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Speaker 1: Hello, this is your host, Adam Graham. The Great Adventurers

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of Old Time Radio is taking a break from posting

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in new episodes, but we are sharing some adventure themed

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episodes of other podcasts I've done over the years until

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we return on January eleventh for the premiere of Tarzan.

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In the meantime, please enjoy this episode, which was originally

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released as part of the Amazing World of Radio. If

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you'd like to listen to more episodes of that series,

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please check it out and Amazing Great Detectives dot net.

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But now on with today's show. Welcome to the Amazing

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World of Radio from Boise, Idaho. This is your host,

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Adam Graham. If you have a comment, email to me

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Box thirteen at Great Detectives dot net. Well, our Olivia

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to Havelin tribute continues. Olivia to Haveln did a lot

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of radio adaptations of films her own as well as others,

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and so essentially sitting there looking at all of these adaptations,

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all of the great leading men she played beside, I

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was having difficulty narrowing down which episodes to bring to you,

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so I ask my Patreon supporters for some help, and

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Gary writes in on Patreon, I would like to hear Suspicion,

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and that's what we're going to bring you. Suspicion starring

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Olivia to Havelnd and William Powell. The original aired eight

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is September eighteenth, nineteen forty four. And let's go ahead

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and take a listen.

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Speaker 2: LUTs Presents Hollywood.

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Speaker 3: The Lux Radio Theater brings you William Powell and Olivia

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de Heavilen in Suspicion, Ladies and Gentlemen, your producer, mister

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Cecil B.

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Speaker 4: De Mill, Greetings from Hollywood, Ladies and gentlemen. Not long ago,

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a noted editor sat down to figure out what he

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called the basic elements of human interest, that is, the

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things that interest people most and motivate their thoughts and actions. Love,

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of course, was at the top of the list, and

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close after love came feared and then curiosity. Goodnight in

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the Lux Radio Theater play the KO screen hit Suspicion.

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We have a mixture of these elements, two people very

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much in love whose lives are shadowed by a dark

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fear and bitter curiosity. And out of this combination comes

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what I think you'll agree is one of the most

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absorbing grammars of our time, and to do full justice

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to it, we have as our stars that able master

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of mystery, William Powell and the ever versatil and lovely

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Olivia de haviln. In just a moment, we'll start to

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satisfy your curiosity, But first, don't forget that we want

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you to satisfy our curiosity on an important matter, our

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tenth anniversary celebration four weeks from to day. We'd like

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you to help us select the play and stars you

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want to hear on that eventful date, October the sixteenth.

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Write your choice on a postcard. Address it to me

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at Post Office Box nine, Hollywood, twenty eight, California. Your

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suggestions and your interests are what makes the Luxe Theater

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a truly national institution, just as you have purchasers of

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lux toilet Soap help raise this curtain for you every

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Monday night, so you really get two prizes and one package,

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a fine product and fine entertainment. Clocke is fighting now

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at a curtain time. And here's the first act of Suspicion,

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starring William Powell as Johnny and Olivia de Haviland as Lena,

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with Charles Irwin as beakie, Let me go, Let me.

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Speaker 5: Go, stop be a little fool.

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Speaker 2: Let me go.

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Speaker 4: On a hilltop overlooking the English countryside, the trees bend

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low before the morning wind, smoke gray clouds weaves swiftly

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across a smoke gray sky. Against the sky, I scilhouetted

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the figures.

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Speaker 2: Of a man and a woman. A man's arms.

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Speaker 4: Are about her shoulders. She struggles wildly, frantically, then breaks

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away again. His arms reach out, her hands are caught

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and held as an advice.

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Speaker 5: What did you think I was trying to do?

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Speaker 2: Kill you?

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Speaker 5: Nothing less than murder could justify such a violent self defense.

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Speaker 2: Look at you?

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Speaker 6: Let me go.

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Speaker 5: Oh, I'm just beginning to understand. You thought I was

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going to kiss you, didn't you?

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Speaker 6: Weren't you?

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Speaker 2: Of course not.

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Speaker 5: I was merely reaching around you, trying to fetch your hair.

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Speaker 6: What's wrong with my hair?

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Speaker 5: Well, I'm glad you asked me that. It would have

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been extremely discourteous for me to bring the subject up.

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Speaker 6: Are you serious?

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Speaker 5: Of course I'm serious.

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Speaker 6: Away, just give me the feelings. You're laughing at me.

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I give you my word, what's wrong with my hair?

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Speaker 5: Let me show you? I goes back away, I'm not

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going to hurt you. Let me see. Yeah, this will

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do it.

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Speaker 7: What are you thinking of a week ago?

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Speaker 6: I've never even seen you.

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Speaker 5: Oh, now here we are on a Sunday morning, miss Church.

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While I unbraid your hair.

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Speaker 7: I think you've done enough fool in my hair.

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Speaker 5: Yeah, I got a mirror. You look splendid.

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Speaker 7: I must be quite a novel if I contrast to

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the women you're photographed with in the newspapers.

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Speaker 5: Oh well, how do you like your hair? Don't screw

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your face up like that. It looks like a monkey.

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What do your family call you? Monkey face?

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Speaker 6: I'll have to go now. I shall be late to

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luncheon anyway.

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Speaker 7: If my father saw me come home both late and beautiful,

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you might have a stroke.

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Speaker 2: Are you sure Massine isn't in her room? Button?

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Speaker 6: I knocked her just before I announced that. She said

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she was going to church.

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Speaker 3: Oh what were you saying?

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Speaker 2: Just before?

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Speaker 8: My dear about Lena?

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Speaker 6: I do wish she'd get married.

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Speaker 2: Then, I don't believe Lena will ever marry.

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Speaker 5: She's not the marrying all anyway, She's no need to worry.

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There'll be enough to take care of her.

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Speaker 6: I suppose you're right I'm afraid she is rather since tourish.

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What's wrong with that?

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Speaker 5: The Old Maid's a respectable institution, and Lena has intellect

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and a fine solid character.

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Speaker 6: Sorry, aren't they? Oh, Lina dear?

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Speaker 5: Couldn't sit down, Lina?

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Speaker 6: What kept you so long at church?

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Speaker 9: Dear?

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Speaker 6: I didn't go to church. I went for a walk,

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a walk with a man, A man. Yes, his name's

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John John Ay's gar, Tommy's Garson.

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Speaker 2: How did you meet him?

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Speaker 5: He's turned out so wild.

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Speaker 2: Rob tom What do you mean? Well? He was turned

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out of some club for cheating at cars, wasn't he?

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Speaker 6: I don't know.

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Speaker 5: I didn't ask him something unpleasant.

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Speaker 2: Anyway, what's he doing down here?

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Speaker 6: He's staying at Pen's Hayes.

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Speaker 7: I shouldn't have thought Lord Midland would have had him there,

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had ever been turned out of a club for cheating.

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Speaker 5: Well, perhaps it is a woman. He was correspondent or something,

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I believe what ought to have been correspondent?

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Speaker 6: Well, anyway, I'm going to see him again this afternoon.

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Speaker 2: He's calling for me.

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Speaker 3: His three miss LEI.

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Speaker 5: On the talentpon, Oh, thank you Bertie, Sandy.

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Speaker 6: She seems quite excited.

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Speaker 7: Hello, oh hello Johnny. What oh, yes, a long time ago.

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When you're coming at Oh you can't? Oh, yes, of

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course I understand. Yes, please write and thank you for calling. Goodbye.

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Speaker 3: Hello.

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Speaker 6: Yes, this is miss McClay daw a telegram. Will you

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read it?

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Speaker 7: Please? I will see you yes Thursday, Yes, at beaching

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hunt Fall, signed Johnny.

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Speaker 6: Yes, I have it.

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Speaker 5: Oh, Johnny, I believe this is our lance, isn't it? Hello?

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Monkey pace?

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Speaker 7: Hello, Hello, monkey face, Hello Johnny.

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Speaker 5: Come on, we're getting out of there?

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Speaker 7: Would we come?

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Speaker 2: Of course?

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Speaker 5: We can't this way, monkey base, Johnny?

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Speaker 6: Where are we going?

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Speaker 5: What is your car?

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Speaker 7: This is ridiculous, it's over there.

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Speaker 5: Good? Come on? Tell me? Have you ever been kissed

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the car before?

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Speaker 6: Johnny?

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Speaker 5: Johnny?

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Speaker 2: What?

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Speaker 6: You mustn't joke with me. I'm no good at joking.

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I don't know how to flirt.

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Speaker 5: Well, I'm not joking. I'm serious. Have you ever been

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kissed in a car?

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Speaker 6: Never?

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Speaker 5: Would you like to be?

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Speaker 2: Yes?

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Speaker 5: Well, you're the first woman i've met who says yes

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when she means yes.

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Speaker 6: What do the others say?

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Speaker 5: If I know anything? But yes?

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Speaker 7: But they kiss you? Well?

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Speaker 5: Usually?

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Speaker 6: Have there been?

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Speaker 5: Have there been?

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Speaker 6: What?

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Speaker 5: Monkey face?

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Speaker 6: Have there been many?

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Speaker 5: I'm afraid so quite a few.

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Speaker 6: I've always frank with them like this.

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Speaker 5: No, No, not particularly.

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Speaker 6: And why are you frank with me because I'm different?

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Speaker 5: No, didn't that. I'm honest because with you, I think

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it's the best way to get results.

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Speaker 6: Johnny, I hope I'm not saying the wrong thing.

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Speaker 10: But I love you.

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Speaker 5: No, you haven't said the wrong thing. Monkey Daz. I

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think I'm falling in love with you too, but I

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don't quite like it. That's why I stayed away from

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you for a week. I was afraid of you. I

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never thought it would happened like this.

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Speaker 10: Nither did I.

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Speaker 2: Johnny and I were married last night. We're all for

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a month's hollingwoon on the continent.

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Speaker 5: Please forgive me.

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Speaker 2: I love him very very much.

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Speaker 5: There. How do you like your new house?

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Speaker 6: Oh?

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Speaker 5: Because if you don't like it, just blame it all.

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I'm mister Bailey here. You rented the house while we

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were on our honeymoon. Yes, sir, even decorated the place.

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But if you do like it.

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Speaker 6: Oh, I adore it.

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Speaker 11: I'm not about it.

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Speaker 5: Oh. Well, in that case, you are talking to the

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right man, because I am gauge with mister Bailey. Didn't

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I mister Bailey.

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Speaker 2: Quite right, missus, Oh Johnny, you're a genius. Mister. I

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still have to be getting along now.

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Speaker 5: So what shall I do about the bill? Oh let's

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just drop it on that pretty little table on your

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way out. Oh boy, yes, thank you mister, Thank you,

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mister Bailey.

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Speaker 7: Oh Johnny, I never dreamt I'd ever have such a

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gorgeous place? Are you sure you can afford it?

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Speaker 5: Look? Just press that button there on a phonograph. There

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we are, I believe.

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Speaker 6: Oh yes, that's a handful. What else in Venus.

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Speaker 11: And Naples and Cakrie and Niche and Paris? I bet

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your father, sir?

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Speaker 5: Yes, oh darling, this is Oh I forgot your name?

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Speaker 6: Oh yes, well the telegram for you, sir?

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Speaker 5: Oh, thank you, Ethel. What do you think of ep?

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Speaker 2: Oh?

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Speaker 6: She seems perfect?

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Speaker 5: Mmm?

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Speaker 9: It isn't that news, is it?

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Speaker 2: Oh?

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Speaker 5: No? No, it's an old friend of mine, stupid follow He

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wants a thousand pounds. You couldn't spare a thousand? Could

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you a thousand?

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Speaker 6: What does he bother for?

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Speaker 5: If I know? Probably because I borrowed it from him?

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Speaker 6: Borrowed it?

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Speaker 4: Why?

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Speaker 5: Because I was going on her honeymoon? The loveliest girl

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in the world. I wanted her to be happy.

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Speaker 11: Didn't you have any money of your own?

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Speaker 7: No? Not a silly but I thought I have the

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im questions, john are you are you broke?

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Speaker 5: Monkey face? I've been broke all my life?

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Speaker 6: Why didn't you tell me?

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Speaker 7: And whatever made you take this extravagant house?

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Speaker 5: But I didn't think you want to live in a shack?

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Cur like you going to come into plenty of money someday.

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Speaker 6: Wait a minute, I can't quite get this into my head.

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Were you thinking of my inheritance when you're.

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Speaker 7: Oh, I don't know what to say.

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Speaker 5: Oh, my darling, Really, isn't it silly to spend the

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best years of our life waiting? Why not be comfortable.

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Speaker 7: Now, Johnny, I'm just beginning to understand you.

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Speaker 10: You're a baby.

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Speaker 2: Oh.

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Speaker 7: I know you didn't marry me for my money, but

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my income will never pay for all this?

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00:13:42,240 --> 00:13:44,720
Speaker 5: Never Well, what about your father?

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Speaker 7: Well, I couldn't possibly ask my father?

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Speaker 9: Are you moving?

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Speaker 6: You saw how a strange she was when she med

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ed at the station.

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Speaker 7: Anyway, you wouldn't actually want to live on your wife's allowance?

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Speaker 5: What you do, of course not done?

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00:13:54,919 --> 00:13:55,039
Speaker 2: Well?

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Speaker 5: Then, well, I suppose that the worst comes for the worst,

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00:13:59,480 --> 00:14:01,720
and there was I know the way out of it. Well,

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I suppose.

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Speaker 2: I'd have to.

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Speaker 5: Borrow some more.

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Speaker 2: I haven't touched to the middle of yet.

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Speaker 5: You ought to be good for a month or two's housekeeping.

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Speaker 6: I think you must be mad.

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Speaker 5: Oh, darling, Johnny, listen to me.

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00:14:15,639 --> 00:14:17,159
Speaker 6: Well, there's going to be.

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Speaker 9: No more borrowing.

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00:14:18,759 --> 00:14:19,879
Speaker 5: What what else, sister to do?

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Speaker 6: You've got to go to work?

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Speaker 5: Yeah, work, you mean put on old clothes and go

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00:14:26,919 --> 00:14:30,399
out with a shovel. Don't be sp what do you mean.

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00:14:31,600 --> 00:14:33,279
I'm afraid you're a bit of a dream of darling.

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You realize that in order to be a plumber or

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carpenter or an electrician, Darling, you haven't been around.

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Speaker 6: There are all sorts of jobs. Johnny.

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Speaker 5: Well, I'm broad minded. Let's there's some tea and talk

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it over. We can make out a list of jobs.

