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<v Speaker 1>Hello, and welcome to the Sociology Show podcast. My guest

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<v Speaker 1>for this episode is the fantastic professor Jack Katz, talking

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<v Speaker 1>all about seductions of crime. Before we go to the interview,

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<v Speaker 1>just a couple of messages. So firstly, a message for

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<v Speaker 1>email address, which is The Sociology Show podcast at gmail

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<v Speaker 1>dot com. So, without further ado, let's go over to

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<v Speaker 1>the interview with Professor chat Katz.

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<v Speaker 2>Hi.

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<v Speaker 1>You're listening to The Sociology Show, a podcast about absolutely

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<v Speaker 1>anything to do with the wonderful world of sociology. Whether

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<v Speaker 1>you're a teacher, a lecturer, a student, or just taking

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<v Speaker 1>a passing interest. This podcast will look at a range

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<v Speaker 1>of issues from social class, ethnicity, gender, sexuality, religion, crime, education,

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<v Speaker 1>and anything else that sociology has to offer. My name

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<v Speaker 1>is Matthew Wilkin. In each episode, I will speak to

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<v Speaker 1>someone working in the field of sociology and let them

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<v Speaker 1>explain all about their own interests, their research, and their experiences.

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<v Speaker 1>So put your ear phones in, turn the volume up,

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<v Speaker 1>and let's be sociology geeks together. Ah, Hello, and welcome

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<v Speaker 1>to the Sociology Show podcast. Would you like to start

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<v Speaker 1>by telling us a little bit about who you are

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<v Speaker 1>and what you do?

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<v Speaker 2>Please? Okay. So I'm Jack Cats and I've been doing

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<v Speaker 2>sociology for maybe forty years. I was initially trained as

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<v Speaker 2>a lawyer and then went into sociology writing school and

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<v Speaker 2>what I do. I work on a number of different topics.

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<v Speaker 2>First crime, which is why you're talking to today, Also emotions,

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<v Speaker 2>self in every day life. And I've been doing a

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<v Speaker 2>long term project neighborhoods in Hollywood right an area in

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<v Speaker 2>Los Angeles that's famous for the movies but also has

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<v Speaker 2>interesting people living there, and how to change sociology. So

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<v Speaker 2>I work on a lot of different topics and enthusiastic

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<v Speaker 2>as ever about sociology and what you can learn. I'm

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<v Speaker 2>stimulated every day by it. Yeah, So as we go along,

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<v Speaker 2>I think you'll get a sense. So my perspective is

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<v Speaker 2>similarly different things what other sociologists.

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<v Speaker 1>Great, Thank you Jack, Thank you. And the main reason

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<v Speaker 1>I want to talk to you today is about your

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<v Speaker 1>your book, Seductions of Crime. Sociology students always really interested

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<v Speaker 1>in it because most of the research that you look

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<v Speaker 1>at in understanding crime and criminology very much comes from

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<v Speaker 1>sort of socioeconomics, trying to understand inequalities, poverty, money. Students

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<v Speaker 1>learn about things like strain theory, status, frustration, and so on,

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<v Speaker 1>and yours really kind of leaps out as something a

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<v Speaker 1>little bit different and sort of approaching and trying to

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<v Speaker 1>understand why crime case from a very different angle. So

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<v Speaker 1>I wondered if you you wouldn't mind sort of expanding

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<v Speaker 1>on that in terms of how you take a slightly

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<v Speaker 1>different look at why crime the curs.

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<v Speaker 2>Yeah, it's a good question and helped me kind of

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<v Speaker 2>open up how what I do is different. Basically, I

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<v Speaker 2>look at the thing we're trying to understand. Okay, you

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<v Speaker 2>can there's different vocabularies for this, but you can talk

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<v Speaker 2>about the independent variable and the deepenetary. You can look

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<v Speaker 2>about the explanans thing that's going to do the explaining

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<v Speaker 2>and the explanandum the thing you're trying to explain. Almost everybody,

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<v Speaker 2>especially in criminology generally in sociology, is looking at the

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<v Speaker 2>explainer the cause, and the debates are all about is

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<v Speaker 2>it a lack of self discipline, It's something in the

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<v Speaker 2>way the child was raised that leads them to is

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<v Speaker 2>it something about poverty, It's something about race or ethnic

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<v Speaker 2>or minority status. Is it something about neighborhood? And each

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<v Speaker 2>of these causes have different sociologists associated, But you could

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<v Speaker 2>probably go down the list of the different theories that

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<v Speaker 2>your students are looking at and associate different sociologies their

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<v Speaker 2>careers are tied to different costs, different explanams, different independent variables,

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<v Speaker 2>most recently neighborhood, at least in the US, I don't

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<v Speaker 2>I'm Some work in England too and in other countries

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<v Speaker 2>emphasizes the neighborhood character. Life history studies that Barrington and

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<v Speaker 2>others have sustained in England that looked is there a

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<v Speaker 2>difference between lifelong offenders and those who just offend an adolescence?

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<v Speaker 2>Is that related? That difference related to something in the

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<v Speaker 2>family and early childhood. So all the action, all the

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<v Speaker 2>status differences among academics is on the explanance side. Everybody

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<v Speaker 2>on the other side the thing you're trying to explain.

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<v Speaker 2>Everybody takes crime range pretty much. Some people do studies

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<v Speaker 2>where they have interview, they interview people who self report

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<v Speaker 2>whether they offend it or not. But most mostly people

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<v Speaker 2>are trying to explain. So that's not where the action is.

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<v Speaker 2>The action is not on the side of the thing

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<v Speaker 2>you're trying to explain. The intellectual action is all on

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<v Speaker 2>the cause. And so my difference is essentially I start

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<v Speaker 2>by looking at the thing we're trying to understand, and

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<v Speaker 2>to me, that's the way a natural scientist operates. It's

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<v Speaker 2>and I think often people read subductions and they think

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<v Speaker 2>I'm saying people do it for the thrill, that background

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<v Speaker 2>isn't important. That's not really organizing idea of the book.

