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<v Speaker 1>I'm John Glover.

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<v Speaker 2>I was Lionel Luther on a Smallville and I will

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<v Speaker 2>always always hold on to Smallville and I hope you

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<v Speaker 2>all do.

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<v Speaker 1>Two. Welcome to Always hold on to Smallville. In this podcast,

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<v Speaker 1>we've talked about each in every episode of the Yolk

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<v Speaker 1>Superman Show that ram from two thousand and one to

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<v Speaker 1>twenty eleven on the WB and the CW. I'm your host,

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<v Speaker 1>Sach Moore, and we're back with another Top ten episodes.

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<v Speaker 1>That's right, the top ten episodes of Smallville as voted

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<v Speaker 1>by you, the listeners, and this time the number seven entry, Transference.

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<v Speaker 1>That's right. Traditionally Tom Wellings favorite episode of the show

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<v Speaker 1>since Talkville. I'm not sure if his opinion has changed.

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<v Speaker 1>I feel like you know, back in the day, this

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<v Speaker 1>is one of the episodes that stuck out to him

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<v Speaker 1>and he was most familiar with. Other than saying the pilot,

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<v Speaker 1>he would say Transference was his favorite episode. And you've

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<v Speaker 1>heard me talk about it before or after, and always

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<v Speaker 1>will to me. This is Tom Wellings' finest acting performance

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<v Speaker 1>on Smallville. He has some excellent scenes over the course

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<v Speaker 1>of the series, but for an individual episode, this has

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<v Speaker 1>got to be his highlight. The way he embodied John Glover,

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<v Speaker 1>who we knew so well for watching over three seasons

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<v Speaker 1>on the show, and he just captured that. And it's

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<v Speaker 1>just such a magnetic performance. And obviously there's so many

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<v Speaker 1>layers to it, right the writing, the directing, John Glover

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<v Speaker 1>walk through the scenes before welling perform the scenes on camera,

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<v Speaker 1>so he was just able to channel the great John Lover,

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<v Speaker 1>the greatest actor on Smallville. I'm always struggling with how

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<v Speaker 1>many season four episodes should I put on my own

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<v Speaker 1>personal top ten list? You know, this particular time, Transference

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<v Speaker 1>made the cut. Other times I don't know. I cycle through.

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<v Speaker 1>It's a Transference, is it Onyx?

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<v Speaker 3>Is it Run?

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<v Speaker 1>What is the best episode of season four? And in

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<v Speaker 1>good conscience, I can't put more than one season four

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<v Speaker 1>episode on my top ten list. Maybe that's silly. I

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<v Speaker 1>need to break through that at some point, if you

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<v Speaker 1>ask me at a different point in time, maybe these

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<v Speaker 1>season four episodes will start breaking through, because truly, Transference

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<v Speaker 1>and Run and Onyx are some of the best of

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<v Speaker 1>the best the series, and they're in season four, so

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<v Speaker 1>you know, in a good day, maybe all three of

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<v Speaker 1>those could be on the top ten list. But today

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<v Speaker 1>it's Transference, and this is an episode that is almost perfect.

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<v Speaker 1>You know, you'll hear us talk about it, obviously, but

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<v Speaker 1>a couple of things that got it cleaned up, especially

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<v Speaker 1>with Clark remembers what happened, but Lionel doesn't. Kind of

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<v Speaker 1>convenient right, Clark's soul healing, Lionel's sickness, Like, is that

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<v Speaker 1>what happened there? I don't know. But regardless, this isn't

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<v Speaker 1>an all time entertaining episode of the show. And yeah,

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<v Speaker 1>there's a reason why this is on the top ten list.

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<v Speaker 1>I voted for it on mine, and the listeners voted

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<v Speaker 1>for it on there. So it is refreshing to talk

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<v Speaker 1>about an episode that's not a premiere or finale. Those conversations,

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<v Speaker 1>you know, they were for a double episode in the

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<v Speaker 1>case of the finale, the first episode, which is a

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<v Speaker 1>little longer in the case of the pilot. Now we're

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<v Speaker 1>into just standard episodes of Smallville, so the length of

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<v Speaker 1>these may vary. But before we get into it here,

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<v Speaker 1>let's look back on what we gave Transference on the

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<v Speaker 1>letter grade scale. On the podcast Proper Transference had myself

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<v Speaker 1>and Matt Trux. I gave Transference an A and Matt

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<v Speaker 1>gave Transference of B plus. So obviously Matt and I

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<v Speaker 1>had already talked about this episode in depth on the

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<v Speaker 1>podcast Profer, but I am again joined by Lance Laster

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<v Speaker 1>from Always oldunt Arrow, Victoria Malay, and Matt Trux from

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<v Speaker 1>Loewis and Clark, the new podcast of Superman and Mini

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<v Speaker 1>Always hold On to podcasts on the network and on

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<v Speaker 1>the Patreon. So, without further ado, let's discuss the number

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<v Speaker 1>seven episode of Smallville Transference on.

