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<v Speaker 1>At the end of twenty twenty five, we were introduced

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<v Speaker 1>to the new Twilight Zone comic series by IDW or

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<v Speaker 1>id Dark as they are calling this imprint, and we

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<v Speaker 1>had generally positive feelings about that faced issue. But tonight

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<v Speaker 1>we tackle issue too, And tonight I am joined as

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<v Speaker 1>ever by my man in the comic shop, mister Zach Moore.

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<v Speaker 2>Zach, welcome back, hellother Tom happy to be here.

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<v Speaker 1>So, Zach, I think we were generally positive less time, right,

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<v Speaker 1>you know, a few things to be discussed, maybe an

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<v Speaker 1>art style in that comic that we would have been

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<v Speaker 1>unsure of, and also there was the kind of issue

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<v Speaker 1>of brevity. It felt like really quick. But I think

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<v Speaker 1>within that we generally liked that story, didn't we.

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<v Speaker 2>I did. I was the one who was a little

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<v Speaker 2>more critical of the art work, and you're right, I

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<v Speaker 2>do remember feeling like, oh man, they went by fast,

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<v Speaker 2>and yeah, I feel like this one issue too makes

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<v Speaker 2>me appreciate Issue one even more.

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<v Speaker 1>Time in the sense of that this felt.

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<v Speaker 2>Faster, well you know, it felt longer.

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<v Speaker 1>So that's out the way.

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<v Speaker 2>Despite what we may say about the content itself, I

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<v Speaker 2>did like the approach of the art style. I'll say

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<v Speaker 2>that it felt more, you know, twide zones in the

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<v Speaker 2>fifties and sixties. It feels like more fifties and sixties

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<v Speaker 2>kind of artwork than Issue number one. Well that's how

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<v Speaker 2>I felt about that. That is my follow up on

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<v Speaker 2>my criticisms of issue one. They have been addressed here

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<v Speaker 2>an issue two. But we did enjoy blanks was issue

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<v Speaker 2>number one. We enjoyed that quite a bit. I believe

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<v Speaker 2>one of the stronger things for me when I look

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<v Speaker 2>at this tie in material, I'm like, could this have

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<v Speaker 2>been an episode of the Twilight Zone? And I thought, sure,

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<v Speaker 2>absolutely that that could have been an episode of the

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<v Speaker 2>Twilet Zone. Issue one. We'll talk about what we think

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<v Speaker 2>about Issue two.

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<v Speaker 1>Okay, so this one is called A World of Your

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<v Speaker 1>Wildest Dreams. The writer, artist and letterer is Tom Showley,

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<v Speaker 1>and I kind of like that, Zach. You know that

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<v Speaker 1>this issue and the next issue. I'm not sure about

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<v Speaker 1>issue four, which is also out at the time of recording,

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<v Speaker 1>but those two issues, at least issues two and three,

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<v Speaker 1>they've handed it over to a single creator and said,

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<v Speaker 1>there you go, do your Twilight Zone story, which I

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<v Speaker 1>kind of like, you know, let's see what someone has

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<v Speaker 1>to say.

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<v Speaker 2>I agree I think have that singular creative vision is interesting.

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<v Speaker 2>You know a lot of comic book writers and artists

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<v Speaker 2>are mutually exclusive, right, but some of them can do everything.

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<v Speaker 2>And that's that's fun that you know you love it

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<v Speaker 2>hate it somewhere between. You know that this was someone's

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<v Speaker 2>vision start to finish, top to bottom.

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<v Speaker 1>So the way this story starts it is a very

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<v Speaker 1>Twilight Zone setup. I'm thinking elergy, I'm thinking death ship.

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<v Speaker 1>We just got a bunch of guys and a woman

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<v Speaker 1>on a ship. Most of them are in cry of sleep.

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<v Speaker 1>But we got this one guy kind of watching over things,

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<v Speaker 1>having a little grumble about the lot he has in life,

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<v Speaker 1>about this this terrible job. And I think this is

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<v Speaker 1>very Twilight Zone, where you know, there's no differentiation between

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<v Speaker 1>like astronauts or like, you know, the guy who who

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<v Speaker 1>drives a truck. They're just all the same. Which I

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<v Speaker 1>kind of like, you know, our astronauts are all like

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<v Speaker 1>American hero and this and that from the military or whatever.

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<v Speaker 1>But these guys, you drive a truck, you drive a spaceship,

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<v Speaker 1>it's all the same. And I kind of like that.

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<v Speaker 2>Look, that's the future, that's the future. We can all

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<v Speaker 2>aspire towards right, and even the kind of the vernacular

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<v Speaker 2>terminology and some of the dialogue. I was like, Oh,

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<v Speaker 2>this feels like it's straight out of the fifties. So

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<v Speaker 2>I really like this setup of the story. Also, if

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<v Speaker 2>you see in the movie Alien, which I'm sure people

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<v Speaker 2>listening to this podcast have seen, that is the first

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<v Speaker 2>scene where all the pods open up and people come

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<v Speaker 2>out and that sort of thing. But yeah, I really

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<v Speaker 2>liked those episodes where there's like two or three people

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<v Speaker 2>on a spaceship and they go somewhere, and I feel

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<v Speaker 2>like they did that a lot on the Twilight Zone,

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<v Speaker 2>and so this set up perfect right in line with

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<v Speaker 2>what I would expect from a Twilight Zone story.