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<v Speaker 2>The organizing perspective is to look, get as close as

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<v Speaker 2>you can, seem as much detail whatever it is you're

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<v Speaker 2>trying to understand. I've done that in my other studies,

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<v Speaker 2>like when I studied emotions, I did video tapes of

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<v Speaker 2>people laughing in a fun house, video tapes of little

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<v Speaker 2>kids crying, and to try to understand the dynamics of

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<v Speaker 2>those emotional events. To me, that's what that's a scientific impulse.

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<v Speaker 2>You try to get see as far out into the

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<v Speaker 2>universe as you can technologies are allowing us to do.

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<v Speaker 2>You look under the microscope, you look at DNA, you

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<v Speaker 2>look at the structure you're just trying to describe, and

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<v Speaker 2>then see process, and you build towards cause from first

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<v Speaker 2>looking at the thing you're trying to explain. So that's

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<v Speaker 2>I think that's why my work is very different. The

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<v Speaker 2>action in academics and in politics is all on the

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<v Speaker 2>cast side, and I think the action and the action

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<v Speaker 2>in the sense of what motivates, what organizes the careers

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<v Speaker 2>of academics, especially in criminology, is very politically tied. If

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<v Speaker 2>you look at all the causes that people cite for crime,

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<v Speaker 2>whether it's the lack of self discipline or neighborhood quality, poverty,

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<v Speaker 2>racial discrimination, they're all tied to different political programs, and

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<v Speaker 2>everybody takes that for granted. That's what you should be doing.

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<v Speaker 2>You should be emphasizing the cause side. My approaches to

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<v Speaker 2>start on the thing you're trying to explain, you don't

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<v Speaker 2>quite know what it is. If you knew, but if

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<v Speaker 2>you had an accurate sense of the thing you try

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<v Speaker 2>to explain, we would have to do the research. But

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<v Speaker 2>you have something important is going on out there. Well,

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<v Speaker 2>I mean, and then you look at process, you look

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<v Speaker 2>at life cycle, you look at the course of an advance,

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<v Speaker 2>and then you try to build towards an explanation, try

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<v Speaker 2>to find causes and ingencies of change behavior that way.

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<v Speaker 2>So that's what I would encourage your students. I would say,

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<v Speaker 2>maybe it's a personality thing, but I'm either paranoid or

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<v Speaker 2>suspicious about what government tells them. So most sociologists who

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<v Speaker 2>study crime are very happy. From dirkime on right, I mean,

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<v Speaker 2>They're very happy to take official statistics with it at

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<v Speaker 2>suicide or crime and say, okay, that that gives us

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<v Speaker 2>what we're trying to explain. Now let's look for the cause. Well,

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<v Speaker 2>I'm not comfortable with that. I don't I don't try

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<v Speaker 2>government and don't trust government doesn't produce information on crime

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<v Speaker 2>in order to serve social science. In some sense, criminology

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<v Speaker 2>is an effort by academics to kind of get the police,

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<v Speaker 2>the courts, the whole, the judges, the whole criminal justice

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<v Speaker 2>system to be their research agent, their research assistance, what

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<v Speaker 2>the criminal justice system is in, the businesses are doing.

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<v Speaker 2>So when they produce statistics on crime, they produced the

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<v Speaker 2>crime rates, it's for their own purposes. So when I

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<v Speaker 2>started to study crime, which I just started to study

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<v Speaker 2>in a way because I was starting to teach and

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<v Speaker 2>I had to teach something and I had a law background,

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<v Speaker 2>and I realized people studding crime never actually looked at

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<v Speaker 2>what the people were doing very much. So I just

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<v Speaker 2>started to gather all the information I could what people

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<v Speaker 2>were actually doing in the moments of doing time, and

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<v Speaker 2>whether they're doing this before, what are they doing after?

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<v Speaker 2>And I tried to build I tried to find patterns.

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<v Speaker 1>Should we start with that then, because you mentioned about

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<v Speaker 1>perhaps a different methodology compared to what other people used, say,

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<v Speaker 1>but for your book Seductions of Crime, how did you

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<v Speaker 1>approach it? You mentioned ethnography, ethnographic research.

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<v Speaker 2>Yeah, I just collected everything. I put all the biographies,

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<v Speaker 2>auto biographies, all the close up descriptions by journalists. I

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<v Speaker 2>found a very nice data sets that were collected by

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<v Speaker 2>a couple of researchers in Chicago who didn't just take

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<v Speaker 2>the police statistics. They went into the police files. And

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<v Speaker 2>when you go into the which it's hard to do, right,

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<v Speaker 2>they spent a lot of time and I pickybacked off

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<v Speaker 2>of them. They spent a lot of time over years

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<v Speaker 2>getting good relations with the police departments, so they get

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<v Speaker 2>into the files. When you get into the files, you

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<v Speaker 2>get the witness statements, you get the reports made on

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<v Speaker 2>the scene when the tops first get there, you get

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<v Speaker 2>sometimes the fender statements. You get more raw material on

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<v Speaker 2>what actually happened. So that was really helpful. So I

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<v Speaker 2>put all that stuff together, and other studies have done

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<v Speaker 2>videos that and you know, one thing I'm working on

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<v Speaker 2>now with other people in Europe are videos of people

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<v Speaker 2>getting into the fights that are recorded on iPhones are smartphones.

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<v Speaker 2>Everybody's got a smartphone through students, maybe they've done this themselves.

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<v Speaker 2>They pulled out the phone. Something interesting is going on,

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<v Speaker 2>and that stuff is posted on the web and you

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<v Speaker 2>get the first time in human history you actually get

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<v Speaker 2>first hand immediate documentation of what's going on. And and

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<v Speaker 2>it's a it's a real challenge to work up this material,

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<v Speaker 2>but there it is for you. So that's the sort

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<v Speaker 2>of way of working at least to gather the data

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<v Speaker 2>that's I see this as the video material of the

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<v Speaker 2>kind of new frontier that the next generation will spend

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<v Speaker 2>a lot of time developing. They find. It's a wonderful

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<v Speaker 2>education if you really try to just describe what's happening,

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<v Speaker 2>you know, you get a very fine sensibility of interaction

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<v Speaker 2>and how people are adjusting their behavior based on what

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<v Speaker 2>they perceive other buildings, other kind of influence of it.