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00:14:49,240 --> 00:14:52,759
Might be fun. Oh who's that? It's right there behind you, Darling.

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Speaker 6: Hello, oh hello mother? Oh yes, yes, it's wonderful and

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most beautiful house.

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Speaker 7: Would you tell father how badly I felt?

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Speaker 6: Oh he is?

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Speaker 7: Oh wait wait a minute till I tell Johnny, Johnny. Yeah,

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00:15:09,080 --> 00:15:10,720
father is sending his a wedding present.

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Speaker 2: No.

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Speaker 6: Mother told him how happy I looked him.

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Speaker 12: Oh, I can't tell.

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00:15:14,519 --> 00:15:16,159
Speaker 6: You how much this means to me.

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Speaker 2: Me too, Yes, father, yes, go on ask him when

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he's sending it.

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00:15:21,240 --> 00:15:22,840
Speaker 7: It can right away by messengers.

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Speaker 5: Well, invite him over for dinner, and if you can

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00:15:26,080 --> 00:15:27,720
start it in just say that. We were in the

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throes of job hunting when he telephoned.

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Speaker 6: Oh Johnny, really you are be dinit what father?

308
00:15:34,120 --> 00:15:36,600
Speaker 7: Yes, Johnny and I were just discussing that very subject,

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00:15:36,799 --> 00:15:38,840
and he has several interesting ideas on the kind of

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00:15:38,919 --> 00:15:39,679
job he's like to do.

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00:15:40,600 --> 00:15:42,440
Speaker 6: There's a messenger from General mcleadlaw.

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00:15:42,519 --> 00:15:44,879
Speaker 7: Oh, it's just come, father, hold on bleing it in

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00:15:44,919 --> 00:15:46,840
little Yes, I think I know what it is.

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00:15:46,879 --> 00:15:48,799
Speaker 6: Oh, Johnny, you'll be thrilled in here.

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00:15:49,519 --> 00:15:50,440
Speaker 7: Oh it is.

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00:15:50,919 --> 00:15:52,720
Speaker 6: Oh, how wonderful, Johnny.

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00:15:52,799 --> 00:15:55,440
Speaker 5: Look what is the thing?

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00:15:55,759 --> 00:15:58,159
Speaker 7: It's a chair doll and a Queen Anne chair.

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00:15:58,799 --> 00:15:59,200
Speaker 5: Oh.

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00:16:00,279 --> 00:16:02,519
Speaker 6: We had them in a family before I was born.

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00:16:02,720 --> 00:16:04,759
Speaker 2: Here's another one, man, how many more?

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00:16:04,879 --> 00:16:05,519
Speaker 5: For Haven's sake?

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00:16:07,000 --> 00:16:08,759
Speaker 6: He send us both albums.

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00:16:09,440 --> 00:16:13,440
Speaker 7: Oh, Johnny, these are our first heirlooms to be handed

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00:16:13,480 --> 00:16:16,519
down to our children. And then today are children.

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00:16:17,120 --> 00:16:18,559
Speaker 5: Well that's the thing to do with them, all right?

327
00:16:19,879 --> 00:16:20,879
Speaker 6: I'm not to tell him.

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00:16:21,000 --> 00:16:23,399
Speaker 7: Oh, father, you're so good too that it makes you

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00:16:23,519 --> 00:16:26,639
want to cry. Yes, you've made me very happy.

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00:16:27,240 --> 00:16:29,200
Speaker 6: Oh you've made Johnny very happy too.

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00:16:29,679 --> 00:16:29,840
Speaker 2: Yes.

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00:16:30,360 --> 00:16:32,799
Speaker 7: Wait a minute, father, he wants to say something to you. No,

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00:16:32,919 --> 00:16:35,679
I don't say something very nice. These chairs really belong

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00:16:35,759 --> 00:16:36,360
in the museum.

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00:16:36,679 --> 00:16:45,120
Speaker 5: Go on, hello, general. Yeah yeah, but really shouldn't you

336
00:16:45,159 --> 00:16:49,399
have sent them to a museum? Well, naturally, we're relevant

337
00:16:50,279 --> 00:16:54,440
a job. Oh yes, yes, Lena and I were just

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00:16:54,480 --> 00:16:58,559
going into that. Well, I have several excellent opportunities. I

339
00:16:58,679 --> 00:17:01,039
just to see the letter from my Captain mel Bank.

340
00:17:01,960 --> 00:17:03,840
You want someone to manage his estate for him. I

341
00:17:03,960 --> 00:17:08,319
thought i'd take the job. Well, I'm glad you'll approved. Yes, yes,

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00:17:08,359 --> 00:17:10,759
well we'll get together soon. Good Bye, sir.

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00:17:11,799 --> 00:17:13,440
Speaker 6: That is a tip about Captain Melbury.

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00:17:13,480 --> 00:17:19,440
Speaker 5: Button wasn't listen to this letter. We'll give you an idea,

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00:17:19,480 --> 00:17:22,279
the fullest consideration. Let me know if you would like

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00:17:22,319 --> 00:17:25,160
to take the job. Yours, sincerely, George Melbank.

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00:17:25,759 --> 00:17:27,440
Speaker 6: Did you have this letter all the time?

348
00:17:27,720 --> 00:17:28,079
Speaker 5: I did?

349
00:17:28,720 --> 00:17:29,759
Speaker 6: Why didn't you tell me?

350
00:17:30,680 --> 00:17:32,680
Speaker 5: Because dear, I have never dreamed i'd be using it

351
00:17:33,400 --> 00:17:35,400
anymore than I have a dream that we'd be receiving

352
00:17:35,440 --> 00:17:46,559
these two beautiful chairs.

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00:17:46,599 --> 00:17:49,839
Speaker 6: Hello, mister a'sgarth at home? Yet no man that there's

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00:17:49,839 --> 00:17:51,759
a gentleman waiting for him in the drawing room.

355
00:17:51,799 --> 00:17:57,920
Speaker 8: Oh thank you, Well, i'd say, nice days.

356
00:17:58,119 --> 00:17:59,000
Speaker 5: Johnny's got here.

357
00:17:59,759 --> 00:18:02,839
Speaker 2: I'm three. You must be, oh Johnny, right, Yes, I am.

358
00:18:03,599 --> 00:18:04,720
Speaker 5: Did he ever tell you about me?

359
00:18:05,519 --> 00:18:07,920
Speaker 6: Peaky? Oh you're beaky.

360
00:18:08,440 --> 00:18:11,160
Speaker 8: I haven't been driving by. I thought i'd just pop

361
00:18:11,240 --> 00:18:12,079
into the cup of tea.

362
00:18:12,440 --> 00:18:14,640
Speaker 6: I've had so much about you, mister twaite.

363
00:18:14,920 --> 00:18:17,440
Speaker 8: Johnny told me about you too, Ran Andrewman, you'll be

364
00:18:17,559 --> 00:18:21,640
racist last week. Oh but my foot into it is usual,

365
00:18:22,799 --> 00:18:24,160
he said, didn't he tell you?

366
00:18:24,240 --> 00:18:26,039
Speaker 6: But Johnny has a job. He could have been at

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the races. Besides, he's given up, Betty.

368
00:18:27,759 --> 00:18:32,200
Speaker 2: Oh he has has he? Don't you believe it? Not Johnny.

369
00:18:32,480 --> 00:18:33,720
He's a great lad. He is.

370
00:18:34,039 --> 00:18:37,200
Speaker 8: You mustn't mind Johnny cutting up. That's what makes some Johnny.

371
00:18:37,519 --> 00:18:39,480
Speaker 2: Besides, he thinks you're a toper.

372
00:18:39,559 --> 00:18:41,880
Speaker 6: Won't you sit down, mister twait? I'm sure, Johnny?

373
00:18:43,279 --> 00:18:44,599
Speaker 8: Oh, something wrong?

374
00:18:45,480 --> 00:18:49,440
Speaker 7: Yes, there were two chairs here this morning before I left.

375
00:18:49,799 --> 00:18:51,759
Speaker 2: Chairs disappeared?

376
00:18:51,759 --> 00:18:52,880
Speaker 6: Have they yes?

377
00:18:54,079 --> 00:18:55,039
Speaker 5: Were they expensive?

378
00:18:56,000 --> 00:18:56,279
Speaker 2: Yes?

379
00:18:57,279 --> 00:18:59,839
Speaker 6: They were museum pieces.

380
00:19:01,880 --> 00:19:04,880
Speaker 2: Johnny he'll be the death of me. Don't you understand?

381
00:19:05,720 --> 00:19:06,319
Speaker 6: No, I don't.

382
00:19:06,640 --> 00:19:07,599
Speaker 5: I bet you twenty to one.

383
00:19:07,640 --> 00:19:11,000
Speaker 2: Old Johnny has sold them, so them what for the money?

384
00:19:11,000 --> 00:19:13,960
Speaker 8: Of course, Tello's got a past racing gets, hasn't he

385
00:19:14,440 --> 00:19:16,440
at these bookies? Don't trusted chap for long?

386
00:19:16,759 --> 00:19:18,240
Speaker 2: Not a chap like Johnny, that is.

387
00:19:18,720 --> 00:19:20,519
Speaker 6: I don't believe you. I don't believe a word you say.

388
00:19:20,759 --> 00:19:22,559
Speaker 8: Put my foot in again, have I I do? You

389
00:19:22,599 --> 00:19:25,359
mustn't take it so serious for all its Johnny, wonderful

390
00:19:25,440 --> 00:19:26,039
chair Johnny.

391
00:19:26,440 --> 00:19:29,039
Speaker 6: He couldn't have sold him. He wouldn't without asking me.

392
00:19:29,319 --> 00:19:32,119
Speaker 2: He's not a home metal Yes, sir, here he comes now.

393
00:19:32,279 --> 00:19:33,920
Speaker 8: Don't tell them a word I've said. But if you

394
00:19:33,960 --> 00:19:36,440
want to see Johnny is very best you just say

395
00:19:36,519 --> 00:19:39,160
something about chairs.

396
00:19:38,279 --> 00:19:42,000
Speaker 2: Ricky, Johnny, how I'll be fair fine?

397
00:19:42,039 --> 00:19:42,759
Speaker 5: What are you doing here?

398
00:19:43,000 --> 00:19:43,839
Speaker 2: Just pump, didn't see you?

399
00:19:43,920 --> 00:19:47,799
Speaker 5: Old bye, good, good well, ipent to the monkey face.

400
00:19:49,200 --> 00:19:50,119
What's the matter, darling?

401
00:19:50,680 --> 00:19:52,359
Speaker 6: Nothing by you?

402
00:19:52,400 --> 00:19:55,279
Speaker 8: Sure your wife seems to be missing some chairs?

403
00:19:55,319 --> 00:19:55,759
Speaker 4: Oh boy?

404
00:19:56,359 --> 00:19:58,720
Speaker 5: Uh, Vicky your pipe snap, lip, Let me give you

405
00:19:58,759 --> 00:19:59,079
a match?

406
00:19:59,720 --> 00:20:00,440
Speaker 4: Thanks boy?

407
00:20:00,720 --> 00:20:05,200
Speaker 8: About those chairs, old bean? Huh the missing chairs, old man?

408
00:20:05,799 --> 00:20:08,960
Speaker 5: Oh yes, yes, the chairs? Well I suppose that American

409
00:20:09,079 --> 00:20:10,240
must have come for them this morning.

410
00:20:10,519 --> 00:20:11,319
Speaker 11: What Americans?

411
00:20:11,920 --> 00:20:12,799
Speaker 2: Oh didn't I tell you?

412
00:20:12,880 --> 00:20:13,200
Speaker 5: Darling?

413
00:20:13,319 --> 00:20:13,440
Speaker 2: Oh?

414
00:20:13,599 --> 00:20:16,880
Speaker 5: Stupid about me? Well, he dropped by about a week ago,

415
00:20:16,960 --> 00:20:17,799
friend of Meilbanks.

416
00:20:17,920 --> 00:20:18,920
Speaker 2: Go on, old man.

417
00:20:19,319 --> 00:20:22,720
Speaker 5: Anyway, he admired the chairs, offered a hundred apiece for them.

418
00:20:22,799 --> 00:20:23,680
Anybody would take that?

419
00:20:24,640 --> 00:20:25,200
Speaker 6: I wouldn't.

420
00:20:25,920 --> 00:20:28,920
Speaker 5: Oh wouldn't you really do? Or has that never occurred

421
00:20:28,960 --> 00:20:29,200
to me?

422
00:20:29,880 --> 00:20:30,960
Speaker 6: Why didn't you mention it?

423
00:20:31,640 --> 00:20:33,880
Speaker 5: I'm sorry, darling, I thought I did.

424
00:20:34,440 --> 00:20:39,519
Speaker 7: Oh that's all right, they're gone, They're gone, They're gone,

425
00:20:39,559 --> 00:20:39,920
all right?

426
00:20:40,640 --> 00:20:42,519
Speaker 6: Shall we change for dinner?

427
00:20:43,400 --> 00:20:44,160
Speaker 5: You're an angel?

428
00:20:44,440 --> 00:20:45,240
Speaker 2: Hold on a minute.

429
00:20:45,240 --> 00:20:47,319
Speaker 6: You say he offered you aroun under the peace room.

430
00:20:47,440 --> 00:20:47,920
Speaker 5: That's right.

431
00:20:48,240 --> 00:20:50,480
Speaker 2: Let's have a look at the check. Oh, he'll send

432
00:20:50,480 --> 00:20:50,880
it along.

433
00:20:51,400 --> 00:20:53,559
Speaker 8: I'll bet you ten pounds were shilling you wouldn't dare?

434
00:20:53,599 --> 00:20:54,960
Speaker 5: Let your right pick up the telephone and.

435
00:20:55,000 --> 00:20:57,559
Speaker 8: Arsen Old mel Bank or or whatever his name is,

436
00:20:57,559 --> 00:20:59,119
if he ever saw his American?

437
00:21:00,039 --> 00:21:01,960
Speaker 7: Are you implying that my husband is a lion?

438
00:21:02,000 --> 00:21:06,559
Speaker 5: Mister kweit Ah, now, monkey face, don't mind speeky. He's

439
00:21:06,559 --> 00:21:07,319
only joking.

440
00:21:07,640 --> 00:21:11,319
Speaker 6: Well, I prefer jokes on other subjects. Are you staying

441
00:21:11,359 --> 00:21:12,759
for dinners to kweit dinner.

442
00:21:13,200 --> 00:21:15,799
Speaker 8: I'm spending the weekend unless you throw me out.

