WEBVTT

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<v Speaker 1>And now let's visit our old friend, doctor Watson.

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<v Speaker 2>Up here on the patio, mister Portman, some one out

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<v Speaker 2>and join me.

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<v Speaker 3>Firing the sunset ey doctor.

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<v Speaker 4>Yes, my boy, it's a particularly beautiful.

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<v Speaker 3>One where the puppies this evening asleep on a favorite

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<v Speaker 3>tweet coat of mine.

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<v Speaker 4>Let's just come back from the cleat.

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<v Speaker 3>And you hadn't the heart to move them?

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<v Speaker 4>I suppose no, I hadn't.

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<v Speaker 2>The little fellows looked so comfortable. In fact, I sometimes

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<v Speaker 2>wonder if you haven't come here to listen to a

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<v Speaker 2>dissertation on.

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<v Speaker 4>The behavior of dogs.

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<v Speaker 3>Well it is getting your story time, doctor, Yes.

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<v Speaker 2>Of course it is. Well, just let me get my

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<v Speaker 2>pipe propably lighted. Ah at you.

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<v Speaker 4>The story I'm going to tell you tonight began in

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<v Speaker 4>nineteen hundred and nine I received.

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<v Speaker 2>A telegram from my old friend telling me that he

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<v Speaker 2>was leaving his Sussex b farm and coming to London

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<v Speaker 2>for a few days. I haven't seen the great man

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<v Speaker 2>and for several months, so naturally I went to Victoria

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<v Speaker 2>Station to meet him.

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<v Speaker 4>As a train drew to a stop, the door.

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<v Speaker 2>Of a first cast carriage run open and Shelock Holmes

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<v Speaker 2>hand out stretch jumped down onto the platform.

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<v Speaker 3>Degree, what's my dear fellow?

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<v Speaker 4>How are you o? Ho, my dear for it's good

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<v Speaker 4>to see you again. I've missed you.

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<v Speaker 5>And are you watcha Erry Bates? Yes, Patron gets a

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<v Speaker 5>handsome cab with him.

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<v Speaker 4>I wish I'd got a spare room for you.

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<v Speaker 5>It's nice to be very comfortable at the Diogenes Club,

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<v Speaker 5>by the way, I touch your free this evening.

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<v Speaker 3>Here's naturally what are your plans, pob we go to

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<v Speaker 3>the Thera?

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<v Speaker 4>Oh? What play do you want to see? All right?

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<v Speaker 5>If we go to the Savoy Thera and see the

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<v Speaker 5>Shellock Holms play, I hear it's enormously success.

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<v Speaker 4>I know it is, but I've avoided it.

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<v Speaker 2>I'm told that to Claude Houghton takes strict liberties with

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<v Speaker 2>your character. And as for the actor portraying me, my

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<v Speaker 2>friends told me to travister he makes me nothing but

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<v Speaker 2>a bumbling old fool.

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<v Speaker 5>Therefore, a visit to the play might be a salutary

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<v Speaker 5>experience for both of us. Then, in case, my trip

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<v Speaker 5>to London is a response to her urgent telegram from

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<v Speaker 5>Support himself seems to eat my help Rothera badly.

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<v Speaker 3>Oh, it trouble well, he wasn't specific in his telegram.

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<v Speaker 5>He suggested, however, if you attend to Night's performance and

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<v Speaker 5>discuss the matter with him afterwards.

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<v Speaker 4>I see, well, I suppose if you can sit through it,

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<v Speaker 4>I can.

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<v Speaker 5>Of course, you can alfer on. In any case, you

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<v Speaker 5>yourself are part responsible for place existence. Are you mean

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<v Speaker 5>those sensational stories you wrote of my muddiest problems. I

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<v Speaker 5>should have seen where they would eventually lead you in time?

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<v Speaker 5>No doubt missile be portrayed on the cinematograph as well.

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<v Speaker 4>Nons that new fangled things on their toil.

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<v Speaker 5>I think that, Watson, we're on the edge of a strange,

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<v Speaker 5>new mechanical world. In fact, I begin to feel a

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<v Speaker 5>certain concern about the rumored developments and Willace Telegraphy not

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<v Speaker 5>enough of these predictions. Here it comes our order with

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<v Speaker 5>a cab. We'll tell the driver to take a strict

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<v Speaker 5>to the Savoy Kurra.

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<v Speaker 2>Just look at that line of people at the box

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<v Speaker 2>and the box office home, very papping old chap Well.

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<v Speaker 4>Possibly, but I hope it doesn't mean that we've got

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<v Speaker 4>a way to our turn.

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<v Speaker 5>Excuse me, gentlemen, you're mister Shellock Holmes and doctor Watson

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<v Speaker 5>on chair. Yes, yes, I thought I couldn't be mistaken.

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<v Speaker 5>My name is Frank Fellers. I do the quard is

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<v Speaker 5>a box reserved for you.

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<v Speaker 3>He asked me to see that you are quite comfortably

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<v Speaker 3>considered of him. Will you follow me?

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<v Speaker 4>Please?

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<v Speaker 3>Thank you. Neither of you have seen the play before.

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<v Speaker 3>I understand no, mister Fellows, we haven't.

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<v Speaker 6>There.

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<v Speaker 5>I imagined be a strange experiencing ourselves portrayed on the stage.