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<v Speaker 3>The WB Wednesday.

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<v Speaker 4>Something hasn't you I remember you think of Scott Drenklin.

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<v Speaker 4>You're right, You're absolutely right.

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<v Speaker 3>I'm not myself knows the truth.

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<v Speaker 4>It's name, it's Ark. This is Lionel Luther, Precious small Villa.

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<v Speaker 4>On the WB Wednesday.

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<v Speaker 1>Transference. We're back to doing like a normal episode because

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<v Speaker 1>the last two episodes we did the finale of the

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<v Speaker 1>show and the pilot of the show, and it's kind

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<v Speaker 1>of intimating to talk about in this format. We got

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<v Speaker 1>several people, We're talking all kinds of things. The conversation

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<v Speaker 1>goes to, oh, well, you know they cast so and so,

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<v Speaker 1>and oh, I can't believe they wrapped it up this way.

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<v Speaker 1>This is like Okay, this is just an episode of

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<v Speaker 1>the show that's really good and we're going to discuss it,

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<v Speaker 1>and let's ask was it on your top ten list? Lance?

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<v Speaker 3>No, it's a great episode. It's a highlight.

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<v Speaker 5>It didn't make my top ten, but it is definitely

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<v Speaker 5>a highlight of the season, Victoria.

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<v Speaker 1>Was it on your top ten list?

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<v Speaker 6>Probably not.

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<v Speaker 2>I don't have my list on me, but I definitely

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<v Speaker 2>feel like it should have been up there. And I

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<v Speaker 2>was very intimidated by making this list process because I

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<v Speaker 2>was very worried that I would leave stuff like this

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<v Speaker 2>episode off.

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<v Speaker 6>This is one of my favorite.

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<v Speaker 1>Episodes, Matt Trux. Is it in your top ten list?

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<v Speaker 2>It?

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<v Speaker 4>I literally just got to it. It is not in

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<v Speaker 4>my top ten list, No.

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<v Speaker 1>It's in mine, but it's good.

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<v Speaker 4>It's a good episode, don't get me wrong.

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<v Speaker 1>Yeah, to be fair to all y'all, I meant to

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<v Speaker 1>pull up the top ten list and see, but I

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<v Speaker 1>just I just didn't. So next time I will, and

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<v Speaker 1>we'll we'll have all the answers. This is one of

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<v Speaker 1>the back when I hated season four, I was like,

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<v Speaker 1>there's like three good episodes and season four is transference

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<v Speaker 1>running on X and screw the rest off them terrible,

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<v Speaker 1>still not as good as the first three, but a

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<v Speaker 1>solid season nonetheless, And this is really a highlight of well,

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<v Speaker 1>not okay, Matt, not a solid season. It's not perfect.

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<v Speaker 1>Come man, you know you can't be positive anymore. People

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<v Speaker 1>get on you. So it's as bad.

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<v Speaker 4>It's a positivity that the season inspired. It's nice to.

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<v Speaker 1>Say, did what do you guys think about transfer Lance?

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<v Speaker 1>I'll start with you.

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<v Speaker 5>I remember it being a really good episode. It still

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<v Speaker 5>is a good episode. It still holds up. You know,

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<v Speaker 5>there's a couple of takeaways, but like for right now,

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<v Speaker 5>just right off the bat, there's a lot happening in

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<v Speaker 5>this episode. There's like a lot of stuff going on.

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<v Speaker 5>I was impressed by that, like they you know, managed

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<v Speaker 5>to take on a lot of things in an already

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<v Speaker 5>kind of packed season, especially at that point in the season,

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<v Speaker 5>the early third.

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<v Speaker 1>I guess, all right, Tory, what about you?

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<v Speaker 2>It's very interesting, I think because I remember I watched

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<v Speaker 2>small Velle at such an impressionable age, so I was like, oh,

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<v Speaker 2>this is great.

