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<v Speaker 1>When we think of the Mahabharata, we often think of

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<v Speaker 1>great wars, divine weapons, and cosmic debates. But before the

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<v Speaker 1>clashing of armies, the story of the Mahabhadata opens in

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<v Speaker 1>a quiet moral storm, a curse born not from kings

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<v Speaker 1>or gods, but from the tears of a dog, tears

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<v Speaker 1>of a mother dog. It begins with Janimajaya, who is

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<v Speaker 1>actually the great grandson of Arjuna. He's performing a grand

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<v Speaker 1>sacrifice at Gurukshetra, the same field that once drank the

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<v Speaker 1>blood of his ancestors. The ritual is perfect, the offerings

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<v Speaker 1>are precise, and then enters a puppy, a cute little puppy,

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<v Speaker 1>a male puppy, a small creature of Sarama, the divine

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<v Speaker 1>hound who guards cosmic truth. And just like that, the

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<v Speaker 1>sacred is interrupted by the innocent. Notice that's actually what

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<v Speaker 1>is happening in the Mahabadada. Here, the sacred is interrupted

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<v Speaker 1>by the innocent. When the brothers strike the puppy, something

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<v Speaker 1>subtle shatters. The story forces us to ask how sacred

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<v Speaker 1>can a ritual be if it hurts the harmless. Sadama's

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<v Speaker 1>arrival is astonishing. A goddess does not thunder with power,

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<v Speaker 1>she asks a question, why was my son struck? When

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<v Speaker 1>there is silence, she curses, misfortune shall befall you unexpectedly. Right,

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<v Speaker 1>the curse is introduced right at the beginning of the

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<v Speaker 1>episode that I am published earlier this week for Part

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<v Speaker 1>three of the Mahabadata. So this moment is the see

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<v Speaker 1>the curse is the seed of the serpent sacrifice that

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<v Speaker 1>is to come Janamajaiya's later obsession with revenge with Dakshaka. Right,

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<v Speaker 1>Dakshaka begins not from his father's death, but from this

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<v Speaker 1>exact moment of moral blindness. That's something that a lot

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<v Speaker 1>of readers of the Mahabadata do not realize. Sadama's curse

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<v Speaker 1>is not merely divine retribution. It's the voice of Karma

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<v Speaker 1>correcting arrogance. It's the reminder that purity and ritual means

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<v Speaker 1>nothing if the heart has not learned compassion and other

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<v Speaker 1>lessons that it needs to. If the human heart has

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<v Speaker 1>not learned the lessons that it needs to. You know,

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<v Speaker 1>all the rituals that you can do for God mean

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<v Speaker 1>nothing spiritually. The scene here teaches us that the universe

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<v Speaker 1>watches not your fire, but your tenderness in our postmodern world.

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<v Speaker 1>This really does echo how you know and how many

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<v Speaker 1>religious people, including those who run religious organizations, pursue success

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<v Speaker 1>or spirituality while neglecting empathy. Right, they don't. There's something

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<v Speaker 1>incorrect about, you know, some of the things that religious

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<v Speaker 1>organizations engage in. So every unjust act, every unjust act,

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<v Speaker 1>no matter how small it is, ripples into destiny because

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<v Speaker 1>it will have an impact on some other conscious being,

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<v Speaker 1>just like you know, her puppy being struck caused Sadama

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<v Speaker 1>to be irritated, and she put out a curse. She

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<v Speaker 1>put out this hope, this wish, this curse unto Jhanamagaya

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<v Speaker 1>and his brothers, his bloodline. Why does this happen? Ultimately,

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<v Speaker 1>it's because the divine, this divine realm, as I explain it,

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<v Speaker 1>which is actually intelligence, as I explain it in my

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<v Speaker 1>book Who God Really Is, which I encourage all of

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<v Speaker 1>you to pick up on Amazon today, the divine realm

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<v Speaker 1>observes through the eyes of the voiceless. That's the test,

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<v Speaker 1>right through the eyes of the voiceless. It reminds me

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<v Speaker 1>of that very popular quote of Mahatma Gandhi as well,

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<v Speaker 1>something along the lines of You can tell a lot

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<v Speaker 1>about a nation by the way it takes care or

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<v Speaker 1>does not take care of its animals. Janamajaya and his

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<v Speaker 1>brothers are conducting a grand sacrificial ritual at Kurukshetra, a

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<v Speaker 1>place steeped in spiritual significance. When that puppy belonging to Sarama,

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<v Speaker 1>the divine she dog, is struck right by Janamajaya's brothers.

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<v Speaker 1>The puppy is innocent. Here it flees to its mother right,

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<v Speaker 1>who confronts these princes with fury. Now Here is where

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<v Speaker 1>her fury is righteous. There is sometimes a place for anger,

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<v Speaker 1>you know, in various circumstances, and it's okay. Sadama isn't

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<v Speaker 1>just a dog. She's not a dog. She's a divine entity,

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<v Speaker 1>a guardian of cosmic justice. In Vadic mythology, Sdama is

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<v Speaker 1>linked to the dawn, a symbol of truth and illumination.

