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<v Speaker 1>Hello, everybody, Welcome to That's Not Metal. We are your

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<v Speaker 1>weekly rock and heavy music podcast, and this here on

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<v Speaker 1>this Friday is an edition of Hyperblasts, our shorter form

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<v Speaker 1>news and release round up show where we let you

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<v Speaker 1>know everything that's been going down in the last week.

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<v Speaker 1>We let you know the beefs which I guess there

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<v Speaker 1>are some of some of interest this week, and we

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<v Speaker 1>just give you an insight I supposing to what is

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<v Speaker 1>going on in the world right now. Particularly relevant this

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<v Speaker 1>week is big live shows once again as another summer

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<v Speaker 1>of we were saying this, you know last year before

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<v Speaker 1>that particularly, I guess here in the UK summer shows

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<v Speaker 1>seem to be really racking up with like massive events,

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<v Speaker 1>not just festivals, but then bands doing their own you know,

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<v Speaker 1>big events and you know one off shows and stuff

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<v Speaker 1>like that. And we are very much in the midst

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<v Speaker 1>of We're gonna have another one next week, right, We're

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<v Speaker 1>in the midst of all of that kind of stuff

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<v Speaker 1>rolling on, So we've got some of that to talk about.

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<v Speaker 1>My name is parent Haish and with me mainly reporting

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<v Speaker 1>on that front this time is Sam Dignon.

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<v Speaker 2>Hello, Yes, yeah, unexpectedly busy event for weekly and I

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<v Speaker 2>was kind of just be like, oh, I was just

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<v Speaker 2>watching hell Fest clips online. That was kind of like

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<v Speaker 2>what my week was gonna be. And then all the

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<v Speaker 2>big stuff's happening this coming weekend. And then on Sunday

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<v Speaker 2>again message do I want a Metallica ticket? I was

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<v Speaker 2>like sure, why not? And then on Monday where I

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<v Speaker 2>was like do you want to free b fremcr?

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<v Speaker 3>Yeah?

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<v Speaker 2>Yeah, just out of nowhere, I just wind up like

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<v Speaker 2>because I'm seeing I was planned to see my Chemical

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<v Speaker 2>Romance this Saturday. I was going I had a ticket

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<v Speaker 2>for that show, and they're doing, you know, like three

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<v Speaker 2>nights at Wembley Stadium, and evidently the Wednesday night, being

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<v Speaker 2>a Wednesday night, hadn't sold as well as the other two.

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<v Speaker 2>So my brother, through his work, was like, I've got

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<v Speaker 2>three tickets. I don't want to go see Mechanical Romance.

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<v Speaker 3>Do you want him?

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<v Speaker 1>Sam?

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<v Speaker 2>I'm like, yes, yes, yes, I would like to see

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<v Speaker 2>michaelmic Romance are free. Considering I paid one hundred odd

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<v Speaker 2>quid for the one charm now like this is now

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<v Speaker 2>like this is two Michamic Romance shows seventy pounds each.

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<v Speaker 2>The math checks out, like good, this is good use

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<v Speaker 2>of my money.

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<v Speaker 1>This is a very jammy week for you because I

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<v Speaker 1>just have to sit here and basically be jealous of

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<v Speaker 1>everything that you are discussing. Because Michemical Romance they did

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<v Speaker 1>play in Liverpool, but it ended up being you know,

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<v Speaker 1>quite expensive, and I went to see Sun the same

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<v Speaker 1>night that they played Metallica doing the you know two

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<v Speaker 1>you know, no repeats weekend thing in the UK that's

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<v Speaker 1>only happening in London. They have done one off, you know,

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<v Speaker 1>individual shows other places in the UK, but they didn't

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<v Speaker 1>play in like the Northwest where I am. It was

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<v Speaker 1>you up in Glasgow or going over to you know,

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<v Speaker 1>Ireland or whatever if I wanted to go that and

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<v Speaker 1>I am very genuinely gutted to be missing out on

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<v Speaker 1>that one, and then you turn up.

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<v Speaker 3>It's like, oh, I didn't even plan. To me, I

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<v Speaker 3>would say, don't be too jealous because you did get

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<v Speaker 3>spared watching Avatar. That's true.

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<v Speaker 1>Honestly, Me and you, I think possibly had the most

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<v Speaker 1>polar opposite gig weeks it's possible to have. Because my

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<v Speaker 1>one thing I did is I went to go see

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<v Speaker 1>a tiny raw black metal band called Natalitch who had

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<v Speaker 1>come over from Canada playing in you know dingy Grutthole Venues,

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<v Speaker 1>and they had like a bill of support bands going

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<v Speaker 1>out with them, one of whom was Final Dose, who

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<v Speaker 1>we spoke about. So you know, Sam's just throwing the

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<v Speaker 1>horn to me there while taking a drink. Very much true.

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<v Speaker 1>Fanal Doos spoke about a lot last year they rip,

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<v Speaker 1>so I went to get to see them, along with

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<v Speaker 1>this really fucking cool, nasty like candelarbras and keyboards, you know,

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<v Speaker 1>raw scummy black metal band Natalich, which was all very good.

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<v Speaker 1>But then there you are again on the opposite end

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<v Speaker 1>of the spectrum with stadium spectacle after stadium spectacles. So

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<v Speaker 1>we are going to talk about the little bit of

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<v Speaker 1>news we have and the releases at the end, but

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<v Speaker 1>I imagine many people out there either went to these shows

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<v Speaker 1>and want to relive them or are just curious about

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<v Speaker 1>both the you know, Metallica being no repeats type stadium

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<v Speaker 1>show's been going through the UK and my Chemical Romance

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<v Speaker 1>stadium show doing twenty years of the Black Parade. So

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<v Speaker 1>I guess the first thirty forty minutes whatever that being

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<v Speaker 1>of this show is going to be talking all about

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<v Speaker 1>those Metallica happened first. So let's get into that one.

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<v Speaker 1>Let me just clarify, you went to the obviously, as

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<v Speaker 1>I'm saying, there no repeats, weken two shows. You went

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<v Speaker 1>to the second night.

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<v Speaker 3>Second of the nights.

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<v Speaker 2>Yeah, so I had a friend who had the ticket,

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<v Speaker 2>had the two tickets and the repeats, because again I

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<v Speaker 2>couldn't afford to drop two hundred odd quid on like

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<v Speaker 2>two Metallic shows. As like, I think, like, given two shows,

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<v Speaker 2>the bill they were bringing along with them, I think

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<v Speaker 2>that is you know, fair money for Metallicy to be

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<v Speaker 2>charging for these shows. But I just couldn't at the time,

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<v Speaker 2>given the amount of other stuff I'd got going on

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<v Speaker 2>this summer, I was like, I can't afford it. And

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<v Speaker 2>then when on the day my friend who'd been to

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<v Speaker 2>the first show with Kajia and.

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<v Speaker 3>Not Loose, was like, I can't make it to the

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<v Speaker 3>one stage.

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<v Speaker 2>You want me to just give my ticket mask Log

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<v Speaker 2>and you can just take my ticket and I'll do

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<v Speaker 2>you like a matriate for it. I was like, sound, yeah,

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<v Speaker 2>I'll take that, because I've i haven't seen Metallic rin

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<v Speaker 2>over a decade. And there was you know the other

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<v Speaker 2>thing of the support bands for this one. I mean

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<v Speaker 2>I've mentioned Avatar who might just be the worst band

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<v Speaker 2>I've seen this year, just woeful, abysmal.

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<v Speaker 1>They get really shown up by every other band on

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<v Speaker 1>the poster right when you put the two.

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<v Speaker 2>Genuinely that they have like how they've wound up on

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<v Speaker 2>this I don't like. I didn't even know that they

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<v Speaker 2>were like that much for a draw like crazy, but

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<v Speaker 2>not for me and not for anyone if anyone has

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<v Speaker 2>taste really quite poor.

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<v Speaker 3>I left.

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<v Speaker 2>I left halfway through the set to just go and

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<v Speaker 2>mosey about the concourse, and I was like, this is

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<v Speaker 2>better than watching Avatar the other sport who I I

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<v Speaker 2>are a talking point on this one.

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<v Speaker 3>Pantera M so Panter.

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<v Speaker 2>I have long had conflicting feelings on this Pantera union,

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<v Speaker 2>like no denying it. Pantera are one of my favorite

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<v Speaker 2>metal bands ever. Those albums, those nineties Pantera albums, the

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<v Speaker 2>classics were so important in my music taste and getting

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<v Speaker 2>me into metal. I think they are some of the

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<v Speaker 2>greatest metal songs you're ever gonna hear, like just unbelievable,

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<v Speaker 2>and then like so seeing those songs live on papers

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<v Speaker 2>to me is like overlos that's gonna be great.

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<v Speaker 3>Obviously is well documented. We have discussed it. Many times

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<v Speaker 3>on this podcast.

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<v Speaker 2>There is a whole lot of baggage that comes with Pantera,

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<v Speaker 2>phil Aancelmo being the sort of the primary cause of it.

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<v Speaker 2>For me, I wouldn't buy a ticket to a Pantera show.

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<v Speaker 3>That's kind of why I think I would draw the line.

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<v Speaker 2>I don't think I would buy the tickets to see

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<v Speaker 2>this Pantera lineup. Again, you can discuss how Pantera is

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<v Speaker 2>as like that.

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<v Speaker 3>That's sort of a whole discussion.

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<v Speaker 2>I wouldn't feel necessarily right buying tickets Panthera show. But

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<v Speaker 2>if I'm going to see Metallica and Panterra put in

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<v Speaker 2>front of me, of course.

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<v Speaker 3>I'm gonna gonna watch it.

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<v Speaker 2>I'm gonna see what, like, what it's like seeing this

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<v Speaker 2>Pantera lineup per forming these songs. And here's the thing,

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<v Speaker 2>Like it was fucking brilliant. I I genuinely like, I was,

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<v Speaker 2>like I had to, I was. I'm shaking my head

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<v Speaker 2>disapproving me the entire time, so everyone knows I don't like,

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<v Speaker 2>I don't agree with this, but they were fucking unbelieva.

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<v Speaker 2>I'm gonna bring up the set list now quickly because

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<v Speaker 2>they had an hour and outside of not playing anything

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<v Speaker 2>off of greats of Trendkill, which is their best album,

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<v Speaker 2>Like it was unbelievable.

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<v Speaker 1>Yeah, and it's it's one of those things where with

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<v Speaker 1>with you know, supporting Metallica in a stadium. Obviously Pantera

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<v Speaker 1>themselves aren't a stadium level band, but to us, to

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<v Speaker 1>metal fans, right, this is almost like it's a generational like,

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<v Speaker 1>you know, one of the all time greats right there

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<v Speaker 1>with a set one of the few bands who have

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<v Speaker 1>a set list that if you gave them an hour

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<v Speaker 1>you could feasibly you know, level.

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<v Speaker 2>Absolutely this is like metallically, No metallic will kind of

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<v Speaker 2>like doing like this is you know the eighties metal

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<v Speaker 2>kind of like and pandera like yeah, and this is

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<v Speaker 2>that for the Natties, And they were like honestly, like

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<v Speaker 2>I know, I know some people seem to sort of

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<v Speaker 2>have some gripes about the sound and Panterra, where I

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<v Speaker 2>was no no.

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<v Speaker 3>Sound issues whatsoever for me.

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<v Speaker 2>But when they are coming out and they go straight

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<v Speaker 2>into a new level, I'm just like that fucking riff

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<v Speaker 2>is the hardest shit ever. And they finish new level

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<v Speaker 2>and they go mouthful war strength beyond strength, becoming I'm broken,

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<v Speaker 2>as like the first half of the set like tom

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<v Speaker 2>on if you like metal, those songs are unbelievable and

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<v Speaker 2>they sounded tight. Then you get like a Cemetery Gates

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<v Speaker 2>kind of interlude with the Abbott brothers on like on

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<v Speaker 2>the video screens, kind of like doing another tribute to them,

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<v Speaker 2>and then the back end of the set list right

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<v Speaker 2>five minutes alone, this love fucking hostile walk with them

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<v Speaker 2>their kind of a bit of their Fairies where Boots

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<v Speaker 2>cover tapped onto the end of it because it's one

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<v Speaker 2>year on from back to the beginning. And then they

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<v Speaker 2>don't play Domination, but they just play the breakdown from

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<v Speaker 2>Domination because yes, more bands, if you have a riff

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<v Speaker 2>that is that money, just play the money riff and

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<v Speaker 2>then go straight to hollow as like a mash up.

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<v Speaker 2>Fucking unreal because that beat that that Domination breakdown is

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<v Speaker 2>everything I love about hardcore in that in that one

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<v Speaker 2>breakdown it's unbelievable.

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<v Speaker 3>And then wrapping up with Cowboys from Hell as an hour.

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<v Speaker 3>If you remove all the baggage, you cannot that there's

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<v Speaker 3>feasibly very little that if you like metal, can be

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<v Speaker 3>better than that. It's so good.

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<v Speaker 2>I was my whole time I heard I was like

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<v Speaker 2>you gotta, you know, keep clarifying Filancelmo not a good person.

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<v Speaker 2>All that, Yes that I'm going to get more into

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<v Speaker 2>the grapes of the stage show. There was some panstration

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<v Speaker 2>that during Pantera where again during some because the mediator

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<v Speaker 2>is the big circle they've got at the moment, and

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<v Speaker 2>I was in standing and there was moments in the

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<v Speaker 2>Pantre Sai where they were like right near me. I

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<v Speaker 2>wasn't even that near the front of the thing, but

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<v Speaker 2>because the way the stage is up, you even with

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<v Speaker 2>a bit of a back during some point.

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<v Speaker 3>That you would have the most insane.

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<v Speaker 2>View of of a like Philancelmo or Zach Wild just

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<v Speaker 2>ripping out these these riffs and solos and like I

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<v Speaker 2>mansed to get them doing some more favorite songs.

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<v Speaker 3>It was fucking great.

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<v Speaker 2>And there are other moments of the set where you

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<v Speaker 2>kind of were just left watching the drama because the

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<v Speaker 2>rest of the band are over on the other side

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<v Speaker 2>of the stadium, and that that becomes more of an

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<v Speaker 2>issue during Metallica, for like an hour of Pantea where

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<v Speaker 2>they're constantly having to kind of like rotate to keep

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<v Speaker 2>the crowd engaged. It worked really well, but yeah, it

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<v Speaker 2>just was like such a reminder of how good Pantera

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<v Speaker 2>at their best these songs I don't neber go to

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<v Speaker 2>anyone who was turning their nosebent and sort of not

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<v Speaker 2>want to go of it because of as I said,

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<v Speaker 2>the baggage I mened several times, but for me, just

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<v Speaker 2>as a howl on warm up from Metallica, it's one

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<v Speaker 2>of the best port slots I've seen it, fucking it

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<v Speaker 2>at the end, like when they were doing again the

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<v Speaker 2>sort of extended sort of break down the outros. You know,

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<v Speaker 2>Mark came on last year and was singing the praise

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<v Speaker 2>of five Finger Death Punch supporting Metallica. I'm allowed to

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<v Speaker 2>have this with with Pantera, who I am a better

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<v Speaker 2>band than five Finger Death Punch.

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<v Speaker 3>Let me have this o oh yeah.

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<v Speaker 1>I mean the Pantera are in many ways the kind

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<v Speaker 1>of the you know, the forefather of the real one,

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<v Speaker 1>compared to the likes of fire Thinger Death punche Whether

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<v Speaker 1>this particular Panterra, you know, this incindation is the real one.

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<v Speaker 1>It's obviously another thing I'm similar to you in that

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<v Speaker 1>I like, you know, when Pantera they didn't play again

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<v Speaker 1>in the Northwest where I am, so I didn't have

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<v Speaker 1>that much to kind of you know, ethically think about.

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<v Speaker 1>But when they've come through and done a headline thing,

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<v Speaker 1>I didn't really entertain going. I don't know if I

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<v Speaker 1>would buy just a ticket to see Pantera right now.

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<v Speaker 1>But and we discussed that it doesn't really you know,

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<v Speaker 1>it's not quite the Pantera that we all know, and

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<v Speaker 1>the logistics and the ethics behind whether it you know,

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<v Speaker 1>even as feels like or it is kind of condoned

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<v Speaker 1>to be so to speak, you know that that Pantera

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<v Speaker 1>is a different thing. But if I was, you know,

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<v Speaker 1>again at a festival or in a support slots of

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<v Speaker 1>one ers where it is in front of me, I

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<v Speaker 1>I've only heard where the show itself is really strong

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<v Speaker 1>and great, and maybe that's a karaoke thing to some degree,

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<v Speaker 1>but I've only heard that it's great Metallica, seeing as

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<v Speaker 1>this is the whole appeal of a particular Ttalica show

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<v Speaker 1>unless you are just doing one day, which you know,

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<v Speaker 1>a Metallica shows Metallica show in it. But the whole

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<v Speaker 1>no repeat thing was the idea of them coming through. Yeah,

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<v Speaker 1>and basically you know, they take a you know, was

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<v Speaker 1>it like sixteen songs they're doing sixteen.

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<v Speaker 2>Sixteen each night Yeah, Yeah, thirty two Metallica songs you're

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<v Speaker 2>getting across the two nights, is that's a sweet deal.

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<v Speaker 3>Yeah.

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<v Speaker 1>And Metallica obviously a band where we've all got fucking

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<v Speaker 1>at least sixty songs that we want to see them doing.

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<v Speaker 1>And I've you know, I felt this from when I've

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<v Speaker 1>seen Metallica being like that was fantastic. God, I wish

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<v Speaker 1>that you'd played for four more hours to see all

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<v Speaker 1>of those other classics that we've all grown up, you know,

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<v Speaker 1>listening to, And that was part of why I really

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<v Speaker 1>wanted to see this particular, you know, hot whole thing.

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<v Speaker 1>Even between these two settlers I'm looking at, they don't

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<v Speaker 1>even cover all of those again songs And what you'd

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<v Speaker 1>imagine for any of the band in these sistence would

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<v Speaker 1>be like staple every night songs don't even make it

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<v Speaker 1>onto this, you know, thirty thirty two. I'm gonna read

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<v Speaker 1>out the set list from the first night just so

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<v Speaker 1>people know. These are the songs that they had already

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<v Speaker 1>covered by the time that they got to you, Creeping Death,

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<v Speaker 1>Harvester of Sorrow, Holier than Thou of Wolf, and mann

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<v Speaker 1>Luxe Turner. If Darkness had a son, Fader, Black cyanide

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<v Speaker 1>oryan nothing else matters, sad but true, hard Wired, Fuel,

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<v Speaker 1>Seek and Destroy, Master of Puppets. So the show that

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<v Speaker 1>you saw, every one of those songs that I just

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<v Speaker 1>read was like already deemed done, you know what I mean,

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<v Speaker 1>they could afford to leave those out.

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<v Speaker 3>I didn't get a single Marster Puppets song.

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<v Speaker 1>That's wild. I thought they would break those.

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<v Speaker 3>Out of lists.

