WEBVTT

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<v Speaker 1>It's Night Side with Dan Ray on WBZ, Boston's Me Radio.

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<v Speaker 1>Oh thanks a lot, buddy, appreciate it. Exciting show here

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<v Speaker 1>tonight ten o'clock, ten o'clock we do we break it

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<v Speaker 1>down to Karen Read special on television. Right now, we're

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<v Speaker 1>gonna talk to Bill Kickham and Robert George, a couple

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<v Speaker 1>of attorneys that are watching it with you. Probably you're

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<v Speaker 1>listening to me right and watching that yet, No you're not.

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<v Speaker 1>What I just said was stupid. But anyways, they're watching

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<v Speaker 1>what she has to say on ABC. And then we're

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<v Speaker 1>gonna break it down at ten o'clock right here on WBZ.

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<v Speaker 1>Also coming up later on this hour, the Boston Film

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<v Speaker 1>Festival is underway. My good friend Robert Dawson is going

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<v Speaker 1>to be joining us forty years for the Boston Film Festival.

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<v Speaker 1>Good stuff, and the director of any Day Now, Erica Ronson,

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<v Speaker 1>joins us at nine forty five. Very funny movie, very

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<v Speaker 1>creative movie. You're gonna like this, you are, absolutely This

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<v Speaker 1>movie is going to generate a lot of buzz. September

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<v Speaker 1>nineteenth through the twenty third for the Boston Film festis

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<v Speaker 1>right now. Joining me is Jackson Tolliver he's one of

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<v Speaker 1>the up and coming, one of the rising stars of

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<v Speaker 1>the Boston media scene from c LNS media covers the Patriots,

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<v Speaker 1>covers the Celtics, and he's a former student of mine,

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<v Speaker 1>so that's why he's here. What's going on, Jackson?

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<v Speaker 2>Wow?

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<v Speaker 3>You you really honor me, Gary, Thanks for thanks for

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<v Speaker 3>having me. Not much just hanging out here. We got

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<v Speaker 3>a Friday night football game on tonight, so that's something different.

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<v Speaker 4>How weird is that, though? I mean, how it's very nice?

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<v Speaker 3>Bizarre?

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<v Speaker 4>It is bizarre. Yeah, it is bizarre. Let's talk about

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<v Speaker 4>the Thursday night game real quick before I get to

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<v Speaker 4>the Patriots.

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<v Speaker 1>Did that say anything about the Chiefs?

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<v Speaker 3>I don't know, it's it's it's hard to tell. I

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<v Speaker 3>think the biggest thing that I got from that game

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<v Speaker 3>was Travis Kelton's lack of production, and you know he's

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<v Speaker 3>obviously getting up there in age, but also, I mean

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<v Speaker 3>the speed that we saw from Xavier Worthy had two

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<v Speaker 3>touchdowns last night the rookie take out of Texas. He

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<v Speaker 3>obviously broke the record in the forty yard dash at

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<v Speaker 3>the Combine this year, so we know the kids got wheels.

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<v Speaker 3>But that first touchdown he scored when he just took

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<v Speaker 3>it and just ran by everybody right to the end zone.

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<v Speaker 3>He's got some tremendous speeds, so that'll be fun to

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<v Speaker 3>see Patrick Mahomes using that weapon. But it was kind

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<v Speaker 3>of to me just business as usual for both teams.

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<v Speaker 3>It was interesting for the Ravens to see Derrick Henry

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<v Speaker 3>and Lamar that sort of one two punch, even though

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<v Speaker 3>I don't think they used Henry as much as they

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<v Speaker 3>potentially could have. But same old story for the Ravens.

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<v Speaker 3>You know, Lamar has a great game. They do well

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<v Speaker 3>until the very last minute. Lamar Jackson, I don't think

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<v Speaker 3>it's a very clutch quarterback at all. And we saw

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<v Speaker 3>that at the end of last night's game.

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<v Speaker 1>And what do you think about the attempt by the

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<v Speaker 1>NFL to make it an international game. They've been trying this.

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<v Speaker 1>They've certainly gone to the Far East, They've gone to London,

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<v Speaker 1>and I remember when the Patriots played in London and

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<v Speaker 1>Brady even said he could go outside and no one

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<v Speaker 1>recognized him. So is this going to work.

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<v Speaker 3>I don't know if it's gonna work, But you know,

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<v Speaker 3>I think when you think about football, American football, that

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<v Speaker 3>is I don't see why why it couldn't work because

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<v Speaker 3>it does have so much international potential because of how

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<v Speaker 3>entertaining it is. It's just a fun game to watch.

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<v Speaker 3>But you know, obviously football outside of America is what

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<v Speaker 3>we call soccer here. That's always going to be king

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<v Speaker 3>and I think, you know, we've seen the NBA rise

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<v Speaker 3>in international popularity because there's international players, right Jannis, Jokic, Jancic,

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<v Speaker 3>those are maybe the top three guys in the league

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<v Speaker 3>right now, and that makes you know, people from Greece

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<v Speaker 3>want to watch Giannis, people from Slovenia want to watch Lucas,

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<v Speaker 3>so on and so forth. So if there's an influx

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<v Speaker 3>of international talent in the NFL, which there is just

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<v Speaker 3>not right now. Right all the best guys are are

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<v Speaker 3>American that could potentially help them, and they're trying to

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<v Speaker 3>do that. I mean, you know, they have international player

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<v Speaker 3>pathway programs and they're they're trying to bring people in

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<v Speaker 3>from other countries who can really shine in this league.

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<v Speaker 3>And I think, you know, down the road, that's definitely

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<v Speaker 3>a possibility. But for now, yeah, having these games like

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<v Speaker 3>the one tonight in South Polo, Brazil. They have the

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<v Speaker 3>UK games, they got the Germany game, that's the way

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<v Speaker 3>to start, right, bring the actual game in front of

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<v Speaker 3>the people. So I think they're doing a pretty good

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<v Speaker 3>job with it. And it's obviously, you know, a smart

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<v Speaker 3>marketing strategy because you want your game to be as

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<v Speaker 3>big as possible.

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<v Speaker 1>Well, I know that the Patriots at one point in time,

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<v Speaker 1>they're merchandise in the Far East and China and Japan

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<v Speaker 1>and tookey, it was off the charts, I mean off

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<v Speaker 1>the charts. They were crushing it. But the problem with

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<v Speaker 1>the player development is the cost of the sport. No

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<v Speaker 1>basketball is cheap, so in a lot of countries playing

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<v Speaker 1>basketball is not a big deal.

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<v Speaker 4>You get a ball, you got a hoop, that's it.

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<v Speaker 1>Football's expensive, right, And some people also don't want their

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<v Speaker 1>kids to play football because they have head injuries. Even

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<v Speaker 1>if you look at rugby, you don't have the head

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<v Speaker 1>injuries because people do use their head as a weapon.

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<v Speaker 4>So I think that's the problem.

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<v Speaker 1>I don't know if I don't know if we're ever

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<v Speaker 1>going to have an international player base in the NFL,

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<v Speaker 1>but you make a good point. I think you for

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<v Speaker 1>it to truly become an international game, you have to

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<v Speaker 1>have stars from other countries, and I don't know if that's.

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<v Speaker 4>Going to happen.

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<v Speaker 3>It might not. Yeah, but you know, like I said,

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<v Speaker 3>in these international games, is definitely a good start.

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<v Speaker 1>All right, let's get to the Patriots. Now, you've been

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<v Speaker 1>covering the Patriots. You've seen Gerrod Mayo. I've just been honest.

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<v Speaker 1>I love the guy, I worked with the guy. I

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<v Speaker 1>consider him a friend, so I'm biased. I want him

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<v Speaker 1>to succeed. What is your what is your experience been

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<v Speaker 1>covering the Patriots so far? And we not listen if

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<v Speaker 1>they win five games, it's a miracle. We know what

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<v Speaker 1>the deal is with the season. How do you feel

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<v Speaker 1>about the way they're trying to build forward?

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<v Speaker 3>Yeah, I mean obviously you know the pass forward lies

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<v Speaker 3>in Gerd Mayo, your buddy, and Drake may It's it's

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<v Speaker 3>it's those two guys are going to determine, you know,

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<v Speaker 3>not just the next few years, but ideally for this

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<v Speaker 3>organization and for Robert Kraft and for all those guys

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<v Speaker 3>the next decade plus. Right, you want these two guys

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<v Speaker 3>to be the building blocks that you can build a

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<v Speaker 3>successful franchise off of. So we can start with girod

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<v Speaker 3>Mao since you brought him up first. It's just hard

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<v Speaker 3>to evaluate him because we haven't seen a regular season

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<v Speaker 3>game until Sunday, so asking if eight hours and we'll

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<v Speaker 3>see how he does. But the differences from Belichick are

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<v Speaker 3>are obvious. And you know, I've I've been to just

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<v Speaker 3>about every day of training camp and there's music playing

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<v Speaker 3>and the players, you know, are dancing and having fun.

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<v Speaker 3>And you know, it's just that he's he's definitely a

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<v Speaker 3>player's coach. And I don't mean that in a bad way.

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<v Speaker 3>I think some people say that he's a player's coach

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<v Speaker 3>and try to take that as a as a knock

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<v Speaker 3>on him, like, you know, he's he should be harder

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<v Speaker 3>on the guys and he lets them walk all over him.

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<v Speaker 3>Well he doesn't, and you know he he faces real

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<v Speaker 3>test with that with the whole Matthew Judon situation right right,

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<v Speaker 3>because Judon had this whole explosion where uh he you know,

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<v Speaker 3>stormed off the field, came back on him, flipflops whatever.

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<v Speaker 3>It looked like he was having an argument with Elliott

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<v Speaker 3>Wolf and matc Grow, who are the executives of the

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<v Speaker 3>Patriots and you know who are in charge of his

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<v Speaker 3>contract dispute which was going on, and they shipped him off.

