1 00:00:09,240 --> 00:00:11,960 Speaker 1: Met a young lady. She said, her taste of brick. 2 00:00:12,320 --> 00:00:15,160 She walked in the streets of London, pleasure she would see. 3 00:00:15,560 --> 00:00:18,440 She made the boy so happy, left them with a smile. 4 00:00:18,800 --> 00:00:21,719 Speaker 2: She earned the most money and the king skinned him out. 5 00:00:24,920 --> 00:00:28,359 Speaker 1: But I'm met her in her dollhouse, has been congregged. 6 00:00:28,559 --> 00:00:30,800 Speaker 2: The cold across her eyes was the best that I 7 00:00:30,920 --> 00:00:33,200 ever seen. Took her to her restaurant. 8 00:00:33,399 --> 00:00:36,240 Speaker 1: Her nails were paying the black before the night through. 9 00:00:36,280 --> 00:00:42,719 While I was under attack. She gone around, she gone back, 10 00:00:42,759 --> 00:00:48,399 she gone and blown, She gone black. She gone around, 11 00:00:48,479 --> 00:00:54,520 she gone back, she gone blown, She gone black. Said 12 00:00:54,560 --> 00:00:56,920 you might not be sent around. I'm sure you ain't 13 00:00:56,960 --> 00:00:59,399 the sink it was written and then the stars I 14 00:00:59,560 --> 00:01:02,799 meaning an't to fix said I'm sorry, honey, I don't 15 00:01:02,840 --> 00:01:03,640 know what you're big. 16 00:01:03,799 --> 00:01:06,239 Speaker 2: She said, to give me a whiskey and all the 17 00:01:06,319 --> 00:01:15,640 drugs are there? Need a matter in the city. The 18 00:01:15,760 --> 00:01:17,000 father was under the ground. 19 00:01:17,400 --> 00:01:20,120 Speaker 3: Papa's hitting high was a rocker Berry sign. 20 00:01:20,200 --> 00:01:25,040 Speaker 2: Wrong place, wrong time, into my life. She gone five minutes, 21 00:01:25,079 --> 00:01:31,879 saying to show me the night sook off running. I 22 00:01:31,920 --> 00:01:34,680 got myself behind, but I could see the cat. 23 00:01:34,799 --> 00:01:36,760 Speaker 4: But you'd have to be blind. 24 00:01:36,799 --> 00:01:38,879 Speaker 5: Told me. Bertie Street, that you didn't lie. 25 00:01:38,959 --> 00:01:42,719 Speaker 2: My toul ain't no problem. Because the cat came home. 26 00:01:45,959 --> 00:01:48,439 She gone around, she gon back, she gone and blown, 27 00:01:48,480 --> 00:01:54,079 She gone black. She gone who around, She gone back, 28 00:01:54,159 --> 00:01:59,719 She gone and blown, She gone black. Said you might 29 00:01:59,799 --> 00:02:00,799 not a sinab. 30 00:02:01,000 --> 00:02:01,799 Speaker 3: I'm sure you ain't. 31 00:02:01,879 --> 00:02:05,000 Speaker 2: Or sink hips and then stars, I mean in then 32 00:02:05,159 --> 00:02:05,519 was fixed. 33 00:02:06,000 --> 00:02:06,239 Speaker 5: Sad. 34 00:02:06,280 --> 00:02:09,039 Speaker 2: I'm sorry, honey, I don't know what you mean. She said, 35 00:02:09,240 --> 00:02:11,879 give me a whiskey and all the drugs are dead. 36 00:02:11,960 --> 00:02:46,560 Speaker 6: You eat, You might not be a sin of. I'm 37 00:02:46,560 --> 00:02:48,639 sure you ain't. For six tips. 38 00:02:48,199 --> 00:02:52,599 Speaker 1: Written them stars, I mean the speak sad. I'm sorry, honey, 39 00:02:52,719 --> 00:02:55,080 I don't know what you mean. She said, give me 40 00:02:55,120 --> 00:02:57,039 a whiskey and all the drugs and. 41 00:02:57,120 --> 00:03:33,479 Speaker 7: Dig April days of coming gone spring, rain is rolling on. 42 00:03:34,360 --> 00:03:40,280 My heart breaks without a song. The road starts to wind. 43 00:03:41,759 --> 00:03:45,240 They're funding war, or so they last. 44 00:03:45,599 --> 00:03:52,520 Speaker 8: The end times are coming fast? Will peaks get a chance? 45 00:03:53,319 --> 00:03:59,280 Speaker 9: Who lould have known? I've been feeling. 46 00:04:00,439 --> 00:04:02,960 Speaker 7: Look, something is wrong. 47 00:04:04,240 --> 00:04:08,879 Speaker 10: The voice in my head has been here for. 48 00:04:09,240 --> 00:04:12,800 Speaker 9: Two long One day. 49 00:04:13,840 --> 00:04:19,160 Speaker 11: I will get to live again. 50 00:04:34,040 --> 00:04:39,680 Speaker 7: Playing in my hospital bed, the sun shine and all 51 00:04:39,959 --> 00:04:40,560 my head. 52 00:04:41,279 --> 00:04:47,879 Speaker 10: The doctor stopped by and said they know what's the cause. 53 00:04:48,920 --> 00:04:54,600 Speaker 7: I've been feeling Look, something is wrong. 54 00:04:55,920 --> 00:05:00,000 Speaker 10: The voice in my head has been here. 55 00:05:00,000 --> 00:05:08,879 Speaker 9: Here for too long. One day I will get. 56 00:05:08,639 --> 00:05:29,680 Speaker 10: To live again. I'm happy to be alive. The worst 57 00:05:29,800 --> 00:05:35,560 days are long behind. He lives from all the time 58 00:05:36,560 --> 00:05:38,600 I spent in pain. 59 00:05:41,920 --> 00:05:50,000 Speaker 7: I've been feeling like something is wrong. The voice in 60 00:05:50,079 --> 00:05:54,160 my head has been here for two. 61 00:05:56,279 --> 00:05:56,920 Speaker 9: One day? 62 00:05:58,199 --> 00:05:59,759 Speaker 5: How okay? 63 00:06:01,879 --> 00:06:02,720 Speaker 9: Live love? 64 00:06:03,920 --> 00:06:20,720 Speaker 12: Yeah, you are. 65 00:06:20,680 --> 00:06:22,959 Speaker 9: Listening to w m and H ninety four. 66 00:06:26,920 --> 00:06:32,519 Speaker 13: The Command God Don't get so Green, Leader Maxill Cobby. 67 00:07:04,959 --> 00:07:06,040 Speaker 3: Good morning, everybody. 68 00:07:06,120 --> 00:07:06,480 Speaker 9: Here we go. 69 00:07:06,600 --> 00:07:09,240 Speaker 3: It is that time again, Matt Connorton unleashed and we 70 00:07:09,319 --> 00:07:13,240 are live from the studios of wm NH ninety five 71 00:07:13,279 --> 00:07:16,759 point three FM and Glorious but very Cold Manchester, New Hampshire. 72 00:07:16,959 --> 00:07:20,240 Of course, also streaming online. You can go to wmnhradio 73 00:07:20,279 --> 00:07:23,360 dot org or my website Matt connorton dot com slash 74 00:07:23,560 --> 00:07:27,040 live for all your live streaming options. Today is Saturday, 75 00:07:27,279 --> 00:07:43,639 January twenty five, twenty twenty five. I'm not alone. Good morning, Yes, 76 00:07:43,759 --> 00:07:48,279 Jenny is here at the news table and uh, let's see. 77 00:07:48,319 --> 00:07:50,839 By the way, so we opened the hour with a 78 00:07:50,879 --> 00:07:54,199 couple of radio premieres. The American Radio premiere of the 79 00:07:54,240 --> 00:07:57,759 brand new track from Naked Without It There from the UK. 80 00:07:57,920 --> 00:07:59,759 They were with us on the show recently skyping in 81 00:08:00,199 --> 00:08:03,079 called all the Drugs great song. And then our new 82 00:08:03,160 --> 00:08:06,079 friend from Seattle, Mike Frasier, we opened with the world 83 00:08:06,199 --> 00:08:09,279 radio premiere of his new song called April Days. And 84 00:08:09,480 --> 00:08:12,560 he is going to be with us. I think he's 85 00:08:12,600 --> 00:08:14,920 gonna be possibly in studio with us when he's on 86 00:08:15,040 --> 00:08:18,360 tour in a few months, if I if I'm not mistaken, 87 00:08:20,000 --> 00:08:22,399 But right now now this is uh, We're gonna have 88 00:08:22,399 --> 00:08:23,879 a lot of fun. I'm really looking forward to this. 89 00:08:24,079 --> 00:08:27,480 We've got actually here, I'm gonna change over the music, 90 00:08:28,680 --> 00:08:31,920 fade out your theme music there, Johnny, I'm gonna play 91 00:08:31,920 --> 00:08:36,159 a little something else and uh, this will be This 92 00:08:36,279 --> 00:08:39,320 isn't as smooth as I wanted it to be. Hang on, Yeah, 93 00:08:47,480 --> 00:08:50,879 we have as featured recently in Paper Jam magazine, our 94 00:08:50,919 --> 00:08:54,120 wonderful friends at Paper Jam. We have not Lee Crue 95 00:08:54,159 --> 00:08:56,080 here with us. Welcome everybody, Yes. 96 00:08:56,080 --> 00:08:57,600 Speaker 14: Going on, Hell, what's it going? 