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<v Speaker 2>But the first that was very much the Master of

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<v Speaker 2>Puppets night, and then my night was black Album, Ride

296
00:13:48.919 --> 00:13:51.000
<v Speaker 2>the Lightning and Justice for All kind of getting more

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<v Speaker 2>of the sort of I guess the shine, But yeah,

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<v Speaker 2>I didn't get a single Master Puppets song. That to me,

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<v Speaker 2>it's like even some of THEFF they didn't play, like

300
00:13:57.879 --> 00:14:00.720
<v Speaker 2>no Battery, that wasn't on there at all. Yeah, Dan,

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00:14:00.919 --> 00:14:04.759
<v Speaker 2>And that's of course two nights I didn't play battery Battery,

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00:14:05.919 --> 00:14:07.919
<v Speaker 2>Like this is what this Metallica, this is and and

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00:14:07.960 --> 00:14:11.960
<v Speaker 2>it is just the nature of Metallica, like having that

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00:14:12.120 --> 00:14:14.320
<v Speaker 2>many ten out of ten songs, like you know what

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00:14:14.360 --> 00:14:18.559
<v Speaker 2>you're gonna do aside from cutting Kirk and Rob fucking about.

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<v Speaker 1>Like, yeah, I've just realized we said the sixteen songs

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<v Speaker 1>thirty two songs. That's not really true because one of

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<v Speaker 1>those is the Doodle. So thirty songs again.

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00:14:28.080 --> 00:14:31.639
<v Speaker 3>Which I mean, okay, only thirty Metallica songs? How dare

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<v Speaker 3>they be?

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<v Speaker 1>Yeah? So of the of the fifteen that you saw,

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<v Speaker 1>I can see right here how this went. And it

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<v Speaker 1>opens up with Whiplash, which is a hell of a

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<v Speaker 1>way to go. So how how was the Metallica experiencing

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00:14:42.480 --> 00:14:45.399
<v Speaker 1>at least one half of the note repeats weekend.

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<v Speaker 2>Opening with Whiplash, For Whom the Bell Tolls and Ride

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<v Speaker 2>the Lightning.

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<v Speaker 3>I'm just like old school baby.

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<v Speaker 2>Three in the in the bit of stating where I

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00:14:55.919 --> 00:14:58.279
<v Speaker 2>stood so for this opening run where again Right the

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00:14:58.360 --> 00:15:00.919
<v Speaker 2>Lightning is my favorite Metallica album. Getting for Whom the

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00:15:00.960 --> 00:15:02.639
<v Speaker 2>Bell Toll was on the title track right when they're

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<v Speaker 2>right in front of me fucking eight, I was that

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<v Speaker 2>was great, and like Whiplash, was a really fun opener.

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<v Speaker 2>There's something about Metallica opening with a kill them All

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<v Speaker 2>song that kind of just makes me happy. The first

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<v Speaker 2>one I saw them, they opened to hit the Lights

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<v Speaker 2>and it's just such a it's such a feel good

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00:15:15.720 --> 00:15:16.840
<v Speaker 2>way to start metallic sex.

330
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<v Speaker 3>Obviously, Kill them All kind of rocks and rolics.

331
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<v Speaker 2>In a way that other Metallica albums don't always it's

332
00:15:23.320 --> 00:15:25.639
<v Speaker 2>a it's just always got that slightly more kind of

333
00:15:26.039 --> 00:15:27.120
<v Speaker 2>rock and roll kind of thing.

334
00:15:27.960 --> 00:15:30.240
<v Speaker 1>It's new way for British having met all played by

335
00:15:30.600 --> 00:15:33.679
<v Speaker 1>youthful maniacs playing it faster and harder than anyone before them.

336
00:15:33.759 --> 00:15:37.720
<v Speaker 1>It's just it's the most full of spark and you know,

337
00:15:37.799 --> 00:15:38.879
<v Speaker 1>fucking useful.

338
00:15:39.039 --> 00:15:41.120
<v Speaker 2>It crackles in a way that again they get him

339
00:15:41.120 --> 00:15:43.600
<v Speaker 2>Attacker doesn't. So when you're open with Whiplash and you're

340
00:15:43.600 --> 00:15:46.080
<v Speaker 2>getting there and again like Metallica, aren't you know, stringis

341
00:15:46.080 --> 00:15:48.360
<v Speaker 2>and more, but they still come out and attack Whiplash

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<v Speaker 2>as an opener, which figure I have to say, Like

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<v Speaker 2>I've heard he had mixed things about James as a

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<v Speaker 2>vocalist in recent times, he was on really good form.

345
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<v Speaker 2>I don't know if it's just been on this tour,

346
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<v Speaker 2>if he's just kind of like found his voice a

347
00:15:58.799 --> 00:15:59.320
<v Speaker 2>bit more again.

348
00:15:59.559 --> 00:16:02.480
<v Speaker 3>But like it's not obviously I'm not pulling the whole

349
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<v Speaker 3>He's never sound a better thing.

350
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<v Speaker 2>But from what you're going to hear about, like oh,

351
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<v Speaker 2>Hetfield canna be a bit ropy these days, I think

352
00:16:08.200 --> 00:16:09.919
<v Speaker 2>he was on really good form of for the rest

353
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<v Speaker 2>of the band, like Lars was mostly in time, like

354
00:16:13.600 --> 00:16:17.120
<v Speaker 2>I would say, like Lars was pretty solid, and Metallica

355
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<v Speaker 2>the one thing I will say is that always the

356
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<v Speaker 2>loudest band you're ever gonna see live. I don't know

357
00:16:21.519 --> 00:16:24.080
<v Speaker 2>what it is, but when Metallica come out, everything is

358
00:16:24.159 --> 00:16:26.960
<v Speaker 2>just cranked up to the max, but it's all crystal clear,

359
00:16:27.039 --> 00:16:28.919
<v Speaker 2>like when I see some bands and everything's like like

360
00:16:29.240 --> 00:16:30.879
<v Speaker 2>turned uptid as it can and it is just some

361
00:16:30.960 --> 00:16:33.720
<v Speaker 2>kind of like overwhelming mess of sound and you know,

362
00:16:33.960 --> 00:16:37.000
<v Speaker 2>pip things out. Metallica makes to sound louder than everyone else,

363
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<v Speaker 2>but also sound clear and like you know what you're

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<v Speaker 2>listening to. And I mean that is one of the

365
00:16:42.840 --> 00:16:45.519
<v Speaker 2>real sweet things about the Metallica's live show. Obviously, the

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<v Speaker 2>actual live show pretty bare bones, and this one I'm

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<v Speaker 2>gonna get onto my one big.

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<v Speaker 3>Criticism of the night, which is the staging.

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<v Speaker 2>Like I think this Metallic stage show, if you're in

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<v Speaker 2>the snake pit, it must be amazing. If you're stood

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<v Speaker 2>in the middle of this big circle and Metallica are

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<v Speaker 2>playing all around you and you can kind of turn

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00:17:02.440 --> 00:17:05.960
<v Speaker 2>around and just sort of follow Metallica around, that's really cool.

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00:17:06.160 --> 00:17:08.480
<v Speaker 2>I think if you were seated the stage again probably

375
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<v Speaker 2>was less of an issue because you've got a white

376
00:17:10.799 --> 00:17:12.680
<v Speaker 2>sort of a further back view you can kind of see

377
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<v Speaker 2>everything for standing, as I said, there will be some

378
00:17:17.000 --> 00:17:19.240
<v Speaker 2>bits where like because also I don't know if this

379
00:17:19.279 --> 00:17:20.880
<v Speaker 2>was something need this night or the other night where

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00:17:21.039 --> 00:17:22.400
<v Speaker 2>it actually felt like for a lot of shit, the

381
00:17:22.400 --> 00:17:25.279
<v Speaker 2>band were quite kind of playing close together rather than

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00:17:25.359 --> 00:17:28.279
<v Speaker 2>kind of taking a like quadrant of the stage each

383
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<v Speaker 2>so there was no more of them kind of playing

384
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<v Speaker 2>in blocks, and it was just kind of weird. Then

385
00:17:32.359 --> 00:17:34.920
<v Speaker 2>because of this opening thing, they moved round to the

386
00:17:34.920 --> 00:17:36.960
<v Speaker 2>next part of the circle and I was kind of

387
00:17:36.960 --> 00:17:39.960
<v Speaker 2>having to like squint to see that the head of

388
00:17:40.279 --> 00:17:43.160
<v Speaker 2>like James just popping up over like I could see

389
00:17:43.160 --> 00:17:45.200
<v Speaker 2>when they finished, there was a big onesie that would

390
00:17:45.200 --> 00:17:47.480
<v Speaker 2>g and walk around the stadium with them, and I'm like,

391
00:17:47.720 --> 00:17:49.960
<v Speaker 2>you shouldn't have to, you know, walk around the stadium

392
00:17:50.000 --> 00:17:52.680
<v Speaker 2>to follow the live show as it's going on.

393
00:17:53.079 --> 00:17:54.039
<v Speaker 3>It's my one gripe.

394
00:17:54.079 --> 00:17:56.880
<v Speaker 2>And again I get it because it is like it's

395
00:17:56.880 --> 00:17:58.680
<v Speaker 2>for the lucky few who are in that snakepit that

396
00:17:59.160 --> 00:18:02.559
<v Speaker 2>they are clearly building, and those people have probably paid. However,

397
00:18:02.640 --> 00:18:04.920
<v Speaker 2>much like to get those tickets, and fine, they if

398
00:18:04.960 --> 00:18:06.359
<v Speaker 2>they pay that much to get the best view. But

399
00:18:06.359 --> 00:18:09.119
<v Speaker 2>it was just a minor frustration where there were some

400
00:18:09.160 --> 00:18:11.680
<v Speaker 2>parts of set where I could hear Metallica, but the

401
00:18:11.720 --> 00:18:13.319
<v Speaker 2>only way I could see Metallica was by looking up

402
00:18:13.359 --> 00:18:16.359
<v Speaker 2>at the big screens on the towers around like the stage,

403
00:18:16.519 --> 00:18:19.119
<v Speaker 2>and that to me was just a little bit frustrating.

404
00:18:19.279 --> 00:18:21.680
<v Speaker 2>It's my one My one critiz is about this whole

405
00:18:21.720 --> 00:18:24.680
<v Speaker 2>set is just the staging where I was in the

406
00:18:24.720 --> 00:18:27.559
<v Speaker 2>general in the sort of the general access standing, not

407
00:18:27.720 --> 00:18:28.319
<v Speaker 2>the greatest.

408
00:18:28.440 --> 00:18:30.960
<v Speaker 1>I've never actually thought it looks cool, is the thing,

409
00:18:31.000 --> 00:18:34.440
<v Speaker 1>because I agree that you know, I I've seen Metallica

410
00:18:34.880 --> 00:18:37.039
<v Speaker 1>in this kind of in the round setup, but from

411
00:18:37.079 --> 00:18:38.680
<v Speaker 1>the seats where I could look down and look at

412
00:18:38.720 --> 00:18:40.519
<v Speaker 1>you know, I could see all of them mentality, But

413
00:18:40.720 --> 00:18:43.039
<v Speaker 1>I've never thought if you see photos or videos and everything,

414
00:18:43.279 --> 00:18:46.960
<v Speaker 1>I don't think it actually Again, you are right in

415
00:18:47.000 --> 00:18:48.880
<v Speaker 1>terms of if you're in the snake pit, then that's

416
00:18:48.920 --> 00:18:51.440
<v Speaker 1>the primo experience. I think there is a degree of

417
00:18:51.480 --> 00:18:53.519
<v Speaker 1>you know, obviously, when they it's they're one thing to

418
00:18:53.519 --> 00:18:56.039
<v Speaker 1>get considering they are, you know, the biggest metal band

419
00:18:56.039 --> 00:18:59.039
<v Speaker 1>ever stadium band wherever, they go. It does allow them

420
00:18:59.079 --> 00:19:02.599
<v Speaker 1>to get kind of up to every seat like that.

421
00:19:02.799 --> 00:19:05.039
<v Speaker 1>That's one cynical way, But I was going to say

422
00:19:05.039 --> 00:19:06.799
<v Speaker 1>it allows them to get up close and personal with

423
00:19:06.839 --> 00:19:08.880
<v Speaker 1>the fans in a way that the ninety nin percent

424
00:19:08.960 --> 00:19:10.839
<v Speaker 1>stadium fans weren't because even you know, yeah, there are

425
00:19:10.880 --> 00:19:13.200
<v Speaker 1>bits where they wander away, but those bits where James

426
00:19:13.200 --> 00:19:15.559
<v Speaker 1>Hetfield or you know, Kirk or whoever is right in

427
00:19:15.559 --> 00:19:16.839
<v Speaker 1>front of you, that is.

428
00:19:16.920 --> 00:19:19.799
<v Speaker 3>Yeah, you really cool, really cool.

429
00:19:19.559 --> 00:19:23.359
<v Speaker 1>Unbelievably close to you know, a fucking larger than life

430
00:19:23.599 --> 00:19:26.799
<v Speaker 1>icon compared to again any number of stadium shows out there.

431
00:19:26.839 --> 00:19:28.759
<v Speaker 1>So and from a musician's point of view, you know,

432
00:19:28.799 --> 00:19:30.279
<v Speaker 1>being able to play these shows where you can still

433
00:19:30.319 --> 00:19:32.119
<v Speaker 1>get up right in the faces of the fans, I

434
00:19:32.119 --> 00:19:34.880
<v Speaker 1>can understand the appeal there. But because it spreads them

435
00:19:34.880 --> 00:19:36.759
<v Speaker 1>out when you see photos and stuff or even just

436
00:19:36.759 --> 00:19:39.559
<v Speaker 1>you know, watching watching them right there, there's a certain

437
00:19:39.640 --> 00:19:42.720
<v Speaker 1>level of like each individual musician when they spread out,

438
00:19:42.839 --> 00:19:46.839
<v Speaker 1>looks so like isolated, like and like on their own,

439
00:19:47.119 --> 00:19:48.799
<v Speaker 1>Like Lars is just a drum kit sort of in

440
00:19:48.839 --> 00:19:51.279
<v Speaker 1>a middle of an empty space, rob Will where you

441
00:19:51.400 --> 00:19:53.000
<v Speaker 1>kind of you are wandering around somewhere, and even though

442
00:19:53.000 --> 00:19:56.759
<v Speaker 1>they are obviously they're playing together. There's something about the

443
00:19:56.759 --> 00:19:59.759
<v Speaker 1>the togetherness and like the physical you know, sense of

444
00:19:59.759 --> 00:20:02.519
<v Speaker 1>like what watching a band really crunching together and play

445
00:20:02.759 --> 00:20:06.519
<v Speaker 1>when they are standing fucking thirty meters apart from one

446
00:20:06.519 --> 00:20:08.839
<v Speaker 1>another and each individual one is just like in their

447
00:20:08.839 --> 00:20:11.920
<v Speaker 1>own pocket. And because again there's not like a huge

448
00:20:11.920 --> 00:20:13.960
<v Speaker 1>stage show behind them or something, because they are right

449
00:20:14.039 --> 00:20:18.119
<v Speaker 1>right in the middle. I think it does subtract from

450
00:20:18.160 --> 00:20:21.720
<v Speaker 1>just like the visual you know, the show and the

451
00:20:21.759 --> 00:20:27.400
<v Speaker 1>spectacle and the wow factor, cool fucking image factor. I

452
00:20:27.440 --> 00:20:30.559
<v Speaker 1>think again, the trade off is getting some parts of

453
00:20:30.599 --> 00:20:32.920
<v Speaker 1>the show where James Depfield is right fucking up in

454
00:20:32.960 --> 00:20:35.279
<v Speaker 1>your grill right, which you don't get at most stadium shows.

455
00:20:35.279 --> 00:20:37.359
<v Speaker 1>So I can understand that they're thinking. But from a

456
00:20:37.440 --> 00:20:40.559
<v Speaker 1>visual spectacle, I've never thought you never see a Metallica

457
00:20:40.640 --> 00:20:44.160
<v Speaker 1>stage and go wow, that looks fucking amazing in the

458
00:20:44.160 --> 00:20:47.000
<v Speaker 1>way that you do quite a number of other big

459
00:20:47.039 --> 00:20:47.960
<v Speaker 1>metal bands or if.

460
00:20:47.799 --> 00:20:50.480
<v Speaker 3>We're about to get onto after sure.

461
00:20:50.400 --> 00:20:52.319
<v Speaker 1>Yeah, but even when you think about bands who are

462
00:20:52.319 --> 00:20:54.519
<v Speaker 1>playing smaller venues like bands of like Iron Maiden or whatever,

463
00:20:54.559 --> 00:20:56.400
<v Speaker 1>they can put on big like you just look at

464
00:20:56.400 --> 00:20:59.640
<v Speaker 1>the stage and go that's a fucking amazing image.

465
00:21:00.319 --> 00:21:01.799
<v Speaker 3>Well did you see I mean last year was it

466
00:21:01.839 --> 00:21:02.599
<v Speaker 3>the west Ham? Yeah?

467
00:21:02.759 --> 00:21:04.559
<v Speaker 1>I did see them at the London Stadium. Yeah.

468
00:21:04.640 --> 00:21:06.440
<v Speaker 2>So yeah, so you've seen them kind of put on

469
00:21:06.559 --> 00:21:09.519
<v Speaker 2>their Iron Maiden spectacle in.

470
00:21:09.519 --> 00:21:12.079
<v Speaker 1>That it's just not as cool watching fucking Kirk Hammett

471
00:21:12.119 --> 00:21:14.559
<v Speaker 1>wander around on his own thirty meters away from every

472
00:21:14.599 --> 00:21:16.000
<v Speaker 1>other member of the band is just what I'm saying.

473
00:21:16.960 --> 00:21:18.359
<v Speaker 2>So this is what I was saying, like, because I

474
00:21:18.359 --> 00:21:21.640
<v Speaker 2>actually felt like they did play more together on this night.

475
00:21:21.680 --> 00:21:24.119
<v Speaker 2>They were and of wandering a part which went in

476
00:21:24.119 --> 00:21:25.759
<v Speaker 2>a way it was like, cool, they're actually kind of

477
00:21:25.799 --> 00:21:28.000
<v Speaker 2>like jamming as a band and kind of playing off

478
00:21:28.000 --> 00:21:31.119
<v Speaker 2>each other. But also just meant that because they were

479
00:21:31.160 --> 00:21:33.160
<v Speaker 2>doing that, there were longer porters. Well I didn't even

480
00:21:33.200 --> 00:21:35.720
<v Speaker 2>get you know, Kirk or Rob wander over to where

481
00:21:35.720 --> 00:21:39.319
<v Speaker 2>I was. And I agree, like the bit you get

482
00:21:39.359 --> 00:21:41.640
<v Speaker 2>amazing moments in there, but it does just kind of

483
00:21:41.720 --> 00:21:45.480
<v Speaker 2>as a whole experience to tract. As for the rest

484
00:21:45.519 --> 00:21:48.319
<v Speaker 2>of said you know, seventy two Seasons and Screaming Suicide.

