1
00:00:01,120 --> 00:00:26,120
Speaker 1: And now mystery THI come in Welcome, I'm e. G. Marshall.

2
00:00:27,559 --> 00:00:30,879
True horror, more often than not, grows out of work

3
00:00:31,000 --> 00:00:37,560
day circumstances, grows slowly and at the start, almost imperceptively.

4
00:00:38,719 --> 00:00:41,840
Without the commonplace quality of the soil in which its

5
00:00:41,880 --> 00:00:46,200
seeds are planted, the horror itself might be less shocking.

6
00:00:47,159 --> 00:00:50,159
This is a tale of two people who live rather pleasant,

7
00:00:50,320 --> 00:00:55,679
if ordinary lives, in the comfortable expectation of continuing indefinitely

8
00:00:55,759 --> 00:01:00,399
in this manner. As we shall learn, their expectations are

9
00:01:00,479 --> 00:01:01,640
not to be realized.

10
00:01:02,119 --> 00:01:03,280
Speaker 2: Was it a tough day, Frank?

11
00:01:03,679 --> 00:01:04,079
Speaker 1: Not too.

12
00:01:04,680 --> 00:01:07,239
Speaker 2: It didn't bother you too much about your step mother?

13
00:01:08,000 --> 00:01:11,680
Speaker 1: No, not really, except that people kept talking about it.

14
00:01:12,280 --> 00:01:13,719
I guess they all thought I should have gone to

15
00:01:13,760 --> 00:01:14,280
the funeral.

16
00:01:14,719 --> 00:01:16,079
Speaker 2: Don't let them upset you.

17
00:01:16,079 --> 00:01:19,359
Speaker 1: Oh why didn't? Laura would have been sheer hypocrisy too.

18
00:01:19,400 --> 00:01:21,359
Have gone to her funeral feeling the way I always

19
00:01:21,359 --> 00:01:24,799
have about her. I guess nobody but Bill Riley can

20
00:01:24,920 --> 00:01:27,840
understand that. He stopped into the armice thought I might

21
00:01:27,879 --> 00:01:28,879
be feeling some strain.

22
00:01:29,359 --> 00:01:30,840
Speaker 2: He's a good friend, isn't he?

23
00:01:31,040 --> 00:01:35,239
Speaker 1: Ah, Well, you know it, he said a funny thing,

24
00:01:36,319 --> 00:01:38,519
said I'd be lucky if she didn't come back to

25
00:01:38,640 --> 00:01:44,079
haunt me. Oh that Bill, Oh, I don't know, and

26
00:01:44,159 --> 00:01:56,599
sort of gave me the creeps. Our mystery drama, The Intermediary,

27
00:01:57,319 --> 00:02:00,359
was written especially for the Mystery Theater by feel Jilden

28
00:02:00,519 --> 00:02:17,000
Farrington and stars Francis Sternhagen. The soil in which the

29
00:02:17,039 --> 00:02:20,479
seed of horror is being planted at this moment is

30
00:02:20,520 --> 00:02:24,719
a comfortable apartment in New York's East Side occupied by

31
00:02:24,759 --> 00:02:29,599
Frank and Laura Ellingwood. The seed itself is the death

32
00:02:29,680 --> 00:02:33,439
of Frank's stepmother, from whom he has been estranged for

33
00:02:33,479 --> 00:02:38,159
many years. Greece is not what Frank feels, and he

34
00:02:38,280 --> 00:02:43,080
is not so hypocritical as to pretend he does. Oh

35
00:02:43,199 --> 00:02:46,960
that's the old Jonas Clark. Who's Jonas Clark out of

36
00:02:47,479 --> 00:02:50,599
my stepmother's lawyer. He called me the officers afternoon and

37
00:02:50,639 --> 00:02:52,639
asked if he could stop around to see neither talk

38
00:02:52,719 --> 00:02:54,319
about the Will you.

39
00:02:54,400 --> 00:02:55,680
Speaker 2: Think she's left you? Something?

40
00:02:56,199 --> 00:02:56,719
Speaker 1: Not likely?

41
00:02:56,919 --> 00:02:57,759
Speaker 2: Shall I let him in?

42
00:02:58,000 --> 00:03:03,719
Speaker 1: I'll do it. I love It's Clark, come on in.

43
00:03:03,879 --> 00:03:08,319
Thank you. Uh, this is my wife, Laura.

44
00:03:08,520 --> 00:03:10,199
Speaker 3: Uh, great pleasure of missus Ellingwood.

45
00:03:10,360 --> 00:03:11,240
Speaker 2: Won't you sit down?

46
00:03:11,599 --> 00:03:13,599
Speaker 1: Thank you? Yeah?

47
00:03:13,719 --> 00:03:16,599
Speaker 3: I must admit, mister Earlingwood, I was somewhat surprised not

48
00:03:16,680 --> 00:03:19,439
to see you at your mother's funeral this afternoon. My

49
00:03:20,000 --> 00:03:23,479
stepmother mm I considered it more proper to stay away

50
00:03:23,520 --> 00:03:25,439
than they would tend, and I find that very odd.

51
00:03:26,479 --> 00:03:29,280
I wanted to talk to you about your stepmother's will.

52
00:03:30,000 --> 00:03:33,080
Speaker 1: And I find that very odd. She surely didn't leave

53
00:03:33,080 --> 00:03:33,599
me anything.

54
00:03:33,840 --> 00:03:36,360
Speaker 3: On the contrary, you are missus Ellingwood's sole air.

55
00:03:36,400 --> 00:03:37,319
Speaker 4: You inherit everything.

56
00:03:39,159 --> 00:03:41,560
Speaker 1: I inherit everything.

57
00:03:41,680 --> 00:03:43,680
Speaker 5: Mm.

58
00:03:43,719 --> 00:03:48,599
Speaker 1: Well with uh what strings attached? Mister Clark. You're not

59
00:03:48,639 --> 00:03:50,280
gonna tell me there are no strings now?

60
00:03:50,360 --> 00:03:52,439
Speaker 2: Maybe not? Frank, shouldn't you wait.

61
00:03:52,400 --> 00:03:53,400
Speaker 1: Until you hear it? Least?

62
00:03:53,400 --> 00:03:57,400
Speaker 3: Miss Elingwood, your relationship with your late stepmother is none

63
00:03:57,400 --> 00:04:01,080
of my affair. I don't know what you're talking about.

64
00:04:01,280 --> 00:04:02,599
Speaker 1: L Let me explain it, don't.

65
00:04:02,599 --> 00:04:03,319
Speaker 4: It isn't necessary.

66
00:04:03,400 --> 00:04:06,840
Speaker 1: I'm not here to tell anyway. I'm sure your fee

67
00:04:06,919 --> 00:04:07,400
covers it.

68
00:04:07,479 --> 00:04:07,639
Speaker 2: Mm.

69
00:04:08,840 --> 00:04:10,639
Speaker 1: My real mother died when I was only four or

70
00:04:10,639 --> 00:04:13,599
five years old. I could just beare to remember her well.

71
00:04:13,639 --> 00:04:16,360
Speaker 3: I sympathize with you, of course, but I don't see

72
00:04:16,360 --> 00:04:21,720
how father remarried Let's spin a year later. Primarily I

73
00:04:21,759 --> 00:04:25,839
think to give me a mother. Yes, she gave me.

74
00:04:25,800 --> 00:04:27,920
Speaker 2: One, all right, Frank, I don't think you ought to

75
00:04:27,959 --> 00:04:30,319
go all through that again. You'll only upset yourself.

76
00:04:30,360 --> 00:04:32,399
Speaker 1: And after a couple of years my father was killed

77
00:04:32,439 --> 00:04:35,319
in an auto accident she was driving.

78
00:04:35,519 --> 00:04:38,399
Speaker 3: Mister Ellingwood, If you're trying to blame your late step

79
00:04:38,439 --> 00:04:40,560
mother for your father's delivering.

80
00:04:41,079 --> 00:04:44,199
Speaker 1: I wonder what made you think of it. Oh, she

81
00:04:44,399 --> 00:04:47,279
raised me. You know all about that, mister Clark. You

82
00:04:47,319 --> 00:04:50,040
were her lawyer after my father's death. She looked after

83
00:04:50,120 --> 00:04:50,920
you very well.

84
00:04:50,959 --> 00:04:53,399
Speaker 3: As I remember, she was devoted to you.

85
00:04:53,839 --> 00:04:57,240
Speaker 1: She owned me. Do you have any idea what it's

86
00:04:57,279 --> 00:04:58,639
like to be owned, mister Clark?

87
00:04:58,759 --> 00:05:02,199
Speaker 2: Frank, let's just let mister Clark tell us about the will.

88
00:05:02,319 --> 00:05:05,879
Speaker 1: It's a terrible thing being owned. I was one of

89
00:05:05,920 --> 00:05:08,560
the possessions that she had inherited from my father.

90
00:05:08,399 --> 00:05:12,319
Speaker 5: Mister Earlingwood, even if what you say is true, it's true.

91
00:05:12,639 --> 00:05:15,279
Speaker 3: Well, even so, your stepmother has passed on now and

92
00:05:15,319 --> 00:05:17,040
you have inherited her entire.

93
00:05:16,920 --> 00:05:21,959
Speaker 1: Fortune, which she inherited from my father. Okay, I want

94
00:05:21,959 --> 00:05:24,480
to hear about the strings she's attached. It's straightforward.

95
00:05:24,480 --> 00:05:27,800
Speaker 3: In your stepmother's holdings have been placed in trust for you.