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<v Speaker 6>This is the peak of acting and it's amazing.

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<v Speaker 2>But I think the thing rewatching it is just how

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<v Speaker 2>well it has held up, like even now as someone

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<v Speaker 2>who's matured and knows a lot more about filmmaking and

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<v Speaker 2>just how it's led to a deeper appreciation of just.

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<v Speaker 6>How well they nailed it.

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<v Speaker 2>Also, when I was watching it again, I had big

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<v Speaker 2>appreciation for this is such a tropey trope the body switch,

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<v Speaker 2>and it's it's a trope I honestly hate, but they

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<v Speaker 2>did it so well and I have to give them

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<v Speaker 2>so many hats off for really adjusting it well to

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<v Speaker 2>the show. I think we've talked about this on the

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<v Speaker 2>podcast proper before, like small though, for all of its flaws,

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<v Speaker 2>when sometimes they're just really good or in my opinion,

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<v Speaker 2>at taking like a trope or taking like something a

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<v Speaker 2>cliche and tailoring it to the show so it doesn't

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<v Speaker 2>feel as stale. And I finally remembered what because I

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<v Speaker 2>was trying to think of this earlier, what I was

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<v Speaker 2>originally referencing. It's like when they did the teen sex

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<v Speaker 2>PSA in Unsafe. I personally thought, I know, Zach will

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<v Speaker 2>probably not agree with me, and maybe Lance won either

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<v Speaker 2>or Matt, but I thought they did a good job

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<v Speaker 2>at at least tailoring that kind of like trope and

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<v Speaker 2>that PSA really well into like the progression of the

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<v Speaker 2>show in that episode, and I think that's this was

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<v Speaker 2>another instance where they took something that's like very like

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<v Speaker 2>very overused in modern storytelling and did a really good

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<v Speaker 2>job at making it small Ville specific and just really

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<v Speaker 2>stick in the landing.

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<v Speaker 7>Sex is too important not to talk about. Now's the

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<v Speaker 7>time to get the right answers and to make the

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<v Speaker 7>right decisions, whether you're a parent or a teen. Find

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<v Speaker 7>out more at www dot teen pregnancy dot org.

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<v Speaker 1>Matt, what about you, man, what are your thoughts on transference?

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<v Speaker 4>The trope of it is so well done? What you

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<v Speaker 4>just said, Victoria, Yeah, so I was thinking about a

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<v Speaker 4>lot of different like bodies switch episodes, you know, And

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<v Speaker 4>my personal favorite is a Buffy season four episode weirdly enough,

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<v Speaker 4>but this one is a close second because there's plot

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<v Speaker 4>in this episode. Obviously, we have to learn about stones

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<v Speaker 4>and blah blah blah and how's it going to transference

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<v Speaker 4>and all that, But the biggest, like the most memorable

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<v Speaker 4>parts of it and where they put the meat of

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<v Speaker 4>the episode are these character moments. Are seeing the reverses

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<v Speaker 4>of the relationships with everybody in both of these guys' lives.

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<v Speaker 4>Mostly as with tom Welling with Clark or Lionel Clark

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<v Speaker 4>whatever we're going to call him tonight, and a little

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<v Speaker 4>bit with Lionel. But just seeing those interactions and those

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<v Speaker 4>character beating after character beating after character beat, he interacts

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<v Speaker 4>with the whole main cast in a very different way,

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<v Speaker 4>and that makes it compelling.

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<v Speaker 2>I also think it was so interesting because I feel

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<v Speaker 2>like maybe the first impulse was to have Clark and

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<v Speaker 2>Lex and I'm really happy they I don't know, this

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<v Speaker 2>is me just writing real person Smallville fanfic for the writers,

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<v Speaker 2>but like I think it was, having Clark and Lionel

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<v Speaker 2>was also just so compelling and interesting, and I'm really

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<v Speaker 2>glad they chose those characters.

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<v Speaker 1>That's a great point. I feel like if they hadn't

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<v Speaker 1>done this episode in season four, when they got to

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<v Speaker 1>like season seven, they would have done a hey what

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<v Speaker 1>if Clark and Lex which bodies episode? And of course

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<v Speaker 1>he would have had an amnesia and they would have

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<v Speaker 1>yeah who, and then a lot of situation there with

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<v Speaker 1>those guys. So this was the really this was a

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<v Speaker 1>really good time for the buddy swap, and y'all have

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<v Speaker 1>mentioned all the characters he interacts with. Honestly, my favorite one.