485
00:21:48.519 --> 00:21:50.400
<v Speaker 2>I'll take those two off that album. You know, Luck

486
00:21:50.440 --> 00:21:51.920
<v Speaker 2>of Tournament is kind of like the one you want,

487
00:21:52.039 --> 00:21:55.880
<v Speaker 2>but those are two of like the decent tracks off

488
00:21:55.920 --> 00:21:58.799
<v Speaker 2>of like the latest album, the Kirk and Rob Doodle.

489
00:21:58.839 --> 00:22:02.119
<v Speaker 2>As I've mentioned, binning off Like, like I've always said,

490
00:22:02.119 --> 00:22:05.960
<v Speaker 2>in long sets, I appreciate a bit of pissing about,

491
00:22:06.240 --> 00:22:08.160
<v Speaker 2>But I don't even Metallica actually play for long enough

492
00:22:08.200 --> 00:22:09.960
<v Speaker 2>to justify the pissing about. Maybe it's just like that

493
00:22:10.720 --> 00:22:13.519
<v Speaker 2>James and Last need that needed a break, They need

494
00:22:13.559 --> 00:22:15.720
<v Speaker 2>to sort of take a moment, and Kirk and Rob

495
00:22:15.759 --> 00:22:18.799
<v Speaker 2>covering Sabbath and the Sex Pistols badly is just a

496
00:22:18.880 --> 00:22:21.160
<v Speaker 2>chance for them to sort of like reset.

497
00:22:21.240 --> 00:22:22.160
<v Speaker 3>Maybe, but that was.

498
00:22:22.119 --> 00:22:25.400
<v Speaker 2>You know, a bit of a momentum killer. But then

499
00:22:25.440 --> 00:22:28.200
<v Speaker 2>you know, the Day that Never Comes. Like I'm not

500
00:22:28.240 --> 00:22:30.559
<v Speaker 2>a big Death Magnetic fan, I think that song's cool.

501
00:22:30.599 --> 00:22:32.119
<v Speaker 2>It was really cool to hear that lie.

502
00:22:32.319 --> 00:22:34.759
<v Speaker 1>That's one of the I do have a big soft

503
00:22:34.759 --> 00:22:38.480
<v Speaker 1>spot for Death Magnetic production. Aside, Yeah, they Know It Comes,

504
00:22:38.519 --> 00:22:38.880
<v Speaker 1>I think.

505
00:22:38.759 --> 00:22:41.920
<v Speaker 2>Is three songs off that album that you'd say are

506
00:22:42.279 --> 00:22:42.799
<v Speaker 2>like legit.

507
00:22:43.039 --> 00:22:45.319
<v Speaker 1>I would go to say at least half of that

508
00:22:45.359 --> 00:22:47.440
<v Speaker 1>record is brilliant, but I would certainly say that The

509
00:22:47.519 --> 00:22:50.039
<v Speaker 1>Day Never Comes is in. It's been proven by time, right,

510
00:22:50.039 --> 00:22:52.279
<v Speaker 1>the fact they're still here it's in the when you

511
00:22:52.319 --> 00:22:54.279
<v Speaker 1>think about the twenty first century songs and the Moth

512
00:22:54.279 --> 00:22:56.400
<v Speaker 1>into Flames and stuff that are like the genuine classics

513
00:22:56.480 --> 00:22:59.279
<v Speaker 1>Day never Comes, I think undeniably one of those.

514
00:23:00.039 --> 00:23:02.839
<v Speaker 2>It's with something like Cyanide off that album, where like

515
00:23:02.880 --> 00:23:04.359
<v Speaker 2>there are just a couple of tracks off that on

516
00:23:04.440 --> 00:23:08.079
<v Speaker 2>that that do earn their place and like and in

517
00:23:08.160 --> 00:23:10.359
<v Speaker 2>a stadium it sounded huge because it is kind of

518
00:23:10.400 --> 00:23:14.200
<v Speaker 2>a real kind of like sweeping, stirring like track that

519
00:23:14.279 --> 00:23:15.480
<v Speaker 2>builds cool.

520
00:23:15.519 --> 00:23:17.559
<v Speaker 3>Of Ctulhu as instrumental, that was.

521
00:23:17.480 --> 00:23:19.599
<v Speaker 2>That was cool again, Like I like right the way

522
00:23:19.640 --> 00:23:23.160
<v Speaker 2>that that was coo instrumental. Unforgiven Whiskey in the Jar cover,

523
00:23:23.200 --> 00:23:25.680
<v Speaker 2>which I've never been like the biggest fan of that cover,

524
00:23:25.880 --> 00:23:28.400
<v Speaker 2>but you know, that was a really fun sick It's

525
00:23:28.400 --> 00:23:30.440
<v Speaker 2>a really fun sing along. It's it's not my favorite

526
00:23:30.440 --> 00:23:33.359
<v Speaker 2>Metallica cover as all like, but as a sort of

527
00:23:33.359 --> 00:23:35.039
<v Speaker 2>a fun sing along towards the end of the set,

528
00:23:35.319 --> 00:23:38.880
<v Speaker 2>right Blackened, which to me, that should be like a

529
00:23:38.920 --> 00:23:41.839
<v Speaker 2>song that Metallica never ever don't play like surely black

530
00:23:41.839 --> 00:23:42.759
<v Speaker 2>and should be infestimating.

531
00:23:43.960 --> 00:23:45.920
<v Speaker 1>You just said that they across the two unites, they

532
00:23:45.920 --> 00:23:49.559
<v Speaker 1>didn't play Battery right and they and they've not got

533
00:23:49.599 --> 00:23:51.559
<v Speaker 1>fight fire with fire in here either, so that like

534
00:23:51.880 --> 00:23:55.519
<v Speaker 1>you know, track one Metallica, crazy ripper. They just have

535
00:23:55.839 --> 00:23:58.200
<v Speaker 1>such a number of them to choose from them, so many,

536
00:23:58.279 --> 00:24:01.240
<v Speaker 1>they have so many, Yeah, cycle and that was but.

537
00:24:01.240 --> 00:24:03.079
<v Speaker 3>Yeah, Blackhoo looks fucking amazing.

538
00:24:03.680 --> 00:24:05.960
<v Speaker 2>Mof into Flame, which again like that is obviously that's

539
00:24:06.000 --> 00:24:08.200
<v Speaker 2>the one off of hard Whire that has long kind

540
00:24:08.200 --> 00:24:12.359
<v Speaker 2>of like cemented itself as the real big one. And

541
00:24:12.359 --> 00:24:14.039
<v Speaker 2>that was where they actually towards the end of the

542
00:24:14.079 --> 00:24:16.200
<v Speaker 2>set cranked up the stage show because off in the

543
00:24:16.240 --> 00:24:19.119
<v Speaker 2>Flame fire like they had a load of fire shooing

544
00:24:19.119 --> 00:24:19.640
<v Speaker 2>out of stage.

545
00:24:19.680 --> 00:24:20.240
<v Speaker 3>That was cool.

546
00:24:20.920 --> 00:24:24.759
<v Speaker 2>One again more fire kind of explosions all that, like

547
00:24:24.839 --> 00:24:27.000
<v Speaker 2>it's one. It's like the best thing ever. I did

548
00:24:27.000 --> 00:24:29.119
<v Speaker 2>admittedly cut out when Salmon started.

549
00:24:29.200 --> 00:24:31.680
<v Speaker 3>I was like I love Metallica and then like they

550
00:24:31.720 --> 00:24:33.039
<v Speaker 3>got the big balls out and that was fun.

551
00:24:33.079 --> 00:24:35.319
<v Speaker 2>But I was like, I want to beat the crowd

552
00:24:35.359 --> 00:24:37.799
<v Speaker 2>and get on the train home because I've suffered getting

553
00:24:37.799 --> 00:24:40.759
<v Speaker 2>away from football games at that stadium many a time.

554
00:24:41.440 --> 00:24:42.960
<v Speaker 2>I was I was like I'm getting out ahead of

555
00:24:43.000 --> 00:24:47.279
<v Speaker 2>the crowd. I'm like Metallica even great, and Salmon obviously

556
00:24:47.400 --> 00:24:49.559
<v Speaker 2>like you know, one of the biggest tunes ever. I

557
00:24:50.000 --> 00:24:52.359
<v Speaker 2>don't need to see this, so I did make a

558
00:24:52.400 --> 00:24:54.599
<v Speaker 2>hasty retreat, but it was as a kind of like

559
00:24:54.640 --> 00:24:56.480
<v Speaker 2>someone who hasn't say it again, has seen Metallic for

560
00:24:56.480 --> 00:25:01.160
<v Speaker 2>a decade. Quibbles with the stage aside, really cool set

561
00:25:01.160 --> 00:25:03.960
<v Speaker 2>list again, like playing or Ride the Lightning, which well

562
00:25:04.119 --> 00:25:06.359
<v Speaker 2>for me big fan of like the title track. When

563
00:25:06.359 --> 00:25:09.559
<v Speaker 2>that billy kicked in third, I was like, let's fucking go.

564
00:25:09.960 --> 00:25:12.960
<v Speaker 2>They did sound like as good as I think Metallic

565
00:25:13.000 --> 00:25:17.599
<v Speaker 2>at this stage in their career possibly could sound doodle. Aside,

566
00:25:17.839 --> 00:25:19.880
<v Speaker 2>they seem to be enjoying during this sort of like

567
00:25:19.960 --> 00:25:22.880
<v Speaker 2>stage where they're playing again like these songs, these two

568
00:25:22.960 --> 00:25:25.359
<v Speaker 2>nights like getting to sort of really kind of explore

569
00:25:25.400 --> 00:25:29.400
<v Speaker 2>their catalog, and it was just you know, the Metallica show,

570
00:25:29.400 --> 00:25:31.000
<v Speaker 2>they're gonna come into it, and like, yeah, I don't

571
00:25:31.000 --> 00:25:32.680
<v Speaker 2>think you're ever going to really get a bad Metallica

572
00:25:32.720 --> 00:25:35.039
<v Speaker 2>show because it's just look at the set list they're

573
00:25:35.039 --> 00:25:37.119
<v Speaker 2>gonna play, look at those songs. But this was a

574
00:25:37.240 --> 00:25:40.160
<v Speaker 2>nice kind of like unexpected treat And I think if

575
00:25:40.160 --> 00:25:42.119
<v Speaker 2>you've got you know, if you went to both nights,

576
00:25:42.519 --> 00:25:45.200
<v Speaker 2>you probably were just like absolutely giddy. With the amount

577
00:25:45.200 --> 00:25:48.119
<v Speaker 2>of Metallica good shit you got across those two nights.

578
00:25:48.359 --> 00:25:49.920
<v Speaker 3>It was a real cool, real cool show.

579
00:25:50.039 --> 00:25:52.799
<v Speaker 1>Yeah. I'm really disappointed that, you know, through not going

580
00:25:52.839 --> 00:25:54.519
<v Speaker 1>to download a couple of years ago as well, and

581
00:25:54.519 --> 00:25:56.799
<v Speaker 1>then just them not deciding to play in you know,

582
00:25:56.839 --> 00:25:59.279
<v Speaker 1>the cities in my vicinity, that I didn't manage to

583
00:25:59.279 --> 00:26:01.200
<v Speaker 1>get to see any of this, because it's been fucking

584
00:26:01.240 --> 00:26:03.319
<v Speaker 1>ages since I've see Batallica as well, and I've wanted to,

585
00:26:03.519 --> 00:26:05.359
<v Speaker 1>you know again, come and be part of this party

586
00:26:06.000 --> 00:26:09.000
<v Speaker 1>for a while. You do wonder seeing as as we said,

587
00:26:09.000 --> 00:26:11.279
<v Speaker 1>you know, we've they've already done download here doing this

588
00:26:11.319 --> 00:26:14.799
<v Speaker 1>particular type you know, two nights setup. They've taken this

589
00:26:15.160 --> 00:26:18.480
<v Speaker 1>no repeats weekend like all around the world at this stage.

590
00:26:18.480 --> 00:26:20.440
<v Speaker 1>I can't imagine there are too many territories left that

591
00:26:20.440 --> 00:26:22.480
<v Speaker 1>they haven't done. They've come back to the UK and

592
00:26:22.519 --> 00:26:24.440
<v Speaker 1>done it. It's been like at least sort of you know,

593
00:26:24.599 --> 00:26:29.720
<v Speaker 1>three ish years, right that they've been doing this two yeah, yeah,

594
00:26:30.039 --> 00:26:32.079
<v Speaker 1>So you wonder how long this will be going on

595
00:26:32.279 --> 00:26:34.680
<v Speaker 1>and once that does, you know, come to a close,

596
00:26:34.759 --> 00:26:37.640
<v Speaker 1>what wolstly will be the next thing in store for

597
00:26:37.640 --> 00:26:39.720
<v Speaker 1>them Atallica. But I guess we might not have to

598
00:26:39.720 --> 00:26:43.039
<v Speaker 1>wait incredibly long fingers crossed to see what that might

599
00:26:43.079 --> 00:26:44.839
<v Speaker 1>end up being. But that wasn't the end of the

600
00:26:45.200 --> 00:26:49.519
<v Speaker 1>big extravaganzas for you, because, as as said, My Chemical Romance,

601
00:26:49.920 --> 00:26:52.400
<v Speaker 1>twenty years of the Black Parade tour they've been doing.

602
00:26:52.440 --> 00:26:54.480
<v Speaker 1>My couple Romans have come around quite a few times. Again,

603
00:26:54.480 --> 00:26:56.920
<v Speaker 1>I've still not seen them, you know, since they've been

604
00:26:56.960 --> 00:26:58.519
<v Speaker 1>coming back and everything, but they've done a few different

605
00:26:58.519 --> 00:27:02.599
<v Speaker 1>sort of types of tour. But this one seems to

606
00:27:02.720 --> 00:27:04.839
<v Speaker 1>be if when they first came back and I know

607
00:27:04.839 --> 00:27:06.640
<v Speaker 1>they played that Milton Keen show and all that, that

608
00:27:06.759 --> 00:27:10.480
<v Speaker 1>was just like look mcra back right and almost I

609
00:27:10.519 --> 00:27:12.599
<v Speaker 1>know that he would change outfits for occasionally on the show,

610
00:27:12.640 --> 00:27:16.039
<v Speaker 1>but like almost like weirdly casual looking Michael kroumant at times.

611
00:27:16.519 --> 00:27:21.680
<v Speaker 1>This twenty years celebration of their most like Pompus theatrical album,

612
00:27:22.359 --> 00:27:27.000
<v Speaker 1>this seems to be like the genuine, what the fuck

613
00:27:27.920 --> 00:27:31.440
<v Speaker 1>actual like piece of theater Michemical Romance show.

614
00:27:32.599 --> 00:27:32.839
<v Speaker 3>Yeah.

615
00:27:32.920 --> 00:27:35.279
<v Speaker 2>So the thing is, when Michael Romance came back, this

616
00:27:35.359 --> 00:27:37.200
<v Speaker 2>was like the last thing I wanted them to do.

617
00:27:37.759 --> 00:27:40.400
<v Speaker 2>I didn't want Michael Rommins to squeeze back into the

618
00:27:40.400 --> 00:27:44.920
<v Speaker 2>Black Parade jackets and like pedal nostalgia. To me, initially

619
00:27:45.119 --> 00:27:46.839
<v Speaker 2>my hopes of kind of like Michael Romins as a

620
00:27:46.839 --> 00:27:49.440
<v Speaker 2>credit force. After Foundations of the K was amazing and

621
00:27:49.599 --> 00:27:50.920
<v Speaker 2>those Milky shows were great, I was.

622
00:27:50.880 --> 00:27:52.920
<v Speaker 3>Like, yeah, this is you know, we're probably a Micham

623
00:27:52.960 --> 00:27:53.519
<v Speaker 3>CRMs back then.

624
00:27:53.519 --> 00:27:55.160
<v Speaker 2>We've had fuck all since then, so I've kind of

625
00:27:55.200 --> 00:27:58.000
<v Speaker 2>just accepted maybe Michael mcrummins are just kind of like

626
00:27:58.480 --> 00:28:02.519
<v Speaker 2>a legacy act now fine, like it fine, but so.

627
00:28:02.440 --> 00:28:04.039
<v Speaker 3>Here's thing like they're doing.

628
00:28:04.079 --> 00:28:06.279
<v Speaker 2>You know this, this this long lived the Black Parade

629
00:28:06.400 --> 00:28:08.960
<v Speaker 2>tour has been going like fruit's gone for all for America.

630
00:28:09.000 --> 00:28:10.640
<v Speaker 3>It's been going on for about two years now.

631
00:28:10.680 --> 00:28:12.799
<v Speaker 2>That like and and when it kind of came up

632
00:28:12.799 --> 00:28:15.960
<v Speaker 2>that they'd come up with an entirely new conceptual narrative

633
00:28:16.000 --> 00:28:18.880
<v Speaker 2>for The Black Parade, which was already a concept album

634
00:28:18.880 --> 00:28:21.240
<v Speaker 2>and they have completely reworked the narrative and come up

635
00:28:21.279 --> 00:28:24.480
<v Speaker 2>with something totally new for I was like, Okay, maybe

636
00:28:24.480 --> 00:28:27.519
<v Speaker 2>this isn't just getting back on getting the jacket back

637
00:28:27.559 --> 00:28:30.400
<v Speaker 2>on and selling nostalgia. To me, I was really intrigued

638
00:28:30.400 --> 00:28:31.839
<v Speaker 2>at that, which is why when it got announced going

639
00:28:31.880 --> 00:28:32.039
<v Speaker 2>to you.

640
00:28:32.160 --> 00:28:34.039
<v Speaker 3>I was like, I want to be at these shows.

641
00:28:34.039 --> 00:28:34.400
<v Speaker 3>I want to.

642
00:28:34.400 --> 00:28:40.720
<v Speaker 2>See what this new, reimagined welcome, this renew reimagined Black

643
00:28:40.759 --> 00:28:45.200
<v Speaker 2>Parade actually is. And it turns out everything that me

644
00:28:45.519 --> 00:28:47.599
<v Speaker 2>getting into Michael Grummit when I was like sixteen seventeen

645
00:28:47.640 --> 00:28:50.160
<v Speaker 2>years old as a fearter kid who was also into

646
00:28:50.960 --> 00:28:53.200
<v Speaker 2>metal and punk and email and all that sort of thing.

