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<v Speaker 1>Okay, and we're back. So on that note, the Sony

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<v Speaker 1>verse is absolutely falling apart. It is not good. God,

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<v Speaker 1>it is crumbling.

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<v Speaker 2>Speaking of cracks. God, yeah, that's good.

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<v Speaker 1>Their Yeah, their whole house is just collapsing.

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<v Speaker 2>It's it's horrible.

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<v Speaker 1>So we're gonna we're just gonna talk about how this

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<v Speaker 1>universe is pretty much dead after Craven, and I've seen

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<v Speaker 1>some memes about like Venom four, Sinister six, different things

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<v Speaker 1>like that, potential projects that I think could have had

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<v Speaker 1>a lot of potential. Other people talking about how like

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<v Speaker 1>Null from Venom three, like there's some stuff that they

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<v Speaker 1>could have done with him, But who knows what they're

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<v Speaker 1>gonna do with that character. If I don't know what

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<v Speaker 1>I'm doning, Marvel's even gonna the MCU is going to

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<v Speaker 1>tap into this at all. I don't know what was

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<v Speaker 1>going on in the backboardrooms and how they got Tom

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<v Speaker 1>Hardy's Venom thrown in there, and how those contracts work.

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<v Speaker 1>But I don't think that that it's necessarily a five

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<v Speaker 1>gy kind of decision. I feel like that was just

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<v Speaker 1>we've talked about all that. So yeah, it's I digress.

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<v Speaker 1>But the fact though that they're just kind of like

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<v Speaker 1>giving up, Like what happens after the after this, like

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<v Speaker 1>after Craven comes out, Craven's gonna bomb? And then do

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<v Speaker 1>they just sit on on their ips? Do they sell them?

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<v Speaker 1>What do you guys think?

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<v Speaker 3>I mean, I think the I think they just licensed

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<v Speaker 3>them out to MCU probably for a while, and then

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<v Speaker 3>I mean, I don't know, I forget what the year

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<v Speaker 3>number is where you have to like you have to

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<v Speaker 3>make a movie every however many years, or like you

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<v Speaker 3>just lose the ips something like that. Right, I feel

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<v Speaker 3>like that, you know, they would they would keep doing that,

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<v Speaker 3>but presumably they'll just like hang on to this unless

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<v Speaker 3>they I mean, it seems like money wise, they've had

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<v Speaker 3>a lot of issues recently, and like, I don't know,

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<v Speaker 3>maybe they would look to sell. They could make a

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<v Speaker 3>lot of money off selling Spider Man as a character.

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<v Speaker 3>But I think, like I don't know, just license. It's easier.

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<v Speaker 2>You get a chunk of money, you don't have to

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<v Speaker 2>do anything.

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<v Speaker 3>At all, You just sit there. That seems like the

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<v Speaker 3>way to go. But yeah, part of the it seems

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<v Speaker 3>like Craven's gonna be the last last movie in this universe.

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<v Speaker 3>And there's even like another I saw a posted in

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<v Speaker 3>our in the GV discord that was just like, uh,

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<v Speaker 3>it turns out Craven's actually doing worse than the initial

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<v Speaker 3>tracking in terms of like where it looks like it's

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<v Speaker 3>gonna do on opening weekend, like Madam Web levels, which

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<v Speaker 3>is or even less than Madam Web levels I think

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<v Speaker 3>the articles said.

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<v Speaker 4>Which is, yeah, maybe think back to our predictions. I'm

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<v Speaker 4>pretty sure the number I gave was like eleven or something.

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<v Speaker 4>It was it was pretty pretty very low. Yeah, it's

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<v Speaker 4>kind of near where it's projecting. Yeah, you know, not

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<v Speaker 4>too crazy off the yeah crazy I was thinking about

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<v Speaker 4>Madam Web now my gosh, yeah, no, I I feel

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<v Speaker 4>like it's like business suicide if they ever wanted to

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<v Speaker 4>sell Spidy like it just seems like that is like

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<v Speaker 4>an infinite money glitch just having that property. So I

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<v Speaker 4>definitely would agree in just them licensing off like that.