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<v Speaker 5>By the way, I'm playing the part of an old

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<v Speaker 5>friend of yours, Professor Moriarty.

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<v Speaker 3>Oh, indeed, I'm looking forward to a very entertaining evening.

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<v Speaker 3>I presume that you just caape hard clutches as you was.

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<v Speaker 5>Will Yes, I do, mister Holmes, and I've done it

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<v Speaker 5>nightly now for one hundred and thirty seven before hors

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<v Speaker 5>record that I'm sure Professor Morriyaski himself would end had

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<v Speaker 5>it not been for his memorable demise of the raton backfalls.

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<v Speaker 3>Ah.

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<v Speaker 5>Here we are, gentlemen. This is the Boxers there for you.

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<v Speaker 5>And now, if you'll excuse me, I'll go back to

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<v Speaker 5>my dressing role. Oh oh, I never forgot this.

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<v Speaker 3>The host, so the cord asked me to give you

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<v Speaker 3>this note.

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<v Speaker 4>Thank you.

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<v Speaker 5>I know, well, I'll see you later.

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<v Speaker 4>Hum, very nice fuller for an actor.

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<v Speaker 3>There'll be a smart Watson.

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<v Speaker 4>Well, what does the claud note? Sir?

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<v Speaker 3>I'll read it to you.

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<v Speaker 4>Yeare home?

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<v Speaker 3>Since I telegraphed you yesterday. That have been strange developments.

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<v Speaker 5>In fact, I've been doing some detective work off stage

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<v Speaker 5>as well as on. Watch the performance tonight, and watch

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<v Speaker 5>the audience too, particularly the occupant of the box opposite yours.

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<v Speaker 5>Please come to my dressing room as soon as the

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<v Speaker 5>last kitting has fallen.

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<v Speaker 4>And he's been very mysterious. And the box opposite ours

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<v Speaker 4>is empty.

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<v Speaker 3>No, no, no, look, what's you look? Someone has just entered,

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<v Speaker 3>confounded the house, lights going out the first texts beginning

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<v Speaker 3>Home the purse axt Yes, well said back and relaxed,

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<v Speaker 3>old fellow. Let's see what they're done to us?

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<v Speaker 4>Well, what did you think of the first act? Home?

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<v Speaker 3>Huh? All?

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<v Speaker 5>The first act is yes, I was examining the occupant

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<v Speaker 5>of the box office ours, an attractive young lady alone

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<v Speaker 5>and unusually preoccupied in her program. In fact, one might

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<v Speaker 5>assume that she was trying to hide our face.

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<v Speaker 2>Is that the play don't you think it's ridiculous? Just

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<v Speaker 2>imagine a crown jeweled in stone and love.

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<v Speaker 4>Why not?

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<v Speaker 3>It's been attempted many times.

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<v Speaker 2>Anyhow, you must admit that the actor who's portraying me

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<v Speaker 2>behaves like like a blithering idiot, and so Claud's interpretation.

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<v Speaker 4>Of you is pretty far fetched.

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<v Speaker 3>Barthetched the flapping Watson. What poise? What suavity? What a poise?

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<v Speaker 3>I find myself thoroughly entertained.

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<v Speaker 4>You are a strange chap Holmes accounting for taste?

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<v Speaker 3>Stop what to look the back of the box over there?

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<v Speaker 3>Good lord, I could have sworn a man dodged behind

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<v Speaker 3>the curtain. I don't think the girls saw him there

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<v Speaker 3>attract a partner. I think as the young ladies alone,

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<v Speaker 3>we will take a little bit of joining her.

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<v Speaker 4>Oh dash it. There go the lights again the second

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<v Speaker 4>act starting.

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<v Speaker 5>Man, and sit down below. We don't want to attract attention,

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<v Speaker 5>and we will join her during the.

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<v Speaker 3>Next Intermissionman, why are you?

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<v Speaker 4>What do you want with me?

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<v Speaker 3>My name is Shelock Combs and this is my colleague,

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<v Speaker 3>Dr Watson.

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<v Speaker 4>How do you do, young lady?

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<v Speaker 5>I hope you'll forgive this intrusion, but support the questioned

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<v Speaker 5>that I keep an eye on you during the play tonight.

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<v Speaker 3>He's coming in sit down, won't you thank you?

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<v Speaker 4>This is very kind of you.

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<v Speaker 6>Must forgive my abruptness just now, and I've just been

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<v Speaker 6>watching share that cones and to Watson being impersonated on

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<v Speaker 6>the stage. It's it's rather startling to have the real

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<v Speaker 6>couple walk into my box.

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<v Speaker 3>I quite understand.

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<v Speaker 5>By the way, just before the curtain went up on

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<v Speaker 5>the second Egg guy, I thought I noticed a man

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<v Speaker 5>coming to the neck of this box and then disappear again.

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<v Speaker 3>Were you aware of his presence? No?

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<v Speaker 6>No, I didn't see him, but I know who it

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<v Speaker 6>is and following me for weeks now.

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<v Speaker 4>You'd like to tell us about it, Miss.

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<v Speaker 6>Henshaw, Alicia Henshaw, Yes I would, as a matter of fact.

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<v Speaker 6>That's why I'm here tonight. Sir Claude Houghton's an old

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<v Speaker 6>friend of my father's. I went to ask his advice.

