WEBVTT

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<v Speaker 1>Way wait a sad.

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<v Speaker 2>Welcome back to Midnight Viewing, the Horror anthology podcast. With

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<v Speaker 2>this season, we're taking a look at George A. Romero's

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<v Speaker 2>nineteen eighties series Tales from the Dark Side. Sharing the

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<v Speaker 2>Midnight view with me are the Culture Casts, Chris Statue,

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<v Speaker 2>Hey Grace and the projection booths Mike White.

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<v Speaker 3>Goodbye Audience, Goodbye, Goodbye Audience.

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<v Speaker 4>Season three's opening on a bear.

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<v Speaker 2>Night, we are taking a look at two episodes from

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<v Speaker 2>season three, the very first two episodes from season three.

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<v Speaker 2>Those are the Circus and I can't help saying goodbye

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<v Speaker 2>before we get going. In the last episode, I misspoke

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<v Speaker 2>about William Tyler leaving the series season three and going

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<v Speaker 2>to Amazing Stories. William Tyler joined the series here, I

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<v Speaker 2>meant Mitchell Galen. He was the original, one of the

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<v Speaker 2>original story editors for seasons one and two, and now

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<v Speaker 2>he's over there to make stories. How many of those

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<v Speaker 2>stories were amazing?

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<v Speaker 3>I seem to remember a fair bit, but then again,

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<v Speaker 3>it could be Twilight. So eighty five cents three and

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<v Speaker 3>the rest are Dogship.

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<v Speaker 2>Pretty sure it's only now this season. This is definitely

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<v Speaker 2>in the wake of Romero and Rubinstein kind of splitting,

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<v Speaker 2>so they're both still involved in the series. But let's

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<v Speaker 2>say Rubenstein just a little bit more than Romero, even

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<v Speaker 2>though Romero provides the script here right up front. And oh,

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<v Speaker 2>I was just talking off air with Mike about this,

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<v Speaker 2>and I'd mentioned on another podcast pet Cemetery. When Stephen

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<v Speaker 2>King sold pet Cemetery, he sold it, he sold it

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<v Speaker 2>to George Romero so George Romero could make it. And

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<v Speaker 2>then Laurel Entertainment, the company that Rubinstein and Romero shared,

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<v Speaker 2>went off and made it without Romero, but didn't help

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<v Speaker 2>their relationship at all. But speak yeah, speaking of Romero.

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<v Speaker 2>Episode one of season three, The Circus. This originally aired

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<v Speaker 2>on September the eighth, nineteen eighty six. Written by George A.

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<v Speaker 2>Romero from a story my Sydney Jay Bounds, and directed

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<v Speaker 2>by Romero stalwart Michael Garnick. This one stars William Hickey,

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<v Speaker 2>Kevin O'Connor, David Thornton, and Ed French. It's a story

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<v Speaker 2>of Brag, a old weary investigative journalists who gets his

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<v Speaker 2>kicks by exposing frauds, and Charlatan's who happens upon a

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<v Speaker 2>circus that might be everything. It's advertising, even if it

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<v Speaker 2>isn't for kids. What do you think of this one?

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<v Speaker 2>Chris O?

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<v Speaker 4>Man, what did you have to ask me? What it's like?

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<v Speaker 4>We're watching a different show all of a sudden, and

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<v Speaker 4>I'm so sad. I don't understand what happened to your father, Milie.

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<v Speaker 4>This used to be a show that I held in

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<v Speaker 4>rather high regard, and all of a sudden, the show

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<v Speaker 4>has taken a little bit of a turd.

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<v Speaker 3>Say, it's taken a little bit of a turd.

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<v Speaker 4>A turn, not a turn? You are or William Hickey's fine,

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<v Speaker 4>Kevin O'Connor is fine. I think stories since they're literally

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<v Speaker 4>a Tales from the Crypt episode just like.

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<v Speaker 2>This on the end of the night Gallery and it's twilight,

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<v Speaker 2>and there's always somebody exposing the thing, and then the

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<v Speaker 2>thing turns out to be a real shore right.