96
00:05:29,240 --> 00:05:32,120
I trust you will not have access to the principle,

97
00:05:32,199 --> 00:05:33,959
only the income which approves from it.

98
00:05:34,920 --> 00:05:37,720
Speaker 1: And what kind of strings were attached to the income.

99
00:05:38,480 --> 00:05:43,639
Speaker 3: Well, there are certain conditions. Yes, you must live in

100
00:05:43,800 --> 00:05:47,160
and maintain in good condition, the house and ground situated

101
00:05:47,199 --> 00:05:49,319
on Woodbury Road in Glennington, Long Island.

102
00:05:50,519 --> 00:05:54,480
Speaker 2: Oh lord, Oh, now that's not so bad, is it right?

103
00:05:55,079 --> 00:05:58,160
I mean I've only seen it just driving past, of course,

104
00:05:58,199 --> 00:06:00,199
but it's a beautiful.

105
00:06:00,480 --> 00:06:04,360
Speaker 1: I hate that house. I'd rather go to prison. I'd

106
00:06:04,360 --> 00:06:08,680
be happier. Bill Riley was right, one way or another.

107
00:06:08,839 --> 00:06:09,920
She'll never give up.

108
00:06:10,079 --> 00:06:11,879
Speaker 3: The condition doesn't seem burdens into me.

109
00:06:12,040 --> 00:06:13,240
Speaker 1: You don't have to live there.

110
00:06:13,319 --> 00:06:14,240
Speaker 2: Is there anything else?

111
00:06:14,279 --> 00:06:14,439
Speaker 5: Well?

112
00:06:14,519 --> 00:06:16,959
Speaker 3: Yes, yes, as a matter of fact. The other condition

113
00:06:17,160 --> 00:06:23,800
is that mister Ellingwood's present marriage continue unbroken. What there

114
00:06:23,839 --> 00:06:26,639
is to be no interruption of your present marital status.

115
00:06:26,959 --> 00:06:31,000
Speaker 2: Now that's a little peculiar. I never met Frank's stepmother.

116
00:06:31,079 --> 00:06:33,639
She never even saw me, not to my knowledge.

117
00:06:34,000 --> 00:06:38,519
Speaker 3: Well, she must have known something about you, I assure

118
00:06:38,560 --> 00:06:41,839
you she never would have made such a condition frivolously.

119
00:06:53,000 --> 00:06:57,160
Speaker 1: I've got it, Margine, and I wouldn't I frankly here

120
00:06:57,600 --> 00:07:01,120
and to send your a multi millionaire on divide at

121
00:07:01,160 --> 00:07:04,639
least by multi you heard about the world. Yeah, and

122
00:07:04,759 --> 00:07:07,519
do we need to talk? I was gonna call you. Uh,

123
00:07:07,560 --> 00:07:09,319
can you make lunch? I've got a meeting a little

124
00:07:09,399 --> 00:07:12,480
later on, but I can imagine early lunch an hour

125
00:07:12,680 --> 00:07:21,279
go ahead? Hello, jeez, finally stay there. Well, what I

126
00:07:21,399 --> 00:07:23,759
can't accept is a condition that I must live in

127
00:07:23,800 --> 00:07:26,360
that miserable old house out in Blenningdon I mean she

128
00:07:26,480 --> 00:07:27,120
had no right?

129
00:07:27,360 --> 00:07:27,519
Speaker 3: Yeah?

130
00:07:27,519 --> 00:07:30,879
Speaker 4: Actually she had. I don't say it's fair, the only

131
00:07:30,920 --> 00:07:31,759
saying that she had.

132
00:07:31,600 --> 00:07:34,240
Speaker 1: The legal right more than the devil with it. I'm

133
00:07:34,240 --> 00:07:36,240
alright without a lousy money and I won't let in

134
00:07:36,319 --> 00:07:37,279
a creepy old house.

135
00:07:37,639 --> 00:07:40,560
Speaker 3: Yeah, that's uh lot of money to throw away.

136
00:07:40,600 --> 00:07:43,920
Speaker 1: And I said, how does Laura feel about it? Well,

137
00:07:44,000 --> 00:07:46,920
she didn't go up in that terrible place. She wanted

138
00:07:46,920 --> 00:07:48,439
me to take the day off and go out there

139
00:07:48,439 --> 00:07:52,240
with her. Today, she thinks I'm overreacting type what she's right?

140
00:07:53,319 --> 00:07:56,560
Speaker 3: Uh? Did what I said yesterday have anything to do

141
00:07:56,639 --> 00:07:58,199
with your attitude.

142
00:07:58,279 --> 00:08:00,319
Speaker 1: About my stepmother coming back to want me?

143
00:08:00,439 --> 00:08:01,160
Speaker 4: Mm?

144
00:08:01,199 --> 00:08:04,800
Speaker 1: Wow? No, I'm just thinking about living in that house again.

145
00:08:05,000 --> 00:08:06,560
I don't think I can do it.

146
00:08:07,199 --> 00:08:11,000
Speaker 3: I remember when you lived there with your stepmother. I

147
00:08:11,000 --> 00:08:11,319
I know.

148
00:08:11,279 --> 00:08:13,120
Speaker 1: What you're talking about, any of the only one that

149
00:08:13,160 --> 00:08:18,240
does listen. You're my lawyer. Can we break that will?

150
00:08:19,000 --> 00:08:22,240
I mean, can we knock off those conditions? The money

151
00:08:22,319 --> 00:08:26,040
was my father's and well, to me, it doesn't seem right.

152
00:08:26,519 --> 00:08:28,920
Speaker 3: Right and wrong don't always turn out to be the

153
00:08:28,959 --> 00:08:32,960
deciding factors. Unfortunately, I'd have to see a copy of

154
00:08:32,960 --> 00:08:34,240
the will before I could say anything.

155
00:08:34,240 --> 00:08:38,159
Speaker 4: Definitely, or I'll get one for him. Maybe you should

156
00:08:38,200 --> 00:08:39,320
go out and have a look.

157
00:08:39,120 --> 00:08:39,600
Speaker 1: At the place.

158
00:08:39,639 --> 00:08:41,960
Speaker 3: Strength It might not look so.

159
00:08:42,000 --> 00:08:45,120
Speaker 1: Bad with her going to tell you that, so she

160
00:08:45,240 --> 00:08:48,759
doesn't seem all that gone to me. Maybe there was

161
00:08:48,799 --> 00:08:52,840
something in what you said. Though, maybe one way or

162
00:08:52,879 --> 00:08:56,240
another she has come back to haunt me.

163
00:09:07,600 --> 00:09:08,679
Speaker 2: Right, is that you?

164
00:09:09,120 --> 00:09:13,600
Speaker 1: Yes, I'm out in the kitchen. Okay. I tried to

165
00:09:13,639 --> 00:09:15,480
call you a couple of times. It's happened on Laura,

166
00:09:15,519 --> 00:09:17,320
but uh, you didn't answer.

167
00:09:17,960 --> 00:09:20,919
Speaker 2: Oh, it was such a beautiful day. I just couldn't

168
00:09:20,919 --> 00:09:24,519
bear to spend it shut up in a stuffy little apartment. Hello,

169
00:09:24,759 --> 00:09:25,840
you look tired.

170
00:09:25,919 --> 00:09:27,440
Speaker 1: Mm a little depressed.

171
00:09:27,480 --> 00:09:30,679
Speaker 2: I guess the martinis are all mixed in the refrigerator.

172
00:09:30,960 --> 00:09:32,240
You wanna get them while I put the.

173
00:09:32,159 --> 00:09:37,159
Speaker 1: Steak on Martini's and steak. Hum, what's the cocaine?

174
00:09:38,120 --> 00:09:40,799
Speaker 2: Oh? I just feel like it, that's all. I had

175
00:09:40,840 --> 00:09:42,639
a good day and I feel like celebrating.

176
00:09:43,159 --> 00:09:49,159
Speaker 1: Okay, Finn, what uh? Major days so good? What'd you do?

177
00:09:51,159 --> 00:09:54,480
Speaker 2: I I went out to the house.

178
00:09:54,600 --> 00:09:57,720
Speaker 1: Rank. Oh, out to Glennington.

179
00:09:58,440 --> 00:10:03,000
Speaker 2: It's so beautiful. I had to see it. Oh, Frank,

180
00:10:03,039 --> 00:10:06,159
it's like it's like a dream come true. The well,

181
00:10:06,399 --> 00:10:08,919
just take the silver. Did you know there's a fortune

182
00:10:08,919 --> 00:10:12,320
in silver alone out there, full service for at least

183
00:10:12,399 --> 00:10:15,320
fifty Why didn't count oh sterling too?

184
00:10:15,759 --> 00:10:16,919
Speaker 1: Why did you go out there, Laura?

185
00:10:18,360 --> 00:10:20,799
Speaker 2: Well, I asked you to take me, and you wouldn't.

186
00:10:21,600 --> 00:10:27,080
I just felt, well, I know it sounds crazy. I

187
00:10:27,279 --> 00:10:31,399
felt drawn or something. I have such a feeling about

188
00:10:31,440 --> 00:10:31,960
that house.

189
00:10:32,000 --> 00:10:33,399
Speaker 1: Frank, mm, so do I.

190
00:10:33,840 --> 00:10:36,159
Speaker 2: No, there's a nursery at the back of the hall on.

191
00:10:36,120 --> 00:10:37,000
Speaker 1: The second floor.

192
00:10:37,320 --> 00:10:40,480
Speaker 2: Did you know? Oh huh, yes, of course you'd know

193
00:10:40,519 --> 00:10:41,799
about the nursery. Yes.

