Speaker 1: Way wait a sad.
Speaker 2: Welcome back to Midnight Viewing, the Horror anthology podcast. With
Speaker 2: this season, we're taking a look at George A. Romero's
Speaker 2: nineteen eighties series Tales from the Dark Side. Sharing the
Speaker 2: Midnight view with me are the Culture Casts, Chris Statue,
Speaker 2: Hey Grace and the projection booths Mike White.
Speaker 3: Goodbye Audience, Goodbye, Goodbye Audience.
Speaker 4: Season three's opening on a bear.
Speaker 2: Night, we are taking a look at two episodes from
Speaker 2: season three, the very first two episodes from season three.
Speaker 2: Those are the Circus and I can't help saying goodbye
Speaker 2: before we get going. In the last episode, I misspoke
Speaker 2: about William Tyler leaving the series season three and going
Speaker 2: to Amazing Stories. William Tyler joined the series here, I
Speaker 2: meant Mitchell Galen. He was the original, one of the
Speaker 2: original story editors for seasons one and two, and now
Speaker 2: he's over there to make stories. How many of those
Speaker 2: stories were amazing?
Speaker 3: I seem to remember a fair bit, but then again,
Speaker 3: it could be Twilight. So eighty five cents three and
Speaker 3: the rest are Dogship.
Speaker 2: Pretty sure it's only now this season. This is definitely
Speaker 2: in the wake of Romero and Rubinstein kind of splitting,
Speaker 2: so they're both still involved in the series. But let's
Speaker 2: say Rubenstein just a little bit more than Romero, even
Speaker 2: though Romero provides the script here right up front. And oh,
Speaker 2: I was just talking off air with Mike about this,
Speaker 2: and I'd mentioned on another podcast pet Cemetery. When Stephen
Speaker 2: King sold pet Cemetery, he sold it, he sold it
Speaker 2: to George Romero so George Romero could make it. And
Speaker 2: then Laurel Entertainment, the company that Rubinstein and Romero shared,
Speaker 2: went off and made it without Romero, but didn't help
Speaker 2: their relationship at all. But speak yeah, speaking of Romero.
Speaker 2: Episode one of season three, The Circus. This originally aired
Speaker 2: on September the eighth, nineteen eighty six. Written by George A.
Speaker 2: Romero from a story my Sydney Jay Bounds, and directed
Speaker 2: by Romero stalwart Michael Garnick. This one stars William Hickey,
Speaker 2: Kevin O'Connor, David Thornton, and Ed French. It's a story
Speaker 2: of Brag, a old weary investigative journalists who gets his
Speaker 2: kicks by exposing frauds, and Charlatan's who happens upon a
Speaker 2: circus that might be everything. It's advertising, even if it
Speaker 2: isn't for kids. What do you think of this one?
Speaker 2: Chris O?
Speaker 4: Man, what did you have to ask me? What it's like?
Speaker 4: We're watching a different show all of a sudden, and
Speaker 4: I'm so sad. I don't understand what happened to your father, Milie.
Speaker 4: This used to be a show that I held in
Speaker 4: rather high regard, and all of a sudden, the show
Speaker 4: has taken a little bit of a turd.
Speaker 3: Say, it's taken a little bit of a turd.
Speaker 4: A turn, not a turn? You are or William Hickey's fine,
Speaker 4: Kevin O'Connor is fine. I think stories since they're literally
Speaker 4: a Tales from the Crypt episode just like.
Speaker 2: This on the end of the night Gallery and it's twilight,
Speaker 2: and there's always somebody exposing the thing, and then the
Speaker 2: thing turns out to be a real shore right.
Speaker 4: Yeah, but I'm talking more specifically at a circus. Look,
Speaker 4: William Pickey Tales from the Crypt directed by Arnold Schwarzenegger.
Speaker 2: That was at Venice Beach, not the circus, I know, no,
Speaker 2: but just you guys had me watch the one we
Speaker 2: made you watch.
Speaker 4: Yes, that's one of several little did you know you'd
Speaker 4: be hosting your own horror anthology show much late. I
Speaker 4: thought it was me personally, and I think that the
Speaker 4: set design is probably part and Parcelize. The set design
Speaker 4: is pretty pretty pretty. What about you, Mike?