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<v Speaker 1>Her puppy represents innocence, and the brother's violence against it

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<v Speaker 1>disrupts dharma, harmony, the cosmic order, the way everything should be,

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<v Speaker 1>the way everything should flow, is disrupted. The curse that

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<v Speaker 1>Saddama pronounces isn't petty vengeance. It's a recalibration of balance spiritually.

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<v Speaker 1>This suggests again that no act, however small it is,

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<v Speaker 1>escapes the universes ledger. There is some sort of ledger here, right,

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<v Speaker 1>So we humans are building this blockchain ledger on Earth,

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<v Speaker 1>but there's a spiritual ledger in existence as well, that's

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<v Speaker 1>been with us for you know, since the since the

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<v Speaker 1>beginning of all beginnings. As I indicate, and as I

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<v Speaker 1>explain in my book, who God really is? The ge

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<v Speaker 1>sacred clarified butter, symbolizes purity and offering to the divine.

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<v Speaker 1>By striking the puppy, the brothers symbolically taint their ritual,

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<v Speaker 1>inviting misfortune. The puppy did not even look toward the gee.

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<v Speaker 1>It did not even pounce on the ge or try

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<v Speaker 1>to aim for it, try to gain it. At least

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<v Speaker 1>that's what the puppy tells her his mother, Sadama. And

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<v Speaker 1>yet the puppy was struck. You know, in many spiritual traditions,

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<v Speaker 1>harm to the innocent, even if it's something minor as

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<v Speaker 1>a you know, as a puff, as a tiny puppy,

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<v Speaker 1>it ripples. It has an effect on the moral fabric

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<v Speaker 1>of the world. Now, imagine Sarama as the embodiment of

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<v Speaker 1>the Earth's sentience a Gaya like figure. The puppy could

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<v Speaker 1>symbolize vulnerable ecosystems they care about, endangered species or fragile habitats.

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<v Speaker 1>The you know, Janamagaya's brothers thoughtless act mirrors humanity's often

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<v Speaker 1>reckless treatment of its most valuable surroundings, natural surroundings. Just

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<v Speaker 1>think about all the chemistry and medicine that we are

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<v Speaker 1>able to produce because of what's been offered to us

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<v Speaker 1>by God. What has been allowed to come into creation

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<v Speaker 1>by God in the plant kingdom, right, So, Sarama's curse

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<v Speaker 1>becomes the planet's warning harm the innocent and consequences will

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<v Speaker 1>eventually find you, not through magic, but through the natural

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<v Speaker 1>fallout of imbalance, through the natural imbalance that is put

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<v Speaker 1>into effect resource depletion. This perspective invites us to see

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<v Speaker 1>the Mahabha data also as an ecological parable, where divine

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<v Speaker 1>justice mirrors the self regulating systems of our world. The

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<v Speaker 1>scene that I introduced to you from the Mahabharata in

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<v Speaker 1>yesterday excuse me earlier this week right in the episode

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<v Speaker 1>from earlier this week about the story featuring the story

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<v Speaker 1>that's early scene screams a leadership accountability. Jhanamajaya and his

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<v Speaker 1>brothers are royalty, wielding power in a sacred context. Striking

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<v Speaker 1>the puppy reflects a lapse in emotional intelligence and ethical responsibility.

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<v Speaker 1>Leaders today, whether they are CEOs, politicians, or community figures,

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<v Speaker 1>can learn from this story. A single thoughtless action, like

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<v Speaker 1>dismissing a quote unquote small complaint or ignoring a marginalized

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<v Speaker 1>voice can escalate tarnishing reputations or sparking backlash. Sadama's confrontation

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<v Speaker 1>is like a whistle blow or calling out injustice. Now,

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<v Speaker 1>Johana Majaya, he gets it because notice you know, earlier

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<v Speaker 1>in the episode, Yes, from the earlier this week, mahabadat

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<v Speaker 1>the number three episode, he searches for stages for priests. Right,

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<v Speaker 1>he starts searching for anyone who can remove the curse.

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<v Speaker 1>He understands something wrong has been done. Janamajaya gets it.

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<v Speaker 1>It's kind of like, you know, in our modern world,

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<v Speaker 1>you know some leader scrambling to mitigate a pr disaster.

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<v Speaker 1>But the lesson is always clear. You have to try

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<v Speaker 1>to prevent harm before it's spirals. Right, you want to

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<v Speaker 1>try to not bring stress into your life that is

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<v Speaker 1>that you don't need to that could have been prevented.

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<v Speaker 1>Life is stressful enough anyways, Otherwise we would have no

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<v Speaker 1>reason to even participate in spiritual rituals, worship rituals, the

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<v Speaker 1>kind of you know, sacrificial rituals that even Janamejaya and

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<v Speaker 1>his brothers are participating in, at least in his time.