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<v Speaker 3>So I think that was a big test for him,

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<v Speaker 3>like is he just gonna let Matt jude On walk

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<v Speaker 3>all over him? And you know that was that was

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<v Speaker 3>pretty disrespectful, I thought, and I think a lot of

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<v Speaker 3>other people thought what happened during practice and he's not

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<v Speaker 3>gonna stand for that. So, you know, there's obviously a line,

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<v Speaker 3>and I think if they drew it there, But I

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<v Speaker 3>don't see why he couldn't be a good coach. I mean,

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<v Speaker 3>you know, obviously being around for Bill Belichick, being around

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<v Speaker 3>him for so long, that helps you tremendously. Belichick is

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<v Speaker 3>one of the greatest defensive coaches of all time. I

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<v Speaker 3>mean one of the greatest coaches of all time period,

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<v Speaker 3>probably the best defensive coaches of all time. So he

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<v Speaker 3>knows those schemes. He knows how to scheme specifically four teams,

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<v Speaker 3>and that'll definitely help him out. I think he's got

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<v Speaker 3>a great staff with him. Alex van Pelt, I'm really

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<v Speaker 3>high on the off.

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<v Speaker 4>They don't elaborate on that. Why.

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<v Speaker 3>I think that's the Browns. I mean, if you if

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<v Speaker 3>you look at the Browns recently, uh, they've been good

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<v Speaker 3>and they've made the I mean, you know, good is

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<v Speaker 3>a subjective term. When I say that, I mean they

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<v Speaker 3>made the playoffs with you know, and and they does

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<v Speaker 3>a lot of injuries because Deshaun Watson uh was was

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<v Speaker 3>suspended and last year he was injured. H and and

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<v Speaker 3>they got to the playoffs with Joe Flacco, who nobody

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<v Speaker 3>thought was going to be throwing a ball last year

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<v Speaker 3>in the NFL. I think that what he works really

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<v Speaker 3>well with the Patriots. He's big on screens and for

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<v Speaker 3>a team that doesn't have a lot of super deep

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<v Speaker 3>wide receivers in terms of guys who can just go

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<v Speaker 3>deep and you know, make big plays. If you can

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<v Speaker 3>bank on some screenplays for guys like Carmandra Stevenson, Antonio Gibson,

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<v Speaker 3>who's a really good receiving back, I think that that's good.

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<v Speaker 3>So I actually trust Alex van Pelt. The only thing

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<v Speaker 3>that I think people have to have a hard time

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<v Speaker 3>with is the way that they've handled this. Drake made decision,

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<v Speaker 3>and I don't know how much of that was him

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<v Speaker 3>and how much of it was Gerrod Mayo, but the

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<v Speaker 3>way they handled the whole thing went about it, I

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<v Speaker 3>think some people have some problems with that.

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<v Speaker 4>All right, I want to I don't want to.

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<v Speaker 1>I want to explore that and want you to elaborate

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<v Speaker 1>on that. Coming up next right here on WBZ, Jackson

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<v Speaker 1>Tolliver is with US covers the New England Patriots in

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<v Speaker 1>the Boston Celtics for CLNS Media or breaking down the patch.

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<v Speaker 1>We will get into some celts too right here on WBC.

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<v Speaker 4>Don't go away now, back to Dan ray Line from

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<v Speaker 4>the Window World, Light Side Studios on WBZ News Radio.

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<v Speaker 1>Okay, coming up at ten o'clock, we're gonna get serious here,

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<v Speaker 1>folks and break down her side of the story. Karen Reid,

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<v Speaker 1>of course, accused of killing police officer and boyfriend John O'Keefe,

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<v Speaker 1>and she's speaking out tonight on ABC and we have

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<v Speaker 1>top criminal defense attorneys Bill kick Him and Robi George

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<v Speaker 1>it will join us to discuss her side of the story.

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<v Speaker 1>That's all coming up at ten o'clock right here on WBZ.

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<v Speaker 1>No right now, Jackson Tolliver's with us from Sealing US

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<v Speaker 1>Medium covering the Patriots right now, and I want to

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<v Speaker 1>get into you know, Jacoby Brssett in the offensive situation,

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<v Speaker 1>how much long?

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<v Speaker 4>How many games does he play?

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<v Speaker 3>Well? Obviously you know a lot of that has to

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<v Speaker 3>do with how well he plays, Right, if he goes

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<v Speaker 3>in and you know, wins, well, yeah, because I think

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<v Speaker 3>if he goes in, you know, starts off the season

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<v Speaker 3>let's say three and one. I'm not saying that's going

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<v Speaker 3>to happen. I think that's very far Fett. Well, you're

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<v Speaker 3>not going to pull him then, I think a more

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<v Speaker 3>realistic option when you look at their schedule, right you

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<v Speaker 3>start in Cincinnati this weekend. I actually kind of think

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<v Speaker 3>it's a toss up. They're losing some pieces. See Higgins

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<v Speaker 3>looks like it can get a place. So I actually

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<v Speaker 3>can see that one going either way. Seattle as well

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<v Speaker 3>at home, that's the home opener. I can see that

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<v Speaker 3>one going either way. But then you have the Jets

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<v Speaker 3>and then you have the Niners. I think those are

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<v Speaker 3>both losses. And Niners on the road could be a really, really,

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<v Speaker 3>really rough game for Jacoby Brissett. I mean, they have

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<v Speaker 3>one of the best defenses in the NFL, and you

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<v Speaker 3>know on the road they're a really good team. They

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<v Speaker 3>can lose that one badly. Then you come home in

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<v Speaker 3>October where you have three home games. That could be

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<v Speaker 3>when girod Mayo and company decides to pull the trigger.

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<v Speaker 3>And let Drake May start. But like I said, a

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<v Speaker 3>lot of it I think depends on how Jacoby present does.

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<v Speaker 3>And also, you know we've seen this in the past

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<v Speaker 3>as well. If they're getting blown out, Let's say, even

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<v Speaker 3>as soon as Sunday, if they're losing twenty four zero

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<v Speaker 3>in the third quarter or thirty zero or whatever it is,

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<v Speaker 3>and the offense can't get anything going, they might just say, well,

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<v Speaker 3>let's just put in Drake May and see what happens.

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<v Speaker 3>So it's really hard to predict that kind of thing.

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<v Speaker 3>I anticipate you'll see him in some like, you know,

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<v Speaker 3>get get playing time before he's officially named the starter.

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<v Speaker 3>But if you had to ask me right now, I

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<v Speaker 3>would say sometime in October. November is kind of pushing

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<v Speaker 3>it for me. But again, all that depends on how

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<v Speaker 3>Jacoby Brisett does.

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<v Speaker 4>So you're saying in November he could be named.

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<v Speaker 3>Starter, yeah, I would, Like I said, my guess right

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<v Speaker 3>now is week five because I think the first four

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<v Speaker 3>games aren't gonna go well.

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<v Speaker 1>So part of break you talked about how they mishandled

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<v Speaker 1>Drake May. How did that How did they mishandle that

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<v Speaker 1>situation in the preseason.

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<v Speaker 3>Well, I mean, you know, the whole time Gerrod Meyo

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<v Speaker 3>is saying that it's a competition, he thinks that it's

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<v Speaker 3>a you know, he wants a fair and accurate QB

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<v Speaker 3>competition to see who is starting. But then in training

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<v Speaker 3>camp and in preseason, almost all of the work that

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<v Speaker 3>Drake May did was with the second string guy, the

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<v Speaker 3>second string offense, second string wide receivers, and Jacoby Brissette

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<v Speaker 3>basically got all the top reps with the wide receiver

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<v Speaker 3>ones and the starting online. That doesn't sound to me

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<v Speaker 3>like a fair competition, right, So, you know, I just

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<v Speaker 3>think that the way that they went about it, I

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<v Speaker 3>didn't agree with. I don't disagree necessarily with their decision.

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<v Speaker 3>I think Drake May, you draft him knowing that he's

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<v Speaker 3>a really raw talent, might not be a guy who's

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<v Speaker 3>ready to go week one. He certainly looks the part

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<v Speaker 3>in the preseason game's least. I thought he had a

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<v Speaker 3>really good game in the second game, in the third

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<v Speaker 3>game of preseason, and I think that really started to

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<v Speaker 3>heat up the competition a little bit quote unquote. But

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<v Speaker 3>even then, you know, after those games, he's coming in

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<v Speaker 3>and playing maybe one or two reps at the starters

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<v Speaker 3>compared to Jacoba Brissett, who is still playing the majority

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<v Speaker 3>of the re the starting unit. So I don't know

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<v Speaker 3>if it was ever a real competition. I don't know

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<v Speaker 3>if there was ever a thought in their mind that

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<v Speaker 3>they would start Drake May. But I just thought it

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<v Speaker 3>was a little bit of a message situation, and I

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<v Speaker 3>think they could have handled it a little bit better

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<v Speaker 3>in terms of dealing with both the quarterbacks and dealing

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<v Speaker 3>with their public public relations and how to handle it well.

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<v Speaker 1>I think Drake May acceeded expectations in the preseason. That's

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<v Speaker 1>fair to say, right, Yeah, So what do you think, Jackson?

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<v Speaker 1>I mean, you've seen a ton of football. I mean,

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<v Speaker 1>you know when you look at when you look at

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<v Speaker 1>this guy, do you see him as being the future

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<v Speaker 1>of the team or like even Mac Jones.

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<v Speaker 4>I'll tell you.

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<v Speaker 1>I'll tell you my opinion. When Mac Jones was playing well,

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<v Speaker 1>I thought he was okay. I said, this guy's going

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<v Speaker 1>to be a decent quarterback. He's not going to be great.

