1
00:00:00,120 --> 00:00:02,480
Speaker 1: In radio, they always tell us one thought per break.

2
00:00:02,560 --> 00:00:04,519
So why would I put an NFL star with a

3
00:00:04,679 --> 00:00:07,719
YA author or a movie star with a doctor who

4
00:00:07,799 --> 00:00:11,519
says I've cured cancer aero dot net, a R R

5
00:00:11,679 --> 00:00:15,720
O E dot net, seventeen different podcasts and subjects to

6
00:00:15,960 --> 00:00:19,039
enhance your life. Thank you so much for being a

7
00:00:19,039 --> 00:00:22,120
part of mine, Corbyn. I have experienced the belt Ham

8
00:00:22,280 --> 00:00:24,280
I've got I want to talk about this, but I

9
00:00:24,320 --> 00:00:26,839
do not want to spoil it. And I just I

10
00:00:26,960 --> 00:00:29,760
just I'm still thinking about this movie and it's been

11
00:00:29,800 --> 00:00:30,399
four days.

12
00:00:31,359 --> 00:00:33,600
Speaker 2: But that's the kind of movie it is. It's uh,

13
00:00:33,719 --> 00:00:35,880
you know, it's not a while. It does have plenty

14
00:00:35,960 --> 00:00:38,799
of you know, jump out of your seat spooky moments,

15
00:00:39,200 --> 00:00:41,399
which it does. I mean I've seen it several times

16
00:00:41,439 --> 00:00:44,439
now it still does. It is a movie that it

17
00:00:44,439 --> 00:00:47,000
gets into a little bit. You know, what is it about?

18
00:00:47,039 --> 00:00:51,079
What is it about motherhood? Folklore? What is it about aging?

19
00:00:51,119 --> 00:00:53,880
Which is really not talked about, but you know, uh,

20
00:00:54,000 --> 00:00:58,000
you know the way we look back at things, and

21
00:00:58,280 --> 00:01:01,960
uh yeah, it gets in here. Well it makes you

22
00:01:02,000 --> 00:01:03,280
want to explore.

23
00:01:03,280 --> 00:01:06,040
Speaker 1: Speaking of looking back at things. That's the reason why

24
00:01:06,040 --> 00:01:08,079
I've got to go back for a third time, because

25
00:01:08,280 --> 00:01:11,120
I want all of my attention to be on you

26
00:01:11,400 --> 00:01:13,439
and I don't want to spoil it. But some things

27
00:01:13,519 --> 00:01:15,719
go down in this movie in the middle and the

28
00:01:15,840 --> 00:01:18,280
end where I think that you're telling us what's going

29
00:01:18,319 --> 00:01:20,159
on in this story way back at the beginning.

30
00:01:21,359 --> 00:01:25,799
Speaker 2: You know, that's very observed in w And you know,

31
00:01:25,840 --> 00:01:29,079
if you just look at the neutrality of my character, yep,

32
00:01:29,120 --> 00:01:31,760
I will, which is hard to do because you want

33
00:01:31,799 --> 00:01:33,760
to act right, you want to act, you want to

34
00:01:33,799 --> 00:01:37,159
do something. And look how many times I just put

35
00:01:37,159 --> 00:01:40,680
my hand on the shoulder, you know, and just and

36
00:01:40,840 --> 00:01:43,719
settle the pace and just say here's where you're be

37
00:01:43,760 --> 00:01:48,760
in this moment, and you'll figure it out. Yeah, you know,

38
00:01:48,840 --> 00:01:51,599
you certainly. Look. I have so little to say in it,

39
00:01:51,640 --> 00:01:53,840
which is great because they have to learn a lot

40
00:01:53,879 --> 00:01:59,200
of lines at night. But that presence is is and

41
00:01:59,239 --> 00:02:01,280
I didn't really had it until we got into it.

42
00:02:01,319 --> 00:02:03,480
I didn't even know it. Reading the script. She knew

43
00:02:03,480 --> 00:02:06,000
there was something in there, and then angela wonderful first

44
00:02:06,000 --> 00:02:11,000
time director, pulled it out and and I think it is.

45
00:02:11,039 --> 00:02:13,360
You go back and you could look through my character

46
00:02:13,400 --> 00:02:14,919
and go, oh, I see what's coming.