443
00:21:16,640 --> 00:21:20,119
Speaker 13: Johnny's friends are always welcome, as long as they remain

444
00:21:20,240 --> 00:21:30,000
Johnny's friends.

445
00:21:30,079 --> 00:21:32,720
Speaker 3: Mister Dean ill and are stars William Powell and Olivia

446
00:21:32,759 --> 00:21:36,559
de Heavilyn will be back with K two of Suspicion Now.

447
00:21:36,799 --> 00:21:41,000
Libby Collins, our Hollywood reporter, tell us, Libby, what's the latest.

448
00:21:40,759 --> 00:21:41,839
Speaker 9: Hat, mister Kennedy.

449
00:21:42,039 --> 00:21:44,880
Speaker 6: Hat something new and quite different than hat?

450
00:21:45,039 --> 00:21:47,000
Speaker 3: You mean, the wind blown, heckless Vogue.

451
00:21:46,839 --> 00:21:47,440
Speaker 2: Is out, Libby.

452
00:21:47,839 --> 00:21:50,240
Speaker 12: It will be when women try on these news styles

453
00:21:50,680 --> 00:21:53,559
chokes they call them, with their clothes fitting trimmings of

454
00:21:53,680 --> 00:21:56,799
flowers or steadies, or they're so utterly feminine.

455
00:21:56,799 --> 00:21:59,359
Speaker 9: No woman can resist them, and no man either.

456
00:21:59,480 --> 00:22:02,559
Speaker 3: I might if that's a top you're wearing right now, Libby,

457
00:22:02,759 --> 00:22:03,319
I believe you.

458
00:22:03,599 --> 00:22:05,160
Speaker 6: Oh I thank you, mister Kennedy.

459
00:22:05,680 --> 00:22:07,599
Speaker 12: You know styles are going to be very soft and

460
00:22:07,640 --> 00:22:10,599
feminine this year, frills and food through out of Vogue.

461
00:22:10,880 --> 00:22:13,319
Irene Don, one of the loveliest and best jest stars

462
00:22:13,319 --> 00:22:14,960
in Hollywood, has one of these little tope.

463
00:22:15,079 --> 00:22:17,079
Speaker 3: Seems to me, Lemy, that kind of had is bound

464
00:22:17,119 --> 00:22:19,480
to be a winner. If it's combined with a soft,

465
00:22:19,519 --> 00:22:22,440
lovely complexion, a real lux complexion.

466
00:22:22,160 --> 00:22:24,599
Speaker 6: I should say so. In fact, this kind of had

467
00:22:24,720 --> 00:22:25,240
is artful.

468
00:22:25,480 --> 00:22:28,000
Speaker 12: It's actually designed to set off a nice complexion.

469
00:22:28,079 --> 00:22:30,960
Speaker 3: Well, Libby, Hollywood stars like Irene done No just how

470
00:22:30,960 --> 00:22:33,839
to keep their skin soft and smooth. With daily Lux

471
00:22:33,880 --> 00:22:37,559
Toilets officials, they can be sure their precious complexions get gentle,

472
00:22:37,640 --> 00:22:38,400
cherish and care.

473
00:22:38,599 --> 00:22:41,480
Speaker 6: Yes, those facials are quick and easy, but so effective.

474
00:22:41,559 --> 00:22:44,599
Speaker 3: Lovely lux complexions everywhere are proof of that, Libby, and

475
00:22:44,680 --> 00:22:47,039
I'd like to point out that recent tests of luxAB

476
00:22:47,079 --> 00:22:50,480
facials showed that actually three out of four complexions improved

477
00:22:50,480 --> 00:22:53,759
in a short time. So here's a Hollywood tip for

478
00:22:53,880 --> 00:22:57,680
skin that's truly feminine, soft and appealing. Why not use

479
00:22:57,759 --> 00:23:00,480
this gentle soap recommended by nine out of ten famous

480
00:23:00,480 --> 00:23:03,799
screen stars. You'll find it's a beauticare that really works.

481
00:23:04,680 --> 00:23:06,839
If ever, your dealer happens to be out of stock

482
00:23:06,920 --> 00:23:10,839
due to wartime conditions, you'll surely have more soon. Remember

483
00:23:11,200 --> 00:23:12,119
Lux Toilet.

484
00:23:11,880 --> 00:23:13,119
Speaker 5: Soap is worth waiting for.

485
00:23:14,400 --> 00:23:18,039
Speaker 3: And now mister Banil returns to the Microphone act too.

486
00:23:17,920 --> 00:23:21,759
Speaker 4: Of Suspicion, starring William Powell as Johnny and Olivia de

487
00:23:21,759 --> 00:23:31,319
Haviland as Lina with Charles Erwin as Viki. A week

488
00:23:31,359 --> 00:23:34,319
has passed, but in Lena's mind there is still a

489
00:23:34,319 --> 00:23:39,279
dim shadow of doubt, a faint, indefinable fear, the dawning

490
00:23:39,359 --> 00:23:43,119
of suspicion. Now on the quiet main street of the town,

491
00:23:43,160 --> 00:23:47,319
she meets the local celebrity, a writer of mystery stars.

492
00:23:48,880 --> 00:23:49,160
Speaker 9: Lena.

493
00:23:49,240 --> 00:23:49,440
Speaker 5: Dear.

494
00:23:50,599 --> 00:23:51,960
Speaker 7: Oh, hello, Isabelle.

495
00:23:52,200 --> 00:23:53,960
Speaker 6: I've just been admiring your display in the.

496
00:23:53,880 --> 00:23:57,400
Speaker 7: Bookshelf room the footbridge. Yes, they're doing very well by it.

497
00:23:57,599 --> 00:23:59,519
How's Johnny, Oh, he's fine.

498
00:24:00,000 --> 00:24:02,039
Speaker 6: He's not an admirer of yours. I don't believe there's

499
00:24:02,079 --> 00:24:03,480
one of your stories he hasn't read.

500
00:24:03,720 --> 00:24:04,200
Speaker 9: Blended.

501
00:24:04,599 --> 00:24:06,640
Speaker 7: By the way, here is the intel Brooks window, the

502
00:24:06,720 --> 00:24:09,119
antique shot not lately. Well, my dear, they've got the

503
00:24:09,119 --> 00:24:12,079
bost beautiful things through lovely old Queen Anne chairs.

504
00:24:12,279 --> 00:24:14,559
Speaker 6: I'd give my soul to omen chairs.

505
00:24:14,720 --> 00:24:15,079
Speaker 2: Lovely.

506
00:24:15,440 --> 00:24:16,119
Speaker 9: But goodbye, dear.

507
00:24:16,359 --> 00:24:17,359
Speaker 7: I think you put dinner food.

508
00:24:18,079 --> 00:24:19,799
Speaker 11: Yes, of course.

509
00:24:19,680 --> 00:24:20,960
Speaker 6: I'll go you leaders.

510
00:24:22,279 --> 00:24:41,039
Speaker 2: Cheers. Hello girl, that's so soon.

511
00:24:41,200 --> 00:24:42,519
Speaker 6: Vicky, I owe you an apology.

512
00:24:42,680 --> 00:24:43,920
Speaker 2: Good I mean for Paul.

513
00:24:44,079 --> 00:24:45,160
Speaker 6: I'll explain to you later.

514
00:24:45,839 --> 00:24:48,000
Speaker 8: You should do the raw on the collar must be

515
00:24:48,000 --> 00:24:48,920
about old Johnny.

516
00:24:49,319 --> 00:24:49,640
Speaker 5: Idea.

517
00:24:49,720 --> 00:24:53,119
Speaker 8: You mustn't be angry with Johnny, so waste his time now.

518
00:24:53,000 --> 00:24:55,240
Speaker 5: If you want to get solved with me, that's different.

519
00:24:55,599 --> 00:24:57,880
Speaker 8: I annoy everybody always, did you know?

520
00:24:58,799 --> 00:24:59,880
Speaker 2: Vicky? What are you?

521
00:25:00,359 --> 00:25:00,599
Speaker 7: Hello?

522
00:25:00,720 --> 00:25:00,759
Speaker 11: No?

523
00:25:01,400 --> 00:25:03,480
Speaker 5: I don't move either of you. I must watch the

524
00:25:03,519 --> 00:25:05,880
expressions on your faces. So when you've got those peggages

525
00:25:05,960 --> 00:25:08,079
O being piggie, this is a red letter day, Meana.

526
00:25:08,119 --> 00:25:10,640
Look do you remember that little necklace you admired in

527
00:25:10,759 --> 00:25:14,839
Regent Street? Yeah? Well, and Bickie is a little present

528
00:25:14,839 --> 00:25:15,599
for you followers.

529
00:25:15,640 --> 00:25:18,400
Speaker 4: Is ob oh sick darling?

530
00:25:18,960 --> 00:25:19,920
Speaker 2: Do you remember this coat?

531
00:25:21,640 --> 00:25:23,720
Speaker 5: I saw the hungry eye you gave it the last

532
00:25:23,720 --> 00:25:27,039
time we were up in London. It's yours? Well, what

533
00:25:27,079 --> 00:25:28,240
do you say, Johnny?

534
00:25:28,279 --> 00:25:30,000
Speaker 6: I don't understand what made you do all this?

535
00:25:30,480 --> 00:25:33,200
Speaker 5: Oh no, dear, don't be angry Johnny.

536
00:25:33,240 --> 00:25:34,559
Speaker 6: I want to know what this is all about?

537
00:25:34,839 --> 00:25:36,000
Speaker 2: What should the whole borrow be?

538
00:25:36,240 --> 00:25:38,079
Speaker 5: Where of my friends? I have the pleasure of announcing

539
00:25:38,119 --> 00:25:40,480
that the Goodwood Couples run today. And I happened to

540
00:25:40,480 --> 00:25:42,799
look back the winner a ten to one shot ladies

541
00:25:42,839 --> 00:25:45,359
and gentlemen, and I had two hundred pounds on him.

542
00:25:45,359 --> 00:25:48,839
Speaker 2: Two hundred pounds at ten to one. That's two thousand quid.

543
00:25:49,160 --> 00:25:53,000
Speaker 5: Darling, what's happened your tongue? I suppose you disapprove of

544
00:25:53,000 --> 00:25:55,519
my betty. Now, come on, Darling.

545
00:25:55,319 --> 00:25:58,039
Speaker 6: Smile, Johnny. Where did you get the two hundred pounds?

546
00:25:58,480 --> 00:25:59,119
Speaker 2: Shall girl?

547
00:25:59,160 --> 00:26:00,839
Speaker 8: That's not a day that question.

548
00:26:01,119 --> 00:26:02,039
Speaker 6: Where did you get it?

549
00:26:02,160 --> 00:26:02,359
Speaker 3: Oh?

550
00:26:02,480 --> 00:26:04,839
Speaker 5: You know very well there was no American I got

551
00:26:04,920 --> 00:26:05,759
it for the chairs.

552
00:26:05,799 --> 00:26:09,200
Speaker 6: Of course, you sow the chairs to gamble all your

553
00:26:09,240 --> 00:26:10,160
money on a horse.

554
00:26:10,480 --> 00:26:13,920
Speaker 5: Well, not exactly. I owed the bookie some money. I

555
00:26:13,920 --> 00:26:14,480
got the two.

556
00:26:14,359 --> 00:26:15,640
Speaker 2: Hundred pounds to free them off.

557
00:26:15,880 --> 00:26:18,839
Speaker 5: But then along came this hot tip. God, Darling, give

558
00:26:18,920 --> 00:26:19,519
us a smile.

559
00:26:20,200 --> 00:26:21,079
Speaker 4: Come on, old girl.

560
00:26:21,279 --> 00:26:23,839
Speaker 8: Oh I know you take your chin and I'll make

561
00:26:23,839 --> 00:26:24,759
a noise like a duck.

562
00:26:27,039 --> 00:26:31,400
Speaker 5: No, no good, biggie, no good, no. Oh, I forgot something, darling.

563
00:26:31,440 --> 00:26:35,400
Look this is a receipt from a certain antique shop.

564
00:26:35,880 --> 00:26:38,799
Hey didn't fall for a certain pair of chairs. They'll

565
00:26:38,839 --> 00:26:43,200
deliver within the hour. Oh, Johnny, there she's smiling.

566
00:26:43,359 --> 00:26:48,160
Speaker 8: I jo so she is, Johnny, he's done, old b

567
00:26:48,359 --> 00:26:49,920
I say, what about celebrating?

568
00:26:50,599 --> 00:26:52,680
Speaker 5: Trust Vickie to say the right thing at the right time.

569
00:26:53,559 --> 00:26:55,519
Look at me, darling happy.

570
00:26:55,640 --> 00:26:59,119
Speaker 2: Yes, got you here, Arlia, this is yours ott girl,

571
00:26:59,279 --> 00:27:02,799
Thank you, Bete, here's yours old being now for a turk.

572
00:27:02,839 --> 00:27:06,240
Speaker 5: So wait a minute, bekie, what are you drinking? Brandon

573
00:27:06,599 --> 00:27:10,079
or justice? Ob Oh you know that's not good for you.

574
00:27:10,079 --> 00:27:14,759
Oh well maybe just this once, oh monkey face, I

575
00:27:14,920 --> 00:27:16,960
drink to the last bet that will ever be made

576
00:27:16,960 --> 00:27:20,759
by Johnny. A's good last. That old be bottoms up?

577
00:27:20,799 --> 00:27:25,759
Speaker 2: Eh, y with him?

578
00:27:27,599 --> 00:27:28,400
Speaker 6: Johnny gets somewhere.

579
00:27:29,039 --> 00:27:31,519
Speaker 5: It won't help. That scene has happened before. That's nothing

580
00:27:31,599 --> 00:27:33,720
much you're gonna do about it. His color, He can't

581
00:27:34,400 --> 00:27:36,680
you sing. It will either kill him or it'll go

582
00:27:36,680 --> 00:27:42,119
away by itself. Sorry, old One of these days it

583
00:27:42,160 --> 00:27:46,920
will kill him.

584
00:27:49,039 --> 00:27:52,960
Speaker 6: Oh, good afternoon, missus a's got good afternoon? Is my

585
00:27:53,079 --> 00:27:56,039
husband in his office? Mister A's god?

586
00:27:57,039 --> 00:28:02,720
Speaker 9: Why no? When you expect him? Well, I really couldn't say.

587
00:28:03,559 --> 00:28:05,920
Speaker 6: Perhaps you'd like to talk to Captain Neilback.

588
00:28:05,880 --> 00:28:10,279
Speaker 7: Yes, I would very much please this way, missus as

589
00:28:10,640 --> 00:28:11,319
to see you, sir.