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<v Speaker 4>That seems like the I don't know, just like an

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<v Speaker 4>easy way to stay afloat, and especially I feel like

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<v Speaker 4>trusting it out to like MCU and stuff. Say what

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<v Speaker 4>you will, but like the quality of the movies, they

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<v Speaker 4>at least know how to make money off of them,

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<v Speaker 4>whether that's through merch and dice or what they just

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<v Speaker 4>the attractions and stuff that they do at like Disneyland

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<v Speaker 4>and stuff. Now, like that's a whole thing of itself

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<v Speaker 4>just going on. Like Spidey is so massive in Disneyland.

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<v Speaker 4>So I just feel like, yeah, if they're able to

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<v Speaker 4>get more appearances with those types of characters in just

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<v Speaker 4>other Marvel movies, and that would be under of course,

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<v Speaker 4>think the Disney manners. So I would say that would

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<v Speaker 4>probably be the most likely outcome going forward. Eventually I'll

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<v Speaker 4>be making their their their attempts at rebirthing this sure

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<v Speaker 4>at some point, but hopefully you know, we have some time.

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<v Speaker 3>Yeah, I mean, I feel like the strategy of just

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<v Speaker 3>like keep pumping out animated movies, make your next Spider verses.

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<v Speaker 3>I know, Like I think it's like a movie did

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<v Speaker 3>quite well at the box office. I think it was

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<v Speaker 3>also very expensive. Uh so who knows how we're like

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<v Speaker 3>the profit actually was on it. But if they can

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<v Speaker 3>like reel that in and like treat the artists right

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<v Speaker 3>and just like keep making those cool, You're you're making profit.

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<v Speaker 3>Make hopefully one of those every like two or three years,

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<v Speaker 3>Like you don't have to go to the length of

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<v Speaker 3>Spider Verse just do some other animated stuff, keep cranking

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<v Speaker 3>that stuff out, and then just like license out the

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<v Speaker 3>character to like appear at MCU stuff, because yeah, if

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<v Speaker 3>you're not doing your on like live action movies, and

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<v Speaker 3>you're gonna have like the crossover stuff, which I feel

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<v Speaker 3>like is half the reason a lot of people see

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<v Speaker 3>these movies is like the chance that maybe a Spider

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<v Speaker 3>Man or another character will pop up. Then it's like,

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<v Speaker 3>oh no, it's just Craving in his own movie and

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<v Speaker 3>Rhino and then there's no one else, which happens sometimes too,

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<v Speaker 3>But yeah, I feel like that's that's the row crank

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<v Speaker 3>of the animated stuff, license out the rest to MCU,

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<v Speaker 3>and just infinite money glitch. As Kirkl said, Yeah, I

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<v Speaker 3>feel like.

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<v Speaker 4>The timing of like just getting that of like they're

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<v Speaker 4>not moving forward after is it after Craven? I guess yeah,

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<v Speaker 4>that's that's the last one. That's that's that's talked about.

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<v Speaker 4>I I feel like it's also just like showcasing the

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<v Speaker 4>lack of faith that they have in Craven, and like

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<v Speaker 4>it also just for a general audience member if they're

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<v Speaker 4>like thinking about going to see Craven but then they

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<v Speaker 4>see this news It's like, like why would I go

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<v Speaker 4>see this movie now right unless I was like really

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<v Speaker 4>interested in the trailer and like specifically what this is

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<v Speaker 4>them just the idea of like, oh, yeah, this looks

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<v Speaker 4>like it might be a new character moving forward, and

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<v Speaker 4>in this it's a weird word case study I'm kind

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<v Speaker 4>of setting up of like someone that's really invested in

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<v Speaker 4>the Sony universe.

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<v Speaker 3>But I mean anyone who's invested would also know that

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<v Speaker 3>like there's nothing announced after Craven like port. I think

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<v Speaker 3>that might be like an excitement of like, oh, what's

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<v Speaker 3>the post credit going to be? But I feel like

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<v Speaker 3>it's probably not going to be anything because they don't

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<v Speaker 3>have anything to go to.

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<v Speaker 2>They're done totally.

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<v Speaker 1>Yeah, it's just weird. Back in the day, I remember

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<v Speaker 1>when they made these announcements, and I'm confident that they

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<v Speaker 1>got a lot of flak back then because we weren't

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<v Speaker 1>impressed by it, and we still aren't impressed by it.