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<v Speaker 4>Yeah, but I'm talking more specifically at a circus. Look,

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<v Speaker 4>William Pickey Tales from the Crypt directed by Arnold Schwarzenegger.

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<v Speaker 2>That was at Venice Beach, not the circus, I know, no,

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<v Speaker 2>but just you guys had me watch the one we

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<v Speaker 2>made you watch.

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<v Speaker 4>Yes, that's one of several little did you know you'd

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<v Speaker 4>be hosting your own horror anthology show much late. I

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<v Speaker 4>thought it was me personally, and I think that the

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<v Speaker 4>set design is probably part and Parcelize. The set design

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<v Speaker 4>is pretty pretty pretty. What about you, Mike?

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<v Speaker 3>So this is how are you going to start off

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<v Speaker 3>your third Yeah? This is it right here. A bunch

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<v Speaker 3>of dime store costumes and William Hickey just chewing up

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<v Speaker 3>the scenery and Kevin O'Connor doing the same. I'm surprised

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<v Speaker 3>they didn't get into fights over. I love William Hickey absolutely,

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<v Speaker 3>and that was the saving grace of that episode of

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<v Speaker 3>Tales from the Crypt that you got me watch. Uh,

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<v Speaker 3>he can't save in my pinion, things like wasn't he

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<v Speaker 3>in too Evil Eyes?

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<v Speaker 2>No, he was in Tales from the Dark Side the movie?

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<v Speaker 3>Oh okay, which did they have Buster Poindexter as well?

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<v Speaker 2>Absolutely? The can't Folk from the Stephen King shirt star

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<v Speaker 2>Oh okay.

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<v Speaker 3>So that's different than two Evil Eyes?

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<v Speaker 2>Yeah? Man, that's the black Cat with Harvey Kaike tail

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<v Speaker 2>based on the Edgar Allen Poe shirtst.

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<v Speaker 3>Okay, But isn't there a second to that where something

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<v Speaker 3>like the cat come out of Buster.

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<v Speaker 2>Yes, that's the cat from Hell from Tails from the

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<v Speaker 2>Dark Side Spot holy shit.

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<v Speaker 3>Okay, wow man, Yeah that was bad too. Uh.

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<v Speaker 4>Yeah, this You're suggesting so many great things to.

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<v Speaker 2>This, all of them.

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<v Speaker 3>Do this set design everything. We're gonna use light to

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<v Speaker 3>do lightning, just yeah, dollar store type of things. And

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<v Speaker 3>then it's I hate to say it, it's it feels

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<v Speaker 3>like a blackout skip from Night Gallery. I mean that

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<v Speaker 3>you've got like the people keep saying, oh, I must

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<v Speaker 3>have downloaded the wrong version of Asfaratu, and that's what

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<v Speaker 3>this one felt like. Like you see the vampire and

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<v Speaker 3>I'm just like, Okay, boy, he looks really bad. But wait,

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<v Speaker 3>there's more. There's the Wolfman and the Mummy and Frankenstein.

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<v Speaker 3>And when Frankenstein shows up, I'm just like, really, really

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<v Speaker 3>we're doing this? Is all those other things are creatures

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<v Speaker 3>that have been around forever. And then when you get

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<v Speaker 3>to Frankenstein, I'm like, Okay, yeah, we're just gonna have

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<v Speaker 3>all of the knockoff universal monster type thing. That's what

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<v Speaker 3>we're doing. And yeah, I was really reminded of so

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<v Speaker 3>many better things. I was reminded of Nightmare Alley original adaptation,

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<v Speaker 3>not the Del Toro, but the whole thing of the

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<v Speaker 3>guy hearing the geek and then becoming the geek or

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<v Speaker 3>the ending of Freaks. That is wonderful. I just kept

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<v Speaker 3>thinking of better things to be. William Hickey, try as

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<v Speaker 3>he might, could not say this, but I'm hoping to

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<v Speaker 3>hear you redeemed by.

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<v Speaker 2>The Oh I love this one. No, I'm good, I.

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<v Speaker 3>Come on. Maybe he saw something in this that I could.

