1 00:00:28,440 --> 00:00:35,159 Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho. 2 00:00:35,399 --> 00:00:39,799 This is your host, Adam Graham. In a moment, we're 3 00:00:39,840 --> 00:00:43,479 going to bring you this week's episode of Broadways My Beat. 4 00:00:44,119 --> 00:00:47,759 But first I do want to encourage you. If you're 5 00:00:47,880 --> 00:00:52,799 enjoying the podcast, please follow us using your favorite podcast software. 6 00:00:53,439 --> 00:00:56,280 And today's program is brought you in part by the 7 00:00:56,320 --> 00:00:59,560 financial support of our listeners. You can support the show 8 00:00:59,600 --> 00:01:03,560 one hombasis support dot Great Detectives dot net. Thank you 9 00:01:03,600 --> 00:01:06,159 to ra for doing that, and you can also become 10 00:01:06,239 --> 00:01:09,120 one of our ongoing Patreon supporters for his little last 11 00:01:09,120 --> 00:01:13,920 two dollars per month. Go to Patreon, dot Great Detectives 12 00:01:14,000 --> 00:01:22,120 dot net. But now, from November twenty fourth, nineteen fifty one, 13 00:01:22,280 --> 00:01:24,640 here is the Paul Clark murder case. 14 00:01:38,159 --> 00:01:42,400 Speaker 2: Broadways Mybeats from Times Square to Columbus Circles, the gaudiest, 15 00:01:42,599 --> 00:01:47,120 the most violent, the lonesomest mile in the world. 16 00:01:50,519 --> 00:01:54,640 Speaker 3: Broadways My Beats with Larry thor As detectives Danny Clover. 17 00:02:06,000 --> 00:02:08,960 Speaker 2: When night comes to Broadway, it drains through Neon before 18 00:02:09,000 --> 00:02:11,960 it scatters the street, and everywhere shadows are tinged with 19 00:02:12,080 --> 00:02:15,759 scarlet and the crowd gathers, the tribe of twilight till dawn, 20 00:02:16,319 --> 00:02:19,680 the roar that coils upon itself before it floods, the darkness, 21 00:02:20,439 --> 00:02:23,759 Lean against it, walk it. The whirlpool of mob the 22 00:02:23,800 --> 00:02:26,800 puffs of music from winking doorways, the swirl of women's 23 00:02:26,840 --> 00:02:31,080 laughter that passes your lips. Let it touch you, then 24 00:02:31,120 --> 00:02:33,680 look backward and see it all change into night wind 25 00:02:34,439 --> 00:02:47,000 and drift away and uptown north on Broadway and East 26 00:02:47,080 --> 00:02:49,840 one hundred and tenth Street in Central Park, in the 27 00:02:49,879 --> 00:02:51,919 part of the night that hung over a lake where 28 00:02:51,919 --> 00:02:54,360 I was standing in the floodlights and the rowboat and 29 00:02:54,439 --> 00:02:57,560 Detective Muggument in the huddled shape. 30 00:03:00,599 --> 00:03:04,639 Speaker 4: Right, better, give me a hand with him? 31 00:03:04,879 --> 00:03:05,240 Speaker 5: Got him? 32 00:03:05,319 --> 00:03:09,039 Speaker 2: Yeah, he's it okay? 33 00:03:11,360 --> 00:03:14,199 Speaker 6: Well, for once a citizen was right, Danny Man drowned 34 00:03:14,199 --> 00:03:15,120 in Central Park Lake. 35 00:03:15,240 --> 00:03:17,840 Speaker 2: Citizens said, so, flows boy wasn't drowned. 36 00:03:17,919 --> 00:03:19,120 Speaker 5: Look, look. 37 00:03:20,560 --> 00:03:24,159 Speaker 2: H in the back a small caliber gun. Hasn't been 38 00:03:24,159 --> 00:03:27,960 dead too long? About nineteen good looking boy? 39 00:03:30,400 --> 00:03:31,199 Speaker 5: Nothing? 40 00:03:31,360 --> 00:03:31,560 Speaker 7: Uhh? 41 00:03:31,919 --> 00:03:36,120 Speaker 2: No wallet, pocket's empty, no identification. And once he got 42 00:03:36,159 --> 00:03:38,319 in his hand, like in his hand, his fist, he 43 00:03:38,400 --> 00:03:43,120 could be holding it, Yeah he was. Look, let me 44 00:03:43,120 --> 00:03:49,199 have it. Strange looking ring, isn't it? Antique? No initials inside. 45 00:03:51,000 --> 00:03:52,599 I'll get him downtown looking them, get. 46 00:03:52,439 --> 00:03:54,879 Speaker 8: Some princes, Danny. 47 00:03:55,360 --> 00:03:58,360 Speaker 5: But you were right, he was a good looking boy. 48 00:04:06,199 --> 00:04:09,840 Speaker 2: Then the pattern known too long, repeated too many times, 49 00:04:09,879 --> 00:04:13,680 the checking, the waiting. In three days, no reaction to 50 00:04:13,719 --> 00:04:16,560 the distribution of the boy's prints. In three days, many 51 00:04:16,639 --> 00:04:19,879 viewers of the dead, of many comments, compassionate and otherwise, 52 00:04:20,680 --> 00:04:23,000 but no tear of recognition to fall on the murdered 53 00:04:23,040 --> 00:04:27,079 boy's face. And finally something, the ring the boy had 54 00:04:27,079 --> 00:04:29,639 held so tight in his dead hand, the antique ring, 55 00:04:29,839 --> 00:04:32,519 the strange ring. There was a man who could tell 56 00:04:32,560 --> 00:04:34,800 me about it, the man name of mister Husted of 57 00:04:34,879 --> 00:04:39,519 Hasted Jewelry Limited on Lower Madisone go there, wait for 58 00:04:39,600 --> 00:04:42,319 mister Husted to wipe the mist off his roomless eyeglasses, 59 00:04:42,360 --> 00:04:45,480 replace them in their allotted furrow. The better to see 60 00:04:45,480 --> 00:04:45,680 you with. 61 00:04:45,800 --> 00:04:49,199 Speaker 9: You were foggy, out of focus. Now you're quite clear. 62 00:04:49,639 --> 00:04:51,319 To find a prison shat. 63 00:04:51,519 --> 00:04:54,240 Speaker 2: Thank you, mister Hustin. I was told back at headquarters 64 00:04:54,279 --> 00:04:56,800 you knew something about the ring. We found them, we 65 00:04:56,879 --> 00:04:57,879 could avoid. 66 00:04:57,560 --> 00:04:58,639 Speaker 9: A mention of the dead. 67 00:04:58,680 --> 00:05:00,319 Speaker 10: It would please me, mister Global. 68 00:05:00,519 --> 00:05:04,279 Speaker 9: You see, I'm quite old by now, and such things you. 69 00:05:04,319 --> 00:05:09,079 Speaker 2: Understand, of course, yes, the ring you have it with you? Yes, 70 00:05:09,160 --> 00:05:09,959 I see it. 71 00:05:10,000 --> 00:05:13,360 Speaker 9: Please they think you place it on the scarf of velvet. 