WEBVTT

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<v Speaker 1>Day I saw you are my dreams called Coax. Paul

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<v Speaker 1>from the Stems me shadow row in min the branch

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<v Speaker 1>of the Allison Trioso. She wines to find the phone

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<v Speaker 1>and when I touched her me my favorite brand.

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<v Speaker 2>Blow just wants you to stop saying odd shit like

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<v Speaker 2>you smell a psychosphere. You're in someone's faded memory of

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<v Speaker 2>a town. Just stop.

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<v Speaker 1>Hey, what's up? Guys?

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<v Speaker 3>Welcome to No Way Jose. Today I am joined by

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<v Speaker 3>Steven Delay and we are doing a True Detective Season

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<v Speaker 3>one analysis. I've been looking forward to doing this for

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<v Speaker 3>quite a long time. I was blown away when I

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<v Speaker 3>first watched that first season, and I don't know if

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<v Speaker 3>I'll necessarily ever watch any other seasons from what I've

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<v Speaker 3>heard of reviews of them, but man, maybe we'll have

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<v Speaker 3>a little side discussion on that.

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<v Speaker 1>I'm not worried about though.

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<v Speaker 3>I'm not a huge cinema guy, so I mean it's

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<v Speaker 3>not like somebody need in my life. But Season one

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<v Speaker 3>definitely was a pretty mind blowing experience, and I would

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<v Speaker 3>recommend it for a lot.

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<v Speaker 1>Of for most people.

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<v Speaker 3>And we'll get into that today, the reasons why and

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<v Speaker 3>why it's such a great masterpiece in my opinion. But

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<v Speaker 3>before we get into that, before we bring under your guests,

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<v Speaker 3>I do want to remind you guys that today's episode

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<v Speaker 3>was brought to you by Nadou Shaefko. If you tie

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<v Speaker 3>that razor burnt irritation, those ingrown hairs from those multiplay cartches,

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<v Speaker 3>then this is the way to go. You can shave

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<v Speaker 3>just like your grandpa used to, whether you're saving your

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<v Speaker 3>old face or edging your beard. The single blades give

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<v Speaker 3>you a Barbara grade shave for a fraction of the

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<v Speaker 3>price the standard issue gives you is seventy five bucks,

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<v Speaker 3>and it comes with the one hundred sealless steel razor

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<v Speaker 3>blades that's supposed to last a year.

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<v Speaker 1>It's probably gonna last you a lot longer.

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<v Speaker 3>But if you're some of whose shaves on the daily

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<v Speaker 3>or every other day or so, you're gonna want to

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<v Speaker 3>consider the quarter Shave Club that's gonna put you about

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<v Speaker 3>twenty five cents per replacement blade.

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<v Speaker 1>Now let's recap this real quick.

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<v Speaker 3>This is a This is a superior shaving product in

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<v Speaker 3>the sense it is better for your skin, is a

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<v Speaker 3>better shave, It is a cheaper product, and it is

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<v Speaker 3>from a company that it doesn't hate your guts. This

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<v Speaker 3>is a COVID mandate refusing company. He was born and

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<v Speaker 3>refusing the COVID mandate. And on top of all that,

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<v Speaker 3>you can use Codejose for ten percent off your order.

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<v Speaker 1>Let him know.

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<v Speaker 3>I sencha with that. Let's get into the show. Let's

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<v Speaker 3>get Steven on here and get into some true Detective analysis.

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<v Speaker 1>What is up, Stephen? How are you today?

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<v Speaker 4>I'm good?

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<v Speaker 1>How are you good? Glad to have you here.

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<v Speaker 3>Been looking forward to this, We've been probably least a

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<v Speaker 3>month ago. We talked and we kicked around this idea.

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<v Speaker 3>I think you'd seen when my appearents there's some thing

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<v Speaker 3>I just kind of naturally fell together that I don't

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<v Speaker 3>know if you'd heard me talk about True Detective or what,

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<v Speaker 3>but you've you've done this before. This is kind of

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<v Speaker 3>your thing, you seem to. I mean, this is a

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<v Speaker 3>cultural milieu. Is your thing is analyzing that? So I

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<v Speaker 3>guess kind of let people know who you are, what

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<v Speaker 3>you're about, so my audience could get a feel for

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<v Speaker 3>you before we get into today's episode.

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<v Speaker 4>Yeah, I learned if your show through your appearance on

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<v Speaker 4>Sam Tripoli's podcast, And Yeah, I immediately recognize that you're

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<v Speaker 4>interested in a lot of the work that I've been

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<v Speaker 4>interested in for a number of years as well. I'm

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<v Speaker 4>a writer and a philosopher, so some of the work

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<v Speaker 4>I do is academic, scholarly philosophical work, particularly excuse me,

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<v Speaker 4>and a field of philosophy called phenomenology in existentialism. And

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<v Speaker 4>I'm also a fiction writer. And then at the same time,

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<v Speaker 4>I'm also interested in film study studies and film phenomenology,

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<v Speaker 4>but more particular I'm interested in cultural engineering studies and

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<v Speaker 4>how cinema and television can be used as well in

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<v Speaker 4>effect weapons of psychological warfare. And at the moment, I

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<v Speaker 4>have an interest particularly in the genre of film noir.

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<v Speaker 4>So I've been working on a noir book, and I've

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<v Speaker 4>recently written on Chinatown for a publication called Cultural Engineering Studies,

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<v Speaker 4>which is founded by the guys that do Sye Up Cinema.

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<v Speaker 4>And so I've had noir on my mind for a while,

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<v Speaker 4>and we recently did an episode on True Detective last year,

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<v Speaker 4>and so I really just jumped at the chance to

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<v Speaker 4>be here with you tonight to talk more about True Detective.

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<v Speaker 1>Well, I'm glad to have you here.

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<v Speaker 3>This is something that I've I've been itching at I

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<v Speaker 3>mean literally, I see in almost everything I do now,

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<v Speaker 3>especially given the realm, the area that I dig into,

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<v Speaker 3>the parapolitical, the Dutros, the Finders, all these awful cases,

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<v Speaker 3>I get drawn to them. I am very much identify

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<v Speaker 3>with a Rusty Cole when he says, you know, I

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<v Speaker 3>I won't look away again. I know there's something too

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<v Speaker 3>that there's there's a great message to this movie. I mean,

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<v Speaker 3>then you have the the inverse of that, which is Marty,

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<v Speaker 3>who kind of his whole shtick is he doesn't want

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<v Speaker 3>to look like he's kind of the average well meaning

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<v Speaker 3>person that just doesn't just wants to pretend there isn't.

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<v Speaker 1>This evil side of the world. And I don't know.

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<v Speaker 3>That's I think that's part of why this show had

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<v Speaker 3>such a big impact in me, because I'd already been

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<v Speaker 3>so I just came across the show, like in the

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<v Speaker 3>past year, but I'd been already so inundated in the

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<v Speaker 3>parapolitical world, like I you know, Oklahoma City Bomb, Like

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<v Speaker 3>I just studied so much of this shit now that like,

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<v Speaker 3>and then I came across this, and then it just

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<v Speaker 3>it was so far advanced revelation and method wise, it

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<v Speaker 3>compared to like other things that I had seen, and

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<v Speaker 3>then I come to find out that it's actually been

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<v Speaker 3>out for a decent amount of time, and I believe

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<v Speaker 3>it happened before really. I mean, I know people will say, like,

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<v Speaker 3>you know, things like Epstein were talked about to be

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<v Speaker 3>full like on Alex Jones, you know, prior to this

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<v Speaker 3>around this time, but it was like, culturally speaking, it

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<v Speaker 3>was a non existent thing, like people didn't know about him.

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<v Speaker 3>So at the time when this came out, like, yes,

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<v Speaker 3>I guess sure if you were super duper into the know,

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<v Speaker 3>maybe you would know these sort of things, but for

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<v Speaker 3>the most part, it was nowhere near what it is

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<v Speaker 3>today the level of like a cultural understanding of these

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<v Speaker 3>sorts of things. And this is when it came out,

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<v Speaker 3>and I already I was astounded the level of like,

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<v Speaker 3>holy shit, this is so many parallels to the things

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<v Speaker 3>I study, Like I was already as sounded by that

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<v Speaker 3>watching it in twenty twenty four. So it's been out

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<v Speaker 3>for a believe over somewhere in the realm of like

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<v Speaker 3>a decade. So I just I guess I've kind of

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<v Speaker 3>like to hear about your initial experience with the show.

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<v Speaker 3>Where were you in your journey parapolitically or conspiracy wise

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<v Speaker 3>or whatever. Were you was this something that you picked

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<v Speaker 3>up on that, because I guess a lot of people

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<v Speaker 3>don't pick up on that, and so I think maybe

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<v Speaker 3>they're missing, maybe maybe doesn't speak to them as deeply

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<v Speaker 3>as it does other people who are kind of interested

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<v Speaker 3>in that stuff. But I mean, even then, I watched

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<v Speaker 3>my wife, who is kind of a little bit more,

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<v Speaker 3>and she still thought liked it.

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<v Speaker 1>She wasn't like blown away.

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<v Speaker 3>Clearly, I was like, damn near crying by the end

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<v Speaker 3>of the first by the end of the first season,

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<v Speaker 3>like it was beautiful.

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<v Speaker 1>So I guess it passed enough to you. Just your thoughts.

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<v Speaker 3>I mean, I'm kind of pregnant with thoughts when it

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<v Speaker 3>comes to this show.

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<v Speaker 4>Well, this season is in a way the holy grail

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<v Speaker 4>for conspiracy researchers, isn't it, Because in a way it

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<v Speaker 4>confirms one of the fundamental theses that those who work

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<v Speaker 4>in parapolitical research and conspiracy research for so long I've

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<v Speaker 4>talked about, which is the expression you just mentioned in passing,

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<v Speaker 4>namely revelation of the method and the idea that number

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<v Speaker 4>of researchers have had, really now for many decades, is

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<v Speaker 4>that in cinema and in television and other art. The

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<v Speaker 4>occult and the people who really run the world will

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<v Speaker 4>expose the public to secrets about the criminal underworld and

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<v Speaker 4>the world of blackmail and extortion, and in the case

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<v Speaker 4>of what's shown Intro Detective, the ritualistic abuse and torture

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<v Speaker 4>and murder of children. And of course there's a question

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<v Speaker 4>about why it is that they would reveal these things,

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<v Speaker 4>and that's a question that I think we can turn

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<v Speaker 4>to at the very end of the discussion, once we

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<v Speaker 4>sort of work through what's in the show and the

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<v Speaker 4>parallels between what's shown in the season and a number

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<v Speaker 4>of real life cases. You mentioned some of them already,

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<v Speaker 4>the Finders, the Franklin cover up, the Presidio, McMartin preschool,

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<v Speaker 4>and then of course more recently Pizzagate and Epstein, and

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<v Speaker 4>then also Jerry Sandusky situation in Penn State. For me personally,

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<v Speaker 4>the show immediately gripped me because when it was released

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<v Speaker 4>in twenty fourteen, I was already really down the rabbit

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<v Speaker 4>hole with conspiracies. So like back in college in the odds,

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<v Speaker 4>like in two thousand and five, I figured out about

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<v Speaker 4>nine to eleven being an inside job and I was

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<v Speaker 4>watching INFO Wars, so I learned about Bohemian Grove and Moloch,

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<v Speaker 4>and so I was aware of vip pedalphile rings and

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<v Speaker 4>that kind of activity. What I didn't understand until later

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<v Speaker 4>was that it's actually much more pervasive. And of course

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<v Speaker 4>it's not something that's relegated only to these really truly

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<v Speaker 4>powerfully leaked circles. It's really something that has saturated really

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<v Speaker 4>all dimensions of society, all social classes. And that's something

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<v Speaker 4>I think comes out in season one is that you

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<v Speaker 4>see that this network or this ring really goes all

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<v Speaker 4>the way down to like what we call like trailer trash,

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<v Speaker 4>all the way up to the governor of Louisiana. And then,

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<v Speaker 4>of course, as we know from doing research in other cases,

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<v Speaker 4>it's not even just something that occurs in a place

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<v Speaker 4>like Louisiana. But it happens in Washington, DC, it happens

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<v Speaker 4>in Los Angeles, that happens in New York, it happens

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<v Speaker 4>in the United Kingdom in London, and it happens in Europe.

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<v Speaker 4>It happens everywhere. So when I saw the show initially

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<v Speaker 4>in twenty fourteen, I was blown away, and I wondered, well,

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<v Speaker 4>how is the show even made, because one thing to

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<v Speaker 4>note is that, of course, as people have seen the

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<v Speaker 4>show will know the the events that are take place.

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<v Speaker 4>It spans a seventeen year chronology, So in a way,

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<v Speaker 4>the story begins in ninety five with the door Lang murder,

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<v Speaker 4>when Marty and Russ are called to the scene of

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<v Speaker 4>the body that they find, and then the show concludes

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<v Speaker 4>in twenty twelve, and there's a sort of like turning

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<v Speaker 4>point in two thousand and two, and so the way

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<v Speaker 4>that the show is structured is in kind of like

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<v Speaker 4>classic noir styles through voiceovers and recollections of Marty and

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<v Speaker 4>Russ thinking back in twenty twelve while they're being interviewed

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<v Speaker 4>by these other investigators about the events from ninety five

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<v Speaker 4>onward into two thousand and two, and then the show

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<v Speaker 4>culminates in what happens in real life at the time

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<v Speaker 4>in twenty twelve, and in some of the early episodes

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<v Speaker 4>that are focused primarily on what was going on with

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<v Speaker 4>the initial investigation into the first murder in ninety five,

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<v Speaker 4>there's allusions to what people will know is the Satanic

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<v Speaker 4>panic from the nineteen eighties. And so the interesting thing

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<v Speaker 4>about this show as a cultural artifact coming out in

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<v Speaker 4>twenty four is that it's referencing the real life. People

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<v Speaker 4>called it hysterio, though it really wasn't It wasn't a panic.

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<v Speaker 4>It was well founded about ritualistic abuse and child abuse

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<v Speaker 4>that occurred in the eighties, and then there was a

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<v Speaker 4>kind of awareness of this with missing children and you

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<v Speaker 4>think about, like, you know, the Walsh disappearance and all

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<v Speaker 4>this stuff into the nineties, and then by the time

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<v Speaker 4>we get into the Odds, a lot of that kind

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<v Speaker 4>of awareness and consciousness. I think it sort of receded

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<v Speaker 4>from the public domain, and it was the people who

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<v Speaker 4>were still engaged in parapolitical analysis and ritualistic occult activity

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<v Speaker 4>who never lost sight of the fact that some of

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<v Speaker 4>the things that it bubbled into the surface of the

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<v Speaker 4>public awareness in the eighties and nineties had been legitimate

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<v Speaker 4>and that they had continued on. And it wasn't until

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<v Speaker 4>actually after the release of this show, with Pizzagate and

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<v Speaker 4>then with Epstein, that the public kind of caught up

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<v Speaker 4>and realized, hey, wait a second, we've sort of had

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<v Speaker 4>this thirty four year hangover where we've all sort of

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<v Speaker 4>collectively forgotten that a lot of these cases that drew

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<v Speaker 4>national attention back in the eighties and nineties were real

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<v Speaker 4>and they were genuine, and so what the show had

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<v Speaker 4>shown in twenty fourteen, it was kind of like interestingly,

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<v Speaker 4>like poet poised between what had happened in the eighties

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<v Speaker 4>and nineties and then what it had been forgotten and

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<v Speaker 4>then what was shortly revealed right a few years afterwards

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<v Speaker 4>with Pisagate and then Epstein. And so it's open to

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<v Speaker 4>interpretation about why exactly the show was released, but one

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<v Speaker 4>of the consequences, whether it was intentional or not on

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<v Speaker 4>the part of HBO and those who were behind it,

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<v Speaker 4>is that the show actually lent a lot of credence

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<v Speaker 4>to researchers who for years have been saying that these

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<v Speaker 4>kinds of things really happened. Because of course, right after

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<v Speaker 4>when the show was released and Pizzagate came out and

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<v Speaker 4>then Epstein, people could point and say, this is what

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<v Speaker 4>we're talking about, And so True Detective really is revelation

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<v Speaker 4>of the method. This isn't just fantasy, this isn't just art,

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<v Speaker 4>this isn't just imagination. This is really grounded in how

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<v Speaker 4>the world really works. So I think for that reason,

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<v Speaker 4>the show in a way kind of backfired against people

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<v Speaker 4>who may have put the show out with the intention

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<v Speaker 4>of sort of refber refurbishing the idea that these kinds

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<v Speaker 4>of things were just imaginary, that they were just uh,

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<v Speaker 4>creative illusions, that there really was only a satanic panic.

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<v Speaker 4>People who watched the show were kind of inducted into

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<v Speaker 4>this occult world. And then just a few years after

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<v Speaker 4>seeing the show, there were these mainstream international headlines with

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<v Speaker 4>pizza Gate and Epstein showing that no, actually this stuff

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<v Speaker 4>really does occur.

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<v Speaker 1>Mhmm, yeah, I did want.

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<v Speaker 3>I did want to take a second and to analyze

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<v Speaker 3>something that you said. I was just thinking about it,

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<v Speaker 3>and it's never occurred to me, and I had I

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<v Speaker 3>had thought about the the parallels about the initial like

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<v Speaker 3>the opening scene of this entire show is, uh, the

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<v Speaker 3>was the field on fire and they find the they

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<v Speaker 3>find a body, and I believe there's an anonymous call

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<v Speaker 3>or something that that was called in or something to

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<v Speaker 3>report the fire, I believe, and then that's when they

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<v Speaker 3>discover a body.

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<v Speaker 1>Now, I don't know to what degree.

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<v Speaker 3>You've delved into the Detroit case, but in the Detroit case,

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<v Speaker 3>the kind of I guess you could almost call it

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<v Speaker 3>like the heart of the Detroit case is a Christine

275
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<v Speaker 3>van heast case, and the reason and being is X

276
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<v Speaker 3>one or Regina Loof like the probably the best person

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<v Speaker 3>to corroborate these claims. She made a bunch of sub

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<v Speaker 3>claims that were backed up in the Christina van Heyst case.

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<v Speaker 3>You know this, there was no way she could have

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<v Speaker 3>known all these details without having been there kind of deal,

281
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<v Speaker 3>and there was. It was some ridiculous amount that iron

282
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<v Speaker 3>the irony is and they put they take one or

283
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<v Speaker 3>two little examples of something that would be easily you know, misremembered,

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<v Speaker 3>and and they use those as reasons why she was

285
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<v Speaker 3>not credible later. But I digress. The point being is

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<v Speaker 3>it starts off in that case. In the Christine van

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<v Speaker 3>Hee's case, there was it literally was the house, the

288
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<v Speaker 3>this mushroom farm was on fire, and that they set

289
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<v Speaker 3>it on fire after doing essentially you know, I think

290
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<v Speaker 3>it's heavily implied it might be ritual, but some sort

291
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<v Speaker 3>of sadistic, sadistic you know, rape of a child and

292
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<v Speaker 3>they kill her and leave her there and set the

293
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<v Speaker 3>farm on fire. And there's an anonymous call. So that's

294
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<v Speaker 3>kind of the initial jump. Also, I was thinking, you know,

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<v Speaker 3>there's also the there's a parallel there because the idea

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<v Speaker 3>of the Christine van Hee's case, the way that played

297
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<v Speaker 3>into the dutrou case is it was kind of a

298
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<v Speaker 3>jumping back in time. So it reminds me of the

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<v Speaker 3>second case that they when they're running into. I forget

300
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<v Speaker 3>the name of the second girl, and I believe that's

301
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<v Speaker 3>the one ends up being the girl in the video.

302
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<v Speaker 3>But the idea that initially they're on they start this

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<v Speaker 3>one one case and then they dig into this one

304
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<v Speaker 3>that seems unrelated and they come to find out it's

305
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<v Speaker 3>obviously a huge revelation later. And so obviously there's these

306
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<v Speaker 3>parallels here. I mean, the more I dig into it,

307
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<v Speaker 3>the more I'm like convinced that this guy was super

308
00:15:43.279 --> 00:15:46.360
<v Speaker 3>inspired by Dutroux. Fair I just I struggled to believe

309
00:15:46.399 --> 00:15:47.919
<v Speaker 3>he did it hadn't dug into it. I see too

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<v Speaker 3>many parallels, But I just want to point that one

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<v Speaker 3>out because that was the first one from the jump.

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<v Speaker 1>I know we had wanted to. It sounds like you

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<v Speaker 1>may have already.

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<v Speaker 3>If there's any more exposition you want to give on

315
00:15:56.960 --> 00:15:59.559
<v Speaker 3>the plot, feel I just want to go into that

316
00:15:59.600 --> 00:16:01.399
<v Speaker 3>before I lost that in my head that I remember

317
00:16:01.440 --> 00:16:03.879
<v Speaker 3>that there was that parallel between there, But is there

318
00:16:03.879 --> 00:16:05.600
<v Speaker 3>anything more you want to go into the plot before

319
00:16:05.639 --> 00:16:09.159
<v Speaker 3>we started dissecting more of this film, because I know

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00:16:09.159 --> 00:16:10.639
<v Speaker 3>you kind of we wanted to lay out the plot

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00:16:10.679 --> 00:16:13.720
<v Speaker 3>a little bit first, because I mean, it's kind of

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00:16:13.720 --> 00:16:15.759
<v Speaker 3>almost necessary to go into that so people have an

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<v Speaker 3>idea of what exactly we're talking about first.

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<v Speaker 1>You know, Hey, by the way, spoilers alert.

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<v Speaker 4>So yeah, I think the name of the girl from

326
00:16:26.399 --> 00:16:29.039
<v Speaker 4>the show you're thinking is Olivier is her last name.

327
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<v Speaker 4>So you know, the way that I think about this show,

328
00:16:34.279 --> 00:16:37.120
<v Speaker 4>there's really I think three stages to any sort of

329
00:16:37.200 --> 00:16:40.600
<v Speaker 4>rational logical discussion of the show, because there's just so

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<v Speaker 4>much material that it can quickly become I think, unwieldy

331
00:16:43.559 --> 00:16:45.960
<v Speaker 4>to try to digest all of it. So and just

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<v Speaker 4>thinking about it myself. This is a season I've watched

333
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<v Speaker 4>now probably seven or eight times. I rewatched it over

334
00:16:52.120 --> 00:16:54.799
<v Speaker 4>the weekend in preparation for tonight, so I have it

335
00:16:54.840 --> 00:16:56.840
<v Speaker 4>fresh in my mind, and I was trying to think,

336
00:16:56.879 --> 00:16:58.519
<v Speaker 4>how in the world am I going to organize my

337
00:16:58.600 --> 00:17:01.559
<v Speaker 4>thoughts to try to get into this, And so what

338
00:17:01.639 --> 00:17:05.200
<v Speaker 4>I thought we might do is just quickly work through

339
00:17:05.440 --> 00:17:09.920
<v Speaker 4>episode by episode. The plot exposition, so that listeners who

340
00:17:10.359 --> 00:17:13.400
<v Speaker 4>either perhaps have never seen the show or at least

341
00:17:13.480 --> 00:17:17.039
<v Speaker 4>haven't seen in some time, can really just kind of

342
00:17:17.200 --> 00:17:20.839
<v Speaker 4>imbibe the atmosphere of the show. And the thing about noir,

343
00:17:21.000 --> 00:17:24.400
<v Speaker 4>right is that typically the way that it works is

344
00:17:24.440 --> 00:17:27.240
<v Speaker 4>that the viewer in a way is supposed to identify

345
00:17:27.359 --> 00:17:30.680
<v Speaker 4>with the protagonists. One's supposed to become the detective because

346
00:17:30.720 --> 00:17:34.319
<v Speaker 4>of course one is piecing together the case along with

347
00:17:34.880 --> 00:17:39.079
<v Speaker 4>the detectives oneself. So part of what's going on as

348
00:17:39.160 --> 00:17:41.680
<v Speaker 4>viewers is that we're trying to figure out what's really

349
00:17:41.720 --> 00:17:44.400
<v Speaker 4>going on, but we can also notice things that the

350
00:17:44.440 --> 00:17:47.759
<v Speaker 4>detectives themselves overlook, and so there are certain things that

351
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<v Speaker 4>Marty and Rust, as great of detectives as they are,

352
00:17:51.519 --> 00:17:53.319
<v Speaker 4>and even though they do in a way get to

353
00:17:53.359 --> 00:17:55.759
<v Speaker 4>the bottom of much of the case, I think if

354
00:17:55.839 --> 00:18:01.039
<v Speaker 4>you pay careful attention to the events across the show,

355
00:18:01.079 --> 00:18:03.759
<v Speaker 4>you find out that there's actually really important things that

356
00:18:03.799 --> 00:18:06.000
<v Speaker 4>they do overlook. So what I was thinking was just

357
00:18:06.079 --> 00:18:10.400
<v Speaker 4>run through the episodes, highlights some of the key events,

358
00:18:10.799 --> 00:18:13.880
<v Speaker 4>the characters, certain details that are worth mentioning, I think

359
00:18:13.920 --> 00:18:16.119
<v Speaker 4>with an eye to the second part of the discussion,

360
00:18:16.119 --> 00:18:18.720
<v Speaker 4>which is how is what's being shown in the show

361
00:18:18.920 --> 00:18:22.319
<v Speaker 4>pertained or parallel a lot of these real life cases.

