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<v Speaker 1>Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.

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<v Speaker 1>This is your host, Adam Graham. If you have a comment,

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<v Speaker 1>send it to me Box thirteen at Great Detectives dot net,

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<v Speaker 1>follow us on Twitter at Radio Detectives, and become one

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<v Speaker 1>of our friends on Facebook, Facebook dot com slash Radio Detectives. Well,

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<v Speaker 1>we're going to talk a little bit about the listener

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<v Speaker 1>support campaign after the show, but before we do get started,

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<v Speaker 1>I did want to talk to you instead today about

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<v Speaker 1>radio preservation. The reason that we have so many great programs,

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<v Speaker 1>tens of thousands of radio programs that we can listen

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<v Speaker 1>to is because of dedicated hobbyists and volunteers who have

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<v Speaker 1>collected collated research old time radio programs. The Old Time

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<v Speaker 1>Radio Researchers Group is one of the premier organizations handling

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<v Speaker 1>this and they need volunteers people to help out with

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<v Speaker 1>listening to programs for potential certification. They release sets of

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<v Speaker 1>programs to make it easy for easier for people to

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<v Speaker 1>sort through the mass. They of just wide variety of

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<v Speaker 1>different programs out there. People to record voiceovers, people to

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<v Speaker 1>write and to edit for their online encyclopedia as well

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<v Speaker 1>as their magazine and it really is a great organization

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<v Speaker 1>and for us to continue to have more programs to enjoy,

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<v Speaker 1>to preserve what we already have. With a lot of

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<v Speaker 1>the people who have been in this for a very

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<v Speaker 1>long time growing older and not as good as health,

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<v Speaker 1>it's going to be important to have new volunteers. So

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<v Speaker 1>if this is something you'd be interested in helping me

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<v Speaker 1>old time radio researchers with email me at Box thirteen

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<v Speaker 1>at Great Detectives dot net. Just putt r R volunteer

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<v Speaker 1>in the subject and I will forward it along to

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<v Speaker 1>the appropriate person. And now it is time for today's

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<v Speaker 1>episode of Yours Truly Johnny Dollar. The original air date

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<v Speaker 1>of this program is Maybe eighteenth, nineteen fifty eight, and

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<v Speaker 1>the title is The Ghost to Ghost Matter.

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<v Speaker 2>The time now for Johnny Dollar.

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<v Speaker 3>Hi, Johnny International Press Service.

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<v Speaker 2>Oh holy small guard, what are you doing over this

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<v Speaker 2>hour of the morning.

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<v Speaker 4>I'm on the night desk and I'm sorry to have

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<v Speaker 4>to wake you up. Why listen, I just got a call,

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<v Speaker 4>a real franny one from a.

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<v Speaker 3>Guy who insisted on having your phone number.

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<v Speaker 2>Well did you give it to him?

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<v Speaker 4>He said, he's an insurance man. That was about some

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<v Speaker 4>insurance matter. So yes, I did.

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<v Speaker 2>Oh, why did he call you?

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<v Speaker 3>Yeah, it was me too, but.

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<v Speaker 4>He was so excited to him, what is it, Franny, Well,

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<v Speaker 4>he probably called the first person he could think of,

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<v Speaker 4>and he said it was a big emergency.

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<v Speaker 2>Oh did he give you any details?

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<v Speaker 5>No?

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<v Speaker 3>And Johnny, it's aroused my curiosity. Let me know what

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<v Speaker 3>it's all about.

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<v Speaker 2>Will you promise? Okay, I promise. Bob Bailey and the

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<v Speaker 2>Exciting Adventures of the Man with the action pacted expensed

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<v Speaker 2>out America's fabulous freelance insurance investigator, Truly Johnny Dollar, and

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<v Speaker 2>now act one of yours, Truly Johnny Dollar. Expense account

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<v Speaker 2>submitted by a special investigator, Johnny Dollar, the State Unity

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<v Speaker 2>Life Insurance Company Home Office, Hartford, Connecticut. Following is an

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<v Speaker 2>account of expenses incurred during my investigation of the Ghost

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<v Speaker 2>to Ghost matter. I'd no sooner rolled over in the

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<v Speaker 2>hope of getting back asleep when the phone beside my

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<v Speaker 2>bed started jangling again. Oh nuts, Johnny Dollar, this is

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<v Speaker 2>oscar extremely mister Dollar trimely.

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<v Speaker 3>I represent State Unity Life here in Lake City.

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<v Speaker 6>New Jersey.

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<v Speaker 2>Oh look, are you the man who called Art Price

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<v Speaker 2>over an international press service.

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<v Speaker 4>Yes, yes, I did get your phone number right, and

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<v Speaker 4>you he'd have it.

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<v Speaker 3>You're being such your famous investigator at all that.

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<v Speaker 2>Yeah, well you could also have got it from Universal

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<v Speaker 2>Adjustment Bureau, your insurance directory, the long distance operator.

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<v Speaker 4>I guess I've been so upset over this whole thing

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<v Speaker 4>that it never occurred to me.

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<v Speaker 3>But can you come down here to Lake City, mister

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<v Speaker 3>Dollar right away?

