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<v Speaker 6>Loop Tadian.

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<v Speaker 1>You are now listening to True Murder, The most Shocking

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<v Speaker 1>Killers in True crime History and the authors that have

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<v Speaker 1>written about them Gasey, Bundy, Dahmer, The Nightstalker, Bck. Every week,

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<v Speaker 1>another fascinating author talking about the most shocking and infamous

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<v Speaker 1>killers in true crime history, True Murder with your host,

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<v Speaker 1>journalist and author Dan Zupansky.

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<v Speaker 7>Good evening, This is your host Dan Zufanski, for the

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<v Speaker 7>program True Murder. The most shocking killers in true crime

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<v Speaker 7>History and the authors that have written about them. In

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<v Speaker 7>this collection of thirteen diverse and compelling narratives, writers, among

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<v Speaker 7>them criminals, law enforcement officers, and victims, elevate their personal

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<v Speaker 7>stories of crime into high powered literature. The book also

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<v Speaker 7>includes an interview with Eric Larsen, author of The Devil

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<v Speaker 7>in the White City. The book that we're featuring this

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<v Speaker 7>evening is called True Crime Real Stories of Abduction, Addiction, Obsession, murder, grave, robbing,

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<v Speaker 7>and Moore with editor Lee Gutkind. Welcome to the program,

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<v Speaker 7>and thank you for agreeing to this interview. Lee Gutkind, Hi,

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<v Speaker 7>how are you fine? Thank you Congratulations on a very

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<v Speaker 7>very different and very very fascinating and interesting book, and

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<v Speaker 7>congratulations on this fine book True Crimes you're welcome. What

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<v Speaker 7>I wanted to ask is, because this book is so

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<v Speaker 7>different and so unique, that's why I take the effort

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<v Speaker 7>to distinguish it. And so maybe you can tell us,

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<v Speaker 7>as an editor, who you've assembled, what kind of writers? Again,

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<v Speaker 7>I just mentioned it briefly in the introduction, but tell

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<v Speaker 7>us about the assembled writers. What kind of writers, because

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<v Speaker 7>we alluded to that some are criminal summer police officers.

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<v Speaker 7>Tell us about the collection of writers and what was

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<v Speaker 7>the criteria to pick these writers. Tell us a little

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<v Speaker 7>bit about the process of picking the writers that were

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<v Speaker 7>included in this true crime book.

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<v Speaker 6>Well, I'm glad you asked that, because this is kind

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<v Speaker 6>of different in many respects. And what we did, and

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<v Speaker 6>what I did as editor was send out literally advertise,

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<v Speaker 6>send out an announcement all across the world literally for

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<v Speaker 6>people who had true crime stories, real interesting human true

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<v Speaker 6>crime stories that they would like to tell. And I

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<v Speaker 6>asked them, requested that they send essays to me. Send

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<v Speaker 6>these essays to me, and we would select We did

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<v Speaker 6>not commission any of these. We would select them all

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<v Speaker 6>from kind of the big pile, the slush pile of

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<v Speaker 6>manuscripts that we received. And we received over two hundred

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<v Speaker 6>essays from literally all over the world, mostly the United States,

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<v Speaker 6>and they came from people who write this is true,

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<v Speaker 6>but also people who, as you said, very real They're

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<v Speaker 6>not just writers, but very realistic backgrounds. So we have, indeed,

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<v Speaker 6>we have two pieces from police officers. We have pieces

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<v Speaker 6>from criminals who who have been or are continually in jail.

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<v Speaker 6>And we have pieces from journalists who decided to dig

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<v Speaker 6>deep into crimes that were committed horrific crimes in one case,

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<v Speaker 6>the massacre in Arizona in which Gabby Giffords was almost killed,

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<v Speaker 6>in another case a lynching that went all the way

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<v Speaker 6>back to Florida in the nineteen thirties. So we have

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<v Speaker 6>a real different.

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<v Speaker 7>Collection of people, right, So that's very interesting how that

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<v Speaker 7>process was of assembling authors, which is again, like you say,

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<v Speaker 7>very unique in itself. Usually that the authors are approached

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<v Speaker 7>and there was a much different approach with this. Now

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<v Speaker 7>we did talk about that you asked for essays, So

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<v Speaker 7>true crime books are not that usually that format that

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<v Speaker 7>style essay. So tell us why you felt that this

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<v Speaker 7>essay style would be more effective in this true crime collection,

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<v Speaker 7>and yeah, why did you choose this style and why

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<v Speaker 7>do you in what way did you think was going

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<v Speaker 7>to be more effective to tell the stories?

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<v Speaker 6>Well, yeah, sometimes using the word essay is kind of

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<v Speaker 6>a it's kind of a mistake in many ways, because

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<v Speaker 6>the book says real life stories of abduction, addiction, obsession, murder,

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<v Speaker 6>grave robbing, more, And that's what they are. We call

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<v Speaker 6>them essays because they're all in the in what people

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<v Speaker 6>call these days creative nonfiction format, a creative nonfiction presentation.

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<v Speaker 6>And that only and so that only means I'll give

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<v Speaker 6>you two answers to that. That only means that creative

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<v Speaker 6>nonfiction is not only just a story, but it's a

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<v Speaker 6>story in which you learn something about either the people

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<v Speaker 6>involved or the subject, the crimes committed, and perhaps even

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<v Speaker 6>the psychology behind the crimes. So creative nonfiction, that's two words.

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<v Speaker 6>The creative part is is the story part, and the

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<v Speaker 6>nonfiction is the information part. And so that's one aspect.

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<v Speaker 6>And the other aspect is that I believe that these

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<v Speaker 6>pieces are a cut of above from a literary standpoint,

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<v Speaker 6>the more traditional true crime pieces that most people see

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<v Speaker 6>and expect. It goes beyond that. We really wanted excellent

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<v Speaker 6>not just exciting stories, but excellent literary writing and so

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<v Speaker 6>we can refer to them as essays, but they're not

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<v Speaker 6>the traditional this is what I had the Region high

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<v Speaker 6>school essay. They're literally packed with story and packed with

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<v Speaker 6>information at the same time.

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<v Speaker 7>Yes, and this other The idea too, is that as editor,

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<v Speaker 7>what was your role in terms of it Was it

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<v Speaker 7>a traditional role, but what was the role in terms

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<v Speaker 7>of the content itself? And what was your role otherwise

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<v Speaker 7>other than managing that content and editing that content to

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<v Speaker 7>fit this what your plan was for the book? But

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<v Speaker 7>tell us about your role as editor and what that entails.

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<v Speaker 6>Well, you know, the book starts with my introduction, my

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<v Speaker 6>editor's note, which is a long introduction, and it talks

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<v Speaker 6>about a murder that I didn't witness but I was

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<v Speaker 6>close to in high school. And it turns out that

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<v Speaker 6>and something and it's a murder. It's a crime that

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<v Speaker 6>I have never forgotten since high school. And it turns

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<v Speaker 6>out that two very nice young men from I went

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<v Speaker 6>to high school with and graduated high school with. There

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<v Speaker 6>was a small mom and pop grocery store in the

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<v Speaker 6>neighborhood and it was run by seemingly people who hardly

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<v Speaker 6>had a dime. It was a dusty store. It was

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<v Speaker 6>a dirty store. They had very little items to sell.

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<v Speaker 6>But the rumor, you know how these rumors go on

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<v Speaker 6>when in high school, was that they were so dirty

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<v Speaker 6>and so dusty and so old that they were a

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<v Speaker 6>fortune in their store. And the rumor went on and on.

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<v Speaker 6>And these two young men in their late teens, right

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<v Speaker 6>after high school, one day cooked up the idea that

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<v Speaker 6>they wanted to rob the store. And they walked in

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<v Speaker 6>and one of them had a gun from his father's gun,

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<v Speaker 6>and the gun was loaded, and they went in there

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<v Speaker 6>and the old people simply didn't have a dime. They

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<v Speaker 6>were old, and they were poor, and they had no money.

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<v Speaker 6>And one of the of my friends shot them both

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<v Speaker 6>and killed them. And I hunt and these were very

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<v Speaker 6>nice young men and they had never been in any

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<v Speaker 6>serious trouble before. Now it occurred to me what motivated

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<v Speaker 6>these people, to these kids, to commit this absolutely unnecessary,

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<v Speaker 6>ridiculous crime. They ended up with less than twenty dollars.

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<v Speaker 6>And the whole thing made me think about about the

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<v Speaker 6>kind of the essays. And you're asking you this the

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<v Speaker 6>kind of essays I wanted, the kind of stories I

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<v Speaker 6>wanted to publish so real that you know, from the

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<v Speaker 6>time I heard that story until even now as I

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<v Speaker 6>talk to you, I realize that when people are in

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<v Speaker 6>those authentic, scary, suddenly frightening situations, they could do anything.

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<v Speaker 6>Those boys didn't walk into that store only just to kill.

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<v Speaker 6>They went in there because they wanted some money, and

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<v Speaker 6>the circumstances presented itself. God knows what happened in that store,

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<v Speaker 6>but they killed the two old people. And it occurred

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<v Speaker 6>to me that committing these crimes, committing these awful crimes

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<v Speaker 6>so often happened to people who have no business even

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<v Speaker 6>thinking about crime and never ever purposely commit these horrific crimes.

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<v Speaker 6>It's the circumstance that makes you do things that you

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<v Speaker 6>forever regret. And and all of us we're also close

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<v Speaker 6>to making those awful decisions about that ruin our lives

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<v Speaker 6>and ruin the lives of other people. And so when

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<v Speaker 6>I looked at these, all of these two hundred stories

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<v Speaker 6>that true stories that I that I received, I wanted

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<v Speaker 6>to find as many true to life tales that I

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<v Speaker 6>could honest ordinary everyday people, not just not criminals, but

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<v Speaker 6>everyday people who kind of went crazy, who kind of

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<v Speaker 6>lost control at the moment when they could have walked

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<v Speaker 6>away and done nothing, because I think that that that

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<v Speaker 6>these crimes, that that murder, robbery, many spontaneous crimes, are

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<v Speaker 6>decided in a second, in a nanosecond, and it could

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<v Speaker 6>happen to us, to you, to meet, to anyone making

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<v Speaker 6>the wrong decision the wrong time, And so that's kind

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<v Speaker 6>of what I was looking for in many of these stories.

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<v Speaker 7>What I just found interesting in the introduction, most interesting

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<v Speaker 7>and unique was that you said you hopefully I'm not paraphrasing,

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<v Speaker 7>but it basically said that you had an empathy for

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<v Speaker 7>you had an understanding of what it might be to

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<v Speaker 7>be vulnerable enough or be in a position to be

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<v Speaker 7>a victim. But you also seem to be very understanding

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<v Speaker 7>that you very well could have been a perpetrator as well.

