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<v Speaker 1>My grown son, Ryan, who is an avid reader, said

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<v Speaker 1>I've got this book series you got to read, and

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<v Speaker 1>normally I'm not gonna lie like he likes a lot.

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<v Speaker 2>Of fantasy books. And I was like, I don't know.

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<v Speaker 1>But then he said, no, it's about this guy who's

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<v Speaker 1>a wizard and a private investigator in Chicago now, and

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<v Speaker 1>I was like, okay, you had me at wizard who's

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<v Speaker 1>also a private investigator. The books were The Dresden Files,

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<v Speaker 1>and he gave me the first one, which is called Stormfront,

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<v Speaker 1>and it's so entertaining and so interesting, and the lead character,

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<v Speaker 1>Harry Dresden, is in my view, probably an aspirational type

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<v Speaker 1>character for a lot of men. He's not only a wizard,

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<v Speaker 1>he's a private detective. He is an investigator, and he's

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<v Speaker 1>also perpetually kind of grumpy. I mean, he's he's really

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<v Speaker 1>got an all in one package, and he's been created

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<v Speaker 1>by author Jim Butcher, who joins me now to talk

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<v Speaker 1>about his Is this your seventeenth book coming out twelve months?

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<v Speaker 1>Is that coming out seventeenth? Did I see that?

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<v Speaker 3>Well, it'll be the eighteenth book in the Dress and Files,

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<v Speaker 3>if you don't count the two collections of short stories.

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<v Speaker 3>You count them as the twentieth and then I've got

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<v Speaker 3>I think nine other books out as well.

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<v Speaker 4>Well, I love it or not dress in books.

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<v Speaker 1>I want to start by by saying, you know, Jim,

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<v Speaker 1>first of all, I'm glad you're coming on the show.

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<v Speaker 2>That's thing number one.

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<v Speaker 1>My son is very excited about you being here and

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<v Speaker 1>has given me a bunch of nerdy.

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<v Speaker 2>Questions to ask you.

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<v Speaker 1>But I went to your website and I went to

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<v Speaker 1>your about page, and your about page at jimdash Butcher

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<v Speaker 1>dot com has to be the greatest about page in

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<v Speaker 1>the history of about pages, because you clearly outline how

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<v Speaker 1>you got published and it was definitely not a straight

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<v Speaker 1>line uphill for you. And I love that you shared

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<v Speaker 1>this story of perseverance. So if you could kind of

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<v Speaker 1>for my listeners who haven't read the about page, how

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<v Speaker 1>did you get from nineteen year old kid writing a

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<v Speaker 1>terrible first novel, that's what you said, to being a

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<v Speaker 1>guy who's now published we'll call it twenty stories or

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<v Speaker 1>encapsuled books about about Harry Dresden.

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<v Speaker 3>Oh well, it's one of those stories that I like

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<v Speaker 3>to tell because it keeps me humble, or or I

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<v Speaker 3>hope it does. But yeah, I wrote my first book

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<v Speaker 3>and it was an It was a terrible book. So

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<v Speaker 3>I wrote another one and that one was terrible as well,

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<v Speaker 3>and then I wrote four more and those are also awful.

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<v Speaker 4>And it was right around that point that.

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<v Speaker 3>I decided, okay, you know what, maybe I should start

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<v Speaker 3>trying to learn from people. So I wound up going

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<v Speaker 3>over to the English Department, from where I had started

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<v Speaker 3>off in computers, and I decided that I did not

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<v Speaker 3>want to work a computer job. And I went from

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<v Speaker 3>there to business business programming, and I realized that I

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<v Speaker 3>did not want to do that either, and I tried,

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<v Speaker 3>and this was all I was writing on the side,

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<v Speaker 3>And then I tried. I tried going into education, and

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<v Speaker 3>I had the problem with that was they send you

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<v Speaker 3>out to observe teachers in class, and it was just

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<v Speaker 3>the particular teachers I was observing.

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<v Speaker 4>The boy they were miserable people, and so I didn't

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<v Speaker 4>want to do that either.

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<v Speaker 3>And then I thought, okay, well, maybe if I'm going

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<v Speaker 3>to take this book thing seriously, I should go to

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<v Speaker 3>I should, you know, learn something official in school.

