1
00:00:10,560 --> 00:00:10,919
Speaker 1: The Lation.

2
00:00:11,039 --> 00:00:18,079
Speaker 2: No Broadcasting Company presents The Magnificent Montague, starring Marty Woy.

3
00:00:24,719 --> 00:00:26,719
This is an age that shall be marked by the

4
00:00:26,760 --> 00:00:30,760
achievements of women Madame Curie, Florence Nightingale, Carrie Nation. But

5
00:00:30,879 --> 00:00:33,840
all their accomplishments are overshadowed by the single triumph of

6
00:00:33,840 --> 00:00:37,000
Lily Bowain. She talked to her husband, Edwin Montague, the

7
00:00:37,039 --> 00:00:39,119
Magnificent Montague of the Shakespearean Theater.

8
00:00:39,479 --> 00:00:41,000
Speaker 1: It are going on radio.

9
00:00:40,719 --> 00:00:44,079
Speaker 2: As Uncle Goodheart here of an afternoon program. This not

10
00:00:44,159 --> 00:00:47,399
only broke his heart but his eight year record of unemployment.

11
00:00:47,960 --> 00:00:50,520
But today Lily is beginning to wonder if.

12
00:00:50,359 --> 00:00:52,719
Speaker 1: It was such a good idea. After all, it.

13
00:00:52,719 --> 00:00:55,600
Speaker 2: Is the morning in the Montague apartment. Agnes, the maid

14
00:00:55,679 --> 00:00:56,880
is about to answer the door.

15
00:01:01,920 --> 00:01:08,120
Speaker 3: Okay, okay, yeah, another crank for Uncle good Heart.

16
00:01:07,959 --> 00:01:11,359
Speaker 4: Oh brother, okay, walton in sign here?

17
00:01:11,480 --> 00:01:16,480
Speaker 3: Okay, some more trash from the grateful listeners. But joint

18
00:01:16,480 --> 00:01:21,400
starting to look like a pawn shop, Agnes, would you please,

19
00:01:22,040 --> 00:01:24,040
what in Heaven's name is that there's a letter? Come

20
00:01:24,079 --> 00:01:26,799
with it from uh lullaputt ohio?

21
00:01:27,560 --> 00:01:33,319
Speaker 5: What's it? Dear Uncle good Hud and crows? Please find

22
00:01:33,359 --> 00:01:37,000
a six foot replica of our city hall at Lilliput, Ohio.

23
00:01:37,519 --> 00:01:43,959
It was built with two thousand cakes of your sponsor's soap, A.

24
00:01:43,920 --> 00:01:46,159
Speaker 3: Little something for uncle to play with his bathtub.

25
00:01:49,359 --> 00:01:50,959
Speaker 6: Agnes, we've got to get rid of this.

26
00:01:51,400 --> 00:01:53,280
Speaker 3: Here comes uncle Hambone.

27
00:01:52,760 --> 00:01:57,400
Speaker 1: Now small, I.

28
00:02:00,760 --> 00:02:04,959
Speaker 7: Feel quite gad. What is that monstrosity?

29
00:02:05,640 --> 00:02:06,079
Speaker 1: Agnes?

30
00:02:06,120 --> 00:02:11,280
Speaker 7: Have you been on another quiz program?

31
00:02:13,960 --> 00:02:15,960
Speaker 6: Edwin, Sit down at the table, your breakfast is here.

32
00:02:16,000 --> 00:02:16,719
Speaker 1: Where's this letter?

33
00:02:16,800 --> 00:02:18,280
Speaker 6: Well, it came with the monstrosity.

34
00:02:18,599 --> 00:02:21,719
Speaker 7: Dear uncle, good heart, and close the ripica.

35
00:02:22,479 --> 00:02:23,400
Speaker 1: So that's what it is.

36
00:02:24,360 --> 00:02:27,520
Speaker 6: It was built, Agnes, call up and have them take

37
00:02:27,560 --> 00:02:27,919
it away.

38
00:02:27,960 --> 00:02:29,639
Speaker 1: Wait, listen to this. It's rather touching.

39
00:02:30,240 --> 00:02:33,879
Speaker 7: Every family in Lilliput donate his their year's supply of

40
00:02:33,960 --> 00:02:36,960
shallom O soap in order to make this muddel possible.

41
00:02:37,599 --> 00:02:39,280
Speaker 1: Really, the the least we can do is to keep

42
00:02:39,280 --> 00:02:40,439
it in the living room for a while.

43
00:02:42,719 --> 00:02:46,080
Speaker 7: Now, Edwy, imagine they gave up their year's supply of

44
00:02:46,159 --> 00:02:46,800
soap for me.

45
00:02:47,560 --> 00:02:49,919
Speaker 1: You know, I'd like to visit the Liput sometime.

46
00:02:50,439 --> 00:02:52,479
Speaker 3: Better wait till next year when they get some more soap.

47
00:02:55,520 --> 00:02:58,400
Speaker 1: Nonsense. I'll bet it's a pretzontle place.

48
00:02:58,680 --> 00:03:02,439
Speaker 3: When the wind's right, my dear.

49
00:03:02,400 --> 00:03:08,159
Speaker 7: Agnes, you could easily be replaced by a cocker spaniel.

50
00:03:08,879 --> 00:03:12,800
Speaker 5: Edwin your breakfast. Now you have to go to your broadcast, Agnes.

51
00:03:12,520 --> 00:03:13,680
Speaker 3: Okay, I'll bring in the grub.

52
00:03:14,199 --> 00:03:18,919
Speaker 7: The grub, really, Lily, don't you think it? After twenty

53
00:03:18,919 --> 00:03:21,280
five years with us, this might have discovered that this is.

54
00:03:21,199 --> 00:03:23,960
Speaker 1: A home and not a lumber camp.

55
00:03:25,280 --> 00:03:27,280
Speaker 6: Here do you want the newspaper.

56
00:03:27,000 --> 00:03:27,960
Speaker 1: Just the radio section.

57
00:03:28,120 --> 00:03:31,439
Speaker 5: Listen to this and the drama's news, Max Garland, Lily,

58
00:03:31,520 --> 00:03:35,039
must you mention that name me with an empty stomach? Oh?

59
00:03:35,159 --> 00:03:35,919
Speaker 6: Please listen.

60
00:03:36,319 --> 00:03:39,280
Speaker 5: Max Garland today announced that his forthcoming production of Romeo

61
00:03:39,319 --> 00:03:42,520
and Juliet, starring Katherine Cornell and Lawrence Olivier, has been

62
00:03:42,560 --> 00:03:43,879
temporarily postponed.

