like 417 00:21:43,920 --> 00:21:46,279 Rob Thomas doesn't have. And I think that's what and 418 00:21:46,359 --> 00:21:47,880 I like that. I think that's why I like your 419 00:21:47,920 --> 00:21:50,599 voice so much. This, I don't know, there's a there's 420 00:21:50,640 --> 00:21:52,160 just a little bit of a there's a little bit 421 00:21:52,160 --> 00:21:53,440 of a rough edge to it that I that I 422 00:21:53,480 --> 00:21:54,079 really love. 423 00:21:53,960 --> 00:21:56,200 Speaker 7: That kind of that kind of crunch, which yeah, took 424 00:21:56,279 --> 00:21:57,480 a little bit to be able to get. 425 00:21:57,519 --> 00:21:58,400 Speaker 4: You know, really a lot. 426 00:21:58,240 --> 00:22:00,880 Speaker 7: Of clean singing, so I you to do that, you know, 427 00:22:01,039 --> 00:22:03,319 very clean and crisp, but I like that kind of 428 00:22:03,400 --> 00:22:06,559 little rasp or crunch, you know, compression vocals. 429 00:22:06,559 --> 00:22:08,839 Speaker 6: It comes from the like, you know, I want a 430 00:22:08,960 --> 00:22:10,759 rock you know, oh yeah. 431 00:22:10,480 --> 00:22:12,759 Speaker 7: Kind of stuff when you actually push yeah you know, 432 00:22:13,000 --> 00:22:14,960 So I like a lot of that, like heavy vocals. 433 00:22:15,000 --> 00:22:17,839 Speaker 5: So yeah, because for a song like broke Man's Dream, 434 00:22:18,000 --> 00:22:21,680 that that really works well, yeah, that that vocal song 435 00:22:21,799 --> 00:22:23,680 like that, Yeah, it gives it a little little bit 436 00:22:23,720 --> 00:22:24,240 of that grit. 437 00:22:24,720 --> 00:22:26,839 Speaker 7: I'd say, honestly, a lot of it does come from 438 00:22:27,279 --> 00:22:32,680 like Dio and that kind of like Holy Diver, Yeah, 439 00:22:32,720 --> 00:22:35,079 with the last in line, Yeah. 440 00:22:35,039 --> 00:22:35,759 Speaker 6: Like that sort of. 441 00:22:36,000 --> 00:22:36,720 Speaker 4: Yeah. 442 00:22:36,759 --> 00:22:38,720 Speaker 5: Well, because if you can sing that stuff, you can 443 00:22:38,720 --> 00:22:40,079 sing anything right exactly. 444 00:22:40,119 --> 00:22:42,799 Speaker 7: It makes it so I honestly have to like hold 445 00:22:42,880 --> 00:22:45,079 back from doing it too much when I play acoustic 446 00:22:45,079 --> 00:22:47,599 because I want to just go, you know, straight out 447 00:22:47,599 --> 00:22:47,880 with it. 448 00:22:47,960 --> 00:22:49,599 Speaker 4: But yeah, you don't want to blow your voice out 449 00:22:49,599 --> 00:22:50,319 of the process. 450 00:22:50,400 --> 00:22:52,960 Speaker 5: Yeah that ever happened, like, especially with this has been 451 00:22:53,000 --> 00:22:55,319 such a brutal cold and flu season. You ever heard 452 00:22:55,400 --> 00:22:57,480 have that happened to where your voice goes during the 453 00:22:57,519 --> 00:22:58,519 show or starts. 454 00:22:58,240 --> 00:22:59,160 Speaker 6: To Yeah, definitely. 455 00:22:59,160 --> 00:23:01,240 Speaker 7: When I was doing the shows and playing you know, 456 00:23:01,319 --> 00:23:04,880 two or three shows a weekend. Yeah, by that ninth 457 00:23:04,920 --> 00:23:09,720 hour of singing, you know, in eighteen hours, it's like, huh, 458 00:23:09,759 --> 00:23:14,759 I need a throat laws and drinking honey straight from 459 00:23:14,759 --> 00:23:16,400 the jar just to soothe it all. 460 00:23:16,640 --> 00:23:17,799 Speaker 4: No doubt, no doubt. 461 00:23:18,440 --> 00:23:21,640 Speaker 5: Is it challenging at all singing this early in the day. 462 00:23:22,119 --> 00:23:23,720 Speaker 6: You know, I thought about that on the way down. 463 00:23:23,720 --> 00:23:25,440 I was like, I never really sing in the morning. 464 00:23:25,599 --> 00:23:27,680 Speaker 7: I mean, as long as I have some coffee to 465 00:23:28,039 --> 00:23:31,039 warm my voice up. It's normally not too bad. Yeah, 466 00:23:31,079 --> 00:23:32,559 that's for the listeners to decide. 467 00:23:32,599 --> 00:23:33,200 Speaker 5: I get right. 