97 00:08:58,080 --> 00:09:00,879 Speaker 3: Let's see. I'm gonna make sure I get those snikes 98 00:09:00,879 --> 00:09:03,799 over there for the for the backup singers. Actually, let's 99 00:09:03,840 --> 00:09:06,440 do this. So of course, if you haven't figured it out. 100 00:09:06,480 --> 00:09:08,960 Not Lee Crue is a Motley Crue tribute band. And 101 00:09:09,080 --> 00:09:10,799 let's start in the in the corner here. I'd like 102 00:09:10,840 --> 00:09:13,759 to have everybody introduce yourselves, although I gotta tell you, 103 00:09:13,799 --> 00:09:15,320 and I said it off air, but you look, I 104 00:09:15,399 --> 00:09:17,200 gotta put the camera on you. You look so much 105 00:09:17,279 --> 00:09:20,519 like Eric Carr. And my favorite band is Kiss, as 106 00:09:20,799 --> 00:09:23,000 someone else in the room is well aware of. So 107 00:09:23,080 --> 00:09:25,279 it's freaking me out. But you are not Eric Carr. 108 00:09:27,080 --> 00:09:28,919 But go ahead and introduce yourself. 109 00:09:29,080 --> 00:09:29,960 Speaker 14: Hey, how's it going? 110 00:09:30,039 --> 00:09:30,320 Speaker 12: This is? 111 00:09:30,639 --> 00:09:33,200 Speaker 14: This is Tony Lee over here. I'm the drummer of 112 00:09:33,279 --> 00:09:33,879 Not Lee Crue. 113 00:09:34,080 --> 00:09:37,159 Speaker 3: Tony Lee all right, and you, sir, you're also very familiar. 114 00:09:37,200 --> 00:09:41,039 Speaker 15: But Chris Chris Neil vocals, Chris Neil, very good. 115 00:09:41,120 --> 00:09:43,399 Speaker 16: You have Kenny six on the base over here, and 116 00:09:43,519 --> 00:09:46,519 you actually play I assume I do all all the tracks, okay, 117 00:09:46,679 --> 00:09:47,919 very very good, very. 118 00:09:47,799 --> 00:09:51,559 Speaker 17: Good, And I'm saying o't no otherwise known as Thick 119 00:09:51,679 --> 00:09:53,840 Mars all right, very. 120 00:09:53,759 --> 00:09:54,480 Speaker 5: Good, very good? 121 00:09:54,720 --> 00:09:58,080 Speaker 3: And over here, Oh I can't hear you for some reason. 122 00:09:58,200 --> 00:10:02,240 Oh go ahead, you gotta Oh that might ended up 123 00:10:02,279 --> 00:10:05,240 really far away from you. Let me pull this up here, 124 00:10:05,360 --> 00:10:08,159 Go ahead, I'm Nicole in one of the Notley Girls. 125 00:10:08,360 --> 00:10:11,759 Speaker 18: Okay, welcome Nicole Bretany also not like girl. 126 00:10:11,960 --> 00:10:15,200 Speaker 3: Okay, welcome, and you're so you're the backup singers for 127 00:10:15,240 --> 00:10:17,679 those who can't h I remember to switch these cameras 128 00:10:17,720 --> 00:10:21,279 over so everybody can see everybody here. Oh, that's already 129 00:10:21,279 --> 00:10:24,320 on you. Okay. So so we've got the whole band here. 130 00:10:24,399 --> 00:10:26,320 This is great. That doesn't always work out on a 131 00:10:26,360 --> 00:10:30,039 Saturday morning. And uh, you're all gonna play live first. 132 00:10:30,080 --> 00:10:31,320 What are you gonna what are you gonna play? 133 00:10:32,480 --> 00:10:34,320 Speaker 16: Yeah, we figured we do a couple of songs. We'll 134 00:10:34,360 --> 00:10:36,399 do some you know, we'll take you back to nineteen 135 00:10:36,440 --> 00:10:38,440 eighty five. We figured we do a Home Sweet Home. 136 00:10:38,480 --> 00:10:40,799 Everybody knows that one. Oh yes, and then we're gonna 137 00:10:40,799 --> 00:10:42,840 go back to nineteen eighty one, do something off the 138 00:10:43,000 --> 00:10:45,000 first album, a song called Starry Eyes. 139 00:10:45,320 --> 00:10:47,519 Speaker 3: Okay, all right, Yeah, you want to play something for 140 00:10:47,639 --> 00:10:48,799 us now, and then we'll talk for a bit. 141 00:10:49,000 --> 00:10:50,480 Speaker 19: Sure, which which one do you wanna do? 142 00:10:50,519 --> 00:10:50,679 Speaker 15: First? 143 00:10:51,200 --> 00:10:51,559 Speaker 3: You play? 144 00:10:54,360 --> 00:10:55,200 Speaker 14: Okay, there we go. 145 00:10:55,600 --> 00:10:56,919 Speaker 19: We're doing We're doing Home Sweet Home. 146 00:10:56,879 --> 00:11:00,279 Speaker 3: First, Home Sweet Home, all right, wonderful a song that 147 00:11:01,200 --> 00:11:04,080 I'm quite certain it's still played at high school proms 148 00:11:04,399 --> 00:11:04,960 to this day. 149 00:11:07,039 --> 00:11:09,320 Speaker 17: I actually can plug this in. I see a quarter 150 00:11:09,440 --> 00:11:10,000 inch down there. 151 00:11:10,120 --> 00:11:12,639 Speaker 3: Oh yeah, oh that would be fantastic. We can do that. Yeah, 152 00:11:12,919 --> 00:11:15,360 let me let me mute that that whole thing over 153 00:11:15,399 --> 00:11:22,600 there for a moment. Yeah, if you want to do that. Yeah, 154 00:11:22,759 --> 00:11:24,360 just yeah, you can plug right into that and then 155 00:11:24,360 --> 00:11:27,240 I'll pull this up. I just got to figure out 156 00:11:27,240 --> 00:11:32,279 what channel it's on. Can can you see from there? 157 00:11:32,360 --> 00:11:39,679 What channel? Can you tell what channel that that's plugged into? Yeah, 158 00:11:40,919 --> 00:11:43,519 it's in four okay, perfect. Let me turn this back on. 159 00:11:45,159 --> 00:11:45,720 Speaker 15: For for you. 160 00:11:45,960 --> 00:11:49,559 Speaker 17: There's headphones over here, and you probably hear me better. 161 00:11:56,120 --> 00:11:59,559 Speaker 3: I think we Oh yeah, that sounds good. Yeah, we've 162 00:11:59,600 --> 00:12:03,919 got you. We've got to plug in. Excellent. So if 163 00:12:03,919 --> 00:12:07,440 you're just joining us, not Lee Crewe, not Lee Cruez 164 00:12:07,480 --> 00:12:09,799 here with us at the studio, Yeah that sounds good. 165 00:12:25,120 --> 00:12:32,600 Speaker 4: You know, I'm a dreamer, b my to go and 166 00:12:33,200 --> 00:12:37,600 run away, so I want to come home. 167 00:12:37,799 --> 00:12:44,200 Speaker 13: Lo, just win things win und doesn't mean they're always wrong. 168 00:12:45,399 --> 00:12:50,200 Speaker 9: Just say this sound and you'll never be here left. 169 00:12:51,360 --> 00:12:53,200 Speaker 5: Don't pick me to your. 170 00:12:55,399 --> 00:12:57,200 Speaker 8: Fill me in your bones. 171 00:12:58,519 --> 00:13:03,720 Speaker 13: It's just one month and I'm coming out this long 172 00:13:03,840 --> 00:13:14,000 and winding room. Come on my way, Come on my way, 173 00:13:15,399 --> 00:13:27,840 O sweet, turn out on my way, come on my way. 174 00:13:29,320 --> 00:13:41,639 Oh sweet, you know that a scene too many romantic 175 00:13:41,840 --> 00:13:50,080 dreams up, light falling out till the screen from my 176 00:13:50,240 --> 00:13:55,480 heart's locking old ben book for the whole world to read. 177 00:13:57,159 --> 00:14:04,000 Sometimes nothing you keep feed agather around seems Come on 178 00:14:04,399 --> 00:14:07,840 my way, come my. 179 00:14:08,120 --> 00:14:11,279 Speaker 9: Way, home, sweet. 180 00:14:17,879 --> 00:14:21,159 Speaker 8: My way, if you'll send me. 181 00:14:21,399 --> 00:14:44,960 Speaker 5: Free home sweet o sweet home home sweet home. Boom sweet. 182 00:15:00,120 --> 00:15:35,039 Speaker 9: Um you send me free. 183 00:16:14,399 --> 00:16:18,720 Speaker 3: Oh very nice, very nice, well done, well done. Everybody, 184 00:16:18,799 --> 00:16:21,039 if you are just joining us, we have not Lee 185 00:16:21,200 --> 00:16:25,960 Crue here with us live in studio on this Saturday morning. 186 00:16:26,120 --> 00:16:30,080 And uh so, uh tell us, uh tell us about 187 00:16:30,120 --> 00:16:32,759 the uh the origins of not Lee Crue. Why did 188 00:16:32,840 --> 00:16:34,440 you why did you all decide. 189 00:16:34,080 --> 00:16:35,279 Speaker 9: To uh to do this? 190 00:16:36,720 --> 00:16:38,039 Speaker 19: So let's see who wants to start. 191 00:16:39,720 --> 00:16:41,679 Speaker 3: I mean, obviously you're all big Motley Crue fans. 192 00:16:41,720 --> 00:16:45,840 Speaker 20: Absolutely, I decided to do it because they were already established, 193 00:16:46,080 --> 00:16:49,000 they needed a singer, and I grew up on I 194 00:16:49,080 --> 00:16:49,919 grew up on Crewe. 195 00:16:49,919 --> 00:16:52,000 Speaker 15: I love I love Motley Crue. 196 00:16:52,320 --> 00:16:56,679 Speaker 20: Yeah, it's definitely represents just the raw energy and passion 197 00:16:56,799 --> 00:16:58,240 of just good old rock and roll. 198 00:16:58,360 --> 00:16:59,679 Speaker 15: So yeah, yeah, I am here. 199 00:17:00,080 --> 00:17:01,799 Speaker 14: Absolutely, I definitely agree with that. 200 00:17:01,919 --> 00:17:05,680 Speaker 21: It's just it's an explosive kind of music to play. 201 00:17:05,759 --> 00:17:08,480 It's it's tons of fun and always goes over. 202 00:17:08,559 --> 00:17:08,759 Speaker 14: Well. 203 00:17:09,079 --> 00:17:14,960 Speaker 3: Yeah, you even kind of talk like Eric Carr, you 204 00:17:15,039 --> 00:17:19,880 got to freaking tribute and it's freaking me out. 205 00:17:20,839 --> 00:17:22,359 Speaker 14: Maybe you're going to join a Kiss tribute? 