63
00:03:44,039 --> 00:03:47,360
Speaker 7: Max gard putting out Romeo and Juliet with that juvenile

64
00:03:47,479 --> 00:03:53,960
Vodevideon Lawrence Olivier, Oh Shakespeare, what crimes are committed in

65
00:03:54,039 --> 00:03:55,599
the name now?

66
00:03:55,759 --> 00:03:58,159
Speaker 6: Edwin? Just because Larry Olivier did Hamlet for.

67
00:03:58,159 --> 00:04:02,479
Speaker 7: The movies, Hamlet for the movie, It's like playing Beethoven's

68
00:04:02,479 --> 00:04:05,000
Moonlight Sonata on a kazoo.

69
00:04:06,560 --> 00:04:09,560
Speaker 1: Let me read on macdof mister Olivia.

70
00:04:09,599 --> 00:04:12,080
Speaker 6: I cannot leave England due to previous commitments.

71
00:04:12,199 --> 00:04:15,960
Speaker 7: Have previous commitments. He's obviously in jail for impersonating an actor.

72
00:04:17,160 --> 00:04:17,879
Speaker 1: This is rich.

73
00:04:19,240 --> 00:04:23,199
Speaker 5: Then it goes on. Read it nothing important.

74
00:04:22,959 --> 00:04:26,040
Speaker 1: Re read it. This is all very abusing. Go on.

75
00:04:26,720 --> 00:04:31,240
Speaker 5: Theater goers of yesteryear will remember mister Garland's great Shakespearean revival,

76
00:04:31,319 --> 00:04:35,839
starring the old time favorite Edwin the magnificent Montague.

77
00:04:35,839 --> 00:04:37,399
Speaker 1: The old time favorite.

78
00:04:38,279 --> 00:04:43,519
Speaker 7: But am I a horse car? A bicycle built for two?

79
00:04:44,040 --> 00:04:46,040
Is about an old time favorite at the age of

80
00:04:46,079 --> 00:04:46,759
forty three.

81
00:04:47,519 --> 00:04:50,600
Speaker 1: Forty three, forty three, and the subject is closed.

82
00:04:56,079 --> 00:04:59,800
Speaker 3: Read on pancakes younger than Springtime.

83
00:05:00,079 --> 00:05:06,000
Speaker 7: Ah Lily, and our Thanksgiving dinnering. When you brought that

84
00:05:06,160 --> 00:05:10,600
huge stuffed bird to the table for one glorious ecstatic moment,

85
00:05:10,720 --> 00:05:12,120
I thought it was Agnes.

86
00:05:14,480 --> 00:05:15,519
Speaker 3: He's set it down.

87
00:05:17,439 --> 00:05:19,480
Speaker 5: Edwhen there's more in the article about the fifteen years

88
00:05:19,480 --> 00:05:21,480
you and Max were associated.

89
00:05:20,839 --> 00:05:23,879
Speaker 7: Fifteen years for each and every minute of those fifteen years,

90
00:05:23,920 --> 00:05:25,399
there's a gray hair in my beard.

91
00:05:26,360 --> 00:05:27,959
Speaker 1: I don't want to hear any more about the theater.

92
00:05:28,120 --> 00:05:30,199
Speaker 5: But at when you're going overboard them, it's uncle good

93
00:05:30,199 --> 00:05:31,720
heart afternoon programs.

94
00:05:32,600 --> 00:05:33,680
Speaker 6: We don't go to any.

95
00:05:33,519 --> 00:05:36,639
Speaker 7: Play please, I have a big day at the radio.

96
00:05:36,680 --> 00:05:39,360
Stools here today the boys came in with a very

97
00:05:39,399 --> 00:05:43,079
touching script. It seems a canary with a broken wing

98
00:05:43,519 --> 00:05:44,720
hot into Uncle.

99
00:05:44,439 --> 00:05:45,920
Speaker 1: Goodheart's little cottage.

100
00:05:46,160 --> 00:05:48,680
Speaker 7: Everybody says kill it, Uncle Goodhart put it out of

101
00:05:48,680 --> 00:05:53,319
its misery. But I cannot destroy any living thing. I

102
00:05:53,399 --> 00:05:57,759
make a little splint out of match sticks, bind up

103
00:05:57,800 --> 00:06:02,399
the little broken wing. Suddenly the canary's eyes opened. It

104
00:06:02,480 --> 00:06:06,399
looks up at me, and then and then it bursts

105
00:06:06,560 --> 00:06:07,199
into song.

106
00:06:09,839 --> 00:06:16,839
Speaker 3: And the farmer took another load away.

107
00:06:20,160 --> 00:06:24,920
Speaker 7: And I do mean corn, Lily, I will see you

108
00:06:24,920 --> 00:06:28,560
about dear Agnes. Christmas present last year for her room,

109
00:06:28,639 --> 00:06:31,079
we got her a chair, this Christmas cat.

110
00:06:31,160 --> 00:06:37,319
Speaker 1: We have it electrified.

111
00:06:42,720 --> 00:06:45,360
Speaker 6: And when I'm serious, we build our whole lives around

112
00:06:45,399 --> 00:06:45,800
the theater.

113
00:06:46,079 --> 00:06:49,399
Speaker 7: Lily left face reality. There is a new bright life

114
00:06:49,439 --> 00:06:52,480
in front of it. To ten million trusting listeners. I

115
00:06:52,519 --> 00:06:54,680
am not Edwin Montague, the great actor.

116
00:06:55,439 --> 00:06:56,759
Speaker 1: I am Uncle good Heart.

117
00:06:57,160 --> 00:07:01,040
Speaker 7: And you me, yes, you are not Lily the actress.

118
00:07:01,519 --> 00:07:04,240
You and Uncle Goodheart's way, Aunt.

119
00:07:04,240 --> 00:07:09,600
Speaker 6: Good Heart, Uncle and Aunt good Hud.

120
00:07:10,560 --> 00:07:12,839
Speaker 3: The first one who mentions cousin, I guess, gets a

121
00:07:12,879 --> 00:07:13,639
shot in my head.

122
00:07:17,439 --> 00:07:20,800
Speaker 6: Willy boame a good Hud.

123
00:07:21,160 --> 00:07:23,079
Speaker 7: That's why I'd get used to it in that Oh gad,

124
00:07:23,120 --> 00:07:24,720
look at the time, I'll be late for rehearsal.

125
00:07:35,160 --> 00:07:37,199
Speaker 6: Lily Bowaim is here to see you, mister Garland.

