1 00:00:00,200 --> 00:00:01,600 Speaker 1: Hello and good morning everybody. 2 00:00:03,359 --> 00:00:04,200 Speaker 2: Hey is it go? Man? 3 00:00:04,320 --> 00:00:05,599 Speaker 1: Doing very well? How about you, sir? 4 00:00:06,400 --> 00:00:08,080 Speaker 2: Doing good? I'll rion right about that. 5 00:00:08,240 --> 00:00:11,080 Speaker 1: Oh man. Once that microphone opens up, it's like showtime. 6 00:00:11,560 --> 00:00:13,400 Speaker 2: Oh wow, bro, how are we doing? 7 00:00:13,599 --> 00:00:15,359 Speaker 1: Doing very well? I hope you are? 8 00:00:16,399 --> 00:00:17,280 Speaker 2: Yeah, doing great? 9 00:00:17,359 --> 00:00:20,920 Speaker 1: Actually, man, I love the way that you've created this 10 00:00:21,000 --> 00:00:24,079 new path of just bringing things forward that's on our minds. 11 00:00:24,239 --> 00:00:26,960 We laugh about it, we learn from it, and then 12 00:00:27,039 --> 00:00:29,199 we go to the next page. And I just love 13 00:00:29,239 --> 00:00:31,120 the way that you're tapping into this energy level that 14 00:00:31,160 --> 00:00:31,920 we've got right now. 15 00:00:32,479 --> 00:00:33,679 Speaker 2: I love that, man. Yeah. 16 00:00:33,799 --> 00:00:36,759 Speaker 3: No, I've been reading the book myself after writing it, 17 00:00:36,799 --> 00:00:38,000 and I'm loving it. 18 00:00:38,039 --> 00:00:39,159 Speaker 1: Is it kind of hard to do that because there 19 00:00:39,200 --> 00:00:41,079 are times because I've got seven books, and so for 20 00:00:41,119 --> 00:00:42,679 me to step back in there, it's not out of 21 00:00:42,759 --> 00:00:44,520 who I got to go you be proud of myself. No, 22 00:00:44,799 --> 00:00:47,159 I want to see if I feel the same experience 23 00:00:47,240 --> 00:00:49,359 all these years later exactly. 24 00:00:49,479 --> 00:00:50,359 Speaker 2: That's how it is. Yeah. 25 00:00:50,399 --> 00:00:53,399 Speaker 3: I think I wrote the book, I'd say wrapping that 26 00:00:53,520 --> 00:00:56,079 up in like August of last year or something like that, 27 00:00:56,159 --> 00:00:59,079 whenever that was, and then I started writing it then 28 00:00:59,079 --> 00:00:59,759 and that's what it was. 29 00:01:00,280 --> 00:01:02,960 Speaker 2: And then I read it back and I said, this 30 00:01:03,079 --> 00:01:04,000 is this is awesome. 31 00:01:04,120 --> 00:01:06,239 Speaker 1: So when did you get the idea to do the book, 32 00:01:06,239 --> 00:01:08,519 because I mean you you are this social media you know, 33 00:01:08,640 --> 00:01:10,719 Crown King right now and it's like it's like now 34 00:01:10,760 --> 00:01:14,120 to take you to to the to a book is like, okay, 35 00:01:14,159 --> 00:01:15,359 here we go next level. 36 00:01:15,680 --> 00:01:16,840 Speaker 2: I was hesitant at first. 37 00:01:16,840 --> 00:01:18,840 Speaker 3: I didn't know you know, everyone that I talked to 38 00:01:18,840 --> 00:01:21,519 you it was like, oh, book, like what And you know, 39 00:01:21,640 --> 00:01:23,439 then we thought about it and we've started, you know, 40 00:01:23,599 --> 00:01:27,519 brainstorming ideas and I said, okay, this makes sense, especially 41 00:01:27,519 --> 00:01:30,280 with the skit, the math class and the teacher and 42 00:01:30,319 --> 00:01:31,079 all that stuff. 43 00:01:31,159 --> 00:01:34,120 Speaker 1: So so now that teacher, do you know a teacher 44 00:01:34,200 --> 00:01:37,319 like that? Because I'm a broadcaststructor, but I've I've got 45 00:01:37,319 --> 00:01:39,640 students that are checked out and you can't even get 46 00:01:39,680 --> 00:01:40,439 them to check in. 47 00:01:40,920 --> 00:01:42,799 Speaker 2: Yeah, you'd always have your cool teacher. 