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<v Speaker 1>Yeah, Camels the cigarette that's first in the service presents

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<v Speaker 1>the Abbot and Costello program.

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<v Speaker 2>What it is?

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<v Speaker 1>A complete Stephens and his Orchestra, the songs of Connie

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<v Speaker 1>Haynes and the Camel Quintet.

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<v Speaker 3>Tonight's guest Ms.

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<v Speaker 1>Volna Dietrich and starring Butt.

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<v Speaker 4>Abbott and Little Costello.

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<v Speaker 3>Oh Costello, Oh do you stop that noise? What are

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<v Speaker 3>you doing here in the studio dressing your bathing suit? Well?

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<v Speaker 3>I spent all day trying to get my car out

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<v Speaker 3>of the swimming pool.

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<v Speaker 5>What was he doing there?

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<v Speaker 3>Don't you read the paper's abboit The governments say you

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<v Speaker 3>have to pull your car.

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<v Speaker 5>No, you dummy, They mean share the ride.

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<v Speaker 3>You have to pick up people. Oh I did that yesterday.

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<v Speaker 3>I picked up Hell and Mary, Rosie and Josie. With

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<v Speaker 3>your car holds more than that, Yeah, but now they

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<v Speaker 3>only allow you four goals a week. You can't get it.

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<v Speaker 5>Well, never mind that Casteller. Where have you been all week?

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<v Speaker 5>What have you been doing?

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<v Speaker 2>Oh?

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<v Speaker 3>Boy? If I been having a fund of Conny Haynes,

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<v Speaker 3>No kidding, L's sun thing. I took it to a

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<v Speaker 3>football game? What a game? What excitement?

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<v Speaker 5>And he passes no.

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<v Speaker 3>Her mother was with us, and theother thing happened. There

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<v Speaker 3>was a man sitting next to us with a six

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<v Speaker 3>months old baby. All after noon, the kid was crying,

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<v Speaker 3>he was so hungry.

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<v Speaker 5>Well, it didn't the bather bring a bottle?

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<v Speaker 3>Yeah, but the kid wanted milk. Final. If you shut

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<v Speaker 3>the kid up, I give him a.

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<v Speaker 5>Penny where I keep him quiet?

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<v Speaker 3>Yeah, but he kept waving the penny in front of

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<v Speaker 3>my binoculars. He ruined the game? How did a ruin

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<v Speaker 3>the game? All after noon? Lincoln was playing in the backfield.

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<v Speaker 5>Well, forget the football game?

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<v Speaker 3>Much better than set it on her?

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<v Speaker 5>Yes, yes, yes, a lot better. We've got We've got

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<v Speaker 5>other things to worry about.

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<v Speaker 3>You know, our announcer Ken Niles is complaining because he

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<v Speaker 3>didn't have enough to do last week. Isn't that right, Ken? Yes?

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<v Speaker 5>It is?

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<v Speaker 1>After all, I could give the program a lift. I'm

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<v Speaker 1>a shot in the arm.

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<v Speaker 3>You said it, You're a dough I don't be silly.

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<v Speaker 5>Costella. Niles is very popular.

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<v Speaker 3>Why sure?

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<v Speaker 1>Right after the broadcast last week, a lot of women

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<v Speaker 1>chased me up Hollywood Boulevard, and one of them caught

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<v Speaker 1>me and threw her arms around my neck.

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<v Speaker 3>I saw that you did, Yeah, why did you snatch

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<v Speaker 3>her pocket book? I'll cut it out, Costello.

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<v Speaker 5>Now I talked to Ken's wife, and she says he

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<v Speaker 5>should have more lyne.

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<v Speaker 3>She says he's got talent. She says he's terrific. She

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<v Speaker 3>says he's colossal.

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<v Speaker 5>She says this.

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<v Speaker 3>She says that I don't care what his wife says.

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<v Speaker 1>Well I do.

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<v Speaker 3>My wife is a wonderful person.

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<v Speaker 1>She says, necessary to me as an umbrella in a rainstorm.

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<v Speaker 3>I'll take the umbrella. It's easier to shut up.

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<v Speaker 5>Why don't you be reasonable, Costella. Missus Niles is a

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<v Speaker 5>very sweet girls.

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<v Speaker 6>She is.

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<v Speaker 1>You know, she's a great deal like Sonia Henny.

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<v Speaker 3>You mean you have to keep it on nicee? Are

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<v Speaker 3>you folks hearing?

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<v Speaker 2>No?

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<v Speaker 5>Wait a minute, just a minute now, that isn't fair, Costella.

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<v Speaker 5>Let's get together here.

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<v Speaker 3>Give him ten a chance to show what he can do.

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<v Speaker 1>Okay, thanks, Bud. I'd like to read a little tidbit

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<v Speaker 1>that I could just happen to bring along.

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<v Speaker 3>Oh this is gonna merdy.

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<v Speaker 1>In one night, as I sat rocking, rocking on my

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<v Speaker 1>chamber floor, came a knocking, gentle knocking, knocking on my

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<v Speaker 1>chamber door.

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<v Speaker 3>Potha raven never more?

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<v Speaker 5>Quotha raven never more?

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<v Speaker 4>There howl you like that?

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<v Speaker 3>Don't look now, but the raven just laid a knee.

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<v Speaker 6>Oh everybody, and hellos that little sugar man.

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<v Speaker 3>Oh, this voice of this kid is temporaneous.

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<v Speaker 5>Quiet quiet, Hello.

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<v Speaker 6>Commie, mister Castella, Honey, I'd like you and mister Abbott

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<v Speaker 6>to meet someone.

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<v Speaker 5>This is my aunt Ruby.

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<v Speaker 3>Hello, nice to meet you, hi, Aunt Ruby. How do

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<v Speaker 3>you like California?

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<v Speaker 2>Connie doesn't have enough to do?

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<v Speaker 3>Wait a minute, after.

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<v Speaker 7>All, alight, listen to the program, Locks, we can MISSU

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<v Speaker 7>be more music.

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<v Speaker 3>Connie have to sing forty five songs. There's nothing but

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<v Speaker 3>talk on the program.

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<v Speaker 7>And who wants to hear a lot of talk top

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<v Speaker 7>top talk?

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<v Speaker 1>I talked to to talk.

