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<v Speaker 1>Welcome everyone to a very smooth episode of Jeff Jeff

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<v Speaker 1>bizzar Adventure. To my left, I have the psychedelic Lucy James.

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<v Speaker 2>We're goome to midnight drive here with Jeff Jeffs Bizarre Adventure.

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<v Speaker 2>Thank you so much, John, it's great to be here.

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<v Speaker 1>And to my right, I have the man known as

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<v Speaker 1>the Funkatronic. It's Tomorrow's saying.

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<v Speaker 3>Hello everyone, I am the Funkatronic. Goodbye. That's all.

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<v Speaker 1>That's so and oh oh he's saying what we're all thinking.

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<v Speaker 1>It's the pterodactyl Jeff beckl Art.

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<v Speaker 4>Yeah, that's right, it's it's a pterodactyl. That's the pterodacyl talk.

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<v Speaker 4>Nobody knows, no one's around, but I'll tell you what.

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<v Speaker 4>It's sixty eight degrees light, winds out of the southwest,

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<v Speaker 4>beautiful time for a drive home. Thanks for joining the.

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<v Speaker 1>Or wait, what is Jeff and in the show? For it?

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<v Speaker 1>For it? Two minutes in?

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<v Speaker 4>Thanks for joining the Pterodactyl.

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<v Speaker 1>We'll get back to Jeff just bizarre Adventure right after this.

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<v Speaker 2>You could have done the Pterodactylus the Eye in the sky.

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<v Speaker 1>Yeah, yeah, that's I really feel like, I really feel

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<v Speaker 1>like I kind of I set you up with gold

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<v Speaker 1>for that bit. I just feel like I got pteradact

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<v Speaker 1>I just feel like I got nothing back.

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<v Speaker 4>This.

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<v Speaker 1>Please Yeah, I used to a dactyl.

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<v Speaker 5>I spell it, spell it.

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<v Speaker 2>P T E R O wrong.

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<v Speaker 4>What I don't know.

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<v Speaker 5>I used to listen to a show called Alan Robson's

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<v Speaker 5>Night Owls Northeast radio show, and the whole catchphrase for

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<v Speaker 5>the show was did not have a pooh between ten

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<v Speaker 5>and two, because those are the hours that he was on,

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<v Speaker 5>and it was a call in show. It's like, didn't

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<v Speaker 5>have a poo between ten and two?

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<v Speaker 2>You know he's doing no.

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<v Speaker 4>I don't know.

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<v Speaker 1>Do we get him on here?

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<v Speaker 4>We get that guy?

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<v Speaker 2>We get that guy. I think he got like an

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<v Speaker 2>obe or something.

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<v Speaker 4>A terodactyl that would have been good for like the

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<v Speaker 4>Flintstones traffic report. You know.

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<v Speaker 1>I don't know, Jeff, I think like, you know, you

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<v Speaker 1>could have you could have done some squawking. You could

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<v Speaker 1>have been a bit more like the last couple.

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<v Speaker 3>He deserves an I don't know, I don't know why.

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<v Speaker 1>You know what time you're doing? Right? I am no,

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<v Speaker 1>I'm not gonna, I'm not going. Can't all knock it out?

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<v Speaker 1>Of the park first time. Take it away to the terodactyl,

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<v Speaker 1>Jeff Beckeler, This is the pterodactyl, pete the pterodactyl. That's

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<v Speaker 1>not an alliteration. Don't worry about it.

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<v Speaker 4>Uh listen, I'm up in the sky, I'm cruising through

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<v Speaker 4>the Northwest, and I'm seeing some shit. I won't I

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<v Speaker 4>can't squad because this terodactyl's got a sore throat. Back

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<v Speaker 4>to you, John in.

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<v Speaker 3>The studio, somehow worse than the first YEA, yeah.

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<v Speaker 1>That's definitely like its kind of moraler energy.

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<v Speaker 4>You know, I think it's messed up that we're all

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<v Speaker 4>assuming pterodactyl's squalled, and I think, hmm, that's like an

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<v Speaker 4>unfair assumption.

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<v Speaker 1>Yeah, you think you think it's the kind of whole

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<v Speaker 1>dinosaur feathers kind of thing happening.

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<v Speaker 4>Oh, I mean the one dinosaur that flew. I don't know,

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<v Speaker 4>maybe you.

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<v Speaker 2>Think it was the only one that flew.

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<v Speaker 4>That's popular, the most popular flying one.

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<v Speaker 5>And you know the kid yesterday, well, the my friend's

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<v Speaker 5>kid was saying, like having her milk before she's going

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<v Speaker 5>to bed and triump. Can you tell me about dinosaurs

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<v Speaker 5>and sharks? And one story and the thing is is

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<v Speaker 5>that it turns out I have a very limited knowledge

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<v Speaker 5>about both. So you could tell me that the t

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<v Speaker 5>rex flies and I'd be like, maybe was it in

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<v Speaker 5>the movie?

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<v Speaker 2>Missed it?

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<v Speaker 4>Yeah? Dinosaurs are neat. They're fun. You know, sharks sharks too,

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<v Speaker 4>but I think dinosaurs are cooler.

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<v Speaker 3>Growl, hiss or click rather than squawk like birds.

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<v Speaker 4>So there you go, there's your click.

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<v Speaker 1>You're not getting a third shot.

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<v Speaker 5>Do you remember when they found that Neanderthal body and

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<v Speaker 5>they recreated what his voice would sound like and it

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<v Speaker 5>sounded hilarious.

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<v Speaker 1>It sounded like, ah, do you guys feel like that

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<v Speaker 1>science is constantly trying to humiliate the dinosaur?

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<v Speaker 4>Ye? No, I don't think that's true.

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<v Speaker 1>You think I think by putting I think that the

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<v Speaker 1>dinosaur had a very noble and frightening air to them

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<v Speaker 1>around Jurassic Park, And I feel like since then, body,

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<v Speaker 1>there's just this group of fucking scientists and they're like, oh,

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<v Speaker 1>guess what. They grew feathers or they had feathers, Oh

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<v Speaker 1>guess they They they sounded like weenies when they said anything,

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<v Speaker 1>Oh guess what. They're really gentle lovers, those one on,

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<v Speaker 1>isn't it?

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<v Speaker 5>No?

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<v Speaker 4>You made the last one up that I don't think. Yeah,

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<v Speaker 4>I don't think giving a gigantic like two story tall. Uh,

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<v Speaker 4>you know, dragon lizard is like all of a sudden,

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<v Speaker 4>you know, gentle, you know, like, come on, what are

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<v Speaker 4>you talking about?

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<v Speaker 1>That's insane? I mean, okay, are you saying that you would?

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<v Speaker 1>Are you saying you didn't chuckle a little bit when

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<v Speaker 1>you found out the tyrannosaur, king of the no Jungle

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<v Speaker 1>of the prehistoric age actually was Jeff, That's silly, it's

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<v Speaker 1>envision it. It's silly.

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<v Speaker 4>Yeah, I think you guys are are you're not suspending

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<v Speaker 4>your disbelief enough or whatever it is.

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<v Speaker 2>You're kind of a dragon dinosaur erotica.

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<v Speaker 4>Yeah, like that's irrelevant.

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<v Speaker 1>Triterra tops and bottoms. Yeah, okay, that's the name of

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<v Speaker 1>the book.

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<v Speaker 4>Yeah, I know. I look, I don't care. It's fine. No,

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<v Speaker 4>I I get why it's dinosaur tri Sarah toops and bombs.

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<v Speaker 4>I get the joke. I get it. You know, give

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<v Speaker 4>any give anyone the chance to make things fuck, and

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<v Speaker 4>they'll do it. I understand. That's the way the world works.

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<v Speaker 4>It's fine. I'm not taking anything away from dinersas I

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<v Speaker 4>don't care if dinosaurs whenever, whenever they open their mouth,

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<v Speaker 4>it sounded like a clown horn. I don't care, I

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<v Speaker 4>don't care. What the fuck They're still horrifying. Yeah, exactly.

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<v Speaker 4>You know, do you ever think about that?

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<v Speaker 1>I haven't had a lot of time to think about that, Jeff,

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<v Speaker 1>because what I've been thinking about is the first piece

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<v Speaker 1>of the flashback from this episode where and I just

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<v Speaker 1>had to laugh. I watched it today and it's a

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<v Speaker 1>recap of the conversation with Varius. Yeah, wouldn't it be

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<v Speaker 1>a shame if a stray arrows like a straight arrow?

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<v Speaker 4>Which, yes, poise, do you want me to lay it

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<v Speaker 4>out for you?

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<v Speaker 1>Just why not getting it?

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<v Speaker 4>He's like, I'm saying, hire an archer to kill Griffith,

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<v Speaker 4>you dumb, dense bitch. How hello, Hello? This is what

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<v Speaker 4>is the egghead's name? Like Foulis or something.

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<v Speaker 1>Follow something like that. Yeah, anyway, kill him.

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<v Speaker 4>He draws a picture, he draws like a whole diagram

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<v Speaker 4>of how it will work, you know, and.

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<v Speaker 1>Then and then and then your mind's like, yes, it

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<v Speaker 1>would be good if someone did this. Let's hope that happens.

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<v Speaker 4>Just to be clear, you don't mean me right, Like

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<v Speaker 4>I don't have to be the one to do it right.

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<v Speaker 2>Well, you'm afraid. You signed your name right here. You've

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<v Speaker 2>agreed to do it. This contract is legally binding.

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<v Speaker 1>I thought these were two incredibly strong episodes.

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<v Speaker 4>I agreed, agreed, they were excellent.

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<v Speaker 1>Yeah, I think this look. The first episode is good.

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<v Speaker 1>The first episode is like, you know, it's putting the

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<v Speaker 1>piece is in place. We start off it's like the

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<v Speaker 1>kind of hitting party and the band of Hawk are

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<v Speaker 1>escorting the King. But that second episode, man, there is

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<v Speaker 1>so much berserk in that episode. So many like huge

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<v Speaker 1>things happen.

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<v Speaker 4>A couple of things I learned.

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<v Speaker 2>Before we dive in, before we dive in.

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<v Speaker 5>John, Yeah, Pepper pig bag.

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<v Speaker 1>Yes, oh what does it matter?

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<v Speaker 4>No?

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<v Speaker 1>No, no, can I see it?

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<v Speaker 2>Can I see it?

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<v Speaker 4>Pepper pig And then and then somehow describe it to

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<v Speaker 4>the people listening.

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<v Speaker 2>Oh it's Percy Pig. I'm sorry.

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<v Speaker 5>Percy is the name of a very nice sweetie that

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<v Speaker 5>you get from Marx and Spencers in the UK.

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<v Speaker 3>I gets from Marx and Spencers.

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<v Speaker 2>Yeah, I love it.

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<v Speaker 1>Yeah, we live, we live fancy around here. Sometimes that's good.

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<v Speaker 4>I'm glad someone who has an attic their fancy now wow. Cool.

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<v Speaker 1>You know, Jeff, list is something I told you in confidence,

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<v Speaker 1>and now people know I have an attic. A matter

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<v Speaker 1>of time before.

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<v Speaker 3>The basement dedicated to pinball machines is getting up with

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<v Speaker 3>you about someone with it.

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<v Speaker 4>They're not.

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<v Speaker 1>They're in my pinball room, tam, not in my basement.

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<v Speaker 4>Please. Number two, Uh, you have a you have an addict,

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<v Speaker 4>and therefore you were doxed. Listen, here are the two

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<v Speaker 4>things that I noticed this week. But everyone definitely I

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<v Speaker 4>had my suspicions that this was just a Game of

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<v Speaker 4>Throne show.

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<v Speaker 3>What didn't we give Jeff homework to write an episode

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<v Speaker 3>or something?

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<v Speaker 4>No, I would agree, damn.

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<v Speaker 3>We definitely think.

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<v Speaker 4>It was more long term. I think I had more time.

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<v Speaker 3>Noway, gave you a week to come up with some

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<v Speaker 3>some reason or something.

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<v Speaker 4>Yeah, we gotta go back. There's no way to know. Listen,

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<v Speaker 4>there's like the all over again. Tell me about that

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<v Speaker 4>ruined a month of my life? So right, very Game

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<v Speaker 4>of Thrones, I get it. That's what Brazik is.

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<v Speaker 1>You know.

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<v Speaker 4>Awesome? Cool? Fine. I accidentally watched this show on one

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<v Speaker 4>point five X speed and didn't realize it, and it

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<v Speaker 4>was fine, Like.

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<v Speaker 1>Jeff show, I will take I will fucking shoot listen.

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<v Speaker 4>It wasn't on Perman, John, it wasn't one of those

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<v Speaker 4>product but you've done it once.

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<v Speaker 1>You did it once, Jeff. When there are people on

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<v Speaker 1>Twitter like productivity gurus, and one of them was like,

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<v Speaker 1>you know what, you can just watch anime on one

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<v Speaker 1>point x five.

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<v Speaker 4>No, no, you.

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<v Speaker 2>Can to yourself help help books at one point.

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<v Speaker 4>I'm not advocating. This is not me advocating. Obviously, everyone

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<v Speaker 4>should consume this show at the proper how God intended

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<v Speaker 4>one x speed right, like do that. I just want

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<v Speaker 4>you to know that it got flipped on by accident,

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<v Speaker 4>and I did not realize that, Like I didn't even.

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<v Speaker 1>Like you're you're bringing this as if it's like some

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<v Speaker 1>kind of discovery to be applauded. This is a I think.

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<v Speaker 1>I'm just saying, like to me, it's it's just very demonstrative. Like, man,

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<v Speaker 1>this show really makes a meal out of everything, like

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<v Speaker 1>it just and that's fine, that's I get it. That's

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<v Speaker 1>sort of like I think White Lotus does stuff like

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<v Speaker 1>that too, where they just make you where they make

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<v Speaker 1>you like soak in the uh you know, scenery and

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<v Speaker 1>all that, and and I like that I think it's

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<v Speaker 1>a beautiful way of storytelling. Again, this is not a

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<v Speaker 1>dig at berserk. I just think it's one of those

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<v Speaker 1>funny little things that I noticed. And you can watch

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<v Speaker 1>this show, uh and not realize it's being sped up

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<v Speaker 1>by a time and a half, which I thought was

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<v Speaker 1>I'm gonna lose it.

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<v Speaker 2>I know.

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<v Speaker 4>Listen, John, if you shouldn't, you shouldn't show me what

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<v Speaker 4>makes you squirm? Okay, because now I have Now I

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<v Speaker 4>have some leverage here, Bud.

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<v Speaker 2>What a weird way to phrase that.

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<v Speaker 1>Yeah, so strange.

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<v Speaker 4>It's okay. Leverage anyway. Friendship is Jeff, Maybe with your friends.

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<v Speaker 2>No get leverage over each other.

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<v Speaker 4>Don't tell me how to be friends with people. Okay,

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<v Speaker 4>this is how I do it. How I do it.

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<v Speaker 2>I treat it like the boardroom.

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<v Speaker 4>Man, it's a constant battle. Success, always success. It's always succession.

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<v Speaker 4>It's always succession.

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<v Speaker 1>Yeah, if you're not constantly trying to establish a mild

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<v Speaker 1>psychological dominance over your friends, and how do you even

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<v Speaker 1>know that they like you? Exactly agreed speaking, But look

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<v Speaker 1>at my cat.

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<v Speaker 2>Everyone look at her. She's just lying in the sun.