206 00:17:23,759 --> 00:17:25,119 Speaker 3: Exactly, exactly. 207 00:17:25,680 --> 00:17:28,920 Speaker 16: Yeah, basically, you know it got it got started out 208 00:17:28,960 --> 00:17:30,599 of out of I won't say a joke, but we 209 00:17:31,559 --> 00:17:33,359 we were in a different band. We kind of we 210 00:17:33,559 --> 00:17:36,839 we decided on a Halloween to to actually dress up 211 00:17:36,880 --> 00:17:40,680 as Motley Crue and do do kind of a one 212 00:17:40,799 --> 00:17:44,119 set of their music. We realized we had so much 213 00:17:44,240 --> 00:17:46,200 fun playing it and loved the music so much that 214 00:17:46,279 --> 00:17:48,480 it kind of it evolved into this. You know, it's 215 00:17:48,559 --> 00:17:50,200 kind of how it happened twenty nineteen. 216 00:17:50,440 --> 00:17:52,759 Speaker 3: Yeah, yep, Oh, very cool. So that's when it's so 217 00:17:53,039 --> 00:17:54,480 so you got you guys been at this a while? 218 00:17:54,559 --> 00:17:54,720 Speaker 5: Yep. 219 00:17:54,839 --> 00:17:56,519 Speaker 3: Has it been the same line up the entire time? 220 00:17:56,680 --> 00:17:59,319 Speaker 19: No, We've had some changes. Yeah, we have had some 221 00:17:59,440 --> 00:18:00,279 changes over the years. 222 00:18:00,319 --> 00:18:02,559 Speaker 16: For you know, we we needed people who were completely 223 00:18:03,920 --> 00:18:06,079 dedicated to it to pull it off live, because we 224 00:18:06,160 --> 00:18:07,599 do do you do. 225 00:18:09,640 --> 00:18:11,799 Speaker 14: You do, do you know, we do. 226 00:18:12,000 --> 00:18:14,200 Speaker 16: We do a full tribute, so we're we're getting you know, 227 00:18:14,240 --> 00:18:17,480 we we have the full shout, the Double era costumes 228 00:18:17,519 --> 00:18:20,119 we use, so we you know, we needed people who 229 00:18:20,160 --> 00:18:22,200 were dedicated to out look, who are gonna you know, 230 00:18:22,640 --> 00:18:25,839 gonna shave when needed, who were gonna you know, perform 231 00:18:25,920 --> 00:18:27,440 the part and and and act the part. 232 00:18:31,039 --> 00:18:32,119 Speaker 3: Well, now, Vince Neil. 233 00:18:31,960 --> 00:18:34,079 Speaker 20: Has had a beard at some point, right, yeah, well 234 00:18:34,119 --> 00:18:36,599 we're not on tour right now. This is this is 235 00:18:36,680 --> 00:18:39,400 my hangout. This is my hangout at the at the beach. 236 00:18:40,079 --> 00:18:43,599 Don't have to worry about it. But obviously theatrical makeup 237 00:18:43,680 --> 00:18:46,920 doesn't work on a beard, so right to go back 238 00:18:46,960 --> 00:18:51,039 to the theatrical makeup. Ye, So yeah, yeah, we uh, 239 00:18:51,640 --> 00:18:54,680 we were anti anti shaving for the for the promo, 240 00:18:54,839 --> 00:18:57,039 but when we do the gigs, it's. 241 00:18:57,359 --> 00:18:59,559 Speaker 15: It's you know, as you can see from the shirt. Yeah, 242 00:18:59,680 --> 00:19:02,599 it's all. It's all showed at the Devil. 243 00:19:02,799 --> 00:19:05,200 Speaker 3: Yeah, you guys brought us surets. Thank you so much. Yes, 244 00:19:05,279 --> 00:19:07,759 you got it and some picks too. You got picks? 245 00:19:07,839 --> 00:19:08,759 Speaker 17: Did you guys charge them? 246 00:19:09,480 --> 00:19:09,519 Speaker 21: No? 247 00:19:09,680 --> 00:19:13,359 Speaker 3: Of course not, what the hell you can invoice us. 248 00:19:15,599 --> 00:19:16,759 We're not doing this for free. 249 00:19:18,359 --> 00:19:20,000 Speaker 18: I thought the picks were led or something. 250 00:19:20,079 --> 00:19:20,880 Speaker 8: I'm like, charge them. 251 00:19:23,319 --> 00:19:23,960 Speaker 3: That's a good idea. 252 00:19:24,039 --> 00:19:27,319 Speaker 15: Also wrong tribute Gene Simmons over here, right. 253 00:19:30,480 --> 00:19:33,880 Speaker 3: Oh yeah, I just came up with a million dollar 254 00:19:35,799 --> 00:19:38,960 there you go. Now, what what's kind of the range 255 00:19:39,000 --> 00:19:41,559 in terms of the songs that that you play, Like, 256 00:19:41,680 --> 00:19:44,400 do you cover like? I assume you don't do anything 257 00:19:44,400 --> 00:19:47,200 from the Krabbier era, right, because certainly Vince Neil would 258 00:19:47,200 --> 00:19:49,880 not do that. But well, we're not opposed to it. 259 00:19:50,319 --> 00:19:52,319 Speaker 16: We've talked about it, We've done I think what the 260 00:19:52,400 --> 00:19:55,720 most recent stuff is What Afraid? Maybe yeah, oh yeah, 261 00:19:56,319 --> 00:19:58,319 we do that one. But we kind of we kind 262 00:19:58,359 --> 00:20:01,759 of I mean, the people want the earlier stuff. Yeah, 263 00:20:02,079 --> 00:20:04,000 so we because we're at that shot at the double 264 00:20:04,039 --> 00:20:07,079 era costume, we definitely start out with a lot more 265 00:20:07,119 --> 00:20:09,119 songs from those two the first two albums, okay, and 266 00:20:09,200 --> 00:20:10,720 then we kind of we mix in the other stuff 267 00:20:10,759 --> 00:20:12,680 to hit so obviously and yeah, and then we'll do 268 00:20:12,720 --> 00:20:13,480 whatever people want. 269 00:20:13,960 --> 00:20:15,200 Speaker 9: The goal the goal in the. 270 00:20:15,200 --> 00:20:19,240 Speaker 16: Future we will, Yeah, the people will do. What we 271 00:20:19,359 --> 00:20:22,279 want is to expand you know, expand into the other 272 00:20:22,359 --> 00:20:24,720 era costumes as well. Yeah, so we're starting out with 273 00:20:24,799 --> 00:20:26,720 this we think this is the strongest era for them, 274 00:20:26,759 --> 00:20:29,119 This is what made the mark for them. So that's 275 00:20:29,119 --> 00:20:30,759 where it's at, you know, so we'll start there. 276 00:20:30,920 --> 00:20:33,119 Speaker 3: That makes sense. That makes sense. How many how many 277 00:20:33,240 --> 00:20:35,599 songs as a band? Do you know? How many Motley 278 00:20:35,640 --> 00:20:36,200 Cruz songs? 279 00:20:36,480 --> 00:20:39,480 Speaker 19: Do you everyone want to take a stab good exander. 280 00:20:40,319 --> 00:20:43,359 Speaker 17: I'd say like thirty, probably. 281 00:20:44,480 --> 00:20:44,880 Speaker 3: Quite a bit. 282 00:20:45,000 --> 00:20:47,640 Speaker 17: I mean we know all the hits. Yeah, everything that 283 00:20:47,720 --> 00:20:50,599 had a video for the most part, except for You're 284 00:20:50,640 --> 00:20:50,960 All I. 285 00:20:51,039 --> 00:20:55,279 Speaker 16: Need Okay, we you know we I forgot about that song. Yeah, 286 00:20:55,319 --> 00:20:59,039 I literally forgot about you. Yeah, it's such a huge 287 00:20:59,240 --> 00:21:00,559 that song, such a huge production. 288 00:21:00,680 --> 00:21:03,640 Speaker 17: As far as anything that had a video, we pretty 289 00:21:03,680 --> 00:21:09,640 much have, you know, for the most part. Down there's 290 00:21:09,640 --> 00:21:12,400 a few that you know, it's like we we played 291 00:21:12,440 --> 00:21:14,039 it and then we're like, I did it go over 292 00:21:14,359 --> 00:21:16,160 and then it's like, you know, we're going to keep 293 00:21:16,200 --> 00:21:16,720 working on it. 294 00:21:16,880 --> 00:21:20,279 Speaker 3: So yeah, you know, that makes sense. 295 00:21:20,920 --> 00:21:22,519 Speaker 21: We've got a lot of deep cuts on the on 296 00:21:22,640 --> 00:21:24,359 the set as well, which a lot of people in 297 00:21:24,400 --> 00:21:27,279 the crowd appreciate, especially true crew crew fans. 298 00:21:27,640 --> 00:21:30,440 Speaker 14: They love that stuff, like like what we just actually 299 00:21:30,480 --> 00:21:32,000 added danger to the list. 300 00:21:32,759 --> 00:21:34,799 Speaker 15: A round up show to the Devil yeah, we were 301 00:21:34,839 --> 00:21:36,200 playing all the show the Devil. 302 00:21:37,079 --> 00:21:40,200 Speaker 14: All right, Yeah, it might as well just finish it off. 303 00:21:41,960 --> 00:21:44,400 Speaker 16: Now we can do the We can do the whole 304 00:21:44,799 --> 00:21:46,839 album in the show if we wanted to know. 305 00:21:47,039 --> 00:21:49,160 Speaker 3: Oh that's cool. Yeah, yeah, very cool. 306 00:21:50,359 --> 00:21:51,119 Speaker 15: We can. Ok. 307 00:21:51,359 --> 00:21:56,880 Speaker 3: Yeah with the current draft, do you do like, do 308 00:21:56,920 --> 00:21:59,400 you have any special effects that you used during the show. 309 00:21:59,519 --> 00:22:02,759 Is there any kind of uh, other than you know, lights. 