194
00:10:42,159 --> 00:10:44,159
Speaker 1: I used to be set up there without my supper.

195
00:10:44,799 --> 00:10:47,080
I was ten years old before she'd let me move

196
00:10:47,120 --> 00:10:48,879
out of there into a real bedroom.

197
00:10:48,919 --> 00:10:52,600
Speaker 2: We'll need a nursery someday, Frank, I mean sooner or

198
00:10:52,679 --> 00:10:53,399
later we're going to.

199
00:10:53,480 --> 00:10:56,279
Speaker 1: When we need a nursery, we'll get one. I wouldn't

200
00:10:56,279 --> 00:10:58,399
make a dog sleep in that room, never mind a

201
00:10:58,480 --> 00:10:59,240
child of my own.

202
00:10:59,799 --> 00:11:05,039
Speaker 2: No, well, that's silly. How can you be so so unreasonable?

203
00:11:05,720 --> 00:11:08,759
There's a perfectly lovely old house just sitting out there,

204
00:11:08,799 --> 00:11:11,639
and you, well, I'm not even gonna talk about the

205
00:11:11,679 --> 00:11:13,919
money we'll be losing if you refuse to live there.

206
00:11:14,360 --> 00:11:18,639
Just the house, the house alone. I mean, really, Frank,

207
00:11:18,720 --> 00:11:21,919
it's sick to turn it down, just plain sick.

208
00:11:22,039 --> 00:11:25,679
Speaker 1: Well, then I'm sick, and that's an incurable sickness slurry.

209
00:11:25,679 --> 00:11:28,399
You might as well face it. I cannot live in

210
00:11:28,399 --> 00:11:31,960
that awful house. Call it sick, call it unreasonable, call

211
00:11:32,000 --> 00:11:34,240
it anything your life, but recognize it as a fact.

212
00:11:34,919 --> 00:11:36,799
I cannot live in that house.

213
00:11:38,159 --> 00:11:39,759
Speaker 2: When you check the stake, Frank.

214
00:11:40,759 --> 00:11:42,000
Speaker 1: I've lost my appetide.

215
00:11:42,840 --> 00:11:48,960
Speaker 2: Oh nonsense. There are five acres, five whole acres for

216
00:11:49,080 --> 00:11:52,440
kids to play in, trees to climb, and we could

217
00:11:52,440 --> 00:11:54,840
get a dog, and do you know there's even a

218
00:11:54,919 --> 00:11:57,240
kind of toy barn out there where we could keep

219
00:11:57,279 --> 00:11:57,840
a pony.

220
00:11:58,440 --> 00:12:00,840
Speaker 1: And uh, you'd better forget it.

221
00:12:00,960 --> 00:12:03,720
Speaker 2: Laura, what am I supposed to tell the children when

222
00:12:03,759 --> 00:12:06,559
we have them? We're poor people because daddy was afraid

223
00:12:06,600 --> 00:12:09,360
to live in the nice houses stepmother wanted to give him.

224
00:12:09,639 --> 00:12:12,279
We can't afford this, and we can't afford that because.

225
00:12:12,039 --> 00:12:14,960
Speaker 1: Your daddy were not poor people. I'm a good engineer

226
00:12:15,000 --> 00:12:16,639
and I've got a good job. We're not going to

227
00:12:16,639 --> 00:12:19,919
be poor people, That's true.

228
00:12:20,120 --> 00:12:22,320
Speaker 2: We're never going to be poor because we're going to

229
00:12:22,360 --> 00:12:25,559
move into that lovely house in Glennington, and we're going

230
00:12:25,639 --> 00:12:28,080
to have so much money from that trust fund that

231
00:12:28,120 --> 00:12:30,919
it won't matter whether you're an engineer.

232
00:12:30,840 --> 00:12:32,639
Speaker 4: Or or what you are.

233
00:12:34,519 --> 00:12:35,320
Speaker 1: I'll be damned.

234
00:12:36,080 --> 00:12:37,360
Speaker 2: Why will you be damned?

235
00:12:38,919 --> 00:12:42,919
Speaker 1: If you want to know something really weird? You sound

236
00:12:43,000 --> 00:12:44,559
exactly like my stepmother.

237
00:12:44,879 --> 00:12:49,679
Speaker 2: Oh.

238
00:12:50,399 --> 00:12:54,519
Speaker 1: Houses have long had the reputation of retaining the hardcore

239
00:12:54,679 --> 00:13:00,399
of past tenants personalities. Some essence that soaked into the walls,

240
00:13:01,120 --> 00:13:05,600
lingers in dark corners, hides in little used cupboards, seeks

241
00:13:05,600 --> 00:13:08,559
out secret places where it can hide in wait for

242
00:13:08,639 --> 00:13:11,480
the thing that will one day come along and give

243
00:13:11,519 --> 00:13:15,480
it being again. Perhaps we'll learn whether or not the

244
00:13:15,559 --> 00:13:19,320
house in Glennington is such a place. When I return

245
00:13:19,440 --> 00:13:33,279
shortly with that too. A man doesn't lightly say no

246
00:13:33,639 --> 00:13:38,039
to a large inheritance, and yet that is precisely what

247
00:13:38,080 --> 00:13:42,679
Frank Ellingwood is prepared to do, if inheriting means living

248
00:13:42,799 --> 00:13:45,759
in the house in which he grew up unhappily with

249
00:13:45,879 --> 00:13:49,879
his stepmother. Laura, his wife, has gone out to have

250
00:13:49,919 --> 00:13:53,000
a look at the house and has apparently fallen in

251
00:13:53,039 --> 00:13:56,679
love with it. As a matter of fact, unless Frank

252
00:13:56,799 --> 00:14:00,639
is imagining it, she has come back talking more than

253
00:14:00,720 --> 00:14:02,399
a little like his stepmother.

254
00:14:02,799 --> 00:14:06,519
Speaker 2: You're being childish and unreasonable, Frank. It's a whim. You're

255
00:14:06,519 --> 00:14:08,559
not wanting to live in that house. And I have

256
00:14:08,639 --> 00:14:10,919
no intention of letting you give up so much just

257
00:14:10,919 --> 00:14:12,080
because of a childish whim.

258
00:14:12,360 --> 00:14:14,080
Speaker 1: No intention of letting me.

259
00:14:14,360 --> 00:14:18,200
Speaker 2: I'm moving out there, Frank, next week. I hope you'll

260
00:14:18,200 --> 00:14:32,799
come with me, but i'm moving in any case, I'd

261
00:14:32,919 --> 00:14:35,480
like to speak to mister Clark. Please. This is Laura

262
00:14:35,559 --> 00:14:43,519
Ellingwood calling. Yes, I'll wait, Thank you, mister Clark, fine,

263
00:14:43,559 --> 00:14:45,720
thank you. I just wanted to let you know that

264
00:14:45,759 --> 00:14:49,840
we finally reached a decision. Yes, that's right, we'll be

265
00:14:49,919 --> 00:14:54,759
moving into the Glenington House next wednesday. Oh no, Frank

266
00:14:54,840 --> 00:14:57,200
isn't really too happy about it, but I'm sure once

267
00:14:57,200 --> 00:14:59,320
we Yes, that's the way.

268
00:14:59,200 --> 00:15:00,200
Speaker 4: I feel about it too.

269
00:15:01,799 --> 00:15:07,120
Speaker 2: Yes, please go ahead with whatever arrangements are necessary. Thank you, goodbye.

270
00:15:07,679 --> 00:15:10,480
Speaker 1: He hopes we'll be very happy in our new home.

271
00:15:11,120 --> 00:15:14,039
Speaker 2: That's what he said, Yes, some hope.

272
00:15:20,720 --> 00:15:24,399
Speaker 1: Huh. You know, the place actually smells of my step mother,

273
00:15:25,440 --> 00:15:30,080
sort of a sickish sweet like like like spoiled clothes.

274
00:15:30,120 --> 00:15:31,080
If there is such a thing.

275
00:15:31,960 --> 00:15:33,200
Speaker 2: I can't smell a thing.

276
00:15:33,360 --> 00:15:34,960
Speaker 1: Huh. That's a sin she used to wear.

277
00:15:35,320 --> 00:15:38,480
Speaker 2: You've done nothing but complain for the whole twenty four

278
00:15:38,519 --> 00:15:39,679
hours since we moved in here.

279
00:15:39,720 --> 00:15:42,039
Speaker 1: And I believe I mentioned even before we moved in

280
00:15:42,080 --> 00:15:44,000
that I wasn't exactly fond of this house.

281
00:15:44,120 --> 00:15:49,399
Speaker 2: But everything in it, Oh, that lovely little sexy empire

282
00:15:49,519 --> 00:15:51,759
or whatever it is. What can you have against the

283
00:15:51,799 --> 00:15:52,919
beautiful little thing like that?

284
00:15:53,519 --> 00:15:55,759
Speaker 1: That's where I used to sit when she had company.

285
00:15:56,720 --> 00:15:58,879
My feet dangled, Sit.

286
00:15:58,799 --> 00:16:01,879
Speaker 3: Up straight, keep your hands folded in your lap. Speak

287
00:16:02,039 --> 00:16:05,279
when spoken to 'em. I wasn't allowed in the parlor

288
00:16:05,279 --> 00:16:06,679
at all except when you had company.

289
00:16:07,120 --> 00:16:09,480
Speaker 2: Well you are now, so stop pouting.