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<v Speaker 2>She's just having the best time. It's so sunny. Even

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<v Speaker 2>see half of her.

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<v Speaker 1>Yeah, I see I see a strip of white with cattiers.

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<v Speaker 2>That's just me. Think it's pretty good anyway.

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<v Speaker 1>Anyway, so the King is like watching watching all his

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<v Speaker 1>dude's hunt, and he's like, in my younger years, why

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<v Speaker 1>I would have done this? And then they're like, oh,

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<v Speaker 1>you're not so young, King, But he's like, well, you know,

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<v Speaker 1>if I if I step in there, the hunt will

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<v Speaker 1>be over instantly. And everyone's like, ah, this guy and

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<v Speaker 1>so powerful, and cork is two point zero is basically

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<v Speaker 1>just taking a moment to like glare at Griffith.

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<v Speaker 3>He wait a second, I think I feel like we've

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<v Speaker 3>mischaracterized the king here. That's not what he said. He said,

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<v Speaker 3>I'm old as fun. If I get involved, I'm going

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<v Speaker 3>to ruin this for everyone. And they're going to be yeah,

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<v Speaker 3>that's kind of okay. Has been like.

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<v Speaker 1>Yeah, I thought, yeah, time is time is completely correct there.

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<v Speaker 3>That's why they say it's very kind of you, your

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<v Speaker 3>majesty mm hmm.

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<v Speaker 4>What are they hunting? Like a little fox?

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<v Speaker 3>They're doing At one point nice to do this suddenly

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<v Speaker 3>transitioned into a bear or boar, and I was like,

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<v Speaker 3>when did that happen.

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<v Speaker 1>Huh, And the fox is like running along and Goods

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<v Speaker 1>steps out and basically goes like to stop the f

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<v Speaker 1>boo boogy. Yeah, and you can tell he didn't want

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<v Speaker 1>to be here. This is silly bollocks and he doesn't

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<v Speaker 1>absolutely great use.

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<v Speaker 2>Of silly bollocks. I haven't heard that in a while.

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<v Speaker 1>Yep. And all right, we get our only Carcus moments

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<v Speaker 1>for the entirety of these two episodes, well nearly the entirety,

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<v Speaker 1>bullshit second one. He's in the second one at the

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<v Speaker 1>very end, but like, it's not enough. It's not it's

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<v Speaker 1>it's not really enough at all.

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<v Speaker 4>Now, it doesn't fill the Corcus quotas what actually were

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<v Speaker 4>true fans of the people in the fan club call

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<v Speaker 4>it the Carcus quota Porcus not being met.

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<v Speaker 1>Yeah, yeah, no, it's it's it's it's very disappointing. But

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<v Speaker 1>thankfully that's why we have our own professional caucus impersonator.

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<v Speaker 1>And Jeff, I would like to I'd like you to

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<v Speaker 1>bring us into a scene where Corcus Guts has just

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<v Speaker 1>moved in across the road and he is not stowing

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<v Speaker 1>his trash cans correctly, correctly, and Corcus is writing him

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<v Speaker 1>a very angry anonymous letter telling him that he should

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<v Speaker 1>be a better homeowner. Go for it.

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<v Speaker 4>To the brute that moved in down the way. This

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<v Speaker 4>is a note from a concerned citizen. We are part

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<v Speaker 4>of an h o A. I'm not sure you know

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<v Speaker 4>what that means, but it's a homeowners or association. Sometimes

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<v Speaker 4>I struggle reading my own writing. Some call a chicken scratch.

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<v Speaker 4>I think it's fine. We have rules here, sir, and

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<v Speaker 4>part of those rules follow the nights you're supposed to

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<v Speaker 4>put trash out Mondays, Wednesdays and Friday's regular trash Thursdays,

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<v Speaker 4>and repeating every other month, every other month recycling. Please

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<v Speaker 4>sought it. I did this for you the other day,

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<v Speaker 4>and I won't do it again. Listen to me here,

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<v Speaker 4>Listen to me now. This is the last time I

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<v Speaker 4>will sort your recyclables for you, you brute. All the best,

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<v Speaker 4>all the best. Attached is a fifty five dollars gift

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<v Speaker 4>card to bed Beth and beyond. Welcome to the neighborhood,

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<v Speaker 4>yours caucused.

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<v Speaker 1>I gotta say, Jeff, I don't give you a lot

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<v Speaker 1>to work with with them, but you really smash it

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<v Speaker 1>every time.

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<v Speaker 2>Every time it's like he's been taking.

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<v Speaker 1>Unbelievable Yeah, thanks, guys, that means a lot.

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<v Speaker 4>I appreciate that. It's fun to do.

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<v Speaker 1>Do you ever feel like sometimes like you you kind

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<v Speaker 1>of stumble on like an stier talents. I think you're okay,

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<v Speaker 1>we're on the flat relations Jeff. It's just it's what

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<v Speaker 1>you were meant to do, you know.

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<v Speaker 4>Yeah, you know, well, hey I do. I am about

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<v Speaker 4>to have my first it's uncredited, but I did get

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<v Speaker 4>my first voice acting work.

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<v Speaker 1>He did, serious, I did.

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<v Speaker 4>It's for it's for the Netflix show, David Letterman's Netflix

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<v Speaker 4>show for my next guest. I'm sleeping with the producer.

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<v Speaker 4>Let me. But I did get work, and I did

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<v Speaker 4>get paid. No, I have the option. But it's like

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<v Speaker 4>it's been five grand a year to the screen as

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<v Speaker 4>though she gets up.

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<v Speaker 2>That's incredible. You're gonna be a David Lemon thing.

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<v Speaker 4>Yeah, it's just like a voiceover thing that they're like,

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<v Speaker 4>we need someone to sound like a podcaster. Yeah, they're like,

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<v Speaker 4>we need someone to sound like a podcaster who's like

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<v Speaker 4>lazing Caitlin Clark, who's the who's like the she's an

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<v Speaker 4>amazing women's basketball talent.

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<v Speaker 5>Yeah wait, I could just imagine Stacey being in the

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<v Speaker 5>meeting where she's.

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<v Speaker 1>Like, oh, I know a guy.

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<v Speaker 4>She's like, oh, he's the next door and the office

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<v Speaker 4>next to me. But she she gave she gave me direction,

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<v Speaker 4>and you know it was it was a great day

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<v Speaker 4>of work.

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<v Speaker 1>Jeff. If I write and Ipatchole's character for you, will

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<v Speaker 1>you voice them?

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<v Speaker 4>He's already one without come on without.

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<v Speaker 5>The nicest thing that anyone said about that me being

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00:18:32.799 --> 00:18:35.759
<v Speaker 5>in that I patchual thing was that they watched it

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<v Speaker 5>three times and couldn't tell which one was me.

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<v Speaker 1>That is actually that's actually really a compliment.

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<v Speaker 2>I was like, thank you so much.

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<v Speaker 1>I showed someone a script recently, and does someone who

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<v Speaker 1>like doesn't work in areas sometimes give you, like just

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<v Speaker 1>a piece of feedback and they don't realize how devastating

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<v Speaker 1>it is. They're like, oh no, why do all the characters,

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<v Speaker 1>why do all the characters talk like you?

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<v Speaker 4>And I was like, that's funny, that's rough.

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<v Speaker 1>Yeah, that hurt. That hurt, baby. And another thing that

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<v Speaker 1>hurts is the feelings of Princess Charlotte when, because she

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<v Speaker 1>doesn't like watching these hunts there enough for her, she

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<v Speaker 1>wonders why men always engage in activities of bloodshed. And

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<v Speaker 1>that's where Griffith's like, I'm not like with her boys,

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<v Speaker 1>and he gets little leaf and he like puts it

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<v Speaker 1>to his lips and oh my god.

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<v Speaker 4>Oh my god, I was laughing. I've not I did

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<v Speaker 4>not think I'd be hysterically laughing. Griff Is just like, yeah,

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<v Speaker 4>you're right, all men are pigs far noise? What about

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<v Speaker 4>this leaf fart? No is this little squeaking duck fart?

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<v Speaker 1>Like, oh my god, what.

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<v Speaker 4>Is this show doing? What is happening? I was laughing

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<v Speaker 4>so hard. I showed Dylan. He's just like, what are

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<v Speaker 4>you what? Why are they doing that?

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<v Speaker 1>I would resist the urge to relatable Dylan much berserk.

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<v Speaker 1>This is the safest scene for him. Yeah, okay, I

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<v Speaker 1>don't know.

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<v Speaker 2>Next time he goes outside, he's gonna be picking up

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<v Speaker 2>leaves and going.

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<v Speaker 1>But just like the way Griffith just just apropos and

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<v Speaker 1>nothing was just like, yeah, you're right, men are gross,

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<v Speaker 1>We're all gross.

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<v Speaker 4>He just it's like two fingers it up against his

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<v Speaker 4>fucking mouth, and it's just like, what is she supposed

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<v Speaker 4>to say to that? She's like, oh, good point, because

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<v Speaker 4>she's like that's awesome. I love it. That's the name

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<v Speaker 4>of this episode. Never tried it. I would give it

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<v Speaker 4>a shot, but without a doubt.

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<v Speaker 3>We'll have to next time we're together, any sort of

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<v Speaker 3>event that's coming up, we're gonna have to get you.

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<v Speaker 4>I hope there's leaves. I hope there's leaves.

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<v Speaker 1>Is it?

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<v Speaker 5>Is it like a not to be crass? Not to

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<v Speaker 5>be crass, but is it like, Hey, if I can

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<v Speaker 5>do this with my mouth with just you.

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<v Speaker 4>Know, imagine what I could do with that fox?

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<v Speaker 3>You know?

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<v Speaker 4>Yeah, you think this was like a horny thing.

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00:21:18.519 --> 00:21:23.880
<v Speaker 1>Likes him? Oh yeah, I just thought it was like, yeah,

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<v Speaker 1>to try and a little from column, a little from

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<v Speaker 1>I think I mean showing someone how to do something

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<v Speaker 1>with their lips. You know.

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<v Speaker 4>I think I think both things are true. I agree

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<v Speaker 4>in thinking about it for another second or two, Griffith

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<v Speaker 4>has not done anything that's not sexy, right, so he's

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<v Speaker 4>it's impossible for him to.

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<v Speaker 1>Yeah, this is the least sexy he can possibly be.

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<v Speaker 4>And it's still quite, and it's still a fart noise,

399
00:21:47.680 --> 00:21:53.319
<v Speaker 4>and it's still yeah, like I want no ever.

400
00:21:53.480 --> 00:21:57.079
<v Speaker 1>But yeah, it's something that I feel like I'm kind

401
00:21:57.079 --> 00:21:59.680
<v Speaker 1>of adding my I feel like I say stuff like

402
00:21:59.720 --> 00:22:02.039
<v Speaker 1>that sometimes and someone will be like, you know, actually,

403
00:22:02.160 --> 00:22:04.160
<v Speaker 1>ipatch if you're into farts, I actually have a sob

404
00:22:04.160 --> 00:22:05.559
<v Speaker 1>breada and I'm like, go away.

405
00:22:06.400 --> 00:22:10.839
<v Speaker 5>A friend of mine once missed a train from a train,

406
00:22:10.960 --> 00:22:12.680
<v Speaker 5>the last train back to London, and we lived in

407
00:22:12.680 --> 00:22:15.720
<v Speaker 5>the North of England at the time, because we were watching.

408
00:22:17.079 --> 00:22:17.759
<v Speaker 1>Cake farts.

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<v Speaker 4>If you've ever seen oh my god, you really brought

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<v Speaker 4>things to a level here.

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<v Speaker 5>I know everyone else what cake farts as he was

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<v Speaker 5>on the internet around twenty ten.

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<v Speaker 4>You know what I love the most? Cake farts.

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<v Speaker 3>Yeah, did any of you pause it when Griffith was

415
00:22:37.160 --> 00:22:39.960
<v Speaker 3>doing the leaf thing, because if you pause it, it

416
00:22:40.000 --> 00:22:42.359
<v Speaker 3>looks like he's just got really weird lips and he's

417
00:22:42.359 --> 00:22:43.119
<v Speaker 3>touching them.

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00:22:43.279 --> 00:22:46.920
<v Speaker 1>He looks like he I love my great lips.

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<v Speaker 5>I look it looks like he looks like he went

420
00:22:51.559 --> 00:22:54.720
<v Speaker 5>down the fucking old isle at Sephora and picked up

421
00:22:54.720 --> 00:22:57.519
<v Speaker 5>a green lipstick and some blue.

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00:22:57.279 --> 00:23:01.359
<v Speaker 1>Contact good fairness colors. Just Jojo character.

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<v Speaker 4>Yes, yeah, yeah, oh oh, I know about her. Yeah,

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00:23:08.359 --> 00:23:11.839
<v Speaker 4>I have watched it officially. I know we've watched it officially,

425
00:23:11.880 --> 00:23:16.319
<v Speaker 4>but I know about that character. My favorite Jojo Griffith

426
00:23:16.440 --> 00:23:19.240
<v Speaker 4>is uh, you know, I mean, come on, like this

427
00:23:19.319 --> 00:23:22.119
<v Speaker 4>guy and we're about to be introduced to his death stayer,

428
00:23:22.279 --> 00:23:25.240
<v Speaker 4>which is also pretty sexy, kind of a little bit

429
00:23:25.279 --> 00:23:30.359
<v Speaker 4>like Paddington's. Don't you think I have never seen a Paddington?

430
00:23:30.400 --> 00:23:33.519
<v Speaker 4>I know, I know I will, Okay, I know, I

431
00:23:33.960 --> 00:23:35.039
<v Speaker 4>know you should watch those.

432
00:23:35.480 --> 00:23:39.640
<v Speaker 1>I have also never seen a Paddington. I think they're

433
00:23:39.680 --> 00:23:40.240
<v Speaker 1>illegal here.

434
00:23:41.039 --> 00:23:43.319
<v Speaker 2>Oh although, what was it?

435
00:23:43.400 --> 00:23:47.119
<v Speaker 5>Like two guys vandalized a Paddington statue in the UK last.

436
00:23:46.920 --> 00:23:49.359
<v Speaker 3>Week, stolen. There's a video of it, and there was.

437
00:23:49.319 --> 00:23:52.400
<v Speaker 5>Like a headline where it's like this goes against everything

438
00:23:52.440 --> 00:23:58.319
<v Speaker 5>Paddington stands for. And I was like, oh, really really upset,

439
00:23:58.359 --> 00:24:00.240
<v Speaker 5>and like, to be fair, that bear is incredible and

440
00:24:00.279 --> 00:24:02.200
<v Speaker 5>he's very polite.

441
00:24:02.240 --> 00:24:03.920
<v Speaker 2>Yeah, but I just loved that.

442
00:24:03.920 --> 00:24:06.480
<v Speaker 5>That's the that's the standard of decency in the UK

443
00:24:06.599 --> 00:24:08.000
<v Speaker 5>right now, is like, what would this little bear do?

444
00:24:09.119 --> 00:24:10.519
<v Speaker 2>There's always something with him.

445
00:24:13.880 --> 00:24:14.200
<v Speaker 4>All right?