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<v Speaker 1>Okay, so these people learned on a planet. I can't

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<v Speaker 1>remember what exactly the mission was.

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<v Speaker 2>Get geological surveys and rocks and minerals and resources. I

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<v Speaker 2>think they talked about that, but that's basically yeah.

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<v Speaker 1>That's right. You know, they must have got to the

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<v Speaker 1>point where space travel is relatively cheap, fuel is cheap,

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<v Speaker 1>so they'll spend billions to go and get some min rules.

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<v Speaker 2>It's almost like sending criminals on a life sentence across

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<v Speaker 2>the Solar system that's much more efficient.

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<v Speaker 1>Absolutely great twilight Zone logic. And I mean, let's before

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<v Speaker 1>we get into the story proper. I don't think you

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<v Speaker 1>can critique a comic book without talking about the artwork.

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<v Speaker 1>And I find this is I'm very divided on it. Okay,

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<v Speaker 1>I like the vehicles. I like, you know, the outfits

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<v Speaker 1>has got a very Twilight Zone feel, like they're all

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<v Speaker 1>just in jumpsuits, you know what I mean, and that

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<v Speaker 1>that's the way it tends to be. The actual detail

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<v Speaker 1>of the features and things. I don't know, man, I'm

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<v Speaker 1>not sure I like this artwork too much.

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<v Speaker 2>But okay, so you're me from my time now. Well,

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<v Speaker 2>I just felt like this looks like you'd see in

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<v Speaker 2>a comic book, in like a nineteen sixty comic book, right,

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<v Speaker 2>just kind of square jawed, clean cut professionals here in

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<v Speaker 2>their spaceships and their laser guns and their space like

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<v Speaker 2>it fit I think. And in the other one issue one,

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<v Speaker 2>I mean, it was it was different. It was it

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<v Speaker 2>was it was an artistic choice they had on everything.

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<v Speaker 1>Yeah, highly stylized.

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<v Speaker 2>Yeah, and this is this is stylized in its own way.

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<v Speaker 2>Now when it when it when we start seeing other

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<v Speaker 2>things in the story. I'm like, I don't know, guys,

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<v Speaker 2>but as far as the humans and the technology and

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<v Speaker 2>all that, I liked that. I think it fit in

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<v Speaker 2>well with what they're with what I think they're trying

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<v Speaker 2>to do with these comics.

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<v Speaker 1>They land on this planet, they start to explore. Thankfully,

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<v Speaker 1>in true Twilight Zone fashion, the air is breathable, so

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<v Speaker 1>no problems there. Again, very on brand for the Twilight Zone.

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<v Speaker 1>But they start to encounter things. First of all, it's

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<v Speaker 1>like this sort of jackalope type creature, and one of

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<v Speaker 1>the astronauts is like, hey, that reminds me of something

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<v Speaker 1>when I was a kid, and what was it? Like?

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<v Speaker 1>A rabbit and run over by a car?

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<v Speaker 2>A rabbit in their backyard. Their parents will let them

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<v Speaker 2>keep it as a pet because of allergies. And then

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<v Speaker 2>oh yeah, then my parents accidentally hit it with their

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<v Speaker 2>car when they were backing out of the driveway. I'm like,

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<v Speaker 2>that was unnecessarily dark. Did we have to go there?

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<v Speaker 1>Yeah? Well, it's also sets us up into like this

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<v Speaker 1>sequence of events where like I think about three of

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<v Speaker 1>the astronauts have some kinds of encounter and each time

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<v Speaker 1>they're like, hey, that reminds me of something when I

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<v Speaker 1>was a kid, you know, I got a point one

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<v Speaker 1>of them out, Zach. Okay, so a couple of these

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<v Speaker 1>things have happened, and they're all like, so what's going

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<v Speaker 1>on here? And I'll read you the actual dialogue. What

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<v Speaker 1>do you think is going on on this planet? Maybe

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<v Speaker 1>it's the afterlife? This definitely isn't heaven, that's for sure.

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<v Speaker 1>The best we could hope for. It is some kind

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<v Speaker 1>of limbo or pregatory someplace in between. A twilight zone.

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<v Speaker 1>That dropped like a bit of a brick for me.

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<v Speaker 2>Thank you. Okay, because you know in the intro right

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<v Speaker 2>there is no hint of a rod Serling in this

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<v Speaker 2>you know, an issue one there was the guy under

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<v Speaker 2>the umbrella like with a drink and I assume a

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<v Speaker 2>cigarette because that's his signature. There was none of that.

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<v Speaker 2>And then it doesn't end with in the twilight zone.

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<v Speaker 2>I said, oh, okay, I guess we're not doing that

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<v Speaker 2>season early season one style, insrows. We're not dropping the

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<v Speaker 2>towilights on that, fine, but then you gotta drop it

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<v Speaker 2>like we're some kind of suicide squad. That's what we're

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<v Speaker 2>doing here. I did not like that line either time.

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<v Speaker 2>I'm glad. We seem to be in alignment on that.

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<v Speaker 1>Even better one than the suicide squads. Christopher walk in

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<v Speaker 1>A View to a kill. Look at the view A

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<v Speaker 1>view to a kill? You know, it's like there's no

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<v Speaker 1>view to a kill. I'm sorry, no one says that.

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<v Speaker 2>But it's then that it's it is kind of like

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<v Speaker 2>death ship because they're rolling through all the possible Oh,

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<v Speaker 2>maybe we're dead, maybe it's blimbo, maybe it's yeah. Also,

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<v Speaker 2>I have to point out this is ripping off a

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<v Speaker 2>very famous Star Trek Original series episode. It's called Shore Leave.

