Speaker 1: Hello and welcome to Deep Blue Sea the podcast. I
Speaker 1: am Mark never kayaking in a fjord Halfmeyer and I am.
Speaker 2: Jay There's something wrong with the fjord Cluet Welcome you
Speaker 2: bod deeply see the podcast on this show through the
Speaker 2: entire deep Engy's there's something wrong with the field. I'll
Speaker 2: show been through the entire deep surgy Seene by scene.
Speaker 2: We're doing it again, but not today. Today we're talking
Speaker 2: about another new release. We are breaking from our year
Speaker 2: of reptiles talking about another new release. And that new
Speaker 2: release is Krackin' What is Cracking? That's the twenty twenty
Speaker 2: six Norwegian film directed by Paul Oye and starring Sarah Karami,
Speaker 2: Michel Brat, silsett Ingfield, Hathor pig Nez, a bunch of
Speaker 2: other people as well Jenny Evenson. It tells a story
Speaker 2: of a salmon fishing farm in Sogna Fjord, which is
Speaker 2: the longest and deepest fjord in Norway, where they've they've
Speaker 2: started doing they're experising some salmon lice as they've been
Speaker 2: doing some sonic delicing of the salmon and it seems
Speaker 2: to have woken something from the depths. A kraken. It's
Speaker 2: a cracking. They've all got a kragon andarity is going
Speaker 2: with you. I wouldn't you know? So? Yeah Kracken twenty
Speaker 2: twenty six, Big tentacle beastie from the depths of a fjord.
Speaker 2: There is something wrong with It's something wrong with Actually,
Speaker 2: there's nothing wrong with the field. There's something wrong with
Speaker 2: the fish farm. They shouldn't Yeah, they shouldn't be doing this.
Speaker 2: They shouldn't be using this. I get it. The salmon
Speaker 2: lice a problem. They've got a Japanese company visiting who
Speaker 2: want to turn their fish farming operation, make it bigger,
Speaker 2: and they're trying to like impress them with the sam
Speaker 2: and delicing. But you know, there's a cracking in there.
Speaker 2: Is there a crack in every field? Maybe who knows?
Speaker 1: Does never go never do a flip in a kayak
Speaker 1: in a fjord anymore? Don't do it, y'all?
Speaker 2: Sure? Can I tell you something?
Speaker 1: Jay? So growing up in Florida wrecked water because you
Speaker 1: have the golf on one side of the Atlantic on
Speaker 1: the other and then any spring or lake has alligators,
Speaker 1: water moccasins, alligators, snapping turtles. So anytime you like, I
Speaker 1: remember one time I was in a spring, just swimming
Speaker 1: around in a water markets and to swam right past me.
Speaker 1: You know, when you're canoeing, you're going by alligators. So
Speaker 1: water I've always just been cautious of it, but I
Speaker 1: feel like a fjord was like a safe place. And
Speaker 1: then now whenever i'm you know, if we ever fjording,
Speaker 1: there's gonna be problems. Jay, you know you're just going
Speaker 1: in here.
Speaker 2: I was in Norway last year, NOI this film made
Speaker 2: me very maybe missed no Way a lot. It's a
Speaker 2: beautiful country. I didn't go to sogg A Fjord. We
Speaker 2: took a few cruisers on other fiords and they all
Speaker 2: look stunning as all beautiful places. Didn't see any cracking.
Speaker 2: But I have been like paddle boarding and kayaking in
Speaker 2: the locks in Scotland and which I would like fjord like,
Speaker 2: and I didn't see any kraging. I wasn't looking for him,
Speaker 2: but I saw a bunch of seals, loved loved paddleboarding
Speaker 2: past seals and just he's just gonna get close to
Speaker 2: the sea and close to the do you think close
Speaker 2: to the coast on the water, and you didn't see
Speaker 2: him before and then suddenly there's this like tidal where
Speaker 2: you was a water fall of seals, a whole like
Speaker 2: twenty to thirty seals on the rocks you didn't see,
Speaker 2: and you get close to it, so they all just
Speaker 2: slide into the water near you and scare the heck
Speaker 2: out of you. It's just she's like, oh my god.
Speaker 2: And then they're just kind of their heads just up
Speaker 2: watching you, and you don't get close to here, but
Speaker 2: you just had all the cup like they stay bobbing,
Speaker 2: and then you go down and they appear near somewhere else.
Speaker 2: It's great. I loved it. One of my favorite things
Speaker 2: I done. It is just paddleboarding with seals. But had
Speaker 2: I encountered a kraken, I don't know. I probably would
Speaker 2: have died to talk about it.
Speaker 1: I would. I would miss you a lot, but I
Speaker 1: would also be like, so I hosted a podcast called
Speaker 1: Deep Blue Sea, the podcast where we talk about aquatic
Speaker 1: creature features, and my co host was eaten by a kraken.
Speaker 1: A good story.
Speaker 2: Yeah, okay, yeah.
Speaker 1: Well, so there are greenland sharks in there, like some
Speaker 1: can live over four hundred years. They stay in the
Speaker 1: cold depths. There's velvet belly lantern sharks. They're the most
Speaker 1: abundant shark in Norwegian fjords. They glow in the darkies
Speaker 1: and bioluminescence to hide from predators. It's kind of neat.
Speaker 1: There's ghost sharks, so they're they're just deep. They're in
Speaker 1: the deep western Norway and local city fjords. There's black
Speaker 1: mouth cat shark and spiny dogfish, but they aren't known
Speaker 1: to attack humans, so there's just not Yeah. I guess
Speaker 1: you could just go in there and be like, yes,
Speaker 1: there's probably something in here, but I'm safe. But I
Speaker 1: guess as long as you're not using sonic technology too loud,
Speaker 1: that's the thing.
Speaker 2: Yeah, don't do it very bad.
Speaker 1: Jae am I crazy. So I was doing some research
Speaker 1: here and the sun and Fjord is the country's deepest
Speaker 1: and longest. It has a maximum depth of one three
Speaker 1: eight meters and four thousand, two hundred and ninety one
Speaker 1: feet below sea level. That's the monster in this movie
Speaker 1: is half a mile quarter mile.
Speaker 2: Yeah, sure, yeah, So it's it's basic, big boy.
Speaker 1: Yeah, and it's not coming from the depths of the ocean.
Speaker 1: It's coming from the depths of the fjord. Correct.
Speaker 2: Well, yes, By my Google history. Now it contains the
Speaker 2: question are fields part of the ocean? Which is yes,
Speaker 2: they are. Yeah, fields are technically part of the sea.
Speaker 2: Not because like rivers flow to the sea. Rivers are
Speaker 2: their own separate thing. Fields are title They aren't moving,
Speaker 2: so they are considered part of the ocean.
Speaker 1: Mhmm.
Speaker 2: So when when later, when we talk about how much
Speaker 2: of this film takes place at sea, if it's in
Speaker 2: the field, it's a whah, that's that's unconcerned. So yeah,
Speaker 2: so but the creature is not like on the bottom
Speaker 2: of the fjord, reaching its tentacles up and out. It's
Speaker 2: swims it swims up. It's like a it's a big
Speaker 2: octopus's yeah. This is deep rising, very deep underwater.
Speaker 1: And it Okay, so it's coming from the bottom of
Speaker 1: the fjord. Correct, it's not coming from it's not coming
Speaker 1: from out. It's not swimming into the fjord.