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<v Speaker 2>I saw William Hickey in a spangly shirt, and that

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<v Speaker 2>could save the episode. Maybe the initial episode, the initial

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<v Speaker 2>outfifties and is pretty rocking. I don't know that it's

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<v Speaker 2>the set design necessarily. I think the problem with the

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<v Speaker 2>episode overall is well too. It's twofold. Michael Gorny is

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<v Speaker 2>one of the best cinematographers out there and one of

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<v Speaker 2>the worst directors out there. How this is lit by

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<v Speaker 2>a cinematographer who lit an entire mall is beyond me.

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<v Speaker 2>Everything is over lit. It's particularly when we get to

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<v Speaker 2>the vampire, which I like the design of the vampire,

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<v Speaker 2>and that's Ed French, who is the makeup designer on

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<v Speaker 2>the show, performing as the vampire, who's doing a really

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<v Speaker 2>bizarre performance. It's like it's genuinely frightening and you wouldn't

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<v Speaker 2>want to be near that thing, but it's so overlt

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<v Speaker 2>that you just see that it's all makeup. It's a drag,

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<v Speaker 2>it's it's Rob Boteen running around on the thing set

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<v Speaker 2>saying no, when you light it and we get some

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<v Speaker 2>gelatin on it, it's gonna look great. Yes, light it,

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<v Speaker 2>put some gelatin on it. Do something, man. I noticed

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<v Speaker 2>now this is the second Romero penned episode. I love

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<v Speaker 2>George Ramiro, I love his screenplays. I don't like his

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<v Speaker 2>short fiction because he falls immediately into the Ron Serling

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<v Speaker 2>purple prose trap, the let me I don't know what

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<v Speaker 2>subtext is. I'm just gonna get the text. This reporter

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<v Speaker 2>who's like, I've had it with you, Charlatan's and I

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<v Speaker 2>get my kicks by exposing U's the only thing the think, Okay,

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<v Speaker 2>we get it, we get it. We don't need much,

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<v Speaker 2>we don't need anything. Honestly, he could just come to

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<v Speaker 2>a performance and then snuck in after hours and then

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<v Speaker 2>dunt dunt duho. But okay, here's another positive. I liked

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<v Speaker 2>seeing the actual barrel on the platform with the wheels

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<v Speaker 2>on it that you'd see in cartoons that sweep up

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<v Speaker 2>behind it. At one point, William McKey rolls one of

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<v Speaker 2>those out and I was like, I've never actually seen

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<v Speaker 2>one of those.

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<v Speaker 3>What do you know that poor little guy that used

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<v Speaker 3>to clean up after the whole circus Bullwinkle episodes.

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<v Speaker 2>Yeah, exactly, that guy that was made flesh or steel

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<v Speaker 2>or something wrong. It is a bit nail in the head.

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<v Speaker 2>But I did like the effect at the very end

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<v Speaker 2>that they Frankenstein the reporter's head onto the Frankenstein body.

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<v Speaker 2>Just the way it was floating, it was very off putting,

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<v Speaker 2>and I thought that was very effective, and I liked that.

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<v Speaker 2>I also like the I mentioned the vampire that the

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<v Speaker 2>vampire feasting scene is really grotesque and just made me think,

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<v Speaker 2>like this is on it like Sunday night at seven pm,

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<v Speaker 2>like Bravo everybody, like you're twisting everyone's mind in some

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<v Speaker 2>small but overall there's no real story here. It's as

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<v Speaker 2>we said, the guy who exposes things goes to the

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<v Speaker 2>wrong thing. We've seen it thousands of times at this point.

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<v Speaker 2>There isn't gonna be an anthology series that won't do

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<v Speaker 2>this story half a dozen times. Let me look at

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<v Speaker 2>my nose if I have anything positive?

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<v Speaker 3>Can we talk about Nanush for a little while, Go

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<v Speaker 3>for itnush isn't okay, I'm done.

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<v Speaker 2>Oh yeah, all right. I don't really have anything else

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<v Speaker 2>to defend it. I am a little bit disappointed that

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<v Speaker 2>it was Romero doing this writing and that one of

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<v Speaker 2>Romero's main guys was doing the directing. But the performances

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<v Speaker 2>are fine.

