WEBVTT

1
00:00:02.200 --> 00:00:04.839
<v Speaker 1>You see, something's going to happen.

2
00:00:06.320 --> 00:00:15.519
<v Speaker 2>What What's gonna happen? What?

3
00:00:24.239 --> 00:00:27.879
<v Speaker 1>Welcome everybody to another Headless's Magical mail Bag. I got

4
00:00:27.879 --> 00:00:30.640
<v Speaker 1>my co host Nick joining me again. Nick. How is

5
00:00:30.679 --> 00:00:31.120
<v Speaker 1>it going?

6
00:00:31.320 --> 00:00:34.280
<v Speaker 2>What up? What's going on? Thank you very much, looking

7
00:00:34.280 --> 00:00:36.119
<v Speaker 2>forward to this awesome.

8
00:00:36.359 --> 00:00:41.240
<v Speaker 1>So I've got a couple of emails and we're going

9
00:00:41.320 --> 00:00:43.759
<v Speaker 1>to do our symbol. So go ahead with your symbol

10
00:00:43.799 --> 00:00:44.799
<v Speaker 1>and then I'll get into mine.

11
00:00:44.880 --> 00:00:47.520
<v Speaker 2>All right, Yeah, if you just pull up, pull up

12
00:00:47.520 --> 00:00:50.600
<v Speaker 2>on there we go. Thank you very much, sir. This

13
00:00:50.640 --> 00:00:52.600
<v Speaker 2>is an interesting one. It's not it's not as old

14
00:00:52.640 --> 00:00:55.280
<v Speaker 2>as some of the other ones that we've covered. This

15
00:00:55.359 --> 00:00:58.799
<v Speaker 2>is the sigil of o Zosia. If I'm saying that correctly,

16
00:00:58.920 --> 00:01:02.439
<v Speaker 2>easy O E. T I A. It's very like goatia,

17
00:01:02.479 --> 00:01:07.879
<v Speaker 2>but ozisia. And that is from Andrew D. Chumley from

18
00:01:07.920 --> 00:01:11.280
<v Speaker 2>the nineteen hundreds, but he was kind of influenced by

19
00:01:11.319 --> 00:01:15.719
<v Speaker 2>seventeenth century stuff. It is an esoteric sigil drawn from

20
00:01:15.719 --> 00:01:20.239
<v Speaker 2>the cultist sabbatai, a modern witchcraft tradition that pulls heavily

21
00:01:20.239 --> 00:01:24.000
<v Speaker 2>from the grimoires of sixteen hundreds, particularly the Key of

22
00:01:24.079 --> 00:01:28.840
<v Speaker 2>Solomon and the Grimmorium Vehrum. Again, It was made by

23
00:01:28.879 --> 00:01:32.959
<v Speaker 2>Andrew D. Chumley, and he was a British ocultist artist

24
00:01:33.000 --> 00:01:36.040
<v Speaker 2>and author, and he created the sigil to serve as

25
00:01:36.040 --> 00:01:38.680
<v Speaker 2>like the core emblem of one of his books. And

26
00:01:38.719 --> 00:01:46.239
<v Speaker 2>it's called Ozatia, a grimoire of the Sabbatic craft, Sabatik craft. Yeah,

27
00:01:46.280 --> 00:01:48.079
<v Speaker 2>and this is the sigils on the front of it.

28
00:01:48.159 --> 00:01:51.319
<v Speaker 2>And according to him, what the sigil means is a

29
00:01:51.359 --> 00:01:56.400
<v Speaker 2>glyft of the transmuting flame. It encodes the entire magical

30
00:01:56.400 --> 00:02:01.680
<v Speaker 2>philosophy of the Sabbatik craft and that can of Zosia

31
00:02:01.799 --> 00:02:06.640
<v Speaker 2>from Azoth universal spirit in alchemy and Zoe for life.

32
00:02:07.799 --> 00:02:11.400
<v Speaker 2>And they're also supposed to represent the path of transformation,

33
00:02:11.599 --> 00:02:15.800
<v Speaker 2>turning the raw substance of the soul into perfected magical will.