48 00:01:42,840 --> 00:01:44,799 Speaker 3: He was based off like the cool teacher, but at 49 00:01:44,799 --> 00:01:47,480 the same time he's a little more deranged, so. 50 00:01:49,079 --> 00:01:51,319 Speaker 2: Not not necessarily just the cool guy. 51 00:01:51,719 --> 00:01:53,519 Speaker 1: Have you always been the writer? And the reason why 52 00:01:53,519 --> 00:01:55,319 I bring that up is because when you do research 53 00:01:55,359 --> 00:01:57,959 and where podcasting came from. It didn't come from the comedians, 54 00:01:58,000 --> 00:02:00,519 the magicians. It came from the writers who were trying 55 00:02:00,560 --> 00:02:03,040 to get their voices out there. And so to see 56 00:02:03,040 --> 00:02:04,840 that you've got this book now, I'm going were you 57 00:02:04,920 --> 00:02:07,159 the writer first and then you did the videos? You 58 00:02:07,200 --> 00:02:08,680 just didn't identify as the writer. 59 00:02:09,159 --> 00:02:12,599 Speaker 3: Exactly, No, You're you nailed it on the head where 60 00:02:12,960 --> 00:02:15,840 it's for me, it was always acting and writing. But 61 00:02:16,120 --> 00:02:18,319 you know, writing plays such a strong role in like 62 00:02:18,400 --> 00:02:20,919 all of the stuff I do, every video is written, 63 00:02:21,520 --> 00:02:25,039 shot lists and all that stuff, and I just I'm 64 00:02:25,080 --> 00:02:26,639 a writer first before anything. 65 00:02:26,879 --> 00:02:28,919 Speaker 1: So do you shoot it like an indy film? Just 66 00:02:28,960 --> 00:02:30,520 get in there, get it out. 67 00:02:30,560 --> 00:02:31,240 Speaker 2: Yeah. Yeah. 68 00:02:31,319 --> 00:02:33,680 Speaker 3: And if a shot takes, you know, thirty minutes to 69 00:02:33,719 --> 00:02:36,360 an hour, like I'll take the time and that's it. 70 00:02:36,520 --> 00:02:36,719 Speaker 2: You know. 71 00:02:36,919 --> 00:02:38,439 Speaker 1: I love that. I'm shocked that you're not even in 72 00:02:38,560 --> 00:02:40,199 radio because this is the kind of stuff that would 73 00:02:40,199 --> 00:02:41,199 make radio work. 74 00:02:42,240 --> 00:02:44,479 Speaker 2: Yeah, there you go, now, Wendy. 75 00:02:44,639 --> 00:02:46,120 Speaker 1: You know, one of the things that I've learned in 76 00:02:46,199 --> 00:02:48,360 being with so many comedians is that they have to 77 00:02:48,560 --> 00:02:51,080 craft their joke before they do a special or before 78 00:02:51,080 --> 00:02:52,960 they you know, really go out on tour. They've got 79 00:02:53,000 --> 00:02:54,800 to make sure that that that joke has been worked 80 00:02:54,800 --> 00:02:58,000 over and over again. Exactly are you doing the same 81 00:02:58,000 --> 00:02:59,919 thing or is this something where you just going by gutting. 82 00:03:01,199 --> 00:03:03,520 Speaker 3: I go gut instinct right now because I think I 83 00:03:03,639 --> 00:03:07,960 understand what the fans want, and you know we're right now. 84 00:03:08,280 --> 00:03:10,280 Speaker 2: It's been a huge week these past two weeks. 85 00:03:10,319 --> 00:03:12,520 Speaker 3: We're working on some bigger things and I can't wait 86 00:03:12,560 --> 00:03:15,280 to possibly share that. I'm putting that out into the 87 00:03:15,319 --> 00:03:16,199 universe right now. 88 00:03:16,479 --> 00:03:21,080 Speaker 1: Yeah. Do you ever bump into mister perfectionist? 