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<v Speaker 1>The blood swear great, but you hit them high.

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<v Speaker 2>Notes like you would tell them.

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<v Speaker 3>It's a yeah, that's by just to take you.

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<v Speaker 1>Won't it won't it won't it. Let me hold.

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<v Speaker 2>You bad bad, Yeah, you're really driving me crazy crazy day.

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<v Speaker 2>Let the baby bade it.

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<v Speaker 1>Be caref you're basic right around the spirt must say this.

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<v Speaker 4>If you're in the.

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<v Speaker 1>Most section, you would say, it's just one time that the.

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<v Speaker 3>Lady kay Bark is back on the cruise.

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<v Speaker 1>Hold on.

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<v Speaker 4>Intro DJ fuse for that's crazy, right, DJ fuse Hell yeah,

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<v Speaker 4>nah man, you.

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<v Speaker 3>Know that that shows the research that goes into fat.

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<v Speaker 1>That was a good variety of the catalog.

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<v Speaker 3>Yeah, I was like, where's abandoned?

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<v Speaker 5>Broad So when you look back, right, can you watch

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<v Speaker 5>the video?

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<v Speaker 3>Can you listen back to.

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<v Speaker 1>Abandon I mean I don't enjoy it, you know, because

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<v Speaker 1>that was when I first started my sole artist entry. Yeah,

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<v Speaker 1>it was my entry and those are like the first

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<v Speaker 1>songs I ever wrote, so you know, obviously I hadn't

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<v Speaker 1>honed my craft yet yet. So like when I look

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<v Speaker 1>back at it now, like fourteen years later, I feel

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<v Speaker 1>like I'm at a much better space. So when I

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<v Speaker 1>listened back, I'm like that's a little cringe, but you know,

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<v Speaker 1>obviously it's part of the journey, right, part of the.

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<v Speaker 5>Journey, the beginning of the journey, somewhere somewhat right, Yeah,

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<v Speaker 5>and you were trying to find your voice, your look,

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<v Speaker 5>your haircut, all of it was trying to be found,

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<v Speaker 5>and you were seeking for it and you found him. Yeah,

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<v Speaker 5>facts fast, yes, sir, man, congratulations, So when you want

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<v Speaker 5>it is officially out.

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<v Speaker 1>It is.

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<v Speaker 3>Let's go been out man, It's fire.

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<v Speaker 1>Many appreciate it, appreciate it.

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<v Speaker 3>We got ty dollar sign on that on that may day.

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<v Speaker 1>Yes, sir, Yes, sir, that's going off. No, for sure. Yeah,

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<v Speaker 1>you know, a lot of great features. Uh. It took

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<v Speaker 1>around seven years to release it, just because I was

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<v Speaker 1>doing so many other things, you know, and then so

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<v Speaker 1>much yeah yeah, you know, you know, because I founded

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<v Speaker 1>more companies and then you know, was releasing other projects,

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<v Speaker 1>and so the R and B album I had to

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<v Speaker 1>kind of put to the sideline. So I'm glad it's

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<v Speaker 1>finally after like seven years.

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<v Speaker 3>Yeah for sure. You got yg on there as well, yes, sir, Yeah,

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<v Speaker 3>plows on.

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<v Speaker 1>There, yeah, yes, sir, yeah man as well. Put together man,

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<v Speaker 1>thank you, thank you. Any songs twenty songs, Yeah, I

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<v Speaker 1>and songs why twenty. It's just all the R and

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<v Speaker 1>B singles that I've been putting out, and then even

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<v Speaker 1>even the song with the Pilo and Ygs produced by

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<v Speaker 1>Scott Storch today and we did that session like in

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<v Speaker 1>twenty nineteen.

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<v Speaker 3>Wow, yeah, yoh, so you had it.

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<v Speaker 1>I just been yeah, holding on to stuff and then

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<v Speaker 1>yeah yeah, and so I just you know, it's kind

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<v Speaker 1>of like I just worked on a lot of songs

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<v Speaker 1>and then whatever kind of made sense for an RB album,

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<v Speaker 1>I just kind of, you know, put it on there.

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<v Speaker 4>Bro.

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<v Speaker 3>You know what.

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<v Speaker 5>I was listening back to BRO, and I realized how

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<v Speaker 5>much I missed it is the Road Less Traveled.

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<v Speaker 1>Oh wow, yeah fuck not a lot of not a

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<v Speaker 1>lot of people know that album.

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<v Speaker 3>That was crazy.

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<v Speaker 5>Oh thank you man, appreciate Like hell, that must have

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<v Speaker 5>been a crazier process, I'm assuming.

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<v Speaker 3>Or for you. I feel like, I mean there was

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<v Speaker 3>some bars in there, no for sure, for.

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<v Speaker 1>Sure, and I like, you know, doing that and it's

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<v Speaker 1>that was more like a passion project just because you know,

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<v Speaker 1>since I started my my music career in Korea, but

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<v Speaker 1>I'm from Seattle, so I always wanted to tap back

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<v Speaker 1>into the locals like Seattle scenes, and so I had

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<v Speaker 1>a bunch of Seattle artists on there, work with a

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<v Speaker 1>bunch of Seattle you know, producers. So it was cool

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<v Speaker 1>to kind of, you know, make that happen and so

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<v Speaker 1>and that that's when I was, I don't know, it's

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<v Speaker 1>it's different, like you know, even this project in that

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<v Speaker 1>project is very different, like sonically, Yeah, yeah, so I

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<v Speaker 1>have to have to go what range you have, man? Yeah,

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<v Speaker 1>and I have to kind of put myself into like

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<v Speaker 1>a different mode.

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<v Speaker 3>Yeah, those are those those are different zones.

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<v Speaker 1>Yeah for sure.

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<v Speaker 3>Man. I like, I like, give me a minute as.

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<v Speaker 1>Well, bro, thank you, thank you.

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<v Speaker 3>The new project, talk to me about that?

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<v Speaker 1>Uh yeah, So I was working on a Is that

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<v Speaker 1>a song you already had as well?

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<v Speaker 3>No? No, no.

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<v Speaker 1>So I went to Japan to work with so I

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<v Speaker 1>wanted to put out a Japanese project like that where

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<v Speaker 1>I'm speaking of only Japanese singing and Japanese just because

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<v Speaker 1>you know, a lot of people in Korea they cross

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<v Speaker 1>over to Japan and I've never done it before, so

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<v Speaker 1>since it's so close. And then also like I performed

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<v Speaker 1>there and I saw that a lot of people they

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<v Speaker 1>you know, do you can you cuss on this?

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<v Speaker 6>Yeah?

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<v Speaker 1>Also, they focus my music. So I'm like, okay, you know,

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<v Speaker 1>I should do something in Japan. And so I went

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<v Speaker 1>to Japan and just work with a bunch of songwriters

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<v Speaker 1>and producers in Japan and just did a song camp

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<v Speaker 1>out there and then they give me a minute track

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<v Speaker 1>is a Japanese producers named Zen. But you know, I

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<v Speaker 1>was like, how we did the process was I would

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<v Speaker 1>write the song and have the songs in English, and

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<v Speaker 1>then they would write the lyrics in Japanese and do

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<v Speaker 1>the guide in Japanese and then they would direct vocal

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<v Speaker 1>direct my pronunciation and stuff like that. And so I

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<v Speaker 1>made the song for the Japanese project. But then I

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<v Speaker 1>was like yo, like and and you know, all did lyrics,

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<v Speaker 1>I wrote. Everything was just kind of demo. But I

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<v Speaker 1>was like, this is kind of fire.

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<v Speaker 3>I was like, yo, I'm just.

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<v Speaker 1>Gonna take this for the project. And so that's that's

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<v Speaker 1>kind of how that happened.

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<v Speaker 3>Hapened.

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<v Speaker 5>Yeah, Yeah, you're just kind of having fun, you know,

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<v Speaker 5>it's kind of a shell of what it could be

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<v Speaker 5>or what it should be, and then out of nowhere,

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<v Speaker 5>it's like, no, this is it?

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<v Speaker 3>No?

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<v Speaker 1>Yeah, yeah, that's that's kind of how it happened.

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<v Speaker 4>That's so good is that process, like I did, it

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<v Speaker 4>add an excitement back into the creative process because it's

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<v Speaker 4>like an extra step. It's it's it's you know, because

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<v Speaker 4>sometimes I think things can get repetitive. But definitely that

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<v Speaker 4>seems like it's something that like, oh shit.