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<v Speaker 3>Oh yeah, it's right.

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<v Speaker 8>What's the role, mister Costello?

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<v Speaker 2>I talked to Connie to sing?

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<v Speaker 3>Right?

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<v Speaker 1>Even I sang in New York, Philadelphia, Cincinnati.

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<v Speaker 5>Cleveland, Chicago.

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<v Speaker 3>What about Saint Louis?

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<v Speaker 2>They beat the Yanks?

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<v Speaker 8>Ha ha I really.

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<v Speaker 3>I really struck you out that time. You struck me out. Eh,

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<v Speaker 3>and you're just the old bat. You can do it. Yeah,

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<v Speaker 3>Now just a second, Costella, you can't talk right, that

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<v Speaker 3>to Connie's ante Ruby. Maybe she's right, Maybe this program

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<v Speaker 3>needs more sen exactly. Everyone loves singing something like this

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<v Speaker 3>all through the night.

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<v Speaker 8>There's a little bit broad, but begins, Oh well, of course,

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<v Speaker 8>you know I just had my total taken out.

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<v Speaker 3>Have them put back in costello?

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<v Speaker 5>What right have you got to criticize?

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<v Speaker 3>What do you know about singing? I love have it.

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<v Speaker 3>If I hadn't come from such a large family, I'd

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<v Speaker 3>have been a great singer.

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<v Speaker 5>What did the large family have to do with it?

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<v Speaker 3>I could never get in the bathroom? Oh no, come on,

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<v Speaker 3>cos I le'll make up your mind. Are you going

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<v Speaker 3>to give Niles and Connie more to do or not?

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<v Speaker 3>Why should I? If I give them more to do

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<v Speaker 3>the first thing? You know, even the sound man will

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<v Speaker 3>lot more to do?

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<v Speaker 5>And why shouldn't I?

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<v Speaker 3>What did I have on last week's program?

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<v Speaker 1>Nothing?

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<v Speaker 5>Not even a door slam.

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<v Speaker 3>I understand doors. I know doors inside and out.

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<v Speaker 9>I talked to doors and they talk to me.

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<v Speaker 3>What do you hear from the mow?

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<v Speaker 5>Ah?

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<v Speaker 3>Well? May you laugh?

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<v Speaker 10>Little?

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<v Speaker 3>Do you know how important every little sound is to me?

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<v Speaker 3>Even the sound of a moth chewing on an overcoat?

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<v Speaker 3>Like this what's that funny sound? That's the moths bit,

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<v Speaker 3>not the buttons.

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<v Speaker 1>Don't you think sounds are fascinating?

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<v Speaker 3>Here's a sample of my day.

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<v Speaker 1>When work is through, I walk home at night in

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<v Speaker 1>the rain.

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<v Speaker 3>I opened the door. I go in and shut the door.

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<v Speaker 3>Then I walk upstairs in the rain. It's raining in

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<v Speaker 3>the house.

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<v Speaker 5>Yes, we're waiting for a government ceiling.

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<v Speaker 3>You must have a better rider than us, Huh, I imagine.

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<v Speaker 9>So I jump into bed and sleep.

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<v Speaker 3>Oh it's morning. What I'm right, I've got to catch

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<v Speaker 3>the train. I kiss my wife before I go to

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<v Speaker 3>the office. My wife thisses, mean I kiss him? She

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<v Speaker 3>kisses means Wait a minute, what about the office? With

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<v Speaker 3>a wife like that? Why should he go to the office?

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<v Speaker 1>Lou Lou Costello, Yes, sir, Yeah, how's your spelling this week?

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<v Speaker 3>I can spell anything?

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<v Speaker 1>Okay, spell crumpets, crumpets?

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<v Speaker 3>Yeah, crumpets, crumpets, Yeah, okay, crumpets? She are U wim tees?

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<v Speaker 3>Oh wait a minute, you're left out the tea today.

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<v Speaker 3>I gotta have crumpets with out tea. Well, why I

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<v Speaker 3>lost my sugar ration card?

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<v Speaker 1>I'll wait a minute. Yeah, any rat ration or ration?

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<v Speaker 3>Look around here?

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<v Speaker 9>You can't forget any teas.

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<v Speaker 3>Why not, well, because with us it's important.

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<v Speaker 9>In fact, with any cigarette smoker, tea ought to.

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<v Speaker 1>Be one of the most important letters in the alphabet.

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<v Speaker 1>Is that right?

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<v Speaker 3>Why sure?

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<v Speaker 1>Tea stands for taste and throat.

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<v Speaker 9>That's anybody's own personal.

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<v Speaker 1>Proving ground for cigarettes, the T zone. Of course, most

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<v Speaker 1>people have tried camels, but have you tried them lately?

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<v Speaker 1>Since you've been smoking more? Give camels the T zone test. Now,

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<v Speaker 1>Ask your taste about camel's flavor. You'll find it wears well,

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<v Speaker 1>doesn't go flat. Ask your throat about camel's mildness. It's

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<v Speaker 1>the best judge you can find. Thousands of smokers who

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<v Speaker 1>are making their own T zone test that buy camels

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<v Speaker 1>super drew a tea. Just remember that you're the one

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<v Speaker 1>who's doing your smoking for steady pleasure.

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<v Speaker 3>Dry camels.

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<v Speaker 1>You'll find their slow burning, cooler, smoking, richer, tasting, milder

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<v Speaker 1>better because camels are expertly and matchlessly blended of costlier tobaccos.

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<v Speaker 9>So take a tip from your tea zone.

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<v Speaker 1>Your throat and your taste will tell you. See here,

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<v Speaker 1>camels get a fact. Tonight you'll want to buy a

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<v Speaker 1>carton tomorrow.

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<v Speaker 2>Taste when you threw this tiny day of some common.

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<v Speaker 5>In eighteen sixteen he became sixty president. Now he's in

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<v Speaker 5>the Hall of day, all the.

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<v Speaker 8>Sectors, just five we sell so very sober, perfect per.