446
00:24:14.240 --> 00:24:17.279
<v Speaker 1>So Lee fart noises aside, so Lee farting. We get

447
00:24:17.279 --> 00:24:20.839
<v Speaker 1>a kind of longing look from Kaska kind of watching Griffith,

448
00:24:21.759 --> 00:24:23.480
<v Speaker 1>but then she kind of a couple of a couple

449
00:24:23.519 --> 00:24:25.880
<v Speaker 1>of shots later we kind of get she kind of

450
00:24:25.920 --> 00:24:27.880
<v Speaker 1>smiles and she kind of looks away, and I think

451
00:24:28.359 --> 00:24:30.079
<v Speaker 1>there's like a kind of sadness to it, and I

452
00:24:30.079 --> 00:24:32.880
<v Speaker 1>think she's kind of like, well, Griffith ain't mine, but

453
00:24:34.079 --> 00:24:35.920
<v Speaker 1>at least he's kind of moving up in the world.

454
00:24:37.000 --> 00:24:37.599
<v Speaker 1>What's happening?

455
00:24:37.720 --> 00:24:41.680
<v Speaker 4>Yeah, yeah, Okay, keep going because I want to speak

456
00:24:41.720 --> 00:24:43.720
<v Speaker 4>to the next scene here, but I don't want to

457
00:24:43.720 --> 00:24:44.480
<v Speaker 4>get it in front of you.

458
00:24:44.519 --> 00:24:47.279
<v Speaker 1>There, Bud. We get a brief scene with Corcus two

459
00:24:47.319 --> 00:24:50.119
<v Speaker 1>point zero, and I'm just going to say, the most

460
00:24:50.160 --> 00:24:54.000
<v Speaker 1>assassin looking fucking dude I have ever seen. He has

461
00:24:54.039 --> 00:24:59.680
<v Speaker 1>little assassin's hat, his skin is like kind of desaturated.

462
00:24:59.720 --> 00:25:02.519
<v Speaker 1>I don't don't know, It's like he is class in

463
00:25:02.599 --> 00:25:05.680
<v Speaker 1>a cat. He was, he is every part of this

464
00:25:05.759 --> 00:25:10.400
<v Speaker 1>person is built for skulking around in like the shadows. Yep,

465
00:25:10.599 --> 00:25:14.880
<v Speaker 1>that's it. It's typecasted, you know. And then the fox

466
00:25:14.920 --> 00:25:18.720
<v Speaker 1>turns into a bore, as Tim points out earlier, and

467
00:25:19.279 --> 00:25:23.039
<v Speaker 1>wait as hell, it's you know, that's some foxes are

468
00:25:23.079 --> 00:25:25.640
<v Speaker 1>so tricky, tam. I I grew up around foxes, and

469
00:25:25.680 --> 00:25:28.359
<v Speaker 1>sometimes they do they they sometimes they make really weird noises,

470
00:25:28.680 --> 00:25:33.480
<v Speaker 1>they go like like that, they turned into their animals.

471
00:25:33.519 --> 00:25:34.440
<v Speaker 1>It's it's mental.

472
00:25:34.799 --> 00:25:37.319
<v Speaker 3>Did anyone notice how the backgrounds in this episode look

473
00:25:37.359 --> 00:25:38.880
<v Speaker 3>absolutely atrocious as well.

474
00:25:39.960 --> 00:25:40.720
<v Speaker 4>The background.

475
00:25:40.759 --> 00:25:43.680
<v Speaker 3>Yeah, if you go back and watch them in the background,

476
00:25:43.759 --> 00:25:47.000
<v Speaker 3>it's just a bunch of smears for a long Why.

477
00:25:46.880 --> 00:25:48.759
<v Speaker 1>Why why did you tell you what's happened in their

478
00:25:48.799 --> 00:25:53.680
<v Speaker 1>tam they did with this episode is they did like

479
00:25:54.440 --> 00:25:57.039
<v Speaker 1>I would say, maybe like a dozen a dozen like

480
00:25:57.279 --> 00:26:00.200
<v Speaker 1>master shots, and they were like, Okay, that's all the

481
00:26:00.240 --> 00:26:03.559
<v Speaker 1>time we have for every background. We're basically going to

482
00:26:03.640 --> 00:26:07.200
<v Speaker 1>use a crop section of this shot because everything looks

483
00:26:07.319 --> 00:26:10.440
<v Speaker 1>really like blown up and really close to the camera.

484
00:26:11.000 --> 00:26:14.279
<v Speaker 3>Yeah, and then later on all the inside areas in

485
00:26:14.319 --> 00:26:16.200
<v Speaker 3>the cast will look really good for some reason.

486
00:26:16.640 --> 00:26:20.079
<v Speaker 4>Oh yeah, the assassin looks almost like a like an

487
00:26:20.119 --> 00:26:21.440
<v Speaker 4>evil Disney character.

488
00:26:21.920 --> 00:26:29.599
<v Speaker 1>He really does, so, I believe. Then the boar scares

489
00:26:29.680 --> 00:26:35.039
<v Speaker 1>Charlotte's horse and she goes racing off, and our boy

490
00:26:35.039 --> 00:26:39.680
<v Speaker 1>Griffith goes after our friend Griffith, and we get the

491
00:26:39.720 --> 00:26:42.440
<v Speaker 1>scene of the two of them by the lake, and

492
00:26:43.319 --> 00:26:46.079
<v Speaker 1>little Charlotte's she's she's fallen for Griffith hard.

493
00:26:46.759 --> 00:26:47.920
<v Speaker 4>Yeah, who couldn't.

494
00:26:47.920 --> 00:26:51.079
<v Speaker 5>Who wouldn't fall for a guy who can make a

495
00:26:51.079 --> 00:26:52.279
<v Speaker 5>fat noise with the leaf?

496
00:26:52.920 --> 00:26:53.160
<v Speaker 3>You know?

497
00:26:53.440 --> 00:26:55.359
<v Speaker 4>She's like, that's the one that put me over the edge.

498
00:26:56.359 --> 00:26:58.160
<v Speaker 4>I'll do anything, he says, yep.

499
00:26:59.079 --> 00:27:02.079
<v Speaker 1>And he kind of like wrestles her horse into stopping

500
00:27:02.880 --> 00:27:05.960
<v Speaker 1>and then, which is pretty good. It's like the Princess,

501
00:27:07.039 --> 00:27:09.319
<v Speaker 1>this princess Princess.

502
00:27:10.240 --> 00:27:12.880
<v Speaker 4>I just love that he calms the horse down. He's

503
00:27:12.880 --> 00:27:15.319
<v Speaker 4>just sort of like, hey, hey, hey, hey, hey, hey,

504
00:27:15.119 --> 00:27:21.039
<v Speaker 4>hey hey hey hey. Is he just saying hey, just

505
00:27:21.160 --> 00:27:21.880
<v Speaker 4>patting its chest?

506
00:27:21.880 --> 00:27:24.960
<v Speaker 3>That's pretty Princess Charlotte looks a lot like Princess is older.

507
00:27:26.240 --> 00:27:29.920
<v Speaker 1>Yeah, yeah, she has the same kind of headdressing.

508
00:27:29.960 --> 00:27:32.799
<v Speaker 3>Yeah, yeah, the same character.

509
00:27:33.519 --> 00:27:37.920
<v Speaker 1>Good pull to him. And that is when Griffith is

510
00:27:37.920 --> 00:27:40.519
<v Speaker 1>struck in the chest with a crossbow bolt.

511
00:27:41.079 --> 00:27:45.279
<v Speaker 4>I laughed, I did, you laughed, Yeah, because like obviously

512
00:27:45.319 --> 00:27:47.960
<v Speaker 4>this show is not over. Now, you're not going to

513
00:27:48.079 --> 00:27:50.720
<v Speaker 4>kill Griffith. It's just like they're not going to kill Griffith.

514
00:27:50.759 --> 00:27:53.960
<v Speaker 4>I just laughed how slowly he fell and how not

515
00:27:54.160 --> 00:27:58.000
<v Speaker 4>hurt he was, Like, you know, because you knew he's

516
00:27:58.039 --> 00:28:00.079
<v Speaker 4>not dead. I didn't know how he's gonna super I

517
00:28:00.160 --> 00:28:02.640
<v Speaker 4>not think bad would ever happen Griffith in this show. No,

518
00:28:02.799 --> 00:28:08.200
<v Speaker 4>well not in episode nine. And also I just enjoyed

519
00:28:08.240 --> 00:28:10.759
<v Speaker 4>his slow motion fall. I thought that was funny your

520
00:28:10.839 --> 00:28:15.839
<v Speaker 4>phone slow motion, Jeff, we talked about this, Yeah, yeah

521
00:28:16.000 --> 00:28:19.759
<v Speaker 4>did we? But yeah we did. But like even for

522
00:28:19.880 --> 00:28:22.839
<v Speaker 4>this show it was slow. Yeah, it was pretty sick.

523
00:28:22.880 --> 00:28:24.640
<v Speaker 2>Wait, and you were watching at one point five speed

524
00:28:24.680 --> 00:28:25.000
<v Speaker 2>as well.

525
00:28:25.079 --> 00:28:27.119
<v Speaker 4>So no, no, that was only for like that was

526
00:28:27.160 --> 00:28:28.319
<v Speaker 4>only for like four minutes.

527
00:28:29.079 --> 00:28:31.839
<v Speaker 1>Oh okay, I told you I didn't watch the whole

528
00:28:32.559 --> 00:28:35.880
<v Speaker 1>you guys, I see. I feel like you employed that

529
00:28:35.880 --> 00:28:39.559
<v Speaker 1>you had watched the whole. No, no, look, it's fine.

530
00:28:40.000 --> 00:28:43.519
<v Speaker 4>It started on one point five, so like that means

531
00:28:43.519 --> 00:28:44.319
<v Speaker 4>I also saw like.

532
00:28:44.279 --> 00:28:47.920
<v Speaker 2>The Yeah, you watched the opening credit didn't.

533
00:28:47.640 --> 00:28:50.640
<v Speaker 4>Realize a pen No, I fast forward the song. I

534
00:28:50.680 --> 00:28:56.720
<v Speaker 4>hate the song. This song is just like it's just

535
00:28:56.839 --> 00:28:59.319
<v Speaker 4>like butt butt garage Rocket's bad.

536
00:29:00.359 --> 00:29:01.519
<v Speaker 1>Yeah, it's just like it's.

537
00:29:01.400 --> 00:29:06.839
<v Speaker 3>Just doing their best to speak English and saying it's whiny.

538
00:29:07.359 --> 00:29:09.559
<v Speaker 4>To apologize to the nation, the great nation of Japan.

539
00:29:10.400 --> 00:29:15.000
<v Speaker 4>No I I read on Japan. I enjoy Japan uh

540
00:29:15.119 --> 00:29:17.400
<v Speaker 4>in a in a big way. I have dreams that

541
00:29:17.440 --> 00:29:19.119
<v Speaker 4>I get to go there, and then I wake up

542
00:29:19.119 --> 00:29:21.480
<v Speaker 4>and I'm like, yeah.

543
00:29:23.440 --> 00:29:26.720
<v Speaker 1>Okay, Jeff, Japan. Maybe maybe if I read you some

544
00:29:26.759 --> 00:29:29.000
<v Speaker 1>of the lyrics, you'll you'll see the area of your ways.

545
00:29:29.200 --> 00:29:31.319
<v Speaker 4>I'm sure that will not be the case. Go ahead,

546
00:29:31.359 --> 00:29:35.000
<v Speaker 4>feel no shame about shape. Whether Chase changes their phrase,

547
00:29:35.440 --> 00:29:38.160
<v Speaker 4>every mother will show you another way. So put your

548
00:29:38.200 --> 00:29:41.599
<v Speaker 4>glasses on. Nothing will be wrong. There's no blame, there's

549
00:29:41.680 --> 00:29:45.359
<v Speaker 4>no flame. It's up to you. The first words should

550
00:29:45.400 --> 00:29:49.440
<v Speaker 4>be finded. Whatever holds you back? I can get it off,

551
00:29:49.920 --> 00:29:54.160
<v Speaker 4>can't the first the first couple of songs, the first

552
00:29:54.200 --> 00:29:57.079
<v Speaker 4>couple of times I watched it. It's fine, okay, but

553
00:29:57.160 --> 00:29:59.200
<v Speaker 4>I can't do it all the time. I fast forward

554
00:29:59.240 --> 00:30:00.839
<v Speaker 4>to that, and then there was like a pan that

555
00:30:00.880 --> 00:30:03.559
<v Speaker 4>went real fast, and I'm like, oh, wait, what's going

556
00:30:03.599 --> 00:30:04.000
<v Speaker 4>on here?

557
00:30:04.359 --> 00:30:06.880
<v Speaker 1>So when you said that like you couldn't tell the difference,

558
00:30:07.759 --> 00:30:09.160
<v Speaker 1>you actually could tell the difference.

559
00:30:09.400 --> 00:30:12.680
<v Speaker 4>No, I couldn't because I fast forwarded the credits. I

560
00:30:12.680 --> 00:30:15.880
<v Speaker 4>didn't listen to it. Okay.

561
00:30:15.880 --> 00:30:17.599
<v Speaker 1>I don't know how I keep ended up on podcasts

562
00:30:17.599 --> 00:30:18.799
<v Speaker 1>with people who don't like this song.

563
00:30:20.240 --> 00:30:23.119
<v Speaker 4>I mean, if it was on the radio, I'd leave

564
00:30:23.160 --> 00:30:26.160
<v Speaker 4>it on. How about that. I'd be like, oh, look,

565
00:30:26.160 --> 00:30:29.079
<v Speaker 4>it's the berserk song and also the Sad Bastard. I

566
00:30:29.119 --> 00:30:33.599
<v Speaker 4>like the Sad Bastard score. I think that's good. The

567
00:30:35.440 --> 00:30:38.960
<v Speaker 4>berserk sad song the the one.

568
00:30:40.839 --> 00:30:43.839
<v Speaker 1>That's called themes.

569
00:30:43.440 --> 00:30:45.200
<v Speaker 4>Theme of Guts. I like Theme of Guts.

570
00:30:45.559 --> 00:30:47.839
<v Speaker 1>I play it on stream whenever something sad happens.

571
00:30:48.400 --> 00:30:50.119
<v Speaker 4>Oh that makes sense.

572
00:30:50.440 --> 00:30:54.680
<v Speaker 1>Yep, and we should.

573
00:30:56.799 --> 00:30:59.160
<v Speaker 4>They should play theme of guts. They should play theme

574
00:30:59.200 --> 00:31:01.960
<v Speaker 4>of guts when the when the wrong teams score, when

575
00:31:02.000 --> 00:31:04.839
<v Speaker 4>the visiting team scores at hockey game. That'd be so funny.

576
00:31:05.359 --> 00:31:08.680
<v Speaker 5>Why don't you suggest that to him?

577
00:31:10.400 --> 00:31:11.960
<v Speaker 4>I can do I think I can do that.

578
00:31:12.039 --> 00:31:20.079
<v Speaker 1>Chad Hockey, I'm doctor hockey. It's fine. The bailt actually

579
00:31:20.359 --> 00:31:24.119
<v Speaker 1>protected him against the arrow shaft. Hit the egg, everyone,

580
00:31:24.160 --> 00:31:24.839
<v Speaker 1>I'm okay.

581
00:31:25.079 --> 00:31:25.680
<v Speaker 4>Hit the egg.

582
00:31:26.359 --> 00:31:28.240
<v Speaker 1>Cast is freaking out, She's like, we need, we need

583
00:31:28.279 --> 00:31:31.440
<v Speaker 1>to get you checked out. It's okay. Hit maybe my

584
00:31:31.519 --> 00:31:34.799
<v Speaker 1>weird egg with a face, you know, the egg with

585
00:31:34.839 --> 00:31:36.039
<v Speaker 1>a face that I had earlier.