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<v Speaker 2>They go to a planet. You know, the first thing

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<v Speaker 2>they see on this planet is a giant rabbit from

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<v Speaker 2>Alice in underline. I'm like, oh, okay, and the whole

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<v Speaker 2>crux of that is what we're going to get into here.

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<v Speaker 2>What the planet does its function like? This is straight

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<v Speaker 2>up sure Leave an episode of the first season of

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<v Speaker 2>Star Trek Original series, So just throw that out there.

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<v Speaker 2>I feel like genre like genre fans who are really

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<v Speaker 2>tuned into that will immediately identify this.

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<v Speaker 1>Before we get to that kind of what the planet is. Yeah,

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<v Speaker 1>I also have to talk about this next encounter because

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<v Speaker 1>because when they are exploring, they will come across something

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<v Speaker 1>and be like, oh my goodness, what's that. Now they're

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<v Speaker 1>driving along in their little moon buggy thing, and one

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<v Speaker 1>of them says, stopped her over, And you see like

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<v Speaker 1>this space creature whacking another kind of space creature that

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<v Speaker 1>looks vaguely feminine with a stick. So one of the

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<v Speaker 1>space guys comes down and he shoulder charges this alien

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<v Speaker 1>that's beaten the woman with a stick. And so the

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<v Speaker 1>other astronaut says, to what happened here? Okay, So the

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<v Speaker 1>astronaut says, I don't know. It reminded me of something.

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<v Speaker 1>When I was a kid. My dad woke us up

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<v Speaker 1>out of bed in the middle of the night. He

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<v Speaker 1>was screaming his head off, ranting and raving about what

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<v Speaker 1>a mess the house was. He made us clean up

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<v Speaker 1>in the middle of the night, a school night, but

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<v Speaker 1>I tell you there was nothing to clean. My mom

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<v Speaker 1>got down on all fours and started scrubbing the carpet,

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<v Speaker 1>scrubbing the carpet. We just wanted them to stop. We

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<v Speaker 1>didn't know what to do. I don't think he did either.

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<v Speaker 1>He grabbed his pool cue and started beating her with it.

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<v Speaker 1>I just stood there and watched. Don't get me wrong.

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<v Speaker 1>My dad was a great guy, but he'd have these moments.

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<v Speaker 1>This reminded me of that. I mean, clearly he is

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<v Speaker 1>channeling some terrible memories from when he was a child.

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<v Speaker 1>Domestic violence has nothing to laugh about.

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<v Speaker 2>Well when he presented in this way, yeah, oh well,

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<v Speaker 2>I mean he was a great guy. He just had

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<v Speaker 2>a long day at work. I'm like, that's the kind

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<v Speaker 2>of like, what do we talk? Why are we waving

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<v Speaker 2>off this? This obviously traumatic The story itself acknowledges is

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<v Speaker 2>traumatic because it's bringing up this traumatic memory. This guy

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<v Speaker 2>acts on it. But it's like, y'all, although I feel

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<v Speaker 2>like this is something they might have said in the fifties,

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<v Speaker 2>I mean I don't maybe give it that. Maybe maybe

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<v Speaker 2>that's what they were trying to do but they failed.

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<v Speaker 1>Uh huh. Yeah. It's just I don't know, man, it's

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<v Speaker 1>just really an odd moment. You know, maybe the character

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<v Speaker 1>was trying to deal with these things. Oh but it's

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<v Speaker 1>my dad, you know, and you love your dad, but

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<v Speaker 1>he's doing these terrible things, and you know, I kind

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<v Speaker 1>of get that, but it's hard to have that nuance

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<v Speaker 1>on one page after he's you know, had this kind

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<v Speaker 1>of monologue so I think maybe it would have been

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<v Speaker 1>better without the great guy comments at the end. You know, so,

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<v Speaker 1>I think I was on the same page. Okay, now

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<v Speaker 1>it's here that all hell breaks loose. You have all

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<v Speaker 1>kinds of creatures start attacking them. They get taken away

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<v Speaker 1>to some kind of courtroom like the space court, where

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<v Speaker 1>they are put on trial because the guy who he

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<v Speaker 1>shoulder charged, who was hitting the creature with the stick,

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<v Speaker 1>has I think it died.

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<v Speaker 2>Yes, they accused him of murder.

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<v Speaker 1>And I think they get sentenced, and they get taken

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<v Speaker 1>away to some kind of chamber or something, but they

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<v Speaker 1>managed to gape. We won't go into all the details.

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<v Speaker 1>By the way, if you've not read the comic, spoilers

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<v Speaker 1>are going to be all throughout this, and they managed

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<v Speaker 1>to escape. But then sorry, I'm just scrolling through. There's

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<v Speaker 1>a few pages of wackiness here, like giant carrots trying

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<v Speaker 1>to eat them, that kind of stuff. And then what

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<v Speaker 1>we get to in the end is that these sort

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<v Speaker 1>of we've seen all kinds of wacky creatures through this,

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<v Speaker 1>but a group of aliens who all are kind of uniform,

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<v Speaker 1>they're just say, okay, stop listen, We're sorry about this.

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<v Speaker 1>This planet is a kind of vacation planet. People come

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<v Speaker 1>here and it will form itself around whatever. You know,

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<v Speaker 1>your desires are, whatever you want to do to unwind.