647
00:28:53.960 --> 00:28:56.319
<v Speaker 2>This is everying I had envisioned that I'd ever wanted

648
00:28:56.319 --> 00:28:58.400
<v Speaker 2>a live show to be, which is an eighty minute,

649
00:28:58.480 --> 00:29:04.480
<v Speaker 2>full on eighty minute theatrical musical theater slash live rock

650
00:29:04.559 --> 00:29:07.839
<v Speaker 2>gig hybrid, like say, taking a fifty two minute album

651
00:29:07.839 --> 00:29:11.119
<v Speaker 2>and turning into a narrative, kind of driven, like eighty

652
00:29:11.160 --> 00:29:16.480
<v Speaker 2>minute performance piece. So good and and like I'll obviously

653
00:29:16.519 --> 00:29:18.799
<v Speaker 2>go into it. I will say Skunkin' and Sy supporting

654
00:29:19.039 --> 00:29:20.960
<v Speaker 2>was very cool to actually finally see Skunking Antsy. They're

655
00:29:20.960 --> 00:29:22.799
<v Speaker 2>one of those bands that was kind of respected more

656
00:29:22.839 --> 00:29:24.799
<v Speaker 2>than been the biggest fan of, but they're like they

657
00:29:24.799 --> 00:29:28.039
<v Speaker 2>were like an interesting call that that's a that's a

658
00:29:28.119 --> 00:29:30.599
<v Speaker 2>nice support thing to try to bring out clearly kind

659
00:29:30.599 --> 00:29:32.880
<v Speaker 2>of bring up bands that they just like and want to,

660
00:29:32.920 --> 00:29:35.359
<v Speaker 2>you know, play shows of it. And I thought like

661
00:29:35.400 --> 00:29:38.400
<v Speaker 2>they were very good, very sot of energy, can kind

662
00:29:38.400 --> 00:29:40.359
<v Speaker 2>of actually engage with the fans and trying to and

663
00:29:40.400 --> 00:29:42.599
<v Speaker 2>get the Michael Grummins fans on their side for the performance.

664
00:29:42.599 --> 00:29:44.720
<v Speaker 2>I thought it was a nice kind of warm up

665
00:29:44.720 --> 00:29:47.480
<v Speaker 2>for the gig, but the Michael gromance for itself. So

666
00:29:47.680 --> 00:29:51.200
<v Speaker 2>there is so much to this. So their stage is up,

667
00:29:51.400 --> 00:29:53.200
<v Speaker 2>but before they even come on stage, there are like

668
00:29:54.160 --> 00:29:57.519
<v Speaker 2>messages appearing like that are kind of like you know,

669
00:29:57.960 --> 00:30:00.839
<v Speaker 2>propaganda kind of message peering up the The whole thing is

670
00:30:01.279 --> 00:30:04.640
<v Speaker 2>themed on this fictional like nation called Drug which is

671
00:30:05.160 --> 00:30:09.359
<v Speaker 2>basically Nazi Germany mixed with Soviet Russia kind of like

672
00:30:09.440 --> 00:30:11.920
<v Speaker 2>aesthetically just all of that, Like the font is very

673
00:30:12.079 --> 00:30:14.319
<v Speaker 2>Soviet Russia. It's all very brutalist, and it's kind of

674
00:30:14.359 --> 00:30:17.680
<v Speaker 2>like architecture. You're getting these fake news reports popping up

675
00:30:17.720 --> 00:30:21.920
<v Speaker 2>on the screens, fake commercials for you know, cruel is

676
00:30:21.960 --> 00:30:27.200
<v Speaker 2>it like this this miserable, horrid dystopian dictatorship. But everything's great,

677
00:30:27.279 --> 00:30:29.920
<v Speaker 2>actually thumbs up, everyone is having a great time.

678
00:30:30.000 --> 00:30:32.480
<v Speaker 3>No one here is miserable at all. We're doing great.

679
00:30:32.559 --> 00:30:34.359
<v Speaker 2>And that's the kind of like set up where you

680
00:30:34.359 --> 00:30:36.720
<v Speaker 2>getting there and then before they even come on stage.

681
00:30:36.759 --> 00:30:39.240
<v Speaker 3>You're then getting like a military drum procession coming on.

682
00:30:39.720 --> 00:30:42.680
<v Speaker 2>You're getting these characters appearing who are all in like

683
00:30:42.960 --> 00:30:45.680
<v Speaker 2>military uniform that aren't the black trade one, but they

684
00:30:45.720 --> 00:30:48.759
<v Speaker 2>are like part of this whole drug thing. And then

685
00:30:48.799 --> 00:30:51.480
<v Speaker 2>you know, you get all rise for the drug national

686
00:30:51.480 --> 00:30:55.759
<v Speaker 2>anthem and it's a so fictionational mentham and then outcomes

687
00:30:55.880 --> 00:31:01.079
<v Speaker 2>the General himself, who is this dictator character like essentially

688
00:31:01.680 --> 00:31:04.559
<v Speaker 2>Trump meets Putin, kind of like fixedized version of that.

689
00:31:04.599 --> 00:31:08.519
<v Speaker 2>It's not subtle, not subtle in the slightest. They are

690
00:31:08.559 --> 00:31:11.599
<v Speaker 2>painting with the kind of like very obvious. This is

691
00:31:11.680 --> 00:31:14.480
<v Speaker 2>taking shots at Putin and Trump, and you can also

692
00:31:14.519 --> 00:31:16.519
<v Speaker 2>almost read into a kind of like shot at their

693
00:31:16.559 --> 00:31:19.480
<v Speaker 2>own kind of like feverishly coltish fan based times. That's

694
00:31:19.519 --> 00:31:21.319
<v Speaker 2>one sort of thing I saw people discussing is like

695
00:31:21.480 --> 00:31:23.319
<v Speaker 2>this whole kind of like cult like dedication to a

696
00:31:23.440 --> 00:31:26.039
<v Speaker 2>like leading figure. Is is it all that? But it

697
00:31:26.119 --> 00:31:30.119
<v Speaker 2>is very much a political statement of like these culture

698
00:31:30.160 --> 00:31:33.039
<v Speaker 2>personalities leading us to their to our doom kind of thing.

699
00:31:33.079 --> 00:31:36.200
<v Speaker 2>That's the kind of broad setup. So they've introduced the

700
00:31:36.279 --> 00:31:38.079
<v Speaker 2>General and then the band actually come out and they

701
00:31:38.079 --> 00:31:43.119
<v Speaker 2>are essentially the propaganda machine for drag the Black Parade

702
00:31:43.279 --> 00:31:45.960
<v Speaker 2>are you know, the the Rah Rah troops. They will

703
00:31:46.000 --> 00:31:48.640
<v Speaker 2>sing about how great drug is. They will motivate everyone.

704
00:31:48.920 --> 00:31:51.759
<v Speaker 2>They will deliver the message of the General, setting the

705
00:31:51.799 --> 00:31:56.240
<v Speaker 2>scene and then boom Dead kicks in and Michael Grummance

706
00:31:56.319 --> 00:31:58.680
<v Speaker 2>sounds fucking awesome, like and you are interesting in the

707
00:31:58.680 --> 00:32:01.319
<v Speaker 2>Black Parade Live between sort of songs, you're getting Joe

708
00:32:01.519 --> 00:32:04.160
<v Speaker 2>kind of introducing the General and saying like we're doing

709
00:32:04.200 --> 00:32:06.839
<v Speaker 2>this for the good of drug and all of this

710
00:32:06.839 --> 00:32:09.000
<v Speaker 2>sort of stuff. You meet like the Secretary, the sort

711
00:32:09.000 --> 00:32:11.519
<v Speaker 2>of chief of propaganda. These characters come on and like

712
00:32:11.799 --> 00:32:13.240
<v Speaker 2>in between songs, you kind of get moments were like

713
00:32:13.279 --> 00:32:15.480
<v Speaker 2>kind of like quite broad pantomime where the acting is

714
00:32:15.599 --> 00:32:18.079
<v Speaker 2>very big. They're not talking, but you know, it's all

715
00:32:18.160 --> 00:32:21.400
<v Speaker 2>very much conveyed through their gestures and the props they're

716
00:32:21.440 --> 00:32:23.480
<v Speaker 2>holding up and all that sort of stuff. And you

717
00:32:23.519 --> 00:32:24.839
<v Speaker 2>get through, you know, the opening run of the album,

718
00:32:24.839 --> 00:32:27.000
<v Speaker 2>which is like the end, this is how I just appear.

719
00:32:27.000 --> 00:32:29.039
<v Speaker 2>The Sharpest Lives is kind of just like the band

720
00:32:29.039 --> 00:32:30.920
<v Speaker 2>playing it doesn't go bigg inter narrative, and then it's

721
00:32:30.920 --> 00:32:33.599
<v Speaker 2>when you get to Welcome to the Black Parade, where

722
00:32:33.599 --> 00:32:37.400
<v Speaker 2>obviously this is you know, the anthem for like an

723
00:32:37.880 --> 00:32:41.640
<v Speaker 2>entire generation of like teenagers growing up in the two thousands,

724
00:32:42.279 --> 00:32:46.839
<v Speaker 2>and it's repurposed as the anthem to rally about this

725
00:32:47.440 --> 00:32:50.599
<v Speaker 2>nation that is like so good and nothing is wrong

726
00:32:50.680 --> 00:32:55.000
<v Speaker 2>and the kind of like fun jabs at propaganda and

727
00:32:55.039 --> 00:32:56.559
<v Speaker 2>all of that, and there's like, we're singing this for

728
00:32:56.599 --> 00:32:58.079
<v Speaker 2>the Black parades who've come before us.

729
00:32:58.079 --> 00:33:00.880
<v Speaker 3>You know, we're the fifty sixth like unit of.

730
00:33:00.880 --> 00:33:02.880
<v Speaker 2>The Black Parade or something like that is what Gerard's saying.

731
00:33:02.920 --> 00:33:04.880
<v Speaker 2>And it is like and it's so kind of like

732
00:33:05.000 --> 00:33:09.319
<v Speaker 2>broaden that, but like that song is still spine tingling.

733
00:33:09.359 --> 00:33:12.240
<v Speaker 2>You hear that first piano note and it just what

734
00:33:12.319 --> 00:33:14.920
<v Speaker 2>it does to a crowd is insane, Like you said

735
00:33:15.039 --> 00:33:18.359
<v Speaker 2>that note and gone. And then when Black Parade finishes,

736
00:33:18.400 --> 00:33:20.359
<v Speaker 2>this is where the narrative sort of starts starts to

737
00:33:20.359 --> 00:33:22.720
<v Speaker 2>really kick into overdrive because they do this thing where

738
00:33:22.759 --> 00:33:26.839
<v Speaker 2>like Gerard is at saying, oh, the General wishes you

739
00:33:26.880 --> 00:33:29.960
<v Speaker 2>partake in democracy, or like wills you to partake in democracy.

740
00:33:30.000 --> 00:33:32.160
<v Speaker 2>So when you enter the stadium, you're handed a card

741
00:33:32.160 --> 00:33:33.880
<v Speaker 2>which has a year or nay sign on it, and

742
00:33:33.880 --> 00:33:37.480
<v Speaker 2>they're basically like like essentially for some frivolous reason, these

743
00:33:37.519 --> 00:33:40.240
<v Speaker 2>men paraded to the front of the stage are on

744
00:33:40.359 --> 00:33:42.960
<v Speaker 2>trial to be executed, and we want you to vote

745
00:33:43.119 --> 00:33:45.480
<v Speaker 2>do we execute them or do we spare them?

746
00:33:45.480 --> 00:33:47.599
<v Speaker 3>And it's it's a sham vote essentially, but.

747
00:33:47.519 --> 00:33:49.960
<v Speaker 2>Like you're you know, the audience say, whatever happens, the

748
00:33:49.960 --> 00:33:51.640
<v Speaker 2>audience is going to hold up the one that gets

749
00:33:51.640 --> 00:33:55.359
<v Speaker 2>them executed. So then you get these like cardboard kind

750
00:33:55.359 --> 00:33:58.440
<v Speaker 2>of soldier things rise about the ground, they'll fire, Pyro

751
00:33:58.559 --> 00:34:00.319
<v Speaker 2>goes off and like the bodies drop and it's like,

752
00:34:00.519 --> 00:34:01.480
<v Speaker 2>this is democracy.

753
00:34:01.559 --> 00:34:02.759
<v Speaker 3>These men deserve to die.

754
00:34:02.880 --> 00:34:04.640
<v Speaker 2>This was all for the good of drag And it's

755
00:34:04.680 --> 00:34:08.320
<v Speaker 2>like it's so playful and kind of like the stabs

756
00:34:08.320 --> 00:34:11.000
<v Speaker 2>it's making, but it is it's so clear Gerard's brain

757
00:34:11.119 --> 00:34:12.960
<v Speaker 2>is like he's dreamt this up for so long and

758
00:34:12.960 --> 00:34:15.280
<v Speaker 2>he's now just getting into sort of parade around the

759
00:34:15.280 --> 00:34:17.880
<v Speaker 2>stage and do this sort of narrative. You then get

760
00:34:17.920 --> 00:34:19.519
<v Speaker 2>to you know, but time you get to Mamma, the

761
00:34:19.599 --> 00:34:22.320
<v Speaker 2>narratives women an underground bunker and there's like nuclear war

762
00:34:22.760 --> 00:34:24.480
<v Speaker 2>and then on the sort of the breakdown bit of

763
00:34:24.519 --> 00:34:27.880
<v Speaker 2>Mumma where it all goes off, the stage erupts into flames,

764
00:34:27.880 --> 00:34:30.360
<v Speaker 2>the nukes are fired, that drag, the bombs are going off.

765
00:34:30.360 --> 00:34:32.840
<v Speaker 2>You get a guy running around the stage on fire,

766
00:34:32.960 --> 00:34:35.119
<v Speaker 2>like in the full on like flame stunt kind of

767
00:34:35.159 --> 00:34:39.199
<v Speaker 2>suit running around the stage waving his arms around on

768
00:34:39.239 --> 00:34:40.320
<v Speaker 2>that breakdown, and I was kind.

769
00:34:40.159 --> 00:34:41.360
<v Speaker 3>Of like, this is again, just so.

770
00:34:42.920 --> 00:34:45.800
<v Speaker 2>The spectacle is such a step up from what I've

771
00:34:45.800 --> 00:34:49.079
<v Speaker 2>seen in a good while. And the narrative where Jarge

772
00:34:49.079 --> 00:34:51.880
<v Speaker 2>starts to get disenfranchised with his position as the propaganagy.

773
00:34:52.159 --> 00:34:54.000
<v Speaker 2>He takes a dag and is like, maybe I should

774
00:34:54.079 --> 00:34:56.679
<v Speaker 2>be the one to put a stop to this. Then

775
00:34:56.840 --> 00:34:59.360
<v Speaker 2>the next song you get drug firing their nuclear missiles.

776
00:34:59.360 --> 00:35:01.320
<v Speaker 2>You see on the screen all the bot nukes going off,

777
00:35:01.360 --> 00:35:05.360
<v Speaker 2>and it's teenagers. Is all propaganda videos playing everywhere, And

778
00:35:05.400 --> 00:35:06.960
<v Speaker 2>by the time you get to you know, famous last

779
00:35:06.960 --> 00:35:09.559
<v Speaker 2>Words at the end of the record, the entire stage

780
00:35:09.599 --> 00:35:13.159
<v Speaker 2>is on fire. There is a countdown basically going and

781
00:35:13.199 --> 00:35:16.360
<v Speaker 2>it is counting down into basically the end of Dragon.

782
00:35:16.400 --> 00:35:18.559
<v Speaker 2>It's kind of like the band trying to defiantly will

783
00:35:18.599 --> 00:35:21.079
<v Speaker 2>you on with famous last Words and like Eving's on fire.

784
00:35:21.159 --> 00:35:23.960
<v Speaker 2>The nation is under attack, but we can keep going,

785
00:35:24.000 --> 00:35:25.840
<v Speaker 2>we can keep doing this, And then by the end

786
00:35:25.920 --> 00:35:27.559
<v Speaker 2>when you get to the reprise of the end, like

787
00:35:27.559 --> 00:35:31.239
<v Speaker 2>I mean famous last words Ramstein levels of pyro, like

788
00:35:31.320 --> 00:35:32.800
<v Speaker 2>they did the thing where you have like the sort

789
00:35:32.800 --> 00:35:34.920
<v Speaker 2>of sound towels and they've got the fire shooting back

790
00:35:34.920 --> 00:35:36.760
<v Speaker 2>and forth between them, the fire going off and them,

791
00:35:36.800 --> 00:35:38.840
<v Speaker 2>the fire on the top of the stage, the entire

792
00:35:38.960 --> 00:35:41.840
<v Speaker 2>front of the stage on fire props and stuff on

793
00:35:41.880 --> 00:35:43.280
<v Speaker 2>the side that have now been lit up, so the

794
00:35:43.280 --> 00:35:45.920
<v Speaker 2>fire is are encroaching around the band, like do you

795
00:35:46.039 --> 00:35:48.480
<v Speaker 2>like real kind of like apocalyptic imagery to nail this

796
00:35:48.559 --> 00:35:52.239
<v Speaker 2>kind of like nation that is on fire. And then

797
00:35:52.280 --> 00:35:54.119
<v Speaker 2>by the end of it, when they are reprising the end,

798
00:35:54.159 --> 00:35:56.400
<v Speaker 2>after everything is burnt out and driving is a husk,

799
00:35:56.599 --> 00:35:58.559
<v Speaker 2>Gerard is stabbed, the rest of the band are like

800
00:35:58.559 --> 00:36:01.119
<v Speaker 2>put black hoods over their heads and bragged away, and

801
00:36:01.119 --> 00:36:02.840
<v Speaker 2>one of the other characters who is now just as

802
00:36:02.840 --> 00:36:05.280
<v Speaker 2>a clown, has like a suicide bomb best and blows

803
00:36:05.320 --> 00:36:08.320
<v Speaker 2>himself up to try and just like gender and even

804
00:36:08.360 --> 00:36:09.800
<v Speaker 2>at the end of it, the general were still just

805
00:36:09.880 --> 00:36:13.159
<v Speaker 2>left standing there after all, like the nations burned to

806
00:36:13.239 --> 00:36:17.880
<v Speaker 2>a Chris. This this maniac cult leader figure has sort

807
00:36:17.880 --> 00:36:20.639
<v Speaker 2>of driven led everyone to their doom and left the

808
00:36:20.639 --> 00:36:23.199
<v Speaker 2>world at burnt husk in his way and he's still standing.

809
00:36:23.320 --> 00:36:26.239
<v Speaker 2>Again not very subtle in this sort of narrative, but

810
00:36:26.320 --> 00:36:29.199
<v Speaker 2>as someone who loves loves theater and has always kind

811
00:36:29.239 --> 00:36:31.119
<v Speaker 2>of loved the idea of bands doing it, but I

812
00:36:31.199 --> 00:36:34.559
<v Speaker 2>think band there's not enough bands with the actual mad

813
00:36:34.639 --> 00:36:37.639
<v Speaker 2>spark and genuine love for theater and whimsy to pull

814
00:36:37.719 --> 00:36:38.280
<v Speaker 2>this thing off.

815
00:36:38.639 --> 00:36:40.400
<v Speaker 3>Michael Rowance pulled off of Flying Colors.

816
00:36:40.400 --> 00:36:42.159
<v Speaker 2>For me, it's one of my favorite stage shows I've

817
00:36:42.199 --> 00:36:45.119
<v Speaker 2>ever seen, just as a like a great bit of spectacle,

818
00:36:45.159 --> 00:36:48.519
<v Speaker 2>and it's the right music, it's the right band. And

819
00:36:48.559 --> 00:36:49.880
<v Speaker 2>I'm not saying every man should.

820
00:36:49.679 --> 00:36:51.239
<v Speaker 3>Try something like this, because I think again most of

821
00:36:51.280 --> 00:36:52.159
<v Speaker 3>them would fuck it up.