586
00:31:37.279 --> 00:31:40.160
<v Speaker 4>You know, there's big sort of eight ball size weird

587
00:31:40.160 --> 00:31:42.599
<v Speaker 4>thing that somehow fits under my armor. And it's totally

588
00:31:42.640 --> 00:31:45.799
<v Speaker 4>fine and normal. It hit that dead on, but.

589
00:31:45.799 --> 00:31:48.079
<v Speaker 2>It's all right. It's not scrambled or anything. Guys, we're good.

590
00:31:49.039 --> 00:31:50.640
<v Speaker 1>Is that the thing to talk sometimes? Yeah?

591
00:31:50.640 --> 00:31:50.960
<v Speaker 2>That's it.

592
00:31:51.000 --> 00:31:53.400
<v Speaker 4>Guts, It's the king, It's the egg king.

593
00:31:53.480 --> 00:31:53.839
<v Speaker 1>What is it?

594
00:31:53.880 --> 00:31:57.480
<v Speaker 4>The King of the egg who cares the egg of

595
00:31:57.559 --> 00:32:01.039
<v Speaker 4>the king. That implies the king is somehow laying eggs

596
00:32:01.119 --> 00:32:03.599
<v Speaker 4>across the kingdom. Don't too much about that.

597
00:32:03.640 --> 00:32:06.920
<v Speaker 2>Hey, do you not know that? Nowhere in Humpty Dumpty

598
00:32:07.000 --> 00:32:08.079
<v Speaker 2>doesn't mention that he's an egg.

599
00:32:09.880 --> 00:32:13.000
<v Speaker 1>That's yeah, because of ground but.

600
00:32:12.960 --> 00:32:15.799
<v Speaker 5>Like, why would well, why is he always portrayed his

601
00:32:15.799 --> 00:32:17.319
<v Speaker 5>an egg? It never mentions that he's an egg.

602
00:32:18.759 --> 00:32:21.039
<v Speaker 1>Like, the fact that we gave him an egg form

603
00:32:21.240 --> 00:32:24.240
<v Speaker 1>is disturbing, and the fact that in the story he's

604
00:32:24.400 --> 00:32:30.119
<v Speaker 1>not an egg is also separately disturbing. Yeah, well, I

605
00:32:30.160 --> 00:32:35.119
<v Speaker 1>hear you. Following that, we get a scene between Corcus

606
00:32:35.119 --> 00:32:38.799
<v Speaker 1>two point zero and this failure of an assassin, and

607
00:32:38.960 --> 00:32:41.279
<v Speaker 1>he's like, God, damn it, what do I do now?

608
00:32:42.480 --> 00:32:48.880
<v Speaker 1>And outside there's a handmaiden listening to him, and that

609
00:32:49.079 --> 00:32:53.279
<v Speaker 1>doesn't come to a lot in these two Well, I

610
00:32:53.279 --> 00:32:55.559
<v Speaker 1>guess it. I guess that's how you know, that's how

611
00:32:55.599 --> 00:32:58.799
<v Speaker 1>Griffith knows right in his pocket.

612
00:32:58.920 --> 00:33:00.000
<v Speaker 4>That leaves it over.

613
00:33:00.359 --> 00:33:02.200
<v Speaker 3>Yeah, he says it later on in the other episode,

614
00:33:02.319 --> 00:33:05.400
<v Speaker 3>like I found out by this method.

615
00:33:07.160 --> 00:33:13.200
<v Speaker 1>And more scenes of this dude just fucking seething over Griffith.

616
00:33:13.519 --> 00:33:15.920
<v Speaker 1>He hates him so much.

617
00:33:17.920 --> 00:33:22.799
<v Speaker 4>It is funny how obviously like they're just standing across

618
00:33:22.880 --> 00:33:23.319
<v Speaker 4>the like.

619
00:33:25.599 --> 00:33:28.359
<v Speaker 1>Julius, He's just right there.

620
00:33:28.400 --> 00:33:32.000
<v Speaker 4>He's just right there, Like he's not even like hidden,

621
00:33:32.079 --> 00:33:34.279
<v Speaker 4>he's you could tell his like he has the hat

622
00:33:34.319 --> 00:33:36.359
<v Speaker 4>that he wears that like point he kind of hat.

623
00:33:36.880 --> 00:33:39.720
<v Speaker 4>Griffith is like, also, like I can obviously fucking yeah,

624
00:33:39.880 --> 00:33:40.319
<v Speaker 4>I could.

625
00:33:40.119 --> 00:33:43.440
<v Speaker 2>See politically Griffith could not say, oh it was.

626
00:33:43.440 --> 00:33:52.440
<v Speaker 1>Julius given the crazy eyes. Get to the crazy eyes. Mmm.

627
00:33:52.960 --> 00:33:56.839
<v Speaker 1>We then get this scene in Griffith's study where Goods

628
00:33:56.880 --> 00:33:59.440
<v Speaker 1>comes in and look, I'm just gonna say it, Goods

629
00:33:59.480 --> 00:34:01.559
<v Speaker 1>can wear the shit out of a tank top caddy.

630
00:34:01.720 --> 00:34:05.160
<v Speaker 1>He really he's he's looking books so good.

631
00:34:05.599 --> 00:34:07.880
<v Speaker 2>I'm just going to say it. I don't think Griffith

632
00:34:07.880 --> 00:34:08.639
<v Speaker 2>read all those books.

633
00:34:09.280 --> 00:34:11.159
<v Speaker 1>No I don't. I don't think he was lying. I

634
00:34:11.199 --> 00:34:13.400
<v Speaker 1>think I think maybe he read like have to lie

635
00:34:13.480 --> 00:34:13.719
<v Speaker 1>about it.

636
00:34:13.800 --> 00:34:16.360
<v Speaker 3>He's just straight up hair in my garage. It's called

637
00:34:16.360 --> 00:34:20.000
<v Speaker 3>this new Lamborghini hair. Just like, no, mate, you didn't

638
00:34:20.039 --> 00:34:20.760
<v Speaker 3>read all those.

639
00:34:20.559 --> 00:34:28.280
<v Speaker 1>Books, no, no way. I watched a book enthusiast, Like

640
00:34:29.480 --> 00:34:32.599
<v Speaker 1>he's just enthusiastic about the idea of books and their

641
00:34:32.599 --> 00:34:35.920
<v Speaker 1>bindings and stuff. And then he was explaining before that

642
00:34:35.920 --> 00:34:38.880
<v Speaker 1>when you see like an old study like this, the

643
00:34:39.000 --> 00:34:43.280
<v Speaker 1>point wasn't like that someone read all these books. It

644
00:34:43.400 --> 00:34:45.679
<v Speaker 1>was just as basically as close as you could get

645
00:34:45.719 --> 00:34:49.880
<v Speaker 1>to an internet search engine back then. Oh, I want

646
00:34:49.880 --> 00:34:51.760
<v Speaker 1>to know about this thing, I wondered, Do I have

647
00:34:51.840 --> 00:34:54.000
<v Speaker 1>a book on it in my study? I thought that

648
00:34:54.039 --> 00:34:55.639
<v Speaker 1>was really interesting. That is really interesting.

649
00:34:56.280 --> 00:35:00.480
<v Speaker 5>Friend of mine is a bookbinder like repairs books, and

650
00:35:00.559 --> 00:35:05.079
<v Speaker 5>it makes all videos on his Instagram about all the

651
00:35:05.079 --> 00:35:08.719
<v Speaker 5>books he repairs. Like, I think, if I wasn't doing

652
00:35:09.320 --> 00:35:12.679
<v Speaker 5>this whatever you call this is, I would love to

653
00:35:12.679 --> 00:35:16.440
<v Speaker 5>do something like art restoration and repair. Very difficult, but

654
00:35:16.559 --> 00:35:18.000
<v Speaker 5>I think it would be very satisfying.

655
00:35:19.920 --> 00:35:22.719
<v Speaker 1>That would suit your temperaments, Lucy, I think that's a

656
00:35:22.719 --> 00:35:23.119
<v Speaker 1>good fit.

657
00:35:23.440 --> 00:35:26.199
<v Speaker 2>Think about how many audiobooks I could smash through.

658
00:35:27.880 --> 00:35:32.079
<v Speaker 4>The irony there. And it's funny.

659
00:35:32.119 --> 00:35:35.239
<v Speaker 1>This is a kind of like it's an unusual scene

660
00:35:35.280 --> 00:35:38.119
<v Speaker 1>because it's kind of like Griffith basically being like Goods

661
00:35:40.079 --> 00:35:43.320
<v Speaker 1>need you need you to murder someone? And Goods is like, hey,

662
00:35:43.440 --> 00:35:45.599
<v Speaker 1>whatever you know, ordered me to do it, don't ask

663
00:35:45.639 --> 00:35:50.119
<v Speaker 1>me to do it, Like it's it's cool for you anything, Yeah, bro?

664
00:35:53.559 --> 00:35:56.000
<v Speaker 1>And do you think Goods can read, or do you

665
00:35:56.039 --> 00:35:58.880
<v Speaker 1>think that he's kind of pretending he can read?

666
00:35:59.159 --> 00:36:03.960
<v Speaker 4>Because I thought about that. I this scene is presented

667
00:36:04.000 --> 00:36:05.679
<v Speaker 4>in such a way that it made me think that

668
00:36:05.760 --> 00:36:06.679
<v Speaker 4>he can't read.

669
00:36:07.360 --> 00:36:10.159
<v Speaker 3>Because he does the classic I can't read move where

670
00:36:10.159 --> 00:36:13.400
<v Speaker 3>he opens the book to the middle and then just

671
00:36:13.440 --> 00:36:15.840
<v Speaker 3>stares at it. Because if you were trying it, if

672
00:36:15.880 --> 00:36:17.960
<v Speaker 3>you had any indicator, if you had any ability to

673
00:36:18.000 --> 00:36:19.840
<v Speaker 3>read it, open to the first page.

674
00:36:20.440 --> 00:36:23.400
<v Speaker 1>Yeah, and like where would Goods unless he learned to

675
00:36:23.400 --> 00:36:25.960
<v Speaker 1>read in the Band of Hawk, which he maybe means.

676
00:36:26.000 --> 00:36:28.000
<v Speaker 1>There is no way Gambino taught Goots to.

677
00:36:27.960 --> 00:36:35.559
<v Speaker 4>Read from what I can gather, Carcus, No, all right,

678
00:36:35.639 --> 00:36:41.719
<v Speaker 4>we need a caucus teaching Guts how to read. Guts, Guts, Guts,

679
00:36:42.199 --> 00:36:46.880
<v Speaker 4>sound it out. We talked about this, what's what's this letter?

680
00:36:48.480 --> 00:36:54.119
<v Speaker 4>And what? And that's not a letter? What's what? Sound now?

681
00:36:54.159 --> 00:36:54.800
<v Speaker 1>To now?

682
00:36:54.840 --> 00:36:57.960
<v Speaker 4>Together? Good and pat you on your head.

683
00:36:58.000 --> 00:37:01.800
<v Speaker 1>You're a good boy.

684
00:37:02.679 --> 00:37:04.639
<v Speaker 2>Did you see that? Because he came into the back

685
00:37:04.639 --> 00:37:06.719
<v Speaker 2>and you're like, can we Yeah?

686
00:37:06.719 --> 00:37:08.639
<v Speaker 4>I don't know why. I don't know why he's like

687
00:37:08.719 --> 00:37:11.679
<v Speaker 4>treating Guts like his little little illiterate pet.

688
00:37:11.800 --> 00:37:14.239
<v Speaker 3>But I think we need a full like scene of

689
00:37:14.360 --> 00:37:17.760
<v Speaker 3>guts and carcus reading like the hungry caterpillar or something

690
00:37:17.800 --> 00:37:18.159
<v Speaker 3>like that.

691
00:37:18.880 --> 00:37:20.880
<v Speaker 4>All right, well we'll have to add that in as

692
00:37:20.920 --> 00:37:22.960
<v Speaker 4>a special fee drop. Yeah, we'll do that.

693
00:37:26.119 --> 00:37:28.679
<v Speaker 1>So Griffith takes out the arrow and he's like, this

694
00:37:28.800 --> 00:37:32.159
<v Speaker 1>arrow was coated in expensive poison. It could only have

695
00:37:32.239 --> 00:37:35.039
<v Speaker 1>been a noble and goods. This kind of kind of

696
00:37:35.039 --> 00:37:36.679
<v Speaker 1>looks like some of this is going over Goots's head,

697
00:37:36.719 --> 00:37:39.039
<v Speaker 1>but he's like, okay, sure, whatever, who do I kill?

698
00:37:39.639 --> 00:37:41.239
<v Speaker 4>Yeah.

699
00:37:41.480 --> 00:37:43.880
<v Speaker 1>We basically end on a shot of Goots just looking

700
00:37:43.960 --> 00:37:47.400
<v Speaker 1>like the most badass motherfucker. He's got his like assassination

701
00:37:47.599 --> 00:37:50.360
<v Speaker 1>robe on. Yeah, he looks like Guts batman. I would

702
00:37:50.360 --> 00:37:52.840
<v Speaker 1>don't know if I'd send Guts to like assassinate someone,

703
00:37:52.880 --> 00:37:56.119
<v Speaker 1>because I think it's kind of like basically sending like

704
00:37:56.159 --> 00:37:58.519
<v Speaker 1>a walking talking fridge to be stealthy.

705
00:37:58.840 --> 00:37:59.039
<v Speaker 4>Yeah.

706
00:37:59.159 --> 00:38:03.480
<v Speaker 3>Yeah, he's I don't know how no one goes. He's

707
00:38:03.519 --> 00:38:06.880
<v Speaker 3>like the assailant had a nine ft sword.

708
00:38:07.559 --> 00:38:10.519
<v Speaker 1>Yeah, and just the sickest biceps, Like, holy shit, that

709
00:38:10.559 --> 00:38:11.239
<v Speaker 1>guy works out.

710
00:38:11.400 --> 00:38:14.440
<v Speaker 3>We haven't seen him wearing this cloak since the first

711
00:38:14.480 --> 00:38:18.559
<v Speaker 3>episode where he's walking in the rain slutty tank is.

712
00:38:19.039 --> 00:38:21.360
<v Speaker 4>But he's nimble he's nimble. He got up to the

713
00:38:21.400 --> 00:38:24.000
<v Speaker 4>top of that roof looking like Batman, Like he's nimble,

714
00:38:24.880 --> 00:38:25.159
<v Speaker 4>you know.

715
00:38:25.239 --> 00:38:27.880
<v Speaker 1>I mean, I mean he's you know, he definitely got

716
00:38:27.880 --> 00:38:31.000
<v Speaker 1>to that roof. But yeah, should probably be fine. Nothing

717
00:38:31.039 --> 00:38:36.400
<v Speaker 1>will probably go wrong. I wanted to ask perfect assassination.

718
00:38:36.559 --> 00:38:41.639
<v Speaker 1>I've gone flawless. So do you guys watch the next time?

719
00:38:41.679 --> 00:38:41.760
<v Speaker 4>On?

720
00:38:42.880 --> 00:38:42.920
<v Speaker 5>No?