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<v Speaker 6>He did some investigating himself for a few days, and

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<v Speaker 6>then he found himself a little out of his depth,

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<v Speaker 6>though he decided to telegraph for you, mister Holmes. We

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<v Speaker 6>were going to meet in his dressing room after the

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<v Speaker 6>performance tonight.

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<v Speaker 3>Blender and Amas Henshaw, what is your story?

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<v Speaker 6>It's strange when, mister Holmes, though I didn't realize just

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<v Speaker 6>how strange until I first saw this play a few

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<v Speaker 6>nights ago. You see, my story concerns a stolen ruby.

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<v Speaker 4>Lord Tonight's fair of all around the same thing exactly.

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<v Speaker 6>I might as well tell you how it all started.

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<v Speaker 6>My brother's officer in the British Army stationed in Egypt

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<v Speaker 6>earlier this year. He saved the life of a very

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<v Speaker 6>important native personage and some uprising in Cairo, and was

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<v Speaker 6>rewarded with a magnificent ruby. This jewel he sent to

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<v Speaker 6>my uncle Timothy and me. Or where the last did

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<v Speaker 6>the Henschager?

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<v Speaker 4>You see?

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<v Speaker 3>Did you bother tell you the name of this personage?

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<v Speaker 3>He didn't know it, mister Holmes.

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<v Speaker 4>Apparently the whole affair.

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<v Speaker 3>Was hushed up, I see. Please continue.

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<v Speaker 6>The trouble began shortly after Uncle Timothy and I received

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<v Speaker 6>the ruby. A description of it was published in the.

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<v Speaker 3>Papers, and a few days later a message came.

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<v Speaker 6>To us from an Egyptian Muhammad Ali, laying claim to

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<v Speaker 6>the stone as one stolen from his family years ago.

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<v Speaker 6>He sent an expert to our house who examined the

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<v Speaker 6>ruby under a lens, mister Holmes, and then kept it

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<v Speaker 6>with a hammer. It fell to pieces.

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<v Speaker 4>Twas a fraud, gracious way, an amazing thing.

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<v Speaker 3>I'm sure that's not the end of the story, Miss Henshaw.

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<v Speaker 6>Oh no, mister Holmes. I wrote and told my brother

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<v Speaker 6>what had happened. He became very suspicious and suggested that

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<v Speaker 6>I investigate the credentials of the expert that examined the stone.

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<v Speaker 5>I think I can finish the story for you the

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<v Speaker 5>supposed expert, But it was a dueltief who substituted a

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<v Speaker 5>paste ruby for the real one, destroyed the imitation, and

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<v Speaker 5>walked off for the treasure.

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<v Speaker 3>And it's no trick. Of course. You haven't been able

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<v Speaker 3>to find any trace of the supposed expert.

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<v Speaker 6>Well, that's the funny part of mister Holmes. Uncle Timothy

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<v Speaker 6>and I gave a description to the police, but it

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<v Speaker 6>was a very vague.

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<v Speaker 4>One, I'm afraid.

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<v Speaker 6>All the time, Uncle said, the man reminded him of

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<v Speaker 6>a colleague of his many years ago at the university,

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<v Speaker 6>a professor of mathematics.

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<v Speaker 3>He couldn't think of his name, but when we first

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<v Speaker 3>saw the play a few nights ago, he was reminded

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<v Speaker 3>of it. The name was Marierti, Mariatti. But Mariarti is dead,

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<v Speaker 3>as Hanshaw, you saying you have been shadow it for

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<v Speaker 3>some weeks.

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<v Speaker 6>Yes, by an Egyptian. They've stolen the ruby, mister Holmes,

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<v Speaker 6>why don't they leave me alone?

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<v Speaker 5>That Miss Henshaw represents a very fascinating problem and one

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<v Speaker 5>that I shall be most happy to help you solve.

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<v Speaker 4>Thank you so much, mister very good lights again last.

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<v Speaker 5>Act, Yes, the last act of this little play, but

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<v Speaker 5>not I fear of miss Henshaw's problems. Let's meet after

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<v Speaker 5>the ad dressing room shawin well, Holmes, how did you

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<v Speaker 5>enjoy the player? Very maks the card? May I introduce

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<v Speaker 5>my old friend, doctor Watson.

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<v Speaker 4>How are you doing with the card?

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<v Speaker 3>Hi?

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<v Speaker 4>Doctor?

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<v Speaker 5>I see you've already made the acquaintance of miss Hamshaw,

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<v Speaker 5>and she no doubts has totally her trouble.

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<v Speaker 4>Then, and mister Holmes is promised to help me splendid.

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<v Speaker 3>Tell me Watson, how did you like the play?

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<v Speaker 4>The interesting is the claude not quite accurate?

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<v Speaker 3>Of course? Well you you have to allow us a

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<v Speaker 3>little dramatic license. You know, what did you think of Rodney,

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<v Speaker 3>the man who was portraying you?

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<v Speaker 2>Dot oh, since you mentioned it, I think the fellow

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<v Speaker 2>needs to study dictionary.

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<v Speaker 5>Mumble so much, sir, Come no, fellow, I think there

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<v Speaker 5>are times when you're so hard to understand yourself or rubbish.