72 00:05:13,480 --> 00:05:14,680 Speaker 11: Please, thank you. 73 00:05:16,639 --> 00:05:21,879 Speaker 2: Yes, yes, yes, you recognize it. It is a ring, 74 00:05:22,160 --> 00:05:23,879 exactly the same ring, mister. 75 00:05:24,120 --> 00:05:24,519 Speaker 9: Of course. 76 00:05:24,560 --> 00:05:30,160 Speaker 10: It is the memories, this little circle goals gone last days, 77 00:05:30,199 --> 00:05:32,240 the days of twilight and waltz. 78 00:05:32,680 --> 00:05:34,879 Speaker 2: No time, let's just tell me what there is about 79 00:05:34,879 --> 00:05:35,600 this ring, mister. 80 00:05:36,519 --> 00:05:39,120 Speaker 9: I was third clerk, then learning the business. 81 00:05:39,319 --> 00:05:42,600 Speaker 10: My father let me wait on her. A shining girl. 82 00:05:43,319 --> 00:05:46,519 I remember she breathed to a fiancy. She breathed, I 83 00:05:46,759 --> 00:05:49,720 like this one. I like this one for my wedding ring. 84 00:05:50,279 --> 00:05:54,040 Her voice was the girl who are day after became 85 00:05:54,279 --> 00:05:58,480 missus Renee Garland, a girl who is dead now. I 86 00:05:58,519 --> 00:05:59,639 attended her funeral. 87 00:06:00,360 --> 00:06:02,480 Speaker 2: She was How long ago did she die? 88 00:06:03,079 --> 00:06:06,879 Speaker 9: Twelve fifteen years. I have it in an album. 89 00:06:07,399 --> 00:06:09,040 Speaker 2: See thank you, mister Hustin. 90 00:06:09,120 --> 00:06:14,920 Speaker 9: She had a son, left him everything. Earl Garland. He 91 00:06:15,000 --> 00:06:16,839 comes here off ask for me. 92 00:06:17,160 --> 00:06:19,480 Speaker 5: You have his address on Fifth Avenue. 93 00:06:19,800 --> 00:06:25,519 Speaker 10: Gave a classic mansion stained marble here and there. You 94 00:06:25,639 --> 00:06:29,920 really must go, must go. 95 00:06:33,800 --> 00:06:36,560 Speaker 2: And leave him with the mist again on his eyeglasses, 96 00:06:36,839 --> 00:06:46,240 the better to see the twilight days, and in a 97 00:06:46,279 --> 00:06:49,079 fifth avenue mansion be told to wait for Earl Garland. 98 00:06:49,319 --> 00:06:53,399 Wait in a great hall bare, almost empty, its aged 99 00:06:53,439 --> 00:06:57,360 walls veined with the delicate arteries of cracked plaster. It's 100 00:06:57,439 --> 00:07:01,680 only warmth ashes of candle flame spattering against the darkness 101 00:07:01,680 --> 00:07:05,480 from candle, a bragh hanging loose, and from somewhere inside 102 00:07:05,519 --> 00:07:09,480 the place, a throbbing of lost music, wandering, Then a 103 00:07:09,519 --> 00:07:12,160 man in a far doorway, pausing an instant, then walking 104 00:07:12,160 --> 00:07:16,920 towards you, then offering a gloved hand. 105 00:07:17,639 --> 00:07:20,639 Speaker 8: I'm Mariel Garland. The servants said it was about a ring. 106 00:07:22,079 --> 00:07:23,600 You're wondering about my glass. 107 00:07:23,680 --> 00:07:26,279 Speaker 2: A little unusual, isn't it, Mister Garland. Don't seem to 108 00:07:26,319 --> 00:07:27,079 be going anywhere. 109 00:07:27,240 --> 00:07:28,160 Speaker 11: It's only that it's. 110 00:07:28,079 --> 00:07:32,519 Speaker 8: Cold in here, cold house. It's not that I'm named 111 00:07:32,600 --> 00:07:38,839 or any like that. You see two hands complete. Yeah, 112 00:07:39,000 --> 00:07:41,199 it is about a ring, isn't it? 113 00:07:41,279 --> 00:07:41,360 Speaker 5: Not? 114 00:07:41,439 --> 00:07:43,360 Speaker 8: About my personal affectations? 115 00:07:43,399 --> 00:07:44,000 Speaker 2: About a ring? 116 00:07:44,240 --> 00:07:47,439 Speaker 8: This one? You must have known it was once my mother's, 117 00:07:47,560 --> 00:07:49,519 or you wouldn't have come to my cold house. 118 00:07:49,639 --> 00:07:52,040 Speaker 2: Boy was holding on to it. A murdered boy we 119 00:07:52,160 --> 00:07:55,319 found in Central Park. How does it happen? He had 120 00:07:55,360 --> 00:07:57,519 your mother's wedding ring, mister Garland. 121 00:07:57,439 --> 00:07:59,879 Speaker 8: Now that you speak of it, he could have found, 122 00:08:00,040 --> 00:08:02,560 had stolen it, had it given to him by some 123 00:08:02,720 --> 00:08:04,319 progeny of my mother's servant. 124 00:08:04,519 --> 00:08:05,560 Speaker 2: You will explain it to me. 125 00:08:06,000 --> 00:08:09,519 Speaker 8: It's not that unusual. When mother died, she left a 126 00:08:09,560 --> 00:08:12,600 poignant note parceling out her trinkets. 127 00:08:12,120 --> 00:08:15,120 Speaker 2: Her bubbles, some jewels of value to. 128 00:08:15,079 --> 00:08:19,079 Speaker 8: Her faithful attendance. Our lawyers didn't quarrel with it. 129 00:08:19,600 --> 00:08:22,439 Speaker 2: He had and you never saw the ring after that. 130 00:08:22,839 --> 00:08:27,199 Speaker 8: No, mother had left me less tangible things to remember 131 00:08:27,279 --> 00:08:29,480 me by. May I have it? 132 00:08:30,199 --> 00:08:33,200 Speaker 2: We'd like to keep it for a while, mister Garland, I'll. 133 00:08:32,960 --> 00:08:37,679 Speaker 8: Tell you identify the boy actually keep it. You would, 134 00:08:37,679 --> 00:08:40,320 of course have a picture with you of a dead boy, 135 00:08:41,240 --> 00:08:41,759 so I. 136 00:08:41,759 --> 00:08:47,600 Speaker 2: May look at it. Sure you know. 137 00:08:49,320 --> 00:08:56,480 Speaker 8: Poor anguish child, just if you'll know it, mister Garland. No, No, 138 00:08:56,639 --> 00:09:03,519 I've never sworn you will pardon me it Well, Doctor, 139 00:09:03,799 --> 00:09:06,320 I have said it to you before. There's very little 140 00:09:06,320 --> 00:09:08,279 more that I can ans. Since I have faith in you, 141 00:09:08,279 --> 00:09:13,320 you will help her her places Claire Serene Lisa, Lisa 142 00:09:13,440 --> 00:09:15,879 wants to be with me what my wife wants to 143 00:09:15,879 --> 00:09:18,720 take the music away from her? Only sinks her deeper 144 00:09:18,720 --> 00:09:19,879 into whatever she's looking for. 145 00:09:20,240 --> 00:09:22,519 Speaker 12: Once there, you will never get her back. You'll never please. 