290
00:16:10,960 --> 00:16:14,879
Speaker 1: That's weird. That was a favorite expression of hers. Stop pouting.

291
00:16:15,080 --> 00:16:19,519
Speaker 2: Oh for Heaven's sake, Frank. Oh Frank, look what you've done.

292
00:16:19,879 --> 00:16:21,519
You've got ashes all over this.

293
00:16:21,519 --> 00:16:23,799
Speaker 1: Beautiful carpet, only ashes they won't burn.

294
00:16:24,080 --> 00:16:28,039
Speaker 2: Leave them alone. I'll take care of them. Move into

295
00:16:28,039 --> 00:16:31,000
a perfectly neat clean house, a beautiful house, and all

296
00:16:31,080 --> 00:16:34,759
you do is complain and spill things around. Honestly, I

297
00:16:34,840 --> 00:16:37,720
just can't understand you, Frank. You don't seem to have

298
00:16:37,759 --> 00:16:40,480
any any respect for things.

299
00:16:42,480 --> 00:16:44,399
Speaker 1: I wouldn't have believed it there.

300
00:16:45,080 --> 00:16:46,679
Speaker 2: That don't have to do for now, but it's left

301
00:16:46,679 --> 00:16:50,639
a mark. Frank. If you absolutely have to smoke that

302
00:16:50,799 --> 00:16:53,519
nasty old pipe, can't you at least step outside or

303
00:16:53,559 --> 00:16:55,519
into the back hall or somewhere like that when you

304
00:16:55,600 --> 00:16:56,080
empty it?

305
00:16:57,200 --> 00:17:01,039
Speaker 1: Yes, Moti, she always liked me to.

306
00:17:01,000 --> 00:17:01,559
Speaker 2: Call her that.

307
00:17:03,440 --> 00:17:11,880
Speaker 1: Boutie. All right, Clark, I know I didn't have any appointment.

308
00:17:12,000 --> 00:17:13,960
I'm sorry to come barging in if you want the pology,

309
00:17:14,039 --> 00:17:16,519
but I want to talk to you, well, not very orderly.

310
00:17:17,240 --> 00:17:20,640
Speaker 3: I like to keep the My schedule, however, was larger here.

311
00:17:20,799 --> 00:17:23,160
Speaker 1: I'm going to get rid of the furniture in that

312
00:17:23,200 --> 00:17:26,640
miserable house, every stick of it, well, trying to redecorate.

313
00:17:26,720 --> 00:17:28,000
I'm having a chance the color.

314
00:17:28,039 --> 00:17:30,680
Speaker 3: You can't do that, mister who says I can't. Oh,

315
00:17:30,759 --> 00:17:34,559
Will is quite specific. There's to be no change. The

316
00:17:34,680 --> 00:17:37,200
late missus Ellingwood was very firm about that.

317
00:17:43,640 --> 00:17:45,519
Speaker 2: Why did you want me to come into the city

318
00:17:45,519 --> 00:17:47,519
for lunch, Frank, Is anything wrong?

319
00:17:47,839 --> 00:17:51,920
Speaker 1: Yes? I uh well, to tell you the truth. I

320
00:17:52,039 --> 00:17:54,759
wanted to get you out of that house. I don't

321
00:17:54,880 --> 00:17:56,960
like what it's doing to you. I wanted to get

322
00:17:56,960 --> 00:17:58,319
you out of it so we could talk.

323
00:17:59,119 --> 00:18:00,279
Speaker 2: We could have talked it home.

324
00:18:01,240 --> 00:18:04,319
Speaker 1: You don't see it. They do. Actually, I'm surprised that

325
00:18:04,400 --> 00:18:07,079
you showed up even after you'd promised, and I.

326
00:18:07,039 --> 00:18:15,480
Speaker 2: Almost didn't change. It was such a wrench just closing

327
00:18:15,480 --> 00:18:17,079
the front door and walking away.

328
00:18:17,960 --> 00:18:22,160
Speaker 1: Laura, don't go back. What do you mean, just don't

329
00:18:22,200 --> 00:18:25,200
go back. Stay in the city and go shopping or something.

330
00:18:25,240 --> 00:18:28,480
This afternoon I'll call Bill Riley and maybe I and

331
00:18:28,599 --> 00:18:30,759
Carroll will be free to see me for some bridge

332
00:18:31,119 --> 00:18:33,960
or something like that. We could spend the night with him, maybe,

333
00:18:33,960 --> 00:18:37,440
and then tomorrow Ranks, I'll pack tomorrow off and I

334
00:18:37,480 --> 00:18:41,039
we'll go apartment Honting. Maybe our old apartment hasn't been ready.

335
00:18:41,079 --> 00:18:41,799
Can't stop it.

336
00:18:42,400 --> 00:18:43,960
Speaker 2: I wouldn't have come all the way into the city

337
00:18:43,960 --> 00:18:45,839
if I'd known you were just going to start this again.

338
00:18:45,960 --> 00:18:48,400
Speaker 1: Or can't you feel the difference being out of that

339
00:18:48,480 --> 00:18:52,759
place you said yourself had made a nice change? Can't

340
00:18:52,759 --> 00:18:54,960
you feel for difference in yourself.

341
00:18:54,960 --> 00:18:58,759
Speaker 2: If there's a difference in me? I'm sorry, Frank, but

342
00:18:58,839 --> 00:19:01,519
you've put it there. You can't know what it's like

343
00:19:01,680 --> 00:19:02,799
hating everything the way you do.

344
00:19:02,920 --> 00:19:05,119
Speaker 1: I know exactly what it's like, Believe me. I know.

345
00:19:05,559 --> 00:19:09,160
Will Then Uh, he wants more coffee?

346
00:19:09,480 --> 00:19:14,599
Speaker 2: No, nothing more? Thanks. I guess I'll be getting.

347
00:19:14,319 --> 00:19:18,480
Speaker 1: Back, Laura. Won't you try it my way? Won't you

348
00:19:18,519 --> 00:19:20,480
just give it a chance, at least for tonight?

349
00:19:20,599 --> 00:19:21,960
Speaker 2: We we can't, Frank.

350
00:19:22,119 --> 00:19:24,519
Speaker 1: The will doesn't say anything about taking a night off,

351
00:19:24,559 --> 00:19:24,960
does it?

352
00:19:25,079 --> 00:19:29,599
Speaker 2: What good would it do? It won't work, Frank. We're

353
00:19:29,599 --> 00:19:31,799
going to live in that house and you've got to

354
00:19:31,880 --> 00:19:37,599
learn to like it. Well.

355
00:19:37,680 --> 00:19:40,640
Speaker 3: I've gone over the will with a fine tooth comb, Frank,

356
00:19:40,680 --> 00:19:44,000
and I can't find a whole I know what it's

357
00:19:44,039 --> 00:19:46,440
putting you through, and I sympathize, but as a lawyer,

358
00:19:46,519 --> 00:19:47,799
I can't suggest the way.

359
00:19:47,839 --> 00:19:50,720
Speaker 1: It isn't just what I'm going through Bill, as Laura too.

360
00:19:51,240 --> 00:19:53,319
What that rotten house is doing to her scares me?

361
00:19:54,519 --> 00:19:57,079
No kidding, I'm scared. Does he like the place? Well,

362
00:19:57,200 --> 00:20:01,720
she thinks she likes it. Bill, you remember what you

363
00:20:01,799 --> 00:20:03,519
said the day of my stepmother's funeral.

364
00:20:04,039 --> 00:20:05,880
Speaker 3: It seem might come back to a hunt. You as

365
00:20:05,920 --> 00:20:06,920
a stupid thing to say.

366
00:20:07,680 --> 00:20:10,200
Speaker 1: Well, do you think it's possible for a house, the

367
00:20:10,279 --> 00:20:15,519
house itself, somehow to soak up the the whatever's left

368
00:20:15,519 --> 00:20:17,160
of a person after a person.

369
00:20:16,960 --> 00:20:20,880
Speaker 3: Die or I don't know, Frank, there are tales, you know,

370
00:20:22,200 --> 00:20:24,200
a lot of people will tell you that I lived

371
00:20:24,240 --> 00:20:27,160
in house comes to have a personality of its own.

372
00:20:27,200 --> 00:20:29,960
Speaker 1: I don't mean a personality of its own. I mean

373
00:20:30,000 --> 00:20:32,599
the personality of the people or or a person who

374
00:20:32,680 --> 00:20:33,279
lived in it.

375
00:20:34,160 --> 00:20:38,000
Speaker 3: Oh, there are such stories that, uh, I don't know

376
00:20:38,039 --> 00:20:39,400
of an authenticated case.

377
00:20:41,200 --> 00:20:52,480
Speaker 1: Maybe you oughta come out to Blennington some evening, Laura,

378
00:20:52,680 --> 00:20:55,720
I'm home a long track, but I made us.

379
00:20:56,440 --> 00:20:58,079
Speaker 2: Is it still raining our Yes?

380
00:20:59,200 --> 00:21:01,240
Speaker 4: Where are you in the dining room?

381
00:21:01,400 --> 00:21:02,480
Speaker 2: Did you clean your shoes?

382
00:21:03,279 --> 00:21:06,440
Speaker 1: Oh? Lord, I'm gonna take them off and leave them

383
00:21:06,440 --> 00:21:08,920
out here in the hall. That's what she used to

384
00:21:08,920 --> 00:21:09,359
make me do.

385
00:21:09,599 --> 00:21:12,880
Speaker 2: Oh, of course, not just make sure you don't track

386
00:21:12,960 --> 00:21:13,920
mud all over the house.