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<v Speaker 3>I don't know.

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<v Speaker 2>It's kind of creepy for a little bit. It's not

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<v Speaker 2>the worst thing in the world. It is a bit

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<v Speaker 2>of a blackout skitch. It really feels like a night Gallery.

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<v Speaker 2>It feels like a modern night galler.

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<v Speaker 3>We were complaining about how Night Gallery kept you classic monsters,

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<v Speaker 3>and they would have those Frankenstein skits all that. I

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<v Speaker 3>was curious if there are William Hickey's in this episode,

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<v Speaker 3>because there's when he's wearing that beautiful spangling shirt you're

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<v Speaker 3>talking about, but then he comes out dressed as the

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<v Speaker 3>ring master and his hair is gone from that bleached

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<v Speaker 3>white brown. So I'm like, is there a second William Hickey?

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<v Speaker 3>But I don't know.

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<v Speaker 2>I think he's like a Highlander, yeah, and I think

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<v Speaker 2>that he's just he's one of the mystical circus people

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<v Speaker 2>that we all know out there, like mister Dark, mister Niss.

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<v Speaker 3>In this case, right, you really couldn't get but especially

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<v Speaker 3>just being a he can play creep.

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<v Speaker 2>So well and eb amused. I love abused villain who

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<v Speaker 2>knows more but doesn't care that you're hanging off and

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<v Speaker 2>it's just enjoying the ride. That part of it's really good.

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<v Speaker 2>I'm not gonna I'm not gonna say don't watch this episode,

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<v Speaker 2>just gonna say don't seek it out.

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<v Speaker 4>Yeah, remember Entails from the Crypt of the season, they

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<v Speaker 4>had a circus episode.

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<v Speaker 2>With Jet He's real gone with Joey Pants.

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<v Speaker 4>I'm not sure sure I ever needed another's.

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<v Speaker 3>Because it was so perfect.

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<v Speaker 4>Hey, it was pretty good.

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<v Speaker 2>What about Lower Birth where we learned the origin of

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<v Speaker 2>the Cryptkeeper?

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<v Speaker 4>Why would you eat? Would you even add that episode

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<v Speaker 4>is bad and we both know it?

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<v Speaker 2>Oh yeah, no, I remember it being terrible, So I.

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<v Speaker 4>Was like, what about it?

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<v Speaker 2>It's not good?

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<v Speaker 4>Who thought they needed a Yeah, it was the origin

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<v Speaker 4>story of the crypt Keep and then they'll dissolve cut

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<v Speaker 4>it into the Cryptkeeper's face from the baby's face, and

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<v Speaker 4>you're like, oh my god, it was the Cryptkeeper's origin.

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<v Speaker 4>Still great? Wow, Yeah, that's a real thing. You can

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<v Speaker 4>watch and Tales from the Crypt.

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<v Speaker 2>I think season five oh, I think it's earlier than

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<v Speaker 2>I think it's season three, and I think it's it

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<v Speaker 2>was in the it was in one of the comics.

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<v Speaker 2>That's an adaptation.

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<v Speaker 3>Oh wow, yeah, yeah.

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<v Speaker 1>No.

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<v Speaker 4>The Frankenstein's Monster for me, I think is the step

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<v Speaker 4>too far here because everything else is just like monsters.

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<v Speaker 4>Then it's like, this is a literary monster. Guys, come up,

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<v Speaker 4>you didn't love this.

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<v Speaker 2>You didn't love his fake arm just flinging around wildly

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<v Speaker 2>as pretending that it's not going to be ripped off.

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<v Speaker 2>That was great.

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<v Speaker 4>The singular saving grace is that this fat that's the

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<v Speaker 4>singular saving Kristen. Yeah, the William Hekey of it all

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<v Speaker 4>can't do it not.

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<v Speaker 2>Well, then we're moving on. This is season two, episode two.

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<v Speaker 2>It's a season three episode two. I can't help saying

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<v Speaker 2>goodbye ared Originally on October the fifth, nineteen eighty six.

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<v Speaker 2>This one was written by Julie Selbo and directed by

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<v Speaker 2>John Stizzick, starring Brian ben Ben.