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<v Speaker 4>So I went to the English Department, said I want

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<v Speaker 4>to write novels. This is the right place.

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<v Speaker 3>They said, yes, absolutely. So I went to English and

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<v Speaker 3>I wrote another book and it was terrible. And then

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<v Speaker 3>I heard about the professional writing department in the journal

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<v Speaker 3>in the journalism school at the University of Oklahoma that

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<v Speaker 3>was actually taught by a professor who was also a

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<v Speaker 3>novelist with forty books out, and so it was a

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<v Speaker 3>much more kind of a practical training, you know, where

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<v Speaker 3>they were saying, okay, let's let's The first class I

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<v Speaker 3>took was called writing a genre fiction novel.

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<v Speaker 2>There you go.

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<v Speaker 3>And so I wrote several genre fiction novels in class.

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<v Speaker 3>I wrote a couple in class, and they were also bad.

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<v Speaker 3>And so so finally I decided, and I just I'd

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<v Speaker 3>been arguing with the teacher left and right, because I mean,

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<v Speaker 3>I had gotten my bachelor's degree in English literature, you know,

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<v Speaker 3>with an emphasis with an emphasis in creative writing, and

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<v Speaker 3>meanwhile she had merely published forty novels.

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<v Speaker 4>And you know, I was kind of at that age

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<v Speaker 4>where I still knew everything.

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<v Speaker 3>Yeah, I've forgotten most of it now, but as as

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<v Speaker 3>but as as it went, I decided, all right, the

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<v Speaker 3>way the best way for me to prove that this

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<v Speaker 3>teacher is wrong about all the things she's she's trying

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<v Speaker 3>to get me to do, because I was going to

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<v Speaker 3>be writing swords and horses fantasy. That's that's what I

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<v Speaker 3>wanted to write. I wanted to be the next Tolkien.

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<v Speaker 3>And uh, you know, she kept suggesting, Hey, Jim, you

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<v Speaker 3>know you keep talking about Buffy the vampire, sli hair

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<v Speaker 3>and babble on five in class, maybe you should try

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<v Speaker 3>writing like an urban fantasy book or or a science

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<v Speaker 3>fiction novel.

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<v Speaker 4>I poo pooed it, But finally I decided to prove

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<v Speaker 4>her wrong.

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<v Speaker 3>And the way I decided to do it, I was

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<v Speaker 3>going to do absolutely everything she told me to do.

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<v Speaker 4>I was going to fill out all her little forms

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<v Speaker 4>and do all her little worksheets.

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<v Speaker 3>And and you know, follow every little rigid thing that

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<v Speaker 3>she was teaching me about about how to write a

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<v Speaker 3>good story, and that would show her what terrible cookie

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<v Speaker 3>cutter patlum crap.

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<v Speaker 4>Would have emerged from that all the process.

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<v Speaker 3>So I did, and I wrote the first book at

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<v Speaker 3>the Dresden Box, which which showed her.

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<v Speaker 4>But as it worked, as.

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<v Speaker 3>It turned out, you know, she I turned in the

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<v Speaker 3>first couple of chapters of Dresden Files. And bear in

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<v Speaker 3>mind that This was a teacher who believed in preparing

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<v Speaker 3>you for the reality of the New York publishing world,

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<v Speaker 3>which is a very cut through kind of place. You know,

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<v Speaker 3>if you don't do your job there, you don't stay.

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<v Speaker 3>And you know, her critique had included such things as

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<v Speaker 3>rolling up the chapters I'd handed into her, leaning across

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<v Speaker 3>her desk, popping me on the head with him and saying,

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<v Speaker 3>what were you thinking?

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<v Speaker 4>She was that kind of teaching.

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<v Speaker 3>So I hand her the first, you know, the first

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<v Speaker 3>thirty pages of the first Dressdent Files book, and she

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<v Speaker 3>picks it up and starts flipping through them and reading

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<v Speaker 3>them and reading them and reading them, and finally she

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<v Speaker 3>looks up at me and says, well, you did it.

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<v Speaker 3>I said what, because that was not something I'd ever

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<v Speaker 3>expected to hear from her. You know, she was always

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<v Speaker 3>the I mean, she would tarry uppart.

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<v Speaker 4>She's like, you did it.

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<v Speaker 3>This is of saleable quality, this is professional level writing.