Speaker 3: So this is how are you going to start off
Speaker 3: your third Yeah? This is it right here. A bunch
Speaker 3: of dime store costumes and William Hickey just chewing up
Speaker 3: the scenery and Kevin O'Connor doing the same. I'm surprised
Speaker 3: they didn't get into fights over. I love William Hickey absolutely,
Speaker 3: and that was the saving grace of that episode of
Speaker 3: Tales from the Crypt that you got me watch. Uh,
Speaker 3: he can't save in my pinion, things like wasn't he
Speaker 3: in too Evil Eyes?
Speaker 2: No, he was in Tales from the Dark Side the movie?
Speaker 3: Oh okay, which did they have Buster Poindexter as well?
Speaker 2: Absolutely? The can't Folk from the Stephen King shirt star
Speaker 2: Oh okay.
Speaker 3: So that's different than two Evil Eyes?
Speaker 2: Yeah? Man, that's the black Cat with Harvey Kaike tail
Speaker 2: based on the Edgar Allen Poe shirtst.
Speaker 3: Okay, But isn't there a second to that where something
Speaker 3: like the cat come out of Buster.
Speaker 2: Yes, that's the cat from Hell from Tails from the
Speaker 2: Dark Side Spot holy shit.
Speaker 3: Okay, wow man, Yeah that was bad too. Uh.
Speaker 4: Yeah, this You're suggesting so many great things to.
Speaker 2: This, all of them.
Speaker 3: Do this set design everything. We're gonna use light to
Speaker 3: do lightning, just yeah, dollar store type of things. And
Speaker 3: then it's I hate to say it, it's it feels
Speaker 3: like a blackout skip from Night Gallery. I mean that
Speaker 3: you've got like the people keep saying, oh, I must
Speaker 3: have downloaded the wrong version of Asfaratu, and that's what
Speaker 3: this one felt like. Like you see the vampire and
Speaker 3: I'm just like, Okay, boy, he looks really bad. But wait,
Speaker 3: there's more. There's the Wolfman and the Mummy and Frankenstein.
Speaker 3: And when Frankenstein shows up, I'm just like, really, really
Speaker 3: we're doing this? Is all those other things are creatures
Speaker 3: that have been around forever. And then when you get
Speaker 3: to Frankenstein, I'm like, Okay, yeah, we're just gonna have
Speaker 3: all of the knockoff universal monster type thing. That's what
Speaker 3: we're doing. And yeah, I was really reminded of so
Speaker 3: many better things. I was reminded of Nightmare Alley original adaptation,
Speaker 3: not the Del Toro, but the whole thing of the
Speaker 3: guy hearing the geek and then becoming the geek or
Speaker 3: the ending of Freaks. That is wonderful. I just kept
Speaker 3: thinking of better things to be. William Hickey, try as
Speaker 3: he might, could not say this, but I'm hoping to
Speaker 3: hear you redeemed by.
Speaker 2: The Oh I love this one. No, I'm good, I.
Speaker 3: Come on. Maybe he saw something in this that I could.
Speaker 2: I saw William Hickey in a spangly shirt, and that
Speaker 2: could save the episode. Maybe the initial episode, the initial
Speaker 2: outfifties and is pretty rocking. I don't know that it's
Speaker 2: the set design necessarily. I think the problem with the
Speaker 2: episode overall is well too. It's twofold. Michael Gorny is
Speaker 2: one of the best cinematographers out there and one of
Speaker 2: the worst directors out there. How this is lit by
Speaker 2: a cinematographer who lit an entire mall is beyond me.
Speaker 2: Everything is over lit. It's particularly when we get to
Speaker 2: the vampire, which I like the design of the vampire,
Speaker 2: and that's Ed French, who is the makeup designer on
Speaker 2: the show, performing as the vampire, who's doing a really
Speaker 2: bizarre performance. It's like it's genuinely frightening and you wouldn't
Speaker 2: want to be near that thing, but it's so overlt
Speaker 2: that you just see that it's all makeup. It's a drag,
Speaker 2: it's it's Rob Boteen running around on the thing set
Speaker 2: saying no, when you light it and we get some
Speaker 2: gelatin on it, it's gonna look great. Yes, light it,
Speaker 2: put some gelatin on it. Do something, man. I noticed
Speaker 2: now this is the second Romero penned episode. I love
Speaker 2: George Ramiro, I love his screenplays. I don't like his
Speaker 2: short fiction because he falls immediately into the Ron Serling
Speaker 2: purple prose trap, the let me I don't know what
Speaker 2: subtext is. I'm just gonna get the text. This reporter
Speaker 2: who's like, I've had it with you, Charlatan's and I
Speaker 2: get my kicks by exposing U's the only thing the think, Okay,
Speaker 2: we get it, we get it. We don't need much,
Speaker 2: we don't need anything. Honestly, he could just come to
Speaker 2: a performance and then snuck in after hours and then
Speaker 2: dunt dunt duho. But okay, here's another positive. I liked
Speaker 2: seeing the actual barrel on the platform with the wheels
Speaker 2: on it that you'd see in cartoons that sweep up
Speaker 2: behind it. At one point, William McKey rolls one of
Speaker 2: those out and I was like, I've never actually seen
Speaker 2: one of those.