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<v Speaker 7>That's very interesting admission. Now, the story that you included

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<v Speaker 7>in here about the lynching of Claude Neil is something

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<v Speaker 7>I had no idea about, and I think it warrants

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<v Speaker 7>that we really use this as a really great example

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<v Speaker 7>of the writing and the kind of stories that are

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<v Speaker 7>included in here. Not that they're all like at this

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<v Speaker 7>level of depravity, of course they couldn't, but this is

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<v Speaker 7>a fact fascinating story, and this incredible story. So why

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<v Speaker 7>don't we talk a little bit about the lynching of

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<v Speaker 7>Claude Neil? And sure, talk about Greenwood and talk about

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<v Speaker 7>the circumstances of a young girl named Lola that was

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<v Speaker 7>pick us back and tell us a little bit about

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<v Speaker 7>Claude Neil and the circumstances that led to this shameful

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<v Speaker 7>chapter in American history.

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<v Speaker 6>Well, you know, there were from the late nineteen eighties

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<v Speaker 6>until the nineteen thirties over five thousand. Can you imagine

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<v Speaker 6>five thousand lynchings of black people in the United States

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<v Speaker 6>over that very short period. And Claude Neil was maybe

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<v Speaker 6>one of the most horrific. He was a young farmhand

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<v Speaker 6>twenty one years old, and he allegedly confessed to raping

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<v Speaker 6>a uh and and killing a white farm girl who

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<v Speaker 6>lived on the farm in which he was working. And

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<v Speaker 6>and I say allegedly because he was he was the

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<v Speaker 6>first suspect that the sheriff and his men went after.

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<v Speaker 6>And uh he and and he allegedly confessed and signed

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<v Speaker 6>a confession with an ex with an ex And so

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<v Speaker 6>who's ex that with an X? So whose ex was that?

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<v Speaker 6>What he knows? But suddenly the town, the area uh

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<v Speaker 6>in Florida went the people went berserk, they went crazy,

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<v Speaker 6>and they they they wanted Claude Neil's blood. They wanted

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<v Speaker 6>to lynch him and to hang him, and to give

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<v Speaker 6>the sheriff his due. Uh. The sheriff wasn't particularly pleased

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<v Speaker 6>with having to deal with Claude Neil, but the sheriff

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<v Speaker 6>decided to protect Neil. Took him out snacking and literally

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<v Speaker 6>out of town and into a neighboring town and a

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<v Speaker 6>neighboring jail, and tried to protect him. But the townspeople

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<v Speaker 6>were just crazy, and they went after Claude. They went

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<v Speaker 6>after Claude Neil, and they captured him. They dragged him

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<v Speaker 6>into the woods, they beat him, they cut off his

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<v Speaker 6>fingers and his toes, and then they hung him in

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<v Speaker 6>front of a large crowd, lots of people. There were

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<v Speaker 6>six people who actually did the deed. And evidently I

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<v Speaker 6>had not seen the photo, but evidently this photo was

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<v Speaker 6>sold unmasks for fifty dollars of anyone who wanted it,

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<v Speaker 6>of Claude Neil hanging from a noose from a tree,

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<v Speaker 6>missing his toes and his fingers and blood, you know,

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<v Speaker 6>reeking pouring out of him. It was an awful, and

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<v Speaker 6>nobody ever knew whether Claude Neil really did this or

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<v Speaker 6>didn't do it, But afterwards things didn't end. Okay.

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<v Speaker 4>Round two, Name something that's not boring.

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<v Speaker 8>Laundry, book club, computer solitaire.

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<v Speaker 4>Huh oh, Sorry, we were looking for Chumba casino to chum.

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<v Speaker 4>That's right, chumbacasino dot com as over one hundred casino

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00:16:22.360 --> 00:16:24.720
<v Speaker 4>style games joined today and play for free for your

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00:16:24.799 --> 00:16:26.600
<v Speaker 4>chance to redeem some serious prizes.

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00:16:27.759 --> 00:16:31.919
<v Speaker 3>Chum chumbacasino dot com Ody plus firs.

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00:16:31.960 --> 00:16:33.399
<v Speaker 4>Condition of the bus website retails.

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<v Speaker 6>Even at the lynching, everyone who was every black person

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<v Speaker 6>in that area was in danger of just revenge and

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<v Speaker 6>anger by the white folks around, and especially anyone related

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<v Speaker 6>to the Neo family at all. And interestingly enough, right

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<v Speaker 6>the six people who who went after who killed Claude

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<v Speaker 6>Neil also went after a woman, a pregnant woman and

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<v Speaker 6>a little girl who was only three or four years old,

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00:17:10.079 --> 00:17:15.480
<v Speaker 6>and the woman was injured so much that her baby,

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<v Speaker 6>the baby she was pregnant with, died. But the book

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<v Speaker 6>opens Sorry, the story opens up introducing the a eighty

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<v Speaker 6>year old character who happened to have been the thirty

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<v Speaker 6>the three year old girl who was huddled beside her

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<v Speaker 6>mother at that point, and for all these years, the

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<v Speaker 6>girl lived in fear and also wanted to find out who,

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<v Speaker 6>I mean, who the six people were, and wanted to

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<v Speaker 6>bring them to justice. And her sixty seven year old

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<v Speaker 6>nephew had dedicated a good deal of his life to

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<v Speaker 6>trying to persuade the FBI and other authorities to come

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<v Speaker 6>back into this area in Florida and rescue them and

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<v Speaker 6>investigate and find out what actually happened. And so it

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<v Speaker 6>starts at that point introducing this woman, this eighty year

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<v Speaker 6>old woman, takes us all the way back through the

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<v Speaker 6>awful crime and the rampage that followed against all of

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<v Speaker 6>the Neil family, and finally it ends up with in

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<v Speaker 6>the end with the FBI finally agreed to come back

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<v Speaker 6>and reinvestigate it.

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<v Speaker 7>And there's another family member, Orlando Williams, that young cousin

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<v Speaker 7>of Ali May, which takes on the mental and perseveres with.

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<v Speaker 6>This case, doesn't he right? Right?

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<v Speaker 7>It's now now there's a different story where they are

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<v Speaker 7>in Greenwood, Florida. Though with this and that you said

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<v Speaker 7>there was people from eleven states. There was invitations to

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<v Speaker 7>the lynching women kids. It was it was amazing, amazing. Yes,

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<v Speaker 7>My point is that that this shocked a lot of people,

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<v Speaker 7>not in this area. In this area, this lynching seemed

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<v Speaker 7>to be well, just pretty normal. But again you said,

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<v Speaker 7>how many lynchings they had in in the US in

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<v Speaker 7>a short period of years. But what how did the

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<v Speaker 7>New York Times depict this? And how did they what

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<v Speaker 7>was the story? How did the story? Was it conveyed

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<v Speaker 7>there in the New York Times?

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<v Speaker 6>I can't remember? Was it? It was conveyed generally as

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<v Speaker 6>as as as a terrible crime. Sure, and UH and

286
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<v Speaker 6>and it it's it connected to the presidency and the

287
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<v Speaker 6>the NAACP began to to campaign to have UH to

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<v Speaker 6>launch a much more serious investigation. It made national news

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<v Speaker 6>for a long time, but it did not make a

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<v Speaker 6>great deal of an impact in changing things or in

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<v Speaker 6>finding who who the six men were and bringing them

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<v Speaker 6>to justice.

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<v Speaker 7>Yes, amazing now that you said the FBI finally gets

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<v Speaker 7>in on the investigation. Of course, that's still an ongoing investigation,

295
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<v Speaker 7>isn't it.

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<v Speaker 6>It's still an ongoing investigation. The six men are all dead,

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<v Speaker 6>and you know, it's the funniest thing. It's just so

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<v Speaker 6>curious and interesting. The six men are dead. There are

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<v Speaker 6>many people, however, who were related to the six men

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<v Speaker 6>who are alive, and many people who allegedly, according to

301
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<v Speaker 6>the author and according to the other characters, still know

302
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<v Speaker 6>a lot of the details of what actually happened to

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<v Speaker 6>Claude Neil and who actually did it. And to this

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<v Speaker 6>day we're talking about so long ago, people are still

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00:20:58.680 --> 00:21:02.680
<v Speaker 6>afraid to talk, still do not discuss in any great

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00:21:02.720 --> 00:21:07.119
<v Speaker 6>detail what actually what they know about what what happened.

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<v Speaker 7>But the Ku Klux Klan seems to be involved in this.

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<v Speaker 6>Well, I think, yes, I think that it was a

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00:21:16.960 --> 00:21:22.039
<v Speaker 6>it was a big clan event, and and the six

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<v Speaker 6>men were were certainly clan members, and they were certainly hooded,

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<v Speaker 6>and and and it was certainly and they were the

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<v Speaker 6>Klan was a major force in what happened to Klude.

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<v Speaker 7>And why did you want to include this story? For obvious,

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00:21:40.839 --> 00:21:44.119
<v Speaker 7>it's a very very interesting story in it. And obviously

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<v Speaker 7>you were reporting on the Times and reporting on yes,

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00:21:47.359 --> 00:21:50.440
<v Speaker 7>you know this this the separate views on you know

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00:21:50.480 --> 00:21:52.079
<v Speaker 7>the same thing. You know, you got a little place

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<v Speaker 7>in Greenwood where everybody's standing around and anticipating a lynching.

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<v Speaker 7>In New York Times, people are agast and horror. What

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<v Speaker 7>overall would you like to summarizes Why you would include

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<v Speaker 7>this particular story. What would you trying to illustrate with

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<v Speaker 7>this more than anything else.

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<v Speaker 6>Well, for one thing, it was horrific, and and it

324
00:22:14.119 --> 00:22:17.200
<v Speaker 6>kind of this is these are thirteen stories, and so

325
00:22:17.279 --> 00:22:21.400
<v Speaker 6>I wanted to give different pictures of different kinds of

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00:22:21.839 --> 00:22:25.680
<v Speaker 6>crime that that ha been in that and that that

327
00:22:25.680 --> 00:22:28.720
<v Speaker 6>that work committed. And so this was really quite interesting

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<v Speaker 6>and it was the one piece that brought me back,

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00:22:31.000 --> 00:22:35.319
<v Speaker 6>that allowed me to provide a historical perspective. But also

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00:22:35.519 --> 00:22:39.160
<v Speaker 6>again the theme I explained to you before that to

331
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<v Speaker 6>me was so important. Yes, the six people were were

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<v Speaker 6>the perpetrators, but as you pointed out, it became an event.

