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Speaker 1: She's brought you out to Kings again. I don't know

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what she's season. You're rudio flesh. I don't think that

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I can flick a s.

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Speaker 2: You've interrupted her again.

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Speaker 1: You can't buy manage your own felt self preservation dominate

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the conversation.

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Speaker 3: What do you shut up to her friend?

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Speaker 4: Oh yeah, everybody gets body.

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Speaker 3: Jack getches.

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Speaker 2: We you bet that's the laundry.

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Speaker 5: Design, her hand pass and cart. It's clean to see,

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good to see this all you've got to park. There's

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nothing underneath the surface.

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Speaker 3: You like to name your famous friends.

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Speaker 5: It's pretty clear that you are compensizing and much.

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Speaker 3: It's so strustfully.

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Speaker 4: Do show up to you love them? Oh yeah, everybody

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gets Yeah they drink shop but three sycles just the same.

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Speaker 6: When you see your tie hat, get see your neighbor

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is a star.

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Speaker 4: And make sure everybody knows, make sure everybodys do you

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shut off to friends?

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Speaker 7: Oh you have?

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Speaker 3: Everybody gets.

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Speaker 8: I love it.

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Speaker 9: I've been looking forward to this. The band is Lemon

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Drink and the track is Patsy Kensett, and we are

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going to speak with Lemon Drink in just a moment.

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Welcome everybody. This is Matt Connorton Unleashed and we are

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live from the studios of WMNH ninety five point three

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FM and glorious but very very very cold Manchester, New Hampshire,

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on this Saturday morning, the last day of January, January

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thirty one, two twenty six.

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Speaker 8: Welcome.

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Speaker 9: Of course, we are live from the studios of wm

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and H ninety five point three FM, and you can

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stream the show from anywhere, go to mattconnorton dot com

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slash Live.

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Speaker 8: We've got a great show ahead for you.

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Speaker 9: We've got a couple of world radio premieres coming up

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in just a little bit, but right now we're gonna

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We're gonna open the show with our conversation with Lemon Drink.

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I've become a big fan in a short time because

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I really really love their sound and I think via

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Microsoft teams, I think we've got the whole band here.

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Speaker 8: Let's see who is who is with us? Do we

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have Sophie, Kirsty, Lauren and Paul? Is everybody here?

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Speaker 7: Hi?

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Speaker 8: Hey, welcome to the show. Everybody welcome? And you are

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in Glasgow? Is that correct? Very very good?

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Speaker 10: Is it?

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Speaker 4: Now?

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Speaker 8: What's the weather like there here? It is bitterly cold?

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Does it get cold there?

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Speaker 11: Yeah, I don't know if it's colder than that abster,

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but it's pretty pretty cold.

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Speaker 9: Yeah yeah, oh really, yeah, yeah, it's it's just been

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it's been absolutely brutal here. But but I love that track,

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Patsy Kensitt and uh. At the end of our conversation too,

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we're gonna play We're gonna play the earlier single, that

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Demon Child song that I love a lot. And there's

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another song too that I'll probably play later in the

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show that I really like A Drink for You. I

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listened to that one too and just love it. So

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everything that I've listened to I've really really enjoyed.

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Speaker 8: But this is coming out. So the single is out

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Friday the thirteenth, Is that correct.

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Speaker 11: That's right Gallentine's Day?

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Speaker 8: Oh yeah, yeah, excellent.

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Speaker 9: Can you tell us about that song because I feel

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like this kind of a humorous theme there with the lyrics.

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Tell us about Patsy Kensitt and also to it. I'm

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curious why why you chose this for a single. It's

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a great track, but I'd like to know the relevance

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of it in your world.

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Speaker 4: Sure.

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Speaker 11: So, yeah, it was one of the first songs that

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me Sophie and Kirsty Casey interchangeable use of names.

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Speaker 3: I wrote.

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Speaker 11: Actually, so we wrote it years and years and years ago,

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and we started with the bridge, which is if anyone's

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written a song knows that that's a really odd place

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to start with the songs.

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Speaker 12: But we used to.

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Speaker 11: So my mum had been seeing this guy and he

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was just like comedy Gold on Twitter. He was just

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he was the worst in real life.

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Speaker 13: So we just used to.

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Speaker 11: We didn't so I, me and Christie used to go

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on his Twitter formerly known as Twitter, Yeah, and just

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like laugh at his tweets because they were so unself

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aware and hilarious. But one of the I do is

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he used to just randomly retweet selfies of Patsy Kensit

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without any context. Really yeah, very odd behavior. And he

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did lots of other very funny stuff on Twitter. But

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that's where the lyric about Pat's kens It came from.

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As Yeah, we just it was like every fourth or

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fifth tweet was just like a retweet of a selfie

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the Patsy Kensit had tweeted, which is odd. But yeah,

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So we'd written the bridge years ago. It took a

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long time to then try and get into what the

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song would actually be about, because just written a song

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about him felt it was just very niche and too specific.

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But once we kind of hit onto the theme of

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just people, but mainly men who are you know, big

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egos just like to take up the full room with

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their own self importance. And when someone you know starts

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dating a person like that, it means that they unfortunately

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have to be you have to then also spend them

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on by not through choice. So it's that's the kind

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of wider theme of the song. And once we kind

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of got into that more relatability. So when because we

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wrote this long before Paul and Lauren joined the band

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in our previous rummer Harry as well, and I think

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once we brought that theme to the rest of the

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band it came about quite quickly because everyone knows someone

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like that, you know, everyone unfortunate experience at least once

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in their life of being around a person like that,

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So after that it came together quite quite quickly. So

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and yeah, and that's also why it's called Patsy kensit

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just because over here in the UK she is a

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bit of an icon. So and that because obviously was

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the catalyst of the whole song that, and you know,

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we did take the songs of bit Teeky and Playful,

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so it just felt absolutely not that should be the

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name of the song as well, even though it's technically

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nothing to do with or about Patsy, not about Patsy Genzy.

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Speaker 9: Sure sure, yeah, I mean, and there's other examples of

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that in music, like you know, Rosa Parks by Outcast

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has nothing nothing to do with Rosa Parks for example.