590
00:28:11,599 --> 00:28:15,759
Speaker 5: Oh, come in, This is a GoF what a pleasure

591
00:28:15,799 --> 00:28:16,200
to see you.

592
00:28:16,359 --> 00:28:18,039
Speaker 6: Good afternoon, Captain Neilbeck.

593
00:28:18,119 --> 00:28:18,720
Speaker 5: Do sit done?

594
00:28:19,119 --> 00:28:19,519
Speaker 11: Thank you?

595
00:28:20,279 --> 00:28:22,200
Speaker 7: Captain Elberck. I don't want him pose on you. But

596
00:28:22,200 --> 00:28:24,720
you're Johnny's cousin as well as his employer. I thought

597
00:28:24,759 --> 00:28:25,640
i'd come in and see you.

598
00:28:25,759 --> 00:28:29,279
Speaker 3: Of course, I've been feeling very badly about Johnny ever since.

599
00:28:29,119 --> 00:28:32,000
Speaker 5: I had to discharge him this charge.

600
00:28:32,400 --> 00:28:33,720
Speaker 2: Don't worry missus aasgarf.

601
00:28:33,839 --> 00:28:37,599
Speaker 5: I told him I wouldn't prosecute. I don't understand I

602
00:28:37,640 --> 00:28:39,279
told him I wouldn't prosecute.

603
00:28:40,119 --> 00:28:42,680
Speaker 6: What on earth are you talking about? When did you

604
00:28:42,759 --> 00:28:43,599
discharge him?

605
00:28:43,640 --> 00:28:44,440
Speaker 5: Six weeks ago?

606
00:28:44,680 --> 00:28:46,000
Speaker 4: We had an unexpected audit.

607
00:28:46,200 --> 00:28:47,880
Speaker 2: You can't show the deficit of two.

608
00:28:47,759 --> 00:28:50,279
Speaker 3: Thousand pounds when I looked into Johnny's records.

609
00:28:51,000 --> 00:28:52,880
Speaker 2: I'm terribly sorry, missus A's garth.

610
00:28:53,079 --> 00:28:54,039
Speaker 5: He should have told me.

611
00:29:01,799 --> 00:29:06,920
Speaker 11: Johnny, I am leaving you.

612
00:29:07,480 --> 00:29:09,240
Speaker 6: It is very.

613
00:29:09,079 --> 00:29:14,599
Speaker 7: Important that we never see each other again.

614
00:29:17,440 --> 00:29:20,799
Speaker 5: Yes, that told me. She packed your grips.

615
00:29:21,799 --> 00:29:26,519
Speaker 6: Yes, and you've heard, Yes, I've heard.

616
00:29:27,440 --> 00:29:31,480
Speaker 5: I'm so sorry, Darling, terribly sorry. This telegram just came

617
00:29:31,480 --> 00:29:33,640
from the doctor. Tells what happened.

618
00:29:33,960 --> 00:29:36,119
Speaker 9: Telegram, deeply regret.

619
00:29:36,200 --> 00:29:40,279
Speaker 5: Your father died earlier this morning in heart failure. Your

620
00:29:40,279 --> 00:29:41,519
mother wishes you could come at once.

621
00:29:42,880 --> 00:29:59,000
Speaker 9: Oh enough, a little.

622
00:29:58,759 --> 00:30:01,920
Speaker 5: One nasty week for you. I'd be glad to get

623
00:30:01,920 --> 00:30:07,799
your home men, you ever have any regrets you married me?

624
00:30:08,759 --> 00:30:09,400
Speaker 6: Why do you ask?

625
00:30:09,480 --> 00:30:10,960
Speaker 2: S Well?

626
00:30:11,079 --> 00:30:14,119
Speaker 5: I was thinking of the will. Seems pretty obvious that

627
00:30:14,160 --> 00:30:16,119
your father would have left you a lot more than

628
00:30:16,119 --> 00:30:18,319
his portious if you've than anybody else with missus? John

629
00:30:18,400 --> 00:30:18,920
as Good?

630
00:30:19,279 --> 00:30:20,519
Speaker 6: Oh that's what you meant.

631
00:30:20,960 --> 00:30:22,079
Speaker 5: You have an answer my question?

632
00:30:23,359 --> 00:30:26,799
Speaker 6: What about you? Have you any regrets?

633
00:30:27,240 --> 00:30:30,319
Speaker 5: Want your face? Marrying you is the one thing I've

634
00:30:30,440 --> 00:30:31,720
never changed my mind about.

635
00:30:32,079 --> 00:30:33,599
Speaker 6: Do you really mean that, Johnny?

636
00:30:33,680 --> 00:30:36,359
Speaker 5: Yes, I really mean that. I want nothing but to

637
00:30:36,359 --> 00:30:39,079
spend the rest of my life with you. If you

638
00:30:39,119 --> 00:30:39,920
were to die.

639
00:30:39,839 --> 00:30:43,000
Speaker 2: First, I would die first.

640
00:30:43,359 --> 00:30:44,400
Speaker 5: Well, listen, what about you?

641
00:30:46,079 --> 00:30:48,960
Speaker 6: I couldn't stop loving you if I tried?

642
00:30:49,200 --> 00:30:49,839
Speaker 5: Have you tried?

643
00:30:50,799 --> 00:30:52,720
Speaker 2: Yes? Once?

644
00:30:53,720 --> 00:30:58,559
Speaker 7: When and I found out you lost your job with

645
00:30:58,680 --> 00:30:59,480
Captain Elbeck.

646
00:31:00,799 --> 00:31:04,839
Speaker 6: How long do you know since last Friday? Who told

647
00:31:04,880 --> 00:31:09,279
you Captain Neilbert? I met him?

648
00:31:09,480 --> 00:31:10,000
Speaker 2: Did he tell you?

649
00:31:10,039 --> 00:31:10,240
Speaker 5: Why?

650
00:31:11,640 --> 00:31:11,880
Speaker 3: No?

651
00:31:13,400 --> 00:31:14,400
Speaker 6: I suppose you tell me?

652
00:31:14,440 --> 00:31:14,640
Speaker 4: Why?

653
00:31:15,680 --> 00:31:18,759
Speaker 5: Oh? Well, we just didn't get along.

654
00:31:20,359 --> 00:31:22,720
Speaker 2: I say, it's quite nice here shall we stop at at.

655
00:31:22,720 --> 00:31:29,839
Speaker 5: To see hell? Yeah? Quite a drop off this cliff,

656
00:31:29,839 --> 00:31:30,359
wouldn't it.

657
00:31:30,880 --> 00:31:32,680
Speaker 6: Why didn't you get along with Captain Mailbrick?

658
00:31:33,640 --> 00:31:35,839
Speaker 5: Oh? I don't know. He's a been an old folly,

659
00:31:35,960 --> 00:31:39,759
you know, monkey face. I have always had the notion

660
00:31:39,839 --> 00:31:41,960
that the secret of success is the start at the top.

661
00:31:42,640 --> 00:31:44,079
A way to make money is to think in a

662
00:31:44,079 --> 00:31:46,759
big way. Look at all this land, for instance, Look

663
00:31:46,759 --> 00:31:49,240
at the view of these cliffs, and why isn't something

664
00:31:49,279 --> 00:31:53,440
done about it? By ten thousand pounds or still about

665
00:31:53,480 --> 00:31:55,759
a twenty thousand, I could start a development here?

666
00:31:56,079 --> 00:31:57,720
Speaker 9: Or didn't he just twenty thousand pounds?

667
00:31:57,799 --> 00:32:02,200
Speaker 5: Huh? What's sday like? Ten thousand? Would thirty thousand pounds?

668
00:32:02,240 --> 00:32:02,960
That's all I need?

669
00:32:06,880 --> 00:32:07,039
Speaker 4: Right?

670
00:32:07,960 --> 00:32:10,039
Speaker 2: You can save their old name of course?

671
00:32:10,640 --> 00:32:11,559
Speaker 5: Now are you see, Biki?

672
00:32:11,960 --> 00:32:14,599
Speaker 8: This is the ground plan, wonderful old I need to

673
00:32:14,599 --> 00:32:16,599
put a large hotel up there on the cliff there.

674
00:32:16,559 --> 00:32:17,319
Speaker 5: That's the idea.

675
00:32:17,440 --> 00:32:20,119
Speaker 6: Hello, what's going on in here, pokey face?

676
00:32:20,319 --> 00:32:23,119
Speaker 5: We're organizing a real estate company. We're about to buy

677
00:32:23,160 --> 00:32:25,559
a very beautiful piece of land right by the sea.

678
00:32:25,839 --> 00:32:26,319
What of you?

679
00:32:26,720 --> 00:32:28,359
Speaker 2: What? Sun? What?

680
00:32:29,359 --> 00:32:30,960
Speaker 5: Then we sell pop the profit?

681
00:32:31,359 --> 00:32:31,799
Speaker 6: I see?

682
00:32:31,920 --> 00:32:33,799
Speaker 7: But you you'll need financing for all this?

683
00:32:34,039 --> 00:32:34,559
Speaker 9: Of course?

684
00:32:34,960 --> 00:32:36,599
Speaker 6: Well have you found someone to put up the money?

685
00:32:36,640 --> 00:32:37,079
Speaker 4: Of cause?

686
00:32:37,480 --> 00:32:38,160
Speaker 9: Who me?

687
00:32:39,200 --> 00:32:39,359
Speaker 7: Oh?

688
00:32:39,400 --> 00:32:40,000
Speaker 6: I see?

689
00:32:40,200 --> 00:32:43,480
Speaker 5: Well the idea is mine, but the money is Beakie's

690
00:32:43,559 --> 00:32:47,720
and the corporation. Well, the beaky borrows against some securities

691
00:32:47,759 --> 00:32:50,640
as in Paris our the company is going to be

692
00:32:50,680 --> 00:32:53,799
in my name, Yes, darling, let me show you how

693
00:32:53,839 --> 00:32:54,519
simple it is.

694
00:32:54,839 --> 00:32:56,039
Speaker 6: Does Beckie understand it?

695
00:32:56,119 --> 00:32:56,279
Speaker 2: Oh?

696
00:32:56,319 --> 00:32:59,680
Speaker 5: Perfectly, I think I bet your part, mister, Yes, I'll

697
00:33:00,039 --> 00:33:03,359
want it on the proof. Oh, thank you, Edel, excuse me, Beckey, all.

698
00:33:03,319 --> 00:33:07,079
Speaker 6: Right, n man, Now, Vickie please explain it to me,

699
00:33:07,119 --> 00:33:08,480
will you?

700
00:33:08,559 --> 00:33:10,559
Speaker 2: Will you see my dear girl, will you see me?

701
00:33:11,119 --> 00:33:13,519
Speaker 8: We buy up this land, then we sell a part

702
00:33:13,920 --> 00:33:16,440
that gives us one hundred percent profit, then on the

703
00:33:16,440 --> 00:33:19,160
other part we build something or other.

704
00:33:19,480 --> 00:33:21,920
Speaker 7: Oh yes, but from whom you buy the land to

705
00:33:22,000 --> 00:33:22,839
whom you sell it?

706
00:33:23,079 --> 00:33:24,799
Speaker 5: WHOA? That shouldn't be difficult, do.

707
00:33:24,759 --> 00:33:25,880
Speaker 8: You think, Vicky?

708
00:33:26,079 --> 00:33:27,559
Speaker 6: Isn't it about time you grew up?

709
00:33:27,799 --> 00:33:29,640
Speaker 2: I say you're scolding?

710
00:33:29,759 --> 00:33:32,240
Speaker 6: Yes, you need a scolding? You are, Yes, you do?

711
00:33:33,000 --> 00:33:34,480
Speaker 8: Shall I go and stand in the corner?

712
00:33:34,920 --> 00:33:38,680
Speaker 6: Viki, you're not being fair to Johnny, I sell.

713
00:33:38,720 --> 00:33:41,279
Speaker 8: That's a bit thick. You know why he's the president

714
00:33:41,279 --> 00:33:44,440
of the whole very thing. Jake gets your cellary, writes

715
00:33:44,480 --> 00:33:45,039
his own chick.

716
00:33:45,319 --> 00:33:47,839
Speaker 6: Yes, that's what I mean. What's wrong about this?

717
00:33:48,400 --> 00:33:48,599
Speaker 5: Yes?

718
00:33:48,680 --> 00:33:52,119
Speaker 8: What is wrong about well, Lena, I sall Ben, Lina

719
00:33:52,200 --> 00:33:53,680
tell me a little bit soft in my head?

720
00:33:53,799 --> 00:33:55,400
Speaker 2: Is that it? When it sounded like that to me?

721
00:33:56,720 --> 00:33:58,359
Speaker 5: Becky, haven't you got to be changing for dinner?

722
00:33:58,680 --> 00:33:58,799
Speaker 3: Right?

723
00:33:59,200 --> 00:33:59,400
Speaker 4: Ben?

724
00:33:59,480 --> 00:34:02,720
Speaker 5: I won't be a what might have you to interfere

725
00:34:02,759 --> 00:34:03,400
in my affairs?

726
00:34:03,599 --> 00:34:06,240
Speaker 9: But I wasn't really, I was only you don't know what?

727
00:34:07,160 --> 00:34:07,319
Speaker 4: Well?

728
00:34:07,359 --> 00:34:10,000
Speaker 7: I was only trying to tell VICKI that he shouldn't

729
00:34:10,000 --> 00:34:10,679
need everything to you.

730
00:34:10,960 --> 00:34:13,599
Speaker 6: It's it's not as if you were both experienced businessman.

731
00:34:13,719 --> 00:34:15,119
Speaker 5: What double do you know about business?

732
00:34:15,880 --> 00:34:16,400
Speaker 11: Very little?

733
00:34:16,679 --> 00:34:18,519
Speaker 5: I only taking me seriously.

734
00:34:18,800 --> 00:34:20,719
Speaker 2: You ruined the whole scheme. You realize that.

735
00:34:21,320 --> 00:34:23,239
Speaker 6: Yes, but if it weren't good, well, that's my business,

736
00:34:23,320 --> 00:34:23,800
not yours.

737
00:34:24,360 --> 00:34:26,719
Speaker 5: If I say it's good, it's good. But I don't

738
00:34:26,719 --> 00:34:28,920
want anything in appearance from you or anyone else.

739
00:34:29,320 --> 00:34:32,599
Speaker 6: The clear, Yes, that's clear.

740
00:34:40,360 --> 00:34:40,519
Speaker 4: Yes?

741
00:34:40,599 --> 00:34:41,039
Speaker 9: Who is it?