Speaker 3: What do you know that poor little guy that used
Speaker 3: to clean up after the whole circus Bullwinkle episodes.
Speaker 2: Yeah, exactly, that guy that was made flesh or steel
Speaker 2: or something wrong. It is a bit nail in the head.
Speaker 2: But I did like the effect at the very end
Speaker 2: that they Frankenstein the reporter's head onto the Frankenstein body.
Speaker 2: Just the way it was floating, it was very off putting,
Speaker 2: and I thought that was very effective, and I liked that.
Speaker 2: I also like the I mentioned the vampire that the
Speaker 2: vampire feasting scene is really grotesque and just made me think,
Speaker 2: like this is on it like Sunday night at seven pm,
Speaker 2: like Bravo everybody, like you're twisting everyone's mind in some
Speaker 2: small but overall there's no real story here. It's as
Speaker 2: we said, the guy who exposes things goes to the
Speaker 2: wrong thing. We've seen it thousands of times at this point.
Speaker 2: There isn't gonna be an anthology series that won't do
Speaker 2: this story half a dozen times. Let me look at
Speaker 2: my nose if I have anything positive?
Speaker 3: Can we talk about Nanush for a little while, Go
Speaker 3: for itnush isn't okay, I'm done.
Speaker 2: Oh yeah, all right. I don't really have anything else
Speaker 2: to defend it. I am a little bit disappointed that
Speaker 2: it was Romero doing this writing and that one of
Speaker 2: Romero's main guys was doing the directing. But the performances
Speaker 2: are fine.
Speaker 3: I don't know.
Speaker 2: It's kind of creepy for a little bit. It's not
Speaker 2: the worst thing in the world. It is a bit
Speaker 2: of a blackout skitch. It really feels like a night Gallery.
Speaker 2: It feels like a modern night galler.
Speaker 3: We were complaining about how Night Gallery kept you classic monsters,
Speaker 3: and they would have those Frankenstein skits all that. I
Speaker 3: was curious if there are William Hickey's in this episode,
Speaker 3: because there's when he's wearing that beautiful spangling shirt you're
Speaker 3: talking about, but then he comes out dressed as the
Speaker 3: ring master and his hair is gone from that bleached
Speaker 3: white brown. So I'm like, is there a second William Hickey?
Speaker 3: But I don't know.
Speaker 2: I think he's like a Highlander, yeah, and I think
Speaker 2: that he's just he's one of the mystical circus people
Speaker 2: that we all know out there, like mister Dark, mister Niss.
Speaker 3: In this case, right, you really couldn't get but especially
Speaker 3: just being a he can play creep.
Speaker 2: So well and eb amused. I love abused villain who
Speaker 2: knows more but doesn't care that you're hanging off and
Speaker 2: it's just enjoying the ride. That part of it's really good.
Speaker 2: I'm not gonna I'm not gonna say don't watch this episode,
Speaker 2: just gonna say don't seek it out.
Speaker 4: Yeah, remember Entails from the Crypt of the season, they
Speaker 4: had a circus episode.
Speaker 2: With Jet He's real gone with Joey Pants.
Speaker 4: I'm not sure sure I ever needed another's.
Speaker 3: Because it was so perfect.
Speaker 4: Hey, it was pretty good.
Speaker 2: What about Lower Birth where we learned the origin of
Speaker 2: the Cryptkeeper?
Speaker 4: Why would you eat? Would you even add that episode
Speaker 4: is bad and we both know it?
Speaker 2: Oh yeah, no, I remember it being terrible, So I.
Speaker 4: Was like, what about it?