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<v Speaker 2>Oh, it depends. What's this all about Ian McAndrews. I andrews.

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<v Speaker 3>Oh, don't you know he's the man who founded Lake City.

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<v Speaker 2>So what's happened to him?

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<v Speaker 3>He did, mister Dollar, or rather he isn't.

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<v Speaker 4>Well, that is to say, he died, mister Dollar, about

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<v Speaker 4>five years ago, and well, in due time, of course,

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<v Speaker 4>we paid off the claim on his life insurance policy

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<v Speaker 4>fifty five thousand dollars.

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<v Speaker 3>Everything in order and perfectly all right.

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<v Speaker 4>Well but now, oh, oh no, mister Dollar, you just

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<v Speaker 4>won't believe it unless you come here and see for yourself.

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<v Speaker 2>Oh won't believe what.

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<v Speaker 3>Ian mcandrew's has come back.

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<v Speaker 2>Huh, either he.

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<v Speaker 3>Or his his ghost has come back here.

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<v Speaker 2>Oh no, no.

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<v Speaker 3>It's true. It's absolutely true, sir.

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<v Speaker 4>Ian McAndrews is haunting Lake City, So please come as.

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<v Speaker 3>Quickly as you can.

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<v Speaker 2>I uh about it?

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<v Speaker 3>Is that the best answer you can give me?

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<v Speaker 2>Yeah, I'm afraid so until I see how things line

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<v Speaker 2>up for me these next couple of days, goodbye, mister Trimley.

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<v Speaker 2>Think about it. I can hardly wait to grab a train.

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<v Speaker 2>But I didn't want to ask a Trimley to know that,

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<v Speaker 2>because I had a strong suspicion that if you can

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<v Speaker 2>catch a ghost off guard, you'll be one up on him.

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<v Speaker 2>Expense a cont idem won the promised home called the

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<v Speaker 2>Art Price and International Press. Are you kidding, Johnny, No,

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<v Speaker 2>I'm deadly serious.

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<v Speaker 3>Art Buttle, New Jersey.

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<v Speaker 2>Yeah, yep, I'll keep in touch. Then I remembered Nancy

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<v Speaker 2>Nancy Turner, an old flame, or rather a young old flame.

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<v Speaker 2>She'd said something one time about taking up investigation of

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<v Speaker 2>the supernatural. So expense a cont item two another dime

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<v Speaker 2>for another call.

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<v Speaker 3>You all were asking, Johnny, you haven't called me an agent?

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<v Speaker 2>Wow, you know how it is. Look Nancy, did you

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<v Speaker 2>ever go ahead with your study of psychic investigation?

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<v Speaker 6>Oh?

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<v Speaker 4>No, Johnny, I thought, after read a couple of hundred

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<v Speaker 4>months of the old books.

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<v Speaker 3>So I gave it up.

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<v Speaker 2>Oh well that's too bad. Oh why well, I've got

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<v Speaker 2>to run over to Jersey to investigate a haunted town.

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<v Speaker 3>Haunted town?

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<v Speaker 2>How really, except that such a thing as impossible? Oh,

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<v Speaker 2>it is, sure, But i'd kind of thought that maybe

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<v Speaker 2>you were still well, I guess we better forget it.

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<v Speaker 3>Forget it nothing, I'm going with you.

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<v Speaker 2>Oh no, no, wait, I excuses.

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<v Speaker 3>I'll put on my face and another dress and be

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<v Speaker 3>waiting by.

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<v Speaker 2>The time you can get Yeah, but look, honey, Johnny, Okay, Nancy,

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<v Speaker 2>I'll pick you up. I had him three ten eighty

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<v Speaker 2>five taxian trained for two to New York, had him

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<v Speaker 2>four fifty bucks to posit on a rental car. When

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<v Speaker 2>we got into Grand Central Station, we crossed over into

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<v Speaker 2>Jersey and hit Route twenty two for Summer of Villain

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<v Speaker 2>Points West, and every mile of the way, Nancy chatted

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<v Speaker 2>away like a magpie. She kept holding some of the

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<v Speaker 2>stuff she had read on this subject. A lot of

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<v Speaker 2>authorities who decided that some of the reports on haunted

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<v Speaker 2>towns and houses and people things like that, had decided

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<v Speaker 2>there was something really supernatural about them. And you know,

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<v Speaker 2>after a while, I began to wonder. Yep, I began

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<v Speaker 2>to wonder. Fact two of yours truly Johnny Dollar in.

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<v Speaker 6>A moment, And now for another episode in the life

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<v Speaker 6>of Sergeant Donald Bellweather.

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<v Speaker 7>My husband, Donald, Donald.

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<v Speaker 2>I'm not here on the back porch, Honey.

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<v Speaker 3>There you are, Honey.

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<v Speaker 6>Where on earth did you choose a time like this

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<v Speaker 6>to clean your honey rifle? We're doing the jamisons at seven.

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<v Speaker 2>I'm ready, Honey.

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<v Speaker 8>I have to do is wash my hands. I'll finish

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<v Speaker 8>this tomorrow. Be with you in the jippy.

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<v Speaker 6>Donald, come back here.

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<v Speaker 3>I know what the matter.