362
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<v Speaker 4>And then the question that follows from there, the third

363
00:18:24.960 --> 00:18:28.359
<v Speaker 4>and final question is then what was the intention behind

364
00:18:28.400 --> 00:18:31.599
<v Speaker 4>this show? Like, why would it put so much real

365
00:18:31.640 --> 00:18:35.359
<v Speaker 4>information into the show. What's the intention behind releasing this

366
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<v Speaker 4>kind of this kind of art. So let's see episode one.

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<v Speaker 4>It's called The Long Bright Dark, and as you say,

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<v Speaker 4>begins with the discovery of a dead woman, twenty eight

369
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<v Speaker 4>year old prostitute Dora Lang, who's discovered naked, blindfolded or

370
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<v Speaker 4>wrists abound, and she's posed in a prayerful position on

371
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<v Speaker 4>a tree, beneath a tree, and she has stab booms

372
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<v Speaker 4>on her and she also has what we now know

373
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<v Speaker 4>is the FBI confirmed pedo swirl. And again, of course

374
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<v Speaker 4>this isn't news to anybody, but it's important, I think

375
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<v Speaker 4>to mention anyhow, when the show was released, those swirls,

376
00:19:16.920 --> 00:19:19.400
<v Speaker 4>so far as I know, were not public record. So

377
00:19:19.799 --> 00:19:23.319
<v Speaker 4>the pedo swirls and the FBI documentation about these symbols

378
00:19:23.440 --> 00:19:27.640
<v Speaker 4>that came out after this show, So whoever was involved

379
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<v Speaker 4>in the show somehow had access to that information, and

380
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<v Speaker 4>that's a question. To my knowledge, it's never been answered

381
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<v Speaker 4>how it exactly.

382
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<v Speaker 3>You don't think that was So you don't think that

383
00:19:37.440 --> 00:19:39.680
<v Speaker 3>was deep lore that we knew, that was known by

384
00:19:39.880 --> 00:19:43.160
<v Speaker 3>some super in the know at that point, because I mean,

385
00:19:43.200 --> 00:19:45.079
<v Speaker 3>it's hard to say what is known at what point

386
00:19:45.079 --> 00:19:47.799
<v Speaker 3>in time, Because I know what you mean, it did

387
00:19:47.839 --> 00:19:51.000
<v Speaker 3>become more it did become more pervasive, and the cultural

388
00:19:51.079 --> 00:19:55.640
<v Speaker 3>understanding after Pizzagate, that's when the swirl came out or

389
00:19:55.680 --> 00:19:57.160
<v Speaker 3>not came out. It's when it kind of like people

390
00:19:57.160 --> 00:20:01.559
<v Speaker 3>started connecting these symbols. But you probably sounds like you

391
00:20:01.599 --> 00:20:03.640
<v Speaker 3>were deeper down the rabbit hole earlier than I was.

392
00:20:03.759 --> 00:20:06.440
<v Speaker 3>So I mean, so you're saying you don't think it

393
00:20:06.480 --> 00:20:09.039
<v Speaker 3>really was at all, Like so this would be super

394
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<v Speaker 3>deep cut knowledge type deal.

395
00:20:10.759 --> 00:20:15.039
<v Speaker 4>Yeah, But what I'm saying is that that symbology, that symbolism,

396
00:20:15.240 --> 00:20:18.319
<v Speaker 4>and everybody knows the basics. You know, the pyramid, the

397
00:20:18.720 --> 00:20:20.920
<v Speaker 4>the one CNI, the six sixty six, all that kind

398
00:20:20.920 --> 00:20:25.599
<v Speaker 4>of stuff appears throughout film and television going many years back.

399
00:20:25.640 --> 00:20:28.559
<v Speaker 4>But in cleaning I would assume the pedos world as well.

400
00:20:28.599 --> 00:20:32.039
<v Speaker 4>But what I'm saying is that that that particular symbol

401
00:20:32.119 --> 00:20:36.119
<v Speaker 4>didn't really come into the public awareness until the pizza

402
00:20:36.359 --> 00:20:37.559
<v Speaker 4>Pizza Gate files.

403
00:20:38.200 --> 00:20:41.759
<v Speaker 1>So whoever after this, yeah.

404
00:20:41.519 --> 00:20:43.960
<v Speaker 4>After that, So whoever put this in was in the know,

405
00:20:44.200 --> 00:20:46.240
<v Speaker 4>is what I'm saying, because typically the way that this

406
00:20:46.319 --> 00:20:48.640
<v Speaker 4>kind of stuff will be explained away when it starts

407
00:20:48.680 --> 00:20:51.480
<v Speaker 4>to look like somebody involved in the production of the

408
00:20:51.599 --> 00:20:54.880
<v Speaker 4>of of this kind of work was inserting something from

409
00:20:54.960 --> 00:20:57.599
<v Speaker 4>direct a knowledge of the of the occult, or something

410
00:20:57.640 --> 00:21:01.839
<v Speaker 4>that wouldn't have just come through cultural osmosis, is namely

411
00:21:01.880 --> 00:21:03.839
<v Speaker 4>that well, they just saw it as a common symbol.

412
00:21:03.839 --> 00:21:07.240
<v Speaker 4>It's already circulating, but this symbol really wasn't circulating that

413
00:21:07.400 --> 00:21:11.839
<v Speaker 4>so commonly. And it's very important to the show because

414
00:21:11.880 --> 00:21:17.200
<v Speaker 4>there's many characters who say specifically, including I think Charlie

415
00:21:17.279 --> 00:21:21.680
<v Speaker 4>Lang in one of the episodes when Marty and Russ

416
00:21:21.720 --> 00:21:25.519
<v Speaker 4>Goo to interview him that it's Ldue Reggie Ledoux, who

417
00:21:25.599 --> 00:21:28.720
<v Speaker 4>says that that symbol is a sign of the cult

418
00:21:28.759 --> 00:21:30.759
<v Speaker 4>that they brand people with, which of course will sound

419
00:21:30.759 --> 00:21:34.759
<v Speaker 4>reminiscent of something like from Nexium. So anyway, Dora Lang

420
00:21:34.839 --> 00:21:38.599
<v Speaker 4>has this symbol on her body, and one of the

421
00:21:38.599 --> 00:21:41.759
<v Speaker 4>sheriffs who's even there, says all these symbols are satanic,

422
00:21:42.160 --> 00:21:44.200
<v Speaker 4>and he says they had a twenty twenty on it

423
00:21:44.240 --> 00:21:45.799
<v Speaker 4>a few years back, and I don't know what the

424
00:21:45.799 --> 00:21:47.839
<v Speaker 4>police code is for twenty twenty. I looked it up.

425
00:21:48.160 --> 00:21:50.519
<v Speaker 4>Maybe he just meant like they had come across these

426
00:21:50.519 --> 00:21:54.000
<v Speaker 4>symbols before, and they had noticed them in previous cases.

427
00:21:54.000 --> 00:21:56.200
<v Speaker 4>But I thought that was kind of interesting that one

428
00:21:56.240 --> 00:21:59.960
<v Speaker 4>of the police at the original scene of the crime

429
00:22:00.279 --> 00:22:04.359
<v Speaker 4>mentions having come across these symbols before, and then we

430
00:22:04.400 --> 00:22:05.480
<v Speaker 4>get a little bit of character.

431
00:22:05.759 --> 00:22:06.200
<v Speaker 1>Real quick.

432
00:22:06.240 --> 00:22:07.480
<v Speaker 3>Sorry, I don't I don't want to step on you,

433
00:22:07.599 --> 00:22:09.640
<v Speaker 3>but I just looked up just because I was thinking

434
00:22:09.640 --> 00:22:11.599
<v Speaker 3>about it, and I don't know if you're aware, Voodoo

435
00:22:11.599 --> 00:22:15.799
<v Speaker 3>Donuts has that exact same, basically the exact same little uh,

436
00:22:16.200 --> 00:22:20.039
<v Speaker 3>you know, spiral triangle symbol, and I just, you know,

437
00:22:20.079 --> 00:22:21.960
<v Speaker 3>just because I was curious. I looked it up when

438
00:22:21.960 --> 00:22:25.039
<v Speaker 3>they were founded and when the logo was created, and

439
00:22:25.079 --> 00:22:26.279
<v Speaker 3>it was two thousand and three.

440
00:22:26.559 --> 00:22:27.799
<v Speaker 1>So I just I found that interesting.

441
00:22:27.839 --> 00:22:31.000
<v Speaker 3>And it's weird that the the voodoo is seated in

442
00:22:31.079 --> 00:22:35.119
<v Speaker 3>a voodoo Obviously that's going to have allusions to what

443
00:22:35.240 --> 00:22:38.319
<v Speaker 3>is it the the I mean obviously voodoo, but there's

444
00:22:38.319 --> 00:22:41.720
<v Speaker 3>a term for it, but essentially the uh, the Santa

445
00:22:41.799 --> 00:22:44.960
<v Speaker 3>Ria type stuff. So I mean, I assume maybe it's

446
00:22:45.000 --> 00:22:48.359
<v Speaker 3>tied into that symbology, but it definitely obviously has an

447
00:22:48.400 --> 00:22:51.160
<v Speaker 3>overt pedophile meaning too, So I don't know. I guess

448
00:22:51.160 --> 00:22:52.839
<v Speaker 3>I'm just trying to reach and see if there's any reasoning.

449
00:22:52.920 --> 00:22:55.039
<v Speaker 3>But either way, it does seem ahead of its time,

450
00:22:55.160 --> 00:22:58.960
<v Speaker 3>so oh yeah, oh yeah. And then the Voodoo Donuts.

451
00:22:58.960 --> 00:23:04.240
<v Speaker 3>That's another rabbit hole some people go down. I don't know, I've.

452
00:23:03.400 --> 00:23:04.920
<v Speaker 4>Never heard of that. But then of course, like the

453
00:23:04.960 --> 00:23:09.759
<v Speaker 4>best of pizza stuff, it's there. And then we get

454
00:23:11.480 --> 00:23:15.720
<v Speaker 4>character introduction. So again this shows at noir. And you

455
00:23:15.799 --> 00:23:17.720
<v Speaker 4>might think it's a neo noir because it comes out

456
00:23:17.720 --> 00:23:20.079
<v Speaker 4>in twenty fourteen, but in some ways it's actually a

457
00:23:20.160 --> 00:23:23.000
<v Speaker 4>classic noir because it doesn't really subvert the genre of

458
00:23:23.039 --> 00:23:25.440
<v Speaker 4>the classic genre in the way that many neo noirs do,

459
00:23:25.960 --> 00:23:28.279
<v Speaker 4>particularly in how it handles the archetype of the hero.

460
00:23:28.720 --> 00:23:31.160
<v Speaker 4>And so what you get in effect are two kind

461
00:23:31.160 --> 00:23:37.599
<v Speaker 4>of classic archetypes, and Rust and Marty. So Rust is

462
00:23:38.359 --> 00:23:40.920
<v Speaker 4>like the obsessive, right, So this idea of noir that

463
00:23:41.000 --> 00:23:44.519
<v Speaker 4>the good guy, whether he's the private detective or whether

464
00:23:44.559 --> 00:23:49.480
<v Speaker 4>he's the police detective, he has problems with authority. Marty

465
00:23:49.519 --> 00:23:51.920
<v Speaker 4>even says that in his interview in episode one, will

466
00:23:51.960 --> 00:23:54.960
<v Speaker 4>guys have to learn how to manage authority. So the

467
00:23:55.079 --> 00:23:58.759
<v Speaker 4>idea is that the hero, the archetype, the obsessive, is

468
00:23:58.799 --> 00:24:02.759
<v Speaker 4>the one who bucks the cys, defies authority, runs an

469
00:24:02.839 --> 00:24:06.000
<v Speaker 4>end runned around the corruption, but he always does so

470
00:24:06.160 --> 00:24:09.079
<v Speaker 4>at some kind of great personal cost to himself. Usually

471
00:24:09.079 --> 00:24:11.640
<v Speaker 4>that what ends up happening is he becomes some kind

472
00:24:11.640 --> 00:24:14.079
<v Speaker 4>of antisocial and so that's why, like Russ he lives

473
00:24:14.079 --> 00:24:17.319
<v Speaker 4>in a very spartan baron apartment. All he has or

474
00:24:17.359 --> 00:24:20.480
<v Speaker 4>like you know some books, a mattress at the beginning,

475
00:24:20.519 --> 00:24:24.400
<v Speaker 4>he doesn't even have a chair, right, So he's unmarried,

476
00:24:24.519 --> 00:24:26.599
<v Speaker 4>and of course we learn why what have happened with

477
00:24:26.640 --> 00:24:28.279
<v Speaker 4>the death of his daughter and so on and so on.

478
00:24:28.359 --> 00:24:31.440
<v Speaker 4>So that's one sort of classical noir archetype of the hero.

479
00:24:31.559 --> 00:24:33.880
<v Speaker 4>And then you have Marty, his partner, who in a

480
00:24:33.920 --> 00:24:37.960
<v Speaker 4>ways another classic noir archetype, and he's kind of like

481
00:24:39.759 --> 00:24:45.160
<v Speaker 4>the well intentioned, generally good hearted, but sort of fallible one.

482
00:24:45.240 --> 00:24:48.759
<v Speaker 4>And so in his case it's it's alcohol and in

483
00:24:48.799 --> 00:24:51.440
<v Speaker 4>it's women. And this is kind of blended together in

484
00:24:51.480 --> 00:24:54.200
<v Speaker 4>a very nice way because there's this sort of tension

485
00:24:54.680 --> 00:24:57.079
<v Speaker 4>in what's running throughout this show, which is this question

486
00:24:57.160 --> 00:25:02.240
<v Speaker 4>of everyone's complicity in these most heinous of crimes in

487
00:25:02.319 --> 00:25:06.519
<v Speaker 4>terms of the exploitation and abuse of women and children.

488
00:25:06.599 --> 00:25:11.039
<v Speaker 4>And so, you know, Marty, he dislikes obviously what's being

489
00:25:11.119 --> 00:25:14.079
<v Speaker 4>done to these children, and he wants to protect his

490
00:25:14.160 --> 00:25:17.240
<v Speaker 4>own children. But then at the same time he recognizes

491
00:25:17.319 --> 00:25:22.079
<v Speaker 4>that he's far from a saint himself because of his philandering, womanizing,

492
00:25:22.799 --> 00:25:27.599
<v Speaker 4>and his alcoholism. So the show, I think is one

493
00:25:27.599 --> 00:25:29.839
<v Speaker 4>of the major themes in the show philosophically, is this

494
00:25:29.920 --> 00:25:34.720
<v Speaker 4>question about original sin or sex. And you know, Rust

495
00:25:34.759 --> 00:25:37.319
<v Speaker 4>is a nihilist, and he tends to think that in

496
00:25:37.359 --> 00:25:41.200
<v Speaker 4>a sense, existence is a crime. It's almost a crime

497
00:25:41.240 --> 00:25:43.000
<v Speaker 4>to exist at all. And this is why he even

498
00:25:43.039 --> 00:25:46.319
<v Speaker 4>says explicitly at one point that when his daughter died young,

499
00:25:46.400 --> 00:25:49.799
<v Speaker 4>in a way, she unburdened him of what he says

500
00:25:49.839 --> 00:25:54.759
<v Speaker 4>is the sin of being a father. So they get

501
00:25:54.759 --> 00:26:00.799
<v Speaker 4>onto this first case, and shortly after being given the case,

502
00:26:01.000 --> 00:26:05.640
<v Speaker 4>there's a task force that is formed by Billy Lee Tuttle,

503
00:26:05.720 --> 00:26:11.839
<v Speaker 4>who's a prominent pastor or reverend, the kind of magachurch

504
00:26:11.920 --> 00:26:15.519
<v Speaker 4>sort of Billy Graham, Jerry Fowell sort of sort of type,

505
00:26:16.519 --> 00:26:19.160
<v Speaker 4>and Rust and Marty want to get him the case

506
00:26:19.240 --> 00:26:22.480
<v Speaker 4>stay on the case. Rust quickly suspects that there's something

507
00:26:22.519 --> 00:26:25.319
<v Speaker 4>suspicious going on with the Task Force. He doesn't trust it,

508
00:26:25.359 --> 00:26:29.799
<v Speaker 4>but they are they don't have a suspect, so eventually

509
00:26:30.119 --> 00:26:33.200
<v Speaker 4>they ended up going to a church revival and they

510
00:26:33.240 --> 00:26:35.839
<v Speaker 4>meet a pastor there, talk to him, and they interview

511
00:26:35.880 --> 00:26:38.240
<v Speaker 4>a couple of women who give them a description of

512
00:26:38.240 --> 00:26:41.920
<v Speaker 4>what they think maybe the first description of the potential suspect,

513
00:26:41.920 --> 00:26:44.839
<v Speaker 4>which is that he's a tall man with scars and

514
00:26:44.920 --> 00:26:48.640
<v Speaker 4>that he had been hanging around with Dora Lang. They

515
00:26:48.680 --> 00:26:52.079
<v Speaker 4>go and they interview Charlie Lang, who is Dora's ex

516
00:26:52.160 --> 00:26:55.480
<v Speaker 4>husband who's in prison, and Charlie Lang eventually ends up

517
00:26:55.480 --> 00:26:58.839
<v Speaker 4>telling them about a guy he knew, Reggie Ldeu, who

518
00:26:58.960 --> 00:27:03.079
<v Speaker 4>is his ellmate, and it turns out that Reggie Ldeux

519
00:27:03.559 --> 00:27:06.359
<v Speaker 4>had a connection to a second dead body. They find

520
00:27:07.160 --> 00:27:10.119
<v Speaker 4>this is the Olivier girl who had gone missing years previously.

521
00:27:10.119 --> 00:27:12.079
<v Speaker 4>I think it was like in nineteen ninety or nineteen

522
00:27:12.119 --> 00:27:14.839
<v Speaker 4>ninety two. Her body had been discovered in a flood.

523
00:27:15.359 --> 00:27:17.519
<v Speaker 4>But when Russ was going back through the cases, he

524
00:27:17.640 --> 00:27:20.480
<v Speaker 4>noticed that there were certain forensic details that matched the

525
00:27:20.559 --> 00:27:22.880
<v Speaker 4>description of what had happened to Dora Lang with these

526
00:27:22.880 --> 00:27:26.799
<v Speaker 4>stab wounds and then also the same swirl on her body.

527
00:27:27.400 --> 00:27:30.759
<v Speaker 4>So in the fact, what happens is they discover that

528
00:27:30.799 --> 00:27:33.680
<v Speaker 4>there have been children going missing for some years at

529
00:27:33.680 --> 00:27:36.759
<v Speaker 4>one point, and it's like episode three or four when

530
00:27:37.240 --> 00:27:40.160
<v Speaker 4>Rust and Marty really start to unravel the case. Rust

531
00:27:40.240 --> 00:27:43.720
<v Speaker 4>is going through old cases and he starts finding a

532
00:27:43.759 --> 00:27:48.880
<v Speaker 4>pattern where there's what are called airs missing persons made

533
00:27:48.920 --> 00:27:52.640
<v Speaker 4>in air reports, and there's these missing children going back

534
00:27:52.720 --> 00:27:55.480
<v Speaker 4>to is late as I think as early as nineteen

535
00:27:55.559 --> 00:27:58.640
<v Speaker 4>seventy nine that he finds out had been reported missing

536
00:27:59.079 --> 00:28:01.319
<v Speaker 4>and then later the I was corrected to claim that

537
00:28:01.359 --> 00:28:04.559
<v Speaker 4>the missing person report had been made in error. And

538
00:28:04.680 --> 00:28:07.920
<v Speaker 4>of course the key, the key example of this is

539
00:28:07.960 --> 00:28:11.200
<v Speaker 4>the Marie Fontineau girl who had gone missing and I

540
00:28:11.240 --> 00:28:15.680
<v Speaker 4>think it's nineteen ninety and Rust and Marty learn about

541
00:28:15.680 --> 00:28:18.279
<v Speaker 4>her disappearance when they're out canvassing and looking for information

542
00:28:18.359 --> 00:28:22.880
<v Speaker 4>about who may have known Dora Lang's killer. They find

543
00:28:22.880 --> 00:28:26.200
<v Speaker 4>out that this girl, Marie Fonteau, went missing in nineteen

544
00:28:26.279 --> 00:28:30.680
<v Speaker 4>ninety and the sheriff, Ted Childress had claimed that he

545
00:28:30.720 --> 00:28:33.319
<v Speaker 4>had interviewed the family, and that the family had said

546
00:28:33.359 --> 00:28:36.880
<v Speaker 4>that Marie Fonta had gone off with her father, but

547
00:28:37.000 --> 00:28:40.240
<v Speaker 4>it didn't check out, And so as the story unfolds,

548
00:28:40.279 --> 00:28:44.400
<v Speaker 4>what basically ends up being the case is that Marty

549
00:28:44.440 --> 00:28:48.240
<v Speaker 4>and Russ discover that whoever killed Dora Lang was also

550
00:28:48.319 --> 00:28:51.400
<v Speaker 4>involved in the Marie Fontna disappearance, was also the one

551
00:28:51.400 --> 00:28:56.039
<v Speaker 4>who murdered Olivier and then also this woman in twenty

552
00:28:56.200 --> 00:29:00.000
<v Speaker 4>ten at Lake Charles and so, and then of course

553
00:29:00.319 --> 00:29:03.559
<v Speaker 4>going back into the eighties and episode one, Marty and

554
00:29:03.640 --> 00:29:05.680
<v Speaker 4>Russ are driving down a road and there's a billboard

555
00:29:05.680 --> 00:29:08.039
<v Speaker 4>for a missing person, a girl named Stacy Gearhardt who

556
00:29:08.039 --> 00:29:10.880
<v Speaker 4>had gone missing in nineteen eighty seven. So there's dozens

557
00:29:10.880 --> 00:29:14.559
<v Speaker 4>of these missing children, many of whom disappear without any trace.

558
00:29:14.920 --> 00:29:18.920
<v Speaker 4>And turns out that, of course that they're being abducted

559
00:29:18.920 --> 00:29:23.160
<v Speaker 4>and murdered, sometimes ritualistically, and they hear this from Charlie

560
00:29:23.440 --> 00:29:25.920
<v Speaker 4>laying himself in a later episode, I think it's episode five,

561
00:29:26.559 --> 00:29:31.319
<v Speaker 4>when Charlie confesses that his cellmate Reguladue had said that

562
00:29:31.359 --> 00:29:34.480
<v Speaker 4>there was a human sacrifice ring that was abducting children,

563
00:29:35.000 --> 00:29:37.119
<v Speaker 4>where rich people would go out into the woods.

564
00:29:36.799 --> 00:29:37.240
<v Speaker 1>And do this.

565
00:29:37.880 --> 00:29:40.119
<v Speaker 4>So they go out to the compound, they track down

566
00:29:40.480 --> 00:29:43.319
<v Speaker 4>regular Do, and then of course there's the really famous

567
00:29:43.319 --> 00:29:47.160
<v Speaker 4>shootout where Marty kills Regu La Du after they find

568
00:29:47.200 --> 00:29:51.920
<v Speaker 4>the two kidnapped children in the compound, the boy and girl.