Speaker 2: I think it lives out at the bottom of this field.
Speaker 1: Okay, So it's not coming from the Norwegian Sea correct.
Speaker 2: Correct, Maybe it did at some point, but it's taking
Speaker 2: this fields as its home. Perhaps what is it eat? Yeah, oh,
Speaker 2: we'll back this this question. Okay, does it just rest.
Speaker 1: Is it like Godzilla where it just takes naps and
Speaker 1: then when something pusss it off, it comes in equalizers.
Speaker 2: So it's got these these parasites on it that are
Speaker 2: also like unknown to man. People like the scientists and
Speaker 2: this haven't seen them before. So for all we know,
Speaker 2: there are other creatures at that depth that we also
Speaker 2: don't know about that it eats those. I'm gonna say,
Speaker 2: maybe this is the only kraken. I don't reckon this
Speaker 2: is a species where there's like there's a bunch worldwide.
Speaker 2: I reckon this is like the the one. Maybe there's
Speaker 2: like a couple. I don't know, So we're not don't
Speaker 2: need to worry about feeding hundreds of these things, just
Speaker 2: the ones. Maybe it does come out of the field.
Speaker 2: There's a lot of fields in Norway, so maybe it
Speaker 2: just like it goes from field to field.
Speaker 1: You know, if you have technology underwater, you would sense
Speaker 1: the gigantic motion that happens when this thing just swim
Speaker 1: this thing swimming in a fjord. Would it couldn't be
Speaker 1: missed with tides?
Speaker 2: Yeah, it's the place displacing a lot of water when
Speaker 2: it travels. I guess. But as they say in the film,
Speaker 2: only five percent of the ocean has been explored, so
Speaker 2: there's stuff moving down there that we don't know about, horrifying,
Speaker 2: and maybe we are aware of the repercussion, like you know,
Speaker 2: we say, ah, the moon controls the tides. Maybe the
Speaker 2: cracking controls the tides, and we just haven't seen the cracking,
Speaker 2: but we've seen the moon. It's that thing that's what's
Speaker 2: doing it. Not not the big monster under the sea.
Speaker 2: It's the moon. I don't know.
Speaker 1: It's just like a boatloads cracking around the world, controlling
Speaker 1: the tides.
Speaker 2: Maybe maybe, or who knows what else.
Speaker 1: If they ever go to a concert like a House
Speaker 1: of Pain concert and just jump around, the ocean's just
Speaker 1: going to be tidle, you know, like it's going to
Speaker 1: kick out.
Speaker 2: The ocean is haunted as els hold Us, who wins in.
Speaker 1: A fight the Sando Aqua monster from Phantom Menace or
Speaker 1: this kraken.
Speaker 2: Oh, I would need size comparisons. I think probably that
Speaker 2: the Kraken's got the tentacles. The Sando Aqua monster I
Speaker 2: think was just a big well it's that storm with
Speaker 2: the arms. Yes, sure, so they both have limbs, but
Speaker 2: the cracking has more. I'm going to put my money
Speaker 2: on the Kraken.
Speaker 1: Well, I take Sando because that thing is like a
Speaker 1: mile high.
Speaker 2: I need a side a size comparison. If they're like
Speaker 2: similar size, then I'm going with cracking. If the if
Speaker 2: the Sando towards the crack and then not yet, I'll
Speaker 2: go with the SAD. That's fair because this thing is
Speaker 2: huge water, yes, which means like there's enough of it
Speaker 2: in the water and it comes to the water and
Speaker 2: stays there, so there's enough of it underwater to like
Speaker 2: maintain that height, yes, steadiness.
Speaker 1: It's like Godzilla with its tail keeping himself out of
Speaker 1: the water.
Speaker 2: Yeah.
Speaker 1: You know, if you're in a kayak, it's you're not
Speaker 1: gonna it's there's no way this thing's gonna sneak up
Speaker 1: on you.
Speaker 2: But if you're if you're expecting it, people are. No
Speaker 2: one's expecting your kracking.
Speaker 1: That's a really good point. That's a good point. No
Speaker 1: one you know what, it's a good point, Jay, No
Speaker 1: one expects the kracking.
Speaker 2: You don't, it's the Norwegian Inquisition.
Speaker 1: No one expects the crack. Yeah, you know, maybe I'll
Speaker 1: see you know, nice fjord shark. You know, maybe something
Speaker 1: will come by in this movie.
Speaker 2: I mean, they're a menace in this I really liked
Speaker 2: where they found these parasites. The parasites about the size
Speaker 2: of the top of a whiskey barrel.
Speaker 1: This is a huge comparison right there, Jay, that's very specific.
Speaker 2: I know who I'm talking to. You know, you're like whiskey.
Speaker 2: I'm here drinking crack and rum because it felt appropriate
Speaker 2: for today's episode, drinking cornish Cornish sea salt crack and rum.
Speaker 2: It's beautiful.
Speaker 1: I love it.
Speaker 2: There's there's these these parasites that are huge and they're
Speaker 2: looking at like, okay, so the parasite is this big,
Speaker 2: and they scale up how big is the thing that's
Speaker 2: attached to and they work out like what size it
Speaker 2: would be, But they work out what size would be
Speaker 2: and it's a wire frame. It's a wire frame of
Speaker 2: a giant salmon. Yeah. I like that because that's what
Speaker 2: we're looking at here is they don't know what this
Speaker 2: thing is. They know they hunt salmon, they farm salmon
Speaker 2: in this area, so whatever ever it is, it's it's
Speaker 2: a giant salmon. How big woul the salmon? I loved that.
Speaker 2: That's that's the imagination of the arts as we're looking
Speaker 2: at it. He's like, what could be in here? It's
Speaker 2: a salmon the size of the hospital.
Speaker 1: Well, no one expects a cracking. No one expects a cracking,
Speaker 1: but I guess a large salmon would be more. It
Speaker 1: just maybe got mutated or something. You know, it's an
Speaker 1: ill tempered Fjord salmon that's been mutated. Yeah, I love that.
Speaker 1: I was almost mark Dyan Salmon Hoffmeier when I introduced this.
Speaker 2: I had monst the salmon hola. Wait a minute, there's
Speaker 2: something wrong with the field. There's something wrong with the field.
Speaker 1: There's something wrong with the fjord. Okay. So I was
Speaker 1: reading a director's interview about this, and one thing that
Speaker 1: really bothered me about this is like, oh, yeah, do
Speaker 1: you like creature features? Do you do? He's like, yeah,
Speaker 1: not really. He's like, yeah, I don't really miss him.
Speaker 1: I don't really care about creature features. And I was like, oh, great,
Speaker 1: and you can kind of this movie. You can kind
Speaker 1: of tell yeah that makes sense. Yeah, the guy does
Speaker 1: not care. He's just like, they stole the kracking from
Speaker 1: us and I wanted to put it back on Fjord
Speaker 1: and they're like, oh, hey, you didn't show the crack
Speaker 1: and until later in the film spoilers and he's like, yeah,
Speaker 1: that's budgetary constraints. But I guess for me, Jay is
Speaker 1: I was talking about this with my wife Megan, where
Speaker 1: when I think people learn the wrong things from Jaws
Speaker 1: an alien? So in Jaws, the shark just didn't work,
Speaker 1: so there's not much of it. That's why there's so
Speaker 1: much character stuff. Spilberg had to pivot, they had to
Speaker 1: make it work a lot of production issues, so they
Speaker 1: just filmed character stuff. An alien. You don't really get
Speaker 1: to see the full alien because it at first you
Speaker 1: have to find the egg, then you have to get
Speaker 1: the the what is it the face hugger on your face,
Speaker 1: and then you get to pop around for a couple
Speaker 1: of days feeling like you're good, and then a little
Speaker 1: little chest burster explodes out of your stomach and it
Speaker 1: goes into hiding. Days later it gets bigger, and so
Speaker 1: there's a reason.