387
00:21:14,440 --> 00:21:17,880
Speaker 1: Ooh, what a train trip that is. What are you doing?

388
00:21:18,480 --> 00:21:19,559
Speaker 2: I'm polishing the silver.

389
00:21:19,839 --> 00:21:23,119
Speaker 1: Can't you see or somebody coming? I mean we're having

390
00:21:23,160 --> 00:21:27,079
a party. No, well then why you have to polish

391
00:21:27,119 --> 00:21:29,640
all the silver because it's silver?

392
00:21:29,799 --> 00:21:32,200
Speaker 2: Frank, I shouldn't think that would be too hard to

393
00:21:32,200 --> 00:21:35,359
figure out silver discolored if you don't keep it polished.

394
00:21:35,720 --> 00:21:40,160
Speaker 1: But if you're not going to use it anyway? Okay, okay,

395
00:21:40,720 --> 00:21:41,400
what's for dinner?

396
00:21:42,640 --> 00:21:44,200
Speaker 2: I haven't had time to give it any sort.

397
00:21:45,200 --> 00:21:45,759
Speaker 1: You're kidding.

398
00:21:46,400 --> 00:21:48,960
Speaker 2: No, taking care of a house this size is not

399
00:21:49,039 --> 00:21:50,720
quite the same thing as taking care of a three

400
00:21:50,759 --> 00:21:51,440
room apartment.

401
00:21:51,759 --> 00:21:54,160
Speaker 1: So let's move back into a three roomal apartment.

402
00:21:54,319 --> 00:21:57,599
Speaker 2: Oh, don't be silly. If you're so hungry, go go

403
00:21:57,759 --> 00:21:59,319
fix yourself a hamburger or something.

404
00:21:59,759 --> 00:22:00,920
Speaker 1: Why how I was a going to take you to

405
00:22:00,920 --> 00:22:01,599
finish the silver?

406
00:22:01,839 --> 00:22:04,880
Speaker 2: I don't know ten minutes fifteen? How can I tell?

407
00:22:05,519 --> 00:22:08,920
Speaker 1: Okay, you finish the silver and we'll go out to dinner.

408
00:22:10,559 --> 00:22:15,240
Speaker 2: No, I I don't wanna go out, Frank. Oh good heavens,

409
00:22:15,279 --> 00:22:17,839
Go pull yourself a drink or something. I'll fix dinner

410
00:22:17,880 --> 00:22:20,480
as soon as I've finished here. You were never one

411
00:22:20,519 --> 00:22:22,720
of those dinner the minutes you hit the front door

412
00:22:22,799 --> 00:22:23,400
men before?

413
00:22:23,519 --> 00:22:25,680
Speaker 1: Well, not when we lived ten minutes in my office. No,

414
00:22:26,680 --> 00:22:28,519
you realize how much time I spend every day on

415
00:22:28,519 --> 00:22:28,920
that train.

416
00:22:30,119 --> 00:22:33,240
Speaker 2: I'm sorry if you don't enjoy commuting, but thousands of

417
00:22:33,279 --> 00:22:35,079
men do it every day and half for years, and

418
00:22:35,119 --> 00:22:36,880
I'm sure they don't make it all as kind of

419
00:22:36,960 --> 00:22:39,720
fuss when they get home, or the divorce rate would

420
00:22:39,720 --> 00:22:40,880
be ten times what it is.

421
00:22:42,319 --> 00:22:46,519
Speaker 1: Well, that's a new word. I don't remember that word

422
00:22:46,559 --> 00:22:51,519
cropping up in any of our conversations before. What word divorce?

423
00:22:52,559 --> 00:22:56,400
Speaker 2: Oh, Frank, try not to be stupid. And anyway, it's

424
00:22:56,440 --> 00:22:57,920
against the terms of the will.

425
00:23:04,039 --> 00:23:09,400
Speaker 1: What I have to admit it was a good dinner

426
00:23:09,519 --> 00:23:10,720
when we finally got round to it.

427
00:23:11,720 --> 00:23:13,799
Speaker 2: Frank, wouldn't it be just as easy to hold the

428
00:23:13,799 --> 00:23:16,319
pipe over the end table or the coffee table while

429
00:23:16,319 --> 00:23:16,880
you smoke it?

430
00:23:17,000 --> 00:23:17,279
Speaker 1: Mm?

431
00:23:17,279 --> 00:23:18,640
Speaker 2: I'm afraid you'll burn the couch.

432
00:23:18,680 --> 00:23:21,640
Speaker 1: M Would you like me to go outside to smoke it.

433
00:23:22,079 --> 00:23:24,079
I'm sure that's what my stepmother would have wanted.

434
00:23:24,359 --> 00:23:28,119
Speaker 2: Now that's not necessary. Just be careful, that's all I mean.

435
00:23:28,880 --> 00:23:29,720
Speaker 1: Thank you very much.

436
00:23:30,680 --> 00:23:33,960
Speaker 2: You don't have to be sarcastic, Laura, would you.

437
00:23:34,000 --> 00:23:36,079
Speaker 1: Put that knitting or whatever it is? Would you put

438
00:23:36,079 --> 00:23:38,359
it down for a minute. I want to talk to you.

439
00:23:39,119 --> 00:23:41,279
Speaker 2: I can crochet and talk at the same time.

440
00:23:42,400 --> 00:23:46,160
Speaker 1: Crochet. That wouldn't be an anima Cassie you're working on,

441
00:23:46,200 --> 00:23:47,119
would it.

442
00:23:47,119 --> 00:23:48,599
Speaker 2: As a matter of fact, yes, it is.

443
00:23:50,319 --> 00:23:52,440
Speaker 1: She was forever making anima cassies.

444
00:23:53,119 --> 00:23:54,880
Speaker 2: They protect the chairs and the couches.

445
00:23:55,160 --> 00:23:55,759
Speaker 1: Put it down.

446
00:23:56,279 --> 00:24:00,960
Speaker 2: I told you you looked the damn thing down, all right,

447
00:24:01,559 --> 00:24:03,279
there's no reason to shout.

448
00:24:03,640 --> 00:24:07,119
Speaker 1: I'm sorry, Laura, Laura.

449
00:24:07,160 --> 00:24:10,240
Speaker 2: Let's get out of this place now, Frank, if you

450
00:24:10,400 --> 00:24:11,920
just want to start out again.

451
00:24:11,720 --> 00:24:14,119
Speaker 1: No, no, no, no, I just mean go out for

452
00:24:14,160 --> 00:24:17,240
a while, take a drive or a walk, go somewhere

453
00:24:17,240 --> 00:24:18,759
to dance. If you want to just get out and

454
00:24:18,799 --> 00:24:19,279
get some fresh.

455
00:24:19,599 --> 00:24:22,519
Speaker 2: It amounts to the same thing. You got an obsession

456
00:24:22,519 --> 00:24:22,880
about this.

457
00:24:23,079 --> 00:24:25,440
Speaker 1: I'm doing the best I can. I just want to

458
00:24:25,440 --> 00:24:27,720
get away from that clothes, smell of whatever it is.

459
00:24:27,759 --> 00:24:31,519
I I can't breathe in here. I wanna get out

460
00:24:31,519 --> 00:24:32,279
for a little while.

461
00:24:32,440 --> 00:24:36,759
Speaker 2: You want, lately, it's whatever you want. You never think

462
00:24:36,799 --> 00:24:39,440
about me. You never think about our children, Laura.

463
00:24:40,000 --> 00:24:41,720
Speaker 1: We don't have any children.

464
00:24:41,839 --> 00:24:45,400
Speaker 2: The children we will have You don't think about them,

465
00:24:45,559 --> 00:24:48,599
or me, or the future or anything but yourself. Lately,

466
00:24:49,240 --> 00:24:51,559
you think if you keep nagging at me long enough,

467
00:24:51,599 --> 00:24:52,200
I'll give in.

468
00:24:52,400 --> 00:24:54,079
Speaker 1: Nag I nag at you.

469
00:24:54,160 --> 00:24:56,119
Speaker 2: If you're trying to say that I'm no one.

470
00:24:56,359 --> 00:24:58,240
Speaker 1: Now, come on, Laura, we're going out.

471
00:24:58,640 --> 00:25:02,440
Speaker 2: You may if you I'm staying right here.

472
00:25:02,680 --> 00:25:03,319
Speaker 1: No, you're not.

473
00:25:04,319 --> 00:25:06,880
Speaker 2: What do you propose to do? Drag me out of

474
00:25:06,920 --> 00:25:07,839
the house by four?

475
00:25:07,880 --> 00:25:11,079
Speaker 1: I will if I have to, Laura, this place it's unhealthy. Fank,

476
00:25:11,160 --> 00:25:13,839
have you lost your mighty blind? If you can't see it,

477
00:25:13,880 --> 00:25:17,359
you're a different person. I don't know you. I will

478
00:25:17,400 --> 00:25:19,480
not spend the evening or allow you to spend it

479
00:25:19,519 --> 00:25:22,079
sitting in this living room so happy that the evil

480
00:25:22,119 --> 00:25:22,680
it's filled with.

481
00:25:23,400 --> 00:25:24,240
Speaker 2: I'm not budging.

482
00:25:25,599 --> 00:25:28,240
Speaker 1: Will you get out of that chair and do as I.

483
00:25:28,279 --> 00:25:31,559
Speaker 2: Say, Frank, take your hands off me.

484
00:25:31,640 --> 00:25:33,640
Speaker 1: I'll take my hands off you as soon as I

485
00:25:33,680 --> 00:25:36,359
get you outside where you can come to your senses.