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<v Speaker 3>That was leaf Stephen's off this with a camel quintet

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<v Speaker 3>doing Abraham from the holiday in a Now, ladies and gentlemen, O,

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<v Speaker 3>whyet have it? What does the matter? Hey? Look look

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<v Speaker 3>what I got? Look at all the money. Wait a minute, castello,

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<v Speaker 3>where did you get that roll of deals? I went

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<v Speaker 3>outside for a minute. Just when I reached the corner,

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<v Speaker 3>a guy ran out of the bank with a bag

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<v Speaker 3>full of money, and he gave me something.

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<v Speaker 5>He gave it, Hugh, What did he look like?

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<v Speaker 3>I couldn't tell. He had such a bad call. He

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<v Speaker 3>had a handkerchief tiy cross his nose. Well, you dumb cluck,

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<v Speaker 3>that was a mass.

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<v Speaker 5>The man was a bank robber.

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<v Speaker 3>Oh, I don't think so happened? He was the president.

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<v Speaker 3>He offered the summi the bank for a squawk, Sell

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<v Speaker 3>you the bank for a squawk. Yeah, he said, one

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<v Speaker 3>squawk out of you and I'll give you a business

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<v Speaker 3>of all the dumbbells.

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<v Speaker 5>Why didn't you go into the bank and investigate.

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<v Speaker 3>I did go in. I want a way to run

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<v Speaker 3>a business. I walked in a couple of crosses playing

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<v Speaker 3>hide and seek.

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<v Speaker 5>That's ridiculous, honest.

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<v Speaker 3>One guy was hiding in the closet. You got that

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<v Speaker 3>guy was under the counter. There was nobody around the

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<v Speaker 3>play with him. Then there was another guy.

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<v Speaker 5>What other guy?

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<v Speaker 3>He was trying to do trick, trying to do tricks. Yeah,

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<v Speaker 3>he was laying on the floor trying to escape from

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<v Speaker 3>a lot of rope.

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<v Speaker 5>And you thought he was playing a game.

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<v Speaker 3>Five time to play games? Uh, especially when he had

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<v Speaker 3>a toothache. He didn't have a toothache. Not Then why

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<v Speaker 3>did he have a plaster across his mouth? The man

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<v Speaker 3>had a gag in his mouth. If he did, he

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<v Speaker 3>never got a chance to tell it.

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<v Speaker 5>You should have taken the plaster off his mouth.

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<v Speaker 3>I did, and right away a guy started worrying about

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<v Speaker 3>his rationing card.

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<v Speaker 5>Worrying about his rationing card.

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<v Speaker 3>Yeah, he started yelling, they took the sugar, they took

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<v Speaker 3>the shawl. No, no, no, costell the man. The man

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<v Speaker 3>was yelling because he was stuck up, stuck off. Sure

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<v Speaker 3>a five time to get a swell hat. No, somebody

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00:11:44.320 --> 00:11:45.279
<v Speaker 3>might have robbed the place.

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<v Speaker 5>He did rob the plays.

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<v Speaker 3>Look, was there anybody with him? Just a woman home him?

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<v Speaker 5>Why didn't you mention her before?

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<v Speaker 3>She didn't appeal to me? Oh did you pinch her? No?

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<v Speaker 3>Then you should have held her. If I'd have held her,

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<v Speaker 3>I'd have pinched her.

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<v Speaker 4>You.

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<v Speaker 5>Hello, bit, do you realize that by keeping the money

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<v Speaker 5>and then think.

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<v Speaker 3>The crooks get away, you've made yourself an the compass

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<v Speaker 3>ten miles playing on the radio.

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<v Speaker 5>Maybe we'll get a police report.

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<v Speaker 3>Hurry up.

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<v Speaker 5>Okay, okay, hey, you cant have it.

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<v Speaker 3>What's that? There's a message? Well, what does it say?

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<v Speaker 3>Attention all citizens? The Fifth National Bank has just been

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<v Speaker 3>held up five Black Feete and his gang of desperate bandits.

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<v Speaker 3>One last scene. The gang was headed for their hideout

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<v Speaker 3>at dead Pan Coach, also at Marches. Their accomplice describe

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<v Speaker 3>this five feet tall, five feet Why that is all?

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<v Speaker 3>That's me, mister five by five? Gosh, tell her you

264
00:12:43.720 --> 00:12:45.559
<v Speaker 3>know the police are after you. Now you've got to

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<v Speaker 3>capture that gang to clear yourself.

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<v Speaker 4>Uh.

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<v Speaker 3>Now, you can't do it the room, So call a pussey.

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<v Speaker 3>That's the thing, Okay, hip pussy pass pushy, No, no, no, no, no.

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<v Speaker 5>Pushy no little please ten pen goal.

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<v Speaker 3>She's in the heart of the cattle country. It's the

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<v Speaker 3>home of the Western bandits and cattle rustlers. Then I'm

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<v Speaker 3>just a guy, Abbott. I became a three letter man

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<v Speaker 3>chasing cattle wrestlers. Oh how could you become a three

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<v Speaker 3>letterman chasing cattle wrestlers? I sat on a branding iron.

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00:13:11.000 --> 00:13:13.519
<v Speaker 3>But did that cause you to catch the wrestlers? Catch him?

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<v Speaker 3>I passed them. But this is going to be a

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<v Speaker 3>long trip. You have to get an outfit.

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<v Speaker 5>What are you going to wear?

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<v Speaker 3>I'll wear a ten gallon hat, a tan shirt, a

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00:13:22.320 --> 00:13:25.240
<v Speaker 3>leather belt, and a blood hound. What pants a blood hound?

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<v Speaker 3>Never mind the outpit. And another thing you lead is

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<v Speaker 3>a horse.

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00:13:29.159 --> 00:13:29.879
<v Speaker 5>Have you got a horse?

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00:13:29.960 --> 00:13:30.879
<v Speaker 3>Have I got a horse? Yes?

285
00:13:31.000 --> 00:13:33.080
<v Speaker 5>I got a horse, and he's my pile that swell.

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00:13:33.200 --> 00:13:35.279
<v Speaker 3>I eat with my horse. That's one. I drink with

287
00:13:35.360 --> 00:13:38.120
<v Speaker 3>my horse. I even sleep with my horse. You sleep

288
00:13:38.159 --> 00:13:40.120
<v Speaker 3>with your horse? I got it. It's just blanket.

289
00:13:42.000 --> 00:13:43.519
<v Speaker 5>Now tell me can you ride a horse?