Speaker 2: And yeah, and there's some sorry, there's some bits where
Speaker 2: you see the alien. Well, it were cut from the film,
Speaker 2: and it looked a little bit silly exactly. See if
Speaker 2: you see it too much and it's too brightly lit.
Speaker 2: This thing lives in the shadows. It's it's terrifying close
Speaker 2: up and dripping. You can see the full body doing
Speaker 2: that weird like omen Spider danced when Exorcist Spider danced
Speaker 2: thing that it did in that shot. It looks silly.
Speaker 2: It looks silly.
Speaker 1: So yeah, sorry, no, absolutely right, And they knew that,
Speaker 1: so they didn't put it on screen much. And so
Speaker 1: this isn't about like waiting to show your monster. This
Speaker 1: isn't about less is more. It was more like production
Speaker 1: necessities set this up. And the reason I love Deep
Speaker 1: Blue Sea so much, I know I keep talking about
Speaker 1: it and Crawl and the Shallows is that they immediately,
Speaker 1: almost immediately set up everything. Crawl happens quick, Shallows happens quick,
Speaker 1: Deep Blue Sea happens quick, and they don't hide the sharks.
Speaker 1: The problem with this film is that it doesn't have
Speaker 1: much of a budget. So I get it, you can't
Speaker 1: show much of your monster, and the monster they do
Speaker 1: the show looks really good. But when you have a
Speaker 1: movie called Krackin and everything's based around krakens, when you
Speaker 1: have about an hour of people just walking around, when
Speaker 1: what is there's something wrong with the fjord? What's wrong
Speaker 1: with the.
Speaker 2: Fjord, like there's nothing wrong with the feud. Yeah, it's fine,
Speaker 2: there's nothing wrong.
Speaker 1: And so you're just sitting there and you're going, there's
Speaker 1: a kracking, it's coming. So all this mystery the film, Yeah,
Speaker 1: so all this mystery involved. It's point it's kind of
Speaker 1: pointless because you know that there is a like underwater
Speaker 1: starts immediately, like immediately, that thing kicks you into it immediately,
Speaker 1: and so.
Speaker 2: Like whilst underwater, you don't necessarily know that's leading towards culu.
Speaker 2: It's still like a strenuous enough situation and it's enough
Speaker 2: going on, and you're you're getting to no characters and
Speaker 2: are losing them. It's still like a tense situation that
Speaker 2: just happens to like two thirds way through be like wait,
Speaker 2: hang on, is this a cthulu film? Oh? No, hours
Speaker 2: and like that's I went into Underwater not knowing it
Speaker 2: was a cuthuliar film.
Speaker 1: Same.
Speaker 2: I was like, this is an underwater survival film. So
Speaker 2: if they had cooled Underwater Cuthulu, I'd have been like,
Speaker 2: when are we gonna get when are we gonna get
Speaker 2: to clude exactly it's been an hour, When do we
Speaker 2: get to clue and yeah, yeah, Oh sorry, go for it.
Speaker 1: I interrupt that and.
Speaker 2: We're watching Cracker, and like, when are we gonna get
Speaker 2: to the Cracker. I've seen people, I've seen people be killed,
Speaker 2: but it's like, what is killing these people? Like, we
Speaker 2: know what's killing these people. It's the title of the film,
Speaker 2: it's the Kracking.
Speaker 1: And so the director I, yeah, Paul, He's like, people
Speaker 1: just aren't patient. I'm hoping people can be patient. But
Speaker 1: there's a difference between being patient and force mystery. Does
Speaker 1: that make sense, because yeah, it's not you and I
Speaker 1: are not impatient people. I think we I we understand,
Speaker 1: but I understand. This is like a five million year
Speaker 1: old budget, and so it looks good for that, looks
Speaker 1: great for five million. But it's when you call it
Speaker 1: cracking and you everyone around is going, well, what is it?
Speaker 1: What could it be? Like?
Speaker 2: It's cracking.
Speaker 1: It's a cracker for an hour, and so that that's
Speaker 1: when I get lost a little bit with movies when
Speaker 1: people say you gotta be patient, or people aren't patient anymore,
Speaker 1: or you know, the less is more, Because my main
Speaker 1: beef with this is not how much the creature's shown,
Speaker 1: because it's because of the budget, but the fact that
Speaker 1: for an hour, everyone's like, well, what is going on?
Speaker 1: There's something wrong with the I keep saying it because
Speaker 1: I love that quote Chase. Sorry, there's just something wrong
Speaker 1: with the fjord. But you know it's a cracking. So
Speaker 1: it's it's kind of tough for me because maybe they
Speaker 1: should have gotten that out earlier and just say everyone
Speaker 1: clear out. They have a cool set. I really like
Speaker 1: the idea of this unsinkable salmon fishery, and the idea
Speaker 1: of the sonic lice is cool. Like look at that
Speaker 1: movie Bait. That movie gets them in that store pretty
Speaker 1: quickly and then kicks off the chain of events. So
Speaker 1: you could have had the people on this ship being
Speaker 1: deep rising by the tentacles. You could have had various
Speaker 1: people searching for things throughout. But you didn't need to
Speaker 1: wait an hour to bring the cracking out because it's
Speaker 1: the movie's called cracking.
Speaker 2: Yeah. Yeah, And I can understand sometimes you have this
Speaker 2: delay because you want to like reveal the creature that
Speaker 2: we don't want to give away the creatures design. And
Speaker 2: I think the creature design is here is fine, but
Speaker 2: it's not like surprising. It's a bit octopus. There's a
Speaker 2: lot of tentacles. The tentacles look like you know, if
Speaker 2: you say five million euro budget, the tentacles look good
Speaker 2: for that budget, they look look pretty great. But beyond
Speaker 2: the tentacles you have the little parasite things. They also
Speaker 2: look pretty good. But it's not like surprising. It's not
Speaker 2: like that's what it looks like and it looks like
Speaker 2: a biocapus. It's tentacles, and then at one point a
Speaker 2: character is kind of dragged down into that kind of
Speaker 2: avoid and then when you see it over the water,
Speaker 2: it's a mist, not a mist, which makes me think
Speaker 2: of the film The Miss, the Frank Grubon film The Miss,
Speaker 2: which I love, but Tom Jane where like that gets
Speaker 2: straight to it as well. That's a little higher budget,
Speaker 2: but not much like it's it's like, I think thirteen million,
Speaker 2: but budget I think, which you know, five to thirteen
Speaker 2: is considerable. But there's a lot more going on in
Speaker 2: The Miss. I guess a lot more going on, and
Speaker 2: the keeping the creatures designed for a surprise in The
Speaker 2: Mist works because there's a lot of different creatures and
Speaker 2: they all look great, and then you like it ramps up.
Speaker 2: We'll cover the myst someday.