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<v Speaker 6>So many people became involved, people who probably wouldn't have

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00:22:54.720 --> 00:22:58.599
<v Speaker 6>necessarily even considered being one of those six events. But

335
00:22:59.000 --> 00:23:03.759
<v Speaker 6>if six men, but the events begin to to cause

336
00:23:03.880 --> 00:23:08.000
<v Speaker 6>its own momentum and bring people who are normally people

337
00:23:08.039 --> 00:23:13.200
<v Speaker 6>who who wouldn't necessarily commit crimes of such violence come

338
00:23:13.359 --> 00:23:16.480
<v Speaker 6>and watch and be a part of it, and even

339
00:23:16.559 --> 00:23:19.720
<v Speaker 6>make it into kind of a pageant. This is this

340
00:23:19.799 --> 00:23:23.279
<v Speaker 6>is not the kind of behavior that probably most people

341
00:23:23.440 --> 00:23:27.759
<v Speaker 6>have had ever experienced before and so again it was

342
00:23:27.839 --> 00:23:33.599
<v Speaker 6>this touching of of of people outside of the spectrum

343
00:23:34.240 --> 00:23:38.559
<v Speaker 6>the crime or the moment brought them in and and

344
00:23:38.640 --> 00:23:42.119
<v Speaker 6>made them perpetrators, made them part of it. I thought

345
00:23:42.119 --> 00:23:46.200
<v Speaker 6>that was really quite interesting and and you know, and

346
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<v Speaker 6>it's just amazing. This was written by a reporter for

347
00:23:49.839 --> 00:23:55.279
<v Speaker 6>the Saint Petersburg Times with Phanta time by Times Ben Montgomery,

348
00:23:55.599 --> 00:23:59.799
<v Speaker 6>and it goes to show people say these days also

349
00:24:00.079 --> 00:24:04.640
<v Speaker 6>that newspaper work is dying, and newspapers are dying, and

350
00:24:04.759 --> 00:24:08.880
<v Speaker 6>long stories everything is dumb down. But here we have

351
00:24:08.960 --> 00:24:12.400
<v Speaker 6>a story that's almost ten thousand words, that it's being

352
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<v Speaker 6>told by all kinds of different points of viewing perspectives.

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<v Speaker 6>And he was able to dig deeply and talk to

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<v Speaker 6>lots of folks and kind of recreate all of the

355
00:24:24.480 --> 00:24:27.440
<v Speaker 6>events behind the scene that so many people have forgotten.

356
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<v Speaker 7>Absolutely. And the thing is the creative nonfiction that you're

357
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<v Speaker 7>talking about too. Less people not understand. There's nothing dialogue

358
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<v Speaker 7>created or composite characters or anything like that. It's just

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<v Speaker 7>like the very best true crime is written with a

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<v Speaker 7>lot of creative nonfiction devices as well.

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<v Speaker 6>Well. So again, go ahead, the best piece of true crime,

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<v Speaker 6>the literary true crime. The great model, of course, is

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00:24:57.039 --> 00:25:01.519
<v Speaker 6>in Cold Blood by Truman Campodi. No one has ever

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<v Speaker 6>said even so they people have questioned his research, no

365
00:25:06.880 --> 00:25:11.480
<v Speaker 6>one has really questioned the information that he provided. The

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00:25:11.599 --> 00:25:15.519
<v Speaker 6>creative part was the fact that he was able to

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<v Speaker 6>take this and structurally and turn it into a riveting

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00:25:20.319 --> 00:25:24.240
<v Speaker 6>murder story from beginning to end. And he was able

369
00:25:24.319 --> 00:25:30.480
<v Speaker 6>to interview people deeply enough so that and he conducted

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00:25:30.599 --> 00:25:33.920
<v Speaker 6>four hundred interviews over a period of a half dozen years,

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00:25:34.400 --> 00:25:40.279
<v Speaker 6>so he was able to recreate validly and vividly exactly

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<v Speaker 6>what occurred in the events leading up to the crime,

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00:25:44.000 --> 00:25:47.160
<v Speaker 6>during the crime, and the events after the crime, and

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<v Speaker 6>so and that's what creative nonfiction writers do. We we

375
00:25:51.160 --> 00:25:56.559
<v Speaker 6>researched intensely for long periods of time so that our

376
00:25:56.640 --> 00:26:00.160
<v Speaker 6>facts remain accurate, but so that we can really and

377
00:26:00.440 --> 00:26:04.880
<v Speaker 6>stories that are incredibly vivid and filled with the tales

378
00:26:05.000 --> 00:26:09.960
<v Speaker 6>and filled with nuances that that newspaper reporters who report

379
00:26:10.039 --> 00:26:14.000
<v Speaker 6>crime often don't have the time to do. There there's

380
00:26:14.119 --> 00:26:19.759
<v Speaker 6>there's another long story uh in this book about the

381
00:26:19.880 --> 00:26:25.720
<v Speaker 6>uh Gabby Giffords uh murder or or attempted murder as well.

382
00:26:26.000 --> 00:26:31.400
<v Speaker 6>And it's also written by a uh By, a reporter

383
00:26:31.519 --> 00:26:36.319
<v Speaker 6>for the Arizona Republic. And this is even longer than

384
00:26:36.920 --> 00:26:41.920
<v Speaker 6>than than the story that then Montgomery put together. And

385
00:26:42.960 --> 00:26:52.160
<v Speaker 6>he uh traces back from the beginning of the robo calls,

386
00:26:52.400 --> 00:26:56.279
<v Speaker 6>when Gabby Gifford was giving a speech and was calling

387
00:26:56.400 --> 00:27:02.960
<v Speaker 6>people together. He Sean Kinnon traces back from the beginning

388
00:27:03.079 --> 00:27:07.039
<v Speaker 6>many of the people who received robot calls, robo calls

389
00:27:07.920 --> 00:27:11.359
<v Speaker 6>inviting them to this shopping area where she would be

390
00:27:11.400 --> 00:27:17.119
<v Speaker 6>giving a talk. And he interviews these people and talks

391
00:27:17.160 --> 00:27:20.759
<v Speaker 6>about how they got the call, why they decided to

392
00:27:20.759 --> 00:27:24.400
<v Speaker 6>go to the shopping center, and what happened to them

393
00:27:24.920 --> 00:27:29.759
<v Speaker 6>when the bullets started to pop and when the people

394
00:27:29.880 --> 00:27:33.640
<v Speaker 6>started to fall. And not only does he talk about

395
00:27:33.720 --> 00:27:37.680
<v Speaker 6>many of the people, give us a really inside look

396
00:27:37.720 --> 00:27:39.759
<v Speaker 6>at many of the people who just came to hear

397
00:27:39.799 --> 00:27:43.799
<v Speaker 6>her talk because they admired her. But we learn about

398
00:27:44.839 --> 00:27:52.000
<v Speaker 6>the shooter early on, actually twenty four hours before the

399
00:27:52.240 --> 00:27:56.240
<v Speaker 6>event occurs. And we learn where he goes, where he

400
00:27:56.319 --> 00:27:59.559
<v Speaker 6>tries to buy ammunition for his gun, how he got

401
00:27:59.599 --> 00:28:03.319
<v Speaker 6>his gun, who he talked to, how he prepared himself.

402
00:28:05.200 --> 00:28:11.559
<v Speaker 6>Sean put this story together brilliantly with incredible detail. And

403
00:28:11.599 --> 00:28:17.160
<v Speaker 6>then afterwards, after the shooting occurs, he's stuck with the story.

404
00:28:17.480 --> 00:28:20.920
<v Speaker 6>Interviewed the two surgeons from the time they got the

405
00:28:21.000 --> 00:28:23.559
<v Speaker 6>phone call, even before they got the phone call that

406
00:28:24.119 --> 00:28:28.720
<v Speaker 6>that that they had work to do in the emergency department,

407
00:28:29.079 --> 00:28:32.599
<v Speaker 6>and follows them far beyond the day that they had

408
00:28:32.640 --> 00:28:36.079
<v Speaker 6>to do the surgery. So so what we do is

409
00:28:36.119 --> 00:28:39.079
<v Speaker 6>we do, like Truman Capodi, we researched the heck out

410
00:28:39.079 --> 00:28:41.839
<v Speaker 6>of what we're doing so that we can tell stories

411
00:28:41.880 --> 00:28:45.079
<v Speaker 6>that are so vivid and so powerful and create characters

412
00:28:45.119 --> 00:28:47.720
<v Speaker 6>that are so real that our readers are not going

413
00:28:47.759 --> 00:28:51.240
<v Speaker 6>to be able We hope put the stories down until

414
00:28:51.240 --> 00:28:51.640
<v Speaker 6>they're over.

415
00:28:54.559 --> 00:28:58.319
<v Speaker 7>Why is the gifferent story? Obviously it's a congress woman,

416
00:28:59.279 --> 00:29:04.160
<v Speaker 7>But it story doesn't end after this article either, because

417
00:29:04.200 --> 00:29:07.440
<v Speaker 7>after this article there is another dimension to this story

418
00:29:07.440 --> 00:29:12.839
<v Speaker 7>as well, in terms of gun to control proposed legislation

419
00:29:12.920 --> 00:29:15.640
<v Speaker 7>after the Sandy Hook Elementary School shooting.

420
00:29:15.799 --> 00:29:21.119
<v Speaker 6>So there's a part of me, yes, that's true.

421
00:29:22.000 --> 00:29:25.559
<v Speaker 7>So maybe for international audience, because we do have a

422
00:29:25.559 --> 00:29:31.039
<v Speaker 7>big audience in Australia, England and abroad, let's put it

423
00:29:31.039 --> 00:29:34.359
<v Speaker 7>that way, places like Canada as well. Maybe tell us

424
00:29:34.359 --> 00:29:36.079
<v Speaker 7>a little bit about just give us an outline of

425
00:29:36.119 --> 00:29:40.599
<v Speaker 7>the Gifford's story itself and some of the Again you said,

426
00:29:40.640 --> 00:29:43.079
<v Speaker 7>we cover it from every single angle. Just give us

427
00:29:43.079 --> 00:29:46.359
<v Speaker 7>a little bit of an overview and why you've felt Again,

428
00:29:46.559 --> 00:29:49.599
<v Speaker 7>this story is important on for very many reasons. But

429
00:29:51.119 --> 00:29:54.599
<v Speaker 7>tell us why. This is also a great American story

430
00:29:54.720 --> 00:29:58.039
<v Speaker 7>and it demonstrates a lot of things just via the

431
00:29:58.039 --> 00:30:00.640
<v Speaker 7>story itself, it represents a lot of things.