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But but so I have to know though, So the

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person who inspired the song, or at least the you

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know what what the song initially was, are they still

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in your life in any way?

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Speaker 11: No, no good. That's why I think as well, it

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became the right moment to do it, obviously, if I think,

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until they very thankfully broke up, I think it just

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like would have been a bit too close to home.

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But luckily, you know, they're long, long, long gone. So yeah,

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I'm that she knew, so that she was okay with

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doing it.

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Speaker 8: Well she she probably uh, she probably gets a kick out.

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Speaker 11: Of it, right, Yeah, she really enjoyed hearing it for

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the first time.

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Speaker 9: Yeah, yeah, no, that's really cool. That's really cool. So

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I mean, this, this sound of yours, I mean, it's

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sort of, you know, kind of dreamy. You probably hear

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that word a lot, you know, kind of that that

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sort of dream distorted.

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Speaker 8: Type of sound.

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Speaker 9: And it seems to be the other songs I think

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have kind of a similar vibe. I mean, but the

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band has been around for a while, right, And I'm

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curious if if the if you're a coach to this

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has kind of changed over the years. It sounds like

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the lineup has been pretty stable, right, You've had you

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did have a different You said you had a different

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drummer at one point.

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Speaker 14: Yeah, we.

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Speaker 11: Oh, I need to learn.

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Speaker 12: Yeah, we had the same drummer for a really long time.

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I think you guys put it out with him, didn't you,

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Sophie and Kirsty before I joined, And he left recently

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to be a dad. He's such a good dad. He's

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got a little boy, so understandably he's dedicating as time

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to that. Then we had a couple of successive drummers briefly,

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but we've we settled on someone that we think is

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the right fit now, which is nice because it means

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we've got that stability to get cracking again. But yeah,

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that Paul is a relative. Well the public to the

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public that yeah, but yeah, that's been a pretty seamless

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kind of transition ad in Poland because he's really good

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at what he does, and I think has really enhanced

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everything that we do, the older songs, new songs that

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we're writing. Yeah, I think that's really helped us kind of,

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I don't know, just kind of easily find a sound

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that feels natural to us. And we're kind of finding

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that we're writing things that we think, oh, actually, yeah,

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that does kind of line up with that that we've

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written all this and it's we can feel a progression

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in ourselves.

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Speaker 9: Which is nice, you know. Yeah, yeah, no, that's excellent.

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And then what's kind of the live situation there are

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are you doing a lot of shows? Are you touring

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at all? What's what's going on with that? Because I

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bet these songs sound really good live, I would imagine, yeah, I.

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Speaker 11: Mean, we like think that they do. I think, yeah,

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I think just because of all the the drummer changes

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and kind of getting everyone up speed. Like unfortunately we've

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not been able to play live shows for a little while.

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But that's us now full five key stable line up

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and ready to hit the ground. So we've got a

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headline show to launch a single on the twentieth of

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March at a really great venue in Glasgow called mccool's,

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really old established venue, independent important especially for the Scottish

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and British. Independent venues are really important support. And then

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after that, yeah, the whope is tours, you know, more

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more gigging. We just were ready to kind of yeah,

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as you say, let people hear them live because I

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think we do have this fun, raw, energetic quality that

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you know, you just hearing them live, you know, you

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get that better than anything.

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Speaker 9: Yeah, yeah, now I can imagine absolutely. And then now,

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is this is the single part of an upcoming EP

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or what's the situation there. There's so many different ways

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to release music now, in so many different strategies. But

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do you have an EP coming up that this is

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going to be on?

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Speaker 11: This one is a standalone so we're launching Patsy. So

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Patsy I think made sense to do as a standalone

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single because this it definitely hints at the music that's

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to come. I think the sound if you listen kin

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of our original stuff and then this it does feel

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like a more mature, elevated kind of sound than what

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where we've come from and definitely hints at what's to come.

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But the sort of that sort of like vintagey, nostalgic

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kind of sound probably sits alone with Patsy, but that dreamy,

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sassy qualities definitely. You can definitely hear that in the

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other songs to come. So loads of songs kind of

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ready to go, but Patsy just forms part of her

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own own kind of special universe.

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Speaker 8: Okay, interesting, and I was reading too. Is this correct?

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Speaker 9: So that you recorded that with Andy Monahana from Santa's Name, Correctly,

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that's correct, but.

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Speaker 8: Only the single, right, the previous singles you did not

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record with him? Correct?

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Speaker 11: He mixed Demon Child, so the Child we recorded, Yeah,

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so we recorded that at the Chunky studios, so he

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didn't engineer and record that with them, but he did

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mix it for us. So that final sound, the final

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kind of recording of Demon Child, we worked for Andy on.

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So that's why we knew we really wanted to do

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a song from start to finish with him. Oh excellently, cats,

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because he is he is great. What he does, he's fantastic,

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and he's just he's a really good guy. And you know,

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we're big fans of Frightened Rabbit as well of course.

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So yeah, it was a real dream working with him.

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So it was great.

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Speaker 9: It was so as far as EP, is your plan

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to work with him on that as well or are

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you gonna or is that going to be a different

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direction or do you know yet? I don't know if

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you've started working on it yet, but.

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Speaker 11: We don't know yet. I think that's the thing we've got.

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All of the songs are kind of still at the

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demo stages and then all of that still to be

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worked out. But yeah, plans are foo, which is exciting.

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Speaker 8: Yeah, that's good.

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Speaker 9: Yeah, I mean he definitely captured something here, so that's great.

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Although I have to tell you that song I really

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love is it a drink for you or a song

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for you?

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Speaker 10: Oh?

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Speaker 8: A song, a song for you? I really like that

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one a lot too. I'm gonna I'm gonna try to

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sneak that one in later as well. Yeah, really really good. Yeah,

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and I think too. So the debut EP Better Run.

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When did that come out? Was that four years ago?

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Speaker 11: Yeah? That was twenty twenty. Unfortunately it came out I

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think four days before the UK locknin Sorry time of

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life not great.