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<v Speaker 4>This thank you You were gonna laugh when you.

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<v Speaker 2>Oh no, yeah, you can't not laugh at Brian ben Ben.

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<v Speaker 2>It's name Brian Benben, of course from Radio Land Murders

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<v Speaker 2>and Be Wonderful. HBO early television series what was it

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<v Speaker 2>called move On or something? Dream On, dream On, Oh

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<v Speaker 2>my God, developed by John landis the first schizophrenic television series.

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<v Speaker 2>This one is about a little girl who knows the

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<v Speaker 2>fate of those around her before it happens. But is

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<v Speaker 2>she just psychic or is it something more sinister? Tell me, Mike,

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<v Speaker 2>it's not something more sinist.

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<v Speaker 3>Can tell that people are gonna die. She can't cause

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<v Speaker 3>people to die by goodbye. She just knows when they're going,

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<v Speaker 3>even when her doll is going to be broken. That

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<v Speaker 3>was such a gids to say goodbye to her. They

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<v Speaker 3>really took a simple wretch did the hell out And boy,

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<v Speaker 3>oh boy, I'm feeling those traps when it comes to this,

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<v Speaker 3>And I almost wish I was watching the Terrestrial tele

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<v Speaker 3>could see what those commercials were at the time, because

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<v Speaker 3>I think I'd be more interested than this. This is

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<v Speaker 3>perfectly serviceable. I found the acting to be pretty darn good.

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<v Speaker 3>The Brian ben Ben does go over the top pretty

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<v Speaker 3>quickly in it. As soon as he started sniffling and

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<v Speaker 3>coughing and stuff, I was like, Oh, well he's gonna

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<v Speaker 3>do and yeah, you can see all those twists and

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<v Speaker 3>turns coming after the first goodbye that she gives to

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<v Speaker 3>her grandmother, it's like, what the fuck is going on?

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<v Speaker 3>Once you figure that out, it's like, oh, all right,

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<v Speaker 3>And they try to throw a little bit of mystery

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<v Speaker 3>as far as can she control can she not? Of course,

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<v Speaker 3>I got a little bit of them that she wish

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<v Speaker 3>somebody into Cornfield if they're mean to her, But they

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<v Speaker 3>quickly dissolve that, and they don't even make that a thing.

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<v Speaker 3>After that, she confesses to her doll. Luckily we're there

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<v Speaker 3>to know that she can't do that, and then she

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<v Speaker 3>confesses to her sister right after. We're like all right.

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<v Speaker 3>They kind of take the mystery on it. But overall

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<v Speaker 3>I found it to be enjoyable. I just wish it

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<v Speaker 3>was about half of how about you, Chris, what'd you think?

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<v Speaker 4>I am so I'm so disappointed that the ending of

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<v Speaker 4>this episode is not as earned as it wishes it was,

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<v Speaker 4>because the ending of this episode the fucking I laughed

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<v Speaker 4>at the end of the episode more than anything else,

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<v Speaker 4>because like, God, she's gonna kill her own sister. I

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<v Speaker 4>guess right, yeah, right, it's gonna murder her younger sister.

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<v Speaker 4>She's gonna drown her to death is the implication. I

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<v Speaker 4>liked the ending. I think everything that came before the

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<v Speaker 4>ending was pretty bad. It was I don't know what

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<v Speaker 4>they were getting at. Yeah, when ben Ben has the inhaler,

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<v Speaker 4>I was like, Oh, there's no way till more five

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<v Speaker 4>minutes from the end. And then I wish that at

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<v Speaker 4>the end of the episode they hadn't had the ominous

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<v Speaker 4>music playing. The moment she handed her the dress, I

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<v Speaker 4>was like, or the swim suit. Give it a moment.

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<v Speaker 4>Give the audience a moment to come to their own

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<v Speaker 4>conclusion before you show the sister filling a was she

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<v Speaker 4>filling an inner tube with quizz creek with sand?

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<v Speaker 3>I didn't get that. I was like, how is that

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<v Speaker 3>gonna make it sink?