432
00:30:01.759 --> 00:30:10.160
<v Speaker 6>Well, it's it's it's This collection shows how how the

433
00:30:10.200 --> 00:30:16.279
<v Speaker 6>most innocent people can can be hurt ruined by crime,

434
00:30:16.680 --> 00:30:21.640
<v Speaker 6>by murder especially, and the most prominent as well. Nobody

435
00:30:21.920 --> 00:30:27.440
<v Speaker 6>is immune to people to to terrible things happening to them.

436
00:30:27.759 --> 00:30:33.279
<v Speaker 6>And in this particular case, Gabrielle Giffords was a congress person,

437
00:30:33.799 --> 00:30:38.880
<v Speaker 6>a running for her third term, and she was a Democrat,

438
00:30:38.960 --> 00:30:45.119
<v Speaker 6>but she was a conservative Democrat and actually a former Republican,

439
00:30:45.480 --> 00:30:48.359
<v Speaker 6>and she was pretty popular. She was quite popular in

440
00:30:48.400 --> 00:30:52.720
<v Speaker 6>her area around Tucson, New Mexico. And she was married

441
00:30:52.759 --> 00:30:59.400
<v Speaker 6>to an astronaut. So, I mean, there's no other more American,

442
00:30:59.480 --> 00:31:04.240
<v Speaker 6>more respected, yeah, all American person than an astronaut to

443
00:31:04.319 --> 00:31:08.240
<v Speaker 6>the United States, and so and so they were, you know,

444
00:31:08.319 --> 00:31:10.720
<v Speaker 6>it was like a perfect couple and she had quite

445
00:31:10.759 --> 00:31:14.079
<v Speaker 6>a career, and she was very articulate, and she was attractive,

446
00:31:14.359 --> 00:31:21.039
<v Speaker 6>and she was young and and uh uh. Jared Blackner,

447
00:31:22.319 --> 00:31:26.640
<v Speaker 6>a young man who was who suffered from mental illness,

448
00:31:27.920 --> 00:31:31.200
<v Speaker 6>was somewhat obsessed by her and decided that he was

449
00:31:31.279 --> 00:31:33.480
<v Speaker 6>going to not only do away with himself but kill

450
00:31:33.559 --> 00:31:35.480
<v Speaker 6>her at the same time.

451
00:31:35.720 --> 00:31:38.920
<v Speaker 2>Lucky Land Casino asking people, what's the weirdest place you've

452
00:31:38.960 --> 00:31:39.640
<v Speaker 2>gotten lucky?

453
00:31:40.000 --> 00:31:40.359
<v Speaker 6>Lucky?

454
00:31:40.599 --> 00:31:42.880
<v Speaker 5>In line at the Delhi I guess ah, in my

455
00:31:43.000 --> 00:31:46.440
<v Speaker 5>dentist's office more than once. Actually, do I have to say?

456
00:31:46.640 --> 00:31:47.119
<v Speaker 2>Yes? You do?

457
00:31:47.400 --> 00:31:49.839
<v Speaker 8>In the car before my kid's PTA meeting.

458
00:31:50.039 --> 00:31:50.440
<v Speaker 2>Really?

459
00:31:50.559 --> 00:31:51.680
<v Speaker 4>Yes, excuse me?

460
00:31:51.720 --> 00:31:53.480
<v Speaker 2>What's the weirdest place you've gotten lucky?

461
00:31:53.640 --> 00:31:54.839
<v Speaker 8>I never went in?

462
00:31:54.920 --> 00:31:56.240
<v Speaker 1>Tell well, there you have it.

463
00:31:56.279 --> 00:31:57.440
<v Speaker 2>You could get lucky anywhere.

464
00:31:57.440 --> 00:32:00.720
<v Speaker 3>Playing at lucky landsloughts dot com play for free right now.

465
00:32:00.920 --> 00:32:01.880
<v Speaker 2>Are you feeling lucky?

466
00:32:02.000 --> 00:32:04.839
<v Speaker 3>No, We're just necessary for my eighteen plus terms conditions.

467
00:32:04.519 --> 00:32:08.920
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468
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469
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470
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471
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472
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473
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474
00:32:31.680 --> 00:32:35.680
<v Speaker 9>visit Milli dot bank, or download the milli app today.

475
00:32:35.799 --> 00:32:42.000
<v Speaker 6>I'm and he plotted it out and brought his glock

476
00:32:42.440 --> 00:32:48.039
<v Speaker 6>to the scene and began shooting and shot uh, Gabby Giffords,

477
00:32:48.079 --> 00:32:50.680
<v Speaker 6>and also shot a number of other people, as I

478
00:32:50.720 --> 00:32:54.119
<v Speaker 6>said to you before. So that's that's the story that's

479
00:32:54.160 --> 00:32:57.319
<v Speaker 6>being told. But it's really an interesting toy story, as

480
00:32:57.359 --> 00:33:04.039
<v Speaker 6>you've just pointed out what happens next, because the Gabrielle

481
00:33:04.039 --> 00:33:08.440
<v Speaker 6>Gabrielle Giffords has become one of the people most significant

482
00:33:08.920 --> 00:33:14.039
<v Speaker 6>in fighting across the United States for gun legislation, gun

483
00:33:14.079 --> 00:33:18.839
<v Speaker 6>control legislation, and I mean, we have very very lenient,

484
00:33:19.119 --> 00:33:22.599
<v Speaker 6>very lax rules about guns in the United States. They're

485
00:33:22.680 --> 00:33:25.240
<v Speaker 6>easy to purchase, you don't have to wait a lot

486
00:33:25.279 --> 00:33:28.799
<v Speaker 6>of you will. They're easy to purchase, and sometimes you

487
00:33:28.839 --> 00:33:31.119
<v Speaker 6>don't have to wait to even get your license. You

488
00:33:31.160 --> 00:33:34.759
<v Speaker 6>can buy guns on the spot. You can buy bullets,

489
00:33:34.799 --> 00:33:37.119
<v Speaker 6>and frankly, if you want to go kill someone in

490
00:33:37.160 --> 00:33:39.119
<v Speaker 6>an hour after you buy the gun, you can certainly

491
00:33:39.680 --> 00:33:42.480
<v Speaker 6>get away. You can certainly try to do that here.

492
00:33:43.000 --> 00:33:47.920
<v Speaker 6>And so for years the Republicans, the Democrats, conservatives and liberals,

493
00:33:48.480 --> 00:33:52.720
<v Speaker 6>people from the Western States many respects versus the people

494
00:33:52.799 --> 00:33:56.200
<v Speaker 6>from the Eastern States have been fighting over gun legislation.

495
00:33:56.599 --> 00:34:00.799
<v Speaker 6>And the other thing that that's kind of resting here,

496
00:34:00.839 --> 00:34:07.359
<v Speaker 6>and the other dimension is that mister Lockner had serious

497
00:34:07.400 --> 00:34:12.119
<v Speaker 6>emotional problems. And the fight in the United States right now,

498
00:34:13.000 --> 00:34:16.159
<v Speaker 6>well or at least the conversation and the debate, has

499
00:34:16.239 --> 00:34:20.639
<v Speaker 6>to do with whether we should be uh checking to

500
00:34:20.719 --> 00:34:25.639
<v Speaker 6>see if people have experienced mental problems, mental health problems

501
00:34:25.679 --> 00:34:29.679
<v Speaker 6>prior to selling them the guns, and you know, kind

502
00:34:29.679 --> 00:34:31.880
<v Speaker 6>of looking into the records so that those are the

503
00:34:31.960 --> 00:34:35.800
<v Speaker 6>issues that have taken that have that have been sparked.

504
00:34:35.800 --> 00:34:38.679
<v Speaker 6>These are issues that aren't knew, but they were really

505
00:34:38.719 --> 00:34:43.599
<v Speaker 6>sparked by Gaby Giffords who slowly, by the ways, heroically

506
00:34:43.800 --> 00:34:48.360
<v Speaker 6>slowly but surely the covering and we probably none of

507
00:34:48.440 --> 00:34:51.280
<v Speaker 6>us will probably be surprised if she decides to run

508
00:34:51.320 --> 00:34:53.840
<v Speaker 6>for office at some point, not in the non too

509
00:34:54.280 --> 00:34:55.400
<v Speaker 6>distant future.

510
00:34:56.519 --> 00:35:00.559
<v Speaker 7>Right, amazing story. Now tell us about some of the

511
00:35:00.599 --> 00:35:04.119
<v Speaker 7>other stories. Another one that was I thought was interesting

512
00:35:04.519 --> 00:35:07.320
<v Speaker 7>is a grave robber about and you call it a

513
00:35:07.360 --> 00:35:09.920
<v Speaker 7>love story. Tell us a little bit about that story,

514
00:35:09.960 --> 00:35:10.920
<v Speaker 7>give us a little overview.

515
00:35:12.280 --> 00:35:18.599
<v Speaker 6>Well, it's actually it's it's a story of a woman

516
00:35:18.639 --> 00:35:22.199
<v Speaker 6>who falls in love with a man who and and

517
00:35:22.239 --> 00:35:25.480
<v Speaker 6>the man teaches her how to make money and while

518
00:35:25.519 --> 00:35:35.320
<v Speaker 6>they travel by by literally robbing the graves of people

519
00:35:35.440 --> 00:35:40.039
<v Speaker 6>in Peru or at the same time allowing some of

520
00:35:40.079 --> 00:35:44.480
<v Speaker 6>the people to to to buying artifacts from some of

521
00:35:44.519 --> 00:35:49.800
<v Speaker 6>the people in villages that she visits. It's it's not

522
00:35:49.920 --> 00:35:53.239
<v Speaker 6>as uh, it's it's kind of an interesting story because

523
00:35:53.480 --> 00:35:55.599
<v Speaker 6>because it has more to do with with with love

524
00:35:55.679 --> 00:35:59.639
<v Speaker 6>and less than it does with with with murder and

525
00:35:59.639 --> 00:36:02.719
<v Speaker 6>and and mayhem. But it's a it's a different kind

526
00:36:02.719 --> 00:36:06.159
<v Speaker 6>of story. And again, you have an innocent person, a

527
00:36:06.199 --> 00:36:08.920
<v Speaker 6>woman from an upper class, middle class family who just

528
00:36:09.000 --> 00:36:13.039
<v Speaker 6>decides to have some fun and uh and travel and

529
00:36:13.079 --> 00:36:16.519
<v Speaker 6>see the world and uh, and she gets herself involved

530
00:36:16.719 --> 00:36:20.239
<v Speaker 6>in a very difficult uh.