Speaker 1: I love The final reveal is gorgeous. The like the
Speaker 1: giant monsters and the spiders, and it's just smart. Monsters
Speaker 1: are in the mist, so when the miss comes, you
Speaker 1: know monsters are there. That's a great way to keep
Speaker 1: a budget down or tell a story, because first and
Speaker 1: foremost miss sucks. When you're driving and you can barely
Speaker 1: see in front of you, that's terrifying enough. But if
Speaker 1: there's monsters in there, yeake. And if there's Marshall gay
Speaker 1: Harden in there yet, yeah, So that one does it
Speaker 1: really well. It hides the monsters well, but it kicks
Speaker 1: things off quick. And I guess I just wish they
Speaker 1: would have I'm not a filmmaker. I didn't write this script.
Speaker 1: They made this movie. I applug this isn't how I
Speaker 1: would have made it better, because I can't stand those
Speaker 1: things like how it should have been Thanks for hindsight,
Speaker 1: but I I just you caught cracking and then everyone
Speaker 1: for an hour is going, well, what let me think
Speaker 1: it is? What do you think? There's something wrong here?
Speaker 1: And it's just I don't know, it's an odd it's
Speaker 1: an odd choice. And there's a lot of shots of
Speaker 1: John Johanna just looking at stuff. Yep, she looks at
Speaker 1: a lot of stuff.
Speaker 2: Yeah, she's re botoges. She's been brought into she's been
Speaker 2: brought in to do like a investigation on this place
Speaker 2: that she helped design. This feels like a conflict of interest,
Speaker 2: Like her ex is eric, Like she left the projects
Speaker 2: seven years ago to come, but she couldn't. They couldn't
Speaker 2: work out the solo life, so she left. Since she
Speaker 2: has left, he's figured it out and now she's The
Speaker 2: company she works for has been like, we've had some
Speaker 2: complaints about that place you used to work. Can you
Speaker 2: come back and investigate it with your ex boyfriend? That
Speaker 2: feels shady, like it feels like somebody else, somebody else
Speaker 2: should have been brought in, like you you can check
Speaker 2: it out. Is your field of expertise? Yeah, because she
Speaker 2: designed it, Like, it's not her field of expertise.
Speaker 1: It's her work vibes and it doesn't it. It's like
Speaker 1: Twister meets Deep Rising meets a few things where they
Speaker 1: have a prototype, you know, and then they got to
Speaker 1: come back and see if it works. But then it works,
Speaker 1: and that's a total.
Speaker 2: Conflict works too well, Yeah, but you know.
Speaker 1: What, it sucks because it works.
Speaker 2: Correct, right, it works, but it has a side effect.
Speaker 2: It's it's, you know, making the sharks smarter. The hard
Speaker 2: harvest harness harvest. The jeanes worked side effect smarter sharks
Speaker 2: to kill everyone on escape here. Yeah, they've they've deliced
Speaker 2: the the loused the so they've got it. Sonic lice.
Speaker 2: Its pubs is to get rid of the lice like
Speaker 2: that as a name like son Sonic Delce would have
Speaker 2: been better, but there were that worked. But also it
Speaker 2: sends the I'm not sure if it was the sonic
Speaker 2: delicing the just that just awakened the krack and and
Speaker 2: everything was scared of the kraken or did that send
Speaker 2: the fish insane and tried to throw themselves on land
Speaker 2: as well as awakening the kraken. Were the fish scared
Speaker 2: because of the delighting or because the crackling was coming.
Speaker 1: Well, the crabs are ducking out of the water.
Speaker 2: Yeah, that was great. I liked that.
Speaker 1: Now they could be hereing it. We're like, we're out,
Speaker 1: We're out.
Speaker 2: Baby, Yeah, we know what's coming. Yeah, nothing good.
Speaker 1: They don't really explain that.
Speaker 2: Plenty of feels around here we can go into. We're
Speaker 2: just going to check out some other view.
Speaker 1: They did maximum Baby, but they bumped it up a level.
Speaker 1: So everything in there must have been unbearable because they
Speaker 1: turned up the Sonic Lice. And also the guy who
Speaker 1: owns the Sonic Lice is married to a cop.
Speaker 2: Yeah yeah, that just felt like trying to have fewer
Speaker 2: characters in this, So we need to have a police
Speaker 2: some kind of police official to show up at some point.
Speaker 2: Let's just let's have them be married to the main guy.
Speaker 2: And also it's like eco warrior, let's have that be
Speaker 2: their kid. Let's just have these connections. It's fine.
Speaker 1: Their daughter is like a mini and and some city
Speaker 1: boys are planning to destroy what he built.
Speaker 2: Yeah, yeah, which, but they don't know each other very
Speaker 2: well because the main guy cat. I think the thing was,
Speaker 2: I didn't know that Maria was the daughter of the
Speaker 2: fish Fish. Well they're trying to take down h yeah, yeah,
Speaker 2: it's fine.
Speaker 1: And then the jet ski gets taken out in the
Speaker 1: beginning awesome, right. I was wondering if the crack and
Speaker 1: ate the jet ski, and then when we found out
Speaker 1: it didn't, I was kind of relieved. I'm like, what's
Speaker 1: that thing? And then doing it's belly you gonna it
Speaker 1: can't be comfortable for Krakens to have a jet ski
Speaker 1: in their stomachs.
Speaker 2: No, I mean we see what happens when it sticks
Speaker 2: at tentacle in an outboard motor, and I didn't enjoy that. No, no,
Speaker 2: But I love the image of the business guy uh
Speaker 2: Jsteen on a jet ski in like a suit, jet
Speaker 2: ski suit and tie combo was a great image. He
Speaker 2: doesn't see that often.
Speaker 1: If there's ever been a great jet ski add it's
Speaker 1: this movie. Yeah, I want to get on a fjord
Speaker 1: and I want a jet ski.
Speaker 2: It looks like fun.
Speaker 1: Just I wonder if it gets as dangerous as American
Speaker 1: lakes when Americans get on lakes in big numbers or
Speaker 1: you know, I know this is a fjord, but when
Speaker 1: they get on a body of water with jet skis,
Speaker 1: something bad always happened.
Speaker 2: So I want Yeah, yes, we've seen the bad thing
Speaker 2: happens always.
Speaker 1: Something bad happens on in short night like there's always
Speaker 1: something bad. So yeah, it's a great advertisement for jet
Speaker 1: skis and it okay, But this thing comes out it's
Speaker 1: cyclical because it had come out forty years before, so
Speaker 1: does it just is it like Godzilla? And it comes
Speaker 1: out when it is it senses something's wrong and then
Speaker 1: it kills some jet skiers?
Speaker 2: Yeah, what happened forty years before? Why did it come
Speaker 2: out with before they ever explained. It's like the news
Speaker 2: articles said, oh we saw something. It's it's like a
Speaker 2: submarine in the field, and then everyone just kind of
Speaker 2: forgot about it.
Speaker 1: But uh, yeah, so that polluting that no one even mentions, like, oh,
Speaker 1: remember the pollution spill forty years ago, there's that thing noticed.
Speaker 1: So it's maybe it just awakens whenever something's up. It's
Speaker 1: like get out of bed.
Speaker 2: Yeah, a plane crashed in the field and then this
Speaker 2: thing awoke something something like significant should have happened.