34
00:02:17.240 --> 00:02:20.439
<v Speaker 2>And it says each curve point in crossbar in the

35
00:02:20.560 --> 00:02:25.680
<v Speaker 2>sigils supposed to correspond to elemental forces, planetary influences, to

36
00:02:25.800 --> 00:02:31.879
<v Speaker 2>which is Sabbot dream initiation, and lucid gnosis. It has

37
00:02:31.919 --> 00:02:34.400
<v Speaker 2>been known to be used for ritual work. They used

38
00:02:34.400 --> 00:02:37.080
<v Speaker 2>it at the start of Sabbatich rights to open the

39
00:02:37.159 --> 00:02:41.439
<v Speaker 2>crossroads between worlds. They use it for dream initiation placed

40
00:02:41.479 --> 00:02:44.919
<v Speaker 2>under the pillow or meditated upon to provoke visionary states

41
00:02:44.919 --> 00:02:49.159
<v Speaker 2>and to contact spirits. Book consecration, it's often drawn into

42
00:02:49.159 --> 00:02:53.960
<v Speaker 2>gridmore covers or on altars to consecrate stuff, and that's

43
00:02:53.960 --> 00:02:59.080
<v Speaker 2>been used as a seal. And again there was according

44
00:02:59.120 --> 00:03:02.439
<v Speaker 2>to you know what I can find again the sixteen

45
00:03:02.479 --> 00:03:07.120
<v Speaker 2>hundred's grimoire, the Grimur and Varum and the uh the

46
00:03:07.199 --> 00:03:10.439
<v Speaker 2>Key of Solomon was supposedly an influence. Again Azol from

47
00:03:10.439 --> 00:03:12.919
<v Speaker 2>alchemy was said to be an influence, and there was

48
00:03:13.719 --> 00:03:17.719
<v Speaker 2>not much said about it, but Sufism and Kabbala supposedly

49
00:03:17.759 --> 00:03:21.840
<v Speaker 2>influenced behind it, and uh Thelma and chaos magic. I

50
00:03:21.879 --> 00:03:24.840
<v Speaker 2>would assume maybe because of the sigil work chaos magic,

51
00:03:27.400 --> 00:03:31.479
<v Speaker 2>but that's really uh, that's really about it. So something different.

52
00:03:32.599 --> 00:03:36.680
<v Speaker 1>It's interesting. It's got the eight pointed star right and

53
00:03:36.719 --> 00:03:40.759
<v Speaker 1>then all of the letters. I think that's probably used

54
00:03:41.439 --> 00:03:46.960
<v Speaker 1>with sort of the old the probably a Sabbatic language

55
00:03:47.039 --> 00:03:49.120
<v Speaker 1>that they're using, sort of like the language of the

56
00:03:49.159 --> 00:03:55.360
<v Speaker 1>angels and whatnot. It looks looks really interesting. I like it.

57
00:03:55.360 --> 00:03:58.680
<v Speaker 1>It's gotten. I think the eight pointedness of it is

58
00:03:58.719 --> 00:04:01.199
<v Speaker 1>sort of like that, you know, kind of like planetary

59
00:04:01.240 --> 00:04:03.319
<v Speaker 1>thing with the Earth in the middle and then you've

60
00:04:03.319 --> 00:04:08.159
<v Speaker 1>got you know, everything else, but the Sabatan rights. What's

61
00:04:08.199 --> 00:04:13.599
<v Speaker 1>interesting there is sabotized Ebb was sixteen hundreds, and so

62
00:04:13.639 --> 00:04:17.120
<v Speaker 1>he's talking about the Sabbat and rights. Are these related

63
00:04:17.160 --> 00:04:19.839
<v Speaker 1>to Sabotazebby. You didn't really mention anything about that.

64
00:04:20.079 --> 00:04:22.600
<v Speaker 2>Yeah, I don't know if you want to, would you?

65
00:04:23.959 --> 00:04:26.600
<v Speaker 1>Well, I mean, if it's if it's a witch's book.

66
00:04:28.959 --> 00:04:32.839
<v Speaker 2>Yeah, it's a totally different world, right.

67
00:04:33.759 --> 00:04:41.399
<v Speaker 1>So that's an interesting sigil the bottom. Yeah, yeah, I'm

68
00:04:41.399 --> 00:04:43.040
<v Speaker 1>not even sure what that was on the bottom? Was

69
00:04:43.079 --> 00:04:48.959
<v Speaker 1>that A That's fine? Let's see. So I got one.