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<v Speaker 4>It's the Claude.

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<v Speaker 3>I hope fuel meets.

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<v Speaker 5>The Diogenes Club and then we can go out and

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<v Speaker 5>have some supper. Excellent idea. I'll join you there after

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<v Speaker 5>I've taken off my mate blended.

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<v Speaker 4>I think I should be going home now to Claude.

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<v Speaker 6>I gave my address to mister Holmes, so he knows

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<v Speaker 6>where to get in touch with me.

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<v Speaker 5>Very well, Miss Hanshoran, don't wordy. I shall give you

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<v Speaker 5>a problem, my undivided attention. I'll take you to your cab,

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<v Speaker 5>My dear, there's no need to say nonsense, insists.

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<v Speaker 3>Miss Hatchaw And good.

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<v Speaker 4>Night, goodnight strange business homes. Will you make of it all?

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<v Speaker 3>Very little as yet, but it's a fascinating problem.

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<v Speaker 2>So claud really seems to her have identified himself with

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<v Speaker 2>the character of Sherlock Holmes.

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<v Speaker 4>He gave me the impression that he feels quite capable

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<v Speaker 4>of solving the case by himself.

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<v Speaker 5>Hello, Claude hasn't left. He's coming back. In a moment,

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<v Speaker 5>how'd you like to play, gentlemen?

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<v Speaker 4>Very much?

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<v Speaker 3>Your own performances, My Yati was most convincing.

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<v Speaker 2>Indeed, so congratulations, congratulations. A couple of times there I

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<v Speaker 2>had a strange feeling, which you you.

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<v Speaker 3>Really well, that's very flattering.

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<v Speaker 4>Doctor.

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<v Speaker 5>Oh, hello, what the sound as if there's some trouble

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<v Speaker 5>at the stage door? He excuse me?

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<v Speaker 3>Come on, what and let's follow him?

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<v Speaker 4>Right? Hello, it's a clawn. He seems upset about something.

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<v Speaker 3>Yes, what happens, Claud? Oh they were homes and I

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<v Speaker 3>just seen miss Hanshoe off in her cap when her.

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<v Speaker 4>Foreign looking fellow came out of the door. William got

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<v Speaker 4>into another cab.

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<v Speaker 3>I heard him tell the driver to follow her right.

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<v Speaker 3>I tried to stop him, but he got away.

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<v Speaker 4>Must be the same man that we saw in our

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<v Speaker 4>box during the player.

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<v Speaker 5>As a Claud, and we have our address. I think

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<v Speaker 5>we'll dry that once and see that she's arrived safely.

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<v Speaker 5>We'll join you later at the Diogenies Club.

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<v Speaker 4>Well, homes here we go off on another adventure.

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<v Speaker 5>Yes, and one they may give us an opportunity of

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<v Speaker 5>crossing sword with Mariati once more.

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<v Speaker 4>Oh, Mariac is dead. He was killed when you and

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<v Speaker 4>he fell over. The play is in ninety one.

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<v Speaker 3>He was supposed to have been killed just as I was,

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<v Speaker 3>but his body was never found.

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<v Speaker 5>It's impossible, or rather possible, that he returned to four

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<v Speaker 5>into the ears of Colonel Morana's story is unlikely and

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<v Speaker 5>as true that the one I related to you on.

293
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<v Speaker 3>That April evening in eighteen ninety four.

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<v Speaker 5>One can never be sure of death, old Chap until

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<v Speaker 5>one has touched the cold skin of a corpse.

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<v Speaker 1>Doctor Watson's story will continue in just a few seconds,

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<v Speaker 1>hardly time for me to tell you about a really

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<v Speaker 1>great petree wine, Petrie California muscatel. Did you ever walk

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<v Speaker 1>through a vineyard early in the morning and pick a big,

300
00:13:43.120 --> 00:13:47.679
<v Speaker 1>juicy muscat grape right off the vine. If you've ever

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00:13:47.759 --> 00:13:49.759
<v Speaker 1>done that, then you know what to expect when you

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<v Speaker 1>taste petree muscatel. Petrie muscatel is the color of golden sunshine,

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<v Speaker 1>with a flavor to match. Serve Petrie muscatel after dinner

304
00:13:58.519 --> 00:14:01.039
<v Speaker 1>some evening, or serve it any times friends drop in.

305
00:14:01.600 --> 00:14:04.840
<v Speaker 1>It's a wonderful way to express your hospitality with a

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00:14:04.919 --> 00:14:20.120
<v Speaker 1>wonderful wine, a petrie wine. And now back to tonight's

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<v Speaker 1>new Sherlock Holmes adventure, the famous pair have become involved

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00:14:23.600 --> 00:14:27.320
<v Speaker 1>in a strange mystery concerning a stolen ruby, a frightened girl,

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<v Speaker 1>and an Egyptian who appears to be shadowing her. As

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<v Speaker 1>we rejoin our story, Sherlock Holmes and doctor Watson are

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<v Speaker 1>standing in a darkened alleyway adjoining the girl's home homes.

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00:14:35.879 --> 00:14:38.879
<v Speaker 4>Look, look, look an Egyptian fellow. He's pacing up and

313
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<v Speaker 4>down in front of our house.