468 00:23:35,400 --> 00:23:37,039 Speaker 4: No, you sound great. You want to play another one? 469 00:23:37,119 --> 00:23:38,039 Speaker 6: Yeah, definitely, I'll do. 470 00:23:39,880 --> 00:23:39,920 Speaker 1: Me. 471 00:23:41,119 --> 00:23:43,240 Speaker 7: I'll do one called tell me. It's more of a 472 00:23:43,279 --> 00:23:44,200 softer song too. 473 00:23:44,480 --> 00:23:46,720 Speaker 5: All right, all right, Sean Manchester is here with us 474 00:23:46,759 --> 00:23:47,480 live in studio. 475 00:24:01,640 --> 00:24:05,119 Speaker 1: She said, tell me that you'll love me and I 476 00:24:05,160 --> 00:24:10,519 won't go if it's going down in flames, please love me. No, 477 00:24:11,480 --> 00:24:16,440 tell me it'll be too friend this time. Tell me 478 00:24:16,720 --> 00:24:22,440 it'll all turn out all right. And I said, dune't 479 00:24:22,559 --> 00:24:29,480 forget Wood. I've told you, dude, for Catwood. I've said 480 00:24:30,440 --> 00:24:34,599 through all of the years, in the years how we've dropped, 481 00:24:35,440 --> 00:24:57,759 I will be there to me. Tell me that your 482 00:24:57,960 --> 00:25:03,880 love will never fade. Tell me that you always feel 483 00:25:04,200 --> 00:25:10,839 the same. Tell me that I'm crazy when Maddy tell. 484 00:25:10,640 --> 00:25:15,799 Speaker 3: Me that you'll be there from me. And I said, 485 00:25:16,200 --> 00:25:22,440 don't forget what I told you. To forget what I 486 00:25:22,799 --> 00:25:25,319 said through all. 487 00:25:25,240 --> 00:25:29,480 Speaker 1: I be hear sound it's here, so we've jumped. Now 488 00:25:29,640 --> 00:25:53,039 we will be there till the air. Don't forget what 489 00:25:53,440 --> 00:26:00,960 I told you. Don't forget what I said. Do all 490 00:26:01,000 --> 00:26:05,599 of it heres and the tears out we've dropped. I 491 00:26:05,880 --> 00:26:07,400 will be there to. 492 00:26:07,759 --> 00:26:13,319 Speaker 4: The I love it. 493 00:26:13,400 --> 00:26:15,160 Speaker 5: I love it. That's my favorite. 494 00:26:16,079 --> 00:26:17,039 Speaker 1: Oh I love that. 495 00:26:17,160 --> 00:26:18,839 Speaker 5: Yeah, that's really good. That's really good. 496 00:26:18,920 --> 00:26:19,319 Speaker 6: Thank you. 497 00:26:19,400 --> 00:26:21,920 Speaker 5: Sean Manchester is here with us live in studio on 498 00:26:21,960 --> 00:26:25,200 the Saturday. If you're just joining us sounding great. By 499 00:26:25,240 --> 00:26:27,720 the way, I'm envious of your your ability to whistle. 500 00:26:28,680 --> 00:26:29,000 Speaker 6: Thank you. 501 00:26:29,119 --> 00:26:31,599 Speaker 5: That's something I can't. I can't do, which I guess 502 00:26:31,640 --> 00:26:34,039 is unusual. Most people can't. I can't whistle well. 503 00:26:34,039 --> 00:26:36,480 Speaker 6: And it's useful too, you know, because I want to 504 00:26:36,480 --> 00:26:39,880 play some lead. I want to just you know, yeah. 505 00:26:40,039 --> 00:26:42,200 Speaker 7: Play a couple of solos over stuff. But if I'm 506 00:26:42,200 --> 00:26:43,640 playing rhythm, I can't really do that. 507 00:26:43,759 --> 00:26:45,240 Speaker 4: So it kind of gives you an extra instrument. 508 00:26:45,319 --> 00:26:45,480 Speaker 6: Yeah. 509 00:26:45,519 --> 00:26:47,480 Speaker 7: I started to learn how to play harmonica and got 510 00:26:47,559 --> 00:26:50,960 some of that headgear. Oh, and it goes pretty good. Yeah, 511 00:26:50,960 --> 00:26:52,480 I'm adding that to the whole thing. 512 00:26:52,599 --> 00:26:53,200 Speaker 4: Oh that's cool. 513 00:26:53,359 --> 00:26:54,279 Speaker 6: Just one more instrument. 514 00:26:54,440 --> 00:26:56,240 Speaker 4: Do you do that? Live? The harmonica with the head 515 00:26:56,240 --> 00:26:57,279 Gary do that? 516 00:26:57,279 --> 00:26:59,640 Speaker 5: That always impresses me too, because it's like you're because 517 00:26:59,680 --> 00:27:01,839 then you're a literally you're playing two instruments. And actually 518 00:27:01,920 --> 00:27:04,200 if you're if you have the cone too. Yeah, you're 519 00:27:04,200 --> 00:27:06,839 playing three instruments at once. You're really a one man 520 00:27:06,920 --> 00:27:07,680 band at that point. 