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<v Speaker 6>Are you going to leave this hunting rifle right out

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<v Speaker 6>here in plain sight?

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<v Speaker 8>Nobody's gonna bother it. The kids are asleep and will

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<v Speaker 8>be gone. I don't think our babysit it will bother anything.

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<v Speaker 2>She's got her homework to do.

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<v Speaker 6>Those are famous last words if I ever heard him. Donald,

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<v Speaker 6>don't you realize that accidental death by firearms rank second

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<v Speaker 6>only to death from full fire and poison?

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<v Speaker 2>But the kids are in bed, sure they are.

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<v Speaker 6>But what if our six year old Marshall Dyllain should

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<v Speaker 6>wander out to the kitchen for a drink of water.

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<v Speaker 6>You know he'd love to play with his gun. Yeah,

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<v Speaker 6>I suppose, Well, please put it away under lock and key. Yes, yeah, yes, right,

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<v Speaker 6>and for heaven sakes, take those shelves too. You know,

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<v Speaker 6>many accidents happen when bullets are thrown into a fire,

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<v Speaker 6>hit with a hammer. All things are dangerous. You want

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<v Speaker 6>to know that.

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<v Speaker 3>I know, I mean, I guess I just wasn't thinking.

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<v Speaker 6>Unloaded gun and ammunition lying around the house is even more.

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<v Speaker 7>Dangerous than itchy fingered hunters.

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<v Speaker 3>Statistics prove that.

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<v Speaker 8>Okay, there, thing is safe under lock and key.

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<v Speaker 2>Now you're still angry.

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<v Speaker 6>With me, Oh Donald, I don't want to sound like

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<v Speaker 6>a nagging wife, but my dear, you.

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<v Speaker 8>Have every right to reprimand me. Me, a non commissioned officer,

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<v Speaker 8>I should know better.

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<v Speaker 3>But that's where it goes.

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<v Speaker 8>We forget. That's why there are accidents in the field,

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<v Speaker 8>out hunting, and in the home. We all know better,

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<v Speaker 8>we just forget or get careless with firearms.

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<v Speaker 2>Well, come on along, let's get over to the jam.

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<v Speaker 8>Okay, now this won't happen again, believe me. You know

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<v Speaker 8>I wouldn't have started to clean that rifle if you

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<v Speaker 8>hadn't taken so long to get dressed.

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<v Speaker 2>But you should did a good job. You look beautiful.

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<v Speaker 2>That's my Donald, that's my dog and now Act two

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<v Speaker 2>of yours, truly, Johnny Dollar and the Ghost to Ghost

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<v Speaker 2>Meta Lake City, nestling among the soft roaming North Jersey Hills.

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<v Speaker 2>What kind of has been town? I saw the reason

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<v Speaker 2>for that in the abandoned mill all mc andrew's cotton Mellow,

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<v Speaker 2>one side of the lake, the same old story. I

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<v Speaker 2>guess when a town's main industry closes down, it kind

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<v Speaker 2>of goes to Pott. Nonetheless, it was a charming little place,

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<v Speaker 2>population all maybe four or five hundred. When we finally

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<v Speaker 2>located Oscar Ternley's insurance office, we found a bit of

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<v Speaker 2>a gathering there and mister Dollar, that is miss Turner

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<v Speaker 2>and mister Dollar. This is Charlie Reed Foster and Tony Gray.

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<v Speaker 2>We're sort of local businessmen's club. Johnny, you know, okay,

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<v Speaker 2>then let's get to the point down. Thank you, Johnny.

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<v Speaker 2>I thought over the phone that you were turning us down. Well,

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<v Speaker 2>I changed my mind. And when I thought of Nancy

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<v Speaker 2>and her knowledge of the supernatural good, that's what we need.

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<v Speaker 8>Yes, well, I am interested in the subject.

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<v Speaker 9>We're all a little worried about it.

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<v Speaker 2>Tony isn't kidding.

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<v Speaker 9>I think we're a pretty level headed bunch, But well,

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<v Speaker 9>this thing has us scared.

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<v Speaker 2>That's putting it in my little If it really is

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<v Speaker 2>his ghost that's playing, you don't seriously believe in ghosts.

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<v Speaker 2>I'll tell you this I never did before. But now,

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<v Speaker 2>well wait and you'll see. Gee, Johnny, Well suppose you

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<v Speaker 2>tell me what's going on? Well no, no, no, no, Johnny,

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<v Speaker 2>you'll have to see for yourself. And here, yes, Charlie,

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<v Speaker 2>and here, and that means waiting until midnight. Midnight, sure,

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<v Speaker 2>mister Donald, Well just why bill you you'll see? Yes,

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<v Speaker 2>And meantime you can look around, say, aren't you quite

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<v Speaker 2>a fisherman, Johnny? Rather fish than eight? But now look

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<v Speaker 2>at you. I'll have to fish two. The like's full

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<v Speaker 2>of nice bass. Charlie, you can fix him up with

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<v Speaker 2>a boat, Cancher.

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<v Speaker 8>Sure can't.