569
00:29:52.000 --> 00:29:55.200
<v Speaker 4>The boy had just died, and so then it appears

570
00:29:55.200 --> 00:29:57.759
<v Speaker 4>for a time that maybe the case is solved. They'd

571
00:29:57.799 --> 00:29:59.400
<v Speaker 4>found their man because they thought it was regular Du

572
00:29:59.400 --> 00:30:01.480
<v Speaker 4>in ninety five, But in light of the fact that

573
00:30:01.519 --> 00:30:04.640
<v Speaker 4>these other children had got missing and had never been

574
00:30:04.640 --> 00:30:07.160
<v Speaker 4>accounted for, and that the subsequent murder that happened at

575
00:30:07.200 --> 00:30:12.119
<v Speaker 4>Lake Charles later on, they realized no, whoever killed Dori

576
00:30:12.240 --> 00:30:14.640
<v Speaker 4>Lang must still be out there. So when we fast

577
00:30:14.640 --> 00:30:17.799
<v Speaker 4>forward to twenty twelve, of course Rust has stayed on

578
00:30:17.839 --> 00:30:21.160
<v Speaker 4>the case, and basically what he figures out is that

579
00:30:21.200 --> 00:30:24.359
<v Speaker 4>he was right to suspect in ninety five that Billy

580
00:30:24.400 --> 00:30:26.680
<v Speaker 4>Lee Tuttle had really been up to no good, because

581
00:30:26.680 --> 00:30:30.079
<v Speaker 4>it turns out that Billy Lee Tuttle had a snuff

582
00:30:30.119 --> 00:30:34.000
<v Speaker 4>film of the Marie Fontnau murder, and that Marie Fontneau

583
00:30:34.119 --> 00:30:36.240
<v Speaker 4>had actually gone to a school which I think is

584
00:30:36.279 --> 00:30:39.440
<v Speaker 4>called the Light of the Way Academy in the show,

585
00:30:40.160 --> 00:30:43.160
<v Speaker 4>and she had been one of the children who was

586
00:30:43.200 --> 00:30:47.200
<v Speaker 4>actually evidently molested at that school, and it turns out

587
00:30:47.200 --> 00:30:49.359
<v Speaker 4>that one of the reasons that she was abducted and

588
00:30:49.359 --> 00:30:52.759
<v Speaker 4>maybe murdered is because when Rust interviews one of the

589
00:30:52.799 --> 00:30:55.440
<v Speaker 4>other children, one of the men who had gone to

590
00:30:55.480 --> 00:30:57.839
<v Speaker 4>the school, who's now a male prostitute in the time

591
00:30:57.880 --> 00:31:02.039
<v Speaker 4>in twenty twelve, this man has a recollection of having

592
00:31:02.119 --> 00:31:06.160
<v Speaker 4>been molested and photographed back at the school with Marie Fontina,

593
00:31:06.599 --> 00:31:11.079
<v Speaker 4>which corresponds to what the preacher at the Traveling Tent Revival,

594
00:31:12.079 --> 00:31:15.640
<v Speaker 4>Reverend Terry, had said he had come across as well.

595
00:31:15.839 --> 00:31:17.799
<v Speaker 4>Back in the nineties when he was working for Tuttle.

596
00:31:18.000 --> 00:31:21.119
<v Speaker 4>He had discovered a folder full of images of children

597
00:31:21.559 --> 00:31:24.000
<v Speaker 4>that was in possession of one of the Tuttle ministers,

598
00:31:24.039 --> 00:31:26.440
<v Speaker 4>and that had been covered up. And of course that guy,

599
00:31:26.839 --> 00:31:29.559
<v Speaker 4>I think his name is Austin Farrar, he later got

600
00:31:29.599 --> 00:31:33.799
<v Speaker 4>busted for embezzlement and then died, presumably by suicide, but

601
00:31:33.799 --> 00:31:36.359
<v Speaker 4>it's clear that actually Billy Lee Tuttle had him bumped off.

602
00:31:36.720 --> 00:31:39.440
<v Speaker 4>So Russ Brake breaks into I think it's the Shreveport

603
00:31:39.839 --> 00:31:43.640
<v Speaker 4>residence of Billy Lee Tuttles in twenty ten, discovers this

604
00:31:43.759 --> 00:31:46.279
<v Speaker 4>snuff film of Marie Fontino, so we know that Marie

605
00:31:46.319 --> 00:31:50.039
<v Speaker 4>Fontina in fact didn't run off with her father. She

606
00:31:50.119 --> 00:31:53.039
<v Speaker 4>was abducted and she was murdered. And then one of

607
00:31:53.039 --> 00:31:55.400
<v Speaker 4>this kind of important details about this as far as

608
00:31:55.480 --> 00:31:59.039
<v Speaker 4>police corruption is concerned, is that one of the detectives

609
00:31:59.079 --> 00:32:02.559
<v Speaker 4>that were introduced to ninety five Steve Jerrasi, who never

610
00:32:02.839 --> 00:32:05.920
<v Speaker 4>likes Marty and never likes Russ from the very beginning. Well,

611
00:32:06.160 --> 00:32:08.079
<v Speaker 4>we figure out why that was the case, because it

612
00:32:08.119 --> 00:32:10.519
<v Speaker 4>turns out that back in the nineties, when Mariefonteau had

613
00:32:10.519 --> 00:32:12.720
<v Speaker 4>gone missing, he had been the deputy who took the

614
00:32:12.759 --> 00:32:17.599
<v Speaker 4>missing person report on Reefontna. And then what had happened

615
00:32:17.599 --> 00:32:21.359
<v Speaker 4>is that Ted Childress, who was the sheriff, had hidden

616
00:32:21.400 --> 00:32:24.559
<v Speaker 4>the report, claimed that Mariefontnau was actually fine, and then

617
00:32:24.599 --> 00:32:27.000
<v Speaker 4>given him a promotion to transfer to State c ID

618
00:32:27.079 --> 00:32:31.599
<v Speaker 4>in Louisiana. So in ninety five, when Marty and rust

619
00:32:31.720 --> 00:32:36.119
<v Speaker 4>were looking into the Mariefontina disappearance, Jerrasey doesn't come forward

620
00:32:36.200 --> 00:32:38.720
<v Speaker 4>and tell them anything because he knows he's complicit in

621
00:32:38.759 --> 00:32:41.359
<v Speaker 4>the fact that that had been covered up. So they

622
00:32:41.400 --> 00:32:44.359
<v Speaker 4>tracked down Jerrasy, who's now the sheriff I think of Iberia.

623
00:32:44.680 --> 00:32:48.400
<v Speaker 4>He's been promoted right, and they basically course him into

624
00:32:48.400 --> 00:32:51.240
<v Speaker 4>admitting what he had known when they show him Refontnau

625
00:32:51.400 --> 00:32:55.039
<v Speaker 4>snuff film, and that's when we find out that actually

626
00:32:55.200 --> 00:32:58.720
<v Speaker 4>the real killer is a childress who is one of

627
00:32:58.759 --> 00:33:03.640
<v Speaker 4>the sons that's from Sam Tuttle, who's the father of

628
00:33:03.960 --> 00:33:07.559
<v Speaker 4>Edwin Tuttle, the governor, and then Billy Lee Tuttle. So

629
00:33:07.640 --> 00:33:11.000
<v Speaker 4>what happened is that there's actually this secret family that

630
00:33:11.599 --> 00:33:16.599
<v Speaker 4>the Tuttle patriarch had and the serial killer there's no

631
00:33:16.680 --> 00:33:19.359
<v Speaker 4>date of birth for him, there's no social Security records

632
00:33:19.400 --> 00:33:21.240
<v Speaker 4>and the only reason they track him down is that.

633
00:33:21.640 --> 00:33:23.920
<v Speaker 4>And I think it's episode two in ninety five when

634
00:33:24.000 --> 00:33:27.440
<v Speaker 4>Rust and Marty are scouring and canvassing the neighborhoods, there's

635
00:33:27.440 --> 00:33:29.880
<v Speaker 4>this shot where you can see Russ taking up photograph

636
00:33:29.880 --> 00:33:32.279
<v Speaker 4>of this little green house, and it turns out that

637
00:33:32.440 --> 00:33:36.319
<v Speaker 4>later on they figure out that the green spaghetti monster

638
00:33:36.640 --> 00:33:39.160
<v Speaker 4>that one of these children had claimed had been chasing

639
00:33:39.160 --> 00:33:42.640
<v Speaker 4>her through the woods is actually the killer who was

640
00:33:42.680 --> 00:33:45.880
<v Speaker 4>a painter and he had painted the greenhouse, and Marty

641
00:33:45.960 --> 00:33:48.799
<v Speaker 4>remembers this greenhouse, so they pull out the photograph and

642
00:33:48.839 --> 00:33:50.759
<v Speaker 4>they realize, oh, if you can figure out who painted

643
00:33:50.759 --> 00:33:53.440
<v Speaker 4>this house will track down the killer. So they go

644
00:33:53.480 --> 00:33:55.440
<v Speaker 4>through and they get the task records, and they track

645
00:33:55.519 --> 00:33:58.559
<v Speaker 4>down the woman who remembers hiring the company childrens and

646
00:33:58.599 --> 00:34:00.839
<v Speaker 4>son to paint the house, and that's what leads them

647
00:34:00.920 --> 00:34:05.759
<v Speaker 4>to Earl Childress, who is the killer who had been, yeah,

648
00:34:05.799 --> 00:34:09.320
<v Speaker 4>the secret son of one of the Tutteles. And of

649
00:34:09.320 --> 00:34:13.199
<v Speaker 4>course that's another fantastic illustration of revelation of the method,

650
00:34:13.239 --> 00:34:16.960
<v Speaker 4>because we know that these intergenerational Satanic covens very often

651
00:34:17.000 --> 00:34:19.719
<v Speaker 4>will breed children with no record of their birth so

652
00:34:19.760 --> 00:34:21.719
<v Speaker 4>that they can be used for these purposes, whether it's

653
00:34:21.719 --> 00:34:25.159
<v Speaker 4>for sacrifices or whatever else it maybe, and so that

654
00:34:25.159 --> 00:34:28.400
<v Speaker 4>that happens to be the what's the case with with

655
00:34:28.480 --> 00:34:30.639
<v Speaker 4>the killer Childress in this show?

656
00:34:31.280 --> 00:34:34.960
<v Speaker 3>Okay, that was a lot, But now now that we

657
00:34:35.079 --> 00:34:37.360
<v Speaker 3>laid that out for the people, I think that now

658
00:34:37.360 --> 00:34:39.440
<v Speaker 3>we have a place to kind of start. I mean,

659
00:34:39.440 --> 00:34:41.280
<v Speaker 3>there's a lot lot to work with there. I mean,

660
00:34:41.360 --> 00:34:43.760
<v Speaker 3>is there anything I guess for you at the jump

661
00:34:43.800 --> 00:34:46.039
<v Speaker 3>that you really want to dig into of that, because

662
00:34:46.079 --> 00:34:48.239
<v Speaker 3>I mean there's a lot. I mean I could pick

663
00:34:48.320 --> 00:34:50.440
<v Speaker 3>us a random spot and just slice into it, but

664
00:34:50.920 --> 00:34:53.199
<v Speaker 3>I don't know if you you anymore thought, I guess

665
00:34:53.199 --> 00:34:54.719
<v Speaker 3>we could easily go into kind of.

666
00:34:56.239 --> 00:34:58.679
<v Speaker 1>I guess now, let's let's take a philosophical look at this.

667
00:34:58.760 --> 00:35:00.599
<v Speaker 3>Do we just kind of broke down the plot before

668
00:35:00.639 --> 00:35:04.960
<v Speaker 3>we get to too leyden in into digging too specific examples.

669
00:35:05.159 --> 00:35:06.880
<v Speaker 3>Let's kind of look at the philosophy a little bit,

670
00:35:06.880 --> 00:35:08.400
<v Speaker 3>because I actually this was wild.

671
00:35:08.440 --> 00:35:09.400
<v Speaker 1>I mean, don't get me wrong.

672
00:35:09.440 --> 00:35:12.360
<v Speaker 3>I like the the revelation of the method stuff here.

673
00:35:12.360 --> 00:35:17.559
<v Speaker 3>I think there's something incredibly beautiful about the philosophical arc

674
00:35:17.800 --> 00:35:21.559
<v Speaker 3>throughout this story between both characters really and then honestly

675
00:35:21.599 --> 00:35:24.719
<v Speaker 3>the juxtaposition of the two. I think there's something particularly

676
00:35:24.760 --> 00:35:29.480
<v Speaker 3>beautiful about you know, Russ's you know, changing from you know,

677
00:35:29.559 --> 00:35:32.320
<v Speaker 3>being you know, I don't know. Yeah, he's a nihilist,

678
00:35:32.400 --> 00:35:35.159
<v Speaker 3>but then too, they find some way too. It's it's

679
00:35:35.199 --> 00:35:37.559
<v Speaker 3>almost as if he's found a way within his own

680
00:35:37.760 --> 00:35:42.920
<v Speaker 3>lens to find something I don't know, beneficial, you know,

681
00:35:42.960 --> 00:35:45.159
<v Speaker 3>as so far as like a philosophy, a way to

682
00:35:45.159 --> 00:35:47.960
<v Speaker 3>look at the world, you know, way way to look

683
00:35:48.000 --> 00:35:50.960
<v Speaker 3>at morality, you know, good bad stuff that like, while

684
00:35:51.039 --> 00:35:55.880
<v Speaker 3>still somewhat maintaining his secular worldview. And I'll be honest,

685
00:35:55.920 --> 00:35:57.960
<v Speaker 3>and I believe you. You've said, I've listened to your show,

686
00:35:57.960 --> 00:35:59.360
<v Speaker 3>and you said you're a little bit Really I'm I'm

687
00:35:59.400 --> 00:36:02.280
<v Speaker 3>admittedly an agnostic atheist, whatever you wanna call it, So

688
00:36:02.599 --> 00:36:05.639
<v Speaker 3>I very much identify with Rust and a lot in

689
00:36:05.679 --> 00:36:07.960
<v Speaker 3>that way. Although I'm someone who's thought a lot about

690
00:36:08.119 --> 00:36:10.440
<v Speaker 3>philosophy in the past, I mean I don't as much now,

691
00:36:10.679 --> 00:36:12.760
<v Speaker 3>so I have kind of worked through those things for myself.

692
00:36:12.920 --> 00:36:14.039
<v Speaker 1>I mean, obviously me and you'd have.

693
00:36:14.039 --> 00:36:17.480
<v Speaker 3>Disagreements, probably, but generally speaking, like kind of like you know,

694
00:36:17.559 --> 00:36:19.159
<v Speaker 3>the beginning when Russ Cole is kind of this, like

695
00:36:19.199 --> 00:36:21.800
<v Speaker 3>you know, angry nihilists of the world, I honestly kind

696
00:36:21.800 --> 00:36:22.760
<v Speaker 3>of see that, and I see that as like a

697
00:36:22.760 --> 00:36:25.280
<v Speaker 3>foolish version of nihilism. It's like, what kind of way

698
00:36:25.320 --> 00:36:27.159
<v Speaker 3>is that to fucking live? Even if you are a nihilists,

699
00:36:27.280 --> 00:36:28.960
<v Speaker 3>like I don't know, might as well have to be

700
00:36:29.039 --> 00:36:31.599
<v Speaker 3>the sort of like nihilist that's a yeah, maybe there's

701
00:36:31.599 --> 00:36:34.559
<v Speaker 3>no cosmic meaning, but I can make meaning for myself,

702
00:36:35.199 --> 00:36:37.519
<v Speaker 3>which I think he kind of gets there by the end.

703
00:36:38.639 --> 00:36:42.039
<v Speaker 3>I think also, you see, I love the progression of

704
00:36:42.119 --> 00:36:45.320
<v Speaker 3>Marty and the idea I think the the one line

705
00:36:45.360 --> 00:36:48.199
<v Speaker 3>from Rust, but like I won't I won't look away again.

706
00:36:48.639 --> 00:36:51.320
<v Speaker 3>I think that I think that really has a that

707
00:36:51.440 --> 00:36:55.360
<v Speaker 3>means a lot, I think for Marty's progression more so

708
00:36:55.400 --> 00:36:58.880
<v Speaker 3>than it does russ progression. I think, you know, the

709
00:36:58.880 --> 00:37:01.800
<v Speaker 3>the idea that he's starting to open his eyes he's

710
00:37:01.840 --> 00:37:05.039
<v Speaker 3>not content with and there is something too where you're like.

711
00:37:05.079 --> 00:37:06.960
<v Speaker 3>I know, some people might think it may detract from

712
00:37:07.000 --> 00:37:08.719
<v Speaker 3>your family life or this or that, and you might

713
00:37:08.760 --> 00:37:10.760
<v Speaker 3>even say that this thing that he got sucked up in.

714
00:37:10.800 --> 00:37:13.280
<v Speaker 3>But if anything, the theme is to open your eyes.

715
00:37:13.320 --> 00:37:16.239
<v Speaker 3>And if you had paid attention, if he hadn't looked away,

716
00:37:16.760 --> 00:37:18.519
<v Speaker 3>I think he would have been more in touch with

717
00:37:18.559 --> 00:37:21.599
<v Speaker 3>his family. Obviously, that not looking away has multiple meanings.

718
00:37:21.599 --> 00:37:24.199
<v Speaker 3>It means like looking away from the dark, fucked up things.

719
00:37:24.199 --> 00:37:26.360
<v Speaker 3>But sometimes I can just be the monotonous day to

720
00:37:26.440 --> 00:37:28.880
<v Speaker 3>day things that you may not pay attention to because

721
00:37:28.920 --> 00:37:29.960
<v Speaker 3>you're too busy looking at the.

722
00:37:30.000 --> 00:37:33.599
<v Speaker 1>Dark, fucked up things or whatever. It's. I guess it's

723
00:37:33.679 --> 00:37:35.880
<v Speaker 1>finding balance as a man. I don't know.

724
00:37:35.960 --> 00:37:37.360
<v Speaker 3>I just I guess kind of any thoughts on you,

725
00:37:37.400 --> 00:37:38.719
<v Speaker 3>and there's a lot to go with that. I just

726
00:37:38.760 --> 00:37:41.800
<v Speaker 3>particularly find it beautiful, the whole juxtaposition of all of it.

727
00:37:41.840 --> 00:37:44.760
<v Speaker 3>And then just really the individual darcs as well. It's

728
00:37:44.800 --> 00:37:50.119
<v Speaker 3>just beautiful. It's a master base. In my opinion, I.

729
00:37:50.039 --> 00:37:53.679
<v Speaker 4>Have a lot to say about the role of philosophy,

730
00:37:54.159 --> 00:37:57.280
<v Speaker 4>particularly the problem of nihilism. So I'll start there, but

731
00:37:57.639 --> 00:37:59.480
<v Speaker 4>before I get into that, just so that you can

732
00:37:59.639 --> 00:38:01.679
<v Speaker 4>make sure you can refresh my memory when I want

733
00:38:01.719 --> 00:38:04.360
<v Speaker 4>to come back to and I don't forget you mentioned

734
00:38:04.360 --> 00:38:06.360
<v Speaker 4>one thing that I wanted to come to as well,

735
00:38:06.400 --> 00:38:09.159
<v Speaker 4>which is this idea of inattention. So at one point

736
00:38:09.320 --> 00:38:12.400
<v Speaker 4>one of the later episodes of the show, Marty says, well,

737
00:38:12.400 --> 00:38:14.960
<v Speaker 4>I see now that you know infidelity is once in

738
00:38:15.000 --> 00:38:18.840
<v Speaker 4>but my true sin was the sin of inattention. And

739
00:38:18.880 --> 00:38:21.320
<v Speaker 4>then he had talked about in an earlier episode when

740
00:38:21.360 --> 00:38:24.920
<v Speaker 4>he's been again interviewed by these two detectives in twenty

741
00:38:24.960 --> 00:38:28.159
<v Speaker 4>twelve about the detective's curse, and he says that the

742
00:38:28.159 --> 00:38:31.880
<v Speaker 4>Detective's curses, you know, you're looking at everything except for

743
00:38:31.920 --> 00:38:34.199
<v Speaker 4>the right clues, which are right in front of you.

744
00:38:34.719 --> 00:38:37.719
<v Speaker 4>And so just remind me to come to the question

745
00:38:37.760 --> 00:38:40.440
<v Speaker 4>of his daughter, Audrey, because I think there's a lot

746
00:38:40.519 --> 00:38:45.159
<v Speaker 4>that's going on there with her specific situation that actually

747
00:38:45.199 --> 00:38:50.280
<v Speaker 4>shows just how truly expansive this network really is. And

748
00:38:50.320 --> 00:38:51.840
<v Speaker 4>then I also want to talk a little bit more

749
00:38:51.840 --> 00:38:54.760
<v Speaker 4>about police corruption and some of these other more minor

750
00:38:54.840 --> 00:38:57.559
<v Speaker 4>characters and how they kind of try to steer the

751
00:38:58.519 --> 00:39:03.760
<v Speaker 4>investigation off the rails. So philosophically, you know, a lot

752
00:39:03.760 --> 00:39:07.960
<v Speaker 4>of people have already noticed and commented fairly extensively on

753
00:39:08.000 --> 00:39:12.679
<v Speaker 4>the fact that two really important philosophical figures that are

754
00:39:12.960 --> 00:39:18.519
<v Speaker 4>looming largely in the show are Schopenhauer and Nietzsche. But

755
00:39:19.159 --> 00:39:21.639
<v Speaker 4>before I come to Schopenhower and Nietzsche, because in some

756
00:39:21.679 --> 00:39:26.559
<v Speaker 4>ways Russ is quoting Schopenhower almost verbatim, particularly in episode one,

757
00:39:26.599 --> 00:39:30.880
<v Speaker 4>and then his entire theory of time being a flat

758
00:39:30.920 --> 00:39:34.239
<v Speaker 4>circle is really very much a Nietzschian doctrine, the idea

759
00:39:34.239 --> 00:39:37.039
<v Speaker 4>of the eternal recurrence. So I can talk about that,

760
00:39:37.880 --> 00:39:40.039
<v Speaker 4>But then the question is like, well, what is nihilism?

761
00:39:40.800 --> 00:39:44.960
<v Speaker 4>And so in every day parlance, you know, it usually

762
00:39:45.000 --> 00:39:48.639
<v Speaker 4>means that like, nothing really matters, is what we usually

763
00:39:48.719 --> 00:39:51.440
<v Speaker 4>mean with that by that that there's really no meaning

764
00:39:51.519 --> 00:39:53.599
<v Speaker 4>or ultimate meaning to anything. So you get into this

765
00:39:53.639 --> 00:39:56.559
<v Speaker 4>idea of illusion that somehow the idea that things really

766
00:39:56.599 --> 00:39:59.119
<v Speaker 4>matter is an illusion, and you see that kind of

767
00:39:59.159 --> 00:40:02.559
<v Speaker 4>bothering Russ. So part of us metaphysics the schopenhowerre in

768
00:40:02.639 --> 00:40:04.880
<v Speaker 4>part about is that he thinks that we're all sort

769
00:40:04.920 --> 00:40:08.760
<v Speaker 4>of biologically and inherently subject to these kind of delusions

770
00:40:08.840 --> 00:40:11.800
<v Speaker 4>or illusions that are necessary for us to get by

771
00:40:11.920 --> 00:40:15.880
<v Speaker 4>in everyday life. But the term nihilism is actually coined

772
00:40:15.920 --> 00:40:20.000
<v Speaker 4>originally in the eighteenth century by this now obscure German

773
00:40:20.119 --> 00:40:25.719
<v Speaker 4>counter Enlightenment Christian philosopher named Friedrich Yakobi, and by nihilism,

774
00:40:25.800 --> 00:40:28.880
<v Speaker 4>what he meant was he was responding to the philosopher

775
00:40:28.880 --> 00:40:32.480
<v Speaker 4>Emmanuel Kant. And basically what Kant had tried to do

776
00:40:33.320 --> 00:40:37.960
<v Speaker 4>was develop this metaphysical system that he thought would preserve

777
00:40:38.039 --> 00:40:42.599
<v Speaker 4>the basis to believe justifiably that human beings have freedom,

778
00:40:42.840 --> 00:40:46.719
<v Speaker 4>that there is immortality, and that God does exist. Those

779
00:40:46.719 --> 00:40:50.119
<v Speaker 4>were the three big ticket items that Kant was interested

780
00:40:50.159 --> 00:40:53.440
<v Speaker 4>in preserving. But what Kant thought he had to do

781
00:40:53.800 --> 00:40:56.280
<v Speaker 4>was in order to, as he says, make room for faith,

782
00:40:56.280 --> 00:40:58.719
<v Speaker 4>he had he said, deny that we can know these

783
00:40:58.760 --> 00:41:04.840
<v Speaker 4>things come what in quantum philosophy are called reguative ideas

784
00:41:05.519 --> 00:41:10.519
<v Speaker 4>or postulates of practical reason. The idea is that in

785
00:41:10.599 --> 00:41:13.519
<v Speaker 4>order for there to be a moral order we can't

786
00:41:13.639 --> 00:41:16.360
<v Speaker 4>thinks that we have to posit a God who will

787
00:41:16.440 --> 00:41:18.800
<v Speaker 4>ultimately be our judge, and that he thinks that in

788
00:41:18.920 --> 00:41:22.320
<v Speaker 4>order to hold one another responsible for our actions, we

789
00:41:22.440 --> 00:41:25.920
<v Speaker 4>have to posit that human beings are free. And what

790
00:41:26.000 --> 00:41:29.239
<v Speaker 4>Yakobe did, in effect was to say that, well, actually,

791
00:41:29.360 --> 00:41:33.000
<v Speaker 4>despite CONT's good intentions, this actually fails, and that this

792
00:41:33.119 --> 00:41:39.000
<v Speaker 4>kind of philosophical attempt to justify the idea of immortality,

793
00:41:39.039 --> 00:41:41.079
<v Speaker 4>the idea of the existence of God, and the idea

794
00:41:41.079 --> 00:41:44.199
<v Speaker 4>of human freedom, it actually backfires and you end up

795
00:41:44.360 --> 00:41:46.800
<v Speaker 4>coming to see that all this would be an illusion.

