Speaker 1: The National Broadcasting Company presents Radio City Playhouse Attraction five
Speaker 1: Attraction five Special Delivery, starring Abby Lewis as Hilda, a
Speaker 1: woman tormented by doubt and jealousy.
Speaker 2: The script was written by Harry W.
Speaker 1: Jenkin, who also directs the production. Here is Radio City
Speaker 1: Playhouse Attraction five Special Delivery.
Speaker 3: Maybe you don't believe in coincidence. Maybe you won't believe
Speaker 3: all this could happen in one day, or that it's
Speaker 3: too much to believe that Neil would telephone five minutes
Speaker 3: after that letter was mailed. Maybe you'll say some coincidence,
Speaker 3: or say it it's the same thing that picks one
Speaker 3: train out of all the trains in the world, one
Speaker 3: car out of all the cars in the world, and
Speaker 3: one railroad crossing out of all the railroad crossings in
Speaker 3: the world.
Speaker 1: As as she writes, her hand sticks to the paper,
Speaker 1: the new heat is unmoving, solid, relentless. At the end
Speaker 1: of the letter, she signs her name.
Speaker 3: Your loving Dodd now Hilda, and that my fine prancing
Speaker 3: husband will fix you. Ellen, Judge James T. Bradley, Ellen
Speaker 3: A Mail Special Delivery. Ellen, for heaven's sake, what are
Speaker 3: you doing? Yes, missus Bradley. I want you to mail this.
Speaker 3: It's a male special delivery. You'll need a thirteen and
Speaker 3: a five. Here's a dollar get the stance at drug store. Yes,
Speaker 3: Missus Bradley. If you hurry, you'll catch to one o'clock.
Speaker 3: Pick up from the mail box at the corner. I'll
Speaker 3: hurry Missus brad hits to mister Bradley's father in Washington.
Speaker 3: It's very important. It's got to get their own time. Okay,
Speaker 3: Missus Bradley, I'll hurry her. Yes, youth Us Governor.
Speaker 2: M.
Speaker 3: Handy Post Office, think Avenue and finish First Street, Pennsylvania,
Speaker 3: six seven oh nine nights six seven a man Nae.
Speaker 2: Post Office.
Speaker 3: I want to inquire about a letter, Yes, madam, a
Speaker 3: letter mail just now from New York to Washington air
Speaker 3: male special delivery. When would it get there? But it
Speaker 3: should be there by nine o'clock tonight, madam. If it's
Speaker 3: marked special delivery, they'd send it out right away. You're
Speaker 3: sure it would be there by ten. Of course I
Speaker 3: can't guarantee it, madam, but you think it would be? Yes, madam?
Speaker 3: All right? Thank you? Oh need you?
Speaker 2: Oh?
Speaker 3: Could you too? Hello?
Speaker 2: Hilda? That you Hilda? Yes, you sound peculiar.
Speaker 3: I'm all right.
Speaker 4: Is it still convenient for me to drop in to night?
Speaker 3: I was expecting you. Ellen has the rest of your
Speaker 3: things packed, they'll be ready.
Speaker 2: I'd like to see you, Hilda. What do you.
Speaker 3: Want a farm Farewell?
Speaker 2: Hilda?
Speaker 3: I got the evening old planned. We can toast each
Speaker 3: other in life, to guess.
Speaker 5: I wish you'd listen to reason reason you you're sat Hilda.
Speaker 4: We can't talk on the phone. You're so mixed up
Speaker 4: with love and hate. You don't know what to think.
Speaker 4: I don't want to leave you.
Speaker 2: I love you.
Speaker 5: I've told you that a thousand times. I've said it
Speaker 5: so often that you almost believe it.
Speaker 2: Leep down, you believe it, don't you, Oly.
Speaker 3: I don't know. One minute I could claw you apart,
Speaker 3: and the next.
Speaker 2: I con Hilda. It won't hurt you to talk to me,
Speaker 2: will it?
Speaker 3: It always has?
Speaker 2: I love you, Darling. You can't just throw me out
Speaker 2: like this. There's nothing with Sharon. There's never been anything
Speaker 2: with Sharon.
Speaker 3: If only weak I could believe it's.
Speaker 5: True, dear, honestly true. I I just can't believe this
Speaker 5: is happening to us. You can't mean it. Please see
Speaker 5: me just once more, please, Hilda.