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<v Speaker 1>No, for sure, one hundred percent. For me. You know,

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<v Speaker 1>it's since I'm not only an artist, since I am

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<v Speaker 1>like the CEO of the labels war, I have to

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<v Speaker 1>look like look at the numbers. So for me, it's

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<v Speaker 1>like this started as a passion and uh, you know,

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<v Speaker 1>something very pure and then but you know when you

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<v Speaker 1>when you get business involved, it always kind of defined

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<v Speaker 1>that balance is always hard, right, So and I've been

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<v Speaker 1>doing it. I've put out such a lot. I've put

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<v Speaker 1>out so much music in the past ten for like

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<v Speaker 1>ten to fifteen years, and I've just been kind of

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<v Speaker 1>like kind of like sick of it, right, And so

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<v Speaker 1>I always appreciate when I get that that fire, that passion,

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<v Speaker 1>like that period of the spark. And that's why I

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<v Speaker 1>love working with Chacha I, like, you know, my homie

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<v Speaker 1>from Seattle is because we still have that like it

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<v Speaker 1>gives me that that feeling right, and instead of like

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<v Speaker 1>trying to work with all these producers that are trying

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<v Speaker 1>to you know that have have billboard number ones and work,

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<v Speaker 1>it's the the who's who. Like, instead of chasing that,

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<v Speaker 1>I'm like, like, let me just do what feels good.

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<v Speaker 6>And it almost inspires you again too.

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<v Speaker 1>It does? It does? It keeps me motivated for sure,

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<v Speaker 1>reignites that flame. Yeah, yes, sir.

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<v Speaker 3>Right.

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<v Speaker 5>So if I can ask Jay Park, like, why come

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<v Speaker 5>back to the cruise show? Why real ninety two three

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<v Speaker 5>Los Angeles?

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<v Speaker 1>I don't know. You just said good, good vibe, familiar.

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<v Speaker 4>Quote, the one you wanted in the book, the magazine,

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<v Speaker 4>the album yea three cruise shows. I mean.

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<v Speaker 3>Were saying that small touch, of course tells you what

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<v Speaker 3>to say and how to spell it in Spanish.

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<v Speaker 1>Remember one of my best friends in Mexican junior Yeah yeah, yeah,

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<v Speaker 1>yeah yeah last time. Yeah, he was with me last time.

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<v Speaker 1>He was about to pull up this time, but he

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<v Speaker 1>couldn't because of some fans. Good for sure.

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<v Speaker 3>Were you guys breaking together? Were you guys break dancing together?

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<v Speaker 1>Yeah? Yeah, so even the the Cha Cha who made

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<v Speaker 1>may Day, So we were all on the same break

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<v Speaker 1>dancing crew called the Movement.

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<v Speaker 5>Yeah, so when you hear that the Olympics are not

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<v Speaker 5>returning not returning to Olympics, Yeah, how do you feel

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<v Speaker 5>about that?

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<v Speaker 3>As a boy?

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<v Speaker 1>It's unfortunate just because you know, breaking and hip hop

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<v Speaker 1>started in the United States, so it's like, how you're

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<v Speaker 1>not going to have breaking in the Olympics when it's

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<v Speaker 1>in l A, right. Yeah, yeah, so it's unfortunate. Yeah,

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<v Speaker 1>it's unfortunate. Gun Yeah, yeah, I knew people are gonna

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<v Speaker 1>blame it. I don't I don't think it's because I mean, yeah, yeah,

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<v Speaker 1>she actually brought a lot of eyes to break all

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<v Speaker 1>because they're like, yo, if this is not a good example,

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<v Speaker 1>what's a good example.

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<v Speaker 6>So some ofose random place that you and your crew

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<v Speaker 6>have danced that in Seattle.

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<v Speaker 1>We used to just take like linoleum around and then

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<v Speaker 1>you know by the doc or like by the the

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<v Speaker 1>restaurant that they used to work at. Now now they

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<v Speaker 1>own their own family restaurant, but they used to work

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<v Speaker 1>at a restaurant I forgot what I think it's called,

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<v Speaker 1>like green Waters, like Luna or something like that. But

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<v Speaker 1>we used to break downs on the side of there too,

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<v Speaker 1>and just anywhere, like by the bus stop, because you

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<v Speaker 1>know when you carry on lineoleum basically breaking anywhere.

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<v Speaker 3>There's a battle anywhere, you know what I mean. Have

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<v Speaker 3>you found any good Korean barbecue out in LA of course?

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<v Speaker 1>I mean the Korean food in Ktown is fire. Yeah, yeah,

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<v Speaker 1>for sure. We were just in Ktown yesterday.

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<v Speaker 3>What spot do you recommend?

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<v Speaker 1>I like, I like Parks Barbecue. Yeah, that place is legendary.

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<v Speaker 3>Yeah. They even had it for a while.

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<v Speaker 6>I think they were in a Dodger stadium for a

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<v Speaker 6>whole season.

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<v Speaker 3>Yeah. Wow, that's major right now, new tattoos since you see.

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<v Speaker 1>I don't think so no, no, no, no, when.

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<v Speaker 3>You go on TV and Korea, you got to cover it.

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<v Speaker 1>I do, I do.

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<v Speaker 3>It's just what is it like again the longer.

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<v Speaker 1>Well yeah, so, I mean back in the eighties and

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<v Speaker 1>just you know, earlier times the only people that had

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<v Speaker 1>tattoos were like my fear or gangster related. But now

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<v Speaker 1>it's more of a you know, expression type thing and

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<v Speaker 1>so but still like on TV, there's still a lot

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<v Speaker 1>of I guess, like you know, just yeah, older people

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<v Speaker 1>that are part of the censorship, so they don't like it.

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<v Speaker 1>So but for me, I'm like, it's a hassle just

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<v Speaker 1>because I'm very blessed to still be able to go

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<v Speaker 1>on TV and host TV shows and do that. But

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<v Speaker 1>every time I do have to stick your here stick

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<v Speaker 1>you here, stick your here sticker here. But yeah, for me,

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<v Speaker 1>I'm like, yo, I'm just glad like they still use me.

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<v Speaker 1>I'm like, how long is that process?

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<v Speaker 3>Cover up?

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<v Speaker 1>It's not too I mean it's just a long yeah,

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<v Speaker 1>but it's just it just hurts when you take it off,

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<v Speaker 1>you know, you know, I mean, your skin gets irritated.

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<v Speaker 1>But for me, I'm just like, I'm probably like the

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<v Speaker 1>most tatted dude that's like on mainstream TV all the time.

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<v Speaker 1>So I when I look back at it now that

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<v Speaker 1>I'm a little older, I'm like, I'm very appreciative that

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<v Speaker 1>I can still do the ship say yeah, yeah, fact facts.

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<v Speaker 1>I'm like, yo, thank you for letting me endorse your

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<v Speaker 1>brand or you know, your clothing. Shoutouts to who you

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<v Speaker 1>are as well.

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<v Speaker 3>No, for sure the merch man.

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<v Speaker 1>Oh yeah, so we had uh we should have brought

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<v Speaker 1>you guys some merch there's fire off the Yeah, yeah,

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<v Speaker 1>we should have. No for sure, no, no, for sure,

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<v Speaker 1>we got to do that. We'll cover international ship to No. No,

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<v Speaker 1>we we got to send you guys for sure.

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<v Speaker 3>So yeah, we just give the merch, will give you

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<v Speaker 3>the address one.

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<v Speaker 1>Hundred percent of good exchange. No, but we work with

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<v Speaker 1>this this brand, and the director is and the guy

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<v Speaker 1>who started the brand, his name is Vandy. He's a

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<v Speaker 1>creative American guy from Virginia. So Vandy the pink is

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<v Speaker 1>the brand, and we collapsed on the merch. So he's

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<v Speaker 1>one of the hoodie over there. I'm one of the

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<v Speaker 1>hat Yeah.

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<v Speaker 5>Yeah, yes, sir, yes, sir, Yeah, man, dope, yo, may

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<v Speaker 5>day we tied dollar sign. Let's get back to it, sir.

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<v Speaker 5>Is that a is that a studio session? Working out here?

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<v Speaker 1>So I made the song with during COVID time and

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<v Speaker 1>then yeah, we were looking for you know, a feature

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<v Speaker 1>and then Pro from Forest Movement he knew someone from

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<v Speaker 1>their their camp. Yeah yeah, and so he linked us,

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<v Speaker 1>he linked us up and then yeah, like you know,

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<v Speaker 1>tied out a sign with a song and then uh,

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<v Speaker 1>we're like, yo, let's let's get it, you know. And

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<v Speaker 1>so so it wasn't a session, but we're shooting the

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<v Speaker 1>music video tomorrow. So yeah, yeah out here out here.

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<v Speaker 1>Yeah that's right. Yeah, so, I mean that's that's one

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<v Speaker 1>of the main purposes I'm out here because the Cruse

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<v Speaker 1>Show and then shoo always working bro, Yeah yeah, yeah,

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<v Speaker 1>I mean.

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<v Speaker 3>You're always working something we got, we got.

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<v Speaker 1>I mean our company isn't the biggest, but we have

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<v Speaker 1>around forty employees, a lot of mouths to feed.

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<v Speaker 4>That was nobody well yeah, I mean they're selling the

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<v Speaker 4>company at one point, you know. But you know, I

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<v Speaker 4>think he wanted to do this to be able to

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<v Speaker 4>exist outside of the artist that you know as Jay

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<v Speaker 4>parkrect hundred percent.