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<v Speaker 4>I thought she was gonna fill up two little pails

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<v Speaker 4>with like concrete stick her feet throw her into there.

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<v Speaker 4>I don't know, it makes more sense than what we saw.

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<v Speaker 2>She was waiting it down so it looked like it

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<v Speaker 2>was filled with air, but it was actually going to

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<v Speaker 2>be filled with sand. And then when she was in

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<v Speaker 2>the water, she's going to toss her that inner tube,

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<v Speaker 2>which is going to effectively drag her to the bottom.

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<v Speaker 4>But she could just let go.

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<v Speaker 3>Yeah, of course it's probably more buoyant than that. Yeah.

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<v Speaker 3>And they were just telegraphed as soon as the grandma

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<v Speaker 3>turned on the stove, Oh, that pilot lights out, and

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<v Speaker 3>then they like keep going back to the stove. And

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<v Speaker 3>I was like, yeah, I got it.

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<v Speaker 4>I I'm good.

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<v Speaker 3>You don't have to keep telling this. You're really telegraphing

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<v Speaker 3>this stuff to me. I'm really okay.

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<v Speaker 4>Yeah I was not. I was out of fanity. The

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<v Speaker 4>episode had zero subtle subtlety. Have a fucking bull hammered.

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<v Speaker 2>The complaint I had about Romero's Purple Prose that he

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<v Speaker 2>had no subtext only text is just wildly off the

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<v Speaker 2>charts here with Julie Soelbo's script the mom they soon

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<v Speaker 2>to be Dead Mom is an exposition machine. My god,

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<v Speaker 2>it's so wonderful though, that this kid gets this power

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00:16:18.240 --> 00:16:21.480
<v Speaker 2>right about right before everyone in her life is about

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00:16:21.519 --> 00:16:25.840
<v Speaker 2>to die. Well, how many people there are they? Yeah,

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00:16:25.960 --> 00:16:28.480
<v Speaker 2>that's the thing. They could have played that a little

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00:16:28.480 --> 00:16:30.919
<v Speaker 2>bit more. It's like you said, they should have. They

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00:16:30.960 --> 00:16:34.159
<v Speaker 2>cut their lone legs out from under themselves by having

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00:16:34.200 --> 00:16:36.840
<v Speaker 2>this girl confessed to the doll like she should have

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00:16:36.919 --> 00:16:40.480
<v Speaker 2>been maybe making some threats to people who are treating

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<v Speaker 2>her poorly and give us a chance to wonder whether

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<v Speaker 2>or not she's a malevolent little fucker.

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<v Speaker 3>Yeah. Half the episode should have, well maybe a third

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00:16:48.519 --> 00:16:51.399
<v Speaker 3>of the episode between two commercial should have been can

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<v Speaker 3>this little girl this? And we better be fucking nice

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00:16:54.120 --> 00:16:56.600
<v Speaker 3>to her? That that whole idea of being nice to

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<v Speaker 3>Billy move me away, that's what I was looking for this.

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<v Speaker 3>I was like, Okay, now she's a show for.

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00:17:02.360 --> 00:17:04.480
<v Speaker 4>That's what this show is known for for Fox at

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<v Speaker 4>least these kinds of yeah.

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<v Speaker 3>And then Kevin O'Connor comes in and be like.

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00:17:07.880 --> 00:17:08.680
<v Speaker 2>Oh, she's a fake.

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00:17:08.839 --> 00:17:13.599
<v Speaker 4>She's a horn area as Frank it's nine right, Yeah,

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00:17:14.000 --> 00:17:20.680
<v Speaker 4>there's fucking arms and everything. I will tell you that

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00:17:20.799 --> 00:17:23.319
<v Speaker 4>you're vague Gonzo he is.

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<v Speaker 2>You know, you keep referencing the Cornfield episode of the

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<v Speaker 2>Twilight Zone, And that's really appropriate because this feels like

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<v Speaker 2>a Twilight Zone eighty five episode with a doll up

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<v Speaker 2>of dark Side at the very end.