Speaker 2: It's not good?
Speaker 4: Who thought they needed a Yeah, it was the origin
Speaker 4: story of the crypt Keep and then they'll dissolve cut
Speaker 4: it into the Cryptkeeper's face from the baby's face, and
Speaker 4: you're like, oh my god, it was the Cryptkeeper's origin.
Speaker 4: Still great? Wow, Yeah, that's a real thing. You can
Speaker 4: watch and Tales from the Crypt.
Speaker 2: I think season five oh, I think it's earlier than
Speaker 2: I think it's season three, and I think it's it
Speaker 2: was in the it was in one of the comics.
Speaker 2: That's an adaptation.
Speaker 3: Oh wow, yeah, yeah.
Speaker 1: No.
Speaker 4: The Frankenstein's Monster for me, I think is the step
Speaker 4: too far here because everything else is just like monsters.
Speaker 4: Then it's like, this is a literary monster. Guys, come up,
Speaker 4: you didn't love this.
Speaker 2: You didn't love his fake arm just flinging around wildly
Speaker 2: as pretending that it's not going to be ripped off.
Speaker 2: That was great.
Speaker 4: The singular saving grace is that this fat that's the
Speaker 4: singular saving Kristen. Yeah, the William Hekey of it all
Speaker 4: can't do it not.
Speaker 2: Well, then we're moving on. This is season two, episode two.
Speaker 2: It's a season three episode two. I can't help saying
Speaker 2: goodbye ared Originally on October the fifth, nineteen eighty six.
Speaker 2: This one was written by Julie Selbo and directed by
Speaker 2: John Stizzick, starring Brian ben Ben.
Speaker 4: This thank you You were gonna laugh when you.
Speaker 2: Oh no, yeah, you can't not laugh at Brian ben Ben.
Speaker 2: It's name Brian Benben, of course from Radio Land Murders
Speaker 2: and Be Wonderful. HBO early television series what was it
Speaker 2: called move On or something? Dream On, dream On, Oh
Speaker 2: my God, developed by John landis the first schizophrenic television series.
Speaker 2: This one is about a little girl who knows the
Speaker 2: fate of those around her before it happens. But is
Speaker 2: she just psychic or is it something more sinister? Tell me, Mike,
Speaker 2: it's not something more sinist.
Speaker 3: Can tell that people are gonna die. She can't cause
Speaker 3: people to die by goodbye. She just knows when they're going,
Speaker 3: even when her doll is going to be broken. That
Speaker 3: was such a gids to say goodbye to her. They
Speaker 3: really took a simple wretch did the hell out And boy,
Speaker 3: oh boy, I'm feeling those traps when it comes to this,
Speaker 3: And I almost wish I was watching the Terrestrial tele
Speaker 3: could see what those commercials were at the time, because
Speaker 3: I think I'd be more interested than this. This is
Speaker 3: perfectly serviceable. I found the acting to be pretty darn good.
Speaker 3: The Brian ben Ben does go over the top pretty
Speaker 3: quickly in it. As soon as he started sniffling and
Speaker 3: coughing and stuff, I was like, Oh, well he's gonna
Speaker 3: do and yeah, you can see all those twists and
Speaker 3: turns coming after the first goodbye that she gives to
Speaker 3: her grandmother, it's like, what the fuck is going on?
Speaker 3: Once you figure that out, it's like, oh, all right,
Speaker 3: And they try to throw a little bit of mystery
Speaker 3: as far as can she control can she not? Of course,
Speaker 3: I got a little bit of them that she wish
Speaker 3: somebody into Cornfield if they're mean to her, But they
Speaker 3: quickly dissolve that, and they don't even make that a thing.
Speaker 3: After that, she confesses to her doll. Luckily we're there
Speaker 3: to know that she can't do that, and then she
Speaker 3: confesses to her sister right after. We're like all right.
Speaker 3: They kind of take the mystery on it. But overall
Speaker 3: I found it to be enjoyable. I just wish it
Speaker 3: was about half of how about you, Chris, what'd you think?
Speaker 4: I am so I'm so disappointed that the ending of
Speaker 4: this episode is not as earned as it wishes it was,
Speaker 4: because the ending of this episode the fucking I laughed
Speaker 4: at the end of the episode more than anything else,
Speaker 4: because like, God, she's gonna kill her own sister. I
Speaker 4: guess right, yeah, right, it's gonna murder her younger sister.