721
00:38:44.199 --> 00:38:48.079
<v Speaker 1>He Sometimes I would encourage you guys to watch it

722
00:38:49.119 --> 00:38:56.559
<v Speaker 1>just to hear the fucking performance of the narrator. He

723
00:38:56.760 --> 00:39:00.239
<v Speaker 1>is giving it eight hundred percent and he's not talking

724
00:39:00.239 --> 00:39:02.320
<v Speaker 1>about the show. It's like like it'll kind of be

725
00:39:02.360 --> 00:39:07.400
<v Speaker 1>like kind of man sees his own destiny or is

726
00:39:07.440 --> 00:39:11.559
<v Speaker 1>it ruined that draws him near and it's just him

727
00:39:11.719 --> 00:39:15.800
<v Speaker 1>soliloquising for for like forty seconds and just in the

728
00:39:15.840 --> 00:39:19.840
<v Speaker 1>most like the most dramatic of it's almost a.

729
00:39:19.800 --> 00:39:22.360
<v Speaker 3>Little high coup about destiny or something like that.

730
00:39:22.679 --> 00:39:25.280
<v Speaker 1>Yeah, always yeah, So it's okay.

731
00:39:25.320 --> 00:39:28.000
<v Speaker 5>So it's like I didn't want to get spoiled. But

732
00:39:28.079 --> 00:39:30.039
<v Speaker 5>if it's like an arrested development type.

733
00:39:29.840 --> 00:39:34.159
<v Speaker 3>Thing, you know, well, you know what, I can read

734
00:39:34.199 --> 00:39:40.039
<v Speaker 3>it out and you can tell me if this relates to.

735
00:39:40.559 --> 00:39:44.400
<v Speaker 4>Jesus is Lucy's ring also British.

736
00:39:44.920 --> 00:39:47.519
<v Speaker 1>Yeah, it alps her feel more at home.

737
00:39:48.000 --> 00:39:49.639
<v Speaker 4>I was gonna say, maybe we just can only.

738
00:39:49.519 --> 00:39:54.800
<v Speaker 3>Understand my my SERI is East London, British man.

739
00:39:56.119 --> 00:39:56.679
<v Speaker 1>That's cool.

740
00:39:56.760 --> 00:39:59.599
<v Speaker 3>It's very specific. So it just makes me feel like

741
00:39:59.599 --> 00:40:00.880
<v Speaker 3>I'm chaying to someone from home.

742
00:40:02.400 --> 00:40:06.280
<v Speaker 1>I have nice to get my like, I don't know

743
00:40:06.519 --> 00:40:09.079
<v Speaker 1>Google Voice assistant to have a nice voice. I can't,

744
00:40:09.119 --> 00:40:09.800
<v Speaker 1>I can't do it.

745
00:40:10.079 --> 00:40:11.480
<v Speaker 2>No, No.

746
00:40:12.320 --> 00:40:16.480
<v Speaker 3>So the next episode is dreams. Each man has a dream.

747
00:40:17.039 --> 00:40:20.800
<v Speaker 3>Each man longs to pursue his dream. It tortures him,

748
00:40:20.840 --> 00:40:24.519
<v Speaker 3>but the dream gives meaning to his life. Even if

749
00:40:24.519 --> 00:40:26.960
<v Speaker 3>he should end up being destroyed by his own dream,

750
00:40:28.239 --> 00:40:33.320
<v Speaker 3>No man can allow himself to leave it behind. In

751
00:40:33.360 --> 00:40:37.760
<v Speaker 3>this world, does the man possess anything more solid than

752
00:40:37.800 --> 00:40:40.320
<v Speaker 3>a dream? What does that mean? What does there any

753
00:40:40.360 --> 00:40:45.320
<v Speaker 3>of that means? It kind of does relate a little

754
00:40:45.360 --> 00:40:48.920
<v Speaker 3>bit to I guess what Griffith says towards the end.

755
00:40:49.039 --> 00:40:50.800
<v Speaker 4>But yeah, but it's kind of gobbledygook.

756
00:40:51.000 --> 00:40:53.440
<v Speaker 3>Yeah, I mean when you're watching that, you just be like, so,

757
00:40:53.480 --> 00:40:54.800
<v Speaker 3>what's happening in the next episode.

758
00:40:56.000 --> 00:41:03.559
<v Speaker 1>Yeah, this next episode what's called Nobleman. This is an

759
00:41:03.559 --> 00:41:08.320
<v Speaker 1>incredible episode. I think I feel like so much happens,

760
00:41:09.159 --> 00:41:14.119
<v Speaker 1>and they established so much of like Guts and Griffith's

761
00:41:14.239 --> 00:41:19.119
<v Speaker 1>dynamic and like, you know, a potential problem on the

762
00:41:19.119 --> 00:41:21.400
<v Speaker 1>horizon certainly.

763
00:41:22.039 --> 00:41:22.280
<v Speaker 2>Hmm.

764
00:41:23.400 --> 00:41:28.559
<v Speaker 1>We open up and Guts is midway through assassination and

765
00:41:28.599 --> 00:41:31.719
<v Speaker 1>then he is kind of he's diving from rooftop to rooftop.

766
00:41:31.760 --> 00:41:34.880
<v Speaker 1>The real real batman vibes from goods here and he

767
00:41:34.960 --> 00:41:39.719
<v Speaker 1>happens on a he happens on the courtyard and it's Julie.

768
00:41:39.800 --> 00:41:40.920
<v Speaker 1>Is his name Julius?

769
00:41:41.239 --> 00:41:41.480
<v Speaker 3>Yep?

770
00:41:41.639 --> 00:41:47.079
<v Speaker 4>Yeah, now adding an Adonis now the kids. Yes, I

771
00:41:47.159 --> 00:41:48.679
<v Speaker 4>thought that's what you're talking because that's who he sees

772
00:41:48.679 --> 00:41:50.960
<v Speaker 4>in the chore. Oh no, they're fighting, you're right, Yeah,

773
00:41:51.000 --> 00:41:51.639
<v Speaker 4>they're sparring.

774
00:41:51.760 --> 00:41:54.360
<v Speaker 1>Yeah, And it's it's a really interesting scene because like

775
00:41:54.599 --> 00:41:57.119
<v Speaker 1>that it doesn't make any direct mention of it, but

776
00:41:57.239 --> 00:42:00.960
<v Speaker 1>it's like this is what Guts used to do with Ambino. Yeah,

777
00:42:01.079 --> 00:42:03.440
<v Speaker 1>like this this like just have the shit beaten out

778
00:42:03.480 --> 00:42:05.559
<v Speaker 1>of him by an older dude with a sword and

779
00:42:05.679 --> 00:42:08.639
<v Speaker 1>he's watching like little Adonas try his best against his dad.

780
00:42:08.920 --> 00:42:16.280
<v Speaker 1>And I think like the amounts that Adonnas and Julius

781
00:42:16.440 --> 00:42:19.079
<v Speaker 1>both get fleshed out in this little like six minute

782
00:42:19.159 --> 00:42:22.159
<v Speaker 1>sequence is yeah, fucking crazy, very good.

783
00:42:22.400 --> 00:42:26.280
<v Speaker 4>Like it's also like the priest guy who's like add

784
00:42:26.320 --> 00:42:27.239
<v Speaker 4>some collar there too.

785
00:42:27.519 --> 00:42:30.880
<v Speaker 1>Yeah. Yeah. You find out that like Adonnas's mother is

786
00:42:30.960 --> 00:42:34.480
<v Speaker 1>dead and that Julius has had to raise him by himself.

787
00:42:34.960 --> 00:42:37.920
<v Speaker 1>He also has big expectations for Adonnas because not only

788
00:42:38.000 --> 00:42:40.440
<v Speaker 1>is Donna's going to captain the White Dragon Knights who

789
00:42:40.960 --> 00:42:43.079
<v Speaker 1>up until the Band of Hawk with the strongest knights,

790
00:42:43.559 --> 00:42:46.079
<v Speaker 1>Adonnas has a chance at becoming the king if he

791
00:42:46.159 --> 00:42:50.400
<v Speaker 1>gets betrothed, betrothed to a queen princess Charlotte, And it's

792
00:42:50.480 --> 00:42:54.440
<v Speaker 1>like you can feel all this weight being placed on

793
00:42:54.599 --> 00:42:57.280
<v Speaker 1>this kid. But then we also meet this priest character

794
00:42:57.400 --> 00:43:01.519
<v Speaker 1>who's really like a kind of he's really like a

795
00:43:01.719 --> 00:43:04.280
<v Speaker 1>kind of the actual father fing he tries to cam

796
00:43:04.400 --> 00:43:06.679
<v Speaker 1>and you can tell he really cares about Adonnas, the

797
00:43:06.719 --> 00:43:09.159
<v Speaker 1>priest and he's like, oh, I think that's enough, sire,

798
00:43:09.280 --> 00:43:12.119
<v Speaker 1>and all this kind of stuff, and I think this

799
00:43:12.280 --> 00:43:16.559
<v Speaker 1>scene really effectively, Like Julius is still an asshole, but

800
00:43:16.719 --> 00:43:19.039
<v Speaker 1>you see where some of it's coming from, because the

801
00:43:19.079 --> 00:43:22.039
<v Speaker 1>reason he's being so territorial over the crown is he

802
00:43:22.159 --> 00:43:24.199
<v Speaker 1>has this child who, in his own way, he is

803
00:43:24.320 --> 00:43:28.599
<v Speaker 1>trying to protect and it sucks and he's bad at

804
00:43:28.639 --> 00:43:30.599
<v Speaker 1>it and he injures his kid and then he like

805
00:43:31.079 --> 00:43:35.639
<v Speaker 1>drops a towel on his head, and the priest dude

806
00:43:35.760 --> 00:43:39.719
<v Speaker 1>is like, listen, don't hate your dad. He's he's been

807
00:43:39.840 --> 00:43:41.199
<v Speaker 1>through a lot, and I think it kind of it

808
00:43:41.280 --> 00:43:43.599
<v Speaker 1>kind of gives you the feeling that maybe, like, you know,

809
00:43:43.719 --> 00:43:45.800
<v Speaker 1>this dude has been with his family for years, and

810
00:43:45.920 --> 00:43:50.079
<v Speaker 1>it's just it's there's a lot of like really important,

811
00:43:50.159 --> 00:43:53.840
<v Speaker 1>subtle character stuff happening here. And I think my favorite

812
00:43:53.880 --> 00:43:56.960
<v Speaker 1>part is when we get the scene of like the

813
00:43:57.119 --> 00:44:01.400
<v Speaker 1>priest and Adonas or the priest's you Ulius, and again

814
00:44:01.480 --> 00:44:04.159
<v Speaker 1>the priest is like, listen, I think you should ease

815
00:44:04.280 --> 00:44:07.199
<v Speaker 1>up on the kid, and Julius actually has this moment

816
00:44:07.280 --> 00:44:11.159
<v Speaker 1>where he's kind of like, oh, fuck, you're right, like

817
00:44:11.280 --> 00:44:13.880
<v Speaker 1>kind of maybe, yeah, maybe I've overdone it. And that

818
00:44:14.119 --> 00:44:17.960
<v Speaker 1>is like the most human thing we ever get out

819
00:44:18.000 --> 00:44:21.119
<v Speaker 1>of this character, and I think it kind of it

820
00:44:21.320 --> 00:44:26.119
<v Speaker 1>softens them and that makes what comes like only more tragic.

821
00:44:26.719 --> 00:44:28.119
<v Speaker 4>Yes, agreed.

822
00:44:28.239 --> 00:44:32.840
<v Speaker 3>He there's also like in that scene, there's also like

823
00:44:32.960 --> 00:44:36.679
<v Speaker 3>some lines that undo that because he talks about him

824
00:44:36.760 --> 00:44:40.360
<v Speaker 3>being frustrated at not being competent in the court being

825
00:44:40.719 --> 00:44:43.559
<v Speaker 3>a big reason. So he's taking out his own frustrations

826
00:44:43.639 --> 00:44:44.159
<v Speaker 3>on the kid.

827
00:44:45.960 --> 00:44:49.199
<v Speaker 1>So that undoes that. I think, like he's still an asshole,

828
00:44:49.639 --> 00:44:52.199
<v Speaker 1>but you can tell there is some attempt to come

829
00:44:52.280 --> 00:44:54.800
<v Speaker 1>to terms with the fact that he is an asshole.

830
00:44:55.599 --> 00:44:55.800
<v Speaker 4>Yeah.

831
00:44:56.000 --> 00:44:59.960
<v Speaker 3>I think he just knows and the priest Assan checks him.

832
00:45:00.079 --> 00:45:01.639
<v Speaker 3>It's like every now and then, just like you've been

833
00:45:01.639 --> 00:45:02.440
<v Speaker 3>in an ousehole again.

834
00:45:03.440 --> 00:45:07.280
<v Speaker 1>Yeah, and then we get we have a little ballroom

835
00:45:07.400 --> 00:45:12.280
<v Speaker 1>scene and it's basically Griffith hanging out with all the

836
00:45:12.360 --> 00:45:14.920
<v Speaker 1>nobles again and a lot of the ladies being like, Griffith,

837
00:45:14.960 --> 00:45:17.119
<v Speaker 1>you're so fucking cool. And then some of the men

838
00:45:17.159 --> 00:45:19.159
<v Speaker 1>come up and they're like, Griffith, you're so fucking cool,

839
00:45:19.760 --> 00:45:23.119
<v Speaker 1>and he's like, it's true, I am. And Princess Charlotte

840
00:45:23.199 --> 00:45:26.039
<v Speaker 1>comes up and everyone's like, oh, she's even even more

841
00:45:26.199 --> 00:45:31.400
<v Speaker 1>beautiful than normal. It's that's that's the further they have

842
00:45:31.599 --> 00:45:37.559
<v Speaker 1>Jeff and they they they comment that maybe she's in love.

843
00:45:39.880 --> 00:45:46.000
<v Speaker 1>And that is when we cut back to Julius's chamber

844
00:45:46.400 --> 00:45:49.639
<v Speaker 1>and he is attacked by a hooded guts who just

845
00:45:50.239 --> 00:45:54.039
<v Speaker 1>murders the guy like there is yea. It is immediate

846
00:45:54.440 --> 00:45:57.760
<v Speaker 1>and Julius recognizes who he is in his final moments,

847
00:45:58.880 --> 00:46:00.960
<v Speaker 1>and here is I think we get like one of

848
00:46:01.039 --> 00:46:06.840
<v Speaker 1>the most I guess, shocking parts of Berserk A Donnis.

849
00:46:06.880 --> 00:46:09.840
<v Speaker 1>Little a Donnis opens the door, little baby bridges Donnis

850
00:46:10.000 --> 00:46:13.960
<v Speaker 1>opens the door, and God sees him. He looks at

851
00:46:14.000 --> 00:46:17.239
<v Speaker 1>him and he's like, that's a kid, and that kid's

852
00:46:17.239 --> 00:46:19.880
<v Speaker 1>about to give him away, give me away. And he

853
00:46:20.000 --> 00:46:22.239
<v Speaker 1>runs them through the sword and just fucking murks him

854
00:46:22.400 --> 00:46:22.719
<v Speaker 1>right there.

855
00:46:22.800 --> 00:46:23.159
<v Speaker 4>Brutal.

856
00:46:23.719 --> 00:46:26.400
<v Speaker 1>God goes, oh, like.

857
00:46:26.480 --> 00:46:27.039
<v Speaker 5>What have I done?

858
00:46:27.639 --> 00:46:30.480
<v Speaker 2>The immediate remorse, but the fact is he clocked him

859
00:46:30.840 --> 00:46:31.480
<v Speaker 2>and still did it.