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<v Speaker 3>I don't know if this will be the first thing

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<v Speaker 3>you sell, but you will be able to sell this book,

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<v Speaker 3>so you know, please, you know, you know, by all means,

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<v Speaker 3>keep this book if you're gonna be able to sell

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<v Speaker 3>it one day, even if it's not the.

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<v Speaker 4>First eving sell. And I was like, wow.

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<v Speaker 3>She's like, okay, now come back in next week with

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<v Speaker 3>an outline for the rest of it, and she meant

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<v Speaker 3>the rest of the novel roll I roll in the

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<v Speaker 3>next week with an outline for it for a twenty

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<v Speaker 3>book long series with a giant three book capstone trilogy

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<v Speaker 3>at the end. And I handed into her and it's

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<v Speaker 3>a console course, right, so you just you're just talking

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<v Speaker 3>for forty five minutes. And I handed into her and

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<v Speaker 3>I'm chattering with her and I'm just going on and on,

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<v Speaker 3>and at some point I realized we're forty minutes into

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<v Speaker 3>the into the meeting, and she hasn't gotten to say

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<v Speaker 3>anything to me.

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<v Speaker 4>So I kind of stop and go, what do you think?

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<v Speaker 4>And I can still.

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<v Speaker 3>Remember the look on her face, right, she just got

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<v Speaker 3>this kid on board. I finally got this kid on board.

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<v Speaker 3>I can't derailing now, That's what I can see the

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<v Speaker 3>look on her face now, And she.

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<v Speaker 4>Can because there's no way you're gonna go sell a

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<v Speaker 4>twenty book series in New York as a first time

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<v Speaker 4>offering you. This is not gonna happen. And so she says,

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<v Speaker 4>I think you can sell a twenty book long series

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<v Speaker 4>should be doing, okay, And I was like, okay, great.

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<v Speaker 3>And because I charged full speed ahead, and because she

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<v Speaker 3>hadn't told me it was impossible, I did it.

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<v Speaker 2>Did you ever dream small ever?

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<v Speaker 4>Well? Apparently no. I mean, I'm just right.

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<v Speaker 3>I'm just writing ridiculous wizard books, right like I write

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<v Speaker 3>popcorn books.

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<v Speaker 4>But I want to write like the very very best

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<v Speaker 4>popcorn books. That that's head of my goal was a writer.

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<v Speaker 1>Let's talk about Harry Dresden, because now that we know

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<v Speaker 1>he sprang forth out of a desire to prove your

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<v Speaker 1>instructor wrong.

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<v Speaker 2>How did you decide? How did Harry Dresden come to be?

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<v Speaker 4>Like?

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<v Speaker 1>At what point were you like, Okay, I got a wizard,

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<v Speaker 1>and let's give him a job. Okay, is he going

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<v Speaker 1>to be a firefight?

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<v Speaker 4>No?

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<v Speaker 2>Is he going to be? Is he gonna be?

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<v Speaker 4>No?

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<v Speaker 2>I know he'll be an investigator? Or was that?

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<v Speaker 1>Were you looking for the investigator first or the wizard first?

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<v Speaker 2>And they all came together? How did he come to be?

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<v Speaker 3>I knew I wanted to write I wanted to write

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<v Speaker 3>an investigator. I wanted to write a wizard. That that part,

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<v Speaker 3>you know, because I was putting it together, and I'm

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<v Speaker 3>hitting here thinking about it, and it's like, okay. So

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<v Speaker 3>it was a very it was a very mechanical, very

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<v Speaker 3>inorganic process.

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<v Speaker 4>Right.

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<v Speaker 3>Basically, what I did was I went and picked my

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<v Speaker 3>top half dozen wizards and my top half dozen private investigators,

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<v Speaker 3>you know, from various books, and then I chopped them

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<v Speaker 3>into bits and reassembled them like this Frankenstein.

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<v Speaker 4>And uh uh and and.

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<v Speaker 3>And then and you know, I was just picking my

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<v Speaker 3>favorite traits from various wizards, various various private eyes. And

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<v Speaker 3>what I realized was that wizards and private eyes in

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<v Speaker 3>the realm of literature, they have the same job. They

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<v Speaker 3>go into places other people aren't willing to go, to

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<v Speaker 3>find out things that other people aren't willing to find out.