126
00:07:37,319 --> 00:07:43,120
Speaker 4: Lily, send a ride in, Miss Cooper, Lily, sweetheart, Macks Lily,

127
00:07:43,240 --> 00:07:46,319
how do you do what? You look wonderful? How's the

128
00:07:46,439 --> 00:07:48,319
monster Edwin's fun?

129
00:07:49,959 --> 00:07:53,079
Speaker 6: Max? You look so so healthy.

130
00:07:53,160 --> 00:07:58,839
Speaker 4: Very simple? No Montague, no ELSs Oh, Lily, I'm serious.

131
00:07:58,879 --> 00:08:00,959
It was eight years ago, on a Thursday night, when

132
00:08:00,959 --> 00:08:03,360
your husband and I had that final battle and we

133
00:08:03,480 --> 00:08:07,639
parted after fifteen years. I remember that day walking back

134
00:08:07,680 --> 00:08:10,639
to my office a broken, bitter man, and then it

135
00:08:10,720 --> 00:08:12,040
hit me, no.

136
00:08:12,120 --> 00:08:12,800
Speaker 6: More mounted you.

137
00:08:13,439 --> 00:08:16,439
Speaker 4: It was like the finale of Blossom time. Suddenly birds

138
00:08:16,439 --> 00:08:20,040
were singing, bells began ringing, and everything was sunshine and light.

139
00:08:20,399 --> 00:08:24,319
Speaker 6: No more monted you now, Max, it was Lily. It

140
00:08:24,399 --> 00:08:25,240
was a new world.

141
00:08:25,639 --> 00:08:28,600
Speaker 4: I found out what people do at night. Do you

142
00:08:28,759 --> 00:08:34,720
know what people do at night, Lily? They sleep. They

143
00:08:34,759 --> 00:08:37,799
don't paste the floor all night. Wondering if Montague was

144
00:08:37,840 --> 00:08:40,240
going to show up Opening Night with his own additional

145
00:08:40,279 --> 00:08:46,399
dialogue for Hamlet's soliloquy They sleep, O Come. I found

146
00:08:46,440 --> 00:08:50,639
out that a man does not live on Bromo seltzer alone.

147
00:08:50,679 --> 00:08:54,759
For fifteen years, I was on a liquid diet, nothing

148
00:08:54,799 --> 00:08:58,440
but Bromo seltzer. Do you know I haven't had one

149
00:08:58,519 --> 00:09:03,360
Bromo celsus since that eight years ago. No more, Montague.

150
00:09:03,440 --> 00:09:04,879
It's a gateway for life.

151
00:09:06,039 --> 00:09:07,679
Speaker 6: So Max, I believe you here.

152
00:09:07,720 --> 00:09:10,519
Speaker 5: You are happy, even though you can't put on your

153
00:09:10,600 --> 00:09:13,639
Romeo and Juliet because Larry Olivier can't make it.

154
00:09:13,720 --> 00:09:14,960
Speaker 4: So what Max?

155
00:09:15,159 --> 00:09:19,679
Speaker 5: If I asked you for a favor, something that's very important.

156
00:09:19,120 --> 00:09:21,600
Speaker 4: To me, Lily, anything you want, you just ask for

157
00:09:21,720 --> 00:09:23,039
ordn It's yours.

158
00:09:22,759 --> 00:09:25,639
Speaker 6: All right, Max? Here it is. I want you to

159
00:09:25,679 --> 00:09:27,919
give Edwin the part of Romeo.

160
00:09:29,840 --> 00:09:33,480
Speaker 4: Miss Cooper. Yes, you send down for some Bromo celsuplease

161
00:09:36,919 --> 00:09:39,320
Montague again, Lily does have mercy.

162
00:09:39,639 --> 00:09:41,080
Speaker 6: Max. You have to do this for me.

163
00:09:41,320 --> 00:09:43,799
Speaker 4: I can't do it, Lily, I can't Max. Wait, Max,

164
00:09:44,120 --> 00:09:46,240
what time is it about? Three twenty five?

165
00:09:46,279 --> 00:09:46,440
Speaker 1: Oh?

166
00:09:46,440 --> 00:09:48,279
Speaker 6: Good? May I turn on this radio?

167
00:09:48,440 --> 00:09:48,679
Speaker 1: Sure?

168
00:09:48,720 --> 00:09:51,960
Speaker 6: Why I just sit back, Max, listen to this?

169
00:09:53,240 --> 00:09:56,120
Speaker 3: Oh uncle good heart, you fix the little Dickey bird's

170
00:09:56,159 --> 00:09:57,519
wim and.

171
00:09:57,440 --> 00:09:59,919
Speaker 6: We wanted you to destroy the canary. Oh how could

172
00:09:59,919 --> 00:10:02,000
we you have been so cruel, so blind?

173
00:10:02,480 --> 00:10:06,279
Speaker 1: Look at this little canary. Remember this canary as you

174
00:10:06,399 --> 00:10:07,279
go through life.

175
00:10:08,759 --> 00:10:11,600
Speaker 6: Oh, welcome good Heart. Look the canaries opened his eyes.

176
00:10:11,879 --> 00:10:12,559
He's stirring.

177
00:10:13,159 --> 00:10:17,399
Speaker 1: Golly, s this is the crisis. It's opening its mouth.

178
00:10:20,080 --> 00:10:22,559
Speaker 6: It seems it sings, Yes.

179
00:10:22,600 --> 00:10:25,480
Speaker 1: My children, it sings. Remember this.

180
00:10:25,799 --> 00:10:30,200
Speaker 7: You Melissa, worrying because your father's business went bankrupt and

181
00:10:30,279 --> 00:10:34,559
your home burned out. You, Ronald fretting because Melissa's father

182
00:10:34,639 --> 00:10:36,559
has peeved at you for stealing all his cash out

183
00:10:36,559 --> 00:10:39,240
of his business in order to raise bail for your mother.

184
00:10:40,399 --> 00:10:45,639
Think how small and insignificant these things are. Think how

185
00:10:45,799 --> 00:10:47,960
small and insignificant these things are.

186
00:10:48,039 --> 00:10:48,879
Speaker 1: Alongside of this.

187
00:10:48,919 --> 00:10:54,919
Speaker 7: Little bird with a broken wings, it sings, just as

188
00:10:54,960 --> 00:10:58,080
you must sing as you walk out into the sunshine.

189
00:10:59,240 --> 00:11:09,759
Speaker 1: And you have been.

190
00:11:09,639 --> 00:11:13,519
Speaker 8: Listening to another episode of Uncle good Heart, brought to

191
00:11:13,600 --> 00:11:15,480
you by Shalimar Soap.