822
00:36:52.199 --> 00:36:55.199
<v Speaker 2>I think Ghosts could potentially do it Cohed give Give

823
00:36:55.239 --> 00:37:00.719
<v Speaker 2>Cloudy a spaceship like But it was as a great

824
00:37:00.719 --> 00:37:03.599
<v Speaker 2>be spectacle, which is one of the most hugely entertaining

825
00:37:03.639 --> 00:37:05.880
<v Speaker 2>live shows I've ever seen. And that was still only

826
00:37:05.880 --> 00:37:08.119
<v Speaker 2>half the show because after that, after about a ten

827
00:37:08.119 --> 00:37:10.159
<v Speaker 2>minute interval where they've had you know, oh, they also

828
00:37:10.159 --> 00:37:12.360
<v Speaker 2>had you know, string quartets and other instruments going on

829
00:37:12.400 --> 00:37:14.519
<v Speaker 2>as well to kind of like bulk out the songs,

830
00:37:14.559 --> 00:37:17.599
<v Speaker 2>They've added like extended bridges to songs where there's new

831
00:37:17.679 --> 00:37:21.159
<v Speaker 2>lyrics and all that going on. So they really reworked

832
00:37:21.159 --> 00:37:23.360
<v Speaker 2>the Black Parade. This is not just coming out and

833
00:37:23.400 --> 00:37:26.800
<v Speaker 2>again just doing the album to remind everyone it was.

834
00:37:26.960 --> 00:37:28.599
<v Speaker 2>It wasn't like the sound we did twenty years ago.

835
00:37:28.679 --> 00:37:31.639
<v Speaker 2>Great it howmuted twenty years ago what was fucking amazing.

836
00:37:31.679 --> 00:37:33.360
<v Speaker 2>But it was just such a great kind of way

837
00:37:33.400 --> 00:37:36.159
<v Speaker 2>to reclaim and kind of like reimagine it in a

838
00:37:36.159 --> 00:37:40.239
<v Speaker 2>way that that feels exciting. So that finishes, they have

839
00:37:40.280 --> 00:37:42.079
<v Speaker 2>an into where they have like a lady playing like

840
00:37:42.119 --> 00:37:44.039
<v Speaker 2>a on the cello to sort of just fill the.

841
00:37:44.000 --> 00:37:46.400
<v Speaker 3>Time, and then they have the B stage in the

842
00:37:46.440 --> 00:37:47.239
<v Speaker 3>middle of the standing.

843
00:37:47.519 --> 00:37:50.559
<v Speaker 2>The band re emerged there and they rip into Honey

844
00:37:50.599 --> 00:37:52.360
<v Speaker 2>This mirrors and big enough for the two of us,

845
00:37:52.800 --> 00:37:56.199
<v Speaker 2>and I was like, you fucking what just coming up

846
00:37:56.199 --> 00:37:57.239
<v Speaker 2>with that stabbing riff?

847
00:37:57.280 --> 00:37:57.760
<v Speaker 3>Straight away?

848
00:37:57.760 --> 00:38:01.760
<v Speaker 2>I was like, oh, okay, this is I'm glad I've

849
00:38:01.800 --> 00:38:04.320
<v Speaker 2>come tonight because they did that straight to thank you

850
00:38:04.360 --> 00:38:06.960
<v Speaker 2>for the Venom, And I was like, Michael mc romance,

851
00:38:06.960 --> 00:38:08.840
<v Speaker 2>are you just did you know I'm here? And are

852
00:38:08.840 --> 00:38:11.199
<v Speaker 2>you theming this second half of the set where you're

853
00:38:11.239 --> 00:38:12.679
<v Speaker 2>just doing stuff on the albums for me?

854
00:38:13.119 --> 00:38:14.480
<v Speaker 3>Because this is so sick.

855
00:38:14.599 --> 00:38:17.079
<v Speaker 2>You know, two of your hardest songs back to back

856
00:38:17.079 --> 00:38:18.599
<v Speaker 2>to kickstart this part of the set. And at this

857
00:38:18.679 --> 00:38:20.880
<v Speaker 2>point you know they are in their normal clothes. They

858
00:38:20.920 --> 00:38:24.039
<v Speaker 2>are normal Michael mac Romance this way, jo still Joan,

859
00:38:24.159 --> 00:38:26.199
<v Speaker 2>still frantic, wavy, and he has his little electronic box.

860
00:38:26.199 --> 00:38:30.239
<v Speaker 2>It still just plays about with him between songs Cemetery Drive,

861
00:38:30.400 --> 00:38:33.079
<v Speaker 2>fucking Sick, Planetary Go, which is one of my favorite

862
00:38:33.079 --> 00:38:35.400
<v Speaker 2>songs off of Danger Days. That was such a bop.

863
00:38:35.440 --> 00:38:38.000
<v Speaker 2>That was a great one live give Them Hell Kid,

864
00:38:38.519 --> 00:38:41.239
<v Speaker 2>No No that base. I was like, if I was

865
00:38:41.280 --> 00:38:43.440
<v Speaker 2>down in the standing right now, I'd be kicking people.

866
00:38:43.519 --> 00:38:46.079
<v Speaker 2>But again, I was just getting so many like songs

867
00:38:46.079 --> 00:38:48.639
<v Speaker 2>that were like my choice, and then out of nowhere

868
00:38:49.440 --> 00:38:51.280
<v Speaker 2>they fucking pull out and I didn't. Actually, I like,

869
00:38:51.360 --> 00:38:53.719
<v Speaker 2>maybe this is my casual sort Micha Romans thing that

870
00:38:53.760 --> 00:38:56.199
<v Speaker 2>they had this cover on one of their early demos

871
00:38:56.280 --> 00:38:59.119
<v Speaker 2>or early EPs, but covered Morrissey's Jack the Rip. I

872
00:38:59.159 --> 00:39:02.440
<v Speaker 2>was like, that is such a point of Joe did say, like,

873
00:39:02.840 --> 00:39:04.880
<v Speaker 2>we haven't played this song since our very early days

874
00:39:04.880 --> 00:39:06.239
<v Speaker 2>because we only used to play because we didn't have

875
00:39:06.280 --> 00:39:07.239
<v Speaker 2>many songs of our own notes.

876
00:39:07.320 --> 00:39:09.400
<v Speaker 3>We needed a cover and I was like, yeah.

877
00:39:09.239 --> 00:39:11.519
<v Speaker 2>Early Michael Macgrumm's covering Morrissey does make sense, and it

878
00:39:11.519 --> 00:39:15.119
<v Speaker 2>would make sense they would go for a deeper Morrissey Paul,

879
00:39:15.280 --> 00:39:18.920
<v Speaker 2>but this was such an like crazy unexpectable and I

880
00:39:19.000 --> 00:39:20.519
<v Speaker 2>looked and like I said, I said, yeah, played for

881
00:39:20.559 --> 00:39:23.159
<v Speaker 2>the first time since two thousand and three, for all

882
00:39:23.159 --> 00:39:23.800
<v Speaker 2>you can say.

883
00:39:23.599 --> 00:39:26.320
<v Speaker 3>About coming out and doing the black firm and stage thing.

884
00:39:26.719 --> 00:39:28.960
<v Speaker 2>Mico was also in their second half set kind of going,

885
00:39:29.320 --> 00:39:34.199
<v Speaker 2>We're gonna just explore every.

886
00:39:32.320 --> 00:39:33.880
<v Speaker 1>Honey, this mirror is are big enough for the two

887
00:39:33.880 --> 00:39:37.599
<v Speaker 1>of us, first time performed since twenty ten, and like, Honey,

888
00:39:37.639 --> 00:39:38.920
<v Speaker 1>this mirror is a big enough for the two of us.

889
00:39:38.920 --> 00:39:40.480
<v Speaker 1>Thank you for the venom and give him hell Kid?

890
00:39:40.480 --> 00:39:43.760
<v Speaker 1>I like that could be my three favorite MCR songs

891
00:39:43.760 --> 00:39:46.239
<v Speaker 1>and getting them all in a very short speriod of

892
00:39:46.239 --> 00:39:50.559
<v Speaker 1>time like that is another element of like you absolutely.

893
00:39:50.079 --> 00:39:53.639
<v Speaker 2>Get across the two sets between House of Wolves, give

894
00:39:53.679 --> 00:39:56.960
<v Speaker 2>them hell Kid. Yeah, I was a drowning lessons away

895
00:39:57.000 --> 00:40:00.159
<v Speaker 2>from having a perfect micro Roman set. I Destroyer, which

896
00:40:00.159 --> 00:40:02.039
<v Speaker 2>is my favorite fucking song off Danger Days. I fucking

897
00:40:02.079 --> 00:40:03.440
<v Speaker 2>love that song and I'm glad that that's the one

898
00:40:03.480 --> 00:40:05.000
<v Speaker 2>that that does still get to pop up every now

899
00:40:05.000 --> 00:40:07.719
<v Speaker 2>and then because danger days. You know, we've discussed the

900
00:40:07.719 --> 00:40:10.840
<v Speaker 2>album at length. That song is such a cool different

901
00:40:10.920 --> 00:40:13.480
<v Speaker 2>cut for Michael Romance, and I'm glad that still gets

902
00:40:13.480 --> 00:40:15.599
<v Speaker 2>a thing. And then when you're dropping your closing run

903
00:40:15.639 --> 00:40:18.199
<v Speaker 2>of I'm not Okay, Nna No in Helena, like that's

904
00:40:18.239 --> 00:40:20.480
<v Speaker 2>you know, that's your victory lap at that point of like,

905
00:40:20.760 --> 00:40:23.000
<v Speaker 2>these are are the big hitters, let's go. But yeah,

906
00:40:23.440 --> 00:40:25.239
<v Speaker 2>like see home, it's being bigger than a bank with

907
00:40:25.280 --> 00:40:26.800
<v Speaker 2>them and give them hell kid in this sort of

908
00:40:26.800 --> 00:40:28.920
<v Speaker 2>second half of the Cells, like you are dropping the

909
00:40:28.960 --> 00:40:31.760
<v Speaker 2>hard tunes for the Moshes Michael Wical Romance, Thank you.

910
00:40:31.880 --> 00:40:35.159
<v Speaker 2>It was a really great kind of like not just

911
00:40:35.239 --> 00:40:37.719
<v Speaker 2>like two great. And again at this point the set

912
00:40:37.840 --> 00:40:40.199
<v Speaker 2>no stage show. It is them on the B stage

913
00:40:40.239 --> 00:40:42.159
<v Speaker 2>in the middle of the crowd, with the crowd around them.

914
00:40:42.599 --> 00:40:44.199
<v Speaker 2>But again this is just you know, a small white

915
00:40:44.280 --> 00:40:45.719
<v Speaker 2>This is not you know, the big circle. This is

916
00:40:45.760 --> 00:40:48.239
<v Speaker 2>a pretty small island where they're they're just kind of

917
00:40:48.280 --> 00:40:50.320
<v Speaker 2>on that and so this is this is them getting

918
00:40:50.320 --> 00:40:52.159
<v Speaker 2>to do that kind of intimate, get in with the

919
00:40:52.159 --> 00:40:54.719
<v Speaker 2>fans up close sort of thing. But it also not

920
00:40:55.000 --> 00:40:58.320
<v Speaker 2>totally mean that the band kind of unit is spread

921
00:40:58.360 --> 00:41:00.719
<v Speaker 2>Finn and you're losing that. It was a really great

922
00:41:01.320 --> 00:41:05.519
<v Speaker 2>difference between the biggest, grandest spectacle I've seen in a

923
00:41:05.519 --> 00:41:08.559
<v Speaker 2>long while and then playing a stadium like it's a

924
00:41:08.599 --> 00:41:09.000
<v Speaker 2>club like.

925
00:41:09.079 --> 00:41:12.599
<v Speaker 3>It was a really cool contrastween the two. Very my romance.

926
00:41:12.880 --> 00:41:15.760
<v Speaker 2>Helena to close out perfect, you know like what I

927
00:41:15.840 --> 00:41:17.000
<v Speaker 2>sing along it was.

928
00:41:17.199 --> 00:41:19.559
<v Speaker 3>It was really great. I'm excited see again on Saturday.

929
00:41:19.920 --> 00:41:22.119
<v Speaker 2>I'm very excited to see what random shit they pull

930
00:41:22.119 --> 00:41:24.039
<v Speaker 2>out in the in the B set on that night,

931
00:41:24.599 --> 00:41:26.360
<v Speaker 2>I'm praying for Drowning Lessons.

932
00:41:26.519 --> 00:41:28.440
<v Speaker 3>Knowing my luck they will play drug.

933
00:41:28.239 --> 00:41:30.079
<v Speaker 2>Lessons for the first time since what two thousand and

934
00:41:30.119 --> 00:41:32.400
<v Speaker 2>four and ever on the Friday when I'm not there,

935
00:41:32.519 --> 00:41:33.159
<v Speaker 2>knowing my luck.

936
00:41:33.239 --> 00:41:35.559
<v Speaker 1>But you can't say knowing my luck when you've just

937
00:41:35.559 --> 00:41:38.000
<v Speaker 1>had these two shows plopped in your lap for precice.

938
00:41:38.159 --> 00:41:38.760
<v Speaker 1>I know, I know.

939
00:41:40.320 --> 00:41:44.519
<v Speaker 3>That, but yeah, two big rockersals. I am someone who

940
00:41:44.559 --> 00:41:47.639
<v Speaker 3>will champion. Go to your local hardcore show, Go support

941
00:41:47.639 --> 00:41:49.559
<v Speaker 3>you're seeing, Go to your tiny club shows.

942
00:41:49.719 --> 00:41:51.559
<v Speaker 2>That's where you're going to see the future of live music.

943
00:41:51.559 --> 00:41:55.360
<v Speaker 2>That is what's going to sustain live music. But sometimes

944
00:41:55.880 --> 00:41:57.880
<v Speaker 2>you have just got to go and see the biggest

945
00:41:57.920 --> 00:41:59.599
<v Speaker 2>rock and roll show you can see and have the

946
00:41:59.639 --> 00:42:01.000
<v Speaker 2>best time. I'm at it, and I managed to get

947
00:42:01.000 --> 00:42:03.679
<v Speaker 2>that twice, so I'm kind of like having a good

948
00:42:03.679 --> 00:42:04.079
<v Speaker 2>time with.

949
00:42:04.079 --> 00:42:08.519
<v Speaker 1>This, Yeah, this whole black parade, you know, musical theater

950
00:42:08.719 --> 00:42:12.440
<v Speaker 1>reimagining version. It's the kind of thing that like, like,

951
00:42:12.480 --> 00:42:14.039
<v Speaker 1>you know, I've had conversations with people where they're like,

952
00:42:14.079 --> 00:42:16.400
<v Speaker 1>I quite like some michemical romance, but I could never

953
00:42:16.559 --> 00:42:20.440
<v Speaker 1>get fucking like the whole the the like raving your

954
00:42:20.679 --> 00:42:24.519
<v Speaker 1>fucking ravenous frothing at the mouth, you know, obsession with

955
00:42:24.679 --> 00:42:27.719
<v Speaker 1>all of the world building elements and the musical theater

956
00:42:27.800 --> 00:42:29.760
<v Speaker 1>and stuff kind of you know, I could never get

957
00:42:29.760 --> 00:42:32.320
<v Speaker 1>invested with that, and it turned me off and going

958
00:42:32.719 --> 00:42:37.320
<v Speaker 1>like full as you say, completely unsubtle camp high camp

959
00:42:37.400 --> 00:42:41.360
<v Speaker 1>musical theater version is almost like a type of MCR

960
00:42:41.440 --> 00:42:44.920
<v Speaker 1>show that would be most built to alienate people who

961
00:42:44.960 --> 00:42:48.000
<v Speaker 1>can't get on board with that. It's so fucking fucking naff.

962
00:42:48.159 --> 00:42:51.519
<v Speaker 1>But in terms of returning to the album and as

963
00:42:51.519 --> 00:42:54.440
<v Speaker 1>you say, not just like putting back on the old clothes,

964
00:42:54.480 --> 00:42:56.679
<v Speaker 1>but doing something with it, it does sound like, you know,

965
00:42:56.960 --> 00:43:01.559
<v Speaker 1>nostalgia done right, essentially with something extra to it, but

966
00:43:02.559 --> 00:43:05.400
<v Speaker 1>nat Lich and Final Dose were good, so to fuck you.

967
00:43:05.679 --> 00:43:06.239
<v Speaker 1>There's that.

968
00:43:06.679 --> 00:43:08.719
<v Speaker 3>But that's the shows we should we should be championing.

969
00:43:08.760 --> 00:43:10.760
<v Speaker 3>Go to those shows, or don't just go to your

970
00:43:10.760 --> 00:43:13.320
<v Speaker 3>big rock shows. But sometimes you've just got to go

971
00:43:13.400 --> 00:43:14.239
<v Speaker 3>to the big rock show.

972
00:43:14.880 --> 00:43:17.760
<v Speaker 1>YEP. So that is the big round up for this week,

973
00:43:17.800 --> 00:43:19.920
<v Speaker 1>and next week we're gonna be talking about bring Their

974
00:43:19.960 --> 00:43:24.280
<v Speaker 1>Rice in Nostalgia Show doing twenty years of Cat Your Blessings.

975
00:43:24.280 --> 00:43:27.280
<v Speaker 1>But there you go, a little bit of news this time.

976
00:43:27.360 --> 00:43:30.360
<v Speaker 1>It's been a fairly chill week on that front, unless

977
00:43:30.400 --> 00:43:34.320
<v Speaker 1>you are Damon Albarn Because on the beef watch front.

978
00:43:34.679 --> 00:43:38.559
<v Speaker 1>Something that's fascinating about the music industry and particularly I

979
00:43:38.599 --> 00:43:40.840
<v Speaker 1>guess some of the like the physical nature of live

980
00:43:40.880 --> 00:43:43.880
<v Speaker 1>shows and like literally putting people in the same you

981
00:43:43.920 --> 00:43:48.440
<v Speaker 1>know area, is you get crossovers of artists who you

982
00:43:48.480 --> 00:43:51.920
<v Speaker 1>would never imagine being like the come together with like

983
00:43:52.119 --> 00:43:54.760
<v Speaker 1>because I you know, we're talking about Uncollassen and the

984
00:43:54.800 --> 00:43:58.639
<v Speaker 1>Dead Beats and Damon Albarn of you know, Gorillas and

985
00:43:58.679 --> 00:44:02.880
<v Speaker 1>Blur fame and like obviously we all know Blur, we

986
00:44:02.960 --> 00:44:05.320
<v Speaker 1>you know, we all know Gorillas. You might have a

987
00:44:05.320 --> 00:44:08.280
<v Speaker 1>relationship with those bands I'm a big fan of Uncle

988
00:44:08.320 --> 00:44:11.280
<v Speaker 1>Ass and the Dead Beats. I can't imagine those two.