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00:13:43.679 --> 00:13:45.759
<v Speaker 3>You like to ride a horse? One time, Abbot, I

291
00:13:45.799 --> 00:13:48.159
<v Speaker 3>rode two horses at once, standing up. I had my

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<v Speaker 3>right foot on one horse, my left foot on the

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00:13:49.919 --> 00:13:51.480
<v Speaker 3>other horse. All of a sudden we came to a

294
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<v Speaker 3>fork in the road. Each horse went in a different direction.

295
00:13:54.360 --> 00:13:55.200
<v Speaker 5>That was a laugh.

296
00:13:55.440 --> 00:14:00.360
<v Speaker 3>Yeah, I thought I split. Well, never mind the fret thing.

297
00:14:00.519 --> 00:14:01.960
<v Speaker 3>The first thing you have to do is find the

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00:14:02.000 --> 00:14:04.320
<v Speaker 3>banness trail. When you do, you leap into the saddle,

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00:14:04.320 --> 00:14:06.279
<v Speaker 3>and the way you go. Your face is turn, your

300
00:14:06.279 --> 00:14:08.960
<v Speaker 3>grip is sure, your clutch is ferm. How's my transmission?

301
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<v Speaker 6>All right?

302
00:14:09.320 --> 00:14:11.480
<v Speaker 5>I last cezy quiet, and you're right.

303
00:14:11.759 --> 00:14:14.519
<v Speaker 3>You ride out across the prairie. You ride for hours

304
00:14:14.519 --> 00:14:18.320
<v Speaker 3>and hours on end. That sounds logical. Don't turn up,

305
00:14:19.279 --> 00:14:23.159
<v Speaker 3>You ride and you ride until your trousers are worn thin. Finally,

306
00:14:23.720 --> 00:14:28.000
<v Speaker 3>there you are. I know i'd come through. Yeah, what

307
00:14:28.000 --> 00:14:28.559
<v Speaker 3>are you going to do?

308
00:14:28.960 --> 00:14:31.120
<v Speaker 5>Are you going out after the bandits? Are you going

309
00:14:31.120 --> 00:14:31.840
<v Speaker 5>to clear your name?

310
00:14:31.919 --> 00:14:33.759
<v Speaker 3>I'm gonna clear my name. Habit had a boy, I'll

311
00:14:33.799 --> 00:14:34.000
<v Speaker 3>do it.

312
00:14:34.039 --> 00:14:34.600
<v Speaker 5>I know it's in you.

313
00:14:35.320 --> 00:14:36.919
<v Speaker 3>I'm gonna get it out of me right now. I'm on.

314
00:14:37.120 --> 00:14:39.080
<v Speaker 3>I'll get them bandits. But just tell me one thing.

315
00:14:39.679 --> 00:14:41.320
<v Speaker 3>If I get killed, what's gonna happen to that little

316
00:14:41.320 --> 00:14:43.759
<v Speaker 3>fellow that depends on me? The poor little fellow won't

317
00:14:43.759 --> 00:14:46.320
<v Speaker 3>get anything neat anymore, that poor little fellow, when you

318
00:14:46.320 --> 00:14:49.360
<v Speaker 3>would have a roof over his head. If anything happens abit,

319
00:14:49.960 --> 00:14:52.440
<v Speaker 3>it'll kill him, the poor little fellow.

320
00:14:52.519 --> 00:14:55.080
<v Speaker 5>Costello, who is the poor little fellow?

321
00:14:55.399 --> 00:14:55.480
<v Speaker 3>Me?

322
00:15:06.960 --> 00:15:09.399
<v Speaker 1>And here's Connie Haynes with a cabo Clinton the thing,

323
00:15:09.399 --> 00:15:13.600
<v Speaker 1>and you, Juan of the old West, out on the.

324
00:15:13.480 --> 00:15:20.480
<v Speaker 6>Plane down there, sat fae. I made a cowboy riding

325
00:15:20.559 --> 00:15:26.240
<v Speaker 6>the range one day, and as the john alone, I

326
00:15:26.360 --> 00:15:32.639
<v Speaker 6>heard him saying him almost peculiar a cowboys home. It

327
00:15:32.879 --> 00:15:38.799
<v Speaker 6>was a pitty he learned in the pitty. Imna tell ye, yeah,

328
00:15:39.360 --> 00:15:45.759
<v Speaker 6>he comna tell you say and get along, get him

329
00:15:46.200 --> 00:15:52.480
<v Speaker 6>little cookies, get along, fed me on your way, Get

330
00:15:52.559 --> 00:15:58.360
<v Speaker 6>along yet him little log is that a truck? Him

331
00:15:58.480 --> 00:16:03.360
<v Speaker 6>on down the old bail way, singing his cat yeah

332
00:16:04.840 --> 00:16:10.440
<v Speaker 6>in the tray this way, coma yeah yeah.

333
00:16:09.480 --> 00:16:10.120
<v Speaker 2>Comma.

334
00:16:12.000 --> 00:16:17.799
<v Speaker 6>Singing his cowboys. He's just too much. He's gotta knock

335
00:16:17.840 --> 00:16:22.480
<v Speaker 6>stop webstern accent with a problem touch.

336
00:16:23.080 --> 00:16:25.000
<v Speaker 2>He was raised no.

337
00:16:27.879 --> 00:16:32.360
<v Speaker 6>What you call wing half breeze, sang in his cat

338
00:16:32.440 --> 00:16:39.799
<v Speaker 6>ya along in the pray interesting, coma yeah yeah, comma tip.

339
00:16:41.360 --> 00:16:43.279
<v Speaker 2>His cowboys.

340
00:16:43.679 --> 00:16:45.879
<v Speaker 5>He's just too He's.

341
00:16:49.080 --> 00:16:54.440
<v Speaker 6>With a hall touche was raised on long go we

342
00:16:56.360 --> 00:16:59.919
<v Speaker 6>he's what you call wing everye.

343
00:17:01.000 --> 00:17:12.279
<v Speaker 11>Sang in this cow ya buggy in the strain way.

344
00:17:09.400 --> 00:17:20.000
<v Speaker 6>Yea karmata. It's the cow cowbugy, the cowboy buggy.