192
00:11:15,720 --> 00:11:16,600
Speaker 1: And now before we.

193
00:11:16,600 --> 00:11:20,200
Speaker 8: Leave you until tomorrow, here is Uncle good Heart and

194
00:11:20,360 --> 00:11:21,600
his thought for the day.

195
00:11:22,559 --> 00:11:25,080
Speaker 7: When you see a friend in trouble in the cold,

196
00:11:25,240 --> 00:11:30,399
without a coat, facing snow and sleet and blizzard, won't

197
00:11:30,440 --> 00:11:32,840
you drop a little note?

198
00:11:37,919 --> 00:11:42,519
Speaker 6: What's this all about? Max? That was Edwin Montague?

199
00:11:43,919 --> 00:11:50,159
Speaker 4: Yes, miss Cooper, like that A double bram Off Well, next, Holy,

200
00:11:50,240 --> 00:11:54,480
I can't believe Edone Montague, uncle good heart, Max harbabiv

201
00:11:54,519 --> 00:11:57,840
It all is that he likes it, He likes it all. No,

202
00:11:58,159 --> 00:12:00,679
this is the man who corrected the English and Shakespeare

203
00:12:00,759 --> 00:12:02,759
before he'd lower himself to read the lines.

204
00:12:04,519 --> 00:12:07,000
Speaker 5: Max's whole life is wrapped up in this, Uncle good heart.

205
00:12:07,600 --> 00:12:09,440
I've got to get him back into the theater before

206
00:12:09,440 --> 00:12:12,000
it's too late. You have to let him play Romeo.

207
00:12:12,519 --> 00:12:16,320
Speaker 4: But Lily, I hesitated with Laurence Olivier because I thought

208
00:12:16,320 --> 00:12:17,279
he was a little old.

209
00:12:19,039 --> 00:12:20,639
Speaker 6: Now Montague is Romeo.

210
00:12:21,039 --> 00:12:24,039
Speaker 5: Oh, Lily, this is I'm putting the song of my

211
00:12:24,080 --> 00:12:27,919
own money. Give me a fighting chance. Max, I'm handing

212
00:12:27,960 --> 00:12:29,480
you a smash hit. Are you blind?

213
00:12:29,960 --> 00:12:33,000
Speaker 4: All I can see is Montague tottering up that ladder

214
00:12:33,039 --> 00:12:34,120
to Julius Falcony.

215
00:12:35,840 --> 00:12:37,559
Speaker 6: That'll take a whole act in itself.

216
00:12:38,799 --> 00:12:39,960
Speaker 4: Lily, I can't Max.

217
00:12:40,000 --> 00:12:43,000
Speaker 6: Here is your head the one Shakespearean play. Edwin Montague

218
00:12:43,039 --> 00:12:44,000
has never done.

219
00:12:43,919 --> 00:12:48,759
Speaker 5: Romeo and Juliet, his farewell Shakespearean.

220
00:12:48,039 --> 00:12:55,679
Speaker 4: Appearance, ver well appearance that always drags him in. Romeo

221
00:12:55,759 --> 00:12:59,320
and Juliet strong play team with Catherine Cornell had never

222
00:12:59,399 --> 00:13:02,600
hurts the clinic to direct. You know it's starting to

223
00:13:02,639 --> 00:13:05,840
sound but Edwin Montague is Romeo.

224
00:13:06,600 --> 00:13:10,600
Speaker 5: No, Max, you'll be wonderful. You always said he had

225
00:13:10,600 --> 00:13:13,399
the magic. Once he's on that stage, he'll be eighteen again.

226
00:13:13,679 --> 00:13:17,559
All Max for me, for yourself, for the theater.

227
00:13:19,360 --> 00:13:23,000
Speaker 4: Well Max, okay, Lily, you got me.

228
00:13:23,039 --> 00:13:23,440
Speaker 1: He's rolling.

229
00:13:23,639 --> 00:13:27,639
Speaker 4: Oh Max, please back with Montague. That means I'll have

230
00:13:27,639 --> 00:13:29,679
to dig up his old makeup man, the one I hate,

231
00:13:29,960 --> 00:13:32,679
and the valet, the one who steals. And I have

232
00:13:32,720 --> 00:13:34,240
to break this to Catherine Cornell.

233
00:13:34,559 --> 00:13:36,000
Speaker 6: Oh hello there, hello there.

234
00:13:36,240 --> 00:13:46,320
Speaker 4: What was that nothing? I was just welcoming back my ulcer.

235
00:13:49,360 --> 00:13:53,360
Montague is Romeo, Lily. Will he do it for me?

236
00:13:53,480 --> 00:13:56,639
Speaker 5: Oh, don't worry, Max, I know my husband. There's only

237
00:13:56,720 --> 00:13:58,759
one sure way to get Montague to take a part.

238
00:13:59,320 --> 00:14:13,000
Speaker 1: Tell him me, I tell you, Agnes.

239
00:14:13,360 --> 00:14:15,519
Speaker 7: I don't like to talk about radio and uncle good heart,

240
00:14:15,559 --> 00:14:18,519
but when I put that little splint on, the career

241
00:14:18,679 --> 00:14:19,200
is broken.

242
00:14:19,240 --> 00:14:19,480
Speaker 1: Wing.

243
00:14:20,600 --> 00:14:22,480
Speaker 7: Well I can tell you is that when I looked

244
00:14:22,480 --> 00:14:25,360
in the control room, the engineers were just as they were,

245
00:14:25,440 --> 00:14:30,559
tears streaming down their faces. It's silly, but I myself

246
00:14:30,679 --> 00:14:31,200
choked up.

247
00:14:32,320 --> 00:14:35,559
Speaker 3: Here's your tea. I better dump the tea bag for you.

248
00:14:35,559 --> 00:14:39,360
You're shattered, I.

249
00:14:39,600 --> 00:14:42,440
Speaker 7: Tell you, Agnes, the impact of that little dicky bird

250
00:14:42,559 --> 00:14:45,600
broken in body suddenly bursting us on.

251
00:14:46,679 --> 00:14:48,279
Speaker 1: Did you hear Uncle good Heart today?

252
00:14:48,600 --> 00:14:51,240
Speaker 3: No, I heard it yesterday without getting sick. I didn't

253
00:14:51,240 --> 00:14:52,120
want to press my luck.

254
00:14:54,240 --> 00:14:58,639
Speaker 7: Well, what can you expect from a just playing bill listener, Agnes,

255
00:14:58,759 --> 00:15:01,159
you have all the charm and standing of a bucket

256
00:15:01,240 --> 00:15:02,320
of chicken feet.