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<v Speaker 2>And it should be useful for understanding the contingencies of

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<v Speaker 2>starting violence, progressions and violence, and of ending violence, but

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<v Speaker 2>bystanders and so forth. But they're there. It's interesting to me,

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<v Speaker 2>and I think instructive that while these videos have become

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<v Speaker 2>available and there are a lot of them out of England,

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<v Speaker 2>a lot of them in English language US out of England.

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<v Speaker 2>And a lot of these events happen in public transportation,

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<v Speaker 2>on buses, on trained cars, free cars. A lot of

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<v Speaker 2>really ugly stuff happens. And there it is not quite

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<v Speaker 2>from the beginning, because somebody has to Usually the recording

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<v Speaker 2>starts after the event it's already turned towards violence. But

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<v Speaker 2>you get more of a complete documentation of what actually

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<v Speaker 2>happens in violence than we've ever seen before. And it's

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<v Speaker 2>striking that criminology is barely looking at this. I mean,

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<v Speaker 2>what would you want to look at it in criminologists?

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<v Speaker 2>But this is the stuff. It's kind of like you

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<v Speaker 2>can see cancer. You can see a progression, you can

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<v Speaker 2>see the cells fantastasizing it, and you don't want to

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<v Speaker 2>look at it. You want to look at some statistics.

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<v Speaker 2>It's crazy.

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<v Speaker 3>The Sociology Show podcast relies on the kind contributions of

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<v Speaker 1>I was just thinking, like the example you gave, you know,

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<v Speaker 1>the people whipping out their smartphones to record a fight.

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<v Speaker 1>That sort of brings me on to the first question

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<v Speaker 1>that one of my students asked. Because the full title

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<v Speaker 1>of your book is going to read it Seductions of Crime,

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<v Speaker 1>Moral and centual attractions in doing evil. We are all fascinated,

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<v Speaker 1>we're all interested, you know, if something does go viral

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<v Speaker 1>and it's a fight on a bus or something like that.

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<v Speaker 1>So do you mind explain what you mean by the

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<v Speaker 1>central attraction of crime?

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<v Speaker 2>To start with? Yeah, we think of it this way.

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<v Speaker 2>Whatever background factors may be important in the theology and

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<v Speaker 2>the kind of path forwards h and a violent attack

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<v Speaker 2>or affect, they're there. They're not active, they're not controlling

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<v Speaker 2>the person. And until a certain moment, in a certain situation,

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<v Speaker 2>what happens in that some change of behavior, some change

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<v Speaker 2>of perception happens that makes it attractive, compelling, productive to

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<v Speaker 2>act right now. And that's the transition that I'm focusing on,

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<v Speaker 2>and that is you know, all of a sudden, it

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<v Speaker 2>feels the moment feels right, Well, let's do okay, let's

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<v Speaker 2>let's steal that from the store. Let's you know, break

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<v Speaker 2>that window. Let's uh, I'm going to attack that guy.

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<v Speaker 2>It turns out that actually, when you look at like

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<v Speaker 2>these violence I haven't minded working on that recently, the

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<v Speaker 2>attacker usually is in a dominant position. Often, okay, they

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<v Speaker 2>can say they've been threatened, they've been challenged, but when

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<v Speaker 2>they attack, they're in a dominant position, so it feels right.

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<v Speaker 2>They have a sense of power advantage. Well, that's a seductor,

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<v Speaker 2>that's a seduction, it's a feeling. So that's why I

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<v Speaker 2>call it aesthetic. And it's moral in the sense of

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<v Speaker 2>either its specifically I'm gonna defend my honor get respect,

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<v Speaker 2>whether it's you know, I don't I don't know what

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<v Speaker 2>you do with bulgarity on these videos, but that's fine.

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<v Speaker 2>It's fine then. Yet, Yeah, I'm gonna fuck this guy over.

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<v Speaker 2>I mean, I'm gonna, I'm gonna break his balls, I'm

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<v Speaker 2>gonna I'm gonna, I'm gonna ally with the power of

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<v Speaker 2>destruction and triumph and feel that from my body. Okay,

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<v Speaker 2>when you attack with violent you organize yourself, your whole

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<v Speaker 2>body into a weapon. Right. I mean, if you're a

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<v Speaker 2>good boxer, you want to stay loose, right, But in

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<v Speaker 2>order to generate power, you've got to discipline a whole

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<v Speaker 2>series of muscles in your body to be affected. And

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<v Speaker 2>so that's an aesthetic sensual attraction. Okay, I'm going to

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<v Speaker 2>I'm going to be a tough gun, which is just

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<v Speaker 2>a metaphor. It's like I'm going to toughen up my

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<v Speaker 2>body to be effective. And how I attack. You know,

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<v Speaker 2>each of the kinds of violence or staff or devians

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<v Speaker 2>that I'm identifying describing the book and their central and

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<v Speaker 2>moral attractions is different. But that's the critical shift that

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<v Speaker 2>all of a sudden it feels right. That's why, that's

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<v Speaker 2>why the background factors, however poor you were, however, discriminated against, however,

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<v Speaker 2>lows in your schooling, however lows you, your neighborhood, however,

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<v Speaker 2>cuon your father was, however victimized you were in one

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<v Speaker 2>way or another. You don't constantly effect, you don't constantly

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<v Speaker 2>steal or beat people up. Something happens in that moment,

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<v Speaker 2>and that shift is because all of a sudden it

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<v Speaker 2>seems like the right thing to do. Also positive. It's

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<v Speaker 2>interesting if you look at all the explanations of crime

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<v Speaker 2>that are out there that are popular, they're all negative things.

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<v Speaker 2>There's a kind of moral symmetry that seems to govern

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<v Speaker 2>the way people think about crime. Crime is banded oy,

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<v Speaker 2>so what can explain it must be something bad? Poverty's bad,

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<v Speaker 2>racial discrimination said, yeah, coming from a broken families fail,

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<v Speaker 2>a neighborhood that doesn't have good social services, that's bad.