146 00:09:23,919 --> 00:09:27,200 My wife is quite held, mister Clober. I want to 147 00:09:27,200 --> 00:09:31,200 go to I was just leaving. Good night, mister Carr. 148 00:09:47,759 --> 00:09:48,120 Speaker 2: Dannie. 149 00:09:48,600 --> 00:09:48,799 Speaker 10: Yeah. 150 00:09:48,840 --> 00:09:50,440 Speaker 2: What is the sergeant one of the. 151 00:09:50,399 --> 00:09:54,159 Speaker 4: People from the outside to see you, fell who says 152 00:09:54,159 --> 00:09:58,159 he brings news from Central Clark This way to see 153 00:09:58,240 --> 00:09:59,159 Nanny clover. 154 00:10:00,200 --> 00:10:04,279 Speaker 2: All, Geo, we'll sit down, please, thank you. 155 00:10:05,919 --> 00:10:11,000 Speaker 5: I'm Nagel. Oh, yes, and what did you want to 156 00:10:11,000 --> 00:10:13,919 see me about? You know which Nagel I am? 157 00:10:14,559 --> 00:10:14,639 Speaker 13: No? 158 00:10:14,759 --> 00:10:18,320 Speaker 2: I don't I see which Nagel. 159 00:10:18,360 --> 00:10:22,080 Speaker 13: Are you the one who hangs around Central Park? I've 160 00:10:22,159 --> 00:10:24,080 been in jail for doing it. That's why I thought 161 00:10:24,080 --> 00:10:26,240 you might know I was the Nagel. 162 00:10:27,799 --> 00:10:30,200 Speaker 2: No, why did they put you in jail. 163 00:10:30,240 --> 00:10:35,120 Speaker 13: Hanging around now? Your authorities are convinced I'm harmless. I 164 00:10:35,279 --> 00:10:38,159 just like to sit in the park. That's all all night. 165 00:10:38,960 --> 00:10:40,960 Every so often I choose a place in the park 166 00:10:40,960 --> 00:10:43,799 I might like and sit there a few nights. 167 00:10:43,600 --> 00:10:45,519 Speaker 11: And enjoy it. 168 00:10:45,840 --> 00:10:48,000 Speaker 2: Several days ago, a boy was shot at the lake 169 00:10:48,120 --> 00:10:50,480 near one hundred and tenth Straight. I know, did you 170 00:10:50,519 --> 00:10:51,159 see it happen? 171 00:10:51,480 --> 00:10:51,720 Speaker 11: No? 172 00:10:52,440 --> 00:10:55,799 Speaker 13: Then what I That night I was sitting on the mall. 173 00:10:56,799 --> 00:10:59,159 Night before last, I took to sitting around the lake. 174 00:11:00,000 --> 00:11:02,159 Perhaps the fact that a murderer had been committed there 175 00:11:02,200 --> 00:11:03,120 prompted me to do so. 176 00:11:04,000 --> 00:11:04,440 Speaker 5: I don't know. 177 00:11:04,840 --> 00:11:06,120 Speaker 11: I never questioned myself. 178 00:11:06,360 --> 00:11:08,159 Speaker 5: That's one of the reasons I can sit around and 179 00:11:08,200 --> 00:11:11,720 be happy. Don't smile. I'll bet that's more than you 180 00:11:11,759 --> 00:11:12,080 can do. 181 00:11:13,159 --> 00:11:13,879 Speaker 2: Please go on. 182 00:11:14,440 --> 00:11:17,799 Speaker 5: The night before last I was sitting there, but one 183 00:11:17,840 --> 00:11:19,919 o'clock a girl walked up to the edge of the lake. 184 00:11:20,879 --> 00:11:23,759 She stood there for a while and threw a flower 185 00:11:23,799 --> 00:11:26,240 into the water and walked away. 186 00:11:26,399 --> 00:11:27,879 Speaker 2: Why didn't you report this before? 187 00:11:29,279 --> 00:11:30,720 Speaker 5: It was such a charming thing. 188 00:11:31,279 --> 00:11:33,360 Speaker 13: I had to wait until last night to convince myself 189 00:11:33,360 --> 00:11:37,519 it wasn't one of my nicer imaginings. I think things 190 00:11:37,600 --> 00:11:38,919 like that sometimes, and. 191 00:11:38,840 --> 00:11:39,519 Speaker 5: I thought maybe this. 192 00:11:39,639 --> 00:11:43,000 Speaker 2: The girl came last night too, he did the same thing. 193 00:11:43,840 --> 00:11:46,360 Speaker 13: I never did get to see your face. She was 194 00:11:46,399 --> 00:11:51,600 too far away, but I imagine she was very lovely. 195 00:11:51,799 --> 00:11:55,120 Speaker 2: Then you wouldn't recognize her again, No. 196 00:11:56,200 --> 00:11:58,320 Speaker 13: You might as well know it. The only reason I'm 197 00:11:58,360 --> 00:12:00,879 telling you about it now is I decided to move 198 00:12:00,919 --> 00:12:02,960 from the lake and night I'm going to sit around 199 00:12:02,960 --> 00:12:06,639 the museum. 200 00:12:06,919 --> 00:12:09,200 Speaker 2: Then the man got up, walked over to the door 201 00:12:09,320 --> 00:12:13,200 and turned toward me, smiled. Then he did a peculiar thing. 202 00:12:13,879 --> 00:12:17,559 He opened the door and closed it behind him instead 203 00:12:17,600 --> 00:12:26,360 of dissolving in a puff of smoke. And wait then 204 00:12:27,559 --> 00:12:32,080 dusk and dinner, nighttime, the cigarettes and midnight and a 205 00:12:32,080 --> 00:12:35,519 little after that, ride up to Central Park. Leave the 206 00:12:35,600 --> 00:12:38,159 car and walk, walk to the lake, find a hummock 207 00:12:38,200 --> 00:12:41,600 of ground and stand there. Button the colt up high. Wait, 208 00:12:42,080 --> 00:12:47,159 watch until it's one o'clock. It's after that, and time 209 00:12:47,440 --> 00:12:53,120 moves nothing else. Wait, time, wait, and the figure that 210 00:12:53,279 --> 00:12:55,360 moves there where the trees are more black than the 211 00:12:55,440 --> 00:12:58,679 night is the figure of a girl moving toward the 212 00:12:58,759 --> 00:13:01,120 lake and stopping. Her face not to be seen through 213 00:13:01,120 --> 00:13:10,799 the branch shadow walk toward her quietly. Finally, for a reason, 214 00:13:10,879 --> 00:13:16,519 the ground spins up at you, hit you, then nothing 215 00:13:16,600 --> 00:13:17,039 at all. 216 00:13:28,960 --> 00:13:32,519 Speaker 3: You are listening to Broadways My Beat, written by Morton 217 00:13:32,600 --> 00:13:36,360 Fine and David Friedkin and starring Larry Thor as Detective 218 00:13:36,440 --> 00:13:41,200 Danny Clover. Your nineteen fifty one Christmas Seals are on 219 00:13:41,240 --> 00:13:44,279 their way. You'll be getting them in the mail. Send 220 00:13:44,320 --> 00:13:49,120 your contribution as your personal blow against TB. Remember your 221 00:13:49,120 --> 00:13:53,039 annual check to The National Tuberculosis Association says that you 222 00:13:53,159 --> 00:13:56,240 want to speed the day when TB will no longer 223 00:13:56,360 --> 00:13:57,320 menace mankind. 