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<v Speaker 1>Hello and welcome to Deep Blue Sea the podcast. I

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<v Speaker 1>am Mark never kayaking in a fjord Halfmeyer and I am.

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<v Speaker 2>Jay There's something wrong with the fjord Cluet Welcome you

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<v Speaker 2>bod deeply see the podcast on this show through the

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<v Speaker 2>entire deep Engy's there's something wrong with the field. I'll

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<v Speaker 2>show been through the entire deep surgy Seene by scene.

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<v Speaker 2>We're doing it again, but not today. Today we're talking

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<v Speaker 2>about another new release. We are breaking from our year

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<v Speaker 2>of reptiles talking about another new release. And that new

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<v Speaker 2>release is Krackin' What is Cracking? That's the twenty twenty

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<v Speaker 2>six Norwegian film directed by Paul Oye and starring Sarah Karami,

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<v Speaker 2>Michel Brat, silsett Ingfield, Hathor pig Nez, a bunch of

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<v Speaker 2>other people as well Jenny Evenson. It tells a story

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<v Speaker 2>of a salmon fishing farm in Sogna Fjord, which is

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<v Speaker 2>the longest and deepest fjord in Norway, where they've they've

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<v Speaker 2>started doing they're experising some salmon lice as they've been

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<v Speaker 2>doing some sonic delicing of the salmon and it seems

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<v Speaker 2>to have woken something from the depths. A kraken. It's

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<v Speaker 2>a cracking. They've all got a kragon andarity is going

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<v Speaker 2>with you. I wouldn't you know? So? Yeah Kracken twenty

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<v Speaker 2>twenty six, Big tentacle beastie from the depths of a fjord.

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<v Speaker 2>There is something wrong with It's something wrong with Actually,

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<v Speaker 2>there's nothing wrong with the field. There's something wrong with

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<v Speaker 2>the fish farm. They shouldn't Yeah, they shouldn't be doing this.

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<v Speaker 2>They shouldn't be using this. I get it. The salmon

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<v Speaker 2>lice a problem. They've got a Japanese company visiting who

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<v Speaker 2>want to turn their fish farming operation, make it bigger,

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<v Speaker 2>and they're trying to like impress them with the sam

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<v Speaker 2>and delicing. But you know, there's a cracking in there.

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<v Speaker 2>Is there a crack in every field? Maybe who knows?

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<v Speaker 1>Does never go never do a flip in a kayak

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<v Speaker 1>in a fjord anymore? Don't do it, y'all?

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<v Speaker 2>Sure? Can I tell you something?

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<v Speaker 1>Jay? So growing up in Florida wrecked water because you

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<v Speaker 1>have the golf on one side of the Atlantic on

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<v Speaker 1>the other and then any spring or lake has alligators,

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<v Speaker 1>water moccasins, alligators, snapping turtles. So anytime you like, I

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<v Speaker 1>remember one time I was in a spring, just swimming

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<v Speaker 1>around in a water markets and to swam right past me.

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<v Speaker 1>You know, when you're canoeing, you're going by alligators. So

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<v Speaker 1>water I've always just been cautious of it, but I

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<v Speaker 1>feel like a fjord was like a safe place. And

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<v Speaker 1>then now whenever i'm you know, if we ever fjording,

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<v Speaker 1>there's gonna be problems. Jay, you know you're just going

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<v Speaker 1>in here.

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<v Speaker 2>I was in Norway last year, NOI this film made

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<v Speaker 2>me very maybe missed no Way a lot. It's a

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<v Speaker 2>beautiful country. I didn't go to sogg A Fjord. We

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<v Speaker 2>took a few cruisers on other fiords and they all

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<v Speaker 2>look stunning as all beautiful places. Didn't see any cracking.

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<v Speaker 2>But I have been like paddle boarding and kayaking in

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<v Speaker 2>the locks in Scotland and which I would like fjord like,

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<v Speaker 2>and I didn't see any kraging. I wasn't looking for him,

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<v Speaker 2>but I saw a bunch of seals, loved loved paddleboarding

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<v Speaker 2>past seals and just he's just gonna get close to

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<v Speaker 2>the sea and close to the do you think close

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<v Speaker 2>to the coast on the water, and you didn't see

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<v Speaker 2>him before and then suddenly there's this like tidal where

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<v Speaker 2>you was a water fall of seals, a whole like

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<v Speaker 2>twenty to thirty seals on the rocks you didn't see,

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<v Speaker 2>and you get close to it, so they all just

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<v Speaker 2>slide into the water near you and scare the heck

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<v Speaker 2>out of you. It's just she's like, oh my god.

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<v Speaker 2>And then they're just kind of their heads just up

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<v Speaker 2>watching you, and you don't get close to here, but

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<v Speaker 2>you just had all the cup like they stay bobbing,

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<v Speaker 2>and then you go down and they appear near somewhere else.

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<v Speaker 2>It's great. I loved it. One of my favorite things

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<v Speaker 2>I done. It is just paddleboarding with seals. But had

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<v Speaker 2>I encountered a kraken, I don't know. I probably would

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<v Speaker 2>have died to talk about it.

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<v Speaker 1>I would. I would miss you a lot, but I

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<v Speaker 1>would also be like, so I hosted a podcast called

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<v Speaker 1>Deep Blue Sea, the podcast where we talk about aquatic

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<v Speaker 1>creature features, and my co host was eaten by a kraken.

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<v Speaker 1>A good story.

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<v Speaker 2>Yeah, okay, yeah.

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<v Speaker 1>Well, so there are greenland sharks in there, like some

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<v Speaker 1>can live over four hundred years. They stay in the

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<v Speaker 1>cold depths. There's velvet belly lantern sharks. They're the most

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<v Speaker 1>abundant shark in Norwegian fjords. They glow in the darkies

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<v Speaker 1>and bioluminescence to hide from predators. It's kind of neat.

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<v Speaker 1>There's ghost sharks, so they're they're just deep. They're in

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<v Speaker 1>the deep western Norway and local city fjords. There's black

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<v Speaker 1>mouth cat shark and spiny dogfish, but they aren't known

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<v Speaker 1>to attack humans, so there's just not Yeah. I guess

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<v Speaker 1>you could just go in there and be like, yes,

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<v Speaker 1>there's probably something in here, but I'm safe. But I

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<v Speaker 1>guess as long as you're not using sonic technology too loud,

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<v Speaker 1>that's the thing.

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<v Speaker 2>Yeah, don't do it very bad.

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<v Speaker 1>Jae am I crazy. So I was doing some research

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<v Speaker 1>here and the sun and Fjord is the country's deepest

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<v Speaker 1>and longest. It has a maximum depth of one three

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<v Speaker 1>eight meters and four thousand, two hundred and ninety one

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<v Speaker 1>feet below sea level. That's the monster in this movie

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<v Speaker 1>is half a mile quarter mile.

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<v Speaker 2>Yeah, sure, yeah, So it's it's basic, big boy.

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<v Speaker 1>Yeah, and it's not coming from the depths of the ocean.

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<v Speaker 1>It's coming from the depths of the fjord. Correct.

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<v Speaker 2>Well, yes, By my Google history. Now it contains the

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<v Speaker 2>question are fields part of the ocean? Which is yes,

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<v Speaker 2>they are. Yeah, fields are technically part of the sea.

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<v Speaker 2>Not because like rivers flow to the sea. Rivers are

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<v Speaker 2>their own separate thing. Fields are title They aren't moving,

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<v Speaker 2>so they are considered part of the ocean.

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<v Speaker 1>Mhmm.

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<v Speaker 2>So when when later, when we talk about how much

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<v Speaker 2>of this film takes place at sea, if it's in

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<v Speaker 2>the field, it's a whah, that's that's unconcerned. So yeah,

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<v Speaker 2>so but the creature is not like on the bottom

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<v Speaker 2>of the fjord, reaching its tentacles up and out. It's

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<v Speaker 2>swims it swims up. It's like a it's a big

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<v Speaker 2>octopus's yeah. This is deep rising, very deep underwater.

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<v Speaker 1>And it Okay, so it's coming from the bottom of

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<v Speaker 1>the fjord. Correct, it's not coming from it's not coming

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<v Speaker 1>from out. It's not swimming into the fjord.

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<v Speaker 2>I think it lives out at the bottom of this field.

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<v Speaker 1>Okay, So it's not coming from the Norwegian Sea correct.

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<v Speaker 2>Correct, Maybe it did at some point, but it's taking

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<v Speaker 2>this fields as its home. Perhaps what is it eat? Yeah, oh,

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<v Speaker 2>we'll back this this question. Okay, does it just rest.

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<v Speaker 1>Is it like Godzilla where it just takes naps and

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<v Speaker 1>then when something pusss it off, it comes in equalizers.

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<v Speaker 2>So it's got these these parasites on it that are

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<v Speaker 2>also like unknown to man. People like the scientists and

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<v Speaker 2>this haven't seen them before. So for all we know,

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<v Speaker 2>there are other creatures at that depth that we also

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<v Speaker 2>don't know about that it eats those. I'm gonna say,

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<v Speaker 2>maybe this is the only kraken. I don't reckon this

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<v Speaker 2>is a species where there's like there's a bunch worldwide.

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<v Speaker 2>I reckon this is like the the one. Maybe there's

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<v Speaker 2>like a couple. I don't know, So we're not don't

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<v Speaker 2>need to worry about feeding hundreds of these things, just

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<v Speaker 2>the ones. Maybe it does come out of the field.

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<v Speaker 2>There's a lot of fields in Norway, so maybe it

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<v Speaker 2>just like it goes from field to field.

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<v Speaker 1>You know, if you have technology underwater, you would sense

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<v Speaker 1>the gigantic motion that happens when this thing just swim

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<v Speaker 1>this thing swimming in a fjord. Would it couldn't be

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<v Speaker 1>missed with tides?

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<v Speaker 2>Yeah, it's the place displacing a lot of water when

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<v Speaker 2>it travels. I guess. But as they say in the film,

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<v Speaker 2>only five percent of the ocean has been explored, so

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<v Speaker 2>there's stuff moving down there that we don't know about, horrifying,

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<v Speaker 2>and maybe we are aware of the repercussion, like you know,

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<v Speaker 2>we say, ah, the moon controls the tides. Maybe the

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<v Speaker 2>cracking controls the tides, and we just haven't seen the cracking,

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<v Speaker 2>but we've seen the moon. It's that thing that's what's

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<v Speaker 2>doing it. Not not the big monster under the sea.

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<v Speaker 2>It's the moon. I don't know.

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<v Speaker 1>It's just like a boatloads cracking around the world, controlling

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<v Speaker 1>the tides.

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<v Speaker 2>Maybe maybe, or who knows what else.

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<v Speaker 1>If they ever go to a concert like a House

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<v Speaker 1>of Pain concert and just jump around, the ocean's just

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<v Speaker 1>going to be tidle, you know, like it's going to

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<v Speaker 1>kick out.

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<v Speaker 2>The ocean is haunted as els hold Us, who wins in.

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<v Speaker 1>A fight the Sando Aqua monster from Phantom Menace or

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<v Speaker 1>this kraken.

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<v Speaker 2>Oh, I would need size comparisons. I think probably that

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<v Speaker 2>the Kraken's got the tentacles. The Sando Aqua monster I

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<v Speaker 2>think was just a big well it's that storm with

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<v Speaker 2>the arms. Yes, sure, so they both have limbs, but

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<v Speaker 2>the cracking has more. I'm going to put my money

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<v Speaker 2>on the Kraken.

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<v Speaker 1>Well, I take Sando because that thing is like a

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<v Speaker 1>mile high.

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<v Speaker 2>I need a side a size comparison. If they're like

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<v Speaker 2>similar size, then I'm going with cracking. If the if

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<v Speaker 2>the Sando towards the crack and then not yet, I'll

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<v Speaker 2>go with the SAD. That's fair because this thing is

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<v Speaker 2>huge water, yes, which means like there's enough of it

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<v Speaker 2>in the water and it comes to the water and

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<v Speaker 2>stays there, so there's enough of it underwater to like

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<v Speaker 2>maintain that height, yes, steadiness.