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<v Speaker 2>So you could see that all basically, all the explanations

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<v Speaker 2>have caught out there are something bad because it's something bad.

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<v Speaker 2>And that's basically a kind of non rational, mythological way

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<v Speaker 2>of explaining that has an ancient history that's in all societies,

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<v Speaker 2>has always been part of the way people think in society.

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<v Speaker 2>If you know, the crops fail, it must be because

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<v Speaker 2>somebody violated the rules prohibitions that the gods insist on.

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<v Speaker 2>So we have to find that person do something to

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<v Speaker 2>make the gods. Something bad happens. People are getting sick,

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<v Speaker 2>another group is attacking us. We got to find something bad,

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<v Speaker 2>somebody to blame. That's an ancient kind of way of

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<v Speaker 2>looking at things. But in fact, what happens in the

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<v Speaker 2>actual doing of time, is that it seems positive. I'm

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<v Speaker 2>going to achieve something I'm attracted to. It's positive. That's

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<v Speaker 2>why seduction in the title has some some relevance. That's

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<v Speaker 2>why it's the right term, I think, because it's it's

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<v Speaker 2>a version of something positive.

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<v Speaker 1>You also use the word you know, you mentioned central seductive.

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<v Speaker 1>The word that often raises an eyebrower students is that

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<v Speaker 1>the word arousal, you know, or even the word sexual.

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<v Speaker 1>How do you how do you attach sort of arousal

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<v Speaker 1>to the idea of criminality.

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<v Speaker 2>You know, there's a lot you can do a lot

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<v Speaker 2>for the sexual metaphor and penetration, violation, going beyond a

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<v Speaker 2>protective boundary, taking the risk projecting yourself into somebody else's world,

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<v Speaker 2>all these things. And you know the fact that the

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<v Speaker 2>kinds of behaviors we're thinking about when we think about crime,

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<v Speaker 2>that violence, peak and adolescence isn't coincidental sexual and the

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<v Speaker 2>fact that males are doing these activities at five to

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<v Speaker 2>ten times a rat the females are, and the female participation,

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<v Speaker 2>even when it occurs, is often different process that's not

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<v Speaker 2>unrelated to sexual dynamics. H no I think I get

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<v Speaker 2>a little bit at that, a little bit because I

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<v Speaker 2>do have some discussions in the book where I try

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<v Speaker 2>to get the background factories, like the sexual difference. Often

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<v Speaker 2>there's this art pattern that when women murder and they're

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<v Speaker 2>asked about it, they can't recount what was going on

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<v Speaker 2>at the time. Males can. And it's it seems to

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<v Speaker 2>be difficult for more difficult from femails to reconcile, organizing

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<v Speaker 2>their bodies and violence more difficult than it is for men.

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<v Speaker 2>You know, for men, you're just you're being a hard man.

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<v Speaker 2>You know, which is a stick up guy, which is

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<v Speaker 2>a ballot medical it's a very straight coward not subtle.

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<v Speaker 1>Uh.

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<v Speaker 2>For women that doesn't a lot of them, you do violence,

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<v Speaker 2>it's hard for them to reconcile. They are in the

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<v Speaker 2>violence with who they are and the rest of their lives.

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<v Speaker 1>Yeah, could I ask you about that, because I was

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<v Speaker 1>really interested because you know, if we look at evidence

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<v Speaker 1>of things like vandalism or graffiti, ars and setting something

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<v Speaker 1>on fire, they are predominantly may lax. So what what

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<v Speaker 1>essentially or arousal? What what what are men getting from

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<v Speaker 1>it that women don't?

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<v Speaker 2>You're being masculine, right, stamp being tough, you're being re sturbed,

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<v Speaker 2>You're you know, doing violence. You're organizing your body into

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<v Speaker 2>a into a hard wool. It's just like a you

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<v Speaker 2>know a lot of work set. I mean, think of

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<v Speaker 2>the cocky way when wal mm hmm. All these metaphors

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<v Speaker 2>are not accidentally close one to the other two violent activity.

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<v Speaker 2>Let me say just one of the something before, because

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<v Speaker 2>I if your students want to understand how to do

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<v Speaker 2>this work, I wrote a like four page, very short,

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<v Speaker 2>a little essay called on analytic induction, and it's I

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<v Speaker 2>think pretty accessible. It's in International Encyclopedia and Social Science.

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<v Speaker 2>They can find it on the web. It's open access.

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<v Speaker 2>But that'll kind of show you how you do this

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<v Speaker 2>work and how it's different than how social scientists soften.

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<v Speaker 2>And there are examples of studies and other fields, not

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<v Speaker 2>just crime. But if you want to pursue this and

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<v Speaker 2>start your own investigations, and even you know your students

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<v Speaker 2>who are in high school and what we call high school,

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<v Speaker 2>that's a good time to start, because I mean, I

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<v Speaker 2>think basically what I'm doing is continuing who I was

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<v Speaker 2>when I was an analystspected I had I think, this

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<v Speaker 2>is you find and I would encourage your students, you know,

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<v Speaker 2>finding a way of working there continues who you are.

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<v Speaker 2>That helps you. You know, you get a lot of

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<v Speaker 2>motivation out of that, Like your work reflects back on

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<v Speaker 2>concerns you have on an ongoing basis, and that gives

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<v Speaker 2>you motivation.

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<v Speaker 1>Thank you, Thank you for that. Can I throw a

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<v Speaker 1>few more turns at you that often come up that

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<v Speaker 1>the student asks for a little bit more clarification on

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<v Speaker 1>And you mentioned that the stick up guy doing the

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<v Speaker 1>stick up? Do you just want to explain what that means?

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<v Speaker 2>I mean, you know, in the US it's a phrase

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<v Speaker 2>for robbery. I don't know in the UK whether.

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<v Speaker 1>It is occasionally use yeah the stick up, ye.