Speaker 1: Yeah, So then you're like, is it cyclical? Is it
Speaker 1: the sonic lice? Because she could hear it thirteen hundred
Speaker 1: feet meters away or feet thirteen hundred meters away.
Speaker 2: This Yeah, it was the same distance away as the
Speaker 2: depth of the field. It's like, I must be significant.
Speaker 2: But like even though she's pointing like that way rather
Speaker 2: than down, so.
Speaker 1: It travels right. But the thing is that thing stretches
Speaker 1: what two hundred and five kilometers, It can't go that
Speaker 1: far like water. Sonic lice, those little things are not
Speaker 1: gonna go that. It kills the jet skiers. It's floating
Speaker 1: around for a couple of days a week.
Speaker 2: Yeah, yeah, yeah. I was unclear about the passage of
Speaker 2: time in this film as well, because there's a business
Speaker 2: dinner meeting. It's kind of like the Chilean Sea Bathroom
Speaker 2: Jossy Pub, which that seems to go on for half
Speaker 2: a week that meeting. Yeah, because we see people back
Speaker 2: at the base, like going to bed in the evening
Speaker 2: and the next day and the next day and they're
Speaker 2: still just at this meeting. Yeah, the little girls at
Speaker 2: the meeting, like where did she come from?
Speaker 1: It's very very the meg They don't like Mars and
Speaker 1: Pan and ship.
Speaker 2: Just assume that Japanese people, all Japanese people don't like Malespan.
Speaker 2: I don't think that's right. I think some some probably do.
Speaker 2: It's delicious. I'm pretty sure. I'm pretty sure there's a
Speaker 2: Japanese snack that involves Mazapan. I haven't had it. I didn't.
Speaker 1: You've been on a long flight and you're in Norway
Speaker 1: and you drove assuming they're they're coming from Japan, and
Speaker 1: then you drive there, you get a quick tour and
Speaker 1: you're like, hey, you want cake, Like that's I don't know,
Speaker 1: I don't I guess you gotta be polite, but I
Speaker 1: don't really want sweets after a long flight. Maybe that's
Speaker 1: just me.
Speaker 2: Apparently malespan is hort to get in Japan, so this
Speaker 2: could be correct. Okay, yeah, well this film was right.
Speaker 1: Okay, but if you have something that works, why crank
Speaker 1: it up.
Speaker 2: They wanted the business guys that they wanted the salmon
Speaker 2: to be like squeaky clean. They wanted to be like,
Speaker 2: no sign of any lice. So having it at set
Speaker 2: it like having it on a setting four is going
Speaker 2: to make it dealized. Turning out to ten, then no LCE.
Speaker 2: Definitely no lice. There's still no LCE. But also a Kraken.
Speaker 2: Uh yeah, it's it's just the standard, like we don't
Speaker 2: put out all the stops. Go go maximum speed, let's
Speaker 2: get let's get those headlines. Get a Titanic to New
Speaker 2: York immediately. Yeah, nothing bad happened then on you.
Speaker 1: Okay, So let's say you're at two and it's safe,
Speaker 1: you're not driving crabs mad, you're not chasing things out
Speaker 1: of the water, and the salmon lice is down seventy
Speaker 1: so you still have some lice. They are a problem.
Speaker 1: But if you can cut down the salmon lice population,
Speaker 1: which is good for the overall health of the salmon,
Speaker 1: that's a win. That's a big win right there.
Speaker 2: I mean, you're disrupting an ecosystem in a way that
Speaker 2: you don't know how it was gonna affect things. So
Speaker 2: initially it sounds like a big win. But what eats
Speaker 2: the salmon lis? What does the semlis eat? That's gonna
Speaker 2: be affected. Which is the circle of life? It's gonna's
Speaker 2: a pyramid for these kinds of things.
Speaker 1: What is the circle? I guess saying it it's it's.
Speaker 2: The way to fort.
Speaker 1: Sorry, I.
Speaker 2: Know I have too much respect for Felton John to
Speaker 2: see that recorded. I'll see it not recorded.
Speaker 1: So they feed off their mucus and blood, and they
Speaker 1: are they definitely impact. They're naturally occurring parasites of salmon
Speaker 1: and seawater intend to so salmon farms are a it's
Speaker 1: like it's like a it's like a like a pet
Speaker 1: shelter or a day chair. They're just anytime you put
Speaker 1: salmon in schools, there's just going to be a whole
Speaker 1: bunch of lice or sickness spread around. So I guess
Speaker 1: salmon fishing is notorious for the lice. But if you
Speaker 1: can cut it down, that's but yeah, I guess where
Speaker 1: do those lice go? Yeah, there's always something.
Speaker 2: Yeah, they didn't cover this since salmon fishing in the Ye,
Speaker 2: and they didn't talk about salmon lice in that film.
Speaker 1: But I don't know howards. It's a weird film and
Speaker 1: we blunt get out of here yet, go wild Mountain time,
Speaker 1: go back to that one. But yeah, it's I don't know.
Speaker 1: So they said they're most likely they're sea lice, tiny
Speaker 1: crustaceans that have been around as long as salmon have
Speaker 1: been swimming. They're incredibly abundant. Oh that's interesting. So sea
Speaker 1: lice does make their products unmarketable. So I like that
Speaker 1: as a plot. It's like, Hey, these people are trying
Speaker 1: to keep lice off their salmon, so they invent this
Speaker 1: thing that wakes a kraken.
Speaker 2: Yeah, yeah, it's a It makes it makes sense. The plot.
Speaker 2: We just kind of we just had too much time
Speaker 2: being spent looking at stuff getting to the cracking.
Speaker 1: There's a lot of looking at stuff.
Speaker 2: Yeah, because you know, we have this film's kind of
Speaker 2: opening trauma becauses we get to it is there's a
Speaker 2: couple of guys out on a jet ski and they
Speaker 2: get taken out, but we don't know these people. They
Speaker 2: die immediately. That's that's it. So as opening trauma goes
Speaker 2: in these kinds of films, which if this is your
Speaker 2: first time listening to us, our listeners, then no, the
Speaker 2: films especially always seem to have some kind of opening trauma.
Speaker 2: When if we cover these kinds of things, sometimes they're
Speaker 2: worse than others. This one pretty mild. Characters we never
Speaker 2: we don't know, I would have never talked about again,
Speaker 2: are kind of jet ski joy ride do like real
Speaker 2: tight circles fall off, bloody water, no people. I feel like, yeah,
Speaker 2: I think the kayaking would have been a better opening trauma.
Speaker 2: I think the kayak killer is pretty great.
Speaker 1: Because she goes upside down.
Speaker 2: There they're practicing flipping. Yeah, if you're upside down, how
Speaker 2: do you get my coup again? And that one person
Speaker 2: does it fine, And there's a lady who seems quite
Speaker 2: concerned about doing it, and she like builds up and
Speaker 2: she flips upside down, and then a kayak just stays
Speaker 2: upside down for a while and the instruction is just
Speaker 2: kind of looking there and I was kind of like
Speaker 2: looking able to start paddling towards her, and the next
Speaker 2: thing we know, yeah on land kayak just legs in
Speaker 2: there and then we see her upper body underwater later
Speaker 2: in the film, terrifying this little girl who's appeared from nowhere.
Speaker 2: I've really liked that. The shot of the full kayak
Speaker 2: just being sucked into the water, that's like, great, that's
Speaker 2: a great shot. I liked that a lot. And ever reason,
Speaker 2: when they did an overhead shot, we could just see
Speaker 2: something underneath. I really liked that.