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<v Speaker 1>He may be a placeholder until the Patriots find that

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<v Speaker 1>great quarterback again. I never thought Mac Jones was a

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<v Speaker 1>franchise quarterback. I thought he was a system quarterback, thought

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<v Speaker 1>he could be Okay, do you have a feeling like

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<v Speaker 1>that on Drake May? Either way?

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<v Speaker 3>Well, first of all, say, Mac Jones had me cool

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<v Speaker 3>that his rookie year. I thought his rookie year was

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<v Speaker 3>something special. And they actually made the playoffs that year,

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<v Speaker 3>and I thought, and you know, he looked really good.

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<v Speaker 3>And then the second year they didn't hire it off

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<v Speaker 3>as a coordinator.

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<v Speaker 4>They screwed him over. I mean, yeah, they totally screwed

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<v Speaker 4>the kid over.

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<v Speaker 1>But did you ever like, I never thought he was

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<v Speaker 1>going to be great, like making a player a fine

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<v Speaker 1>you know. I thought that he'ld be a serviceable, very

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<v Speaker 1>good quarterback. You make the playoffs, maybe you win a game.

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<v Speaker 1>But I never thought he was a franchise quarterback. But

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<v Speaker 1>I mean, do you could this guy be a franchise quarterback?

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<v Speaker 2>May?

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<v Speaker 3>I mean, Drake May and Matt Jones are drastically different

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<v Speaker 3>in terms of their in terms of their abilities, and

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<v Speaker 3>when you look at what a franchise quarterback looks like

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<v Speaker 3>right now, Patrick Mahomes, Joe Burrow, Justin Herbert Josh Allen,

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<v Speaker 3>Lamar Jackson is you know, sort of a case of

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<v Speaker 3>his own. There's really no other quarterback who's like Lamar Jackson.

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<v Speaker 3>But coming back to this other guys, I said, you know,

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<v Speaker 3>look at what they do. Well, they've got a great arm.

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<v Speaker 3>They can throw out of the pocket, they can make

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<v Speaker 3>acrobatic throws off their back foot. Mahomess mastered the side arm.

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<v Speaker 3>We've seen some of that from Drake May as well.

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<v Speaker 3>Uh so he has all of the abilities to do it.

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<v Speaker 3>But I think you know where his growth still has

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<v Speaker 3>to come from is his mental is his you know,

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<v Speaker 3>eliminating his his his mistake making and you know, just

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<v Speaker 3>learning how to play the NFL is different from colleg

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<v Speaker 3>you know, everyone said.

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<v Speaker 4>It's so damn fast, you know. I mean that's the

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<v Speaker 4>thing with Brady. Yeah, yeah, I mean Brady was a

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<v Speaker 4>second ahead mentally of everybody.

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<v Speaker 1>And that's one of the things that you just don't

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<v Speaker 1>don't know if a guy's going to get it, Like

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<v Speaker 1>that's that's the problem.

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<v Speaker 4>Like you say, okay, well we'll they catch on mentally.

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<v Speaker 4>Some guys never do.

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<v Speaker 2>Some guys.

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<v Speaker 3>Yeah, we've seen We've seen so much great talent uh

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<v Speaker 3>come out of the NFL draft, and it just it

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<v Speaker 3>just never clicks. And you know, from from what I've seen,

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<v Speaker 3>he looks like a smart kid. If you watch the

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<v Speaker 3>New York Giants hard knocks where they brought in all

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<v Speaker 3>the quarterbacks to interview them, he he really impressed them.

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<v Speaker 3>They were really hiring him a lot because of his memory,

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<v Speaker 3>his ability to recall plays. And you know, I, I

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<v Speaker 3>do really believe that he's a smart kid, and I

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<v Speaker 3>think that he has a very bright future in this league.

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<v Speaker 3>But again, you don't know until you know, until you

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<v Speaker 3>get him out there in a regular season game against

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<v Speaker 3>you know, top top seeded defenses. Like you said, he's

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<v Speaker 3>seed expectations in preseason, well he was going against twos

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<v Speaker 3>and three.

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<v Speaker 4>Well, yeah, of course, absolutely.

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<v Speaker 3>You just never know.

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<v Speaker 4>You don't know.

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<v Speaker 1>I mean it just if you see confidence. That's when

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<v Speaker 1>I covered the team.

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<v Speaker 4>If I saw confidence in a preseason game, it was just.

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<v Speaker 1>Like how do you carry yourself? You know, you could

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<v Speaker 1>tell is there deer in the headlights or does this

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<v Speaker 1>guy you know, does he have some confidence? Does he

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<v Speaker 1>have some squagger?

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<v Speaker 4>You know?

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<v Speaker 1>Jackson Tulliver as with us some Sealantis media covering the

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<v Speaker 1>Patriots and final question here and then I want to

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<v Speaker 1>get to the Celtics. But you know, for the Pats,

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<v Speaker 1>what do you think what do you think of the

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<v Speaker 1>front office, because to me, that's really the key, you know.

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<v Speaker 4>And that's and they don't think.

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<v Speaker 1>I mean, they have nobody in the cupboard, man, I

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<v Speaker 1>mean you can't. They have an offensive line that is terrible.

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<v Speaker 1>And for the longest time when I covered the team,

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<v Speaker 1>the offensive line was for twenty years and listened to

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<v Speaker 1>Belichick was really good for twenty years.

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<v Speaker 4>You know, whether it be Joe and drewsy or it

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<v Speaker 4>doesn't matter. They Dan Copen Matt like. They had offensive

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<v Speaker 4>lines that were money.

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<v Speaker 1>And it's just that's why you I don't even want

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<v Speaker 1>to play the kid because he's gonna get killed.

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<v Speaker 3>Yeah, that's that I think. Has it has a lot

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<v Speaker 3>to do with it. I will say for the offensive line,

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<v Speaker 3>they have had some injury misfortune. Cole Strange, who is

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<v Speaker 3>their first round pick in twenty twenty two, is starting

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<v Speaker 3>the season on Pops, so we don't know, you know,

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<v Speaker 3>when he's gonna come back or if you can come back.

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<v Speaker 3>City So picked up an ankle injury in the last

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<v Speaker 3>game of the preseason. So those are two presumed starters

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<v Speaker 3>that you're now missing out on. And you know they

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<v Speaker 3>have some guys they they haven't win. Who's their big

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<v Speaker 3>offensive line and that you know, they obviously brought back

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<v Speaker 3>on the big time extension this year. David Andrews is

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<v Speaker 3>getting older and then you know, beyond that it gets tough.

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<v Speaker 3>But they do have a couple of rookies who look

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<v Speaker 3>a little promising and Cad Wallison lead Robinson. But to

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<v Speaker 3>get to your front office question again, I just think

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<v Speaker 3>it's too early. It's it's it's the same thing with

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<v Speaker 3>evaluating Gerrod Mayo, where you just really can't do it.

399
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<v Speaker 3>And Ellio Wolf was a guy who's been around the

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<v Speaker 3>league for a long time. He's been the Patriots for

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00:17:52.440 --> 00:17:56.240
<v Speaker 3>a little while now, So like I you know, obviously,

402
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<v Speaker 3>if you look at it right now, you'd say, well,

403
00:17:58.359 --> 00:18:01.799
<v Speaker 3>he has done a great job. So Bill Belichick had

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<v Speaker 3>the final call on everything, and I think the last

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<v Speaker 3>few years that you know, the last few years that

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<v Speaker 3>Bill was here, I think he made some pretty crucial

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<v Speaker 3>mistakes that haunted the team. Basically swapping out Jacoby Myers

408
00:18:13.599 --> 00:18:15.640
<v Speaker 3>for Juju Smith Schuster last year is when it comes

409
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<v Speaker 3>to mind. He signed Juju for basically the same amount

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<v Speaker 3>that Jacoby Myers would have wanted, and that ended up

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<v Speaker 3>a disaster. He obviously was cut this offseason after just

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<v Speaker 3>one season with the Patriots, and you know, some other

413
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<v Speaker 3>issues like Cole Strange, a guy just mentioned. I think

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<v Speaker 3>he was taken a little bit early. He was taken

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<v Speaker 3>in the first round in twenty twenty two, with like

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<v Speaker 3>the twenty something pick, like the early twenty like twenty

417
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<v Speaker 3>one or twenty two, right, So, you know, some of

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<v Speaker 3>those decisions that he made, I think really put the

419
00:18:45.240 --> 00:18:47.920
<v Speaker 3>franchise where they are now. And that's not to diminish

420
00:18:48.000 --> 00:18:50.359
<v Speaker 3>from his legacy. He obviously made some great choices as

421
00:18:50.359 --> 00:18:53.559
<v Speaker 3>well throughout his tenure with the Patriots, but it's just

422
00:18:53.599 --> 00:18:57.200
<v Speaker 3>hard to evaluate. But you know, I think next offseasons

423
00:18:57.240 --> 00:18:58.640
<v Speaker 3>where you can really start to make some of those

424
00:18:58.640 --> 00:19:00.799
<v Speaker 3>decisions because they're going to have some much cap space.

425
00:19:01.160 --> 00:19:03.759
<v Speaker 3>They're probably going to have another high pick, being realistic,

426
00:19:04.440 --> 00:19:06.559
<v Speaker 3>and we'll see what happens with Drake May. You know,

427
00:19:06.680 --> 00:19:10.960
<v Speaker 3>they had a chance to go for another guy, go

428
00:19:11.079 --> 00:19:13.559
<v Speaker 3>for a wide receiver, and you know, this is the

429
00:19:13.599 --> 00:19:15.640
<v Speaker 3>direction they went with Drake May. They handed the keys

430
00:19:15.640 --> 00:19:17.799
<v Speaker 3>of the franchise, So we'll see how that turns out.