531
00:36:20.199 --> 00:36:26.239
<v Speaker 7>Situation and and tell us more about the love aspect

532
00:36:26.360 --> 00:36:26.920
<v Speaker 7>of this.

533
00:36:29.840 --> 00:36:35.719
<v Speaker 6>Well, she has an affair with with with the man

534
00:36:35.800 --> 00:36:38.320
<v Speaker 6>who introduced her to this, and then they don't see

535
00:36:38.360 --> 00:36:41.519
<v Speaker 6>each other anymore. It's just kind of like a one

536
00:36:41.639 --> 00:36:52.440
<v Speaker 6>time passionate and quick incident that that that kind of

537
00:36:53.920 --> 00:36:57.559
<v Speaker 6>changes her life in many very in a significant way.

538
00:36:57.599 --> 00:37:02.480
<v Speaker 6>And again it's one of those incidents.

539
00:37:02.000 --> 00:37:09.760
<v Speaker 10>That that that that could have been rather easily avoided

540
00:37:09.800 --> 00:37:17.320
<v Speaker 10>and really makes an impact far beyond what one ever expects.

541
00:37:18.960 --> 00:37:24.599
<v Speaker 6>And this a story that I would like to mention

542
00:37:24.920 --> 00:37:36.360
<v Speaker 6>in the same regard is is it's called The Biophone,

543
00:37:36.679 --> 00:37:41.519
<v Speaker 6>and it's written by an author named David McGlenn, and

544
00:37:41.679 --> 00:37:48.519
<v Speaker 6>it really shows how one crime, one crime, in this case,

545
00:37:48.559 --> 00:37:53.559
<v Speaker 6>an awful crime, can infect an entire town and neighborhood,

546
00:37:53.559 --> 00:37:57.440
<v Speaker 6>a city can be reverberations of a crime. An awful

547
00:37:57.480 --> 00:38:02.079
<v Speaker 6>crime can can spread farm ride and ruling people literally

548
00:38:02.159 --> 00:38:05.239
<v Speaker 6>ruling people, and ruined the lives of people who were

549
00:38:05.280 --> 00:38:13.400
<v Speaker 6>only tangentially involved. So this is about a young man

550
00:38:14.360 --> 00:38:21.159
<v Speaker 6>named Jeremy who the writer David McGlenn, is one of

551
00:38:21.239 --> 00:38:37.079
<v Speaker 6>Jeremy's very good friends, and and the the somehow and

552
00:38:37.159 --> 00:38:43.599
<v Speaker 6>for some reason, a uh people burst into his house

553
00:38:44.199 --> 00:38:48.199
<v Speaker 6>and Jeremy is killed, and Jeremy's brother is killed and

554
00:38:48.320 --> 00:38:52.480
<v Speaker 6>Jeremy's father is killed, and it's evidently a some sort

555
00:38:52.519 --> 00:38:57.000
<v Speaker 6>of planned murder. And you would think for the typical

556
00:38:57.119 --> 00:39:01.400
<v Speaker 6>kind of story that this would turn into a police procedural,

557
00:39:01.960 --> 00:39:07.880
<v Speaker 6>and and we would find out how they investigate and

558
00:39:07.960 --> 00:39:11.840
<v Speaker 6>how they find the perpetrators of the crime. But that

559
00:39:11.880 --> 00:39:15.159
<v Speaker 6>doesn't occur. What we begin to learn is what happens

560
00:39:15.239 --> 00:39:19.199
<v Speaker 6>to the people who were friends with Jeremy after the crime.

561
00:39:19.519 --> 00:39:22.320
<v Speaker 6>So the crime is committed, the father and the two

562
00:39:22.360 --> 00:39:28.159
<v Speaker 6>boys are killed, but then there was kind of a backlash.

563
00:39:28.239 --> 00:39:31.840
<v Speaker 6>Jeremy was part of the swim team, so too is

564
00:39:31.880 --> 00:39:38.199
<v Speaker 6>the narrator David, and the entire swimming team kinds to

565
00:39:38.880 --> 00:39:42.800
<v Speaker 6>seems to kind of lose their energy, and they're they're

566
00:39:42.920 --> 00:39:47.719
<v Speaker 6>caring about winning or losing or participating, and and and

567
00:39:48.639 --> 00:39:52.280
<v Speaker 6>kind of falls apart, and and you know, kind of

568
00:39:52.320 --> 00:39:55.480
<v Speaker 6>disbands the whole high school swim team that Jeremy and

569
00:39:55.559 --> 00:39:58.400
<v Speaker 6>David and all these other guys were so very much

570
00:39:58.400 --> 00:40:02.559
<v Speaker 6>a part of. And the captain of the swim team,

571
00:40:03.000 --> 00:40:07.519
<v Speaker 6>the Star, he literally he locks himself in his car

572
00:40:08.639 --> 00:40:11.760
<v Speaker 6>and and and he won't come out for for for

573
00:40:11.880 --> 00:40:15.840
<v Speaker 6>a long for hours, for days. And another member of

574
00:40:15.880 --> 00:40:22.199
<v Speaker 6>the swim team wrecked. Wrecked, drove around with his Honda

575
00:40:22.239 --> 00:40:25.400
<v Speaker 6>car crazily. He wrecked it a couple of times. One

576
00:40:25.440 --> 00:40:28.079
<v Speaker 6>time he had his girl in the car and she

577
00:40:28.280 --> 00:40:31.679
<v Speaker 6>was smashed through the window, and uh the captain of

578
00:40:31.719 --> 00:40:36.960
<v Speaker 6>the swim team, a guy named chray Trey Smith, suddenly

579
00:40:37.000 --> 00:40:42.639
<v Speaker 6>becomes a skinhead, and and and and joined the gang.

580
00:40:43.960 --> 00:40:50.800
<v Speaker 6>There they all kind of fall apart with with the

581
00:40:50.920 --> 00:40:56.079
<v Speaker 6>shock and the violence of the assassination of Jeremy, his brother,

582
00:40:56.159 --> 00:40:59.480
<v Speaker 6>and his dad. And this is the way the story

583
00:40:59.559 --> 00:41:04.360
<v Speaker 6>goes again, focusing on the innocent people, not necessarily the

584
00:41:04.400 --> 00:41:08.159
<v Speaker 6>guilty people. We don't then the story ever know who

585
00:41:08.280 --> 00:41:11.519
<v Speaker 6>killed the three people or why they were killed, but

586
00:41:11.639 --> 00:41:16.079
<v Speaker 6>we do know that that the narrator finally decides that

587
00:41:16.159 --> 00:41:19.079
<v Speaker 6>he just can't live in this town. He's a kid still,

588
00:41:19.239 --> 00:41:23.440
<v Speaker 6>and he can't live in this town anymore. And and

589
00:41:24.000 --> 00:41:29.800
<v Speaker 6>he was once a rather liberal fellow, didn't quite wasn't

590
00:41:29.840 --> 00:41:33.320
<v Speaker 6>in any way religious. But but what happened to him

591
00:41:33.519 --> 00:41:36.320
<v Speaker 6>was he he left his friends. All these friends were

592
00:41:36.400 --> 00:41:41.400
<v Speaker 6>kind of falling apart, and and he left town and

593
00:41:41.800 --> 00:41:45.039
<v Speaker 6>his father and joined his father. His parents were divorced.

594
00:41:45.280 --> 00:41:46.960
<v Speaker 6>He had always lived with his mom, but in this

595
00:41:47.039 --> 00:41:51.719
<v Speaker 6>case he joined his father and kind of started listening

596
00:41:51.719 --> 00:41:56.760
<v Speaker 6>to Rush Limbaugh and became a uh yeah, and became

597
00:41:56.800 --> 00:42:03.679
<v Speaker 6>an avowed follower of churt Ristianity and he just he

598
00:42:03.800 --> 00:42:08.000
<v Speaker 6>found that was a way out of the torment and

599
00:42:08.039 --> 00:42:11.679
<v Speaker 6>the suffering of the impact of this murder that took

600
00:42:11.760 --> 00:42:20.960
<v Speaker 6>place in his neighborhood. So again I've said this before,

601
00:42:21.000 --> 00:42:24.159
<v Speaker 6>but it really has to do with to me, it

602
00:42:24.199 --> 00:42:27.679
<v Speaker 6>has to do with the impact of the people who

603
00:42:27.679 --> 00:42:30.320
<v Speaker 6>commit these crimes or the impact of the people who

604
00:42:30.360 --> 00:42:32.440
<v Speaker 6>suffer from them after other people commit.

605
00:42:34.199 --> 00:42:37.719
<v Speaker 7>Yeah, I think this Leviathan was a really good example

606
00:42:37.960 --> 00:42:41.480
<v Speaker 7>of there's a lot of true crime books do cover

607
00:42:41.639 --> 00:42:45.840
<v Speaker 7>the victims, they have access to the victims families and friends. Yes,

608
00:42:46.480 --> 00:42:52.480
<v Speaker 7>this was more of a psychological sort of understanding of

609
00:42:52.519 --> 00:42:55.400
<v Speaker 7>what these people were going through, and not like any

610
00:42:55.480 --> 00:42:59.800
<v Speaker 7>kind of profound conclusions, but just the sheer impact, the

611
00:43:00.320 --> 00:43:05.039
<v Speaker 7>weirdness that this crime seemed to deflect off, all of

612
00:43:05.079 --> 00:43:07.440
<v Speaker 7>the personalities that we're very very close. So it was

613
00:43:07.559 --> 00:43:12.000
<v Speaker 7>it was almost like family of the victims, so right,

614
00:43:12.039 --> 00:43:14.079
<v Speaker 7>and so it was felt within that swim team and

615
00:43:14.519 --> 00:43:18.320
<v Speaker 7>the close friendships and these people really had a dramatic

616
00:43:18.639 --> 00:43:22.559
<v Speaker 7>effects from this unsolved murder here.