224 00:13:58,039 --> 00:13:59,720 Speaker 11: By Christmas seals. 225 00:14:09,559 --> 00:14:13,200 Speaker 2: The light of the November morning touches Broadway shoulders softly, 226 00:14:13,240 --> 00:14:15,960 now breaks the clinch that held it together in the night, 227 00:14:16,840 --> 00:14:19,240 and it becomes the time of the dazed wandering, the 228 00:14:19,360 --> 00:14:21,559 search for a place to sit down. Hold your head 229 00:14:21,559 --> 00:14:25,559 in your hands. Let the morning mists wash away, slowly 230 00:14:25,600 --> 00:14:30,440 dissolve the stains of nighttime. Then the congealing in the shock. 231 00:14:31,440 --> 00:14:34,639 Somewhere was it from across the river, the clawing shriek 232 00:14:34,720 --> 00:14:37,639 of a whistle, the insistent percussion of a bell, steel 233 00:14:37,639 --> 00:14:41,720 hammer electrically tripped. Gather up the pain, kid, bring it 234 00:14:41,759 --> 00:14:49,440 with you. A new day is dawning. But where you 235 00:14:49,559 --> 00:14:54,120 are it's luckier. A hand touches the wound, gentle, knowing, 236 00:14:54,240 --> 00:14:57,679 pro fashion, and it's what wakes you, the pain being 237 00:14:57,720 --> 00:15:05,200 carried away in the hands of doctor Sisko. Good, real 238 00:15:05,279 --> 00:15:06,759 good rest. 239 00:15:07,240 --> 00:15:10,399 Speaker 4: It's just like the good. Doctor Sinsky says, Danny, you 240 00:15:10,519 --> 00:15:11,440 slept real good. 241 00:15:12,120 --> 00:15:14,080 Speaker 2: How do you know, gin know well? 242 00:15:14,200 --> 00:15:16,720 Speaker 4: How does one come to know these things? Danny? 243 00:15:16,960 --> 00:15:19,720 Speaker 5: One well What our sergeant. 244 00:15:20,159 --> 00:15:21,799 Speaker 8: Is trying to say, Danny, is that he. 245 00:15:21,879 --> 00:15:24,360 Speaker 5: Stayed up all night with you here in the infirm 246 00:15:25,039 --> 00:15:25,679 hear it your. 247 00:15:25,600 --> 00:15:29,480 Speaker 4: Bedside, Doctor Sinski, you have betrayed a confidence from this moment. 248 00:15:29,519 --> 00:15:32,039 Henceforth I no longer feel impelled to entrust you with 249 00:15:32,080 --> 00:15:33,159 a Dartaglia secret. 250 00:15:33,519 --> 00:15:35,360 Speaker 2: You could have gone home. G know you you didn't 251 00:15:35,399 --> 00:15:39,399 have to do that. How does it feel any hurts 252 00:15:39,720 --> 00:15:42,759 should feel walking by yourself by a lake in the 253 00:15:42,799 --> 00:15:44,240 middle of the night. What do you expect? 254 00:15:45,039 --> 00:15:45,600 Speaker 5: What do you think? 255 00:15:45,679 --> 00:15:46,480 Speaker 14: To Sinski? 256 00:15:46,639 --> 00:15:47,679 Speaker 8: You mind? 257 00:15:48,480 --> 00:15:52,159 Speaker 5: That's all I had to say to you, Danny. 258 00:15:52,360 --> 00:15:55,200 Speaker 4: You feel like talking shop? Otherwise you could wait until 259 00:15:55,240 --> 00:15:59,039 the next treatment. Our boys staked out the lake after 260 00:15:59,080 --> 00:16:02,039 you or mayhem o lonely girl was found walking alone. 261 00:16:02,279 --> 00:16:05,080 The other thing is what the man in your office 262 00:16:05,159 --> 00:16:07,840 whilst you were in disposed He identified the murdered boy 263 00:16:07,879 --> 00:16:09,679 found in the lake of her same location. 264 00:16:24,240 --> 00:16:29,320 Speaker 2: Oh just look where you are? Your name, please Clark? 265 00:16:30,120 --> 00:16:35,240 Speaker 14: How that boy downstairs? That boy downstairs? You want to 266 00:16:35,240 --> 00:16:38,799 know who he is? Well, his name is Paul. His 267 00:16:38,919 --> 00:16:40,480 mother gave him that name. It was one of the 268 00:16:40,559 --> 00:16:43,559 last things she ever did. Paul was born December ninth, 269 00:16:43,639 --> 00:16:47,440 nineteen thirty two. His mother died December twelfth. His mother's 270 00:16:47,519 --> 00:16:51,440 name was Helen. When he was born, Paul, mister Clark. 271 00:16:51,480 --> 00:16:54,919 Paul had blonde here, either Helen or I liked blonde 272 00:16:54,919 --> 00:16:57,360 here because she was brunette, and I I am too. 273 00:16:58,519 --> 00:17:02,240 Paul's here turned you're his father, and as he grew 274 00:17:02,320 --> 00:17:06,119 up here became identity, the color of mind. He went 275 00:17:06,160 --> 00:17:09,200 to grade school, high school, not college. Understand his high 276 00:17:09,200 --> 00:17:12,359 school his friends were boys and girls who came out 277 00:17:12,440 --> 00:17:14,359 of the house once. 278 00:17:15,559 --> 00:17:16,799 Speaker 11: They never came on again. 279 00:17:17,119 --> 00:17:18,599 Speaker 2: Could you tell me why that was? 280 00:17:19,440 --> 00:17:24,359 Speaker 14: Exactly for the same reason Paul and I were embarrassed 281 00:17:24,400 --> 00:17:28,279 in front of it. There was no language between us 282 00:17:28,319 --> 00:17:30,599 after the helloes and how did the day go? 283 00:17:31,880 --> 00:17:33,079 Speaker 11: And just nothing to say. 284 00:17:33,559 --> 00:17:36,559 Speaker 14: I see, I knew Paul only in that I could 285 00:17:36,599 --> 00:17:40,319 recognize his face. And the boy lying there on that 286 00:17:40,440 --> 00:17:46,640 slab downstairs. He's a stranger, like he always He is 287 00:17:46,720 --> 00:17:50,559 Paul Clark because of the face. He's my son because 288 00:17:50,599 --> 00:17:51,759 his mother bore him. 289 00:17:52,039 --> 00:17:55,640 Speaker 2: Can you tell me anything that well, anything about his activities, 290 00:17:55,720 --> 00:18:00,599 his recent comings and goings. He came, he went, Please, 291 00:18:00,680 --> 00:18:02,839 mister Clark, try to think of anything that might be. 292 00:18:02,960 --> 00:18:05,759 Speaker 14: Well let's see. Once I asked him what he did 293 00:18:05,799 --> 00:18:08,119 that day and he told me. He said he went 294 00:18:08,160 --> 00:18:11,720 into the park and he listened to music. I said, 295 00:18:11,839 --> 00:18:17,160 how did you have a radio? He said no, I 296 00:18:17,200 --> 00:18:18,039 never asked. 