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<v Speaker 1>For his time, Jana Majaya, terrified of the curse, seeks absolution.

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<v Speaker 1>This begins his long search for priests, spiritual authority figures

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<v Speaker 1>who can undo his karma. Here enters Somashrava, the priest

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<v Speaker 1>born of a serpent mother, a hybrid who is actually

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<v Speaker 1>a hybrid of ascetic wisdom and serpentine instinct. Okay, ascetic

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<v Speaker 1>wisdom and serpentine instinct. Those are actually two very valuable

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<v Speaker 1>characteracteristics to have or to be marked by, even in

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<v Speaker 1>our postmodern world, which is, let's be honest, not paradise, right,

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<v Speaker 1>We're not living with only goodness surrounding us. So Mashava's

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<v Speaker 1>father warns he can absolve you of all sins except

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<v Speaker 1>those against Shiva, Lord Shiva. Now why Lord Shiva, Because

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<v Speaker 1>Shiva is the witness of cosmic justice, the one who

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<v Speaker 1>transforms poison into power, and sin against him means sin

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<v Speaker 1>against transformation or change itself. It means the refusal to change,

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<v Speaker 1>and that is against the fundamental framework or design of

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<v Speaker 1>all of existence, including the universe. As I state in

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<v Speaker 1>my book and as I explain in detail very clearly

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<v Speaker 1>and easy to understand terms in my book Who God

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<v Speaker 1>Really Is, which I encourage you all to pick up

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<v Speaker 1>on Amazon today. Change cannot be breached, meaning that you

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<v Speaker 1>cannot refuse. You can refuse to change, but it does

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<v Speaker 1>not mean that you will be able to overcome the

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<v Speaker 1>phenomenon of change. So Maashava's condition that he will grant

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<v Speaker 1>any request made by a brummin is a spiritual metaphor.

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<v Speaker 1>It tells us even divine wisdom, when bound by unthinkable obedience,

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<v Speaker 1>becomes dangerous. The test of spirituality is discernment, not rule following. Okay,

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<v Speaker 1>it's a discernment, not rule following. Too many people pray

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<v Speaker 1>to God, worship God, go to the temples and all

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<v Speaker 1>different house kinds of houses of worship to obey, you know,

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<v Speaker 1>to follow the rules, to obey, to tell God, I'm

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<v Speaker 1>going to be obedient. But Hinduism is powerful in that

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<v Speaker 1>it teaches us we have to become one with who

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<v Speaker 1>we seek to follow or be obedient too. We have

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<v Speaker 1>to be like him or her right in the case

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<v Speaker 1>of Dudgad Davy, but essentially God, we have to be

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<v Speaker 1>like God. We have to be more like God, meaning

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<v Speaker 1>our own being must reflect God. And God is of

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<v Speaker 1>course a wise judge. Discernment is part of his name.

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<v Speaker 1>Let's put it like that. Discernment defines one of his characteristics.

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<v Speaker 1>So the test of spirituality is not it is not

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<v Speaker 1>following the rules and saying I'm going to be obedient

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<v Speaker 1>to this rule and be obedient to this ritual and

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<v Speaker 1>this timing and the timing of the moon and the

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<v Speaker 1>timing of this ritual, and what the Hindu scripture state

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<v Speaker 1>it's about, you know, it's really about the discernment, or

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<v Speaker 1>at least having that quality of wisdom discernment as part

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<v Speaker 1>of your own being natural to you, like second nature

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<v Speaker 1>to you. Almost right, Janamajaya accepts, he accepts Somashreva's condition,

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<v Speaker 1>and with this choice, he invites both salvation and danger

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<v Speaker 1>into his kingdom. For every bargain with power carries a shadow. Okay,

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<v Speaker 1>every bargain with power carries a shadow. Somashreva's origin story

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<v Speaker 1>is actually quite wild. He was born of a serpent woman.

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<v Speaker 1>He embodies a bridge between human and divine realms. In

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<v Speaker 1>Hindu spirituality, nagas or serpent symbolize primal energy, the Kundalini,

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<v Speaker 1>and the mysteries of creation. His birth via ascetic potency

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<v Speaker 1>suggests that spiritual power transcends conventional morality or biology. His

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<v Speaker 1>flaw unquestioning obedience to the Brummins reflects the tension between

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<v Speaker 1>blind devotion and discernment spiritually, again, how do we balance

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<v Speaker 1>we're being called or we're being asked here, how do

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<v Speaker 1>we balance surrender to higher authority, to a higher intelligence,

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<v Speaker 1>as I explain in my book, who God really is

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<v Speaker 1>with critical thinking. Of course, I explain it all in

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<v Speaker 1>my book, So it's a very easy question to answer

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<v Speaker 1>if you read my book. But here, just from the Mahabadata,

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<v Speaker 1>this very ancient spiritual text, we understand that Somashava's role

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<v Speaker 1>as a purifier points to the limits of even divine intervention.