310 00:22:04,359 --> 00:22:04,920 Speaker 17: His pants on. 311 00:22:05,319 --> 00:22:07,440 Speaker 14: Yeah, I haven't played naked yet. 312 00:22:07,799 --> 00:22:11,799 Speaker 3: Yeah, yeah, I mean we do. 313 00:22:11,960 --> 00:22:13,240 Speaker 5: We bring the whole thing in. 314 00:22:13,359 --> 00:22:15,240 Speaker 16: We've got the smoke, we've got the lights, we've got 315 00:22:15,279 --> 00:22:17,960 the we we use video so we like to you know, 316 00:22:18,359 --> 00:22:21,759 obviously you know we're we're we're impersonating them, but we 317 00:22:22,079 --> 00:22:25,559 like to bring the videos into the performance so that 318 00:22:25,640 --> 00:22:28,599 people kind of get transported. They're like, oh, you know there, 319 00:22:28,720 --> 00:22:31,519 I remember this now, and we we provide that soundtrack 320 00:22:31,559 --> 00:22:33,440 while they're kind of watching the movie, you know. So 321 00:22:33,519 --> 00:22:34,960 it's kind of a you know, I think I think 322 00:22:35,000 --> 00:22:35,920 it creates a cool aura. 323 00:22:36,519 --> 00:22:39,880 Speaker 20: Yeah, it's a it's an event. We've got our show 324 00:22:39,960 --> 00:22:43,759 to the Devil. Red light boxes we stand on as 325 00:22:43,799 --> 00:22:46,759 we start in the beginning to start the show. We 326 00:22:47,480 --> 00:22:50,119 you know, we have you know, the modern led lights 327 00:22:50,279 --> 00:22:53,000 and those are sometimes in sync with the music, so 328 00:22:53,119 --> 00:22:55,519 we get you know, strobing and effect. 329 00:22:55,279 --> 00:22:57,119 Speaker 15: From from the from those lights. 330 00:22:57,279 --> 00:22:57,400 Speaker 17: Uh. 331 00:22:58,319 --> 00:23:01,160 Speaker 20: Plus you know all our banners, as he said, we 332 00:23:01,400 --> 00:23:05,160 either use TVs or projectors to show the you. 333 00:23:05,200 --> 00:23:06,759 Speaker 15: Know, the time period and the influence. 334 00:23:06,880 --> 00:23:08,720 Speaker 20: So it's kind of you're watching us do it as 335 00:23:08,720 --> 00:23:12,240 a tribute and you're remembering, you know, if you haven't 336 00:23:12,559 --> 00:23:15,720 seen you know, the videos, and certainly MTV doesn't play 337 00:23:15,759 --> 00:23:16,440 videos anymore. 338 00:23:16,640 --> 00:23:20,400 Speaker 15: Right, if you haven't been on YouTube recently, it brings brings. 339 00:23:20,200 --> 00:23:22,960 Speaker 20: You back, especially if you were you know, you were 340 00:23:23,000 --> 00:23:26,839 there during the eighties a day right, yeah, time man, Yes, 341 00:23:26,920 --> 00:23:28,279 it's pretty cool the spectacle. 342 00:23:28,640 --> 00:23:30,599 Speaker 3: Are there any Are there any Molly Cruz songs that 343 00:23:30,640 --> 00:23:32,960 were challenging to learn as a band? I mean, I 344 00:23:33,799 --> 00:23:36,000 would tend to doubt it, but you never know. So 345 00:23:36,119 --> 00:23:38,599 I'm curious, what are there any songs that you've learned 346 00:23:38,640 --> 00:23:41,160 that had anything about them that was kind of unusual, 347 00:23:41,279 --> 00:23:43,319 that was trickier than maybe some. 348 00:23:43,400 --> 00:23:46,880 Speaker 17: Of the others or Mick Mars is very unorthodox. 349 00:23:47,599 --> 00:23:47,880 Speaker 5: Yeah. 350 00:23:48,359 --> 00:23:50,839 Speaker 17: Yeah, Like you listen to it and you go, oh, 351 00:23:51,319 --> 00:23:56,799 it sounds fairly simple. But he because of his influence 352 00:23:56,839 --> 00:24:00,279 as his playing is to me, I would say, not 353 00:24:00,400 --> 00:24:03,880 in a negative way, but backwards from what the average 354 00:24:04,480 --> 00:24:07,680 guitarist would would play. So a lot of times I'm like, 355 00:24:09,200 --> 00:24:12,599 how this is weird, you know, So I'm playing something 356 00:24:13,079 --> 00:24:16,880 as close as possible because it's just my brain won't 357 00:24:16,960 --> 00:24:21,000 let me play this weird this weird run that he 358 00:24:21,160 --> 00:24:23,799 does exactly the way he does it. So I'm like, 359 00:24:24,359 --> 00:24:26,240 I got to do this as close as possible. But 360 00:24:26,799 --> 00:24:29,279 when you're digging through it and nitpicking everything like that, 361 00:24:29,519 --> 00:24:32,799 it's he has a very unique style that you know, 362 00:24:32,839 --> 00:24:37,039 I've always appreciated his his writing and his playing, but 363 00:24:37,680 --> 00:24:40,880 when we started doing one, well, when I joined and 364 00:24:41,039 --> 00:24:44,839 started really nitpicking, it was like, Wow, that's weird. That's 365 00:24:44,880 --> 00:24:46,160 weird that he plays it that way. 366 00:24:46,640 --> 00:24:49,720 Speaker 3: Is he not one of kind of the unsung heroes? Absolutely? 367 00:24:49,759 --> 00:24:51,680 I mean one of the most underrated. 368 00:24:51,839 --> 00:24:57,440 Speaker 17: Yeah, especially for how big the band is as a whole. 369 00:24:58,079 --> 00:25:01,559 You know, he's you know, he not like a Steve 370 00:25:01,640 --> 00:25:04,799 I or Eddie van Halen or you know, Rest and Beast. 371 00:25:05,279 --> 00:25:08,119 Speaker 16: You know, yeah, yeah, he's just he's a nasty player. 372 00:25:08,240 --> 00:25:10,880 It's like, yeah, he's got that high overdrive sound. I mean, 373 00:25:10,920 --> 00:25:12,519 that's that's critical to the band, you know. 374 00:25:12,799 --> 00:25:15,079 Speaker 3: Yeah, Well, like you look at a song like Home 375 00:25:15,160 --> 00:25:17,640 Sweet Home. So personally, even when I was a kid, 376 00:25:17,680 --> 00:25:19,599 I never really liked that song very much. 377 00:25:19,839 --> 00:25:20,400 Speaker 15: Get Out. 378 00:25:22,640 --> 00:25:28,240 Speaker 3: Shows over except for the solo. The solo is magnificent. 379 00:25:28,839 --> 00:25:30,640 The rest of it, I never I never liked the 380 00:25:30,680 --> 00:25:33,119 way Vince Neil. I like the way you sing it, Chris, 381 00:25:33,720 --> 00:25:35,920 but you're a better but you are, I mean, you're 382 00:25:35,960 --> 00:25:37,799 a better singer than Vince Neil ever was. 383 00:25:38,200 --> 00:25:41,240 Speaker 15: Yeah, in his heyday, I mean it was it was 384 00:25:41,279 --> 00:25:42,799 a character. It's a character voice. 385 00:25:42,880 --> 00:25:45,559 Speaker 20: Yeah, it's a very specific sound that he had, and 386 00:25:45,680 --> 00:25:47,240 you know the look and the high energy. 387 00:25:47,519 --> 00:25:49,799 Speaker 15: You know, he had his he had his moment in 388 00:25:49,839 --> 00:25:52,519 the sun. Obviously they're still they're still playing. But you 389 00:25:52,599 --> 00:25:53,720 know your question. 390 00:25:54,000 --> 00:25:56,960 Speaker 20: Some of the things are some of those songs, if 391 00:25:57,000 --> 00:25:59,960 you don't sing it in character, like Shouted the Devil 392 00:26:00,200 --> 00:26:03,319 Doctor feel Good, there's no place to breathe. I'm assuming 393 00:26:03,519 --> 00:26:05,960 if Nicky wrote those lyrics, he did not write him 394 00:26:05,960 --> 00:26:08,440 from the point of view of a singer. It's just 395 00:26:08,759 --> 00:26:12,720 rambling on and there's just nowhere to stop. So it's difficult. 396 00:26:13,200 --> 00:26:14,799 You can, you know, see it in some of the 397 00:26:15,119 --> 00:26:17,880 crew performances. Vince doesn't try for that stuff, and oh 398 00:26:18,000 --> 00:26:19,759 I know yeah, like. 399 00:26:19,960 --> 00:26:22,480 Speaker 3: Uh yeah, he kind of just talks his way through 400 00:26:22,559 --> 00:26:23,839 the through the songs. 401 00:26:23,880 --> 00:26:26,839 Speaker 20: Now, yeah, I sing I sing it, you know, I 402 00:26:26,880 --> 00:26:29,039 want to sing it adapt you know, to that high 403 00:26:29,160 --> 00:26:31,759 vocal and the range, like you sound like him, But 404 00:26:31,839 --> 00:26:33,240 I want to I want to belt it out. 405 00:26:33,319 --> 00:26:36,200 Speaker 3: But from a technical standpoint, you're nailing it, whereas he 406 00:26:36,359 --> 00:26:38,960 no longer. Yeah, like I would, I would argue you're 407 00:26:38,960 --> 00:26:40,519 singing it better than he even sang it. 408 00:26:40,960 --> 00:26:44,240 Speaker 15: Yeah, thank you, but you're but you sound like him. 409 00:26:44,680 --> 00:26:45,279 Speaker 3: You know what I mean? 410 00:26:45,440 --> 00:26:47,559 Speaker 17: Yeah, suddenly we all can't fit in the room. 411 00:26:47,759 --> 00:26:54,599 Speaker 15: Yes, well that fits with the that fits with Vince. 