Speaker 4: She's gonna drown her to death is the implication. I
Speaker 4: liked the ending. I think everything that came before the
Speaker 4: ending was pretty bad. It was I don't know what
Speaker 4: they were getting at. Yeah, when ben Ben has the inhaler,
Speaker 4: I was like, Oh, there's no way till more five
Speaker 4: minutes from the end. And then I wish that at
Speaker 4: the end of the episode they hadn't had the ominous
Speaker 4: music playing. The moment she handed her the dress, I
Speaker 4: was like, or the swim suit. Give it a moment.
Speaker 4: Give the audience a moment to come to their own
Speaker 4: conclusion before you show the sister filling a was she
Speaker 4: filling an inner tube with quizz creek with sand?
Speaker 3: I didn't get that. I was like, how is that
Speaker 3: gonna make it sink?
Speaker 4: I thought she was gonna fill up two little pails
Speaker 4: with like concrete stick her feet throw her into there.
Speaker 4: I don't know, it makes more sense than what we saw.
Speaker 2: She was waiting it down so it looked like it
Speaker 2: was filled with air, but it was actually going to
Speaker 2: be filled with sand. And then when she was in
Speaker 2: the water, she's going to toss her that inner tube,
Speaker 2: which is going to effectively drag her to the bottom.
Speaker 4: But she could just let go.
Speaker 3: Yeah, of course it's probably more buoyant than that. Yeah.
Speaker 3: And they were just telegraphed as soon as the grandma
Speaker 3: turned on the stove, Oh, that pilot lights out, and
Speaker 3: then they like keep going back to the stove. And
Speaker 3: I was like, yeah, I got it.
Speaker 4: I I'm good.
Speaker 3: You don't have to keep telling this. You're really telegraphing
Speaker 3: this stuff to me. I'm really okay.
Speaker 4: Yeah I was not. I was out of fanity. The
Speaker 4: episode had zero subtle subtlety. Have a fucking bull hammered.
Speaker 2: The complaint I had about Romero's Purple Prose that he
Speaker 2: had no subtext only text is just wildly off the
Speaker 2: charts here with Julie Soelbo's script the mom they soon
Speaker 2: to be Dead Mom is an exposition machine. My god,
Speaker 2: it's so wonderful though, that this kid gets this power
Speaker 2: right about right before everyone in her life is about
Speaker 2: to die. Well, how many people there are they? Yeah,
Speaker 2: that's the thing. They could have played that a little
Speaker 2: bit more. It's like you said, they should have. They
Speaker 2: cut their lone legs out from under themselves by having
Speaker 2: this girl confessed to the doll like she should have
Speaker 2: been maybe making some threats to people who are treating
Speaker 2: her poorly and give us a chance to wonder whether
Speaker 2: or not she's a malevolent little fucker.
Speaker 3: Yeah. Half the episode should have, well maybe a third
Speaker 3: of the episode between two commercial should have been can
Speaker 3: this little girl this? And we better be fucking nice
Speaker 3: to her? That that whole idea of being nice to
Speaker 3: Billy move me away, that's what I was looking for this.
Speaker 3: I was like, Okay, now she's a show for.
Speaker 4: That's what this show is known for for Fox at
Speaker 4: least these kinds of yeah.
Speaker 3: And then Kevin O'Connor comes in and be like.
Speaker 2: Oh, she's a fake.
Speaker 4: She's a horn area as Frank it's nine right, Yeah,
Speaker 4: there's fucking arms and everything. I will tell you that
Speaker 4: you're vague Gonzo he is.
Speaker 2: You know, you keep referencing the Cornfield episode of the
Speaker 2: Twilight Zone, And that's really appropriate because this feels like
Speaker 2: a Twilight Zone eighty five episode with a doll up
Speaker 2: of dark Side at the very end.
Speaker 4: Yeah, the last two really have man Like, if we're
Speaker 4: gonna say this skews in the direction of what bad
Speaker 4: show we've watched its twilights on, because it's not night Gallery.
Speaker 4: This is this feels like Peak Twilights out of Nowhere
Speaker 4: like an RKO.