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<v Speaker 1>Some transgressions, like those if they are against Lord Shiva,

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<v Speaker 1>are beyond absolution. Okay, even he is limited because he

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<v Speaker 1>is not God himself. He is not God himself. As

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<v Speaker 1>one to one, he is like God, we can say

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<v Speaker 1>by not God himself. And I explain the importance of

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<v Speaker 1>acquiring a greater and greater resemblance to the nature of

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<v Speaker 1>God in my book Who God Really Is, Which, when accomplished,

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<v Speaker 1>actually does not cause us to become God. Therefore we

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<v Speaker 1>are always limited. Now picture Somashrava. Just picture him as

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<v Speaker 1>an AI program with immense knowledge but a hard coded

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<v Speaker 1>directive to obey certain users like the Brummins Janamajaya. Hiring

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<v Speaker 1>him is like a CEO deploying a powerful algorithm to

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<v Speaker 1>solve a crisis, knowing that it has a glitch that

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<v Speaker 1>could be exploited. This raises questions about trust in systems,

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<v Speaker 1>be it priests or tech, be it you know, spiritual

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<v Speaker 1>systems or tech modern tech. If Somashreva's flaw is his

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<v Speaker 1>blind obedience, what happens when AI blindly follows flawed human

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<v Speaker 1>commands or reasoning? This ancient Mahabadata tale feels eerily relevant

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<v Speaker 1>to debates about AI ethics, where when they are unchecked,

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<v Speaker 1>you know, like unchecked power or code, can amplify human

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<v Speaker 1>biases and really lead to tragic consequences. Jonamajaya's choice of

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<v Speaker 1>Somashreva is a calculated risk. He's hiring a specialist with

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<v Speaker 1>a known quirk, much like when a company might hire

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<v Speaker 1>a brilliant but eccentric consultant. The condition is, of course,

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<v Speaker 1>Somashreva's obedience to bruhm Min's that mirrors, and it really

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<v Speaker 1>does mirror real world scenarios where talent becomes baggage, right,

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<v Speaker 1>like a star employee with a tendency to overpromise. Later

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<v Speaker 1>on in the story, we see that Jonimajaya's success in

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<v Speaker 1>conquering Takshashila suggests that embracing imperfect allies can yield results,

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<v Speaker 1>but only if you manage their quirks. Right. Somashreva was

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<v Speaker 1>highly obedient to Brummin's but he had that limitation as well,

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<v Speaker 1>with he cannot breach sin committed against Lord Shiva and

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<v Speaker 1>absolve it, you know, with the with the with some

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<v Speaker 1>magic wand or something like that. Right, he cannot do that.

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<v Speaker 1>But he's also he's overly giving by being so obedient

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<v Speaker 1>to anything that Brummins want. Now, john Imajaya was successful

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<v Speaker 1>later on in conquering tak Shashila, suggesting that well, you know,

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<v Speaker 1>his his decision to use Somashrava ends up down the

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<v Speaker 1>road producing good results for him. But John Imajaia had

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<v Speaker 1>to be very careful, right especially he did not want

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<v Speaker 1>to who did not want to commit any sin against

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<v Speaker 1>Lord Shiva. He wouldn't want to do that because that's

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<v Speaker 1>not something that Somashreva can clear. So this king John Imijaya's,

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<v Speaker 1>you know, a whole part in these early scenes of

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<v Speaker 1>the Mahabarata is very it's it's quite fascinating. Really does

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<v Speaker 1>reflect to us the way we see CEO's modern you know,

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<v Speaker 1>postmodern world CEOs, tech CEOs managing the complexities, the conditions,

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<v Speaker 1>the complexities of the modern corporate world. You've got to

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<v Speaker 1>know your people's strengths and flaws and set clear boundaries

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<v Speaker 1>to harness their potential. Now, the Mahabarata features this sort

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<v Speaker 1>of school of life that is run by Sage Ayoda

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<v Speaker 1>Domya and his three disciples Aruni, Upamanyu, and Veda. These

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<v Speaker 1>stories are miniature panishads in the Mahabarata, teaching through lived obedience, suffering,

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<v Speaker 1>and moral awakening. Aruni is asked to repair a water channel.

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<v Speaker 1>Unable to fix it, he lies down in the ditch

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<v Speaker 1>to block the flow with his body. He becomes the bridge,

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<v Speaker 1>literally merging with the element he serves. When called by

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<v Speaker 1>his master, he rises, reborn as Udalaka. This moment whispers

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<v Speaker 1>a profound truth. True service dissolves the ego until nature

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<v Speaker 1>itself flows through you. In our real world, Aruni's act

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<v Speaker 1>resembles those moments when one sacrifices comfort or pride for integrity,

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<v Speaker 1>like a teacher working late, or a parent holding the

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<v Speaker 1>line of truth, or a healer staying up through the

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<v Speaker 1>night to serve as a client. When the self forgets itself,

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<v Speaker 1>the divine current moves again, because it's always in the in,