796
00:41:47.480 --> 00:41:49.920
<v Speaker 4>And so Yakobe basically thinks that once you get the

797
00:41:49.960 --> 00:41:54.119
<v Speaker 4>philosophical ball rolling in that direction, you're going to be

798
00:41:54.159 --> 00:41:58.599
<v Speaker 4>led to nihilism, which for Yakobe means no immortality, no freedom,

799
00:41:59.119 --> 00:42:03.599
<v Speaker 4>no God, which is in a way basically where Rust

800
00:42:03.679 --> 00:42:05.800
<v Speaker 4>is at the beginning of the show. But so what

801
00:42:05.880 --> 00:42:08.679
<v Speaker 4>Russ does is he kind of takes that nihilistic conclusion

802
00:42:08.760 --> 00:42:12.280
<v Speaker 4>that Yakobe had identified that he thought philosophy led to,

803
00:42:12.679 --> 00:42:15.400
<v Speaker 4>and he kind of dressed it up in Schopenhauer's particular

804
00:42:17.239 --> 00:42:19.920
<v Speaker 4>metaphysical system. So he says things like in the Car

805
00:42:20.000 --> 00:42:24.599
<v Speaker 4>with Marty in episode one consciousness is a tragic misstep

806
00:42:24.639 --> 00:42:27.360
<v Speaker 4>of evolution, that the world is just a gut or

807
00:42:27.360 --> 00:42:30.199
<v Speaker 4>and outer space, that we labor under the illusion of

808
00:42:30.280 --> 00:42:34.159
<v Speaker 4>having a self, that we think that in fact, you know,

809
00:42:34.440 --> 00:42:38.280
<v Speaker 4>everybody thinks he's somebody when really he's nobody. That really

810
00:42:38.320 --> 00:42:41.719
<v Speaker 4>which we should all do is deny our programming, stop reproducing,

811
00:42:41.800 --> 00:42:44.400
<v Speaker 4>and opt out of an existence, which is a raw deal.

812
00:42:45.119 --> 00:42:48.800
<v Speaker 4>And then Marty sort of asks him existentially, right, well

813
00:42:48.840 --> 00:42:50.920
<v Speaker 4>then why do you get up out of bed every morning?

814
00:42:51.039 --> 00:42:53.400
<v Speaker 4>And then Russ kind of like in this moment of

815
00:42:53.519 --> 00:42:56.199
<v Speaker 4>kind of like ironic self awareness, says, well, you know,

816
00:42:56.280 --> 00:42:59.360
<v Speaker 4>I tell myself that, like you know, I have a reason,

817
00:42:59.360 --> 00:43:01.360
<v Speaker 4>but really it's because I can't deny my programming. And

818
00:43:01.400 --> 00:43:05.239
<v Speaker 4>he says I lack the constitution for suicide, which is

819
00:43:05.280 --> 00:43:09.400
<v Speaker 4>of deeply shopen how Ay insight, because Schopenhower basically thought

820
00:43:09.400 --> 00:43:12.599
<v Speaker 4>that the entire point of life was to wean yourself

821
00:43:12.639 --> 00:43:15.880
<v Speaker 4>from it. And you see this actually in a later

822
00:43:15.960 --> 00:43:20.119
<v Speaker 4>episode when in the montage sequence, Rust is going through

823
00:43:20.280 --> 00:43:22.880
<v Speaker 4>all these old case files and he's looking at photographs

824
00:43:22.880 --> 00:43:27.079
<v Speaker 4>of dead people, and he tells the detectives in twenty twelve, well,

825
00:43:27.400 --> 00:43:29.440
<v Speaker 4>when you look at these photographs of these people, you

826
00:43:29.440 --> 00:43:32.840
<v Speaker 4>can notice that the very last nanosecond of their existence,

827
00:43:32.840 --> 00:43:35.480
<v Speaker 4>they realized that their entire life had been this drama,

828
00:43:36.000 --> 00:43:38.000
<v Speaker 4>that they had been locked up in their own minds,

829
00:43:38.400 --> 00:43:40.800
<v Speaker 4>and that everything that they thought matter was an illusion,

830
00:43:40.840 --> 00:43:43.000
<v Speaker 4>including their own self. And so they can let go

831
00:43:43.599 --> 00:43:46.559
<v Speaker 4>and they return to this kind of monistic sense or

832
00:43:46.639 --> 00:43:50.679
<v Speaker 4>state of oneness. So Rust is basically a kind of

833
00:43:50.719 --> 00:43:54.280
<v Speaker 4>Chopin Howery and nihilist or monus. So he doesn't believe

834
00:43:54.320 --> 00:43:57.880
<v Speaker 4>that individuals are individuals. He thinks that in some sense

835
00:43:57.920 --> 00:44:00.320
<v Speaker 4>that is an illusion. He thinks that people don't really

836
00:44:00.360 --> 00:44:02.760
<v Speaker 4>have free will and so, and then for that reason,

837
00:44:02.800 --> 00:44:06.039
<v Speaker 4>he also thinks that love is an illusion. Right At

838
00:44:06.079 --> 00:44:08.360
<v Speaker 4>one point when Marty says, do you think it's possible

839
00:44:08.400 --> 00:44:10.079
<v Speaker 4>for a man to love two women at once? Because

840
00:44:10.079 --> 00:44:12.440
<v Speaker 4>he's thinking of his wife and then this woman that

841
00:44:12.480 --> 00:44:15.519
<v Speaker 4>he's having an affair is mistress Lisa, and Russ comes

842
00:44:15.519 --> 00:44:17.400
<v Speaker 4>back and says, well, I don't think actually man can

843
00:44:17.440 --> 00:44:20.639
<v Speaker 4>even love in the way that he means it. So

844
00:44:20.719 --> 00:44:26.119
<v Speaker 4>that's kind of one aspect of Russ's philosophical view worldview,

845
00:44:26.119 --> 00:44:29.559
<v Speaker 4>as he's a kind of Schopenhowry and nihilist and then

846
00:44:29.639 --> 00:44:32.280
<v Speaker 4>the other component is the nietzsche and so that's where

847
00:44:32.320 --> 00:44:35.840
<v Speaker 4>you get into the more metaphysical thesis of the eternal

848
00:44:35.880 --> 00:44:39.400
<v Speaker 4>recurrence recurrence. So Russ at one point talks about the

849
00:44:40.239 --> 00:44:43.920
<v Speaker 4>children that are discovered at the the Dew compound. He says, well,

850
00:44:43.920 --> 00:44:46.400
<v Speaker 4>they're going to be in there over and over and

851
00:44:46.440 --> 00:44:49.280
<v Speaker 4>over again forever. And he asks the detectives like, well,

852
00:44:49.320 --> 00:44:51.760
<v Speaker 4>how many times do you think we've had this conversation before.

853
00:44:52.079 --> 00:44:55.000
<v Speaker 4>So there's almost this kind of like reincarnational metaphysics, the

854
00:44:55.039 --> 00:44:58.159
<v Speaker 4>idea that your life as you're living it is something

855
00:44:58.159 --> 00:45:01.400
<v Speaker 4>that you've lived many time times before and something that

856
00:45:01.440 --> 00:45:05.159
<v Speaker 4>you will live precisely as you've literal for forever. And

857
00:45:05.199 --> 00:45:07.639
<v Speaker 4>the Nietzschean gloss on this is the idea of amor

858
00:45:07.719 --> 00:45:11.079
<v Speaker 4>fati that you're supposed to somehow will the fact that

859
00:45:11.280 --> 00:45:14.199
<v Speaker 4>you're going to be living the same life over and

860
00:45:14.239 --> 00:45:16.719
<v Speaker 4>over again. That's the kind of Nietzschean component. And then

861
00:45:16.760 --> 00:45:19.440
<v Speaker 4>the little ambiguity. The final side note is that and

862
00:45:19.519 --> 00:45:22.320
<v Speaker 4>this comes out I think when Marty and Russ go

863
00:45:22.400 --> 00:45:28.079
<v Speaker 4>to the Tent Revival. They're the disagreement between Marty and

864
00:45:28.800 --> 00:45:32.960
<v Speaker 4>rustover Christianity is partly a question about, well, is Christianity

865
00:45:33.039 --> 00:45:36.440
<v Speaker 4>true or is it a fantasy or an illusion? And

866
00:45:36.480 --> 00:45:39.000
<v Speaker 4>then the kind of subsidiary question to that is like, well,

867
00:45:40.440 --> 00:45:42.159
<v Speaker 4>does it actually matter if it's true or not? In

868
00:45:42.159 --> 00:45:44.920
<v Speaker 4>other words, could it be a good thing even if

869
00:45:44.920 --> 00:45:47.880
<v Speaker 4>it is false? Right? So there, what's going on is

870
00:45:47.880 --> 00:45:50.840
<v Speaker 4>this kind of Nietzschean and Freudian thing, because you know,

871
00:45:50.920 --> 00:45:55.599
<v Speaker 4>the classic Freudian conception of an illusion isn't something that's

872
00:45:55.679 --> 00:45:58.639
<v Speaker 4>necessarily false per se. It's something that you believe for

873
00:45:58.719 --> 00:46:01.119
<v Speaker 4>reasons other than truth. And so that's when you get

874
00:46:01.119 --> 00:46:03.960
<v Speaker 4>into the idea of like metaphysical consolation or the idea

875
00:46:03.960 --> 00:46:07.679
<v Speaker 4>of believing a lie because life requires lies. So the

876
00:46:07.760 --> 00:46:11.559
<v Speaker 4>early Nietzsche actually thought that what matters in life isn't

877
00:46:11.559 --> 00:46:14.000
<v Speaker 4>whether something is true or not. He thinks it what

878
00:46:14.159 --> 00:46:17.559
<v Speaker 4>matters in life is whether it's life affirming. And so

879
00:46:17.920 --> 00:46:21.159
<v Speaker 4>there's a way in which actually Rust is kind of

880
00:46:21.760 --> 00:46:25.679
<v Speaker 4>cutting against Nietzsche, because Nietzsche might see Rust as somebody

881
00:46:25.760 --> 00:46:28.639
<v Speaker 4>who's still too obsessed with truth. Because Nietzsche thinks that

882
00:46:28.719 --> 00:46:31.280
<v Speaker 4>in a way, what you ultimately have to do is

883
00:46:31.320 --> 00:46:33.760
<v Speaker 4>even get over the desire for the will to truth.

884
00:46:33.800 --> 00:46:37.360
<v Speaker 4>Because Nietzsche thinks what matters isn't finding out what's true

885
00:46:37.440 --> 00:46:40.079
<v Speaker 4>or believing what's true, but affirming life. And it could

886
00:46:40.079 --> 00:46:43.719
<v Speaker 4>be that actually illusions are useful to that purpose, to

887
00:46:43.800 --> 00:46:48.119
<v Speaker 4>making life bearable and tolerable. And so there's a lot of,

888
00:46:48.199 --> 00:46:50.719
<v Speaker 4>like I say, different things going on here, the Schopenhauerenism

889
00:46:51.159 --> 00:46:53.480
<v Speaker 4>and the Nietzscheanism, and it's all sort of blended together

890
00:46:53.599 --> 00:46:55.400
<v Speaker 4>in a very interesting way. And of course there's also

891
00:46:55.440 --> 00:46:58.320
<v Speaker 4>Buddhism going on. But then yeah, to come to a

892
00:46:58.480 --> 00:47:00.840
<v Speaker 4>kind of conclusion with regard to that issue. By the

893
00:47:00.920 --> 00:47:05.519
<v Speaker 4>end of the season, there is some kind of apparent

894
00:47:05.559 --> 00:47:09.599
<v Speaker 4>transformation in Rust where he's not so bleak and cynical

895
00:47:10.079 --> 00:47:12.559
<v Speaker 4>and dark as before. He seems to be some kind

896
00:47:12.599 --> 00:47:17.599
<v Speaker 4>of optimist. So that's an interesting, interesting character arc certainly

897
00:47:17.599 --> 00:47:18.159
<v Speaker 4>in that regard.

898
00:47:18.239 --> 00:47:21.360
<v Speaker 3>Yeah, Yeah, and I think it's a you know, his

899
00:47:21.519 --> 00:47:23.880
<v Speaker 3>idea of as I said, I do think is weirdly

900
00:47:23.960 --> 00:47:26.760
<v Speaker 3>comes to this idea of almost like a secular understanding

901
00:47:26.840 --> 00:47:30.639
<v Speaker 3>of like, I know, morality or religion or whatever, because

902
00:47:30.800 --> 00:47:33.440
<v Speaker 3>there's so many ways to understand where he comes to

903
00:47:33.599 --> 00:47:35.559
<v Speaker 3>at the end. But I mean, I know, I guess

904
00:47:35.599 --> 00:47:37.719
<v Speaker 3>the biggest takeaway for me, I know, me someone who's

905
00:47:37.760 --> 00:47:39.480
<v Speaker 3>like I guess, you know, explored some of these ideas.

906
00:47:39.679 --> 00:47:41.239
<v Speaker 1>I always found the beginning.

907
00:47:41.280 --> 00:47:43.159
<v Speaker 3>While it makes he is a compelling character at the

908
00:47:43.159 --> 00:47:45.119
<v Speaker 3>beginning of the show, I do find him to be

909
00:47:45.119 --> 00:47:46.960
<v Speaker 3>foolish because it is like I am more than the

910
00:47:46.960 --> 00:47:49.400
<v Speaker 3>realm of like even if, like I say, something like

911
00:47:49.639 --> 00:47:52.119
<v Speaker 3>a good example would be something along the lines of

912
00:47:52.679 --> 00:47:55.880
<v Speaker 3>free will, like I actually probably somewhat technically agree with him.

913
00:47:56.159 --> 00:47:59.400
<v Speaker 3>I've thought these things through, but it's almost like it's

914
00:47:59.400 --> 00:48:02.079
<v Speaker 3>almost like a distribratory like thought process like thing when

915
00:48:02.079 --> 00:48:03.960
<v Speaker 3>you think about something like free will, because it's like,

916
00:48:04.360 --> 00:48:05.880
<v Speaker 3>even if it doesn't exist, you have to.

917
00:48:06.119 --> 00:48:07.760
<v Speaker 1>Behave as though it doesn't it does exist.

918
00:48:07.760 --> 00:48:09.480
<v Speaker 3>So it's like it's kind of a and that's kind

919
00:48:09.480 --> 00:48:10.559
<v Speaker 3>of how I look at a lot of these like

920
00:48:10.599 --> 00:48:13.639
<v Speaker 3>deep questions. It's like, Okay, yeah, sure, maybe technically we

921
00:48:13.679 --> 00:48:16.039
<v Speaker 3>are just like a biological AI, but it's like, okay,

922
00:48:16.039 --> 00:48:18.719
<v Speaker 3>who cares, Like I mean, in the day, like I mean,

923
00:48:19.280 --> 00:48:21.679
<v Speaker 3>we functionally speaking, it's as if we have free will,

924
00:48:21.719 --> 00:48:23.639
<v Speaker 3>so it makes no difference, and you kind of have

925
00:48:23.719 --> 00:48:27.480
<v Speaker 3>to hold people responsible, so it makes no meaningful difference

926
00:48:27.559 --> 00:48:30.519
<v Speaker 3>really whether we have free will or not. Everything acts

927
00:48:30.559 --> 00:48:32.840
<v Speaker 3>the same. So I mean, and I know some of

928
00:48:32.880 --> 00:48:34.480
<v Speaker 3>the deeper thoughts that he went into, I did find

929
00:48:34.519 --> 00:48:36.760
<v Speaker 3>him foolish. But it is like I guess, you know,

930
00:48:37.840 --> 00:48:39.559
<v Speaker 3>as as we were talking about I was thinking about

931
00:48:39.559 --> 00:48:42.440
<v Speaker 3>it if he did have this similar type mindset before

932
00:48:42.480 --> 00:48:44.920
<v Speaker 3>having his child, Like let's say he was, you know,

933
00:48:44.920 --> 00:48:47.719
<v Speaker 3>agnostic atheist or somebody somebody who had to and he

934
00:48:47.880 --> 00:48:49.320
<v Speaker 3>was like that type of nihilist.

935
00:48:49.320 --> 00:48:49.639
<v Speaker 1>I forget.

936
00:48:49.639 --> 00:48:51.519
<v Speaker 3>There's a term for it that people use where you're

937
00:48:51.519 --> 00:48:53.320
<v Speaker 3>someone who doesn't believe in an ultimate meaning, but you

938
00:48:53.360 --> 00:48:56.559
<v Speaker 3>will create your own meaning in you. Considering that he

939
00:48:56.639 --> 00:48:59.119
<v Speaker 3>lost his wife and child, I think there could be

940
00:48:59.199 --> 00:49:01.679
<v Speaker 3>something to that, like maybe there's a lesson there and

941
00:49:01.719 --> 00:49:04.639
<v Speaker 3>the idea of someone who doesn't have it some sort

942
00:49:04.639 --> 00:49:08.199
<v Speaker 3>of you know, you know, belief system or higher belief

943
00:49:08.239 --> 00:49:10.400
<v Speaker 3>system or something, and then going through some sort of

944
00:49:10.880 --> 00:49:13.440
<v Speaker 3>life altering trauma, Like what does that do to you?

945
00:49:13.800 --> 00:49:16.400
<v Speaker 3>Something that removes your reason whatever you would have set

946
00:49:16.480 --> 00:49:18.920
<v Speaker 3>up as your reason. Uh, Because I mean, I'm I'm

947
00:49:19.039 --> 00:49:21.440
<v Speaker 3>very much like the It's it's in some ways, I'm

948
00:49:21.519 --> 00:49:23.440
<v Speaker 3>very much the Marty character because I have the family

949
00:49:23.519 --> 00:49:25.239
<v Speaker 3>I have, I have a wife, I have kids. Like

950
00:49:25.639 --> 00:49:28.400
<v Speaker 3>but you know, I'm also in some ways the cold

951
00:49:28.440 --> 00:49:30.639
<v Speaker 3>character in like that way, but like they are my

952
00:49:30.679 --> 00:49:32.199
<v Speaker 3>family's kind of like is that meaning?

953
00:49:32.239 --> 00:49:32.280
<v Speaker 4>So?

954
00:49:32.320 --> 00:49:35.440
<v Speaker 3>I guess I could also understand if something awful happened

955
00:49:35.440 --> 00:49:37.679
<v Speaker 3>to them and they all were gone, how would I

956
00:49:37.760 --> 00:49:39.719
<v Speaker 3>come to terms of that as a human being with

957
00:49:39.800 --> 00:49:43.920
<v Speaker 3>no actual higher you know, meaning to me than like

958
00:49:44.000 --> 00:49:47.239
<v Speaker 3>raising my children and living a good life deal like

959
00:49:47.679 --> 00:49:49.159
<v Speaker 3>what would that do to a man? And I think

960
00:49:49.199 --> 00:49:51.760
<v Speaker 3>that might be that answer might be russ Cole.

961
00:49:53.960 --> 00:49:57.039
<v Speaker 4>Well, So one thing I wanted to mention initially when

962
00:49:57.079 --> 00:49:58.679
<v Speaker 4>I was going to work through the episodes with the

963
00:49:58.679 --> 00:50:01.000
<v Speaker 4>plot exposition, but I just didn't get to it because

964
00:50:01.079 --> 00:50:02.559
<v Speaker 4>I was already going to go on for too long

965
00:50:02.599 --> 00:50:06.199
<v Speaker 4>as it was. As far as revelation of the method

966
00:50:06.239 --> 00:50:10.400
<v Speaker 4>is concerned with the character of Rust, there's clear indications

967
00:50:10.719 --> 00:50:17.800
<v Speaker 4>that he is a trauma survivor potentially interfered with psychiatrically

968
00:50:17.880 --> 00:50:22.039
<v Speaker 4>through potentially mkltree even and one of the tensions that's

969
00:50:22.079 --> 00:50:25.519
<v Speaker 4>going on throughout the shows people will know who have

970
00:50:25.599 --> 00:50:30.800
<v Speaker 4>seen it is once deliberately the viewers deliberately led to

971
00:50:30.840 --> 00:50:35.760
<v Speaker 4>consider the possibility that Rust himself actually is the murder murder,

972
00:50:35.840 --> 00:50:39.079
<v Speaker 4>or that he's somehow involved in the ring, and the

973
00:50:39.079 --> 00:50:43.039
<v Speaker 4>detectives who are interviewing Marty and Rust in twenty twelve

974
00:50:43.079 --> 00:50:46.599
<v Speaker 4>and then also Maggie, Marty's ex wife, They eventually, I

975
00:50:46.639 --> 00:50:48.960
<v Speaker 4>think it's like in season five, they just come out

976
00:50:49.000 --> 00:50:51.280
<v Speaker 4>and say that they think that actually Rust is the

977
00:50:51.360 --> 00:50:56.000
<v Speaker 4>killer and that he's been producing Patsy's Now. There's another

978
00:50:56.039 --> 00:50:57.800
<v Speaker 4>of things to say about this. One thing is that

979
00:50:57.880 --> 00:51:02.360
<v Speaker 4>it's interesting that on a few occasions Russ mentions the

980
00:51:02.360 --> 00:51:05.079
<v Speaker 4>fact that his dad was a Vietnam War veteran and

981
00:51:05.079 --> 00:51:07.800
<v Speaker 4>the sort of survivalist who lived up in Alaska. So

982
00:51:08.679 --> 00:51:10.440
<v Speaker 4>he checks the box on that he comes from a

983
00:51:10.440 --> 00:51:13.440
<v Speaker 4>military home. Then there's the fact, and this is mentioned

984
00:51:13.519 --> 00:51:15.760
<v Speaker 4>right at the outset I think in episode one, maybe

985
00:51:15.840 --> 00:51:21.000
<v Speaker 4>episode two as well, that Russ comes to Homicide State

986
00:51:21.320 --> 00:51:26.039
<v Speaker 4>CID in Louisiana after having previously worked undercover NARCO for

987
00:51:26.079 --> 00:51:29.320
<v Speaker 4>four years in Texas. And the reason why he worked

988
00:51:29.360 --> 00:51:31.880
<v Speaker 4>undercover for four years is that and this is like

989
00:51:31.960 --> 00:51:35.039
<v Speaker 4>familiar territory to anybody who's read the Dave McGowan program

990
00:51:35.079 --> 00:51:38.639
<v Speaker 4>to Kill Stuff. We know all about this. The Rust

991
00:51:39.719 --> 00:51:43.039
<v Speaker 4>shoots somebody and then so he pleads out to turn

992
00:51:43.840 --> 00:51:46.159
<v Speaker 4>to avoid the sentence for the shooting. He ends up

993
00:51:46.159 --> 00:51:49.000
<v Speaker 4>working undercover for four years and then he kills some

994
00:51:49.639 --> 00:51:52.320
<v Speaker 4>cartel members is the Port of Houston and he has

995
00:51:52.360 --> 00:51:55.840
<v Speaker 4>a psychiatric breakdown, and then he's sent to a psychiatric

996
00:51:56.159 --> 00:51:59.360
<v Speaker 4>facility in Lubbock, Texas. And then he talks about how

997
00:51:59.400 --> 00:52:01.320
<v Speaker 4>because of his rug addiction that he had when he

998
00:52:01.360 --> 00:52:04.320
<v Speaker 4>was working undercover, along with the trauma from the murder

999
00:52:04.559 --> 00:52:07.239
<v Speaker 4>and then the baggage she was carrying already from the

1000
00:52:07.239 --> 00:52:10.079
<v Speaker 4>fact that his daughter had died when she was very young,

1001
00:52:10.679 --> 00:52:16.920
<v Speaker 4>he had PTSD and flashbacks and hallucinations. So you have

1002
00:52:16.960 --> 00:52:19.880
<v Speaker 4>to wonder though whether or not actually he's been interfered

1003
00:52:19.920 --> 00:52:25.440
<v Speaker 4>with by either military or the psychiatric community. And anybody

1004
00:52:25.480 --> 00:52:29.199
<v Speaker 4>who's read the Tom O'Neal book Chaos about the Manson murders,

1005
00:52:29.239 --> 00:52:32.880
<v Speaker 4>we know that there were intelligence students that were embedded

1006
00:52:32.880 --> 00:52:35.599
<v Speaker 4>in the police forces, even in the La Sheriff and

1007
00:52:35.880 --> 00:52:41.840
<v Speaker 4>LAPD police forces. So Russ talks about, well, my files

1008
00:52:41.840 --> 00:52:44.159
<v Speaker 4>are sealed and they're all readacted, and so people think

1009
00:52:44.159 --> 00:52:47.280
<v Speaker 4>I'm a fad. So it looks like even though in

1010
00:52:47.320 --> 00:52:50.800
<v Speaker 4>the show, by the end of it we're supposed to

1011
00:52:50.840 --> 00:52:54.639
<v Speaker 4>think that Rust actually wasn't really a mind control MK

1012
00:52:54.840 --> 00:52:57.880
<v Speaker 4>ultra killer, that he actually is a good guy and

1013
00:52:57.960 --> 00:53:01.840
<v Speaker 4>he really wasn't the one out committee the murders finding Patsy's.