89 00:03:21,400 --> 00:03:21,560 Speaker 2: Uh? 90 00:03:21,639 --> 00:03:24,680 Speaker 3: Yeah, all the time, every every day. I sometimes I'll 91 00:03:24,719 --> 00:03:28,080 take you know, fifteen takes on a on a shot 92 00:03:28,120 --> 00:03:31,560 and I can't get around how I'm saying something or 93 00:03:31,599 --> 00:03:32,479 delivering something. 94 00:03:32,520 --> 00:03:34,319 Speaker 2: And that's that's me all the time. 95 00:03:34,400 --> 00:03:36,080 Speaker 1: That's so funny you say that because there are certain 96 00:03:36,120 --> 00:03:38,120 words I can't say. But dang it anyway, if it 97 00:03:38,159 --> 00:03:41,680 doesn't show up in my vocabulary. Yeah, and then you're 98 00:03:41,719 --> 00:03:43,639 tripping all over the place. You gotta do it again. Okay, 99 00:03:43,639 --> 00:03:44,159 I can do this. 100 00:03:44,280 --> 00:03:46,000 Speaker 3: Yeah, And you say the same word over and over 101 00:03:46,000 --> 00:03:47,840 again and it starts to sound weirder. 102 00:03:47,960 --> 00:03:50,080 Speaker 2: Yeah, I know why that is, but I do that 103 00:03:50,120 --> 00:03:50,639 all the time. 104 00:03:51,280 --> 00:03:53,159 Speaker 1: It's even like spelling, man, because I'll sit there and 105 00:03:53,159 --> 00:03:54,680 say I know how to spell this word, but why 106 00:03:54,680 --> 00:03:56,000 doesn't it look right right now? 107 00:03:56,439 --> 00:03:56,639 Speaker 2: Yeah? 108 00:03:56,879 --> 00:03:59,560 Speaker 1: Yep, are you going to take this to a live stage? 109 00:03:59,599 --> 00:04:02,520 Because comedy clubs right now are starving for people that 110 00:04:02,560 --> 00:04:05,520 are bringing natural born comedy and storytelling. 111 00:04:06,639 --> 00:04:07,919 Speaker 2: So that's the thing with live. 112 00:04:08,080 --> 00:04:11,520 Speaker 3: I never I always wanted to chase after film and TV, 113 00:04:11,680 --> 00:04:13,960 and right now that's what we're doing right now. And 114 00:04:14,840 --> 00:04:19,120 you know, again, hopefully I can't talk too much about it. 115 00:04:19,160 --> 00:04:22,560 I wish I could, but it's a It would be 116 00:04:22,560 --> 00:04:24,680 the biggest news of my life, and I just I'm 117 00:04:24,680 --> 00:04:25,439 putting it out there. 118 00:04:25,439 --> 00:04:27,240 Speaker 2: But right now live would be. 119 00:04:28,920 --> 00:04:32,040 Speaker 3: Probably something down the line later and I've thought about 120 00:04:32,040 --> 00:04:34,399 it because I know writing first, I just have to 121 00:04:35,079 --> 00:04:38,160 I have to get over the stage and the presence 122 00:04:38,160 --> 00:04:40,000 of just being on there and being able to do 123 00:04:40,079 --> 00:04:43,000 a forty five minute set and stuff like that, or 124 00:04:43,120 --> 00:04:43,600 you know what I. 125 00:04:43,560 --> 00:04:46,720 Speaker 1: Mean, Please do not move. There's more with Jay Daddy 126 00:04:46,839 --> 00:04:52,279 coming up next his first book, School of Scum Presents 127 00:04:52,600 --> 00:04:56,040 Math Class. We're back with Jay Daddy now in creating 128 00:04:56,040 --> 00:04:58,560 the character the math teacher. I mean, is it because 129 00:04:58,639 --> 00:05:01,560 in today's math world, they are doing it so asked 130 00:05:01,639 --> 00:05:03,600 backwards compared to the way I did it. When I 131 00:05:03,639 --> 00:05:04,199 was in school. 132 00:05:05,000 --> 00:05:09,680 Speaker 2: Yeah, oh my god, yeah, no, it's it's uh. I 133 00:05:10,079 --> 00:05:13,040 kind of just thought about I said, what if what 134 00:05:13,079 --> 00:05:14,120 if these kids. 135 00:05:13,839 --> 00:05:18,680 Speaker 3: Just learned with the worst possible you know, questions, and 136 00:05:18,680 --> 00:05:20,000 that was the only way they could learn. 