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<v Speaker 1>within the scope of service, within the scope of helping others,

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<v Speaker 1>within the scope of some form of sacrifice. Upamanyu's test

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<v Speaker 1>is more subtle. It's hunger. Ayoda Damia strips away every

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<v Speaker 1>form of sustenance from him, alms milk, even the froth

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<v Speaker 1>from the calve's mouth, of the milk that the calves

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<v Speaker 1>have drunk from the mother cow. Right starving, Upamanyu eats

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<v Speaker 1>poisonous arga leaves, and he's blinded, falling into a well. Right,

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<v Speaker 1>both literally and symbolically, he's kind of spiraling down into

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<v Speaker 1>a well. Both literally and symbolically. His blindness is the

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<v Speaker 1>blindness of the seeker, the loss of worldly sight before

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<v Speaker 1>inner sight awakens. The Ashwin Twins appear offering divine nourishment,

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<v Speaker 1>but Upa Manyu refuses until his master permits him to

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<v Speaker 1>engage to accept that nourishment. Obedience here is not submission,

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<v Speaker 1>it is alignment. That's actually what is trying to come,

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<v Speaker 1>you know. Through to the scene in the Mahabarata, Upa

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<v Speaker 1>Manyu is saying, I will not taste heaven if my

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<v Speaker 1>guru is left behind. The Ashwan twins are impressed. That's

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<v Speaker 1>why they are impressed. So they restore his site and

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<v Speaker 1>grant him golden teeth, which are all symbolisms excuse me,

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<v Speaker 1>which are all symbols of illumination through discipline. Through Upa

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<v Speaker 1>Manyu's story, we see Bukti meeting Tapasia, devotion fused with endurance,

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<v Speaker 1>with strength. Upa Manyu's story is about integrity and isolation,

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<v Speaker 1>staying true even when unseen, unacknowledged, or deprived. You've got

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<v Speaker 1>to stay true, even when you feel unseen, unacknowledged, or deprived.

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<v Speaker 1>You've got to stay true to integrity. Don't take you know,

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<v Speaker 1>criminal or quick easy shortcuts to try to escape that

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<v Speaker 1>scarcity state or condition of scarcity. The spiritual path does

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<v Speaker 1>not first open the eyes, It first takes away what

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<v Speaker 1>you know you crave to see now. Ayoda Damia's third

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<v Speaker 1>Disciples story is interesting. Vida Vida endorres silent service. He

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<v Speaker 1>doesn't complain through hardship. He becomes a gentle teacher, one

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<v Speaker 1>who does not test his own students harshly. In Vida,

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<v Speaker 1>we see the alchemy of suffering. Pain when digested becomes

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<v Speaker 1>compassion when digested. Every master is shaped not by what

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<v Speaker 1>they've learned learned, but by how they've been broken and mended.

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<v Speaker 1>This section of the episode of Naked Hindu Tales from

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<v Speaker 1>earlier this week. It's a masterclass in Guru Shishia teacher

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<v Speaker 1>student dynamics, which are a cornerstone. They really are a

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<v Speaker 1>cornerstone of Hindu spirituality. The Disciples trials here aren't just tasks,

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<v Speaker 1>their alchemical processes burning away ego to reveal inner wisdom.

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<v Speaker 1>They're very dynamic. Runi's act of lying in the ditch

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<v Speaker 1>symbolizes surrender to duty, merging with the earth, to serve

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<v Speaker 1>a greater purpose. Upamanu's blindness and restoration by the Ashwins

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<v Speaker 1>divine healers reflects the spiritual journey. Suffering leads to insight

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<v Speaker 1>when guided by faith, or when you stay true, when

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<v Speaker 1>you just stay true and you don't take a shortcut,

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<v Speaker 1>or you don't engage in a criminal act. Despite hardship

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<v Speaker 1>and scarcity, always you will arrive at something good. Always

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<v Speaker 1>you will be blessed. Later on he was blessed. Upamanyu

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<v Speaker 1>was blessed with gold, gold teeth, gold and vidas. Endurance

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<v Speaker 1>without complaint embodies karma yoga selfless action. The vidas and

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<v Speaker 1>Dharma shastras shining in them signify enlightenment, signify that they

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<v Speaker 1>have become beacons of light. They are walking, talking beacons

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<v Speaker 1>of light, of divine light which actually has no relation

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<v Speaker 1>to visible light or the visible light rainbow spectrum. As

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<v Speaker 1>I explain in my book Who God Really Is, which

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<v Speaker 1>I encourage you all to read on Amazon. Grab your

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<v Speaker 1>copy from Amazon and start reading today. It's an excellent

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<v Speaker 1>book to understand reality as it is and yourself. The

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<v Speaker 1>disciples are like the hero archetype of Jungian or Carl

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<v Speaker 1>Jung you know philosophy facing the shadow. They face their

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<v Speaker 1>limitations in the wilderness of trials. Ioda Doomia is the

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<v Speaker 1>wise old man, guiding them through tests that forge their individuation,

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<v Speaker 1>the process of becoming whole. Upamanyu's blindness is again a

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<v Speaker 1>literal and metaphorical descent into depression, into darkness. It's a

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<v Speaker 1>classic dark knight of the soul. The Ashwins, as divine physicians,

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<v Speaker 1>are like the self archetype, restoring balance. This perspective frames

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<v Speaker 1>the story right the Carl jung perspective. The Jungian archetypes

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<v Speaker 1>frame the story in the Mahabarata in this early chapter

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<v Speaker 1>as a early section, I should say as a universal

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<v Speaker 1>quest for self discuss or external obedience to a guru

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<v Speaker 1>mirrors the inner work of aligning with one's higher self.