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<v Speaker 1>But they went ahead and they stuck to their guns

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<v Speaker 1>and they put out all these different projects and now

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<v Speaker 1>they have to reap what they sew. I guess is

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<v Speaker 1>the term I would use for this. So it's unfortunate.

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<v Speaker 4>Bankers boxes and find a new job.

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<v Speaker 2>I find that's right.

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<v Speaker 3>They should have ended on Venom Last Dance. Yeah, that

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<v Speaker 3>would have been a much better I mean, not that

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<v Speaker 3>it like closes out the universe in any sort of

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<v Speaker 3>coherent way, but just the title of it, the idea,

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<v Speaker 3>it being the trilogy, it being the most the only

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<v Speaker 3>successful of the live action stuff. Just close it out

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<v Speaker 3>with that, that would have been. That would have been the

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<v Speaker 3>way to do it, I think.

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<v Speaker 1>Especially because Craven feels like it's kickstarting something with the story,

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<v Speaker 1>like a new adventure.

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<v Speaker 2>Right.

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<v Speaker 4>Yeah, you know, we'll see after the review, but maybe

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<v Speaker 4>they should have just backgrilled this one and just tax Oh.

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<v Speaker 2>Wow, tax right off.

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<v Speaker 4>Don't let any project like fucking twelve million dollars and

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<v Speaker 4>they're already closing down their doors in the whole Sony universe.

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<v Speaker 3>Hopefully it had a small baby budget. Like I feel

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<v Speaker 3>like Aaron Taylor Johnson is like your main man. I

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<v Speaker 3>don't know if he's like, you know, he's not asking

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<v Speaker 3>for Robert Downey Bucks to know in a movie, right.

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<v Speaker 4>Maybe when they when they rebirth the Sony universe. Yeah,

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<v Speaker 4>and that they want him, they want to get him

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<v Speaker 4>back as a different character.

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<v Speaker 1>I think the budget of this made it one hundred

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<v Speaker 1>and ten million, make him more expensive than Sony's other

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<v Speaker 1>non venom house.

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<v Speaker 3>When I'm saying this trailer, I just see a guy

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<v Speaker 3>jumping around.

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<v Speaker 1>I don't know, Rhino guy is at least a few

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<v Speaker 1>million right there.

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<v Speaker 2>Yeah.

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<v Speaker 3>True, that's an insane budget. That's like more than Madame

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<v Speaker 3>Webb made at all.

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<v Speaker 2>I think.

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<v Speaker 4>So I all think back to Godzillas one, you know,

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<v Speaker 4>nice Humble, what was it like, ten million dollar budget,

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<v Speaker 4>crazy phenomenal film.

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<v Speaker 3>Uh yeah, just insane. I don't let any of this

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<v Speaker 3>stop you guys from listening to our review on Thursdays.

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<v Speaker 1>It's gonna be the.

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<v Speaker 3>Finale of yeah, like the awful nobody go see this. Yeah,

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<v Speaker 3>just watch your review, don't watch the movie. We'll let

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<v Speaker 3>you know it's presumably not worth watching.

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<v Speaker 1>Yeah, I'm glad to see that this isn't gonna like

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<v Speaker 1>hurt Aaron Taylor Johnson's career, because we're gonna talk about

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<v Speaker 1>another project he's in years later. Yeah yeah, yeah, So,

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<v Speaker 1>I mean, I love I love that actor. He's he's

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<v Speaker 1>fantastic and everything he does. I think he's gonna really

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<v Speaker 1>bring it in this role.

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<v Speaker 2>I really do.

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<v Speaker 1>But i'd have to. I would love to be a

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<v Speaker 1>fly on the wall for that interview, because you know,

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<v Speaker 1>you got a guy, you got his agent coming up

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<v Speaker 1>to Aaron and like, Hey, Aaron ATJ, I got a

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<v Speaker 1>role for you in another Superhoe project. Oh my back

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<v Speaker 1>in Marvel, Like well, go kind of you're in the

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<v Speaker 1>Sony Marvel movie. And guess what, They're not doing any

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<v Speaker 1>more projects after this.

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<v Speaker 2>It's dead.

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<v Speaker 1>So it's a clean there's no way, well you don't

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<v Speaker 1>have to worry about like a five movie contract or anything.