Speaker 3: Neil, Neil, Do you really think we could get I'm.
Speaker 2: Sure we could. Oh, He'll that, Darling. I love you.
Speaker 2: You can only trust me.
Speaker 3: But you're so Oh I know, I know, Saint, I've
Speaker 3: eaten with jealousy.
Speaker 2: It's true, Hilda.
Speaker 3: Only will I give anything? We could? I try not
Speaker 3: to be just. You don't know what it's like one
Speaker 3: minute I want, I know, I know.
Speaker 2: Don't. Let's talk on the phone, Dear. I'll be up tonight.
Speaker 4: Just remember, no matter what else you think, I love you.
Speaker 3: Want to come for dinner.
Speaker 2: Oh, Held, You'll never be sorry. We can get back
Speaker 2: together again. You'll never be sorry.
Speaker 3: I promise, maybe we can. Maybe I want you terribly.
Speaker 3: I can't talk anymore. Come about it, all right, Held, goodbye, goodbye.
Speaker 3: Why is it this one moment I'm lov him to
Speaker 3: death and the next moment I want to kill you?
Speaker 2: Huh?
Speaker 3: The letter Ellen? Never mind that letter Ellen, Helen Ellen.
Speaker 6: Perhaps if I park in the shade, Missus Bradley, the
Speaker 6: car w'd be cooler.
Speaker 3: This is all right, Brooks.
Speaker 7: What time is it?
Speaker 6: Eh, twenty five past one, Missus Bradley.
Speaker 3: But it says on the leftter box. If the pickup
Speaker 3: is it one, Brooks, where can he be?
Speaker 6: Heal'll be along?
Speaker 3: It says one o'clock on the box. Why don't they
Speaker 3: clear it at one o'clock? Do you think we'd missed him?
Speaker 6: Well? I wouldn't know, miss Bradley Brooks.
Speaker 3: I'm going to ask for a lefterback. Do you think
Speaker 3: he'll give it to me?
Speaker 6: I wouldn't know, Missus Bradley.
Speaker 3: After all, I wrote it. It's not as though it
Speaker 3: was somebody.
Speaker 6: Else's letter, No, miss Bradley, not when you wrote it.
Speaker 3: The devil doesn't come.
Speaker 6: He'll probably be along soon, Missus Bradley.
Speaker 3: Or if i'd only called Ellen before she knew it, Brooks,
Speaker 3: there he is.
Speaker 8: I want me to come, leader, Missus Bradley Brooks, I
Speaker 8: won't be long.
Speaker 3: A postman?
Speaker 1: Yeah, lady, what is it?
Speaker 3: Are you going to open that letter box?
Speaker 2: Oh?
Speaker 9: That's what I get paid for?
Speaker 1: Lady?
Speaker 3: How much?
Speaker 2: What?
Speaker 3: How much do you get paid?
Speaker 8: What are you talking about?
Speaker 3: How much money do you make?
Speaker 8: I don't see is how that's any of your business?
Speaker 3: Sorry? I didn't know.
Speaker 9: That's okay, lady.
Speaker 3: You see I nailed my maiden name. I mean I
Speaker 3: nailed and.
Speaker 2: You better get that straight, lady.
Speaker 3: Yes, yes, I nailed a letter. I wrote it too,
Speaker 3: just a little over an hour ago. It's in this box.
Speaker 3: I must get it back. What I must get it back?
Speaker 3: I can prove I wrote it. I brought a sample
Speaker 3: of my handwriting so that you'd know that I wrote it.
Speaker 3: It's addressed to Judge Bradley and Washington. It's the email
Speaker 3: Special Delivery, and it's terribly important that I get it back.
Speaker 3: I forgot to put something in it that I should
Speaker 3: have and it's terribly lady.
Speaker 8: You're not making sense.
Speaker 9: What did you put in the letter?
Speaker 8: Lady?
Speaker 3: Listen to me, please, it's terribly urgent.
Speaker 8: I'm listening all right, but you're not making sense what
Speaker 8: I mean? There isn't a chance of you getting a
Speaker 8: letter that's been.
Speaker 2: Dropped in this bar.
Speaker 3: Why I wrote it? It's mine. I shouldn't a w
Speaker 3: it's a terribly bad, wicked level.