521 00:27:07,759 --> 00:27:10,039 Speaker 6: Gets you get out of breath sometimes, you know, but 522 00:27:10,720 --> 00:27:11,279 it's worth it. 523 00:27:11,440 --> 00:27:13,720 Speaker 5: Yeah, I wonder about the harmonica if that does that 524 00:27:13,799 --> 00:27:16,079 kind of come naturally to some extent because you are 525 00:27:16,160 --> 00:27:19,039 it's kind of like singing right well sense and you're using. 526 00:27:18,799 --> 00:27:20,359 Speaker 6: Your bractly and it's in key. 527 00:27:20,759 --> 00:27:22,920 Speaker 7: Yeah, you know, harmonica, you can't really play a wrong 528 00:27:23,000 --> 00:27:25,039 note as long as you got the right harmonica for 529 00:27:25,079 --> 00:27:28,720 the song. Okay, okay, it's like you have to you 530 00:27:28,799 --> 00:27:31,319 have to carry around eight or you know, six or 531 00:27:31,359 --> 00:27:32,279 seven harmonicas. 532 00:27:32,359 --> 00:27:33,079 Speaker 5: I didn't know that. 533 00:27:33,200 --> 00:27:35,559 Speaker 6: Yeah, each one is a different key. I didn't see. 534 00:27:35,559 --> 00:27:38,000 Speaker 4: I'm so ignorant about that. I never knew that. 535 00:27:38,119 --> 00:27:41,119 Speaker 5: Yeah, so that makes sense though, now that I'm thinking 536 00:27:41,119 --> 00:27:44,000 about it logically, I'm surprised I didn't realize that, because 537 00:27:44,000 --> 00:27:44,799 that does make perfect. 538 00:27:44,839 --> 00:27:47,559 Speaker 7: So they do have like one hundred hole harmonicas, but 539 00:27:47,880 --> 00:27:49,480 do they impossible? 540 00:27:51,240 --> 00:27:53,799 Speaker 6: That's too much to think about all of it at once. 541 00:27:53,839 --> 00:27:56,640 Speaker 5: But yeah, oh that makes sense though, that makes sense. 542 00:27:56,720 --> 00:27:56,920 Speaker 4: Yeah. 543 00:27:57,000 --> 00:27:59,200 Speaker 7: Yeah, I like to use a loop pedal a lot, 544 00:28:00,039 --> 00:28:01,240 where you know, just kind of. 545 00:28:03,359 --> 00:28:04,599 Speaker 6: The EDG sheering sort of thing. 546 00:28:04,720 --> 00:28:07,599 Speaker 7: Play play a rhythm and then play some drums over 547 00:28:07,640 --> 00:28:09,960 it with the guitar, and yeah, it turns out pretty good. 548 00:28:10,000 --> 00:28:12,240 I like that because that allows me to play the lead. 549 00:28:12,599 --> 00:28:15,039 Oh okay, so that way I can just pick up 550 00:28:15,039 --> 00:28:16,799 a harmonica and not have to have it on that 551 00:28:17,559 --> 00:28:19,279 on the head gear, or just play a solo. 552 00:28:19,519 --> 00:28:19,720 Speaker 6: You know. 553 00:28:19,920 --> 00:28:23,480 Speaker 5: Yeah, is is that challenging when you're first starting with 554 00:28:23,519 --> 00:28:25,480 the loop pedal or does that come pretty easy? 555 00:28:25,599 --> 00:28:29,240 Speaker 7: It's definitely helped just with the experience as far as 556 00:28:29,279 --> 00:28:31,720 recording and playing to a metronome as long as you 557 00:28:31,720 --> 00:28:34,680 can keep that time. Yeah, you know, so it came 558 00:28:34,759 --> 00:28:35,519 pretty naturally. 559 00:28:35,880 --> 00:28:37,440 Speaker 5: And I guess if you're doing it live and you're 560 00:28:37,440 --> 00:28:40,039 playing original music, it kind of doesn't matter if like 561 00:28:40,079 --> 00:28:43,920 if you if something isn't if you're looking something that 562 00:28:44,039 --> 00:28:46,119 maybe isn't quite what you intended, maybe you made a 563 00:28:46,119 --> 00:28:48,000 little bit of a mistake, but it kind of doesn't 564 00:28:48,039 --> 00:28:49,880 really matter, right because it's well. 565 00:28:49,759 --> 00:28:51,000 Speaker 6: And I prefer it that way. You know. 566 00:28:51,039 --> 00:28:54,759 Speaker 7: I had recorded backing tracks of drums, bass and guitar 567 00:28:54,880 --> 00:28:56,680 so that I could sing and play lead over it 568 00:28:57,359 --> 00:29:00,240 and you know, hit play play through the song. It 569 00:29:00,279 --> 00:29:02,160 made it the same every time. Okay, so you know 570 00:29:02,200 --> 00:29:03,960 I was kind of against that. Rather I have it 571 00:29:04,000 --> 00:29:07,640 be dynamic, you know, and then if something cool happens, 572 00:29:07,720 --> 00:29:10,279 if I add some little like weird rosta part to 573 00:29:10,359 --> 00:29:12,400 one of my songs, right, you know, some kind. 574 00:29:12,200 --> 00:29:14,480 Speaker 6: Of cool riff, you know, it just makes it unique. 