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Speaker 3: Yeah, that was I think.

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Speaker 11: Yeah, we played our EP launch show on the Saturday,

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so it came out on the Friday. He launched some

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on the Saturday, and then Lockdown UK and I think

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started on the Wednesday. So yeah, I think there was

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also like we'd held a super spreader event.

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Speaker 12: Oh no, oh, yeah, it was nice to go out

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with a bit of a bang though.

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Speaker 9: Yeah, this is this has been such a consistent thing

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that comes up on the show over the past several years.

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Is so many artists who you know, either just released

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something or they were about to go on a big

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tour or something right before everything just went to hell.

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Speaker 12: It's nice to see that people are still kind of

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trying to come back though, Yeah, which is you know,

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tenacity is the key I think with these things, and

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it's really great to see that people still, you know,

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tried to keep making music and yeah, yeah, derail them.

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Speaker 9: Well, I've always said I always say too, you know,

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when the subject comes up. The pandemic was awful, obviously,

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but we have to find these silver linings where we can,

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and I think one of the one of those few

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silver linings is a lot of musicians found new ways

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to kind of be creative and and find ways to

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or find ways to collaborate with others online. You know

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from a distance. The technology to do that was all

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already there, but not everyone necessarily was embracing it. And

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I think people were forced to embrace it in ways

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that they hadn't before. So so that's that's a good thing.

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And and so a lot of people, you know, it

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couldn't really tour, but you could still make music and

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and uh and a lot of a lot of great,

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great stuff came out musically from that. So but yeah,

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so so what ended up happening? So so right before

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so you played that show and then everything shuts down.

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But from what I was reading online, I mean you

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still had some success with the EP, right in terms

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of placement and and airplay and so forth.

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Speaker 11: Yeah, it was really well received, and I just the

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00:17:44,799 --> 00:17:47,319
unfortunate thing is not being able to obviously what you

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want as a band. Right, we were on a really

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good you know, grassroots you know, getting getting getting somewhere.

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It felt really good. And then obviously what you want

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00:17:56,440 --> 00:17:58,960
when you release an EPs to then launch that into

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tours and playing lots of shows and getting really good

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support slots. And just unfortunately that none of that could happen.

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So it was as music. It was well received, but

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we couldn't really capitalize on it, and because it was

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our DEBP, it was tricky because it just meant there

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was so little to like work with. Did a follow

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up single, Demon Child, and that's why we ended up

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doing this as a standalone again, just try and keep

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some sort of momentum going. And I think that did

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even better than the EP because by that point it

316
00:18:29,119 --> 00:18:35,359
was twenty one, but still in Scotland and the UK again,

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gigs weren't still really happening. It was still very much

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00:18:38,599 --> 00:18:41,960
kind of pandemic ye vibes. So again that did really

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00:18:42,000 --> 00:18:44,200
well and was well received, but we just haven't been

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able to, you know, off the back of those, We

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00:18:45,640 --> 00:18:48,079
just weren't able to do that. The dream scenario of

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00:18:48,200 --> 00:18:51,480
getting tours and booking shows and getting that kind of

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00:18:51,559 --> 00:18:54,519
more you know, the real world Stuff's why you'd do it.

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00:18:54,599 --> 00:18:56,200
You like putting up music, but you put up music

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00:18:56,279 --> 00:18:58,920
so that you can actually play in front of people.

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Speaker 8: Right exactly.

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00:19:01,039 --> 00:19:02,720
Speaker 9: Yeah, So it must be wonderful to really be in

328
00:19:02,759 --> 00:19:05,079
a position now where you know you continue to have

329
00:19:05,200 --> 00:19:07,759
all this. You know, you clearly have a lot of

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00:19:07,799 --> 00:19:10,400
momentum here and to be able to finally really do

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00:19:11,680 --> 00:19:14,960
everything and you know, try to fulfill the full potential

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00:19:15,359 --> 00:19:17,480
for the band in terms of I mean, like I said,

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00:19:17,519 --> 00:19:19,160
it sounds great, but to be able to get out

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00:19:19,200 --> 00:19:22,200
there and play and do all the things you know, obviously,

335
00:19:22,240 --> 00:19:23,480
I'm sure. I'm sure you want to do a lot

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00:19:23,519 --> 00:19:26,240
to support the single Patsy Kenstt, which is great and

337
00:19:26,319 --> 00:19:27,839
I do love it even more now that I know

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00:19:27,920 --> 00:19:31,119
the story behind it, because because what you said is true,

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we all know people like that. So I think it's

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highly relatable.

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Speaker 12: Everyone that listens to how somebody that they picture in.

342
00:19:39,359 --> 00:19:45,039
Speaker 9: Them Absolutely, absolutely, one hundred percent. I have eleven or

343
00:19:45,079 --> 00:19:48,480
twelve that I can think of. But but Americans are

344
00:19:48,880 --> 00:19:50,599
we're a bit narcissistic over here.

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Speaker 8: So well, so where should people?

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Speaker 10: Oh?

347
00:19:57,559 --> 00:19:59,759
Speaker 9: Actually, before I ask you that question too, I forgot

348
00:19:59,759 --> 00:20:02,799
to ask ask you one of the obvious questions Lemon drink?

349
00:20:02,799 --> 00:20:03,799
Speaker 8: Where does the name come from?

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00:20:06,680 --> 00:20:06,799
Speaker 15: See?

351
00:20:07,480 --> 00:20:10,519
Speaker 11: I really think you know it's funny we get obvious question,

352
00:20:10,720 --> 00:20:13,680
but we've yet to come up with a more interesting story.

353
00:20:15,880 --> 00:20:17,960
I don't know, Kirsty, you tell it.

354
00:20:19,200 --> 00:20:22,599
Speaker 16: I mean, it's it's not a fantastic story. But me

355
00:20:22,640 --> 00:20:25,799
and Sophie were just out one night bar in Glasgow

356
00:20:25,920 --> 00:20:29,319
getting some Ameretto sours and they were perhaps the worst

357
00:20:29,359 --> 00:20:32,960
amaretto sours we've ever had. It was just they just

358
00:20:33,039 --> 00:20:37,440
squeezed some lemon and some amaretto into a glass. I

359
00:20:37,519 --> 00:20:40,000
was like, this is just a lemon drink. And then

360
00:20:40,799 --> 00:20:42,680
that's that was it, and we're like, great name for

361
00:20:42,720 --> 00:20:44,119
a band, and here we are.