486
00:25:36,559 --> 00:25:38,640
Speaker 2: Thank Kapar hurting my arm?

487
00:25:38,839 --> 00:25:42,839
Speaker 1: You come with me? Not it you're hurting me. You're

488
00:25:42,880 --> 00:25:43,920
getting out of here.

489
00:25:44,240 --> 00:25:46,839
Speaker 5: I will not you will.

490
00:25:51,400 --> 00:25:51,759
Speaker 1: All right?

491
00:25:51,799 --> 00:25:52,119
Speaker 3: All right?

492
00:25:53,480 --> 00:25:59,200
Speaker 1: I'm sorry, Laura. I can't tell I had to do it. Oh, Darling,

493
00:25:59,200 --> 00:26:06,279
I'm so sorry, I l L. Let's get into the car. Drive,

494
00:26:06,359 --> 00:26:10,279
Laurie j. Just drive and open all the windows. Let

495
00:26:10,359 --> 00:26:13,160
the air blow away the whatever it is the house

496
00:26:13,240 --> 00:26:24,680
is drowning us in. You're feeling better, Laura, Yes, I'm

497
00:26:24,720 --> 00:26:29,240
better now. You don't know how sorry I am.

498
00:26:29,319 --> 00:26:32,519
Speaker 2: Yes, I know I'm not just imagining it.

499
00:26:32,640 --> 00:26:36,000
Speaker 1: I swear I'm not. That house is doing something frightful

500
00:26:36,039 --> 00:26:41,960
to us, to us, to you, even more than the media. Well,

501
00:26:42,000 --> 00:26:44,559
I know you don't believe me, but it's true.

502
00:26:45,079 --> 00:26:49,920
Speaker 4: I believe you, you Wan, I believe you.

503
00:26:51,799 --> 00:26:54,920
Speaker 2: It was different somehow after I came back from lunch

504
00:26:54,960 --> 00:27:00,359
in the city with you. It it was angry.

505
00:27:00,599 --> 00:27:02,279
Speaker 1: You mean the house was angry?

506
00:27:02,519 --> 00:27:05,640
Speaker 2: No, n I I don't know exactly what I mean

507
00:27:05,680 --> 00:27:12,039
by it, something as if something were part of me

508
00:27:12,200 --> 00:27:17,480
and and yet not me at all. It was very

509
00:27:17,680 --> 00:27:19,799
angry when I got back this afternoon.

510
00:27:20,680 --> 00:27:24,200
Speaker 1: Oh my god, I.

511
00:27:23,240 --> 00:27:27,160
Speaker 2: I kept getting smaller and smaller, the mean part of me.

512
00:27:28,279 --> 00:27:33,720
I could feel myself losing me. Why it grew and grew.

513
00:27:35,119 --> 00:27:37,599
I could feel the angry, even while the little pocket

514
00:27:37,640 --> 00:27:41,880
of me inside me knew I wasn't angry at all.

515
00:27:43,319 --> 00:27:49,640
But afraid I'm Do you think I'm losing my mind

516
00:27:49,680 --> 00:27:50,039
from Oh.

517
00:27:50,039 --> 00:27:52,480
Speaker 1: No, no, no, don't ever think like that. I I

518
00:27:52,559 --> 00:27:56,480
know what it is, and I wish.

519
00:27:56,279 --> 00:28:00,920
Speaker 2: You'd tell me, just so I wont keep thinking maybe

520
00:28:00,960 --> 00:28:01,599
I'm going mad.

521
00:28:01,880 --> 00:28:03,319
Speaker 1: It's my step mother.

522
00:28:05,119 --> 00:28:07,519
Speaker 2: Your stepmother isn't the house.

523
00:28:07,640 --> 00:28:10,640
Speaker 1: I was wrong about that. She uses the house, That's all.

524
00:28:11,440 --> 00:28:12,240
Speaker 2: I don't understand.

525
00:28:12,359 --> 00:28:17,200
Speaker 1: She's in there, Laura, in her house, her house. They

526
00:28:17,319 --> 00:28:22,240
left a lot of my stepmother unburied. You're it. The

527
00:28:22,319 --> 00:28:25,000
thing that wants you as its living agent is what

528
00:28:25,200 --> 00:28:32,039
they left behind unburied, Frank. When you're in that house, Laura,

529
00:28:32,240 --> 00:28:41,200
whenever you're in that house, you are my stepmother. Possession

530
00:28:42,359 --> 00:28:45,880
the possession of a living being's essence by an entity

531
00:28:46,279 --> 00:28:51,799
which is inhuman or perhaps no longer human. Such possession

532
00:28:52,000 --> 00:28:55,880
is a thing people either believe in or not. But

533
00:28:56,200 --> 00:29:00,880
fact is not created by belief. Belief is much more

534
00:29:01,039 --> 00:29:04,839
likely to grow out of fact, so that belief is

535
00:29:04,880 --> 00:29:09,240
to fact, much as smoke is to fire. Where there

536
00:29:09,319 --> 00:29:13,319
is the one, do not be surprised to find the other.

537
00:29:14,440 --> 00:29:29,000
I shall return shortly with that three in an old

538
00:29:29,079 --> 00:29:33,039
house out on Long Island. A strange thing is happening.

539
00:29:34,039 --> 00:29:38,759
Frank Ellingwood's stepmother is dead. She was properly buried some

540
00:29:38,960 --> 00:29:44,039
time ago, but as Frank himself has put it, something

541
00:29:44,079 --> 00:29:47,640
of her appears to have been left unburied, and that

542
00:29:47,960 --> 00:29:51,720
something has chosen to make its presence felt in an

543
00:29:51,759 --> 00:29:56,519
extremely unpleasant way. It has entered the mind of Laura

544
00:29:56,519 --> 00:29:59,160
Ellingwood and taken charge.

545
00:30:01,000 --> 00:30:03,200
Speaker 2: Where are we going, Frank into the city?

546
00:30:04,039 --> 00:30:06,599
Speaker 1: Why where else is there to go? He said? They

547
00:30:06,599 --> 00:30:08,880
don't wanna go back to Glenningdon and spend another night

548
00:30:08,920 --> 00:30:10,319
in that that night marriage house.

549
00:30:11,160 --> 00:30:16,039
Speaker 2: No, I suppose not, But I don't think she could

550
00:30:16,079 --> 00:30:22,599
do it to me again. What your stepmother if well,

551
00:30:22,960 --> 00:30:25,519
you know, if that's what's really happening to me, I

552
00:30:25,599 --> 00:30:27,480
don't think she could get control of me again.

553
00:30:27,599 --> 00:30:28,279
Speaker 1: Forget it, Laura.

554
00:30:28,440 --> 00:30:30,240
Speaker 2: If she tried it again, I could keep her out.

555
00:30:30,319 --> 00:30:31,039
I'm sure I could.

556
00:30:31,119 --> 00:30:33,240
Speaker 1: I don't ever again. Wanna see you looking the way

557
00:30:33,279 --> 00:30:35,119
you look tonight before I got you out of there.

558
00:30:35,799 --> 00:30:37,720
I don't ever wanna hear you talk like that again.

559
00:30:38,359 --> 00:30:41,599
You don't know what she did your voice. I won't

560
00:30:41,640 --> 00:30:43,279
ever let you go back to that place. I'll do

561
00:30:43,319 --> 00:30:47,519
whatever I have to to stop you, Alright, I will

562
00:30:47,559 --> 00:30:49,960
take a room and I don't know whatever hotel has

563
00:30:49,960 --> 00:30:52,680
a room available. We'll get a good night's sleep when

564
00:30:52,720 --> 00:30:56,319
we have one coming, and tomorrow we'll find a place

565
00:30:56,359 --> 00:31:00,880
to live. It's settled. That's what we'll do, alright, fred

566
00:31:12,480 --> 00:31:15,440
mm Hello, good warning, mister elling one.

567
00:31:15,839 --> 00:31:16,720
Speaker 3: It's eight o'clock.

568
00:31:17,319 --> 00:31:19,119
Speaker 1: Oh alright, thank you.

569
00:31:19,759 --> 00:31:21,960
Speaker 2: Would you like me to connect you with room service?

570
00:31:22,519 --> 00:31:25,319
Speaker 1: Uh? No, I'll call it. I don't we want anything.

571
00:31:27,640 --> 00:31:29,160
Speaker 2: I couldn't figure out where I was.

572
00:31:29,920 --> 00:31:34,160
Speaker 1: You're in a perfectly safe hotel room where nobody, where

573
00:31:34,240 --> 00:31:35,599
nothing can get at you.

574
00:31:36,240 --> 00:31:38,039
Speaker 2: What time is it?

575
00:31:38,079 --> 00:31:38,640
Speaker 1: Eight o'clock?

576
00:31:39,559 --> 00:31:40,440
Speaker 2: What are you going to do?

577
00:31:41,319 --> 00:31:44,359
Speaker 1: Well, first, I'm gonna get dressed and sew you. Then

578
00:31:44,359 --> 00:31:48,079
we're going out and have an enormous breakfast somewhere. Now

579
00:31:48,279 --> 00:31:50,160
that's we're going over and find out if our old

580
00:31:50,200 --> 00:31:54,039
apartment's been ready. If it has, we're gonna start looking

581
00:31:54,039 --> 00:31:55,200
for another one.

582
00:31:55,559 --> 00:31:59,799
Speaker 2: Okay, Oh, why don't you go and have a talk

583
00:31:59,839 --> 00:32:03,000
with Jonas Clark. Maybe if you told him what happened.