617
00:43:22.599 --> 00:43:27.760
<v Speaker 6>So I wonder, I mean, as I know this collection

618
00:43:28.000 --> 00:43:31.599
<v Speaker 6>was these stories were collected a year ago, and you know,

619
00:43:31.719 --> 00:43:36.599
<v Speaker 6>and so often, you know, one wishes that sure when

620
00:43:36.599 --> 00:43:40.039
<v Speaker 6>they're true and they're not made up. They're absolutely positively true,

621
00:43:40.079 --> 00:43:42.599
<v Speaker 6>real people, real names, and you know, and it's it

622
00:43:43.519 --> 00:43:47.039
<v Speaker 6>kind of makes you the the stories live with you

623
00:43:47.119 --> 00:43:50.119
<v Speaker 6>in your mind and in your head for long periods

624
00:43:50.159 --> 00:43:53.559
<v Speaker 6>of time afterwards, because they're real people. You don't usually

625
00:43:53.599 --> 00:43:57.960
<v Speaker 6>wonder about about what happens in the future to fictional characters,

626
00:43:58.239 --> 00:44:02.880
<v Speaker 6>but you sure wonder about Yeah, right, you're exactly right,

627
00:44:03.400 --> 00:44:06.679
<v Speaker 6>So so you know, it would be interesting to go

628
00:44:06.760 --> 00:44:09.920
<v Speaker 6>back and and and find out what's happened to those

629
00:44:10.079 --> 00:44:11.840
<v Speaker 6>guys now two years later.

630
00:44:12.880 --> 00:44:13.280
<v Speaker 1>Mm hmm.

631
00:44:14.920 --> 00:44:18.119
<v Speaker 7>Now for for this book, have any of the authors

632
00:44:18.159 --> 00:44:22.559
<v Speaker 7>themselves done any promotion being featured in the book themselves

633
00:44:23.639 --> 00:44:26.800
<v Speaker 7>or or is there any anything like that? Are you

634
00:44:26.880 --> 00:44:30.000
<v Speaker 7>the person that's doing the interviews speaking on behalf because

635
00:44:30.039 --> 00:44:32.199
<v Speaker 7>you put this together and you're the editor and to

636
00:44:32.320 --> 00:44:34.719
<v Speaker 7>the organizer of this or are these people.

637
00:44:37.719 --> 00:44:45.800
<v Speaker 6>Uh I've been doing when people ask for our marketing

638
00:44:45.840 --> 00:44:51.400
<v Speaker 6>person in fact books, I'm one person that people ask for.

639
00:44:51.519 --> 00:44:56.000
<v Speaker 6>But yes, almost all of the writers have been doing

640
00:44:56.039 --> 00:45:00.360
<v Speaker 6>some promotion and are available for other people. If you

641
00:45:00.400 --> 00:45:05.320
<v Speaker 6>ever want to talk to some of the authors collective here,

642
00:45:05.320 --> 00:45:09.280
<v Speaker 6>I'm sure they'd be be excited to do that with you.

643
00:45:10.639 --> 00:45:12.599
<v Speaker 7>Well, No, what I'm saying is that a lot of

644
00:45:12.599 --> 00:45:17.400
<v Speaker 7>these stories are gesu from you know, accomplished journalists working

645
00:45:18.000 --> 00:45:22.519
<v Speaker 7>at different various you know, newspapers, and so these people

646
00:45:22.639 --> 00:45:27.960
<v Speaker 7>also are are continuous some of these stories or have again,

647
00:45:28.079 --> 00:45:30.960
<v Speaker 7>you know, ten thousand words is being very involved with

648
00:45:31.000 --> 00:45:33.719
<v Speaker 7>the subject, which, like you say, is kind of unusual

649
00:45:33.719 --> 00:45:36.280
<v Speaker 7>for newspapers especially, it's not the trend.

650
00:45:36.360 --> 00:45:40.760
<v Speaker 6>Let's put it that way, right. I think I think

651
00:45:40.800 --> 00:45:45.800
<v Speaker 6>some of them are in fact continuing on. There's uh,

652
00:45:45.920 --> 00:45:51.519
<v Speaker 6>there's a story called The Addict by Lazy Johnson, and

653
00:45:52.559 --> 00:46:00.760
<v Speaker 6>essentially Lazy is stocked and eventually lured in event kidnapped

654
00:46:00.800 --> 00:46:07.360
<v Speaker 6>by a former lover, tied up, threatened, kept in isolation

655
00:46:07.599 --> 00:46:12.679
<v Speaker 6>for a longest, longist period of time. She eventually escapes,

656
00:46:13.320 --> 00:46:20.079
<v Speaker 6>but but but lived a terrible a terrible a moment

657
00:46:20.400 --> 00:46:25.079
<v Speaker 6>or or experience with with this former lover of hers,

658
00:46:26.400 --> 00:46:30.800
<v Speaker 6>and she escaped, the police chased him until he left

659
00:46:30.880 --> 00:46:36.400
<v Speaker 6>the country. But Lacey has now written and published a

660
00:46:36.480 --> 00:46:41.519
<v Speaker 6>memoir of the entire not just the event. It's called Trespasses,

661
00:46:41.960 --> 00:46:47.880
<v Speaker 6>and it was published last year, and she it was

662
00:46:47.920 --> 00:46:52.599
<v Speaker 6>not only just the just She wrote about just the

663
00:46:52.599 --> 00:46:58.159
<v Speaker 6>event of being captured and kidnapped and kept in isolation

664
00:46:58.679 --> 00:47:01.519
<v Speaker 6>for this story. But now it's it's kind of it's

665
00:47:01.559 --> 00:47:05.239
<v Speaker 6>turned into a book, and that I gather is doing

666
00:47:05.360 --> 00:47:07.599
<v Speaker 6>very well, so great.

667
00:47:08.880 --> 00:47:14.599
<v Speaker 7>Now, why did you include that story, that personal story

668
00:47:15.280 --> 00:47:16.239
<v Speaker 7>of the kidnapping?

669
00:47:16.320 --> 00:47:16.800
<v Speaker 6>What was it?

670
00:47:16.880 --> 00:47:19.039
<v Speaker 7>I mean, obviously it's an interesting story, but was there

671
00:47:19.119 --> 00:47:22.440
<v Speaker 7>something that you there was there some access to information

672
00:47:22.519 --> 00:47:25.159
<v Speaker 7>that you had again to put a very unique spin

673
00:47:25.239 --> 00:47:27.320
<v Speaker 7>on it, so it it gave it a different You

674
00:47:27.360 --> 00:47:29.599
<v Speaker 7>had a different perspective for that story.

675
00:47:30.840 --> 00:47:38.639
<v Speaker 6>Again, this moment was doing nothing but working as an editor,

676
00:47:38.800 --> 00:47:43.599
<v Speaker 6>and at one point the cashier at at kmart and

677
00:47:43.599 --> 00:47:47.440
<v Speaker 6>and she was taken by surprise, just like so many

678
00:47:47.559 --> 00:47:50.519
<v Speaker 6>of us could be, for all kinds of different reasons.

679
00:47:50.960 --> 00:47:55.039
<v Speaker 6>And and and lord, she knew this man was stalking her.

680
00:47:55.400 --> 00:47:58.440
<v Speaker 6>He was a former lover, and she should have known better.

681
00:47:58.519 --> 00:48:03.599
<v Speaker 6>But when he lured her into a basement. But but

682
00:48:05.199 --> 00:48:09.199
<v Speaker 6>again it's it's to me, it's so real. It's so

683
00:48:09.440 --> 00:48:13.559
<v Speaker 6>much like something that could have happened to to to me,

684
00:48:13.719 --> 00:48:17.559
<v Speaker 6>to you, to somebody else. But so and and also

685
00:48:18.480 --> 00:48:20.800
<v Speaker 6>about all these stories, as I said to you, is

686
00:48:21.360 --> 00:48:23.519
<v Speaker 6>when I meant they were literary I mean they were,

687
00:48:23.639 --> 00:48:29.360
<v Speaker 6>they're really written incredibly well. These uh Lacy for example,

688
00:48:30.440 --> 00:48:36.000
<v Speaker 6>has a PhD and creative writing and uh so, and

689
00:48:36.039 --> 00:48:39.920
<v Speaker 6>she's now at work on a on another memoir. So

690
00:48:39.960 --> 00:48:43.719
<v Speaker 6>she has a lot of experience. She studied writing for

691
00:48:43.719 --> 00:48:49.239
<v Speaker 6>for eight years. She's read uh uh deeply into the

692
00:48:49.280 --> 00:48:52.480
<v Speaker 6>whole world of literature, and and I think that she

693
00:48:52.599 --> 00:48:56.239
<v Speaker 6>and she's published significantly in many different places and so

694
00:48:56.559 --> 00:49:01.760
<v Speaker 6>and so it's a it's a high quality look at

695
00:49:01.840 --> 00:49:03.079
<v Speaker 6>a dirty rotten crown.

696
00:49:05.440 --> 00:49:09.119
<v Speaker 7>Now you've also included which would we appeal to a

697
00:49:09.119 --> 00:49:11.679
<v Speaker 7>lot of true crime people. We can't get enough of

698
00:49:11.719 --> 00:49:14.440
<v Speaker 7>this guy and some of the subject matter that he's

699
00:49:14.480 --> 00:49:18.159
<v Speaker 7>especially known for Eric Larson. So for those people again

700
00:49:18.199 --> 00:49:20.320
<v Speaker 7>that don't quite know who Eric Larsen is in the

701
00:49:20.320 --> 00:49:23.679
<v Speaker 7>Devil in the White City, tell us is briefly what

702
00:49:24.719 --> 00:49:27.519
<v Speaker 7>that book is subject, who the subject of that book is,

703
00:49:27.639 --> 00:49:29.840
<v Speaker 7>and tell us a little bit about the interview with

704
00:49:29.960 --> 00:49:30.559
<v Speaker 7>Eric Larson.

705
00:49:31.679 --> 00:49:35.760
<v Speaker 6>Yeah, well, Devil in White City. I noted this week,

706
00:49:35.880 --> 00:49:40.800
<v Speaker 6>how by the way, that its tenth anniversary edition, ten

707
00:49:40.880 --> 00:49:45.840
<v Speaker 6>years after publication, has been published, and it's kind of

708
00:49:45.880 --> 00:49:51.840
<v Speaker 6>on a certain level an exploration of in the eighteen

709
00:49:51.880 --> 00:50:00.360
<v Speaker 6>ninety three Columbian Exposition in Chicago. And the book also

710
00:50:00.480 --> 00:50:06.079
<v Speaker 6>tells an interesting tale of a guy, a hotel owner

711
00:50:07.000 --> 00:50:11.880
<v Speaker 6>named h ah Holmes, who is a serial killer, and

712
00:50:12.920 --> 00:50:18.960
<v Speaker 6>he he kind of lured attendees of the Chicago Fair

713
00:50:19.039 --> 00:50:23.920
<v Speaker 6>who were obviously unsuspecting to a hotel that he built.