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<v Speaker 1>And you know we're working on so AMG high music

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<v Speaker 1>was mostly R and B hip hop based, all just

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<v Speaker 1>artists that bring their own music and we help them

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<v Speaker 1>package it and you know, develop their careers like that.

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<v Speaker 1>And now with more vision, we're working on we have

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<v Speaker 1>Changa the female solo K pop artists, great artist to

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<v Speaker 1>dope performer. And then we're we're working on producing K

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<v Speaker 1>pop group. So we have a guide group and a

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<v Speaker 1>girl group wow in development right now.

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<v Speaker 3>So how about an L pop group, like a Latino

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<v Speaker 3>pop group.

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<v Speaker 5>Yeah, I mean, shit, I think you've been uh trying

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<v Speaker 5>to manifest or at least work towards doing a Spanish record.

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<v Speaker 1>I know, I definitely need to do that because I've

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<v Speaker 1>never so throughout my sixteen seventeen year career, I've never

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<v Speaker 1>performed in Latin Americerica.

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<v Speaker 3>Never. Yeah, so they go crazy because you understand, you

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<v Speaker 3>have Latino fans.

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<v Speaker 1>Hundred percent, hundred percent, and you know, uh, there's something

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<v Speaker 1>about the spanishanguage. It just sounds fucking just fire everything.

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<v Speaker 1>And then it just it sounds poetic, That's what it is.

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<v Speaker 1>And then the the groove and the rhythms and the

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<v Speaker 1>you know, the bounce that they have out there. For sure.

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<v Speaker 5>Yeah, we tapped into like Chino Podkas and and man yo,

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00:14:17.799 --> 00:14:20.480
<v Speaker 5>I know you want to you know, have you contacted

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<v Speaker 5>Anita Anita?

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<v Speaker 3>I know she's on the bucket list.

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<v Speaker 1>Oh, for sure, Funk record. You know what I'm saying

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00:14:25.279 --> 00:14:26.840
<v Speaker 1>that Brazilian funk would be crazy.

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<v Speaker 3>The rhythm.

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00:14:28.120 --> 00:14:30.919
<v Speaker 4>I love Brazilian funk, A lot of atracts that's in. Say,

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<v Speaker 4>though you haven't performed Latin America.

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<v Speaker 1>No, So next year I'm going on tour first time

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00:14:35.720 --> 00:14:38.320
<v Speaker 1>in six years, and so I plan on hitting up

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<v Speaker 1>Latin America for the first time ever.

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<v Speaker 4>You know, Let like, what's up, bro, come on, what

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00:14:43.480 --> 00:14:47.399
<v Speaker 4>we're doing is recommendations facts Mexico City, you can do.

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00:14:48.960 --> 00:14:51.279
<v Speaker 4>You can get the little little palooza run that they're

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<v Speaker 4>doing South America, which is always in Os they do

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<v Speaker 4>it and I think Santiago, Chile.

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<v Speaker 3>But yeah, it might be a great festival for you

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<v Speaker 3>to perform.

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00:14:59.320 --> 00:15:07.000
<v Speaker 1>Esmianel just very small. So I learned Spanish as like

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<v Speaker 1>the second language in high school. So my pronunciation is

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00:15:10.840 --> 00:15:12.639
<v Speaker 1>so I could get it down right if I just

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<v Speaker 1>practice it. But I definitely want to, uh, you know,

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<v Speaker 1>I definitely should learn. So I want to learn Chinese,

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<v Speaker 1>Japanese and Spanish.

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<v Speaker 5>Would be a six song, you know, faith, why why

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00:15:26.519 --> 00:15:27.480
<v Speaker 5>would that be?

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00:15:28.240 --> 00:15:28.840
<v Speaker 3>Both of you guys?

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<v Speaker 1>Thank you. I appreciate it.

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<v Speaker 3>I know we want to connect with J Balvin.

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<v Speaker 1>I mean, that's that's crazy right there. That could happen.

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<v Speaker 3>There's numbers there, no for.

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<v Speaker 1>Sure, and and you know, for me it's I never

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00:15:43.279 --> 00:15:46.519
<v Speaker 1>want anything to be forced. So for me, you know,

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00:15:46.879 --> 00:15:51.799
<v Speaker 1>it's obviously impact in numbers and all that is definitely important,

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00:15:51.799 --> 00:15:53.120
<v Speaker 1>But for me, I'm just like you know, I was

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00:15:53.679 --> 00:15:56.320
<v Speaker 1>any culture I dive into or any artists I work with,

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00:15:56.480 --> 00:15:58.399
<v Speaker 1>I try to make sure that it's you know, ye

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00:15:59.240 --> 00:16:01.519
<v Speaker 1>most respectful of all and then that it's synergy on

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00:16:01.559 --> 00:16:02.039
<v Speaker 1>both sides, you.

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<v Speaker 4>Know, So who does the approaching in that scenario, like,

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00:16:04.360 --> 00:16:07.200
<v Speaker 4>I mean you would be them? Like how how would

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00:16:07.200 --> 00:16:09.360
<v Speaker 4>something be as organic as possible, like you guys run

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00:16:09.360 --> 00:16:09.960
<v Speaker 4>into each other.

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00:16:10.080 --> 00:16:13.159
<v Speaker 1>Yeah? Yeah, yeah for one hundred percent or for me, uh,

347
00:16:13.200 --> 00:16:16.159
<v Speaker 1>you know. And I'm always very hesitant on when I

348
00:16:16.200 --> 00:16:18.080
<v Speaker 1>see people like yo, let's work on something, you know,

349
00:16:19.120 --> 00:16:21.759
<v Speaker 1>because I don't know, like I don't know like where

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00:16:21.799 --> 00:16:23.360
<v Speaker 1>they are in life, I don't know, you know, if

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00:16:23.360 --> 00:16:26.879
<v Speaker 1>it's disrespectful or not. So I always just if there's

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00:16:26.919 --> 00:16:30.399
<v Speaker 1>somebody that is of you know, we know mutually that

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00:16:30.440 --> 00:16:31.879
<v Speaker 1>they can kind of set it up to kind of

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00:16:32.200 --> 00:16:34.440
<v Speaker 1>do it a little bit more natural organically. Yeah, I'm

355
00:16:34.480 --> 00:16:36.120
<v Speaker 1>down for that. Or if I have like a song

356
00:16:36.320 --> 00:16:38.519
<v Speaker 1>that I want to do, like yo, I want to

357
00:16:38.559 --> 00:16:40.519
<v Speaker 1>do a song in Spanish and I have a record,

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00:16:40.559 --> 00:16:42.200
<v Speaker 1>I'm like, Yo, let's try to get somebody on there

359
00:16:42.240 --> 00:16:43.840
<v Speaker 1>and then we can pitch it to people. I don't know,

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00:16:44.519 --> 00:16:45.559
<v Speaker 1>it just depends, yo.

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00:16:45.679 --> 00:16:47.960
<v Speaker 5>What's like when it comes to like an R and

362
00:16:48.000 --> 00:16:50.440
<v Speaker 5>B song, what's the ship? What's that song for you?

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00:16:51.039 --> 00:16:56.480
<v Speaker 1>Oh? Ship? I mean? So I was, I was, I

364
00:16:56.480 --> 00:17:00.159
<v Speaker 1>was a huge fan of Usher, so he's like, yeah,

365
00:17:00.200 --> 00:17:03.000
<v Speaker 1>I mean, obviously there's no artist to live that wasn't

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<v Speaker 1>you know, influencer inspired by Michael Jackson. But for me,

367
00:17:06.559 --> 00:17:09.240
<v Speaker 1>Usher was like the biggest influence for me. Like I

368
00:17:09.680 --> 00:17:13.519
<v Speaker 1>bought his concert tapes. I ordered a fake you chain

369
00:17:13.599 --> 00:17:16.680
<v Speaker 1>on e Bay, like the eight dollars like Fay I

370
00:17:16.720 --> 00:17:19.599
<v Speaker 1>was spending that ship. You got it, you got it.

371
00:17:19.880 --> 00:17:23.160
<v Speaker 1>I was like yeah, yeah, yeah, facts, so Usher for sure,

372
00:17:23.279 --> 00:17:25.039
<v Speaker 1>Usher like that the you chain.

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<v Speaker 3>I'm not gonna lie dog. I bought the spinning g

374
00:17:30.640 --> 00:17:32.000
<v Speaker 3>u in the chain in the middle of the mall.

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00:17:33.640 --> 00:17:35.640
<v Speaker 1>I had to have facts, fact facts.

376
00:17:40.799 --> 00:17:43.799
<v Speaker 3>Have you made your way to his residency in Vegas? No?

377
00:17:43.839 --> 00:17:48.480
<v Speaker 1>I have not, So I had a don't take your girl? Yeah, yeah,

378
00:17:48.559 --> 00:17:52.960
<v Speaker 1>facts facts, He's about it, just Serenader and just I'm

379
00:17:52.960 --> 00:17:58.640
<v Speaker 1>gonna just hate my itels this guy. No, but yeah.