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<v Speaker 1>It's like Godzilla with its tail keeping himself out of

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<v Speaker 1>the water.

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<v Speaker 2>Yeah.

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<v Speaker 1>You know, if you're in a kayak, it's you're not

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<v Speaker 1>gonna it's there's no way this thing's gonna sneak up

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<v Speaker 1>on you.

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<v Speaker 2>But if you're if you're expecting it, people are. No

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<v Speaker 2>one's expecting your kracking.

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<v Speaker 1>That's a really good point. That's a good point. No

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<v Speaker 1>one you know what, it's a good point, Jay, No

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<v Speaker 1>one expects the kracking.

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<v Speaker 2>You don't, it's the Norwegian Inquisition.

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<v Speaker 1>No one expects the crack. Yeah, you know, maybe I'll

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<v Speaker 1>see you know, nice fjord shark. You know, maybe something

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<v Speaker 1>will come by in this movie.

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<v Speaker 2>I mean, they're a menace in this I really liked

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<v Speaker 2>where they found these parasites. The parasites about the size

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<v Speaker 2>of the top of a whiskey barrel.

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<v Speaker 1>This is a huge comparison right there, Jay, that's very specific.

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<v Speaker 2>I know who I'm talking to. You know, you're like whiskey.

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<v Speaker 2>I'm here drinking crack and rum because it felt appropriate

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<v Speaker 2>for today's episode, drinking cornish Cornish sea salt crack and rum.

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<v Speaker 2>It's beautiful.

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<v Speaker 1>I love it.

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<v Speaker 2>There's there's these these parasites that are huge and they're

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<v Speaker 2>looking at like, okay, so the parasite is this big,

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<v Speaker 2>and they scale up how big is the thing that's

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<v Speaker 2>attached to and they work out like what size it

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<v Speaker 2>would be, But they work out what size would be

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<v Speaker 2>and it's a wire frame. It's a wire frame of

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<v Speaker 2>a giant salmon. Yeah. I like that because that's what

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<v Speaker 2>we're looking at here is they don't know what this

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<v Speaker 2>thing is. They know they hunt salmon, they farm salmon

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<v Speaker 2>in this area, so whatever ever it is, it's it's

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<v Speaker 2>a giant salmon. How big woul the salmon? I loved that.

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<v Speaker 2>That's that's the imagination of the arts as we're looking

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<v Speaker 2>at it. He's like, what could be in here? It's

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<v Speaker 2>a salmon the size of the hospital.

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<v Speaker 1>Well, no one expects a cracking. No one expects a cracking,

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<v Speaker 1>but I guess a large salmon would be more. It

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<v Speaker 1>just maybe got mutated or something. You know, it's an

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<v Speaker 1>ill tempered Fjord salmon that's been mutated. Yeah, I love that.

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<v Speaker 1>I was almost mark Dyan Salmon Hoffmeier when I introduced this.

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<v Speaker 2>I had monst the salmon hola. Wait a minute, there's

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<v Speaker 2>something wrong with the field. There's something wrong with the field.

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<v Speaker 1>There's something wrong with the fjord. Okay. So I was

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<v Speaker 1>reading a director's interview about this, and one thing that

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<v Speaker 1>really bothered me about this is like, oh, yeah, do

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<v Speaker 1>you like creature features? Do you do? He's like, yeah,

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<v Speaker 1>not really. He's like, yeah, I don't really miss him.

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<v Speaker 1>I don't really care about creature features. And I was like, oh, great,

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<v Speaker 1>and you can kind of this movie. You can kind

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<v Speaker 1>of tell yeah that makes sense. Yeah, the guy does

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<v Speaker 1>not care. He's just like, they stole the kracking from

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<v Speaker 1>us and I wanted to put it back on Fjord

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<v Speaker 1>and they're like, oh, hey, you didn't show the crack

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<v Speaker 1>and until later in the film spoilers and he's like, yeah,

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<v Speaker 1>that's budgetary constraints. But I guess for me, Jay is

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<v Speaker 1>I was talking about this with my wife Megan, where

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<v Speaker 1>when I think people learn the wrong things from Jaws

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<v Speaker 1>an alien? So in Jaws, the shark just didn't work,

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<v Speaker 1>so there's not much of it. That's why there's so

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<v Speaker 1>much character stuff. Spilberg had to pivot, they had to

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<v Speaker 1>make it work a lot of production issues, so they

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<v Speaker 1>just filmed character stuff. An alien. You don't really get

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<v Speaker 1>to see the full alien because it at first you

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<v Speaker 1>have to find the egg, then you have to get

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<v Speaker 1>the the what is it the face hugger on your face,

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<v Speaker 1>and then you get to pop around for a couple

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<v Speaker 1>of days feeling like you're good, and then a little

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<v Speaker 1>little chest burster explodes out of your stomach and it

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<v Speaker 1>goes into hiding. Days later it gets bigger, and so

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<v Speaker 1>there's a reason.

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<v Speaker 2>And yeah, and there's some sorry, there's some bits where

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<v Speaker 2>you see the alien. Well, it were cut from the film,

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<v Speaker 2>and it looked a little bit silly exactly. See if

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<v Speaker 2>you see it too much and it's too brightly lit.

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<v Speaker 2>This thing lives in the shadows. It's it's terrifying close

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<v Speaker 2>up and dripping. You can see the full body doing

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<v Speaker 2>that weird like omen Spider danced when Exorcist Spider danced

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<v Speaker 2>thing that it did in that shot. It looks silly.

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<v Speaker 2>It looks silly.

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<v Speaker 1>So yeah, sorry, no, absolutely right, And they knew that,

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<v Speaker 1>so they didn't put it on screen much. And so

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<v Speaker 1>this isn't about like waiting to show your monster. This

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<v Speaker 1>isn't about less is more. It was more like production

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<v Speaker 1>necessities set this up. And the reason I love Deep

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<v Speaker 1>Blue Sea so much, I know I keep talking about

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<v Speaker 1>it and Crawl and the Shallows is that they immediately,

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<v Speaker 1>almost immediately set up everything. Crawl happens quick, Shallows happens quick,

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<v Speaker 1>Deep Blue Sea happens quick, and they don't hide the sharks.

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<v Speaker 1>The problem with this film is that it doesn't have

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<v Speaker 1>much of a budget. So I get it, you can't

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<v Speaker 1>show much of your monster, and the monster they do

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<v Speaker 1>the show looks really good. But when you have a

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<v Speaker 1>movie called Krackin and everything's based around krakens, when you

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<v Speaker 1>have about an hour of people just walking around, when

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<v Speaker 1>what is there's something wrong with the fjord? What's wrong

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<v Speaker 1>with the.

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<v Speaker 2>Fjord, like there's nothing wrong with the feud. Yeah, it's fine,

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<v Speaker 2>there's nothing wrong.

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<v Speaker 1>And so you're just sitting there and you're going, there's

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<v Speaker 1>a kracking, it's coming. So all this mystery the film, Yeah,

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<v Speaker 1>so all this mystery involved. It's point it's kind of

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<v Speaker 1>pointless because you know that there is a like underwater

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<v Speaker 1>starts immediately, like immediately, that thing kicks you into it immediately,

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<v Speaker 1>and so.

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<v Speaker 2>Like whilst underwater, you don't necessarily know that's leading towards culu.

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<v Speaker 2>It's still like a strenuous enough situation and it's enough

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<v Speaker 2>going on, and you're you're getting to no characters and

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<v Speaker 2>are losing them. It's still like a tense situation that

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<v Speaker 2>just happens to like two thirds way through be like wait,

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<v Speaker 2>hang on, is this a cthulu film? Oh? No, hours

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<v Speaker 2>and like that's I went into Underwater not knowing it

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<v Speaker 2>was a cuthuliar film.

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<v Speaker 1>Same.

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<v Speaker 2>I was like, this is an underwater survival film. So

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<v Speaker 2>if they had cooled Underwater Cuthulu, I'd have been like,

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<v Speaker 2>when are we gonna get when are we gonna get

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<v Speaker 2>to clude exactly it's been an hour, When do we

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<v Speaker 2>get to clue and yeah, yeah, Oh sorry, go for it.

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<v Speaker 1>I interrupt that and.

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<v Speaker 2>We're watching Cracker, and like, when are we gonna get

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<v Speaker 2>to the Cracker. I've seen people, I've seen people be killed,

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00:16:25.440 --> 00:16:27.000
<v Speaker 2>but it's like, what is killing these people? Like, we

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00:16:27.120 --> 00:16:29.480
<v Speaker 2>know what's killing these people. It's the title of the film,

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<v Speaker 2>it's the Kracking.

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00:16:32.039 --> 00:16:35.600
<v Speaker 1>And so the director I, yeah, Paul, He's like, people

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00:16:35.679 --> 00:16:37.759
<v Speaker 1>just aren't patient. I'm hoping people can be patient. But

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00:16:37.799 --> 00:16:43.559
<v Speaker 1>there's a difference between being patient and force mystery. Does

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00:16:43.639 --> 00:16:48.120
<v Speaker 1>that make sense, because yeah, it's not you and I

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00:16:48.200 --> 00:16:52.639
<v Speaker 1>are not impatient people. I think we I we understand,

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<v Speaker 1>but I understand. This is like a five million year

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00:16:54.639 --> 00:16:56.960
<v Speaker 1>old budget, and so it looks good for that, looks

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<v Speaker 1>great for five million. But it's when you call it

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<v Speaker 1>cracking and you everyone around is going, well, what is it?

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<v Speaker 1>What could it be? Like?

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<v Speaker 2>It's cracking.

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<v Speaker 1>It's a cracker for an hour, and so that that's

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<v Speaker 1>when I get lost a little bit with movies when

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<v Speaker 1>people say you gotta be patient, or people aren't patient anymore,

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00:17:19.279 --> 00:17:24.559
<v Speaker 1>or you know, the less is more, Because my main

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00:17:24.680 --> 00:17:26.680
<v Speaker 1>beef with this is not how much the creature's shown,

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<v Speaker 1>because it's because of the budget, but the fact that

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<v Speaker 1>for an hour, everyone's like, well, what is going on?

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<v Speaker 1>There's something wrong with the I keep saying it because

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<v Speaker 1>I love that quote Chase. Sorry, there's just something wrong

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00:17:36.799 --> 00:17:38.400
<v Speaker 1>with the fjord. But you know it's a cracking. So

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00:17:38.519 --> 00:17:43.039
<v Speaker 1>it's it's kind of tough for me because maybe they

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00:17:43.039 --> 00:17:46.759
<v Speaker 1>should have gotten that out earlier and just say everyone

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00:17:46.920 --> 00:17:49.839
<v Speaker 1>clear out. They have a cool set. I really like

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<v Speaker 1>the idea of this unsinkable salmon fishery, and the idea

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<v Speaker 1>of the sonic lice is cool. Like look at that

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00:17:56.359 --> 00:17:58.720
<v Speaker 1>movie Bait. That movie gets them in that store pretty

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00:17:58.799 --> 00:18:02.759
<v Speaker 1>quickly and then kicks off the chain of events. So

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00:18:02.839 --> 00:18:06.000
<v Speaker 1>you could have had the people on this ship being

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<v Speaker 1>deep rising by the tentacles. You could have had various

335
00:18:09.559 --> 00:18:12.680
<v Speaker 1>people searching for things throughout. But you didn't need to

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<v Speaker 1>wait an hour to bring the cracking out because it's

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00:18:15.720 --> 00:18:16.680
<v Speaker 1>the movie's called cracking.