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<v Speaker 4>Yeah, the last two really have man Like, if we're

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<v Speaker 4>gonna say this skews in the direction of what bad

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00:17:39.920 --> 00:17:43.039
<v Speaker 4>show we've watched its twilights on, because it's not night Gallery.

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<v Speaker 4>This is this feels like Peak Twilights out of Nowhere

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<v Speaker 4>like an RKO.

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<v Speaker 2>They don't seem to have their footing when it comes

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<v Speaker 2>to something that isn't straight up horror. Yeah, anything that's

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00:17:54.000 --> 00:17:58.400
<v Speaker 2>fantasy or comedy related, they're just gonna stumble. But this

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<v Speaker 2>one at least veer directly into the horror. At the

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<v Speaker 2>I was writing the episode off entirely until she said

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<v Speaker 2>let's go swimming. Ohly, what okay? Does it redeem the

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<v Speaker 2>whole thing? Probably not. I didn't like the exposition machines

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<v Speaker 2>that every character seemed to be in the first act,

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<v Speaker 2>and then, like you said that the telegraphing was absolutely absurd.

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<v Speaker 2>They might as well have just had Brian Benden like

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<v Speaker 2>cough into a handkerchief and oh it's bloodstained. Oh a

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00:18:30.640 --> 00:18:33.640
<v Speaker 2>touch of that couch. Yeah, I mean they may as

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<v Speaker 2>well have. The other thing that was shocking about this

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<v Speaker 2>you mentioned in the last one, like I was shocked

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00:18:38.200 --> 00:18:41.160
<v Speaker 2>to watch The Vampire or Eat the the Lamb at

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<v Speaker 2>seven o'clock on a Sunday night and this.

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00:18:43.240 --> 00:18:47.000
<v Speaker 3>Is what kids watch this, This is a family show. Sorry.

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<v Speaker 2>Yeah, like they were making fun of it. I think

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<v Speaker 2>Romero was making doing that. The critics of that but

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<v Speaker 2>here we got a little girl who like falls downstairs

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<v Speaker 2>and died. Like they just can't sadie it and dump

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<v Speaker 2>it on the couch.

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<v Speaker 4>Oh that's the Yeah, that's Can we talk about that

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<v Speaker 4>for a second. A small child walks outside, They go,

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<v Speaker 4>don't be careful, it's slippery. The child goes up, crunch, crunch.

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<v Speaker 4>You hear the neck break for bucks sake, show like

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<v Speaker 4>a small less than ten year old child, and the

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<v Speaker 4>episode just like, and she's dead. Is that how this works? God?

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00:19:18.680 --> 00:19:20.880
<v Speaker 4>I guess so. I guess you could theoretically fall and

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<v Speaker 4>snap your neck on icy steps.

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<v Speaker 2>Oh yeah, of course.

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<v Speaker 4>Episode yes, so, but good god, episode like, I didn't

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00:19:27.559 --> 00:19:29.640
<v Speaker 4>need to see it and I didn't need to hear it.

383
00:19:29.920 --> 00:19:32.079
<v Speaker 4>But it's it goes for it, and it's again it

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00:19:32.079 --> 00:19:34.480
<v Speaker 4>feels a little unearned because the episode just never gets

385
00:19:34.519 --> 00:19:36.440
<v Speaker 4>back to that level of kind of shock.

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<v Speaker 2>Well it does right at the fucking end. It does.

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00:19:39.359 --> 00:19:41.720
<v Speaker 4>Yeah, but that's but that's it, and it's not enough.

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<v Speaker 2>I disagree with you. I think those shocks are perfectly

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00:19:45.400 --> 00:19:48.079
<v Speaker 2>in line with the dark Side tradition. I just think

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00:19:48.079 --> 00:19:50.480
<v Speaker 2>whatever is what the rest of that's hung around it

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00:19:50.519 --> 00:19:53.680
<v Speaker 2>is not great. If they had hung up more Night Gallery.

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<v Speaker 2>Unless Twilight Zone on this we would have had a

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<v Speaker 2>fucking corker of an episode.

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<v Speaker 4>I do like that shot at the water rising.

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<v Speaker 2>Oh that's good. Yeah, I didn't mention that that was

396
00:20:02.160 --> 00:20:03.160
<v Speaker 2>interesting and fun.