989
00:44:11.320 --> 00:44:14.199
<v Speaker 1>It's almost like those two live in different universes inside

990
00:44:14.239 --> 00:44:16.599
<v Speaker 1>my head, you know. So the idea of them congregating

991
00:44:16.639 --> 00:44:18.360
<v Speaker 1>in the same field at different ends at the same

992
00:44:18.400 --> 00:44:21.840
<v Speaker 1>festival and having a war of words something that you like,

993
00:44:22.079 --> 00:44:24.199
<v Speaker 1>could not have predicted, you know, wouldn't have pulled that

994
00:44:24.239 --> 00:44:26.480
<v Speaker 1>out of the hat at all. But that is in

995
00:44:26.519 --> 00:44:31.239
<v Speaker 1>fact what happened when performing at russ Kilda Festival, which

996
00:44:31.280 --> 00:44:33.800
<v Speaker 1>is one of those festivals that famously has very eclectic,

997
00:44:33.880 --> 00:44:37.159
<v Speaker 1>strange like lineups of the biggest stars imaginable and then

998
00:44:37.239 --> 00:44:39.760
<v Speaker 1>pulling in some of the you know, weirder, grottier end

999
00:44:39.760 --> 00:44:43.039
<v Speaker 1>of what we do. Both Gorillas and Unclasses and The

1000
00:44:43.079 --> 00:44:47.280
<v Speaker 1>Dead Beats were playing at the same time on different stages.

1001
00:44:47.360 --> 00:44:50.239
<v Speaker 1>Obviously Gorillas were doing the big one and Uncle Acid

1002
00:44:50.239 --> 00:44:54.440
<v Speaker 1>were doing one of the little ones. Suddenly Damon Albarn

1003
00:44:55.800 --> 00:44:58.719
<v Speaker 1>starts kicking off about apparently being able to hear music

1004
00:44:58.719 --> 00:45:02.039
<v Speaker 1>from this other stage and uh, Uncle Ass in the

1005
00:45:02.079 --> 00:45:06.079
<v Speaker 1>Deadbeats statement is apology to everyone who came to Reskilda

1006
00:45:06.159 --> 00:45:07.920
<v Speaker 1>Festival hoping to see us play a full set last

1007
00:45:08.000 --> 00:45:12.119
<v Speaker 1>night pop diva Damon Albarn of the novelty cartoon act Gorillas,

1008
00:45:12.519 --> 00:45:15.440
<v Speaker 1>threw a hissy fit while we played, threatening to storm

1009
00:45:15.440 --> 00:45:18.119
<v Speaker 1>off stage, before finally getting our set shut down because

1010
00:45:18.119 --> 00:45:20.280
<v Speaker 1>we were too loud. They were the only headliner of

1011
00:45:20.280 --> 00:45:21.880
<v Speaker 1>the whole weekend who couldn't cope with playing at the

1012
00:45:21.880 --> 00:45:24.719
<v Speaker 1>same time as our artists. Unfortunately, we only managed twenty

1013
00:45:24.719 --> 00:45:27.559
<v Speaker 1>five minutes of assaulting his precious ears from our stage

1014
00:45:27.559 --> 00:45:30.360
<v Speaker 1>half a mile away before his goons came over and

1015
00:45:30.360 --> 00:45:33.000
<v Speaker 1>pulled the plug, despite us being below at the festival

1016
00:45:33.079 --> 00:45:35.440
<v Speaker 1>dB limit and offering the turn down front of house

1017
00:45:35.480 --> 00:45:37.519
<v Speaker 1>to continue the show they wanted us off thanks to

1018
00:45:37.599 --> 00:45:40.400
<v Speaker 1>Raskilda crew and stage manner who tried their best at intervene,

1019
00:45:40.440 --> 00:45:42.800
<v Speaker 1>but it was altoly out of our hands orders from above,

1020
00:45:43.559 --> 00:45:46.320
<v Speaker 1>which good on Uncle Acid for just like not pulling

1021
00:45:46.320 --> 00:45:49.840
<v Speaker 1>the pudgy with the language. It's such a specific sardonic

1022
00:45:49.920 --> 00:45:54.559
<v Speaker 1>type tone that they assumed there. But Gorillas, I mean,

1023
00:45:54.599 --> 00:45:59.880
<v Speaker 1>I uh, the first three Gorillas records I do have

1024
00:46:00.079 --> 00:46:03.000
<v Speaker 1>relationship with, particularly Demon Days when that came out, was

1025
00:46:03.000 --> 00:46:05.360
<v Speaker 1>like a pretty big album for the underniab the classic

1026
00:46:05.400 --> 00:46:07.280
<v Speaker 1>album I would say in that again, the kind of

1027
00:46:07.360 --> 00:46:10.719
<v Speaker 1>alternative hip hop, whatever type of world. Uncle assen the

1028
00:46:10.719 --> 00:46:13.280
<v Speaker 1>Dead Beats as much as I let the Guerrilla's albums.

1029
00:46:13.360 --> 00:46:15.840
<v Speaker 1>They never wrote the riff to Poison Apple. They never

1030
00:46:15.880 --> 00:46:19.440
<v Speaker 1>wrote I'll cut you down. You know, there is different

1031
00:46:19.440 --> 00:46:22.440
<v Speaker 1>world going on here, Like I said, envisioning these two

1032
00:46:22.480 --> 00:46:25.400
<v Speaker 1>coming together, considering as they were saying, you know, it's

1033
00:46:25.480 --> 00:46:28.719
<v Speaker 1>not abnormal at all to have two different stages a

1034
00:46:28.760 --> 00:46:33.000
<v Speaker 1>different festival playing and even though a headliner is financially speaking,

1035
00:46:33.199 --> 00:46:35.559
<v Speaker 1>they're bringing more people to the festival whatever they are.

1036
00:46:35.599 --> 00:46:37.880
<v Speaker 1>In that sense, they're the digat raw, They're more important.

1037
00:46:38.400 --> 00:46:40.440
<v Speaker 1>I don't think there should be any sense of like

1038
00:46:40.519 --> 00:46:44.559
<v Speaker 1>superiority between like a main stage headliner and then a

1039
00:46:44.679 --> 00:46:48.039
<v Speaker 1>you know, smaller, more underground stage headliner. If that's what

1040
00:46:48.119 --> 00:46:50.880
<v Speaker 1>unclassid we're doing. I don't think you really, as an

1041
00:46:50.920 --> 00:46:54.360
<v Speaker 1>artist playing on one stage, have the right to demand

1042
00:46:54.679 --> 00:46:57.960
<v Speaker 1>that someone else, you know, playing in their assign sloped

1043
00:46:58.000 --> 00:47:00.840
<v Speaker 1>by the festival on the other fucking side of the site,

1044
00:47:01.000 --> 00:47:04.880
<v Speaker 1>you know, cut everything off for your benefit. This is

1045
00:47:04.960 --> 00:47:09.400
<v Speaker 1>absolute pop diva behavior, as they put it. But want

1046
00:47:09.440 --> 00:47:10.639
<v Speaker 1>a clash? What a meeting?

1047
00:47:11.280 --> 00:47:11.480
<v Speaker 3>Yeah?

1048
00:47:11.559 --> 00:47:13.119
<v Speaker 2>So I like I saw this and I seemed like

1049
00:47:13.159 --> 00:47:15.360
<v Speaker 2>the clip of like oh, and I think it's clearly

1050
00:47:15.400 --> 00:47:17.400
<v Speaker 2>like he's kind of growing about on stage and someone

1051
00:47:17.440 --> 00:47:19.320
<v Speaker 2>on his behalf was then gone over. Like from what

1052
00:47:19.400 --> 00:47:23.079
<v Speaker 2>it sounds like like his team are basically said to

1053
00:47:23.239 --> 00:47:26.039
<v Speaker 2>cut the ung class set because he's winging about being

1054
00:47:26.039 --> 00:47:27.599
<v Speaker 2>able to hear them and apparently like fair, I've seen

1055
00:47:27.639 --> 00:47:30.320
<v Speaker 2>people say like, yeah, you could hear the other stages,

1056
00:47:30.519 --> 00:47:32.320
<v Speaker 2>like there was a weaving with the festival, but you know,

1057
00:47:33.079 --> 00:47:35.760
<v Speaker 2>like that the festival should like better plants that the

1058
00:47:35.800 --> 00:47:38.719
<v Speaker 2>bands can't then, like you can't penalize another band for

1059
00:47:38.760 --> 00:47:40.559
<v Speaker 2>something that is not their fault if they're you know,

1060
00:47:40.639 --> 00:47:43.119
<v Speaker 2>playing beneath the agreed limits of the festival.

1061
00:47:43.559 --> 00:47:45.119
<v Speaker 3>But it is just it's just very funny.

1062
00:47:45.119 --> 00:47:47.559
<v Speaker 2>I mean, like again, I I do quite like those

1063
00:47:47.760 --> 00:47:50.320
<v Speaker 2>earlier grill Grilla's record probably the best thing Damon all

1064
00:47:50.360 --> 00:47:52.440
<v Speaker 2>One's done. You know, I don't like Blur, as we

1065
00:47:52.519 --> 00:47:55.800
<v Speaker 2>discovered in the ninety seven special, so I'm kind of

1066
00:47:55.880 --> 00:47:57.559
<v Speaker 2>very much on the you know what I'm on. I'm

1067
00:47:57.599 --> 00:47:59.599
<v Speaker 2>on unclassic side on this one because I had to

1068
00:47:59.599 --> 00:48:04.199
<v Speaker 2>listen to fucking Blur album, So fuck Damon albarn for

1069
00:48:04.199 --> 00:48:05.039
<v Speaker 2>that one.

1070
00:48:05.440 --> 00:48:10.840
<v Speaker 1>Yeah, unclassid drummer independently added cartoon band. Indeed, Damon Albarn

1071
00:48:10.880 --> 00:48:13.400
<v Speaker 1>and Gorillas are soft as baby shit fuck them.

1072
00:48:15.000 --> 00:48:19.440
<v Speaker 2>Which not missing, They're not mean. Some words they have

1073
00:48:19.519 --> 00:48:20.360
<v Speaker 2>they have clearly taken.

1074
00:48:20.400 --> 00:48:23.320
<v Speaker 1>This is kind of like yeah, fuck you, Yeah, hopefully unclassid.

1075
00:48:23.360 --> 00:48:25.039
<v Speaker 1>I don't know. Get a couple more fans out of this,

1076
00:48:25.039 --> 00:48:27.400
<v Speaker 1>who would go, oh, who's beefing with Damon Albarn over

1077
00:48:27.400 --> 00:48:29.599
<v Speaker 1>there and they discover this fucking sick band because one

1078
00:48:29.599 --> 00:48:31.840
<v Speaker 1>of the great, yeah, brilliant, unbelievable story. There you go

1079
00:48:32.239 --> 00:48:33.880
<v Speaker 1>a little bit of new music. This is weird. A

1080
00:48:33.960 --> 00:48:37.480
<v Speaker 1>modo Math have released a single called Upath and it

1081
00:48:37.559 --> 00:48:40.719
<v Speaker 1>is a Mono mass first ever acoustic single. I don't

1082
00:48:40.719 --> 00:48:42.599
<v Speaker 1>know if this is the lead single from an album

1083
00:48:42.599 --> 00:48:45.320
<v Speaker 1>that's coming up. I would imagine they'll probably, you know,

1084
00:48:45.400 --> 00:48:47.519
<v Speaker 1>be a proper lead single for when an album comes out.

1085
00:48:47.559 --> 00:48:49.280
<v Speaker 1>Whether this song appears on the album or not is

1086
00:48:49.320 --> 00:48:52.480
<v Speaker 1>another thing. But it's definitely a choice taking a mono

1087
00:48:52.519 --> 00:48:55.800
<v Speaker 1>ma mouth acoustic in a weird way because obviously their

1088
00:48:55.880 --> 00:48:57.880
<v Speaker 1>music is so melodics despite how heavy it is, and

1089
00:48:57.920 --> 00:49:01.440
<v Speaker 1>it has that root in you know, like Viking era,

1090
00:49:01.559 --> 00:49:03.920
<v Speaker 1>you know, medievalism and stuff like that. I could sort

1091
00:49:03.920 --> 00:49:06.239
<v Speaker 1>of see it happening, but it is still, as they say,

1092
00:49:06.800 --> 00:49:10.280
<v Speaker 1>a choice, particularly when you have Johann still you know,

1093
00:49:10.320 --> 00:49:12.199
<v Speaker 1>he's not quite death growling for most of it, but

1094
00:49:12.239 --> 00:49:15.480
<v Speaker 1>he is still very much sticking to the gruff, hamming

1095
00:49:15.519 --> 00:49:19.119
<v Speaker 1>it up Viking. I am carrying my steel you know

1096
00:49:19.320 --> 00:49:22.440
<v Speaker 1>type type, you know, a character that he plays with

1097
00:49:22.519 --> 00:49:25.199
<v Speaker 1>a Monomth. I think he probably like, you know, he's

1098
00:49:25.400 --> 00:49:28.440
<v Speaker 1>he's a vocalist who has you know, decades in the game.

1099
00:49:28.440 --> 00:49:30.159
<v Speaker 1>He probably has a really good control of, you know,

1100
00:49:30.599 --> 00:49:32.760
<v Speaker 1>his voice, and I probably imagine that he could, you know,

1101
00:49:32.800 --> 00:49:34.519
<v Speaker 1>if he was just to sing a regular folk song,

1102
00:49:34.840 --> 00:49:36.719
<v Speaker 1>you know, he would probably carry that very well. But

1103
00:49:36.760 --> 00:49:39.639
<v Speaker 1>he ins said he's chosen to very much stay in

1104
00:49:39.679 --> 00:49:41.639
<v Speaker 1>the Monomath character for it.

1105
00:49:42.639 --> 00:49:44.360
<v Speaker 2>Obviously, I did sessue a man to listen to this

1106
00:49:44.400 --> 00:49:46.320
<v Speaker 2>because it's very hot today and I saw a mono

1107
00:49:46.360 --> 00:49:47.559
<v Speaker 2>Marth really's acoustic sing.

1108
00:49:47.400 --> 00:49:49.679
<v Speaker 3>When I was like, not today, I can't. I can't

1109
00:49:49.679 --> 00:49:52.079
<v Speaker 3>bring myself to like today.

1110
00:49:52.199 --> 00:49:55.280
<v Speaker 1>Sorry, it's a cookie monster campfire song.

1111
00:49:55.719 --> 00:49:56.880
<v Speaker 3>It's just what's gone on.

1112
00:49:56.920 --> 00:49:59.719
<v Speaker 1>And I think, you know, for people who have a

1113
00:49:59.800 --> 00:50:04.039
<v Speaker 1>lot kind of checked out over Monermath entire thing, those

1114
00:50:04.079 --> 00:50:08.079
<v Speaker 1>people would probably find the song unbearably cringe. There you

1115
00:50:08.119 --> 00:50:10.719
<v Speaker 1>have it. Then we also have on the new music

1116
00:50:10.760 --> 00:50:14.000
<v Speaker 1>front a new album announcement from Devil Master, which is

1117
00:50:14.119 --> 00:50:16.199
<v Speaker 1>right on que in my mind because I was just thinking,

1118
00:50:16.239 --> 00:50:17.679
<v Speaker 1>like a week ago, it's been a while since the

1119
00:50:17.760 --> 00:50:19.239
<v Speaker 1>last Devil Master arab when they're gonna do one. It's

1120
00:50:19.239 --> 00:50:21.280
<v Speaker 1>been four years since the last one, and they're kind of,

1121
00:50:21.280 --> 00:50:22.960
<v Speaker 1>you know, a punky band. You might expect to work

1122
00:50:22.960 --> 00:50:25.800
<v Speaker 1>a little bit faster than that. But I said, right

1123
00:50:25.800 --> 00:50:27.480
<v Speaker 1>with you in my mind. They have anounced Their album

1124
00:50:27.599 --> 00:50:31.320
<v Speaker 1>is called Bloody Dreams. It's out September the fourth via

1125
00:50:31.920 --> 00:50:36.000
<v Speaker 1>Relapse Records. Got to kill our fucking album cover, because

1126
00:50:36.000 --> 00:50:39.320
<v Speaker 1>if Devil Master have nothing else, they will have really

1127
00:50:39.360 --> 00:50:42.719
<v Speaker 1>fucking rad as shit aesthetic choices and you'll want to

1128
00:50:42.719 --> 00:50:47.119
<v Speaker 1>buy their stuff on every format, every item of merch whatever.

1129
00:50:47.800 --> 00:50:50.800
<v Speaker 1>And there's a song with a full on eighties horror

1130
00:50:50.880 --> 00:50:52.719
<v Speaker 1>VHS star music video as well, very much fit in

1131
00:50:52.760 --> 00:50:57.480
<v Speaker 1>the bill, called You Worms vein Delusions, which is a great,

1132
00:50:57.800 --> 00:51:00.800
<v Speaker 1>great title, and I wouldn't say that are any surprises

1133
00:51:00.840 --> 00:51:02.880
<v Speaker 1>really from the song itself, Like it's not even one

1134
00:51:02.880 --> 00:51:05.000
<v Speaker 1>of their slightly more left field songs. That they can

1135
00:51:05.079 --> 00:51:09.199
<v Speaker 1>do within their albums. It is a straightforward, fast, punky,

1136
00:51:09.519 --> 00:51:11.760
<v Speaker 1>slightly crusty, you know, with that crazy gata too. And

1137
00:51:11.800 --> 00:51:15.559
<v Speaker 1>they have a yeah, fucking careening, out of control devil

1138
00:51:15.559 --> 00:51:17.559
<v Speaker 1>Master song. But as I said, after four years without that,

1139
00:51:17.719 --> 00:51:18.239
<v Speaker 1>fine by me.

1140
00:51:18.639 --> 00:51:20.920
<v Speaker 2>Yeah, it's got that kind of slightly psychedelic touch that

1141
00:51:20.960 --> 00:51:22.440
<v Speaker 2>I think they can bring in, which I think is

1142
00:51:22.800 --> 00:51:25.639
<v Speaker 2>a fun element to add. But I hope I was like, yep,

1143
00:51:26.039 --> 00:51:29.639
<v Speaker 2>Devil Master doing that kind of punky, weird black melting

1144
00:51:29.679 --> 00:51:32.159
<v Speaker 2>that I really got into on the last album. I

1145
00:51:32.199 --> 00:51:34.599
<v Speaker 2>will take another album with that, and if the leading

1146
00:51:34.599 --> 00:51:35.880
<v Speaker 2>will go by, I think this is like the opening

1147
00:51:35.960 --> 00:51:38.639
<v Speaker 2>track on the album. It's a good kind of like vibe.

1148
00:51:39.519 --> 00:51:41.519
<v Speaker 2>I'm ready for more Devil Master.

1149
00:51:41.800 --> 00:51:44.159
<v Speaker 1>I'll tell you what does intrigue me about this? And

1150
00:51:44.400 --> 00:51:46.400
<v Speaker 1>I did, like to extent that I did a genuine

1151
00:51:46.400 --> 00:51:48.159
<v Speaker 1>double take because I thought I must have read it wrong.