257
00:15:06,200 --> 00:15:07,759
Speaker 3: Thank you, dear Uncle Goodhart.

258
00:15:07,840 --> 00:15:09,360
Speaker 7: The first time in my life I feel that I'm

259
00:15:09,399 --> 00:15:10,759
close to humanity, close.

260
00:15:10,559 --> 00:15:12,320
Speaker 1: To the people. Oh, it's wonderful.

261
00:15:12,679 --> 00:15:14,720
Speaker 3: You've never been in a subway at six o'clock.

262
00:15:16,600 --> 00:15:17,840
Speaker 1: This, my dear, It is.

263
00:15:17,799 --> 00:15:20,840
Speaker 7: Only this insane loyalty my wife has for you that

264
00:15:20,960 --> 00:15:23,519
stands between you being in our home and back setting

265
00:15:23,600 --> 00:15:27,200
up pins and a bowling alley.

266
00:15:27,720 --> 00:15:31,480
Speaker 3: Hello Edwin, Hello Edwin, Hi, honey, ah.

267
00:15:31,440 --> 00:15:32,519
Speaker 6: Tea be down.

268
00:15:32,759 --> 00:15:34,759
Speaker 3: I was just about to pour some for your husband

269
00:15:34,879 --> 00:15:37,919
over his head, Oh, ed when.

270
00:15:37,960 --> 00:15:44,080
Speaker 7: Magnus refreshing personally, I'll take a cup of hot Lord's

271
00:15:44,120 --> 00:15:44,840
coming right up.

272
00:15:46,559 --> 00:15:50,080
Speaker 6: No, no, oh, Edwin, I'm proud of you. I heard

273
00:15:50,200 --> 00:15:51,559
Uncle good Heart today.

274
00:15:51,679 --> 00:15:53,320
Speaker 1: You did, Lili, Really.

275
00:15:53,960 --> 00:15:55,360
Speaker 6: It was simply magnificent.

276
00:15:55,440 --> 00:15:58,679
Speaker 1: The Canary eh, oh it it only.

277
00:15:58,440 --> 00:15:59,080
Speaker 6: Made me cry.

278
00:15:59,240 --> 00:16:00,799
Speaker 1: That's all that ending.

279
00:16:01,039 --> 00:16:03,480
Speaker 6: When it burst into song, It's.

280
00:16:03,399 --> 00:16:04,840
Speaker 1: Sound dramatic wall offer.

281
00:16:05,320 --> 00:16:07,799
Speaker 7: I'll tell you, Lily, these new writers on the program,

282
00:16:07,919 --> 00:16:10,480
how they do it, I don't know beyond you know, Lila,

283
00:16:10,600 --> 00:16:13,240
when you think it took Eugene O'Neil four years to

284
00:16:13,240 --> 00:16:16,240
write Stranger the Little if those boys come up day

285
00:16:16,279 --> 00:16:20,039
after day with this wonderful stuff starts out of thinking,

286
00:16:20,600 --> 00:16:21,720
a heap of thinking.

287
00:16:22,519 --> 00:16:24,440
Speaker 3: I'll just mosey into the kitchen. I got a heap

288
00:16:24,440 --> 00:16:25,159
of cook under the door.

289
00:16:25,240 --> 00:16:32,120
Speaker 7: He har Lily, remember ten years ago when Agnes had

290
00:16:32,120 --> 00:16:34,320
pneumonia and you nursed her through it.

291
00:16:34,919 --> 00:16:36,320
Speaker 1: I'll never forgive you for it.

292
00:16:39,320 --> 00:16:41,559
Speaker 5: Edwin, I was wrong about wanting you to take an

293
00:16:41,600 --> 00:16:42,879
interest in the theater again.

294
00:16:43,480 --> 00:16:47,600
Speaker 6: That life is over for you. You are the perfect uncle, goodheart.

295
00:16:48,200 --> 00:16:51,840
Speaker 5: Even Max said so Max Max Garland, Yes, I went

296
00:16:51,919 --> 00:16:52,480
to his office.

297
00:16:52,559 --> 00:16:53,840
Speaker 6: We heard the program together.

298
00:16:54,919 --> 00:16:56,879
Speaker 1: What did Max the morons think of it?

299
00:16:58,159 --> 00:17:01,440
Speaker 6: Loved it, loved it? Crazy about well.

300
00:17:01,480 --> 00:17:03,639
Speaker 7: One thing I always didn't say about Max was occasionally

301
00:17:03,639 --> 00:17:05,559
he had flashes of extremely good taste.

302
00:17:06,240 --> 00:17:08,160
Speaker 1: By the way, did Max get another Romeo?

303
00:17:08,640 --> 00:17:11,519
Speaker 5: No, but he's not worried plenty of top flight Shakespearean

304
00:17:11,559 --> 00:17:15,559
actors still around. Max seems kind of sold on Burgess Meredith.

305
00:17:15,720 --> 00:17:21,880
Speaker 1: Oh, a boy from Hollywood. You'll insist on a song

306
00:17:22,000 --> 00:17:24,240
at least two dance numbers.

307
00:17:24,880 --> 00:17:27,119
Speaker 6: Of course, there's always Maurice Evans.

308
00:17:27,680 --> 00:17:30,359
Speaker 1: No, and who else?

309
00:17:33,000 --> 00:17:36,000
Speaker 5: Well, naturally, your name, Edwin Monkue came up, But Max

310
00:17:36,039 --> 00:17:38,000
and I laughed, you did.

311
00:17:39,400 --> 00:17:41,400
Speaker 6: We mentioned Duane Denton.

312
00:17:41,799 --> 00:17:46,599
Speaker 1: Stock actor, Lili, what do you mean you laugh Edwin?

313
00:17:46,680 --> 00:17:49,119
Speaker 6: You is Romeo? It's ridiculous. You've never played it. You

314
00:17:49,160 --> 00:17:50,000
don't know the rule.

315
00:17:50,640 --> 00:17:54,480
Speaker 5: Oh yes, Max even talked of getting Austin Wells too.

316
00:17:54,279 --> 00:17:59,079
Speaker 7: Fat, Lily, I don't know Roumio.

317
00:17:59,480 --> 00:18:01,559
Speaker 1: I don't know Romeo.

318
00:18:02,440 --> 00:18:03,400
Speaker 6: It's silly to discuss.

319
00:18:03,599 --> 00:18:09,160
Speaker 1: I don't know Romeo. But soft what lights through yonder window.

320
00:18:08,880 --> 00:18:11,319
Speaker 6: Streaks, yonder window breaks.