137 00:05:21,040 --> 00:05:22,439 Speaker 2: So then that was the way I looked at it. 138 00:05:22,480 --> 00:05:24,600 Speaker 1: But when when you jump into that though, I mean, 139 00:05:24,639 --> 00:05:25,560 how does it come to you? 140 00:05:25,639 --> 00:05:25,800 Speaker 2: Is it? 141 00:05:25,839 --> 00:05:27,879 Speaker 1: Are you sitting in the car, are you at home? 142 00:05:28,120 --> 00:05:28,519 Is it late? 143 00:05:28,680 --> 00:05:29,160 Speaker 2: Oh my god? 144 00:05:29,199 --> 00:05:33,319 Speaker 3: You want my process? Yeah, I I it's even right now. 145 00:05:33,319 --> 00:05:35,079 I'm in I'm in the car right now talking to 146 00:05:35,079 --> 00:05:37,040 you on the phone. I go in the car. I 147 00:05:37,040 --> 00:05:39,360 don't know what it is about my car. I sit 148 00:05:39,439 --> 00:05:43,040 there all write for you know, hours on end. And 149 00:05:43,959 --> 00:05:46,240 that's when I you know, because I can act everything 150 00:05:46,279 --> 00:05:48,040 out of my car and I can do my you know, 151 00:05:48,079 --> 00:05:50,720 that's my safe space. And then I got some some 152 00:05:50,800 --> 00:05:52,439 sort of you know, there's a guy right across from 153 00:05:52,439 --> 00:05:53,879 me right now, he's probably looking at me like, what 154 00:05:53,920 --> 00:05:54,360 are you doing? 155 00:05:54,439 --> 00:05:58,480 Speaker 2: Yeah, that's just what I do. 156 00:05:58,600 --> 00:06:01,040 Speaker 1: But yeah, no, I totally get because when I'm out 157 00:06:01,079 --> 00:06:02,879 on the road and I have to do a tour, 158 00:06:02,920 --> 00:06:05,319 I've got all the microphones and the recording equipment, right 159 00:06:05,319 --> 00:06:07,000 there in the front seat of the pickup and and 160 00:06:07,279 --> 00:06:09,000 it's like, and I know people are looking at me, going, 161 00:06:09,040 --> 00:06:10,480 what the hell is that guy doing? 162 00:06:10,959 --> 00:06:11,439 Speaker 2: Exactly? 163 00:06:11,680 --> 00:06:13,920 Speaker 1: Yeah, but I mean but but comedy is around us 164 00:06:14,000 --> 00:06:16,160 every single day, and you seem to come across as 165 00:06:16,160 --> 00:06:19,120 somebody who understands that, Oh, that's going into one of 166 00:06:19,120 --> 00:06:20,360 my stories right there. 167 00:06:20,959 --> 00:06:24,560 Speaker 3: Yeah, yeah, definitely. I don't do money. That's the one 168 00:06:24,560 --> 00:06:28,120 thing about me. I stay away from like current events 169 00:06:28,120 --> 00:06:31,040 stuff Like I kind of just like to hit all 170 00:06:31,160 --> 00:06:34,120 demographics in a sense, even if there's kids watching that 171 00:06:34,120 --> 00:06:37,079 that enjoy like the stuff that's not so R rated 172 00:06:37,480 --> 00:06:41,439 and whatnot. I try to, you know, dive into that 173 00:06:41,519 --> 00:06:45,079 And how can I hit every single demographic and make 174 00:06:45,120 --> 00:06:45,560 them laugh? 175 00:06:45,600 --> 00:06:46,920 Speaker 2: And that's kind of it. Yeah. 176 00:06:46,959 --> 00:06:50,040 Speaker 1: So then are you? Are you like a musician who says, 177 00:06:50,360 --> 00:06:53,680 you know, I'm not trying to write for a certain genre. 178 00:06:53,839 --> 00:06:56,040 I'm just trying to get my art out there. 