Speaker 2: They don't seem to have their footing when it comes
Speaker 2: to something that isn't straight up horror. Yeah, anything that's
Speaker 2: fantasy or comedy related, they're just gonna stumble. But this
Speaker 2: one at least veer directly into the horror. At the
Speaker 2: I was writing the episode off entirely until she said
Speaker 2: let's go swimming. Ohly, what okay? Does it redeem the
Speaker 2: whole thing? Probably not. I didn't like the exposition machines
Speaker 2: that every character seemed to be in the first act,
Speaker 2: and then, like you said that the telegraphing was absolutely absurd.
Speaker 2: They might as well have just had Brian Benden like
Speaker 2: cough into a handkerchief and oh it's bloodstained. Oh a
Speaker 2: touch of that couch. Yeah, I mean they may as
Speaker 2: well have. The other thing that was shocking about this
Speaker 2: you mentioned in the last one, like I was shocked
Speaker 2: to watch The Vampire or Eat the the Lamb at
Speaker 2: seven o'clock on a Sunday night and this.
Speaker 3: Is what kids watch this, This is a family show. Sorry.
Speaker 2: Yeah, like they were making fun of it. I think
Speaker 2: Romero was making doing that. The critics of that but
Speaker 2: here we got a little girl who like falls downstairs
Speaker 2: and died. Like they just can't sadie it and dump
Speaker 2: it on the couch.
Speaker 4: Oh that's the Yeah, that's Can we talk about that
Speaker 4: for a second. A small child walks outside, They go,
Speaker 4: don't be careful, it's slippery. The child goes up, crunch, crunch.
Speaker 4: You hear the neck break for bucks sake, show like
Speaker 4: a small less than ten year old child, and the
Speaker 4: episode just like, and she's dead. Is that how this works? God?
Speaker 4: I guess so. I guess you could theoretically fall and
Speaker 4: snap your neck on icy steps.
Speaker 2: Oh yeah, of course.
Speaker 4: Episode yes, so, but good god, episode like, I didn't
Speaker 4: need to see it and I didn't need to hear it.
Speaker 4: But it's it goes for it, and it's again it
Speaker 4: feels a little unearned because the episode just never gets
Speaker 4: back to that level of kind of shock.
Speaker 2: Well it does right at the fucking end. It does.
Speaker 4: Yeah, but that's but that's it, and it's not enough.
Speaker 2: I disagree with you. I think those shocks are perfectly
Speaker 2: in line with the dark Side tradition. I just think
Speaker 2: whatever is what the rest of that's hung around it
Speaker 2: is not great. If they had hung up more Night Gallery.
Speaker 2: Unless Twilight Zone on this we would have had a
Speaker 2: fucking corker of an episode.
Speaker 4: I do like that shot at the water rising.
Speaker 2: Oh that's good. Yeah, I didn't mention that that was
Speaker 2: interesting and fun.
Speaker 4: Yeah, got her got her own ass.
Speaker 2: Her sister is going to drown her and she is
Speaker 2: resigned to that fate. Yeah, speak everybody, Yeah, hey, pretty
Speaker 2: much anything else on this one? All right? Then on
Speaker 2: the next episode of Midnight Viewing, we'll be taking a
Speaker 2: look at the next two episodes of season three. Those
Speaker 2: are The Bitterest Pill and Florence. Bravo Midnight Viewing. The
Speaker 2: Horror Anthology Podcast is a proud member of weirding Way
Speaker 2: Media Group and our theme song was composed by HP
Speaker 2: with an assist by Donald Rubinstein. Until next time? What
Speaker 2: are you working on? Where can people find it? Mike White?
Speaker 3: Everything I do is available at widowamedia dot com. How
Speaker 3: about you, Chris same?
Speaker 4: Everything I do is found over a Weirdingwaymedia dot com.
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Speaker 2: Yeah.
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Speaker 4: once on Father Malone was on for Living Let Die.
Speaker 4: I think you're gonna be on for Gold and I'm
Speaker 4: swiftly approaching it'd on.
Speaker 2: I thought I was getting a Timothy Dalton ow Man.
Speaker 4: It's even closer than that. You're like, we're knocking at
Speaker 4: the door.
Speaker 2: I thought it was a license to kill.
Speaker 4: Okay, then we're like two away at this point. Yeah,
Speaker 4: And that's where you can find that. So what about
Speaker 4: you father Alone?
Speaker 2: Well? As for me, head over to Patreon dot com
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Speaker 2: Thank you all for listening here at midnight. Viewing it
Speaker 2: until next time, try to enjoy the daylight.