742
00:34:43,239 --> 00:34:43,880
Speaker 6: Yes? Johnny?

743
00:34:45,760 --> 00:34:48,199
Speaker 5: Well, I thought you might like to know. I'm calling

744
00:34:48,239 --> 00:34:49,280
off the real estate plan.

745
00:34:49,599 --> 00:34:50,440
Speaker 6: Why what happened?

746
00:34:50,880 --> 00:34:51,559
Speaker 2: Oh? I don't know.

747
00:34:52,320 --> 00:34:55,639
Speaker 5: Pers the land isn't any good. Oh, perhaps I don't

748
00:34:55,760 --> 00:34:58,760
like the idea of risking Peeky's money. Or perhaps it's

749
00:34:58,800 --> 00:35:00,519
a stiff job and I'm too lazy.

750
00:35:06,280 --> 00:35:08,119
Speaker 8: I don't know what it is, but every time I

751
00:35:08,239 --> 00:35:10,760
play on the grams, I can only make three letter words.

752
00:35:11,079 --> 00:35:14,119
Speaker 2: G O you b g O you be no words?

753
00:35:14,480 --> 00:35:18,280
Try this g O you b T doubt thank you,

754
00:35:18,360 --> 00:35:21,039
old girl. Your turn, Dear Johnny. I don't see why

755
00:35:21,079 --> 00:35:22,719
you want to call off this real estate scheme.

756
00:35:23,079 --> 00:35:23,679
Speaker 5: It's no good.

757
00:35:23,960 --> 00:35:27,320
Speaker 8: The corporation's phone ball ready, the management put up the name.

758
00:35:27,239 --> 00:35:28,679
Speaker 5: Old boy, the deals off speak.

759
00:35:28,960 --> 00:35:30,280
Speaker 2: Why do we have to drive all the way up

760
00:35:30,280 --> 00:35:30,920
there to look at it?

761
00:35:31,760 --> 00:35:33,880
Speaker 5: Well, I won't be responsible for calling this scheme off

762
00:35:33,920 --> 00:35:36,519
without first proving to you it's no good. We're going

763
00:35:36,599 --> 00:35:38,400
up there early tomorrow morning and take a look. Why

764
00:35:38,400 --> 00:35:41,159
are you so, sister, Because as I told you, I won't.

765
00:35:41,000 --> 00:35:43,079
Speaker 2: Be responsible old boy.

766
00:35:43,360 --> 00:35:44,360
Speaker 4: What's the word you got there?

767
00:35:44,360 --> 00:35:44,679
Speaker 8: Elina?

768
00:35:45,239 --> 00:35:47,719
Speaker 2: And you l d e r Oh?

769
00:35:47,880 --> 00:35:48,599
Speaker 11: This word is there?

770
00:35:49,039 --> 00:35:54,199
Speaker 8: Try the R instead of the al murder, that's better, murder, Johnny.

771
00:35:54,199 --> 00:35:56,400
Speaker 2: I don't like going up there in the morning. Why

772
00:35:56,440 --> 00:35:57,440
do we have to go too early?

773
00:35:57,599 --> 00:36:00,559
Speaker 5: Nahki oh, well.

774
00:36:00,480 --> 00:36:08,239
Speaker 6: We have to lit it on the gate money. I say, Lena,

775
00:36:08,840 --> 00:36:12,159
here to the clip, say web, Lena, I say, you'll.

776
00:36:12,039 --> 00:36:12,440
Speaker 4: Put you on.

777
00:36:12,840 --> 00:36:15,360
Speaker 6: He'll call you murder murder.

778
00:36:20,199 --> 00:36:22,800
Speaker 5: Nina what's the matter, Nina, give me your hand here,

779
00:36:23,119 --> 00:36:23,599
she's fainted.

780
00:36:30,920 --> 00:36:33,440
Speaker 6: What time did miss as God leave by? About seven?

781
00:36:33,519 --> 00:36:34,880
Speaker 14: Man and mister Thwaite went with him.

782
00:36:34,960 --> 00:36:37,440
Speaker 6: Yes, ma'am, why didn't you wake me? Well, mister A's

783
00:36:37,519 --> 00:36:40,920
God said not to disturb you. What car do they use? Well, ma'am,

784
00:36:41,000 --> 00:36:42,480
I don't what car? Which one?

785
00:36:44,440 --> 00:36:44,559
Speaker 7: Oh?

786
00:36:44,679 --> 00:36:46,320
Speaker 6: That's mister A's God, now, ma'am.

787
00:36:47,400 --> 00:36:47,480
Speaker 2: That.

788
00:36:49,320 --> 00:36:50,079
Speaker 6: He's come back.

789
00:36:52,360 --> 00:36:53,800
Speaker 2: Johnny eating better?

790
00:36:55,039 --> 00:36:58,000
Speaker 5: That's the matter. You're white as a sheet, well.

791
00:36:59,480 --> 00:36:59,840
Speaker 6: Speaking?

792
00:37:00,559 --> 00:37:00,599
Speaker 13: What?

793
00:37:01,360 --> 00:37:01,559
Speaker 4: Oh?

794
00:37:01,840 --> 00:37:06,239
Speaker 2: Go hi? Feeling any better? What is it?

795
00:37:06,719 --> 00:37:09,480
Speaker 6: Oh, Johnny, I'm too glad?

796
00:37:10,440 --> 00:37:12,559
Speaker 5: Well, what's all this? I won't have been away a

797
00:37:12,599 --> 00:37:13,000
few hours?

798
00:37:13,079 --> 00:37:14,239
Speaker 11: It seems like a town to me.

799
00:37:14,559 --> 00:37:15,920
Speaker 2: Yeah, it seems like that to me too.

800
00:37:16,239 --> 00:37:19,360
Speaker 5: No, shut up, it was nothing nothing. I came by

801
00:37:19,440 --> 00:37:19,599
and to.

802
00:37:19,639 --> 00:37:21,400
Speaker 2: Lose my life. You call it nothing?

803
00:37:22,199 --> 00:37:26,119
Speaker 6: You nearly lost your life, came very close to it.

804
00:37:26,320 --> 00:37:27,440
Speaker 5: Let's drop the subject.

805
00:37:27,760 --> 00:37:31,039
Speaker 14: No, go on, Vikie, I want to hear about it.

806
00:37:31,400 --> 00:37:32,719
Speaker 5: Whoa very well?

807
00:37:32,800 --> 00:37:35,159
Speaker 8: On top of the cliff, I was trying to turn.

808
00:37:35,039 --> 00:37:36,039
Speaker 2: My car near the edge.

809
00:37:36,679 --> 00:37:37,480
Speaker 6: Johnny in the car?

810
00:37:37,719 --> 00:37:39,039
Speaker 4: No, it was a few feet away.

811
00:37:39,760 --> 00:37:42,400
Speaker 2: Go on, Well, I didn't realize I was back in

812
00:37:42,480 --> 00:37:42,800
the car.

813
00:37:42,960 --> 00:37:45,440
Speaker 8: Toward the dead, but I was, And if old Johnny

814
00:37:45,519 --> 00:37:47,519
hadn't taken a fly and leap and grabbed the break,

815
00:37:47,840 --> 00:37:49,079
I should have been Kingdom.

816
00:37:48,880 --> 00:37:53,440
Speaker 6: Come by now, Johnny saved your life. Oh Johnny, I

817
00:37:53,480 --> 00:37:54,280
can ever tell.

818
00:37:54,119 --> 00:37:55,119
Speaker 7: You what this means to me?

819
00:37:56,159 --> 00:37:58,760
Speaker 2: You donnie, Yes, it means a good bit to me too.

820
00:38:01,119 --> 00:38:02,960
I think the old fellow deserves reward.

821
00:38:03,079 --> 00:38:04,360
Speaker 8: How about a night out sports?

822
00:38:04,360 --> 00:38:06,440
Speaker 5: Shall bring on me, old bee? Oh well, I was

823
00:38:06,519 --> 00:38:08,360
very kind of you, bikie. But don't you have to

824
00:38:08,400 --> 00:38:09,000
go to Paris?

825
00:38:09,519 --> 00:38:12,400
Speaker 8: Paris fish fish of course, So I do my securities.

826
00:38:12,480 --> 00:38:14,960
I've got to go over there and kench the arrangements form.

827
00:38:15,039 --> 00:38:16,039
Speaker 2: Why don't you come up with me?

828
00:38:16,519 --> 00:38:19,199
Speaker 5: Oh all right? The cat seems to forget I'm a

829
00:38:19,239 --> 00:38:21,519
married man. Say, I'll tell you what I might do, Biggie.

830
00:38:21,519 --> 00:38:23,199
I might drive up, drive up as far as London

831
00:38:23,239 --> 00:38:24,800
with you. How about that monkey vase?

832
00:38:24,880 --> 00:38:28,679
Speaker 8: Yes, maggy vas, I mean no, Lina, you let me come.

833
00:38:28,920 --> 00:38:29,119
Speaker 7: Well.

834
00:38:29,159 --> 00:38:32,760
Speaker 5: It seems to me that, yes, I know a job. Well,

835
00:38:32,800 --> 00:38:34,960
it seems to me that I'll have much more chance

836
00:38:35,000 --> 00:38:37,000
of getting a job in London than I would around here.

837
00:38:37,199 --> 00:38:38,159
Speaker 2: Yes, of course he would do.

838
00:38:38,360 --> 00:38:38,639
Speaker 4: Let him.

839
00:38:38,719 --> 00:38:39,719
Speaker 2: Lina, Well, I.

840
00:38:39,760 --> 00:38:42,000
Speaker 6: Don't see very well how I can stop good?

841
00:38:51,559 --> 00:38:53,119
Speaker 11: Yes, ethel They have an.

842
00:38:53,039 --> 00:38:55,880
Speaker 6: Inspector Hudson in the hall, ma'am. He wants to see

843
00:38:55,920 --> 00:38:59,079
mister Ascar showing you a nettle. Very good man. Will

844
00:38:59,119 --> 00:38:59,880
you come this way?

845
00:39:00,599 --> 00:39:00,920
Speaker 4: Thank you?

846
00:39:02,880 --> 00:39:06,159
Speaker 2: Yes, by name's Hodge and Inspector Hodgeon from the County Police.

847
00:39:06,239 --> 00:39:07,960
How do you do I understand your.

848
00:39:07,920 --> 00:39:10,039
Speaker 6: Husband's not in man, No, he's been up in London

849
00:39:10,119 --> 00:39:10,679
for two days.

850
00:39:10,880 --> 00:39:12,679
Speaker 2: Or perhaps you might be able to help him. Yes,

851
00:39:12,679 --> 00:39:15,280
of course I believe you know a mister Thwaite.

852
00:39:15,920 --> 00:39:17,639
Speaker 6: Yes, he's a close friend of my husband.

853
00:39:17,920 --> 00:39:20,960
Speaker 2: Well, I don't know how to put it quite Perhaps

854
00:39:21,039 --> 00:39:23,440
it would be easier if I showed you this in

855
00:39:23,519 --> 00:39:24,559
this afternoon's paper.

856
00:39:25,199 --> 00:39:28,159
Speaker 6: Right here, man englishman found dead.

857
00:39:28,920 --> 00:39:31,039
Speaker 7: An Englishman met with a mysterious death in.

858
00:39:31,079 --> 00:39:34,760
Speaker 6: A house in Paris is believed to be mister Gordon Carkan's.

859
00:39:37,519 --> 00:39:39,280
Speaker 2: I'm sorry I have to do this, man, but we're

860
00:39:39,320 --> 00:39:42,679
making inquiries for the Paris police. They found some papers

861
00:39:42,719 --> 00:39:45,519
on mister Thwaite's person which indicates he just formed the

862
00:39:45,599 --> 00:39:46,920
corporation with your husband.

863
00:39:47,760 --> 00:39:51,679
Speaker 7: But what did the French police think caused the death?

864
00:39:51,920 --> 00:39:53,920
Speaker 2: Well, this is a copy of a telegram that we

865
00:39:54,039 --> 00:39:57,679
received from Paris. Great visited the place.

866
00:39:57,480 --> 00:40:01,119
Speaker 3: In the company of another Englishman, I will Fwight ordered

867
00:40:01,119 --> 00:40:02,119
a bottle of brandy.

868
00:40:03,280 --> 00:40:06,039
Speaker 2: According to one of the waiters, Twite's companion asked for

869
00:40:06,119 --> 00:40:09,639
the brandy to be served in large beakers. Apparently as

870
00:40:09,719 --> 00:40:12,400
a result of a bit between the two men, Sweit

871
00:40:12,480 --> 00:40:14,679
filled one of these beakers to the brim and drank

872
00:40:14,719 --> 00:40:17,320
it all. The other man was not present when the

873
00:40:17,400 --> 00:40:21,360
actual tragedy happened. I'm sorry, man, but do you or

874
00:40:21,440 --> 00:40:24,039
your husband happened to nerve any friend of mister Twaits

875
00:40:24,039 --> 00:40:28,199
who might have been there with him. No, then perhaps

876
00:40:28,239 --> 00:40:30,039
you could enlighten us about this corporation.

877
00:40:30,760 --> 00:40:32,000
Speaker 9: Yes, I believe I can.

878
00:40:33,199 --> 00:40:36,599
Speaker 7: My husband had planned a real estate development with him.

879
00:40:37,559 --> 00:40:40,599
Mister Thwaite had gone to Paris to deserve the corporation.

880
00:40:41,119 --> 00:40:42,400
Speaker 5: Thank you, ma'am. That's all.

881
00:40:43,039 --> 00:40:44,519
Speaker 2: Good day, Good day.

882
00:40:56,360 --> 00:41:00,559
Speaker 15: Hello O God's Club, ye speakers, today's guard things.

883
00:41:02,400 --> 00:41:07,679
Speaker 6: He left the twins yesterday morning.

884
00:41:09,400 --> 00:41:29,000
Speaker 11: No, no, it doesn't matter, thank you, because.

885
00:41:28,599 --> 00:41:32,280
Speaker 3: Now for faith and identification, listen is CBS they Columbia

886
00:41:32,400 --> 00:41:55,599
Broadcasting System. In a few minutes, mister de Mille and

887
00:41:55,679 --> 00:41:58,760
our stars William Powell and Olivia de Haviland will return

888
00:41:58,840 --> 00:42:03,559
and Act three of Now here's a very reasonable question

889
00:42:03,760 --> 00:42:05,000
from an American housewife.

890
00:42:05,440 --> 00:42:07,559
Speaker 16: Now that it seems likely the war in Europe may

891
00:42:07,639 --> 00:42:10,039
soon come to an end, why should I keep on

892
00:42:10,199 --> 00:42:11,679
saving my used cooking fat?