179 00:06:56,639 --> 00:06:58,360 Speaker 2: Yeah, I think is that what you're doing too? 180 00:06:59,079 --> 00:07:02,160 Speaker 3: It feels like I just I have this niche in 181 00:07:02,199 --> 00:07:04,600 my head that I love so much and that's just dumb, 182 00:07:05,240 --> 00:07:08,279 stupid comedy. And I feel like so many things have 183 00:07:08,360 --> 00:07:12,079 this like moral and this like meaning now, and I 184 00:07:12,120 --> 00:07:15,120 don't understand why we need that in comedy, and I 185 00:07:15,160 --> 00:07:17,439 just believe it should be Sometimes it could just be 186 00:07:17,600 --> 00:07:19,560 dumb and stupid and you could sit there and. 187 00:07:19,600 --> 00:07:20,040 Speaker 2: Laugh at it. 188 00:07:20,399 --> 00:07:22,639 Speaker 1: Dude. I do a thing called Forest Stories. It's about 189 00:07:22,680 --> 00:07:24,800 this forest I've lived in for thirty two years, and 190 00:07:24,839 --> 00:07:26,879 people are coming to listen to it. I'm going, are 191 00:07:26,920 --> 00:07:29,160 you screwed with your hand? What's going on with you 192 00:07:29,959 --> 00:07:32,079 listening to this? It's a stupid thing. 193 00:07:32,879 --> 00:07:35,920 Speaker 3: Yeah, But that's I mean, some people's brand and stuff 194 00:07:35,959 --> 00:07:37,279 like that, and that's kind of what I built my 195 00:07:37,360 --> 00:07:39,480 brand around. Is just like it could be the dumbest 196 00:07:39,480 --> 00:07:41,240 stuff and you don't even know what you're watching. 197 00:07:41,399 --> 00:07:43,120 Speaker 1: But see, I love that kind of stuff because I mean, 198 00:07:43,240 --> 00:07:45,439 I'm a daily writer and I put it inside a journal. 199 00:07:45,879 --> 00:07:47,439 Where are you dumping your words? 200 00:07:48,279 --> 00:07:50,600 Speaker 3: Honestly, I wish it would be something cool like that, 201 00:07:50,680 --> 00:07:54,279 Like I have some like crazy journal sitting somewhere, but 202 00:07:54,319 --> 00:07:56,199 it's really just my notes on my phone. 203 00:07:56,720 --> 00:07:58,279 Speaker 2: That's yeah. 204 00:07:58,360 --> 00:08:00,160 Speaker 3: I wish I could say it's like some crazy the 205 00:08:00,800 --> 00:08:02,879 elder scroll car of some sort. 206 00:08:03,120 --> 00:08:05,720 Speaker 1: I haven't even made that job. I mean, I use 207 00:08:05,800 --> 00:08:08,240 my notebook inside the smartphone, but it's like, but to 208 00:08:08,399 --> 00:08:11,439 trust it because I know the cloud is forever, but man, 209 00:08:11,519 --> 00:08:13,680 I just don't have that instinct to trust it. 210 00:08:14,480 --> 00:08:16,720 Speaker 2: Yeah yeah, oh you're saying that getting out there. 211 00:08:16,959 --> 00:08:19,279 Speaker 1: Yeah, well, yeah, you know, to get out because because 212 00:08:19,279 --> 00:08:20,519 I've got it, if I put it in the journal, 213 00:08:20,519 --> 00:08:22,040 I can at least go home and read the journal 214 00:08:22,040 --> 00:08:24,519 and see what's in that notebook and how I was, 215 00:08:24,600 --> 00:08:27,800 you know, crafting things together. But yet, but if something 216 00:08:27,800 --> 00:08:30,759 happens to that phone and that notebook goes away, oh damn. 217 00:08:31,120 --> 00:08:33,919 Speaker 3: Yeah, yeah, I think it depends, like I think writing 218 00:08:33,960 --> 00:08:37,000 it too definitely helps, right, Like I'm sure for you, 219 00:08:37,080 --> 00:08:39,320 if you're writing something, it kind of sticks with you, 220 00:08:39,360 --> 00:08:43,000 maybe a little more then I feel like with my stuff, 221 00:08:43,000 --> 00:08:45,440 it's it's very just you know, you get the shot 222 00:08:45,480 --> 00:08:47,720 list and you get