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00:17:58.240 --> 00:18:02.720
<v Speaker 1>I actually met him at the Rock Nation brunch a

381
00:18:02.720 --> 00:18:04.279
<v Speaker 1>few years back and I was like, YO, like how

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00:18:04.279 --> 00:18:06.160
<v Speaker 1>do I Because I was like, how do I approach

383
00:18:06.200 --> 00:18:07.519
<v Speaker 1>this guy? I'm like, YO, like what do I say?

384
00:18:07.559 --> 00:18:10.160
<v Speaker 1>I was like, Yo, right, I got all my moves

385
00:18:10.160 --> 00:18:12.279
<v Speaker 1>from you, and he was just like and I was

386
00:18:12.279 --> 00:18:17.799
<v Speaker 1>like Damn, I have a tellow stupid. I was like,

387
00:18:18.599 --> 00:18:19.680
<v Speaker 1>I didn't even ask for a picture.

388
00:18:19.720 --> 00:18:22.799
<v Speaker 5>After that, I was like, nah, right, it's like, what

389
00:18:22.799 --> 00:18:23.440
<v Speaker 5>do you do you want?

390
00:18:23.480 --> 00:18:29.079
<v Speaker 3>Hey, hey man, I'm like tolerance facts.

391
00:18:29.119 --> 00:18:29.960
<v Speaker 1>I was like, what am I doing?

392
00:18:30.559 --> 00:18:31.799
<v Speaker 3>Was that the same brunch you met Beyonce?

393
00:18:32.480 --> 00:18:35.200
<v Speaker 1>Uh? Yeah? So so I went to two. I went

394
00:18:35.240 --> 00:18:37.519
<v Speaker 1>to two and then so it was the second one.

395
00:18:37.559 --> 00:18:39.640
<v Speaker 1>So yeah, I mean Beyonce, jay Z, everybody was there,

396
00:18:39.880 --> 00:18:41.680
<v Speaker 1>but Usher wasn't that the one that I went to

397
00:18:41.720 --> 00:18:44.000
<v Speaker 1>the first time. For the second time, he was there,

398
00:18:44.000 --> 00:18:46.200
<v Speaker 1>and I was like, oh ship, it's Ushers, Like that's

399
00:18:46.400 --> 00:18:48.400
<v Speaker 1>you know, there's all these guys celebrities, and I'm like,

400
00:18:48.400 --> 00:18:51.359
<v Speaker 1>that's that's all cool. But it's like, this is my idle. Yeah,

401
00:18:51.359 --> 00:18:53.599
<v Speaker 1>that's Usher. It's like that's how I got I got

402
00:18:53.599 --> 00:18:54.640
<v Speaker 1>a lot of swag from this guy.

403
00:18:54.720 --> 00:18:55.759
<v Speaker 3>Right, so crazy.

404
00:18:55.960 --> 00:18:58.960
<v Speaker 1>I was like, yo, what I say? But yeah it was.

405
00:18:59.400 --> 00:19:01.640
<v Speaker 3>And true or false? Beyonce he says I know who

406
00:19:01.680 --> 00:19:01.920
<v Speaker 3>you are?

407
00:19:02.240 --> 00:19:04.359
<v Speaker 1>Yeah, and she was like you're talented. I was like, oh, yeah,

408
00:19:05.519 --> 00:19:07.880
<v Speaker 1>you think I'm telling you right now?

409
00:19:08.119 --> 00:19:08.480
<v Speaker 3>Have you.

410
00:19:10.359 --> 00:19:13.920
<v Speaker 1>Do you know who you are? Yeah?

411
00:19:14.079 --> 00:19:14.160
<v Speaker 2>No?

412
00:19:14.319 --> 00:19:16.720
<v Speaker 1>That that that was a surreal moment for sure, that's

413
00:19:16.759 --> 00:19:17.119
<v Speaker 1>great man.

414
00:19:17.759 --> 00:19:20.240
<v Speaker 6>You know you said in this rollout and I was

415
00:19:20.319 --> 00:19:22.160
<v Speaker 6>growing through your Instagram there was a video where you

416
00:19:22.200 --> 00:19:24.119
<v Speaker 6>said that this is a different version of you, a

417
00:19:24.119 --> 00:19:27.359
<v Speaker 6>more mature version. What sparked that change in you for this?

418
00:19:28.559 --> 00:19:31.640
<v Speaker 1>I think for me, it's just an experience, you know.

419
00:19:32.759 --> 00:19:36.119
<v Speaker 1>I think my whether it be technically or sonically or

420
00:19:36.200 --> 00:19:38.599
<v Speaker 1>just songwriting wise or whatever it may be, it's like

421
00:19:39.039 --> 00:19:41.920
<v Speaker 1>I'm I'm progressing and I'm growing as a person. So

422
00:19:41.960 --> 00:19:44.519
<v Speaker 1>you can definitely feel that in my my music as well.

423
00:19:44.759 --> 00:19:49.880
<v Speaker 1>I mean, so it's weird because I'm definitely more polished

424
00:19:49.880 --> 00:19:52.720
<v Speaker 1>than I was, but I don't have that like raw

425
00:19:52.839 --> 00:19:55.079
<v Speaker 1>fire like anymore, like oh I'm gonna go and kill

426
00:19:55.119 --> 00:19:56.839
<v Speaker 1>this shiit Like I'm just like all right, let's get

427
00:19:56.839 --> 00:20:00.559
<v Speaker 1>it done right, like you know. So it's it's like

428
00:20:00.599 --> 00:20:03.920
<v Speaker 1>a I don't know, it's I'm at like a weird

429
00:20:03.960 --> 00:20:06.000
<v Speaker 1>point in my career in life, but I like a

430
00:20:06.119 --> 00:20:09.079
<v Speaker 1>job now. Yeah. So that's why for me, I'm like yo,

431
00:20:09.160 --> 00:20:11.839
<v Speaker 1>Like the I get very passionate about the K pop

432
00:20:11.880 --> 00:20:14.400
<v Speaker 1>group and I'm like, yo, like, let's you know, let's

433
00:20:14.400 --> 00:20:17.279
<v Speaker 1>bring something new to the table. Let's yeah, let's you know, uh,

434
00:20:17.319 --> 00:20:20.640
<v Speaker 1>and for that they will take on the responsibility of

435
00:20:21.559 --> 00:20:23.880
<v Speaker 1>the numbers and the financial financial ship, and then then

436
00:20:23.920 --> 00:20:26.079
<v Speaker 1>I can just fuck around and be like yo, I'll

437
00:20:26.079 --> 00:20:28.000
<v Speaker 1>make make music just for fun. It doesn't need to

438
00:20:28.000 --> 00:20:30.400
<v Speaker 1>get numbers, it doesn't, you know, And I'll just do

439
00:20:30.480 --> 00:20:32.480
<v Speaker 1>things with cool people for fun, not to try to

440
00:20:32.480 --> 00:20:34.720
<v Speaker 1>get numbers or you know, to cloud or whatever it may.

441
00:20:34.920 --> 00:20:35.079
<v Speaker 3>Yeah.

442
00:20:35.119 --> 00:20:35.559
<v Speaker 1>Yeah, yeah.

443
00:20:35.759 --> 00:20:37.720
<v Speaker 5>When it comes to K pop and the artists that

444
00:20:37.759 --> 00:20:40.400
<v Speaker 5>come out of that world, right, there's there's a lot

445
00:20:40.440 --> 00:20:43.440
<v Speaker 5>of hard work that comes out. It's NonStop and some

446
00:20:43.480 --> 00:20:45.039
<v Speaker 5>of the hardest work that I think a lot of

447
00:20:45.119 --> 00:20:49.799
<v Speaker 5>musicians don't necessarily do. Skip Yeah, right, what what's behind

448
00:20:49.839 --> 00:20:50.960
<v Speaker 5>that that work?

449
00:20:50.960 --> 00:20:56.079
<v Speaker 1>Ethic, hunger to make it, under to make it. I think.

450
00:20:57.759 --> 00:21:00.480
<v Speaker 1>I think where it comes from also is that Korea

451
00:21:00.559 --> 00:21:03.440
<v Speaker 1>is very militant in a way that everything they do

452
00:21:03.759 --> 00:21:06.119
<v Speaker 1>just because you know, the country is at war. We're

453
00:21:06.160 --> 00:21:08.680
<v Speaker 1>still at war, and so it's mandatory for everybody to

454
00:21:08.720 --> 00:21:10.400
<v Speaker 1>go to the army, etcetera, et cetera. So I think

455
00:21:10.400 --> 00:21:13.000
<v Speaker 1>that translates to when they do stuff as a group,

456
00:21:13.440 --> 00:21:16.240
<v Speaker 1>like you know, they're willing to sacrifice a lot of

457
00:21:16.240 --> 00:21:19.920
<v Speaker 1>their individuality, whether it be time or you know, creativity

458
00:21:20.000 --> 00:21:23.680
<v Speaker 1>to creativity wise or whatever may be for the group.