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<v Speaker 2>Yeah. Yeah, And I can understand sometimes you have this

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<v Speaker 2>delay because you want to like reveal the creature that

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00:18:25.279 --> 00:18:27.359
<v Speaker 2>we don't want to give away the creatures design. And

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<v Speaker 2>I think the creature design is here is fine, but

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00:18:30.039 --> 00:18:34.119
<v Speaker 2>it's not like surprising. It's a bit octopus. There's a

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<v Speaker 2>lot of tentacles. The tentacles look like you know, if

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<v Speaker 2>you say five million euro budget, the tentacles look good

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00:18:38.960 --> 00:18:41.960
<v Speaker 2>for that budget, they look look pretty great. But beyond

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<v Speaker 2>the tentacles you have the little parasite things. They also

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00:18:44.599 --> 00:18:49.559
<v Speaker 2>look pretty good. But it's not like surprising. It's not

348
00:18:49.640 --> 00:18:51.160
<v Speaker 2>like that's what it looks like and it looks like

349
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<v Speaker 2>a biocapus. It's tentacles, and then at one point a

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00:18:54.240 --> 00:18:57.119
<v Speaker 2>character is kind of dragged down into that kind of

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<v Speaker 2>avoid and then when you see it over the water,

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00:18:59.640 --> 00:19:02.920
<v Speaker 2>it's a mist, not a mist, which makes me think

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<v Speaker 2>of the film The Miss, the Frank Grubon film The Miss,

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00:19:05.279 --> 00:19:08.960
<v Speaker 2>which I love, but Tom Jane where like that gets

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<v Speaker 2>straight to it as well. That's a little higher budget,

356
00:19:12.319 --> 00:19:16.720
<v Speaker 2>but not much like it's it's like, I think thirteen million,

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<v Speaker 2>but budget I think, which you know, five to thirteen

358
00:19:19.319 --> 00:19:23.680
<v Speaker 2>is considerable. But there's a lot more going on in

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00:19:23.759 --> 00:19:26.240
<v Speaker 2>The Miss. I guess a lot more going on, and

360
00:19:27.119 --> 00:19:29.680
<v Speaker 2>the keeping the creatures designed for a surprise in The

361
00:19:29.759 --> 00:19:32.079
<v Speaker 2>Mist works because there's a lot of different creatures and

362
00:19:32.119 --> 00:19:34.680
<v Speaker 2>they all look great, and then you like it ramps up.

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00:19:35.400 --> 00:19:36.559
<v Speaker 2>We'll cover the myst someday.

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00:19:36.720 --> 00:19:41.200
<v Speaker 1>I love The final reveal is gorgeous. The like the

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00:19:41.319 --> 00:19:45.680
<v Speaker 1>giant monsters and the spiders, and it's just smart. Monsters

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00:19:45.720 --> 00:19:48.119
<v Speaker 1>are in the mist, so when the miss comes, you

367
00:19:48.160 --> 00:19:50.559
<v Speaker 1>know monsters are there. That's a great way to keep

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00:19:50.599 --> 00:19:53.240
<v Speaker 1>a budget down or tell a story, because first and

369
00:19:53.279 --> 00:19:55.519
<v Speaker 1>foremost miss sucks. When you're driving and you can barely

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<v Speaker 1>see in front of you, that's terrifying enough. But if

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00:19:57.960 --> 00:20:01.799
<v Speaker 1>there's monsters in there, yeake. And if there's Marshall gay

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<v Speaker 1>Harden in there yet, yeah, So that one does it

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<v Speaker 1>really well. It hides the monsters well, but it kicks

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00:20:09.039 --> 00:20:12.799
<v Speaker 1>things off quick. And I guess I just wish they

375
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<v Speaker 1>would have I'm not a filmmaker. I didn't write this script.

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<v Speaker 1>They made this movie. I applug this isn't how I

377
00:20:19.400 --> 00:20:21.079
<v Speaker 1>would have made it better, because I can't stand those

378
00:20:21.119 --> 00:20:23.440
<v Speaker 1>things like how it should have been Thanks for hindsight,

379
00:20:23.920 --> 00:20:28.119
<v Speaker 1>but I I just you caught cracking and then everyone

380
00:20:28.200 --> 00:20:30.039
<v Speaker 1>for an hour is going, well, what let me think

381
00:20:30.079 --> 00:20:33.279
<v Speaker 1>it is? What do you think? There's something wrong here?

382
00:20:33.440 --> 00:20:37.079
<v Speaker 1>And it's just I don't know, it's an odd it's

383
00:20:37.079 --> 00:20:39.480
<v Speaker 1>an odd choice. And there's a lot of shots of

384
00:20:39.799 --> 00:20:45.599
<v Speaker 1>John Johanna just looking at stuff. Yep, she looks at

385
00:20:45.640 --> 00:20:46.519
<v Speaker 1>a lot of stuff.

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00:20:47.279 --> 00:20:49.759
<v Speaker 2>Yeah, she's re botoges. She's been brought into she's been

387
00:20:49.799 --> 00:20:53.759
<v Speaker 2>brought in to do like a investigation on this place

388
00:20:54.200 --> 00:20:57.880
<v Speaker 2>that she helped design. This feels like a conflict of interest,

389
00:20:58.279 --> 00:21:02.759
<v Speaker 2>Like her ex is eric, Like she left the projects

390
00:21:02.759 --> 00:21:06.000
<v Speaker 2>seven years ago to come, but she couldn't. They couldn't

391
00:21:06.000 --> 00:21:08.200
<v Speaker 2>work out the solo life, so she left. Since she

392
00:21:08.279 --> 00:21:10.720
<v Speaker 2>has left, he's figured it out and now she's The

393
00:21:10.759 --> 00:21:12.240
<v Speaker 2>company she works for has been like, we've had some

394
00:21:12.279 --> 00:21:14.079
<v Speaker 2>complaints about that place you used to work. Can you

395
00:21:14.119 --> 00:21:16.240
<v Speaker 2>come back and investigate it with your ex boyfriend? That

396
00:21:16.440 --> 00:21:20.400
<v Speaker 2>feels shady, like it feels like somebody else, somebody else

397
00:21:20.400 --> 00:21:22.720
<v Speaker 2>should have been brought in, like you you can check

398
00:21:22.759 --> 00:21:24.440
<v Speaker 2>it out. Is your field of expertise? Yeah, because she

399
00:21:24.480 --> 00:21:27.400
<v Speaker 2>designed it, Like, it's not her field of expertise.

400
00:21:27.319 --> 00:21:30.640
<v Speaker 1>It's her work vibes and it doesn't it. It's like

401
00:21:30.720 --> 00:21:33.839
<v Speaker 1>Twister meets Deep Rising meets a few things where they

402
00:21:34.240 --> 00:21:36.200
<v Speaker 1>have a prototype, you know, and then they got to

403
00:21:36.240 --> 00:21:37.960
<v Speaker 1>come back and see if it works. But then it works,

404
00:21:38.920 --> 00:21:39.799
<v Speaker 1>and that's a total.

405
00:21:39.599 --> 00:21:42.759
<v Speaker 2>Conflict works too well, Yeah, but you know.

406
00:21:42.759 --> 00:21:45.039
<v Speaker 1>What, it sucks because it works.

407
00:21:46.440 --> 00:21:49.519
<v Speaker 2>Correct, right, it works, but it has a side effect.

408
00:21:49.960 --> 00:21:53.440
<v Speaker 2>It's it's, you know, making the sharks smarter. The hard

409
00:21:53.559 --> 00:21:59.119
<v Speaker 2>harvest harness harvest. The jeanes worked side effect smarter sharks

410
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<v Speaker 2>to kill everyone on escape here. Yeah, they've they've deliced

411
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<v Speaker 2>the the loused the so they've got it. Sonic lice.

412
00:22:07.680 --> 00:22:10.240
<v Speaker 2>Its pubs is to get rid of the lice like

413
00:22:10.319 --> 00:22:13.400
<v Speaker 2>that as a name like son Sonic Delce would have

414
00:22:13.480 --> 00:22:17.680
<v Speaker 2>been better, but there were that worked. But also it

415
00:22:17.839 --> 00:22:20.519
<v Speaker 2>sends the I'm not sure if it was the sonic

416
00:22:20.680 --> 00:22:26.000
<v Speaker 2>delicing the just that just awakened the krack and and

417
00:22:26.079 --> 00:22:29.319
<v Speaker 2>everything was scared of the kraken or did that send

418
00:22:29.519 --> 00:22:32.160
<v Speaker 2>the fish insane and tried to throw themselves on land

419
00:22:33.240 --> 00:22:35.640
<v Speaker 2>as well as awakening the kraken. Were the fish scared

420
00:22:35.680 --> 00:22:37.519
<v Speaker 2>because of the delighting or because the crackling was coming.

421
00:22:38.039 --> 00:22:39.920
<v Speaker 1>Well, the crabs are ducking out of the water.

422
00:22:40.400 --> 00:22:41.960
<v Speaker 2>Yeah, that was great. I liked that.

423
00:22:42.599 --> 00:22:44.440
<v Speaker 1>Now they could be hereing it. We're like, we're out,

424
00:22:44.599 --> 00:22:45.039
<v Speaker 1>We're out.

425
00:22:44.960 --> 00:22:47.640
<v Speaker 2>Baby, Yeah, we know what's coming. Yeah, nothing good.

426
00:22:47.839 --> 00:22:49.160
<v Speaker 1>They don't really explain that.

427
00:22:49.359 --> 00:22:51.680
<v Speaker 2>Plenty of feels around here we can go into. We're

428
00:22:51.720 --> 00:22:53.279
<v Speaker 2>just going to check out some other view.

429
00:22:53.599 --> 00:22:56.519
<v Speaker 1>They did maximum Baby, but they bumped it up a level.

430
00:22:56.640 --> 00:22:59.440
<v Speaker 1>So everything in there must have been unbearable because they

431
00:22:59.519 --> 00:23:02.400
<v Speaker 1>turned up the Sonic Lice. And also the guy who

432
00:23:02.480 --> 00:23:05.640
<v Speaker 1>owns the Sonic Lice is married to a cop.

433
00:23:07.200 --> 00:23:12.680
<v Speaker 2>Yeah yeah, that just felt like trying to have fewer

434
00:23:12.799 --> 00:23:14.400
<v Speaker 2>characters in this, So we need to have a police

435
00:23:14.960 --> 00:23:17.240
<v Speaker 2>some kind of police official to show up at some point.

436
00:23:18.599 --> 00:23:21.359
<v Speaker 2>Let's just let's have them be married to the main guy.

437
00:23:21.759 --> 00:23:25.480
<v Speaker 2>And also it's like eco warrior, let's have that be

438
00:23:25.559 --> 00:23:28.920
<v Speaker 2>their kid. Let's just have these connections. It's fine.

439
00:23:29.480 --> 00:23:32.920
<v Speaker 1>Their daughter is like a mini and and some city

440
00:23:33.000 --> 00:23:37.599
<v Speaker 1>boys are planning to destroy what he built.

441
00:23:38.640 --> 00:23:42.640
<v Speaker 2>Yeah, yeah, which, but they don't know each other very

442
00:23:42.680 --> 00:23:45.960
<v Speaker 2>well because the main guy cat. I think the thing was,

443
00:23:46.119 --> 00:23:48.440
<v Speaker 2>I didn't know that Maria was the daughter of the

444
00:23:48.559 --> 00:23:53.920
<v Speaker 2>fish Fish. Well they're trying to take down h yeah, yeah,

445
00:23:54.000 --> 00:23:54.440
<v Speaker 2>it's fine.

446
00:23:54.640 --> 00:23:56.599
<v Speaker 1>And then the jet ski gets taken out in the

447
00:23:56.640 --> 00:23:59.240
<v Speaker 1>beginning awesome, right. I was wondering if the crack and

448
00:23:59.359 --> 00:24:01.000
<v Speaker 1>ate the jet ski, and then when we found out

449
00:24:01.000 --> 00:24:02.480
<v Speaker 1>it didn't, I was kind of relieved. I'm like, what's

450
00:24:02.480 --> 00:24:06.680
<v Speaker 1>that thing? And then doing it's belly you gonna it

451
00:24:06.759 --> 00:24:09.079
<v Speaker 1>can't be comfortable for Krakens to have a jet ski

452
00:24:09.160 --> 00:24:09.960
<v Speaker 1>in their stomachs.

453
00:24:10.359 --> 00:24:11.920
<v Speaker 2>No, I mean we see what happens when it sticks

454
00:24:11.960 --> 00:24:15.400
<v Speaker 2>at tentacle in an outboard motor, and I didn't enjoy that. No, no,

455
00:24:15.799 --> 00:24:20.200
<v Speaker 2>But I love the image of the business guy uh

456
00:24:21.000 --> 00:24:24.119
<v Speaker 2>Jsteen on a jet ski in like a suit, jet

457
00:24:24.119 --> 00:24:26.960
<v Speaker 2>ski suit and tie combo was a great image. He

458
00:24:27.039 --> 00:24:27.759
<v Speaker 2>doesn't see that often.