the ideas and like you understand 223 00:08:47,720 --> 00:08:49,720 how it looks already in your head, and that's kind 224 00:08:49,759 --> 00:08:52,000 of just how I play it. But on stage, I'm 225 00:08:52,039 --> 00:08:54,639 sure i'd be I'd have to write something out to 226 00:08:54,720 --> 00:08:55,559 really understand it. 227 00:08:55,679 --> 00:08:59,120 Speaker 1: Oh absolutely, So, Now does do you ever cross the line? 228 00:08:59,159 --> 00:09:01,120 Is there a certain line you're saying, Okay, okay, this 229 00:09:01,159 --> 00:09:03,600 is our borderline. We can go up and touch it. 230 00:09:03,679 --> 00:09:04,919 But we're not going to cry. 231 00:09:04,960 --> 00:09:07,320 Speaker 3: I think I'm pretty and you know, I'll pat myself 232 00:09:07,320 --> 00:09:08,799 on the back of that one. I think I'm pretty 233 00:09:08,799 --> 00:09:12,240 good at just touching it and not doing too much 234 00:09:12,320 --> 00:09:15,840 over it. And again, there's different series and stuff where 235 00:09:16,120 --> 00:09:18,559 you know, kids could watch it because there's not it's 236 00:09:18,559 --> 00:09:19,399 not too r rated. 237 00:09:19,440 --> 00:09:21,320 Speaker 2: And then you have the ones. 238 00:09:21,000 --> 00:09:23,080 Speaker 3: Like the school right that we're talking about with the book, 239 00:09:23,120 --> 00:09:26,519 and that's just you know, that's when I dive into 240 00:09:26,519 --> 00:09:27,679 I can play with all of that. 241 00:09:27,960 --> 00:09:31,600 Speaker 2: So but yeah, no, I think when I first started out, I. 242 00:09:31,559 --> 00:09:35,679 Speaker 3: Tried to be a little edgi er and and people 243 00:09:35,720 --> 00:09:37,960 love it and the fans love it, so I want 244 00:09:38,000 --> 00:09:40,240 to keep doing that and have that series for them. 245 00:09:40,600 --> 00:09:44,720 Speaker 1: Who came up with School of Scum presents Math Class. 246 00:09:44,600 --> 00:09:47,480 Speaker 3: So I told them, I said I had this when 247 00:09:47,519 --> 00:09:50,159 I first did the like the first video, I don't 248 00:09:50,159 --> 00:09:52,440 know what came into you know, I'll title my my 249 00:09:52,559 --> 00:09:54,440 videos and my skits and kind of give them like 250 00:09:54,480 --> 00:09:57,120 a working title. Yeah, and the School of Scum was 251 00:09:57,159 --> 00:10:00,360 like my first like idea of like a series name 252 00:10:01,320 --> 00:10:02,600 and they let me run with it. 253 00:10:02,679 --> 00:10:04,159 Speaker 2: So I was really happy about that. 254 00:10:04,440 --> 00:10:06,720 Speaker 1: Don't you love that experience when you get this idea 255 00:10:06,919 --> 00:10:09,320 and it's like, Okay, now you've got to build it. 256 00:10:09,360 --> 00:10:11,279 And you know, not everybody's going to invest in it. 257 00:10:11,279 --> 00:10:12,840 They're not going to think it's a great idea, but 258 00:10:12,919 --> 00:10:16,080 you let it go because it's really heavy on your 259 00:10:16,120 --> 00:10:17,480 mind exactly. 