459
00:21:23.720 --> 00:21:26.440
<v Speaker 1>And that's why everyone's so synchronized and so put together,

460
00:21:26.480 --> 00:21:30.000
<v Speaker 1>well put together. And yeah, no for sure. And now

461
00:21:30.039 --> 00:21:34.039
<v Speaker 1>it's you know, it's such a big global industry. It's like,

462
00:21:34.359 --> 00:21:36.519
<v Speaker 1>you know, they got that stuff down to a t.

463
00:21:37.079 --> 00:21:40.079
<v Speaker 1>They have the blueprint, they have the system. But also

464
00:21:40.200 --> 00:21:42.559
<v Speaker 1>you know, with a lot of money comes a lot

465
00:21:42.599 --> 00:21:46.440
<v Speaker 1>of just oversaturation as well. Right, and so that's why

466
00:21:46.440 --> 00:21:49.960
<v Speaker 1>it's like everything is great and it's well polished. But

467
00:21:50.000 --> 00:21:52.839
<v Speaker 1>also like that's why I feel like we can bring

468
00:21:52.839 --> 00:21:54.920
<v Speaker 1>a different flavor where it's a little bit more kind

469
00:21:54.920 --> 00:21:59.319
<v Speaker 1>of a like Mom and Pops style, like that special flavor, right, yeah,

470
00:21:59.480 --> 00:22:02.279
<v Speaker 1>whom we make some type of dish. It's it's something

471
00:22:02.279 --> 00:22:04.759
<v Speaker 1>where you can't find like, yeah, everything tastes good, but

472
00:22:04.920 --> 00:22:08.319
<v Speaker 1>it's a little bit different flavor maybe yeah yeah, yeah, yeah, sir.

473
00:22:08.400 --> 00:22:09.160
<v Speaker 3>So then so the k.

474
00:22:09.440 --> 00:22:13.559
<v Speaker 1>Who's in the group, so we have are you still recruiting?

475
00:22:14.480 --> 00:22:21.119
<v Speaker 1>So we just ask yeah, yeah.

476
00:22:20.200 --> 00:22:20.880
<v Speaker 3>Korean America.

477
00:22:20.920 --> 00:22:25.599
<v Speaker 1>Okay, okay, that's right. No, for sure, for sure, No,

478
00:22:26.160 --> 00:22:29.359
<v Speaker 1>we're definitely we're definitely auditioning. We're definitely still auditioning. But

479
00:22:29.400 --> 00:22:31.920
<v Speaker 1>I have I have a group of kids that we've

480
00:22:31.960 --> 00:22:36.279
<v Speaker 1>been working with for the past couple of years. And yeah,

481
00:22:36.319 --> 00:22:41.039
<v Speaker 1>they're anywhere from fourteen to eighteen. And yeah, I mean

482
00:22:41.240 --> 00:22:42.880
<v Speaker 1>they're dope. They're dope. Yeah, they're dope.

483
00:22:44.119 --> 00:22:44.319
<v Speaker 3>Yeah.

484
00:22:44.319 --> 00:22:46.440
<v Speaker 1>It's like before I was like, since it's my first

485
00:22:46.440 --> 00:22:49.759
<v Speaker 1>time actually producing like a group, I didn't know what

486
00:22:49.799 --> 00:22:50.960
<v Speaker 1>I was doing. So I didn't know what I was

487
00:22:51.000 --> 00:22:53.000
<v Speaker 1>looking for. I didn't know what I knew like I

488
00:22:53.000 --> 00:22:54.880
<v Speaker 1>could do it, but I didn't know exactly what I

489
00:22:54.920 --> 00:22:56.839
<v Speaker 1>was looking for. And now it's like We're a couple

490
00:22:56.880 --> 00:22:58.680
<v Speaker 1>of years in and now now I'm like, all right,

491
00:22:58.880 --> 00:23:01.160
<v Speaker 1>this is my group. Now I feel like the sense

492
00:23:01.200 --> 00:23:06.920
<v Speaker 1>of like okay, like I'm their mentor, like yeah, facts, facts, facts.

493
00:23:07.279 --> 00:23:07.599
<v Speaker 3>That's great.

494
00:23:07.680 --> 00:23:09.480
<v Speaker 1>Yeah, so it feels good, feels good. I'm excited.

495
00:23:09.599 --> 00:23:12.319
<v Speaker 5>The one you wanted is out and it's the album cover.

496
00:23:12.440 --> 00:23:13.880
<v Speaker 5>Let's talk about that. I mean, I think off the

497
00:23:13.920 --> 00:23:15.359
<v Speaker 5>air you were like, yeah, I think that's the one.

498
00:23:15.400 --> 00:23:16.799
<v Speaker 3>Like it was easy, it was easy to pick that.

499
00:23:17.319 --> 00:23:21.759
<v Speaker 1>Yeah, I mean, so I relied heavily on my my

500
00:23:21.920 --> 00:23:23.920
<v Speaker 1>A and R team and my my creative team for

501
00:23:23.960 --> 00:23:27.039
<v Speaker 1>this one. That's that's my head an R right there. Uh, tajun.

502
00:23:27.880 --> 00:23:28.119
<v Speaker 3>Yeah.

503
00:23:28.160 --> 00:23:33.720
<v Speaker 1>Yeah, but yeah, you know, how did you you well together?

504
00:23:34.000 --> 00:23:34.680
<v Speaker 1>You doing comfortable?

505
00:23:35.440 --> 00:23:35.680
<v Speaker 3>Yeah?

506
00:23:35.720 --> 00:23:45.720
<v Speaker 1>Man? I ah okay yeah. So I mean it's one

507
00:23:45.759 --> 00:23:48.440
<v Speaker 1>of those things where it's like, uh, the one you wanted,

508
00:23:48.480 --> 00:23:51.599
<v Speaker 1>so like you had to wait a long time for this,

509
00:23:51.720 --> 00:23:54.519
<v Speaker 1>right so and and it kind of represents just it's

510
00:23:54.559 --> 00:23:57.160
<v Speaker 1>it's time to shine, right so yeah, and that's why

511
00:23:57.200 --> 00:23:58.160
<v Speaker 1>it's like, so, is.

512
00:23:58.079 --> 00:23:59.559
<v Speaker 3>That a note to the fans, like this is the

513
00:23:59.559 --> 00:24:00.359
<v Speaker 3>one you want? No?

514
00:24:00.480 --> 00:24:02.759
<v Speaker 1>For sure? Because my last R and B album and

515
00:24:02.799 --> 00:24:05.240
<v Speaker 1>which is My which was was my most most successful

516
00:24:05.279 --> 00:24:08.599
<v Speaker 1>album in terms of like accolades and numbers wise. Everything

517
00:24:08.640 --> 00:24:11.720
<v Speaker 1>you wanted I came out in twenty sixteen, So I'm like, yo,

518
00:24:11.839 --> 00:24:14.759
<v Speaker 1>this kind of reiscent reminiscent of that same energy. So

519
00:24:14.799 --> 00:24:15.799
<v Speaker 1>I was like, Yo, the one you wanted?

520
00:24:15.839 --> 00:24:16.079
<v Speaker 3>All right?

521
00:24:16.119 --> 00:24:16.319
<v Speaker 1>Cool?

522
00:24:16.400 --> 00:24:18.839
<v Speaker 5>Yeah yeah, And that's kind of just like like you

523
00:24:18.960 --> 00:24:19.559
<v Speaker 5>looking up.

524
00:24:20.400 --> 00:24:23.880
<v Speaker 1>Yeah, I mean you know it's it came out like

525
00:24:23.960 --> 00:24:26.599
<v Speaker 1>super like there's some type of like deep ast meaning

526
00:24:26.640 --> 00:24:28.839
<v Speaker 1>to it. But I just took the photo. They're like

527
00:24:28.920 --> 00:24:31.440
<v Speaker 1>Yore shining his light on your face.

528
00:24:31.559 --> 00:24:33.160
<v Speaker 3>I'm like, all right, look up, im like.

529
00:24:34.119 --> 00:24:36.279
<v Speaker 1>We monitored it came out beauty of art.

530
00:24:36.400 --> 00:24:39.079
<v Speaker 6>Right, for sure, I'm looky getting blinded right now.

531
00:24:40.400 --> 00:24:42.839
<v Speaker 1>No, for sure, but you know, and then it's it's subjective,

532
00:24:42.880 --> 00:24:45.799
<v Speaker 1>so you could take your own you know. When I

533
00:24:46.000 --> 00:24:47.680
<v Speaker 1>signed it to my friends, I draw a little iron

534
00:24:47.720 --> 00:24:48.359
<v Speaker 1>Man face on it.

535
00:24:50.720 --> 00:24:54.039
<v Speaker 5>Yeah yeah, yo, true or false? You don't want multiple

536
00:24:54.119 --> 00:24:55.000
<v Speaker 5>baby mamas?

537
00:24:55.039 --> 00:24:55.519
<v Speaker 1>Hell no?

538
00:24:55.680 --> 00:24:57.400
<v Speaker 3>No family?