362
00:20:46,000 --> 00:20:48,480
Speaker 11: Like but also I think at that point it was

363
00:20:48,599 --> 00:20:52,440
like to in the morning, we're probably it maybe felt better,

364
00:20:52,519 --> 00:20:53,839
but the next day it's still stuck.

365
00:20:53,960 --> 00:20:57,119
Speaker 12: So yeah, eight years later it stuck.

366
00:20:57,279 --> 00:20:59,960
Speaker 8: So yeah, that's that's not such a dull story.

367
00:21:00,039 --> 00:21:00,359
Speaker 17: I like it.

368
00:21:00,680 --> 00:21:02,519
Speaker 9: That's a great name and uh and and here you

369
00:21:02,559 --> 00:21:05,799
are going strong with it, So that's that's wonderful. So

370
00:21:05,920 --> 00:21:08,240
in a moment, we're going to I'll let you all

371
00:21:08,279 --> 00:21:10,599
go and we're gonna play that track Demon Child, and

372
00:21:10,640 --> 00:21:13,400
I'm also gonna I'm also gonna sneak in a song

373
00:21:13,440 --> 00:21:15,559
for you because I love that one too. Uh, that's

374
00:21:15,680 --> 00:21:17,720
that's such a good song. I really really like that

375
00:21:17,799 --> 00:21:20,519
a lot. But where should people go online to keep

376
00:21:20,559 --> 00:21:22,640
up with everything that Lemon Drink is doing? Where should

377
00:21:22,640 --> 00:21:22,960
people go?

378
00:21:24,960 --> 00:21:27,559
Speaker 11: I think all the usual places. We're on all the socials,

379
00:21:27,680 --> 00:21:30,000
so yeah, yeah, Instagram.

380
00:21:30,319 --> 00:21:33,319
Speaker 16: Lemon Drink Band on most socials.

381
00:21:33,039 --> 00:21:36,519
Speaker 8: Okay, Lemon Drink Band okay yeah.

382
00:21:36,559 --> 00:21:41,640
Speaker 11: And Spotify as well, obviously get ready to stream stream

383
00:21:41,640 --> 00:21:43,680
our new our new single Patsy Kensit, so.

384
00:21:43,880 --> 00:21:46,880
Speaker 9: Yeah, absolutely, and yet we'll remind people that comes out

385
00:21:46,960 --> 00:21:48,000
February thirteenth.

386
00:21:48,279 --> 00:21:52,400
Speaker 8: Uh, any chance of a video for that, Yes.

387
00:21:52,279 --> 00:21:54,680
Speaker 11: We're actually shitting it next week and we've got fun

388
00:21:54,880 --> 00:21:57,240
a fun concept that. So keep an eye on our

389
00:21:57,720 --> 00:21:59,880
our socials for for us releasing bits.

390
00:22:00,119 --> 00:22:03,480
Speaker 8: Oh oh fantastic, can't wait to see that. That is wonderful.

391
00:22:03,720 --> 00:22:06,640
Speaker 9: Well listen, Okay, so thank you all of course, Sophie, Casey,

392
00:22:06,759 --> 00:22:09,319
Lauren and Paul, thank you all so much for joining

393
00:22:09,400 --> 00:22:11,119
us this morning. We're gonna let you go. I'm gonna

394
00:22:11,160 --> 00:22:13,160
hit that track Demon Child, and I am going to

395
00:22:13,160 --> 00:22:15,480
play a song for you as well. But we will

396
00:22:15,519 --> 00:22:17,440
definitely do this again in the future as you're releasing

397
00:22:17,480 --> 00:22:19,039
new music. We'd love to have you back on. Like

398
00:22:19,119 --> 00:22:21,519
I said, I became a fast fan. I really like

399
00:22:21,599 --> 00:22:23,519
your sound and you know, and I like the dose

400
00:22:23,519 --> 00:22:25,640
of humor in this track too, or the track that

401
00:22:25,680 --> 00:22:28,799
we played earlier Patsy Kenswick. But and I wish you

402
00:22:29,160 --> 00:22:31,839
much success and we'll talk again soon, I'm sure. Lemon

403
00:22:31,960 --> 00:22:33,279
Drink thank you all so much.

404
00:22:34,319 --> 00:22:35,200
Speaker 11: Thanks, thank you.

405
00:22:35,799 --> 00:22:40,279
Speaker 8: Oh you got it all. Bye bye, take care. All right.

406
00:22:40,359 --> 00:22:41,440
That is Lemon Drink.

407
00:22:41,480 --> 00:22:44,160
Speaker 9: We got all four members here and we're going to uh,

408
00:22:44,319 --> 00:22:46,880
we're gonna play this track. This is called Demon Child.

409
00:22:47,200 --> 00:22:49,200
This is a previous single, and I am going to

410
00:22:49,240 --> 00:22:51,960
play a song for you as well. And then after that,

411
00:22:52,720 --> 00:22:55,680
we've got a couple of world radio premieres.

412
00:22:55,279 --> 00:22:56,079
Speaker 8: For you this week.

413
00:22:56,559 --> 00:22:59,400
Speaker 9: And of course stick around if you are listening live

414
00:22:59,480 --> 00:23:02,039
on Saturday Day. In the second hour, BRSRS with us

415
00:23:02,119 --> 00:23:03,720
and in the third hour, Vice's Inc.

416
00:23:04,200 --> 00:23:04,759
Speaker 8: We'll be with us.

417
00:23:04,799 --> 00:23:06,839
Speaker 9: So we've got a great show. We are in the

418
00:23:07,119 --> 00:23:10,400
very early stages of this week's program. But right now

419
00:23:10,440 --> 00:23:12,519
here it is this is Demon Child and the band

420
00:23:12,680 --> 00:23:13,519
is Lemon Drink.