431
00:19:17.799 --> 00:19:19.559
<v Speaker 3>And then that could in large part reflect on the

432
00:19:19.559 --> 00:19:20.440
<v Speaker 3>front office as well.

433
00:19:20.640 --> 00:19:22.400
<v Speaker 4>Jackson, did the Celtics repeat.

434
00:19:24.480 --> 00:19:27.240
<v Speaker 3>Right now? I would say, yeah, I think they're so

435
00:19:27.359 --> 00:19:31.400
<v Speaker 3>much ahead of the competition. Still bringing back everyone. You know,

436
00:19:31.440 --> 00:19:34.039
<v Speaker 3>you have five guys who are handedly in the top

437
00:19:34.079 --> 00:19:37.519
<v Speaker 3>fifty players in the NBA. I would say their bench

438
00:19:37.599 --> 00:19:39.720
<v Speaker 3>I think got better. They brought back all the important

439
00:19:39.720 --> 00:19:43.759
<v Speaker 3>guys and added Lonnie Walker this past week. I think

440
00:19:43.799 --> 00:19:45.559
<v Speaker 3>is a really underrated pick up for them, assuming that

441
00:19:45.599 --> 00:19:47.160
<v Speaker 3>he does make the team. They signed a new training

442
00:19:47.200 --> 00:19:49.519
<v Speaker 3>camp deal. But yeah, I mean Brown and Tatum are

443
00:19:49.559 --> 00:19:52.240
<v Speaker 3>just going to keep getting better. Yes, New York got better,

444
00:19:52.640 --> 00:19:55.720
<v Speaker 3>Yes Philly got better, But I still just don't think

445
00:19:55.920 --> 00:19:58.839
<v Speaker 3>they're where the Celtics are, and I still think that

446
00:19:58.880 --> 00:20:01.440
<v Speaker 3>they are going to a hard time being caught the season.

447
00:20:01.839 --> 00:20:04.920
<v Speaker 1>Jackson Tolliver with us was one of my prize students

448
00:20:04.960 --> 00:20:07.200
<v Speaker 1>at Emerson and we had class this week.

449
00:20:07.279 --> 00:20:08.759
<v Speaker 4>Jackson, do you miss being in college?

450
00:20:10.160 --> 00:20:10.640
<v Speaker 3>Not at all?

451
00:20:10.839 --> 00:20:11.319
<v Speaker 2>Not at all.

452
00:20:11.480 --> 00:20:14.240
<v Speaker 3>Will I will much. I will definitely take the full

453
00:20:14.240 --> 00:20:16.400
<v Speaker 3>time job, But you know, I am pretty fresh on

454
00:20:16.440 --> 00:20:19.039
<v Speaker 3>the scene still, I've only been working for about three

455
00:20:19.119 --> 00:20:21.519
<v Speaker 3>four months, So ask me again. Next year, You're.

456
00:20:21.400 --> 00:20:22.000
<v Speaker 4>Gonna do great.

457
00:20:22.119 --> 00:20:24.480
<v Speaker 1>I had thirty five kids in this class in sports

458
00:20:24.480 --> 00:20:27.039
<v Speaker 1>communication and I had like the front row was like

459
00:20:27.119 --> 00:20:30.240
<v Speaker 1>all freshman baseball players. Then I go, wow, I'm really

460
00:20:30.279 --> 00:20:32.440
<v Speaker 1>gonna have to teach my ass off in this class,

461
00:20:32.759 --> 00:20:34.640
<v Speaker 1>because yeah, did you give.

462
00:20:34.559 --> 00:20:35.599
<v Speaker 3>Him a textbook or anything?

463
00:20:35.759 --> 00:20:35.960
<v Speaker 2>Oh?

464
00:20:36.119 --> 00:20:39.759
<v Speaker 1>Yeah, Level, I got a textbook because they told me

465
00:20:39.799 --> 00:20:41.359
<v Speaker 1>I have to give them one. And I said, and

466
00:20:41.400 --> 00:20:44.039
<v Speaker 1>I've read some of it, and I said to them,

467
00:20:44.319 --> 00:20:46.799
<v Speaker 1>don't believe half of it. I know more than what's

468
00:20:46.839 --> 00:20:48.960
<v Speaker 1>between these pages. You know that, and so do I.

469
00:20:49.559 --> 00:20:51.960
<v Speaker 1>Jackson Tolliver, all right, man, keep up the good work

470
00:20:51.960 --> 00:20:53.039
<v Speaker 1>at CLNS Media.

471
00:20:53.160 --> 00:20:55.880
<v Speaker 4>Check them out. They do a great job. Of course

472
00:20:55.920 --> 00:20:56.359
<v Speaker 4>on bias.

473
00:20:56.480 --> 00:20:59.160
<v Speaker 1>I also have a podcast with Bob Bryan on CLS

474
00:20:59.240 --> 00:21:01.640
<v Speaker 1>Media and Jeff Goode. But Jackson, good job covering the

475
00:21:01.680 --> 00:21:03.599
<v Speaker 1>passing the celts and we'll talk to you soon.

476
00:21:04.559 --> 00:21:06.680
<v Speaker 4>You're the man Gary see later, all right, Jackson.

477
00:21:06.359 --> 00:21:09.799
<v Speaker 1>TELLIVI was write the name down. This kid's good, kid's

478
00:21:10.079 --> 00:21:13.200
<v Speaker 1>real good. It's gonna do something in this business, just

479
00:21:13.240 --> 00:21:18.000
<v Speaker 1>like Robin Dawson. Robin Dawson my own friend. Here's Robin Dawson,

480
00:21:18.240 --> 00:21:21.160
<v Speaker 1>and I worked on this very radio station wb Z

481
00:21:21.400 --> 00:21:25.119
<v Speaker 1>back in the nineties, back in the nineties, and she's

482
00:21:25.359 --> 00:21:26.440
<v Speaker 1>of course she has been.

483
00:21:28.319 --> 00:21:29.079
<v Speaker 4>Well, the the.

484
00:21:30.720 --> 00:21:32.480
<v Speaker 1>Straw that stirs the drink, if you will, of the

485
00:21:32.480 --> 00:21:36.680
<v Speaker 1>Boston Film Festival. She's been very active in that very

486
00:21:36.720 --> 00:21:41.680
<v Speaker 1>key and they're celebrating their fortieth anniversary and some terrific movies.

487
00:21:41.839 --> 00:21:44.400
<v Speaker 1>And we know that we need movies, folks, because the

488
00:21:44.440 --> 00:21:46.440
<v Speaker 1>strike hurt. Look, I'm a SAG member, I know the

489
00:21:46.440 --> 00:21:49.400
<v Speaker 1>strike hat to happen. I'm all for it, but we

490
00:21:49.440 --> 00:21:51.160
<v Speaker 1>need some good kind We need some movies. And there

491
00:21:51.160 --> 00:21:53.519
<v Speaker 1>are some quality filmmakers out there that are going to

492
00:21:53.599 --> 00:21:56.119
<v Speaker 1>festivals and that are putting up good product that you

493
00:21:56.160 --> 00:21:59.319
<v Speaker 1>can see. And the Film Festival here in Boston is

494
00:21:59.319 --> 00:22:01.640
<v Speaker 1>from some temperate nineteenth to the twenty third. We'll get

495
00:22:01.640 --> 00:22:04.640
<v Speaker 1>the rundown from Robin Dawson, the executive director.

496
00:22:04.680 --> 00:22:07.799
<v Speaker 4>Next on WBZ, You're on.

497
00:22:07.839 --> 00:22:12.240
<v Speaker 1>Night Side with Dan Ray on WBZ Boston's news Radio.

498
00:22:13.480 --> 00:22:14.880
<v Speaker 4>Well, you guys know I love movies.

499
00:22:15.200 --> 00:22:20.119
<v Speaker 1>Boston Film Festival celebrating its fortieth year, fortieth program and

500
00:22:20.279 --> 00:22:24.440
<v Speaker 1>when I couldn't believe the list, Green Book, Jojo Rabbit,

501
00:22:25.079 --> 00:22:27.519
<v Speaker 1>North Country, just to name a few of some of

502
00:22:27.559 --> 00:22:30.039
<v Speaker 1>the movies that had premiered there. And I have to

503
00:22:30.079 --> 00:22:33.480
<v Speaker 1>tell you, I'm going back to the time machine. Robin Dawson,

504
00:22:33.519 --> 00:22:36.440
<v Speaker 1>can you believe we're on WBZ in twenty twenty four?

505
00:22:38.200 --> 00:22:40.880
<v Speaker 5>I love it, And yes, I can believe it. You're

506
00:22:40.920 --> 00:22:44.279
<v Speaker 5>doing wonderful work there, Gary, and I love hearing the

507
00:22:44.359 --> 00:22:45.039
<v Speaker 5>sports talk.

508
00:22:45.880 --> 00:22:48.039
<v Speaker 1>It's just like the old days with Normy and the

509
00:22:48.079 --> 00:22:50.759
<v Speaker 1>Gang and Stephen calling all sports. And it was a

510
00:22:50.799 --> 00:22:54.880
<v Speaker 1>great run. But congratulations forty years of the Boston Film Festival.

511
00:22:54.920 --> 00:22:58.440
<v Speaker 1>First of all, Robin, that's an amazing feat because to

512
00:22:58.559 --> 00:23:01.519
<v Speaker 1>keep these things running it's not easy.

513
00:23:03.400 --> 00:23:06.920
<v Speaker 5>No, a lot of festivals, unfortunately have gone out of business,

514
00:23:07.000 --> 00:23:09.720
<v Speaker 5>and as you know, we're going through a difficult time

515
00:23:09.799 --> 00:23:13.000
<v Speaker 5>in the film industry and we will re emerge on

516
00:23:13.039 --> 00:23:18.519
<v Speaker 5>the other side. But films are really important to society

517
00:23:18.720 --> 00:23:23.880
<v Speaker 5>because they entertain, they inform, and they enlighten and they

518
00:23:24.559 --> 00:23:27.920
<v Speaker 5>arm us with information so that we can create the

519
00:23:27.960 --> 00:23:29.640
<v Speaker 5>world that we want.