539
00:24:57.599 --> 00:25:01.920
<v Speaker 1>Yeah yeah, yeah no, hell no. Uh you know, I

540
00:25:01.920 --> 00:25:04.880
<v Speaker 1>mean there's there's too much drama in the world, So yeah,

541
00:25:04.880 --> 00:25:05.119
<v Speaker 1>I don't.

542
00:25:05.359 --> 00:25:07.279
<v Speaker 3>Multiple baby mamas is so American, you know.

543
00:25:07.680 --> 00:25:10.400
<v Speaker 1>And you know, I want to live as peaceful and

544
00:25:10.480 --> 00:25:12.319
<v Speaker 1>drama free as possible. So so so it.

545
00:25:12.480 --> 00:25:15.200
<v Speaker 4>Used to be that I want, but then I realized, like, yeah,

546
00:25:15.240 --> 00:25:16.480
<v Speaker 4>it's not the healthiest.

547
00:25:16.519 --> 00:25:18.079
<v Speaker 3>For to want different baby mamas.

548
00:25:18.079 --> 00:25:19.799
<v Speaker 4>And I was just fascin For me, it was like

549
00:25:20.119 --> 00:25:22.279
<v Speaker 4>cultures I grew uping.

550
00:25:22.559 --> 00:25:25.240
<v Speaker 3>Just parts of the world haven't mixed babies.

551
00:25:26.559 --> 00:25:30.680
<v Speaker 1>It's crazy that nick that's a fat dog, be real.

552
00:25:31.039 --> 00:25:33.839
<v Speaker 1>Yeah yeah, I mean some people can pull it off,

553
00:25:34.839 --> 00:25:36.759
<v Speaker 1>you know, but yeah, yeah, for me, it's not for me.

554
00:25:36.839 --> 00:25:38.440
<v Speaker 1>It's not for me. Yeah, it's not for me.

555
00:25:39.640 --> 00:25:39.839
<v Speaker 3>Man.

556
00:25:39.920 --> 00:25:42.440
<v Speaker 5>I can barely keep up with the one I have.

557
00:25:44.000 --> 00:25:45.240
<v Speaker 5>I barely make her smile.

558
00:25:47.119 --> 00:25:48.880
<v Speaker 3>You know what I'm saying. You know, how often do

559
00:25:48.920 --> 00:25:50.279
<v Speaker 3>people walk up to you or see you.

560
00:25:50.319 --> 00:25:52.359
<v Speaker 5>And they want to rap or they want to sing

561
00:25:52.599 --> 00:25:55.680
<v Speaker 5>right in the restroom and someone tries to audition.

562
00:25:55.400 --> 00:25:55.759
<v Speaker 3>For you to.

563
00:25:56.640 --> 00:26:00.359
<v Speaker 1>So so these days I feel like that it's more

564
00:26:00.359 --> 00:26:03.680
<v Speaker 1>of a six seven years ago type thing. Yeah, as

565
00:26:03.720 --> 00:26:08.000
<v Speaker 1>where these days now they they come back by with

566
00:26:08.039 --> 00:26:10.359
<v Speaker 1>like a USB or like you know, you'll hit you

567
00:26:10.400 --> 00:26:11.960
<v Speaker 1>on like the DM, or like they'll send you an

568
00:26:11.960 --> 00:26:13.759
<v Speaker 1>email or like ooh, this is like I just came

569
00:26:13.799 --> 00:26:16.720
<v Speaker 1>over and just send you a link. So now, like before,

570
00:26:16.839 --> 00:26:20.480
<v Speaker 1>like I think in twenty like seventeen sixteen around there, eighteen,

571
00:26:20.599 --> 00:26:23.160
<v Speaker 1>like yeah, you know, we'd be chilling out of some

572
00:26:23.279 --> 00:26:25.160
<v Speaker 1>like bar or whatever, like Korean bar, and like these

573
00:26:25.200 --> 00:26:27.559
<v Speaker 1>four kids will come up and just be like c

574
00:26:27.759 --> 00:26:29.160
<v Speaker 1>rap for you and they'll take turns wrapping for me.

575
00:26:29.200 --> 00:26:32.079
<v Speaker 1>I'm like, oh shit, okay, you're like say go for it. Yeah,

576
00:26:32.079 --> 00:26:33.319
<v Speaker 1>I'm like all right, cool, Like I don't know what

577
00:26:33.319 --> 00:26:34.000
<v Speaker 1>it's gonna.

578
00:26:33.799 --> 00:26:35.599
<v Speaker 3>Do for you, but yeah, but get me some more

579
00:26:35.599 --> 00:26:35.960
<v Speaker 3>sold you.

580
00:26:38.319 --> 00:26:41.079
<v Speaker 1>But now I think now, no, maybe maybe it's like

581
00:26:41.119 --> 00:26:43.839
<v Speaker 1>a COVID thing where like you know, everyone's just kind

582
00:26:43.839 --> 00:26:45.920
<v Speaker 1>of used to just kind of keeping to themselves.

583
00:26:45.480 --> 00:26:47.480
<v Speaker 3>And they do it from far away.

584
00:26:47.559 --> 00:26:49.319
<v Speaker 1>Yeah. Yeah, yeah, they're just send you and now it's

585
00:26:49.319 --> 00:26:51.880
<v Speaker 1>so easy to you know, just send a link, right, So.

586
00:26:51.920 --> 00:26:54.119
<v Speaker 3>Yeah, and then they have access to you, I guess

587
00:26:54.119 --> 00:26:55.400
<v Speaker 3>in a way because of social media.

588
00:26:55.480 --> 00:26:58.400
<v Speaker 1>Yeah yeah, so yeah these days, no, not so much.

589
00:26:58.559 --> 00:27:00.160
<v Speaker 3>That's that's probably a good thing.

590
00:27:00.240 --> 00:27:02.960
<v Speaker 1>Yeah, one hundred percent. I had I had a guy

591
00:27:03.000 --> 00:27:04.359
<v Speaker 1>try to wrap for me when I was in the

592
00:27:04.400 --> 00:27:05.440
<v Speaker 1>bathroom and I was like, bro.

593
00:27:05.480 --> 00:27:06.720
<v Speaker 3>Like taking a ship. Bro.

594
00:27:07.039 --> 00:27:08.759
<v Speaker 1>Yeah, I like, bro, like chill out.

595
00:27:09.039 --> 00:27:09.200
<v Speaker 4>You know.

596
00:27:10.200 --> 00:27:11.799
<v Speaker 1>It was in front of it was like at a club,

597
00:27:11.839 --> 00:27:14.519
<v Speaker 1>and I was like, bro, like what do you what

598
00:27:14.559 --> 00:27:16.240
<v Speaker 1>are we doing? That's what I said. I was like, Bro,

599
00:27:16.680 --> 00:27:18.400
<v Speaker 1>I'm not trying to hear you rap right now, Bro.

600
00:27:19.160 --> 00:27:21.240
<v Speaker 3>Trying to do that. Fact. So we're filming the video

601
00:27:21.240 --> 00:27:21.680
<v Speaker 3>for may Day.

602
00:27:21.720 --> 00:27:25.359
<v Speaker 5>We're trying to tell him, uh that we said, oh god,

603
00:27:25.359 --> 00:27:26.079
<v Speaker 5>hell yeah, hell yeah.

604
00:27:26.359 --> 00:27:26.519
<v Speaker 3>Man.

605
00:27:27.000 --> 00:27:29.279
<v Speaker 5>When we came over here, we were just talking about

606
00:27:29.279 --> 00:27:31.160
<v Speaker 5>this yesterday, right. He was like our first guest, Like

607
00:27:31.240 --> 00:27:33.200
<v Speaker 5>I came an hour before we went on. He showed

608
00:27:33.279 --> 00:27:34.720
<v Speaker 5>up with a bottle of Teila, Like what up?

609
00:27:34.839 --> 00:27:38.680
<v Speaker 4>Hell yeah, what's the what's the concept of the video?

610
00:27:38.960 --> 00:27:39.759
<v Speaker 3>Can you share anything?

611
00:27:40.319 --> 00:27:43.720
<v Speaker 1>The concept of the video I think we're we're constantly

612
00:27:43.759 --> 00:27:49.559
<v Speaker 1>just riding in a car. Could come to me meeting me, Stephanie.

613
00:27:49.640 --> 00:27:52.640
<v Speaker 1>So we're working with direct named Stephen Gray, stephan Gray,

614
00:27:52.720 --> 00:27:55.839
<v Speaker 1>and then the ladies in the video. I don't know

615
00:27:56.319 --> 00:28:04.119
<v Speaker 1>other okay, okay, preferably it would be good if it

616
00:28:04.240 --> 00:28:07.599
<v Speaker 1>was a lady. But so we have a driver, are

617
00:28:07.799 --> 00:28:11.240
<v Speaker 1>making production. Yeah, yeah, yeah, yeah, yeah yeah, Jackie needs.

618
00:28:11.039 --> 00:28:16.119
<v Speaker 3>To be in the video. Yeah, the video.

619
00:28:19.440 --> 00:28:20.920
<v Speaker 1>I think we're going to be in a car.