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<v Speaker 5>Yes, therefore we may assume she's safely inside. Uh huh,

315
00:14:43.559 --> 00:14:46.759
<v Speaker 5>seems to be giving up. He's coming this way, batting

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<v Speaker 5>yourself against the.

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<v Speaker 3>Wall, believing, sir, why are you please?

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<v Speaker 5>We are friends of missus Henshaw, and we're very curious

319
00:14:56.879 --> 00:14:58.159
<v Speaker 5>to know why you've been following her.

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<v Speaker 7>I'm sorry that I kind of answer your ques.

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<v Speaker 4>Now, look here, my man, you're talking to Sherlock Holmes.

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<v Speaker 7>You are mister Sherlock Holmes. I am greatly honored to

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00:15:07.200 --> 00:15:09.480
<v Speaker 7>meet you, sir. Or my life I have known of you,

324
00:15:10.000 --> 00:15:11.279
<v Speaker 7>or my life I have admired you.

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00:15:11.440 --> 00:15:14.200
<v Speaker 5>Then in that case, perhaps you'll answer my questions why

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00:15:14.240 --> 00:15:15.679
<v Speaker 5>have you been following miss Henshaw?

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00:15:16.000 --> 00:15:18.559
<v Speaker 3>Because it is my duty. What do you mean your duty.

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00:15:19.000 --> 00:15:22.159
<v Speaker 7>Perhaps I should have said my destiny, mister Holmes. For

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00:15:22.279 --> 00:15:25.440
<v Speaker 7>two generations now, the family of a rabbi of which

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00:15:25.480 --> 00:15:28.080
<v Speaker 7>I am a humbled member, I have dedicated their lives

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<v Speaker 7>to finding the stolen treasure of Ashut.

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00:15:30.399 --> 00:15:32.679
<v Speaker 4>Well, and I saw they're got to do with Miss Henshaw.

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00:15:33.480 --> 00:15:36.279
<v Speaker 7>The treasure of Ashut is a giant ruby. It was

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00:15:36.320 --> 00:15:38.519
<v Speaker 7>stolen many years ago from the family of Muhammad Ali.

335
00:15:39.240 --> 00:15:42.600
<v Speaker 7>A few months ago, missus Henshaw received a mysterious ruby.

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<v Speaker 7>I have found out many things, mister Holmes. I have

337
00:15:46.320 --> 00:15:48.080
<v Speaker 7>many sources of information.

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00:15:47.679 --> 00:15:48.960
<v Speaker 3>And I must regard you in the right of a

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00:15:49.440 --> 00:15:50.240
<v Speaker 3>rival detective.

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00:15:50.279 --> 00:15:53.559
<v Speaker 7>In this case, I heartily called myself a detective, mister Holmes.

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00:15:54.399 --> 00:15:57.759
<v Speaker 7>My life is dedicated to only one problem. Miss Henshaw

342
00:15:57.879 --> 00:15:59.720
<v Speaker 7>now says the jewel was stolen from her.

343
00:16:00.440 --> 00:16:02.840
<v Speaker 3>I do not believe it. That is why I watch her.

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00:16:03.519 --> 00:16:05.679
<v Speaker 7>If I am wrong this time, and I do not

345
00:16:05.799 --> 00:16:08.279
<v Speaker 7>think I am wrong, then my quest must go on

346
00:16:09.120 --> 00:16:10.080
<v Speaker 7>always it would go on.

347
00:16:10.320 --> 00:16:12.200
<v Speaker 3>Permit me to wish you the best of luck, sir.

348
00:16:12.360 --> 00:16:16.080
<v Speaker 3>Thank you, mister Holmes. Good night, gentlemen, we shall meet again.

349
00:16:17.519 --> 00:16:19.600
<v Speaker 4>Oh why did you let him go? Why not?

350
00:16:20.200 --> 00:16:23.159
<v Speaker 5>He's frightening Miss Hanshaw, but not molesting her old chaplain.

351
00:16:23.159 --> 00:16:24.840
<v Speaker 5>In fact, it might be a good thing if someone

352
00:16:24.919 --> 00:16:27.679
<v Speaker 5>is keeping an eye on her. And meanwhile, Watson, let's

353
00:16:27.679 --> 00:16:29.120
<v Speaker 5>say if we can find a cab and get back

354
00:16:29.120 --> 00:16:30.120
<v Speaker 5>to the Diogenous Club.

355
00:16:30.159 --> 00:16:31.559
<v Speaker 3>I don't want to keep squat waiting.

356
00:16:39.600 --> 00:16:41.080
<v Speaker 4>I thought I caught hawk and arrived.

357
00:16:41.159 --> 00:16:43.799
<v Speaker 7>Yet, yes, mister Holmes here and another gentleman came in

358
00:16:43.840 --> 00:16:44.799
<v Speaker 7>about five minutes ago.

359
00:16:45.000 --> 00:16:47.200
<v Speaker 3>They went up to the library. The other gentleman is

360
00:16:47.360 --> 00:16:47.720
<v Speaker 3>just lying.

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00:16:47.879 --> 00:16:56.879
<v Speaker 5>Say thank you this way, Watson. I'm sorry, sir, touch

362
00:16:56.919 --> 00:16:58.399
<v Speaker 5>we kept you waiting. We took a little longer.

363
00:16:58.399 --> 00:17:03.039
<v Speaker 4>But God, great Heavens, what's the matter with him? Pose?