893
00:42:12,039 --> 00:42:15,360
Speaker 3: Why missus America? Because the need is still critical, perhaps

894
00:42:15,480 --> 00:42:16,519
more critical than ever.

895
00:42:16,920 --> 00:42:19,880
Speaker 16: But will fats be needed as urgently to manufacture war

896
00:42:20,039 --> 00:42:22,400
materials and medicines to send abroad.

897
00:42:22,239 --> 00:42:25,679
Speaker 3: After Germany's defeat. There's still Japan, remember this too. The

898
00:42:25,800 --> 00:42:28,400
Jets still have the fat. They hold the countries from

899
00:42:28,400 --> 00:42:31,079
which we used to import about one billion pounds of

900
00:42:31,159 --> 00:42:32,360
fats and oils each year.

901
00:42:32,519 --> 00:42:33,800
Speaker 6: A billion pounds.

902
00:42:34,320 --> 00:42:35,239
Speaker 11: That's a lot of fat.

903
00:42:35,400 --> 00:42:40,320
Speaker 3: It is indeed enough to help manufacture the supplies of ammunition, medicines, parachutes,

904
00:42:40,360 --> 00:42:42,599
and other war materials that must keep on going to

905
00:42:42,679 --> 00:42:46,239
our fighting men abroad. Remember till our domestic production of

906
00:42:46,280 --> 00:42:48,559
fats is short, it has had to fall off during

907
00:42:48,639 --> 00:42:48,920
the war.

908
00:42:49,239 --> 00:42:51,880
Speaker 16: Well, I guess I'd better keep that salvage tin handy

909
00:42:51,960 --> 00:42:53,519
on the stove, just as I've been doing.

910
00:42:53,840 --> 00:42:57,079
Speaker 3: You're doing a necessary patriotic service when you continue to

911
00:42:57,199 --> 00:42:59,800
save every drop of used kitchen fats and turn them

912
00:42:59,840 --> 00:43:02,760
in to your butcher. Every bit you throw away, nay,

913
00:43:02,840 --> 00:43:05,360
deprive one of our men of some vital thing he needs.

914
00:43:05,800 --> 00:43:06,840
Speaker 2: The war isn't over.

915
00:43:07,000 --> 00:43:09,199
Speaker 3: Till our boys come home. We need to keep on

916
00:43:09,360 --> 00:43:12,719
doing everything we can to get them home sooner. Fats

917
00:43:12,880 --> 00:43:16,599
are essential materials of war. Don't waste them. Save them

918
00:43:16,639 --> 00:43:19,599
every day, turn them into your butcher. Remember he still

919
00:43:19,639 --> 00:43:21,639
gives you four cents a pounds and two red ration

920
00:43:21,760 --> 00:43:24,840
points for every pound you turn in. That's the message

921
00:43:24,880 --> 00:43:28,159
your government sends you. Here's what mister Lee Marshall, director

922
00:43:28,199 --> 00:43:32,119
of Distribution War Food Administration, tells you. Saving used fats

923
00:43:32,239 --> 00:43:34,960
is not a glamorous task. It takes effort, but it

924
00:43:35,119 --> 00:43:38,880
is one that only you, the American housewife, can perform

925
00:43:39,039 --> 00:43:41,760
for the country. We ask you to continue the wonderful

926
00:43:41,840 --> 00:43:46,000
job you are doing to help speed final victory. And now,

927
00:43:46,280 --> 00:43:48,119
mister de mill returns to the microphone.

928
00:43:48,719 --> 00:43:50,519
Speaker 4: When the prayers are where we hope you will join

929
00:43:50,599 --> 00:43:53,440
us behind the scenes for an informal chat for our stars.

930
00:43:54,159 --> 00:43:57,679
Now here's Act three of Suspicion, starring William Powell as

931
00:43:57,760 --> 00:44:08,920
Johnny and Olivia de Haviland as Lina. Lena's mind. The

932
00:44:09,039 --> 00:44:12,239
sharp sting of suspicion has given way to the dull,

933
00:44:12,360 --> 00:44:16,559
sickening ache of certain day. Certain day to her husband

934
00:44:17,079 --> 00:44:17,760
is a murderer.

935
00:44:18,920 --> 00:44:20,760
Speaker 2: Returning to the house, he stands.

936
00:44:20,480 --> 00:44:24,239
Speaker 4: Framed in the doorway, looking at her. She turns toward

937
00:44:24,360 --> 00:44:25,760
him with fear.

938
00:44:25,639 --> 00:44:29,559
Speaker 5: In her eyes. You've read about Beakie, Heather. I was

939
00:44:29,639 --> 00:44:33,280
terribly fond of Bikie, were you. Yes? I love that sully,

940
00:44:33,679 --> 00:44:34,960
generous and good hearted fool.

941
00:44:35,519 --> 00:44:35,800
Speaker 6: Did you?

942
00:44:36,320 --> 00:44:38,800
Speaker 5: Of course I did? Next to you. I loved him

943
00:44:38,800 --> 00:44:39,880
more than anybody in the world.

944
00:44:40,480 --> 00:44:40,960
Speaker 6: Next to me.

945
00:44:42,039 --> 00:44:44,960
Speaker 5: Oh, poor monkey face here, I am thinking only of

946
00:44:45,039 --> 00:44:48,119
myself for forgetting about you. You like him too, didn't you?

947
00:44:48,719 --> 00:44:53,880
Speaker 6: I like him very much. The police were here, What

948
00:44:53,960 --> 00:44:57,000
do they want? They wanted you to help them. They

949
00:44:57,079 --> 00:45:00,199
had a telegram from Paris, and it seems to was

950
00:45:00,280 --> 00:45:01,480
an Englishman who made it.

951
00:45:03,039 --> 00:45:06,960
Speaker 5: Yes, the whole story was in the late edition. What else?

952
00:45:07,960 --> 00:45:10,639
Speaker 7: The inspector wants you to phone him? Thought perhaps you

953
00:45:10,679 --> 00:45:12,880
could help identify this englishman.

954
00:45:13,400 --> 00:45:16,039
Speaker 5: What did you tell them? Did you mention the corporation?

955
00:45:16,760 --> 00:45:20,239
Speaker 6: Naturally? I told him that he was planning to dissolve it.

956
00:45:21,119 --> 00:45:24,840
Speaker 5: I wish you left all that to me. Hello, which

957
00:45:24,960 --> 00:45:27,840
the police station. Please, What else did you tell them?

958
00:45:28,079 --> 00:45:28,800
Speaker 7: That's about all?

959
00:45:29,280 --> 00:45:37,000
Speaker 5: Hello, Hello, inspector, this is John Asgott. Yes, well I

960
00:45:37,199 --> 00:45:40,599
drove up to London with him Jues evening. Yes, I

961
00:45:40,840 --> 00:45:45,599
saw him off at Croydon Airport. No no, I stayed

962
00:45:45,639 --> 00:45:55,679
in London until this afternoon at my clubana.

963
00:45:55,760 --> 00:45:57,599
Speaker 9: How nice to see to dolve this.

964
00:45:58,119 --> 00:45:58,559
Speaker 6: Here's Abel.

965
00:45:58,679 --> 00:46:00,960
Speaker 7: You know, I couldn't put my light out until three

966
00:46:01,039 --> 00:46:03,719
this morning. I was so interested in your last book

967
00:46:03,719 --> 00:46:04,880
I had to come over and talk.

968
00:46:04,760 --> 00:46:05,280
Speaker 6: To you about it.

969
00:46:05,440 --> 00:46:07,199
Speaker 9: That's the nicest complement I have forgot.

970
00:46:07,440 --> 00:46:09,320
Speaker 14: I was completely fascinated by the way you are.

971
00:46:09,400 --> 00:46:10,719
Speaker 6: Villain enticed his victim.

972
00:46:10,519 --> 00:46:13,800
Speaker 7: Across the footbridge, knowing that the bridge had been sown through, and.

973
00:46:13,920 --> 00:46:16,480
Speaker 9: He also knew his victim couldn't swim. Don't forget that.

974
00:46:17,119 --> 00:46:20,079
Speaker 6: Well, what I want to know is this, Would you

975
00:46:20,239 --> 00:46:22,519
call that an actual murder?

976
00:46:23,760 --> 00:46:25,960
Speaker 9: From a moral standpoint, there's no question at all.

977
00:46:26,320 --> 00:46:28,760
Speaker 6: It is murden, I suppose it is.

978
00:46:29,320 --> 00:46:30,199
Speaker 9: What does Johnny think?

979
00:46:30,559 --> 00:46:34,199
Speaker 6: Johnny? Oh, I haven't discussed it for him. Why I

980
00:46:34,320 --> 00:46:35,239
think he'd be interruted.

981
00:46:35,639 --> 00:46:38,360
Speaker 7: The same situation with his brand is in Paris, the

982
00:46:38,480 --> 00:46:41,480
same well that Brandy business is just like my footbridge.

983
00:46:41,880 --> 00:46:44,039
Speaker 9: By the way, this branded thing isn't new at all.

984
00:46:44,079 --> 00:46:45,360
Speaker 6: You know it's been done before.

985
00:46:45,480 --> 00:46:48,400
Speaker 9: Oh yeah, and in real life too. I haven't here

986
00:46:48,880 --> 00:46:50,719
a book called the Trial of Richard Palmer.

987
00:46:51,239 --> 00:46:52,239
Speaker 2: A will that book?

988
00:46:52,840 --> 00:46:54,159
Speaker 9: The Trial of Oh?

989
00:46:55,000 --> 00:46:56,239
Speaker 3: I remember what it is?

990
00:46:56,880 --> 00:47:00,480
Speaker 7: It's in your house, my house, yes, John, they borrowed

991
00:47:00,519 --> 00:47:01,119
it a week ago.

992
00:47:09,159 --> 00:47:09,400
Speaker 2: Hello.

993
00:47:10,119 --> 00:47:13,400
Speaker 6: Oh, may I speak to mister raise Gard Please, he

994
00:47:13,559 --> 00:47:16,320
isn't in. This is missus Asta speaking.

995
00:47:17,159 --> 00:47:19,719
Speaker 13: Well, this is the Garandar's Life Insurance Company.

996
00:47:20,239 --> 00:47:23,480
Speaker 6: Yes, would you tell mister raise Gard has been a second.

997
00:47:25,119 --> 00:47:26,760
Speaker 5: We've written him fully and he should.

998
00:47:26,519 --> 00:47:27,519
Speaker 17: Get our letter in the morning.

999
00:47:33,800 --> 00:47:37,960
Speaker 14: Dear sir, replying to your inquiry regarding a loan of

1000
00:47:38,000 --> 00:47:42,360
fire policy, we regret that such a loan cannot be granted.

1001
00:47:42,800 --> 00:47:45,199
According to the terms of the policy. Payments can only

1002
00:47:45,280 --> 00:47:49,760
be made in the event of your wife said, if you.

1003
00:47:53,400 --> 00:47:54,280
Speaker 5: Can let this for me?

1004
00:47:55,719 --> 00:47:56,280
Speaker 2: What's the mother?

1005
00:47:57,000 --> 00:47:57,320
Speaker 8: Nothing?

1006
00:47:58,440 --> 00:47:59,679
Speaker 5: Well, you're not sugaring, are you?

1007
00:48:00,039 --> 00:48:00,159
Speaker 7: Oh?

1008
00:48:00,199 --> 00:48:01,039
Speaker 6: I have a bit of a chill.

1009
00:48:01,480 --> 00:48:05,360
Speaker 5: It's cold and all this sunshine all my poor little

1010
00:48:05,480 --> 00:48:08,119
shivering baby. How do you feel now?

1011
00:48:08,679 --> 00:48:08,960
Speaker 2: Better?

1012
00:48:09,280 --> 00:48:12,239
Speaker 5: Much good? What are you doing tonight?

1013
00:48:12,760 --> 00:48:14,119
Speaker 6: We're going to Isabel's to die?

1014
00:48:14,599 --> 00:48:15,760
Speaker 2: Oh? What a bore.

1015
00:48:24,000 --> 00:48:25,760
Speaker 5: Well, let's get back to that new book of yours.

1016
00:48:25,760 --> 00:48:27,719
As a well, you mean to tell me that a

1017
00:48:27,760 --> 00:48:29,400
fund who sits down at the piano, it starts to

1018
00:48:29,480 --> 00:48:31,639
strum and in two seconds later he shot?

1019
00:48:32,159 --> 00:48:32,840
Speaker 2: Is that the idea?

1020
00:48:32,960 --> 00:48:35,559
Speaker 7: Hey, a certain note on the piano was wired or

1021
00:48:35,559 --> 00:48:37,119
a revolver concealed in the wall?

1022
00:48:37,440 --> 00:48:39,400
Speaker 5: Oh, I don't care much for that. As a belt,

1023
00:48:39,760 --> 00:48:40,840
you're slipping, old girl.

1024
00:48:41,039 --> 00:48:41,800
Speaker 9: What's wrong with this?

1025
00:48:42,079 --> 00:48:45,119
Speaker 5: Too complicated? You're going to kill somebody to do it simply?

1026
00:48:45,760 --> 00:48:47,440
Speaker 6: How would you do it simply?

1027
00:48:47,559 --> 00:48:47,920
Speaker 11: Johnny?

1028
00:48:48,199 --> 00:48:50,400
Speaker 5: No, I don't know there. Just use the most obvious

1029
00:48:50,480 --> 00:48:54,079
method for instant well poison, Just use the first one

1030
00:48:54,119 --> 00:48:56,840
that came to my mind, say Awesoenic Awsen.

1031
00:48:56,840 --> 00:48:58,239
Speaker 9: It could be traced in the body's cool.

1032
00:48:59,039 --> 00:48:59,960
Speaker 5: But it isn't always.

1033
00:49:00,239 --> 00:49:01,639
Speaker 9: No, it's very minute.

1034
00:49:01,639 --> 00:49:04,559
Speaker 7: There are probably hundreds of murders walking about, Johnny.

1035
00:49:05,079 --> 00:49:06,800
Speaker 6: Do you suppose those murderers are happy?

1036
00:49:07,519 --> 00:49:08,519
Speaker 5: I don't know. I shouldn't they?

1037
00:49:09,400 --> 00:49:10,199
Speaker 2: Well, anyway, it's a belle.

1038
00:49:10,280 --> 00:49:12,119
Speaker 5: It seems to me that by now somebody would have

1039
00:49:12,159 --> 00:49:15,920
discovered a poison that can't be traced. But what about it?