584
00:32:03,039 --> 00:32:06,200
Speaker 1: Tell Jonas Clark the terms of the will are invalid

585
00:32:06,240 --> 00:32:10,160
because the house is haunted. You gotta be joking. Well,

586
00:32:10,160 --> 00:32:12,240
it wouldn't hurt to talk to you, and it wouldn't help.

587
00:32:13,240 --> 00:32:16,160
I want to see Bill Riley. What's happened. Won't make

588
00:32:16,160 --> 00:32:18,839
any difference in the legal sense, of course, but Bill

589
00:32:18,880 --> 00:32:21,279
would at least listen to me without laughing in my face.

590
00:32:22,640 --> 00:32:24,880
I think the money's gone. I think we can just

591
00:32:24,920 --> 00:32:29,680
forget that, but I do wanna talk to Bill about it.

592
00:32:29,799 --> 00:32:38,440
Speaker 2: Frank, Yah, you know something. Oh I'm still sleepy. Why

593
00:32:38,440 --> 00:32:40,759
don't you go on over and talk to Bill first,

594
00:32:40,799 --> 00:32:43,519
and then come back and get me and we'll we'll

595
00:32:43,559 --> 00:32:44,400
do all that stuff.

596
00:32:44,440 --> 00:32:46,519
Speaker 1: She said. Didn't you sleep last night?

597
00:32:46,880 --> 00:32:50,240
Speaker 2: Oh? I I slept fine, but it's it's the first

598
00:32:50,279 --> 00:32:53,440
time in quite a while. I'd really like another hour

599
00:32:53,559 --> 00:32:53,720
or so.

600
00:32:54,440 --> 00:32:57,640
Speaker 1: Well, Okay, if I uh get over there early, maybe

601
00:32:57,680 --> 00:32:59,640
I can catch Bill before he gets too busy to

602
00:32:59,680 --> 00:33:01,880
see him. I'll stop buying my office too, and tell

603
00:33:01,920 --> 00:33:03,680
him I won't be in today. That's a good idea.

604
00:33:04,000 --> 00:33:08,240
Speaker 5: M Oh, yeah, that's a good idea.

605
00:33:12,359 --> 00:33:15,880
Speaker 2: This is missus Ellingwood in twelve oh eight. I wonder

606
00:33:15,920 --> 00:33:19,279
if you'd take a message for my husband. I don't

607
00:33:19,279 --> 00:33:21,640
know exactly how long he'll be out, but when he

608
00:33:21,680 --> 00:33:24,119
comes back or if he calls in, i'd like you

609
00:33:24,200 --> 00:33:26,200
to tell him that I've gone back to the island.

610
00:33:26,920 --> 00:33:28,640
Tell him I'll see him at home later in the

611
00:33:28,759 --> 00:33:31,839
day whenever he can make it. Please see that he

612
00:33:31,920 --> 00:33:36,119
gets the message. It's important. Oh, and tell him I'm

613
00:33:36,160 --> 00:33:38,680
taking a car. He can come out by train.

614
00:33:44,400 --> 00:33:46,920
Speaker 1: Hi. Well, uh, your secretary was not there, so I

615
00:33:47,000 --> 00:33:49,480
came on in. Yeah, secretary's working eight hour day.

616
00:33:49,559 --> 00:33:52,079
Speaker 4: Lawyers never's leave. What's with you?

617
00:33:52,079 --> 00:33:52,720
Speaker 1: You get follows?

618
00:33:52,799 --> 00:33:52,920
Speaker 2: Oh?

619
00:33:52,960 --> 00:33:55,720
Speaker 1: Have I it's up your rally too, legal alley ors,

620
00:33:55,720 --> 00:33:59,799
spook alley, spooky man. You wouldn't believe how spooky.

621
00:34:00,440 --> 00:34:00,799
Speaker 4: Try me.

622
00:34:01,680 --> 00:34:03,799
Speaker 1: Well, it's been building ever since we moved into that

623
00:34:03,920 --> 00:34:06,960
damn place. But yesterday Laura came into the city to

624
00:34:07,000 --> 00:34:09,679
have lunch with me. When I got home, I'm my.

625
00:34:15,039 --> 00:34:20,079
Speaker 3: Laura's obviously being used as an intermediary to get at you.

626
00:34:20,079 --> 00:34:21,960
Your stepmother has no interest in Laura.

627
00:34:22,000 --> 00:34:23,719
Speaker 5: How could she.

628
00:34:23,719 --> 00:34:26,960
Speaker 3: She's using Laura to get at you, and i'd assume

629
00:34:27,079 --> 00:34:30,320
to maintain her hold on the house. My guess is

630
00:34:30,360 --> 00:34:33,480
that she needs that house. She can't function without it.

631
00:34:34,559 --> 00:34:35,480
Speaker 1: You believe it, don't you?

632
00:34:36,639 --> 00:34:37,800
Speaker 4: Frank and I go out there tonight.

633
00:34:38,559 --> 00:34:40,639
Speaker 1: I'm not going back to that place, and neither is Laura.

634
00:34:40,800 --> 00:34:43,159
Speaker 3: No, no, no, I I mean just me is a kind

635
00:34:43,199 --> 00:34:45,039
of uh investigator.

636
00:34:46,320 --> 00:34:47,360
Speaker 4: I'd like to see if.

637
00:34:47,280 --> 00:34:50,000
Speaker 3: I can stir up some sort of manifestation that was

638
00:34:50,079 --> 00:34:50,800
looking at your key?

639
00:34:50,920 --> 00:34:54,360
Speaker 1: More sure? Oh? Only, I think I left it over

640
00:34:54,360 --> 00:34:56,639
at the hotel. Look, I have to stop by my

641
00:34:56,719 --> 00:34:58,599
office and then I'm going back to pick up Laura.

642
00:34:58,800 --> 00:35:01,360
Let me form you, Hm, I'll get the kittiest sometime today.

643
00:35:01,639 --> 00:35:06,440
Speaker 3: Good. I'm beginning to think we're under something authentic. I

644
00:35:06,480 --> 00:35:08,719
don't know what good it will do you with Cord.

645
00:35:08,719 --> 00:35:11,000
Speaker 1: All I want, really is to keep Laura out of

646
00:35:11,039 --> 00:35:12,119
that awful house?

647
00:35:20,719 --> 00:35:26,840
Speaker 2: Is it? Ellingwood? Can you hear me? I've come back.

648
00:35:27,880 --> 00:35:31,679
I'm back here, this time on my terms, not yours.

649
00:35:32,639 --> 00:35:35,239
I know what I have to contend with now, and

650
00:35:35,320 --> 00:35:39,280
I mean to contend with it. Can you hear me? Missus? Ellingwood?

651
00:35:41,079 --> 00:35:44,719
I dare you, if you think you're stronger than I am,

652
00:35:45,639 --> 00:35:47,760
go ahead and try to take control of me again.

653
00:35:49,000 --> 00:35:51,119
Go ahead, I dare.

654
00:35:50,920 --> 00:36:18,480
Speaker 5: You, you little fool, you silly, stupid, little idiot.

655
00:36:19,199 --> 00:36:21,719
Speaker 2: You try something like that again, and you'll be good

656
00:36:21,760 --> 00:36:25,119
and sorry, I promise you, sorrier than you've ever been

657
00:36:25,159 --> 00:36:26,480
in all your life.

658
00:36:32,800 --> 00:36:40,239
Speaker 1: Answer? Will you will you, I answer the phone. Yes,

659
00:36:40,599 --> 00:36:45,519
who is it, Lurah? Where are you at the hotel?

660
00:36:45,800 --> 00:36:47,840
The club said? You ever mind? What the clerk said?

661
00:36:48,320 --> 00:36:50,480
I want you out here? Now?

662
00:36:50,639 --> 00:36:52,159
Speaker 2: Do you understand more?

663
00:36:52,280 --> 00:36:52,519
Speaker 3: What?

664
00:36:52,519 --> 00:36:53,079
Speaker 1: What? Now?

665
00:36:53,760 --> 00:36:56,000
Speaker 2: Do you hear me? Now?

666
00:37:00,000 --> 00:37:03,159
Speaker 1: It's just flying. Something's happened? Are you free right now? Well,

667
00:37:03,519 --> 00:37:05,599
Laurah went back to the house. She left the hotel

668
00:37:05,639 --> 00:37:07,719
while I was with you, I guess, and she's back

669
00:37:07,719 --> 00:37:11,400
out there now. I talked to on the phone on

670
00:37:11,519 --> 00:37:14,840
dot Bill was that awful voice? Okay, okay, I'll leave

671
00:37:14,880 --> 00:37:16,960
right away now words let meet you pun station. I

672
00:37:16,960 --> 00:37:18,119
guess Laura took the car.

673
00:37:18,320 --> 00:37:19,159
Speaker 3: Oh, here's like her.

674
00:37:19,199 --> 00:37:20,760
Speaker 1: You at the hotel or some of the hotel? Oh,

675
00:37:20,760 --> 00:37:22,159
wait out front, I'll pick up there.

676
00:37:26,039 --> 00:37:26,400
Speaker 2: All right.

677
00:37:27,320 --> 00:37:28,480
Speaker 4: What are you gonna tell her about me?

678
00:37:28,719 --> 00:37:31,320
Speaker 1: Or Ah? Tell her what Laura knows you?

679
00:37:31,559 --> 00:37:34,760
Speaker 3: If it's Laura, I don't know how much access your

680
00:37:34,800 --> 00:37:38,760
stepmother will have the Laura's memory about time too.