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<v Speaker 4>And that's and.

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<v Speaker 3>That was when I realized, oh wow, there's a lot

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<v Speaker 3>of synergy going on here.

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<v Speaker 4>And so after after that, you know.

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<v Speaker 3>Whether they're going into the the the criminal underworld or

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<v Speaker 3>the the literal underworld, you know, that's kind of what

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<v Speaker 3>wizards do. And and so I realized, Okay, I've got something.

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<v Speaker 3>I've got a good thing going here. So I took

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<v Speaker 3>my favorite bits of shear Locke and Spencer and Travis

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<v Speaker 3>McGee and and several other you know, several dashal hammock characters.

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<v Speaker 3>Uh And I mixed them with my favorite wizards from

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<v Speaker 3>my fantasy books and just took my favorite traits from

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<v Speaker 3>the wizards. And it's like, I absolutely have some that

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<v Speaker 3>have have somebody who's going to be really, really snarky

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<v Speaker 3>and lip off to absolutely anyone.

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<v Speaker 4>I need somebody who's going to who's going.

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<v Speaker 3>To be extremely, extremely stubborn and just can't be deterred

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<v Speaker 3>from from his course of action.

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<v Speaker 4>Uh uh.

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<v Speaker 3>And and I also I wanted to write a lot

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<v Speaker 3>of humor because I felt like that was sort of,

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<v Speaker 3>you know, sort of played to my strength as a writer.

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<v Speaker 3>And so I put this character together and I assembled

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<v Speaker 3>him as this Frankenstein. I put him in this story.

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<v Speaker 3>And at the time, it felt like a complete waste

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<v Speaker 3>of time. It felt like I was just doing this,

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<v Speaker 3>you know, as a class project. You know, it wasn't

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<v Speaker 3>going to turn out into anything cool or meaningful or

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<v Speaker 3>anything like that. And here we are, you know, I'm

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<v Speaker 3>working on book nineteen.

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<v Speaker 4>Now, Well, let me.

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<v Speaker 1>Just say I and I know this is probably gonna

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<v Speaker 1>be blasphemy, knowing what you just said earlier, in the interview,

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<v Speaker 1>but I have never been able to make it through

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<v Speaker 1>any token book. I have tried multiple times to get into.

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<v Speaker 1>But it's the notion that I have to have a

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<v Speaker 1>glossary in the back to explain to me the words

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<v Speaker 1>and people and stuff of a fantasy land that I

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<v Speaker 1>don't enjoy for whatever reason, it doesn't connect with me.

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<v Speaker 1>But with The Dresden Files, you drop him into modern

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<v Speaker 1>day Chicago, so I have a frame of reference. I understand.

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<v Speaker 1>It's one of the reasons I love Buffy. Yeah, I

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<v Speaker 1>love Buffy the Vampire Slayer because you have all the

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<v Speaker 1>monsters and everything, but it's modern day, right, So I

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<v Speaker 1>don't have to be a lover of fantasy to love

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<v Speaker 1>the Dresden Files because it already feels familiar.

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<v Speaker 2>That's what I love about it, right.

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<v Speaker 3>That's one of the great advantages that when I'm writing Dresden,

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<v Speaker 3>you know, I can say, Okay, they were in a Walmart,

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<v Speaker 3>and that's all I have to say, because people have

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<v Speaker 3>been in Walmart, you know.

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<v Speaker 4>And after that I can and I can establish these.

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<v Speaker 3>Places that are very familiar, that are that people are

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<v Speaker 3>comfortable with, and then fill them with these you know,

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<v Speaker 3>fantastic incredible creatures that maybe they're not.

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<v Speaker 4>Familiar and comfortable with.

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<v Speaker 3>But because we've got this setting, you know that, you know,

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<v Speaker 3>it feels like, okay, maybe this could happen.

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<v Speaker 4>Let me give him a little bit more time to

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<v Speaker 4>see how it plays out.

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<v Speaker 2>Well, I want to.