297 00:18:19,640 --> 00:18:20,599 Speaker 2: And no friends. 298 00:18:21,119 --> 00:18:23,480 Speaker 14: Well, a person called it from time to time, person 299 00:18:23,519 --> 00:18:26,759 of the kind of strange name Churek. I think it was, 300 00:18:27,480 --> 00:18:30,759 but he hasn't called quite a Churek. Who's Ben Curek? 301 00:18:33,440 --> 00:18:33,559 Speaker 9: Now? 302 00:18:33,960 --> 00:18:36,759 Speaker 14: Will you, assistant, mister c show me the forms that 303 00:18:36,839 --> 00:18:47,319 I must fill in to get my son's body. 304 00:18:48,279 --> 00:18:51,480 Speaker 2: Then search the city's directory for the name Ben Turek, 305 00:18:51,759 --> 00:18:54,759 and beside it an address West twelfth and an occupation 306 00:18:55,400 --> 00:18:58,920 artist go to Ben Turek to a studio where the 307 00:18:58,960 --> 00:19:02,319 November lights still her through a curtained skylight, where the 308 00:19:02,400 --> 00:19:05,720 November light caresses a girl's face painted on canvas. 309 00:19:06,079 --> 00:19:08,319 Speaker 15: You walk in here, open your mouth to speak to me, 310 00:19:08,480 --> 00:19:12,000 and nothing comes out. My painting freezes you where you stand. 311 00:19:12,039 --> 00:19:12,480 Speaker 2: I'm that good. 312 00:19:12,519 --> 00:19:12,799 Speaker 15: Huh? 313 00:19:12,839 --> 00:19:14,079 Speaker 2: Where is she? Mister Truk? 314 00:19:14,319 --> 00:19:16,119 Speaker 15: Me woulout call her when I hang her on exhibition, 315 00:19:16,440 --> 00:19:19,319 But I call her now and they heretofore, privacy of 316 00:19:19,319 --> 00:19:19,680 my soul? 317 00:19:19,799 --> 00:19:20,759 Speaker 2: What you call her now? 318 00:19:21,039 --> 00:19:24,039 Speaker 15: Girl of the miss Child of the Lake, Midwinter's Night Dream, 319 00:19:24,400 --> 00:19:25,319 Beauty and the pain. 320 00:19:25,240 --> 00:19:27,079 Speaker 2: Take your picked you know her? 321 00:19:27,160 --> 00:19:29,559 Speaker 15: Who doesn't know her? Haven't you cried in the night 322 00:19:29,599 --> 00:19:31,799 because that girl, the girl in the painting there, wouldn't 323 00:19:31,799 --> 00:19:33,000 come closer, wouldn't lean down. 324 00:19:33,079 --> 00:19:34,440 Speaker 2: You know her? 325 00:19:35,039 --> 00:19:36,880 Speaker 15: We met her once walking through the park and never 326 00:19:36,880 --> 00:19:40,400 got her name, never saw her again. That masterpiece you 327 00:19:40,440 --> 00:19:43,680 admires from memory, it's for sale, kid, but at a 328 00:19:43,759 --> 00:19:44,440 very high cost. 329 00:19:44,559 --> 00:19:45,759 Speaker 2: You and who else met her? 330 00:19:45,920 --> 00:19:47,400 Speaker 15: The boy I know you? Came to talk to me 331 00:19:47,440 --> 00:19:49,759 about the boy Paul Clark. 332 00:19:49,839 --> 00:19:52,279 Speaker 2: He was murdered. He lay in the morgue three days more, 333 00:19:52,759 --> 00:19:55,319 and no one came to identify him. Why didn't you? 334 00:19:57,039 --> 00:19:58,839 I know the boys he lived, No, he's dead. 335 00:20:00,039 --> 00:20:04,480 Speaker 15: Don't paint still like That's why I didn't come to introduce. 336 00:20:04,079 --> 00:20:06,559 Speaker 2: The death boy to What you can tell me about him? 337 00:20:06,559 --> 00:20:11,599 Speaker 15: That I can? Paul, he never been to an art museum, 338 00:20:11,960 --> 00:20:14,599 looked at the statue of youth, Looked at the statue 339 00:20:14,640 --> 00:20:17,640 of youth, chiseled out of tragedy and warm marble. 340 00:20:18,160 --> 00:20:18,839 Speaker 9: That was Paul. 341 00:20:20,359 --> 00:20:22,039 Speaker 15: So I'm walking in the park one night, I asked 342 00:20:22,079 --> 00:20:25,359 what I've painted. We got to know each other and 343 00:20:25,480 --> 00:20:27,839 another night we saw this girl. Paul saw her too. 344 00:20:28,039 --> 00:20:30,119 He went to her, she went to him. 345 00:20:30,720 --> 00:20:34,839 Speaker 2: I never saw Paul again. That's life, and you wouldn't drin. 346 00:20:36,799 --> 00:20:39,440 That's life too, mat If I answer it, go ahead? 347 00:20:41,880 --> 00:20:42,559 Speaker 15: Are talking? 348 00:20:44,240 --> 00:20:44,920 Speaker 8: Yeah? 349 00:20:45,000 --> 00:20:46,319 Speaker 2: Yeah? Sure? 350 00:20:46,400 --> 00:20:47,680 Speaker 11: Is here for you? 351 00:20:48,039 --> 00:20:51,839 Speaker 2: Thanks? Yes, Danny. 352 00:20:51,839 --> 00:20:54,160 Speaker 4: A girl's just been brought in. A girl tried to 353 00:20:54,200 --> 00:20:56,359 drown herself in that Central Park wake, I thought, mate 354 00:20:57,279 --> 00:20:59,000 with doctor Sinski emergeny, I'll be right. 355 00:20:59,000 --> 00:21:02,839 Speaker 15: Do you admire my paying you probe what I laughingly 356 00:21:02,920 --> 00:21:05,839 call my soul? And you get your messages here? Anything 357 00:21:05,839 --> 00:21:06,640 else I can do for you? 358 00:21:06,799 --> 00:21:20,519 Speaker 2: Just don't go away, mister Chuck, you're a very interesting man. Okay, 359 00:21:22,960 --> 00:21:23,480 how is she do? 360 00:21:23,599 --> 00:21:24,039 Speaker 11: Ya, Siski? 361 00:21:24,960 --> 00:21:27,160 Speaker 5: She's a picture of a healthy young woman who's been 362 00:21:27,240 --> 00:21:27,799 dragged out. 363 00:21:27,720 --> 00:21:28,119 Speaker 11: Of a lake. 364 00:21:29,240 --> 00:21:30,240 Speaker 2: Can I talk to her. 365 00:21:30,680 --> 00:21:31,359 Speaker 5: Before you do? 366 00:21:33,319 --> 00:21:38,960 Speaker 6: Physically this girl is all right, but mentally well, there 367 00:21:38,960 --> 00:21:42,079 are headings with subheadings and psychology books. White people try 368 00:21:42,119 --> 00:21:42,880 to drownd themselves. 369 00:21:42,920 --> 00:21:44,079 Speaker 2: Thanks, now, can I talk to her? 370 00:21:44,920 --> 00:21:45,400 Speaker 5: Of course? 371 00:21:46,039 --> 00:21:56,240 Speaker 6: Come on, This is Lieutenant Clover, miss a policeman man. 372 00:21:56,960 --> 00:21:57,960 He wants to talk to you. 373 00:22:00,119 --> 00:22:02,799 Speaker 11: You see that she just stays. 