620
00:28:21.200 --> 00:28:22.079
<v Speaker 3>Yeah, that's right.

621
00:28:22.400 --> 00:28:25.240
<v Speaker 1>Writer, I think I know, like a classic maybe like

622
00:28:25.279 --> 00:28:27.400
<v Speaker 1>a classic car. I don't I don't exactly know, but

623
00:28:27.559 --> 00:28:28.400
<v Speaker 1>uh yeah, we'll.

624
00:28:28.279 --> 00:28:32.839
<v Speaker 3>Get Jackie little a little. My driving is not that great.

625
00:28:32.880 --> 00:28:36.720
<v Speaker 1>I'll tell you that right now. Let's get it right.

626
00:28:36.759 --> 00:28:37.160
<v Speaker 3>What are you doing?

627
00:28:38.599 --> 00:28:39.680
<v Speaker 1>Uh?

628
00:28:39.720 --> 00:28:39.960
<v Speaker 3>Ship?

629
00:28:40.039 --> 00:28:41.079
<v Speaker 1>What am I doing?

630
00:28:41.359 --> 00:28:41.400
<v Speaker 6>So?

631
00:28:41.559 --> 00:28:44.279
<v Speaker 1>I'm going to Rolling Loud Thailand next week, next week

632
00:28:44.559 --> 00:28:47.440
<v Speaker 1>after I get back, and then I'm doing some stuff

633
00:28:47.480 --> 00:28:52.440
<v Speaker 1>in Japan in December, and then I'm just doing like

634
00:28:52.480 --> 00:28:57.799
<v Speaker 1>a I'm a guest for some people's concerts. I'm surprised guests.

635
00:28:57.839 --> 00:28:59.200
<v Speaker 1>I don't want to say, but we're.

636
00:28:59.039 --> 00:29:00.880
<v Speaker 3>Talking about Japan. Yes, was it just yesterday?

637
00:29:00.920 --> 00:29:03.720
<v Speaker 1>How like lowrider culture, like solo culture is so big.

638
00:29:05.079 --> 00:29:07.279
<v Speaker 4>I've been saying some of the homies like, dude, make

639
00:29:07.359 --> 00:29:11.960
<v Speaker 4>a song, put subtitles in Japanese and blow the funk up.

640
00:29:11.839 --> 00:29:14.440
<v Speaker 1>In Japan and do it tour facts facts because.

641
00:29:14.200 --> 00:29:18.680
<v Speaker 4>It's like you break from the stereotypical or the normal California, Texas,

642
00:29:18.720 --> 00:29:20.119
<v Speaker 4>New Mexico saying yeah.

643
00:29:20.440 --> 00:29:23.440
<v Speaker 1>I think bigger fact facts even in Vietnam.

644
00:29:23.680 --> 00:29:25.880
<v Speaker 3>Right, that's right, that's right.

645
00:29:27.920 --> 00:29:30.440
<v Speaker 5>Did you give yourself some time to enjoy what what

646
00:29:30.599 --> 00:29:32.160
<v Speaker 5>was going on with Kendrick and Drake.

647
00:29:32.359 --> 00:29:35.119
<v Speaker 1>I did you know? Uh excited?

648
00:29:37.160 --> 00:29:39.160
<v Speaker 3>Like yeah, yeah, it's a hip hop kid right here.

649
00:29:39.200 --> 00:29:39.400
<v Speaker 4>Man.

650
00:29:39.480 --> 00:29:41.279
<v Speaker 5>You know, so like when you see something like that

651
00:29:41.319 --> 00:29:43.640
<v Speaker 5>go down, you're like, yo, you know you hear what

652
00:29:43.759 --> 00:29:44.920
<v Speaker 5>jay Z and Nas.

653
00:29:44.599 --> 00:29:48.400
<v Speaker 1>Did and you know, fifty cent and all that. So

654
00:29:48.960 --> 00:29:51.599
<v Speaker 1>I was like, damn, it's like it's like these motherfuckers

655
00:29:51.599 --> 00:29:56.720
<v Speaker 1>really hate yea Like now it's like some you know, competitiveness. Yeah,

656
00:29:56.759 --> 00:29:57.759
<v Speaker 1>it's very personal.

657
00:29:57.960 --> 00:29:58.880
<v Speaker 3>I want to kill you.

658
00:29:58.960 --> 00:30:01.920
<v Speaker 1>Yeah bad facts, very very personal. So they got into

659
00:30:01.920 --> 00:30:06.920
<v Speaker 1>some deep deep uh dark ship and uh yeah, but

660
00:30:07.279 --> 00:30:11.400
<v Speaker 1>fucking that that not like this video. Fucking ye that

661
00:30:11.519 --> 00:30:15.000
<v Speaker 1>video is like yeah facts, And I was like, I

662
00:30:15.039 --> 00:30:17.559
<v Speaker 1>was like, man, this this this guy's a psychle. Like,

663
00:30:17.640 --> 00:30:21.000
<v Speaker 1>just just the way he he maneuvered through that battle.

664
00:30:21.039 --> 00:30:23.160
<v Speaker 1>I'm like, Yo, this guy's a calculated bro.

665
00:30:24.599 --> 00:30:25.200
<v Speaker 3>Oh bro.

666
00:30:25.640 --> 00:30:29.240
<v Speaker 1>I'm like, yeah, that's Halloween facts.

667
00:30:30.720 --> 00:30:31.000
<v Speaker 3>Facts.

668
00:30:31.279 --> 00:30:33.359
<v Speaker 1>I'm just like, so, yeah, it was very fun to

669
00:30:33.599 --> 00:30:35.160
<v Speaker 1>you know, break down all the lyrics and then see

670
00:30:35.160 --> 00:30:39.079
<v Speaker 1>all the the you know, stuff that people are saying

671
00:30:39.079 --> 00:30:41.519
<v Speaker 1>and posting, and break how they analyzed it and all that.

672
00:30:41.640 --> 00:30:45.359
<v Speaker 1>And then even the thing that Ja Cole just recently posted.

673
00:30:46.160 --> 00:30:49.000
<v Speaker 1>I really enjoyed his bars on that too. He just

674
00:30:49.000 --> 00:30:50.519
<v Speaker 1>posted something on his YouTube a couple of weeks. So

675
00:30:50.519 --> 00:30:52.759
<v Speaker 1>we're talking about like all the situation.

676
00:30:52.880 --> 00:30:55.559
<v Speaker 3>Yeah, he would have lost the brother, he would yeah.

677
00:30:55.400 --> 00:30:57.400
<v Speaker 1>Yeah, And he's like, just because you know, I didn't

678
00:30:57.400 --> 00:30:59.160
<v Speaker 1>pull the trigger doesn't mean the gun ain't deadly. I'm

679
00:30:59.200 --> 00:31:05.319
<v Speaker 1>like that makes sense, yeah, yeah, facts.

680
00:31:04.920 --> 00:31:07.119
<v Speaker 3>Like, yeah, he might have bowed out, but like, don't

681
00:31:07.119 --> 00:31:07.599
<v Speaker 3>play with him.

682
00:31:07.720 --> 00:31:09.920
<v Speaker 1>No, yeah, it doesn't mean he doesn't have it, right yeah.

683
00:31:10.000 --> 00:31:10.400
<v Speaker 3>Yeah. Yeah.

684
00:31:10.440 --> 00:31:13.279
<v Speaker 1>So I'm just like, I appreciate, you know, what everyone

685
00:31:13.319 --> 00:31:15.960
<v Speaker 1>brought to the to the table, right for sure, A

686
00:31:16.000 --> 00:31:16.480
<v Speaker 1>moment for hip.

687
00:31:17.640 --> 00:31:19.960
<v Speaker 5>It just keeps giving. Now, Kendrick, you know we said

688
00:31:20.000 --> 00:31:23.960
<v Speaker 5>this yesterday. Kendrick is nominated for every Grammy.

689
00:31:23.680 --> 00:31:24.079
<v Speaker 3>In the world.

690
00:31:24.559 --> 00:31:27.240
<v Speaker 1>Yeah, just but that even that, it's the battle is

691
00:31:27.279 --> 00:31:28.000
<v Speaker 1>still continuing.

692
00:31:28.519 --> 00:31:31.480
<v Speaker 4>YEA perform at the super Bowl, bro.

693
00:31:31.960 --> 00:31:35.240
<v Speaker 1>So like it's like the pop out, like the concert

694
00:31:35.319 --> 00:31:39.839
<v Speaker 1>and the you know, the yeah to that to get

695
00:31:40.039 --> 00:31:42.559
<v Speaker 1>nominated for Grammys, to perform at super Bowls, like that's

696
00:31:42.559 --> 00:31:46.519
<v Speaker 1>like the ultimate just nails in the in the ocean.

697
00:31:46.519 --> 00:31:52.839
<v Speaker 5>You worried, I would be Oh yeah.