421
00:23:41,119 --> 00:23:45,720
Speaker 2: You will see how coming. She'll do it with a smile.

422
00:23:46,720 --> 00:23:51,680
You will see how come in for myry. And she's

423
00:23:51,720 --> 00:23:52,359
a demon.

424
00:23:57,079 --> 00:24:09,119
Speaker 18: She's a demon. Yeah, she's gone. She only comes off

425
00:24:09,240 --> 00:24:09,960
of D.

426
00:24:15,960 --> 00:24:18,680
Speaker 2: Side. She's didn't change.

427
00:24:22,720 --> 00:24:43,960
Speaker 4: She's didn't she didn't cha charging charges charge. You will

428
00:24:44,319 --> 00:24:48,039
see her coming. She will feel a thing.

429
00:24:49,279 --> 00:24:50,960
Speaker 19: She said behind.

430
00:24:51,880 --> 00:24:53,640
Speaker 3: She do it with a friend.

431
00:24:53,880 --> 00:24:54,799
Speaker 2: She's a demon.

432
00:24:55,319 --> 00:25:14,119
Speaker 4: She's a team Cha she's getting on buns out. She's

433
00:25:18,440 --> 00:25:29,240
sad china cha. She's a emer chos. She's a child

434
00:25:29,480 --> 00:26:00,559
chaste jack ch ch chat joy cheese coming coming ss

435
00:26:21,680 --> 00:26:28,440
ches O, my god, it's cheeses.

436
00:26:32,319 --> 00:26:43,039
Speaker 2: Sis. She's she's dinner child.

437
00:26:43,279 --> 00:26:44,480
Speaker 3: She's a job.

438
00:26:44,720 --> 00:26:55,039
Speaker 4: She's child jobst chop chop chop, diner child. She's a

439
00:26:55,160 --> 00:26:56,000
dealer in child.

440
00:26:56,240 --> 00:26:59,000
Speaker 2: She's a dealer in child. She's a dinner child.

441
00:27:00,839 --> 00:27:04,359
Speaker 20: Gosh, don't even think you're just still it over it

442
00:27:04,519 --> 00:27:10,480
too to be passing out in barsacretia, get hoo. Don't

443
00:27:10,519 --> 00:27:14,279
you think I'm just still it over it too? To

444
00:27:14,519 --> 00:27:15,640
be good? I'm good?

445
00:27:15,759 --> 00:27:16,039
Speaker 7: Boys?

446
00:27:16,279 --> 00:27:17,799
Speaker 2: Are any controlable?

447
00:27:34,200 --> 00:27:36,559
Speaker 21: Why'd you bring me all the way back to your

448
00:27:36,720 --> 00:27:40,000
place just to talk about your ex?

449
00:27:40,079 --> 00:27:43,559
Speaker 2: I'm not your therapist. Don't you think you're just a

450
00:27:43,799 --> 00:27:44,839
letle it dude?

451
00:27:46,279 --> 00:27:49,559
Speaker 4: Come, I know I just go up and maybe yellow.

452
00:27:58,759 --> 00:27:59,640
I'm not here.

453
00:28:00,720 --> 00:28:02,000
Speaker 2: Waste not time?

454
00:28:02,440 --> 00:28:05,960
Speaker 3: You stand those god in line.

455
00:28:06,680 --> 00:28:07,039
Speaker 22: I'm not.

456
00:28:08,680 --> 00:28:09,920
Speaker 19: Waste not time.

457
00:28:10,400 --> 00:28:11,680
Speaker 22: Go fix your a brown.

458
00:28:11,880 --> 00:28:13,559
Speaker 3: Those wid.

459
00:28:22,480 --> 00:28:26,559
Speaker 4: Just think you just tell that over tools to be

460
00:28:26,720 --> 00:28:29,519
gising be you when you've got it girl like Moll

461
00:28:30,559 --> 00:28:31,079
you're thinking.

462
00:28:31,359 --> 00:28:35,599
Speaker 3: Just tell that over too. He might do the SI

463
00:28:36,000 --> 00:28:47,720
do that, don't. I'm not here.

464
00:28:48,240 --> 00:28:53,960
Speaker 4: I mean waste not time. You stand those God in life.

465
00:28:54,720 --> 00:28:59,680
I'm no, I waste not time. Go fix your bron

466
00:29:00,240 --> 00:29:01,920
trying to make them mad.

467
00:29:26,799 --> 00:29:27,720
Speaker 2: I'm not here.

468
00:29:28,039 --> 00:29:33,640
Speaker 21: A heavy waist smoked, I'm not here. A heavy waist mocked,

469
00:29:34,759 --> 00:29:39,720
I'm not here. A heavy waist mocked, I'm not here,

470
00:29:40,039 --> 00:29:41,880
A heavy waistm.

471
00:29:44,720 --> 00:29:51,839
Speaker 3: Waste waste, I'm here.

472
00:29:52,720 --> 00:29:59,599
Speaker 21: Watatter, I'm not here, not heavy waist, I'm not here.

473
00:30:00,720 --> 00:30:10,000
Speaker 4: Least time, last time, LEAs time.

474
00:30:52,359 --> 00:30:56,960
Speaker 14: If you're listening to Matt connorton Unleashed on wm n

475
00:30:57,119 --> 00:30:58,599
H ninety five point three.

476
00:30:59,480 --> 00:31:02,480
Speaker 9: Now there's exclusive world radio premiere of the new single

477
00:31:02,599 --> 00:31:06,160
from Kyle Gordon Dead oceans.

478
00:31:10,400 --> 00:31:46,440
Speaker 7: H I've been even love your phone.

479
00:31:48,440 --> 00:31:50,920
Speaker 19: Well, I'm mom, not this mom.

480
00:31:53,279 --> 00:31:55,200
Speaker 7: It's more than just a phrase.

481
00:31:57,039 --> 00:32:01,839
Speaker 23: Well sometimes it comes on strease t take cooking up

482
00:32:03,079 --> 00:32:04,119
and true.