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<v Speaker 2>Yeah, pick them up, which I mean, you know, put

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<v Speaker 2>your hands on ah as you're illustrator. But it's also

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<v Speaker 2>a pilot metaphor so of being a hard man and

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<v Speaker 2>so forth. These are beard often admired personalities. Dominance is

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<v Speaker 2>a large part of the tracture. I have a chapter

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<v Speaker 2>Ways of a Badass that doesn't focus on a particular

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<v Speaker 2>a crime like event, but it's just a way of

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<v Speaker 2>being that sometimes ends up in violence or exploitations. But

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<v Speaker 2>that came out of really a memory. I had one

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<v Speaker 2>of my first jobs. I was like a busboy waiter

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<v Speaker 2>at a hotel where we we would stay there. It

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<v Speaker 2>wasn't a community every day, it's that the resort kind

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<v Speaker 2>of place you go stay there. We lived in both

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<v Speaker 2>would have been stalls for horses that were converted and

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<v Speaker 2>the first night I got there, we would have roommates

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<v Speaker 2>and I my roommate guy they called Billinger out of

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<v Speaker 2>uh it was a boxer, but Dollinger was a famous

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<v Speaker 2>American criminal, escaped the law for a long time, was

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<v Speaker 2>finally shut down at the Biograph Theater. And this guy,

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<v Speaker 2>he told me, somebody's gonna come up to you and

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<v Speaker 2>they're gonna ask you to borrow some money. And it's

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<v Speaker 2>not gonna be a lot of money, and you're gonna

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<v Speaker 2>think I got the money. You know. They'll ask me

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<v Speaker 2>for a dollar, two dollars and you're gonna think, well,

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<v Speaker 2>I need to have friends here. I don't know people.

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<v Speaker 2>I'll give him the money. Don't give them them. If

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00:28:59.640 --> 00:29:03.240
<v Speaker 2>you give the money, And I mean, he didn't explain

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<v Speaker 2>a lot. I don't think if I recall, right, but

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<v Speaker 2>I what I came to understand is that if I

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<v Speaker 2>give this guy the money the first day I'm there

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<v Speaker 2>the rest of the summer because of the summer jol.

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<v Speaker 2>The rest of the summer, I'm going to be looking

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<v Speaker 2>to that guy to get paid back, and he's not

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<v Speaker 2>going to pay me back. And so what's going to

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<v Speaker 2>happen is he's going to be robbing me the whole summer.

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<v Speaker 2>Like it starts out as a loan, but then it

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<v Speaker 2>turns into robbery. It's a dominance thing, not that he

415
00:29:44.279 --> 00:29:48.559
<v Speaker 2>needs a dollar or two dollars, it's that that dominance

416
00:29:50.200 --> 00:29:53.279
<v Speaker 2>in a world of mails, and we were all males

417
00:29:53.480 --> 00:29:57.599
<v Speaker 2>of fails. Well that's a masculine thing, and you know,

418
00:29:57.599 --> 00:29:59.920
<v Speaker 2>when you get into masculine things, you're never very far

419
00:30:00.039 --> 00:30:03.799
<v Speaker 2>from sexuality. So the next day, in fact, this guy

420
00:30:03.880 --> 00:30:06.440
<v Speaker 2>comes up to me. He's not a big guys, not

421
00:30:06.480 --> 00:30:09.319
<v Speaker 2>an intimidating guy, and he says, hey, Jack, and I'm

422
00:30:09.319 --> 00:30:11.880
<v Speaker 2>a little short, and you give me a buck. I

423
00:30:11.920 --> 00:30:15.559
<v Speaker 2>want to get amber with them. And I said, you

424
00:30:15.599 --> 00:30:18.319
<v Speaker 2>know what, I was just about to ask you, because

425
00:30:18.319 --> 00:30:25.400
<v Speaker 2>I'm sure too. And that's say Bill. Because they were

426
00:30:25.640 --> 00:30:29.160
<v Speaker 2>a judge juvenile delinquents, and the head waiter would recruit

427
00:30:29.200 --> 00:30:31.559
<v Speaker 2>these guys from the judge in the Lower East Side

428
00:30:31.599 --> 00:30:34.720
<v Speaker 2>of Manhattan, and this would be the way they would

429
00:30:34.720 --> 00:30:37.920
<v Speaker 2>avoid jail come out to do this work. So these

430
00:30:37.920 --> 00:30:42.480
<v Speaker 2>were interesting guys. It was a good instructor summer, but

431
00:30:42.519 --> 00:30:44.720
<v Speaker 2>that I always had that in mind when I was writing,

432
00:30:44.759 --> 00:30:48.000
<v Speaker 2>like Waves of the Badass. You know what, you know

433
00:30:48.079 --> 00:30:51.119
<v Speaker 2>these events when somebody goes in and punches somebody, or

434
00:30:51.160 --> 00:30:53.759
<v Speaker 2>somebody goes in and steals something around. So that's not

435
00:30:53.799 --> 00:30:57.279
<v Speaker 2>what this is about. Really. The real thing to explain

436
00:30:57.400 --> 00:30:59.440
<v Speaker 2>is the attractions of the waves of the badness, of

437
00:30:59.559 --> 00:31:02.799
<v Speaker 2>dominant of how you can do something. And it only

438
00:31:02.839 --> 00:31:06.000
<v Speaker 2>has the power this kind of asking a person for

439
00:31:06.079 --> 00:31:09.079
<v Speaker 2>money and not paying it back. It only has power

440
00:31:09.400 --> 00:31:13.440
<v Speaker 2>if the other people understand you're doing something bad and

441
00:31:13.480 --> 00:31:15.920
<v Speaker 2>you're getting away with it. That's where you generate the

442
00:31:16.000 --> 00:31:19.599
<v Speaker 2>power the rule that you should pay back. Otherwise it's

443
00:31:19.680 --> 00:31:23.000
<v Speaker 2>robbery that allows this guy with a little phrase, hey

444
00:31:23.039 --> 00:31:25.039
<v Speaker 2>can you give me a buck? Can you lend me

445
00:31:25.079 --> 00:31:27.319
<v Speaker 2>a buck? Can you not lend the guy a buck?