47
00:02:15,360 --> 00:02:18,439
Speaker 1: Well, you had one of the toughest jobs ever in acting,

48
00:02:18,479 --> 00:02:23,199
and that is facial expressions, body language. I mean if I,

49
00:02:23,319 --> 00:02:26,000
if you didn't put your entire self into it, that

50
00:02:26,080 --> 00:02:29,560
role wouldn't have worked. Because I felt you in this movie.

51
00:02:30,479 --> 00:02:33,120
Speaker 2: Well that's nice, man. I appreciate that because you know,

52
00:02:33,120 --> 00:02:36,120
as an actor, I'm not a line counter. You know

53
00:02:36,159 --> 00:02:38,400
how many lines do I have? Or if you really

54
00:02:38,439 --> 00:02:41,599
look at there's something really interesting and see somebody don't

55
00:02:41,639 --> 00:02:43,520
have to watch the movie to see this. There's a

56
00:02:43,520 --> 00:02:45,319
lot of times where I'm in a scene and you

57
00:02:45,319 --> 00:02:47,520
there's no close up with me, you see a part

58
00:02:47,560 --> 00:02:49,479
of me, you know, you see a piece of me,

59
00:02:49,800 --> 00:02:51,319
I hand on the shoulder, you see part of my

60
00:02:51,360 --> 00:02:57,319
flannel shirt, and it was it was a you know,

61
00:02:57,360 --> 00:03:00,120
I never thought of it as a you know, a

62
00:03:00,520 --> 00:03:03,800
performance of facial expressions because I don't think about that

63
00:03:03,879 --> 00:03:05,639
kind of stuff. Just what am I doing there at

64
00:03:05,639 --> 00:03:10,120
that moment? And how does that help serve the larger story?

65
00:03:10,560 --> 00:03:13,439
But yeah, you know, you've got to have a lot

66
00:03:13,479 --> 00:03:15,439
going on inside your head if you don't have words

67
00:03:15,479 --> 00:03:16,360
coming out of your mouth.

68
00:03:16,680 --> 00:03:20,039
Speaker 1: But doesn't it also embrace family in the way of

69
00:03:20,319 --> 00:03:23,000
that even though we are aging in life, we still

70
00:03:23,039 --> 00:03:24,599
have a voice, and we need to be heard. And

71
00:03:24,719 --> 00:03:27,120
yes we do go back and dream about younger days

72
00:03:27,120 --> 00:03:29,120
and times, but then we have to have somebody there

73
00:03:29,159 --> 00:03:30,919
to be the anchor. And I swear to God, you're

74
00:03:31,159 --> 00:03:31,919
you're that anchor.

75
00:03:32,919 --> 00:03:34,800
Speaker 2: I am the anger. But here's well, I don't want

76
00:03:34,800 --> 00:03:36,400
to get's so funny because I can say things you

77
00:03:36,439 --> 00:03:40,280
don't want to give it away. Exactly do I exist,

78
00:03:40,800 --> 00:03:44,639
you know, and if so, do what on what level?

79
00:03:46,280 --> 00:03:51,840
And you know, it's funny. I've often played even though

80
00:03:51,960 --> 00:03:55,840
even La Law, you know, I was considered a lead

81
00:03:55,919 --> 00:03:58,599
actor or certainly major league, but really it was Tom

82
00:03:58,639 --> 00:04:01,400
and Charlie, you know, they were coming out of Platoon.

83
00:04:02,879 --> 00:04:05,360
And I've always been sort of a felt, even with

84
00:04:05,439 --> 00:04:08,319
this show psych that I did more recently, I feel

85
00:04:08,439 --> 00:04:11,879
more like Ringo, you know, the guy who's wasn't that

86
00:04:12,000 --> 00:04:14,439
all the attention? He just keeps the beat, you know,

87
00:04:15,039 --> 00:04:17,040
And if you listen to Ringo, if you really listen

88
00:04:17,040 --> 00:04:19,120
to a Beatles song and you listen to Ringo, you

89
00:04:19,160 --> 00:04:22,519
go like, oh, that's that's sort of the beat the

90
00:04:22,600 --> 00:04:25,839
rhythm of the show of the thing, you know. And

91
00:04:26,800 --> 00:04:30,040
I've sort of embraced becoming that character often.