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<v Speaker 1>So here is where it is sometimes necessary for us

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<v Speaker 1>to understand when obedience is valuable. In the scene of

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<v Speaker 1>King John Imajaya's sacrificial ritual, no fruits come about for

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<v Speaker 1>obedience to a ritual. When an innocent is harmed. You

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<v Speaker 1>know his obedience in his brother's obedience to the ritual.

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<v Speaker 1>Sure it's great, but if it involves hurting the innocent

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<v Speaker 1>it is, there's nothing great to be gained from it,

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<v Speaker 1>because that kind of obedience reflects still a blind spot

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<v Speaker 1>in intelligence, something lacking in intelligence, a lack of wisdom.

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<v Speaker 1>There whereas the obedience in the stories of Ayoda Domia

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<v Speaker 1>and his Three Disciples involves wisdom very much, so wisdom

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<v Speaker 1>is integrated with the obedient acts. And through this ancient

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<v Speaker 1>you know Mahabadata scene, we can see these trials of

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<v Speaker 1>the Three Disciples resemble the grind of mentorship and personal growth.

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<v Speaker 1>Aruni's ditch lying is like an in turn pulling an

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<v Speaker 1>all nighter to fix a crisis, proving loyalty under pressure,

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<v Speaker 1>upaman used missteps, begging twice, sipping milk, all of that

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<v Speaker 1>taking what he shouldn't be taking from others mirror a

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<v Speaker 1>young professional learning workforce ethics, through through trial and error,

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<v Speaker 1>and through you know his boss teaching him what is

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<v Speaker 1>right and what is wrong. Vidas endurance reflects the quiet

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<v Speaker 1>resilience needed in toxic work environments or rigorous training programs.

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<v Speaker 1>Ru's blessings are like a mentor's endorsement, opening doors to

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<v Speaker 1>even greater success. But of course here it's about personal

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<v Speaker 1>success right in the Mahabarata itself. These scenes with these

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<v Speaker 1>three disciples of Ayoda Ayoda Damya. They teach us that

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<v Speaker 1>growth often comes through discomfort, but only only if we

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<v Speaker 1>learn from that discomfort and stay committed to the right path.

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<v Speaker 1>Veda's disciple, Utanka, inherits the torch and his story shifts

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<v Speaker 1>the tone of the Mahabharata section from ashram humility to

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<v Speaker 1>mythic adventure. He is asked to bring earrings from Queen

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<v Speaker 1>Poshia for Veda's wife, a seemingly simple errand that spirals

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<v Speaker 1>into cosmic revelation. On his path, Utanka meets a mysterious

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<v Speaker 1>man on a bull who tells him to drink dung

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<v Speaker 1>and urine. It's really a shocking image. Believe me. When

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<v Speaker 1>I read it for the first time, I was pretty shocked.

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<v Speaker 1>But he obeys. Utanka obeys, later discovering that it was

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<v Speaker 1>divine nector Amrita. And you often have this happening in

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<v Speaker 1>Hindu mythology, where these you know, characters pop out of

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<v Speaker 1>nowhere and they are disguised. You know, they're often like

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<v Speaker 1>divine beings disguised as abnormal, kind of weird or wandering

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<v Speaker 1>creatures or wandering humans. It's fascinating. Now the lesson here

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<v Speaker 1>does pierce through logic. What seems impure in the world

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<v Speaker 1>may hide the essence of goodness or immortality. Even Utanka's

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<v Speaker 1>reaction is not to display like a nasty disgust. Right,

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<v Speaker 1>he doesn't display any mean faces or disgusted faces. He

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<v Speaker 1>doesn't put judgment upon this mysterious man who asks him

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<v Speaker 1>or tells him to drink the the you know, the

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<v Speaker 1>waste right of a cow. I believe the waste of

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<v Speaker 1>a cow. So Utanka doesn't do that. Now we humans would.

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<v Speaker 1>I mean, even I reading it for the first time

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<v Speaker 1>was like, oh ew so, but Utanka doesn't do that.