345
00:17:33.039 --> 00:17:36.559
<v Speaker 1>Now back to the adventures of our heroes Abbott and Costello,

346
00:17:36.720 --> 00:17:38.319
<v Speaker 1>as we find them hot on the trail of the

347
00:17:38.359 --> 00:17:41.720
<v Speaker 1>bank bandit Black Peat. Leading a posse of men, they

348
00:17:41.839 --> 00:17:44.640
<v Speaker 1>track the villain to the lawless town of Dead Pan Gulch.

349
00:17:45.039 --> 00:17:46.799
<v Speaker 1>Here they are riding up the main street of the

350
00:17:46.839 --> 00:17:49.160
<v Speaker 1>town like spurs.

351
00:17:49.160 --> 00:17:53.160
<v Speaker 3>Drink jule, dingo, dingo, jingo, jinko jingo.

352
00:17:53.160 --> 00:17:53.559
<v Speaker 5>What's wrong?

353
00:17:53.599 --> 00:17:54.079
<v Speaker 3>What's wrong?

354
00:17:54.240 --> 00:17:55.839
<v Speaker 5>One of my spurs got stuck?

355
00:17:57.160 --> 00:17:57.640
<v Speaker 3>Costella?

356
00:17:57.640 --> 00:17:58.559
<v Speaker 9>What do you think you're doing?

357
00:17:58.839 --> 00:18:00.720
<v Speaker 5>Why are you riding under e't your horse?

358
00:18:00.839 --> 00:18:02.880
<v Speaker 3>Well? My horse isn't feeling well, have itt and the

359
00:18:02.920 --> 00:18:08.200
<v Speaker 3>doctor told me to watch the stomach. Well, here we are, man,

360
00:18:08.720 --> 00:18:11.319
<v Speaker 3>we'll probably find Black Peat in the Red Dog cafe

361
00:18:11.400 --> 00:18:13.759
<v Speaker 3>across the street. Stop your horse, okay.

362
00:18:13.720 --> 00:18:16.839
<v Speaker 5>Whoa bally, oh, whoa.

363
00:18:17.279 --> 00:18:21.920
<v Speaker 3>Oo a A boy here, can easy me sit down?

364
00:18:22.079 --> 00:18:26.000
<v Speaker 3>Whoa no, all right, man, everybody into the bar for

365
00:18:26.039 --> 00:18:31.359
<v Speaker 3>a drink now, just a man, Your horse will stay outside,

366
00:18:35.079 --> 00:18:37.880
<v Speaker 3>all right, Let's go in and listen, Castello. When we

367
00:18:37.920 --> 00:18:41.920
<v Speaker 3>go through this door, have your gun ready if anybody moves, shoot.

368
00:18:42.319 --> 00:18:50.960
<v Speaker 3>If anybody shoots, I'll move. Oh, speaking of my glory

369
00:18:51.039 --> 00:18:54.400
<v Speaker 3>and my face, haven't listen to that? What a pair

370
00:18:54.440 --> 00:18:59.359
<v Speaker 3>of pipes? Wish I was a pummer Stello? Don't you

371
00:18:59.440 --> 00:19:08.519
<v Speaker 3>recognize term like pen ghat the same? Oh? My lane,

372
00:19:08.559 --> 00:19:21.599
<v Speaker 3>the trick? Oh look at that lovely face. That face

373
00:19:21.680 --> 00:19:24.559
<v Speaker 3>has made a fortune. Yeah, it runs into a nice figure.

374
00:19:26.880 --> 00:19:29.440
<v Speaker 7>Hello boy, Hello boys?

375
00:19:30.319 --> 00:19:31.640
<v Speaker 3>How big are men? Where you come from?

376
00:19:33.119 --> 00:19:34.680
<v Speaker 7>Welcome to the red Darkfy?

377
00:19:35.119 --> 00:19:36.160
<v Speaker 10>Did you like my song?

378
00:19:37.039 --> 00:19:38.359
<v Speaker 7>What do you think of my range?

379
00:19:38.880 --> 00:19:41.559
<v Speaker 3>Your range is lovely. In fact, I like your whole kitchen.

380
00:19:43.359 --> 00:19:46.880
<v Speaker 10>Your flatter me. You're probably tired after your long trip.

381
00:19:47.400 --> 00:19:48.160
<v Speaker 10>How about a drink?

382
00:19:48.359 --> 00:19:52.119
<v Speaker 3>Okay, I'll have a Crosby cocktail. What one drink and

383
00:19:52.160 --> 00:19:53.000
<v Speaker 3>then bing.

384
00:19:55.000 --> 00:19:57.960
<v Speaker 10>With your personality, I would suggest straight corn?

385
00:20:00.680 --> 00:20:04.400
<v Speaker 3>What a fresh kid? Just a minute, Marlene, Now you

386
00:20:04.400 --> 00:20:06.240
<v Speaker 3>see neither one of us is a drinking man. Do

387
00:20:06.279 --> 00:20:07.599
<v Speaker 3>you have anything a little milder?

388
00:20:07.960 --> 00:20:09.880
<v Speaker 10>Try a drink of this very mild wine.

389
00:20:10.119 --> 00:20:17.559
<v Speaker 3>That sounds better. I'll try it just a minute.

390
00:20:18.039 --> 00:20:21.319
<v Speaker 10>What's I don't understand that wine is made here by

391
00:20:21.319 --> 00:20:22.599
<v Speaker 10>the happy Indians.

392
00:20:23.559 --> 00:20:29.400
<v Speaker 3>Happy Indians. Well, the Indians are still hopping at it, Gorcella.

393
00:20:29.480 --> 00:20:31.599
<v Speaker 3>That silly. Come on, let's go over and watch the

394
00:20:31.640 --> 00:20:32.559
<v Speaker 3>boys play rolette.

395
00:20:32.599 --> 00:20:35.200
<v Speaker 10>Yes, or perhaps you both would rather play a game

396
00:20:35.200 --> 00:20:37.839
<v Speaker 10>with me, Poker Pharaoh black Jack.

397
00:20:38.160 --> 00:20:40.240
<v Speaker 3>I'd rather play post office.

398
00:20:41.039 --> 00:20:41.519
<v Speaker 10>But that's the.