412 00:26:55,559 --> 00:26:58,240 Speaker 3: Right, Yes, you're thinner than he is as well. 413 00:26:58,319 --> 00:27:03,279 Speaker 14: Yes heard these days we can't call you Vince Neil. 414 00:27:03,200 --> 00:27:03,279 Speaker 12: But. 415 00:27:06,640 --> 00:27:08,160 Speaker 22: That is already taken by. 416 00:27:10,359 --> 00:27:12,160 Speaker 19: Yeah, that's the challenge too. So see we have that 417 00:27:12,200 --> 00:27:13,119 as a built in excuse. 418 00:27:13,200 --> 00:27:14,920 Speaker 16: So if we do, if you know, if Chris does 419 00:27:15,000 --> 00:27:16,559 hit a wrong note, we can just say, well, he's 420 00:27:16,559 --> 00:27:19,119 trying to be authentic, right exactly? 421 00:27:21,079 --> 00:27:22,559 Speaker 3: Do you want to play another one? 422 00:27:23,240 --> 00:27:25,400 Speaker 15: Sure, I just need to grab. 423 00:27:27,519 --> 00:27:29,720 Speaker 3: Yes, we brought we brought her Jack, but. 424 00:27:33,119 --> 00:27:38,440 Speaker 17: Right yeah, I didn't sign on for that. 425 00:27:39,680 --> 00:27:43,039 Speaker 3: Yeah you can have that on. Yeah you have it 426 00:27:43,119 --> 00:27:49,920 on the tour bus, you know, not while driving exactly 427 00:27:50,160 --> 00:27:53,519 exactly What do you guys if you are just joining us, 428 00:27:53,759 --> 00:27:56,119 not Lee Cruz here with us in studio? What are 429 00:27:56,119 --> 00:27:56,960 you guys going to play now? 430 00:27:57,200 --> 00:27:58,319 Speaker 15: I was thinking starry eyes. 431 00:27:59,160 --> 00:28:00,799 Speaker 17: I was Thinkingthoven's fifth. 432 00:28:06,359 --> 00:28:06,799 Speaker 12: Go for it. 433 00:28:22,440 --> 00:28:23,240 Speaker 22: When she left. 434 00:28:24,680 --> 00:28:27,599 Speaker 13: She's got the power of a chown in her ass. 435 00:28:29,880 --> 00:28:33,359 When you crying now, she'll hold you like a man 436 00:28:33,599 --> 00:28:34,359 supposed to. 437 00:28:34,519 --> 00:28:35,200 Speaker 9: Be him. 438 00:28:37,079 --> 00:28:39,720 Speaker 18: That he get in towards out field. 439 00:28:40,839 --> 00:28:45,720 Speaker 22: I can't writing the song, no, no, no set up. 440 00:28:46,880 --> 00:28:52,920 She needed a brand to jump back to me, the story. 441 00:28:52,720 --> 00:29:00,519 Speaker 9: Ass whoa oh star eyes? 442 00:29:03,240 --> 00:29:24,720 Speaker 23: Whoa standing alone in the lunch you can see her 443 00:29:25,039 --> 00:29:28,200 drive win the spiling a wink and a spike of 444 00:29:28,319 --> 00:29:37,559 Lena else She calmly said, I will be already. Well, child, 445 00:29:38,319 --> 00:29:41,920 you been a sick pain of a man on the streets. 446 00:29:43,880 --> 00:29:44,880 Speaker 9: You gotta let me. 447 00:29:46,119 --> 00:29:51,240 Speaker 18: She needed a brand, even just for one night. The 448 00:29:51,400 --> 00:29:59,640 starry eyes, whoa stary eyes? 449 00:30:02,400 --> 00:30:06,440 Speaker 8: Well, who know blabs that. 450 00:30:30,440 --> 00:30:32,559 Speaker 5: Know who. 451 00:30:34,160 --> 00:30:34,200 Speaker 9: Know? 452 00:30:35,920 --> 00:30:36,039 Speaker 8: Who? 453 00:31:09,680 --> 00:31:09,799 Speaker 13: Oh? 454 00:31:10,359 --> 00:31:10,400 Speaker 24: No? 455 00:31:13,359 --> 00:31:25,319 Speaker 9: Whoa no whoa start as, whoa. 456 00:31:27,960 --> 00:31:36,640 Speaker 13: Fame starn as whoa road down? Famous? Starnus. 457 00:31:39,400 --> 00:32:19,640 Speaker 25: Whoa, whoa, whoa, whoa, Oh. 458 00:32:20,240 --> 00:32:26,200 Speaker 21: Stoy, that's not the Crue at the coffeehouse open mic session. 459 00:32:29,680 --> 00:32:30,960 Speaker 3: Oh my god, that was great. 460 00:32:31,000 --> 00:32:31,599 Speaker 14: It's awesome. 461 00:32:32,359 --> 00:32:41,240 Speaker 3: Thank you Rachel. Last someone someone asked to keep us 462 00:32:41,279 --> 00:32:41,640 in time. 463 00:32:42,039 --> 00:32:42,440 Speaker 15: That's right. 464 00:32:46,920 --> 00:32:48,319 Speaker 19: How many drums have been played on that chair? 465 00:32:48,480 --> 00:32:54,759 Speaker 15: Killing it? Good question, shoulders. I think that was the first. 466 00:32:57,759 --> 00:32:59,960 Speaker 3: Very cool if you if you are just joining us 467 00:33:00,319 --> 00:33:03,480 not Lee crew is here with us alive in studio 468 00:33:03,599 --> 00:33:07,559 today and uh no, that that sounded really good. That song, well, 469 00:33:07,599 --> 00:33:11,440 I haven't heard that song and forever is Molly Creue 470 00:33:11,440 --> 00:33:13,039 ever played that live? Yes? 471 00:33:13,160 --> 00:33:16,640 Speaker 20: Yeah, it was actually we played the live version. They 472 00:33:16,680 --> 00:33:21,039 have a live version. Okay, that's excellent and we we 473 00:33:21,279 --> 00:33:22,279 do that for the live show. 474 00:33:22,440 --> 00:33:22,839 Speaker 3: Very yeah. 475 00:33:22,839 --> 00:33:23,640 Speaker 19: People seem to like it. 476 00:33:24,640 --> 00:33:25,440 Speaker 15: Yeah, big energy. 477 00:33:26,000 --> 00:33:29,359 Speaker 20: Yeah, it's a it's a it's a great, great performance 478 00:33:29,400 --> 00:33:30,680 and like what did you say eighty four? 479 00:33:30,960 --> 00:33:33,000 Speaker 3: Yeah, yeah, it's a great song. And that's another one 480 00:33:33,039 --> 00:33:33,839 I'd forgotten about. 481 00:33:33,880 --> 00:33:35,799 Speaker 20: But yeah, it's kind of a deep track. But yeah, yeah, 482 00:33:35,880 --> 00:33:38,319 it was fun to play front But that's that's fun. Yeah, 483 00:33:38,400 --> 00:33:40,480 we're just trying to think of something that you could 484 00:33:40,519 --> 00:33:44,440 deliver in here on acoustic yeah. Yeah, it's a great, great, 485 00:33:44,839 --> 00:33:47,279 a ton of stuff that we don't have, the the electrification. 486 00:33:47,440 --> 00:33:52,039 Speaker 15: So yeah, live wire, that's that. 487 00:33:53,839 --> 00:33:54,640 Speaker 14: I'd probably do it. 488 00:33:56,240 --> 00:33:58,960 Speaker 3: You want to, you want, we have time. If you 489 00:33:59,000 --> 00:34:02,839 want to play. You gotta sound fantastic. I'd love to 490 00:34:02,839 --> 00:34:03,240 hear more. 491 00:34:05,839 --> 00:34:07,000 Speaker 15: Yeah, go for it. 492 00:34:30,519 --> 00:34:31,239 Speaker 9: Plug me in. 493 00:34:31,440 --> 00:34:34,800 Speaker 13: I'm laugh to night, hut on the streets again, him 494 00:34:35,119 --> 00:34:38,760 turn me out. I'm hot to stop something you'll never forgive. 495 00:34:39,519 --> 00:34:43,440 To take my fence and break the walls, laptop to night. 496 00:34:43,920 --> 00:34:46,360 Speaker 9: No, no, bet it's something loose. 497 00:34:47,440 --> 00:34:49,199 Speaker 18: You bet it's sent me free because. 498 00:34:48,920 --> 00:34:51,840 Speaker 13: I'm hout of the young, running free a little bit 499 00:34:52,000 --> 00:34:58,400 bitter than it used to be, because I'm alive, because. 500 00:34:58,079 --> 00:35:01,039 Speaker 9: I'm alive, and while. 501 00:35:02,559 --> 00:35:10,360 Speaker 26: I'm alive, because I'm alive, I'm a live while you. 502 00:35:30,559 --> 00:35:33,480 Speaker 13: Please to break your feast and take down then skim 503 00:35:33,679 --> 00:35:34,239 my waist. 504 00:35:34,400 --> 00:35:37,719 Speaker 18: Will you go for the throat and never let Louise 505 00:35:37,880 --> 00:35:41,199 join in for the kill, To take my fist, to 506 00:35:41,320 --> 00:35:42,400 break down walls. 507 00:35:42,800 --> 00:35:46,880 Speaker 13: I'm talk tone No, no, you better tell me loose, 508 00:35:47,960 --> 00:35:51,440 you better send me freezing. I'm holderly young, running free 509 00:35:51,840 --> 00:35:54,000 a little bit better than it used to be because 510 00:35:54,039 --> 00:35:54,599 I'm alive. 511 00:35:56,119 --> 00:35:56,920 Speaker 12: He wi. 512 00:35:59,000 --> 00:36:01,719 Speaker 8: Life I'm a live while. 513 00:36:03,320 --> 00:36:04,320 Speaker 9: I'm alive. 