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<v Speaker 2>Yes, But if I'm going to Ny, you arrange for

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<v Speaker 2>a place for miss Turner to stay overnight. Be glad

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<v Speaker 2>to Well, now, Johnny, you will stay at my home?

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<v Speaker 10>All right?

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<v Speaker 2>Fine, but now tell me no, I want you to

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<v Speaker 2>see for yourself at midnight. Meantime, good fishing. Right, I've

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<v Speaker 2>got to get back the shot for missus. Vic starts

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<v Speaker 2>screaming about her high fire. See you later.

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<v Speaker 9>Yeah, and I'll come back to the office and the

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<v Speaker 9>rain somewhere for miss Turner to stay.

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<v Speaker 2>See you later, see you Tony.

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<v Speaker 8>Now, if you folks will come over to the print

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<v Speaker 8>shop with me, we will pick up the keys to

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<v Speaker 8>my boat and some tackle, and you can be on

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<v Speaker 8>your way.

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<v Speaker 2>Look, can't you at least give me some idea? Nope,

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<v Speaker 2>not a thing until midnight. Oh, and we'll all have

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<v Speaker 2>dinner together at the hotel. Mister Turnley, you ready a Turner, Johnny,

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<v Speaker 2>you fellas are the boss. I guess fishing, Nancy, I'd

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<v Speaker 2>love it. I'll even give you some of the fast

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<v Speaker 2>strike hooks I use. Okay, then let's go. There was

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<v Speaker 2>something slightly schooly about the whole thing. And I don't

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<v Speaker 2>mean just to talk about ghosts. But when I go

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<v Speaker 2>fishing and a company expense, well who's to complain? So

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<v Speaker 2>Nancy and I spent the rest of the day on

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<v Speaker 2>the lake. Matter of fact, she caught the big one.

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<v Speaker 2>By dinner time we were starved. And the little hotel

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<v Speaker 2>serves not only excellent cocktails, but a regular banquet completely champagne.

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<v Speaker 2>You enjoying it, Miss Turner? M I love it?

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<v Speaker 6>Only why don't you call me Nancy?

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<v Speaker 2>Sure, why not, Charlie, I'll tell you why, Tony, you

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<v Speaker 2>stay out of this trimley. About this champagne you know

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<v Speaker 2>comes from the old Leland Stanford venue. Oh yes, and

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<v Speaker 2>it's fine, I know, but it's time we talk about

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<v Speaker 2>your goats here.

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<v Speaker 5>You land any big ones out on the lakes?

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<v Speaker 2>Yeah, Belle, Nancy got a four pounder. But now listen,

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<v Speaker 2>wi you another thing about this fine calisory?

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<v Speaker 8>Didn't I see you navigating the boat and I got

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<v Speaker 8>one last year?

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<v Speaker 2>Wait, six, fellow fellows, go out over here?

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<v Speaker 3>Do you like to time?

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<v Speaker 2>Fellas?

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<v Speaker 4>Please?

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<v Speaker 2>Will you tell me a little bit about all I

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<v Speaker 2>want to know? So? I got nowhere. But then finally,

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<v Speaker 2>after a lot more food and wine and chatter, we

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<v Speaker 2>drove off in Tony's car.

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<v Speaker 9>I'm stopping here in the middle of town, Johnny, because

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<v Speaker 9>it's the best place to be when things start popping, Like.

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<v Speaker 2>What hey, one, are you fellas going to stop this

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<v Speaker 2>run around and start making sense? You'll see, you see,

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<v Speaker 2>I'm all excited.

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<v Speaker 8>Look, Johnny, Charlie, you see the old power clock almost midnight?

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<v Speaker 8>So what about that old mcandrew's passed away at the

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<v Speaker 8>stroke of midnight, Johnny, personally, I think that has something

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<v Speaker 8>to do with this.

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<v Speaker 2>You still haven't told me with what Wait, listen, there

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<v Speaker 2>goes the tower clock.

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<v Speaker 8>Oh midnight, countum, Johnny?

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<v Speaker 6>That was four?

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<v Speaker 9>Fine, And Johnny, see how all the lights are flickering

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<v Speaker 9>along the streets.

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<v Speaker 2>That happens every night and no reason for us. Look

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<v Speaker 2>that I'm.

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<v Speaker 10>Brilliant for that cow me.

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<v Speaker 7>Out of that talk tower.

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<v Speaker 2>Yeah, yeah, I see him, but I don't what under

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<v Speaker 2>the sun is that? That's the ghost wailing? Oh now,

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<v Speaker 2>wait on that cream fills the air comes from everywhere.

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<v Speaker 6>It's a horrible sound.

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<v Speaker 8>Johnny, crazy, honey, No, listen, didn't you hear that clock

301
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<v Speaker 8>struck thirteen?

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<v Speaker 2>Yes, Johnny, I yes, he asked me.

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<v Speaker 8>The devil's in old mcandrew's ghost. That's why it comes

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<v Speaker 8>out of his house every night.

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<v Speaker 2>Out of his house, right, Johnny? And wait, do you

306
00:16:01.720 --> 00:16:17.639
<v Speaker 2>see what's there? Right? Act three of yours? Truly, Johnny

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<v Speaker 2>Dollar in a moment.