1152
00:51:48.519 --> 00:51:51.960
<v Speaker 1>According to everyone I'm seeing here, it has six tracks

1153
00:51:52.440 --> 00:51:55.280
<v Speaker 1>this album, and like I said, Devil Master are a

1154
00:51:55.400 --> 00:51:58.239
<v Speaker 1>pretty like fast in and out punk band. There are

1155
00:51:58.239 --> 00:52:01.559
<v Speaker 1>other albums they are, you know, at least sort of

1156
00:52:01.599 --> 00:52:03.559
<v Speaker 1>ten track affairs, if not a few more. When you

1157
00:52:03.639 --> 00:52:05.880
<v Speaker 1>throw in some of the spooky interludes and stuff like that.

1158
00:52:05.920 --> 00:52:09.159
<v Speaker 1>They tend to have so six songs on an album,

1159
00:52:09.239 --> 00:52:12.440
<v Speaker 1>and one of them sex with Suckubus. That is a

1160
00:52:12.480 --> 00:52:14.719
<v Speaker 1>title of a song from their like Demo era. It's

1161
00:52:14.719 --> 00:52:16.800
<v Speaker 1>on their demo compilation from before their first album. So

1162
00:52:16.840 --> 00:52:19.159
<v Speaker 1>maybe that's again the same you know, demo era song

1163
00:52:19.199 --> 00:52:22.079
<v Speaker 1>they've decided to actually years later, like nearly a decade

1164
00:52:22.239 --> 00:52:24.639
<v Speaker 1>re record and put on the album proper. But I

1165
00:52:24.719 --> 00:52:26.480
<v Speaker 1>know that that is like a fast, punky, devil Master

1166
00:52:26.480 --> 00:52:28.800
<v Speaker 1>type song and the way they are but six songs

1167
00:52:28.840 --> 00:52:30.440
<v Speaker 1>to get it to full length when you are playing

1168
00:52:30.440 --> 00:52:34.000
<v Speaker 1>del Master songs, I am predicting at least one of

1169
00:52:34.000 --> 00:52:36.519
<v Speaker 1>these is going out there like I could.

1170
00:52:36.760 --> 00:52:39.880
<v Speaker 2>Yeah, I'm expecting five songs of punky, fast devil Master

1171
00:52:40.599 --> 00:52:43.199
<v Speaker 2>and then a twenty minute song or something like that. Yeah,

1172
00:52:43.239 --> 00:52:46.800
<v Speaker 2>that is like them throwing every idea they've ever had

1173
00:52:46.840 --> 00:52:49.280
<v Speaker 2>and just kind of going we are, We're running with it,

1174
00:52:49.360 --> 00:52:50.960
<v Speaker 2>and I'm curious.

1175
00:52:51.239 --> 00:52:52.639
<v Speaker 1>Yeah, I mean, I'm just gonna pull out. For example,

1176
00:52:52.719 --> 00:52:54.639
<v Speaker 1>the final track on it, the sixth song, is called

1177
00:52:54.719 --> 00:52:58.159
<v Speaker 1>Farewell Waltz to Unfortunate's Palace, and I could imagine that

1178
00:52:58.320 --> 00:53:02.519
<v Speaker 1>being a full on ten minute plus trippy Yeah, or

1179
00:53:02.519 --> 00:53:04.719
<v Speaker 1>maybe the title track Bloody Dreams, which comes before that.

1180
00:53:04.800 --> 00:53:08.280
<v Speaker 1>But considering this song is very straightforward Devilmaster. Just the

1181
00:53:08.280 --> 00:53:10.360
<v Speaker 1>fact that there are six songs on what Is you

1182
00:53:10.360 --> 00:53:13.159
<v Speaker 1>Know being market as a full length does suggest to

1183
00:53:13.199 --> 00:53:17.360
<v Speaker 1>me that there are more psychedelic, expansive passages to be

1184
00:53:17.920 --> 00:53:20.760
<v Speaker 1>discovered awaiting in this It also has a couple of

1185
00:53:20.800 --> 00:53:22.880
<v Speaker 1>guests on it. One of them is Chris aulsh from

1186
00:53:22.920 --> 00:53:25.000
<v Speaker 1>Power Trip, who was their drummer on the previous album,

1187
00:53:25.039 --> 00:53:27.800
<v Speaker 1>but he's you know, appearing in a part time capacity

1188
00:53:27.840 --> 00:53:31.000
<v Speaker 1>on it, but also Mirai from Sai, the Japanese black

1189
00:53:31.039 --> 00:53:35.719
<v Speaker 1>metal band, and also another Japanese black metal musician from

1190
00:53:35.719 --> 00:53:38.159
<v Speaker 1>a band called Arkaspar. You know, Devil Master I have

1191
00:53:38.159 --> 00:53:40.440
<v Speaker 1>always taken some influence from that kind of again psychedelic,

1192
00:53:40.440 --> 00:53:43.719
<v Speaker 1>weirdo Japanese heavy music scene, so it doesn't surprise me.

1193
00:53:43.760 --> 00:53:46.679
<v Speaker 1>But Mirai from CSI being involved with with Devvar's record

1194
00:53:46.840 --> 00:53:49.079
<v Speaker 1>is fucking cool. That record is coming to September the fourth,

1195
00:53:49.079 --> 00:53:51.360
<v Speaker 1>And while we are speaking about say, they have also

1196
00:53:51.400 --> 00:53:54.400
<v Speaker 1>announced an album to be released the same day, September

1197
00:53:54.400 --> 00:53:57.639
<v Speaker 1>the fourth. It's called Goka. It is the follow up

1198
00:53:57.639 --> 00:54:00.000
<v Speaker 1>to the twenty twenty two album Shiki, which was very

1199
00:54:00.079 --> 00:54:03.679
<v Speaker 1>I liked around these parts. And this also has a

1200
00:54:03.679 --> 00:54:07.000
<v Speaker 1>few guests listed on it, one of them including Michael

1201
00:54:07.039 --> 00:54:10.800
<v Speaker 1>Lakafelt from Opeth appearing. I hope that's a growl. I mean,

1202
00:54:10.840 --> 00:54:12.559
<v Speaker 1>if he comes to us some singing or something, or

1203
00:54:12.559 --> 00:54:14.320
<v Speaker 1>even a guest earlo, that would be cool. But I

1204
00:54:14.360 --> 00:54:18.159
<v Speaker 1>hope we get full on beast Mo Demon Michaelacafelt a

1205
00:54:18.239 --> 00:54:19.599
<v Speaker 1>PEII on a SI record, But just that as a

1206
00:54:19.599 --> 00:54:23.559
<v Speaker 1>pairing at all. Oh no, sorry, I'm reading here. Apparently

1207
00:54:23.599 --> 00:54:26.039
<v Speaker 1>he adds a guest guitar solo. Well there's that dream

1208
00:54:26.119 --> 00:54:29.559
<v Speaker 1>dashed but still cool. Cool Michaelacafel a Pei on a

1209
00:54:29.559 --> 00:54:33.119
<v Speaker 1>SI record. Very nice. Yeah, love site. They're beginning really

1210
00:54:33.119 --> 00:54:35.199
<v Speaker 1>fucking killer album cover as well as they always expect

1211
00:54:35.199 --> 00:54:37.159
<v Speaker 1>them to have. September the fourth.

1212
00:54:36.880 --> 00:54:39.360
<v Speaker 2>Good day for black metal. About black male albums, I'll

1213
00:54:39.400 --> 00:54:40.280
<v Speaker 2>probably really like.

1214
00:54:40.880 --> 00:54:44.800
<v Speaker 1>Yeah, September the fourth is looking freaky. A few first

1215
00:54:44.840 --> 00:54:47.360
<v Speaker 1>of all announcements over in the US, and I guess

1216
00:54:47.360 --> 00:54:50.360
<v Speaker 1>it's of curiosity to us Maryland Deafest. I've added a

1217
00:54:50.360 --> 00:54:54.920
<v Speaker 1>few more artists of Note Autopsy are right up there

1218
00:54:54.920 --> 00:54:58.360
<v Speaker 1>doing a fortieth anniversary general celebration, which I imagine will

1219
00:54:58.360 --> 00:55:01.239
<v Speaker 1>be you know, pulling out all sorts of historic cuts

1220
00:55:01.360 --> 00:55:04.559
<v Speaker 1>and stuff like that. But two names in particular jump

1221
00:55:04.559 --> 00:55:07.559
<v Speaker 1>out of this current MDF poster. One of them is

1222
00:55:07.760 --> 00:55:11.639
<v Speaker 1>Black Breath, who did perform that set at the what

1223
00:55:11.760 --> 00:55:13.920
<v Speaker 1>was it like Pacific Northwest Terrorfest or whatever it was

1224
00:55:13.960 --> 00:55:15.760
<v Speaker 1>that they randomly got added to and we were like, well,

1225
00:55:15.760 --> 00:55:17.360
<v Speaker 1>the fuck Black Breath are back. And they did play

1226
00:55:17.360 --> 00:55:18.840
<v Speaker 1>that show, and I've seen a couple clips of it,

1227
00:55:18.920 --> 00:55:21.239
<v Speaker 1>but not as much sort of coverage of it as

1228
00:55:21.239 --> 00:55:23.559
<v Speaker 1>you might expect, and I was like, will they do more?

1229
00:55:23.559 --> 00:55:25.800
<v Speaker 1>Will they appear? We now have in twenty twenty seven

1230
00:55:26.280 --> 00:55:29.280
<v Speaker 1>at least one more Black Breath show happening, so the

1231
00:55:29.400 --> 00:55:32.519
<v Speaker 1>dreamer is alive. Basically I'm saying Damnation or someone you know,

1232
00:55:32.960 --> 00:55:34.639
<v Speaker 1>get on it. But Black Breath are playing at least

1233
00:55:34.639 --> 00:55:36.079
<v Speaker 1>one show in twenty twenty seven, so it wasn't a

1234
00:55:36.079 --> 00:55:40.119
<v Speaker 1>completely one time thing. And the other return is Insect Warfare,

1235
00:55:40.280 --> 00:55:45.320
<v Speaker 1>who are playing a twenty anniversary set of their grindcore classic,

1236
00:55:45.360 --> 00:55:47.639
<v Speaker 1>one of the most seminal grind records of the twenty

1237
00:55:47.639 --> 00:55:50.760
<v Speaker 1>first century World extermination and the last time that Insect

1238
00:55:50.800 --> 00:55:53.920
<v Speaker 1>Warfare played a show was in fact Maryland Deadfest ten

1239
00:55:54.000 --> 00:55:57.719
<v Speaker 1>years before this for the tenth Anniverse three album. So

1240
00:55:57.880 --> 00:55:59.760
<v Speaker 1>whether they do more than that, I don't know. But

1241
00:55:59.800 --> 00:56:02.199
<v Speaker 1>for the grindheads, Insect Warfare coming out of their you

1242
00:56:02.199 --> 00:56:06.280
<v Speaker 1>know that's big. Yeah, every decade fucking hiatus and appearing

1243
00:56:06.599 --> 00:56:09.719
<v Speaker 1>is big news. So two shows added on to Maryland

1244
00:56:09.719 --> 00:56:11.760
<v Speaker 1>Deafes say that we overhere are looking at with with

1245
00:56:11.920 --> 00:56:16.400
<v Speaker 1>keen interest, wondering if it might possibly go anywhere else. Meanwhile,

1246
00:56:16.480 --> 00:56:20.519
<v Speaker 1>Fortress Festival have added a their first wave of bands.

1247
00:56:20.559 --> 00:56:22.800
<v Speaker 1>This is the black metal festival in Scarborough I've been

1248
00:56:22.800 --> 00:56:24.519
<v Speaker 1>going through for the last few years. They had already

1249
00:56:24.559 --> 00:56:27.320
<v Speaker 1>announced Emperor as one of their headliners for next year,

1250
00:56:27.320 --> 00:56:29.639
<v Speaker 1>but this is the first proper wave of other artists.

1251
00:56:29.679 --> 00:56:31.400
<v Speaker 1>And when they announced Emperor, it was a you know,

1252
00:56:31.440 --> 00:56:34.280
<v Speaker 1>it's a larger than average band. It's one of the real,

1253
00:56:34.360 --> 00:56:38.400
<v Speaker 1>like big name big gets for Fortress. But Fortress is

1254
00:56:38.480 --> 00:56:41.719
<v Speaker 1>a festival that has kind of built its name on cult,

1255
00:56:41.840 --> 00:56:44.679
<v Speaker 1>underground exclusives and stuff that you wouldn't imagine ever seeing

1256
00:56:44.679 --> 00:56:46.280
<v Speaker 1>anywhere else, and when Emperor was added, people like, oh,

1257
00:56:46.320 --> 00:56:48.280
<v Speaker 1>I hope we still have some of that that other stuff.

1258
00:56:48.599 --> 00:56:51.000
<v Speaker 1>This first wave I think very much, answers that, yes,

1259
00:56:51.199 --> 00:56:53.480
<v Speaker 1>that is still what the Viber Fortress is because what

1260
00:56:53.519 --> 00:56:56.800
<v Speaker 1>they have added twelve fans. First one that they put

1261
00:56:56.800 --> 00:57:00.760
<v Speaker 1>out there was Grub, whose album Cremas we spoke about

1262
00:57:00.760 --> 00:57:04.119
<v Speaker 1>a lot last year. Yeah, and this is mad because

1263
00:57:04.199 --> 00:57:06.760
<v Speaker 1>after group out of that album, the main guy was like,

1264
00:57:06.920 --> 00:57:09.639
<v Speaker 1>I am retiring from music. He said that he had,

1265
00:57:09.719 --> 00:57:12.280
<v Speaker 1>like you know, he had like health issues that meant

1266
00:57:12.280 --> 00:57:15.639
<v Speaker 1>that he didn't feel comfortable performing or anything, and he

1267
00:57:15.719 --> 00:57:17.000
<v Speaker 1>was like, I'm putting out his album and then I'm

1268
00:57:17.039 --> 00:57:18.880
<v Speaker 1>retiring from music. And then less than a year later

1269
00:57:19.159 --> 00:57:21.840
<v Speaker 1>he's come back saying like I'm better now, I'm gonna

1270
00:57:21.840 --> 00:57:26.480
<v Speaker 1>play shows, Like yeah, okay, great, and if it's health.

1271
00:57:26.280 --> 00:57:28.320
<v Speaker 3>Reasons, you're gonna go back on, I mean, that's totally

1272
00:57:28.320 --> 00:57:30.840
<v Speaker 3>cor yeah.

1273
00:57:29.800 --> 00:57:31.239
<v Speaker 1>But I like, you know, I didn't imagine the thought

1274
00:57:31.280 --> 00:57:33.280
<v Speaker 1>that was like basically my favorite black metal record of

1275
00:57:33.360 --> 00:57:35.159
<v Speaker 1>last year, and I didn't imagine I was gonna see it.

1276
00:57:35.559 --> 00:57:37.599
<v Speaker 1>And then suddenly he's like, yeah, I'm gonna play a

1277
00:57:37.639 --> 00:57:40.519
<v Speaker 1>show and it's a worldwide exclusive for twenty's even as well,

1278
00:57:40.519 --> 00:57:41.639
<v Speaker 1>So there you go. If you want to see that

1279
00:57:41.639 --> 00:57:45.280
<v Speaker 1>grab record being performed, then that is happening at Fortress.

1280
00:57:45.400 --> 00:57:49.360
<v Speaker 1>Then they added the Quebec band miser Rare Luminis, who

1281
00:57:49.360 --> 00:57:50.800
<v Speaker 1>put out an album that I've seen, you know, quite

1282
00:57:50.840 --> 00:57:53.239
<v Speaker 1>well reviewed in some areas this year. They also then

1283
00:57:53.400 --> 00:57:55.719
<v Speaker 1>added this is probably the maddest one of the bunch,

1284
00:57:56.199 --> 00:58:00.119
<v Speaker 1>another Quebec band, Gre spelled g r i S, who

1285
00:58:00.159 --> 00:58:06.400
<v Speaker 1>are performing their worldwide live debut at Fortress. And this

1286
00:58:06.559 --> 00:58:08.000
<v Speaker 1>is like, you know, when we were talking about gallow

1287
00:58:08.000 --> 00:58:11.000
<v Speaker 1>Bray last year, this is that because Greed are again

1288
00:58:11.159 --> 00:58:15.360
<v Speaker 1>really in underground, but like a really well beloved, kind

1289
00:58:15.400 --> 00:58:18.679
<v Speaker 1>of depressive black metal band, and they're like their sort

1290
00:58:18.679 --> 00:58:20.559
<v Speaker 1>of key record that this is a record that, like,

1291
00:58:20.599 --> 00:58:22.039
<v Speaker 1>you will have people out there who would say it's

1292
00:58:22.079 --> 00:58:24.639
<v Speaker 1>out their favorite black metal album album ever. Right came

1293
00:58:24.639 --> 00:58:27.239
<v Speaker 1>out in I think about two thousand and seven, and

1294
00:58:27.280 --> 00:58:30.239
<v Speaker 1>they're just twenty years afterwards being like, we're going to

1295
00:58:30.280 --> 00:58:32.400
<v Speaker 1>play it, or at least, you know, play the first

1296
00:58:32.440 --> 00:58:35.199
<v Speaker 1>ever live show. Yeah, And so that's a you know,

1297
00:58:35.239 --> 00:58:36.760
<v Speaker 1>a bout that people have loved for years and years

1298
00:58:36.760 --> 00:58:38.920
<v Speaker 1>and years, never ever imagined it'd be performed live, and

1299
00:58:38.960 --> 00:58:41.440
<v Speaker 1>then suddenly, for the first time ever, there it is

1300
00:58:41.480 --> 00:58:43.840
<v Speaker 1>at Fortress once again pulling out something mental like that.

1301
00:58:43.840 --> 00:58:46.599
<v Speaker 1>That's probably the most bizarrero thing on this announcement. There's

1302
00:58:46.639 --> 00:58:50.639
<v Speaker 1>also the Swiss band tady Garda Yellow Eyes, the kind

1303
00:58:50.679 --> 00:58:52.639
<v Speaker 1>of us experiment of black metal band. They are coming

1304
00:58:52.679 --> 00:58:55.000
<v Speaker 1>over for the first time in eight years to the

1305
00:58:55.079 --> 00:58:58.639
<v Speaker 1>UK performing their most recent album, Confusion Gate in full.

1306
00:58:59.000 --> 00:59:02.519
<v Speaker 1>There is the band More appearing at Fortress tra which

1307
00:59:02.559 --> 00:59:04.920
<v Speaker 1>is another fucking crazy pole, Like that's one of those

1308
00:59:04.960 --> 00:59:07.079
<v Speaker 1>band camp guys who's put out like a hundred albums,

1309
00:59:07.239 --> 00:59:10.679
<v Speaker 1>but like really mad stuff. It's like really freaky created

1310
00:59:10.679 --> 00:59:14.480
<v Speaker 1>stuff going on in his records. Slagmar, which, aside from

1311
00:59:14.480 --> 00:59:17.239
<v Speaker 1>sound like a terrible insult to to someone's mother, this

1312
00:59:17.320 --> 00:59:19.199
<v Speaker 1>is the band where I was like, I recognize that name?