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<v Speaker 1>My son is the one who introduced me to you,

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<v Speaker 1>and he sent me a long email. I'm going to

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<v Speaker 1>afford it to you so you can see all of

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<v Speaker 1>his nerdy questions as well. But he said, and I

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<v Speaker 1>want to read this. I want to read this in

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<v Speaker 1>its entirety, this part of it anyway, mister Butcher, thank

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<v Speaker 1>you for the wild ride that has been Harry's life

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<v Speaker 1>and for letting us in on it. It's got to

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<v Speaker 1>feel crazy on some level that so many people resonate

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<v Speaker 1>with the series. The truth is you've just written some

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<v Speaker 1>damn good books. I look forward to continuing the adventure

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<v Speaker 1>in twelve months. That is the next book, coming out

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<v Speaker 1>in January. Also, while I know that some fans out

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<v Speaker 1>there would kill me for this, I hope you don't

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<v Speaker 1>give us all the answers. There's something real and bittersweet

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<v Speaker 1>about not knowing the history of this organization or that artifact.

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<v Speaker 1>Even if you yourself know every detail. I hope you

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<v Speaker 1>keep your own Tom Bombadil hidden away in there, sir.

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<v Speaker 1>That is from my son super Nerd love this kid,

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<v Speaker 1>and he loves you. So I wanted to ask you

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<v Speaker 1>kind of about that question. How far in advance, like

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<v Speaker 1>you're about to release twelve months, how far was the

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<v Speaker 1>story put together in terms of your twenty book arc

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<v Speaker 1>that you pitched to your teacher.

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<v Speaker 2>Are you on track in that arc story wise?

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<v Speaker 1>Or is the story evolved since you came up with

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<v Speaker 1>that twenty book arc.

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<v Speaker 3>It's it's evolved a little. I'm still mostly on track. Wow,

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<v Speaker 3>I've never written a twenty book long I've never written

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<v Speaker 3>it right now, I think it's gonna wind up being

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<v Speaker 3>twenty five books total. I've never written a twenty five

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<v Speaker 3>book long story before though, So, I mean, originally it

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<v Speaker 3>was going to be twenty.

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<v Speaker 4>Three, but I think I'm gonna need a couple more

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<v Speaker 4>before I get to the end. So far nobody seems

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<v Speaker 4>to mind.

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<v Speaker 3>But but yeah, I mean, at this point, I'm a

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<v Speaker 3>little superstitious about deviating from the from the plan. It's

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<v Speaker 3>working out so well, I mean, it just what seems

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<v Speaker 3>churlish to turn aside I mean that twenty five year

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<v Speaker 3>old kid. He might have thought he knew a whole

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<v Speaker 3>lot of things he didn't know, but he also had

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<v Speaker 3>some good ideas. And I, you know, I've still got

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<v Speaker 3>my my notebooks from class back then, where I was

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<v Speaker 3>outlining oh yeah, absolutely, and uh and and yeah, I

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<v Speaker 3>outlined kind of the basic structure of what was going

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<v Speaker 3>to happen in the story.

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<v Speaker 4>I knew what was gonna happen in the story world

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<v Speaker 4>all the way through to the end.

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<v Speaker 3>And now it's you know, now it's it's I'm getting

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<v Speaker 3>close to the end of it, so you know, hopefully

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<v Speaker 3>I can make things pay off in a satisfactory way.

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<v Speaker 1>My friend Ben Albright just walked in the studio. He

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<v Speaker 1>too is a super fan, I found out yesterday. Do

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<v Speaker 1>you have a question for Jim, Ben?

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<v Speaker 2>Not a question, just to thank you man.

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<v Speaker 5>You know, your books help get me through college and

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<v Speaker 5>a couple of deployments in Iraq. Even watched the TV

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<v Speaker 5>show The Dressed and TV show with Paul Blackthorne. I

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<v Speaker 5>enjoyed that as well, So I just to thank you

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<v Speaker 5>for creating a world that some of us could get

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<v Speaker 5>lost in for a little while and forget about the

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<v Speaker 5>world we were in.

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<v Speaker 4>Oh, thank you man.

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<v Speaker 3>That's what I think the role of especially fantasy writing

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<v Speaker 3>is is to get people to escape things for a while,

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<v Speaker 3>you know, to get into a different world than our own.

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<v Speaker 3>And that's I'm so pleased I was able to do

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<v Speaker 3>that for you while you were deployed, man.

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<v Speaker 5>And thank you for your service, No, thank you, thank

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<v Speaker 5>you for providing the hours of entertainment and enjoyment.

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<v Speaker 2>And this is why we do it.