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<v Speaker 10>Do you know who said they that can give up

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00:16:23.360 --> 00:16:28.039
<v Speaker 10>essential liberty to obtain a little temporary safety deserve neither

310
00:16:28.120 --> 00:16:33.519
<v Speaker 10>liberty nor safety. Those words were written by Benjamin Franklin

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<v Speaker 10>in the year seventeen fifty nine, Even before the United

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<v Speaker 10>States of America had come into being, Franklin realized that

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<v Speaker 10>the path toward freedom was a difficult one. He knew

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00:16:44.440 --> 00:16:46.679
<v Speaker 10>that there would be many people who would prefer easier

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00:16:46.720 --> 00:16:50.639
<v Speaker 10>paths to the difficult one that led toward freedom. These people,

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00:16:50.639 --> 00:16:53.960
<v Speaker 10>he felt, did not deserve to enjoy freedom. Just as

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00:16:54.000 --> 00:16:56.960
<v Speaker 10>there were in ben Franklin's time, there are people today

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<v Speaker 10>who would choose what looks like the safe and easy

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<v Speaker 10>way to protect American freedom. They would be willing to

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00:17:03.799 --> 00:17:06.559
<v Speaker 10>sacrifice some of their liberties in order to be comfortable.

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<v Speaker 10>But the surrender of a little freedom soon leads to

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00:17:10.720 --> 00:17:12.039
<v Speaker 10>the surrender.

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00:17:11.680 --> 00:17:13.119
<v Speaker 2>Of all freedom.

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<v Speaker 10>Liberty can be protected only by constant vigilance and the

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00:17:17.519 --> 00:17:20.599
<v Speaker 10>willingness to fight to protect it if necessary.

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<v Speaker 2>Remember the words.

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<v Speaker 10>Of Benjamin Franklin, they are part of your American heritage.

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<v Speaker 10>Temporary safety must never be purchased at the price of liberty.

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<v Speaker 2>And now act free of yours, truly, Johnny Dollar and

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<v Speaker 2>the ghost to ghost matter is the front door of

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00:17:50.240 --> 00:17:53.839
<v Speaker 2>this old house always left wide open. Got Johnny, sure

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00:17:53.839 --> 00:17:56.680
<v Speaker 2>you want to go in? Sure? Come along, Nancy.

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<v Speaker 7>Dream coming somebody there was more light around now.

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<v Speaker 2>Oh that's nice. Slam right in our faces. I knew

335
00:18:05.960 --> 00:18:10.319
<v Speaker 2>it on lock though I meant had that flashlight. Tohnny here,

336
00:18:11.920 --> 00:18:15.079
<v Speaker 2>m hm, no sign of wires, the strings on it.

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<v Speaker 2>Come on, okay, come on fellas now, Johnny, because you

338
00:18:21.519 --> 00:18:26.480
<v Speaker 2>can see there's just one big room downstairs here, Johnny, easy, Nancy,

339
00:18:26.920 --> 00:18:29.359
<v Speaker 2>don't you see? I admit this is all pretty strange.

340
00:18:29.599 --> 00:18:31.640
<v Speaker 2>But a ghost what else? We've been over this house

341
00:18:31.640 --> 00:18:36.799
<v Speaker 2>with a fine tooth comb. Listen, you hear that somebody,

342
00:18:38.720 --> 00:18:40.640
<v Speaker 2>somebody's walking on the ceiling.

343
00:18:42.240 --> 00:18:42.519
<v Speaker 3>Looking.

344
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<v Speaker 9>That's the kind of stuff you hear older guys, noisy spirits.

345
00:18:47.880 --> 00:18:49.480
<v Speaker 2>You can hear them, but you can't see him, don't

346
00:18:49.519 --> 00:18:56.960
<v Speaker 2>you see, Johnny? It can't be anything normal? Natural? Is

347
00:18:57.000 --> 00:18:57.480
<v Speaker 2>that the end?

348
00:18:58.599 --> 00:19:02.160
<v Speaker 9>The old ghost has a regular See here, those shutters banging.

349
00:19:02.680 --> 00:19:03.720
<v Speaker 2>There's no wind out there.

350
00:19:04.480 --> 00:19:08.000
<v Speaker 6>Why why didn't you tell me it'd be like this, Johnny.

351
00:19:08.039 --> 00:19:13.480
<v Speaker 2>Let's lock hair lights moving around somewhere outside. You can

352
00:19:13.519 --> 00:19:19.839
<v Speaker 2>see the reflection in the trees. They're green ghost lights.

353
00:19:25.519 --> 00:19:29.720
<v Speaker 6>Johnny. Look, there's a rocking chair.

354
00:19:30.839 --> 00:19:34.319
<v Speaker 9>It's rocking in front of the window where old McAndrews

355
00:19:34.400 --> 00:19:36.000
<v Speaker 9>used to sit and look out on the town before

356
00:19:36.039 --> 00:19:36.440
<v Speaker 9>he died.