459
00:24:28.119 --> 00:24:30.079
<v Speaker 1>If there's ever been a great jet ski add it's

460
00:24:30.119 --> 00:24:33.599
<v Speaker 1>this movie. Yeah, I want to get on a fjord

461
00:24:33.599 --> 00:24:34.440
<v Speaker 1>and I want a jet ski.

462
00:24:35.640 --> 00:24:36.400
<v Speaker 2>It looks like fun.

463
00:24:36.920 --> 00:24:40.160
<v Speaker 1>Just I wonder if it gets as dangerous as American

464
00:24:40.279 --> 00:24:45.079
<v Speaker 1>lakes when Americans get on lakes in big numbers or

465
00:24:45.160 --> 00:24:46.680
<v Speaker 1>you know, I know this is a fjord, but when

466
00:24:46.680 --> 00:24:48.440
<v Speaker 1>they get on a body of water with jet skis,

467
00:24:48.480 --> 00:24:49.559
<v Speaker 1>something bad always happened.

468
00:24:49.599 --> 00:24:53.759
<v Speaker 2>So I want Yeah, yes, we've seen the bad thing

469
00:24:53.839 --> 00:24:55.240
<v Speaker 2>happens always.

470
00:24:54.920 --> 00:24:58.039
<v Speaker 1>Something bad happens on in short night like there's always

471
00:24:58.079 --> 00:25:02.319
<v Speaker 1>something bad. So yeah, it's a great advertisement for jet

472
00:25:02.400 --> 00:25:06.880
<v Speaker 1>skis and it okay, But this thing comes out it's

473
00:25:06.960 --> 00:25:11.079
<v Speaker 1>cyclical because it had come out forty years before, so

474
00:25:12.920 --> 00:25:15.160
<v Speaker 1>does it just is it like Godzilla? And it comes

475
00:25:15.240 --> 00:25:18.720
<v Speaker 1>out when it is it senses something's wrong and then

476
00:25:18.799 --> 00:25:20.920
<v Speaker 1>it kills some jet skiers?

477
00:25:22.319 --> 00:25:24.319
<v Speaker 2>Yeah, what happened forty years before? Why did it come

478
00:25:24.359 --> 00:25:28.119
<v Speaker 2>out with before they ever explained. It's like the news

479
00:25:28.240 --> 00:25:30.920
<v Speaker 2>articles said, oh we saw something. It's it's like a

480
00:25:31.079 --> 00:25:35.440
<v Speaker 2>submarine in the field, and then everyone just kind of

481
00:25:35.440 --> 00:25:36.000
<v Speaker 2>forgot about it.

482
00:25:36.759 --> 00:25:42.880
<v Speaker 1>But uh, yeah, so that polluting that no one even mentions, like, oh,

483
00:25:43.119 --> 00:25:45.839
<v Speaker 1>remember the pollution spill forty years ago, there's that thing noticed.

484
00:25:45.880 --> 00:25:49.000
<v Speaker 1>So it's maybe it just awakens whenever something's up. It's

485
00:25:49.000 --> 00:25:50.200
<v Speaker 1>like get out of bed.

486
00:25:50.440 --> 00:25:53.160
<v Speaker 2>Yeah, a plane crashed in the field and then this

487
00:25:53.480 --> 00:25:58.799
<v Speaker 2>thing awoke something something like significant should have happened.

488
00:25:59.039 --> 00:26:02.480
<v Speaker 1>Yeah, So then you're like, is it cyclical? Is it

489
00:26:03.079 --> 00:26:07.240
<v Speaker 1>the sonic lice? Because she could hear it thirteen hundred

490
00:26:07.400 --> 00:26:10.599
<v Speaker 1>feet meters away or feet thirteen hundred meters away.

491
00:26:10.440 --> 00:26:13.519
<v Speaker 2>This Yeah, it was the same distance away as the

492
00:26:13.599 --> 00:26:16.480
<v Speaker 2>depth of the field. It's like, I must be significant.

493
00:26:16.880 --> 00:26:19.480
<v Speaker 2>But like even though she's pointing like that way rather

494
00:26:19.559 --> 00:26:20.960
<v Speaker 2>than down, so.

495
00:26:21.720 --> 00:26:24.839
<v Speaker 1>It travels right. But the thing is that thing stretches

496
00:26:24.880 --> 00:26:30.839
<v Speaker 1>what two hundred and five kilometers, It can't go that

497
00:26:31.000 --> 00:26:35.880
<v Speaker 1>far like water. Sonic lice, those little things are not

498
00:26:36.039 --> 00:26:41.559
<v Speaker 1>gonna go that. It kills the jet skiers. It's floating

499
00:26:41.559 --> 00:26:44.519
<v Speaker 1>around for a couple of days a week.

500
00:26:44.920 --> 00:26:48.839
<v Speaker 2>Yeah, yeah, yeah. I was unclear about the passage of

501
00:26:48.880 --> 00:26:52.279
<v Speaker 2>time in this film as well, because there's a business

502
00:26:52.559 --> 00:26:55.359
<v Speaker 2>dinner meeting. It's kind of like the Chilean Sea Bathroom

503
00:26:55.440 --> 00:26:58.440
<v Speaker 2>Jossy Pub, which that seems to go on for half

504
00:26:58.480 --> 00:27:02.240
<v Speaker 2>a week that meeting. Yeah, because we see people back

505
00:27:02.279 --> 00:27:05.160
<v Speaker 2>at the base, like going to bed in the evening

506
00:27:05.480 --> 00:27:07.519
<v Speaker 2>and the next day and the next day and they're

507
00:27:07.519 --> 00:27:11.000
<v Speaker 2>still just at this meeting. Yeah, the little girls at

508
00:27:11.039 --> 00:27:12.119
<v Speaker 2>the meeting, like where did she come from?

509
00:27:12.440 --> 00:27:14.759
<v Speaker 1>It's very very the meg They don't like Mars and

510
00:27:14.799 --> 00:27:16.279
<v Speaker 1>Pan and ship.

511
00:27:17.079 --> 00:27:20.000
<v Speaker 2>Just assume that Japanese people, all Japanese people don't like Malespan.

512
00:27:20.119 --> 00:27:23.000
<v Speaker 2>I don't think that's right. I think some some probably do.

513
00:27:23.160 --> 00:27:26.400
<v Speaker 2>It's delicious. I'm pretty sure. I'm pretty sure there's a

514
00:27:26.440 --> 00:27:29.799
<v Speaker 2>Japanese snack that involves Mazapan. I haven't had it. I didn't.

515
00:27:29.880 --> 00:27:33.359
<v Speaker 1>You've been on a long flight and you're in Norway

516
00:27:33.880 --> 00:27:37.599
<v Speaker 1>and you drove assuming they're they're coming from Japan, and

517
00:27:37.680 --> 00:27:40.319
<v Speaker 1>then you drive there, you get a quick tour and

518
00:27:40.400 --> 00:27:43.240
<v Speaker 1>you're like, hey, you want cake, Like that's I don't know,

519
00:27:43.359 --> 00:27:46.319
<v Speaker 1>I don't I guess you gotta be polite, but I

520
00:27:46.359 --> 00:27:50.440
<v Speaker 1>don't really want sweets after a long flight. Maybe that's

521
00:27:50.480 --> 00:27:50.680
<v Speaker 1>just me.

522
00:27:51.400 --> 00:27:53.359
<v Speaker 2>Apparently malespan is hort to get in Japan, so this

523
00:27:53.440 --> 00:27:57.799
<v Speaker 2>could be correct. Okay, yeah, well this film was right.

524
00:27:57.880 --> 00:28:01.960
<v Speaker 1>Okay, but if you have something that works, why crank

525
00:28:02.039 --> 00:28:02.319
<v Speaker 1>it up.

526
00:28:04.039 --> 00:28:07.000
<v Speaker 2>They wanted the business guys that they wanted the salmon

527
00:28:07.079 --> 00:28:08.839
<v Speaker 2>to be like squeaky clean. They wanted to be like,

528
00:28:09.000 --> 00:28:12.160
<v Speaker 2>no sign of any lice. So having it at set

529
00:28:12.200 --> 00:28:14.599
<v Speaker 2>it like having it on a setting four is going

530
00:28:14.680 --> 00:28:18.920
<v Speaker 2>to make it dealized. Turning out to ten, then no LCE.

531
00:28:19.119 --> 00:28:21.839
<v Speaker 2>Definitely no lice. There's still no LCE. But also a Kraken.

532
00:28:22.680 --> 00:28:25.799
<v Speaker 2>Uh yeah, it's it's just the standard, like we don't

533
00:28:25.880 --> 00:28:30.160
<v Speaker 2>put out all the stops. Go go maximum speed, let's

534
00:28:30.160 --> 00:28:32.440
<v Speaker 2>get let's get those headlines. Get a Titanic to New

535
00:28:32.519 --> 00:28:40.680
<v Speaker 2>York immediately. Yeah, nothing bad happened then on you.

536
00:28:41.359 --> 00:28:44.599
<v Speaker 1>Okay, So let's say you're at two and it's safe,

537
00:28:44.680 --> 00:28:47.200
<v Speaker 1>you're not driving crabs mad, you're not chasing things out

538
00:28:47.200 --> 00:28:50.640
<v Speaker 1>of the water, and the salmon lice is down seventy

539
00:28:51.720 --> 00:28:54.400
<v Speaker 1>so you still have some lice. They are a problem.

540
00:28:55.039 --> 00:28:58.960
<v Speaker 1>But if you can cut down the salmon lice population,

541
00:28:59.720 --> 00:29:02.160
<v Speaker 1>which is good for the overall health of the salmon,

542
00:29:03.279 --> 00:29:06.920
<v Speaker 1>that's a win. That's a big win right there.

543
00:29:07.519 --> 00:29:09.680
<v Speaker 2>I mean, you're disrupting an ecosystem in a way that

544
00:29:09.960 --> 00:29:12.240
<v Speaker 2>you don't know how it was gonna affect things. So

545
00:29:12.400 --> 00:29:14.440
<v Speaker 2>initially it sounds like a big win. But what eats

546
00:29:14.480 --> 00:29:17.759
<v Speaker 2>the salmon lis? What does the semlis eat? That's gonna

547
00:29:17.839 --> 00:29:21.079
<v Speaker 2>be affected. Which is the circle of life? It's gonna's

548
00:29:21.240 --> 00:29:22.440
<v Speaker 2>a pyramid for these kinds of things.

549
00:29:23.160 --> 00:29:27.079
<v Speaker 1>What is the circle? I guess saying it it's it's.

550
00:29:26.960 --> 00:29:27.799
<v Speaker 2>The way to fort.

551
00:29:29.480 --> 00:29:29.839
<v Speaker 1>Sorry, I.

552
00:29:32.880 --> 00:29:36.160
<v Speaker 2>Know I have too much respect for Felton John to

553
00:29:37.640 --> 00:29:40.000
<v Speaker 2>see that recorded. I'll see it not recorded.

554
00:29:40.400 --> 00:29:43.960
<v Speaker 1>So they feed off their mucus and blood, and they

555
00:29:44.039 --> 00:29:48.400
<v Speaker 1>are they definitely impact. They're naturally occurring parasites of salmon

556
00:29:48.440 --> 00:29:52.279
<v Speaker 1>and seawater intend to so salmon farms are a it's

557
00:29:52.319 --> 00:29:56.680
<v Speaker 1>like it's like a it's like a like a pet

558
00:29:56.720 --> 00:29:59.440
<v Speaker 1>shelter or a day chair. They're just anytime you put

559
00:30:00.000 --> 00:30:02.319
<v Speaker 1>salmon in schools, there's just going to be a whole

560
00:30:02.319 --> 00:30:04.799
<v Speaker 1>bunch of lice or sickness spread around. So I guess

561
00:30:05.359 --> 00:30:08.039
<v Speaker 1>salmon fishing is notorious for the lice. But if you

562
00:30:08.079 --> 00:30:11.200
<v Speaker 1>can cut it down, that's but yeah, I guess where

563
00:30:11.200 --> 00:30:13.240
<v Speaker 1>do those lice go? Yeah, there's always something.