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<v Speaker 1>This is a clean cut cash deal, like just trying

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<v Speaker 1>to sell it to them.

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<v Speaker 4>But it was like the who was it Sidney Sweeney

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<v Speaker 4>that like didn't know that or I don't even know

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<v Speaker 4>if that was a rumor or not if his speculation

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<v Speaker 4>she didn't know it wasn't in the m c U.

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<v Speaker 4>I just remember that being discussed. Maybe it was the

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<v Speaker 4>same thing with A TJ. He thought he was in

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<v Speaker 4>the MCU.

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<v Speaker 1>But I think that the right, Yeah, he has I

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<v Speaker 1>think that was Sidney Sweeney. I think she she did

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<v Speaker 1>talk about something simihere similar to that s Bubs and

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<v Speaker 1>the chat. Didn't they reshoot tone of this movies? That's

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<v Speaker 1>probably the budget. If they're filming like an extra half

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<v Speaker 1>movie on there, you don't want to see a lot

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<v Speaker 1>of reshoots.

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<v Speaker 2>That's uh, that's a dangerous game.

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<v Speaker 1>It's yeah, there's a lot a lot of reshoots there,

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<v Speaker 1>but topic for another day.

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<v Speaker 4>Affect the budget though, Taylor, come on, the budget was

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<v Speaker 4>no boosted the budget.

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<v Speaker 2>I think we saved money.

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<v Speaker 1>Anything else you guys have or want to drop on

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<v Speaker 1>Craven and the Sony Verse being dead.

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<v Speaker 4>I'm kind of I'm happy that I don't have to

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<v Speaker 4>keep committee myself to these projects. You know, I feel

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<v Speaker 4>like part of me gets a little bit interested. I'm

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<v Speaker 4>not gonna say hyped or hopeful for what's gonna be coming,

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<v Speaker 4>but just just enticed, like, Okay, a Craven solo movie,

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<v Speaker 4>Like it's been an interesting character in the Spider Man universe,

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<v Speaker 4>like animated series, cartoons and stuff like that. How are

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<v Speaker 4>they gonna do it in a solo project? It's just

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<v Speaker 4>so funny to me. How Like the interest level usually

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<v Speaker 4>just goes right down the closer we get to the project,

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<v Speaker 4>and like the more information we get, it's usually just

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<v Speaker 4>the initial idea of what it like, like Madam Webb,

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<v Speaker 4>you know, like when Sidney Sweets when Sidney Sweeney was

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<v Speaker 4>cast as Julia Carpenter, which they changed her name Julia Cornwall.

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<v Speaker 4>When I first got that announcement, though, I'm like, man,

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<v Speaker 4>I was dreaming of this day, like I think she's

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<v Speaker 4>perfect for that role. And then of course here I

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<v Speaker 4>am now pretty much wishing I never even caught that.

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<v Speaker 4>And uh, I don't like to have these thoughts about

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<v Speaker 4>these movies. So let's take a break, Sony. And because

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<v Speaker 4>this podcasting thing, it's like a it's like a contract

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<v Speaker 4>with my soul. I have to watch these movies. I

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<v Speaker 4>have to talk about them. I have to just go

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<v Speaker 4>through the motions. And uh now I get a little break.

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<v Speaker 4>So thanks, Tony.

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<v Speaker 2>Mm hmm.

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<v Speaker 1>It's true, well said, I hope that it doesn't like

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<v Speaker 1>you guys were talking about other spin offs, like you

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<v Speaker 1>have your Miles morales like Spider Man. Yeah, don't stop those,

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<v Speaker 1>don't stop those. They can keep at those. But I mean,

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<v Speaker 1>I really don't need like an Ezekiel Simms Spider Guy

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<v Speaker 1>dropped in a project, Like it's just that's not the

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<v Speaker 1>Spider Man I want.

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<v Speaker 2>I want a Spider Man, you know.

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<v Speaker 1>And unfortunately it seems like Marvel MCUs there are the

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<v Speaker 1>ones that are doing the actual Spider manning, because I'm

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<v Speaker 1>pretty sure, Yeah, we got Spider Man four that's been

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<v Speaker 1>cooking up and stuff.

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<v Speaker 2>But again, topic for another day.

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<v Speaker 1>H