Speaker 1: In my notes overhead shot, Yes, three exclamation points and
Speaker 1: then did it eat the jet ski shots? Overhead shots
Speaker 1: are great.
Speaker 2: The entire film was one long overhead shot.
Speaker 1: In a Violent Nature GTA, in a Violent Nature A.
Speaker 1: But we're just watching the kraken from overhead for ninety
Speaker 1: minutes and then little stories take place.
Speaker 2: Yeah, that would be a different way of doing because
Speaker 2: a lot of these shots from the cover kind of similar.
Speaker 2: I diferent w'y doing it would be following the shark
Speaker 2: the whole time. You know, a shark movie from the
Speaker 2: sharks perspective. It's something we haven't seen before. Come on
Speaker 2: you go, it could be interesting. That could be interesting.
Speaker 2: How would that work?
Speaker 1: Let's make it work.
Speaker 2: Let's make it work.
Speaker 1: Overall thoughts about this movie, what's what?
Speaker 2: Stuff starts kicking off and starts happening. I appreciated the
Speaker 2: second half a heck of a lot more than the first.
Speaker 2: That's the I like the kind of the the second half,
Speaker 2: the kind of film. The second half turns into where
Speaker 2: it's like a bunch of people trapped in a small area,
Speaker 2: monster attacking them. Let's go picked off one by one.
Speaker 2: Interesting deaths here and there, like one of the characters.
Speaker 2: Spoilers from this point if you haven't gone to this
Speaker 2: point is spoilers now. I do recommend seeing it actually
Speaker 2: before we get tops, I do kind of recommending. I
Speaker 2: liked it overall, but yeah, spoilers from that one. The
Speaker 2: deaths towards the end were pretty great. The George, George,
Speaker 2: the big guy on the control panel. His death, he
Speaker 2: has a very like Denis Nedery from Jurassic Park. I've
Speaker 2: also mixed with is it Rafe's ball in Prometheus. We're
Speaker 2: just like we're looking, yeah, you got him? Like he's
Speaker 2: he goes into this shipping container where one of the
Speaker 2: other activists has like fled to and he sees the
Speaker 2: guy bleeding from the from the mouth, unable to move,
Speaker 2: and there's a giant parasite on his back, and so
Speaker 2: he like he managed to flip it over and like
Speaker 2: stares at this hideous hole in the middle of the
Speaker 2: parasite that's clearly the mouth, and then it spits a
Speaker 2: gunk in his eyes, which you know, Dennis Centric gets
Speaker 2: blinded by doing that, and then the shipping container falls
Speaker 2: into the ocean and gets eaten by a cracking I'd
Speaker 2: like to turn a lot. Yeah, as soon as we
Speaker 2: found out like, oh, George is kind of in on
Speaker 2: it with with the business guy in terms of turning
Speaker 2: up turning off the blocking of like that's that's the
Speaker 2: other thing that they find stuff out, but they don't
Speaker 2: really it's all like very science like there's there's some
Speaker 2: kind of the lice. There's a frequency where it's detected
Speaker 2: or not detected, and they've turned off the detection. It's
Speaker 2: I don't know what it is, but he's in on it,
Speaker 2: and so we find out he's in it. I was like, Okay,
Speaker 2: this guy's this guy's gonna get eaten by a cracking
Speaker 2: uh and he does put inside a shipping container as well.
Speaker 2: That's fun. So I liked that sequence. And I felt
Speaker 2: very sorry for the cleaning lady at the big restaurant
Speaker 2: where she's just like cleaning up oft which she finds
Speaker 2: this arrowhead that's been significant and then she kind of
Speaker 2: looks up and it's just one of the parasites on
Speaker 2: the big deep blue sea window, just like biting at
Speaker 2: the glass and bites her a little bit, and then
Speaker 2: just the fiord comes in and takes her. I liked
Speaker 2: that sequence as well. Yeah, there's a couple of good asks.
Speaker 2: They had quite a lot of characters that we just
Speaker 2: don't see where they like all of the whole the
Speaker 2: Japanese contingent, they're there, they want to make a deal,
Speaker 2: and we never see him again. Like these feel that
Speaker 2: these feel like maybe bad guys, like they're trying to
Speaker 2: business conglomerates, trying to take over this small business, and
Speaker 2: we could see a crack and eat some of these people,
Speaker 2: but we don't. That's that's some worse, that's the other
Speaker 2: side of the field.
Speaker 1: Yeah, listen, anything that reminds me of Deep Rising School.
Speaker 1: I like the tunnel work when Johanna has to escape
Speaker 1: through the tunnels and it keeps chasing her. That's good.
Speaker 1: That was good stuff.
Speaker 2: Yeah, lots of tentacles everywhere, just keeps following it and
Speaker 2: she gets into the air events. It's one of those
Speaker 2: films with like air ducks that you can crawl through,
Speaker 2: which no no no no no no no no no,
Speaker 2: but yeah, it's the tentacle following you through air ducks. Terrifying.
Speaker 1: Yeah, that's cool. And then the director said that each
Speaker 1: tentacle in Octopuses, they think has a brain where some
Speaker 1: intelligence to it.
Speaker 2: So has nine nine brains, one main one and then
Speaker 2: one for each tentacle. Oh's cool.
Speaker 1: Sure, okay, Yeah, it's hunting people down and it wants
Speaker 1: to eat them. That's a good bit. I like that bit.
Speaker 1: But then there's Maria who gets straight picked up and
Speaker 1: then it just drops her and then her papa has
Speaker 1: to save her, but then papa dies, but he had
Speaker 1: to die. Yeah, yeah, it's still worth watching.
Speaker 2: Yeah, you're putting this out before we started recording today.
Speaker 2: The director he directed a remake of Daylight of my
Speaker 2: favorite film, which I need to track down now. He
Speaker 2: made The Tunnel in twenty nineteen. So at some point
Speaker 2: we need to do like a Daylight Month because there's
Speaker 2: like a Korean version of it as well, just called Tunnel.
Speaker 1: Really yeah, I think so. Well, if you want to
Speaker 1: do this series for MFF, if you want to do
Speaker 1: if you don't want to do it on Deep Blue C,
Speaker 1: well we could do a Tunnel series on Deep BLUEC.
Speaker 1: That'd be great.
Speaker 2: I need to see if I can track them all down.
Speaker 2: But yeah, I'm gonna make a little missions to watch
Speaker 2: all these films, like I hope that the hero in
Speaker 2: all of them is called Kitler Tour. That would make
Speaker 2: my day so bad. It's a name that transcends any
Speaker 2: kind of language. It's just called Kitler turn any nationality
Speaker 2: there from.
Speaker 1: Let's see what the name is. In twenty nineteen The
Speaker 1: Tunnel twenty nineteen, the main character's name is.
Speaker 2: Stein. No, that's okay, Well there's a.
Speaker 1: Tunnel's an do you said Japanese?
Speaker 2: One Korean I think is called called Tunnel In twenty sixteen,
Speaker 2: directed by Kim Yonghan, where the main character is Lee
Speaker 2: Jung Sue. I believe. Yeah, it's not Kitler.
Speaker 1: Tour, yes, I mean it's on Free Style. It's on
Speaker 1: to be here.
Speaker 2: I mean it'll be available somewhere.