575 00:29:14,640 --> 00:29:14,880 Speaker 4: Yeah. 576 00:29:14,960 --> 00:29:18,400 Speaker 6: Yeah, I think that's. 577 00:29:17,039 --> 00:29:20,559 Speaker 7: Something that, you know, maybe missing in some music. You know, 578 00:29:20,720 --> 00:29:24,240 Like I enjoy just how dynamic and the loop pedal 579 00:29:24,240 --> 00:29:26,440 and the acoustic can be. I've been in cover bands 580 00:29:26,480 --> 00:29:29,240 where if you mess up one note on Sweet Child 581 00:29:29,240 --> 00:29:32,079 of Mind, everyone gives you a glare. Yeah, I'd rather 582 00:29:32,119 --> 00:29:35,240 have it be dynamic where yeah still haven't just having fun. 583 00:29:35,400 --> 00:29:38,200 Speaker 5: Yeah, that's something about cover bands I've always thought it 584 00:29:38,200 --> 00:29:41,079 as interesting, is that some people really do get like 585 00:29:41,160 --> 00:29:44,880 they want to hear the songs exactly the way they were. 586 00:29:44,880 --> 00:29:47,119 Speaker 7: And a lot of people play them well you know, yeah, 587 00:29:47,160 --> 00:29:48,720 but which is cool and everything. 588 00:29:48,839 --> 00:29:50,880 Speaker 5: But I kind of like it when there's something a 589 00:29:50,920 --> 00:29:52,960 little different. You know, It's like I already know how 590 00:29:52,960 --> 00:29:55,200 the original sounds, I want to hear your interpretation of it, 591 00:29:55,200 --> 00:29:55,359 you know. 592 00:29:55,359 --> 00:29:56,160 Speaker 6: What I mean exactly. 593 00:29:56,160 --> 00:29:58,839 Speaker 7: I like seeing those you know, acoustic bands, you know, 594 00:29:58,880 --> 00:30:00,839 you have a couple of guys of the kahone and 595 00:30:00,839 --> 00:30:03,200 acoustic and a base just doing covers like. 596 00:30:04,640 --> 00:30:05,880 Speaker 6: Near the beach, that kind of thing. 597 00:30:06,000 --> 00:30:08,559 Speaker 7: Yeah, the summertime and that it's a completely different feel 598 00:30:08,599 --> 00:30:10,559 when you have that kind of like acoustic band. 599 00:30:10,720 --> 00:30:14,000 Speaker 4: Oh definitely, yeah, yeah, uh oh we have time. 600 00:30:14,039 --> 00:30:14,880 Speaker 5: You want to play another one? 601 00:30:14,960 --> 00:30:18,839 Speaker 6: Yeah, let me I'll do one called feed Let me 602 00:30:18,920 --> 00:30:19,480 just take us. 603 00:30:20,240 --> 00:30:24,039 Speaker 5: Yeah, absolutely, if you're just joining us. Sean Manchester is 604 00:30:24,079 --> 00:30:29,119 here with us, playing live, sounding amazing, really enjoying this 605 00:30:29,200 --> 00:30:29,519 a lot. 606 00:30:29,839 --> 00:30:30,599 Speaker 6: Thank you very much. 607 00:30:30,680 --> 00:30:34,519 Speaker 7: Absolutely, this one's not normally an acoustic, but well, okay 608 00:30:34,880 --> 00:30:52,920 send it. 609 00:30:52,920 --> 00:30:56,000 Speaker 1: Who's it bound to be play folded? Or was hiding 610 00:30:56,119 --> 00:31:00,759 from the lies? The thought defending all this and cutting 611 00:31:00,960 --> 00:31:05,200 our ties. Can't take it anymore. I won't handle in 612 00:31:05,400 --> 00:31:11,319 this time trying to breakthrough, no matter how hard to try. 613 00:31:11,799 --> 00:31:18,079 Everything that tossed so Hi, try too many times to 614 00:31:18,319 --> 00:31:24,720 tell you why I'm stove hardening tipad. 615 00:31:25,799 --> 00:31:33,200 Speaker 3: We thout of bad, I'm stodarding till bad. 616 00:31:36,880 --> 00:31:51,440 Speaker 1: Away. Jem it's coming in. I'm onto you taking in too, 617 00:31:51,599 --> 00:31:55,400 cutting straight on though. My brain is passing with the time, 618 00:31:57,640 --> 00:32:01,000 and then this world will crumble down. Rooming through this 619 00:32:01,240 --> 00:32:04,240 hopeless Tamerson without a chance. 