483
00:32:05,720 --> 00:32:06,880
Speaker 8: Wealth, that's nothing.

484
00:32:07,079 --> 00:32:18,440
Speaker 24: You can't do one thing, stating drive together with back, No,

485
00:32:18,680 --> 00:32:19,799
it's true.

486
00:32:22,400 --> 00:32:23,680
Speaker 19: What about boy.

487
00:32:55,160 --> 00:32:58,519
Speaker 15: Mm hmmmmmmmm.

488
00:33:15,200 --> 00:33:17,640
Speaker 7: And the pet spinning money.

489
00:33:19,319 --> 00:33:28,079
Speaker 23: Rushing heamories of her eyes. These feelings have that place oh,

490
00:33:28,400 --> 00:33:30,119
a thousand different.

491
00:33:30,000 --> 00:33:34,920
Speaker 4: Ways, thousand, the bin isn't true.

492
00:33:36,559 --> 00:33:40,000
Speaker 3: Death, There's nothing you can do, love.

493
00:33:41,559 --> 00:33:46,079
Speaker 8: Swelling away, travel, we are.

494
00:33:50,319 --> 00:33:54,960
Speaker 19: True and afford.

495
00:33:57,839 --> 00:33:59,559
Speaker 22: The ways True.

496
00:34:42,760 --> 00:34:46,079
Speaker 9: And now the American radio premiere of the new single

497
00:34:46,159 --> 00:34:49,719
from Lydia Ready, the title track off of her new

498
00:34:49,840 --> 00:34:51,599
album Stronger Together.

499
00:35:06,360 --> 00:35:07,639
Speaker 3: This is a world.

500
00:35:07,760 --> 00:35:17,559
Speaker 25: Surround a bank, curiosity, furd O bropa through oscoveries.

501
00:35:19,880 --> 00:35:21,840
Speaker 2: This is a world dwell.

502
00:35:21,960 --> 00:35:26,719
Speaker 3: One question remains, what.

503
00:35:26,800 --> 00:35:27,360
Speaker 7: Won't we do.

504
00:35:28,840 --> 00:35:31,440
Speaker 19: If it are just changed?

505
00:35:32,320 --> 00:35:36,599
Speaker 25: Like Someboby's reaching out for runnerpar ellipse, like Cassole's begin

506
00:35:36,760 --> 00:35:40,880
taken through a fingertips, like the moon stopping coaxing eaving

507
00:35:41,079 --> 00:35:42,000
next to clipse.

508
00:35:42,320 --> 00:35:43,320
Speaker 22: I believe.

509
00:35:45,239 --> 00:35:49,519
Speaker 3: We could live because we.

510
00:35:52,239 --> 00:35:58,559
Speaker 25: Are a fage billion people who can share all the

511
00:35:58,679 --> 00:36:00,320
things a week, and.

512
00:36:02,639 --> 00:36:03,079
Speaker 10: All we.

513
00:36:05,519 --> 00:36:07,079
Speaker 3: Gotta pulls.

514
00:36:09,320 --> 00:36:11,920
Speaker 25: Are the walls in the rooms that are happening in

515
00:36:12,239 --> 00:36:13,159
on tonight.

516
00:36:17,400 --> 00:36:22,559
Speaker 17: This is a world The slaves twere challenges hands sense,

517
00:36:24,159 --> 00:36:30,920
Thousands died just so one side can win sid This

518
00:36:31,199 --> 00:36:39,960
is a world. Question remains, what will we do if

519
00:36:40,039 --> 00:36:42,360
it all just changed?

520
00:36:43,280 --> 00:36:46,679
Speaker 25: Like zombies reaching out for run apocke clips like a

521
00:36:46,840 --> 00:36:51,000
saw's being taken through a fingertips, like the moon stopping

522
00:36:51,079 --> 00:36:53,320
count and ging next to clips.

523
00:36:53,280 --> 00:36:57,159
Speaker 19: Have a lea, we could.

524
00:37:00,079 --> 00:37:09,400
Speaker 3: A babe a pear shall.

525
00:37:09,639 --> 00:37:24,599
Speaker 26: Installs and who say the happening in tonight.

526
00:37:27,840 --> 00:37:28,639
Speaker 4: So sad?

527
00:37:29,599 --> 00:37:48,679
Speaker 3: Blanda so lad? The sun so change? People are handy?

528
00:37:50,360 --> 00:37:57,800
Speaker 15: You a what.

529
00:38:00,679 --> 00:38:02,400
Speaker 3: A village? Billion people?

530
00:38:02,519 --> 00:38:04,639
Speaker 25: Who can show all the things away?

531
00:38:07,679 --> 00:38:11,440
Speaker 3: Oh God, so better.

532
00:38:14,360 --> 00:38:16,800
Speaker 25: One of the wheels in the room is the having

533
00:38:16,960 --> 00:38:21,719
in a home tonight, put out the bath.

534
00:38:31,239 --> 00:38:34,800
Speaker 3: We are strong good again, put up.

535
00:38:34,719 --> 00:38:50,320
Speaker 19: The strong good against.

536
00:38:51,159 --> 00:38:51,639
Speaker 7: Put out.

537
00:38:58,920 --> 00:39:01,559
Speaker 9: Hey, everybody, this is my Connorton Unleashed and we are

538
00:39:01,679 --> 00:39:05,280
live from the studios of WMNH ninety five point three

539
00:39:05,400 --> 00:39:09,280
FM on this very very cold Saturday, January thirty one,

540
00:39:09,519 --> 00:39:13,199
twenty twenty six. That is the new single from Lydia

541
00:39:13,280 --> 00:39:16,800
ready Stronger Together, from her new album that just came out,

542
00:39:17,480 --> 00:39:20,480
the full length. It is the title track the album

543
00:39:20,559 --> 00:39:22,840
is also called Stronger Together. And before that we heard

544
00:39:22,880 --> 00:39:25,760
the world I'm sorry. Not the world radio premiere necessarily,

545
00:39:25,800 --> 00:39:28,360
although it might be certainly the American radio premiere of

546
00:39:28,400 --> 00:39:31,800
the new Kyle Gordon track called Dead Oceans. Kyle Gordon,