Speaker 9: I shouldn't now it's wicked.
Speaker 8: Eh, What first you say you left something map? Now
Speaker 8: it's wicked.
Speaker 1: What is in the letter?
Speaker 2: Lady?
Speaker 3: I'll give you five hundred dollars for that letter? You will, yes,
Speaker 3: right now, I've got it here.
Speaker 2: The money right from keep it there.
Speaker 3: What the cop?
Speaker 8: No, No, across the street.
Speaker 2: He's watching us.
Speaker 9: It's broad daylight.
Speaker 8: Now, don't start waving a hundred dollars bills to be
Speaker 8: right under a CoP's nose.
Speaker 3: Five hundred dollars for my letter must be some letter.
Speaker 3: Will you give it to me?
Speaker 8: That's your car over there, big one with the chauffeur.
Speaker 8: Make it a thousand.
Speaker 3: I can't. I can't possibly give you a thousand dollars.
Speaker 9: I haven't got get it. Then I can't, okay, lady,
Speaker 9: I can't.
Speaker 3: I can't get a thousand dollars without my husband wanting to.
Speaker 9: Know what we tell him.
Speaker 8: Then this letter you having a little fun on the side.
Speaker 2: Oh you all right?
Speaker 9: Have it your way, lady.
Speaker 3: Here five hundred dollars like, no, take it, take it
Speaker 3: and give me.
Speaker 9: Rush that door again, and so help me.
Speaker 8: I'll layer one.
Speaker 9: That cup's coming over, and I shut up.
Speaker 8: Can't you give it to give it?
Speaker 2: Shut up?
Speaker 8: That cups coming over.
Speaker 3: I'll follow you in my car.
Speaker 6: I followed you, all right, but beat it.
Speaker 3: Find the place is quiet, I'll follow you. I'm sure
Speaker 3: you can hang on to a mail prop with a camera.
Speaker 6: Don't worry, missus Bradley.
Speaker 3: Where's he going?
Speaker 6: Probably another box on.
Speaker 3: His room, watching traffic's getting heavier. Book, he's making that
Speaker 3: light go on. Books, never mind the light go on.
Speaker 6: I can't miss. I'm sorry you've lost I couldn't help
Speaker 6: it out of rundown.
Speaker 2: I'm just swear. Do you think you're going chucking?
Speaker 6: I'm sorry, officer, but we're catching a train.
Speaker 2: No, ain't that's swell.
Speaker 3: We're in the officer plea that it is terribly important.
Speaker 7: Yes, it's also important that your bad traffic signals not
Speaker 7: back up.
Speaker 3: Officer.
Speaker 7: Please, you mustn't look lady obstructing traffic. I'm telling you
Speaker 7: to back up and wait for the green knock back up.
Speaker 6: As officer, you've lost your full Brooks. Well, I'm sorry,
Speaker 6: missus Brandy, but if I kept on going, I had
Speaker 6: to run down that policeman.
Speaker 3: It's all right, Brooks, it's not your fault. I guess
Speaker 3: you gotta take me home. You you US government? M
Speaker 3: M then Hope Post Office, Pennsylvania six seven nine.
Speaker 2: H Post Office.
Speaker 3: Who's in charge of everything?
Speaker 2: Well?
Speaker 3: Just what was it you wanted?
Speaker 9: Madam?
Speaker 3: I asked you a perfectly plain question. I want to
Speaker 3: know who's in charge of everything. Mister Rogers is a
Speaker 3: postal superintendent, Madam, let me speak to him please just
Speaker 3: a moment, Madam. Hello, Hello, mister Rogers, this is missus
Speaker 3: Neil J. Bradley speaking. I must see you about something
Speaker 3: very important. If I came right down to your.
Speaker 2: Office, could you see me just what wasn't you wanted,
Speaker 2: Missus Bradley.
Speaker 3: I can't possibly tell you about it over the telephone.
Speaker 3: I must see you, mister Rogers. Please let me come
Speaker 3: down well.
Speaker 4: If it's that important, try certainly. Eighth Avenue and thirty
Speaker 4: first three.
Speaker 3: Thank you, mister Rogers. I'll be down in twenty minutes.
Speaker 2: Come in, Missus Bradley.
Speaker 3: Thank you.