399
00:20:41.559 --> 00:20:52.640
<v Speaker 7>Kid's game, not the way I play it, you know,

400
00:20:52.759 --> 00:20:53.599
<v Speaker 7>little fat man.

401
00:20:54.200 --> 00:20:56.359
<v Speaker 10>I could go for someone like you.

402
00:20:56.359 --> 00:21:03.880
<v Speaker 3>You could, Yes, do you know someone? Sure? A fresh

403
00:21:03.960 --> 00:21:08.799
<v Speaker 3>shit and I love? Keep quiet, Costella. Don't talk like

404
00:21:08.839 --> 00:21:11.160
<v Speaker 3>that to Marlena. She may know where black Pete is.

405
00:21:11.200 --> 00:21:14.000
<v Speaker 3>Try to win her confidence. Turn on the charm. You know,

406
00:21:14.200 --> 00:21:18.960
<v Speaker 3>I'll turn on a charm. Okay, watch me, Malena, my love?

407
00:21:19.920 --> 00:21:21.759
<v Speaker 3>I adore you?

408
00:21:21.759 --> 00:21:22.079
<v Speaker 1>You do?

409
00:21:23.160 --> 00:21:28.759
<v Speaker 5>Yeah, Malena?

410
00:21:29.319 --> 00:21:31.400
<v Speaker 3>Will you let me be your slave? Will you let

411
00:21:31.400 --> 00:21:33.160
<v Speaker 3>me do something for you that I have never done

412
00:21:33.200 --> 00:21:35.079
<v Speaker 3>for any other woman? What?

413
00:21:36.559 --> 00:21:37.880
<v Speaker 5>Will you let me press your slacks?

414
00:21:40.319 --> 00:21:43.160
<v Speaker 3>Castella? Will you stop that? But you just don't know

415
00:21:43.200 --> 00:21:45.240
<v Speaker 3>how to handle these Western girl? Oh, yes, I do

416
00:21:45.319 --> 00:21:47.920
<v Speaker 3>have it, Malena. One time I was in love with

417
00:21:47.960 --> 00:21:50.960
<v Speaker 3>a bulligatew girl. She was too bullyge toront at the kettle.

418
00:21:51.160 --> 00:21:53.200
<v Speaker 3>What do you mean? Well, she had a terrible time

419
00:21:53.200 --> 00:21:54.200
<v Speaker 3>getting her caves together?

420
00:21:56.759 --> 00:21:58.200
<v Speaker 5>What are you talking about Costella?

421
00:21:58.519 --> 00:22:00.960
<v Speaker 3>You've never even been in love with the girl. Yes,

422
00:22:01.000 --> 00:22:05.079
<v Speaker 3>I was. I can see her now. She always wore cotton.

423
00:22:04.720 --> 00:22:06.880
<v Speaker 5>Stockings, cotton stockings.

424
00:22:07.279 --> 00:22:08.200
<v Speaker 7>What happened to her?

425
00:22:08.519 --> 00:22:13.960
<v Speaker 3>Nothing? Of all the girls I got tattooed on my chest.

426
00:22:14.079 --> 00:22:17.440
<v Speaker 3>On your chest, Marlena, I love you the best, better than.

427
00:22:17.359 --> 00:22:19.599
<v Speaker 5>The rest in the west.

428
00:22:19.799 --> 00:22:21.680
<v Speaker 1>On my chest, on your chest.

429
00:22:21.880 --> 00:22:24.559
<v Speaker 3>There's a n echo in the joint.

430
00:22:24.960 --> 00:22:27.960
<v Speaker 5>Well, there's no question about it, Costella. Marlene and Dietrich

431
00:22:28.359 --> 00:22:30.240
<v Speaker 5>just can't be bothered with a man like you.

432
00:22:31.079 --> 00:22:36.599
<v Speaker 12>Marina, Is that true, oh lou, If you only had

433
00:22:36.599 --> 00:22:41.559
<v Speaker 12>the eyes of clock Ebel, yes, the nose of Tyron Power, yes, yes,

434
00:22:42.000 --> 00:22:45.160
<v Speaker 12>the chin of Gary Cooper, yes, the faith, the face

435
00:22:45.200 --> 00:22:45.759
<v Speaker 12>of Pool.

436
00:22:46.200 --> 00:22:52.720
<v Speaker 10>That's all, if you only had a face, Get nurse, I.

437
00:22:52.799 --> 00:22:53.720
<v Speaker 3>Love here, Costella.

438
00:22:53.839 --> 00:22:54.640
<v Speaker 5>We're wasting time.

439
00:22:54.640 --> 00:22:56.680
<v Speaker 3>Did you forget why we came to the dead pan Guls.

440
00:22:56.839 --> 00:22:59.400
<v Speaker 3>We've got the fine Black Pet's hide out, Black.

441
00:22:59.160 --> 00:23:02.039
<v Speaker 10>Pete, he's the most dangerous character in these parts before.

442
00:23:02.160 --> 00:23:04.119
<v Speaker 3>He don't bother me, but he's very tough.

443
00:23:04.160 --> 00:23:06.200
<v Speaker 10>He eats little men like you every morning when he

444
00:23:06.279 --> 00:23:06.720
<v Speaker 10>gets up.

445
00:23:06.839 --> 00:23:09.039
<v Speaker 3>That's me, the breakfast off champions.

446
00:23:11.440 --> 00:23:13.559
<v Speaker 5>No, why don't you give up this mad search.

447
00:23:14.200 --> 00:23:15.599
<v Speaker 7>It can only lead to your death.

448
00:23:15.960 --> 00:23:17.920
<v Speaker 3>I think you got something there, kid, I have it.

449
00:23:18.079 --> 00:23:19.359
<v Speaker 3>I am scared. Ain't you scared?

450
00:23:19.480 --> 00:23:20.599
<v Speaker 5>No, I am not scared.

451
00:23:20.680 --> 00:23:24.359
<v Speaker 3>Then why are you buying my nails? But no matter

452
00:23:24.359 --> 00:23:26.519
<v Speaker 3>what happens, I'm going after Black Pete mole enough and

453
00:23:26.559 --> 00:23:28.480
<v Speaker 3>if I die, I want you to take your shirt

454
00:23:28.519 --> 00:23:29.400
<v Speaker 3>of miners at keepsake.