547
00:39:31,880 --> 00:39:34,199
by the way, maybe I'll maybe, if I can, I'll

548
00:39:34,199 --> 00:39:37,719
fit this in. We played his previous single on the

549
00:39:37,800 --> 00:39:42,239
show called She Chose Me, and it literally was one

550
00:39:42,239 --> 00:39:45,360
of my favorite new songs of twenty twenty five. I

551
00:39:45,480 --> 00:39:47,599
might see if I can grab that really quick and

552
00:39:47,679 --> 00:39:50,039
fit it in. But what I'm going to do right now,

553
00:39:50,159 --> 00:39:52,599
because we do have time, I'm going to play one

554
00:39:52,639 --> 00:39:55,039
more lydia Ready track because they sent me two of

555
00:39:55,119 --> 00:39:57,920
them to play. She's got another song called just Be You,

556
00:39:58,119 --> 00:39:59,960
and we love Lydia Ready. She's been on the Sho

557
00:40:00,039 --> 00:40:02,039
Show with us a couple of times. She's delightful to

558
00:40:02,119 --> 00:40:05,599
speak with and very young, very early in her career,

559
00:40:05,639 --> 00:40:07,000
but I think she's gonna have a long and very

560
00:40:07,000 --> 00:40:09,800
successful career ahead of her. And we just really like, uh,

561
00:40:09,840 --> 00:40:12,159
I really like her whole vibe and just she's great.

562
00:40:12,280 --> 00:40:14,360
So I'm gonna go ahead and play this now too.

563
00:40:14,800 --> 00:40:17,280
This is one more lydia Ready single again. This is

564
00:40:17,320 --> 00:40:20,480
from the new release Stronger Together just came out. This

565
00:40:20,639 --> 00:40:23,800
is called just Be You, and well this is on

566
00:40:23,880 --> 00:40:25,920
I'm gonna see if I can grab that Kyle Gordon

567
00:40:26,000 --> 00:40:29,000
track too real quick. The uh uh she Chose Me,

568
00:40:29,119 --> 00:40:31,760
which I absolutely love, and we had Kyle Gordon on

569
00:40:31,800 --> 00:40:32,199
the show too.

570
00:40:32,239 --> 00:40:34,599
Speaker 8: He's he's also amazing. So we have so many great

571
00:40:34,639 --> 00:40:37,119
guests from the UK. But uh yeah, this is Lydia.

572
00:40:37,199 --> 00:40:51,000
Speaker 27: Ready just be you, don't let you so be afoot down.

573
00:40:52,320 --> 00:40:53,760
Speaker 3: What they say.

574
00:40:56,360 --> 00:41:04,320
Speaker 2: Rich your gold, that you don't have a clothes. They

575
00:41:04,440 --> 00:41:06,159
seem like the hard sin to do.

576
00:41:07,000 --> 00:41:07,880
Speaker 3: But just speel.

577
00:41:08,119 --> 00:41:11,159
Speaker 2: You need ser some spirits you can tell, So just

578
00:41:11,280 --> 00:41:12,000
be yourself.

579
00:41:12,440 --> 00:41:14,360
Speaker 3: You rise, you follow your own crown.

580
00:41:14,519 --> 00:41:17,719
Speaker 25: You'll try and be not a clothe, push the coffees

581
00:41:17,800 --> 00:41:18,119
out of.

582
00:41:18,239 --> 00:41:19,840
Speaker 3: You and just steel.

583
00:41:20,559 --> 00:41:32,239
Speaker 28: Have had heyday, Hey it's speel, had play.

584
00:41:35,400 --> 00:41:44,000
Speaker 3: Speel. You don't want to be a pool comment.

585
00:41:45,960 --> 00:41:48,519
Speaker 27: To listen to the noise.

586
00:41:50,360 --> 00:41:58,079
Speaker 3: Let yourself be free, g your pities of thes you

587
00:41:58,239 --> 00:42:03,320
don't know, shouldn't hurt you the flooding.

588
00:42:03,039 --> 00:42:08,800
Speaker 25: Gun show while you're keeping the really.

589
00:42:10,039 --> 00:42:13,840
Speaker 2: And miss him like the hoardson to do pitch a speel.

590
00:42:14,320 --> 00:42:17,079
Speaker 21: It's ay of spirits you can tell, So we'll just

591
00:42:17,119 --> 00:42:18,039
speel yourself.

592
00:42:18,440 --> 00:42:22,000
Speaker 3: You guys will follow your own throne of tryph another

593
00:42:22,159 --> 00:42:24,239
clove and push the copies.

594
00:42:23,800 --> 00:42:25,880
Speaker 4: Out of you and just speel.

595
00:42:26,519 --> 00:42:28,239
Speaker 22: Ha ha hey.

596
00:42:29,760 --> 00:42:43,960
Speaker 3: Hey hey it speel, Hey, pay it speel. People will

597
00:42:44,119 --> 00:42:46,559
chart you, people'll hurt you.

598
00:42:47,239 --> 00:42:50,519
Speaker 7: You're gon try by you kill jawn.

599
00:42:51,280 --> 00:42:55,800
Speaker 3: People lay games you know your own way. They'll killed

600
00:42:56,000 --> 00:43:08,320
Solf the path cry. He seemed like the hard thing today.

601
00:43:09,039 --> 00:43:09,840
Speaker 22: But just be you.

602
00:43:10,400 --> 00:43:12,360
Speaker 3: It's a ry spirits you can tell.

603
00:43:12,559 --> 00:43:14,000
Speaker 27: So we'll just be yourself.

604
00:43:14,199 --> 00:43:16,960
Speaker 3: And you're asking, well, you're on the ground. I'm trying

605
00:43:17,000 --> 00:43:18,000
to be a love.

606
00:43:18,000 --> 00:43:19,000
Speaker 7: A co grows.

607
00:43:19,079 --> 00:43:29,440
Speaker 2: The company has heard of you, and jose be its

608
00:43:29,480 --> 00:43:37,440
to you, fasay, just.