Speaker 2: Sit down, won't you?
Speaker 3: Thank you?
Speaker 2: Well? What can I do for you?
Speaker 3: It's hard to know where to start. Do you think
Speaker 3: that people who aren't really basically bad can ever do
Speaker 3: wicked things?
Speaker 2: I beg your pardon.
Speaker 3: I've done something something gasping.
Speaker 2: Missus Bradley. I don't know quite what you mean, mister Rogers.
Speaker 3: Are you married? What are you well?
Speaker 2: As a matter of fact, I am why do you
Speaker 2: love your wife? Missus Bradley? What are you talking about?
Speaker 2: Do you why? Yes? Yes, of course I love my wife.
Speaker 3: Do you love her so much sometimes you want to
Speaker 3: kill her?
Speaker 4: Really, Missus Bradley, I can't, for the life of me
Speaker 4: understand what it is you want me to do.
Speaker 3: Well, I I wrote a letter, a special delivery letter,
Speaker 3: a letter, A dreadful, terrible letter. Let it isn't true
Speaker 3: at all. It's terrible.
Speaker 2: Have I since?
Speaker 3: I got to get it back. If I don't get
Speaker 3: it back, my husband's life and my life. I just
Speaker 3: got to get it back.
Speaker 4: This is Bradley. There's no use here going on. You
Speaker 4: come down here to get a letter back. It's quite impossible,
Speaker 4: quite impossible.
Speaker 3: Listen to me, Please listen to me. You don't know
Speaker 3: what was in the letter. It wouldn't matter that two
Speaker 3: lies will be hopelessly wrecked.
Speaker 4: I'm sorry. How can you be so calous, Missus Bradley.
Speaker 4: The moment a letter is mail, it becomes the property
Speaker 4: of the address. See it's an absolutely unbreakable regulation regulation.
Speaker 3: This letter is murdered.
Speaker 2: Missus Bradley. You'd better go home. You're upset.
Speaker 3: Please let me tell you.
Speaker 1: Please.
Speaker 3: My husband and I were very close. We were very
Speaker 3: deeply in health. I think we could be again anyway.
Speaker 3: He was overseas for four years Franks mostly. I took
Speaker 3: it very badly. I was awful about it. I cried
Speaker 3: at the beast provocation I imagined it, but with all
Speaker 3: thoughts of French women. Now, Oh, I know I'm neurotic.
Speaker 3: I just can't help me that way. Jealous, I've always
Speaker 3: been jealous. I fight it. I swear I'll never again
Speaker 3: be suspicious or horrible, but I am. I was always
Speaker 3: that for jealous of his work, his business, his friends, everything.
Speaker 3: Then we lost a baby. I'm a little older.
Speaker 4: Than you, missus Bradley. This is very hard on you.
Speaker 4: Why don't you let me send you home in my car?
Speaker 2: It's no use.
Speaker 3: I was afrazed that he was beginning to think that
Speaker 3: I was too old for him, too old for him
Speaker 3: to love. He began to see something of another woman,
Speaker 3: Sharon Elders. I thought I'd go crazy. I used to
Speaker 3: plan how I could kill it, then kill him. Oh,
Speaker 3: don't look so stricken. I never got to the point
Speaker 3: that I attempted murder, but I go on, I reached
Speaker 3: that point today.
Speaker 8: What do you mean there is murder in that letter?
Speaker 2: I don't understand.
Speaker 3: Do I have to tell you everything? Can't you understand.
Speaker 3: That's what I don't want to do.
Speaker 4: This is Bradley. I can't do anything for you, really,
Speaker 4: I can't. I'd like to help you, but I can.
Speaker 3: Why Why it's that I wrote it? Nobody else has
Speaker 3: seen it, nobody It can't do anybody any harmless. You'll
Speaker 3: give it back. I'll tear it up right here in
Speaker 3: your office. You can tear it up yourself. Nobody will
Speaker 3: ever know. I swear I'll never tell anybody. Never, Please,
Speaker 3: mister Rogers. I'm nearly out of my mind.
Speaker 2: Missus Bradley. You will have to excuse me.