520
00:23:29.960 --> 00:23:34.400
<v Speaker 1>And I do think that the independent film arena is

521
00:23:34.440 --> 00:23:36.880
<v Speaker 1>going to get us through now because what I see

522
00:23:37.640 --> 00:23:40.319
<v Speaker 1>as far as movement, people recovering from the strike with

523
00:23:40.400 --> 00:23:42.519
<v Speaker 1>the studios are going to be slow. There are some

524
00:23:42.599 --> 00:23:44.759
<v Speaker 1>independent filmmakers out there that they're saying, you know what,

525
00:23:44.799 --> 00:23:46.720
<v Speaker 1>we're going to make these movies anyway. We're going to

526
00:23:46.759 --> 00:23:48.480
<v Speaker 1>go out, we're going to get the independent finance, and

527
00:23:48.480 --> 00:23:50.039
<v Speaker 1>we're going to go to work. We're going to have

528
00:23:50.079 --> 00:23:52.039
<v Speaker 1>a budget and we'll get it done. Do you see

529
00:23:52.079 --> 00:23:52.680
<v Speaker 1>that happening?

530
00:23:54.079 --> 00:23:56.720
<v Speaker 5>You know, you just hit on the reason that I

531
00:23:56.759 --> 00:23:59.799
<v Speaker 5>have passion for doing. The film festival is a lot

532
00:23:59.799 --> 00:24:03.000
<v Speaker 5>of work, but it's the independent filmmakers. They have a

533
00:24:03.079 --> 00:24:09.160
<v Speaker 5>creative vision and it's so important to help support them

534
00:24:09.240 --> 00:24:12.599
<v Speaker 5>get that, to get that out there. And that's what

535
00:24:12.640 --> 00:24:15.799
<v Speaker 5>a film festival does. There's so much talent out there

536
00:24:15.839 --> 00:24:22.799
<v Speaker 5>and gosh knows, we need some laughter and and some

537
00:24:22.960 --> 00:24:27.160
<v Speaker 5>good storytelling, and that's what happens in a film festival.

538
00:24:27.279 --> 00:24:30.000
<v Speaker 5>So we're you know, I'm delighted to be able to

539
00:24:30.000 --> 00:24:33.799
<v Speaker 5>be a part of it and support these filmmakers and actors.

540
00:24:33.880 --> 00:24:36.200
<v Speaker 5>And you know, this is a time where a lot

541
00:24:36.200 --> 00:24:40.039
<v Speaker 5>of people are struggling to stay alive and work. So

542
00:24:40.319 --> 00:24:43.599
<v Speaker 5>it's all aspects of the industry, even for the actors

543
00:24:43.680 --> 00:24:49.559
<v Speaker 5>and producers. So this is a wonderful opportunity to support

544
00:24:49.680 --> 00:24:52.480
<v Speaker 5>that and to see some good films, and it brings

545
00:24:52.599 --> 00:24:57.839
<v Speaker 5>that filmmaking experience to the audience firsthand. They can talk

546
00:24:57.880 --> 00:25:02.599
<v Speaker 5>to the actors and the directors and the I love that.

547
00:25:02.680 --> 00:25:04.759
<v Speaker 4>Oh, there's no question. So give us an idea.

548
00:25:04.799 --> 00:25:06.400
<v Speaker 1>What are we going to see coming up on the

549
00:25:06.480 --> 00:25:08.559
<v Speaker 1>nineteenth through the twenty third.

550
00:25:09.240 --> 00:25:13.200
<v Speaker 5>Well, the nineteenth, we open with an outstanding film called

551
00:25:13.240 --> 00:25:16.839
<v Speaker 5>Sheep Dog, and we have quite a cast coming in.

552
00:25:17.359 --> 00:25:20.599
<v Speaker 5>It tells the story of a returning veteran who is

553
00:25:20.680 --> 00:25:25.680
<v Speaker 5>faced with re entering society, you know, reconnecting with his family,

554
00:25:27.000 --> 00:25:31.319
<v Speaker 5>and then the post traumatic stress that impacts him and

555
00:25:31.359 --> 00:25:37.359
<v Speaker 5>he's eventually forced into some counseling. Virginia Mattson plays the counselor.

556
00:25:37.440 --> 00:25:41.039
<v Speaker 5>She does an outstanding job. Some other people in his

557
00:25:41.200 --> 00:25:45.880
<v Speaker 5>life come back around Bondy Curtis Hall is his father

558
00:25:46.000 --> 00:25:49.039
<v Speaker 5>in law and help him through this traumatic time. But

559
00:25:49.720 --> 00:25:55.359
<v Speaker 5>there's a message here about post traumatic growth. It doesn't

560
00:25:55.400 --> 00:25:59.240
<v Speaker 5>have to end in suicide. And I love this story

561
00:25:59.319 --> 00:26:04.240
<v Speaker 5>too because because it not only imparts important information for

562
00:26:04.440 --> 00:26:07.480
<v Speaker 5>people who are facing that the people in general life,

563
00:26:07.960 --> 00:26:12.440
<v Speaker 5>but also it's an uplifting story. So I really urge

564
00:26:12.480 --> 00:26:15.039
<v Speaker 5>people to see this world for me or right here

565
00:26:15.079 --> 00:26:18.519
<v Speaker 5>in Boston at the Imax, and you have Grant Stephen

566
00:26:18.559 --> 00:26:22.519
<v Speaker 5>Graham who's the director here, Vonnie Curtis Hall, Lily Cooper

567
00:26:22.599 --> 00:26:28.920
<v Speaker 5>Tony nominated actress, and Matt Dallas and Dominic Formosa. It's

568
00:26:28.960 --> 00:26:31.359
<v Speaker 5>it's really quite a film. So that's what we start

569
00:26:31.440 --> 00:26:34.039
<v Speaker 5>off with, and we have so many others. I think

570
00:26:34.079 --> 00:26:37.079
<v Speaker 5>you're going to be talking with one of our filmmakers

571
00:26:37.119 --> 00:26:46.559
<v Speaker 5>for any day now. Wonderful film about Isabelle Stewart Gardner

572
00:26:47.079 --> 00:26:50.160
<v Speaker 5>Museum heist. So it brings it right home. Both of

573
00:26:50.200 --> 00:26:54.119
<v Speaker 5>those films shot here their world premieres. We have some

574
00:26:54.240 --> 00:26:57.319
<v Speaker 5>documentaries that are outstanding. Capturing Kennedy.

575
00:26:58.440 --> 00:26:58.839
<v Speaker 2>Wow.

576
00:26:59.200 --> 00:27:03.920
<v Speaker 5>This film is about a young immigrant who was a

577
00:27:03.960 --> 00:27:09.759
<v Speaker 5>Holocaust survivor. He came to America and met Joseph Kennedy

578
00:27:10.880 --> 00:27:15.359
<v Speaker 5>and Joseph Kennedy hired him to be his son's photographer

579
00:27:16.359 --> 00:27:19.960
<v Speaker 5>and the images are iconic. The story is amazing. It

580
00:27:20.000 --> 00:27:24.839
<v Speaker 5>takes you through the presidency with untold stories and perspectives

581
00:27:24.880 --> 00:27:29.960
<v Speaker 5>that are fascinating. So we're excited about that world premiere.

582
00:27:30.119 --> 00:27:34.680
<v Speaker 5>Democracy Noirs of the Boston Public Library a top director

583
00:27:35.000 --> 00:27:40.519
<v Speaker 5>award winning again Emmy director Connie Field. She talks about

584
00:27:41.039 --> 00:27:45.200
<v Speaker 5>this particular film takes a look at President Victor Organ

585
00:27:45.519 --> 00:27:48.680
<v Speaker 5>in Hungary and is a little scary to see the

586
00:27:48.720 --> 00:27:53.559
<v Speaker 5>similarities of what happened over there with their democracy and

587
00:27:53.640 --> 00:27:56.880
<v Speaker 5>what's going on in our own country is illuminating. And

588
00:27:56.960 --> 00:27:59.240
<v Speaker 5>I really think that's an important film for us to

589
00:27:59.240 --> 00:28:03.799
<v Speaker 5>see right now. And another film that I'm quite excited

590
00:28:03.839 --> 00:28:07.519
<v Speaker 5>about is Sweetwater and Yes the Celtics are going to

591
00:28:07.599 --> 00:28:09.759
<v Speaker 5>repeat there you go.

592
00:28:10.920 --> 00:28:11.279
<v Speaker 3>Yeah.

593
00:28:11.559 --> 00:28:15.680
<v Speaker 5>So this is the story of the first black players

594
00:28:15.799 --> 00:28:20.200
<v Speaker 5>ever allowed to play in the NBA, and it goes

595
00:28:20.240 --> 00:28:24.920
<v Speaker 5>back to nineteen fifty. The filmmaker's fascinating. This takes place

596
00:28:24.960 --> 00:28:28.759
<v Speaker 5>at MIT on Sunday night of the festival for twenty

597
00:28:28.799 --> 00:28:32.359
<v Speaker 5>second and it has quite a cast, Jeremy Pittens in it,

598
00:28:32.519 --> 00:28:40.519
<v Speaker 5>Everett Osbourne, carry El Wise, Jimvizel. But it's it's quite

599
00:28:40.519 --> 00:28:43.359
<v Speaker 5>a story. And Walter Brown is actually part of this

600
00:28:43.440 --> 00:28:47.079
<v Speaker 5>whole story because he gets into the arena of finally

601
00:28:47.200 --> 00:28:51.759
<v Speaker 5>drafting black players. Is Chuck Cooper. I don't know if you,

602
00:28:52.400 --> 00:28:55.920
<v Speaker 5>of course you know the history of Yes, but he

603
00:28:56.599 --> 00:29:01.400
<v Speaker 5>the director said that he was driving through fields and

604
00:29:01.799 --> 00:29:05.200
<v Speaker 5>this goes back twenty five or more years ago and

605
00:29:05.319 --> 00:29:10.039
<v Speaker 5>he saw the sign for the museum. Doctor went in said,

606
00:29:10.680 --> 00:29:15.200
<v Speaker 5>you know, who's the person who's the Jackie Robinson of basketball.