357
00:19:37.160 --> 00:19:44.119
<v Speaker 2>Give me the flashlight up here. Mm hmm. No strings

358
00:19:44.119 --> 00:19:54.799
<v Speaker 2>are wires on us either. Well, well, that's the end

359
00:19:54.799 --> 00:19:59.480
<v Speaker 2>of it. The same crazy routine every night. It's the

360
00:19:59.519 --> 00:20:03.200
<v Speaker 2>ghost of Ian mcandrew's. That's all there is to it. Well,

361
00:20:03.240 --> 00:20:04.640
<v Speaker 2>from what your fellows have shown me the night, it

362
00:20:04.720 --> 00:20:07.160
<v Speaker 2>kind of looks that way it is, Johnny, But tomorrow

363
00:20:07.240 --> 00:20:12.680
<v Speaker 2>I want to investigate these things in broad daylight. I

364
00:20:12.759 --> 00:20:15.440
<v Speaker 2>investigated all right, the old house, the clock tower, everything

365
00:20:15.480 --> 00:20:17.960
<v Speaker 2>I could find, and thanks to the help of the boys,

366
00:20:17.960 --> 00:20:22.079
<v Speaker 2>we covered a lot of ground. Results nothing. Meantime, I

367
00:20:22.160 --> 00:20:24.759
<v Speaker 2>noticed that the town, a sleepy little town of Lake City,

368
00:20:24.880 --> 00:20:28.319
<v Speaker 2>was being mob people from all over streets jam with cars.

369
00:20:28.839 --> 00:20:30.519
<v Speaker 2>And as we sat down at lunch in the hotel,

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00:20:30.680 --> 00:20:34.920
<v Speaker 2>miss waitress, will you please bring me another couple? Oh dear,

371
00:20:35.039 --> 00:20:38.640
<v Speaker 2>she didn't hear me. Wait, they all comes. Yeah. Business

372
00:20:38.640 --> 00:20:41.400
<v Speaker 2>has certainly picked up around here, he is. I noticed

373
00:20:41.400 --> 00:20:45.599
<v Speaker 2>that any idea? Why Bill not? The least I wonder

374
00:20:45.599 --> 00:20:47.880
<v Speaker 2>if Tony couldn't be with us for lunch. And Charlie

375
00:20:47.920 --> 00:20:49.839
<v Speaker 2>is at his print chap getting out of extra Hey,

376
00:20:50.000 --> 00:20:52.759
<v Speaker 2>excuse me, excuse me, aren't you Johnny Donald the investigator?

377
00:20:53.039 --> 00:20:55.519
<v Speaker 2>That's right, man, Can I you and you. I'll just

378
00:20:55.559 --> 00:20:57.319
<v Speaker 2>let me get a picture on a wait, hold it,

379
00:20:57.400 --> 00:21:01.799
<v Speaker 2>hold it, hold it? Okay, Johnny, thanks a lot. Hey

380
00:21:02.640 --> 00:21:04.920
<v Speaker 2>that photographers from one of the New York papers.

381
00:21:05.359 --> 00:21:05.920
<v Speaker 5>O kidding?

382
00:21:06.079 --> 00:21:09.720
<v Speaker 2>Really listen if our price an international press came out

383
00:21:09.759 --> 00:21:14.319
<v Speaker 2>the word about this ghost story. Oh now, Johnny, Okay, Nancy,

384
00:21:14.359 --> 00:21:17.680
<v Speaker 2>you all finished? And Oscar Bill, we're gonna leave the

385
00:21:17.720 --> 00:21:20.880
<v Speaker 2>check with you and pull out. You mean leave town? Yep,

386
00:21:21.039 --> 00:21:23.720
<v Speaker 2>going back to heart, Johnny. I've investigated, I've come up

387
00:21:23.759 --> 00:21:27.000
<v Speaker 2>with nothing, so there's no point in staying around any longer. Oh, Johnny,

388
00:21:27.400 --> 00:21:30.279
<v Speaker 2>thanks a lot Fellas and Oscar, I'll send you my

389
00:21:30.359 --> 00:21:37.279
<v Speaker 2>expense account. Come on, Nancy, give up hardly? Sure, Nancy

390
00:21:37.319 --> 00:21:39.319
<v Speaker 2>and I hit the highway, but for only a few miles.

391
00:21:39.920 --> 00:21:42.359
<v Speaker 2>Then shortly after Doc we drove back and for a

392
00:21:42.400 --> 00:21:46.240
<v Speaker 2>couple of hours, for three or four hours. Annyhow shortly

393
00:21:46.279 --> 00:21:48.519
<v Speaker 2>before midnight, Nancy and I walked quietly up on the

394
00:21:48.519 --> 00:21:50.359
<v Speaker 2>porch of Oscar Trembley's insurance office.

395
00:21:50.519 --> 00:21:52.680
<v Speaker 9>You mean you didn't leave a message at my office

396
00:21:52.680 --> 00:21:53.400
<v Speaker 9>to be here tonight?

397
00:21:53.519 --> 00:21:56.279
<v Speaker 2>I certainly didn't. I found a message from Charlie.

398
00:21:56.519 --> 00:21:58.920
<v Speaker 3>Are you kidding? Somebody left a message in my print

399
00:21:59.000 --> 00:21:59.680
<v Speaker 3>chop to be here.