Speaker 3: Just after I mailed the letter, Neil telephoned. He's coming
Speaker 3: over tonight for dinner. And mister Rogers, if that letter's
Speaker 3: delivered to his father in Washington, I'll never see me
Speaker 3: again in my life. Do you understand that? Never again
Speaker 3: in my life? You can't refuse me in the name
Speaker 3: of common ordinary pity.
Speaker 6: You've got to listen to me.
Speaker 3: I was going to kill it tonight. Yes, it's true.
Speaker 3: I was going to kill him. I planned it all week.
Speaker 3: I was cold and relentless and incredibly clever. Every last
Speaker 3: detail was planned. The police would be food, everybody would
Speaker 3: be fooled. It was perfect. It was a perfect murder.
Speaker 2: And now you're not going to kill him. You're going home. Please,
Speaker 2: Missus Bradley, let me take you home.
Speaker 3: You don't understand I was killing him tonight by taking
Speaker 3: my own luck.
Speaker 2: He would have followed me, because because.
Speaker 3: If I could get that letter back, no one would
Speaker 3: ever know. Don't you see can't you understand?
Speaker 4: You mean you actually planned to kill yourself and have
Speaker 4: your husband take the blame.
Speaker 3: Yes, the letter was to his father, Judge Bradley. The
Speaker 3: letter was part of the plot. I said that I
Speaker 3: knew ne you would kill me tonight. The letter was
Speaker 3: to be the final piece of evidence. Oh, I've been horrible,
Speaker 3: jealous and awful, but I'm not bad, mister Rogers. Really
Speaker 3: I'm not. I just can't help it. I'll never be
Speaker 3: like this again.
Speaker 4: Please help me, please, well, really, missus Braddley, you make
Speaker 4: it so difficult.
Speaker 2: We didn't know what to do.
Speaker 3: If you can't, you can't, that's all.
Speaker 4: Wait a minute, give me the special delivery desk on
Speaker 4: three special delivery airmail.
Speaker 3: Yes, mister Rogers, shall never be sorry. I promise you,
Speaker 3: if you'll help me, you will never regret it. I
Speaker 3: swear on it.
Speaker 2: Hello, who's there? Oh Johnson? See if you've got a
Speaker 2: letter for Bradley B R A D L E Y
Speaker 2: in Washington.
Speaker 4: All right, they enter all special delivery letters in the book.
Speaker 4: What when did you mail it?
Speaker 3: Today? One o'clock?
Speaker 4: One o'clock today, air mail to Washington.
Speaker 2: Yeah, m all right Johnson. No, No, that's all. Thanks.
Speaker 4: Well your letter's gone, Missus Bradley. It'll make the plane
Speaker 4: that leaves for Washington in twenty minutes.
Speaker 3: That's two Brooks. We're only ten more minutes, or we're.
Speaker 9: Doing seventy, Missus Pratty doing.
Speaker 3: Ninety, do one hundred. Please God help me, please, he'll
Speaker 3: get it. Give me time, pleases.
Speaker 4: Flight seven to Washington. Flight seven to Washington now loading
Speaker 4: through gate.
Speaker 2: Nothing to Oliva. Please?
Speaker 3: Is that the next flight to Wash?
Speaker 9: Yes, madam, leaving in three minutes.
Speaker 3: I want a seat.
Speaker 9: I'm sorry, madam, the flight is four.
Speaker 3: I've got to get on that plane.
Speaker 9: There might be a cancelation on flight eighth, madam. If
Speaker 9: you care to stand by for an hour, I'll see.
Speaker 3: What I was in charge of the mail on that plane.
Speaker 9: Well, just what is it you want, madam?
Speaker 3: If you'll keep quiet. I'll tell you. I want to
Speaker 3: know who's in charge of the mail. Is that the
Speaker 3: ship out there, the big silver one? Is that the
Speaker 3: one that's going to wash it?
Speaker 9: Yes, madam, but it's quite impossible for me to get madam.
Speaker 3: Madam, come back here, you.
Speaker 9: Crank, go through there, madam.
Speaker 4: Seven to Washington, A.
Speaker 3: Mister you, I've got to get on this plane. Would
Speaker 3: you sell me your seat for five hundred dollars?
Speaker 2: I beg your pardon. I don't think I understand you.
Speaker 7: Miss.
Speaker 3: I'll give you five hundred dollars for your seat on
Speaker 3: this flight. I'm mostly sorry, but I have to be
Speaker 3: in washing in myself.