514 00:36:05,480 --> 00:36:08,599 Speaker 5: There, so I'm alive. 515 00:36:09,920 --> 00:36:30,679 Speaker 8: I'm a live who. 516 00:36:24,000 --> 00:36:27,199 Speaker 9: Kill I be there? You gotta play with men? 517 00:36:28,519 --> 00:36:34,639 Speaker 18: Well, I'm your live wire. Yeah been locky dolls. 518 00:36:35,599 --> 00:36:36,800 Speaker 8: Come on the proud man. 519 00:36:38,199 --> 00:36:40,440 Speaker 9: We'll be back filling lives. 520 00:36:46,159 --> 00:36:47,440 Speaker 18: Because I'm alive. 521 00:36:48,639 --> 00:36:53,960 Speaker 9: There, s alive. I'm a live. 522 00:36:55,800 --> 00:36:56,639 Speaker 5: Summer live. 523 00:36:57,960 --> 00:37:01,440 Speaker 9: Here wi him. 524 00:37:01,519 --> 00:37:05,440 Speaker 23: I'll be my baby be mount tonight because some of 525 00:37:05,519 --> 00:37:07,400 that Loda love you baby. 526 00:37:07,480 --> 00:37:13,719 Speaker 13: What if I go around tonight llive everything you all inside? 527 00:37:14,960 --> 00:37:17,559 Speaker 9: Let me in, Let me in. I want Tonight gloom 528 00:37:17,639 --> 00:37:18,679 all Tonight. 529 00:37:31,400 --> 00:37:31,679 Speaker 27: Shop. 530 00:37:50,360 --> 00:37:53,079 Speaker 14: Oh nice, He's couch drums are fantastic. 531 00:37:56,199 --> 00:37:59,800 Speaker 3: Yeah, we needed we needed it for that one. 532 00:38:00,039 --> 00:38:01,960 Speaker 14: I think this is the quietest I've ever played. 533 00:38:04,159 --> 00:38:04,599 Speaker 7: My fa. 534 00:38:05,400 --> 00:38:08,519 Speaker 20: He is definitely to lee on the drums. Yeah, he's 535 00:38:08,519 --> 00:38:11,000 a hard hitter on the couch trying to get there. 536 00:38:11,760 --> 00:38:12,000 Speaker 3: Get it. 537 00:38:12,079 --> 00:38:13,840 Speaker 20: Tell he's not at seft hitter. So we have that 538 00:38:13,960 --> 00:38:16,320 high energy, big thunder his drums. 539 00:38:16,519 --> 00:38:16,760 Speaker 14: Yeah. 540 00:38:16,880 --> 00:38:19,719 Speaker 21: Yeah, Tommy can be very explosive. So I try to 541 00:38:20,920 --> 00:38:26,480 in his pants. Oh my, I try to imitate the 542 00:38:26,559 --> 00:38:29,480 way he plays. He's just he's incredible. 543 00:38:29,679 --> 00:38:31,679 Speaker 3: Is it hard to play like him? Because he is? 544 00:38:31,800 --> 00:38:33,440 I mean, you know he's another guy who kind of 545 00:38:33,480 --> 00:38:35,679 doesn't get his dude just because he's in Motley Crue. 546 00:38:35,880 --> 00:38:39,119 But he is technically, I mean, he's an incredible drummer. Yeah, yeah, 547 00:38:39,199 --> 00:38:39,599 he can. 548 00:38:39,719 --> 00:38:42,559 Speaker 21: He he could be pretty technical in a lot of songs. 549 00:38:42,960 --> 00:38:46,880 There's I wouldn't narrow it down to a particular song, 550 00:38:47,000 --> 00:38:50,000 but there's a lot of accents that he does, symbol chokes, 551 00:38:50,480 --> 00:38:54,440 certain fills. You really, when you're learning them, you gotta 552 00:38:54,519 --> 00:38:58,159 feel them rather than just going into it because they're 553 00:38:58,199 --> 00:38:59,559 just they're so particular. 554 00:38:59,760 --> 00:39:00,960 Speaker 14: Yeah, in a lot of tunes. 555 00:39:01,079 --> 00:39:03,239 Speaker 17: And the other great thing about our drummers he can't 556 00:39:03,239 --> 00:39:04,159 play to a click either. 557 00:39:04,519 --> 00:39:05,599 Speaker 14: Oh really, that's not. 558 00:39:10,000 --> 00:39:11,840 Speaker 3: Lee Crue is here with us live in studio. And 559 00:39:12,079 --> 00:39:15,519 so you guys were recently featured in Paper Jam Paper 560 00:39:15,599 --> 00:39:18,320 Jam magazine. Are wonderful friends and yes, yes, how did 561 00:39:18,360 --> 00:39:21,119 that come about? Did they find you? Did you find them? 562 00:39:21,280 --> 00:39:21,320 Speaker 12: Or? 563 00:39:21,480 --> 00:39:21,639 Speaker 5: Yeah? 564 00:39:21,679 --> 00:39:23,199 Speaker 19: I think a little mutual. We were talking. 565 00:39:23,519 --> 00:39:27,119 Speaker 16: I met Sheila online and we actually went back and 566 00:39:27,199 --> 00:39:28,559 forth a little bit and she said, yeah, you guys 567 00:39:28,559 --> 00:39:29,400 should come down and do it. 568 00:39:29,440 --> 00:39:30,639 Speaker 19: So we said why not. 569 00:39:31,000 --> 00:39:35,239 Speaker 3: Yeah, yeah, oh that's very cool. Yeah, they're amazing, you know, 570 00:39:35,280 --> 00:39:38,599 they're they're doing great things in the scene. And now 571 00:39:38,840 --> 00:39:40,760 so speaking of the scene, like where where do you 572 00:39:40,800 --> 00:39:41,239 all play? 573 00:39:41,360 --> 00:39:41,559 Speaker 14: Where? 574 00:39:41,719 --> 00:39:44,239 Speaker 3: Where does uh? Where does not Lee Cruz perform? Like 575 00:39:44,559 --> 00:39:46,079 are there certain places that you go back to on 576 00:39:46,119 --> 00:39:46,800 a regular basis? 577 00:39:46,880 --> 00:39:48,199 Speaker 17: That's a little personal ye. 578 00:39:50,480 --> 00:39:53,280 Speaker 3: Together, all of you together on that's even more personal. 579 00:39:54,400 --> 00:39:56,639 Speaker 19: Yes, So there's not. 580 00:39:56,800 --> 00:39:58,639 Speaker 16: I mean, there's there's a couple of places we've done 581 00:39:58,679 --> 00:40:02,639 repeat stuff at. Where more we're looking for the kind 582 00:40:02,679 --> 00:40:06,159 of the bigger venue to play in the production is 583 00:40:06,239 --> 00:40:09,199 so huge, it's tough for people to get the actual 584 00:40:09,679 --> 00:40:11,519 you know, you you scale it down, it's not the 585 00:40:11,559 --> 00:40:13,440 same yea, So we can do it and the music 586 00:40:13,519 --> 00:40:15,000 will still hold up, but it's but it's like we 587 00:40:15,159 --> 00:40:17,000 like people to have that whole experience. So we're looking 588 00:40:17,159 --> 00:40:19,480 to do like the theater circuit things like that. So 589 00:40:19,519 --> 00:40:21,599 we kind of try to reserve it for bigger. 590 00:40:21,360 --> 00:40:23,599 Speaker 3: Places, okay, okay, and not as much. 591 00:40:23,639 --> 00:40:25,400 Speaker 16: We don't want to oversaturate. We know there's a lot 592 00:40:25,400 --> 00:40:27,159 of bands that go out there and to be gigging 593 00:40:27,199 --> 00:40:28,639 every weekend, but we don't want, you know, we don't 594 00:40:28,639 --> 00:40:29,800 want to do that. It's such a you know, we 595 00:40:29,880 --> 00:40:31,360 want to want to keep it real and keep it, 596 00:40:31,760 --> 00:40:33,039 keep it new every. 597 00:40:32,960 --> 00:40:34,239 Speaker 15: Time, you know, right, right. 598 00:40:34,960 --> 00:40:37,079 Speaker 3: I'm always curious about this too. So with tribute bands, 599 00:40:37,119 --> 00:40:40,840 is there anything like like legally like does anybody from 600 00:40:41,440 --> 00:40:42,039 Monty Crew? 601 00:40:42,159 --> 00:40:44,400 Speaker 17: Well, now you're you're opening up a can of worms. 602 00:40:44,480 --> 00:40:47,320 You're you're you're putting the word out talking about we 603 00:40:47,440 --> 00:40:49,599 don't own the rights to anything, right right? 604 00:40:51,000 --> 00:40:53,400 Speaker 3: But you so, but you don't hear from anybody right 605 00:40:53,519 --> 00:40:53,960 like nobody? 606 00:40:54,199 --> 00:40:56,639 Speaker 16: No, I think it's I think so I'll tell you 607 00:40:56,639 --> 00:40:58,880 if Facebook is strange, So the best thing to do 608 00:40:58,960 --> 00:41:02,360 in like the social media world, if you label yourself strange, 609 00:41:03,199 --> 00:41:07,239 if you labor yourself as satire, as a parody, then 610 00:41:07,280 --> 00:41:10,280 you kind of you're you're protected. So I have another 611 00:41:10,360 --> 00:41:13,239 friend who's in another Martley Creature bit band who had 612 00:41:13,280 --> 00:41:14,199 a similar thing happened. 613 00:41:14,239 --> 00:41:16,840 Speaker 19: But we both had our pages taken down in the beginning. 614 00:41:17,119 --> 00:41:20,559 Speaker 16: Yeah, and and that was because in the beginning, it 615 00:41:20,639 --> 00:41:23,519 was because we're not labeled as satire. Okay, okay, So 616 00:41:23,639 --> 00:41:25,400 now we are and we haven't had that problem. So 617 00:41:25,480 --> 00:41:28,119 we've built a good following where I think we're closing 618 00:41:28,199 --> 00:41:29,679 it on five thousand people. 