564
00:30:13.640 --> 00:30:16.119
<v Speaker 2>Yeah, they didn't cover this since salmon fishing in the Ye,

565
00:30:16.240 --> 00:30:18.200
<v Speaker 2>and they didn't talk about salmon lice in that film.

566
00:30:18.759 --> 00:30:27.200
<v Speaker 1>But I don't know howards. It's a weird film and

567
00:30:27.359 --> 00:30:31.480
<v Speaker 1>we blunt get out of here yet, go wild Mountain time,

568
00:30:31.599 --> 00:30:35.079
<v Speaker 1>go back to that one. But yeah, it's I don't know.

569
00:30:35.279 --> 00:30:37.960
<v Speaker 1>So they said they're most likely they're sea lice, tiny

570
00:30:37.960 --> 00:30:39.799
<v Speaker 1>crustaceans that have been around as long as salmon have

571
00:30:39.839 --> 00:30:48.039
<v Speaker 1>been swimming. They're incredibly abundant. Oh that's interesting. So sea

572
00:30:48.079 --> 00:30:50.799
<v Speaker 1>lice does make their products unmarketable. So I like that

573
00:30:50.880 --> 00:30:52.759
<v Speaker 1>as a plot. It's like, Hey, these people are trying

574
00:30:52.799 --> 00:30:54.640
<v Speaker 1>to keep lice off their salmon, so they invent this

575
00:30:54.720 --> 00:30:55.720
<v Speaker 1>thing that wakes a kraken.

576
00:30:56.799 --> 00:31:00.400
<v Speaker 2>Yeah, yeah, it's a It makes it makes sense. The plot.

577
00:31:00.559 --> 00:31:02.160
<v Speaker 2>We just kind of we just had too much time

578
00:31:02.240 --> 00:31:05.759
<v Speaker 2>being spent looking at stuff getting to the cracking.

579
00:31:07.680 --> 00:31:09.200
<v Speaker 1>There's a lot of looking at stuff.

580
00:31:09.920 --> 00:31:12.920
<v Speaker 2>Yeah, because you know, we have this film's kind of

581
00:31:13.000 --> 00:31:16.319
<v Speaker 2>opening trauma becauses we get to it is there's a

582
00:31:17.799 --> 00:31:21.200
<v Speaker 2>couple of guys out on a jet ski and they

583
00:31:21.279 --> 00:31:24.119
<v Speaker 2>get taken out, but we don't know these people. They

584
00:31:24.200 --> 00:31:28.440
<v Speaker 2>die immediately. That's that's it. So as opening trauma goes

585
00:31:28.480 --> 00:31:30.720
<v Speaker 2>in these kinds of films, which if this is your

586
00:31:30.759 --> 00:31:34.720
<v Speaker 2>first time listening to us, our listeners, then no, the

587
00:31:34.759 --> 00:31:37.119
<v Speaker 2>films especially always seem to have some kind of opening trauma.

588
00:31:37.960 --> 00:31:41.240
<v Speaker 2>When if we cover these kinds of things, sometimes they're

589
00:31:41.240 --> 00:31:44.440
<v Speaker 2>worse than others. This one pretty mild. Characters we never

590
00:31:44.480 --> 00:31:45.920
<v Speaker 2>we don't know, I would have never talked about again,

591
00:31:46.200 --> 00:31:48.799
<v Speaker 2>are kind of jet ski joy ride do like real

592
00:31:48.880 --> 00:31:55.680
<v Speaker 2>tight circles fall off, bloody water, no people. I feel like, yeah,

593
00:31:56.319 --> 00:31:59.559
<v Speaker 2>I think the kayaking would have been a better opening trauma.

594
00:31:59.640 --> 00:32:01.920
<v Speaker 2>I think the kayak killer is pretty great.

595
00:32:02.519 --> 00:32:04.119
<v Speaker 1>Because she goes upside down.

596
00:32:05.720 --> 00:32:10.000
<v Speaker 2>There they're practicing flipping. Yeah, if you're upside down, how

597
00:32:10.000 --> 00:32:11.640
<v Speaker 2>do you get my coup again? And that one person

598
00:32:11.680 --> 00:32:13.759
<v Speaker 2>does it fine, And there's a lady who seems quite

599
00:32:13.799 --> 00:32:15.839
<v Speaker 2>concerned about doing it, and she like builds up and

600
00:32:15.880 --> 00:32:18.000
<v Speaker 2>she flips upside down, and then a kayak just stays

601
00:32:18.079 --> 00:32:21.240
<v Speaker 2>upside down for a while and the instruction is just

602
00:32:21.279 --> 00:32:22.359
<v Speaker 2>kind of looking there and I was kind of like

603
00:32:22.400 --> 00:32:25.680
<v Speaker 2>looking able to start paddling towards her, and the next

604
00:32:25.759 --> 00:32:29.599
<v Speaker 2>thing we know, yeah on land kayak just legs in

605
00:32:29.680 --> 00:32:33.839
<v Speaker 2>there and then we see her upper body underwater later

606
00:32:33.960 --> 00:32:36.559
<v Speaker 2>in the film, terrifying this little girl who's appeared from nowhere.

607
00:32:38.519 --> 00:32:42.440
<v Speaker 2>I've really liked that. The shot of the full kayak

608
00:32:42.839 --> 00:32:47.799
<v Speaker 2>just being sucked into the water, that's like, great, that's

609
00:32:47.880 --> 00:32:49.799
<v Speaker 2>a great shot. I liked that a lot. And ever reason,

610
00:32:49.799 --> 00:32:52.400
<v Speaker 2>when they did an overhead shot, we could just see

611
00:32:53.160 --> 00:32:55.079
<v Speaker 2>something underneath. I really liked that.

612
00:32:55.440 --> 00:33:00.680
<v Speaker 1>In my notes overhead shot, Yes, three exclamation points and

613
00:33:00.759 --> 00:33:06.519
<v Speaker 1>then did it eat the jet ski shots? Overhead shots

614
00:33:06.559 --> 00:33:06.880
<v Speaker 1>are great.

615
00:33:07.799 --> 00:33:10.119
<v Speaker 2>The entire film was one long overhead shot.

616
00:33:11.519 --> 00:33:16.119
<v Speaker 1>In a Violent Nature GTA, in a Violent Nature A.

617
00:33:16.119 --> 00:33:18.720
<v Speaker 1>But we're just watching the kraken from overhead for ninety

618
00:33:18.759 --> 00:33:21.720
<v Speaker 1>minutes and then little stories take place.

619
00:33:23.920 --> 00:33:26.839
<v Speaker 2>Yeah, that would be a different way of doing because

620
00:33:26.880 --> 00:33:28.880
<v Speaker 2>a lot of these shots from the cover kind of similar.

621
00:33:29.000 --> 00:33:30.960
<v Speaker 2>I diferent w'y doing it would be following the shark

622
00:33:31.079 --> 00:33:34.319
<v Speaker 2>the whole time. You know, a shark movie from the

623
00:33:34.359 --> 00:33:39.079
<v Speaker 2>sharks perspective. It's something we haven't seen before. Come on

624
00:33:39.200 --> 00:33:41.519
<v Speaker 2>you go, it could be interesting. That could be interesting.

625
00:33:41.599 --> 00:33:42.359
<v Speaker 2>How would that work?

626
00:33:43.039 --> 00:33:43.799
<v Speaker 1>Let's make it work.

627
00:33:44.480 --> 00:33:45.240
<v Speaker 2>Let's make it work.

628
00:33:46.960 --> 00:33:51.240
<v Speaker 1>Overall thoughts about this movie, what's what?

629
00:33:51.400 --> 00:33:54.359
<v Speaker 2>Stuff starts kicking off and starts happening. I appreciated the

630
00:33:54.400 --> 00:33:55.960
<v Speaker 2>second half a heck of a lot more than the first.

631
00:33:57.960 --> 00:34:00.640
<v Speaker 2>That's the I like the kind of the the second half,

632
00:34:01.640 --> 00:34:03.319
<v Speaker 2>the kind of film. The second half turns into where

633
00:34:03.319 --> 00:34:05.200
<v Speaker 2>it's like a bunch of people trapped in a small area,

634
00:34:05.480 --> 00:34:08.199
<v Speaker 2>monster attacking them. Let's go picked off one by one.

635
00:34:08.440 --> 00:34:12.800
<v Speaker 2>Interesting deaths here and there, like one of the characters.

636
00:34:13.079 --> 00:34:14.440
<v Speaker 2>Spoilers from this point if you haven't gone to this

637
00:34:14.480 --> 00:34:19.639
<v Speaker 2>point is spoilers now. I do recommend seeing it actually

638
00:34:19.639 --> 00:34:21.760
<v Speaker 2>before we get tops, I do kind of recommending. I

639
00:34:21.920 --> 00:34:26.400
<v Speaker 2>liked it overall, but yeah, spoilers from that one. The

640
00:34:26.760 --> 00:34:30.480
<v Speaker 2>deaths towards the end were pretty great. The George, George,

641
00:34:31.559 --> 00:34:35.039
<v Speaker 2>the big guy on the control panel. His death, he

642
00:34:35.079 --> 00:34:38.719
<v Speaker 2>has a very like Denis Nedery from Jurassic Park. I've

643
00:34:38.840 --> 00:34:44.239
<v Speaker 2>also mixed with is it Rafe's ball in Prometheus. We're

644
00:34:44.360 --> 00:34:50.079
<v Speaker 2>just like we're looking, yeah, you got him? Like he's

645
00:34:50.360 --> 00:34:52.320
<v Speaker 2>he goes into this shipping container where one of the

646
00:34:52.360 --> 00:34:55.519
<v Speaker 2>other activists has like fled to and he sees the

647
00:34:55.519 --> 00:34:57.880
<v Speaker 2>guy bleeding from the from the mouth, unable to move,

648
00:34:58.159 --> 00:35:00.559
<v Speaker 2>and there's a giant parasite on his back, and so

649
00:35:00.679 --> 00:35:02.960
<v Speaker 2>he like he managed to flip it over and like

650
00:35:03.079 --> 00:35:07.239
<v Speaker 2>stares at this hideous hole in the middle of the

651
00:35:07.280 --> 00:35:10.360
<v Speaker 2>parasite that's clearly the mouth, and then it spits a

652
00:35:10.400 --> 00:35:13.320
<v Speaker 2>gunk in his eyes, which you know, Dennis Centric gets

653
00:35:13.320 --> 00:35:17.199
<v Speaker 2>blinded by doing that, and then the shipping container falls

654
00:35:17.239 --> 00:35:20.519
<v Speaker 2>into the ocean and gets eaten by a cracking I'd

655
00:35:20.599 --> 00:35:23.400
<v Speaker 2>like to turn a lot. Yeah, as soon as we

656
00:35:23.440 --> 00:35:25.320
<v Speaker 2>found out like, oh, George is kind of in on

657
00:35:25.400 --> 00:35:28.679
<v Speaker 2>it with with the business guy in terms of turning

658
00:35:28.800 --> 00:35:32.840
<v Speaker 2>up turning off the blocking of like that's that's the

659
00:35:32.880 --> 00:35:34.480
<v Speaker 2>other thing that they find stuff out, but they don't

660
00:35:34.480 --> 00:35:38.280
<v Speaker 2>really it's all like very science like there's there's some

661
00:35:38.400 --> 00:35:44.440
<v Speaker 2>kind of the lice. There's a frequency where it's detected

662
00:35:44.519 --> 00:35:46.880
<v Speaker 2>or not detected, and they've turned off the detection. It's

663
00:35:46.920 --> 00:35:48.719
<v Speaker 2>I don't know what it is, but he's in on it,

664
00:35:49.079 --> 00:35:50.920
<v Speaker 2>and so we find out he's in it. I was like, Okay,

665
00:35:51.000 --> 00:35:53.559
<v Speaker 2>this guy's this guy's gonna get eaten by a cracking

666
00:35:54.280 --> 00:35:57.599
<v Speaker 2>uh and he does put inside a shipping container as well.