Speaker 8: Excuse me, let's me bye.
Speaker 3: Please, I beg your pardon.
Speaker 6: Let me pass your names.
Speaker 3: Six. I don't have a seat, but I must get
Speaker 3: on this plane because I've written a lot of this
Speaker 3: being carried on, and I have to get to Washington
Speaker 3: when the letter gets there, so that perhaps I can
Speaker 3: stop it from being delivered to my father in law.
Speaker 3: I should, madam, have you a reservation on this plane. No, no, no,
Speaker 3: I keep telling you that. But just to put somebody
Speaker 3: else off, I must be on this plate.
Speaker 4: I must.
Speaker 8: I must.
Speaker 3: But Madam, if you haven't a ticket, but I'm thinking
Speaker 3: I don't want to ride for nothing.
Speaker 9: Tickets left.
Speaker 3: Will you see the ticket agent in the airport. Please? No,
Speaker 3: it's this flight I want. I just been Washington before.
Speaker 3: Let us, but I wrote it on this plane.
Speaker 9: It's very silly.
Speaker 3: Would you mind stepping aside, madam?
Speaker 8: Please?
Speaker 3: You're preventing the passengers from boarding.
Speaker 9: Your name, sir brandj see for mister B.
Speaker 3: I wrote to this plane when I your name Adam
Speaker 3: walk mej eleven stewardess. I must get to Washington before
Speaker 3: that letter does. I may be able to explain to
Speaker 3: my father and see six. Thank you Stewards. For heaven's sake,
Speaker 3: listen to me. I've written a very silly letter that
Speaker 3: I shouldn't have written. If I don't ken my husband's
Speaker 3: your name, madam, missus George McDonald's please Stuart, and you'll me.
Speaker 3: I don't need to bother you, so I get on
Speaker 3: this plane. If you don't let me explain the name, madam,
Speaker 3: I'm sorry. I don't doubt that you're tricking urgent, but
Speaker 3: you haven't the season I am scanned up.
Speaker 2: I don't need to.
Speaker 9: Madam.
Speaker 3: We're ready to take off. You must leave the ship.
Speaker 4: Let me stay.
Speaker 3: I'll give you five dollars if you let me stay, please, Adam.
Speaker 3: If you won't get off, I'll have to have you
Speaker 3: put off. Well, I won't, I won't get off. I walk,
Speaker 3: I walk, mister Hill, mister Hills, will you help me? Seees,
Speaker 3: I can't do anything with this woman. She won't get
Speaker 3: off the ship. All right, I'll get off.
Speaker 6: Should I drive you home now? Missus Bradley, Missus Bradley.
Speaker 9: What home now?
Speaker 3: Yes, mister Bradley will be home for dinner, some coffee, Neil.
Speaker 2: No, thanks? Aren't you well, Hilda?
Speaker 4: Yes, I'm fine, you seem i've the nervous, nervous. Never
Speaker 4: seen you like this before, heild Up. Please don't worry
Speaker 4: about things. It's all settled, isn't it.
Speaker 3: I guess so, you guess so. I don't want to
Speaker 3: talk about it any more.
Speaker 2: I don't understand you to night here.
Speaker 3: I don't understand myself. What time is it?
Speaker 2: Quarter after? Ten?
Speaker 9: Minute?
Speaker 2: What?
Speaker 3: Nothing?
Speaker 2: What do you mean any minute?
Speaker 8: Now?
Speaker 3: Nothing?
Speaker 2: You must have meant something.
Speaker 4: It doesn't matter, hild Up. Please don't brood any more.
Speaker 4: I thought i'd come up here and had we just settled,
Speaker 4: it all. I even told the hotel.
Speaker 2: I'd be checking out to night. I thought maybe i'd
Speaker 2: come back here to night. Hilda thought you'd want me to.
Speaker 3: I do want you to.
Speaker 2: I do.
Speaker 3: You'll go for your bags? Now go right now, will
Speaker 3: you please? It'll only take you an hour?
Speaker 2: Yilda? What is bothering you? You're shaking like a leaf.
Speaker 3: I can't stand anymore.
Speaker 2: What here is it? Reenacting so strangely? You'll evening? Please
Speaker 2: don't cry, Hilda.