Speaker 1: Yeah. Yeah, I love Daylight series.
Speaker 2: Series.
Speaker 1: I own it. I always surprise myself when I look
Speaker 1: at my movies because I'm like, oh, yeah, I own that.
Speaker 1: I also own Dante's Peaking Volcano.
Speaker 2: I don't know that. I bought Daylight in a DVD
Speaker 2: triple pack with Twister and Vertical Limit, which is no
Speaker 2: skip trilogy I've got. There's a bunch of box sets
Speaker 2: where I've bought, like, oh, this also comes with The Specialist. Like,
Speaker 2: I'm not gonna watch the Specialist.
Speaker 1: Watch the special that's a no skip vertical limit on.
Speaker 1: I'm watching it.
Speaker 2: Twist is just one of the best.
Speaker 1: Yeah Twisters. We have Billy packs and two of them. Yeah,
Speaker 1: but yeah, listen, I know we talked about the logistics
Speaker 1: of this movie. But I fully support every country on
Speaker 1: this planet. I fully support them in making subpar creature features,
Speaker 1: just monster movies. Like I'm totally fine with it. You
Speaker 1: take five million, make a creature feature, Just go do it.
Speaker 1: I don't care what it is. If there's water, I'm
Speaker 1: gonna watch it. So I support you know, It's not
Speaker 1: like every one of these movies coming out of every
Speaker 1: country needs to change world. So it's just give me
Speaker 1: more creature features.
Speaker 2: But absolutely, yeah we have. I think Will Slater, from
Speaker 2: explaining Helicopter front of the show suggested we do like
Speaker 2: a shark Films around the World kind of series, and
Speaker 2: I've I've been trying to put that together at some point.
Speaker 2: It's I've got a little this going. I'm trying to
Speaker 2: can't find it right now. I've got a spreadsheet somewhere like,
Speaker 2: just trying to find because it's like Jaws in Japan.
Speaker 2: New Zealand has a shark with the Ghost Sharks sequels
Speaker 2: from New Zealand. Italy has a couple we've already done
Speaker 2: Shark in Venice, Avalanche Sharks from Canada. There's a bunch
Speaker 2: of different like the Global Shark film it's Kiki we
Speaker 2: can there's a bunch of Italy shark.
Speaker 1: Sharks.
Speaker 2: It contained somebody in a shark costume. That's my least
Speaker 2: favorite tike of witty film.
Speaker 1: I think it not worth it then never.
Speaker 2: Mind, it's I mean, it's fine, it's just I prefer real.
Speaker 1: Mean what we've been talking about a lot of Australian
Speaker 1: shark films.
Speaker 2: Yeah, that's where the sharks come from. So that's where
Speaker 2: they keep making them and there's more to cover, and
Speaker 2: like White Death, we've been covered it.
Speaker 1: Cool.
Speaker 2: Yeah, I mean I liked this film, like I just
Speaker 2: would have liked it more if they fix the pacing
Speaker 2: a bit a bit better and they have the Drussic
Speaker 2: Park sequence, which is like a video, a cartoon video
Speaker 2: explain explaining the plot.
Speaker 1: Did you make that fun? Yeah?
Speaker 2: Yep? And I was like false, full spoiler. I was
Speaker 2: surprised that she died at the end. You would not
Speaker 2: see that in any film we've ever covered. This is
Speaker 2: we wouldn't see that in any other film we've covered.
Speaker 2: I mean, yeah, deep with see she dies at the end,
Speaker 2: but she's been established as a kind of bad guy
Speaker 2: and she wasn't supposed to initially, Or isn't this one.
Speaker 2: Johanna been the hero the whole time. She's the one
Speaker 2: doing everything right, she's a good person, and then she does.
Speaker 1: It was kind of surprising because she she went full
Speaker 1: like tank top badass and jacket. When you become a
Speaker 1: tank top hero, you typically survive.
Speaker 2: Yes, yeah, I think you're right. Does Cut Russell go
Speaker 2: down to a tank top in the Poseidon Adventure? No,
Speaker 2: he's just a suit yeah, yeah, that's I'm trying to think,
Speaker 2: like I'm trying to think of that as a.
Speaker 1: Did Lucas when that movie is show any arms?
Speaker 2: Oh in, I'm gonna get there. I was thinking, I
Speaker 2: was thinking of the other film that we covered, Ah,
Speaker 2: was that I don't know. No, I'm thinking of I
Speaker 2: don't remember if he's if if Josh Diakas shows any.
Speaker 1: Beef, No, he just keeps the shirt on. It looks like,
Speaker 1: what do you mean like your next tank top? And
Speaker 1: then you have Texas Chainshaw Masker the tank top. Then
Speaker 1: you have t two tank top. Ripley gets into a
Speaker 1: tank top, an alien lives, So it's just once the
Speaker 1: tank top happens, you think it's it's game on, but
Speaker 1: then it's not.
Speaker 2: What was the oil rig film with the shark the megalodon?
Speaker 2: The megalodon like this big big shark? Was that Josh
Speaker 2: Lucas as well?
Speaker 1: Oh black black, Yes, he lost his mine on that One's.
Speaker 2: What I was trying to think. That's what I was
Speaker 2: trying to think of. Yeah, yeah, that's that's not that's
Speaker 2: not a tank top. Definitely, she gets and shoes and
Speaker 2: then she just drowned and then they blow up that
Speaker 2: thing pretty easy that that cracking goes down like a chump,
Speaker 2: because like the bomb is nowhere near it. So I
Speaker 2: didn't know if it was some kind of like I
Speaker 2: lost track of what was supposed to be doing. Was
Speaker 2: it some kind of sonic bomb that would disorientate it
Speaker 2: enough just kill it?
Speaker 1: Makes sense, It's cheaper than blowing it up.
Speaker 2: Yeah, I put that. I can't. That annoyed me. That's
Speaker 2: what we had. We had this with killer whale recently.
Speaker 2: The cracking is not the bad just down there being
Speaker 2: a kraken and they're like, oh, we have to kill it.
Speaker 2: You have to kill it. You did this, Maybe you're
Speaker 2: going to kill.
Speaker 1: It, turn off the sonic lice and stay out of
Speaker 1: the water.
Speaker 2: Because they turn it off and be like, it's not
Speaker 2: going to stop based on what it's risen out of
Speaker 2: the water. It's not currently attacking you, Like, oh, it's
Speaker 2: never going to stop. It's not currently killing you. Maybe
Speaker 2: try not killing it first.
Speaker 1: The main problem is that nothing gets out of the water,
Speaker 1: so it could maybe attack coastal towns.
Speaker 2: Sure if they keep on doing what they're doing. Yeah,
Speaker 2: so stop it.
Speaker 1: Uh Yeah, it's a little laser eating people. The boaters. Yes,
Speaker 1: like the spring boaters get eaten.
Speaker 2: It felt like it was it was like sending the
Speaker 2: parasites up. But like, just take some people out.
Speaker 1: I can't the movie hates on tour us to tourist.
Speaker 1: What happened to the turists? Two tourists were.
Speaker 2: Eating like the tourists bar the jet ski joy riders,
Speaker 2: the kayaking tool. Uh yeah, make the people that get killed.
Speaker 2: I guess that's most of the people out on the
Speaker 2: on the field tourists. Perhaps the locals no better than
Speaker 2: to mess with the crack that's true.