321
00:18:11,319 --> 00:18:13,000
Speaker 1: Yonder window breaks.

322
00:18:13,759 --> 00:18:19,359
Speaker 7: It is the west East. It is the east, and

323
00:18:19,559 --> 00:18:26,359
junior to the star Sun. The sun arise hair Sun,

324
00:18:26,480 --> 00:18:30,759
and kill the jealous moon, the envious moon, the envious moon,

325
00:18:31,279 --> 00:18:33,440
who is already thick and weak with.

326
00:18:33,400 --> 00:18:36,039
Speaker 1: Grief, pale with grief, pale with grief.

327
00:18:36,640 --> 00:18:40,720
Speaker 7: Let you her maid. Let now her maid is palm off.

328
00:18:40,519 --> 00:18:45,880
Speaker 1: Pale than she are. It is my lady. Oh it

329
00:18:46,160 --> 00:18:56,720
is my loud h and I don't know Romeo. What's

330
00:18:56,720 --> 00:18:57,079
the matter.

331
00:18:57,759 --> 00:19:02,960
Speaker 5: I'm being foolish, Edwin, Edwin, it was so beautiful, the

332
00:19:03,200 --> 00:19:05,079
depth and tenderness.

333
00:19:05,559 --> 00:19:08,119
Speaker 1: He seems surprised. What did you expect, Bray.

334
00:19:09,640 --> 00:19:11,960
Speaker 5: Well, it's just that it's been so long since I

335
00:19:12,000 --> 00:19:14,799
heard anything like that. I guess I just forgot what

336
00:19:14,880 --> 00:19:16,759
a truly great actor you are.

337
00:19:17,000 --> 00:19:19,920
Speaker 3: Is the he's a great actor. You ain't doing so

338
00:19:20,039 --> 00:19:23,319
bad yourself, Edwin.

339
00:19:23,400 --> 00:19:26,400
Speaker 5: When you recited those lines, just I suddenly saw you

340
00:19:26,559 --> 00:19:29,960
bathed in an amber spotlight. I got that wonderful chill

341
00:19:30,000 --> 00:19:31,799
I used to get watching you from the wings doing

342
00:19:31,839 --> 00:19:34,440
Buddhists in Julius Caesar's.

343
00:19:34,079 --> 00:19:38,200
Speaker 1: Prim lend me your ear.

344
00:19:39,759 --> 00:19:44,359
Speaker 7: You are Hamlet, the soul, the soul, The soul's the thing.

345
00:19:45,000 --> 00:19:48,799
Speaker 5: Oh why torture myself with these foolish hopes that Edwin

346
00:19:48,880 --> 00:19:52,519
Montague will ever present to the theater the one Shakespearean.

347
00:19:51,880 --> 00:19:57,279
Speaker 6: Play he's never done. Romeo and Juliet, Edwin Montague and

348
00:19:57,440 --> 00:19:58,839
Roll and Juliet.

349
00:20:00,160 --> 00:20:04,599
Speaker 5: They maybe no, No, Edmund, you have your uncle, good heart.

350
00:20:05,400 --> 00:20:07,240
It's better as Max puts it.

351
00:20:07,920 --> 00:20:11,559
Speaker 1: And how does Max put it? Well?

352
00:20:11,640 --> 00:20:15,200
Speaker 5: He said, the magnificent Monkeue is like a great thoroughbred.

353
00:20:15,279 --> 00:20:16,880
Speaker 6: He's run his race.

354
00:20:18,359 --> 00:20:19,680
Speaker 1: I've run my race.

355
00:20:21,200 --> 00:20:24,440
Speaker 5: And now, with his glorious victories behind him, he's earned

356
00:20:24,480 --> 00:20:26,559
his right to be put out in the pasture of

357
00:20:26,680 --> 00:20:28,359
radio to Gray's.

358
00:20:29,640 --> 00:20:34,559
Speaker 1: Put out to Gray. And that's stupid, insignificant, wretched little man.

359
00:20:35,319 --> 00:20:39,680
Speaker 7: So he thinks I'm through it is I can't play Romeo, Edwin,

360
00:20:40,119 --> 00:20:40,880
give him a Romeo.

361
00:20:41,400 --> 00:20:42,240
Speaker 1: I'll give me Romeo.

362
00:20:42,400 --> 00:20:45,200
Speaker 7: There will send Evans, Olivia, Gilger and the rest of

363
00:20:45,240 --> 00:20:48,440
those frauds scurrying back to the little dramatic school.

364
00:20:49,839 --> 00:20:52,079
Speaker 6: You can't what about your uncle good heart.

365
00:20:51,920 --> 00:20:55,119
Speaker 7: Programs that illiterate, drooling Poppycock. I'll tooss it off in

366
00:20:55,160 --> 00:20:59,440
the afternoon, but at night, at night, Lily kit Connell

367
00:20:59,519 --> 00:21:01,319
and I will give it a Romeo and Juliet.

368
00:21:01,319 --> 00:21:04,839
Speaker 1: It'll make this theater ring with glory once again.

369
00:21:04,960 --> 00:21:06,839
Speaker 6: So ed and I can't wait for that curtain.

370
00:21:06,920 --> 00:21:10,680
Speaker 5: What a performance it'll be wanted, Agnes, Honey, there's only.

371
00:21:10,480 --> 00:21:13,359
Speaker 3: One performance I don't want to miss, the magnificent Montague

372
00:21:13,359 --> 00:21:17,680
trying to get into the Tisie War eight years ago.

373
00:21:28,200 --> 00:21:29,759
Speaker 6: Agnes, get the door that's met.

374
00:21:29,880 --> 00:21:35,559
Speaker 3: Okay, Honey, Max Agnes. So it's you and Montague again.

375
00:21:35,799 --> 00:21:39,000
You're joining our happy little family. That's right, Agnes, come in,

376
00:21:39,200 --> 00:21:41,680
Welcome the Devil's Island.

377
00:21:43,440 --> 00:21:45,000
Speaker 6: Hello, Max, is everything okay?

378
00:21:45,720 --> 00:21:48,279
Speaker 4: I guess so? I just came from Catherine Cornell's place.

379
00:21:48,319 --> 00:21:50,480
I sprung the news that her new Romeo is going

380
00:21:50,519 --> 00:21:51,720
to be Edwin Montague.

381
00:21:51,920 --> 00:21:52,640
Speaker 1: She was thrilled.

382
00:21:53,240 --> 00:21:55,160
Speaker 4: Yes, after the first shock war off.