714
00:50:25.079 --> 00:50:28.360
<v Speaker 6>And the hotel was equipped with all kinds of strange

715
00:50:28.559 --> 00:50:31.599
<v Speaker 6>and and kind of scary stuff like an acid that

716
00:50:33.039 --> 00:50:37.960
<v Speaker 6>a diffection table, even a crematorium. And it's a true story,

717
00:50:38.159 --> 00:50:46.280
<v Speaker 6>completely true story, vivid and accurate, and and Larson was

718
00:50:46.440 --> 00:50:49.079
<v Speaker 6>a finalist for he won an Edgar Award, but he

719
00:50:49.119 --> 00:50:51.079
<v Speaker 6>was a finalist for the National Book Award, which is

720
00:50:51.119 --> 00:50:55.239
<v Speaker 6>a really big deal as well. Since that time, he's

721
00:50:55.280 --> 00:51:00.880
<v Speaker 6>written many of these true crime, deeply historical books. I

722
00:51:01.480 --> 00:51:04.840
<v Speaker 6>enjoyed in the Garden of Beasts, which was I believe

723
00:51:04.960 --> 00:51:09.840
<v Speaker 6>his last book, and it's about the mostly about the

724
00:51:10.079 --> 00:51:16.320
<v Speaker 6>daughter of the US ambassador to Hitler's Germany in the

725
00:51:16.440 --> 00:51:22.760
<v Speaker 6>nineteen thirties, and she was a rather frisky person and

726
00:51:23.360 --> 00:51:27.400
<v Speaker 6>she had affairs with a number of German officers and

727
00:51:27.400 --> 00:51:35.920
<v Speaker 6>and kind of ran around in around Berlin during the

728
00:51:35.960 --> 00:51:38.760
<v Speaker 6>periods of the thirties, while lots of terrible things were

729
00:51:38.800 --> 00:51:43.920
<v Speaker 6>happening in the country and beyond. So that's that's his

730
00:51:44.039 --> 00:51:48.079
<v Speaker 6>latest books. A fascinating book and the interview I talked

731
00:51:48.079 --> 00:51:52.360
<v Speaker 6>to you before about how hard creative nonfiction writers work

732
00:51:52.480 --> 00:51:55.800
<v Speaker 6>to make sure that you that they get the facts

733
00:51:55.960 --> 00:51:59.199
<v Speaker 6>and they make sure that it's incredibly accurate and Larsen

734
00:52:00.960 --> 00:52:05.320
<v Speaker 6>I was astounded, pleased and astounded to find out that

735
00:52:05.440 --> 00:52:10.519
<v Speaker 6>Larsen is an incredibly serious researcher. It's like to him,

736
00:52:10.559 --> 00:52:14.679
<v Speaker 6>the whole pile of research is a big mystery that

737
00:52:14.760 --> 00:52:17.000
<v Speaker 6>he has to go through. And one of the first

738
00:52:17.039 --> 00:52:20.400
<v Speaker 6>things he does, as he describes in this interview, he

739
00:52:20.440 --> 00:52:24.599
<v Speaker 6>goes to the Library of Congress and he plants himself there.

740
00:52:24.679 --> 00:52:28.920
<v Speaker 6>He camps there, and he goes through the through tons,

741
00:52:29.000 --> 00:52:33.440
<v Speaker 6>you know, cartons and cartons of notes and transcripts, just

742
00:52:33.639 --> 00:52:38.039
<v Speaker 6>as the very beginning of his research to any of

743
00:52:38.079 --> 00:52:41.440
<v Speaker 6>his books, and spends as much time as he needs

744
00:52:41.480 --> 00:52:44.599
<v Speaker 6>to spend doing that before he goes into the second

745
00:52:44.679 --> 00:52:45.760
<v Speaker 6>stages of research.

746
00:52:48.760 --> 00:52:52.800
<v Speaker 7>And what else did do? What else did you get

747
00:52:52.800 --> 00:52:56.079
<v Speaker 7>from him in terms of commonality, in terms of the

748
00:52:56.119 --> 00:53:00.360
<v Speaker 7>way you might approach editing and collecting and research. Was

749
00:53:00.360 --> 00:53:04.360
<v Speaker 7>there any commonalities or what did you learn from this interview?

750
00:53:04.480 --> 00:53:06.760
<v Speaker 7>Did you didn't know? And what did you sort of

751
00:53:06.760 --> 00:53:10.400
<v Speaker 7>gain affirmation saying, jeez, that's right in line with what

752
00:53:10.480 --> 00:53:12.320
<v Speaker 7>I try to do.

753
00:53:13.719 --> 00:53:16.960
<v Speaker 6>Well, you know, he does all this research and he

754
00:53:17.920 --> 00:53:23.800
<v Speaker 6>meticulously collects it, but he's looking all the time for

755
00:53:24.159 --> 00:53:28.280
<v Speaker 6>the storylines. So, as I said to you earlier, the

756
00:53:28.360 --> 00:53:30.679
<v Speaker 6>idea of creative nonfiction is to tell a story and

757
00:53:30.760 --> 00:53:34.880
<v Speaker 6>communicate in for interesting information. So the first thing you

758
00:53:35.000 --> 00:53:38.639
<v Speaker 6>kind of tried to do, and this is what Larson does.

759
00:53:38.679 --> 00:53:43.639
<v Speaker 6>He digs up the really fascinating information and that's terrific,

760
00:53:43.679 --> 00:53:48.159
<v Speaker 6>and he kind of catalogs that information, but then he

761
00:53:48.199 --> 00:53:53.440
<v Speaker 6>looks for storylines, waste what stories that will enable him

762
00:53:53.519 --> 00:53:57.480
<v Speaker 6>to tell his readers about the information. And then when

763
00:53:57.480 --> 00:53:59.960
<v Speaker 6>he finds out who the characters are in the story

764
00:54:00.639 --> 00:54:04.519
<v Speaker 6>and where the stories took place, his next step is

765
00:54:04.559 --> 00:54:07.760
<v Speaker 6>to research the characters, find out who they are, what

766
00:54:07.920 --> 00:54:12.719
<v Speaker 6>they look like, their habits, their friends, their mode of dress.

767
00:54:13.119 --> 00:54:15.840
<v Speaker 6>And then he goes and visits I remember, he writes

768
00:54:15.880 --> 00:54:20.840
<v Speaker 6>a lot about history, recreates history, and so he goes

769
00:54:20.880 --> 00:54:25.440
<v Speaker 6>and visits the sights that his stories take place, and

770
00:54:25.480 --> 00:54:32.840
<v Speaker 6>he slowly but surely pieces together a suspenseful, often chronological

771
00:54:33.400 --> 00:54:38.679
<v Speaker 6>narrative to tell a story. In his vivid ants and

772
00:54:39.400 --> 00:54:44.320
<v Speaker 6>mysterious ways, he can to keep his readers riveted. And

773
00:54:44.360 --> 00:54:47.599
<v Speaker 6>this is what creative nonfiction writers do. But he makes

774
00:54:47.639 --> 00:54:51.320
<v Speaker 6>it even much more difficult. Well, he makes it much more.

775
00:54:52.199 --> 00:54:57.559
<v Speaker 6>He takes a much more challenging situation because he's doing history.

776
00:54:58.960 --> 00:55:02.760
<v Speaker 6>Historians for years have been writing historical fiction. But now

777
00:55:02.800 --> 00:55:07.400
<v Speaker 6>someone like like like Larson has demonstrated that you can write.

778
00:55:07.599 --> 00:55:10.880
<v Speaker 6>You don't have to be there watching anyone, you don't

779
00:55:10.920 --> 00:55:14.840
<v Speaker 6>have to interview anyone. Really, you just have to research

780
00:55:14.960 --> 00:55:18.199
<v Speaker 6>the heck out of something and be patient and look

781
00:55:18.239 --> 00:55:22.400
<v Speaker 6>for the stories that history and documentation will tell you.

782
00:55:22.960 --> 00:55:29.039
<v Speaker 6>And so and he has certain rules like like in

783
00:55:29.159 --> 00:55:33.880
<v Speaker 6>Larson's work and also in Compoe's work, he'll tell you

784
00:55:33.960 --> 00:55:36.639
<v Speaker 6>what it is, even though even though he he has

785
00:55:36.679 --> 00:55:40.000
<v Speaker 6>never talked to his characters, he will tell you. This

786
00:55:40.039 --> 00:55:42.880
<v Speaker 6>is the other thing creative nonfiction writers do. If you

787
00:55:43.119 --> 00:55:47.800
<v Speaker 6>reach significant if you research significantly enough and deeply enough,

788
00:55:48.039 --> 00:55:50.840
<v Speaker 6>he'll tell you what the what the characters are thinking.

789
00:55:51.360 --> 00:55:54.760
<v Speaker 6>He'll tell you what the characters might have said or

790
00:55:55.000 --> 00:55:59.719
<v Speaker 6>did say based upon transcripts and other documentation. It's really

791
00:56:00.159 --> 00:56:04.800
<v Speaker 6>question of how much patience you have, how much determination

792
00:56:04.960 --> 00:56:07.960
<v Speaker 6>you have, how deeply you are willing to go in

793
00:56:08.159 --> 00:56:12.079
<v Speaker 6>order to flesh out to dig up every kind of

794
00:56:12.199 --> 00:56:14.280
<v Speaker 6>morsel of information available to you.

795
00:56:16.119 --> 00:56:18.599
<v Speaker 7>And Eric Larson has been very successful with Devil in

796
00:56:18.599 --> 00:56:23.760
<v Speaker 7>the White City especially. That's probably the main reason why

797
00:56:23.800 --> 00:56:26.719
<v Speaker 7>it's the tenth anniversary is being celebrated so much. There's

798
00:56:27.239 --> 00:56:30.559
<v Speaker 7>now books ten twenty thirty years old that now are

799
00:56:30.719 --> 00:56:35.039
<v Speaker 7>become the new legion of true crime classics. And that

800
00:56:35.559 --> 00:56:38.559
<v Speaker 7>book has been around four years and people know of

801
00:56:38.639 --> 00:56:41.199
<v Speaker 7>it and now it is just official for those that

802
00:56:41.440 --> 00:56:43.800
<v Speaker 7>have not heard of the story, have not read his work,

803
00:56:44.360 --> 00:56:48.760
<v Speaker 7>it's a certified true crime classics. So employing those techniques

804
00:56:49.119 --> 00:56:51.280
<v Speaker 7>has worked very well for him.

805
00:56:51.320 --> 00:56:53.360
<v Speaker 6>Certainly, absolutely absolutely.