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<v Speaker 1>But you humans, you humans have got some problems, okay,

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<v Speaker 1>and we weren't prepared for that, you know. And they

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<v Speaker 1>talk about the kind of psychological baggage we all carry.

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<v Speaker 1>We're still quite a violent people, and so on and

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<v Speaker 1>so forth.

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<v Speaker 2>There is a lot of talking. But yeah, there was

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<v Speaker 2>a lot of like and again, we love the toilet zone.

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<v Speaker 2>We love dialogue, we love back and forth, we love

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<v Speaker 2>exploring these these high minded ideas and societal and cultural

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<v Speaker 2>stuff like what what is humanity? And all right, love that, right,

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<v Speaker 2>But if you're reading a comic book and it's like

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<v Speaker 2>there are four pages of just dialogue, bubble, dialogue, bubble,

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<v Speaker 2>that's just just explanation, exposition, explanation, exposition. I found it

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<v Speaker 2>quite long, which which you know, calling back to how

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<v Speaker 2>I started off the conversation. Hey, it felt longer than

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<v Speaker 2>the first one. So there's that.

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<v Speaker 1>Yeah, there is that. And you know this idea that

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<v Speaker 1>they're like, whoa hold on the man? It We see

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<v Speaker 1>this a lot in science fiction storyes. You humans and

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<v Speaker 1>your ways you know, blah blah blah, you're still walking.

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<v Speaker 2>Like anyone we haven't before you were a young savage race. Yeah,

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<v Speaker 2>I mean like this is like a dozen episodes of

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<v Speaker 2>Star Trek as well, by the.

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<v Speaker 1>Way, So yeah, yeah, so on brand for fifties or

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<v Speaker 1>sixties sci fi, you know. And I kind of like

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<v Speaker 1>the idea of it that everyone else has got this

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<v Speaker 1>stuff worked out. But then when we go, it's just

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<v Speaker 1>like the planet doesn't know what's going on, so it

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<v Speaker 1>just goes a little bit crazy. I'm kind of talking

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<v Speaker 1>myself into liking this issue a bit more than I

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<v Speaker 1>did when I first read it. But well, we'll come

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<v Speaker 1>to our overall thoughts in a moment. But basically what

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<v Speaker 1>happens is these creatures say, listen, we know what you're like.

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<v Speaker 1>Now we can change the sort of algorithm or whatever

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<v Speaker 1>so that you can stay. You can work your stuff

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<v Speaker 1>out here. You could be here for the century if

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<v Speaker 1>you wanted to. And most of them are like, sounds great,

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<v Speaker 1>let's do it. But I think it's the guy who

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<v Speaker 1>was the like the caretaker guy at the beginning watching

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<v Speaker 1>over them.

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<v Speaker 2>He's like, no, not for me, Okay, was that the

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<v Speaker 2>same guy? Because I actually went back and was looking

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<v Speaker 2>around because I read it once and I looked it

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<v Speaker 2>over again before this conversation, obviously, and I was like, oh,

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00:16:11.480 --> 00:16:14.039
<v Speaker 2>that makes sense. I mean, it's it's very it's not

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<v Speaker 2>made very clear in the story, honestly, maybe you know what.

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<v Speaker 2>And as much as we like it being in black

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<v Speaker 2>and white, that might be a factor as well, because

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<v Speaker 2>we got just four dudes who look pretty much identical

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<v Speaker 2>and then a woman. I'm not sure who's who.

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<v Speaker 1>Yeah, but it makes sense that there's names.

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<v Speaker 2>Yeah, right, so you get to the end, and we'll

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<v Speaker 2>get to it here just in a second. But like

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<v Speaker 2>it book ends because we open with this guy and

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00:16:35.240 --> 00:16:37.600
<v Speaker 2>we close with the same guy. That makes sense, But

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<v Speaker 2>at no point is it ever made clear or any

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00:16:39.879 --> 00:16:42.519
<v Speaker 2>connections made to like, oh, that's the guy from the

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<v Speaker 2>beginning who wants to say I just said, oh, one

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<v Speaker 2>of the five of them wants to stay. I wants

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<v Speaker 2>to oh, one of the five that wants to leave?

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<v Speaker 2>Excuse me? Okay, sure.

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00:16:51.279 --> 00:16:53.120
<v Speaker 1>So when he gets back to it, as he's clearly

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<v Speaker 1>got some questions to answer, where is the rest of

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00:16:55.559 --> 00:16:58.399
<v Speaker 1>the crew, and he's sitting down to a couple of

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00:16:58.440 --> 00:17:01.799
<v Speaker 1>you know, maybe superior officers or whatever, and he's saying,

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00:17:02.320 --> 00:17:04.720
<v Speaker 1>you think I'm crazy, don't you You think I've lost my mind.

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<v Speaker 1>You think I came up with a cock and bull story,

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00:17:06.839 --> 00:17:10.960
<v Speaker 1>but I swear it's all true, every word. And one

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<v Speaker 1>of the people says, it sounds like an intense experience,

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<v Speaker 1>but you must understand our skepticism. And the guy says,

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<v Speaker 1>it's like a cult up there. You don't get it.

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<v Speaker 1>They're up there living their best life, and you're treating

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<v Speaker 1>me like I'm a nut. They begged me to let

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<v Speaker 1>them stay on that rock. If I didn't leave when

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00:17:26.519 --> 00:17:29.680
<v Speaker 1>I did, they might have forced us to stay with them.