400
00:21:59.880 --> 00:22:04.440
<v Speaker 2>I want at my radio shop. Well, I, of course

401
00:22:04.440 --> 00:22:05.640
<v Speaker 2>they couldn't know your handwriting.

402
00:22:05.880 --> 00:22:07.359
<v Speaker 8>Wait a minute, there's somebody outside.

403
00:22:07.400 --> 00:22:14.720
<v Speaker 2>Huh, Johnny, what for good evening? Gentlemen? Why I thought

404
00:22:14.720 --> 00:22:17.960
<v Speaker 2>you'd left town, john That's right, I wanted you to

405
00:22:18.000 --> 00:22:22.559
<v Speaker 2>think so listen. The old tower clock started this strike midnight.

406
00:22:22.720 --> 00:22:27.880
<v Speaker 2>But yeah, that's five sick boy. As I suddenly realized

407
00:22:27.920 --> 00:22:30.359
<v Speaker 2>that in all my investigation this morning, I was being

408
00:22:30.680 --> 00:22:35.119
<v Speaker 2>handicapped by what I thought was help capping, I had

409
00:22:35.160 --> 00:22:37.400
<v Speaker 2>too much help. Two or three of you were with

410
00:22:37.519 --> 00:22:40.559
<v Speaker 2>me every second. We wanted to be sure you wouldn't overlooking.

411
00:22:40.640 --> 00:22:43.119
<v Speaker 2>That's right. You wanted to be sure I would overlook

412
00:22:43.160 --> 00:22:51.000
<v Speaker 2>a few things. That's eleven twelve, Hey, you know it

413
00:22:51.079 --> 00:22:57.759
<v Speaker 2>struck twelve. No ghostly whale tonight is there? I know no, fellas, no,

414
00:22:58.160 --> 00:23:02.799
<v Speaker 2>because the ghost is no more. You found the ghost, Johnny.

415
00:23:03.640 --> 00:23:05.720
<v Speaker 2>I found out that he's one of you, maybe all

416
00:23:05.720 --> 00:23:09.599
<v Speaker 2>of you. What do you mean alone? Without your careful guidance,

417
00:23:09.640 --> 00:23:12.680
<v Speaker 2>I finally located that sub seller in the old mcandrew's house.

418
00:23:12.839 --> 00:23:15.720
<v Speaker 2>You did, and that missed the complicated electrical stuff that

419
00:23:15.839 --> 00:23:18.160
<v Speaker 2>was making the weird sound effects. The rocking chair, the

420
00:23:18.200 --> 00:23:25.039
<v Speaker 2>banging shut is and so on. Very clever your handiwork bill. Sure, sure,

421
00:23:25.599 --> 00:23:29.279
<v Speaker 2>the Johnny oh fellas it was a wonderful publicity stunt,

422
00:23:29.680 --> 00:23:33.119
<v Speaker 2>especially after international press was notified. But you did not

423
00:23:33.200 --> 00:23:35.680
<v Speaker 2>only for your radio and electronics shop bill, for your

424
00:23:35.759 --> 00:23:38.359
<v Speaker 2>real estate business, Tony, your print shop and newspaper Charlie,

425
00:23:38.400 --> 00:23:40.559
<v Speaker 2>and your insurance business. Ask well now, but to the

426
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<v Speaker 2>whole town. It's gonna put Lake City on the map again,

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00:23:43.880 --> 00:23:50.759
<v Speaker 2>which is to say the motive wasn't entirely selfish. No, okay, okay, man,

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<v Speaker 2>And because of that and then alone, I won't give

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00:23:53.720 --> 00:23:59.039
<v Speaker 2>you away. Provided the ghost of Ian mcandre's never walks

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00:23:59.119 --> 00:24:01.799
<v Speaker 2>the streets of Lake City again. Well, you can be

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00:24:02.240 --> 00:24:10.279
<v Speaker 2>all that, Johnny down. I don't know. I suppose I

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00:24:10.279 --> 00:24:11.880
<v Speaker 2>ought to really hits you over the head with this

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00:24:11.960 --> 00:24:15.480
<v Speaker 2>expense account, but after all, the cause was a kind

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00:24:15.480 --> 00:24:17.839
<v Speaker 2>of worthy one, so I'll be honest with it for

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00:24:17.880 --> 00:24:21.720
<v Speaker 2>a change. And it was fun to have Nancy turneral

436
00:24:23.039 --> 00:24:25.559
<v Speaker 2>expense account total, including manage on the rental car let's

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00:24:25.559 --> 00:24:58.440
<v Speaker 2>deposit thirty one to fifty yours, truly, Johnny Dollar, yours truly,

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00:24:58.599 --> 00:25:02.079
<v Speaker 2>Johnny Dollar is sorry, Bob Bailey originates in Hollywood and

439
00:25:02.240 --> 00:25:05.640
<v Speaker 2>is produced and directed by Jack Johnstone, who also wrote

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00:25:05.680 --> 00:25:10.200
<v Speaker 2>today's story. Heard in our cast were Virginia Greg Boris Lewis,

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00:25:10.279 --> 00:25:14.440
<v Speaker 2>Joseph Kerns, Russell Thorson, Sam Edwards, and Bob Bruce. Be

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<v Speaker 2>sure to join us next week, same time and station

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00:25:17.119 --> 00:25:22.880
<v Speaker 2>for another exciting story of yours, truly, Johnny Dollar. This

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00:25:22.920 --> 00:25:24.000
<v Speaker 2>is Roy Rowan.