667
00:35:58.239 --> 00:36:02.719
<v Speaker 2>That's fun. So I liked that sequence. And I felt

668
00:36:02.840 --> 00:36:07.320
<v Speaker 2>very sorry for the cleaning lady at the big restaurant

669
00:36:07.360 --> 00:36:09.039
<v Speaker 2>where she's just like cleaning up oft which she finds

670
00:36:09.039 --> 00:36:11.519
<v Speaker 2>this arrowhead that's been significant and then she kind of

671
00:36:11.559 --> 00:36:13.519
<v Speaker 2>looks up and it's just one of the parasites on

672
00:36:13.679 --> 00:36:18.840
<v Speaker 2>the big deep blue sea window, just like biting at

673
00:36:18.880 --> 00:36:20.840
<v Speaker 2>the glass and bites her a little bit, and then

674
00:36:20.960 --> 00:36:24.719
<v Speaker 2>just the fiord comes in and takes her. I liked

675
00:36:24.800 --> 00:36:28.519
<v Speaker 2>that sequence as well. Yeah, there's a couple of good asks.

676
00:36:28.599 --> 00:36:30.239
<v Speaker 2>They had quite a lot of characters that we just

677
00:36:30.280 --> 00:36:32.079
<v Speaker 2>don't see where they like all of the whole the

678
00:36:32.199 --> 00:36:35.840
<v Speaker 2>Japanese contingent, they're there, they want to make a deal,

679
00:36:35.840 --> 00:36:37.880
<v Speaker 2>and we never see him again. Like these feel that

680
00:36:37.920 --> 00:36:40.639
<v Speaker 2>these feel like maybe bad guys, like they're trying to

681
00:36:40.840 --> 00:36:43.079
<v Speaker 2>business conglomerates, trying to take over this small business, and

682
00:36:44.360 --> 00:36:46.400
<v Speaker 2>we could see a crack and eat some of these people,

683
00:36:46.840 --> 00:36:49.800
<v Speaker 2>but we don't. That's that's some worse, that's the other

684
00:36:49.840 --> 00:36:50.480
<v Speaker 2>side of the field.

685
00:36:51.199 --> 00:36:55.119
<v Speaker 1>Yeah, listen, anything that reminds me of Deep Rising School.

686
00:36:55.239 --> 00:37:00.559
<v Speaker 1>I like the tunnel work when Johanna has to escape

687
00:37:00.599 --> 00:37:02.760
<v Speaker 1>through the tunnels and it keeps chasing her. That's good.

688
00:37:03.000 --> 00:37:03.800
<v Speaker 1>That was good stuff.

689
00:37:04.679 --> 00:37:07.599
<v Speaker 2>Yeah, lots of tentacles everywhere, just keeps following it and

690
00:37:07.679 --> 00:37:10.280
<v Speaker 2>she gets into the air events. It's one of those

691
00:37:10.280 --> 00:37:12.159
<v Speaker 2>films with like air ducks that you can crawl through,

692
00:37:13.280 --> 00:37:15.199
<v Speaker 2>which no no no no no no no no no,

693
00:37:16.400 --> 00:37:18.920
<v Speaker 2>but yeah, it's the tentacle following you through air ducks. Terrifying.

694
00:37:19.440 --> 00:37:22.480
<v Speaker 1>Yeah, that's cool. And then the director said that each

695
00:37:22.519 --> 00:37:25.159
<v Speaker 1>tentacle in Octopuses, they think has a brain where some

696
00:37:25.239 --> 00:37:26.000
<v Speaker 1>intelligence to it.

697
00:37:26.159 --> 00:37:32.639
<v Speaker 2>So has nine nine brains, one main one and then

698
00:37:32.639 --> 00:37:34.960
<v Speaker 2>one for each tentacle. Oh's cool.

699
00:37:35.079 --> 00:37:37.800
<v Speaker 1>Sure, okay, Yeah, it's hunting people down and it wants

700
00:37:37.840 --> 00:37:40.800
<v Speaker 1>to eat them. That's a good bit. I like that bit.

701
00:37:40.880 --> 00:37:42.920
<v Speaker 1>But then there's Maria who gets straight picked up and

702
00:37:42.960 --> 00:37:45.280
<v Speaker 1>then it just drops her and then her papa has

703
00:37:45.320 --> 00:37:49.519
<v Speaker 1>to save her, but then papa dies, but he had

704
00:37:49.559 --> 00:37:54.239
<v Speaker 1>to die. Yeah, yeah, it's still worth watching.

705
00:37:55.320 --> 00:37:57.360
<v Speaker 2>Yeah, you're putting this out before we started recording today.

706
00:37:57.480 --> 00:38:02.800
<v Speaker 2>The director he directed a remake of Daylight of my

707
00:38:02.840 --> 00:38:05.519
<v Speaker 2>favorite film, which I need to track down now. He

708
00:38:05.599 --> 00:38:09.320
<v Speaker 2>made The Tunnel in twenty nineteen. So at some point

709
00:38:09.400 --> 00:38:12.960
<v Speaker 2>we need to do like a Daylight Month because there's

710
00:38:13.039 --> 00:38:15.559
<v Speaker 2>like a Korean version of it as well, just called Tunnel.

711
00:38:16.159 --> 00:38:18.960
<v Speaker 1>Really yeah, I think so. Well, if you want to

712
00:38:19.000 --> 00:38:20.679
<v Speaker 1>do this series for MFF, if you want to do

713
00:38:21.159 --> 00:38:22.400
<v Speaker 1>if you don't want to do it on Deep Blue C,

714
00:38:23.360 --> 00:38:24.960
<v Speaker 1>well we could do a Tunnel series on Deep BLUEC.

715
00:38:25.079 --> 00:38:25.599
<v Speaker 1>That'd be great.

716
00:38:25.639 --> 00:38:27.320
<v Speaker 2>I need to see if I can track them all down.

717
00:38:27.400 --> 00:38:29.920
<v Speaker 2>But yeah, I'm gonna make a little missions to watch

718
00:38:29.960 --> 00:38:32.920
<v Speaker 2>all these films, like I hope that the hero in

719
00:38:32.960 --> 00:38:34.920
<v Speaker 2>all of them is called Kitler Tour. That would make

720
00:38:35.000 --> 00:38:40.039
<v Speaker 2>my day so bad. It's a name that transcends any

721
00:38:40.119 --> 00:38:45.000
<v Speaker 2>kind of language. It's just called Kitler turn any nationality

722
00:38:45.039 --> 00:38:45.599
<v Speaker 2>there from.

723
00:38:46.039 --> 00:38:47.840
<v Speaker 1>Let's see what the name is. In twenty nineteen The

724
00:38:47.920 --> 00:38:52.920
<v Speaker 1>Tunnel twenty nineteen, the main character's name is.

725
00:38:54.960 --> 00:39:00.519
<v Speaker 2>Stein. No, that's okay, Well there's a.

726
00:39:00.559 --> 00:39:03.000
<v Speaker 1>Tunnel's an do you said Japanese?

727
00:39:03.079 --> 00:39:07.960
<v Speaker 2>One Korean I think is called called Tunnel In twenty sixteen,

728
00:39:08.119 --> 00:39:14.199
<v Speaker 2>directed by Kim Yonghan, where the main character is Lee

729
00:39:14.280 --> 00:39:20.400
<v Speaker 2>Jung Sue. I believe. Yeah, it's not Kitler.

730
00:39:20.119 --> 00:39:25.960
<v Speaker 1>Tour, yes, I mean it's on Free Style. It's on

731
00:39:26.039 --> 00:39:26.480
<v Speaker 1>to be here.

732
00:39:27.840 --> 00:39:29.639
<v Speaker 2>I mean it'll be available somewhere.

733
00:39:30.000 --> 00:39:33.679
<v Speaker 1>Yeah. Yeah, I love Daylight series.

734
00:39:34.719 --> 00:39:35.159
<v Speaker 2>Series.

735
00:39:37.119 --> 00:39:39.960
<v Speaker 1>I own it. I always surprise myself when I look

736
00:39:39.960 --> 00:39:41.480
<v Speaker 1>at my movies because I'm like, oh, yeah, I own that.

737
00:39:41.639 --> 00:39:43.440
<v Speaker 1>I also own Dante's Peaking Volcano.

738
00:39:44.920 --> 00:39:47.559
<v Speaker 2>I don't know that. I bought Daylight in a DVD

739
00:39:47.800 --> 00:39:53.480
<v Speaker 2>triple pack with Twister and Vertical Limit, which is no

740
00:39:53.760 --> 00:39:58.440
<v Speaker 2>skip trilogy I've got. There's a bunch of box sets

741
00:39:58.440 --> 00:40:02.360
<v Speaker 2>where I've bought, like, oh, this also comes with The Specialist. Like,

742
00:40:02.519 --> 00:40:03.840
<v Speaker 2>I'm not gonna watch the Specialist.

743
00:40:04.440 --> 00:40:09.159
<v Speaker 1>Watch the special that's a no skip vertical limit on.

744
00:40:09.239 --> 00:40:09.840
<v Speaker 1>I'm watching it.

745
00:40:10.840 --> 00:40:11.960
<v Speaker 2>Twist is just one of the best.

746
00:40:12.119 --> 00:40:16.239
<v Speaker 1>Yeah Twisters. We have Billy packs and two of them. Yeah,

747
00:40:19.280 --> 00:40:22.440
<v Speaker 1>but yeah, listen, I know we talked about the logistics

748
00:40:22.480 --> 00:40:25.639
<v Speaker 1>of this movie. But I fully support every country on

749
00:40:25.760 --> 00:40:29.280
<v Speaker 1>this planet. I fully support them in making subpar creature features,

750
00:40:30.079 --> 00:40:33.599
<v Speaker 1>just monster movies. Like I'm totally fine with it. You

751
00:40:33.880 --> 00:40:37.679
<v Speaker 1>take five million, make a creature feature, Just go do it.

752
00:40:37.920 --> 00:40:39.760
<v Speaker 1>I don't care what it is. If there's water, I'm

753
00:40:39.800 --> 00:40:42.760
<v Speaker 1>gonna watch it. So I support you know, It's not

754
00:40:42.880 --> 00:40:44.239
<v Speaker 1>like every one of these movies coming out of every

755
00:40:44.280 --> 00:40:46.519
<v Speaker 1>country needs to change world. So it's just give me

756
00:40:46.599 --> 00:40:47.519
<v Speaker 1>more creature features.

757
00:40:47.559 --> 00:40:51.719
<v Speaker 2>But absolutely, yeah we have. I think Will Slater, from

758
00:40:51.760 --> 00:40:54.800
<v Speaker 2>explaining Helicopter front of the show suggested we do like

759
00:40:54.920 --> 00:40:58.519
<v Speaker 2>a shark Films around the World kind of series, and

760
00:40:58.960 --> 00:41:02.119
<v Speaker 2>I've I've been trying to put that together at some point.

761
00:41:02.239 --> 00:41:04.039
<v Speaker 2>It's I've got a little this going. I'm trying to

762
00:41:04.039 --> 00:41:08.000
<v Speaker 2>can't find it right now. I've got a spreadsheet somewhere like,

763
00:41:08.119 --> 00:41:11.559
<v Speaker 2>just trying to find because it's like Jaws in Japan.

764
00:41:12.880 --> 00:41:15.960
<v Speaker 2>New Zealand has a shark with the Ghost Sharks sequels

765
00:41:16.000 --> 00:41:18.320
<v Speaker 2>from New Zealand. Italy has a couple we've already done

766
00:41:18.320 --> 00:41:23.880
<v Speaker 2>Shark in Venice, Avalanche Sharks from Canada. There's a bunch

767
00:41:23.960 --> 00:41:28.639
<v Speaker 2>of different like the Global Shark film it's Kiki we

768
00:41:28.760 --> 00:41:31.840
<v Speaker 2>can there's a bunch of Italy shark.