374 00:22:02,519 --> 00:22:07,319 Speaker 2: Ahead almost you wanted to join Paul. Didn't you, miss 375 00:22:08,200 --> 00:22:10,119 I think I know what's troubling this girl. Doctor let 376 00:22:10,119 --> 00:22:15,319 me Hannah, Miss you love, that's why you're trying to 377 00:22:15,720 --> 00:22:16,400 do what you did. 378 00:22:16,640 --> 00:22:17,279 Speaker 11: You loved him. 379 00:22:18,079 --> 00:22:22,119 Speaker 7: I never said so. I never told him I did. 380 00:22:22,759 --> 00:22:28,160 Speaker 6: Yes, we want to help you, miss who As. 381 00:22:29,480 --> 00:22:33,400 Speaker 7: I never told him that either, But I think he knew. 382 00:22:34,839 --> 00:22:35,880 Don't you think he knew? 383 00:22:36,079 --> 00:22:40,880 Speaker 2: I'm sure he did. Yeah, you used to meet Paul 384 00:22:40,920 --> 00:22:43,319 at the lake. Didn't you talk? 385 00:22:43,920 --> 00:22:46,119 Speaker 7: You can laugh and touch you? 386 00:22:46,720 --> 00:22:47,799 Speaker 11: Ask who she is? 387 00:22:49,279 --> 00:22:50,119 Speaker 5: I heard you. 388 00:22:51,319 --> 00:22:52,079 Speaker 7: I told you. 389 00:22:52,759 --> 00:22:56,880 Speaker 2: I want to give you something. Miss here this spring 390 00:22:58,519 --> 00:23:01,400 take it. That's sorry, but put it on. 391 00:23:02,839 --> 00:23:03,400 Speaker 7: But it's right. 392 00:23:03,440 --> 00:23:07,720 Speaker 2: The call should have to wear it again. It's yours, 393 00:23:07,799 --> 00:23:12,720 isn't it. Yes, Daniel, don't worry about it. 394 00:23:12,519 --> 00:23:15,119 Speaker 11: I know who she is. 395 00:23:17,240 --> 00:23:18,039 Speaker 2: I'll take her home. 396 00:23:39,039 --> 00:23:45,279 Speaker 8: Good evenings, Lisa, Lisa, we'd better go inside, mister Garland. 397 00:23:47,680 --> 00:23:49,599 Speaker 7: I am. I want to go to my. 398 00:23:49,599 --> 00:23:54,039 Speaker 2: Room, of course, yet what my wife wants to go 399 00:23:54,079 --> 00:23:56,440 to her room in a little while, maybe go in here. 400 00:23:57,440 --> 00:24:00,519 I want to talk to both of you, so all right. 401 00:24:00,400 --> 00:24:06,400 Speaker 7: If you say so, mister Clover, you sit here, mister 402 00:24:06,480 --> 00:24:11,200 Clover and earl over there and I'll sit right here. 403 00:24:12,119 --> 00:24:13,839 Speaker 8: Say you're ill, and let me. 404 00:24:13,839 --> 00:24:15,000 Speaker 11: Take you to your room. 405 00:24:15,279 --> 00:24:19,240 Speaker 7: Mister Clover wants to talk to us. Aren't you going 406 00:24:19,279 --> 00:24:26,000 to sit down, mister Clover, aren't you weld? I don't care. 407 00:24:27,000 --> 00:24:27,920 Speaker 2: I am. 408 00:24:28,440 --> 00:24:31,039 Speaker 8: I thank you mister Clover for bringing my wife back 409 00:24:31,079 --> 00:24:34,200 to me. But how does it happen? She's with him? 410 00:24:34,559 --> 00:24:36,559 Speaker 2: A man. I've been watching the lake in Central Park, 411 00:24:36,599 --> 00:24:38,799 mister Garland. I found your wife there. 412 00:24:39,160 --> 00:24:42,720 Speaker 8: I see. The last time you were here, you heard 413 00:24:42,759 --> 00:24:45,039 the doctor say how ill she was. 414 00:24:45,119 --> 00:24:50,680 Speaker 2: She went looking for Paul. Oh, Paul, the boy who 415 00:24:50,799 --> 00:24:52,279 was shot and thrown into the lake. 416 00:24:53,200 --> 00:24:56,799 Speaker 8: You say Lisa was looking for him. 417 00:24:58,119 --> 00:25:01,640 Speaker 7: I didn't find him. He's gone. M hm, those men 418 00:25:01,759 --> 00:25:05,000 stop me. I could have found him, Lisa. 419 00:25:05,960 --> 00:25:06,920 Speaker 8: I don't understand. 420 00:25:07,119 --> 00:25:09,119 Speaker 11: I don't understand any Tell. 421 00:25:08,960 --> 00:25:12,960 Speaker 2: Your husband about Paul, Lisa. He knows, no, I don't think, 422 00:25:13,000 --> 00:25:14,799 so you'd better. 423 00:25:14,559 --> 00:25:16,079 Speaker 7: Tell her he's seen Paul. 424 00:25:16,680 --> 00:25:18,960 Speaker 2: Oh, yes, I know that. But what I want you 425 00:25:19,000 --> 00:25:22,319 to tell your husband is what you told me about 426 00:25:22,359 --> 00:25:23,960 how you belonged to Paul. 427 00:25:24,079 --> 00:25:27,519 Speaker 8: Tell him about that, mister Clover. You know it as 428 00:25:27,559 --> 00:25:33,400 well as I do, Lisa is don't make me say 429 00:25:33,400 --> 00:25:34,400 it about my own life. 430 00:25:34,480 --> 00:25:35,200 Speaker 2: Tell him Lisa. 431 00:25:37,000 --> 00:25:41,880 Speaker 7: Once I saw Paul. Then after that we'd be very 432 00:25:41,960 --> 00:25:46,559 late in that place by the lake, in other places 433 00:25:47,200 --> 00:25:52,880 far away. Every place was far away, and sometimes there'd 434 00:25:52,880 --> 00:25:56,440 be other people where they know all about these places too. 435 00:25:57,759 --> 00:26:01,960 We'd never talked with each other. We just passing wave 436 00:26:04,400 --> 00:26:08,759 and then the wind would always scatter as Paul and 437 00:26:08,839 --> 00:26:10,319 I would always be alone. 438 00:26:12,440 --> 00:26:12,880 Speaker 6: Paul. 439 00:26:14,400 --> 00:26:15,680 Speaker 8: Paul's not out there. 440 00:26:17,039 --> 00:26:23,839 Speaker 7: No, Paul's not up there. He's not up here. 441 00:26:23,880 --> 00:26:27,960 Speaker 2: Mister Clover, you see how it was, mister Garland. I thought, 442 00:26:29,079 --> 00:26:32,880 I thought's all there was your wife, that boy they 443 00:26:33,079 --> 00:26:38,319 meet the walk. I see another thing, mister Goland. Your 444 00:26:38,359 --> 00:26:40,799 wife is wearing her wedding ring again. 445 00:26:42,559 --> 00:26:45,960 Speaker 8: Lisa, I want you to know I'm tired. 446 00:26:46,599 --> 00:26:48,079 Speaker 7: May I go to my room now? Please? 447 00:26:48,240 --> 00:26:58,759 Speaker 11: Yes, go ahead, Thank you, mister Clover. 448 00:26:59,039 --> 00:27:02,359 Speaker 8: That was kind of you. I didn't want her to 449 00:27:02,440 --> 00:27:06,799 hear you know why Paul hadn't. I suppose it was 450 00:27:07,039 --> 00:27:09,240 just a child's gift. 451 00:27:09,680 --> 00:27:11,279 Speaker 2: That tried to another childhood. 