446
00:31:30.240 --> 00:31:37.279
<v Speaker 2>And that innocent little phrase becomes a summer long robbery. Yeah,

447
00:31:37.319 --> 00:31:39.519
<v Speaker 2>and it comes worse and worse every day.

448
00:31:40.880 --> 00:31:45.039
<v Speaker 1>I can't help hearing stick up and waves Badass without

449
00:31:45.039 --> 00:31:49.400
<v Speaker 1>thinking about pulp fiction the film, which I think both

450
00:31:49.519 --> 00:31:51.200
<v Speaker 1>both have made reference to, aren't.

451
00:31:51.039 --> 00:31:57.519
<v Speaker 2>They Yeah, yeah, you know a lot of people, yeah,

452
00:31:57.880 --> 00:32:05.759
<v Speaker 2>creating culture, movies, writing scripts, writing books. The responsor to

453
00:32:07.759 --> 00:32:10.920
<v Speaker 2>always symbol They're not getting it from me, It's just

454
00:32:11.119 --> 00:32:12.960
<v Speaker 2>I'm getting it from the same place they are from

455
00:32:12.960 --> 00:32:17.640
<v Speaker 2>the world the you know, people who were living whom

456
00:32:17.640 --> 00:32:23.519
<v Speaker 2>it's motivating. The Joe Peshi character, I think he's very

457
00:32:24.160 --> 00:32:28.880
<v Speaker 2>you know, the people doing the streets that whole series

458
00:32:28.920 --> 00:32:31.519
<v Speaker 2>of movies. They are very respond These are people, but

459
00:32:31.680 --> 00:32:34.599
<v Speaker 2>these are very much like people are new from New York.

460
00:32:35.000 --> 00:32:37.160
<v Speaker 2>They were responding to the Saint and I the same

461
00:32:37.240 --> 00:32:40.359
<v Speaker 2>dramatic and dramatics of everyday life.

462
00:32:41.519 --> 00:32:43.519
<v Speaker 1>Thank you, And if it's like, go with you. I

463
00:32:43.599 --> 00:32:46.799
<v Speaker 1>just wanted to ask you two more things, one one

464
00:32:46.839 --> 00:32:48.200
<v Speaker 1>at one end of the scale and one at the

465
00:32:48.200 --> 00:32:50.039
<v Speaker 1>other end of the scale. So I wonder the scale

466
00:32:50.240 --> 00:32:54.920
<v Speaker 1>you talk about the sneaky thrills, okay, which students always

467
00:32:55.000 --> 00:32:57.720
<v Speaker 1>interested in. Do you mind just explaining what that means

468
00:32:57.720 --> 00:32:59.279
<v Speaker 1>and some examples if that's okay?

469
00:33:00.319 --> 00:33:03.319
<v Speaker 2>Yeah, you know, I asked my students and at uc

470
00:33:03.359 --> 00:33:11.880
<v Speaker 2>C L A H anonymously described to me any uh

471
00:33:12.359 --> 00:33:17.240
<v Speaker 2>kind of thefts that you did a little transgressions and

472
00:33:17.759 --> 00:33:20.960
<v Speaker 2>what they were about. And over a couple of years

473
00:33:21.000 --> 00:33:24.880
<v Speaker 2>I got dozens and dozens of these reports. Some of

474
00:33:24.920 --> 00:33:32.119
<v Speaker 2>them were franklin bullshit, you could tell, but others were detailed,

475
00:33:32.480 --> 00:33:37.640
<v Speaker 2>and they all they fit together in that the people

476
00:33:37.720 --> 00:33:45.799
<v Speaker 2>were off and shoplifting, stealing something. Ah. I remember one

477
00:33:47.519 --> 00:33:50.119
<v Speaker 2>of the reports was getting a pizza up the back

478
00:33:50.160 --> 00:33:54.720
<v Speaker 2>of the truck. I remember the account. We weren't even hungry,

479
00:33:55.559 --> 00:33:57.799
<v Speaker 2>but that was the tastiest piece of the ever did

480
00:33:59.200 --> 00:34:03.279
<v Speaker 2>just to say, oh, is actually the transgression that was

481
00:34:03.319 --> 00:34:10.119
<v Speaker 2>the attraction. It's the whole drama of had I pass

482
00:34:12.239 --> 00:34:16.400
<v Speaker 2>as looking normal when I'm in this store? It's not

483
00:34:16.480 --> 00:34:19.519
<v Speaker 2>just the thing. In fact, the things some up and

484
00:34:20.079 --> 00:34:23.320
<v Speaker 2>thrown away. It's neglected. They had the money in their

485
00:34:23.320 --> 00:34:25.519
<v Speaker 2>pocket to buy if they want. It's not like they're

486
00:34:25.559 --> 00:34:28.639
<v Speaker 2>really poor. And that's what Even if they are rule,

487
00:34:28.719 --> 00:34:31.639
<v Speaker 2>it's not like they needed this thing. So what is

488
00:34:31.719 --> 00:34:34.320
<v Speaker 2>really a think here? Well, what's really a thick is

489
00:34:34.360 --> 00:34:38.000
<v Speaker 2>shown that you can get away, you can be seen

490
00:34:38.039 --> 00:34:41.039
<v Speaker 2>as normal while you have these dan thoughts. And so

491
00:34:41.239 --> 00:34:47.400
<v Speaker 2>people are approaching sexuality. You know, if people know what

492
00:34:47.440 --> 00:34:49.800
<v Speaker 2>you're thinking all the time, if they really, if everybody

493
00:34:49.800 --> 00:34:52.440
<v Speaker 2>really knew what you were thinking all the time, I mean,

494
00:34:52.559 --> 00:34:59.800
<v Speaker 2>my god able to because what you're thinking, well, you couldn't,

495
00:35:00.840 --> 00:35:05.039
<v Speaker 2>you couldn't defend it. So it's very important for you

496
00:35:05.119 --> 00:35:08.039
<v Speaker 2>to realize. I remember when my own kids were young

497
00:35:08.320 --> 00:35:11.920
<v Speaker 2>and they would do these embarrassing things, and I kept hoping,

498
00:35:12.159 --> 00:35:14.480
<v Speaker 2>why don't they get to the age already when they