364
00:17:04.000 --> 00:17:11.480
<v Speaker 3>I I found the answer too late. It's it's letter.

365
00:17:11.880 --> 00:17:13.880
<v Speaker 3>Don't trying to stand up your your ill. What are

366
00:17:13.880 --> 00:17:18.839
<v Speaker 3>you trying to tell me? The Ruby, the ruby, Mariotti,

367
00:17:20.319 --> 00:17:27.480
<v Speaker 3>the answer, the answers m hm, the book, mm hmm,

368
00:17:28.720 --> 00:17:31.680
<v Speaker 3>the books, the card halms.

369
00:17:34.079 --> 00:17:37.039
<v Speaker 4>He's been stabbed. He's dead.

370
00:17:37.799 --> 00:17:39.359
<v Speaker 3>Just as he was trying to give me a message, he.

371
00:17:39.400 --> 00:17:42.519
<v Speaker 4>Was muttering something about the ruby and Mariotti, and twice

372
00:17:42.559 --> 00:17:44.519
<v Speaker 4>he said it's in the book.

373
00:17:44.680 --> 00:17:46.079
<v Speaker 3>Yes, there's a book still in his hand.

374
00:17:47.720 --> 00:17:51.400
<v Speaker 4>It's a copy of the Tales of Edgar Allan Pearl.

375
00:17:51.480 --> 00:17:54.000
<v Speaker 5>He stuns marking a page. It's the story of the

376
00:17:54.039 --> 00:17:57.160
<v Speaker 5>Pearloined Letter. Thank ju, sup Claude, you delivered your message.

377
00:17:57.519 --> 00:17:58.799
<v Speaker 3>Come on, Watson, we.

378
00:17:58.880 --> 00:18:00.480
<v Speaker 5>Want to catch a murder and a if we must

379
00:18:00.480 --> 00:18:02.240
<v Speaker 5>go back to the Savoy Theater as quickly as we can.

380
00:18:13.839 --> 00:18:16.039
<v Speaker 4>Why do you suppose the Claude was murdered because.

381
00:18:15.880 --> 00:18:18.759
<v Speaker 5>It was too curious in investigating the problem of the

382
00:18:18.880 --> 00:18:22.039
<v Speaker 5>stolen ruby and had found out something something he promised

383
00:18:22.079 --> 00:18:24.279
<v Speaker 5>to tell me at supper, I remember, until he was

384
00:18:24.359 --> 00:18:25.599
<v Speaker 5>killed by a man who came with him to the

385
00:18:25.640 --> 00:18:29.720
<v Speaker 5>club tonight. Fortunately he gave me a clue by indicating

386
00:18:30.240 --> 00:18:32.160
<v Speaker 5>post story of the purloined letter.

387
00:18:32.240 --> 00:18:34.640
<v Speaker 4>And I still don't see that Howard helps you when

388
00:18:34.680 --> 00:18:35.640
<v Speaker 4>it leads us to the ruby.

389
00:18:36.119 --> 00:18:38.519
<v Speaker 5>The premise of post tory is that the most obvious

390
00:18:38.599 --> 00:18:42.480
<v Speaker 5>hiding place is the safest. Now what a physical object

391
00:18:42.640 --> 00:18:45.039
<v Speaker 5>was most prominent on the stage in tonight's.

392
00:18:44.680 --> 00:18:47.079
<v Speaker 4>Play by Jove A ruby?

393
00:18:47.200 --> 00:18:47.559
<v Speaker 3>Exactly?

394
00:18:48.279 --> 00:18:50.359
<v Speaker 5>How better can you hide a stolen ruby than by

395
00:18:50.440 --> 00:18:53.839
<v Speaker 5>exhibiting it night after night as a stolen ruby before

396
00:18:53.880 --> 00:18:54.839
<v Speaker 5>the eyes of thousands.

397
00:18:55.000 --> 00:18:56.839
<v Speaker 4>Well, you mean you expect to find it in the

398
00:18:57.440 --> 00:18:58.640
<v Speaker 4>property room backscade.

399
00:18:58.799 --> 00:19:04.920
<v Speaker 5>Exactly that and a murderer wait for us, caddy. Come on, Watson, y,

400
00:19:05.000 --> 00:19:06.680
<v Speaker 5>have you had an auto old chap, Yes, yes I do.

401
00:19:06.759 --> 00:19:09.880
<v Speaker 5>I'll keep it handy. A visit may not be unexpected.

402
00:19:11.359 --> 00:19:12.400
<v Speaker 3>And a lock. That's good.

403
00:19:12.680 --> 00:19:17.680
<v Speaker 4>Come on, look home. Look the door keeper. He's thumped

404
00:19:17.720 --> 00:19:18.279
<v Speaker 4>over his desk.

405
00:19:19.519 --> 00:19:22.799
<v Speaker 3>Hmmm, he's been giving chlodoform. Will take the liberty of

406
00:19:22.839 --> 00:19:23.720
<v Speaker 3>borrowing his lantern.

407
00:19:27.319 --> 00:19:32.160
<v Speaker 2>H' The eerie atmosphere about a dark and empty theater is.