860
00:46:32.320 --> 00:46:34.760
<v Speaker 1>Yeah, he like there was he saw him, there was

861
00:46:34.800 --> 00:46:36.880
<v Speaker 1>a beat and then he did it. Like this wasn't

862
00:46:36.960 --> 00:46:41.559
<v Speaker 1>a sad accident. This this at some it's it's like

863
00:46:41.639 --> 00:46:43.119
<v Speaker 1>he ran the numbers and he was like, if I

864
00:46:43.159 --> 00:46:46.760
<v Speaker 1>don't kill this kid, then everything Griffith and the Band

865
00:46:46.800 --> 00:46:49.679
<v Speaker 1>of hawk Art is over. And so he runs them through.

866
00:46:49.719 --> 00:46:52.119
<v Speaker 1>But then yeah, you just have this moment of like

867
00:46:52.519 --> 00:46:55.800
<v Speaker 1>he realizes what he's done and he takes the kid's

868
00:46:55.840 --> 00:46:58.679
<v Speaker 1>hand and he just goes, yeah, I'm I'm here, and

869
00:46:58.800 --> 00:47:03.519
<v Speaker 1>it's fuck, yeah, I didn't like that. Let's not do that.

870
00:47:03.599 --> 00:47:08.000
<v Speaker 3>Again, it's so weird because when he kills Julius, he

871
00:47:09.079 --> 00:47:11.760
<v Speaker 3>looks down at him and he looks like like he's

872
00:47:12.800 --> 00:47:17.519
<v Speaker 3>showing remorse. Oh, he's like shocked at what's happened before

873
00:47:17.599 --> 00:47:18.960
<v Speaker 3>he kills the kid. And then he does the same

874
00:47:19.039 --> 00:47:20.920
<v Speaker 3>thing when he's killed the kid, which is kind of

875
00:47:20.960 --> 00:47:23.719
<v Speaker 3>weird because he's up until this point been portrayed as

876
00:47:23.760 --> 00:47:25.800
<v Speaker 3>like a killing machine, like he doesn't really think about it,

877
00:47:25.840 --> 00:47:28.920
<v Speaker 3>he just does it. So even for someone like Julius,

878
00:47:28.960 --> 00:47:31.039
<v Speaker 3>it's weird that he's taken aback by what's happened.

879
00:47:31.960 --> 00:47:34.360
<v Speaker 1>So my read on that is, like, you're right, Tamly,

880
00:47:34.480 --> 00:47:37.719
<v Speaker 1>he totally is a killing machine. But at the same time,

881
00:47:37.760 --> 00:47:42.239
<v Speaker 1>whenever he kills someone, it's not like this, you know.

882
00:47:43.440 --> 00:47:46.280
<v Speaker 1>It's like, yeah, it's not like in their chambers them

883
00:47:46.400 --> 00:47:49.320
<v Speaker 1>without a weapon. It's on the battlefield. It's covered in

884
00:47:49.400 --> 00:47:54.480
<v Speaker 1>suits of armor. And this feels this feels weird.

885
00:47:54.360 --> 00:47:57.760
<v Speaker 3>You know, yeah, And I think that's partly the point

886
00:47:57.840 --> 00:48:00.639
<v Speaker 3>where it's I mean, as we go on into the episode,

887
00:48:00.639 --> 00:48:02.880
<v Speaker 3>there's a realization that happens at the end of the

888
00:48:02.960 --> 00:48:04.880
<v Speaker 3>moment end of the episode. I think this is the

889
00:48:05.000 --> 00:48:08.519
<v Speaker 3>beginning of that where God starts to understand the place

890
00:48:08.599 --> 00:48:15.719
<v Speaker 3>he holds within the world currently and in Griffith's world totally.

891
00:48:16.559 --> 00:48:20.840
<v Speaker 1>But you can tell, like the moment really shakes up Guts,

892
00:48:21.199 --> 00:48:24.400
<v Speaker 1>and I think it's it's done really well in the

893
00:48:24.679 --> 00:48:26.440
<v Speaker 1>in this anime, but like the moment where he takes

894
00:48:26.480 --> 00:48:28.639
<v Speaker 1>the kid's hands, the panel of that and the manga

895
00:48:28.800 --> 00:48:32.400
<v Speaker 1>is really beautiful, like really really well done, and it's

896
00:48:32.480 --> 00:48:35.960
<v Speaker 1>just it's really it's horrible, Like it's it's kind of like,

897
00:48:36.199 --> 00:48:42.360
<v Speaker 1>oh shit, like this is this ain't right. But before

898
00:48:42.400 --> 00:48:44.199
<v Speaker 1>we Guts can even like process it, he's you know,

899
00:48:44.280 --> 00:48:46.280
<v Speaker 1>attacked by the guards and they chase him out, and

900
00:48:46.360 --> 00:48:48.480
<v Speaker 1>then there's like another really sad moment with the priest

901
00:48:48.519 --> 00:48:51.639
<v Speaker 1>dude and he's like Little Adonna's who would do this?

902
00:48:51.960 --> 00:48:52.119
<v Speaker 3>You know?

903
00:48:53.039 --> 00:48:57.679
<v Speaker 4>Yeah, it's pretty tough, it's pretty rough.

904
00:49:00.239 --> 00:49:03.360
<v Speaker 1>We then get a kind of, I guess, kind of

905
00:49:03.400 --> 00:49:09.960
<v Speaker 1>a nightmare hallucinatory scene where Little Guts kills Gambino, but

906
00:49:10.039 --> 00:49:12.320
<v Speaker 1>then it kind of turns out that it was Zod

907
00:49:12.639 --> 00:49:14.679
<v Speaker 1>and it's like, what do you guys make this scene?

908
00:49:16.719 --> 00:49:20.199
<v Speaker 4>I kind of couldn't really place it because I didn't

909
00:49:20.360 --> 00:49:22.840
<v Speaker 4>understand like what Zod was doing there.

910
00:49:23.920 --> 00:49:26.639
<v Speaker 3>Well, I think it's I was gonna say, I think

911
00:49:26.639 --> 00:49:30.760
<v Speaker 3>it's like a representation of something in his life that

912
00:49:30.840 --> 00:49:34.679
<v Speaker 3>he feels is insurmountable right now because he's I think,

913
00:49:34.760 --> 00:49:39.239
<v Speaker 3>like not Fortuzard is the first character or combat and

914
00:49:39.320 --> 00:49:42.719
<v Speaker 3>he's come up against that as like thoroughly destroyed him,

915
00:49:44.000 --> 00:49:45.920
<v Speaker 3>and I think it kind of makes him feel like

916
00:49:46.719 --> 00:49:50.239
<v Speaker 3>he were he felt when he was training against Gambino,

917
00:49:50.320 --> 00:49:53.320
<v Speaker 3>where he felt like, you know, he's been towered down

918
00:49:53.360 --> 00:49:59.280
<v Speaker 3>on by this undefeatable figure. Sure, and then it kills

919
00:50:00.000 --> 00:50:03.079
<v Speaker 3>Ambino like Zod kills the Gambino, which I think is

920
00:50:03.159 --> 00:50:07.239
<v Speaker 3>kind of like shifting the trauma to another character now,

921
00:50:07.559 --> 00:50:09.320
<v Speaker 3>and that being No s Faratuz.

922
00:50:11.079 --> 00:50:16.920
<v Speaker 1>Yeah, he gets hit with an arrow and is having

923
00:50:17.159 --> 00:50:20.880
<v Speaker 1>a lot of trouble, and that is when basically everyone's

924
00:50:21.000 --> 00:50:23.920
<v Speaker 1>in the We cut to the band of Hawk in

925
00:50:23.960 --> 00:50:24.400
<v Speaker 1>the pub.

926
00:50:24.920 --> 00:50:29.440
<v Speaker 3>One thing in that scene, the No Feratud scene, there's

927
00:50:29.480 --> 00:50:33.000
<v Speaker 3>a moment where his hand he puts like it looks

928
00:50:33.039 --> 00:50:36.480
<v Speaker 3>like is putting his hand on his own face and

929
00:50:36.599 --> 00:50:38.599
<v Speaker 3>then it flashes into another face.

930
00:50:40.679 --> 00:50:43.199
<v Speaker 1>Looks like a little bits.

931
00:50:44.199 --> 00:50:47.639
<v Speaker 3>It's important. That's an important frame, very very important frame.

932
00:50:48.599 --> 00:50:53.239
<v Speaker 1>It's like guts, I guess, becoming like that kind of

933
00:50:53.400 --> 00:50:58.079
<v Speaker 1>be steel Monster, like in there's this team in like

934
00:50:58.400 --> 00:51:01.400
<v Speaker 1>Berserk and like we'll see it more later, where actually

935
00:51:01.400 --> 00:51:04.000
<v Speaker 1>we won't see it more later because the character. The

936
00:51:04.119 --> 00:51:06.199
<v Speaker 1>character is so fucked up they didn't want to put

937
00:51:06.239 --> 00:51:09.679
<v Speaker 1>him in the anime. But I guess it's this idea

938
00:51:09.760 --> 00:51:12.119
<v Speaker 1>of like the man becoming the beast and like like

939
00:51:12.559 --> 00:51:16.000
<v Speaker 1>giving into the worst, most violent, angry parts yourself. And

940
00:51:16.039 --> 00:51:17.920
<v Speaker 1>I think that's kind of that's kind of what they're

941
00:51:17.960 --> 00:51:22.559
<v Speaker 1>going going for with this. We cut to a pub

942
00:51:22.639 --> 00:51:25.039
<v Speaker 1>and the band of hawk or drinking, and I kind

943
00:51:25.079 --> 00:51:27.159
<v Speaker 1>of maybe I missed something at the start of this.

944
00:51:27.239 --> 00:51:30.960
<v Speaker 1>They're kind of upset that Guts isn't here, Yeah, and

945
00:51:31.320 --> 00:51:34.639
<v Speaker 1>somehow that's got them in trouble. I think.

946
00:51:36.800 --> 00:51:41.000
<v Speaker 5>The fact that they've already lost Griffith to the gentry, right,

947
00:51:41.119 --> 00:51:43.119
<v Speaker 5>and so I think Guts is like the next best

948
00:51:43.239 --> 00:51:47.199
<v Speaker 5>in terms of being a capable leader, like who would

949
00:51:47.239 --> 00:51:49.039
<v Speaker 5>kind of fill that hole. Like Caska has a lot

950
00:51:49.079 --> 00:51:50.840
<v Speaker 5>of respect from them, don't get me wrong, but like

951
00:51:51.920 --> 00:51:55.239
<v Speaker 5>the way that they kind of fawn over Guts is Yeah,

952
00:51:55.280 --> 00:51:56.840
<v Speaker 5>maybe they just feel abandoned by him a bit.

953
00:51:57.840 --> 00:52:00.599
<v Speaker 1>Yeah, you're right, and and Okay, I just listened to

954
00:52:00.679 --> 00:52:03.159
<v Speaker 1>it there, and what Caska says is that Gots slacked

955
00:52:03.199 --> 00:52:04.280
<v Speaker 1>off the drills today.

956
00:52:06.079 --> 00:52:09.000
<v Speaker 2>Yeah, that's why she's mad with him. But I think

957
00:52:09.039 --> 00:52:09.599
<v Speaker 2>the rest of them just.

958
00:52:09.639 --> 00:52:13.760
<v Speaker 1>Want to hang out with him. Yeah, totally. And you

959
00:52:13.840 --> 00:52:16.480
<v Speaker 1>know what, maybe her too a little bit.

960
00:52:16.920 --> 00:52:17.400
<v Speaker 4>Who knows.

961
00:52:22.039 --> 00:52:25.159
<v Speaker 1>So she basically she approaches Goods and then is like

962
00:52:25.239 --> 00:52:27.280
<v Speaker 1>ready to give him hell. And then immediately when she

963
00:52:27.360 --> 00:52:31.039
<v Speaker 1>sees that like something's wrong and he's a little fucked up,

964
00:52:31.119 --> 00:52:33.920
<v Speaker 1>she kind of she immediately switches like she's immediately like, wait,

965
00:52:34.800 --> 00:52:35.719
<v Speaker 1>what is this?

966
00:52:37.280 --> 00:52:37.719
<v Speaker 4>You're hurt?

967
00:52:39.239 --> 00:52:44.800
<v Speaker 1>Yeah, And so she follows him and he makes his

968
00:52:44.920 --> 00:52:49.519
<v Speaker 1>way to like a huge fountain and it's there he

969
00:52:49.719 --> 00:52:53.719
<v Speaker 1>sees Griffith and Charlotte, And I love everything about like

970
00:52:53.840 --> 00:52:55.800
<v Speaker 1>the staging of this scene. I think it says so

971
00:52:56.119 --> 00:52:58.960
<v Speaker 1>much about berserk and so much about like the dynamic

972
00:52:59.039 --> 00:53:02.239
<v Speaker 1>between them of guts. Like at the bottom of the

973
00:53:02.320 --> 00:53:04.760
<v Speaker 1>stairs and he's like kind of covered in shadow and

974
00:53:04.880 --> 00:53:07.639
<v Speaker 1>he's looking up at Griffith and it's kind of it's

975
00:53:07.880 --> 00:53:15.280
<v Speaker 1>just some really fantastic visual storytelling, and Caska's kind of

976
00:53:15.320 --> 00:53:17.840
<v Speaker 1>holding him back and she's like that's She's basically like,

977
00:53:18.000 --> 00:53:21.119
<v Speaker 1>that's not our world. You can't Griffith right now when

978
00:53:21.159 --> 00:53:24.760
<v Speaker 1>he's with the princess, See, can't you tell? Look how

979
00:53:24.840 --> 00:53:27.480
<v Speaker 1>high up they are. That's that's above our head. What

980
00:53:27.880 --> 00:53:29.440
<v Speaker 1>are we meant to do? Go all the way up

981
00:53:29.480 --> 00:53:32.280
<v Speaker 1>there stairs? Yeah?

982
00:53:32.880 --> 00:53:33.440
<v Speaker 4>You crazy?

983
00:53:35.360 --> 00:53:39.360
<v Speaker 1>And there's a really sweet moment where Caska tears the

984
00:53:39.760 --> 00:53:42.639
<v Speaker 1>arm off her the sleeve of a thing and then

985
00:53:42.679 --> 00:53:45.880
<v Speaker 1>wraps it around Guts is Yeah, that was cool. How

986
00:53:46.000 --> 00:53:48.920
<v Speaker 1>you guys feeling about Guts and Caska at this point?

987
00:53:49.679 --> 00:53:52.239
<v Speaker 4>I think this I think these two episodes has changed

988
00:53:52.320 --> 00:53:56.800
<v Speaker 4>their dynamic just a smidge. I think Caska now finds

989
00:53:56.960 --> 00:53:59.559
<v Speaker 4>a little bit more camaraderie with Guts now that Griffith

990
00:53:59.599 --> 00:54:03.239
<v Speaker 4>is sort of like, is one step away from being

991
00:54:03.280 --> 00:54:06.679
<v Speaker 4>a straight up, you know, noble person, right.

992
00:54:07.599 --> 00:54:09.639
<v Speaker 1>Yeah, for sure, I'm saying.

993
00:54:13.559 --> 00:54:16.639
<v Speaker 2>And so.

994
00:54:18.280 --> 00:54:22.880
<v Speaker 1>Griffith basically enters a giant monologue about dreams, and he

995
00:54:23.000 --> 00:54:26.440
<v Speaker 1>talks about how dreams are the most powerful things on

996
00:54:26.519 --> 00:54:30.679
<v Speaker 1>the planet. A dream can control the world. But then

997
00:54:30.719 --> 00:54:34.239
<v Speaker 1>he also goes into the spiel about like no one

998
00:54:34.360 --> 00:54:39.599
<v Speaker 1>could ever be his friend unless they have their own dream, just.