698
00:31:51.359 --> 00:31:54.200
<v Speaker 1>I would. I mean I would just be like like

699
00:31:54.279 --> 00:31:59.759
<v Speaker 1>you know, like yeah, yeah, I wouldn't be worried for

700
00:31:59.799 --> 00:32:03.799
<v Speaker 1>my out, but I just like got bro.

701
00:32:03.759 --> 00:32:11.559
<v Speaker 3>I would be day drinking every day, real ship, keep

702
00:32:11.599 --> 00:32:12.400
<v Speaker 3>it coming.

703
00:32:12.200 --> 00:32:14.279
<v Speaker 1>And just have like my biggest supporters around me all

704
00:32:14.319 --> 00:32:14.640
<v Speaker 1>the time.

705
00:32:14.720 --> 00:32:17.799
<v Speaker 3>Yeah, all the time. I want to hear.

706
00:32:20.720 --> 00:32:22.759
<v Speaker 7>Hey when it comes like hip hop, it seems like

707
00:32:22.839 --> 00:32:24.720
<v Speaker 7>lately and not just hip hop. But man, you look

708
00:32:24.720 --> 00:32:26.839
<v Speaker 7>at like even like the Tailor's rest of the world whatever,

709
00:32:27.079 --> 00:32:30.519
<v Speaker 7>the rollout is such an important part of everything. You

710
00:32:30.519 --> 00:32:32.039
<v Speaker 7>look at the products that you were able to give

711
00:32:32.079 --> 00:32:33.839
<v Speaker 7>your fans, that book that let's just got right there,

712
00:32:34.279 --> 00:32:36.640
<v Speaker 7>like how much do you think about that? And who

713
00:32:36.640 --> 00:32:39.200
<v Speaker 7>do you admire too? And the rollout that you know

714
00:32:39.240 --> 00:32:41.200
<v Speaker 7>when you see an artist doesn't matter the genre that go.

715
00:32:41.359 --> 00:32:42.440
<v Speaker 3>Man, they fucking nailed that.

716
00:32:43.559 --> 00:32:47.720
<v Speaker 1>I think right now Budo Mars is fucking killing, fucking

717
00:32:48.480 --> 00:32:50.119
<v Speaker 1>murdering ship. I'm like, bro, it's kind of.

718
00:32:50.119 --> 00:32:51.559
<v Speaker 3>Brazil joint he just popped out with.

719
00:32:51.680 --> 00:32:53.759
<v Speaker 6>He popped out with the Brazil joint. He popped out.

720
00:32:53.640 --> 00:32:54.440
<v Speaker 1>With the join.

721
00:32:58.160 --> 00:32:58.759
<v Speaker 3>Whatever you want.

722
00:32:58.880 --> 00:33:00.880
<v Speaker 1>Yeah, and he's doing in it, Like the way the

723
00:33:00.920 --> 00:33:03.119
<v Speaker 1>way he utilizes the social media when he posts in

724
00:33:03.160 --> 00:33:07.000
<v Speaker 1>the captions like who he collaborate, collaborates with, what type

725
00:33:07.000 --> 00:33:08.640
<v Speaker 1>of song they come out with. I'm like, yo, he's

726
00:33:08.720 --> 00:33:10.680
<v Speaker 1>this guy's a psycho in another space.

727
00:33:10.920 --> 00:33:12.599
<v Speaker 6>And the fact that like too, like from what you

728
00:33:12.640 --> 00:33:15.279
<v Speaker 6>were speaking earlier, like he's speaking every language and that

729
00:33:15.440 --> 00:33:17.400
<v Speaker 6>like in whatever video he's putting.

730
00:33:17.079 --> 00:33:19.400
<v Speaker 1>Out, he's showing he's showing love to the culture, and

731
00:33:19.559 --> 00:33:20.279
<v Speaker 1>that's very important.

732
00:33:20.359 --> 00:33:22.920
<v Speaker 4>I always say it's it's when you learn the language

733
00:33:22.960 --> 00:33:25.599
<v Speaker 4>or you take the time to learn something different language.

734
00:33:25.960 --> 00:33:27.799
<v Speaker 4>I think the country is more receptive to you because

735
00:33:27.799 --> 00:33:29.319
<v Speaker 4>it's a sid of respects, Like you're taking the.

736
00:33:29.279 --> 00:33:33.000
<v Speaker 3>Time and understand us, and you've give them the country

737
00:33:33.000 --> 00:33:34.279
<v Speaker 3>your time, and.

738
00:33:34.559 --> 00:33:37.559
<v Speaker 1>You know, I think it's I think that's how you

739
00:33:38.000 --> 00:33:40.559
<v Speaker 1>communicate and that's how you form a bond. It's it's

740
00:33:40.599 --> 00:33:42.319
<v Speaker 1>through you know, you got to learn each other, You

741
00:33:42.359 --> 00:33:44.400
<v Speaker 1>got to understand each other right somewhere.

742
00:33:44.519 --> 00:33:47.000
<v Speaker 3>So yeah, do you study Tyler Creator at all?

743
00:33:47.079 --> 00:33:50.240
<v Speaker 1>And he's I mean, so I'm going to I'm checking

744
00:33:50.279 --> 00:33:53.400
<v Speaker 1>out camp flogging now this this week and then I

745
00:33:53.400 --> 00:33:56.000
<v Speaker 1>haven't been able to check out his his album yet,

746
00:33:56.079 --> 00:33:58.319
<v Speaker 1>but I mean I've definitely been a fan of him

747
00:33:58.480 --> 00:34:00.559
<v Speaker 1>and appreciated what what he brings the table for a

748
00:34:00.599 --> 00:34:02.799
<v Speaker 1>long time. Yeah, because it's always different. I mean, he

749
00:34:02.839 --> 00:34:04.240
<v Speaker 1>used to say some crazy shit in the interviews, but

750
00:34:04.240 --> 00:34:06.680
<v Speaker 1>I think he's much more like just the way he

751
00:34:06.759 --> 00:34:09.719
<v Speaker 1>progressed and he's like an entrepreneur. Yeah, you know. And

752
00:34:09.880 --> 00:34:12.519
<v Speaker 1>even camp Floggna, like you know, I heard it. It has

753
00:34:12.599 --> 00:34:15.760
<v Speaker 1>fifty five thousand people and it sold out in your anniversary.

754
00:34:15.840 --> 00:34:18.000
<v Speaker 1>I mean that we only announced the lineup what a

755
00:34:18.039 --> 00:34:18.719
<v Speaker 1>month ago.

756
00:34:18.599 --> 00:34:22.239
<v Speaker 3>It was already sold out. So yeah, Psycho past, Yeah sickle,

757
00:34:22.280 --> 00:34:23.679
<v Speaker 3>and that's why we la fact.

758
00:34:23.679 --> 00:34:25.920
<v Speaker 7>You're gonna go and you're gonna see the grasp that

759
00:34:25.960 --> 00:34:29.639
<v Speaker 7>he has on people from twelve to thirty.

760
00:34:29.880 --> 00:34:30.559
<v Speaker 1>Yeah, you know what I mean.

761
00:34:30.920 --> 00:34:32.960
<v Speaker 7>And you're just gonna go through that crowding like it's

762
00:34:32.960 --> 00:34:37.320
<v Speaker 7>so diverse. Yeah, it's young, but they know every group

763
00:34:37.320 --> 00:34:39.599
<v Speaker 7>there and every piece that he does. It's just amazing,

764
00:34:39.599 --> 00:34:42.039
<v Speaker 7>like he figured out a way to hack the system.

765
00:34:42.159 --> 00:34:45.159
<v Speaker 1>Yeah yeah, he's I mean, he's a great artist. But

766
00:34:45.199 --> 00:34:49.840
<v Speaker 1>also like I think people love his curation. Yeah, just

767
00:34:50.000 --> 00:34:51.079
<v Speaker 1>this fashion everything.

768
00:34:51.159 --> 00:34:53.360
<v Speaker 5>Yeah, yeah, that's what it's about. Passion man, the one

769
00:34:53.400 --> 00:34:56.400
<v Speaker 5>you wanted out Now. Congratulations, thank our God.

770
00:34:56.480 --> 00:34:58.320
<v Speaker 1>Yes, sir, we appreciate your time always.

771
00:34:58.320 --> 00:35:00.039
<v Speaker 3>Bro Real, you know you got a home here in

772
00:35:00.119 --> 00:35:01.320
<v Speaker 3>La Real ninety two three.

773
00:35:01.360 --> 00:35:02.679
<v Speaker 1>Thank you, Thanks, Chan.

774
00:35:02.679 --> 00:35:04.599
<v Speaker 3>Park Real ninety two to three. Cruise Show, Let's Get It.

775
00:35:06.039 --> 00:35:07.719
<v Speaker 6>Pays check your rich from the Cruise Show. Thanks for

776
00:35:07.719 --> 00:35:09.960
<v Speaker 6>listening to the Cruise Show podcast to make sure to

777
00:35:09.960 --> 00:35:12.400
<v Speaker 6>subscribe and hey, auto download so you don't miss an episode.

778
00:35:12.480 --> 00:35:13.519
<v Speaker 6>So so so so so