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<v Speaker 1>And basically we're left with I don't know, is it sort.

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00:17:34.440 --> 00:17:39.799
<v Speaker 2>Of Is it supposed to be ambiguous? Yeah, if they

318
00:17:39.880 --> 00:17:42.200
<v Speaker 2>told a different story in the middle, then maybe, But

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<v Speaker 2>I don't. I mean, like, I don't like I think. Look,

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<v Speaker 2>I was I really enjoyed the intro, and I actually

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<v Speaker 2>did enjoy the outro. It's all the middle stuff. I

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00:17:50.319 --> 00:17:52.519
<v Speaker 2>was like, this is stuff I've seen a hundred times,

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<v Speaker 2>and it's very strange. And I don't think they're hitting

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<v Speaker 2>what they think they are, or at least, you know,

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00:17:56.799 --> 00:17:59.559
<v Speaker 2>succeeding what they're trying to do. But I think it's

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<v Speaker 2>really interesting that at the ends it's the guy trying

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<v Speaker 2>to explain like he because it's also it's not it's all.

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00:18:05.720 --> 00:18:09.079
<v Speaker 2>It's also a therapy planet, more even more so than

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00:18:09.119 --> 00:18:11.400
<v Speaker 2>like an amusement park planet. And he's like, I don't

330
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<v Speaker 2>need to stay here and work through this stuff. And

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<v Speaker 2>he goes back to Earth and they're like, whoa, he's

332
00:18:14.759 --> 00:18:16.400
<v Speaker 2>gotta take him years of therapy to get over this.

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<v Speaker 2>And I thought, oh, that's some sort of ironic cosmic twist.

334
00:18:19.720 --> 00:18:21.440
<v Speaker 2>The guy left the place, now he's back where he is.

335
00:18:22.039 --> 00:18:24.519
<v Speaker 2>It was interesting that they didn't believe him. But I

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00:18:24.559 --> 00:18:27.279
<v Speaker 2>don't know how does that inform his character or the

337
00:18:27.279 --> 00:18:29.319
<v Speaker 2>whole story, Like there's a way you could tell that story,

338
00:18:29.799 --> 00:18:31.799
<v Speaker 2>Like I don't maybe they should have like had the

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00:18:31.839 --> 00:18:33.880
<v Speaker 2>whole framing device of him in this room and people

340
00:18:33.920 --> 00:18:36.920
<v Speaker 2>ask him questions and then maybe wrap back around to this.

341
00:18:37.039 --> 00:18:39.960
<v Speaker 2>Don't but I did like that kind of like got

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<v Speaker 2>me like, oh that was that was cool. I liked

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<v Speaker 2>I liked ending on that beat. I just don't know

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00:18:44.400 --> 00:18:46.480
<v Speaker 2>if it all weaved together as well as it could have,

345
00:18:47.880 --> 00:18:50.960
<v Speaker 2>because yeah, it's it is. I like the ambiguous ones.

346
00:18:51.000 --> 00:18:52.519
<v Speaker 2>I toilet zones. There's not a lot of them, but

347
00:18:52.519 --> 00:18:55.640
<v Speaker 2>those are interesting. They create more conversation. And but I

348
00:18:55.680 --> 00:18:58.519
<v Speaker 2>think no, no put intended. It's all black and white,

349
00:18:58.559 --> 00:19:01.480
<v Speaker 2>like all that stuff happened. I mean, that's well, there

350
00:19:01.519 --> 00:19:03.960
<v Speaker 2>was no reason for us to think this guy made

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<v Speaker 2>up the story.

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<v Speaker 1>Yeah, I mean, I think they're implying that maybe he's

353
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<v Speaker 1>sort of lost his mind a little bit. That So

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00:19:13.359 --> 00:19:16.799
<v Speaker 1>I don't know, because you know, if it was me

355
00:19:16.880 --> 00:19:19.119
<v Speaker 1>and that happened, I would come back and be like,

356
00:19:19.319 --> 00:19:21.160
<v Speaker 1>there's no way I'm telling them that happened. I was

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<v Speaker 1>just going to say that the rover fell off a

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<v Speaker 1>cliff or something. You know, That's that's the way I

359
00:19:26.480 --> 00:19:28.480
<v Speaker 1>would tend to go. But I think they're implying that

360
00:19:28.599 --> 00:19:32.519
<v Speaker 1>he's left them all behind and then gone mad a

361
00:19:32.559 --> 00:19:35.400
<v Speaker 1>little because he's left them all behind. But I'm not

362
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<v Speaker 1>sure it sets up a reason why he would leave

363
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<v Speaker 1>them all behind and.

364
00:19:38.359 --> 00:19:41.400
<v Speaker 2>Come exactly exactly. Yeah, they could have delved into this

365
00:19:41.440 --> 00:19:43.839
<v Speaker 2>guy's frustrated his job at the beginning, Like they really

366
00:19:43.839 --> 00:19:46.720
<v Speaker 2>could have, like like cut again the twilight zone ahead

367
00:19:46.720 --> 00:19:49.880
<v Speaker 2>two or three people on these astronaut trips. There's a

368
00:19:49.920 --> 00:19:52.319
<v Speaker 2>reason for that you cut all that extra fat. Yeah,

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<v Speaker 2>three people, right, the one guy comes back, he's frustrated.