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<v Speaker 1>And that's where, you know, God, That's what God wants

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<v Speaker 1>us to realize from this scene, this bizarre scene, kind

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<v Speaker 1>of bizarre scene, is that Utanka's response is not to

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<v Speaker 1>place all these like judgments immediately upon this mysterious man

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<v Speaker 1>that we would do in our world. Right today, the

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<v Speaker 1>sacred often wears the mask of the profane, because in

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<v Speaker 1>even the profane, there is a test for us, a

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<v Speaker 1>test of our spirituality, a test of how much we

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<v Speaker 1>resemble God. Spiritual maturity is learning to recognize divinity and

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<v Speaker 1>it's learning to recognize how we must respond with more

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<v Speaker 1>divine nature rather than well, let's put it a lower

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<v Speaker 1>human nature. At Poshia's palace, Utanka's inner purity is tested

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<v Speaker 1>through external cleanliness, ablution's direction precision. The story reaffirms the

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<v Speaker 1>body mirrors the mind. Purification is a discipline of both.

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<v Speaker 1>It's a discipline of the mind and the body. Please

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<v Speaker 1>remember to leave a rating or review on Spotify or

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<v Speaker 1>Apple Podcasts. I really appreciate your rating or review for

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<v Speaker 1>this podcast. Naked hind details. Then this scene in the

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<v Speaker 1>Mahabada that ignites into full on myth. Takshaka, the serpent King,

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<v Speaker 1>steals the earrings Queen Possia's earrings. Utanka chases him into

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<v Speaker 1>the underworld, aided by demigod Indra and ugny cosmic forces,

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<v Speaker 1>ultimately of courage and purification. There, Utanka sees the wheel

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<v Speaker 1>of twelve months, the weaving of time, and the horse

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<v Speaker 1>of fire. It's almost like he's seeing these secrets right.

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<v Speaker 1>It's not a spectacle. This is not like a circus

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<v Speaker 1>spectacle or something he's viewing. It's metaphysical secrets. He sees

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<v Speaker 1>the machinery of existence, time as fabric, elements as tools,

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<v Speaker 1>divinity as rhythm. It reminds me a lot of what

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<v Speaker 1>I write about in my book Who God Really Is,

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<v Speaker 1>when I explain the fabric of consciousness and that of intelligence,

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<v Speaker 1>and that time itself is just a human construct. Time is,

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<v Speaker 1>in fact, a affixation onto the continuous presence. Do read

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<v Speaker 1>my book Who God Really Is? Now? Utanka, despite seeing

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<v Speaker 1>all these you know, metaphysical secrets, so to speak, he's

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<v Speaker 1>driven to get the earrings back from Takshaka. He stays

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<v Speaker 1>focused on his mission. But Utanka's victory is incomplete. The

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<v Speaker 1>story ends not with peace, but with revenge. Revenge reborn.

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<v Speaker 1>Utanka returns to King John Imajaya, urging the serpent's sacrifice,

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<v Speaker 1>the very fire of destruction that will later draw Viasa's attention.

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<v Speaker 1>What began with a curse on a puppy now circles

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<v Speaker 1>back as a fire for snakes. The wheel turns. Compassion

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<v Speaker 1>is lost. See Utanka. He's remaining devoted to what his

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<v Speaker 1>human master commanded him to do, which is get those earrings,

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<v Speaker 1>bring them for my wife. Right. He continues to be

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<v Speaker 1>devoted to the human voice, the human command, even when

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<v Speaker 1>he sees these great spiritual mysteries around him, almost like

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<v Speaker 1>the fabric of the fundamental framework of the universe, as

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<v Speaker 1>I describe it in my book Who God really Is.

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<v Speaker 1>It's what has God's imp imprint or fingerprints on it,

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<v Speaker 1>and he doesn't care for that as much as he should. Instead,

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<v Speaker 1>he keeps chasing for those earrings. He chases the human

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<v Speaker 1>command and does not embrace God's fundamental framework of the universe,

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<v Speaker 1>these mysteries of God when they are literally staring at

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<v Speaker 1>him as much as he should and from the human command.

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<v Speaker 1>Humans being imperfect, we cannot expect peace to be born

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<v Speaker 1>and continue. Instead, we have revenge being reborn. Utanka's mission

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<v Speaker 1>to fetch Potia's queen's ear rings is a mini epic, right.

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<v Speaker 1>It's packed with cosmic encounters. It's like he hits literally

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<v Speaker 1>the jackpot. He does hit the spiritual jackpot. He sees

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<v Speaker 1>all the secrets of God, God's design, and yet he

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<v Speaker 1>keeps chasing the earrings because he has to follow to him.