1014
00:53:02.599 --> 00:53:05.559
<v Speaker 4>It's still consistent with what we're shown that actually he

1015
00:53:05.679 --> 00:53:09.679
<v Speaker 4>has amnesia and these other personalities that he may laughs

1016
00:53:09.760 --> 00:53:12.159
<v Speaker 4>into he has no record of, and we're just not

1017
00:53:12.360 --> 00:53:15.360
<v Speaker 4>shown that. So in the cinematic grammar of the show,

1018
00:53:15.480 --> 00:53:19.119
<v Speaker 4>it's still actually possible that really there is something else

1019
00:53:19.199 --> 00:53:21.239
<v Speaker 4>going on with him. And I'll just adduce one sort

1020
00:53:21.280 --> 00:53:23.360
<v Speaker 4>of example. I'm not saying that I think this is

1021
00:53:23.360 --> 00:53:27.239
<v Speaker 4>really the case. I'm just saying that it's clearly consistent

1022
00:53:27.280 --> 00:53:29.519
<v Speaker 4>as possible. So as a matter of revelation of the method,

1023
00:53:30.679 --> 00:53:33.159
<v Speaker 4>Pizzolato is showing us that people who are embedded in

1024
00:53:33.199 --> 00:53:36.800
<v Speaker 4>these police forces have intelligence connections, they work under cover,

1025
00:53:36.920 --> 00:53:40.719
<v Speaker 4>they tend to come from military backgrounds, they have psychiatric records,

1026
00:53:40.800 --> 00:53:43.079
<v Speaker 4>and so on and so forth. Russ kind of fits

1027
00:53:43.119 --> 00:53:45.840
<v Speaker 4>all of that profile to a t. But there's this

1028
00:53:45.920 --> 00:53:48.440
<v Speaker 4>scene where he's speaking to one of the prostitutes. Her

1029
00:53:48.480 --> 00:53:50.719
<v Speaker 4>name's Lucy the Blonde. He meets her at a trucker

1030
00:53:50.760 --> 00:53:54.679
<v Speaker 4>bar and he buys pills from her. When he's asking

1031
00:53:54.719 --> 00:53:56.840
<v Speaker 4>her and the other prostitute about whether they know any

1032
00:53:56.920 --> 00:53:59.159
<v Speaker 4>John who may have been the one responsible for killing

1033
00:53:59.239 --> 00:54:02.039
<v Speaker 4>Lang later on, when he visits her. I think it's

1034
00:54:02.039 --> 00:54:04.280
<v Speaker 4>like an episode three. He goes to her apartment to

1035
00:54:04.320 --> 00:54:08.039
<v Speaker 4>get more pills and she tries to seduce him, and

1036
00:54:08.280 --> 00:54:11.000
<v Speaker 4>he rejects her. She gets angry, and then he stands

1037
00:54:11.119 --> 00:54:13.280
<v Speaker 4>up and there's this shot looking up at him and

1038
00:54:13.320 --> 00:54:15.800
<v Speaker 4>he says, well, I'm police, so I can do horrible

1039
00:54:15.840 --> 00:54:20.800
<v Speaker 4>things with impunity, and then it cuts. And this is

1040
00:54:20.840 --> 00:54:24.239
<v Speaker 4>an early episode where by the time you get midway

1041
00:54:24.280 --> 00:54:27.519
<v Speaker 4>through the season, you might think back to that scene

1042
00:54:27.519 --> 00:54:30.559
<v Speaker 4>and say, well, wait, what exactly happened in the apartment

1043
00:54:30.679 --> 00:54:34.480
<v Speaker 4>with the prostitute, Because unless you think that actually Russ

1044
00:54:34.559 --> 00:54:37.239
<v Speaker 4>is a good guy and that the detectives who are

1045
00:54:37.239 --> 00:54:40.000
<v Speaker 4>interviewing him and Marty in twenty twelve are totally off

1046
00:54:40.000 --> 00:54:43.039
<v Speaker 4>on the wrong track and that Rust actually isn't in

1047
00:54:43.079 --> 00:54:45.760
<v Speaker 4>on all this stuff, you would think, well, maybe what

1048
00:54:45.840 --> 00:54:47.960
<v Speaker 4>did he exactly do to there? Did he actually kill her?

1049
00:54:48.320 --> 00:54:50.719
<v Speaker 4>So I'm not saying that in that scene that's actually

1050
00:54:50.719 --> 00:54:52.639
<v Speaker 4>what happened, But what I'm saying is that I think

1051
00:54:52.679 --> 00:54:55.280
<v Speaker 4>it's interesting that that scene is put there because it

1052
00:54:55.360 --> 00:54:59.679
<v Speaker 4>is perfectly consistent with the hypothesis that Rust has amnesia

1053
00:54:59.800 --> 00:55:03.079
<v Speaker 4>and altered personalities and may not actually himself be aware

1054
00:55:03.719 --> 00:55:06.000
<v Speaker 4>that the events that were being shown in the show

1055
00:55:06.400 --> 00:55:09.599
<v Speaker 4>are only following one of his personalities. Perhaps he's off

1056
00:55:09.639 --> 00:55:11.760
<v Speaker 4>doing other things and we're just never shown it, and

1057
00:55:11.800 --> 00:55:15.599
<v Speaker 4>it could be that actually there's other stuff going.

1058
00:55:15.400 --> 00:55:16.119
<v Speaker 1>On with the results.

1059
00:55:16.440 --> 00:55:19.480
<v Speaker 3>Yeah, I mean, even with the perspective we're given, he's

1060
00:55:19.480 --> 00:55:22.599
<v Speaker 3>not a reliable perspective. And I was thinking about, as

1061
00:55:22.639 --> 00:55:24.880
<v Speaker 3>you said, I was like, well, I mean when they

1062
00:55:24.880 --> 00:55:26.519
<v Speaker 3>show it from his perspective, I think a lot of

1063
00:55:26.559 --> 00:55:28.440
<v Speaker 3>times you could make the case that maybe was a

1064
00:55:28.480 --> 00:55:30.920
<v Speaker 3>third person perspective when they show it to show him.

1065
00:55:31.159 --> 00:55:31.719
<v Speaker 1>But I don't know.

1066
00:55:31.800 --> 00:55:33.719
<v Speaker 3>I think there were times where they're definitely showing that

1067
00:55:33.719 --> 00:55:36.320
<v Speaker 3>it's supposed to be from his perspective, because one of

1068
00:55:36.320 --> 00:55:38.800
<v Speaker 3>the things about his h he sees things that aren't

1069
00:55:38.800 --> 00:55:41.280
<v Speaker 3>there sometimes and we see it too, so that would

1070
00:55:41.360 --> 00:55:44.039
<v Speaker 3>denote that we're seeing it from his perspective. So the

1071
00:55:44.079 --> 00:55:47.480
<v Speaker 3>point being is he's not a reliable, So in those instances,

1072
00:55:47.639 --> 00:55:51.639
<v Speaker 3>he's not a reliable narrator or whatever the situation. So

1073
00:55:51.840 --> 00:55:54.320
<v Speaker 3>you can kind of take leeway of if you have

1074
00:55:54.400 --> 00:55:56.639
<v Speaker 3>some case, if it's packed up by some instance of

1075
00:55:56.960 --> 00:55:59.760
<v Speaker 3>when we only see his POV, you may want to

1076
00:55:59.800 --> 00:56:02.199
<v Speaker 3>hold end doubt. So yeah, and I just thought, as

1077
00:56:02.199 --> 00:56:04.440
<v Speaker 3>you said, I was thinking that that's that would actually

1078
00:56:04.480 --> 00:56:06.199
<v Speaker 3>kind of add to that, because I think the only

1079
00:56:06.239 --> 00:56:08.800
<v Speaker 3>things that would push away push back against that would

1080
00:56:08.840 --> 00:56:11.639
<v Speaker 3>be instances of his story where you're seeing things from

1081
00:56:11.639 --> 00:56:13.559
<v Speaker 3>his perspective and you're like, well, he's not a useful

1082
00:56:13.639 --> 00:56:14.960
<v Speaker 3>narrator exactly.

1083
00:56:15.000 --> 00:56:17.079
<v Speaker 4>That The whole point is that what is the story?

1084
00:56:17.760 --> 00:56:20.320
<v Speaker 4>As you know, we're getting memories from Marty, we're getting

1085
00:56:20.360 --> 00:56:23.159
<v Speaker 4>memories from Maggie, these are these are people's recollections of

1086
00:56:23.239 --> 00:56:26.039
<v Speaker 4>ninety five of two thousand and two. So it's selective

1087
00:56:26.159 --> 00:56:28.280
<v Speaker 4>just in that regard that we're only seeing so many

1088
00:56:28.280 --> 00:56:31.199
<v Speaker 4>people's perspectives. So what about all the other people who

1089
00:56:31.239 --> 00:56:33.559
<v Speaker 4>are involved that we don't hear from? For one? But

1090
00:56:33.599 --> 00:56:37.199
<v Speaker 4>then yeah, in the case of Russ in particular, how

1091
00:56:37.239 --> 00:56:39.159
<v Speaker 4>do we know that he has complete access to his

1092
00:56:39.199 --> 00:56:43.440
<v Speaker 4>own memory? Right? And in fact this is also something

1093
00:56:43.440 --> 00:56:47.679
<v Speaker 4>that the character's name is Toby Bulair. He's the male

1094
00:56:47.760 --> 00:56:50.920
<v Speaker 4>prostitute in New Orleans that Russ tracks down towards the end.

1095
00:56:51.000 --> 00:56:53.039
<v Speaker 4>I think it's episode seven. He's the one who.

1096
00:56:52.840 --> 00:56:54.519
<v Speaker 1>Had been the class memories rejumbled too.

1097
00:56:54.599 --> 00:56:56.800
<v Speaker 4>Yeah, and he says, well, I just told myself that

1098
00:56:56.840 --> 00:56:59.920
<v Speaker 4>it was a dream, right, And so we everybody who's

1099
00:57:00.199 --> 00:57:03.320
<v Speaker 4>delved into this realm understands that one of the common

1100
00:57:03.360 --> 00:57:06.000
<v Speaker 4>consequences of that kind of trauma and abuse, whether it

1101
00:57:06.000 --> 00:57:08.840
<v Speaker 4>occurs in childhood through ritualistic sexual abuse or whether it

1102
00:57:08.840 --> 00:57:13.320
<v Speaker 4>occurs later on through more like MK ultra military intelligence

1103
00:57:13.679 --> 00:57:19.280
<v Speaker 4>psychiatric interference, is the amnesia. So it's entirely possible that

1104
00:57:19.519 --> 00:57:25.119
<v Speaker 4>Russ has Missy memories. And then that brings me though

1105
00:57:25.159 --> 00:57:28.920
<v Speaker 4>also before I forget to the issue of Audrey. So

1106
00:57:30.480 --> 00:57:34.800
<v Speaker 4>there was a time where, having watched this this this season,

1107
00:57:34.880 --> 00:57:37.960
<v Speaker 4>I was convinced that actually Maggie may be part of

1108
00:57:37.960 --> 00:57:42.480
<v Speaker 4>the cults. And I'm still open to the idea that

1109
00:57:42.519 --> 00:57:45.679
<v Speaker 4>she knows more about what's really going on than what

1110
00:57:45.800 --> 00:57:48.199
<v Speaker 4>most people who think watched the show think.

1111
00:57:48.679 --> 00:57:51.719
<v Speaker 3>It makes some of her extreme decisions make more sense,

1112
00:57:51.760 --> 00:57:53.599
<v Speaker 3>because I will say, you know, watching that was one

1113
00:57:53.599 --> 00:57:55.679
<v Speaker 3>of the things that even me, like I get sort

1114
00:57:55.719 --> 00:57:57.960
<v Speaker 3>of You're like, oh, this sort of it still seemed

1115
00:57:58.000 --> 00:57:59.239
<v Speaker 3>too dramatic for a character.

1116
00:57:59.400 --> 00:58:00.400
<v Speaker 1>Some of the actions she took.

1117
00:58:00.760 --> 00:58:03.840
<v Speaker 3>Well, yeah it could when I meant like her fucking

1118
00:58:03.920 --> 00:58:06.639
<v Speaker 3>Russ basically her sleeping in the ross. Like I mean, like,

1119
00:58:06.719 --> 00:58:08.480
<v Speaker 3>don't get me wrong, like I get it, the drama

1120
00:58:08.559 --> 00:58:11.280
<v Speaker 3>like it. But it seemed, and I've heard you speak

1121
00:58:11.280 --> 00:58:12.920
<v Speaker 3>on some another show where like the idea being like

1122
00:58:13.239 --> 00:58:15.239
<v Speaker 3>she needed to throw it, she needed to do something

1123
00:58:15.280 --> 00:58:17.360
<v Speaker 3>to throw them off the that would make sense.

1124
00:58:17.400 --> 00:58:19.360
<v Speaker 1>Whereas I mean, don't get me wrong, I get.

1125
00:58:19.239 --> 00:58:21.679
<v Speaker 3>It, she's a wife spurned, she knows Genie again like

1126
00:58:21.679 --> 00:58:23.599
<v Speaker 3>blah blah blah, but like it still seemed it didn't

1127
00:58:23.599 --> 00:58:25.480
<v Speaker 3>seem to fit to her character in my opinion, it

1128
00:58:25.480 --> 00:58:26.400
<v Speaker 3>seemed too extreme.

1129
00:58:26.679 --> 00:58:29.440
<v Speaker 4>So yeah, so okay, So that that that was the

1130
00:58:29.519 --> 00:58:31.639
<v Speaker 4>kind of hypothesis Yeah, I had thrown out in the

1131
00:58:32.000 --> 00:58:34.840
<v Speaker 4>discussion I did uh with the syup cinema guys, that

1132
00:58:35.000 --> 00:58:37.519
<v Speaker 4>was kind of my my read at the time. Watching

1133
00:58:37.599 --> 00:58:41.519
<v Speaker 4>it again, I'm less confident on that specific claim, although

1134
00:58:41.559 --> 00:58:43.760
<v Speaker 4>I still think it could be the case. So just

1135
00:58:43.800 --> 00:58:47.280
<v Speaker 4>to kind of backtrack through the whole Maggie arc, because

1136
00:58:47.320 --> 00:58:49.960
<v Speaker 4>it comes to the question of Audrey and then also

1137
00:58:50.159 --> 00:58:52.880
<v Speaker 4>like the pervasiveness of this cult, like where is it

1138
00:58:52.960 --> 00:58:55.480
<v Speaker 4>and it's everywhere? That's even what Russ says right toward

1139
00:58:55.519 --> 00:58:59.360
<v Speaker 4>the episode seven when he's talking to Leroy Salter, the

1140
00:58:59.519 --> 00:59:02.519
<v Speaker 4>really corrupt major who I think actually is part of

1141
00:59:02.519 --> 00:59:05.280
<v Speaker 4>the cult. And I have a reason for thinking that

1142
00:59:05.320 --> 00:59:08.199
<v Speaker 4>I could mention that as well, but he Russ as well.

1143
00:59:08.239 --> 00:59:11.360
<v Speaker 4>It's like alligators in a swamp and they're everywhere. And

1144
00:59:11.400 --> 00:59:12.960
<v Speaker 4>one of the things that we come to figure out

1145
00:59:13.000 --> 00:59:16.159
<v Speaker 4>right is that Dora Lang was abused as a child,

1146
00:59:16.320 --> 00:59:19.639
<v Speaker 4>Marie Fonteau was abused as a child. This all occurred

1147
00:59:19.639 --> 00:59:22.760
<v Speaker 4>in the school environment. So this is McMartin. This is

1148
00:59:22.800 --> 00:59:28.440
<v Speaker 4>like the charitable organizations with Santusky. So if it's being

1149
00:59:28.519 --> 00:59:31.360
<v Speaker 4>done by people who have access to children in his

1150
00:59:31.400 --> 00:59:33.960
<v Speaker 4>school environment, that's the whole point behind the Tuttle schools,

1151
00:59:34.039 --> 00:59:36.800
<v Speaker 4>is that they were creating these schools as places to

1152
00:59:36.800 --> 00:59:39.280
<v Speaker 4>get access to the children. Then who's to say that

1153
00:59:39.360 --> 00:59:42.119
<v Speaker 4>people who are part of that cult didn't have access

1154
00:59:42.159 --> 00:59:42.639
<v Speaker 4>to Audrey.

1155
00:59:43.239 --> 00:59:45.800
<v Speaker 3>And I'm really interested to think if we looked back,

1156
00:59:45.840 --> 00:59:47.639
<v Speaker 3>if we be able to see any details that tell

1157
00:59:47.719 --> 00:59:50.559
<v Speaker 3>us what school they went to. Because those were Christian schools,

1158
00:59:50.920 --> 00:59:52.599
<v Speaker 3>there was so there's a religious component.

1159
00:59:52.679 --> 00:59:53.280
<v Speaker 1>So I'm wondering.

1160
00:59:53.719 --> 00:59:55.239
<v Speaker 3>I mean, I feel like that'd be two on the nose,

1161
00:59:55.280 --> 00:59:56.960
<v Speaker 3>and Marty probably would have had to have picked up

1162
00:59:56.960 --> 00:59:58.280
<v Speaker 3>on that if that were the case later.

1163
00:59:58.400 --> 01:00:00.760
<v Speaker 4>Well that's what I'm saying. I think, so, yeah, that's

1164
01:00:00.800 --> 01:00:02.920
<v Speaker 4>the kind of like thing, and that's an I think

1165
01:00:02.920 --> 01:00:05.199
<v Speaker 4>that's an assumption, right that these guys make. So I

1166
01:00:05.320 --> 01:00:07.719
<v Speaker 4>sit at the outset like they figure out a lot,

1167
01:00:07.840 --> 01:00:10.199
<v Speaker 4>but there's also things I think that we're in a

1168
01:00:10.199 --> 01:00:12.599
<v Speaker 4>position to figure out that they don't. And this could

1169
01:00:12.639 --> 01:00:15.639
<v Speaker 4>be one of those cases where they are focusing on

1170
01:00:15.679 --> 01:00:19.079
<v Speaker 4>the Tuttle schools which were bringing grounds for this abuse.

1171
01:00:19.199 --> 01:00:22.880
<v Speaker 4>But what's to say that the COLT isn't operating just

1172
01:00:22.920 --> 01:00:26.119
<v Speaker 4>outside of those those charter schools as well. And the

1173
01:00:26.119 --> 01:00:28.480
<v Speaker 4>reason I say this is that everybody talks about the scene.

1174
01:00:28.480 --> 01:00:30.360
<v Speaker 4>I think it's even an episode one or two where

1175
01:00:31.159 --> 01:00:35.000
<v Speaker 4>Audrey and Macy are playing in the room and Marty

1176
01:00:35.079 --> 01:00:37.199
<v Speaker 4>goes to call them to dinner and they have the

1177
01:00:37.320 --> 01:00:40.840
<v Speaker 4>female doll who's lying naked on her back, encircled by

1178
01:00:40.880 --> 01:00:44.880
<v Speaker 4>a group of men, which of it's very much akin

1179
01:00:45.039 --> 01:00:47.400
<v Speaker 4>to the kind of ritualistic stuff that we see later

1180
01:00:47.440 --> 01:00:50.400
<v Speaker 4>with the font note tape. So where did Audrey get

1181
01:00:50.440 --> 01:00:53.239
<v Speaker 4>the idea? Now? The point is is that Marty doesn't

1182
01:00:53.519 --> 01:00:56.960
<v Speaker 4>initially ask her about that. It's Maggie who later prompts

1183
01:00:57.039 --> 01:00:59.519
<v Speaker 4>him to do this when she then goes and draws

1184
01:00:59.519 --> 01:01:02.599
<v Speaker 4>some inner opriate tryan's at school of like couples having sex.

1185
01:01:03.360 --> 01:01:07.639
<v Speaker 4>And when Marty asks Audrey, well, where did you get

1186
01:01:07.639 --> 01:01:10.880
<v Speaker 4>that idea from? It's very interesting, but if you pay attention,

1187
01:01:11.880 --> 01:01:16.159
<v Speaker 4>Audrey avoids answering that question. What she answers is the question, well,

1188
01:01:16.159 --> 01:01:18.199
<v Speaker 4>why she drew it? Was that she says, well, the

1189
01:01:18.280 --> 01:01:20.760
<v Speaker 4>girls in the class like thought it would be funny,

1190
01:01:20.800 --> 01:01:25.840
<v Speaker 4>but she never tells Marty or Maggie where the idea

1191
01:01:25.960 --> 01:01:30.960
<v Speaker 4>came from. So, and then when Audrey when she's sixteen,

1192
01:01:31.760 --> 01:01:33.639
<v Speaker 4>when we fast forward to two thousand and two and

1193
01:01:33.679 --> 01:01:36.760
<v Speaker 4>she's caught having sex with the two boys, the twenty

1194
01:01:36.800 --> 01:01:38.960
<v Speaker 4>year old and nineteen year old boy in the car.

1195
01:01:40.000 --> 01:01:42.519
<v Speaker 3>I think her aesthetics I think are born there too,

1196
01:01:42.599 --> 01:01:45.880
<v Speaker 3>because she's very gothy. It's reminiscent of the conversation with

1197
01:01:45.920 --> 01:01:48.920
<v Speaker 3>the grandpa from earlier, or like all these kids these days,

1198
01:01:49.000 --> 01:01:50.199
<v Speaker 3>yeah yeah, yeah yeah.

1199
01:01:50.280 --> 01:01:53.199
<v Speaker 4>And then also so then in twenty twelve, when when

1200
01:01:53.239 --> 01:01:57.679
<v Speaker 4>Marty goes to visit Maggie and Maggie gives Marty the

1201
01:01:57.719 --> 01:02:00.480
<v Speaker 4>update on how Audrey's doing. She also said, well, she's

1202
01:02:00.519 --> 01:02:03.679
<v Speaker 4>an artist, and it's also very well known that people

1203
01:02:03.679 --> 01:02:07.360
<v Speaker 4>who are trauma survivors, abuse survivors very often will find

1204
01:02:07.400 --> 01:02:08.679
<v Speaker 4>creative outlets to deal with that.