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<v Speaker 2>Maybe he did. But even the end, even the who

371
00:19:58.680 --> 00:20:02.000
<v Speaker 2>we can assume is the Rodsling, it's a happy ending

372
00:20:02.400 --> 00:20:04.440
<v Speaker 2>that could only happen in the Twilight Zone. I'm like

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<v Speaker 2>a happy ending. Like I thought, you're trying to be

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<v Speaker 2>all ambiguous about it. Now are you telling me it's

375
00:20:08.640 --> 00:20:11.079
<v Speaker 2>a halfy ending? So it's just it's messy. I like

376
00:20:11.160 --> 00:20:13.519
<v Speaker 2>some of the elements here. I like I like the setup,

377
00:20:13.680 --> 00:20:15.920
<v Speaker 2>I like the closing. I like ambiguity they're trying to

378
00:20:15.960 --> 00:20:19.240
<v Speaker 2>go for. But I just it's none of it connects

379
00:20:19.240 --> 00:20:21.640
<v Speaker 2>with each other, with each other, and we're sitting here

380
00:20:21.640 --> 00:20:24.799
<v Speaker 2>asking these questions about like why would this guy kill

381
00:20:24.839 --> 00:20:26.880
<v Speaker 2>everybody and leave him on the planet. I don't know,

382
00:20:28.359 --> 00:20:31.319
<v Speaker 2>So yeah, there it is. And then in the middle,

383
00:20:31.359 --> 00:20:34.240
<v Speaker 2>I just like I was like, guys, this is you're

384
00:20:34.279 --> 00:20:36.880
<v Speaker 2>making this way too complicated, like when because there and

385
00:20:36.920 --> 00:20:40.319
<v Speaker 2>there's no way. Also, there's no way they could have

386
00:20:40.400 --> 00:20:43.279
<v Speaker 2>made this episode. It's an original Twilight Zone episode with

387
00:20:43.359 --> 00:20:46.160
<v Speaker 2>all these monsters and aliens and stuff, like you know,

388
00:20:46.200 --> 00:20:48.240
<v Speaker 2>you gotta simplify it, like like it would have been

389
00:20:48.240 --> 00:20:50.039
<v Speaker 2>different if he saw like a rabbit, but no, he

390
00:20:50.079 --> 00:20:52.799
<v Speaker 2>saw like a rabbit monster and he just sees like

391
00:20:52.839 --> 00:20:54.759
<v Speaker 2>a bug. No, it's like a moth monster. And then

392
00:20:54.759 --> 00:20:57.599
<v Speaker 2>all that aliens, these giant vegetable monsters. I'm like, and

393
00:20:57.599 --> 00:20:59.960
<v Speaker 2>I don't. Maybe that's not being fair to it. Maybe

394
00:21:00.039 --> 00:21:02.799
<v Speaker 2>the prerequisite is not this should have been able to

395
00:21:02.839 --> 00:21:05.240
<v Speaker 2>have been an episode of the show. Maybe it should be. Look,

396
00:21:05.279 --> 00:21:07.680
<v Speaker 2>we can accomplish show all these things we could never

397
00:21:07.680 --> 00:21:10.039
<v Speaker 2>do on the show because there's no budget. True, but

398
00:21:10.079 --> 00:21:11.839
<v Speaker 2>it was all just kind of weird, Like I just

399
00:21:11.880 --> 00:21:14.640
<v Speaker 2>didn't They're finding like Godzilla looking monsters at some point

400
00:21:14.720 --> 00:21:16.640
<v Speaker 2>with like some kind of radio device, and like, what

401
00:21:16.799 --> 00:21:20.200
<v Speaker 2>is going on? So oh man, I don't know. I

402
00:21:20.440 --> 00:21:21.799
<v Speaker 2>might have liked it little more than you, but I

403
00:21:21.839 --> 00:21:25.079
<v Speaker 2>also on the whole didn't enjoy it as a whole package.

404
00:21:25.519 --> 00:21:28.119
<v Speaker 1>There's stuff to like in here. I think we're on

405
00:21:28.160 --> 00:21:32.160
<v Speaker 1>the same page in that regard, Like the I like

406
00:21:32.240 --> 00:21:36.319
<v Speaker 1>the overall conceit of Again, it's kind of cliche, I suppose,

407
00:21:36.400 --> 00:21:39.559
<v Speaker 1>but it is very of that time, you know, humans

408
00:21:39.640 --> 00:21:42.079
<v Speaker 1>land on the Planet's like, I'm not ready for you

409
00:21:42.119 --> 00:21:47.000
<v Speaker 1>guys and your baggage. Sorry about that. So I like

410
00:21:47.079 --> 00:21:51.000
<v Speaker 1>all that. I just think it could have been streamlined

411
00:21:51.000 --> 00:21:54.240
<v Speaker 1>into something, you know, like you said, cut it down

412
00:21:54.240 --> 00:21:57.799
<v Speaker 1>to like one or two guys and they go to

413
00:21:57.880 --> 00:22:02.039
<v Speaker 1>this place that experience bearings and things maybe a little

414
00:22:02.119 --> 00:22:06.079
<v Speaker 1>less wacky, you know than these guys experience, but stuff

415
00:22:06.119 --> 00:22:11.240
<v Speaker 1>that is psychologically quite tortuous, and I think there's there's

416
00:22:11.240 --> 00:22:13.920
<v Speaker 1>a good story at the core here. I just think

417
00:22:14.000 --> 00:22:17.799
<v Speaker 1>this was was quite messy. As my overall thoughts on it.