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<v Speaker 1>I don't know. They're all so good. They're all so good.

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<v Speaker 1>A true laugh out loud moment. No, no, no, it's it's

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<v Speaker 1>not the Lana one, Matt.

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<v Speaker 3>No.

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<v Speaker 1>That was when he's talking to Jason Tigue and he's like,

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<v Speaker 1>you're looking at me like you have no idea who

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<v Speaker 1>I am. He's like, yeah, sure I do. You're a coach.

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<v Speaker 1>And because he's wearing a coach or a jacket, that

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<v Speaker 1>is the This is the funniest moment in the episode.

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<v Speaker 3>I think, well, yeah, well that one.

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<v Speaker 5>And then the second time he talks to Jason when

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<v Speaker 5>he catches he and Lana, and with his last words

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<v Speaker 5>is just like he's like, all right, then coach something

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<v Speaker 5>like to that effect, and like he said, and just

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<v Speaker 5>the way he says coach again, it's just like Liono

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<v Speaker 5>probably at this point in the show probably doesn't even

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<v Speaker 5>know this dude's name, which I know.

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<v Speaker 3>That's what I that's what I read into it.

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<v Speaker 5>I was like, that's hilarious, Like he knows he's his

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<v Speaker 5>coach and he's just gonna say it a certain way,

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<v Speaker 5>like a Lionel way, and it's hilarious.

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<v Speaker 1>Yep, they didn't meet at those Veritas meanings like ten

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<v Speaker 1>years ago and hanging out at Doctor Swans how so

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<v Speaker 1>I'm sure he's grown.

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<v Speaker 6>Up so much, really recognize him.

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<v Speaker 4>I thought you were going to say the mom hug,

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<v Speaker 4>the Martha hug, which is just.

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<v Speaker 6>They're all so so edible, so fun.

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<v Speaker 3>Yeah, and the best.

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<v Speaker 5>Way though, you know, the Lionel having a crush on

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<v Speaker 5>Martha thing is one of my favorite things in this show,

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<v Speaker 5>Like he knows, and it's like it just cracks me

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<v Speaker 5>up because it's been there since the beginning, and like,

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<v Speaker 5>I love how it's just this nice little through line

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<v Speaker 5>throughout the entire show that Lionel has a thing for Martha,

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<v Speaker 5>and it just like it manifested in this episode the

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<v Speaker 5>the craepiest way possible, for sure, I think.

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<v Speaker 2>I also love my favorite moment is the this one

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<v Speaker 2>moment with because we were all thinking it and then

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<v Speaker 2>it was like hallolu, soone finally said it. And then

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<v Speaker 2>also I rewatching. I thought the Chloe scene was so interesting,

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<v Speaker 2>like the Chloe one. I know, like we all like

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<v Speaker 2>the theme of the show is like Loe has to

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<v Speaker 2>be psychologically tortured, but that was such an interesting thing

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<v Speaker 2>between like welling at the top of his game, acting

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<v Speaker 2>wise and like al and bringing her.

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<v Speaker 6>Best per usu.

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<v Speaker 2>There was like the tension there was so interesting, and

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<v Speaker 2>I was like trying to remember what it would have

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<v Speaker 2>been like watching it without knowing what was happening, and

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<v Speaker 2>like the scene starts and you don't really know how

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<v Speaker 2>it's gonna end.

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<v Speaker 1>Yeah, yeah, because you don't really know what this is.

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<v Speaker 1>Lionel Luther here in Clark's body, don't know what his

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<v Speaker 1>intentions are gonna be with Chloe because she's the oneho

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<v Speaker 1>but him in jail. But he knows that Chloe's in

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<v Speaker 1>love with Clark, so he's gonna use that to like

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<v Speaker 1>just twist that knife.

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<v Speaker 2>I also had like, sorry, a creeper moment when I

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<v Speaker 2>was It really like hit me how creepy it was

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<v Speaker 2>because I just like, you know, I'm just like, oh,

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<v Speaker 2>it's like Clark's really letting himself go. But no, like

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<v Speaker 2>realizing that was me when I was twelve, I'm like, yes,

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<v Speaker 2>look at yourself in the mirror, shirtless more.

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<v Speaker 6>But when he says.