620 00:32:03,960 --> 00:32:17,079 Speaker 3: For rhyme, stodhartening Jim bade We down of bad stodarting, 621 00:32:17,559 --> 00:32:22,880 Jim bade Way. 622 00:32:46,359 --> 00:32:47,440 Speaker 4: Nice. Nice. 623 00:32:47,559 --> 00:32:50,799 Speaker 5: That's called fade, Yes, yep, very cool fade by Sean 624 00:32:50,920 --> 00:32:54,400 Manchester who's here with us live in studio. That's guy 625 00:32:54,440 --> 00:32:55,920 got kind of a little bit of a little bit 626 00:32:55,920 --> 00:32:56,799 of a grunge. 627 00:32:56,480 --> 00:32:57,640 Speaker 4: Job vibe there to that one. 628 00:32:57,680 --> 00:32:59,559 Speaker 5: I like that. Yeah, yeah, it runs me a little bit, 629 00:32:59,559 --> 00:33:02,000 a little bit nineties nineties, a lot. 630 00:33:01,839 --> 00:33:04,079 Speaker 7: Of the early stuff. Well, so that's something I should 631 00:33:04,079 --> 00:33:07,160 have mentioned too. Foo Fighters, you know, I like uh, 632 00:33:07,559 --> 00:33:11,559 Nirvana and Foo Fighters, mostly Dave Grohl being the multi instrumentalists. 633 00:33:11,559 --> 00:33:13,519 Oh yeah, I like a lot of that post grunge 634 00:33:13,599 --> 00:33:16,200 kind of. So that's one of the earlier songs that 635 00:33:16,240 --> 00:33:19,359 I wrote. So it definitely has those grungy vibes to them. Yeah. 636 00:33:19,440 --> 00:33:23,119 Speaker 5: Yeah, your songs too, So I noticed that there there 637 00:33:23,160 --> 00:33:26,279 are they all. Your songs are kind of shorter than 638 00:33:26,559 --> 00:33:29,160 a lot of singer songwriters. Some some some singer songwriters 639 00:33:29,200 --> 00:33:30,640 you know we've had on the the got like these 640 00:33:30,880 --> 00:33:34,119 six minute songs, but yours are yours are kind of. 641 00:33:34,200 --> 00:33:36,720 Speaker 7: Yeah, I I normally you know, if I have the 642 00:33:36,759 --> 00:33:39,559 loop pedal, that helps to make it a little bit longer. Yeah, 643 00:33:39,559 --> 00:33:41,759 but I like to keep them kind of short and 644 00:33:41,799 --> 00:33:44,319 sweet to the point, so you know, stay along with 645 00:33:44,359 --> 00:33:44,680 the song. 646 00:33:44,799 --> 00:33:45,519 Speaker 4: Yeah, live of it. 647 00:33:45,720 --> 00:33:48,480 Speaker 5: Well, it's that expression, don't boris get to the chorus exactly? 648 00:33:48,720 --> 00:33:49,200 Speaker 6: Exactly? 649 00:33:49,279 --> 00:33:51,160 Speaker 7: Yeah, you know, so I do have a lot of 650 00:33:51,240 --> 00:33:55,559 it's it's very like pop, you know, radio music that's 651 00:33:55,839 --> 00:33:57,279 very similar structure to that. 652 00:33:57,559 --> 00:33:58,559 Speaker 4: Yeah. 653 00:33:58,599 --> 00:34:00,759 Speaker 7: And you know, having a band or the loop pedal 654 00:34:00,799 --> 00:34:03,759 makes it a lot easier to do those intricacies because 655 00:34:03,759 --> 00:34:05,279 I have I love. 656 00:34:05,160 --> 00:34:05,640 Speaker 6: Doing the. 657 00:34:07,839 --> 00:34:10,440 Speaker 7: Yeah, that riff and like I can layer it, and 658 00:34:11,119 --> 00:34:12,679 the loop pedal makes it so much fun. 659 00:34:12,800 --> 00:34:13,039 Speaker 4: Yeah. 660 00:34:13,159 --> 00:34:15,599 Speaker 5: Yeah, How did you learn to play guitar? I know 661 00:34:15,880 --> 00:34:18,360 you're vocally your self taught? What about what about guitar? 662 00:34:18,679 --> 00:34:22,880 Speaker 6: Same just self taught. Looked up tabs too. What is 663 00:34:22,920 --> 00:34:27,800 the first thing I played? Chili peppers? That's another big influence. 664 00:34:27,960 --> 00:34:32,960 Speaker 4: Oh, really, sitting in. 665 00:34:33,000 --> 00:34:35,800 Speaker 7: My mom's basement when I was sixteen and got the 666 00:34:35,840 --> 00:34:38,360 guitar for my birthday or Christmas, one. 667 00:34:38,280 --> 00:34:41,400 Speaker 6: Of those, Yeah, and just looked up the tabs started 668 00:34:41,440 --> 00:34:44,559 going to town and then the other one was shine down. 669 00:34:46,559 --> 00:34:49,119 Speaker 7: Oh yeah, yeah, so just learning the yeah, learning the 670 00:34:49,119 --> 00:34:51,719 tabs and went from there, just kept with it. 671 00:34:51,920 --> 00:34:56,239 Speaker 5: Yeah, yeah nice. Was that your because you're a multi instrumentalist. 