607
00:29:15.640 --> 00:29:17.960
<v Speaker 5>They didn't know, they didn't have any information. He went

608
00:29:18.000 --> 00:29:21.319
<v Speaker 5>back to New York before Google, went over to Columbia

609
00:29:21.559 --> 00:29:27.160
<v Speaker 5>University Library did the research. Ended up interviewing read Aurbak

610
00:29:27.920 --> 00:29:30.599
<v Speaker 5>got all of the information about this. This has been

611
00:29:30.680 --> 00:29:35.920
<v Speaker 5>twenty six years in the making. Clint Eastwood saw the script,

612
00:29:36.440 --> 00:29:41.359
<v Speaker 5>loved it, saw it just before COVID took a couple

613
00:29:41.359 --> 00:29:45.799
<v Speaker 5>of years, but he lent his support. The NBA got involved,

614
00:29:46.799 --> 00:29:49.920
<v Speaker 5>and it is really a wonderful story about how this

615
00:29:50.039 --> 00:29:54.759
<v Speaker 5>all took place. And you know, it's it's not only

616
00:29:54.920 --> 00:29:57.440
<v Speaker 5>for people who love sports. It's a great story.

617
00:29:57.680 --> 00:30:00.720
<v Speaker 1>Oh no, it's about the growth of in the country.

618
00:30:00.759 --> 00:30:03.880
<v Speaker 1>And that's what sports has been able to do, you know.

619
00:30:04.000 --> 00:30:08.079
<v Speaker 1>And and there's no question sports is a venue. Sports

620
00:30:08.160 --> 00:30:10.720
<v Speaker 1>is an opportunity. That's and it's a vehicle to open

621
00:30:10.720 --> 00:30:13.519
<v Speaker 1>our minds and to give people opportunity. That's and that

622
00:30:13.680 --> 00:30:15.279
<v Speaker 1>sounds like what this film is all about.

623
00:30:15.599 --> 00:30:16.680
<v Speaker 4>Robin, What do you think of.

624
00:30:16.640 --> 00:30:19.200
<v Speaker 1>The documentary arena right now, because let me tell you,

625
00:30:19.279 --> 00:30:22.079
<v Speaker 1>there are some great docs out there that are just

626
00:30:22.359 --> 00:30:26.920
<v Speaker 1>taking to the point now where I'm wondering if the

627
00:30:27.000 --> 00:30:34.720
<v Speaker 1>documentary angle or business is more appealing to some finanswers.

628
00:30:36.519 --> 00:30:40.400
<v Speaker 5>Well, it is. It is a growing industry. And I

629
00:30:40.440 --> 00:30:43.240
<v Speaker 5>will tell you what conversation. It's interesting you say this.

630
00:30:43.720 --> 00:30:48.240
<v Speaker 5>I was having a conversation with a successful producer who

631
00:30:48.359 --> 00:30:52.920
<v Speaker 5>has now gone into documentary filmmaking because of what we're

632
00:30:52.960 --> 00:30:56.319
<v Speaker 5>going through. And I love documentaries always have.

633
00:30:56.839 --> 00:30:58.640
<v Speaker 3>What a great place to be able to.

634
00:30:58.640 --> 00:30:59.440
<v Speaker 2>Tell a story.

635
00:30:59.519 --> 00:31:02.599
<v Speaker 5>And it's it is going to grow, I believe in

636
00:31:02.640 --> 00:31:07.039
<v Speaker 5>the future, and there's short documentaries and full length documentaries.

637
00:31:07.440 --> 00:31:08.519
<v Speaker 3>So it's an.

638
00:31:08.480 --> 00:31:11.839
<v Speaker 5>Arena that I think is outstanding. And now you see

639
00:31:11.839 --> 00:31:15.279
<v Speaker 5>it on streaming, and as this whole industry evolves, it'll

640
00:31:15.319 --> 00:31:17.880
<v Speaker 5>be interesting to see how that goes as well. And

641
00:31:18.000 --> 00:31:22.119
<v Speaker 5>many times, Gary, a story will start out even as

642
00:31:22.119 --> 00:31:25.079
<v Speaker 5>a short or you'll start out as a documentary and

643
00:31:25.119 --> 00:31:28.880
<v Speaker 5>then it evolves into either a limited series or a

644
00:31:28.920 --> 00:31:29.680
<v Speaker 5>feature film.

645
00:31:30.160 --> 00:31:32.079
<v Speaker 4>Well, Robin, it's great to catch up with you. It's

646
00:31:32.079 --> 00:31:34.400
<v Speaker 4>been too long. Congratulations again.

647
00:31:34.519 --> 00:31:39.680
<v Speaker 1>On the fortieth the fortieth Folks Boston Film Festival September

648
00:31:39.759 --> 00:31:42.440
<v Speaker 1>nineteenth through the twenty third. You can go online and

649
00:31:42.480 --> 00:31:44.920
<v Speaker 1>you can find out where all the venues are. I

650
00:31:45.000 --> 00:31:47.400
<v Speaker 1>assume and get tickets and see the movies that you

651
00:31:47.440 --> 00:31:49.359
<v Speaker 1>want to see. And we are going to be talking

652
00:31:49.960 --> 00:31:54.079
<v Speaker 1>to one of your filmmakers Erica Ronson any Day Now,

653
00:31:54.240 --> 00:31:57.599
<v Speaker 1>which this movie's this movie's gonna be great. I mean,

654
00:31:57.640 --> 00:32:00.400
<v Speaker 1>this movie's gonna be fan fantastic. What a great idea

655
00:32:00.759 --> 00:32:03.920
<v Speaker 1>about the Gardener Museum heist. And he has his own

656
00:32:03.920 --> 00:32:06.200
<v Speaker 1>little take on it, as you know, Robin, Robin, we're

657
00:32:06.200 --> 00:32:08.319
<v Speaker 1>gonna talk to him next. Thanks for coming on, buddy.

658
00:32:08.319 --> 00:32:09.240
<v Speaker 1>It's good to talk to you.

659
00:32:10.440 --> 00:32:12.680
<v Speaker 5>Right to talk to you, Gary. Thanks for having us on.

660
00:32:12.799 --> 00:32:14.000
<v Speaker 5>And I hope you join us.

661
00:32:14.240 --> 00:32:15.720
<v Speaker 4>Okay, I hope I can make it too.

662
00:32:15.799 --> 00:32:18.880
<v Speaker 1>Robin Dawson with us forty years with the Boston Film Festival.

663
00:32:19.119 --> 00:32:21.400
<v Speaker 1>Let me tell you something that is that is quite

664
00:32:21.440 --> 00:32:24.160
<v Speaker 1>an achievement with this business right now. Quite an achievement

665
00:32:24.200 --> 00:32:26.799
<v Speaker 1>done by Eric Ronson with any Day Now. We'll talk

666
00:32:26.799 --> 00:32:28.519
<v Speaker 1>to him about his new movie. That this You got

667
00:32:28.559 --> 00:32:30.119
<v Speaker 1>to keep an eye out for this one. It's gonna

668
00:32:30.119 --> 00:32:33.559
<v Speaker 1>be good. It's next on WBZ. Now back to Dan

669
00:32:33.680 --> 00:32:37.880
<v Speaker 1>Ray Live from the Window World Nightside Studios on WBZ

670
00:32:38.240 --> 00:32:46.640
<v Speaker 1>News Radio. Today's You Like to Day have Matt, you

671
00:32:46.759 --> 00:32:48.559
<v Speaker 1>do me a favor, I'll take care of your death.

672
00:32:50.400 --> 00:32:53.759
<v Speaker 4>I don't know where you're working. We're gonna rob the museum.

673
00:32:54.640 --> 00:32:58.400
<v Speaker 4>We're gonna need your help. So are you like Gainston?

674
00:33:00.119 --> 00:33:02.440
<v Speaker 4>Guys just are like sheep. They have to answer up

675
00:33:02.440 --> 00:33:04.440
<v Speaker 4>for everything they do. I want to do something, I

676
00:33:04.559 --> 00:33:04.880
<v Speaker 4>do it.

677
00:33:06.039 --> 00:33:08.160
<v Speaker 5>There's not someone in the trunk, is there?

678
00:33:08.359 --> 00:33:09.160
<v Speaker 4>Don't worry about that.

679
00:33:12.160 --> 00:33:14.920
<v Speaker 1>I love that Erica Ronson is with us. He is

680
00:33:14.960 --> 00:33:17.400
<v Speaker 1>the director and the writer of any Data. It's a

681
00:33:17.480 --> 00:33:20.519
<v Speaker 1>terrific movie starring Paul gilfol of Boston Guy. Everybody knows

682
00:33:20.519 --> 00:33:25.599
<v Speaker 1>them from CSI and also don't look up where he

683
00:33:25.680 --> 00:33:29.559
<v Speaker 1>played the Air Force colonel that was charging visitors for

684
00:33:29.559 --> 00:33:31.640
<v Speaker 1>Snatch at the White House, which was hilarious, and Taylor

685
00:33:31.680 --> 00:33:35.640
<v Speaker 1>Gray also in that scene. So Eric, I'm gonna let

686
00:33:35.680 --> 00:33:38.440
<v Speaker 1>you explain the movie. It's about the Gardener Museum, heust,

687
00:33:38.440 --> 00:33:41.000
<v Speaker 1>but it's got a different twist you've put on this thing.