806
00:56:55.199 --> 00:56:58.719
<v Speaker 7>Now some of the maybe you could just tell us

807
00:56:58.960 --> 00:57:01.760
<v Speaker 7>all the writers that are have been included in in

808
00:57:01.960 --> 00:57:05.639
<v Speaker 7>the book true crime and uh, maybe we just spoke

809
00:57:05.679 --> 00:57:07.119
<v Speaker 7>of a couple, but tell us about all of the

810
00:57:07.159 --> 00:57:10.039
<v Speaker 7>people that are involved and in this fine book.

811
00:57:11.760 --> 00:57:17.679
<v Speaker 6>Well, as I mentioned, there are a couple of of

812
00:57:17.960 --> 00:57:23.320
<v Speaker 6>police officers and and one is Vance Boyles, who is

813
00:57:23.360 --> 00:57:27.880
<v Speaker 6>a detective and the story he writes is it's called Regret.

814
00:57:28.000 --> 00:57:31.039
<v Speaker 6>And again a very interesting story. It's a story of

815
00:57:31.079 --> 00:57:37.760
<v Speaker 6>an alleged rape. A woman calls and and reports it's

816
00:57:37.760 --> 00:57:42.440
<v Speaker 6>the fact that that she was raped, and he vance boils.

817
00:57:42.480 --> 00:57:46.239
<v Speaker 6>A detective gets the case and he interviews her and

818
00:57:46.280 --> 00:57:52.199
<v Speaker 6>he begins to to suspect that perhaps she's not telling

819
00:57:52.239 --> 00:57:57.079
<v Speaker 6>the truth, and so he tries to contact He in fact,

820
00:57:57.119 --> 00:58:03.039
<v Speaker 6>contents contacts uh the young man who she is accusing,

821
00:58:03.559 --> 00:58:07.679
<v Speaker 6>and the young man becomes very nervous. The whole idea

822
00:58:07.760 --> 00:58:12.199
<v Speaker 6>of this woman accusing him of doing something that he

823
00:58:12.320 --> 00:58:16.519
<v Speaker 6>didn't do makes it and then getting a phone call

824
00:58:16.559 --> 00:58:20.280
<v Speaker 6>from police officer makes him nervous, and he begins and

825
00:58:20.320 --> 00:58:24.639
<v Speaker 6>he backs away from talking from with vance Boils and

826
00:58:24.760 --> 00:58:29.079
<v Speaker 6>gets an attorney and refuses to be cooperative. And all

827
00:58:29.199 --> 00:58:32.360
<v Speaker 6>vance Boyles wants. The detective wants to do is to

828
00:58:32.519 --> 00:58:35.360
<v Speaker 6>just talk to n because he's convinced that the girl

829
00:58:35.400 --> 00:58:37.599
<v Speaker 6>is not telling the truth. But he needs to have

830
00:58:37.840 --> 00:58:42.360
<v Speaker 6>a statement, a direct conversation with this young man before

831
00:58:42.400 --> 00:58:46.159
<v Speaker 6>he files his more official reports, and he knows that

832
00:58:46.280 --> 00:58:51.239
<v Speaker 6>once he files the official report, the young man's going

833
00:58:51.239 --> 00:58:54.039
<v Speaker 6>to get into big trouble. But the young man gets

834
00:58:54.039 --> 00:58:57.400
<v Speaker 6>an attorney. The attorney advises him to not speak to

835
00:58:57.440 --> 00:59:02.920
<v Speaker 6>the police officer. And Vance is a very nice, as

836
00:59:02.960 --> 00:59:07.119
<v Speaker 6>I said, easygoing, cooperative man, and all he wanted to

837
00:59:07.159 --> 00:59:09.679
<v Speaker 6>do was was kind of go through the numbers and

838
00:59:09.719 --> 00:59:12.480
<v Speaker 6>talk to the young man. And the young man refused,

839
00:59:12.639 --> 00:59:18.480
<v Speaker 6>and unfortunately he did not receive judge justice. He went

840
00:59:18.519 --> 00:59:21.599
<v Speaker 6>to jail. He was tried and convicted and went to jail.

841
00:59:22.239 --> 00:59:26.639
<v Speaker 6>And so Vance Boyles is uh. Also, I should say

842
00:59:26.840 --> 00:59:29.000
<v Speaker 6>also to you that I mentioned to you that Lacy

843
00:59:29.119 --> 00:59:33.239
<v Speaker 6>Johnson was a was a person who studied writing. There

844
00:59:33.280 --> 00:59:36.039
<v Speaker 6>are four or five people in this book who who

845
00:59:36.239 --> 00:59:40.239
<v Speaker 6>have literally gotten degrees in creative writing, and Vance Boyles

846
00:59:40.360 --> 00:59:46.800
<v Speaker 6>is one of them. Is along with Lacey and Stephen Church,

847
00:59:47.320 --> 00:59:52.519
<v Speaker 6>who who's part of this book writing a lot about

848
00:59:52.639 --> 00:59:58.639
<v Speaker 6>Mike the savagery of Mike Tyson teaches creative writing in California.

849
00:59:59.159 --> 01:00:02.320
<v Speaker 6>And David Dyke in the Death of a Family is

850
01:00:02.480 --> 01:00:07.400
<v Speaker 6>actually the sun a really wonderful writer and the son

851
01:00:07.639 --> 01:00:10.280
<v Speaker 6>of the you know, one of the most famous American

852
01:00:10.320 --> 01:00:13.199
<v Speaker 6>writers of all time, John Updike. Right, So this is

853
01:00:13.239 --> 01:00:15.159
<v Speaker 6>a really terrific collection.

854
01:00:16.960 --> 01:00:21.880
<v Speaker 7>Absolutely, And when did this book colloquially.

855
01:00:21.679 --> 01:00:23.719
<v Speaker 6>It came out about four or five months.

856
01:00:23.480 --> 01:00:26.800
<v Speaker 7>Ago, four or five months ago, right, And I guess

857
01:00:26.800 --> 01:00:29.079
<v Speaker 7>you've been doing a fair amount of interviews for this

858
01:00:29.119 --> 01:00:29.639
<v Speaker 7>book as.

859
01:00:29.519 --> 01:00:34.079
<v Speaker 6>Well, been doing interviews talking about the book, talking about

860
01:00:35.480 --> 01:00:39.880
<v Speaker 6>about about the themes in the book, and the fact

861
01:00:39.920 --> 01:00:44.599
<v Speaker 6>that that that these are absolutely superior pieces of literature

862
01:00:44.719 --> 01:00:47.360
<v Speaker 6>in addition to being great crime stories.

863
01:00:48.320 --> 01:00:53.719
<v Speaker 7>Absolutely. Now, if people are interested, is it this is

864
01:00:53.760 --> 01:00:55.840
<v Speaker 7>published by in Fact Books?

865
01:00:56.280 --> 01:00:56.519
<v Speaker 6>Is it?

866
01:00:57.199 --> 01:00:59.360
<v Speaker 7>Where's the best place they get? Obviously everybody knows you

867
01:00:59.400 --> 01:01:02.039
<v Speaker 7>at Barnes and the Amazon dot com and then Canada

868
01:01:02.119 --> 01:01:06.800
<v Speaker 7>chapters and but is there any benefit of going to

869
01:01:06.960 --> 01:01:10.039
<v Speaker 7>in Fact to get the book itself or to your website?

870
01:01:10.079 --> 01:01:12.559
<v Speaker 7>What do you recommend and tell us a little bit.

871
01:01:12.480 --> 01:01:14.199
<v Speaker 6>About I think the best thing to do is to

872
01:01:14.239 --> 01:01:18.920
<v Speaker 6>go to the bookstores, your independent bookstore or Barnes and

873
01:01:19.000 --> 01:01:22.599
<v Speaker 6>Noble or order from Amazon. If you want any of

874
01:01:22.639 --> 01:01:26.719
<v Speaker 6>the writers or me the editor to literally autograph the

875
01:01:26.719 --> 01:01:29.039
<v Speaker 6>book for you, and you can go to the in

876
01:01:29.239 --> 01:01:36.559
<v Speaker 6>Fact Books website right and order from order from Impact

877
01:01:36.679 --> 01:01:39.960
<v Speaker 6>directly and just you know, write a note or give

878
01:01:40.000 --> 01:01:41.880
<v Speaker 6>them a call and say that you'd like me or

879
01:01:41.880 --> 01:01:44.000
<v Speaker 6>any either writers to autograph it and we'll make sure

880
01:01:44.039 --> 01:01:45.519
<v Speaker 6>that that happens.

881
01:01:46.079 --> 01:01:50.199
<v Speaker 7>Well, that's great, Yeah, lots of times websites now offer

882
01:01:50.440 --> 01:01:54.039
<v Speaker 7>something personal like that, so that if somebody really wants

883
01:01:54.039 --> 01:01:56.079
<v Speaker 7>something like that, you're surely not going to get it

884
01:01:56.119 --> 01:01:59.400
<v Speaker 7>from Amazon. So that would be a nice addition to

885
01:01:59.400 --> 01:02:02.599
<v Speaker 7>somebody it's really really interested in the book and once

886
01:02:02.639 --> 01:02:05.360
<v Speaker 7>that collector's editions, as so many people do. I know

887
01:02:06.599 --> 01:02:09.920
<v Speaker 7>that's been it's been very good talking to Lee about

888
01:02:09.960 --> 01:02:11.639
<v Speaker 7>this true crime Well.

889
01:02:11.480 --> 01:02:13.639
<v Speaker 6>Thank you, nice to talk with you. Thanks for asking

890
01:02:13.679 --> 01:02:15.119
<v Speaker 6>me to speak about the book.

891
01:02:16.000 --> 01:02:18.280
<v Speaker 7>Well that You're very welcome. It's been my pleasure. It's

892
01:02:18.559 --> 01:02:23.920
<v Speaker 7>people been listening to true crime real stories of abduction, addiction, obsession, murder,

893
01:02:24.119 --> 01:02:29.519
<v Speaker 7>grave robbing, and more with editor Lee Guttkind. Well, thank

894
01:02:29.519 --> 01:02:31.760
<v Speaker 7>you very much for this interview and hope to hear

895
01:02:31.760 --> 01:02:34.440
<v Speaker 7>from you again real soon. Lee, thank you very much.

896
01:02:34.599 --> 01:02:37.119
<v Speaker 6>Thank you, have a good bye bye YouTube.

897
01:02:37.159 --> 01:02:37.800
<v Speaker 7>Thank you Today.

898
01:02:41.000 --> 01:02:44.159
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899
01:02:44.199 --> 01:02:47.079
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900
01:02:47.119 --> 01:02:51.159
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904
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905
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<v Speaker 6>Will Spargo Bank NA member F D I C MHM