383
00:21:56,200 --> 00:21:57,920
Speaker 6: Where is he? He's in his dead waiting to make

384
00:21:57,920 --> 00:21:58,799
an entrance.

385
00:21:58,759 --> 00:22:02,799
Speaker 3: Agnes, when you call him, okay, I'll not on stage,

386
00:22:02,839 --> 00:22:04,000
mister Montague.

387
00:22:04,960 --> 00:22:10,400
Speaker 1: As you have, Max coland O. Well, I can't believe

388
00:22:10,440 --> 00:22:13,720
my eyes. Max, my dear dear friend.

389
00:22:13,759 --> 00:22:17,519
Speaker 3: What a surprise, not that for only two hours rehearsal.

390
00:22:20,880 --> 00:22:26,160
Speaker 7: You remember, Agnes, Max, our little forty year old juvenile delinquent.

391
00:22:27,079 --> 00:22:28,640
Speaker 4: Two of you still out of her. This is like

392
00:22:28,680 --> 00:22:29,319
old times.

393
00:22:29,599 --> 00:22:31,599
Speaker 7: No, Max is not going to be like old times.

394
00:22:31,640 --> 00:22:33,519
All those arguments we had.

395
00:22:33,400 --> 00:22:36,480
Speaker 4: For what mac, for what he said when we live

396
00:22:36,559 --> 00:22:36,960
and learn?

397
00:22:37,079 --> 00:22:44,039
Speaker 7: Yes, we had fifteen wonderful, exciting years together. Yeah, alday,

398
00:22:44,920 --> 00:22:52,039
Why Jessica Dragonette, Yes, Max? Why should the memories of

399
00:22:52,079 --> 00:22:56,240
those years be marred by one one flop king Lear?

400
00:22:56,480 --> 00:22:56,799
Speaker 3: Sure?

401
00:22:56,920 --> 00:22:59,240
Speaker 4: After all those hits what's one flop this time?

402
00:22:59,279 --> 00:23:01,160
Speaker 1: Max? You're the ball, you make the decisions.

403
00:23:01,359 --> 00:23:02,039
Speaker 7: Thank you, Edwin.

404
00:23:02,160 --> 00:23:05,480
Speaker 1: Max fremn on. I'm just the lamb, you're the shepherd.

405
00:23:06,000 --> 00:23:09,680
Just lead me. Where do we open New Heaven? That

406
00:23:09,880 --> 00:23:11,680
is definitely out.

407
00:23:15,359 --> 00:23:18,079
Speaker 3: Here's a Bromo Max Edwin.

408
00:23:18,200 --> 00:23:20,240
Speaker 4: Max want no more college towns.

409
00:23:20,279 --> 00:23:21,079
Speaker 1: I'm an artist.

410
00:23:21,359 --> 00:23:23,519
Speaker 7: I refuse to be treated as merely an intormation between

411
00:23:23,519 --> 00:23:25,279
football games.

412
00:23:25,480 --> 00:23:27,519
Speaker 4: All right, All right, edwhen we'll open in Philly? Now

413
00:23:27,519 --> 00:23:29,559
about the billing. I spoke to Catherine.

414
00:23:29,160 --> 00:23:31,680
Speaker 1: Cornell and Billy I name him lights again.

415
00:23:32,680 --> 00:23:37,079
Speaker 7: How it was Edwin Montague in Hamlet with Lillibo, Edwin

416
00:23:37,160 --> 00:23:39,799
Montague and Judius Caesar with Lillibo.

417
00:23:40,559 --> 00:23:41,720
Speaker 1: Now it's all changed.

418
00:23:42,039 --> 00:23:44,480
Speaker 7: It's going to be Edwin Montague and Romeo and Juliet

419
00:23:44,519 --> 00:23:45,559
with Catherine Cornell.

420
00:23:47,960 --> 00:23:49,039
Speaker 6: Max, Max, what's the matter?

421
00:23:49,160 --> 00:23:50,880
Speaker 1: Let me pounds you on the back, old man.

422
00:23:50,799 --> 00:23:51,480
Speaker 6: Don't touch me.

423
00:23:51,599 --> 00:23:56,200
Speaker 4: But Max, Edwin Montague and Romeo and Juliet with Catherine Cornell?

424
00:23:56,559 --> 00:23:57,400
Speaker 6: Are you crazy?

425
00:23:57,759 --> 00:24:01,559
Speaker 4: Catherine Cornell getting second billing would be reasonab reason.

426
00:24:01,319 --> 00:24:03,359
Speaker 1: Line of star. In my entire career, my name is

427
00:24:03,359 --> 00:24:04,759
always stood out alone.

428
00:24:04,480 --> 00:24:06,359
Speaker 3: Mostly on unemployment insurance check.

429
00:24:08,880 --> 00:24:11,839
Speaker 1: And this when the script calls for animal noises.

430
00:24:11,880 --> 00:24:16,599
Speaker 4: We'll let you know, Montague, Catherine Cornell is going to

431
00:24:16,599 --> 00:24:19,119
give you equal billing. It's the most gracious gesture you

432
00:24:19,160 --> 00:24:20,279
could ask for, Edwin.

433
00:24:20,400 --> 00:24:21,519
Speaker 6: She's a great star.

434
00:24:22,079 --> 00:24:28,400
Speaker 1: What am I? Hoot? Gibson look, Edwin.

435
00:24:29,000 --> 00:24:30,680
Speaker 4: We'll settle all this at the first rehearsal.

436
00:24:30,680 --> 00:24:31,400
Speaker 1: First rehearsal.

437
00:24:31,519 --> 00:24:34,039
Speaker 3: Okay, when is this first rehearsal? Why you want to

438
00:24:34,079 --> 00:24:37,880
notify the governor so it can declare martial laws.

439
00:24:37,920 --> 00:24:41,359
Speaker 7: By some fantastic miracle, the American theater has managed to

440
00:24:41,400 --> 00:24:43,200
survive so far without your advice.

441
00:24:43,680 --> 00:24:44,519
Speaker 1: When the subject of.

442
00:24:44,440 --> 00:24:47,319
Speaker 7: Our conversation turns to the keyping of a chicken, we

443
00:24:47,359 --> 00:24:52,119
will solicit your opinion.

444
00:24:53,000 --> 00:24:55,920
Speaker 3: You're sweet, Edwin.

445
00:24:55,960 --> 00:24:57,000
Speaker 6: This is a big chance.

446
00:24:57,200 --> 00:25:00,960
Speaker 4: Romeo and Juliet and with Catherine Cornell. She told me

447
00:25:01,000 --> 00:25:01,920
how she admires you.