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<v Speaker 1>So, Jim, let me ask you this last question before

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<v Speaker 1>I have to let you go. First of all, this

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<v Speaker 1>has been an absolute delightful interview, and I should have

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<v Speaker 1>known it would be after your about page, which I'm

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<v Speaker 1>telling you, if there were awards for about pages on websites,

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<v Speaker 1>yours would be literally like head and shoulders above everybody else.

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<v Speaker 1>But when you hear something like that and you meet

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<v Speaker 1>the fans, because I'm sure you do some of these

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<v Speaker 1>fan fests or stuff like that, I mean, have you

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<v Speaker 1>had the opportunity to go and actually meet people, what

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<v Speaker 1>do you get?

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<v Speaker 2>What? What do you what do you get.

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<v Speaker 1>From those experiences? When you do get to meet the

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<v Speaker 1>people like Ben and my son who love your books,

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<v Speaker 1>what does that do for you?

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<v Speaker 3>It's kind of a recharge, uh, you know, because a

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<v Speaker 3>lot of times, you know, I'll get discouraged because you know,

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<v Speaker 3>writing is a sort of a marathon occupation, right.

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<v Speaker 4>I mean, it takes months and months and months to

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<v Speaker 4>write a novel.

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<v Speaker 3>And when I get out to meet the fans, and

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<v Speaker 3>there's a lot of times when you're when you're when

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<v Speaker 3>you're writing, and it's just like, oh man, nobody's gonna

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<v Speaker 3>like this. I mean, it's ridiculous for me to think that,

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<v Speaker 3>you know, given the evidence. But still, you know, that's

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<v Speaker 3>kind of like what being an artist is.

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<v Speaker 4>Right. You're you're worried that eventually people are gonna find

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<v Speaker 4>out you're a fake. And so here I am.

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<v Speaker 3>You know, I right, But when I get out to

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<v Speaker 3>meet the fans, and I'll have these people and they'll

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<v Speaker 3>come up to me and they'll tell me, hey, I

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<v Speaker 3>was reading this book. I was reading these books with

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<v Speaker 3>my father and I, you know, the Will while he

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<v Speaker 3>is dying new cancer. And it was everything that we

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<v Speaker 3>got to get. We got to read these books together

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<v Speaker 3>while that was going on, and it got it let

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<v Speaker 3>him escape his pain for a while, and it let

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<v Speaker 3>us be closer together because we hadn't been for years

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<v Speaker 3>and years, and.

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<v Speaker 4>I just want to thank you for that.

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<v Speaker 3>And somebody comes up and tells you that story and

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<v Speaker 3>you go, oh my god, I was just trying to

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<v Speaker 3>pay the bills.

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<v Speaker 4>You know.

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<v Speaker 3>But but you know, but at the same time, I've

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<v Speaker 3>been able to create this and and this, you know,

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<v Speaker 3>kind of this little, this weird, little seed that I

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<v Speaker 3>planned has grown up into this big tree that that

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<v Speaker 3>a lot of people have been able to take shade in.

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<v Speaker 3>And when I get out to meet the fans, it's like, Okay,

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<v Speaker 3>you know what these books are. You know, they're going

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<v Speaker 3>to help people. I mean, they're not They're not going

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<v Speaker 3>to change the world. They're not going to alter the

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<v Speaker 3>fabric of reality. But they are going to make somebody's

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<v Speaker 3>day a little bit better. And and they are going

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<v Speaker 3>to make somebody's.

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<v Speaker 4>Really rough time a little better than it would have

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<v Speaker 4>been without them.

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<v Speaker 3>And I feel like, if if I can make that,

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<v Speaker 3>as if that could be my contribution to the world

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<v Speaker 3>as a human being, that's very satisfying. When I get

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<v Speaker 3>to get out meet those people and hear those stories,

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<v Speaker 3>it kind of renews my commitment to takes well.

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<v Speaker 1>Jim Butcher isopreciate your time. And you know what I

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<v Speaker 1>always tell people, Not all of us can cure cancer,

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00:16:03.240 --> 00:16:05.240
<v Speaker 1>but we can entertain you while you fight your cancer.

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<v Speaker 2>There you go. It's been an absolute pleasure chatting with you, sir.

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<v Speaker 4>Thank you so much. Thanks for having me on