418
00:22:18.039 --> 00:22:21.000
<v Speaker 2>I did want to put out another direct comparison to

419
00:22:21.039 --> 00:22:24.079
<v Speaker 2>that Star Trek episode I mentioned. In that episode, doctor

420
00:22:24.160 --> 00:22:27.559
<v Speaker 2>McCoy gets killed by this Black Knight character that the

421
00:22:27.559 --> 00:22:29.759
<v Speaker 2>planet makes up like he gets like a like a

422
00:22:29.799 --> 00:22:32.960
<v Speaker 2>straight lance through him, and then he and then he disappears.

423
00:22:33.000 --> 00:22:35.039
<v Speaker 2>He gets you know what happened to him. In the end,

424
00:22:35.039 --> 00:22:37.799
<v Speaker 2>he pops up like, hey, everything's great, guys. He's got

425
00:22:37.799 --> 00:22:40.200
<v Speaker 2>like a pretty woman on each arms. Hey, you know,

426
00:22:40.440 --> 00:22:42.680
<v Speaker 2>And that's exactly what happens to this guy. He gets

427
00:22:43.000 --> 00:22:45.400
<v Speaker 2>presumably eaten by a giant carrot, and then he comes

428
00:22:45.400 --> 00:22:48.200
<v Speaker 2>in like drinking a milkshake at the end, having he's like, hey,

429
00:22:48.240 --> 00:22:51.519
<v Speaker 2>it was great, Like that is exactly what happens in

430
00:22:51.519 --> 00:22:52.799
<v Speaker 2>that Star Trek epis. So now, I know there's a

431
00:22:52.799 --> 00:22:54.359
<v Speaker 2>lot of tropes, and like you said, there's a lot

432
00:22:54.359 --> 00:22:57.160
<v Speaker 2>of the same beats I mean, but just to me,

433
00:22:57.200 --> 00:23:00.359
<v Speaker 2>it was just so directly from that episode, because it's

434
00:23:00.359 --> 00:23:03.000
<v Speaker 2>a planet where they go and they imagine things and

435
00:23:03.039 --> 00:23:05.160
<v Speaker 2>they pop into their heads and people get killed. But

436
00:23:05.240 --> 00:23:08.039
<v Speaker 2>it's hey, it's okay, guys, it's just you guys didn't

437
00:23:08.079 --> 00:23:10.519
<v Speaker 2>know the rules. It's a it's an amusement park planet.

438
00:23:10.640 --> 00:23:12.279
<v Speaker 2>To just keep that in mind, and I'm like, that

439
00:23:12.319 --> 00:23:14.799
<v Speaker 2>is so, that's that's what this is. Like, it's it's

440
00:23:14.880 --> 00:23:16.640
<v Speaker 2>I guess it's an homage. It's not a beat for

441
00:23:16.720 --> 00:23:18.960
<v Speaker 2>beat rip off. But there's enough things where I was

442
00:23:19.000 --> 00:23:22.000
<v Speaker 2>distracted and that was a lot better told story, honestly

443
00:23:22.559 --> 00:23:25.039
<v Speaker 2>than this. So that's another factor. But yeah, no, they're

444
00:23:25.440 --> 00:23:28.839
<v Speaker 2>like we've been we've been pretty down on it, but

445
00:23:29.160 --> 00:23:31.440
<v Speaker 2>there is interesting stuff here. I just think the pieces

446
00:23:31.480 --> 00:23:32.359
<v Speaker 2>just didn't fit together.

447
00:23:33.039 --> 00:23:35.920
<v Speaker 1>Yeah, I'm still of dumb mind. I actually talked myself

448
00:23:35.920 --> 00:23:39.039
<v Speaker 1>into liking it a bit more, even though some of

449
00:23:39.079 --> 00:23:42.880
<v Speaker 1>the stuff was just like kind of ridiculous. But hey,

450
00:23:43.039 --> 00:23:47.240
<v Speaker 1>you know, it's on Sology comics, like Onstology television. It's

451
00:23:47.640 --> 00:23:48.880
<v Speaker 1>it's always a mixed bag.

452
00:23:49.359 --> 00:23:51.519
<v Speaker 2>Yeah, no, and I do like and we both like

453
00:23:52.000 --> 00:23:55.160
<v Speaker 2>the Jordan Peele Twilight Zone. We'round rather for that, which

454
00:23:55.200 --> 00:23:57.079
<v Speaker 2>I don't know is that a hot take these days?

455
00:23:57.079 --> 00:23:59.680
<v Speaker 2>I don't even know what the general consensus is. Who knows.

456
00:23:59.759 --> 00:24:02.200
<v Speaker 1>Right, in ten years time, people will love that, They'll

457
00:24:02.200 --> 00:24:03.920
<v Speaker 1>do another one and they'll be like, it's not like that.

458
00:24:04.000 --> 00:24:09.119
<v Speaker 2>Jon and Gilbert think I got it. One of our

459
00:24:09.160 --> 00:24:11.960
<v Speaker 2>criticisms of that though, was like, hey, everything's like in

460
00:24:12.000 --> 00:24:15.519
<v Speaker 2>this not too distant future world, they don't do like

461
00:24:15.640 --> 00:24:19.000
<v Speaker 2>Westerns and other planets and all that. I'm like, Okay,

462
00:24:19.559 --> 00:24:22.119
<v Speaker 2>I admire the swing of like we're having people get

463
00:24:22.200 --> 00:24:24.119
<v Speaker 2>in a spaceship and go to a planet and encounter

464
00:24:24.160 --> 00:24:26.799
<v Speaker 2>some weird stuff. So that is very of the original

465
00:24:26.799 --> 00:24:30.920
<v Speaker 2>show's DNA. So I respect them for that in this issue.