619 00:41:29,840 --> 00:41:31,480 Speaker 3: Excellent, right now, that's really good. 620 00:41:32,199 --> 00:41:34,920 Speaker 17: And a thousand of them are actual people and the 621 00:41:35,000 --> 00:41:36,079 other four thousand. 622 00:41:35,880 --> 00:41:36,199 Speaker 14: That's not. 623 00:41:38,960 --> 00:41:39,239 Speaker 5: Liar. 624 00:41:41,880 --> 00:41:43,559 Speaker 3: Now that's great though. No, you guys are doing great. 625 00:41:43,599 --> 00:41:45,880 By the way, paper Jam is in the chat room 626 00:41:46,159 --> 00:41:51,159 and says, hi, not Lee Crue, great band, great, we 627 00:41:51,280 --> 00:41:53,599 love you guys. Sorry for coffee. I had a I 628 00:41:53,760 --> 00:41:56,519 was sick like back in December, and uh, this cough 629 00:41:57,000 --> 00:41:59,800 just lasts for weeks and weeks and weeks. So I'm 630 00:41:59,800 --> 00:42:01,199 not sick. I just I was sick. 631 00:42:01,280 --> 00:42:02,880 Speaker 17: But the dry weather doesn't help. 632 00:42:03,000 --> 00:42:05,639 Speaker 3: No, well that's the thing, Yeah exactly, that's what it is. 633 00:42:05,880 --> 00:42:08,639 I have this dry cough and every week it's a 634 00:42:08,679 --> 00:42:09,320 little bit better. 635 00:42:09,519 --> 00:42:11,480 Speaker 9: He has this magic thing called a humidifier. 636 00:42:11,599 --> 00:42:13,039 Speaker 12: He just doesn't actually turn it on. 637 00:42:13,280 --> 00:42:13,480 Speaker 4: Yeah. 638 00:42:14,079 --> 00:42:16,079 Speaker 3: You have to put governed mail, you have to put 639 00:42:16,119 --> 00:42:18,320 water into it and then turn it on. It's it's 640 00:42:18,360 --> 00:42:19,559 a lot. It's a lot cleaning. 641 00:42:19,639 --> 00:42:20,960 Speaker 17: Every once in a while it gets molding. 642 00:42:21,079 --> 00:42:24,079 Speaker 3: Oh yeah, exactly. Well the one we have is new, newish, right, 643 00:42:24,360 --> 00:42:26,760 but brand new. Buy a new one every year and 644 00:42:26,840 --> 00:42:28,119 throw it out at the end of the season. 645 00:42:28,400 --> 00:42:28,599 Speaker 9: Yeah. 646 00:42:28,920 --> 00:42:32,280 Speaker 3: Yeah, I'm not kidding. I won't I won't keep them. Yeah, 647 00:42:33,360 --> 00:42:36,000 I worked in a nice U s see you. Nope. 648 00:42:36,280 --> 00:42:37,280 Speaker 9: Oh, yeah, bye. 649 00:42:40,719 --> 00:42:42,920 Speaker 3: Do you guys, do you have anything coming up? Do 650 00:42:43,079 --> 00:42:45,920 do you have some shows uh booked for twenty twenty five? 651 00:42:46,159 --> 00:42:46,719 Speaker 19: Yeah, we've got to. 652 00:42:46,840 --> 00:42:48,400 Speaker 16: We've got a couple of things we're working on, which 653 00:42:48,599 --> 00:42:50,480 we're branching out to some other states too. We're looking 654 00:42:50,519 --> 00:42:52,920 at New York right now, a couple of things like 655 00:42:52,960 --> 00:42:54,679 that putting together. And we want to put together, like 656 00:42:54,719 --> 00:42:57,079 I said, some theater shows with two or three band 657 00:42:57,119 --> 00:42:58,880 type shows, you know, bigger houses. 658 00:42:59,239 --> 00:43:00,800 Speaker 19: Yeah, bigger productions. 659 00:43:00,960 --> 00:43:01,159 Speaker 12: We do. 660 00:43:01,599 --> 00:43:04,079 Speaker 19: We do have one right now in the calendar for June. 661 00:43:05,519 --> 00:43:05,960 Let's see. 662 00:43:06,039 --> 00:43:10,079 Speaker 16: That's it in Worcester at Ralph's. And we also haven't 663 00:43:10,199 --> 00:43:12,960 we have something else coming up on potentially uh at 664 00:43:13,000 --> 00:43:15,039 the end of June. Okay, And that's that's the New 665 00:43:15,119 --> 00:43:18,000 York show. We're working on something trying to work with 666 00:43:18,039 --> 00:43:20,199 the Rochester Opera House, so I'm in communication with them 667 00:43:20,239 --> 00:43:22,960 right now. So we're hoping to put together something over 668 00:43:23,000 --> 00:43:24,320 there also with a couple of the bands. 669 00:43:24,400 --> 00:43:26,920 Speaker 3: Oh, very cool, yep, very cool, excellent, excellent. 670 00:43:27,280 --> 00:43:29,719 Speaker 15: That Ralph show is a summer it's an outdoor show, 671 00:43:29,800 --> 00:43:31,679 right yeah, outdoor. Yeah, it's outdoor, so outdoors. 672 00:43:31,760 --> 00:43:32,719 Speaker 3: Yep, that'll be fine. 673 00:43:32,760 --> 00:43:33,880 Speaker 15: It'll be cool in the summer. Yeah. 674 00:43:33,880 --> 00:43:38,320 Speaker 3: Absolutely absolutely. Is it a lot of work to get 675 00:43:38,360 --> 00:43:41,239 into because because you do the whole uh you know what, 676 00:43:41,360 --> 00:43:44,159 what do you play live? Obviously you're in full full costume. 677 00:43:44,400 --> 00:43:45,559 I mean, is that a lot of work to get 678 00:43:45,599 --> 00:43:45,840 into that? 679 00:43:45,920 --> 00:43:46,199 Speaker 14: Or yeah? 680 00:43:46,199 --> 00:43:47,840 Speaker 3: Pretty definitely absolutely. 681 00:43:48,559 --> 00:43:50,719 Speaker 16: We We have our costume designer, Brittany over here in 682 00:43:50,719 --> 00:43:52,840 the room. If it weren't from her or for her, 683 00:43:52,880 --> 00:43:54,840 we wouldn't make it. So we her and the other 684 00:43:54,880 --> 00:43:57,239 girls help us out a lot. Brittany actually designed and 685 00:43:57,719 --> 00:43:59,440 made all the costumes pretty much for us. 686 00:43:59,719 --> 00:44:02,639 Speaker 3: Okaddy, it's very very frustrating. 687 00:44:02,719 --> 00:44:06,079 Speaker 18: You cannot find anything of eight. 688 00:44:06,440 --> 00:44:09,199 Speaker 3: Rock really yeah, you actually like hands stitch. 689 00:44:09,840 --> 00:44:11,519 Speaker 18: I literally went the. 690 00:44:14,039 --> 00:44:15,000 Speaker 3: Oh that's incredible. 691 00:44:15,079 --> 00:44:19,239 Speaker 22: Wow that so chains on everything made fringe from scratch 692 00:44:19,280 --> 00:44:20,079 because that's pretty You. 693 00:44:20,119 --> 00:44:20,679 Speaker 5: Learned real quick. 694 00:44:20,719 --> 00:44:22,000 Speaker 19: You have to look up women's stuff. 695 00:44:22,320 --> 00:44:27,920 Speaker 22: Oh yeah, definitely, and I just took stuff from there 696 00:44:27,960 --> 00:44:29,719 and then made modifications to it. 697 00:44:29,920 --> 00:44:32,320 Speaker 3: Oh wow, okay, I just wanted to look very authentic. 698 00:44:32,519 --> 00:44:37,039 Speaker 17: Yeah yeah, yeah, my heart does all the makeup to 699 00:44:37,280 --> 00:44:42,199 Oh really yeah, we help, but I mean she's okay. 700 00:44:42,360 --> 00:44:43,199 Speaker 5: I'm very good at like. 701 00:44:43,239 --> 00:44:45,559 Speaker 18: You give me a picture, I can make something like 702 00:44:45,679 --> 00:44:47,079 the picture got. 703 00:44:47,000 --> 00:44:47,559 Speaker 4: Them all done? 704 00:44:48,000 --> 00:44:50,559 Speaker 3: Oh excellent, excellent, very cool. 705 00:44:50,639 --> 00:44:53,400 Speaker 16: Yeah, so that's that's another thing. I mean, these lovely 706 00:44:53,480 --> 00:44:55,079 ladies here. We have the third one who couldn't be 707 00:44:55,199 --> 00:44:57,159 with us today, but we we've been. 708 00:44:57,480 --> 00:44:58,159 Speaker 19: They're in our show. 709 00:44:58,199 --> 00:45:00,440 Speaker 16: I mean, they come out, they do backups for most 710 00:45:00,480 --> 00:45:02,360 of the set now, which is really good. Adds another 711 00:45:02,440 --> 00:45:05,599 depth and dimension kind of what not Motley Crue does anyway. Yeah, 712 00:45:06,199 --> 00:45:07,880 but but we're even adding them to some of the 713 00:45:07,920 --> 00:45:10,360 earlier stuff and you know, it's it's sounding good. 714 00:45:10,360 --> 00:45:12,000 Speaker 19: It's just bring bringing everything to. 715 00:45:12,000 --> 00:45:12,519 Speaker 14: A new level. 716 00:45:12,719 --> 00:45:15,559 Speaker 17: And Motley Crue had the nasty habits and we have. 717 00:45:21,400 --> 00:45:25,199 Speaker 15: Right my vocal backup support and gives me a chance 718 00:45:25,239 --> 00:45:25,679 to breathe. 719 00:45:26,320 --> 00:45:26,559 Speaker 5: Yeah. 720 00:45:27,119 --> 00:45:27,280 Speaker 3: Yeah. 721 00:45:27,480 --> 00:45:32,000 Speaker 20: On stage, you know, the costumes they're great. Yeah, put 722 00:45:32,039 --> 00:45:35,039 you in character. It feels awesome. But they're they're hot, 723 00:45:35,360 --> 00:45:39,679 they're they they you know, they're not very super functional. 