92
00:04:30,240 --> 00:04:32,879
Speaker 1: Please do not move. There's more with Corbyn Burnson coming

93
00:04:32,959 --> 00:04:37,360
up next the name of his latest movie, The beled Ham,

94
00:04:37,519 --> 00:04:39,199
And you're gonna have to watch it two or three

95
00:04:39,240 --> 00:04:41,759
different times because there's a lot going on and you're

96
00:04:41,759 --> 00:04:44,720
going to learn something greater every time. We are back

97
00:04:44,759 --> 00:04:47,319
with actor Corbyn Burnson. Let me ask you a question

98
00:04:47,319 --> 00:04:50,000
about the birds that are featured inside the belt. And

99
00:04:50,439 --> 00:04:53,120
it's become only because I'm such a bird fanatic. Are

100
00:04:53,120 --> 00:04:56,040
they crows? Are they ravens? But I saw the white

101
00:04:56,120 --> 00:04:59,879
around their neck and my heart said, no, these are magpie?

102
00:05:00,360 --> 00:05:01,000
What are they?

103
00:05:02,079 --> 00:05:06,399
Speaker 2: Ye? Beats me, man, I hate birds. Yeah, we say

104
00:05:06,519 --> 00:05:13,240
crows a lot, you know. Uh, but that's a good question.

105
00:05:13,360 --> 00:05:17,000
You'd have to ask Angela about that. I think they're crows,

106
00:05:17,240 --> 00:05:19,160
but crows are all black. But so they ring around

107
00:05:19,160 --> 00:05:24,160
the neck wood? Yeah yeah. Uh. Ravens, well, all those

108
00:05:24,160 --> 00:05:26,959
birds are sort of horror movie birds, are they are? Yeah?

109
00:05:26,959 --> 00:05:31,839
They are bagpies surely, crows and ravens, but you know

110
00:05:31,920 --> 00:05:34,000
they I'll tell you whether they or not. Blue Jay's

111
00:05:34,000 --> 00:05:35,800
are red robins for sure.

112
00:05:36,000 --> 00:05:38,040
Speaker 1: So true, so true. So now one of the things

113
00:05:38,040 --> 00:05:39,720
that I could really relate with when it comes to

114
00:05:39,720 --> 00:05:41,199
this movie, and we can talk about this because I

115
00:05:41,240 --> 00:05:43,879
don't think it spoils it the grave site out there

116
00:05:43,879 --> 00:05:46,480
in the garden, because I'm here in the South. They

117
00:05:46,519 --> 00:05:49,600
are everywhere, and if you find one, you're blessed. You've

118
00:05:49,759 --> 00:05:51,879
you've been called to that place. So I mean, that's

119
00:05:51,920 --> 00:05:54,279
what I really felt in watching this is that there

120
00:05:54,360 --> 00:05:58,160
was such honor and and beauty and embracing that that

121
00:05:58,160 --> 00:06:00,000
that you know, that gravestone in the ground.

122
00:06:00,240 --> 00:06:03,160
Speaker 2: Basically, yeah, because people don't realize. We didn't, you know,

123
00:06:03,279 --> 00:06:06,519
we people and we say it in the film. You know,

124
00:06:06,600 --> 00:06:09,319
people used to it was not uncommon to build to

125
00:06:09,439 --> 00:06:11,600
bury a family member in your garden, right, you have

126
00:06:11,680 --> 00:06:14,240
to go, you know, pay four hundred and seventy three

127
00:06:14,279 --> 00:06:17,920
dollars at some memorial park. You stuck them in the

128
00:06:17,920 --> 00:06:21,000
ground where they fell. Ye by the Wild West, you

129
00:06:21,040 --> 00:06:24,160
actually stuck them in the ground where they fell. You know,

130
00:06:24,160 --> 00:06:27,959
if you got lucky, you found a hilltop. But I

131
00:06:28,000 --> 00:06:30,160
didn't know that. So you're blessed if you come across

132
00:06:30,160 --> 00:06:31,759
the gravestone in your garden.

133
00:06:32,000 --> 00:06:33,720
Speaker 1: I do believe that, Yeah, yeah, Because I mean there's

134
00:06:33,720 --> 00:06:35,680
a lot of places here in Charlotte where the old

135
00:06:35,759 --> 00:06:38,519
slave cemeteries are, and we're finding them as they continue

136
00:06:38,519 --> 00:06:40,720
to escavate the land to put homes in. And then

137
00:06:40,759 --> 00:06:42,959
you know what they do, they don't build there, or

138
00:06:43,000 --> 00:06:45,160
what they do is they build an area where that

139
00:06:45,279 --> 00:06:47,959
grave site is honored. Even though it's a brand new home,

140
00:06:48,120 --> 00:06:51,040
that grave site is still honored. It's it really is

141
00:06:51,120 --> 00:06:52,000
a love story.