609
00:43:45,320 --> 00:44:54,599
Speaker 4: Joust spec.

610
00:44:37,480 --> 00:44:41,039
Speaker 29: If the skies are gray when the day is night,

611
00:44:41,960 --> 00:44:43,480
I can't find my way.

612
00:44:44,159 --> 00:44:47,480
Speaker 2: If the day is night, she's homeless.

613
00:44:48,599 --> 00:44:52,639
Speaker 29: Let me shine your sides part of me, I still

614
00:44:52,679 --> 00:45:00,440
don't the s stand We that every night most doing

615
00:45:00,599 --> 00:45:10,320
up live all the cheven time. We don't always get.

616
00:45:10,239 --> 00:45:14,480
Speaker 3: It right and don't know why.

617
00:45:15,800 --> 00:45:17,800
Speaker 22: No my dog, No.

618
00:45:20,199 --> 00:45:25,559
Speaker 29: No she chose me?

619
00:45:28,800 --> 00:45:29,960
Speaker 22: Why she chose me?

620
00:45:48,599 --> 00:45:53,119
Speaker 29: If you're fall away when the day is nine, I

621
00:45:53,320 --> 00:45:56,840
remain the same, just like black and white.

622
00:45:57,440 --> 00:46:01,119
Speaker 19: We should not assume just why mean to you?

623
00:46:02,199 --> 00:46:05,119
Speaker 3: The part of me I still don't understand.

624
00:46:06,079 --> 00:46:07,920
Speaker 19: We had in bed at me n.

625
00:46:10,519 --> 00:46:17,039
Speaker 29: No need to turn up alight, always shiver it time.

626
00:46:19,960 --> 00:46:21,840
We don't always get it right.

627
00:46:24,360 --> 00:46:31,400
Speaker 3: I just want to get it right. Nothing no.

628
00:46:33,280 --> 00:46:41,119
Speaker 22: No, no, she jumps me.

629
00:46:45,800 --> 00:46:51,159
Speaker 4: Don't don't know.

630
00:47:00,199 --> 00:47:27,639
Speaker 15: Sisco special speaking steps.

631
00:48:50,360 --> 00:48:51,960
Speaker 13: Nana's Kitchen and Pizzeria.

632
00:48:52,920 --> 00:48:56,119
Speaker 2: From Nana's hands to your plate.

633
00:48:56,760 --> 00:49:04,280
Speaker 6: Tradition love and taste that's great, fermented dome flavor, so true.

634
00:49:06,639 --> 00:49:09,920
Speaker 3: Each bite, the story made.

635
00:49:10,320 --> 00:49:10,880
Speaker 10: Just for you.

636
00:49:11,920 --> 00:49:15,679
Speaker 13: Six o three two three two nine three six six

637
00:49:16,480 --> 00:49:20,920
Nana's Kitchen and Pizza Reed fifteen Dartmouth Dry Auburn, New.

638
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Speaker 3: Hampshire, Kitchen and Pizer.

639
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Speaker 30: Luigi's Pizza Barren Grill.

640
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Speaker 31: For every one, Let's raise his lye on hide with

641
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topic top a ground pizza, Pizza Barto.

642
00:49:40,159 --> 00:49:45,360
Speaker 30: Mind Luigi's Pizza Barren Grill seven twelve Valley Street, Manchester,

643
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Come on in or call six two two one zero

644
00:49:48,800 --> 00:49:53,800
two one Luigi keeping the tradition alive since nineteen seventy five.

645
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Speaker 2: Pizza for every one, Come join a piece to na.

646
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Speaker 8: With these sly sets off in, everything speels so right.

647
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Speaker 32: In times of crisis, you need a law firm that

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666
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669
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670
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funk and a whole lot of jazz. We have twelve

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craft beers on tap dedicated to the local brewers in

672
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the area and some of the friendliest bartenders around.

673
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Speaker 8: Please come visit.

674
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Speaker 31: Pembrook City Limits at one thirty four Main Street, the

675
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Speaker 8: On your face.

680
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Speaker 10: Midnight seven times out of ten we listened to our

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698
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Speaker 14: Late Night to Light with DJ Mitas right here on WMNH,

699
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700
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Speaker 7: Saturdays and Sunday nights midnight to four am.

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715
00:54:19,920 --> 00:54:23,440
Manchester Public Television Service in the venerable city of Manchester,

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New Hampshire, USA.

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Speaker 8: Enrich your auditory journey.

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Speaker 14: With the depth of our license to wesdens spent your

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missives to w m n H ninety five to three

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at gmail dot com or traverse the virtual corridors of

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w mnhradio dot org. Engage with our sonic vibrations by

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communing with us through the digital channel or radio beckons

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eager to enthrall you with its mesmerizing cadence and envelop

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you with symmony of boundless auditor is one dude.

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00:54:53,559 --> 00:54:58,039
Speaker 19: W MNH rips the novels what night soaks up.

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Speaker 23: In the morning, he gets into a shower and to

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the top of his lungs he sings, a.

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Speaker 19: Man, I know what I want because I can't.

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Speaker 15: All right back to.

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Speaker 3: The radio show now on the best and Cherry.

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Speaker 22: No like creeps through the broken glass.

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Speaker 4: Around you.

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Speaker 7: His bells.

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Speaker 3: A few huts be behind.

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Speaker 34: Black eyes and have shovelods.

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Speaker 3: And homes were the top of the Sidhe.

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Speaker 22: Scar by shot broad and black says.

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Speaker 4: Away as the sag best shot.

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Speaker 22: Actual selling. Let's say Ray ray slabs.

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Speaker 29: First, a block jobs.

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Speaker 7: Steel, those fall out.

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Speaker 22: The sound the same mother.

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Speaker 34: Like son, so really side by side, I would says

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it all eyes.

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Speaker 4: Be wake up to your fathers guys.

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Speaker 22: Fill found by till us.

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Speaker 4: I'll just stay away to us, I said right telling

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wait lass sa, wait face, take care. I got after

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back cause.

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Speaker 3: The mercard virtuals it

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Speaker 4: S some one got back, smiling, stimming the war