769
00:41:34.480 --> 00:41:34.840
<v Speaker 1>Sharks.

770
00:41:36.400 --> 00:41:39.519
<v Speaker 2>It contained somebody in a shark costume. That's my least

771
00:41:39.559 --> 00:41:40.840
<v Speaker 2>favorite tike of witty film.

772
00:41:40.880 --> 00:41:43.559
<v Speaker 1>I think it not worth it then never.

773
00:41:43.519 --> 00:41:46.679
<v Speaker 2>Mind, it's I mean, it's fine, it's just I prefer real.

774
00:41:48.239 --> 00:41:50.760
<v Speaker 1>Mean what we've been talking about a lot of Australian

775
00:41:50.840 --> 00:41:51.440
<v Speaker 1>shark films.

776
00:41:53.239 --> 00:41:54.840
<v Speaker 2>Yeah, that's where the sharks come from. So that's where

777
00:41:54.840 --> 00:41:56.280
<v Speaker 2>they keep making them and there's more to cover, and

778
00:41:56.400 --> 00:41:57.559
<v Speaker 2>like White Death, we've been covered it.

779
00:41:59.599 --> 00:41:59.840
<v Speaker 1>Cool.

780
00:42:00.840 --> 00:42:03.079
<v Speaker 2>Yeah, I mean I liked this film, like I just

781
00:42:03.119 --> 00:42:05.440
<v Speaker 2>would have liked it more if they fix the pacing

782
00:42:05.519 --> 00:42:07.320
<v Speaker 2>a bit a bit better and they have the Drussic

783
00:42:07.400 --> 00:42:11.960
<v Speaker 2>Park sequence, which is like a video, a cartoon video

784
00:42:12.039 --> 00:42:13.239
<v Speaker 2>explain explaining the plot.

785
00:42:13.599 --> 00:42:15.360
<v Speaker 1>Did you make that fun? Yeah?

786
00:42:16.000 --> 00:42:19.199
<v Speaker 2>Yep? And I was like false, full spoiler. I was

787
00:42:19.239 --> 00:42:23.840
<v Speaker 2>surprised that she died at the end. You would not

788
00:42:23.960 --> 00:42:26.639
<v Speaker 2>see that in any film we've ever covered. This is

789
00:42:27.159 --> 00:42:28.840
<v Speaker 2>we wouldn't see that in any other film we've covered.

790
00:42:29.320 --> 00:42:31.719
<v Speaker 2>I mean, yeah, deep with see she dies at the end,

791
00:42:32.519 --> 00:42:36.000
<v Speaker 2>but she's been established as a kind of bad guy

792
00:42:36.119 --> 00:42:38.599
<v Speaker 2>and she wasn't supposed to initially, Or isn't this one.

793
00:42:38.760 --> 00:42:41.960
<v Speaker 2>Johanna been the hero the whole time. She's the one

794
00:42:42.039 --> 00:42:44.199
<v Speaker 2>doing everything right, she's a good person, and then she does.

795
00:42:44.719 --> 00:42:49.920
<v Speaker 1>It was kind of surprising because she she went full

796
00:42:51.559 --> 00:42:57.119
<v Speaker 1>like tank top badass and jacket. When you become a

797
00:42:57.199 --> 00:42:59.880
<v Speaker 1>tank top hero, you typically survive.

798
00:43:03.239 --> 00:43:08.360
<v Speaker 2>Yes, yeah, I think you're right. Does Cut Russell go

799
00:43:08.400 --> 00:43:11.199
<v Speaker 2>down to a tank top in the Poseidon Adventure? No,

800
00:43:11.480 --> 00:43:14.519
<v Speaker 2>he's just a suit yeah, yeah, that's I'm trying to think,

801
00:43:14.559 --> 00:43:16.039
<v Speaker 2>like I'm trying to think of that as a.

802
00:43:18.079 --> 00:43:21.639
<v Speaker 1>Did Lucas when that movie is show any arms?

803
00:43:22.639 --> 00:43:29.440
<v Speaker 2>Oh in, I'm gonna get there. I was thinking, I

804
00:43:29.519 --> 00:43:33.000
<v Speaker 2>was thinking of the other film that we covered, Ah,

805
00:43:33.880 --> 00:43:37.400
<v Speaker 2>was that I don't know. No, I'm thinking of I

806
00:43:37.480 --> 00:43:40.119
<v Speaker 2>don't remember if he's if if Josh Diakas shows any.

807
00:43:40.000 --> 00:43:43.199
<v Speaker 1>Beef, No, he just keeps the shirt on. It looks like,

808
00:43:44.639 --> 00:43:46.679
<v Speaker 1>what do you mean like your next tank top? And

809
00:43:46.760 --> 00:43:49.639
<v Speaker 1>then you have Texas Chainshaw Masker the tank top. Then

810
00:43:49.679 --> 00:43:55.480
<v Speaker 1>you have t two tank top. Ripley gets into a

811
00:43:55.519 --> 00:43:59.920
<v Speaker 1>tank top, an alien lives, So it's just once the

812
00:44:00.079 --> 00:44:03.480
<v Speaker 1>tank top happens, you think it's it's game on, but

813
00:44:03.559 --> 00:44:03.960
<v Speaker 1>then it's not.

814
00:44:05.400 --> 00:44:08.400
<v Speaker 2>What was the oil rig film with the shark the megalodon?

815
00:44:09.800 --> 00:44:14.519
<v Speaker 2>The megalodon like this big big shark? Was that Josh

816
00:44:14.599 --> 00:44:15.280
<v Speaker 2>Lucas as well?

817
00:44:16.000 --> 00:44:20.760
<v Speaker 1>Oh black black, Yes, he lost his mine on that One's.

818
00:44:20.599 --> 00:44:21.800
<v Speaker 2>What I was trying to think. That's what I was

819
00:44:21.840 --> 00:44:27.039
<v Speaker 2>trying to think of. Yeah, yeah, that's that's not that's

820
00:44:27.079 --> 00:44:30.320
<v Speaker 2>not a tank top. Definitely, she gets and shoes and

821
00:44:30.360 --> 00:44:33.960
<v Speaker 2>then she just drowned and then they blow up that

822
00:44:34.039 --> 00:44:36.920
<v Speaker 2>thing pretty easy that that cracking goes down like a chump,

823
00:44:37.920 --> 00:44:40.119
<v Speaker 2>because like the bomb is nowhere near it. So I

824
00:44:40.159 --> 00:44:41.480
<v Speaker 2>didn't know if it was some kind of like I

825
00:44:41.960 --> 00:44:43.800
<v Speaker 2>lost track of what was supposed to be doing. Was

826
00:44:43.840 --> 00:44:47.320
<v Speaker 2>it some kind of sonic bomb that would disorientate it

827
00:44:47.480 --> 00:44:50.440
<v Speaker 2>enough just kill it?

828
00:44:51.039 --> 00:44:53.159
<v Speaker 1>Makes sense, It's cheaper than blowing it up.

829
00:44:54.639 --> 00:44:56.719
<v Speaker 2>Yeah, I put that. I can't. That annoyed me. That's

830
00:44:56.719 --> 00:44:58.559
<v Speaker 2>what we had. We had this with killer whale recently.

831
00:44:58.840 --> 00:45:01.920
<v Speaker 2>The cracking is not the bad just down there being

832
00:45:01.920 --> 00:45:05.199
<v Speaker 2>a kraken and they're like, oh, we have to kill it.

833
00:45:05.639 --> 00:45:09.199
<v Speaker 2>You have to kill it. You did this, Maybe you're

834
00:45:09.199 --> 00:45:09.719
<v Speaker 2>going to kill.

835
00:45:09.599 --> 00:45:12.679
<v Speaker 1>It, turn off the sonic lice and stay out of

836
00:45:12.719 --> 00:45:13.039
<v Speaker 1>the water.

837
00:45:13.760 --> 00:45:15.920
<v Speaker 2>Because they turn it off and be like, it's not

838
00:45:16.039 --> 00:45:20.239
<v Speaker 2>going to stop based on what it's risen out of

839
00:45:20.280 --> 00:45:23.519
<v Speaker 2>the water. It's not currently attacking you, Like, oh, it's

840
00:45:23.599 --> 00:45:27.400
<v Speaker 2>never going to stop. It's not currently killing you. Maybe

841
00:45:28.440 --> 00:45:29.960
<v Speaker 2>try not killing it first.

842
00:45:30.880 --> 00:45:33.440
<v Speaker 1>The main problem is that nothing gets out of the water,

843
00:45:34.239 --> 00:45:36.800
<v Speaker 1>so it could maybe attack coastal towns.

844
00:45:38.000 --> 00:45:41.199
<v Speaker 2>Sure if they keep on doing what they're doing. Yeah,

845
00:45:41.320 --> 00:45:41.920
<v Speaker 2>so stop it.

846
00:45:43.039 --> 00:45:49.039
<v Speaker 1>Uh Yeah, it's a little laser eating people. The boaters. Yes,

847
00:45:49.719 --> 00:45:51.679
<v Speaker 1>like the spring boaters get eaten.

848
00:45:52.679 --> 00:45:54.440
<v Speaker 2>It felt like it was it was like sending the

849
00:45:54.480 --> 00:45:56.519
<v Speaker 2>parasites up. But like, just take some people out.

850
00:45:58.119 --> 00:46:02.159
<v Speaker 1>I can't the movie hates on tour us to tourist.

851
00:46:02.760 --> 00:46:04.679
<v Speaker 1>What happened to the turists? Two tourists were.

852
00:46:04.599 --> 00:46:08.400
<v Speaker 2>Eating like the tourists bar the jet ski joy riders,

853
00:46:08.440 --> 00:46:13.599
<v Speaker 2>the kayaking tool. Uh yeah, make the people that get killed.

854
00:46:13.679 --> 00:46:15.000
<v Speaker 2>I guess that's most of the people out on the

855
00:46:15.079 --> 00:46:19.440
<v Speaker 2>on the field tourists. Perhaps the locals no better than

856
00:46:19.440 --> 00:46:21.039
<v Speaker 2>to mess with the crack that's true.

857
00:46:21.719 --> 00:46:23.280
<v Speaker 1>Good luck out there. Why do you say that.

858
00:46:24.960 --> 00:46:27.119
<v Speaker 2>That's supposed to meet Thank thank you?

859
00:46:27.519 --> 00:46:31.679
<v Speaker 1>Huh what? No, wait, why did you say that? Huh?

860
00:46:33.119 --> 00:46:33.760
<v Speaker 1>Good luck? Good luck?

861
00:46:33.880 --> 00:46:38.039
<v Speaker 2>I meant stop hunting. You know, we'll see you again? Well, yeah,

862
00:46:38.079 --> 00:46:41.559
<v Speaker 2>we'll we'll see you later, definitely.

863
00:46:41.559 --> 00:46:43.800
<v Speaker 1>Su you know, keep your feet out of the water.

864
00:46:43.920 --> 00:46:49.280
<v Speaker 2>What and having the little teaser at the end of

865
00:46:49.360 --> 00:46:51.440
<v Speaker 2>a cracking egg at the bottom.

866
00:46:51.559 --> 00:46:53.559
<v Speaker 1>Yeah, okay, sure, it's like Godzilla.

867
00:46:54.440 --> 00:46:56.440
<v Speaker 2>I don't think we're going to see cracking two. But

868
00:46:56.599 --> 00:47:00.880
<v Speaker 2>I like the cracking egg, So just trans translate some tentacles.

869
00:47:00.920 --> 00:47:01.599
<v Speaker 2>The Kimbo win the.

870
00:47:02.480 --> 00:47:08.519
<v Speaker 1>Listen A subpar creature feature is still lovely. Sure, give me,

871
00:47:08.920 --> 00:47:10.679
<v Speaker 1>I'll watch it and we.

872
00:47:10.719 --> 00:47:13.519
<v Speaker 2>Did, we did, and we'll watch it. Yeah, and we'll

873
00:47:13.519 --> 00:47:15.440
<v Speaker 2>be just talked about it. So do you want to

874
00:47:15.480 --> 00:47:17.960
<v Speaker 2>know how deep blue and at sea this film is?