Speaker 4: Tell me what it is. I can help, Darling. It
Speaker 4: kills me to see you like this. There's nothing to
Speaker 4: cry about. Now, everything's going.
Speaker 2: To be all.
Speaker 3: Leave me alone.
Speaker 2: Don't touch me, Hilda.
Speaker 3: You might as well go this. You shall stay any longer.
Speaker 2: I thing. I've never seen you so upset. Here.
Speaker 4: Drink this please, Hilda. Have some coffee please, I don't
Speaker 4: want any coffee. Please here, drink it.
Speaker 3: It's it's cold.
Speaker 2: It'll do you good. I dropped that cup. You'd have
Speaker 2: murdered me.
Speaker 3: Don't what. Don't answer it, Hilda, don't answer it.
Speaker 2: I tell you you can't answer it in that condition.
Speaker 3: Leave it, leave it.
Speaker 4: Let it ring, Hilda, don't be silly. Hello, Yes, this
Speaker 4: is Regent four, nine ninety seven. Oh, thank you. Washington
Speaker 4: must be dead.
Speaker 2: No, hello, Dad, it's Neil. Well.
Speaker 4: I didn't expect to be here either, but Hilda and
Speaker 4: I have everything patched up.
Speaker 2: Well. I'm glad too.
Speaker 3: God help me you what.
Speaker 2: A letter from Hilda to night? What?
Speaker 8: Well?
Speaker 2: You better talk to Hilda about it? Here? Talk to Dad.
Speaker 3: No, I don't want to talk to you.
Speaker 2: Control yourself.
Speaker 9: Hell, that's something about a letter?
Speaker 2: You will?
Speaker 6: I know.
Speaker 8: I don't want to talk to him.
Speaker 4: Just a minute, dad, Hilda, will you control yourself if
Speaker 4: you write him a special delivery letter?
Speaker 2: Yes? Yes, at least lost.
Speaker 3: It or something?
Speaker 2: What? Talk to him? For goodness sake, stop crying, Jill me.
Speaker 2: He'll tell you. The postman brought him a letter in
Speaker 2: your handwriting special delivery.
Speaker 4: He took it out, laid down on the terrace railing
Speaker 4: while he fume for his glasses, and it blew off.
Speaker 3: God a time.
Speaker 4: He got down eight flights to the street that had
Speaker 4: blown in the Kingdom com or something here? Talk to him?
Speaker 3: What? What did you say? Hello?
Speaker 7: Yes?
Speaker 2: What?
Speaker 8: Yes?
Speaker 3: It was nothing?
Speaker 1: You have just heard? Special Delivery as written by Harry W. Jncan,
Speaker 1: who also directed the production. Abby Lewis starred as Hilda Bradley.
Speaker 1: Other players in the cast included ln Clark, Scott McKay,
Speaker 1: Bernard Grant, Lannie Carville, Mildred Clinton, and Joel Marston. The
Speaker 1: music was composed and conducted by doctor Roy Shield. Radio
Speaker 1: City Playhouse is supervised for the National Broadcasting Company by
Speaker 1: Richard P.
Speaker 2: McDonough. Next week, Hit and Ron, written.
Speaker 1: By Max Schue, It is the story of a man
Speaker 1: who made a mistake and made amends in the only
Speaker 1: way he knew how. In the demanding role of Hal
Speaker 1: Lawrence will be heard the young American actor Casey Allen,
Speaker 1: whose brilliant performance some weeks ago in Radio City Playhouse
Speaker 1: merit at a return appearance. We sincerely hope you will
Speaker 1: join us next Saturday for Hit and Run Attraction six,
Speaker 1: Radio City Playhouse.
Speaker 2: The people of the.
Speaker 1: War shaken lands of Europe, men, women and children still
Speaker 1: look to the people of the United States for help
Speaker 1: in this period of hunger and want. For just ten dollars,
Speaker 1: you can send the care package to relatives or friends
Speaker 1: in Europe, or if you have no particular person or
Speaker 1: family you wish to help, one of Care's member agencies
Speaker 1: will choose a family. For you, just send ten dollars
Speaker 1: to care c Are New York. The address again care
Speaker 1: cre New York. This is Robert Warren speaking.
Speaker 2: This is end.
Speaker 1: See the National Broadcasting Company
Speaker 8: H H.