70
00:04:49.120 --> 00:04:51.879
<v Speaker 1>This is what everybody seen before, but very few people

71
00:04:52.000 --> 00:04:54.879
<v Speaker 1>seem to know the name of it. This is called

72
00:04:55.399 --> 00:05:00.040
<v Speaker 1>the Volknut, and as you can see right here, you

73
00:05:00.120 --> 00:05:05.360
<v Speaker 1>have the nine worlds from Norse mythology. It fits into

74
00:05:05.399 --> 00:05:09.079
<v Speaker 1>the vault nut in a continuous manner. This would be

75
00:05:09.120 --> 00:05:13.399
<v Speaker 1>a continuous vault nut, and the essential part of this

76
00:05:13.519 --> 00:05:19.160
<v Speaker 1>schedule would be the three triangles. Again, but the three

77
00:05:19.199 --> 00:05:22.079
<v Speaker 1>triangles in this one are continuous, and you could tell

78
00:05:22.439 --> 00:05:24.319
<v Speaker 1>you've got the three triangles in the middle and then

79
00:05:24.319 --> 00:05:27.600
<v Speaker 1>the three triangles on the outside, but each one of

80
00:05:27.639 --> 00:05:32.360
<v Speaker 1>them relate to the nine worlds in the Norse mythology,

81
00:05:33.000 --> 00:05:35.920
<v Speaker 1>so that is that one. I tried to draw it

82
00:05:36.000 --> 00:05:42.199
<v Speaker 1>a couple of times freehand, and that's kind of what

83
00:05:42.319 --> 00:05:44.399
<v Speaker 1>I came up with. So you've got the one in

84
00:05:44.439 --> 00:05:47.720
<v Speaker 1>the middle that's sort of like, you know, if you're

85
00:05:47.759 --> 00:05:50.480
<v Speaker 1>trying to freehand the vault nuts, that's what you would

86
00:05:50.519 --> 00:05:52.680
<v Speaker 1>kind of end up with. But then there's one over

87
00:05:52.720 --> 00:05:55.839
<v Speaker 1>here that's more like what you would do if you're

88
00:05:55.959 --> 00:05:59.319
<v Speaker 1>using the continuous and you could see where all the

89
00:05:59.319 --> 00:06:02.839
<v Speaker 1>little corners would be versus the top. And so the

90
00:06:02.920 --> 00:06:05.560
<v Speaker 1>vulknut is an interesting symbol. They don't know what it's

91
00:06:05.600 --> 00:06:09.160
<v Speaker 1>actually called. They have no idea. It was just included

92
00:06:09.240 --> 00:06:12.639
<v Speaker 1>in these panels having to do with Odin, having to

93
00:06:12.639 --> 00:06:17.759
<v Speaker 1>do with sacrifice, having to do with sleep near Odin's horse,

94
00:06:18.639 --> 00:06:22.120
<v Speaker 1>and so what they think it might be is related

95
00:06:22.199 --> 00:06:27.839
<v Speaker 1>to the ideas of binding, unbinding, and banishing. I'm throwing

96
00:06:27.879 --> 00:06:30.000
<v Speaker 1>the banishing in there because that's sort of part of

97
00:06:30.079 --> 00:06:35.160
<v Speaker 1>unbinding as well. But it's a knot, right, So it's

98
00:06:35.240 --> 00:06:39.040
<v Speaker 1>the vault knot, and so the way that they were

99
00:06:39.160 --> 00:06:43.240
<v Speaker 1>using it seems to be related. It was always the

100
00:06:43.360 --> 00:06:49.360
<v Speaker 1>underside of the horse sleep near, so between the two

101
00:06:49.439 --> 00:06:52.240
<v Speaker 1>legs on the outside, you'll see the vault nut because

102
00:06:52.720 --> 00:06:57.439
<v Speaker 1>it sort of almost represents those you know, six other legs, right,

103
00:06:57.480 --> 00:07:00.360
<v Speaker 1>because he was an eight legged horse. And to me

104
00:07:00.720 --> 00:07:04.759
<v Speaker 1>it really sounds like something having to do with dream

105
00:07:04.839 --> 00:07:08.279
<v Speaker 1>travel or some sort of out of body experience because

106
00:07:08.319 --> 00:07:12.319
<v Speaker 1>sleep Near is like all of the gods have these chariots, right,

107
00:07:12.920 --> 00:07:16.480
<v Speaker 1>they have this sort of vehicle interpretation, and I think

108
00:07:16.519 --> 00:07:19.680
<v Speaker 1>that has to do with the shamanistic way of approaching them.