672 00:34:56,280 --> 00:34:58,480 Was that your first instrument guitar? Did you start on guitar? 673 00:34:58,639 --> 00:35:01,440 Speaker 7: Yeah, well, I mean I played piano here and there 674 00:35:01,559 --> 00:35:03,880 just when I saw one messing around, you know, so 675 00:35:03,920 --> 00:35:06,039 I had like, that's what kind of got it going, 676 00:35:06,199 --> 00:35:09,119 just seeing how much fun it was, and oh I 677 00:35:09,119 --> 00:35:10,679 can create something out of nothing. 678 00:35:11,000 --> 00:35:15,840 Speaker 5: That makes sense because I've heard so many music instructors 679 00:35:15,880 --> 00:35:21,280 and teachers say that ideally, Uh, if you start on 680 00:35:21,320 --> 00:35:24,800 a keyboard, that's the best way to start to learn, 681 00:35:25,639 --> 00:35:28,039 start to learn the fundamentals, and train your brain. 682 00:35:28,280 --> 00:35:32,000 Speaker 7: It makes it a lot easier to apply the music theory, 683 00:35:32,199 --> 00:35:34,400 just because all the notes are in order. So then 684 00:35:34,440 --> 00:35:36,719 when you look at a guitar neck, if you see, oh, 685 00:35:36,760 --> 00:35:39,159 each fret is basically a key on the keyboard. 686 00:35:39,280 --> 00:35:41,920 Speaker 6: Yeah, helps for the visualization of it a lot. Yeah, 687 00:35:41,960 --> 00:35:43,519 I think that was the biggest thing really. 688 00:35:43,679 --> 00:35:45,840 Speaker 5: Uh yeah, yeah, I've heard a lot of instructors say 689 00:35:45,840 --> 00:35:47,239 that that that's that's ideal. 690 00:35:48,039 --> 00:35:51,039 Speaker 6: I'm going to get a piano this spring or summer. 691 00:35:51,239 --> 00:35:53,320 Speaker 7: Oh no, canna find one of those ones that people 692 00:35:53,400 --> 00:35:55,599 have that are free, that they you know. 693 00:35:56,000 --> 00:35:56,880 Speaker 4: Like a full piano. 694 00:35:56,920 --> 00:35:57,960 Speaker 6: Oh yeah, oh kidding. 695 00:35:57,960 --> 00:36:02,599 Speaker 7: I'm gonna have a little uh roof over my campfire 696 00:36:02,639 --> 00:36:04,719 pit so I can have you know, a piano by 697 00:36:04,760 --> 00:36:07,239 the fire. We keep it covered and do some like 698 00:36:07,280 --> 00:36:11,280 you know, outdoor saloon campfire jams with my friends. You know, 699 00:36:11,400 --> 00:36:13,880 have a couple of people on guitar or whatever whoever. 700 00:36:13,559 --> 00:36:18,239 Speaker 6: Shows up with. Oh very cool and yeah whatever, make 701 00:36:18,360 --> 00:36:19,000 some fun jams. 702 00:36:19,039 --> 00:36:21,760 Speaker 7: But I've always wanted an outdoor piano like that. I 703 00:36:21,760 --> 00:36:23,960 couldn't really beat that. You know, the sound of piano 704 00:36:24,000 --> 00:36:26,280 outside at night would be yeah awesome. 705 00:36:26,360 --> 00:36:28,079 Speaker 5: What do you do about that in the winter? You've 706 00:36:28,079 --> 00:36:29,239 probably already researched it. 707 00:36:29,599 --> 00:36:33,000 Speaker 7: Yeah, well, I mean the piano is on its last leg. 708 00:36:33,119 --> 00:36:39,760 So what happens in winter? If it's restorable, if it's 709 00:36:39,760 --> 00:36:42,679 some attitude tune junkie one that they're just going to 710 00:36:42,679 --> 00:36:43,599 toss anyways, you know. 711 00:36:43,679 --> 00:36:45,119 Speaker 4: Yeah, I guess it doesn't matter, right. 712 00:36:45,239 --> 00:36:51,199 Speaker 7: Maybe a bonfire for winter, Yeah, end up burning a 713 00:36:51,239 --> 00:36:54,039 million dollar piano. 714 00:36:57,519 --> 00:36:59,320 Speaker 4: You wanna you want to seek in one more? 715 00:36:59,360 --> 00:37:00,199 Speaker 5: We have we have time. 716 00:37:00,239 --> 00:37:01,039 Speaker 4: If you want to do one. 717 00:37:00,920 --> 00:37:05,079 Speaker 7: More than I'll do a fun one. Okay it's called 718 00:37:05,119 --> 00:37:14,599 a generic love song. Okay, now let me take these 719 00:37:14,639 --> 00:37:18,079 headphones off real quick false start, tell you know. 720 00:37:18,039 --> 00:37:29,679 Speaker 2: It's live, Come on over and our sarenage you. 721 00:37:30,320 --> 00:37:31,239 Speaker 6: What do you like? 722 00:37:31,320 --> 00:37:35,360 Speaker 1: What do you want to hear? I'll singing loud, make 723 00:37:35,480 --> 00:37:39,679 your legs quiver. I'll lean in close and whisper in 724 00:37:39,760 --> 00:37:45,400 your ear. You just not a generic love song, just 725 00:37:45,760 --> 00:37:50,159 something that I can sing. You know we You'll be 726 00:37:50,360 --> 00:37:56,039 off my sat list and now we'll miss sing thing? 