688
00:33:42.799 --> 00:33:44.759
<v Speaker 2>Hi, I'm doing great.

689
00:33:44.839 --> 00:33:46.680
<v Speaker 4>Long time no see.

690
00:33:48.000 --> 00:33:54.079
<v Speaker 2>Yeah, longtime caller, first time listener. So the Gardener Museum

691
00:33:54.200 --> 00:33:57.039
<v Speaker 2>is coming up on the thirty fifth anniversary of the

692
00:33:57.079 --> 00:34:02.240
<v Speaker 2>robbery in March of next year, so I thought this

693
00:34:02.279 --> 00:34:04.680
<v Speaker 2>would be a great time to tell one of the

694
00:34:04.720 --> 00:34:10.519
<v Speaker 2>great myths of Boston, at least in my lifetime. There's

695
00:34:10.519 --> 00:34:13.079
<v Speaker 2>the Whitey Bulger myth, right, and then there's the myth

696
00:34:13.119 --> 00:34:16.000
<v Speaker 2>of the Gardener, and I just thought, you know, this

697
00:34:16.079 --> 00:34:19.039
<v Speaker 2>is my first chance to make a movie in this town.

698
00:34:19.360 --> 00:34:22.119
<v Speaker 2>I made it locally. I made it with local actors,

699
00:34:22.960 --> 00:34:27.199
<v Speaker 2>and we shot every minute of it here in Boston,

700
00:34:27.360 --> 00:34:30.440
<v Speaker 2>all over in Chelsea, Cambridge, and we were in Medford

701
00:34:30.480 --> 00:34:33.639
<v Speaker 2>and Malden like we went to all the places that

702
00:34:33.679 --> 00:34:37.199
<v Speaker 2>the location scouts don't know about, and we made a

703
00:34:37.199 --> 00:34:40.119
<v Speaker 2>truly Boston film. So I couldn't be any happier. I

704
00:34:40.159 --> 00:34:42.559
<v Speaker 2>don't think it was any better fit for this movie

705
00:34:43.280 --> 00:34:48.480
<v Speaker 2>to begin its move into the world by starting to

706
00:34:48.480 --> 00:34:50.760
<v Speaker 2>the Boston Film Testival. So we're really excited about that.

707
00:34:51.679 --> 00:34:54.480
<v Speaker 1>And tell us about the roles of Paul and also

708
00:34:54.599 --> 00:34:57.800
<v Speaker 1>Taylor Gray. So you have Paul, as you could hear

709
00:34:57.840 --> 00:35:01.840
<v Speaker 1>in the trailer that he's the the old veteran criminal.

710
00:35:01.880 --> 00:35:03.960
<v Speaker 1>He's terrific, by the way, and you have Taylor who's

711
00:35:04.000 --> 00:35:07.599
<v Speaker 1>caught of this young, naive type of guy that falls

712
00:35:07.599 --> 00:35:08.840
<v Speaker 1>into this web of crime.

713
00:35:08.920 --> 00:35:11.960
<v Speaker 4>But what because we do know about the.

714
00:35:11.880 --> 00:35:15.559
<v Speaker 1>Garden Museum's story and we've heard about it, but just

715
00:35:15.760 --> 00:35:19.920
<v Speaker 1>give us a tease of what we'll see in your film.

716
00:35:20.159 --> 00:35:23.639
<v Speaker 2>Well, you know, there's things that we know and there's

717
00:35:23.679 --> 00:35:26.440
<v Speaker 2>things that we don't know. So the good news is

718
00:35:28.159 --> 00:35:30.119
<v Speaker 2>you can do anything with that story because no one

719
00:35:30.159 --> 00:35:33.960
<v Speaker 2>knows what really happened. The bad news is the paintings

720
00:35:34.000 --> 00:35:39.119
<v Speaker 2>are still missing and nobody knows what happened. So Taylor

721
00:35:40.159 --> 00:35:46.320
<v Speaker 2>plays a young guard at the museum and Paul plays

722
00:35:46.880 --> 00:35:51.320
<v Speaker 2>an art thief right and they find a way to

723
00:35:52.000 --> 00:35:57.840
<v Speaker 2>maybe or maybe not work together on this faithful night, and.

724
00:35:57.800 --> 00:35:59.760
<v Speaker 4>You take you fill in some blanks. The reason I

725
00:35:59.800 --> 00:36:01.920
<v Speaker 4>think so, the reason I think that this is.

726
00:36:01.880 --> 00:36:05.639
<v Speaker 1>So entertaining, and I want people to understand that that

727
00:36:05.679 --> 00:36:08.599
<v Speaker 1>when you watch this movie, you're going to be entertained.

728
00:36:08.639 --> 00:36:11.599
<v Speaker 1>There's fiction. You're fill in some blanks here, there's a

729
00:36:11.639 --> 00:36:15.000
<v Speaker 1>comedic story. There's a great relationship between these guys. This

730
00:36:15.039 --> 00:36:18.159
<v Speaker 1>is not just, you know, another story about the Gardener

731
00:36:18.519 --> 00:36:21.320
<v Speaker 1>Gardner heist. This has got a twist to it. And

732
00:36:21.360 --> 00:36:24.199
<v Speaker 1>I think one of the lines at the beginning says

733
00:36:24.360 --> 00:36:27.000
<v Speaker 1>this didn't really happen. Or what is that opening line

734
00:36:27.000 --> 00:36:28.800
<v Speaker 1>that says some of these things did not happen.

735
00:36:29.760 --> 00:36:32.519
<v Speaker 2>No, I think it says on the trailer. I think

736
00:36:32.559 --> 00:36:37.039
<v Speaker 2>it says on you know, on March eighteenth, nineteen ninety

737
00:36:37.800 --> 00:36:40.280
<v Speaker 2>five hundred million dollars with the bar. We're stolen from

738
00:36:40.440 --> 00:36:45.320
<v Speaker 2>Boston's Isabella Stuart Gardner Museum. This is not what happened, Yeah, yeah,

739
00:36:45.519 --> 00:36:48.719
<v Speaker 2>because of that's right, that's right, Yeah, this is happened.

740
00:36:50.000 --> 00:36:52.199
<v Speaker 2>I wanted to make a fiction. You know, there's a

741
00:36:52.199 --> 00:36:54.880
<v Speaker 2>Hollywood version of this. There's an Ocean's eleven version of

742
00:36:54.920 --> 00:36:58.199
<v Speaker 2>this movie with you know, lasers and you know, people

743
00:36:58.199 --> 00:37:01.000
<v Speaker 2>talking really cool and all of that. I've been in

744
00:37:01.000 --> 00:37:01.400
<v Speaker 2>that world.

745
00:37:01.440 --> 00:37:01.880
<v Speaker 4>I've been in that.

746
00:37:01.880 --> 00:37:04.199
<v Speaker 2>World for like twenty five years, right. I want to

747
00:37:04.199 --> 00:37:09.920
<v Speaker 2>tell a story of the unique characters and the crazy

748
00:37:10.000 --> 00:37:13.599
<v Speaker 2>wisdom of some of the crazy people that I know

749
00:37:14.480 --> 00:37:16.400
<v Speaker 2>growing up and living in Boston.

750
00:37:16.760 --> 00:37:18.960
<v Speaker 4>Thank you, because the characters.

751
00:37:19.679 --> 00:37:21.280
<v Speaker 1>Characters are the key you start to catch up with.

752
00:37:21.760 --> 00:37:24.320
<v Speaker 1>The characters are the key. And where we see character

753
00:37:24.400 --> 00:37:27.719
<v Speaker 1>driven stories now generally are in series on streaming. We

754
00:37:27.760 --> 00:37:30.360
<v Speaker 1>don't say it in film a lot because it's superheroes

755
00:37:30.400 --> 00:37:32.559
<v Speaker 1>and so forth, and you know, we could talk about

756
00:37:32.599 --> 00:37:35.880
<v Speaker 1>the industry for a couple of hours. But I'm happy

757
00:37:35.880 --> 00:37:37.760
<v Speaker 1>to see these type of characters. I want to see

758
00:37:37.800 --> 00:37:41.440
<v Speaker 1>character driven films, which is this is a character. Guilfoy

759
00:37:41.559 --> 00:37:45.000
<v Speaker 1>is great. I mean he's and I've only seen the trailer.

760
00:37:45.519 --> 00:37:47.719
<v Speaker 1>I mean, this guy is I think you're going to

761
00:37:47.760 --> 00:37:48.320
<v Speaker 1>do really well.

762
00:37:48.440 --> 00:37:48.639
<v Speaker 2>Eric.

763
00:37:48.679 --> 00:37:50.679
<v Speaker 1>I think this movie's gonna I think it's going to

764
00:37:50.760 --> 00:37:52.920
<v Speaker 1>catch fire. I think that people are going to really

765
00:37:53.000 --> 00:37:55.440
<v Speaker 1>enjoy it, and it's going to be a great ride.

766
00:37:55.480 --> 00:37:57.440
<v Speaker 1>And you know the fact that you made it here

767
00:37:57.440 --> 00:37:59.960
<v Speaker 1>and you're a Boston guy and I know you're in Hollywood,

768
00:38:00.039 --> 00:38:01.440
<v Speaker 1>you know, hanging out with the Johnny depths of the

769
00:38:01.440 --> 00:38:03.440
<v Speaker 1>world and all that stuff, but you came back, you

770
00:38:03.480 --> 00:38:05.360
<v Speaker 1>get your fingernails dirty, and he made something here.

771
00:38:05.440 --> 00:38:08.119
<v Speaker 4>So I'm happy for you. Thank you.