466
00:24:30.960 --> 00:24:33.839
<v Speaker 1>Absolutely. Okay, Well, let's just read the teaser for the

467
00:24:33.880 --> 00:24:38.000
<v Speaker 1>next one. It says two bygone civilizations pursue a holy relic,

468
00:24:38.559 --> 00:24:42.119
<v Speaker 1>for which both sides proudly kill and die. But in

469
00:24:42.160 --> 00:24:45.799
<v Speaker 1>the Twilight Zone, nothing is ever as it appears at

470
00:24:45.880 --> 00:24:51.839
<v Speaker 1>first glance. Now, the teaser of the cover there, I

471
00:24:51.920 --> 00:24:54.559
<v Speaker 1>remember texting new Zac and saying, I don't like to

472
00:24:54.559 --> 00:24:57.359
<v Speaker 1>look at this one. You know, this doesn't fit in

473
00:24:57.400 --> 00:25:00.440
<v Speaker 1>my twilight zone. So I'm gonna be interested to see

474
00:25:00.839 --> 00:25:04.480
<v Speaker 1>what we both think about on the next podcast. So

475
00:25:05.400 --> 00:25:07.680
<v Speaker 1>before we go, tell us what's going on with you podcasts?

476
00:25:07.680 --> 00:25:08.240
<v Speaker 1>Why is Zach?

477
00:25:09.079 --> 00:25:11.920
<v Speaker 2>Yes? So always hold on a Smallville. We finished our

478
00:25:12.079 --> 00:25:15.960
<v Speaker 2>episode by episode coverage, but currently in a project I'm

479
00:25:15.960 --> 00:25:19.519
<v Speaker 2>calling Smallville the Ultimate Season. It is me in different

480
00:25:19.559 --> 00:25:22.119
<v Speaker 2>panels of guests, new voices, old voys. As you've heard

481
00:25:22.119 --> 00:25:24.240
<v Speaker 2>over the years on the podcast. We're getting together and

482
00:25:24.279 --> 00:25:26.960
<v Speaker 2>we're determining the ultimate season of Smallville by going down

483
00:25:27.200 --> 00:25:30.559
<v Speaker 2>each episode one of all ten seasons, each episode two

484
00:25:30.920 --> 00:25:33.279
<v Speaker 2>of all ten seasons cool, and we're picking the best

485
00:25:33.279 --> 00:25:37.119
<v Speaker 2>of those and then assembling the ultimate season of Smallville

486
00:25:37.119 --> 00:25:39.519
<v Speaker 2>comprised of you know what episode number from each season. So,

487
00:25:39.759 --> 00:25:42.240
<v Speaker 2>you know, a show runs that long for ten seasons,

488
00:25:42.319 --> 00:25:44.160
<v Speaker 2>it gives you fun options like that, and so it's

489
00:25:44.200 --> 00:25:46.599
<v Speaker 2>just kind of a fun recap celebration. It's kind of

490
00:25:46.640 --> 00:25:48.279
<v Speaker 2>fun to see which ones people all agree on. You

491
00:25:48.279 --> 00:25:49.920
<v Speaker 2>I'll get rid of those first, and then you know,

492
00:25:49.960 --> 00:25:51.480
<v Speaker 2>we usually get it down to like two or three

493
00:25:51.519 --> 00:25:52.960
<v Speaker 2>and have a good talk about which one is the

494
00:25:53.000 --> 00:25:55.200
<v Speaker 2>ultimate one. So just a fun way to look back

495
00:25:55.240 --> 00:25:56.799
<v Speaker 2>and celebrate the show. And that's what we're in the

496
00:25:56.839 --> 00:25:58.960
<v Speaker 2>midst of right now. And you can find us on

497
00:25:59.000 --> 00:26:02.000
<v Speaker 2>social media at always Malville with one.

498
00:26:02.000 --> 00:26:04.599
<v Speaker 1>S Okay, I'm just putting it out there. I may

499
00:26:04.640 --> 00:26:07.160
<v Speaker 1>steal that idea at the end of the twilight Zone.

500
00:26:07.319 --> 00:26:11.039
<v Speaker 2>Well, you have my permissions. You just got to have

501
00:26:11.119 --> 00:26:12.880
<v Speaker 2>me on a couple episodes and we'll call it even.

502
00:26:12.799 --> 00:26:16.559
<v Speaker 1>To absolutely absolutely book. Considering how long the Twilight Zone

503
00:26:16.599 --> 00:26:19.000
<v Speaker 1>seasons are, I'll probably be setting myself up for another

504
00:26:19.039 --> 00:26:22.680
<v Speaker 1>five years of podcast and so we'll see, we'll see, Zach.

505
00:26:22.799 --> 00:26:24.160
<v Speaker 1>It's always a pleasure my friend.

506
00:26:24.519 --> 00:26:26.759
<v Speaker 2>Thanks Tom, see you next time, and.

507
00:26:26.680 --> 00:26:29.240
<v Speaker 1>We will catch you next time here on the twilight

508
00:26:29.319 --> 00:26:52.920
<v Speaker 1>Zone Podcast. Bye for now.