499
00:35:14.519 --> 00:35:16.400
<v Speaker 2>have to hide this stuff I don't even want to

500
00:35:16.440 --> 00:35:19.920
<v Speaker 2>know about, you know. But so eventually now they're pretty

501
00:35:19.960 --> 00:35:24.119
<v Speaker 2>good at hiding from they will they became pretty good

502
00:35:24.119 --> 00:35:26.800
<v Speaker 2>at hiding stuff from me. That's what's its fake. You know,

503
00:35:26.880 --> 00:35:33.920
<v Speaker 2>this is a Huberty Adolesson pre adolescent edge of adolessons

504
00:35:34.039 --> 00:35:38.559
<v Speaker 2>in adolescens kind of phenomenon. And then you know, it

505
00:35:38.639 --> 00:35:41.239
<v Speaker 2>can payed off. And that's one of the reasons that

506
00:35:42.000 --> 00:35:50.159
<v Speaker 2>these crimes vandalism as well are very graffiti. Okay, you

507
00:35:50.280 --> 00:35:52.599
<v Speaker 2>come at night when nobody's looking, you put your name

508
00:35:52.719 --> 00:35:55.440
<v Speaker 2>up and you disappear. Okay, there's something in you you

509
00:35:55.480 --> 00:35:57.679
<v Speaker 2>want known, but you don't want people seeing it that

510
00:35:57.719 --> 00:36:01.920
<v Speaker 2>it's you. It's come. I want to be known but

511
00:36:02.000 --> 00:36:08.440
<v Speaker 2>not known. Yeah, your name up everywhere. Ah. But on

512
00:36:08.480 --> 00:36:10.280
<v Speaker 2>the other hand, you don't want them to identify with

513
00:36:10.320 --> 00:36:14.239
<v Speaker 2>you and arrest you. So there's a tremendous attraction in

514
00:36:14.239 --> 00:36:20.039
<v Speaker 2>ad less or proving you to get away with it.

515
00:36:20.079 --> 00:36:23.039
<v Speaker 2>Whatever the hell it is, it's not that important.

516
00:36:25.000 --> 00:36:26.679
<v Speaker 1>I think we've probably all done that one, haven't we.

517
00:36:26.840 --> 00:36:29.159
<v Speaker 1>And from from sneaky thrills. Right at the other end

518
00:36:29.239 --> 00:36:32.800
<v Speaker 1>of the scale, then is your section of cold blooded

519
00:36:32.840 --> 00:36:37.000
<v Speaker 1>senseless murder. It's called yeah. I mean, if we've, for example,

520
00:36:37.039 --> 00:36:38.880
<v Speaker 1>you know that the sneaky thrills, I think we can

521
00:36:38.880 --> 00:36:41.119
<v Speaker 1>all get our head around that. We can understand of

522
00:36:41.159 --> 00:36:43.599
<v Speaker 1>it trying to act like a badass doing the stick up,

523
00:36:43.719 --> 00:36:47.960
<v Speaker 1>you know, demonstrating masculinity. But I think it's a little

524
00:36:47.960 --> 00:36:50.480
<v Speaker 1>bit more difficult to understand why someone would commit such

525
00:36:50.519 --> 00:36:55.480
<v Speaker 1>an extreme act and what's the just you know, are

526
00:36:55.480 --> 00:36:57.880
<v Speaker 1>they trying to justify in some way or is it

527
00:36:57.920 --> 00:37:00.000
<v Speaker 1>is it something that's just gone beyond their control.

528
00:37:01.639 --> 00:37:05.079
<v Speaker 2>You know what I've done since that book, I did

529
00:37:05.159 --> 00:37:11.880
<v Speaker 2>the one paper school intimate massacres. I call it it's

530
00:37:11.920 --> 00:37:18.000
<v Speaker 2>school shooting. So let's talk about that example, because it

531
00:37:18.159 --> 00:37:27.039
<v Speaker 2>becomes important to break down what the government or what

532
00:37:28.119 --> 00:37:34.599
<v Speaker 2>journalists consider all one category into the subcategory. So let

533
00:37:34.599 --> 00:37:39.079
<v Speaker 2>me talk about school shooting. Uh, there's lots of things

534
00:37:39.119 --> 00:37:42.719
<v Speaker 2>going on in school, and we have many more here.

535
00:37:43.840 --> 00:37:49.360
<v Speaker 2>You have some experience with us because availabilities, so rat

536
00:37:49.719 --> 00:37:54.119
<v Speaker 2>of many more of these things. But in some one

537
00:37:54.199 --> 00:37:59.800
<v Speaker 2>subset of them, what's going on what I call into

538
00:37:59.840 --> 00:38:05.920
<v Speaker 2>the massacres. That is, who are attacking others in places

539
00:38:05.960 --> 00:38:13.159
<v Speaker 2>that they think have a very intimate understanding of who

540
00:38:13.159 --> 00:38:18.199
<v Speaker 2>they are, and they're trying to destroy that undertone. So

541
00:38:18.320 --> 00:38:22.559
<v Speaker 2>that becomes that it's not that they're trying to achieve anything.

542
00:38:22.639 --> 00:38:27.039
<v Speaker 2>In fact, they often don't have much of a plan

543
00:38:27.119 --> 00:38:29.599
<v Speaker 2>to get away. And what's going on in that kind

544
00:38:29.639 --> 00:38:35.519
<v Speaker 2>of cold blood senseless what we call cold blooded senseless

545
00:38:35.639 --> 00:38:41.280
<v Speaker 2>murder is a destruction of the image that the attacker

546
00:38:41.400 --> 00:38:44.480
<v Speaker 2>things others, even if they don't even if they don't

547
00:38:44.480 --> 00:38:49.440
<v Speaker 2>even know the attack, they have this images and they're

548
00:38:49.440 --> 00:38:55.039
<v Speaker 2>trying to destroy them, and sometimes they destroy them. In

549
00:38:55.079 --> 00:38:57.960
<v Speaker 2>some of these events, they kill their mother, they kill

550
00:38:58.039 --> 00:39:00.360
<v Speaker 2>people very close to them who could give them different

551
00:39:00.400 --> 00:39:03.719
<v Speaker 2>accounts they are. They want to get rid of that version.