Speaker 1: Good luck out there. Why do you say that.
Speaker 2: That's supposed to meet Thank thank you?
Speaker 1: Huh what? No, wait, why did you say that? Huh?
Speaker 1: Good luck? Good luck?
Speaker 2: I meant stop hunting. You know, we'll see you again? Well, yeah,
Speaker 2: we'll we'll see you later, definitely.
Speaker 1: Su you know, keep your feet out of the water.
Speaker 2: What and having the little teaser at the end of
Speaker 2: a cracking egg at the bottom.
Speaker 1: Yeah, okay, sure, it's like Godzilla.
Speaker 2: I don't think we're going to see cracking two. But
Speaker 2: I like the cracking egg, So just trans translate some tentacles.
Speaker 2: The Kimbo win the.
Speaker 1: Listen A subpar creature feature is still lovely. Sure, give me,
Speaker 1: I'll watch it and we.
Speaker 2: Did, we did, and we'll watch it. Yeah, and we'll
Speaker 2: be just talked about it. So do you want to
Speaker 2: know how deep blue and at sea this film is?
Speaker 1: What's in the fjord? It's as listening to this question.
Speaker 1: When they are in the boat the facility, are they
Speaker 1: technically in the ocean?
Speaker 2: Yes, in the same way that when whenever they're in aquatica,
Speaker 2: they are at sea. So listeners, if this is your
Speaker 2: first time listening to DPC the podcast, welcome because because
Speaker 2: this is Deeply see the podcast, we start out covering DeepC.
Speaker 2: Every new film we cover, I look at how deep
Speaker 2: everything on screen takes place at on average, how blue
Speaker 2: everything on screen is, and how much of it takes
Speaker 2: place at sea. So Deep Blue C is, of course
Speaker 2: fourteen and a half meters deep or forty seven and
Speaker 2: a half feet deep, approximately thirty one percent blue and
Speaker 2: eighty nine percent of it takes place at sea. Mark,
Speaker 2: do you think Kraghan is deeper, bluer, and more at
Speaker 2: sea than Deeply C.
Speaker 1: Ooh, that's a really good question because it those swim
Speaker 1: it's not underwater too, it's not deeper, not deeper. Okay,
Speaker 1: it's blue, not as blue. And is it at sea?
Speaker 1: If the fjord is sea, the fjord is see you're
Speaker 1: at the home a decent amount. The movie starts off
Speaker 1: with her sort of walking around. There's when they are
Speaker 1: in the underwater glass room. Is that considered c.
Speaker 2: I did consider that sea because I initially thought that
Speaker 2: was in the same places as the rest of acidity.
Speaker 2: And they are underwater, and they're kind of like I
Speaker 2: think I considered when they're in the restaurant in Jewels
Speaker 2: three D as at sea, and that's a similar kind
Speaker 2: of thing.
Speaker 1: That's tough. That's really tough. No, not as sea, as.
Speaker 2: Much I get you are correct in accounts, So it's
Speaker 2: but it is close so deep we see fourteen and
Speaker 2: a half meters this this works out of being twelve
Speaker 2: point one six meters deep, not that deep for much
Speaker 2: of it, and there is even there is even a
Speaker 2: bit where a plane so they're up in the air.
Speaker 2: But they say the depth of the they say what
Speaker 2: field they're in. We know how deep that field is.
Speaker 2: It's one point three deep. And at the end of
Speaker 2: the they douro an egg. Sorry for that little bit
Speaker 2: of the egg at the end, I thought that eggs
Speaker 2: on the bottom of the sea. So that bit very
Speaker 2: very deep for a few seconds, and that really brought
Speaker 2: it down. But also they are in the facility. They're
Speaker 2: underwater quite a bit in the facility. Like order the
Speaker 2: lab section is underwater in the facility. Yeah, so twelve
Speaker 2: point one six meters deep, which means it's deeper than
Speaker 2: water World. Sorry, it's deeper than Paris, the Caribbean Devon Hotels.
Speaker 2: Not quite as deep as water World. It's only two
Speaker 2: places of open deeper. See. This is our thirty third
Speaker 2: most deep film on the list so far. Blueness works
Speaker 2: out nineteen point eighty five percent blue quite blue, quite blue.
Speaker 2: It's bluer than the Deep House, less blue than Leviathan,
Speaker 2: So seventy seventy nine on our ranking, and at Sea
Speaker 2: seventy four point ninety six percent at Sea. Wow, there's
Speaker 2: quite a lot of it is on the feord, but
Speaker 2: there's quite a lot of it a little bit on land.
Speaker 2: Loyal credits in this film, so the credits are in.
Speaker 2: The credits are in the void, Like nine percent of
Speaker 2: this film is credits. Wow, Almost ten percent its credits.
Speaker 2: So that's a long time in the void. So it
Speaker 2: is more at sea than dangerous Animals and very very
Speaker 2: slightly less at sea than Beast of War, both very
Speaker 2: two recent films. Yeah, two good films. What about thematically?
Speaker 2: As you think the characters in Crack and I think
Speaker 2: there's more to.
Speaker 1: Them, no deeper, there's nothing to these characters.
Speaker 2: Yeah, Like we never really find out why why did
Speaker 2: Eric and Johanna break up? What happened there? She didn't work,
Speaker 2: you know, Yeah, I can't make that country of science
Speaker 2: by it seems to be what happened man, and.
Speaker 1: Everyone deals with things way too maturely. When you find
Speaker 1: out that George was doing that stuff, Eric's like, oh well,
Speaker 1: we got other fish to fry. We other crack and
Speaker 1: the cook And when you know, Johanna shows up. He's like,
Speaker 1: oh hey, like there's no there's no twister, arguing this
Speaker 1: isn't a he was like, oh okay, you're here now.
Speaker 2: Yeah, it's not like Stapham and his ex in the
Speaker 2: In the Meg's just that odds for the whole film,
Speaker 2: and a really angry guy.
Speaker 1: The dogs are and fun I hate you all right, Longmire?
Speaker 2: What about Blue? Are they sadder in this film? There's
Speaker 2: nothing to these characters. No, no, yeah, and are they
Speaker 2: more lost? No, I don't think they know where they are.
Speaker 1: They're doing pretty good.
Speaker 2: Yeah. Great, So t PC is deeper, bluer, and more
Speaker 2: at the in every count realistically and metaphorically. Good, we'll win.
Speaker 2: That's the case. Great, So that that will do it
Speaker 2: for kracking Mark, do you have any blugs?
Speaker 1: Yeah, just moves on the flicks and yeah, that's it.
Speaker 1: Listen to that podcast.
Speaker 2: And my site is life versus film dot com. Some
Speaker 2: writing there on films I'm watching at the moment. Next
Speaker 2: week on this show, we're back to reptiles with Rango.
Speaker 2: Not there's the whole point. There is the looking for water,
Speaker 2: so not a very wet film, but water is in there.
Speaker 2: So looking forward to talking to Rango with a friend
Speaker 2: of the show, Andy Gording, animation fan Andy Gording, So
Speaker 2: come back next week for Yeah, legend does the DPC show.
Speaker 2: I don't think you'll listen to this episode, so we'll
Speaker 2: never know he's a legend. But Andy, you are back
Speaker 2: next week for the Rango. But as for Kracken, I
Speaker 2: have been J. Klewett and Mark Halfmeyer will Deep Blue
Speaker 2: see you next week.