772
00:38:08.239 --> 00:38:10.559
<v Speaker 2>Yeah, I knew from the beginning the idea was we

773
00:38:10.559 --> 00:38:13.760
<v Speaker 2>don't make this movie without Paul like he you know,

774
00:38:14.119 --> 00:38:17.360
<v Speaker 2>he was the target. He was the perfect guy for this.

775
00:38:17.719 --> 00:38:22.519
<v Speaker 2>And in fact, we delayed it because of COVID. Chris

776
00:38:22.519 --> 00:38:25.159
<v Speaker 2>Paul said, you know, you can't make a movie unless

777
00:38:25.159 --> 00:38:27.880
<v Speaker 2>we can all sit around a table and talk and play, right,

778
00:38:27.960 --> 00:38:30.840
<v Speaker 2>So we actually waited a little bit to make this movie.

779
00:38:30.920 --> 00:38:35.159
<v Speaker 2>But Yeah, it's really exciting and I'm excited to show it,

780
00:38:35.519 --> 00:38:37.639
<v Speaker 2>and I'm so glad that this is the first Uh,

781
00:38:38.119 --> 00:38:39.800
<v Speaker 2>this town is gonna be the first place to see it. It

782
00:38:39.840 --> 00:38:40.679
<v Speaker 2>makes perfect sense.

783
00:38:40.800 --> 00:38:41.639
<v Speaker 4>Yeah, it totally does.

784
00:38:41.719 --> 00:38:44.599
<v Speaker 1>And Taylor gray Is who plays Steve, who plays the

785
00:38:44.639 --> 00:38:47.199
<v Speaker 1>young man in it that that that Marty Paul Gilfoil

786
00:38:47.320 --> 00:38:48.719
<v Speaker 1>is kind of bringing along for the ride. He's the

787
00:38:48.760 --> 00:38:51.559
<v Speaker 1>guard at the museum. He's also playing Al Franken in

788
00:38:51.599 --> 00:38:54.480
<v Speaker 1>the Saturday Night movie. So this kid's get some chops,

789
00:38:54.480 --> 00:38:54.880
<v Speaker 1>that's right.

790
00:38:55.519 --> 00:38:59.079
<v Speaker 2>Yeah, he's got shots. People love him. That's that's. Everybody

791
00:38:59.559 --> 00:39:03.440
<v Speaker 2>who sees the movie always asks about Tell. They said,

792
00:39:03.480 --> 00:39:05.960
<v Speaker 2>who is that kid? And they play off each other

793
00:39:06.000 --> 00:39:09.960
<v Speaker 2>really well. They have two totally different acting styles, and

794
00:39:10.079 --> 00:39:13.639
<v Speaker 2>you know one is one is super prepared and one

795
00:39:13.760 --> 00:39:17.440
<v Speaker 2>is seat of the pants. And that's the electricity that

796
00:39:17.519 --> 00:39:19.239
<v Speaker 2>you get to watch between the two of them because

797
00:39:19.239 --> 00:39:21.119
<v Speaker 2>you're watching two different after styles as well.

798
00:39:22.079 --> 00:39:24.039
<v Speaker 1>Can you share witches which or do we have to

799
00:39:24.039 --> 00:39:25.679
<v Speaker 1>figure that out when we watch the movie.

800
00:39:26.360 --> 00:39:28.440
<v Speaker 2>Yeah, you can figure out. You can make your own determination.

801
00:39:28.519 --> 00:39:31.559
<v Speaker 1>Okay, we'll figure it out. Well, listen, do you what's

802
00:39:31.599 --> 00:39:34.119
<v Speaker 1>what's on the docket after this? Anything coming up in Boston?

803
00:39:34.119 --> 00:39:35.079
<v Speaker 1>Anything you're looking to do?

804
00:39:37.000 --> 00:39:38.840
<v Speaker 2>Yeah, I mean I'm looking. I'm looking to make a

805
00:39:38.880 --> 00:39:42.760
<v Speaker 2>movie with you, Gary, you know, because you know, speaking

806
00:39:42.800 --> 00:39:45.360
<v Speaker 2>of Boston actors, I gotta say that you're in the movie,

807
00:39:45.800 --> 00:39:47.599
<v Speaker 2>so we can't. Let's not leave that off the table.

808
00:39:47.639 --> 00:39:49.440
<v Speaker 2>I know you're being humble about it, but of the

809
00:39:50.039 --> 00:39:53.920
<v Speaker 2>of the numerous Boston actors, you're in it too. Yeah, well,

810
00:39:54.280 --> 00:39:55.360
<v Speaker 2>show up at this premiere.

811
00:39:56.000 --> 00:39:59.280
<v Speaker 1>Oh oh dude, don't worry. I'll be there. I will

812
00:39:59.320 --> 00:40:02.159
<v Speaker 1>absolutely you there. Well, the news cast a role. I've

813
00:40:02.239 --> 00:40:04.960
<v Speaker 1>kind of got that one down. I'm waiting for somebody

814
00:40:05.039 --> 00:40:09.159
<v Speaker 1>to give me an opportunity to play a psychopath or

815
00:40:09.159 --> 00:40:11.000
<v Speaker 1>something like that. But I don't know if that's going

816
00:40:11.079 --> 00:40:13.679
<v Speaker 1>to happen. But I'll take what I can get. I'll

817
00:40:13.679 --> 00:40:14.280
<v Speaker 1>take what I get.

818
00:40:14.440 --> 00:40:16.000
<v Speaker 2>Well, I don't know. I don't know if I don't

819
00:40:16.000 --> 00:40:18.039
<v Speaker 2>know if the radio viewers know. But you you're you

820
00:40:18.159 --> 00:40:24.320
<v Speaker 2>have a lovely way with words. That is a particular

821
00:40:24.320 --> 00:40:26.719
<v Speaker 2>when you get angry. It's a very floral language that

822
00:40:26.760 --> 00:40:30.239
<v Speaker 2>you that you display that that. I don't think people

823
00:40:30.280 --> 00:40:31.840
<v Speaker 2>know that side of you. So let's I want to

824
00:40:31.840 --> 00:40:32.719
<v Speaker 2>explore that side.

825
00:40:32.800 --> 00:40:33.519
<v Speaker 4>Oh believe me.

826
00:40:33.679 --> 00:40:35.400
<v Speaker 1>I remember the first time I said the F word

827
00:40:35.440 --> 00:40:37.840
<v Speaker 1>in front of Jonathan Kraft and his head spun around.

828
00:40:37.840 --> 00:40:40.000
<v Speaker 1>He said, I didn't know you swore. I said, oh yeah,

829
00:40:40.960 --> 00:40:44.039
<v Speaker 1>oh yeah, we get there. Listen, it's a great movie,

830
00:40:44.119 --> 00:40:47.079
<v Speaker 1>Erica Ronson, And the actual date that it's premiering, what

831
00:40:47.199 --> 00:40:49.360
<v Speaker 1>is the actual date it is?

832
00:40:50.159 --> 00:40:53.159
<v Speaker 2>The first night is going to be Saturday, September twenty first,

833
00:40:53.239 --> 00:40:56.280
<v Speaker 2>and then we're gonna have a second showing on Sunday

834
00:40:56.360 --> 00:40:57.199
<v Speaker 2>the twenty second.

835
00:40:57.400 --> 00:41:00.599
<v Speaker 1>All right, and September and check it out Boston Film Festival,

836
00:41:00.679 --> 00:41:01.559
<v Speaker 1>go online.

837
00:41:01.920 --> 00:41:04.079
<v Speaker 4>Do you have the location? Do you know for sure?

838
00:41:04.360 --> 00:41:08.400
<v Speaker 2>Yeah, it's at the Paramount Theater, which is like it's

839
00:41:08.440 --> 00:41:09.880
<v Speaker 2>like that, it's like downtown crossing.

840
00:41:10.840 --> 00:41:12.320
<v Speaker 4>No, I know exactly where it is. What a great

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00:41:12.320 --> 00:41:14.800
<v Speaker 4>spot to have a premiere, Eric, Thanks for coming on, buddy.

842
00:41:14.840 --> 00:41:17.559
<v Speaker 1>I'll see you at the premiere. And it's been great.

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00:41:17.599 --> 00:41:19.000
<v Speaker 1>It's great to work with you, my friend.

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00:41:20.159 --> 00:41:21.840
<v Speaker 2>Thank you, Gary. I'll see you down there.

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00:41:21.920 --> 00:41:23.880
<v Speaker 1>Okay, folks, keep an eye Eric Ronson with us is

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00:41:23.880 --> 00:41:26.199
<v Speaker 1>the writing director of this film. Keep an eye out

847
00:41:26.199 --> 00:41:28.119
<v Speaker 1>for this movie, not just because I'm in it. Well,

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00:41:28.360 --> 00:41:31.840
<v Speaker 1>you know it's good. It's just it's gonna be one

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00:41:31.880 --> 00:41:33.920
<v Speaker 1>of those movies that you sit and you watch and

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00:41:33.960 --> 00:41:36.760
<v Speaker 1>you're gonna laugh, and you're gonna enjoy the ride and

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00:41:36.800 --> 00:41:37.320
<v Speaker 1>you're gonna go.

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00:41:37.360 --> 00:41:39.000
<v Speaker 4>How come they don't make more movies like that?

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00:41:39.800 --> 00:41:43.440
<v Speaker 1>Okay any day Now, Saturday twenty first at the Paramount

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00:41:43.480 --> 00:41:47.360
<v Speaker 1>Theater Theater Boston Film Festival. Coming up next, we take

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00:41:47.400 --> 00:41:49.760
<v Speaker 1>a look at what's going on on ABC and the

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00:41:49.960 --> 00:41:51.280
<v Speaker 1>Read trial on WBZ.