727 00:38:03,719 --> 00:38:05,079 Speaker 2: What's your name again? 728 00:38:05,320 --> 00:38:08,840 Speaker 1: Sorry? My bad? You just another girl that I know 729 00:38:09,159 --> 00:38:15,679 won't mass but let's single wrong enough fun tomorrow morning, 730 00:38:16,039 --> 00:38:21,239 this will be done. You just another generic lap song, 731 00:38:22,280 --> 00:38:26,679 Just something that I can sing. In a week, you'll 732 00:38:26,760 --> 00:38:32,960 be off my setlist and now will miss a single thing. 733 00:38:35,000 --> 00:38:44,679 It's a single thing. It's a single thing. Won't miss thing. 734 00:38:58,760 --> 00:39:04,159 You just another married love song. Just something that I 735 00:39:04,400 --> 00:39:09,400 can sing. You know we quby off my set list? 736 00:39:10,440 --> 00:39:14,320 Now miss a single thing. 737 00:39:28,679 --> 00:39:31,760 Speaker 4: That's awesome. What a great track. That's great generic love 738 00:39:31,880 --> 00:39:32,480 song by. 739 00:39:33,480 --> 00:39:35,119 Speaker 7: It's a little bit of a tongue in cheek song, 740 00:39:35,320 --> 00:39:38,639 but right, yeah, it's the most love all my songs 741 00:39:38,679 --> 00:39:41,000 can't be heartbreaking, you know, Yeah, broken. 742 00:39:41,800 --> 00:39:43,199 Speaker 4: Yeah, No, that's that is fun. 743 00:39:44,239 --> 00:39:44,920 Speaker 6: Have a little fun. 744 00:39:45,039 --> 00:39:47,199 Speaker 4: That's awesome. Thanks Sean. 745 00:39:47,239 --> 00:39:48,840 Speaker 5: What should people know about how to keep up with 746 00:39:48,880 --> 00:39:50,679 you online? Follow everything that you're doing? 747 00:39:50,960 --> 00:39:54,599 Speaker 7: Yeah, if you search for Sean Manch you know, Manchester 748 00:39:54,679 --> 00:40:00,519 abbreviated just on Google, Facebook, Instagram, all those places I 749 00:40:00,599 --> 00:40:04,880 keep up, YouTube, Spotify, so pretty much if you look 750 00:40:04,880 --> 00:40:06,199 for me there, hopefully I'm there. 751 00:40:06,360 --> 00:40:08,679 Speaker 4: Yeah, you are very googleable. 752 00:40:08,159 --> 00:40:10,320 Speaker 6: Which is good. Yeah, definitely, that's that. 753 00:40:10,480 --> 00:40:14,440 Speaker 7: Uh be it a programmer back in the day, gems 754 00:40:14,519 --> 00:40:17,639 it handy, you know, search engine optimization, that sort of stuff, 755 00:40:17,719 --> 00:40:18,480 so exactly. 756 00:40:18,559 --> 00:40:20,519 Speaker 6: Yeah, and if anyone wants to look me up, I 757 00:40:20,559 --> 00:40:21,199 appreciate it. 758 00:40:21,280 --> 00:40:24,199 Speaker 5: Yeah. And do you have anything this weekend that you're playing? 759 00:40:24,320 --> 00:40:25,639 Got any shows your plan you want to plug? 760 00:40:26,159 --> 00:40:26,760 Speaker 6: Not anything? 761 00:40:26,840 --> 00:40:28,760 Speaker 7: Right now, I'm going to start doing the ones that 762 00:40:28,840 --> 00:40:32,480 I run, and you know, focus on quality over quantity, 763 00:40:32,559 --> 00:40:34,639 you know, so focus a lot on those. But if 764 00:40:34,679 --> 00:40:38,360 they follow my uh Facebook, that's where I definitely update 765 00:40:38,400 --> 00:40:41,239 the most, I'd say, And okay, make some Facebook events 766 00:40:41,280 --> 00:40:44,360 and yeah, yeah, I'm going to be booking hopefully fairs. 767 00:40:44,480 --> 00:40:46,119 That's what I want to get into a lot of 768 00:40:46,239 --> 00:40:49,440 oh really, fares and events like that kind of get 769 00:40:49,480 --> 00:40:51,400 out of the bar scene with the covers. 770 00:40:51,000 --> 00:40:54,159 Speaker 6: And do more of the summer, bigger summer events. 