408
00:19:33.920 --> 00:19:36.759
<v Speaker 5>Now where with the stage properties we kept? I wander

409
00:19:37.119 --> 00:19:38.920
<v Speaker 5>hold the lantern atal high with your fellow.

410
00:19:39.440 --> 00:19:44.400
<v Speaker 3>That's it. Uh. Look over there a large cabinet.

411
00:19:45.440 --> 00:19:48.319
<v Speaker 4>It's marked popular department.

412
00:19:48.680 --> 00:19:55.839
<v Speaker 5>And it's unlocked. Oh this is frighteningly easy. Let's look

413
00:19:55.880 --> 00:19:58.000
<v Speaker 5>out for a trap. Now let's see look.

414
00:19:58.039 --> 00:20:01.920
<v Speaker 4>Look that's a ruby lying on that fress.

415
00:20:02.799 --> 00:20:06.480
<v Speaker 5>Holt up on the lantern. Watson, exactly, it's as I thought.

416
00:20:07.200 --> 00:20:10.599
<v Speaker 5>This is no paste stage property. It's a genuine ruby.

417
00:20:11.359 --> 00:20:14.799
<v Speaker 5>The light of this lantern, it's very hard time Watson

418
00:20:14.880 --> 00:20:17.440
<v Speaker 5>quickly he nearly gunners smash the lantern. Yes, he's got

419
00:20:17.480 --> 00:20:20.319
<v Speaker 5>an air rifle, a powerful one to confound it. There's

420
00:20:20.359 --> 00:20:22.920
<v Speaker 5>no flash to indicate where he's firing from. Of course,

421
00:20:22.960 --> 00:20:25.799
<v Speaker 5>he's baited his trap so neatly that he knows exactly

422
00:20:25.880 --> 00:20:27.480
<v Speaker 5>where we are to take a shot at him.

423
00:20:27.519 --> 00:20:29.359
<v Speaker 4>I can't see anything, but at least that'll let him

424
00:20:29.359 --> 00:20:30.079
<v Speaker 4>know we're armed.

425
00:20:31.240 --> 00:20:32.359
<v Speaker 3>Now move your position quickly.

426
00:20:32.400 --> 00:20:35.640
<v Speaker 4>Watch them just miss me, Holmes, this is hopeless shooting

427
00:20:35.680 --> 00:20:36.079
<v Speaker 4>in the dark.

428
00:20:36.720 --> 00:20:40.599
<v Speaker 3>Yes, I've got to switch the stage lights on. Keep

429
00:20:40.680 --> 00:20:43.160
<v Speaker 3>him occupied. The fellow will well. I try to find

430
00:20:43.200 --> 00:20:43.920
<v Speaker 3>the light switches.

431
00:20:45.400 --> 00:20:48.799
<v Speaker 4>I've got him, but he can still shoot. Confound it.

432
00:20:49.519 --> 00:20:52.759
<v Speaker 5>Yes, when I found the light switch, keep your eye skin, Watson, I'm.

433
00:20:52.640 --> 00:20:53.200
<v Speaker 4>Turning it out.

434
00:20:54.960 --> 00:20:57.519
<v Speaker 5>There is Homes up in the darkning away Upton, Watson.

435
00:20:58.359 --> 00:20:59.920
<v Speaker 5>You can jump over the rights into the box.

436
00:21:05.200 --> 00:21:05.400
<v Speaker 3>Ah.

437
00:21:05.960 --> 00:21:08.319
<v Speaker 5>I played the burdose phone, Watson, and I should have

438
00:21:08.400 --> 00:21:11.279
<v Speaker 5>remembered the theater exit doors always opened from the inside.

439
00:21:11.440 --> 00:21:14.359
<v Speaker 2>No, he didn't get away. Homes forgot the father. It's

440
00:21:14.359 --> 00:21:15.279
<v Speaker 2>that Egyptian fellow.

441
00:21:15.400 --> 00:21:16.920
<v Speaker 3>I hope you haven't wounded him too badly.

442
00:21:16.960 --> 00:21:18.359
<v Speaker 4>I I don't care if I have. He was trying

443
00:21:18.359 --> 00:21:18.759
<v Speaker 4>to kill us.

444
00:21:20.200 --> 00:21:25.079
<v Speaker 2>It's when he should the wound. He's fainted, infernal scoundrel.

445
00:21:25.119 --> 00:21:27.400
<v Speaker 5>Now he's a very gallant man. Undoubtedly he was trying

446
00:21:27.400 --> 00:21:28.720
<v Speaker 5>to save us as you shot him.

447
00:21:28.799 --> 00:21:31.960
<v Speaker 4>Just now, what on earth are you talking about? Obviously

448
00:21:32.039 --> 00:21:32.720
<v Speaker 4>he's Mariati.

449
00:21:32.839 --> 00:21:35.400
<v Speaker 3>No wats Mariatti just escaped through the door you heard

450
00:21:35.480 --> 00:21:37.880
<v Speaker 3>clang a few moments ago. And what's this man doing

451
00:21:37.960 --> 00:21:39.319
<v Speaker 3>here as a fellow detective?

452
00:21:39.400 --> 00:21:42.319
<v Speaker 5>Undoubtedly he followed us, perhaps he preceded us when Mariatti

453
00:21:42.599 --> 00:21:44.680
<v Speaker 5>started shooting. This man tried to capture him and got

454
00:21:44.680 --> 00:21:45.960
<v Speaker 5>wounded by you forriss pains.