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<v Speaker 2>That moment with the cheerliers where he's like ladies, and

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<v Speaker 2>I'm like, you're such a creepy old thing.

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<v Speaker 1>But he's a villain, So it's okay, we can laugh

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<v Speaker 1>at it, right, guess.

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<v Speaker 4>Totally yeah, but you know what he's doing in the

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<v Speaker 4>minute he gets to Mexico or wherever he's trying to

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<v Speaker 4>flee to there, you know, Freddy Mercury.

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<v Speaker 1>Very good, very good. This is Tom Willing's finest performance.

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<v Speaker 1>Does anyone think there's a better episode of his acting

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<v Speaker 1>in this show?

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<v Speaker 3>I don't think this is.

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<v Speaker 4>This is like what what's another like Meaedy Clark, like

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<v Speaker 4>important Clark scene for him, like in because I feel

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<v Speaker 4>like most of that is him reacting to like I'm

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<v Speaker 4>from Crypto.

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<v Speaker 5>He has great scenes throughout, but I think what Zach

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<v Speaker 5>is talking about is just like minute one to the end,

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<v Speaker 5>like of the.

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<v Speaker 3>Like the episode. I think this is.

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<v Speaker 5>He has great episodes, like you know, like can't Luthor

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<v Speaker 5>like you know, like you can name different things, but

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<v Speaker 5>as far as like the whole episode, I think this

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<v Speaker 5>is probably it.

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<v Speaker 1>Those two you just mentioned. He's playing ultra man, so

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<v Speaker 1>I'm like, yeah, he again, Tom Welling, he missed his calling.

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<v Speaker 1>He should have been a villain in something.

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<v Speaker 2>But honestly, though, I think the villain is only healing.

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<v Speaker 2>The villain is so much fun for us to watch

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<v Speaker 2>and we think he missed his calling. He's done such

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<v Speaker 2>a good job or we've seen so much of him

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<v Speaker 2>playing the good guy, like I don't I don't know

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<v Speaker 2>if the impact would have been the same if we

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<v Speaker 2>were introduced to him as a villain, but maybe not.

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<v Speaker 2>The guy looks like a Donnis and he a swag

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<v Speaker 2>for days, so I don't know. The only one I

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<v Speaker 2>was thinking of that was kind of Meaty the season

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<v Speaker 2>three episode one, I think, because he's like but I

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<v Speaker 2>think Transforence trumps it because he's like channeling another person

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<v Speaker 2>rather than just playing another facet of the character. And

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<v Speaker 2>I was specifically watching it this time. He just had

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<v Speaker 2>he just I think what really sold it was like

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<v Speaker 2>something technical, which was and I think you guys mentioned

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00:15:37.480 --> 00:15:40.519
<v Speaker 2>this in your your episode of the podcast proper as

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<v Speaker 2>we're referring.

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<v Speaker 1>To it the podcast prop that's what we're always gonna call

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<v Speaker 1>it now, the podcast profit is they had I think.

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<v Speaker 2>They had Glover play all the scenes and then Welling

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<v Speaker 2>would go in. He knew you What really sold it

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<v Speaker 2>as I was watching it and analyzing, was he had

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<v Speaker 2>the Welling could do the cadence, And I think that's

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<v Speaker 2>what makes it so innate and then you're like, oh

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<v Speaker 2>my god, wait, no, that's really line aloother.

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<v Speaker 4>John Glover brought this up, and he pointed out something

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<v Speaker 4>I hadn't noticed before, but I guess Lionel has like

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<v Speaker 4>a weird thing where like he will like slide his

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<v Speaker 4>tongue or his lips a little yeah, just kind of

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<v Speaker 4>like wet his lips a little bit. And he said

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<v Speaker 4>he used to do that a lot on the show,

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<v Speaker 4>and he noticed that Tom was just kind of picking

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<v Speaker 4>that up, which is a whole other level of it too.

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<v Speaker 4>But like, I agree with you, Victoria, like he's not

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00:16:26.039 --> 00:16:29.440
<v Speaker 4>doing an impression or like an impersonation, but he's just

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<v Speaker 4>wearing the skin of it like so manatively. Yeah.

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00:16:32.600 --> 00:16:36.639
<v Speaker 1>Absolutely, yeah, And that's where that the Freddy Mercury comment

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00:16:36.679 --> 00:16:40.360
<v Speaker 1>comes from. Is yes, the inside of you with John Glover,

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00:16:40.399 --> 00:16:42.799
<v Speaker 1>microm So, hiler Grim and everyone go listen to that.