724 00:45:42,119 --> 00:45:45,480 So yeah, the ladies help us a lot, as you said, 725 00:45:45,519 --> 00:45:49,840 you know, whether it's hair, makeup, costume design, all the 726 00:45:50,320 --> 00:45:52,800 all the ladies are not used. 727 00:45:52,719 --> 00:45:55,119 Speaker 18: To having long hair, a face full of makeup and 728 00:45:55,199 --> 00:45:55,719 wearing leather. 729 00:45:56,039 --> 00:45:56,199 Speaker 26: Right. 730 00:45:56,360 --> 00:46:02,480 Speaker 17: Yeah, I pretty much come out and I say hello 731 00:46:02,639 --> 00:46:05,400 to everybody in the band at the beginning of the show, 732 00:46:05,599 --> 00:46:07,599 and then I put the wig on and and that's it. 733 00:46:07,719 --> 00:46:09,880 I don't see them again until the end of the night. 734 00:46:10,519 --> 00:46:11,360 I can't see anything. 735 00:46:11,639 --> 00:46:11,840 Speaker 9: Yeah. 736 00:46:13,639 --> 00:46:16,599 Speaker 3: By the way, our friend Bruce Heberlin is in the 737 00:46:16,679 --> 00:46:19,760 chat room from Legion of Solace. They're a great organization 738 00:46:19,880 --> 00:46:21,079 that does a lot of promotion. I don't know if 739 00:46:21,119 --> 00:46:23,320 you know those guys, but he said, here's an idea 740 00:46:23,440 --> 00:46:26,760 book all theaters and play theater of pain in its entirety. 741 00:46:28,320 --> 00:46:29,039 Speaker 17: I'm down with that. 742 00:46:30,639 --> 00:46:31,079 Speaker 19: Great idea. 743 00:46:32,880 --> 00:46:35,840 Speaker 3: There you go, there you go. Well, guys, it is 744 00:46:36,239 --> 00:46:38,119 it is already approaching the top of the hour. So 745 00:46:38,239 --> 00:46:40,119 I want to make sure people know where should they 746 00:46:40,159 --> 00:46:42,079 go online to keep up with everything that you're doing, 747 00:46:42,800 --> 00:46:45,000 your shows and anything. You want them to know. Where 748 00:46:45,039 --> 00:46:45,480 should they go? 749 00:46:45,920 --> 00:46:47,760 Speaker 20: Well, our Facebook site would be the first place to 750 00:46:47,840 --> 00:46:52,000 go to see any you know, pictures, videos, any show postings. 751 00:46:52,280 --> 00:46:53,519 Speaker 15: Definitely there. 752 00:46:54,159 --> 00:46:56,719 Speaker 16: Follow us on Facebook, but it's at we are not 753 00:46:56,920 --> 00:46:59,840 Lee Crue, okay. And that's the same with the website. 754 00:46:59,880 --> 00:47:03,280 The website is we are not like crew dot com. Okay, okay, 755 00:47:03,920 --> 00:47:05,000 very cool, very cool? 756 00:47:05,039 --> 00:47:08,599 Speaker 3: And when is that? When's the next Because you mentioned. Uh, 757 00:47:09,199 --> 00:47:10,519 is the Ralph Show the next one you have? 758 00:47:11,119 --> 00:47:13,320 Speaker 16: Yeah, next thing on the calendar for now. Yeah, so 759 00:47:13,400 --> 00:47:15,800 we're actively working on some other stuff in the pipeline. 760 00:47:15,840 --> 00:47:16,719 We'll see if it pops up. 761 00:47:16,840 --> 00:47:21,760 Speaker 3: Yeah, yeah, outstanding, outstanding. Not to put you on the spot, 762 00:47:21,800 --> 00:47:23,719 but do you want to play one more to finish 763 00:47:23,800 --> 00:47:26,320 out the segment or do you? Guys? 764 00:47:26,360 --> 00:47:26,719 Speaker 15: What do you think? 765 00:47:26,800 --> 00:47:28,360 Speaker 17: Share what we got? 766 00:47:29,199 --> 00:47:31,320 Speaker 3: I think you sound so good. I'm selfishly I want 767 00:47:31,360 --> 00:47:31,880 to hear one more. 768 00:47:33,800 --> 00:47:34,480 Speaker 17: How about this one? 769 00:47:39,119 --> 00:47:41,239 Speaker 3: Well, you got one guy over here. Part of it 770 00:47:41,400 --> 00:47:43,639 is the jacket. Part of it is the jacket. That's 771 00:47:43,679 --> 00:47:44,800 totally an Eric car jacket. 772 00:47:44,800 --> 00:47:46,360 Speaker 14: I dressed up like the wrong guy today. 773 00:47:46,400 --> 00:47:49,400 Speaker 3: I guess the jacket, the hair, of the sunglasses, everything 774 00:47:49,440 --> 00:47:52,000 you have hot hot Machede era. You look like Eric 775 00:47:52,000 --> 00:47:53,199 Carr from the Hot Machine Tour. 776 00:47:53,639 --> 00:47:53,840 Speaker 5: Yeah. 777 00:47:57,320 --> 00:48:01,119 Speaker 3: Nice, get to the right tribute later he's like, I 778 00:48:01,199 --> 00:48:04,360 got this, Chris could sing that. If he knows it, 779 00:48:04,960 --> 00:48:05,960 you can definitely sing it. 780 00:48:07,480 --> 00:48:08,199 Speaker 19: Alright, what do you know? 781 00:48:09,519 --> 00:48:11,599 Speaker 15: What works up? What works on the acoustic we'll do 782 00:48:11,679 --> 00:48:12,760 we'll figure it out quick one. 783 00:48:13,119 --> 00:48:13,280 Speaker 14: Uh. 784 00:48:15,639 --> 00:48:17,559 Speaker 15: Coming through, I'm trying to think of what don't I did? 785 00:48:17,679 --> 00:48:17,920 Speaker 12: I did? 786 00:48:17,960 --> 00:48:19,079 Speaker 3: Put you guys on the spot. 787 00:48:19,480 --> 00:48:21,480 Speaker 15: Oh all right, we do that. 788 00:48:21,679 --> 00:48:24,079 Speaker 3: There you go, not we true. 789 00:48:50,400 --> 00:48:53,960 Speaker 13: Living on at making love to someone else's dream? 790 00:48:55,320 --> 00:48:59,480 Speaker 18: See it again, she put, will tell it out? 791 00:49:00,079 --> 00:49:06,840 Speaker 9: You know what has to mean? Do you remain willy? 792 00:49:07,000 --> 00:49:15,000 Were what no? 793 00:49:16,760 --> 00:49:22,599 Speaker 18: Dreem sne soon seaking tone the nice the money begets 794 00:49:23,119 --> 00:49:24,360 the money you needs? 795 00:49:24,599 --> 00:49:25,800 Speaker 8: Do you know what I mean? 796 00:49:27,719 --> 00:49:31,920 Speaker 9: Do you remain worry? Well? 797 00:49:36,239 --> 00:49:36,559 Speaker 7: You know. 798 00:49:38,280 --> 00:49:39,639 Speaker 12: What I. 799 00:49:41,960 --> 00:49:43,760 Speaker 13: Too fast, too fast? 800 00:49:43,880 --> 00:49:47,880 Speaker 9: Below the two big love. 801 00:49:48,639 --> 00:49:54,559 Speaker 26: Too fast, too fast, below the two kids things love. 802 00:49:55,320 --> 00:49:58,559 Speaker 5: Too fast, too fast, below, the. 803 00:49:58,679 --> 00:50:05,320 Speaker 26: Two things to face belove too fast, too fast, below, the. 804 00:50:05,400 --> 00:50:09,920 Speaker 9: Two fancy two face below, who no. 805 00:50:11,679 --> 00:50:17,920 Speaker 23: Why no se streamline queen on the sex graze movie 806 00:50:18,239 --> 00:50:23,239 scream all say it again to use it, tummer have 807 00:50:23,440 --> 00:50:26,079 nothing show will make mond once? 808 00:50:27,880 --> 00:50:32,559 Speaker 9: Do you remember where? Remember? 809 00:50:35,000 --> 00:50:36,800 Speaker 14: Who know? 810 00:50:40,079 --> 00:50:40,119 Speaker 24: No? 811 00:50:42,360 --> 00:50:44,079 Speaker 26: Too fast too fast? 812 00:50:44,199 --> 00:50:46,079 Speaker 9: Below the two. 813 00:50:46,079 --> 00:50:50,800 Speaker 17: Fast too face below, too fast too fast? 814 00:50:50,880 --> 00:50:57,440 Speaker 9: Below, the two face to face below, too fast too fast, 815 00:50:57,559 --> 00:51:01,719 below the too fancy too things love. 816 00:51:02,400 --> 00:51:11,760 Speaker 26: Too fast, too fast below, too fast too fast below. 817 00:51:12,400 --> 00:51:18,039 Speaker 11: O baby ball, No baby bad too fast too fast below, 818 00:51:22,400 --> 00:51:25,800 too fast too fast below my. 819 00:51:25,960 --> 00:51:30,519 Speaker 9: Baby ball baby ball too fast too. 820 00:51:30,519 --> 00:51:39,079 Speaker 26: Fast below, too fast too fast below to. 821 00:51:39,280 --> 00:51:42,280 Speaker 18: The fast come on over the mad. 822 00:51:42,400 --> 00:51:48,000 Speaker 11: Too fast, too fast below, too fasty, too fast below. 823 00:51:57,039 --> 00:52:00,880 Speaker 3: Oh fantastic, not not Ley crew, every buddy, guys, thank 824 00:52:00,920 --> 00:52:03,840 you so much, and ladies, thank you, thank you, everybody, 825 00:52:03,960 --> 00:52:05,199 thank you very much. 826 00:52:05,599 --> 00:52:06,760 Speaker 19: Thanks for having us. 827 00:52:06,760 --> 00:52:09,159 Speaker 3: All right, absolutely, what's the website? 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