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<v Speaker 1>He chooses to follow the human master's command. Utanka journeys

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<v Speaker 1>into Nagaloka, aided again right by Indra's thunderbolt, Demi God

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<v Speaker 1>Indra's thunderbolt and it's like a shamanic descent into the underworld,

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<v Speaker 1>confronting He's confronting chaos dakshaka to at least restore order

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<v Speaker 1>to his life, to his environment that he's known, which

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<v Speaker 1>is he wants order to remain between himself and his master,

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<v Speaker 1>Vida and Vida's wife. Utanka's quest is a case study

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<v Speaker 1>and mission driven focus, but also a foolish one because

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<v Speaker 1>he doesn't he doesn't buy into, he doesn't embrace, he

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<v Speaker 1>doesn't immerse himself in the secrets of God, literally God

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<v Speaker 1>when they are staring at him, you know, the these

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<v Speaker 1>weaving of time and the seasons and the structure of

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<v Speaker 1>the of the universe. Instead, he stays focused on getting

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<v Speaker 1>those earrings to fulfill his human master's command, ultimately leading

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<v Speaker 1>to revenge being reborn. Every layer of this section of

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<v Speaker 1>the Mahabadata mirrors the journey of the human soul Johnimajaya

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<v Speaker 1>the ego seeking purification through power, Sarama's puppy innocence, wounded

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<v Speaker 1>by righteousness, Somashrava intellect half human, half serpent, our reason

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<v Speaker 1>tinged with instinct right. That's Somashrava for us Aruni, the

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<v Speaker 1>self sacrificing heart, Upamanyu, faith tested through deprivation. Utanka, the

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<v Speaker 1>seeker who learns that the world's impurities are the universe's disguise.

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<v Speaker 1>Each figure is a fragment of consciousness, and together they

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<v Speaker 1>narrate the evolution of spiritual maturity, from ritualistic correctness to

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<v Speaker 1>compassionate wisdom and also then ultimately from perfect obedience to

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<v Speaker 1>imperfection being reborn. That's what we have with Utanka at

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<v Speaker 1>the end of this section of the Mahabarata episode three.

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<v Speaker 1>And in our postmodern world, these archetypes they appear daily.

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<v Speaker 1>When someone justifies cruelty in the name of belief, that's

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<v Speaker 1>when Johanimajaya lives again. When someone holds back judgment to

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<v Speaker 1>seek truth, that's when Sarama speaks again, or Utanka speaks

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<v Speaker 1>again to us. When someone endures hardship with trust in

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<v Speaker 1>higher order, that's Upamanu's hymns echoing through to us. And

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<v Speaker 1>so the Posha Parva of the Mahabharata ends with the

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<v Speaker 1>fire smoldering, the serpent sacrifice yet to begin. But beneath

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<v Speaker 1>the myth, the Mahabharata whispers a timeless truth. Every curse

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<v Speaker 1>begins with a wound left unanswered. Every blessing begins with

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<v Speaker 1>obedience to God to love the world. Like Utanka's vision

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<v Speaker 1>is a wheel spun by invisible hands of justice, of mercy,

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<v Speaker 1>and of time. Our task is not to stop it,

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<v Speaker 1>but to see clearly through its motions. Utanka did not

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<v Speaker 1>spend enough time doing so. Therefore revenge was reborn. He

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<v Speaker 1>became vengeful towards the end of disparva, and perhaps like

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<v Speaker 1>Aruni rising from the water's breach, the divine still calls

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<v Speaker 1>each of us by name, not to test us, but

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<v Speaker 1>to lift us from the ditch, and to say to us,

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<v Speaker 1>you have held the flood long enough, Rise now and

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<v Speaker 1>flow escape your suffering. You are free from your suffering.

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<v Speaker 1>The Posha Parva reminds us that every action ripples through

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<v Speaker 1>the cosmic order, demanding accountability. It's a map of growth

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<v Speaker 1>through trials, showing how devotion and resilience forge character. Whether

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<v Speaker 1>you see Sarama as a divine watchdog, Somashreva as a

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<v Speaker 1>quirky ai, or Utanka as a cosmic astrnhaht of some

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<v Speaker 1>sort who seeks more of science than he does. The cosmo,

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<v Speaker 1>the spiritual cosmos This story invites us to reflect on

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<v Speaker 1>our own actions, relationships, and quests. What we value within

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<v Speaker 1>our quests? Are we judging value correctly or are we

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<v Speaker 1>misjudging how we spend our time correctly? Like Utanka did

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<v Speaker 1>at the end, how do we respond to injustice? By

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<v Speaker 1>the way we saw how Sarama, the mother dog responded

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<v Speaker 1>to the injustice upon her puppy, we also see how

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<v Speaker 1>Utanka responded to injustice at the end of the Boshia Parva.

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<v Speaker 1>How do you respond to injustice? How do you balance

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<v Speaker 1>obedience with discernment? And how do you harness divine or

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<v Speaker 1>inner strength to overcome chaos? Learn from these stories from

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<v Speaker 1>the Mahabarata. Continue listening to the Naked Hindoo Tales podcast.

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<v Speaker 1>So thanks for joining me on today's episode. Leave a

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<v Speaker 1>review on Spotify or Apple Podcasts and ask me any

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<v Speaker 1>spiritual or non spiritual question you have there. I'll be

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<v Speaker 1>sure to answer your question in a future episode for

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<v Speaker 1>the benefit of all. Thanks for listening and I'll speak

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<v Speaker 1>with you in the next episode.