552
00:39:03.880 --> 00:39:07.199
<v Speaker 2>So without constructing anything new and.

553
00:39:07.599 --> 00:39:10.440
<v Speaker 1>Just going back to what you said right earlier, on

554
00:39:10.559 --> 00:39:14.239
<v Speaker 1>in the show that all of these kinds may mayle

555
00:39:14.360 --> 00:39:19.800
<v Speaker 1>dominated other than that sort of the demonstration of masculinity.

556
00:39:19.840 --> 00:39:22.920
<v Speaker 1>What else is going on there? How can we explain

557
00:39:23.079 --> 00:39:25.679
<v Speaker 1>or understand it through a gendered lens.

558
00:39:26.000 --> 00:39:32.480
<v Speaker 2>We're talking now pretty much about physical steps and bios

559
00:39:34.360 --> 00:39:37.400
<v Speaker 2>and we think of that as male, and we think

560
00:39:37.440 --> 00:39:42.840
<v Speaker 2>of that as the associable poverty, lack of opportunity and

561
00:39:42.880 --> 00:39:48.480
<v Speaker 2>so forth. But why can't I corruption, broad theft, in

562
00:39:50.039 --> 00:39:55.920
<v Speaker 2>devious means that kind of taxes, shooting people, all kinds

563
00:39:55.960 --> 00:39:59.639
<v Speaker 2>of internet us say they will be much more common,

564
00:40:00.199 --> 00:40:07.840
<v Speaker 2>and the masculine dominates may not be the same, or

565
00:40:07.960 --> 00:40:11.360
<v Speaker 2>maybe people haven't really looked into it. The kinds of

566
00:40:11.400 --> 00:40:14.559
<v Speaker 2>crimes we're talking about, the kind of physical we break

567
00:40:14.599 --> 00:40:20.000
<v Speaker 2>into some place, when you're physically violent somebody, it's a

568
00:40:20.039 --> 00:40:24.800
<v Speaker 2>way of being masculine, that it's better with men than

569
00:40:25.000 --> 00:40:30.719
<v Speaker 2>it does with women. On the un hand, fraud, conspiracy,

570
00:40:31.880 --> 00:40:39.039
<v Speaker 2>a cheating may well be a different gender bats. So

571
00:40:39.159 --> 00:40:42.119
<v Speaker 2>I think it has to do with how these acts

572
00:40:42.320 --> 00:40:46.679
<v Speaker 2>fit into who you are in the rest of your life.

573
00:40:46.920 --> 00:40:49.039
<v Speaker 2>It's not like you do these things separate from the

574
00:40:49.079 --> 00:40:51.800
<v Speaker 2>rest of your life. This has to be an extension

575
00:40:51.840 --> 00:40:56.079
<v Speaker 2>of the rest of your line. So if we look

576
00:40:56.079 --> 00:40:59.360
<v Speaker 2>at what's called white collar time, we might find a

577
00:40:59.440 --> 00:41:04.480
<v Speaker 2>very different male or female and make those acts assist.

578
00:41:06.760 --> 00:41:10.280
<v Speaker 1>Thank you, Jack, Thank you. I always end by asking

579
00:41:10.639 --> 00:41:12.679
<v Speaker 1>if people want to find out more about your work

580
00:41:12.960 --> 00:41:15.760
<v Speaker 1>or read some more of your literature, how can they

581
00:41:16.079 --> 00:41:18.280
<v Speaker 1>get in touch or find out more about you?

582
00:41:19.199 --> 00:41:22.079
<v Speaker 2>Well, you know you can my emile from U C.

583
00:41:22.280 --> 00:41:26.239
<v Speaker 2>L a Is and I have a female female and

584
00:41:27.280 --> 00:41:32.159
<v Speaker 2>you can find me on that. I have an article

585
00:41:33.039 --> 00:41:37.800
<v Speaker 2>that should be coming out in the next year, well

586
00:41:37.960 --> 00:41:42.039
<v Speaker 2>beyond the selections of the state, and you can look

587
00:41:42.079 --> 00:41:48.159
<v Speaker 2>for that, and that will particularly how my approach is

588
00:41:48.719 --> 00:41:53.159
<v Speaker 2>suspicious of government and of the state, and how so

589
00:41:53.280 --> 00:41:59.400
<v Speaker 2>much of criminology goes along with this state, and that

590
00:41:59.480 --> 00:42:02.280
<v Speaker 2>might be a kind of guide to how to read

591
00:42:02.400 --> 00:42:13.880
<v Speaker 2>the whole range of different contributions, perhaps specify brilliant.

592
00:42:14.400 --> 00:42:20.199
<v Speaker 1>Well, thank you, yeah, exactly, Thank you. I really really

593
00:42:20.199 --> 00:42:22.079
<v Speaker 1>do appreciate your time. Sorry, I said it'd be about

594
00:42:22.079 --> 00:42:23.840
<v Speaker 1>thirty minutes, so I've taken up more of your time.

595
00:42:23.920 --> 00:42:26.079
<v Speaker 1>So I really do appreciate you giving up your time

596
00:42:26.079 --> 00:42:29.599
<v Speaker 1>for me today, Jack, Thank you, Thank you.

597
00:42:30.239 --> 00:42:33.599
<v Speaker 3>The Sociology Show podcast relies on the kind contributions of

598
00:42:33.639 --> 00:42:37.199
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599
00:42:37.239 --> 00:42:39.920
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600
00:42:39.920 --> 00:42:43.159
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601
00:42:43.440 --> 00:42:47.960
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602
00:42:48.559 --> 00:42:50.519
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603
00:42:50.519 --> 00:42:53.239
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604
00:42:53.239 --> 00:42:54.559
<v Speaker 3>continued support of the show.

605
00:42:56.519 --> 00:42:58.800
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606
00:42:59.199 --> 00:43:01.000
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607
00:43:01.039 --> 00:43:05.159
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608
00:43:05.280 --> 00:43:09.199
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