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<v Speaker 4>Yeah, got her got her own ass.

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<v Speaker 2>Her sister is going to drown her and she is

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00:20:10.240 --> 00:20:17.240
<v Speaker 2>resigned to that fate. Yeah, speak everybody, Yeah, hey, pretty

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<v Speaker 2>much anything else on this one? All right? Then on

401
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<v Speaker 2>the next episode of Midnight Viewing, we'll be taking a

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00:20:22.880 --> 00:20:25.400
<v Speaker 2>look at the next two episodes of season three. Those

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00:20:25.440 --> 00:20:29.000
<v Speaker 2>are The Bitterest Pill and Florence. Bravo Midnight Viewing. The

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00:20:29.039 --> 00:20:31.920
<v Speaker 2>Horror Anthology Podcast is a proud member of weirding Way

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00:20:31.960 --> 00:20:34.519
<v Speaker 2>Media Group and our theme song was composed by HP

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<v Speaker 2>with an assist by Donald Rubinstein. Until next time? What

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<v Speaker 2>are you working on? Where can people find it? Mike White?

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00:20:40.599 --> 00:20:43.480
<v Speaker 3>Everything I do is available at widowamedia dot com. How

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00:20:43.480 --> 00:20:44.799
<v Speaker 3>about you, Chris same?

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00:20:44.880 --> 00:20:47.279
<v Speaker 4>Everything I do is found over a Weirdingwaymedia dot com.

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00:20:47.279 --> 00:20:49.640
<v Speaker 4>But like, rate and review anything you get wherever you

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00:20:49.720 --> 00:20:54.279
<v Speaker 4>get it, Facebook, YouTube, Instagram, Twitter, x, whatever the fuck

413
00:20:54.319 --> 00:20:57.720
<v Speaker 4>it's called. Just interact with the content and content creators

414
00:20:57.720 --> 00:20:59.640
<v Speaker 4>because it helps them out a lot more than it

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00:20:59.720 --> 00:21:01.240
<v Speaker 4>takes out of your daily schedules.

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<v Speaker 2>Yeah.

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<v Speaker 4>As for me, Patreon dot com slash culture casts, where

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<v Speaker 4>you can find the only thing that's not available Weirdingwaymedia

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<v Speaker 4>dot com, which is ranking on Bond, which Mike, you

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<v Speaker 4>and I do with our friend Father Malone sometimes. Have

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<v Speaker 4>you been on it once? You're going to be on

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<v Speaker 4>it again? I think here pretty soon and Richard is

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<v Speaker 4>there all the time, and we talk about James Bond

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<v Speaker 4>once on Father Malone was on for Living Let Die.

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<v Speaker 4>I think you're gonna be on for Gold and I'm

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<v Speaker 4>swiftly approaching it'd on.

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<v Speaker 2>I thought I was getting a Timothy Dalton ow Man.

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<v Speaker 4>It's even closer than that. You're like, we're knocking at

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<v Speaker 4>the door.

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<v Speaker 2>I thought it was a license to kill.

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<v Speaker 4>Okay, then we're like two away at this point. Yeah,

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<v Speaker 4>And that's where you can find that. So what about

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<v Speaker 4>you father Alone?

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<v Speaker 2>Well? As for me, head over to Patreon dot com

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<v Speaker 2>slash Father Alone. You're gonna get episodes early and commercial

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00:21:42.119 --> 00:21:44.559
<v Speaker 2>free and bonus content you can only get there. And

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00:21:44.640 --> 00:21:47.440
<v Speaker 2>like Cable Box Theater, the show I do with Noise

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<v Speaker 2>Junkies host HP where we talk about early cable television

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<v Speaker 2>and their use of Broadway shows that were shot on videotape.

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<v Speaker 2>My god, if money's tight, you can do us a

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<v Speaker 2>solid by giving us a five star review. Just like

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<v Speaker 2>Chris said, subscribe, like share, tell someone I don't know.

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<v Speaker 2>Thank you all for listening here at midnight. Viewing it

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<v Speaker 2>until next time, try to enjoy the daylight.