1313
00:59:19.199 --> 00:59:20.920
<v Speaker 1>Why do I recognize that name somewhere? And then I

1314
00:59:20.960 --> 00:59:23.000
<v Speaker 1>realized that they were involved in a scandal earlier this

1315
00:59:23.079 --> 00:59:25.920
<v Speaker 1>year where they faked them all disappearing in the woods

1316
00:59:27.840 --> 00:59:29.960
<v Speaker 1>and I was like, Oh, it's the it's the pr

1317
00:59:29.960 --> 00:59:32.400
<v Speaker 1>stun't disappearing in the woods band. But they're playing.

1318
00:59:34.079 --> 00:59:37.320
<v Speaker 3>Was upon a burning body exactly that have a.

1319
00:59:37.360 --> 00:59:41.440
<v Speaker 1>Cruno are playing. Finnish band very good Sinemara, one of

1320
00:59:41.480 --> 00:59:43.800
<v Speaker 1>the great Icelandic bands of that kind of period of

1321
00:59:43.840 --> 00:59:45.159
<v Speaker 1>the sort of lar ten years or so. They're on

1322
00:59:45.280 --> 00:59:47.800
<v Speaker 1>it for Arrests, the Quebec band who they played a

1323
00:59:47.800 --> 00:59:51.079
<v Speaker 1>couple of years ago. They're coming back from somewhere. Yeah,

1324
00:59:51.119 --> 00:59:55.880
<v Speaker 1>I've seen. And then finally a Dungeon Synth announcement for

1325
00:59:55.880 --> 00:59:59.119
<v Speaker 1>Fortress Fortress Fest. An artist going by the name Dungeon

1326
00:59:59.199 --> 01:00:02.440
<v Speaker 1>Troll is going to be appearing what else, and he

1327
01:00:02.559 --> 01:00:07.000
<v Speaker 1>says that he's going to be performing original unheard music

1328
01:00:07.280 --> 01:00:09.519
<v Speaker 1>at Fortress Festival that he has no plans to actually

1329
01:00:09.519 --> 01:00:13.480
<v Speaker 1>record or release, so it's just to turn up and

1330
01:00:13.559 --> 01:00:17.519
<v Speaker 1>hear the world exclusive of Dungeon Troll music that isn't

1331
01:00:17.559 --> 01:00:20.719
<v Speaker 1>going anywhere else. But that is the round of names

1332
01:00:20.719 --> 01:00:24.079
<v Speaker 1>that they have added after Emperor Onto for festival, which

1333
01:00:24.199 --> 01:00:28.519
<v Speaker 1>fucking hats off to him. Madge it to the end

1334
01:00:29.320 --> 01:00:31.079
<v Speaker 1>in terms of bands are like I'm a really big

1335
01:00:31.119 --> 01:00:32.760
<v Speaker 1>fan of I want to say there's quite as many

1336
01:00:32.760 --> 01:00:35.039
<v Speaker 1>in there as like, say, you know, the first wave

1337
01:00:35.079 --> 01:00:38.280
<v Speaker 1>of last year's announcement. But obviously, like I said, grab

1338
01:00:38.960 --> 01:00:41.159
<v Speaker 1>didn't I love that record last year? I didn't imagine

1339
01:00:41.199 --> 01:00:43.559
<v Speaker 1>see it live. I'd be excited to see Sinemara. I'm

1340
01:00:43.559 --> 01:00:45.559
<v Speaker 1>bit excited to see have a crew new I would

1341
01:00:45.599 --> 01:00:49.119
<v Speaker 1>be here. It's about what the fuck Dungeon Troll is doing.

1342
01:00:49.320 --> 01:00:52.480
<v Speaker 1>That has all been added to next year's Fortress Festival,

1343
01:00:52.760 --> 01:00:55.079
<v Speaker 1>and then finally a couple of live announcements that I

1344
01:00:55.159 --> 01:00:59.400
<v Speaker 1>maybe have more of interest to you, Sam Converge, after

1345
01:00:59.480 --> 01:01:03.360
<v Speaker 1>appearing Breakfast year, they have added a UK and European

1346
01:01:03.840 --> 01:01:06.199
<v Speaker 1>tour where in the UK they're going to be playing

1347
01:01:06.280 --> 01:01:10.320
<v Speaker 1>leads Bristol, Glasgow, Nottingham and London. And the Converged Tour,

1348
01:01:10.320 --> 01:01:12.239
<v Speaker 1>which is obviously in support of their two albums that

1349
01:01:12.320 --> 01:01:14.880
<v Speaker 1>came out this year, is bringing along a package of

1350
01:01:14.960 --> 01:01:18.400
<v Speaker 1>Sanguy Suger, Bog Black Braid and Pupil Slicer. I love

1351
01:01:18.480 --> 01:01:22.960
<v Speaker 1>how Converge are so a so respected themselves, but also

1352
01:01:23.159 --> 01:01:25.639
<v Speaker 1>be we know the members of that band have such

1353
01:01:25.639 --> 01:01:29.039
<v Speaker 1>a clectic, wide reaching tastes that they can put together.

1354
01:01:29.039 --> 01:01:32.039
<v Speaker 1>I'm like, I remember, for example, you know sometime in

1355
01:01:32.079 --> 01:01:34.559
<v Speaker 1>the late twenty tens they did that bill that was

1356
01:01:34.599 --> 01:01:37.239
<v Speaker 1>like Converge crowbar thou Grave Place.

1357
01:01:38.000 --> 01:01:39.440
<v Speaker 3>That's when I went to and like.

1358
01:01:40.920 --> 01:01:44.599
<v Speaker 1>And it's like nothing really unites those other than Converge

1359
01:01:44.639 --> 01:01:48.159
<v Speaker 1>are able to bring them all along. And this considering

1360
01:01:48.199 --> 01:01:50.880
<v Speaker 1>we have a really fucking like horrible Brittle Death. Got

1361
01:01:50.880 --> 01:01:53.400
<v Speaker 1>a band in Sanguy Suger Bog, you know native American

1362
01:01:53.440 --> 01:01:56.159
<v Speaker 1>black metal in Black Braid, and then you know UK

1363
01:01:56.440 --> 01:02:00.239
<v Speaker 1>like math core in Pupil Slicer. Once again, nothing really

1364
01:02:00.360 --> 01:02:02.719
<v Speaker 1>unites those other than converge can ask them to come

1365
01:02:02.719 --> 01:02:03.199
<v Speaker 1>out on tour.

1366
01:02:03.960 --> 01:02:07.119
<v Speaker 2>Yeah, I mean it just s captures these like what Conversion,

1367
01:02:07.159 --> 01:02:09.280
<v Speaker 2>They're going to bring an extreme kind of support bill,

1368
01:02:10.079 --> 01:02:13.039
<v Speaker 2>but it's gonna be you know, different lanes of that,

1369
01:02:13.159 --> 01:02:14.719
<v Speaker 2>but it's all going to kind of have I guess,

1370
01:02:14.760 --> 01:02:17.559
<v Speaker 2>a unifying vibe of just like, yeah, all of these

1371
01:02:17.599 --> 01:02:20.440
<v Speaker 2>bands probably have as some oh something to converge in

1372
01:02:20.480 --> 01:02:22.840
<v Speaker 2>some way, so it makes sense we're gonna go.

1373
01:02:22.840 --> 01:02:24.599
<v Speaker 3>I think I think it's a really cool.

1374
01:02:24.519 --> 01:02:27.079
<v Speaker 2>Interesting just kind of like it's somes of what I

1375
01:02:27.079 --> 01:02:28.800
<v Speaker 2>love ourt converged tours when they come about where they

1376
01:02:29.159 --> 01:02:31.039
<v Speaker 2>say you're gonna get some of that is going to

1377
01:02:31.679 --> 01:02:35.039
<v Speaker 2>be heaviest shit, but interesting and care and different each band.

1378
01:02:35.079 --> 01:02:38.360
<v Speaker 2>Easy sport bands really different vibe, really different approach to

1379
01:02:38.639 --> 01:02:40.960
<v Speaker 2>vocals and like and their own take on heaviness. I

1380
01:02:40.960 --> 01:02:43.360
<v Speaker 2>think I think it's great and I think we've converged,

1381
01:02:43.400 --> 01:02:44.440
<v Speaker 2>you know, kind of leading thing.

1382
01:02:45.000 --> 01:02:47.360
<v Speaker 3>It's undeniably gonna be a great night. Yes.

1383
01:02:47.519 --> 01:02:47.599
<v Speaker 2>Uh.

1384
01:02:47.639 --> 01:02:49.760
<v Speaker 1>And then finally one again, very much to give interest

1385
01:02:49.760 --> 01:02:52.320
<v Speaker 1>to you, sam Is, I promise the world, who just

1386
01:02:52.400 --> 01:02:55.199
<v Speaker 1>played their UK debut at Outbreak Festival a couple weeks ago,

1387
01:02:55.599 --> 01:02:58.679
<v Speaker 1>they are coming back through sort of you know, Western

1388
01:02:58.719 --> 01:03:01.000
<v Speaker 1>Europe and playing quite a lot of show in the UK.

1389
01:03:01.360 --> 01:03:02.960
<v Speaker 1>I promise the world coming about you're probably gonna hit

1390
01:03:02.960 --> 01:03:04.320
<v Speaker 1>one of those that I'm at.

1391
01:03:04.239 --> 01:03:06.440
<v Speaker 3>The New Classing show in London. Yeah, I saw that.

1392
01:03:06.440 --> 01:03:07.719
<v Speaker 2>I was like, yeah, I want to, I want to,

1393
01:03:07.760 --> 01:03:10.920
<v Speaker 2>you know show. They've got a band Rosa Sharon support

1394
01:03:10.960 --> 01:03:12.639
<v Speaker 2>in which I think for like a new metal coal band.

1395
01:03:12.639 --> 01:03:14.800
<v Speaker 3>That's a very good name, Rose Sharon.

1396
01:03:15.719 --> 01:03:18.000
<v Speaker 2>They're pretty cool, like I think they played like hellfare

1397
01:03:18.039 --> 01:03:20.119
<v Speaker 2>so I'm like, nice package of that kind of like

1398
01:03:20.519 --> 01:03:22.480
<v Speaker 2>metal course scene revival stuff that I'm into.

1399
01:03:22.480 --> 01:03:24.679
<v Speaker 3>I grabbed my ticket for this already because I want

1400
01:03:24.679 --> 01:03:26.119
<v Speaker 3>to go and have a good night with that.

1401
01:03:26.679 --> 01:03:30.719
<v Speaker 1>Yes. So that is the roundup of the news this

1402
01:03:30.840 --> 01:03:33.280
<v Speaker 1>time here in you know T and M universe. We

1403
01:03:33.320 --> 01:03:35.960
<v Speaker 1>are going to in about a week or so, we

1404
01:03:36.000 --> 01:03:38.519
<v Speaker 1>are going to be getting our teeth into the fourth

1405
01:03:38.599 --> 01:03:41.960
<v Speaker 1>and final part of our Corn Band Special, one of

1406
01:03:41.960 --> 01:03:44.039
<v Speaker 1>the band specials that was most requested of us down

1407
01:03:44.119 --> 01:03:46.440
<v Speaker 1>you know, the last handful of years, you know, over

1408
01:03:46.440 --> 01:03:48.280
<v Speaker 1>ten years we're doing this podcast right, and Corn was

1409
01:03:48.440 --> 01:03:50.760
<v Speaker 1>obviously in contention of a whole that we are coming

1410
01:03:50.880 --> 01:03:54.480
<v Speaker 1>right to the finish line of this looking forward to

1411
01:03:54.599 --> 01:03:56.719
<v Speaker 1>getting into that and then you know, most recent material

1412
01:03:56.719 --> 01:03:58.039
<v Speaker 1>and wrapping all of that up. If you want to

1413
01:03:58.039 --> 01:03:59.840
<v Speaker 1>hear all of the Corn Special and all of all

1414
01:03:59.840 --> 01:04:03.880
<v Speaker 1>the other specials we've done, band specials lists, silly shit

1415
01:04:04.079 --> 01:04:06.320
<v Speaker 1>that like all of that, you can find at patroon

1416
01:04:06.360 --> 01:04:08.840
<v Speaker 1>dot com slash That's not Metal, and by going over

1417
01:04:08.880 --> 01:04:12.000
<v Speaker 1>there that is also the best way to contribute to

1418
01:04:12.039 --> 01:04:14.320
<v Speaker 1>helping this podcast keep running and keep afloat as it

1419
01:04:14.360 --> 01:04:16.119
<v Speaker 1>has done for all those years. So thank you to

1420
01:04:16.159 --> 01:04:18.800
<v Speaker 1>everybody who is so kind as to go and do that.

1421
01:04:19.039 --> 01:04:23.159
<v Speaker 1>Let's finally end this with some releases for July the tenth,

1422
01:04:23.280 --> 01:04:26.559
<v Speaker 1>twenty twenty six. First up, bringing the Horizon, speaking of

1423
01:04:26.559 --> 01:04:30.000
<v Speaker 1>twentieth diversaries and all this jazz. Count Your Blessings repented

1424
01:04:30.199 --> 01:04:32.719
<v Speaker 1>the re recorded version with I Guess That one original

1425
01:04:32.719 --> 01:04:36.559
<v Speaker 1>song out as well of their debut album Count Your

1426
01:04:36.599 --> 01:04:39.960
<v Speaker 1>Blessings out in the world. We are going to be

1427
01:04:40.039 --> 01:04:44.079
<v Speaker 1>talking about the Count Your Blessings, you know, showcase at Outbreak,

1428
01:04:44.119 --> 01:04:47.559
<v Speaker 1>the big twenty third three show on this show next week,

1429
01:04:47.760 --> 01:04:50.119
<v Speaker 1>and I guess as the album is out, we'll probably

1430
01:04:50.199 --> 01:04:52.360
<v Speaker 1>just chat a little bit about the you know, the

1431
01:04:52.400 --> 01:04:55.519
<v Speaker 1>rerecorded product a little bit as well, so we'll get

1432
01:04:55.519 --> 01:04:57.119
<v Speaker 1>some thoughts out on that. But that is out in

1433
01:04:57.159 --> 01:04:59.880
<v Speaker 1>the world today. Then we also have in the metal

1434
01:05:00.000 --> 01:05:03.440
<v Speaker 1>areo type lanes, you know, glossy radio metal core, the

1435
01:05:03.480 --> 01:05:07.159
<v Speaker 1>plot in you have got a self titled album. Then

1436
01:05:07.519 --> 01:05:10.760
<v Speaker 1>pivoting over to brit rock, we have the excerpts have

1437
01:05:10.880 --> 01:05:13.840
<v Speaker 1>got their new album called I Think I Want to

1438
01:05:13.880 --> 01:05:17.960
<v Speaker 1>Go Home Now experimental, weird hardcore, I guess is how

1439
01:05:17.960 --> 01:05:19.800
<v Speaker 1>you would always describe this band, show me the Body

1440
01:05:20.519 --> 01:05:23.960
<v Speaker 1>alone together. Their album is out devil Driver one of

1441
01:05:23.960 --> 01:05:26.480
<v Speaker 1>those names still kicking around, Devil Driver. They have got

1442
01:05:26.760 --> 01:05:28.360
<v Speaker 1>god knows how many albums they have now, but the

1443
01:05:28.400 --> 01:05:30.880
<v Speaker 1>newest one which has a very funny cover of like

1444
01:05:30.920 --> 01:05:33.239
<v Speaker 1>a hyena wearing a battle jacket. It's very daft looking.

1445
01:05:34.320 --> 01:05:37.119
<v Speaker 1>But the album is called Strike and Kill. That is

1446
01:05:37.199 --> 01:05:41.400
<v Speaker 1>out in sort of very rowdy, heavy metallic hardcore. There

1447
01:05:41.480 --> 01:05:44.800
<v Speaker 1>is no cure with a record called It is Going

1448
01:05:44.800 --> 01:05:48.039
<v Speaker 1>to Get Dark. There is day Dream Plus out on.

1449
01:05:48.079 --> 01:05:49.440
<v Speaker 1>I think this was run for cover, wasn't it. This

1450
01:05:49.519 --> 01:05:52.159
<v Speaker 1>was the band that was members of two Mold doing

1451
01:05:52.199 --> 01:05:57.599
<v Speaker 1>like really snappy summary, like instrumental city pop. Yeah, that

1452
01:05:57.639 --> 01:06:00.760
<v Speaker 1>record is out that second last day of summer in

1453
01:06:00.800 --> 01:06:03.719
<v Speaker 1>a kind of instrumental post rock post metal. There is

1454
01:06:03.760 --> 01:06:07.480
<v Speaker 1>if these Trees could talk with the Hidden Hand, weird

1455
01:06:07.840 --> 01:06:12.639
<v Speaker 1>out there progue tech death metal arise from Worms featuring

1456
01:06:12.679 --> 01:06:15.880
<v Speaker 1>members of Morbid Angel and Kryptopsy in various such such

1457
01:06:16.000 --> 01:06:19.880
<v Speaker 1>legends a bleeding Tree hanging self destruction and then in

1458
01:06:19.920 --> 01:06:21.960
<v Speaker 1>black metal more Rear, who was one of those bands

1459
01:06:21.960 --> 01:06:25.039
<v Speaker 1>I just listed being on that latest Fortress announcement. They

1460
01:06:25.039 --> 01:06:27.519
<v Speaker 1>have got an album called New levin In. That is

1461
01:06:27.679 --> 01:06:31.800
<v Speaker 1>it for us. Hope everybody who went to Metallica or

1462
01:06:31.840 --> 01:06:35.039
<v Speaker 1>My Chemical Romance enjoyed it just as much as Sam did.

1463
01:06:35.119 --> 01:06:37.480
<v Speaker 1>I hope that everybody who's at two thousand Trees this weekend,

1464
01:06:37.480 --> 01:06:39.360
<v Speaker 1>we are not a trees this weekend, but I know

1465
01:06:39.400 --> 01:06:41.000
<v Speaker 1>that that is going on. I hope everybody over there

1466
01:06:41.079 --> 01:06:44.599
<v Speaker 1>is a having a good time and b staying cool,

1467
01:06:44.679 --> 01:06:46.559
<v Speaker 1>because holy shit, we looks like we're in another one

1468
01:06:46.559 --> 01:06:47.400
<v Speaker 1>of those weekends.

1469
01:06:47.559 --> 01:06:49.440
<v Speaker 3>Like I said, I was like, it was bad enough

1470
01:06:49.519 --> 01:06:50.000
<v Speaker 3>last year.

1471
01:06:50.039 --> 01:06:53.119
<v Speaker 1>I was goddamn yeah, but you know, solidarity to everyone's there.

1472
01:06:53.119 --> 01:06:56.840
<v Speaker 1>I hope it's sick. As said, next week we are

1473
01:06:56.880 --> 01:06:59.639
<v Speaker 1>going to be packed talking about the Bringing the Horizon

1474
01:07:00.039 --> 01:07:02.760
<v Speaker 1>Out Your Blessings event, and then you know, we'll be

1475
01:07:02.880 --> 01:07:05.000
<v Speaker 1>around after that. As I said, with more corn special

1476
01:07:05.039 --> 01:07:07.800
<v Speaker 1>goods on the Patreon July's reviews at some point after

1477
01:07:07.840 --> 01:07:10.760
<v Speaker 1>that as well, So lots look forward to. Cheers everybody. Bye,