1040
00:49:16,079 --> 00:49:18,800
Speaker 7: Isn't that an untraceable poison? No?

1041
00:49:19,840 --> 00:49:23,639
Speaker 5: Do that thing, Isabelle? You are hiding something from it.

1042
00:49:31,639 --> 00:49:34,960
Speaker 6: Johnny, you're locking up? What about Ethel?

1043
00:49:35,519 --> 00:49:38,079
Speaker 5: Well, it's Ethel tonight. Off. She won't be back till morning.

1044
00:49:39,000 --> 00:49:39,760
Speaker 6: What about Cook?

1045
00:49:40,639 --> 00:49:44,880
Speaker 5: Have you forgotten Cook's away on a holiday. Oh, darling,

1046
00:49:45,800 --> 00:49:48,840
you're showing again. You suppose you're catching cold?

1047
00:49:49,000 --> 00:49:51,039
Speaker 16: Yes, I think that's what it must be.

1048
00:49:51,360 --> 00:49:53,440
Speaker 5: Oh well, we'll have to touch you in the bed,

1049
00:49:53,760 --> 00:49:54,880
get you nice and warm.

1050
00:49:55,239 --> 00:49:57,559
Speaker 6: I'm on, Johnny, please please don't.

1051
00:49:57,960 --> 00:49:59,159
Speaker 2: What's the trouble, Johnny.

1052
00:49:59,159 --> 00:50:01,239
Speaker 6: I'm in the street tonight. I don't know why, but

1053
00:50:01,599 --> 00:50:04,039
I'd like to be alone. Would you mind sitting in

1054
00:50:04,079 --> 00:50:09,039
your dressing room? Of course, that's mind, Johnny. I I

1055
00:50:09,119 --> 00:50:10,760
have been sitting very well lately.

1056
00:50:11,440 --> 00:50:15,880
Speaker 5: Oh, I understand you used to sleep badly when I

1057
00:50:16,159 --> 00:50:16,599
wasn't here.

1058
00:50:16,920 --> 00:50:17,280
Speaker 2: Now you.

1059
00:50:19,119 --> 00:50:19,480
Speaker 5: All right?

1060
00:50:19,639 --> 00:50:21,760
Speaker 2: That's the way you feel about it? Good night?

1061
00:50:31,440 --> 00:50:44,719
Speaker 5: You come on, Nina, wake up here?

1062
00:50:45,519 --> 00:50:46,079
Speaker 2: You better?

1063
00:50:47,000 --> 00:50:47,199
Speaker 5: Yes?

1064
00:50:47,960 --> 00:50:52,159
Speaker 9: Yes, that hello, darling, it's still I came over this moment.

1065
00:50:52,360 --> 00:50:53,679
We were quite worried about Uli.

1066
00:50:54,440 --> 00:50:58,519
Speaker 6: It's more I happen to sleep all day.

1067
00:50:58,840 --> 00:51:01,920
Speaker 5: The doctor give you a kill, Army, that's all you needed. Rest.

1068
00:51:02,679 --> 00:51:05,360
I'll run down and tell athletic supper right back.

1069
00:51:05,960 --> 00:51:10,280
Speaker 7: Oh, he's won in a millionaire Johnny of yours. I

1070
00:51:10,519 --> 00:51:12,920
warn you, if you leave me alone much longer with you,

1071
00:51:13,119 --> 00:51:14,320
my career will soon be over.

1072
00:51:15,119 --> 00:51:17,360
Speaker 6: It blurted if you write as blurted.

1073
00:51:17,360 --> 00:51:19,920
Speaker 9: Worse than that, he's wearing all my secrets.

1074
00:51:19,559 --> 00:51:19,880
Speaker 2: Out of me.

1075
00:51:20,679 --> 00:51:23,079
Speaker 6: Did you tell him anything today?

1076
00:51:23,360 --> 00:51:24,360
Speaker 9: Did I old?

1077
00:51:24,480 --> 00:51:24,639
Speaker 4: Now?

1078
00:51:24,760 --> 00:51:27,960
Speaker 7: Honestly have you ever been able to deny Johnny anything?

1079
00:51:28,760 --> 00:51:30,840
Speaker 6: It was about that poison, wasn't it as it was?

1080
00:51:31,239 --> 00:51:32,960
Speaker 9: And if he writes a story on that one before

1081
00:51:33,000 --> 00:51:34,400
I do lead it?

1082
00:51:34,800 --> 00:51:35,039
Speaker 2: Need it?

1083
00:51:35,119 --> 00:51:37,440
Speaker 9: Imagine a substance in daily use.

1084
00:51:37,519 --> 00:51:39,880
Speaker 7: Anyone can get it and within a minute after taking

1085
00:51:40,159 --> 00:51:42,800
the victims beautifully out of the way, and mind you,

1086
00:51:43,119 --> 00:51:44,639
it's undetectable after this.

1087
00:51:46,880 --> 00:51:50,159
Speaker 6: Whatever it is painful, let him in lease.

1088
00:51:50,719 --> 00:51:53,679
Speaker 9: In fact, I should think it would be a most pleasant.

1089
00:51:53,360 --> 00:52:06,480
Speaker 18: Say, Nina, are you awake?

1090
00:52:07,840 --> 00:52:08,039
Speaker 15: Yes?

1091
00:52:09,559 --> 00:52:11,320
Speaker 5: I brought you a sandwich in a glass of milk.

1092
00:52:13,800 --> 00:52:15,679
You might drink the milk before you go to sleep.

1093
00:52:16,280 --> 00:52:26,440
I'll just leave it here night dog. Why don't you

1094
00:52:26,519 --> 00:52:27,320
let me help you back?

1095
00:52:27,920 --> 00:52:29,000
Speaker 6: Oh, there's no need do I.

1096
00:52:29,280 --> 00:52:32,000
Speaker 5: What's the matter with you this morning? You're still annoyed

1097
00:52:32,000 --> 00:52:32,519
with me, aren't you?

1098
00:52:32,840 --> 00:52:32,880
Speaker 1: No?

1099
00:52:33,039 --> 00:52:35,840
Speaker 6: Johnny, Really, I still don't for you will, that's all?

1100
00:52:36,239 --> 00:52:38,000
Speaker 5: And a few days that your mother's will do more

1101
00:52:38,039 --> 00:52:38,880
good than staying at home.

1102
00:52:39,000 --> 00:52:41,360
Speaker 6: Well, it's not exactly that, don't you understand?

1103
00:52:41,880 --> 00:52:42,079
Speaker 7: Mother?

1104
00:52:42,199 --> 00:52:44,639
Speaker 5: Telephone that phorn off it early.

1105
00:52:44,760 --> 00:52:47,079
Speaker 6: It seems to me, Well, mother gets up early.

1106
00:52:47,519 --> 00:52:49,280
Speaker 7: I happened to mention that I was a bit nervy,

1107
00:52:49,320 --> 00:52:51,760
and before I knew it, I'd agreed to spend a

1108
00:52:51,800 --> 00:52:52,559
few days with her.

1109
00:52:53,199 --> 00:52:55,320
Speaker 5: All right, I'll run down and get the car ready.

1110
00:52:55,400 --> 00:52:58,480
Speaker 6: Oh no, don't, I'll drive it myself.

1111
00:52:59,159 --> 00:52:59,800
Speaker 5: I prefer to.

1112
00:53:00,679 --> 00:53:10,679
Speaker 6: Oh you're going to fast, Johnny.

1113
00:53:10,800 --> 00:53:12,039
Speaker 5: Well you want to get there, don't you?

1114
00:53:13,119 --> 00:53:13,400
Speaker 6: Did you?

1115
00:53:14,360 --> 00:53:15,639
Speaker 7: Did you have to go by this road?

1116
00:53:15,800 --> 00:53:16,119
Speaker 2: Why not?

1117
00:53:16,480 --> 00:53:22,079
Speaker 5: The short way, isn't it? There's the hotel site. Another

1118
00:53:22,159 --> 00:53:23,039
thing I've failed that.

1119
00:53:25,440 --> 00:53:26,239
Speaker 1: He's going to kill me.

1120
00:53:27,559 --> 00:53:28,320
Speaker 10: Your door is open.

1121
00:53:28,400 --> 00:53:29,159
Speaker 12: He's going to kill me.

1122
00:53:30,239 --> 00:53:32,400
Speaker 6: The curve the door was swing.

1123
00:53:33,320 --> 00:53:35,400
Speaker 7: He's going to push me out down.

1124
00:53:35,519 --> 00:53:41,519
Speaker 15: I'm down, over and over, Madam, down and down, over

1125
00:53:41,559 --> 00:53:42,000
and over.

1126
00:53:45,800 --> 00:53:46,440
Speaker 5: Hand at all?

1127
00:53:46,519 --> 00:53:50,639
Speaker 2: You know? Let me go, Let me go, young, let

1128
00:53:50,719 --> 00:53:50,880
me go.

1129
00:53:51,360 --> 00:53:51,760
Speaker 5: What's gone?

1130
00:53:52,239 --> 00:53:54,440
Speaker 2: Leave me? Leave fool?

1131
00:53:54,519 --> 00:53:58,119
Speaker 5: Poppa enough? How much do you think a man can

1132
00:53:58,199 --> 00:54:01,920
Beare you turned me out of your room, you go

1133
00:54:02,079 --> 00:54:04,519
running away to your mother's. Now you shrink away from me,

1134
00:54:04,599 --> 00:54:08,320
so you hated me, my wife. You almost killed the

1135
00:54:08,400 --> 00:54:10,679
booth back to her because you had to pull away

1136
00:54:10,679 --> 00:54:12,159
from me, even when I was reaching over to save

1137
00:54:12,280 --> 00:54:16,199
from pulling out of the car. Well, you don't have

1138
00:54:16,199 --> 00:54:19,079
to put up with me anymore, doney.

1139
00:54:19,159 --> 00:54:21,000
Speaker 4: Wait, where are you going?

1140
00:54:21,880 --> 00:54:25,159
Speaker 5: First time? Taking on to your mother's and then don't worry.

1141
00:54:25,760 --> 00:54:26,679
I won't follow you again.

1142
00:54:27,599 --> 00:54:31,320
Speaker 6: Johnny, you mean you're going to Johnny? Why were you

1143
00:54:31,400 --> 00:54:33,840
asking us a bill about that point? What were you

1144
00:54:33,880 --> 00:54:38,719
planning to do with Johnny? You were going to kill yourself?

1145
00:54:40,000 --> 00:54:45,239
Speaker 5: Oh my god, yes, but I changed my mind. I'm

1146
00:54:45,280 --> 00:54:47,639
going back to see it through present time.

1147
00:54:47,760 --> 00:54:50,679
Speaker 6: And you mean mail back that money you took.

1148
00:54:51,079 --> 00:54:53,440
Speaker 5: I can't pay it back. I made the last attempt

1149
00:54:53,480 --> 00:54:54,719
to raise the money when I went away.

1150
00:54:54,559 --> 00:54:56,159
Speaker 6: With Beki Paris.

1151
00:54:56,840 --> 00:54:59,840
Speaker 5: I went to Liverpool. I tried to follow your insurance.

1152
00:55:00,320 --> 00:55:00,880
It didn't work.

1153
00:55:01,360 --> 00:55:05,360
Speaker 6: You were in Liverpool and by then you didn't go

1154
00:55:05,440 --> 00:55:05,920
to Paris.

1155
00:55:06,000 --> 00:55:09,400
Speaker 5: Of course, you think I'd let some idiot for big

1156
00:55:09,599 --> 00:55:10,559
that brandy of my head.

1157
00:55:11,400 --> 00:55:15,840
Speaker 6: Oh Johnny, if ony i'd known. This is as much

1158
00:55:15,960 --> 00:55:16,960
my fault as yours.

1159
00:55:17,920 --> 00:55:20,039
Speaker 17: I was only thinking of myself, not what you were

1160
00:55:20,119 --> 00:55:23,519
going through. If I'd really been close to you, you

1161
00:55:23,599 --> 00:55:26,599
could have confided in me that you were ashamed to do.

1162
00:55:27,280 --> 00:55:30,199
Oh if I don't understood it, Oh, Johnny, it'll be different.

1163
00:55:30,280 --> 00:55:31,519
Speaker 6: Now, we'll make it difference.

1164
00:55:31,639 --> 00:55:34,119
Speaker 5: People don't change over nightly. I'm no good.

1165
00:55:34,320 --> 00:55:37,199
Speaker 6: Let's turn back, Johnny. Let's go home and see it

1166
00:55:37,280 --> 00:55:38,199
all through together.

1167
00:55:38,960 --> 00:55:39,559
Speaker 5: It won't work.

1168
00:55:39,719 --> 00:55:41,840
Speaker 6: It will work, I know it will, Johnny.

1169
00:55:41,960 --> 00:55:43,840
Speaker 7: Please, you can't shut me out.

1170
00:55:44,360 --> 00:55:46,400
Speaker 15: Turn the car around and let's go home.

1171
00:55:47,119 --> 00:55:48,079
Speaker 6: Please, Johnny.

1172
00:55:50,800 --> 00:55:56,039
Speaker 9: I'll get in the car, Johnny.

1173
00:55:57,480 --> 00:55:58,159
Speaker 6: Where are we going?

1174
00:56:00,320 --> 00:56:03,519
Speaker 5: We're running back and we're going home.

1175
00:56:18,960 --> 00:56:21,039
Speaker 4: It's more than a matter of suspicion. And that's a

1176
00:56:21,159 --> 00:56:24,280
nice performance. Will be long remembered by millions of listeners

1177
00:56:24,320 --> 00:56:26,840
to the Lux Radio Theater. And for that we can

1178
00:56:26,920 --> 00:56:30,800
thank our stars, William Powell and Olivia to have of them.

1179
00:56:30,880 --> 00:56:33,199
Speaker 5: Thank you so sol, You gave us a great play

1180
00:56:33,239 --> 00:56:34,280
when you picked the Suspicion.

1181
00:56:34,519 --> 00:56:36,679
Speaker 4: Now you want to be an authority on mysteries, Bell,

1182
00:56:37,400 --> 00:56:39,239
One of the best pits of news I've heard is

1183
00:56:39,320 --> 00:56:42,760
that you're going to do another picture in the Finman.

1184
00:56:42,400 --> 00:56:46,480
Speaker 6: Series, but still for the thin Man haven't you been

1185
00:56:46,599 --> 00:56:47,599
putting on a little weight?