1205
01:02:08.719 --> 01:02:11.000
<v Speaker 1>So she's also you're thinking pizza Gate right now.

1206
01:02:11.000 --> 01:02:13.920
<v Speaker 3>You're thinking pizza Gate, the one girl so connected to

1207
01:02:14.400 --> 01:02:19.280
<v Speaker 3>Podessa that the one lady does all the arts brama

1208
01:02:19.320 --> 01:02:20.159
<v Speaker 3>Vic and I.

1209
01:02:20.119 --> 01:02:21.519
<v Speaker 1>Don't think it's Abramovic. I think it's somebody.

1210
01:02:21.599 --> 01:02:23.800
<v Speaker 3>There's somebody else who does those weird warped ones with

1211
01:02:23.880 --> 01:02:29.239
<v Speaker 3>a creepy looking dead faced children. Yeah, but she apparently is.

1212
01:02:29.320 --> 01:02:32.079
<v Speaker 3>I believe that's one of what Podessa's brother has a

1213
01:02:32.079 --> 01:02:34.719
<v Speaker 3>whole series of art I guess supposedly of this this chick,

1214
01:02:35.199 --> 01:02:37.360
<v Speaker 3>and supposedly I believe she even said this was like

1215
01:02:37.400 --> 01:02:40.320
<v Speaker 3>working through trauma or something or for her. So it's

1216
01:02:40.320 --> 01:02:42.119
<v Speaker 3>like this, I mean, let's be real, she probably is

1217
01:02:42.159 --> 01:02:44.559
<v Speaker 3>some sort of trauma person from that exact network.

1218
01:02:44.719 --> 01:02:45.760
<v Speaker 1>So yeah.

1219
01:02:45.840 --> 01:02:50.239
<v Speaker 4>So so my hypothesis is that actually, when Marty talks

1220
01:02:50.239 --> 01:02:52.719
<v Speaker 4>about the Detective's Cursed, even by the end of the show,

1221
01:02:52.920 --> 01:02:56.360
<v Speaker 4>he never figures out that Audrey herself was a victim

1222
01:02:56.719 --> 01:02:59.800
<v Speaker 4>of the cult that he had been investigating the entire time,

1223
01:03:01.199 --> 01:03:06.320
<v Speaker 4>because she has all the symptoms of someone who was abused.

1224
01:03:07.480 --> 01:03:10.320
<v Speaker 4>So that's my read on it. So then the question becomes, well,

1225
01:03:10.320 --> 01:03:13.639
<v Speaker 4>then what's Maggie's role in it? And so I've softened

1226
01:03:13.679 --> 01:03:16.639
<v Speaker 4>a little bit on her because at first I thought, well,

1227
01:03:17.000 --> 01:03:20.079
<v Speaker 4>she was more like a Nicole Kidman character from Eyes

1228
01:03:20.159 --> 01:03:24.039
<v Speaker 4>White Shot and knew everything. And so I had thought, well,

1229
01:03:24.079 --> 01:03:26.760
<v Speaker 4>in two thousand and two, when she slept with Russ,

1230
01:03:26.800 --> 01:03:30.199
<v Speaker 4>this was done deliberately to sabotage the investigation, because, if

1231
01:03:30.239 --> 01:03:32.840
<v Speaker 4>you think about it, at that point, was going on

1232
01:03:32.960 --> 01:03:34.559
<v Speaker 4>is that Russ was onto the fact that they had

1233
01:03:34.559 --> 01:03:37.320
<v Speaker 4>never caught the real killer. And so I have been thinking, well,

1234
01:03:37.320 --> 01:03:39.679
<v Speaker 4>if Maggie knew that, and she didn't want Russ to

1235
01:03:39.679 --> 01:03:41.760
<v Speaker 4>go digging back into the case, then she knew the

1236
01:03:41.760 --> 01:03:44.519
<v Speaker 4>best way to stop the investigation would be to break

1237
01:03:44.519 --> 01:03:48.280
<v Speaker 4>apart the friendship between Marty and Rust. I now don't

1238
01:03:48.320 --> 01:03:50.679
<v Speaker 4>think that's necessarily why she did it, But what I

1239
01:03:50.719 --> 01:03:53.239
<v Speaker 4>do think is that she knows more than she lets on,

1240
01:03:53.280 --> 01:03:57.280
<v Speaker 4>because in twenty twelve, when Marty goes to see her,

1241
01:03:58.000 --> 01:04:00.679
<v Speaker 4>everybody who watches the show, notice is that she's kind

1242
01:04:00.679 --> 01:04:02.960
<v Speaker 4>of leveled up socially, as it were. So she marries

1243
01:04:03.000 --> 01:04:05.159
<v Speaker 4>this guy whose last name is Sawyer. We never see

1244
01:04:05.239 --> 01:04:07.039
<v Speaker 4>him or meet him or know much about who he

1245
01:04:07.079 --> 01:04:09.800
<v Speaker 4>exactly is, but it's clear from our house that he's

1246
01:04:09.920 --> 01:04:13.159
<v Speaker 4>very wealthy, so we know that he's part of now

1247
01:04:13.239 --> 01:04:17.559
<v Speaker 4>the Louisiana wealth and elite that would be part of this,

1248
01:04:17.679 --> 01:04:20.320
<v Speaker 4>may you that goes up to the tunnels, and that

1249
01:04:20.360 --> 01:04:22.920
<v Speaker 4>goes up to the kind of people that Marty and

1250
01:04:23.239 --> 01:04:24.519
<v Speaker 4>Russ were investigating back in.

1251
01:04:24.840 --> 01:04:27.440
<v Speaker 3>Her father obviously was well to do as well, which

1252
01:04:27.480 --> 01:04:31.599
<v Speaker 3>I think it's heavily implied. Perhaps I think there's something

1253
01:04:31.639 --> 01:04:35.119
<v Speaker 3>poetic about the conversation he had with him, And if

1254
01:04:35.119 --> 01:04:37.960
<v Speaker 3>you do think about that and juxtapose it with the

1255
01:04:38.079 --> 01:04:42.119
<v Speaker 3>idea that possibly he's someone in the doing these sort

1256
01:04:42.119 --> 01:04:45.519
<v Speaker 3>of awful things, it would be kind of warped perspective

1257
01:04:45.559 --> 01:04:47.679
<v Speaker 3>where you kind of get to see from the perspective

1258
01:04:47.800 --> 01:04:50.480
<v Speaker 3>of the abusers here to where it's almost like there's

1259
01:04:50.519 --> 01:04:53.639
<v Speaker 3>this hierarchy of wh're above this, You guys need to

1260
01:04:53.639 --> 01:04:56.079
<v Speaker 3>fall in line. There used to be better days where

1261
01:04:56.119 --> 01:04:58.320
<v Speaker 3>people knew they were in the place blah, blah blah blah.

1262
01:04:58.400 --> 01:05:01.840
<v Speaker 1>It's almost that kind of feeling. I mean, don't be wrong.

1263
01:05:01.840 --> 01:05:03.760
<v Speaker 3>I guess maybe the show makes you want to hate him, though,

1264
01:05:03.760 --> 01:05:05.559
<v Speaker 3>so I guess it's almost the obvious one if there

1265
01:05:05.599 --> 01:05:08.800
<v Speaker 3>is a character, although this is one that little, this

1266
01:05:08.840 --> 01:05:11.679
<v Speaker 3>little little lark that the show went on wasn't really

1267
01:05:11.679 --> 01:05:14.199
<v Speaker 3>an obvious tangent to begin with. So it is like,

1268
01:05:14.239 --> 01:05:15.519
<v Speaker 3>it's kind of it is one of those ones that

1269
01:05:15.639 --> 01:05:17.760
<v Speaker 3>we really don't know it's.

1270
01:05:18.199 --> 01:05:18.440
<v Speaker 1>Yeah.

1271
01:05:19.159 --> 01:05:23.239
<v Speaker 4>So the thing with the grandfather, Marty's father in law

1272
01:05:23.280 --> 01:05:25.599
<v Speaker 4>is yeah, when they go to the house to visit,

1273
01:05:25.880 --> 01:05:29.039
<v Speaker 4>one of the first things that the grandfather asks Marty

1274
01:05:29.079 --> 01:05:31.639
<v Speaker 4>as well, how's the case going? And this happens like

1275
01:05:31.719 --> 01:05:33.960
<v Speaker 4>Maggie will ask too, like well, how's the case going?

1276
01:05:34.039 --> 01:05:36.280
<v Speaker 4>And it's kind of odd, it's like, are you checking in,

1277
01:05:36.400 --> 01:05:38.960
<v Speaker 4>Like what's really going on there? Bro right? And so

1278
01:05:39.519 --> 01:05:43.119
<v Speaker 4>I noticed that when Marty talks to Maggie in twenty twelve,

1279
01:05:43.480 --> 01:05:45.320
<v Speaker 4>and I don't think this can be coincidental on how

1280
01:05:45.360 --> 01:05:47.280
<v Speaker 4>to be put there? I think for a reason, she's

1281
01:05:47.320 --> 01:05:50.400
<v Speaker 4>sitting in a chair. Into her right is a photograph,

1282
01:05:50.519 --> 01:05:54.199
<v Speaker 4>presumably of her new husband, and they're standing at some

1283
01:05:54.239 --> 01:05:56.159
<v Speaker 4>sort of tourist attraction. I don't know whether it's like

1284
01:05:56.239 --> 01:06:01.960
<v Speaker 4>Egypt or whatever, in front of a pyramid, So get

1285
01:06:02.000 --> 01:06:05.000
<v Speaker 4>the pyramid symbolism right there in the frame with the

1286
01:06:05.119 --> 01:06:11.159
<v Speaker 4>husband standing in front of this like classic occultic scenario.

1287
01:06:11.239 --> 01:06:13.480
<v Speaker 4>So I think what happens to Maggie in effect is

1288
01:06:13.519 --> 01:06:15.760
<v Speaker 4>what you were saying was true about Marty at the beginning,

1289
01:06:16.280 --> 01:06:18.360
<v Speaker 4>which is that she turns a blind eye to this

1290
01:06:18.480 --> 01:06:21.440
<v Speaker 4>kind of stuff. And I think that's also why by

1291
01:06:21.440 --> 01:06:24.559
<v Speaker 4>the time she's interviewed in twenty twelve by the other detectives,

1292
01:06:25.079 --> 01:06:28.719
<v Speaker 4>she's kind of aloof and she's cold, and she's bitter

1293
01:06:29.079 --> 01:06:31.920
<v Speaker 4>and she's cynical. But I don't think that's just because

1294
01:06:31.960 --> 01:06:35.199
<v Speaker 4>of what had happened with Marty. I think it's because

1295
01:06:36.400 --> 01:06:40.119
<v Speaker 4>she figured out that whatever it was that Marty and

1296
01:06:40.199 --> 01:06:43.480
<v Speaker 4>Russ were digging into in ninety five is everywhere, and

1297
01:06:43.719 --> 01:06:47.239
<v Speaker 4>it potentially implicates even her new husband, and so she's

1298
01:06:47.280 --> 01:06:49.920
<v Speaker 4>just kind of decided that in order to cope with

1299
01:06:49.960 --> 01:06:52.840
<v Speaker 4>the scope of all this, she's just gonna not look

1300
01:06:52.880 --> 01:06:55.079
<v Speaker 4>into it. And the final thing I'll say about when

1301
01:06:55.079 --> 01:06:56.760
<v Speaker 4>it comes to police corruption and some of these more

1302
01:06:56.800 --> 01:06:59.639
<v Speaker 4>minor characters that tend to get overlooked to her. I

1303
01:06:59.639 --> 01:07:03.159
<v Speaker 4>think really essential to figuring out the dynamics of how

1304
01:07:03.199 --> 01:07:06.360
<v Speaker 4>this whole cover up works is that there's a series

1305
01:07:06.400 --> 01:07:10.039
<v Speaker 4>of majors throughout the progression from ninety five to twenty twelve.

1306
01:07:10.119 --> 01:07:13.119
<v Speaker 4>The first major's Casata. He's just kind of like, you know,

1307
01:07:13.199 --> 01:07:16.239
<v Speaker 4>a company man. He's not pernicious, he just wants to

1308
01:07:16.280 --> 01:07:19.760
<v Speaker 4>keep his bosses happy. But then when we come to

1309
01:07:19.800 --> 01:07:25.039
<v Speaker 4>two thousand and two, before when Rust resigns or quits,

1310
01:07:25.599 --> 01:07:28.559
<v Speaker 4>the new major is this guy named Leroy Salter, and

1311
01:07:28.599 --> 01:07:31.920
<v Speaker 4>he's clearly corrupt. I think he knows all exactly what's

1312
01:07:31.920 --> 01:07:34.440
<v Speaker 4>going on because he starts gaslighting Rust. So he says, well,

1313
01:07:34.440 --> 01:07:37.079
<v Speaker 4>I'm going to have you for a mental exhaustion. He

1314
01:07:37.159 --> 01:07:39.880
<v Speaker 4>writes up a report where he says that Rust is manic.

1315
01:07:40.199 --> 01:07:45.880
<v Speaker 4>So he's deliberately trying to attack Rust's reliability by claiming

1316
01:07:45.880 --> 01:07:49.639
<v Speaker 4>that he's mentally ill. And he slips up because in

1317
01:07:49.679 --> 01:07:53.320
<v Speaker 4>one of the scenes when Salter is grilling Rust and

1318
01:07:53.400 --> 01:07:55.880
<v Speaker 4>Marty telling them that they're not going to be allowed

1319
01:07:55.880 --> 01:07:59.519
<v Speaker 4>to look into any of these missing persons, Well, one

1320
01:07:59.559 --> 01:08:02.679
<v Speaker 4>of the guys, there's Commander Space, who's the one who

1321
01:08:02.679 --> 01:08:04.800
<v Speaker 4>wears the blue uniform. He was there all the way

1322
01:08:04.840 --> 01:08:08.239
<v Speaker 4>in ninety five. Spiece is the guy who accompanies Tuttle

1323
01:08:08.280 --> 01:08:11.360
<v Speaker 4>when they introduce the Task Force, and Speace to me

1324
01:08:11.440 --> 01:08:14.519
<v Speaker 4>is part of the colt also because he has the

1325
01:08:14.599 --> 01:08:17.880
<v Speaker 4>evil eye on Marty and Cole the entire time. And

1326
01:08:17.960 --> 01:08:22.359
<v Speaker 4>it's Space who tells Cole after Cole had gone to

1327
01:08:22.399 --> 01:08:25.920
<v Speaker 4>confront Tuttle. He says, well, you know, Cole says, I

1328
01:08:25.920 --> 01:08:27.840
<v Speaker 4>didn't brace him or something, and he says, well, it's

1329
01:08:27.880 --> 01:08:30.079
<v Speaker 4>not for you to decide what kind of conversation it is.

1330
01:08:30.119 --> 01:08:32.800
<v Speaker 4>So it's clear that Space is taking orders from the

1331
01:08:32.840 --> 01:08:35.600
<v Speaker 4>COLT from the beginning, because he's the one who basically

1332
01:08:35.640 --> 01:08:38.439
<v Speaker 4>wants to take the case off the hands of Marty

1333
01:08:39.039 --> 01:08:41.119
<v Speaker 4>and Rust all the way back in ninety five with

1334
01:08:41.199 --> 01:08:43.319
<v Speaker 4>the Task Force, and then in two thousand and two,

1335
01:08:43.399 --> 01:08:46.640
<v Speaker 4>he's the one there who's basically enjoying the fact that

1336
01:08:47.560 --> 01:08:51.399
<v Speaker 4>Salter is stonewalling and driving Rust to a point of

1337
01:08:51.399 --> 01:08:54.039
<v Speaker 4>frustration where he's just going to leave the department altogether.

1338
01:08:54.640 --> 01:08:58.279
<v Speaker 4>But Salter says to Rust during one of these confrontations,

1339
01:08:58.279 --> 01:08:59.920
<v Speaker 4>he says, oh, what do you want us to do?

1340
01:09:00.399 --> 01:09:02.680
<v Speaker 4>You know, put out like an app or something like

1341
01:09:02.720 --> 01:09:06.000
<v Speaker 4>on all missing persons within a ten mile radius of Walmart,

1342
01:09:06.039 --> 01:09:10.039
<v Speaker 4>and like, look, we're gonna go after Sam Walmart. Well,

1343
01:09:10.159 --> 01:09:13.640
<v Speaker 4>in the episode that comes later, when Russ takes Marty

1344
01:09:13.720 --> 01:09:16.239
<v Speaker 4>to the storage shed to show him all of his evidence,

1345
01:09:16.279 --> 01:09:20.039
<v Speaker 4>including the font No Snuff tape, it turns out that

1346
01:09:20.720 --> 01:09:24.640
<v Speaker 4>Rust had shown that all these disappearances occur within a

1347
01:09:24.680 --> 01:09:28.560
<v Speaker 4>ten mile radius of the charter schools, the Tuttle schools,

1348
01:09:29.079 --> 01:09:31.520
<v Speaker 4>and I don't think it's coincidental that it's ten miles.

1349
01:09:31.560 --> 01:09:34.479
<v Speaker 4>So I think what happened, in effect, is that Salter

1350
01:09:34.640 --> 01:09:39.000
<v Speaker 4>knew that these disappearances were localized within a ten mile radius,

1351
01:09:39.000 --> 01:09:42.600
<v Speaker 4>but he just changed the location to mock it. So

1352
01:09:42.880 --> 01:09:45.399
<v Speaker 4>rather than saying, well, let's look at a ten mile

1353
01:09:45.520 --> 01:09:47.960
<v Speaker 4>radius within all these Tuttle schools, he tried to kind

1354
01:09:48.000 --> 01:09:50.760
<v Speaker 4>of gaslight Rust and make a joke of it by saying, oh, well,

1355
01:09:50.760 --> 01:09:53.079
<v Speaker 4>why don't we look within a ten mile radius of

1356
01:09:53.119 --> 01:09:56.119
<v Speaker 4>all the Walmarts. So he clearly, I think, knew what was.

1357
01:09:56.119 --> 01:09:58.239
<v Speaker 1>Going on, all right.

1358
01:09:58.279 --> 01:09:59.960
<v Speaker 3>I'm trying to think if there's you let me know,

1359
01:10:00.119 --> 01:10:03.359
<v Speaker 3>is there any specific spots you really want to analyze

1360
01:10:03.399 --> 01:10:05.600
<v Speaker 3>before we go into the third part of this, where

1361
01:10:05.600 --> 01:10:07.600
<v Speaker 3>we kind of go into the why of the revelation

1362
01:10:07.680 --> 01:10:08.199
<v Speaker 3>of the method.

1363
01:10:08.560 --> 01:10:09.600
<v Speaker 1>I think we could.

1364
01:10:09.680 --> 01:10:12.439
<v Speaker 3>We could probably spend you know, you know, quite a

1365
01:10:12.479 --> 01:10:15.159
<v Speaker 3>bit of time going through anecdotal examples. It's kind of

1366
01:10:15.199 --> 01:10:18.279
<v Speaker 3>hard to prevent yourself doing it. But it's almost I

1367
01:10:18.640 --> 01:10:20.760
<v Speaker 3>don't know, there's so many different spots you can pick

1368
01:10:20.800 --> 01:10:22.119
<v Speaker 3>and be like, oh, this is just like this thing,

1369
01:10:22.239 --> 01:10:23.640
<v Speaker 3>is just like that thing. So I don't know if

1370
01:10:23.640 --> 01:10:25.920
<v Speaker 3>there's anything along those lines you want to go into

1371
01:10:26.039 --> 01:10:28.119
<v Speaker 3>before we move into the next part, which is kind

1372
01:10:28.119 --> 01:10:31.359
<v Speaker 3>of the just kind of theories on how this even

1373
01:10:31.399 --> 01:10:34.159
<v Speaker 3>got made, why it got made. But I don't know

1374
01:10:34.199 --> 01:10:35.880
<v Speaker 3>if there's anything you want to add to that. It's

1375
01:10:36.039 --> 01:10:37.920
<v Speaker 3>kind of to support that before we get to that

1376
01:10:39.039 --> 01:10:40.239
<v Speaker 3>last act, you know what I mean.

1377
01:10:41.239 --> 01:10:44.199
<v Speaker 4>Yeah, yeah, So just I mean, by way of summary,

1378
01:10:44.960 --> 01:10:48.159
<v Speaker 4>some of the key aspects or components of revelation of

1379
01:10:48.199 --> 01:10:50.079
<v Speaker 4>the method in this show, so far as I can

1380
01:10:50.119 --> 01:10:52.479
<v Speaker 4>see it, one would be the police corruption that we're

1381
01:10:52.479 --> 01:10:56.079
<v Speaker 4>discussing the idea of the command structure being a mechanism

1382
01:10:56.119 --> 01:10:59.039
<v Speaker 4>by which they derail these investigations. And that's even what

1383
01:10:59.319 --> 01:11:02.039
<v Speaker 4>Jerraci said on the Fishing Boat. He says, well, when

1384
01:11:02.119 --> 01:11:05.079
<v Speaker 4>childrens told me not to look into the font note

1385
01:11:05.079 --> 01:11:06.439
<v Speaker 4>disappearance of what I was supposed to do is the

1386
01:11:06.520 --> 01:11:08.439
<v Speaker 4>chain of command, right, I was falling. Chain of command.

1387
01:11:08.479 --> 01:11:11.439
<v Speaker 4>That's how it works. So there's the police corruption and

1388
01:11:11.479 --> 01:11:15.720
<v Speaker 4>the idea that the cult infiltrates the police and law

1389
01:11:15.800 --> 01:11:19.960
<v Speaker 4>enforcement and the judicial system and basically weaponizes the command

1390
01:11:20.000 --> 01:11:23.920
<v Speaker 4>structure to shut down all these investigations through the chain

1391
01:11:23.920 --> 01:11:26.439
<v Speaker 4>of command. That's one thing. The other related thing, which

1392
01:11:26.479 --> 01:11:29.159
<v Speaker 4>I didn't really come to is this issue about blackmail

1393
01:11:29.439 --> 01:11:32.319
<v Speaker 4>and extortion and compromise, because of course that comes to

1394
01:11:32.359 --> 01:11:35.840
<v Speaker 4>the surface with regard to the tunnel being in possession

1395
01:11:35.880 --> 01:11:38.520
<v Speaker 4>of the font no snuff film. Rust himself is the

1396
01:11:38.520 --> 01:11:40.720
<v Speaker 4>one who says, well, he was probably bumped off by

1397
01:11:40.720 --> 01:11:43.399
<v Speaker 4>other people in the colt because he became a liability

1398
01:11:43.600 --> 01:11:45.399
<v Speaker 4>when they figured out that the snuff film that he

1399
01:11:45.439 --> 01:11:49.880
<v Speaker 4>had been in possession of was lost. So the show

1400
01:11:49.920 --> 01:11:53.239
<v Speaker 4>already openly talks about the idea of there being blackmail

1401
01:11:53.239 --> 01:11:59.359
<v Speaker 4>and extortion. Ye. But one thing that a friend of mine,

1402
01:11:59.399 --> 01:12:02.840
<v Speaker 4>Brett Corolla from Syap Cinema, drew to my attention is

1403
01:12:02.960 --> 01:12:05.640
<v Speaker 4>he was telling me that apparently in the Redout Chili

1404
01:12:05.680 --> 01:12:10.439
<v Speaker 4>Pepper's biography, Anthony Kittis's biography, it's called Scar Tissue. Apparently

1405
01:12:10.680 --> 01:12:14.600
<v Speaker 4>there's some kind of incident that's recounted in there of

1406
01:12:14.640 --> 01:12:17.960
<v Speaker 4>a woman who's a sex operative, who is the daughter

1407
01:12:18.159 --> 01:12:22.399
<v Speaker 4>of a Louisiana chief of police. So what I wanted

1408
01:12:22.439 --> 01:12:24.039
<v Speaker 4>to say here is that when it comes to the

1409
01:12:24.039 --> 01:12:30.199
<v Speaker 4>world of extortion and blackmail and compromise, look at Marty.