109
00:07:19.759 --> 00:07:24.160
<v Speaker 1>So this kind of vaultnat idea is sort of the

110
00:07:24.199 --> 00:07:28.920
<v Speaker 1>binding and unbinding of the mind to these things so

111
00:07:28.959 --> 00:07:32.000
<v Speaker 1>that you can mount sleep Near and go where you

112
00:07:32.040 --> 00:07:35.680
<v Speaker 1>need to go, you know, use that rainbow bridge. So

113
00:07:36.399 --> 00:07:43.560
<v Speaker 1>that's the kind of looks like the sign that they

114
00:07:43.680 --> 00:07:45.759
<v Speaker 1>use for radioactive materials.

115
00:07:45.920 --> 00:07:48.120
<v Speaker 2>Yeah, I was speaking to that when you had it

116
00:07:48.160 --> 00:07:51.000
<v Speaker 2>before with the three triangles. I was like, why does

117
00:07:51.000 --> 00:07:52.519
<v Speaker 2>that remind me of like a biohazard?

118
00:07:54.279 --> 00:08:01.199
<v Speaker 1>Right? But you know what they were hoping with that symbol,

119
00:08:00.319 --> 00:08:06.399
<v Speaker 1>the radioactive symbol is if humanity gets wiped out, people

120
00:08:06.480 --> 00:08:09.720
<v Speaker 1>can see that and instantly no danger, don't go here

121
00:08:10.279 --> 00:08:12.639
<v Speaker 1>without any words, because what if they can't even read

122
00:08:12.680 --> 00:08:15.399
<v Speaker 1>English anymore at that point? So what they were trying

123
00:08:15.399 --> 00:08:17.839
<v Speaker 1>to do is trying to get people's attention, so they'll

124
00:08:17.839 --> 00:08:20.480
<v Speaker 1>put that clost to a skull, But what they end

125
00:08:20.600 --> 00:08:23.879
<v Speaker 1>up doing is creating an even more cult glyph. You've

126
00:08:23.879 --> 00:08:26.040
<v Speaker 1>got the three triangles next to the skull. You can't

127
00:08:26.079 --> 00:08:28.279
<v Speaker 1>be any more odentic than that, you know. I mean,

128
00:08:28.560 --> 00:08:30.600
<v Speaker 1>you've got all of the symbols right there for odin.

129
00:08:31.160 --> 00:08:36.200
<v Speaker 1>And what's interesting too, is uranium comes from Uranos or

130
00:08:36.360 --> 00:08:40.639
<v Speaker 1>Urinus of the sky, and so that's also what you've

131
00:08:40.679 --> 00:08:45.039
<v Speaker 1>got in the radioactive materials. So no matter what you do,

132
00:08:45.120 --> 00:08:46.120
<v Speaker 1>you can't get away from the.

133
00:08:46.080 --> 00:08:48.279
<v Speaker 2>Gods, you know.

134
00:08:49.799 --> 00:08:55.519
<v Speaker 1>Also, we got these great new shirts. Yes, Vanessa of

135
00:08:55.639 --> 00:08:59.960
<v Speaker 1>Truth and dies, and she included this little tree there.

136
00:09:00.000 --> 00:09:04.720
<v Speaker 1>I don't know, see life. Yeah, I got a card

137
00:09:04.720 --> 00:09:07.639
<v Speaker 1>from her too. Oh what's that is that? A is

138
00:09:07.840 --> 00:09:08.279
<v Speaker 1>a skull?

139
00:09:08.679 --> 00:09:09.440
<v Speaker 2>It's an eclipse?

140
00:09:10.559 --> 00:09:11.440
<v Speaker 1>Oh nice?