448
00:25:02,759 --> 00:25:03,119
Speaker 1: Yes.

449
00:25:03,359 --> 00:25:06,279
Speaker 4: In fact, she wondered why the handsome, dashing Montague had

450
00:25:06,319 --> 00:25:07,160
never done Romeo.

451
00:25:07,359 --> 00:25:07,759
Speaker 1: She did.

452
00:25:07,960 --> 00:25:08,200
Speaker 6: Yes.

453
00:25:08,240 --> 00:25:10,799
Speaker 4: In fact, her exact words were, he will be the

454
00:25:10,880 --> 00:25:13,319
perfect Romeo for me. All he has to do is

455
00:25:13,319 --> 00:25:15,920
to shave off that beard.

456
00:25:19,240 --> 00:25:23,119
Speaker 3: Excuse me, I have a kumquat in the oven.

457
00:25:26,200 --> 00:25:29,799
Speaker 7: So Catherine Cornell wants me to shave off my beard now.

458
00:25:30,079 --> 00:25:33,279
But those are the traditions of the American stage being

459
00:25:33,319 --> 00:25:36,640
so little. To Catherine Cornell, there will be one word

460
00:25:36,680 --> 00:25:39,440
she is willing to cut off, one of the few remaining.

461
00:25:39,119 --> 00:25:40,440
Speaker 1: Landmarks of the the other.

462
00:25:44,160 --> 00:25:47,960
Speaker 7: Edwin's silence to become justed on a blank face in

463
00:25:48,000 --> 00:25:50,079
this world of blank faces.

464
00:25:50,319 --> 00:25:52,759
Speaker 1: Nella nellah, Oh.

465
00:25:52,599 --> 00:25:55,640
Speaker 5: That ends, And I tried Lily, wait next, Edwin, No mean,

466
00:25:55,720 --> 00:25:57,680
don'tcle good Heart for the rest of your life.

467
00:25:58,599 --> 00:26:02,119
Speaker 7: Mending a canary is broken, Lily, for heaven's sake.

468
00:26:02,599 --> 00:26:04,359
Speaker 6: Next week it may be an air deal with a slipper,

469
00:26:04,400 --> 00:26:05,200
and it's poor.

470
00:26:06,599 --> 00:26:07,640
Speaker 1: Your feet, Edwin.

471
00:26:07,720 --> 00:26:09,599
Speaker 5: Is it going to be Uncle good Heart? Or this

472
00:26:09,720 --> 00:26:12,839
from Romeo and Juliet? Oh Romeo Romeo?

473
00:26:13,039 --> 00:26:16,319
Speaker 6: Wherefore art thou Romeo? Say it? Edwin?

474
00:26:16,440 --> 00:26:19,640
Speaker 1: Say it? Shall I hear him all? Or shall I

475
00:26:19,799 --> 00:26:21,039
speak at this?

476
00:26:21,039 --> 00:26:21,960
Speaker 6: This is what's thy name?

477
00:26:22,079 --> 00:26:22,920
Speaker 4: That is my enemy?

478
00:26:23,000 --> 00:26:26,759
Speaker 1: What's month of you? It is no hand nor f heat, no.

479
00:26:27,039 --> 00:26:33,400
Speaker 7: Arm, nor face, nor beard, nor beard.

480
00:26:34,160 --> 00:26:34,720
Speaker 1: No beard.

481
00:26:35,160 --> 00:26:36,480
Speaker 6: Well that's what it says in the play.

482
00:26:36,680 --> 00:26:39,039
Speaker 1: It don't Shakespeare said that, yes.

483
00:26:39,680 --> 00:26:40,240
Speaker 6: Well, Edwin?

484
00:26:40,880 --> 00:26:42,039
Speaker 1: Not beard?

485
00:26:42,599 --> 00:26:43,480
Speaker 6: Is it coming off?

486
00:26:43,640 --> 00:26:43,839
Speaker 1: Edwin?

487
00:26:45,240 --> 00:26:48,319
Speaker 7: Yes, that's the way Shakespeare wanted it. So shall it

488
00:26:48,359 --> 00:26:49,920
be Edwin.

489
00:26:50,200 --> 00:26:51,799
Speaker 4: I'll call Catherine tell her.

490
00:26:51,720 --> 00:26:54,960
Speaker 7: Please now, if you'd excuse me, I'd like to be

491
00:26:55,039 --> 00:26:59,359
left alone alone to spend these last few remaining hours

492
00:26:59,400 --> 00:26:59,839
with it.

493
00:27:03,720 --> 00:27:07,480
Speaker 6: Edwin, We understand, thank you, and let.

494
00:27:07,359 --> 00:27:11,519
Speaker 7: No man say he ever sacrificed more for his af.

495
00:27:24,000 --> 00:27:27,160
Speaker 2: Is the Magnificent Beard coming off of the Magnificent Montague.

496
00:27:27,440 --> 00:27:29,000
Speaker 1: Join us again next party at.

497
00:27:28,880 --> 00:27:30,839
Speaker 2: The same time and find out what happens to the

498
00:27:30,920 --> 00:27:35,039
Magnificent Montague. Starring Marty Woolley, directed by Nap Hiking and

499
00:27:35,039 --> 00:27:38,359
written by Nap Hiking and Billy Friedberg and Seymour was

500
00:27:38,359 --> 00:27:41,880
Lilli bowem kerk Calton was Agnes. Included in tonight's cast

501
00:27:41,880 --> 00:27:45,599
were Anita Anton, Bob Hastings, John Griggs, and Bob Sweeney,

502
00:27:45,920 --> 00:27:59,359
Jack Ward at the organ, your announcer Don Pardo three

503
00:27:59,440 --> 00:28:03,279
times in Good Times on NBC, There's Fun and laughs next,

504
00:28:03,359 --> 00:28:06,319
when Ed Gardner stars as Archie, the manager in Duffy's Tavern.

505
00:28:06,519 --> 00:28:08,440
Duffy won't be there as usual, but Archie and his

506
00:28:08,519 --> 00:28:11,240
remarkable friends are all on hand to provide customers with

507
00:28:11,279 --> 00:28:14,359
their own whimsical brand of humor. There's no cover charge

508
00:28:14,359 --> 00:28:16,720
at Duffy's Tavern. Just leave your dial right here on

509
00:28:16,920 --> 00:28:20,880
NBC and for top listening. This Sunday, NBC brings you

510
00:28:20,920 --> 00:28:22,960
another broadcast of the Big Show.

511
00:28:34,720 --> 00:28:37,519
Speaker 4: Now join the gang at Duffy's Tavern on NBC