999
00:54:39.760 --> 00:54:43.480
<v Speaker 4>Like, okay, buddy, and Griffith, do you want me to

1000
00:54:43.559 --> 00:54:45.599
<v Speaker 4>hate you? By the end, of this episode. What are

1001
00:54:45.599 --> 00:54:49.239
<v Speaker 4>we trying to do here, Bud? I can't be friends

1002
00:54:49.280 --> 00:54:53.559
<v Speaker 4>with people who like can't dream? What's that about?

1003
00:54:55.400 --> 00:54:58.000
<v Speaker 1>Yeah, it's so unusual for them to be anything dislikable

1004
00:54:58.000 --> 00:55:00.559
<v Speaker 1>a bit Griffith, But I think we found the one spot, one,

1005
00:55:00.719 --> 00:55:02.880
<v Speaker 1>the one thing, the one blemish.

1006
00:55:04.199 --> 00:55:07.239
<v Speaker 4>Beautiful guys, even when you play these when you play

1007
00:55:07.320 --> 00:55:13.800
<v Speaker 4>these games, don't play these games with me. Okay, yeah, look,

1008
00:55:13.960 --> 00:55:16.639
<v Speaker 4>we're just talking about We're just talking about our friend Griffith.

1009
00:55:17.000 --> 00:55:20.079
<v Speaker 1>Yeah, yep, well I will.

1010
00:55:20.679 --> 00:55:24.360
<v Speaker 4>I will continue to suspend my disbelief about our boy

1011
00:55:24.599 --> 00:55:30.079
<v Speaker 4>here and see what happens. I don't think I do.

1012
00:55:30.559 --> 00:55:31.480
<v Speaker 5>I just like.

1013
00:55:33.239 --> 00:55:33.639
<v Speaker 1>I don't know.

1014
00:55:34.000 --> 00:55:38.440
<v Speaker 4>He's just kind of crucial and uh he's he's a

1015
00:55:38.480 --> 00:55:41.039
<v Speaker 4>sneaky little bitch. We'll see, we'll see what happens here.

1016
00:55:42.280 --> 00:55:45.840
<v Speaker 1>Like I think at the end, He's say, Griffith is compelling, right,

1017
00:55:46.280 --> 00:55:49.239
<v Speaker 1>Like there are no boring scenes with Griffith. Yeah, like

1018
00:55:49.360 --> 00:55:52.400
<v Speaker 1>he's always the present thing, he's always worked, and like

1019
00:55:52.920 --> 00:55:55.119
<v Speaker 1>that's how he's meant to feel in it as well.

1020
00:55:55.280 --> 00:55:58.159
<v Speaker 4>Like he's a slippery, He's a slippery ship. You know,

1021
00:55:58.239 --> 00:56:00.679
<v Speaker 4>he's a slippery you know, he's sort of is doing

1022
00:56:00.840 --> 00:56:03.000
<v Speaker 4>like a fun thing on the fountain where he like

1023
00:56:03.440 --> 00:56:06.760
<v Speaker 4>he like jumps up, but he like effortlessly jumps up

1024
00:56:06.760 --> 00:56:09.199
<v Speaker 4>in a way that he looks like he's sort of covering.

1025
00:56:10.000 --> 00:56:10.199
<v Speaker 3>Yeah.

1026
00:56:10.599 --> 00:56:11.480
<v Speaker 4>Well, no, no, no he's not.

1027
00:56:11.599 --> 00:56:14.760
<v Speaker 1>He's wearing just like normal. It's just didn't No, he's

1028
00:56:14.800 --> 00:56:16.480
<v Speaker 1>just in his noble noble.

1029
00:56:16.960 --> 00:56:19.239
<v Speaker 2>And he's just sort of like like his noble like

1030
00:56:19.639 --> 00:56:22.000
<v Speaker 2>light armor, a.

1031
00:56:22.000 --> 00:56:25.760
<v Speaker 4>Lot of frills, Lucy, he's his business casual right now,

1032
00:56:25.880 --> 00:56:28.800
<v Speaker 4>and he just like levitates up on the fountain in

1033
00:56:29.119 --> 00:56:29.760
<v Speaker 4>a funny way.

1034
00:56:30.400 --> 00:56:33.719
<v Speaker 3>Yeah, yeah, very regal. He also says that he dreams

1035
00:56:34.159 --> 00:56:36.039
<v Speaker 3>or people dream of ruling the world.

1036
00:56:36.000 --> 00:56:39.719
<v Speaker 1>Which is like do they and also says, like ruling

1037
00:56:39.760 --> 00:56:41.079
<v Speaker 1>the world what a fucking pain?

1038
00:56:43.000 --> 00:56:46.199
<v Speaker 2>The worst I was confusing him with the next scene

1039
00:56:46.199 --> 00:56:47.320
<v Speaker 2>where he is back in his armor.

1040
00:56:48.440 --> 00:56:51.639
<v Speaker 3>Yeah, And also he also says importantly, no one in

1041
00:56:51.679 --> 00:56:53.239
<v Speaker 3>the band of Hawk is his friend.

1042
00:56:54.159 --> 00:56:56.719
<v Speaker 1>Yeah, because his friend would have to have their own dream.

1043
00:56:56.960 --> 00:56:59.960
<v Speaker 1>And yet like a sound cute and quick to goods

1044
00:57:00.119 --> 00:57:06.559
<v Speaker 1>face and he looks devastated, like Jesus Christ.

1045
00:57:07.760 --> 00:57:07.920
<v Speaker 5>You know.

1046
00:57:08.559 --> 00:57:11.119
<v Speaker 4>The thing that is weird here is just the geography

1047
00:57:11.199 --> 00:57:14.519
<v Speaker 4>of the scene where like he's close enough that he

1048
00:57:14.679 --> 00:57:18.400
<v Speaker 4>hears every last thing he's saying, but it's also unseen

1049
00:57:18.679 --> 00:57:27.199
<v Speaker 4>by uh, what's their name in Griffith Charlotte, and I'm like, okay, Charlotte, Charlayne,

1050
00:57:27.320 --> 00:57:33.599
<v Speaker 4>and Charlene call her Charlene for the rest of the whatever. Yeah,

1051
00:57:33.840 --> 00:57:36.920
<v Speaker 4>it's fine. You know, he's devastated. And then they literally

1052
00:57:37.079 --> 00:57:41.280
<v Speaker 4>show like a screen grab, like a drawing where he's

1053
00:57:41.760 --> 00:57:45.039
<v Speaker 4>just they like eliminate the stairs and it's just a

1054
00:57:45.159 --> 00:57:48.400
<v Speaker 4>height thing and like Griffith is floating in the in

1055
00:57:48.480 --> 00:57:51.280
<v Speaker 4>the ether and Guts is sort of on the ground level,

1056
00:57:52.159 --> 00:57:54.000
<v Speaker 4>which is pretty on the nose for this scene.

1057
00:57:54.719 --> 00:57:58.760
<v Speaker 1>Yeah, I love it. I think it's it's just yeah,

1058
00:57:58.960 --> 00:57:59.639
<v Speaker 1>it's great.

1059
00:57:59.639 --> 00:58:02.199
<v Speaker 4>It's good. Good, it's good stuff. It's a good show.

1060
00:58:02.239 --> 00:58:04.920
<v Speaker 4>You guys, thanks for showing me Berserk great.

1061
00:58:05.559 --> 00:58:10.639
<v Speaker 1>If I can't tell you of how valued the opinion

1062
00:58:10.719 --> 00:58:15.039
<v Speaker 1>that Berserk is good. Yeah, I mean, did you let

1063
00:58:15.079 --> 00:58:17.960
<v Speaker 1>me only really swinging for the fences here?

1064
00:58:18.400 --> 00:58:19.159
<v Speaker 4>Let me ask you, this.

1065
00:58:20.960 --> 00:58:22.199
<v Speaker 3>Is finally confirmed good.

1066
00:58:23.039 --> 00:58:24.159
<v Speaker 4>Did you think I would like it?

1067
00:58:25.280 --> 00:58:29.559
<v Speaker 1>I honestly didn't know, because I feel like I also

1068
00:58:29.639 --> 00:58:33.559
<v Speaker 1>didn't know. Yeah, I thought because.

1069
00:58:33.320 --> 00:58:34.360
<v Speaker 3>It's a change of pace.

1070
00:58:37.000 --> 00:58:39.239
<v Speaker 1>Wow, you're all just all over the place.

1071
00:58:39.800 --> 00:58:42.320
<v Speaker 5>Well, because I think it's very important for you to

1072
00:58:42.599 --> 00:58:46.679
<v Speaker 5>see it and know about it, right, But at the

1073
00:58:46.760 --> 00:58:50.400
<v Speaker 5>end of the day, it's a It's one of those

1074
00:58:50.400 --> 00:58:52.199
<v Speaker 5>things that you recommend to people, but you kind of

1075
00:58:52.280 --> 00:58:56.039
<v Speaker 5>have to say, hey, what are content warnings in here?

1076
00:58:56.159 --> 00:58:58.239
<v Speaker 5>You kind of sometimes have to really be in the

1077
00:58:58.360 --> 00:59:01.400
<v Speaker 5>place to be experiencing this story.

1078
00:59:02.360 --> 00:59:02.920
<v Speaker 3>And I like this.

1079
00:59:03.039 --> 00:59:04.519
<v Speaker 2>I've never seen the animes. I don't know how much

1080
00:59:04.559 --> 00:59:05.559
<v Speaker 2>of it they do.

1081
00:59:06.800 --> 00:59:10.920
<v Speaker 4>It's it's not my favorite genre obviously I hate I

1082
00:59:10.960 --> 00:59:14.159
<v Speaker 4>don't hate it. I just I don't seek out this theme.

1083
00:59:14.920 --> 00:59:18.320
<v Speaker 4>But good storytelling transcends all, you know. Total.

1084
00:59:19.000 --> 00:59:22.000
<v Speaker 1>I think Jeff, like where I was kind of worried

1085
00:59:22.039 --> 00:59:23.719
<v Speaker 1>that maybe you wouldn't get as much out of it

1086
00:59:24.280 --> 00:59:27.000
<v Speaker 1>is that I always felt like I feel like I

1087
00:59:27.239 --> 00:59:31.079
<v Speaker 1>was correct in predicting how much you would like Cowboy Bebup.

1088
00:59:31.639 --> 00:59:34.440
<v Speaker 1>I think what I got wrong was the specific things

1089
00:59:34.519 --> 00:59:36.280
<v Speaker 1>you would like about it, because I think a lot

1090
00:59:36.360 --> 00:59:40.800
<v Speaker 1>of the more kind of slow paced or sorrowful scenes

1091
00:59:41.280 --> 00:59:43.519
<v Speaker 1>seemed to be stuff that didn't really resonate with you

1092
00:59:43.599 --> 00:59:45.840
<v Speaker 1>as much. Yeah, and I was a bit worried going

1093
00:59:45.920 --> 00:59:48.480
<v Speaker 1>into Berserk that that would be the case here as well.

1094
00:59:48.559 --> 00:59:53.360
<v Speaker 4>Oh, interesting Okay, I gotcha. Yeah, well it worked out

1095
00:59:53.639 --> 00:59:54.840
<v Speaker 4>your your four for four.

1096
00:59:55.320 --> 00:59:56.880
<v Speaker 1>Yeah you liked one punch man.

1097
00:59:58.039 --> 01:00:01.199
<v Speaker 4>Come on, who's not liking that? Come on, that's fun

1098
01:00:01.239 --> 01:00:01.960
<v Speaker 4>for the whole family.

1099
01:00:05.639 --> 01:00:07.840
<v Speaker 1>But yeah, you can tell us something about this thing

1100
01:00:07.920 --> 01:00:12.519
<v Speaker 1>that Griffith says is like just punches a whole right

1101
01:00:12.599 --> 01:00:15.480
<v Speaker 1>through goots and after he just.

1102
01:00:15.559 --> 01:00:18.440
<v Speaker 2>Fucking murdered a guy and his kid for him.

1103
01:00:18.760 --> 01:00:22.840
<v Speaker 1>Yeah, yeah, it's it's brutal. And then we get this scene.

1104
01:00:22.880 --> 01:00:27.360
<v Speaker 1>I fucking love this scene. It's the egg Noble and Griffith,

1105
01:00:28.280 --> 01:00:32.280
<v Speaker 1>just the ships their little fucking yep.

1106
01:00:33.199 --> 01:00:37.719
<v Speaker 3>I like calling him noble because means dishonorable, which is

1107
01:00:38.239 --> 01:00:38.880
<v Speaker 3>works for him.

1108
01:00:40.159 --> 01:00:45.639
<v Speaker 1>Hey, I'll take it a sparring match between these two.

1109
01:00:45.760 --> 01:00:48.800
<v Speaker 1>This is like a battle, but just with words. Yeah.

1110
01:00:48.800 --> 01:00:52.519
<v Speaker 1>And it's like it's it's like him trying to pull

1111
01:00:52.719 --> 01:00:55.920
<v Speaker 1>something out of Griffith or get some little reaction because

1112
01:00:56.000 --> 01:00:58.960
<v Speaker 1>he knows that Griffith is the one responsible for Julius's death,

1113
01:00:59.519 --> 01:01:04.039
<v Speaker 1>and so he's he's he's like, hmmm, quite curious to

1114
01:01:04.239 --> 01:01:05.719
<v Speaker 1>death of that Julius.

1115
01:01:07.920 --> 01:01:10.559
<v Speaker 4>And I wouldn't have anything to do with that, would you.

1116
01:01:11.360 --> 01:01:13.679
<v Speaker 1>It's it's really I think it's really well done, because

1117
01:01:13.719 --> 01:01:15.480
<v Speaker 1>one of those things. For like, neither of them are

1118
01:01:15.559 --> 01:01:18.239
<v Speaker 1>talking about the actual thing they both want to know,

1119
01:01:18.840 --> 01:01:21.480
<v Speaker 1>but they're both talking about all these things that are

1120
01:01:21.599 --> 01:01:24.440
<v Speaker 1>adjacent to it. And see who slips up first.

1121
01:01:24.559 --> 01:01:26.519
<v Speaker 2>I mean, this is the most Game of Thrones as scene,

1122
01:01:27.480 --> 01:01:28.480
<v Speaker 2>oh totally.

1123
01:01:28.360 --> 01:01:30.880
<v Speaker 3>You know, also makes it funny for the vast majority

1124
01:01:30.920 --> 01:01:32.639
<v Speaker 3>of it. They're both standing in front of each other

1125
01:01:32.719 --> 01:01:35.000
<v Speaker 3>with their eyes closed, so no one can really tell

1126
01:01:35.039 --> 01:01:36.159
<v Speaker 3>what the other person is doing.

1127
01:01:36.559 --> 01:01:40.239
<v Speaker 4>Yeah, Varis always speaks with his eyes closed.

1128
01:01:40.599 --> 01:01:44.280
<v Speaker 3>Eventually, Griffith does open his eyes and look, Butnoble his

1129
01:01:44.719 --> 01:01:46.400
<v Speaker 3>eyes closed the entire time.

1130
01:01:48.159 --> 01:01:48.239
<v Speaker 4>And.