1410
01:12:30.239 --> 01:12:32.600
<v Speaker 4>He has a pension for philandering, right. So the woman,

1411
01:12:32.640 --> 01:12:35.159
<v Speaker 4>the mistress that he has in ninety five, Lisa, the

1412
01:12:35.199 --> 01:12:39.319
<v Speaker 4>court stenographer. The way it's depicted is that she's when

1413
01:12:39.359 --> 01:12:43.039
<v Speaker 4>he scorns her, she out of revenge, tells Maggie about

1414
01:12:43.079 --> 01:12:46.000
<v Speaker 4>the affair. But what I'm saying is that when we

1415
01:12:46.079 --> 01:12:48.239
<v Speaker 4>know how the world really works, it turns out that

1416
01:12:48.319 --> 01:12:51.159
<v Speaker 4>some of these women are sex operatives. So another aspect

1417
01:12:51.199 --> 01:12:53.319
<v Speaker 4>of what's going on with the corruption and the command

1418
01:12:53.319 --> 01:12:57.720
<v Speaker 4>structure is that through also sex operatives like a woman

1419
01:12:57.840 --> 01:13:00.720
<v Speaker 4>like Lisa, or like Beth who he reas with later

1420
01:13:00.720 --> 01:13:03.359
<v Speaker 4>at the T Mobile shop after he had first met

1421
01:13:03.359 --> 01:13:06.800
<v Speaker 4>her as a young girl at the Bunny Ranch. This

1422
01:13:06.840 --> 01:13:08.880
<v Speaker 4>is what we saw with Epstein, with like Glenn Maxwell

1423
01:13:08.880 --> 01:13:11.680
<v Speaker 4>and these other people. So a lot of the extortion

1424
01:13:11.840 --> 01:13:15.359
<v Speaker 4>in the blackmail is done through intelligence services, through honeypots,

1425
01:13:15.399 --> 01:13:18.319
<v Speaker 4>through sex operatives. And this is also how they maintain

1426
01:13:18.399 --> 01:13:20.840
<v Speaker 4>the corruption in the law enforcement. Is that if you're

1427
01:13:20.880 --> 01:13:23.640
<v Speaker 4>a genuinely good guy and they don't have leverage over

1428
01:13:23.680 --> 01:13:26.279
<v Speaker 4>you because you don't have a drug addiction, you don't

1429
01:13:26.279 --> 01:13:29.880
<v Speaker 4>have an alcohol addiction, you don't have gambling debts, you're

1430
01:13:29.880 --> 01:13:32.880
<v Speaker 4>not a closeted homosexual, you're not cheating on your spouse

1431
01:13:32.960 --> 01:13:35.560
<v Speaker 4>or whatever, they can't control you, right, So then what

1432
01:13:35.640 --> 01:13:37.640
<v Speaker 4>happens is they do in effect what they did to russ,

1433
01:13:37.680 --> 01:13:40.000
<v Speaker 4>which is they drive you out or they don't promote you.

1434
01:13:40.239 --> 01:13:41.800
<v Speaker 4>And so all they're going to do is promote the

1435
01:13:41.880 --> 01:13:45.640
<v Speaker 4>people who are either corrupt like Jerrasi, or people who

1436
01:13:45.680 --> 01:13:48.000
<v Speaker 4>happen to actually be from the cult itself. So the

1437
01:13:48.039 --> 01:13:52.079
<v Speaker 4>other example here is the guard from the prison who

1438
01:13:52.119 --> 01:13:56.119
<v Speaker 4>is a childress, who basically tells the guy Francis, who

1439
01:13:56.199 --> 01:13:58.680
<v Speaker 4>was going to divulge all this information about the Yellow King,

1440
01:13:58.720 --> 01:14:02.640
<v Speaker 4>to kill himself. So the other aspect is that another

1441
01:14:02.680 --> 01:14:04.479
<v Speaker 4>aspect of the revelation of the method I mean to

1442
01:14:04.520 --> 01:14:09.239
<v Speaker 4>say is that in addition to the world of blackmail

1443
01:14:09.279 --> 01:14:12.640
<v Speaker 4>and extortion and mk ultra stuff, you also have the

1444
01:14:12.680 --> 01:14:15.000
<v Speaker 4>sex operative angle. I think that's in there. And then

1445
01:14:15.000 --> 01:14:18.920
<v Speaker 4>the final bit is that the ritualistic component of all this,

1446
01:14:19.479 --> 01:14:24.560
<v Speaker 4>the Santa Ria, the Satanism, it's also controlled through the occult.

1447
01:14:24.560 --> 01:14:28.760
<v Speaker 4>The command structure is incest intergenerational incest. So that's the

1448
01:14:28.800 --> 01:14:32.640
<v Speaker 4>case obviously with Childress himself, who is the sun from

1449
01:14:32.720 --> 01:14:35.640
<v Speaker 4>one of the Tuttles, But it's also true it appears

1450
01:14:35.640 --> 01:14:38.560
<v Speaker 4>to be of Dora Lang herself, because actually, if you

1451
01:14:38.640 --> 01:14:41.159
<v Speaker 4>recall one of the early episodes when Marty and Russ

1452
01:14:41.239 --> 01:14:45.680
<v Speaker 4>go to interview Dora Lang's I think it's grandmother, there's

1453
01:14:45.680 --> 01:14:48.479
<v Speaker 4>a photograph that they look at of a young girl

1454
01:14:48.479 --> 01:14:50.800
<v Speaker 4>who's standing in front of these men who are on

1455
01:14:51.039 --> 01:14:55.159
<v Speaker 4>horseback with masks on. And when you look at the photograph,

1456
01:14:55.239 --> 01:14:57.960
<v Speaker 4>initially at the episode, you think maybe they're KKK people,

1457
01:14:58.199 --> 01:15:00.439
<v Speaker 4>but then you realize no, actually there in the same

1458
01:15:00.479 --> 01:15:03.880
<v Speaker 4>Marty Cross stuff that later on comes to be affiliated

1459
01:15:03.920 --> 01:15:05.960
<v Speaker 4>with all the Santa Ria voodoo stuff that they hear

1460
01:15:06.079 --> 01:15:09.119
<v Speaker 4>was going on at the Tuttle property from Dolores to Mate.

1461
01:15:09.439 --> 01:15:12.560
<v Speaker 4>So it appears what I'm saying is that actually Lang

1462
01:15:12.640 --> 01:15:17.960
<v Speaker 4>herself probably came from one of these intergenerational, abusive, incestuous

1463
01:15:17.960 --> 01:15:18.720
<v Speaker 4>families as well.

1464
01:15:20.600 --> 01:15:22.359
<v Speaker 3>God, there's one thing I want to point there, there

1465
01:15:22.399 --> 01:15:24.680
<v Speaker 3>was something the Jerracy I think is his name.

1466
01:15:25.079 --> 01:15:26.359
<v Speaker 1>Yeah, he that guy.

1467
01:15:26.720 --> 01:15:30.000
<v Speaker 3>I feel like he's a worthwhile thing just to look at,

1468
01:15:30.079 --> 01:15:32.359
<v Speaker 3>to examine, because the one of the things I think

1469
01:15:32.359 --> 01:15:34.119
<v Speaker 3>people will be, you know, if we try to talk

1470
01:15:34.159 --> 01:15:37.199
<v Speaker 3>to NORMI is about something along these lines, they'll be like, well,

1471
01:15:37.199 --> 01:15:39.079
<v Speaker 3>how does this even happen? I think Jerrasy is a

1472
01:15:39.119 --> 01:15:42.399
<v Speaker 3>good example because it's very clear through you know, the

1473
01:15:42.439 --> 01:15:45.319
<v Speaker 3>interaction with him that he didn't know and really he

1474
01:15:45.359 --> 01:15:47.760
<v Speaker 3>could have very easily have been that could have been Marty,

1475
01:15:47.880 --> 01:15:49.960
<v Speaker 3>That really could have been the Marty character, that could

1476
01:15:50.000 --> 01:15:52.640
<v Speaker 3>have happened to Marty. I mean, I'd like to think

1477
01:15:52.640 --> 01:15:55.239
<v Speaker 3>that maybe Marty probably a slightly better character and it probably.

1478
01:15:54.960 --> 01:15:55.720
<v Speaker 1>Wouldn't happen to him.

1479
01:15:55.720 --> 01:15:57.800
<v Speaker 3>But really, I mean, it is just kind of a

1480
01:15:58.159 --> 01:16:00.880
<v Speaker 3>inatented in intentiveness, is really what you know, kind of

1481
01:16:00.880 --> 01:16:03.760
<v Speaker 3>the issue is here. I mean, that's I guess that's

1482
01:16:03.840 --> 01:16:07.039
<v Speaker 3>kind of almost a theme throughout because even with you know,

1483
01:16:07.039 --> 01:16:08.800
<v Speaker 3>somebody like a Jerrasi, it really is just kind of

1484
01:16:08.800 --> 01:16:11.279
<v Speaker 3>a okay, whatever, I'll take your word for it. Like,

1485
01:16:11.760 --> 01:16:13.880
<v Speaker 3>I mean, I'm sure he just didn't ask more questions.

1486
01:16:13.920 --> 01:16:15.840
<v Speaker 3>Maybe he thought something was weird, but it's like, hey,

1487
01:16:15.840 --> 01:16:18.840
<v Speaker 3>boss is saying this, Okay, who am I to question it?

1488
01:16:18.840 --> 01:16:20.439
<v Speaker 3>You just kind of you forget about it, and you

1489
01:16:20.479 --> 01:16:22.680
<v Speaker 3>just kind of you just assume everything's good and move

1490
01:16:22.720 --> 01:16:25.199
<v Speaker 3>on with life and just make that assumption and don't

1491
01:16:25.279 --> 01:16:26.880
<v Speaker 3>check even though you know there's that little voice in

1492
01:16:26.920 --> 01:16:28.119
<v Speaker 3>the back of your head that saying, I don't know,

1493
01:16:28.159 --> 01:16:29.800
<v Speaker 3>maybe I should dot my I cross my tee.

1494
01:16:30.279 --> 01:16:30.399
<v Speaker 4>Uh.

1495
01:16:30.520 --> 01:16:33.199
<v Speaker 3>That's kind of and that obviously that plays into I

1496
01:16:33.199 --> 01:16:35.600
<v Speaker 3>think a lot of characters here, So I think I

1497
01:16:35.600 --> 01:16:37.479
<v Speaker 3>think maybe that was almost I think that definitely was

1498
01:16:37.520 --> 01:16:39.039
<v Speaker 3>a theme he was trying to make, and I think

1499
01:16:39.039 --> 01:16:42.279
<v Speaker 3>that kinda I do think that kinda is expressed through

1500
01:16:42.520 --> 01:16:45.199
<v Speaker 3>too Cole's little uh, you know, I won't look away again.

1501
01:16:45.239 --> 01:16:47.880
<v Speaker 3>I think that's that one little line that expresses it there,

1502
01:16:48.279 --> 01:16:50.399
<v Speaker 3>and it's kind of has another side of it too

1503
01:16:50.479 --> 01:16:53.680
<v Speaker 3>than just something inattentiveness. Although I guess even something is

1504
01:16:54.079 --> 01:16:57.159
<v Speaker 3>as crazy as like you know, looking as wanting to

1505
01:16:57.199 --> 01:17:00.479
<v Speaker 3>look deeper into things like I know, you know, SRA

1506
01:17:00.800 --> 01:17:03.560
<v Speaker 3>like satanic ritual abuse and stuff like that. I guess

1507
01:17:03.600 --> 01:17:06.239
<v Speaker 3>that kind of is like a shedding off in attentiveness,

1508
01:17:06.359 --> 01:17:08.720
<v Speaker 3>so because it is kind of like, I know, this

1509
01:17:08.720 --> 01:17:10.520
<v Speaker 3>stuff happens, and I think we need to be aware

1510
01:17:10.520 --> 01:17:12.720
<v Speaker 3>of it. So all right, let's get into the last

1511
01:17:12.800 --> 01:17:16.359
<v Speaker 3>portion here. It seems like you have some thoughts on

1512
01:17:16.960 --> 01:17:19.920
<v Speaker 3>why why this was made, how this was made, just

1513
01:17:20.000 --> 01:17:22.920
<v Speaker 3>kind of thoughts within that realm. I'm kind of interested

1514
01:17:22.920 --> 01:17:24.479
<v Speaker 3>to see what you have hooked cooked up because I

1515
01:17:24.479 --> 01:17:26.319
<v Speaker 3>haven't really looked too much into like the people made this.

1516
01:17:26.399 --> 01:17:28.279
<v Speaker 1>I mean, I've looked a little bit into the writer.

1517
01:17:28.960 --> 01:17:31.079
<v Speaker 3>I know he's the one who wrote season one, two, three,

1518
01:17:31.399 --> 01:17:34.119
<v Speaker 3>I think, and I think that's it, and then four

1519
01:17:34.239 --> 01:17:36.880
<v Speaker 3>is like a new writer. I don't know enough. I've

1520
01:17:36.880 --> 01:17:38.960
<v Speaker 3>heard people I don't I don't know the source of it.

1521
01:17:39.000 --> 01:17:42.800
<v Speaker 3>I've heard people say he was inspired by the I

1522
01:17:42.800 --> 01:17:44.640
<v Speaker 3>can't think of it as a church scandal. It was

1523
01:17:44.680 --> 01:17:48.279
<v Speaker 3>a the Hosanna Churt scandal. I haven't heard anything else

1524
01:17:48.319 --> 01:17:50.520
<v Speaker 3>that he was specifically inspired by. I'm convinced, like one

1525
01:17:50.560 --> 01:17:52.640
<v Speaker 3>hundred percent he was inspired by Dudreux Fair. It just

1526
01:17:52.640 --> 01:17:55.640
<v Speaker 3>seems way too, way too close. But I mean, obviously

1527
01:17:55.640 --> 01:17:57.359
<v Speaker 3>there's a lot of other things that was inspired by.

1528
01:17:57.960 --> 01:18:00.199
<v Speaker 3>Uh just kind of I know, I just what what

1529
01:18:00.239 --> 01:18:01.479
<v Speaker 3>are your thoughts about?

1530
01:18:01.520 --> 01:18:01.800
<v Speaker 4>Where?

1531
01:18:02.039 --> 01:18:03.199
<v Speaker 1>Why? How? Why?

1532
01:18:03.479 --> 01:18:05.640
<v Speaker 3>I don't really know this is this to me is

1533
01:18:05.720 --> 01:18:08.479
<v Speaker 3>blew me away. This has even made I struggled to

1534
01:18:08.479 --> 01:18:12.359
<v Speaker 3>find an angle. I mean, I mean, even even if

1535
01:18:12.520 --> 01:18:15.159
<v Speaker 3>the things that happened like Pizzagate didn't happen shortly after,

1536
01:18:15.199 --> 01:18:17.479
<v Speaker 3>even absent all those things, is still kind of wild.

1537
01:18:17.520 --> 01:18:19.680
<v Speaker 3>This even I'm just blown away, this is even allowed

1538
01:18:19.720 --> 01:18:22.039
<v Speaker 3>to happen. So, I don't know, was there some sort

1539
01:18:22.079 --> 01:18:24.520
<v Speaker 3>of angle you think that somehow the powers that be

1540
01:18:24.600 --> 01:18:27.680
<v Speaker 3>were just like, oh, this won't be so explosive, or

1541
01:18:28.000 --> 01:18:31.119
<v Speaker 3>or or what. I just I struggle to wrap my

1542
01:18:31.159 --> 01:18:33.920
<v Speaker 3>head around the angle. It almost just seems like this

1543
01:18:33.960 --> 01:18:37.159
<v Speaker 3>one just slipped through. I don't know, you know, thoughts.

1544
01:18:37.520 --> 01:18:41.600
<v Speaker 4>I have a number of thoughts about this. The first

1545
01:18:41.600 --> 01:18:45.319
<v Speaker 4>thing to say is that I don't want to presume

1546
01:18:45.840 --> 01:18:47.800
<v Speaker 4>to be in a position to know what any particular

1547
01:18:47.800 --> 01:18:53.199
<v Speaker 4>person's intentions or making, including including Pisolado. So the analysis

1548
01:18:53.520 --> 01:18:56.159
<v Speaker 4>that I'm going to offer is deliberately just going to

1549
01:18:56.239 --> 01:19:00.279
<v Speaker 4>bracket any sort of speculation about any one part the

1550
01:19:00.359 --> 01:19:03.399
<v Speaker 4>person's motivations for making this, because I think you can

1551
01:19:03.439 --> 01:19:05.840
<v Speaker 4>still come to a considered view about how it was

1552
01:19:05.840 --> 01:19:09.920
<v Speaker 4>made and why with a degree of intention or a

1553
01:19:09.920 --> 01:19:12.439
<v Speaker 4>gentfuleness behind it, without having to say, well, this person

1554
01:19:12.520 --> 01:19:14.079
<v Speaker 4>was doing it for this reason, this person was doing

1555
01:19:14.119 --> 01:19:18.159
<v Speaker 4>it for that reason, we just don't know that. So

1556
01:19:18.239 --> 01:19:20.079
<v Speaker 4>with that out of the way, my view is that

1557
01:19:20.680 --> 01:19:23.399
<v Speaker 4>this is a classic case of revelation of the method.

1558
01:19:23.760 --> 01:19:28.359
<v Speaker 4>And in my view, that's a it's a form of

1559
01:19:28.399 --> 01:19:33.279
<v Speaker 4>psychological warfare, particularly what I call a form of demoralization.

1560
01:19:34.479 --> 01:19:39.399
<v Speaker 4>And this is a topic that I've explored, particularly with

1561
01:19:39.479 --> 01:19:42.000
<v Speaker 4>reference to film noir. And you think here of a

1562
01:19:42.000 --> 01:19:45.239
<v Speaker 4>film like nineteen seventy four is Chinatown by Roman Polanski,

1563
01:19:45.640 --> 01:19:49.800
<v Speaker 4>and Chinatown in some ways is very much a sort

1564
01:19:49.800 --> 01:19:52.279
<v Speaker 4>of guidepost for this film as well, because if you

1565
01:19:52.279 --> 01:19:56.600
<v Speaker 4>think about it, the sort of infamous conclusion to Chinatown

1566
01:19:56.760 --> 01:20:04.600
<v Speaker 4>is that Jake gittis Jack Nicholson character is essentially finds

1567
01:20:04.680 --> 01:20:07.439
<v Speaker 4>himself in a situation where he is forced to see

1568
01:20:07.479 --> 01:20:11.640
<v Speaker 4>the futility of knowing that everything he's done has been

1569
01:20:11.720 --> 01:20:16.119
<v Speaker 4>pointless because the evil in Los Angeles is so pervasive

1570
01:20:16.239 --> 01:20:18.840
<v Speaker 4>and so powerful that there's nothing he can do to

1571
01:20:18.880 --> 01:20:22.800
<v Speaker 4>stop it. And so in that regard, I call Chinatown

1572
01:20:22.840 --> 01:20:25.520
<v Speaker 4>a piece of demoralization because I think what Palanti was

1573
01:20:25.560 --> 01:20:30.720
<v Speaker 4>doing in the seventies was trying to accustom the audience

1574
01:20:30.960 --> 01:20:34.439
<v Speaker 4>to become apathetic to this kind of real world corruption

1575
01:20:35.239 --> 01:20:38.000
<v Speaker 4>by basically coming to see that if the events that

1576
01:20:38.039 --> 01:20:41.880
<v Speaker 4>are shown in a movie like Chinatown are truly representative

1577
01:20:41.920 --> 01:20:44.479
<v Speaker 4>of how the world really works, then what am I

1578
01:20:44.680 --> 01:20:47.159
<v Speaker 4>ever going to do about it? And so the idea

1579
01:20:47.199 --> 01:20:53.079
<v Speaker 4>is that these kinds of films and TV shows acclimate

1580
01:20:53.239 --> 01:20:56.760
<v Speaker 4>the audience to a level of corruption and immorality and

1581
01:20:56.880 --> 01:21:01.159
<v Speaker 4>evil that we just eventually take to be be beyond

1582
01:21:01.159 --> 01:21:03.880
<v Speaker 4>our control. And this comes out at the very end

1583
01:21:03.920 --> 01:21:07.119
<v Speaker 4>of True Detective because when Marty and Russ are talking

1584
01:21:07.159 --> 01:21:11.119
<v Speaker 4>to one another in the hospital room after Rust has

1585
01:21:11.159 --> 01:21:14.319
<v Speaker 4>woken up from his coma, one of the first things

1586
01:21:14.319 --> 01:21:17.239
<v Speaker 4>he says to Marty as well, we didn't get them all.

1587
01:21:17.279 --> 01:21:20.319
<v Speaker 4>And then Marty says, well, we didn't get them all,

1588
01:21:20.520 --> 01:21:22.600
<v Speaker 4>but that he says, that's just how it is in

1589
01:21:22.640 --> 01:21:27.680
<v Speaker 4>this kind of world. So it's a matter of interpretation.

1590
01:21:27.840 --> 01:21:30.640
<v Speaker 4>Do you spin it positively and say, well, Okay, he's

1591
01:21:30.640 --> 01:21:33.119
<v Speaker 4>being a realist but still in a way optimistic because

1592
01:21:33.159 --> 01:21:34.560
<v Speaker 4>we did get some of them and we should be

1593
01:21:34.560 --> 01:21:37.359
<v Speaker 4>happy about that. Or is this really actually a way

1594
01:21:37.359 --> 01:21:40.279
<v Speaker 4>of trying to condition people to accept the fact that

1595
01:21:40.439 --> 01:21:42.319
<v Speaker 4>we live in a world where these kind of people

1596
01:21:42.359 --> 01:21:44.760
<v Speaker 4>do get away. And so, I mean, if you think

1597
01:21:44.800 --> 01:21:48.760
<v Speaker 4>about Dutroux, no one other than Dutrow was ever arrested

1598
01:21:49.199 --> 01:21:52.279
<v Speaker 4>and prosecuted, and there was a string of murders. I

1599
01:21:52.279 --> 01:21:55.159
<v Speaker 4>think it's like twenty people related to the case who

1600
01:21:55.199 --> 01:21:59.960
<v Speaker 4>died in mysterious circumstances. It was a complete, complete.

1601
01:21:59.640 --> 01:22:02.560
<v Speaker 1>Cover handyman slash kidnapper. That's all he really was.

1602
01:22:02.640 --> 01:22:05.720
<v Speaker 4>Yeah, the same thing with Sandusky at Penn State, right,

1603
01:22:06.399 --> 01:22:08.159
<v Speaker 4>It's the same thing with the finders called It's the

1604
01:22:08.199 --> 01:22:12.159
<v Speaker 4>same thing with Presidio. No prosecutions there. Michael Lakino and

1605
01:22:12.199 --> 01:22:14.680
<v Speaker 4>everybody he was working with got away. It's the same

1606
01:22:14.720 --> 01:22:18.239
<v Speaker 4>thing at the West Point Children's Hospital. Ruby Giuliani evidently,

1607
01:22:18.239 --> 01:22:20.560
<v Speaker 4>according to Dave Mcowan came in and actually led the

1608
01:22:21.239 --> 01:22:23.399
<v Speaker 4>DOJ team that covered that one up. No one was

1609
01:22:23.479 --> 01:22:28.479
<v Speaker 4>arrested there, Epstein, I mean, whatever happened to that? I

1610
01:22:29.439 --> 01:22:30.520
<v Speaker 4>rail about this all the time.

1611
01:22:30.720 --> 01:22:32.039
<v Speaker 1>Eteine files are coming though.

1612
01:22:32.239 --> 01:22:34.159
<v Speaker 4>Well that's the point, and so you talk about like

1613
01:22:34.199 --> 01:22:36.880
<v Speaker 4>managed expectations, right, So now they have the public six

1614
01:22:36.960 --> 01:22:41.199
<v Speaker 4>years on after he was arrested, thinking, well, success means

1615
01:22:41.239 --> 01:22:43.039
<v Speaker 4>getting the names of the people who did this? What

1616
01:22:43.079 --> 01:22:44.079
<v Speaker 4>about the arrests?

1617
01:22:44.279 --> 01:22:44.520
<v Speaker 1>Yeah?

1618
01:22:44.600 --> 01:22:49.800
<v Speaker 4>Right, So what I'm saying is true, Detective, The question is.

1619
01:22:52.319 --> 01:22:52.640
<v Speaker 1>Managing.