455
00:23:29.519 --> 00:23:31.519
<v Speaker 7>I suppose you don't die, then wash it and.

456
00:23:31.480 --> 00:23:34.960
<v Speaker 3>Have it back by Monday. And no starching a collar either.

457
00:23:35.279 --> 00:23:38.240
<v Speaker 3>Plesten Castella, cut out the foolishness. Now we line up

458
00:23:38.279 --> 00:23:40.880
<v Speaker 3>everybody in the room until we find our man. That's right, abbit,

459
00:23:41.440 --> 00:23:43.839
<v Speaker 3>everybody line up and let you have your pockets.

460
00:23:44.079 --> 00:23:45.000
<v Speaker 5>Why are you making.

461
00:23:44.839 --> 00:23:47.319
<v Speaker 3>Them empty their pockets? I lost my yoyo.

462
00:23:48.359 --> 00:23:50.640
<v Speaker 10>Now wait a minute, boys, it's not necessary to look

463
00:23:50.680 --> 00:23:51.240
<v Speaker 10>any further.

464
00:23:52.119 --> 00:23:53.680
<v Speaker 8>I am Black Pete.

465
00:23:54.119 --> 00:23:56.640
<v Speaker 3>You are what a fresh kid?

466
00:23:57.599 --> 00:24:00.480
<v Speaker 10>What a stale plot?

467
00:24:00.720 --> 00:24:03.599
<v Speaker 5>I think you got something there, Malena, I still don't

468
00:24:03.599 --> 00:24:05.319
<v Speaker 5>believe all this is true. It is true.

469
00:24:05.599 --> 00:24:07.799
<v Speaker 10>I took the money from the bank, but I did

470
00:24:07.839 --> 00:24:09.960
<v Speaker 10>not steal it. It was my own money. It was

471
00:24:10.000 --> 00:24:12.160
<v Speaker 10>my pin money.

472
00:24:11.359 --> 00:24:13.480
<v Speaker 3>One hundred thousand dollars pin money.

473
00:24:14.279 --> 00:24:19.920
<v Speaker 10>I have very expensive pins. If you don't believe me,

474
00:24:20.000 --> 00:24:20.680
<v Speaker 10>I'll show you.

475
00:24:22.720 --> 00:24:24.559
<v Speaker 7>I have all the money right here in my stocking.

476
00:24:24.759 --> 00:24:29.480
<v Speaker 3>Look, Everett, what a cute bank. What a place to

477
00:24:29.640 --> 00:24:39.960
<v Speaker 3>make it the pop? Oh, Malena, If I give you

478
00:24:39.960 --> 00:24:41.559
<v Speaker 3>all my money from the bank, will you put it

479
00:24:41.559 --> 00:24:42.319
<v Speaker 3>in your other stocking?

480
00:24:42.599 --> 00:24:43.880
<v Speaker 5>Certainly that's now.

481
00:24:43.920 --> 00:24:46.119
<v Speaker 3>I don't be an idiot. Your money is safer in

482
00:24:46.200 --> 00:24:48.079
<v Speaker 3>the bank. Why do you want to put it in

483
00:24:48.119 --> 00:24:51.160
<v Speaker 3>her stocking? But that's where it's gonna traw the most cyrus.

484
00:25:00.000 --> 00:25:02.400
<v Speaker 1>Before we hear from Abadan Costello again, do you want

485
00:25:02.400 --> 00:25:05.960
<v Speaker 1>to find out how hitting ground feels to a paratrooper, Well,

486
00:25:06.200 --> 00:25:08.640
<v Speaker 1>just hop off the top of a truck going fifteen

487
00:25:08.680 --> 00:25:11.480
<v Speaker 1>miles an hour. But don't try that until you're as

488
00:25:11.559 --> 00:25:14.519
<v Speaker 1>husky as an All American halfback and as nimble as

489
00:25:14.519 --> 00:25:17.839
<v Speaker 1>a circus tumbler. Even then, you'd have to learn plenty

490
00:25:17.880 --> 00:25:20.759
<v Speaker 1>to qualify for the shoot troops. Fighter's as tough as

491
00:25:20.839 --> 00:25:23.240
<v Speaker 1>any in the world, and whether your job is to

492
00:25:23.359 --> 00:25:26.599
<v Speaker 1>dangle in midair from silk cords or whether you're making

493
00:25:26.640 --> 00:25:28.799
<v Speaker 1>the shoots, you want to get the most out of

494
00:25:28.839 --> 00:25:32.119
<v Speaker 1>your off duty moments. Take Helen Lynch, for instance, she

495
00:25:32.240 --> 00:25:35.039
<v Speaker 1>works at the Pioneer parachute company making some of the.

496
00:25:34.960 --> 00:25:36.680
<v Speaker 9>Shutes used by our paratroopers.

497
00:25:37.240 --> 00:25:39.799
<v Speaker 1>Like so many of us, Miss Lynch is smoking more

498
00:25:39.920 --> 00:25:42.920
<v Speaker 1>these days, and she sticks to camels, she said.

499
00:25:42.839 --> 00:25:44.960
<v Speaker 7>Quote package after package.

500
00:25:45.160 --> 00:25:47.680
<v Speaker 3>Camels never tire my taste or wear out.

501
00:25:47.720 --> 00:25:48.400
<v Speaker 2>They're welcome.

502
00:25:49.039 --> 00:25:52.119
<v Speaker 3>They have such a rich, full flavor, and they're so

503
00:25:52.240 --> 00:25:53.279
<v Speaker 3>easy on my throat.

504
00:25:53.559 --> 00:25:57.839
<v Speaker 1>Unquote. Camel is first in the service. Actual sales records

505
00:25:57.839 --> 00:26:00.839
<v Speaker 1>in post exchanges and canteens show that with men in

506
00:26:00.880 --> 00:26:03.400
<v Speaker 1>the Army, the Navy, the Marine Corps, and the Coastguard,

507
00:26:03.759 --> 00:26:05.240
<v Speaker 1>camel is the favorite.

508
00:26:05.440 --> 00:26:06.119
<v Speaker 3>Why is that?