452 00:27:12,079 --> 00:27:14,119 Speaker 11: You didn't have to kill. 453 00:27:13,880 --> 00:27:17,079 Speaker 2: When you followed the Maves doct domination. Should have known 454 00:27:17,119 --> 00:27:18,480 that Paul was as lost. 455 00:27:18,240 --> 00:27:21,720 Speaker 8: As your wife should have known. I thought it was 456 00:27:21,720 --> 00:27:25,119 something else. I I thought it was a boy who 457 00:27:25,200 --> 00:27:27,240 picked up my sick wife in the park and was 458 00:27:27,279 --> 00:27:28,359 acting a park boy. 459 00:27:28,480 --> 00:27:30,680 Speaker 2: Just slug me because if I learned the girl who 460 00:27:30,680 --> 00:27:33,480 came to Blake was your Wifi'd know who killed Paul. 461 00:27:34,440 --> 00:27:38,920 Speaker 8: And now you know, may I say goodbye to my wife? 462 00:27:40,079 --> 00:27:42,000 Speaker 2: I'd better go with you. 463 00:27:41,559 --> 00:27:51,839 Speaker 8: All right? No, No, I'd better not. If I went 464 00:27:51,839 --> 00:27:57,400 into that room now while she's playing that music, she 465 00:27:57,440 --> 00:28:03,440 wouldn't even know who I was. Take me away, mister Glover. 466 00:28:24,559 --> 00:28:28,119 Speaker 2: In the dregs of night time, the slabs of Broadway 467 00:28:28,359 --> 00:28:33,559 lean against the darkness in crazy tilted angles. The balance 468 00:28:33,640 --> 00:28:38,720 is delicate, precise, so the walk must be careful, but 469 00:28:38,880 --> 00:28:43,599 talk furtive. It's the never never time that ebbs toward 470 00:28:43,640 --> 00:28:49,640 the ends of the world. It's the time regret. It's Broadway, 471 00:28:50,160 --> 00:28:55,279 the gaudiest, the most violent, the lonesomest mile in the world. 472 00:28:56,559 --> 00:29:18,440 Speaker 3: Broadway, My Beat, Broadways, My Beat stars Larry Thor as 473 00:29:18,519 --> 00:29:22,279 Detective Danny Clover, with Charles Calvert as Tartaglia and Jack 474 00:29:22,319 --> 00:29:25,640 Krushian as Mugavin. The program was produced and directed by 475 00:29:25,640 --> 00:29:29,440 Elliot Lewis, with musical score composed and conducted by Alexander 476 00:29:29,480 --> 00:29:32,680 Courage and Tonight's story. Whitfield Connor was heard as Earl 477 00:29:32,759 --> 00:29:36,160 Garland and Sammy Hill as Lisa Garland. Featured in the 478 00:29:36,160 --> 00:29:40,039 cast were Ted Osborne, Junius Matthews, Howard mcneer, and Lou Merrill. 479 00:29:42,720 --> 00:29:43,640 Maybe your dad. 480 00:29:43,440 --> 00:29:44,079 Speaker 2: Canct John A. 481 00:29:44,119 --> 00:29:47,599 Speaker 3: McCarthy's dad, but nobody canllect Chatty McCarthy's Edgar Bergen, not 482 00:29:47,680 --> 00:29:50,559 when the slick comedy is called for. The Edgar burg 483 00:29:50,559 --> 00:29:53,759 and Chatty McCarthy Show, heard every Sunday night on CBS Radio, 484 00:29:53,880 --> 00:29:55,799 is just about one of the funniest things that can 485 00:29:55,839 --> 00:29:58,480 happen to You listen for it and laugh Tomorrow night 486 00:29:58,519 --> 00:30:02,039 on most of these same stations, Bill Anders speaking, and 487 00:30:02,119 --> 00:30:04,799 remember the comedy treat that can't be beat is Jack 488 00:30:04,880 --> 00:30:12,880 Benny Time Sunday nights on the CBS rady On Network. 489 00:31:04,799 --> 00:31:11,319 Speaker 1: Welcome Back Well a somewhat noteworthy conclusion given the fact 490 00:31:11,480 --> 00:31:13,279 that usually. 491 00:31:12,960 --> 00:31:14,799 Speaker 9: The murderers really put on. 492 00:31:14,759 --> 00:31:18,680 Speaker 1: Some historyonics, but that's not the case in this episode 493 00:31:18,799 --> 00:31:22,400 at all, as we get one of the more sympathetic 494 00:31:22,559 --> 00:31:27,839 characters laced in terms of motivation and demeanor, and Danny 495 00:31:28,160 --> 00:31:34,039 is a lot gentler and kinder than usual, which reflects 496 00:31:34,079 --> 00:31:38,559 a different attitude towards this particular killer. Now, I will 497 00:31:38,599 --> 00:31:44,039 admit that the solution just based on his temperament is 498 00:31:44,440 --> 00:31:48,880 kind of a stretch, and it's a strained flave that 499 00:31:49,400 --> 00:31:54,599 a dedicated spouse for a troubled wife is going to 500 00:31:54,720 --> 00:31:59,400 read this as an affair and if he does take 501 00:31:59,599 --> 00:32:03,599 that sort of action, but your knowledge may vary. And 502 00:32:03,799 --> 00:32:06,640 on another note, we just keep getting more reasons to 503 00:32:07,240 --> 00:32:12,759 like Tartaglia of unique relationship between him and Danny, and 504 00:32:13,240 --> 00:32:18,759 it is very different from nearly every detective we have, 505 00:32:19,240 --> 00:32:22,880 and I can't think of another example in the Great 506 00:32:22,960 --> 00:32:28,920 Detectives where the detective has someone in their life who, 507 00:32:28,960 --> 00:32:35,519 aside from any other work obligation or any selfish motives, 508 00:32:35,640 --> 00:32:38,799 is just there looking out for them as a person. 