1620
01:22:53.760 --> 01:22:55.800
<v Speaker 4>Yeah, what are we gaining by watching it? So I

1621
01:22:55.800 --> 01:22:58.680
<v Speaker 4>can watch this show where these two guys are supposed

1622
01:22:58.680 --> 01:23:00.680
<v Speaker 4>to be heroes, they get to the box of everything,

1623
01:23:00.720 --> 01:23:04.399
<v Speaker 4>But then what happens in real life? Nothing? So, for example,

1624
01:23:05.960 --> 01:23:08.439
<v Speaker 4>McConaughey is like Friends with the Clintons, But we know

1625
01:23:08.600 --> 01:23:11.119
<v Speaker 4>all about the Clintons and their involvement in Haiti and

1626
01:23:11.319 --> 01:23:13.239
<v Speaker 4>all the kinds of stuff the Clintons were involved in

1627
01:23:13.279 --> 01:23:16.880
<v Speaker 4>going back to Arkansas.

1628
01:23:15.680 --> 01:23:19.159
<v Speaker 1>Like a feed or some shit something.

1629
01:23:20.119 --> 01:23:22.479
<v Speaker 4>So I guess what I'm saying is, like my views,

1630
01:23:22.520 --> 01:23:25.840
<v Speaker 4>I'm cynical. Is that? Like? For example, if Matthew McConaughey

1631
01:23:25.920 --> 01:23:29.159
<v Speaker 4>and Woody Harrelson were genuinely serious about getting to the

1632
01:23:29.199 --> 01:23:31.199
<v Speaker 4>bottom of these kinds of things, and they really were

1633
01:23:31.199 --> 01:23:33.239
<v Speaker 4>bothered by the fact that these kinds of things happened

1634
01:23:33.279 --> 01:23:35.199
<v Speaker 4>in real life, then why would they just shoot a

1635
01:23:35.239 --> 01:23:37.399
<v Speaker 4>show eleven years ago and then just more or less

1636
01:23:38.079 --> 01:23:39.840
<v Speaker 4>move on with their lives and act like all the

1637
01:23:39.920 --> 01:23:42.079
<v Speaker 4>kinds of things that were shown in the show, aren't

1638
01:23:42.119 --> 01:23:45.520
<v Speaker 4>still really happening? Why would HBO allow for the show

1639
01:23:45.520 --> 01:23:47.640
<v Speaker 4>to be released? So I think we have to, you know,

1640
01:23:47.720 --> 01:23:51.399
<v Speaker 4>think critically suspiciously about what is really the function of

1641
01:23:51.439 --> 01:23:55.439
<v Speaker 4>this show showing us all this stuff about how the

1642
01:23:55.479 --> 01:23:58.279
<v Speaker 4>world really works, Because of course, the point is is

1643
01:23:58.319 --> 01:24:00.720
<v Speaker 4>that a lot of times those of us do this

1644
01:24:00.800 --> 01:24:03.520
<v Speaker 4>kind of research, we think we're winning by exposing them.

1645
01:24:03.760 --> 01:24:06.479
<v Speaker 4>And it could be that we expose certain things that

1646
01:24:06.520 --> 01:24:09.239
<v Speaker 4>they don't want exposed at a certain time, or that

1647
01:24:09.319 --> 01:24:12.079
<v Speaker 4>we expose maybe more than they would like. But they're

1648
01:24:12.119 --> 01:24:14.119
<v Speaker 4>in a way the masters of exposure. That's the whole

1649
01:24:14.159 --> 01:24:16.600
<v Speaker 4>idea behind Revelation of the Method, is that they're showing

1650
01:24:16.680 --> 01:24:19.479
<v Speaker 4>us things that we as researchers might naively think we're

1651
01:24:19.479 --> 01:24:23.199
<v Speaker 4>winning by exposing, They willingly, willfully expose it. My final

1652
01:24:23.239 --> 01:24:25.800
<v Speaker 4>thought about it, what's really going on is that spiritually

1653
01:24:28.760 --> 01:24:31.279
<v Speaker 4>Russ talks about, oh, the psychosphere and the atmosphere, and

1654
01:24:31.319 --> 01:24:34.880
<v Speaker 4>everyone marvels about how the season is very atmospheric and

1655
01:24:35.000 --> 01:24:38.920
<v Speaker 4>very moody, and that's true, and Rust and some of

1656
01:24:38.960 --> 01:24:42.199
<v Speaker 4>the other characters talk about how they can feel the

1657
01:24:42.279 --> 01:24:45.600
<v Speaker 4>pervasiveness of the cult that like, as Russ said, that

1658
01:24:45.600 --> 01:24:47.960
<v Speaker 4>they're like alligators swimming in a swamp, and they could

1659
01:24:48.000 --> 01:24:51.479
<v Speaker 4>be anywhere. So there's a what you could call an

1660
01:24:51.479 --> 01:24:54.399
<v Speaker 4>omnipotence fantasy. I think that's going on in the minds

1661
01:24:54.439 --> 01:24:56.239
<v Speaker 4>of these people who are involved in this kind of

1662
01:24:56.239 --> 01:25:01.600
<v Speaker 4>a cult satanic corruption, where they deliberately like to project

1663
01:25:01.600 --> 01:25:04.199
<v Speaker 4>that degree of power. This is exactly what Michael Hoffman

1664
01:25:04.279 --> 01:25:06.840
<v Speaker 4>says in his famous book that kind of really popularized

1665
01:25:07.079 --> 01:25:09.720
<v Speaker 4>the term revelation of the Method. Is that there's a

1666
01:25:09.800 --> 01:25:13.640
<v Speaker 4>kind of power that they gain by deliberately allowing the

1667
01:25:13.680 --> 01:25:18.479
<v Speaker 4>public to know that this cult does exist. But then

1668
01:25:18.680 --> 01:25:21.760
<v Speaker 4>people are left in the situation where we feel like

1669
01:25:21.920 --> 01:25:24.479
<v Speaker 4>there's nothing we can do about it. And so I

1670
01:25:24.520 --> 01:25:28.880
<v Speaker 4>think that True Detective being released in twenty fourteen was

1671
01:25:28.920 --> 01:25:31.560
<v Speaker 4>this sort of exercise and sort of a cult revelation

1672
01:25:31.640 --> 01:25:33.439
<v Speaker 4>of the Method, where these people who are in the know,

1673
01:25:33.560 --> 01:25:35.680
<v Speaker 4>who are really engaged in this kind of stuff, decided

1674
01:25:35.760 --> 01:25:40.079
<v Speaker 4>to project that power by deliberately putting out a very

1675
01:25:40.199 --> 01:25:43.439
<v Speaker 4>kind of rich, detailed account of how this all works

1676
01:25:44.000 --> 01:25:46.319
<v Speaker 4>and this moment. Where as they had said at the

1677
01:25:46.359 --> 01:25:49.760
<v Speaker 4>very outset of today's tonight's discussion, people like us who

1678
01:25:49.800 --> 01:25:51.960
<v Speaker 4>are aware of the parapolitical world, and the world of

1679
01:25:51.960 --> 01:25:55.880
<v Speaker 4>a cult, trauma and sexual satan and ritual abuse, and

1680
01:25:55.920 --> 01:25:58.520
<v Speaker 4>intelligence operations. We know about all these cases from the

1681
01:25:58.560 --> 01:26:01.319
<v Speaker 4>eighties and nineties. But the app viewer who's looking at

1682
01:26:01.319 --> 01:26:03.960
<v Speaker 4>this as just a piece of innocent HBO and entertainment,

1683
01:26:04.439 --> 01:26:06.159
<v Speaker 4>they've associated all the stuff that they're going to be

1684
01:26:06.159 --> 01:26:08.680
<v Speaker 4>seen in the show with the quote so called satanic panic.

1685
01:26:09.159 --> 01:26:11.680
<v Speaker 4>And so then what happens is the blurring between reality

1686
01:26:11.680 --> 01:26:14.000
<v Speaker 4>and entertainment is such that when someone like that views

1687
01:26:14.079 --> 01:26:18.239
<v Speaker 4>the episodes, they go, oh, well, the show is making

1688
01:26:18.359 --> 01:26:21.279
<v Speaker 4>reference to how things felt in the nineties coming out

1689
01:26:21.319 --> 01:26:24.119
<v Speaker 4>of the so called satanic panic, and in the world

1690
01:26:24.159 --> 01:26:26.239
<v Speaker 4>of the show, we're being shown that this kind of

1691
01:26:26.279 --> 01:26:29.279
<v Speaker 4>stuff really does happen, but of course this is just

1692
01:26:29.359 --> 01:26:33.000
<v Speaker 4>a show, right. So there's this like bifurcation where the

1693
01:26:33.039 --> 01:26:35.920
<v Speaker 4>average person watching the show says, well, the show is

1694
01:26:35.960 --> 01:26:39.079
<v Speaker 4>referencing the fact that there was this apparent awareness in

1695
01:26:39.079 --> 01:26:42.279
<v Speaker 4>the eighties in real life that these things happened, but

1696
01:26:42.399 --> 01:26:44.520
<v Speaker 4>in the world of the show we're shown that, yes,

1697
01:26:44.600 --> 01:26:47.039
<v Speaker 4>they do really happen, but this is just a show,

1698
01:26:47.760 --> 01:26:51.560
<v Speaker 4>so ergo, they don't actually really happen. But of course,

1699
01:26:51.760 --> 01:26:55.359
<v Speaker 4>as we know they do, so I think there's this

1700
01:26:55.479 --> 01:27:01.000
<v Speaker 4>kind of feedback loop where the interaction action between real

1701
01:27:01.039 --> 01:27:04.760
<v Speaker 4>life stories and their depiction in cinema and television starts

1702
01:27:04.800 --> 01:27:08.720
<v Speaker 4>confusing people about what really is actual and what really isn't.

1703
01:27:08.720 --> 01:27:13.239
<v Speaker 4>But the overall kind of spiritual motivation behind in my view,

1704
01:27:13.239 --> 01:27:16.800
<v Speaker 4>why they do this is that it's ultimately, I think,

1705
01:27:16.840 --> 01:27:21.800
<v Speaker 4>designed to just get people to settle for less the

1706
01:27:21.880 --> 01:27:25.199
<v Speaker 4>idea that, as Marty says, well, we can't get them all.

1707
01:27:25.279 --> 01:27:26.920
<v Speaker 4>This is just the kind of world that it is.

1708
01:27:27.359 --> 01:27:29.560
<v Speaker 4>So it's ultimately, I think about getting us to resign

1709
01:27:29.600 --> 01:27:32.399
<v Speaker 4>ourselves to the fact that we shouldn't care. We shouldn't

1710
01:27:32.399 --> 01:27:35.119
<v Speaker 4>look into it, we should look away, because what's the

1711
01:27:35.119 --> 01:27:36.720
<v Speaker 4>point in looking into it? You're just gonna end up

1712
01:27:36.720 --> 01:27:39.479
<v Speaker 4>like get us at the end of Chinatown. There's no point.

1713
01:27:39.920 --> 01:27:41.800
<v Speaker 3>Yeah, I think there's there's something to that, But I

1714
01:27:41.800 --> 01:27:44.079
<v Speaker 3>think that they're they're you know, with all things in life,

1715
01:27:44.119 --> 01:27:47.199
<v Speaker 3>I think perspective matters, and I think, you know, kind

1716
01:27:47.199 --> 01:27:49.199
<v Speaker 3>of what we're describing when we're talking about revelation in

1717
01:27:49.199 --> 01:27:51.359
<v Speaker 3>the method is kind of an essentially is a limiting

1718
01:27:51.479 --> 01:27:52.239
<v Speaker 3>a limited hangout.

1719
01:27:52.319 --> 01:27:54.479
<v Speaker 1>Essentially, in a certain sense, it's a.

1720
01:27:54.479 --> 01:27:56.960
<v Speaker 3>Seating of the narrative ground by the powers that be

1721
01:27:57.640 --> 01:28:00.479
<v Speaker 3>there for whatever reason is they feel that they need to,

1722
01:28:00.800 --> 01:28:04.319
<v Speaker 3>you know, do exposure in whatever given thing and whatever.

1723
01:28:04.359 --> 01:28:06.920
<v Speaker 3>Give an example we're looking at the time. It's almost

1724
01:28:06.960 --> 01:28:09.239
<v Speaker 3>like a letting off of the relief valve. So just

1725
01:28:09.279 --> 01:28:11.399
<v Speaker 3>a simple idea that they have that they're doing it,

1726
01:28:11.439 --> 01:28:13.319
<v Speaker 3>I think is you can look at it as like

1727
01:28:13.359 --> 01:28:15.560
<v Speaker 3>this is a good thing. Obviously they're gonna try to

1728
01:28:16.000 --> 01:28:18.439
<v Speaker 3>they're trying to see a different spot in the narrative game.

1729
01:28:18.520 --> 01:28:22.000
<v Speaker 3>They're trying to dig their heels in there. But you know, hey, whatever,

1730
01:28:22.000 --> 01:28:23.880
<v Speaker 3>it's a slippage on their part. And so that's one

1731
01:28:23.880 --> 01:28:25.840
<v Speaker 3>way to look at it. And I think even on

1732
01:28:25.880 --> 01:28:28.239
<v Speaker 3>the in the new particular of the show, maybe maybe

1733
01:28:28.239 --> 01:28:31.520
<v Speaker 3>you're right, maybe there is the idea was from certain

1734
01:28:31.600 --> 01:28:35.439
<v Speaker 3>powers that this was resign us to complacency of like, oh,

1735
01:28:35.439 --> 01:28:38.159
<v Speaker 3>there's nothing we can do. But I would argue that

1736
01:28:38.199 --> 01:28:41.359
<v Speaker 3>the the theme and the the major themes of this

1737
01:28:41.640 --> 01:28:45.279
<v Speaker 3>story kind of buck against that. Obviously we you know,

1738
01:28:45.560 --> 01:28:48.279
<v Speaker 3>obviously we just mentioned at the very end they go, oh,

1739
01:28:48.359 --> 01:28:50.479
<v Speaker 3>we can't get them all and then we just But

1740
01:28:50.560 --> 01:28:52.680
<v Speaker 3>I think most people even agree when that happens you

1741
01:28:52.720 --> 01:28:55.479
<v Speaker 3>feel bizarre. That feels bizarre. This feels not right. It

1742
01:28:55.520 --> 01:28:58.039
<v Speaker 3>doesn't feel like it fits. It doesn't seem to fit

1743
01:28:58.079 --> 01:29:00.800
<v Speaker 3>the characters. I mean, if it's Mard, I mean, although

1744
01:29:00.800 --> 01:29:02.960
<v Speaker 3>that kind of doesn't fit his character arc, like because

1745
01:29:03.000 --> 01:29:04.960
<v Speaker 3>I think by the end of his arc that should

1746
01:29:05.000 --> 01:29:07.199
<v Speaker 3>the ideas that this would no longer be something. He's

1747
01:29:07.239 --> 01:29:10.199
<v Speaker 3>no longer supposed to be complacent, He's no longer supposed

1748
01:29:10.199 --> 01:29:10.760
<v Speaker 3>to be this person.

1749
01:29:10.880 --> 01:29:11.800
<v Speaker 1>I don't think it fits.

1750
01:29:12.039 --> 01:29:14.279
<v Speaker 3>And and I think the theme and you know, the

1751
01:29:14.319 --> 01:29:16.159
<v Speaker 3>idea of like you know, I won't look away again,

1752
01:29:16.399 --> 01:29:19.560
<v Speaker 3>or the lack, you know, being attentive, paying attention to

1753
01:29:19.600 --> 01:29:21.720
<v Speaker 3>what matters, I think all of those are themes that

1754
01:29:21.760 --> 01:29:23.760
<v Speaker 3>buck against it. So I would like to think that

1755
01:29:24.359 --> 01:29:26.399
<v Speaker 3>I don't know whether it's the writer himself or other

1756
01:29:26.479 --> 01:29:28.760
<v Speaker 3>people within it. Somehow, I think, you know, they found

1757
01:29:28.760 --> 01:29:31.680
<v Speaker 3>a way to put their spin on it while you know,

1758
01:29:31.840 --> 01:29:35.600
<v Speaker 3>while also maybe doing you know, doing the revelation the method.

1759
01:29:35.640 --> 01:29:37.960
<v Speaker 3>So it's almost like they they snuck in a secret

1760
01:29:38.000 --> 01:29:40.279
<v Speaker 3>meaning into the art that I think. I don't know,

1761
01:29:40.279 --> 01:29:42.159
<v Speaker 3>I think it matters, and I think people pay attention

1762
01:29:42.199 --> 01:29:43.760
<v Speaker 3>to analyze the show, they can get that from it

1763
01:29:43.800 --> 01:29:45.359
<v Speaker 3>and we can kind of get something positive out of

1764
01:29:45.399 --> 01:29:48.359
<v Speaker 3>it instead of something negative, regardless of how it was

1765
01:29:48.399 --> 01:29:51.000
<v Speaker 3>designed to be put out or what the the intent

1766
01:29:51.079 --> 01:29:54.000
<v Speaker 3>of it was. So but with that, Stephen, I think

1767
01:29:54.199 --> 01:29:55.800
<v Speaker 3>this has been a this has been a great episode.

1768
01:29:55.840 --> 01:29:56.680
<v Speaker 1>I really enjoyed it.

1769
01:29:56.880 --> 01:30:00.239
<v Speaker 3>I'd be happy to have you on again. So with that,

1770
01:30:00.319 --> 01:30:02.079
<v Speaker 3>let people know where they can find. You've got anything,

1771
01:30:02.119 --> 01:30:04.439
<v Speaker 3>you're working on, any books, any projects whatever. I think

1772
01:30:04.439 --> 01:30:06.319
<v Speaker 3>you said you had a burkie where you were just

1773
01:30:06.359 --> 01:30:08.479
<v Speaker 3>wrote or something along those lines. That would be a

1774
01:30:08.479 --> 01:30:10.079
<v Speaker 3>good time to let my audience know about it.

1775
01:30:10.880 --> 01:30:14.199
<v Speaker 4>Yeah. So, as I said, I've been working on film

1776
01:30:14.239 --> 01:30:17.479
<v Speaker 4>noir recently. I have a serial that's being printed in

1777
01:30:17.479 --> 01:30:20.840
<v Speaker 4>Cultural Engineering Studies. The first issue came out last year.

1778
01:30:20.920 --> 01:30:23.640
<v Speaker 4>It's now available in a limited print run. It's a

1779
01:30:23.680 --> 01:30:26.840
<v Speaker 4>three part series. The first two parts focused primarily on Chinatown.

1780
01:30:28.000 --> 01:30:30.319
<v Speaker 4>Issue Too will be coming out in April, and then

1781
01:30:30.359 --> 01:30:32.920
<v Speaker 4>the third part of the essay will be focusing on

1782
01:30:33.000 --> 01:30:35.079
<v Speaker 4>You're at the Dragon and then in a classic noir

1783
01:30:35.159 --> 01:30:38.479
<v Speaker 4>film called Where the Sidewalk Ends. That will be put

1784
01:30:38.560 --> 01:30:42.159
<v Speaker 4>up on the Decoding Culture Foundation website. That's the foundation

1785
01:30:42.279 --> 01:30:44.520
<v Speaker 4>that runs the magazine. It's all run by the guys

1786
01:30:44.520 --> 01:30:48.079
<v Speaker 4>at SI UP Cinema Bretton Thomas, So, I highly encourage

1787
01:30:48.079 --> 01:30:51.119
<v Speaker 4>everybody to go check out Cultural Engineering Studies. It's really

1788
01:30:51.159 --> 01:30:53.840
<v Speaker 4>fantastic magazine with a ton of really great researchers who

1789
01:30:54.359 --> 01:30:58.319
<v Speaker 4>did good work for it, Jason Horsley, Jay Dyer, Jamie Hanshaw,

1790
01:30:59.039 --> 01:31:02.359
<v Speaker 4>the Collins Brothers. So I've been working on film noir stuff,

1791
01:31:02.680 --> 01:31:06.800
<v Speaker 4>and yeah, I have a monograph that'll be out hopefully

1792
01:31:06.840 --> 01:31:09.439
<v Speaker 4>this year, a philosophy monograph. But all my books you

1793
01:31:09.479 --> 01:31:11.640
<v Speaker 4>can find them at my publishers. You can also find

1794
01:31:11.640 --> 01:31:16.560
<v Speaker 4>them on my websitesevendelay dot com. And then I maintain

1795
01:31:16.600 --> 01:31:19.239
<v Speaker 4>a Twitter account, sort of minor small account, but I

1796
01:31:19.279 --> 01:31:20.600
<v Speaker 4>could always be reached there as well.

1797
01:31:20.680 --> 01:31:23.840
<v Speaker 3>So all right, well, appreciate you coming on the show

1798
01:31:24.359 --> 01:31:26.039
<v Speaker 3>with that. For those who want to support the show,

1799
01:31:26.119 --> 01:31:27.640
<v Speaker 3>you can do that without any money. If you want

1800
01:31:27.680 --> 01:31:29.680
<v Speaker 3>to like, share, subscribe, comment, all that good stuff. That

1801
01:31:29.680 --> 01:31:31.520
<v Speaker 3>stuff helps out a lot. If you're listening to this

1802
01:31:31.560 --> 01:31:33.840
<v Speaker 3>on audio, please go leave a five star review.

1803
01:31:33.840 --> 01:31:34.199
<v Speaker 1>That helps.

1804
01:31:34.239 --> 01:31:36.560
<v Speaker 3>But if you really want to support the show, cash

1805
01:31:36.640 --> 01:31:38.800
<v Speaker 3>is Kingbaby Patroon dot complish no way.

1806
01:31:38.800 --> 01:31:39.920
<v Speaker 1>Hoseh twenty twenty is a.

1807
01:31:39.840 --> 01:31:42.840
<v Speaker 3>Way to do that the lowest level is, you know,

1808
01:31:42.840 --> 01:31:45.439
<v Speaker 3>that's where the early access to episodes like this. I'm

1809
01:31:45.439 --> 01:31:47.399
<v Speaker 3>trying to crank up to where I'm doing like two

1810
01:31:47.439 --> 01:31:49.920
<v Speaker 3>of a week now, so patrons will get two now

1811
01:31:49.960 --> 01:31:52.319
<v Speaker 3>a week and it'll be even longer behind the paywall,

1812
01:31:52.359 --> 01:31:55.359
<v Speaker 3>so basically like two weeks behind the paywall. Also, I

1813
01:31:55.439 --> 01:31:58.199
<v Speaker 3>do want to also you guys can get the ad

1814
01:31:58.239 --> 01:32:00.800
<v Speaker 3>free RSS feed there. Also you can be a talking

1815
01:32:00.800 --> 01:32:03.039
<v Speaker 3>head on me and Austin's Already Dead show that we

1816
01:32:03.079 --> 01:32:05.960
<v Speaker 3>do on Tuesdays at nine thirty pm Eastern, The Collins

1817
01:32:05.960 --> 01:32:08.520
<v Speaker 3>Show the highest level also as my sponsors to read

1818
01:32:08.560 --> 01:32:10.359
<v Speaker 3>them off every episode as a thanks to you guys,

1819
01:32:10.600 --> 01:32:12.680
<v Speaker 3>My coast and Targging at Targing Toad also have at

1820
01:32:12.680 --> 01:32:14.359
<v Speaker 3>Approgate D's at c O V R A s A

1821
01:32:14.439 --> 01:32:17.640
<v Speaker 3>k at Underscoring Fit Zeal, Tim Tuttle At John and Cleebold,

1822
01:32:17.840 --> 01:32:20.520
<v Speaker 3>Will Bell's Delicious Blueberry RABBITI Wine the Big Family Show

1823
01:32:20.560 --> 01:32:22.640
<v Speaker 3>Tourmente then at I n W A R DAL l

1824
01:32:22.680 --> 01:32:24.279
<v Speaker 3>O V E r uh.

1825
01:32:24.359 --> 01:32:24.560
<v Speaker 1>Yeah.

1826
01:32:24.600 --> 01:32:26.720
<v Speaker 3>Make sure you follow me on Twitter at Targing Jose.

1827
01:32:27.560 --> 01:32:30.319
<v Speaker 3>Appreciate you guys support the show, helping us do what

1828
01:32:30.319 --> 01:32:32.960
<v Speaker 3>we do over here, and with that we are out

1829
01:32:32.960 --> 01:32:35.000
<v Speaker 3>of here by