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<v Speaker 1>But yeah, to that point, Glover mentions in that interview

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<v Speaker 1>it was hard for him to play the young Clark

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<v Speaker 1>and that he's on record in the companion. He said

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<v Speaker 1>that and then talking to Rosebom because Rose Mom was

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00:16:53.320 --> 00:16:55.720
<v Speaker 1>asking about that when they switched parts, and I think

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00:16:55.720 --> 00:16:58.279
<v Speaker 1>we can all agree with John Glover and the fact

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00:16:58.320 --> 00:17:00.720
<v Speaker 1>that the weakest part of this soul switch through is

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<v Speaker 1>as good as Tom Willing is. John Glover really doesn't

339
00:17:04.359 --> 00:17:06.279
<v Speaker 1>capture an eighteen year old Clark in does he?

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00:17:06.640 --> 00:17:10.559
<v Speaker 3>No, he captured six year old Clark Kent, but not necessarily.

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<v Speaker 6>Told me I was a very boy.

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<v Speaker 3>Yeah.

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<v Speaker 4>They run faster and really really fast.

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<v Speaker 1>I get that it is hard to just play innate good.

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00:17:17.720 --> 00:17:19.920
<v Speaker 1>He was just kind of boring. Although, although I will say,

346
00:17:19.960 --> 00:17:22.319
<v Speaker 1>and I said this in the podcast proper, by the

347
00:17:22.440 --> 00:17:26.039
<v Speaker 1>end of the episode, you're so used to like the

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00:17:26.079 --> 00:17:28.200
<v Speaker 1>Clark can you see being evil and the Lion of

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00:17:28.240 --> 00:17:30.640
<v Speaker 1>LUTHERI you're seeming in like this nice little older guy.

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00:17:31.119 --> 00:17:33.400
<v Speaker 1>It's kind of sad when they when they switch places again,

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00:17:33.440 --> 00:17:36.519
<v Speaker 1>you're like, oh, I kind of like adorable lionel as

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00:17:36.559 --> 00:17:38.400
<v Speaker 1>a really special boy.

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<v Speaker 2>Yeah, you're kind of sad when they switch back because

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<v Speaker 2>you kind of fall in love with like, evil, manipulative Clark.

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00:17:45.319 --> 00:17:46.119
<v Speaker 6>At least I did.

356
00:17:48.200 --> 00:17:49.799
<v Speaker 2>That would have been fun to see a little bit

357
00:17:49.880 --> 00:17:51.559
<v Speaker 2>more of that, But I think it's also.

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<v Speaker 6>Smart because you always want to leave the audience wanting more.

359
00:17:54.599 --> 00:17:57.880
<v Speaker 1>Yeah, exactly, like they played this trope perfectly. This time around.

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<v Speaker 1>And the thing about lineup Iss and Clark is, we know,

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<v Speaker 1>we've seen John Glover as Lena Luth on the show

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<v Speaker 1>for three years and we've seen we've seen how he acts,

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00:18:06.000 --> 00:18:08.680
<v Speaker 1>and to see Tom Willing as Clark channeling that, that's

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00:18:08.680 --> 00:18:10.440
<v Speaker 1>makes all the difference. If it's some villain of the week,

365
00:18:10.440 --> 00:18:13.160
<v Speaker 1>who oh, no, some villain Joberber Clark's bounty, it's a

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00:18:13.240 --> 00:18:15.839
<v Speaker 1>generic bad guy, it's not. It doesn't have the weight

367
00:18:15.960 --> 00:18:18.920
<v Speaker 1>and you don't appreciate the nuance as much. And that

368
00:18:19.039 --> 00:18:21.039
<v Speaker 1>is what makes it because you have an established character

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<v Speaker 1>possessing an established character, as opposed to hey, here's Zod

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<v Speaker 1>and he'sn't possessing wlax. I'm like, okay, I don't know

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<v Speaker 1>what who Zod is or what he acts like, so

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<v Speaker 1>I can't tell you if he's doing a good job

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<v Speaker 1>or a bad job.