509 00:32:39,279 --> 00:32:43,039 And as dour as Daddy's outlook can get, he needs that. 510 00:32:43,440 --> 00:32:48,079 So that continues just to be an incredibly wholesome part 511 00:32:48,119 --> 00:32:52,279 of this program. All right, listener comments and feedback now, 512 00:32:52,680 --> 00:32:57,839 and we start over on YouTube, where Betsy comments, good 513 00:32:57,839 --> 00:33:01,160 one enjoyed the music at the end in too, and 514 00:33:01,200 --> 00:33:05,240 that's regarding the Macklin and John Howard murder case, and 515 00:33:05,559 --> 00:33:10,079 the music is really fun. We get those on Armed 516 00:33:10,079 --> 00:33:15,160 Forces Radio Service transcriptions and we tend to get the 517 00:33:15,440 --> 00:33:21,519 extra music as these are network radio broadcasts that are 518 00:33:21,640 --> 00:33:25,799 being aired to fit in in Armed Forces Radio and 519 00:33:25,839 --> 00:33:32,720 Television Service tom SLOUGHT, but without commercial messages or network programming, 520 00:33:33,119 --> 00:33:35,680 so they need to add a little music in and 521 00:33:35,720 --> 00:33:39,720 the music that they add in is always just a 522 00:33:39,759 --> 00:33:43,880 wonderful listen to. And then we have some comments on 523 00:33:43,960 --> 00:33:49,839 Blueberry our listener survey survey dot Great Detectives dot net. 524 00:33:49,920 --> 00:33:53,720 Paul says, thanks for your passion and dedication to this 525 00:33:53,920 --> 00:33:58,960 art form. And he's from Lancaster, South Carolina. Thanks so much. 526 00:33:59,640 --> 00:34:04,240 And then and Keith Writts have loved old time radio 527 00:34:04,319 --> 00:34:06,839 for many years. The show is top drawer and host 528 00:34:06,920 --> 00:34:12,599 Adam Graham has the weirdest, most distinctive voice on radio today. Well, 529 00:34:12,639 --> 00:34:16,159 thank you so much, I think, and thank you so 530 00:34:16,280 --> 00:34:23,239 much for listening at Kingston upon Hull in the United Kingdom. Well, 531 00:34:23,280 --> 00:34:26,360 now it is time to thank our Patreon supporter of today. 532 00:34:26,559 --> 00:34:31,159 Thank you to Patrick, Patreon supporter since October twenty twenty three, 533 00:34:31,320 --> 00:34:35,159 currently supporting the program at the Master Detective level of 534 00:34:35,199 --> 00:34:37,400 fifteen dollars or more per month. Thanks so much for 535 00:34:37,480 --> 00:34:40,119 your support, Patrick, and that will do it for today. 536 00:34:40,199 --> 00:34:43,599 If you're enjoying the podcast, please follow us using your 537 00:34:43,840 --> 00:34:47,320 favorite podcast software, and be sure to rate and review 538 00:34:47,360 --> 00:34:50,679 the podcast wherever you download it from. We'll be back 539 00:34:50,800 --> 00:34:55,079 next Wednesday with another episode of Broadways My Beat, but 540 00:34:55,280 --> 00:34:59,400 join us back here tomorrow for Dragnetwere is. 541 00:34:59,480 --> 00:35:00,960 Speaker 16: Just one thing I want to ask you about. 542 00:35:01,360 --> 00:35:02,480 Speaker 2: It's over here by the window. 543 00:35:03,239 --> 00:35:08,079 Speaker 16: Yes, this wire here apparently an aerial connection for a 544 00:35:08,079 --> 00:35:09,239 television set looks like. 545 00:35:09,239 --> 00:35:14,599 Speaker 17: Yes, mister Taber does have a television Why. 546 00:35:14,000 --> 00:35:15,920 Speaker 16: Well, I don't notice a set anywhere in the apartment. 547 00:35:15,960 --> 00:35:17,519 Would you have to recall if he set it out 548 00:35:17,519 --> 00:35:18,719 for repairs anything like that? 549 00:35:19,239 --> 00:35:23,559 Speaker 17: No, not that I know of. Besides, this doesn't seem 550 00:35:23,599 --> 00:35:24,719 like mis to table at all. 551 00:35:24,840 --> 00:35:25,840 Speaker 2: What do you mean, miss Higby? 552 00:35:26,119 --> 00:35:30,960 Speaker 17: He's always so neat, fastidiously And that wire there looks 553 00:35:30,960 --> 00:35:33,920 like it was torn off the connection, doesn't it along 554 00:35:33,960 --> 00:35:37,440 the window sill too? Is not terrible fast news for 555 00:35:37,480 --> 00:35:40,920 the wire right out of the woodwork. That certainly doesn't 556 00:35:40,960 --> 00:35:42,039 seem like mister Tabor. 557 00:35:43,239 --> 00:35:45,440 Speaker 16: Anyone else besides him have access to this. 558 00:35:45,440 --> 00:35:48,559 Speaker 17: Apartment man, No one that I know of, No one 559 00:35:48,599 --> 00:35:51,360 besides myself. I mean, I have duplicate keys to all 560 00:35:51,360 --> 00:35:55,639 the apartments. Oh, I just happened to think, ma'am, if 561 00:35:55,679 --> 00:35:58,239 a repair man did move to set out, it's possible 562 00:35:58,320 --> 00:36:02,119 my hospital I might know about it. Sam, that's my 563 00:36:02,199 --> 00:36:02,760 house boy. 564 00:36:02,840 --> 00:36:05,000 Speaker 2: How would he know about it? Well, it's the rule 565 00:36:05,039 --> 00:36:05,639 of the house. 566 00:36:05,760 --> 00:36:08,039 Speaker 17: All furniture heavy things like that, they have to be 567 00:36:08,079 --> 00:36:11,119 taken down in the freight elevator. Dope's right onto the 568 00:36:11,159 --> 00:36:13,239 alley in the back of the building. It's very handy. 569 00:36:13,440 --> 00:36:14,880 Speaker 8: Yes, Sam's the. 570 00:36:14,840 --> 00:36:17,159 Speaker 17: Only one who operates that elevator. That's why I say 571 00:36:17,199 --> 00:36:19,840 it's possible he might know about it. Would you like 572 00:36:19,880 --> 00:36:20,719 to have me ask him? 573 00:36:20,920 --> 00:36:22,679 Speaker 16: I wonder if you would please, surely it. 574 00:36:22,679 --> 00:36:24,559 Speaker 17: Won't take a bit a minute and I'll be right back, 575 00:36:24,639 --> 00:36:27,239 Thank you. 576 00:36:27,480 --> 00:36:28,760 Speaker 2: Joe. You want to have a look over here? 577 00:36:29,079 --> 00:36:31,000 Speaker 11: Yeah, what do you got? 578 00:36:31,280 --> 00:36:32,880 Speaker 2: It's w ald bed here. I tried to pull it 579 00:36:32,920 --> 00:36:38,280 down and stuck stand right here over here. See if 580 00:36:38,320 --> 00:36:40,599 you notice anything? Yeah? 581 00:36:40,639 --> 00:36:41,960 Speaker 16: I do you want to give me a hand? 582 00:36:41,960 --> 00:36:43,199 Speaker 11: See if we can't get the bed down? 583 00:36:43,280 --> 00:36:45,239 Speaker 2: Yeah, push in on your. 584 00:36:45,239 --> 00:36:48,400 Speaker 14: Side there, okay, I'd say, okay, it's coming down there. 585 00:36:52,480 --> 00:36:54,760 Speaker 1: I hope you'll be with us then in the meantime. 586 00:36:55,039 --> 00:36:59,400 Send your comments to Box thirteen at Great Detectives dot ne, 587 00:37:00,119 --> 00:37:04,519 follow us on Twitter, Radio Detectors, check us out on Instagram, Instagram, 588 00:37:04,559 --> 00:37:08,920 dot com slash Great Detectives from Boise, Idaho. This is 589 00:37:08,960 --> 00:37:11,440 your host, Adam Graham signing off.