455
00:21:46.160 --> 00:21:48.640
<v Speaker 4>Then who is Mariati? He must be someone connected with

456
00:21:48.720 --> 00:21:49.319
<v Speaker 4>his Further.

457
00:21:49.200 --> 00:21:52.599
<v Speaker 3>It's obvious Mariatti is Mariatti.

458
00:21:52.839 --> 00:21:55.799
<v Speaker 4>But you mean Frank Pharow is a fellow that played

459
00:21:55.799 --> 00:21:56.599
<v Speaker 4>the part on the stage.

460
00:21:57.119 --> 00:21:59.720
<v Speaker 3>Again, remember Poe's story of a pearloined letter.

461
00:22:00.119 --> 00:22:01.960
<v Speaker 4>Why I didn't didn't you recognize him?

462
00:22:02.759 --> 00:22:04.839
<v Speaker 5>Remember I haven't seen him for twenty years, and you

463
00:22:04.920 --> 00:22:07.559
<v Speaker 5>haven't forgotten his genius for disguise, have you?

464
00:22:07.759 --> 00:22:09.200
<v Speaker 4>What incredible, Aljuster?

465
00:22:09.759 --> 00:22:13.240
<v Speaker 5>How better could Mariatti conceal himself than by announcing nightly

466
00:22:13.400 --> 00:22:17.319
<v Speaker 5>to the theater going public that he was Professor Mariatta and.

467
00:22:17.319 --> 00:22:18.160
<v Speaker 4>He kills the claude.

468
00:22:18.200 --> 00:22:20.480
<v Speaker 3>Because he did, the claude.

469
00:22:20.200 --> 00:22:22.319
<v Speaker 5>Must have persuaded Mariatti to go to the club with him.

470
00:22:23.279 --> 00:22:25.319
<v Speaker 5>Probably he hoped to expose him in front of me,

471
00:22:25.440 --> 00:22:28.480
<v Speaker 5>but Mariatte found out that the Claude knew too much.

472
00:22:29.079 --> 00:22:33.480
<v Speaker 3>Yes, so he stabbed in, rushed back here debate his

473
00:22:33.640 --> 00:22:34.240
<v Speaker 3>trap for us.

474
00:22:34.440 --> 00:22:37.519
<v Speaker 4>Yes, yes, yes, yes, But how did he know that

475
00:22:37.680 --> 00:22:39.559
<v Speaker 4>we'd we'd walk into it?

476
00:22:40.000 --> 00:22:42.160
<v Speaker 3>Oh? He knew that if the cloud had guessed his secret,

477
00:22:42.240 --> 00:22:44.279
<v Speaker 3>and I certainly would, And so he was waiting for us.

478
00:22:44.680 --> 00:22:51.160
<v Speaker 4>Ah, Hello, he's coming through. How are you feeling, ma'mam?

479
00:22:51.880 --> 00:22:57.839
<v Speaker 3>The rupee, the RuBee? Did you find the rupee? Yes,

480
00:22:58.359 --> 00:22:58.839
<v Speaker 3>here is sir?

481
00:22:59.160 --> 00:22:59.440
<v Speaker 4>Tell me?

482
00:23:00.359 --> 00:23:03.759
<v Speaker 3>Is it the ruby of Uhammad Ali? No?

483
00:23:04.920 --> 00:23:08.759
<v Speaker 8>No, it is a fine stone, but it is not

484
00:23:08.920 --> 00:23:11.000
<v Speaker 8>the one for which I have searched all my life,

485
00:23:12.279 --> 00:23:16.519
<v Speaker 8>and so my endless quest must go on.

486
00:23:21.519 --> 00:23:22.880
<v Speaker 4>He's fainted again.

487
00:23:23.359 --> 00:23:26.680
<v Speaker 3>Poor devil, find mess I made it this case once more.

488
00:23:26.680 --> 00:23:28.160
<v Speaker 4>I don't know you've recovered the rumor.

489
00:23:28.319 --> 00:23:30.400
<v Speaker 3>Yes, look at it, old fellow, before I turn it

490
00:23:30.480 --> 00:23:31.279
<v Speaker 3>over to Miss Henshaw.

491
00:23:31.359 --> 00:23:31.680
<v Speaker 5>Look at it.

492
00:23:31.799 --> 00:23:36.519
<v Speaker 3>Well, Probably it's every facet stands for a bloody deed.

493
00:23:37.400 --> 00:23:38.799
<v Speaker 4>It's a beautiful stone.

494
00:23:39.119 --> 00:23:42.160
<v Speaker 3>And yet this lovely baubles const s to Claudie's life.

495
00:23:42.440 --> 00:23:45.519
<v Speaker 4>And that devil Mariotti still goes through.

496
00:23:45.519 --> 00:23:49.799
<v Speaker 5>One day, Watson, and may the day come soon I

497
00:23:49.880 --> 00:23:53.200
<v Speaker 5>shall meet Mariotti again. And when that happens, and I

498
00:23:53.359 --> 00:23:57.000
<v Speaker 5>finally bring him to justice, then and only then can

499
00:23:57.079 --> 00:23:59.359
<v Speaker 5>you write Finney to the character of Shellack Combs