1131
01:01:50.039 --> 01:01:52.519
<v Speaker 1>Like, you know, it's a foot exchange. It's kind of like, Okay,

1132
01:01:52.599 --> 01:01:55.559
<v Speaker 1>these two are really kind of spar and and then

1133
01:01:55.679 --> 01:01:58.719
<v Speaker 1>Griffith walks away and egg Noble kind of gives them

1134
01:01:58.760 --> 01:02:00.719
<v Speaker 1>the like one eye closed. They're like kind of looking

1135
01:02:00.719 --> 01:02:01.119
<v Speaker 1>at him, be.

1136
01:02:01.159 --> 01:02:03.719
<v Speaker 4>Like, m well, because he has a bit of a

1137
01:02:03.760 --> 01:02:04.760
<v Speaker 4>panic exack.

1138
01:02:04.519 --> 01:02:08.320
<v Speaker 1>Right, yeah, because he thinks about what not quite yet, Yeah,

1139
01:02:08.400 --> 01:02:12.000
<v Speaker 1>you're right. And then a second later he goes and

1140
01:02:12.159 --> 01:02:15.840
<v Speaker 1>Griffith is standing across the hall looking back at him

1141
01:02:17.039 --> 01:02:21.920
<v Speaker 1>with just the most murderous look you could possibly imagine.

1142
01:02:22.480 --> 01:02:25.639
<v Speaker 1>Holy shit, Lucy and hard stare moments.

1143
01:02:25.719 --> 01:02:31.719
<v Speaker 5>Yeah, yep, I'm much Paddington before we next record.

1144
01:02:33.719 --> 01:02:35.840
<v Speaker 4>I love I love that, like they meet and then

1145
01:02:35.880 --> 01:02:38.199
<v Speaker 4>when they show the egg guy, he's just like quivering,

1146
01:02:38.280 --> 01:02:45.079
<v Speaker 4>He's like, you know, partulably, they're like fifty feet apart. Yeah, right,

1147
01:02:45.320 --> 01:02:48.480
<v Speaker 4>and then I just love Griffin's like that'll be all.

1148
01:02:48.559 --> 01:02:49.079
<v Speaker 1>And just like.

1149
01:02:52.360 --> 01:02:53.039
<v Speaker 2>He knows he's one.

1150
01:02:53.199 --> 01:02:58.880
<v Speaker 4>Yeah, that's it. What a show does? I think that

1151
01:02:59.000 --> 01:03:01.320
<v Speaker 4>means that he's cooked now, right, like he's next on

1152
01:03:01.440 --> 01:03:03.800
<v Speaker 4>the hit list. Yeah, yeah, he's gonna.

1153
01:03:03.880 --> 01:03:05.920
<v Speaker 1>I mean, I guess we'll see. I guess we'll see.

1154
01:03:06.679 --> 01:03:10.039
<v Speaker 2>I didn't realize Oh no, sar, no, no, no, my

1155
01:03:10.159 --> 01:03:12.400
<v Speaker 2>thing is a non sequence, so Karen.

1156
01:03:12.599 --> 01:03:14.159
<v Speaker 1>Oh, I was just gonna say, we get one final

1157
01:03:14.199 --> 01:03:17.519
<v Speaker 1>shot OF's holding his sword and think what Griffith says, put.

1158
01:03:17.400 --> 01:03:21.360
<v Speaker 4>The boner sword just piercing clouds. This thing. I just

1159
01:03:21.599 --> 01:03:25.239
<v Speaker 4>it's so insane. This pan up. It takes fourteen seconds

1160
01:03:25.639 --> 01:03:27.239
<v Speaker 4>for them to pan all the way to the tip

1161
01:03:27.320 --> 01:03:28.119
<v Speaker 4>of the sword here.

1162
01:03:28.440 --> 01:03:30.639
<v Speaker 1>I just feel like, I don't understand how long the

1163
01:03:30.719 --> 01:03:33.239
<v Speaker 1>sword is, Jeff, how long and hard it is. And

1164
01:03:33.519 --> 01:03:34.840
<v Speaker 1>I think we know, I get it.

1165
01:03:35.199 --> 01:03:37.000
<v Speaker 4>I get it. I would use that thing to do.

1166
01:03:37.320 --> 01:03:39.880
<v Speaker 4>I would I would like pierce food from across the

1167
01:03:40.000 --> 01:03:42.679
<v Speaker 4>table with it. It would it would be an extension

1168
01:03:42.719 --> 01:03:47.880
<v Speaker 4>of me. Yeah, you know, what were you going to say, Lucy?

1169
01:03:48.760 --> 01:03:51.760
<v Speaker 2>So I didn't realize they didn't do Puck like at all.

1170
01:03:53.679 --> 01:03:54.519
<v Speaker 4>Uh, Puck.

1171
01:03:54.760 --> 01:03:56.920
<v Speaker 3>Puck wouldn't be Yeah, he would be.

1172
01:03:57.000 --> 01:03:58.920
<v Speaker 5>Like in the very beginning of the whole series, and

1173
01:03:58.920 --> 01:04:01.960
<v Speaker 5>I guess they just don't converge with him later.

1174
01:04:02.639 --> 01:04:02.920
<v Speaker 3>Yeah.

1175
01:04:03.039 --> 01:04:06.440
<v Speaker 1>I think they compressed too much of the first episode too.

1176
01:04:08.440 --> 01:04:11.159
<v Speaker 1>I bet I wouldn't be surprised if there's like a

1177
01:04:11.280 --> 01:04:13.400
<v Speaker 1>moment or two he's in it. But no, they don't

1178
01:04:13.760 --> 01:04:15.719
<v Speaker 1>do the tiny naked flying fairy.

1179
01:04:15.840 --> 01:04:18.239
<v Speaker 5>I was gonna say, because it's this one thing that backlaw,

1180
01:04:18.639 --> 01:04:19.960
<v Speaker 5>I would love to see his reaction.

1181
01:04:20.199 --> 01:04:21.119
<v Speaker 2>It is fucking Puck.

1182
01:04:25.159 --> 01:04:29.440
<v Speaker 1>It's fine. So in the Goots, Gouts is constantly followed

1183
01:04:29.480 --> 01:04:33.519
<v Speaker 1>around by a tiny, little joyous fairy who's all who's

1184
01:04:33.599 --> 01:04:35.679
<v Speaker 1>constantly like everything's great.

1185
01:04:36.519 --> 01:04:40.599
<v Speaker 4>Yeah, oh my god, that's a pretty that's a pretty large.

1186
01:04:41.480 --> 01:04:43.519
<v Speaker 1>We're not getting it in the Golden Age arc. Yeah,

1187
01:04:43.760 --> 01:04:46.039
<v Speaker 1>we're watching. But he was in the first episode. He

1188
01:04:46.159 --> 01:04:47.440
<v Speaker 1>was meant to be in the first episode.

1189
01:04:47.679 --> 01:04:53.800
<v Speaker 4>Is Puck is Puck. That's the fairy's name, Puck ye put? Yeah,

1190
01:04:53.960 --> 01:04:55.920
<v Speaker 4>what do you you all slept on that for?

1191
01:04:56.039 --> 01:04:57.840
<v Speaker 2>Like I'm sorry for five episodes?

1192
01:04:59.840 --> 01:05:01.800
<v Speaker 1>Is that is it meant to be his like inner

1193
01:05:01.880 --> 01:05:05.320
<v Speaker 1>monologue or you know, he's an actual fairy who follows

1194
01:05:05.400 --> 01:05:06.039
<v Speaker 1>got surrounds?

1195
01:05:06.599 --> 01:05:09.000
<v Speaker 4>Okay, got it?

1196
01:05:09.760 --> 01:05:09.840
<v Speaker 5>Ye?

1197
01:05:11.400 --> 01:05:11.920
<v Speaker 3>Oh my god?

1198
01:05:12.880 --> 01:05:16.519
<v Speaker 2>Oh times doctor picture like Shrek is as I was.

1199
01:05:16.519 --> 01:05:21.880
<v Speaker 4>Going to say, that's not what I'm aware of.

1200
01:05:21.960 --> 01:05:24.679
<v Speaker 3>This is, Yeah, I like, I don't. I find I

1201
01:05:24.760 --> 01:05:27.719
<v Speaker 3>found annoying until there's going to be another name that

1202
01:05:28.880 --> 01:05:31.039
<v Speaker 3>Jeff is just going to go until like your Cidareo

1203
01:05:31.159 --> 01:05:33.280
<v Speaker 3>Jones and stuff like that, and then there's more of

1204
01:05:33.360 --> 01:05:38.800
<v Speaker 3>a balance between the different people. But I don't believe

1205
01:05:39.079 --> 01:05:42.400
<v Speaker 3>we get that far in the enemy in in like

1206
01:05:43.039 --> 01:05:44.559
<v Speaker 3>actually to talk about this.

1207
01:05:44.760 --> 01:05:48.519
<v Speaker 1>Yeah, And for a long time on the Internet, there

1208
01:05:48.639 --> 01:05:51.880
<v Speaker 1>was this kind of idea that Berserk was a masterpiece

1209
01:05:52.039 --> 01:05:55.559
<v Speaker 1>except for Puck and that was the one flaw. But

1210
01:05:55.679 --> 01:05:57.559
<v Speaker 1>I think a lot of that opinion was kind of

1211
01:05:57.599 --> 01:06:02.360
<v Speaker 1>coming from like the edgy boys who like Berserk because

1212
01:06:02.400 --> 01:06:06.480
<v Speaker 1>it was so fucked up, bro, and not people who

1213
01:06:06.519 --> 01:06:09.519
<v Speaker 1>I feel like, you know, we're appreciating many of the

1214
01:06:09.599 --> 01:06:15.000
<v Speaker 1>kind of wonderful things about Berserk. Yeah, so yeah, two

1215
01:06:15.079 --> 01:06:21.880
<v Speaker 1>really strong episodes. Yep, very very Ah how many I

1216
01:06:22.000 --> 01:06:24.960
<v Speaker 1>left out another episode? I think fourteen sixteen?

1217
01:06:25.039 --> 01:06:26.840
<v Speaker 3>Maybe, Yeah, we still got a little bit to go.

1218
01:06:27.559 --> 01:06:30.039
<v Speaker 1>We do, we do? And oh boy, are we going

1219
01:06:30.119 --> 01:06:31.360
<v Speaker 1>to go places? Oh?

1220
01:06:31.480 --> 01:06:32.480
<v Speaker 2>The places will go?

1221
01:06:33.360 --> 01:06:36.360
<v Speaker 4>Here we go. It's okay, I'm looking forward. I'm excited.

1222
01:06:36.679 --> 01:06:41.039
<v Speaker 4>H this was a tremendous duo of episodes. Tremendous.

1223
01:06:41.239 --> 01:06:44.599
<v Speaker 1>I'm really glad you're enjoying it, Jeff, Hell yeah.

1224
01:06:46.480 --> 01:06:51.559
<v Speaker 3>Are we going to tease anything? What something coming up?

1225
01:06:52.079 --> 01:06:53.000
<v Speaker 4>We might be doing.

1226
01:06:55.320 --> 01:06:55.639
<v Speaker 3>Packs?

1227
01:06:56.559 --> 01:06:56.719
<v Speaker 5>Oh?

1228
01:06:56.960 --> 01:07:03.440
<v Speaker 4>Oh oh yes, I uh yeah, if I yes. We

1229
01:07:03.519 --> 01:07:07.920
<v Speaker 4>don't know exactly the super specifics of it, but it

1230
01:07:08.039 --> 01:07:09.000
<v Speaker 4>is certainly happening.

1231
01:07:10.519 --> 01:07:12.000
<v Speaker 1>Pas, you guys have a good time.

1232
01:07:12.159 --> 01:07:13.480
<v Speaker 4>John's got a book a flight, but.

1233
01:07:14.360 --> 01:07:15.239
<v Speaker 3>Sean is coming.

1234
01:07:15.960 --> 01:07:19.039
<v Speaker 1>I am going to be there. Yeah. I get to

1235
01:07:19.079 --> 01:07:20.480
<v Speaker 1>see if Tom and Lucy are real.

1236
01:07:21.239 --> 01:07:28.239
<v Speaker 4>Yeah, a sophisticated hologram before I live closer to him.

1237
01:07:28.320 --> 01:07:29.599
<v Speaker 4>I love a lot closer to him.

1238
01:07:30.119 --> 01:07:32.360
<v Speaker 3>But yeah, So keep an eye out if you're going

1239
01:07:32.480 --> 01:07:36.239
<v Speaker 3>to Packs East, or if this now sways you into

1240
01:07:36.280 --> 01:07:41.039
<v Speaker 3>coming to Packs East, we'll potentially should be doing a

1241
01:07:41.119 --> 01:07:46.039
<v Speaker 3>panel A couple of things. But yeah, John will be there.

1242
01:07:46.199 --> 01:07:49.320
<v Speaker 3>It will be a chef Jeff's panel. Please be excited.

1243
01:07:49.679 --> 01:07:50.559
<v Speaker 3>Spread the word.

1244
01:07:53.519 --> 01:07:55.119
<v Speaker 1>Lucy James. Where can people find you?

1245
01:07:55.719 --> 01:07:57.480
<v Speaker 2>I'm Lucy James, games everywhere.

1246
01:07:59.000 --> 01:08:05.360
<v Speaker 1>It's more for saying tamorro h everywhere, Jeff Backlar, Just

1247
01:08:05.519 --> 01:08:07.039
<v Speaker 1>you know, find me, like where you want to find

1248
01:08:07.079 --> 01:08:09.119
<v Speaker 1>me on Blue Skys Like we'll hang out, we'll talk cool,

1249
01:08:09.239 --> 01:08:12.280
<v Speaker 1>We'll just mix it up a little bit. Thanks John, Okay, cool?

1250
01:08:13.159 --> 01:08:14.519
<v Speaker 1>Do you want to have to have any more information

1251
01:08:14.639 --> 01:08:16.640
<v Speaker 1>like home? Just anything.

1252
01:08:18.000 --> 01:08:18.600
<v Speaker 2>Social security?

1253
01:08:18.640 --> 01:08:19.720
<v Speaker 1>I think you appreciate it.

1254
01:08:20.520 --> 01:08:22.199
<v Speaker 4>I'm wherever they sell addicts.

1255
01:08:25.520 --> 01:08:29.800
<v Speaker 5>Sounds like you said, and then I remembered the callback.

1256
01:08:30.600 --> 01:08:33.680
<v Speaker 1>Find you TV for a Slash, Super I, Patch Wolf

1257
01:08:33.720 --> 01:08:37.720
<v Speaker 1>and in the games every Friday. Okay, guys, thank you

1258
01:08:37.720 --> 01:08:39.880
<v Speaker 1>for joining us. From the episode. We'll see you next time.

1259
01:08:40.680 --> 01:08:47.159
<v Speaker 4>Bye bye, Jeff. Jeff's Bizarre Adventure is hosted by timur Hussein,

1260
01:08:47.439 --> 01:08:50.880
<v Speaker 4>Lucy James, John Super Eye, Patch Wolf Walsh, and me

1261
01:08:51.119 --> 01:08:54.960
<v Speaker 4>Jeff Bacalar. Our post producer and editor is Jean Luke Sepke.

1262
01:08:55.399 --> 01:08:58.279
<v Speaker 4>Our logo is designed by Justin Bashan and Jesse O'Brien.

1263
01:08:58.640 --> 01:09:00.720
<v Speaker 4>Thanks so much for listening. Anime,