509
00:26:06.400 --> 00:26:09.839
<v Speaker 1>But just ask your own throat and taste. Camels have

510
00:26:09.880 --> 00:26:12.880
<v Speaker 1>a full, rich flavor, the kind that wears well, doesn't

511
00:26:12.880 --> 00:26:16.440
<v Speaker 1>go flat. Camels are milder too, and curl are smoking

512
00:26:16.519 --> 00:26:20.480
<v Speaker 1>because they're slow burning. The big reason behind this camel

513
00:26:20.559 --> 00:26:24.880
<v Speaker 1>goodness is costlier tobaccos blended in the year's old camel

514
00:26:24.920 --> 00:26:29.720
<v Speaker 1>tradition of quality tobacco blending. If you're smoking more these days,

515
00:26:30.079 --> 00:26:33.720
<v Speaker 1>try camels. Your throat and your tastes will tell you.

516
00:26:34.160 --> 00:26:40.039
<v Speaker 1>See camels get a fact tonight, send the carton to

517
00:26:40.079 --> 00:26:41.480
<v Speaker 1>that fellow in the service.

518
00:26:58.200 --> 00:26:59.960
<v Speaker 9>And I'll worry about next week's program.

519
00:27:00.519 --> 00:27:02.960
<v Speaker 1>You'll hear more music from Leith Stephens on the orchestra,

520
00:27:03.319 --> 00:27:06.119
<v Speaker 1>more songs by Connie Haynes and the Camel Quinn's Head,

521
00:27:06.359 --> 00:27:09.160
<v Speaker 1>and a gripping dramatic story of life in the Squared

522
00:27:09.240 --> 00:27:13.359
<v Speaker 1>Circle with our guest star John Garfield. Now Here is

523
00:27:13.400 --> 00:27:16.680
<v Speaker 1>a short preview of next week's program. Thousands of people

524
00:27:16.720 --> 00:27:19.880
<v Speaker 1>are assembled in Madison Square Garden. All eyes are focused

525
00:27:19.920 --> 00:27:21.519
<v Speaker 1>on the two fighters in the center of the ring,

526
00:27:22.000 --> 00:27:23.559
<v Speaker 1>Killer Garfield and QP.

527
00:27:23.720 --> 00:27:24.200
<v Speaker 3>Costello.

528
00:27:24.680 --> 00:27:27.039
<v Speaker 1>There is a terrific exchange of blows. The crowd is

529
00:27:27.079 --> 00:27:28.920
<v Speaker 1>on its feet, Costello is on his face.

530
00:27:31.000 --> 00:27:33.839
<v Speaker 3>Costello, get up, get up, get up with your knees

531
00:27:33.880 --> 00:27:37.279
<v Speaker 3>and quit playing with those marbles. What marbles? I'm picking

532
00:27:37.359 --> 00:27:38.079
<v Speaker 3>up my feet.

533
00:27:49.519 --> 00:27:52.119
<v Speaker 9>He turned toune the next Thursday night at the same time.

534
00:27:52.000 --> 00:27:54.720
<v Speaker 1>For another big comedy show starring Bud Evan and Lou

535
00:27:54.839 --> 00:27:58.240
<v Speaker 1>Costello with John Garfield. That's Our Guests, brought to you

536
00:27:58.279 --> 00:28:02.039
<v Speaker 1>with the compliments of Camel Cigarette. Camel presents three great

537
00:28:02.119 --> 00:28:05.880
<v Speaker 1>radio shows each week. Aberdan Costello on Thursday night. On

538
00:28:05.960 --> 00:28:08.200
<v Speaker 1>Friday Night, It's The Camel Caravan.

539
00:28:07.839 --> 00:28:10.119
<v Speaker 9>With Lanny Ross, Herb Shriner.

540
00:28:10.000 --> 00:28:15.079
<v Speaker 1>Xavier Cougat and Our Town and Monday Nights. Blondie Bolena Dietrich,

541
00:28:15.079 --> 00:28:17.000
<v Speaker 1>who appeared with US tonight, has just competed a new

542
00:28:17.079 --> 00:28:24.480
<v Speaker 1>Universal picture Pittsburgh with John Wayne and Randolph Scott. And

543
00:28:24.599 --> 00:28:27.920
<v Speaker 1>here's the latest news about the Camel Caravans, those swell.

544
00:28:27.759 --> 00:28:29.920
<v Speaker 9>Traveling shows that entertain our boys.

545
00:28:29.680 --> 00:28:33.200
<v Speaker 1>In the Army camps. Fifteen Army and Navy training.

546
00:28:32.920 --> 00:28:35.599
<v Speaker 5>Stations will be visited this week, including.

547
00:28:35.160 --> 00:28:40.079
<v Speaker 1>Camp Gordon, Georgia, Camp Pendleton, California, and Campcroft, South Carolina.

548
00:28:40.599 --> 00:28:43.480
<v Speaker 1>This is Ken Niles speaking for the makers of Camel

549
00:28:43.519 --> 00:28:47.200
<v Speaker 1>Cigarettes and wishing you all a very pleasant good night.

550
00:29:02.279 --> 00:29:04.799
<v Speaker 1>Ever see a pipe wearing a muzzle, No, sir, and

551
00:29:04.880 --> 00:29:07.160
<v Speaker 1>you never will, cause that won't keep it from Biden.

552
00:29:07.799 --> 00:29:09.920
<v Speaker 1>Thing to do is get Prince Albert, the brand that

553
00:29:10.039 --> 00:29:13.400
<v Speaker 1>snow bite treated for real smoke and comfort. Another thing,

554
00:29:13.680 --> 00:29:16.599
<v Speaker 1>PA's Crimp Cut and that means it packs firm and

555
00:29:16.680 --> 00:29:20.119
<v Speaker 1>easy and gives you cool. One match burning, you'll find

556
00:29:20.160 --> 00:29:23.240
<v Speaker 1>around fifty mild rich tasting pipe pulls in every handy

557
00:29:23.279 --> 00:29:27.599
<v Speaker 1>pocket package of Prince Albert. Try p a for pipe appeal.

558
00:29:28.559 --> 00:29:29.200
<v Speaker 9>You'll agree.

559
00:29:29.240 --> 00:29:33.240
<v Speaker 1>It's the national joy smoke. This program has come to

560
00:29:33.240 --> 00:29:41.640
<v Speaker 1>you from Hollywood. This is the national broadcasting company,