1186
00:56:52,199 --> 00:56:55,960
Speaker 5: Livia? How can you say that? But I'm scared of

1187
00:56:56,039 --> 00:56:56,719
my own shadow.

1188
00:56:58,119 --> 00:57:00,199
Speaker 4: You mean it looks as if a crowd were following.

1189
00:57:05,159 --> 00:57:09,199
Speaker 5: What week I have come from my iron constitution. Every

1190
00:57:09,280 --> 00:57:11,360
morning when I get up, I turn on those exercises

1191
00:57:11,440 --> 00:57:14,639
of the radio and do them. No, my wife does

1192
00:57:16,320 --> 00:57:16,800
I watch it.

1193
00:57:17,320 --> 00:57:19,960
Speaker 4: Well, I don't understand you. When I was your age,

1194
00:57:20,000 --> 00:57:21,800
I used to think nothing of a ten mile walk.

1195
00:57:21,960 --> 00:57:26,000
Speaker 5: I don't think much of it myself. But look, if

1196
00:57:26,039 --> 00:57:27,960
you want to know, I'm on an a diet.

1197
00:57:28,199 --> 00:57:29,000
Speaker 9: An a diet.

1198
00:57:29,039 --> 00:57:29,360
Speaker 4: What's that?

1199
00:57:30,000 --> 00:57:32,159
Speaker 5: A steak, a baked potato, a piece of pie?

1200
00:57:33,199 --> 00:57:34,639
Speaker 6: Sounds like omni rations?

1201
00:57:35,159 --> 00:57:36,800
Speaker 4: Well it goes to the front.

1202
00:57:42,719 --> 00:57:46,039
Speaker 5: Well, in spite of all you say about me, I'll

1203
00:57:46,079 --> 00:57:47,360
confess you're looking.

1204
00:57:47,440 --> 00:57:50,039
Speaker 2: As lovely as ever Libby, Yes, isn't she?

1205
00:57:50,719 --> 00:57:54,079
Speaker 5: And now that I've planted before your settle, you wouldn't

1206
00:57:54,079 --> 00:57:55,840
like to tell us one of the reasons, would you?

1207
00:57:56,599 --> 00:57:56,760
Speaker 2: Nay?

1208
00:57:57,559 --> 00:57:57,599
Speaker 6: No?

1209
00:57:58,159 --> 00:57:58,199
Speaker 7: No?

1210
00:57:58,800 --> 00:57:59,000
Speaker 2: Oh?

1211
00:57:59,239 --> 00:58:04,880
Speaker 4: Come on, plenty of fresh air, sunshine and.

1212
00:58:05,519 --> 00:58:08,760
Speaker 5: LUs toilet soap. I'll say it for you, but.

1213
00:58:08,840 --> 00:58:10,920
Speaker 6: There's no need to be modest about a CD. I

1214
00:58:11,119 --> 00:58:15,000
use let's toilet so faithfully and it does wonder well.

1215
00:58:15,119 --> 00:58:18,320
Speaker 4: Thank you, Olivia, and I think we'd better take back

1216
00:58:18,360 --> 00:58:21,000
all we said about Bill's figure, or you dial us

1217
00:58:21,039 --> 00:58:22,800
off his radio next Monday night.

1218
00:58:23,679 --> 00:58:25,239
Speaker 6: Not when he hears what's coming up? CV?

1219
00:58:25,519 --> 00:58:27,559
Speaker 5: What do you have the next Monday settle play?

1220
00:58:27,599 --> 00:58:32,400
Speaker 4: I think you'll like well the RKO romantic comedy Lucky Partners,

1221
00:58:33,199 --> 00:58:36,920
and our stars will be Dna Mitchi and Lucille Ball

1222
00:58:38,400 --> 00:58:41,639
with Jack Corson. It's the story of two young people

1223
00:58:41,840 --> 00:58:45,320
falling in love who take their future on a horse race.

1224
00:58:46,519 --> 00:58:50,400
When you gamble both love and horses, you're riding for

1225
00:58:50,719 --> 00:58:51,840
plenty of excitement, but.

1226
00:58:51,880 --> 00:58:54,760
Speaker 6: It sounds like another entertainment. CD will be listening.

1227
00:58:55,079 --> 00:58:57,719
Speaker 11: Good Night, good night, good night.

1228
00:59:00,079 --> 00:59:01,679
Speaker 4: Fishing years of dot com.

1229
00:59:06,880 --> 00:59:07,599
Speaker 2: Harspontrum.

1230
00:59:07,679 --> 00:59:10,480
Speaker 4: The makers of Lux Toilet Coach join me in inviting

1231
00:59:10,559 --> 00:59:12,960
you to be with us again next Monday Night, when

1232
00:59:13,000 --> 00:59:17,079
the Lux Radio Theater presents Lucille Ball and Dana Michi

1233
00:59:17,880 --> 00:59:22,599
in Lucky Partners with Jack Cosson. This is Sasaba Mayo Fay.

1234
00:59:22,760 --> 00:59:26,639
Good night to you from Hollywood.

1235
00:59:33,320 --> 00:59:37,039
Speaker 3: Next month, October sixteenth, the Lux Radio Theater celebrates its

1236
00:59:37,079 --> 00:59:40,119
tenth anniversary on the air. We'd like you to share

1237
00:59:40,119 --> 00:59:42,960
in this celebration by helping us select the play in

1238
00:59:43,079 --> 00:59:45,880
stars you'd like most to hear. Send your suggestions on

1239
00:59:45,960 --> 00:59:50,599
a postcard to see Bleeds and Mill post Office, Box nine, Hollywood,

1240
00:59:50,639 --> 00:59:53,519
twenty eight, California, or use the ballot with your lux

1241
00:59:53,599 --> 00:59:56,840
Toilet soap dealer will be glad to give you. Suspicion

1242
00:59:57,000 --> 00:59:59,880
was presented through the courtesy of RKO, producers of Bride

1243
01:00:00,000 --> 01:00:02,719
By a Mistake. Olivia de Haviln will soon be seen

1244
01:00:02,760 --> 01:00:07,000
in her latest Warner Brothers picture Devotion. William Powell appeared

1245
01:00:07,000 --> 01:00:09,440
through the courtesy of Metro Goldwen Mayer, producers of the

1246
01:00:09,519 --> 01:00:14,320
Technicolor picture Kis. Men heard in tonight's play were Charles Irwin,

1247
01:00:14,440 --> 01:00:19,440
Is Beaky, Lois Corbett, Vernon Steele, Gloria Gordon, Charles Seal,

1248
01:00:19,880 --> 01:00:22,360
Dwayne Thompson, Eric Snowden.

1249
01:00:22,159 --> 01:00:23,039
Speaker 5: And Claire Verdera.

1250
01:00:23,679 --> 01:00:27,199
Speaker 3: Our music was directed by Lewis Silvers. This program is

1251
01:00:27,239 --> 01:00:30,599
broadcast to our fighting forces overseas through cooperation with the

1252
01:00:30,760 --> 01:00:35,280
Armed Forces Radio Service and now an announcement aims straight

1253
01:00:35,320 --> 01:00:38,840
at the fun, loving hearts of America's people. Your beloved

1254
01:00:38,880 --> 01:00:41,320
old friends Amos and Andy are returning to the air

1255
01:00:41,400 --> 01:00:44,440
on Friday night. Yes, the Boys are back again with

1256
01:00:44,559 --> 01:00:47,440
their big cast in their grand half hour show. Their

1257
01:00:47,480 --> 01:00:51,119
guest for Friday evening, John Charles Thomas, famous Metropolitan Opera star,

1258
01:00:51,480 --> 01:00:53,519
will be a riot in his Amos and Andy role.

1259
01:00:54,000 --> 01:00:56,440
There will be super music and as you know, each

1260
01:00:56,519 --> 01:00:59,960
broadcast is a complete episode, so see your paper for time.

1261
01:01:00,000 --> 01:01:03,000
I am in station and don't miss amoson Andy on

1262
01:01:03,159 --> 01:01:05,400
this Friday. This is jo and I'm Sir John M.

1263
01:01:05,480 --> 01:01:07,639
Kennedy reminding you to tune in again next Monday night

1264
01:01:07,880 --> 01:01:11,039
to here Lucky Partners with Dona, Michi the Seal Ball

1265
01:01:11,320 --> 01:01:12,159
and Jack Carson.

1266
01:01:17,920 --> 01:01:20,280
Speaker 2: Fry sp Ry.

1267
01:01:21,480 --> 01:01:21,920
Speaker 6: Cook with.

1268
01:01:24,239 --> 01:01:29,039
Speaker 3: Song, cakes, pies, fried foods. Everything tastes better made with

1269
01:01:29,239 --> 01:01:30,320
you easy mix.

1270
01:01:30,400 --> 01:01:31,280
Speaker 5: Fry short things.

1271
01:01:31,760 --> 01:01:36,480
Speaker 3: So for light fluffy cakes, tender flaky pastry, Chris didjustable

1272
01:01:36,559 --> 01:01:37,280
fried foods.

1273
01:01:41,400 --> 01:01:44,719
Speaker 5: This is CBS, the Columbia Broadcasting System.

1274
01:01:46,159 --> 01:01:50,880
Speaker 1: Welcome Back. As a film, Suspicion was originally released in

1275
01:01:51,079 --> 01:01:57,000
nineteen forty one and it starred Joan Fontaine, Pavelin's sister,

1276
01:01:57,880 --> 01:02:04,639
and Carrie Grant, and Fontaine actually won the Best Actress

1277
01:02:04,840 --> 01:02:09,719
oscar as well as being recognized for her acting in

1278
01:02:09,840 --> 01:02:13,440
the film by the National Board Review and the New

1279
01:02:13,559 --> 01:02:19,320
York Film Critics Circle Award the one thing about Lucks

1280
01:02:19,719 --> 01:02:22,440
and a lot of episodes, because there are some episodes

1281
01:02:22,480 --> 01:02:26,199
of Lux Radio Theater where you get a substitute of

1282
01:02:26,440 --> 01:02:29,000
leads and it just comes down to the fact that

1283
01:02:29,559 --> 01:02:34,400
at that point the original leads they couldn't afford. You know,

1284
01:02:34,559 --> 01:02:38,119
that's the case when you get saying to the nineteen fifties.

1285
01:02:39,400 --> 01:02:45,039
But oftentimes you get to explore the idea of alternate casting,

1286
01:02:46,079 --> 01:02:48,639
where we go ahead and we say, well, what if

1287
01:02:48,760 --> 01:02:54,880
we replace these two famous Hollywood leads with two other

1288
01:02:55,199 --> 01:02:59,960
famous Hollywood leads? How would the movie be different?

1289
01:03:00,519 --> 01:03:02,199
Speaker 2: And it's fun to explore that.

1290
01:03:02,639 --> 01:03:06,639
Speaker 1: And I honestly think that Haviland does a great job

1291
01:03:06,760 --> 01:03:12,360
here and really gets us invested in her emotions as

1292
01:03:12,480 --> 01:03:17,239
well as understanding and believing in her feeling of being threatened.

1293
01:03:17,599 --> 01:03:20,880
William Powell is good, although I don't think he makes

1294
01:03:21,039 --> 01:03:25,280
much of an attempt to make us believe that he

1295
01:03:25,480 --> 01:03:31,480
is British. There's no type of accent that's attempted at all,

1296
01:03:31,960 --> 01:03:35,199
and you get a really American accent. But that wasn't

1297
01:03:36,000 --> 01:03:41,519
totally unheard of for the era. It is something that

1298
01:03:43,440 --> 01:03:46,480
I kind of guessed at and checked, but in the film,

1299
01:03:47,000 --> 01:03:54,119
Beackie was actually played by Nigel Bruce, and that does

1300
01:03:54,840 --> 01:03:57,679
explain part of the performance that we get in this

1301
01:03:58,760 --> 01:04:03,480
as we're trying to say just I am giving you

1302
01:04:03,599 --> 01:04:08,280
my best Nogel Bruce interpersonation here, and it's a decent

1303
01:04:08,440 --> 01:04:13,880
enough taking that regard. I find the story really interesting.

1304
01:04:14,360 --> 01:04:17,880
It was a Hitchcock film, and so you kind of

1305
01:04:18,119 --> 01:04:22,400
expect things to turn out to be as dark and

1306
01:04:22,519 --> 01:04:26,960
sinister as she expects, if not more so. So it's

1307
01:04:27,000 --> 01:04:30,559
a surprise when it turns out the things that she

1308
01:04:30,800 --> 01:04:35,280
thought were sinister or weren't quite what she thought they were.

1309
01:04:35,679 --> 01:04:39,159
And I think it's an interesting journey for her as

1310
01:04:39,280 --> 01:04:45,800
a character. I don't think that she is irrational really

1311
01:04:46,039 --> 01:04:49,159
in her fears. I think her fears make sense. But

1312
01:04:49,320 --> 01:04:54,639
the reason they make sense is that she married Johnny

1313
01:04:55,239 --> 01:05:00,039
without really knowing who he was other than she. He

1314
01:05:00,199 --> 01:05:04,920
was aware that he married her for her money and

1315
01:05:05,760 --> 01:05:09,079
began to become aware that he had lied to her

1316
01:05:09,320 --> 01:05:14,840
about things, or he was not quite what he seemed

1317
01:05:14,880 --> 01:05:19,519
to be. But people do change, and I think that's

1318
01:05:19,960 --> 01:05:27,639
really hard to process or believe if you're dealing in

1319
01:05:27,719 --> 01:05:33,280
a relationship where because of choices you've both made, you've

1320
01:05:33,400 --> 01:05:36,639
ended up not trusting this person at all. So I

1321
01:05:36,760 --> 01:05:40,360
think it plays out as a really interesting and different dynamic,

1322
01:05:40,480 --> 01:05:44,119
particularly if you come into it thinking, well, I kind

1323
01:05:44,159 --> 01:05:45,760
of know what this is going to be, like it's

1324
01:05:45,760 --> 01:05:51,000
a Hitchcock story and it just turns another direction, then

1325
01:05:51,480 --> 01:05:55,199
you would typically expect all right, Well, I hope you've

1326
01:05:55,800 --> 01:06:00,519
enjoyed this episode. We've got another full week of Olivia

1327
01:06:00,599 --> 01:06:05,159
de Havilan, so join us back here on Monday for

1328
01:06:05,400 --> 01:06:08,199
the fourth episode in their series. In the meantime, send

1329
01:06:08,239 --> 01:06:12,119
your comments to Bocks thirteen at Great Detectives dot net

1330
01:06:12,719 --> 01:06:16,920
from Boise, Idaho. This is your host, Adam Graham signing off.