771 00:40:54,239 --> 00:40:56,239 Speaker 5: I was going to say, summer is probably your busiest time. 772 00:40:56,159 --> 00:40:58,360 Speaker 6: Right well, and the fair Ground in Clinton is right 773 00:40:58,440 --> 00:41:01,159 up the road for me. Oh okay, started to become 774 00:41:01,320 --> 00:41:02,480 a part of the Lions Club. 775 00:41:03,719 --> 00:41:06,880 Speaker 7: Hopefully that's a good play some of these songs. It 776 00:41:06,880 --> 00:41:08,079 would be a broke man's dream. 777 00:41:08,400 --> 00:41:10,800 Speaker 4: There you go, There you go, there you go. 778 00:41:11,320 --> 00:41:13,760 Speaker 5: I think we should end the segment with another track 779 00:41:13,800 --> 00:41:17,599 from your studio, your studio album. I'll let you tell me, 780 00:41:17,719 --> 00:41:20,079 I'll let you pick. That's a good h. 781 00:41:22,400 --> 00:41:24,559 Speaker 6: I'm trying to think if there's one that I hadn't. 782 00:41:24,280 --> 00:41:30,079 Speaker 5: Played, Yeah, did you. 783 00:41:28,519 --> 00:41:31,920 Speaker 6: Oh, there's one called Survive that's a Survivor one. Yeah. Yeah, 784 00:41:31,960 --> 00:41:33,400 that's why that I hadn't played. I was trying to 785 00:41:33,400 --> 00:41:34,280 think of what was on there. 786 00:41:34,559 --> 00:41:37,840 Speaker 7: Okay, yeah, self recorded, and that one's also only about 787 00:41:37,840 --> 00:41:38,360 a week old. 788 00:41:38,480 --> 00:41:39,119 Speaker 5: Oh no, kidding. 789 00:41:39,519 --> 00:41:41,440 Speaker 7: Been doing a lot of writing and recording, getting it 790 00:41:41,480 --> 00:41:44,000 out of my mind and getting it on the airways. 791 00:41:44,199 --> 00:41:46,480 Speaker 4: Yeah, yeah, no, that is excellent. 792 00:41:46,519 --> 00:41:48,679 Speaker 5: Okay, yep, I've got it here perfect. So we will 793 00:41:48,679 --> 00:41:50,760 close out the segment with this. If you are listening 794 00:41:50,800 --> 00:41:53,519 live on Saturday, stick around. At the top of the hour, 795 00:41:53,920 --> 00:41:58,280 We've got brand new the American radio premiere of Elijah 796 00:41:58,360 --> 00:42:01,719 Jenkins' new track State. And then immediately after that we're 797 00:42:01,719 --> 00:42:04,119 gonna be talking to the guys from Iron Jaw about 798 00:42:04,159 --> 00:42:06,400 their new album Cursed. They're going to be skyping in 799 00:42:06,440 --> 00:42:10,159 from Texas. But we will close out this segment with Survive. 800 00:42:10,800 --> 00:42:13,519 This is Sean Manchester and Sean thank you again. 801 00:42:13,599 --> 00:42:15,559 Speaker 6: Thank you very much, and have a good day at Manchester. 802 00:43:19,400 --> 00:43:20,679 Speaker 2: Have you laid alone? 803 00:43:21,039 --> 00:43:26,960 Speaker 1: And monstars go out to everyone leave you stricken by. 804 00:43:26,880 --> 00:43:30,519 Speaker 2: The town goney is sure line. 805 00:43:30,320 --> 00:43:34,960 Speaker 1: The waves ever received as the moon blows harder and 806 00:43:35,119 --> 00:43:47,239 brings it to your knees. We tried. 807 00:43:48,519 --> 00:43:54,480 Speaker 3: To stay alive to know he can't just to survive. 808 00:43:55,280 --> 00:44:02,280 We try to stay alive to you know he cancious 809 00:44:02,320 --> 00:44:03,519 to survive. 810 00:44:13,679 --> 00:44:17,400 Speaker 1: When you feel a change that awen on your mind, 811 00:44:18,000 --> 00:44:20,679 the teat of your endeavors. 812 00:44:20,159 --> 00:44:26,360 Speaker 8: Howe Gior teams changing with you, purpose, tearing down lies, 813 00:44:27,280 --> 00:44:30,719 rooming with team and haunt you in the night. 814 00:44:49,559 --> 00:44:50,480 Speaker 7: We tried. 815 00:44:51,880 --> 00:44:57,840 Speaker 1: To stay alive to we know we canscious to survive. 816 00:44:58,679 --> 00:44:59,719 Speaker 3: We try. 817 00:45:01,159 --> 00:45:06,880 Speaker 1: Stay alive till They know we can't just still survive. 818 00:45:43,960 --> 00:45:50,719 We can't to stay live. You know, we can't just 819 00:45:51,039 --> 00:45:52,119 to survive. 820 00:45:53,000 --> 00:45:59,639 Speaker 3: We try to stay alive, to know we can't just 821 00:46:00,119 --> 00:46:01,280 to survive.