875
00:47:18.719 --> 00:47:23.400
<v Speaker 1>What's in the fjord? It's as listening to this question.

876
00:47:23.800 --> 00:47:28.480
<v Speaker 1>When they are in the boat the facility, are they

877
00:47:28.679 --> 00:47:29.719
<v Speaker 1>technically in the ocean?

878
00:47:30.679 --> 00:47:33.239
<v Speaker 2>Yes, in the same way that when whenever they're in aquatica,

879
00:47:33.320 --> 00:47:35.559
<v Speaker 2>they are at sea. So listeners, if this is your

880
00:47:35.559 --> 00:47:39.239
<v Speaker 2>first time listening to DPC the podcast, welcome because because

881
00:47:39.239 --> 00:47:41.559
<v Speaker 2>this is Deeply see the podcast, we start out covering DeepC.

882
00:47:42.039 --> 00:47:44.760
<v Speaker 2>Every new film we cover, I look at how deep

883
00:47:45.239 --> 00:47:48.880
<v Speaker 2>everything on screen takes place at on average, how blue

884
00:47:48.920 --> 00:47:50.639
<v Speaker 2>everything on screen is, and how much of it takes

885
00:47:50.639 --> 00:47:53.760
<v Speaker 2>place at sea. So Deep Blue C is, of course

886
00:47:53.840 --> 00:47:55.760
<v Speaker 2>fourteen and a half meters deep or forty seven and

887
00:47:55.800 --> 00:48:00.079
<v Speaker 2>a half feet deep, approximately thirty one percent blue and

888
00:48:00.199 --> 00:48:03.119
<v Speaker 2>eighty nine percent of it takes place at sea. Mark,

889
00:48:03.199 --> 00:48:06.000
<v Speaker 2>do you think Kraghan is deeper, bluer, and more at

890
00:48:06.039 --> 00:48:07.400
<v Speaker 2>sea than Deeply C.

891
00:48:08.239 --> 00:48:11.480
<v Speaker 1>Ooh, that's a really good question because it those swim

892
00:48:12.280 --> 00:48:18.280
<v Speaker 1>it's not underwater too, it's not deeper, not deeper. Okay,

893
00:48:18.400 --> 00:48:26.639
<v Speaker 1>it's blue, not as blue. And is it at sea?

894
00:48:26.960 --> 00:48:34.039
<v Speaker 1>If the fjord is sea, the fjord is see you're

895
00:48:34.039 --> 00:48:36.239
<v Speaker 1>at the home a decent amount. The movie starts off

896
00:48:37.199 --> 00:48:42.119
<v Speaker 1>with her sort of walking around. There's when they are

897
00:48:42.239 --> 00:48:48.079
<v Speaker 1>in the underwater glass room. Is that considered c.

898
00:48:49.079 --> 00:48:51.039
<v Speaker 2>I did consider that sea because I initially thought that

899
00:48:51.159 --> 00:48:53.199
<v Speaker 2>was in the same places as the rest of acidity.

900
00:48:53.360 --> 00:48:56.280
<v Speaker 2>And they are underwater, and they're kind of like I

901
00:48:56.320 --> 00:48:59.639
<v Speaker 2>think I considered when they're in the restaurant in Jewels

902
00:48:59.639 --> 00:49:04.400
<v Speaker 2>three D as at sea, and that's a similar kind

903
00:49:04.400 --> 00:49:04.599
<v Speaker 2>of thing.

904
00:49:05.039 --> 00:49:11.360
<v Speaker 1>That's tough. That's really tough. No, not as sea, as.

905
00:49:11.280 --> 00:49:15.400
<v Speaker 2>Much I get you are correct in accounts, So it's

906
00:49:15.440 --> 00:49:17.639
<v Speaker 2>but it is close so deep we see fourteen and

907
00:49:17.679 --> 00:49:19.599
<v Speaker 2>a half meters this this works out of being twelve

908
00:49:19.679 --> 00:49:23.199
<v Speaker 2>point one six meters deep, not that deep for much

909
00:49:23.239 --> 00:49:25.280
<v Speaker 2>of it, and there is even there is even a

910
00:49:25.320 --> 00:49:26.719
<v Speaker 2>bit where a plane so they're up in the air.

911
00:49:27.559 --> 00:49:30.039
<v Speaker 2>But they say the depth of the they say what

912
00:49:30.119 --> 00:49:32.000
<v Speaker 2>field they're in. We know how deep that field is.

913
00:49:32.199 --> 00:49:34.719
<v Speaker 2>It's one point three deep. And at the end of

914
00:49:34.760 --> 00:49:37.199
<v Speaker 2>the they douro an egg. Sorry for that little bit

915
00:49:37.719 --> 00:49:39.480
<v Speaker 2>of the egg at the end, I thought that eggs

916
00:49:39.519 --> 00:49:41.840
<v Speaker 2>on the bottom of the sea. So that bit very

917
00:49:41.920 --> 00:49:44.440
<v Speaker 2>very deep for a few seconds, and that really brought

918
00:49:44.480 --> 00:49:47.679
<v Speaker 2>it down. But also they are in the facility. They're

919
00:49:47.719 --> 00:49:49.519
<v Speaker 2>underwater quite a bit in the facility. Like order the

920
00:49:49.639 --> 00:49:53.719
<v Speaker 2>lab section is underwater in the facility. Yeah, so twelve

921
00:49:53.719 --> 00:49:55.840
<v Speaker 2>point one six meters deep, which means it's deeper than

922
00:49:56.199 --> 00:49:59.880
<v Speaker 2>water World. Sorry, it's deeper than Paris, the Caribbean Devon Hotels.

923
00:50:00.199 --> 00:50:01.800
<v Speaker 2>Not quite as deep as water World. It's only two

924
00:50:01.840 --> 00:50:04.079
<v Speaker 2>places of open deeper. See. This is our thirty third

925
00:50:04.679 --> 00:50:08.400
<v Speaker 2>most deep film on the list so far. Blueness works

926
00:50:08.440 --> 00:50:12.039
<v Speaker 2>out nineteen point eighty five percent blue quite blue, quite blue.

927
00:50:12.039 --> 00:50:15.360
<v Speaker 2>It's bluer than the Deep House, less blue than Leviathan,

928
00:50:16.599 --> 00:50:20.920
<v Speaker 2>So seventy seventy nine on our ranking, and at Sea

929
00:50:21.559 --> 00:50:25.960
<v Speaker 2>seventy four point ninety six percent at Sea. Wow, there's

930
00:50:26.039 --> 00:50:27.599
<v Speaker 2>quite a lot of it is on the feord, but

931
00:50:27.639 --> 00:50:29.480
<v Speaker 2>there's quite a lot of it a little bit on land.

932
00:50:30.360 --> 00:50:32.960
<v Speaker 2>Loyal credits in this film, so the credits are in.

933
00:50:32.960 --> 00:50:34.679
<v Speaker 2>The credits are in the void, Like nine percent of

934
00:50:34.719 --> 00:50:37.960
<v Speaker 2>this film is credits. Wow, Almost ten percent its credits.

935
00:50:37.960 --> 00:50:41.639
<v Speaker 2>So that's a long time in the void. So it

936
00:50:41.800 --> 00:50:45.719
<v Speaker 2>is more at sea than dangerous Animals and very very

937
00:50:45.760 --> 00:50:49.440
<v Speaker 2>slightly less at sea than Beast of War, both very

938
00:50:49.440 --> 00:50:54.119
<v Speaker 2>two recent films. Yeah, two good films. What about thematically?

939
00:50:54.639 --> 00:50:57.000
<v Speaker 2>As you think the characters in Crack and I think

940
00:50:57.039 --> 00:50:57.559
<v Speaker 2>there's more to.

941
00:50:57.639 --> 00:51:01.079
<v Speaker 1>Them, no deeper, there's nothing to these characters.

942
00:51:02.000 --> 00:51:04.199
<v Speaker 2>Yeah, Like we never really find out why why did

943
00:51:04.639 --> 00:51:07.880
<v Speaker 2>Eric and Johanna break up? What happened there? She didn't work,

944
00:51:08.719 --> 00:51:11.679
<v Speaker 2>you know, Yeah, I can't make that country of science

945
00:51:11.760 --> 00:51:15.320
<v Speaker 2>by it seems to be what happened man, and.

946
00:51:15.400 --> 00:51:18.039
<v Speaker 1>Everyone deals with things way too maturely. When you find

947
00:51:18.079 --> 00:51:21.679
<v Speaker 1>out that George was doing that stuff, Eric's like, oh well,

948
00:51:21.719 --> 00:51:24.119
<v Speaker 1>we got other fish to fry. We other crack and

949
00:51:24.199 --> 00:51:28.320
<v Speaker 1>the cook And when you know, Johanna shows up. He's like,

950
00:51:28.400 --> 00:51:32.440
<v Speaker 1>oh hey, like there's no there's no twister, arguing this

951
00:51:32.639 --> 00:51:34.920
<v Speaker 1>isn't a he was like, oh okay, you're here now.

952
00:51:35.760 --> 00:51:38.280
<v Speaker 2>Yeah, it's not like Stapham and his ex in the

953
00:51:38.400 --> 00:51:41.360
<v Speaker 2>In the Meg's just that odds for the whole film,

954
00:51:41.519 --> 00:51:43.039
<v Speaker 2>and a really angry guy.

955
00:51:43.960 --> 00:51:48.440
<v Speaker 1>The dogs are and fun I hate you all right, Longmire?

956
00:51:50.800 --> 00:51:54.320
<v Speaker 2>What about Blue? Are they sadder in this film? There's

957
00:51:54.480 --> 00:51:57.960
<v Speaker 2>nothing to these characters. No, no, yeah, and are they

958
00:51:58.079 --> 00:52:00.639
<v Speaker 2>more lost? No, I don't think they know where they are.

959
00:52:00.960 --> 00:52:01.719
<v Speaker 1>They're doing pretty good.

960
00:52:02.360 --> 00:52:05.840
<v Speaker 2>Yeah. Great, So t PC is deeper, bluer, and more

961
00:52:05.840 --> 00:52:11.159
<v Speaker 2>at the in every count realistically and metaphorically. Good, we'll win.

962
00:52:11.159 --> 00:52:15.039
<v Speaker 2>That's the case. Great, So that that will do it

963
00:52:15.159 --> 00:52:18.360
<v Speaker 2>for kracking Mark, do you have any blugs?

964
00:52:18.800 --> 00:52:23.039
<v Speaker 1>Yeah, just moves on the flicks and yeah, that's it.

965
00:52:23.320 --> 00:52:24.360
<v Speaker 1>Listen to that podcast.

966
00:52:25.719 --> 00:52:28.760
<v Speaker 2>And my site is life versus film dot com. Some

967
00:52:28.960 --> 00:52:32.119
<v Speaker 2>writing there on films I'm watching at the moment. Next

968
00:52:32.199 --> 00:52:34.920
<v Speaker 2>week on this show, we're back to reptiles with Rango.

969
00:52:37.119 --> 00:52:39.920
<v Speaker 2>Not there's the whole point. There is the looking for water,

970
00:52:40.079 --> 00:52:42.239
<v Speaker 2>so not a very wet film, but water is in there.

971
00:52:43.320 --> 00:52:46.400
<v Speaker 2>So looking forward to talking to Rango with a friend

972
00:52:46.440 --> 00:52:49.519
<v Speaker 2>of the show, Andy Gording, animation fan Andy Gording, So

973
00:52:49.639 --> 00:52:52.880
<v Speaker 2>come back next week for Yeah, legend does the DPC show.

974
00:52:54.239 --> 00:52:55.880
<v Speaker 2>I don't think you'll listen to this episode, so we'll

975
00:52:55.920 --> 00:53:00.239
<v Speaker 2>never know he's a legend. But Andy, you are back

976
00:53:00.280 --> 00:53:05.280
<v Speaker 2>next week for the Rango. But as for Kracken, I

977
00:53:05.400 --> 00:53:09.199
<v Speaker 2>have been J. Klewett and Mark Halfmeyer will Deep Blue

978
00:53:09.280 --> 00:53:10.000
<v Speaker 2>see you next week.