260 00:10:17,519 --> 00:10:20,080 Speaker 3: And that's why I like shout out to all these 261 00:10:20,080 --> 00:10:23,000 guys that I believe it's yeah, Viva Editions and Simon 262 00:10:23,000 --> 00:10:25,080 and Schuster and all these guys that let me get 263 00:10:25,080 --> 00:10:29,000 away with this. It's like they understood that I wanted 264 00:10:29,039 --> 00:10:32,000 my creative direction on it, and they were just like, let's. 265 00:10:31,799 --> 00:10:33,600 Speaker 2: Keep it that way. You know that thought I thought 266 00:10:33,720 --> 00:10:36,039 when I pitched the jokes, there was a time. So 267 00:10:36,120 --> 00:10:36,720 let me tell you this. 268 00:10:37,440 --> 00:10:43,120 Speaker 3: I write maybe sixty seventy jokes without anyone reviewing them, yep. 269 00:10:43,240 --> 00:10:44,919 Speaker 2: And I'm like, oh my god, this could go. 270 00:10:45,399 --> 00:10:47,720 Speaker 3: This could immediately be canceled, right like I'm just saying 271 00:10:47,759 --> 00:10:49,799 the book in general, they could cancel the whole project. 272 00:10:50,360 --> 00:10:53,279 And we get on a zoom call and they love 273 00:10:53,639 --> 00:10:54,879 every single question. 274 00:10:54,759 --> 00:10:56,399 Speaker 2: And I was like, this is awesome. 275 00:10:56,960 --> 00:10:59,039 Speaker 3: So I thought it was going to be it's a 276 00:10:59,080 --> 00:11:01,559 hit or miss. Have looked at me like I'm a psycho? 277 00:11:02,039 --> 00:11:04,559 Speaker 1: So is it is? It a one book at a 278 00:11:04,559 --> 00:11:06,120 time kind of thing, or do you have a long 279 00:11:06,240 --> 00:11:08,039 term vision that you're going to be around for a 280 00:11:08,240 --> 00:11:11,200 very long time with the books? 281 00:11:11,240 --> 00:11:12,919 Speaker 2: I mean we we definitely. 282 00:11:12,480 --> 00:11:18,080 Speaker 3: Have an idea for more stuff. But again, if news breaks, 283 00:11:18,159 --> 00:11:21,960 you will understand where I'm at because I just again 284 00:11:22,039 --> 00:11:25,480 two biggest weeks of my life this last week, and 285 00:11:25,519 --> 00:11:27,600 I'm so grateful. I can't wait to talk about it. 286 00:11:27,639 --> 00:11:28,919 And that's kind of where I'm at. 287 00:11:29,000 --> 00:11:31,720 Speaker 1: I don't know, are you a defragger at all somebody, 288 00:11:31,799 --> 00:11:35,039 because defragr is somebody who asks themselves the questions and 289 00:11:35,080 --> 00:11:37,279 then questions the answers, and you seem to be that 290 00:11:37,399 --> 00:11:38,799 kind of a planner to the person. 291 00:11:38,919 --> 00:11:40,879 Speaker 2: Yeah, No, I'm that guy. I'm always just in my 292 00:11:40,919 --> 00:11:44,080 own head, like talking to myself. Yep, if that makes sense, Yeah, 293 00:11:44,159 --> 00:11:44,600 I get it. 294 00:11:44,840 --> 00:11:46,399 Speaker 1: Yeah. And when people say who are you talking to 295 00:11:47,039 --> 00:11:49,399 the greatest actor in the world, it's it's me. 296 00:11:49,720 --> 00:11:52,200 Speaker 2: Yeah. And then say, why are you looking at me? Weird? 297 00:11:52,200 --> 00:11:57,080 Speaker 1: And where can people go to find out more about 298 00:11:57,159 --> 00:11:58,960 you and your journey growing forward? 299 00:11:59,519 --> 00:11:59,720 Speaker 2: Yeah? 300 00:11:59,759 --> 00:12:04,000 Speaker 3: Man, it's so YouTube Jay Daddy, instagram at it's Jay Daddy, 301 00:12:04,080 --> 00:12:05,759 and TikTok at it's Jay Daddy. 302 00:12:05,759 --> 00:12:08,639 Speaker 2: I mean, I guess kind of everywhere. Hey Daddy, so you. 303 00:12:08,600 --> 00:12:10,399 Speaker 1: Got you gotta come back to this show anytime in 304 00:12:10,399 --> 00:12:11,960 the future, Jay Daddy. The door is always going to 305 00:12:12,000 --> 00:12:12,720 be open for you. 306 00:12:12,799 --> 00:12:13,320 Speaker 2: Definitely. 307 00:12:13,399 --> 00:12:15,399 Speaker 3: I'll hit you guys up and I'll let you guys know. 308 00:12:15,440 --> 00:12:18,200 All right, be brilliant today, Okay, all right, man, you 309 00:12:18,240 --> 00:12:18,559 as well