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<v Speaker 5>Speaking Johnny Dollar has come to you through the worldwide

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00:26:20.599 --> 00:26:24.839
<v Speaker 5>facilities of the United States Armed Forces Radio and Television Service.

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00:27:13.880 --> 00:27:14.839
<v Speaker 6>This is Andrew J.

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00:27:15.000 --> 00:27:17.839
<v Speaker 9>Graham, author of the web surface series Oh and a

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00:27:17.920 --> 00:27:20.759
<v Speaker 9>Man of His Wife. You're listening to the great Detectives

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00:27:20.759 --> 00:27:21.799
<v Speaker 9>of Old Time Radio.

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<v Speaker 1>Welcome back.

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<v Speaker 2>Well.

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<v Speaker 1>I was glad that at the end it turned out

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<v Speaker 1>not to be an actual ghost, though I kind of

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00:27:34.880 --> 00:27:38.440
<v Speaker 1>suspected that it was a hoax. The one thing, with

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<v Speaker 1>the way that Jack Johnstone has written a series and

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00:27:42.480 --> 00:27:46.480
<v Speaker 1>the way other writers have done you couldn't exactly be sure,

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00:27:46.559 --> 00:27:50.079
<v Speaker 1>though I should have suspected been a little more confident

459
00:27:50.119 --> 00:27:53.240
<v Speaker 1>based on the UFO episode that we weren't going to

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00:27:53.440 --> 00:27:55.880
<v Speaker 1>all of a sudden have Johnny saying I can't figure

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00:27:55.920 --> 00:27:58.480
<v Speaker 1>it out, must be ghosts. I love both of the

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00:27:58.519 --> 00:28:02.000
<v Speaker 1>PSAs in this one. The Donald bell Weather one was

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00:28:02.079 --> 00:28:07.680
<v Speaker 1>more entertaining than usual, and I also thought very informative

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00:28:07.799 --> 00:28:11.160
<v Speaker 1>with some very practical gun safety tips, and of course

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00:28:11.200 --> 00:28:15.440
<v Speaker 1>the Benjamin Franklin stuff just wonderful historical info. All right, well,

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<v Speaker 1>that will actually do it for today. Remember our listener

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00:28:19.079 --> 00:28:22.839
<v Speaker 1>support campaign does continue, and you can support the show

468
00:28:22.880 --> 00:28:26.119
<v Speaker 1>at support dot great Detectives dot net. With a one

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00:28:26.160 --> 00:28:29.359
<v Speaker 1>time donation of twenty dollars, we'll send you an ebook

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00:28:29.440 --> 00:28:32.200
<v Speaker 1>from one of the seven I have out, including all

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00:28:32.240 --> 00:28:35.559
<v Speaker 1>I needed to know I learned from Colombo Slime Incorporated

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00:28:35.759 --> 00:28:38.519
<v Speaker 1>or Tales of the Dim Knight, and an additional bonus

473
00:28:38.559 --> 00:28:42.839
<v Speaker 1>gift including at the twenty dollars level, the Innocence of

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00:28:42.920 --> 00:28:46.880
<v Speaker 1>Father Brown, either Volume one or Volume two. And you

475
00:28:46.920 --> 00:28:50.960
<v Speaker 1>can also become a Patreon sponsor Patreon dot great Detectives

476
00:28:51.039 --> 00:28:54.599
<v Speaker 1>dot net and help us towards our goal of hitting

477
00:28:54.640 --> 00:28:57.160
<v Speaker 1>that eight hundred dollars level, at which point we will

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00:28:57.279 --> 00:29:01.759
<v Speaker 1>upgrade the server. And we have several levels of rewards there,

479
00:29:01.920 --> 00:29:05.559
<v Speaker 1>including our Seamous level which does come with the premium

480
00:29:05.640 --> 00:29:09.720
<v Speaker 1>site access for life. Full list of available details at

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00:29:09.759 --> 00:29:12.519
<v Speaker 1>Patreon dot great Detectives dot net but that will do

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00:29:12.559 --> 00:29:15.519
<v Speaker 1>it for today. Join us back here tomorrow for Dragnet,

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00:29:15.599 --> 00:29:18.880
<v Speaker 1>and then next Friday another episode of Yours Truly, Johnny Doller.

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00:29:19.279 --> 00:29:22.240
<v Speaker 1>In the meantime, send your comments to Box thirteen at

485
00:29:22.279 --> 00:29:25.960
<v Speaker 1>Great Detectives dot net, follow us on Twitter at Radio Detectives,

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00:29:26.240 --> 00:29:29.640
<v Speaker 1>and become one of our friends on Facebook, Facebook dot com,

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00:29:29.680 --> 00:29:33.519
<v Speaker 1>slash Radiodetectives. From Boise, Idaho, this is your host, Adam

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<v Speaker 1>Grahamson and Off