141
00:09:11.759 --> 00:09:15.240
<v Speaker 2>Yeah, yeah it does. Actually, Yeah, I got that. You

142
00:09:15.279 --> 00:09:16.360
<v Speaker 2>got an eyeball on yours.

143
00:09:17.799 --> 00:09:20.120
<v Speaker 1>I think she mixed them up. You gotta have the eyeball.

144
00:09:21.679 --> 00:09:23.600
<v Speaker 2>And yeah, just to let everybody else know, I mean

145
00:09:23.639 --> 00:09:25.480
<v Speaker 2>she's sent out. I think like Tennedy's like a whole

146
00:09:25.480 --> 00:09:27.159
<v Speaker 2>bunch of other people got them pretty much everybody in

147
00:09:27.159 --> 00:09:30.240
<v Speaker 2>the Cult Rejects got a T shirt from this lady, right.

148
00:09:30.399 --> 00:09:33.399
<v Speaker 1>I wanted to read her note because you know this

149
00:09:33.559 --> 00:09:36.519
<v Speaker 1>is kind of big. She goes Headless. I'm so glad

150
00:09:36.559 --> 00:09:39.000
<v Speaker 1>I found you on the Occult Rejects. Your knowledge of

151
00:09:39.039 --> 00:09:43.240
<v Speaker 1>Greek mythology is mind blowing. Love and healing your opinions,

152
00:09:43.440 --> 00:09:46.600
<v Speaker 1>hearing your opinions on the show. I'm loving the Uncle

153
00:09:46.639 --> 00:09:50.279
<v Speaker 1>Headless's magical mailbag. Anybody ever tell you that with the

154
00:09:50.279 --> 00:09:52.879
<v Speaker 1>glasses you look like Lane Stanley.

155
00:09:52.919 --> 00:10:00.799
<v Speaker 2>I don't know shit. The guy from Alice Jane Yeah, nice, hell.

156
00:10:00.759 --> 00:10:05.440
<v Speaker 1>Yeah, keep kicking ass much love Vanessa and her website.

157
00:10:05.559 --> 00:10:11.399
<v Speaker 1>You can find her on Instagram. Truth and Dies, Truth

158
00:10:11.440 --> 00:10:14.000
<v Speaker 1>and Dies, so check that out. I should have put

159
00:10:14.039 --> 00:10:16.320
<v Speaker 1>that on the description point.

160
00:10:17.759 --> 00:10:19.360
<v Speaker 2>That's all right, thank you so much.

161
00:10:22.879 --> 00:10:23.679
<v Speaker 1>Let's see.

162
00:10:29.279 --> 00:10:33.240
<v Speaker 2>Chief Keeper JJ sending a good one this week.

163
00:10:34.240 --> 00:10:37.000
<v Speaker 1>I don't think shej sent me one. I thought I

164
00:10:37.039 --> 00:10:40.960
<v Speaker 1>had one, but I guess not. Well, you know what, guys,

165
00:10:42.480 --> 00:10:44.000
<v Speaker 1>it's time to send those stories in.

166
00:10:46.320 --> 00:10:48.440
<v Speaker 2>We do actually have guests coming on soon too for this.

167
00:10:49.320 --> 00:10:54.360
<v Speaker 1>Right, So, I guess that's what we got for this week.

168
00:10:54.759 --> 00:10:59.080
<v Speaker 1>If you guys want to send me those stories, I'll

169
00:10:59.159 --> 00:11:03.240
<v Speaker 1>read anything, and break him down the best way I can. Vanessa,

170
00:11:03.279 --> 00:11:05.639
<v Speaker 1>there you are in the chat. Thank you so much, Terra,

171
00:11:06.960 --> 00:11:11.759
<v Speaker 1>thank you for dropping by. Yeah so I guess that's it.

172
00:11:12.200 --> 00:11:12.360
<v Speaker 2>Uh.

173
00:11:12.480 --> 00:11:15.720
<v Speaker 1>You guys have a great day. This has been Headless's

174
00:11:15.759 --> 00:11:17.960
<v Speaker 1>magical mail bag. You got to fill that mail bag. People,

175
00:11:18.240 --> 00:11:22.679
<v Speaker 1>fill the mail bag, all right, all right, I'll talk

176
00:11:22.720 --> 00:11:23.960
<v Speaker 1>to you later. Bye.