142
00:06:52,600 --> 00:06:55,480
Speaker 2: Well that's great, that's that's really wonderful to hear. I

143
00:06:55,519 --> 00:06:58,560
didn't know that. That's great. But yeah, I mean, you know,

144
00:06:58,639 --> 00:07:00,399
there's a lot I live upstate New or and you

145
00:07:00,439 --> 00:07:02,560
see a lot of homes here who have you know,

146
00:07:02,680 --> 00:07:06,160
family plots like in there, you know, just outside them,

147
00:07:07,000 --> 00:07:10,800
beyond their pool, if you will, And they're great there,

148
00:07:10,839 --> 00:07:13,160
you know, ten little gravestones.

149
00:07:12,519 --> 00:07:15,720
Speaker 3: You know, and uh, you know a lot of people look,

150
00:07:15,759 --> 00:07:18,600
certain people will shy away from it, but uh, you know,

151
00:07:18,759 --> 00:07:22,000
I think it's all about legacy and you know, and

152
00:07:22,959 --> 00:07:24,759
I don't know for me personally.

153
00:07:24,879 --> 00:07:27,439
Speaker 2: I guess I'd rather be put where my home is

154
00:07:27,480 --> 00:07:31,639
than stuck in a memorial park on the side of

155
00:07:31,680 --> 00:07:32,240
a freeway.

156
00:07:32,519 --> 00:07:34,600
Speaker 1: So true, so true. Where can people go to find

157
00:07:34,600 --> 00:07:37,040
out more about you? Corbyn? Because you are so actively

158
00:07:37,079 --> 00:07:39,560
involved with so many different styles of music. In fact,

159
00:07:39,639 --> 00:07:42,360
I'm hoping that you have another faith based movie coming out,

160
00:07:42,360 --> 00:07:44,639
because you are brilliant in those as well.

161
00:07:45,399 --> 00:07:46,360
Speaker 2: Well you can.

162
00:07:46,480 --> 00:07:46,639
Speaker 1: Uh.

163
00:07:47,040 --> 00:07:49,759
Speaker 2: You know, I'm not really good with keeping up all

164
00:07:49,759 --> 00:07:52,920
of my social platforms and all of that stuff. You

165
00:07:53,000 --> 00:07:55,360
certainly google my name and probably find out what I've

166
00:07:55,360 --> 00:07:58,040
been in. I'm in. I'm trying to get a little

167
00:07:58,040 --> 00:08:01,839
bit better with the Instagram and all that. I said

168
00:08:01,839 --> 00:08:04,519
something yesterday, it was my thirty seventh Anniverse Tree yesterday

169
00:08:04,560 --> 00:08:07,560
to my wonderful wife Amanda, and I posted one thing

170
00:08:07,600 --> 00:08:09,839
and like, oh, well, look at all these people responded.

171
00:08:10,199 --> 00:08:13,959
I'm still I'm not like a social media guy. I

172
00:08:14,000 --> 00:08:16,680
am working with one of my sons on a website

173
00:08:16,759 --> 00:08:19,560
to you get everybody a little bit more present. But

174
00:08:20,319 --> 00:08:22,959
I don't know. Just listen to find people like you,

175
00:08:23,000 --> 00:08:26,759
and you'll see that. I'm in the bedlam and beld

176
00:08:26,839 --> 00:08:30,519
him I said, bedam gosh, I always do that, and

177
00:08:31,680 --> 00:08:32,039
it is.

178
00:08:32,039 --> 00:08:36,759
Speaker 3: Bedlam in the beldumuh And uh, you know.

179
00:08:36,919 --> 00:08:38,879
Speaker 2: You'll find me if I just keep your ear to

180
00:08:38,919 --> 00:08:41,000
the ground and you'll find me. I find my way

181
00:08:41,080 --> 00:08:42,919
to you. You don't have to find your way to me.

182
00:08:43,200 --> 00:08:45,600
Speaker 1: Absolutely well, please come back to this show. Anytime in

183
00:08:45,600 --> 00:08:47,440
the future. The door is always going to be open

184
00:08:47,519 --> 00:08:47,840
for you.

185
00:08:48,559 --> 00:08:49,279
Speaker 2: Thank you, sir.

186
00:08:49,639 --> 00:08:51,200
Speaker 1: Will you be brilliant today?

187
00:08:51,240 --> 00:08:53,840
Speaker 2: Okay, I am on my way.