681
00:37:39,199 --> 00:37:39,639
Speaker 1: Who's that?

682
00:37:40,000 --> 00:37:40,880
Speaker 2: Oh? Bill Riley?

683
00:37:41,480 --> 00:37:44,159
Speaker 1: Laura? Why didn't you stay at the hotel as we agreed?

684
00:37:44,719 --> 00:37:47,280
I wouldn't have left you there? Oh, don't be a fool.

685
00:37:47,599 --> 00:37:51,280
Speaker 2: Come on in YouTube, Bill, clean your shoes before you

686
00:37:51,360 --> 00:37:51,719
come in.

687
00:37:53,360 --> 00:37:55,079
Speaker 1: Laura, You've got to get out of here.

688
00:37:55,360 --> 00:37:58,159
Speaker 2: Oh stop pretending. For Heaven's sake, we all know I'm

689
00:37:58,159 --> 00:37:59,320
not Laura.

690
00:38:00,119 --> 00:38:01,880
Speaker 4: Can we do bell it's the house.

691
00:38:02,679 --> 00:38:04,039
Speaker 1: She can't do it. I'm sure.

692
00:38:04,079 --> 00:38:06,079
Speaker 3: Unless Laura's here in the house, we'll have to get

693
00:38:06,079 --> 00:38:06,400
her out.

694
00:38:06,639 --> 00:38:07,039
Speaker 1: Try it.

695
00:38:07,599 --> 00:38:08,639
Speaker 2: Go ahead, try it.

696
00:38:09,000 --> 00:38:10,840
Speaker 1: I bet you out of this place. Last night, Laura,

697
00:38:10,880 --> 00:38:12,280
I'll do it again the same way, but I have

698
00:38:12,360 --> 00:38:15,360
to not today. You won't. That was Laura last night.

699
00:38:15,760 --> 00:38:19,280
Speaker 2: Today it's you couldn't stand against me as a child,

700
00:38:19,280 --> 00:38:21,239
and you can't stand against me now, Laura.

701
00:38:21,360 --> 00:38:22,480
Speaker 1: We're getting out of here.

702
00:38:22,599 --> 00:38:26,599
Speaker 2: We're just as stupid as you always were, aren't you.

703
00:38:26,599 --> 00:38:29,199
You won't understand a thing that's told you until you

704
00:38:29,199 --> 00:38:31,880
get hurt. You lay a finger on me and I'll

705
00:38:31,960 --> 00:38:33,199
claw your eyes out.

706
00:38:33,280 --> 00:38:35,840
Speaker 4: She probably will. Frank, it's not Laura, you're dealing.

707
00:38:35,599 --> 00:38:37,079
Speaker 1: With mer Well.

708
00:38:37,159 --> 00:38:38,679
Speaker 2: I have to try.

709
00:38:39,920 --> 00:38:41,639
Speaker 1: Bill, Bill help me.

710
00:38:45,800 --> 00:38:53,159
Speaker 2: Trauma lay little boys, both of you, silly little boys.

711
00:38:53,679 --> 00:38:56,639
You may go now, Bill Riley, you serve no purp.

712
00:38:57,800 --> 00:39:00,880
Speaker 1: It's my house, not hers.

713
00:38:59,400 --> 00:39:01,639
Speaker 4: You have your house.

714
00:39:01,760 --> 00:39:06,159
Speaker 2: Indeed, it's not only my house, it's me. At that funeral,

715
00:39:06,159 --> 00:39:09,239
they buried a bobby, A bobby nothing to do with me.

716
00:39:09,800 --> 00:39:12,320
This house is my body now, and it will stand

717
00:39:12,360 --> 00:39:16,000
for a hundred years, hundreds of years, with you in it,

718
00:39:16,320 --> 00:39:19,719
and then your children and then fair children, all doing

719
00:39:19,880 --> 00:39:23,519
my bidding you here, you'll do exactly if I say,

720
00:39:23,679 --> 00:39:25,840
all of you, generations.

721
00:39:25,079 --> 00:39:31,280
Speaker 1: Of you, and she doying like that, I know you'll

722
00:39:31,360 --> 00:39:32,800
fill this house with children.

723
00:39:33,440 --> 00:39:35,400
Speaker 2: I tell you to fill it with children, and you'll

724
00:39:35,400 --> 00:39:38,800
do it, and I shall rule, and I'll use this

725
00:39:38,960 --> 00:39:39,760
body of your.

726
00:39:39,760 --> 00:39:41,960
Speaker 5: Precious Lauras until it grows.

727
00:39:41,559 --> 00:39:44,079
Speaker 2: Old and useless, and then i'll take.

728
00:39:43,920 --> 00:39:45,800
Speaker 1: Another word from among your children.

729
00:39:46,519 --> 00:39:48,559
Speaker 5: I'll live forever, and I'll.

730
00:39:48,519 --> 00:39:56,360
Speaker 4: Rule the whole. What are you doing? The feelings and

731
00:39:56,400 --> 00:40:00,960
burning this monster right down to the grid.

732
00:40:01,159 --> 00:40:02,320
Speaker 1: You want to save Laura.

733
00:40:02,360 --> 00:40:04,400
Speaker 4: You're hurt what your stepmother said me?

734
00:40:04,719 --> 00:40:05,480
Speaker 1: Honey?

735
00:40:06,280 --> 00:40:07,000
Speaker 5: Are you blind?

736
00:40:07,119 --> 00:40:10,320
Speaker 1: House is on fire, Laura. We're gonna get you on y.

737
00:40:10,800 --> 00:40:14,119
Speaker 2: Why do you just stand there with you? All right?

738
00:40:14,159 --> 00:40:17,679
We'll open the house, which is means you're precious Laura.

739
00:40:18,000 --> 00:40:20,440
You and your friend Phil who is scoopy to get

740
00:40:20,480 --> 00:40:21,119
out when he had.

741
00:40:21,039 --> 00:40:24,039
Speaker 1: The tank, we'll apurn get on. I'm not leaving without

742
00:40:24,400 --> 00:40:29,239
all girl. We'll set Laura with him. You can children, you.

743
00:40:29,360 --> 00:40:31,559
Speaker 2: Never learned to your insight to take me out of here.

744
00:40:31,599 --> 00:40:32,519
Only a minute ago you.

745
00:40:32,559 --> 00:40:35,239
Speaker 5: Saw one Heather praying didn't count or whatever.

746
00:40:35,280 --> 00:40:38,639
Speaker 3: We've got to knock around, Laura.

747
00:40:38,039 --> 00:40:45,000
Speaker 1: Of you in there that can't hear me, I'm sorry.

748
00:40:45,360 --> 00:40:47,320
Speaker 2: You'll be sorry for that, all right.

749
00:40:49,599 --> 00:40:54,280
Speaker 1: Laura, Laura, Oh lord, what if I'm done? If you

750
00:40:54,320 --> 00:40:56,800
saved your life, since you done, let's get her out

751
00:40:56,800 --> 00:41:08,880
of him. I'm sorry I had to do it. You

752
00:41:08,920 --> 00:41:11,239
don't know what it was like, but you were like

753
00:41:11,480 --> 00:41:12,480
my only it wasn't you.

754
00:41:13,119 --> 00:41:14,440
Speaker 3: Oh that's beautiful.

755
00:41:15,440 --> 00:41:19,719
Speaker 5: That's beautiful. You'll never be able to stay it with it?

756
00:41:20,000 --> 00:41:23,920
Speaker 1: No good, it's gone. You know I'm an arculist.

757
00:41:24,880 --> 00:41:25,880
Speaker 3: Even a turning room.

758
00:41:25,840 --> 00:41:29,400
Speaker 1: At a chilly bill to save Laura's life more than

759
00:41:29,400 --> 00:41:29,840
a life?

760
00:41:31,599 --> 00:41:34,920
Speaker 2: Did I know it was? Even?

761
00:41:35,760 --> 00:41:37,679
Speaker 3: There was nothing fake about it.

762
00:41:37,840 --> 00:41:41,800
Speaker 2: I thought I would fight him. I couldn't. He wasn't.

763
00:41:41,920 --> 00:41:42,800
Speaker 3: He was awful.

764
00:41:43,559 --> 00:41:46,920
Speaker 5: Now that house is gone, everything's gone.

765
00:41:47,199 --> 00:41:50,159
Speaker 1: That old house never looks better than it does on fire.

766
00:42:00,840 --> 00:42:06,280
Frank Ellingwood's stepmother, the unburied aspect of her, was either

767
00:42:06,480 --> 00:42:12,239
unspeakably evil or intolerably tortured. And who are we to

768
00:42:12,320 --> 00:42:16,119
say it was the one rather than the other. I'll

769
00:42:16,159 --> 00:42:31,239
be back shortly. The litigation involving the Ellingwood estate is

770
00:42:31,280 --> 00:42:36,079
still going on and may go on forever. Frank and

771
00:42:36,159 --> 00:42:39,320
Laura live now in a slightly larger apartment in their

772
00:42:39,320 --> 00:42:43,679
old building. They needed an extra room because of Frank Junior,

773
00:42:44,360 --> 00:42:47,760
and they appreciate their happiness as people rarely do who

774
00:42:47,760 --> 00:42:51,760
have never come so close to losing it. Our cast

775
00:42:51,800 --> 00:42:55,679
in Good is Francis Sternhagen, Ralph Bell, and Leon Janney.

776
00:42:56,400 --> 00:42:59,920
The entire production was under the direction of Hymond Brown,

777
00:43:00,119 --> 00:43:00,599
with a score