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<v Speaker 4>No, I think you've hit the nail on the head

375
00:18:33.039 --> 00:18:34.759
<v Speaker 4>with that, because like I was thinking of different body

376
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<v Speaker 4>swap episodes this week, and like so many of them

377
00:18:37.240 --> 00:18:39.240
<v Speaker 4>are just villain in the week comes in with their

378
00:18:39.279 --> 00:18:42.519
<v Speaker 4>body switching machine or whatever and takes the hero and

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00:18:42.880 --> 00:18:45.119
<v Speaker 4>that's like, you know, the hero has to convince the

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00:18:45.160 --> 00:18:48.200
<v Speaker 4>friends that he's a stranger or whatever. But yeah, I

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<v Speaker 4>agree with you. It's totally that thing that it's both

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00:18:50.799 --> 00:18:53.640
<v Speaker 4>characters that we've known for that long and it makes

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00:18:53.640 --> 00:18:54.640
<v Speaker 4>it that much more interesting.

384
00:18:55.799 --> 00:18:56.160
<v Speaker 3>True.

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00:18:56.240 --> 00:18:58.680
<v Speaker 5>The one that made me think of after I watched

386
00:18:58.720 --> 00:19:02.119
<v Speaker 5>it was in US This League Unlimited, the Great Brain Robbery,

387
00:19:02.119 --> 00:19:06.240
<v Speaker 5>when Yeah, the Flash and Lex Luthor switched places, and

388
00:19:06.319 --> 00:19:08.839
<v Speaker 5>it's just really funny because like they both kind of

389
00:19:08.880 --> 00:19:11.839
<v Speaker 5>don't know what to do in like the other person's body,

390
00:19:12.119 --> 00:19:14.079
<v Speaker 5>and so they just kind of act like themselves when

391
00:19:14.079 --> 00:19:17.240
<v Speaker 5>everybody just thinks they're weird, and it's a different playing

392
00:19:17.319 --> 00:19:19.200
<v Speaker 5>field than what we have here where it's just like

393
00:19:19.240 --> 00:19:21.440
<v Speaker 5>the characters are like, you know, very much more nuanced

394
00:19:21.480 --> 00:19:23.640
<v Speaker 5>and they know what they're doing. They have goals and

395
00:19:23.680 --> 00:19:26.240
<v Speaker 5>they're out to do something. Lionels out to mess up

396
00:19:26.240 --> 00:19:28.519
<v Speaker 5>Clark's life, get his money back and like go do

397
00:19:28.559 --> 00:19:31.200
<v Speaker 5>whatever else he's gonna do, and then Clark is trying

398
00:19:31.240 --> 00:19:32.279
<v Speaker 5>to get back to where he is.

399
00:19:32.599 --> 00:19:34.880
<v Speaker 3>That other episode is just like, this is hilarious that

400
00:19:34.920 --> 00:19:36.359
<v Speaker 3>Lex Luthor's in the Flash and doesn't know who the

401
00:19:36.400 --> 00:19:37.839
<v Speaker 3>Flash is. It's hilarious.

402
00:19:38.079 --> 00:19:40.359
<v Speaker 5>Yeah, this is hilarious that the Flashes in Lex Lutheran

403
00:19:40.400 --> 00:19:41.279
<v Speaker 5>has no idea what he's doing.

404
00:19:41.359 --> 00:19:42.000
<v Speaker 3>It's pretty funny.

405
00:19:42.119 --> 00:19:44.519
<v Speaker 4>Yeah, and weirdly maybe it goes to the performances or

406
00:19:44.519 --> 00:19:46.920
<v Speaker 4>the stronger performance, but also maybe the story. But like

407
00:19:47.200 --> 00:19:49.599
<v Speaker 4>in the Justice League one, we're following the hero in

408
00:19:49.599 --> 00:19:53.160
<v Speaker 4>the villain's body a lot more than we're following Lex

409
00:19:53.200 --> 00:19:54.599
<v Speaker 4>in the flash, right.

410
00:19:54.880 --> 00:19:57.720
<v Speaker 2>I think, because what really helps the tension or something

411
00:19:57.720 --> 00:20:00.000
<v Speaker 2>that really landed for me when I was rewatching it

412
00:20:00.079 --> 00:20:03.319
<v Speaker 2>this time is Clark Lionel or I don't know, I'm

413
00:20:03.319 --> 00:20:06.720
<v Speaker 2>just gonna call him like sexy. Tom Willing has this

414
00:20:06.759 --> 00:20:09.240
<v Speaker 2>line of dialogue where he goes, you know, with my

415
00:20:09.400 --> 00:20:13.079
<v Speaker 2>mind and your body and your powers, like I'm unstoppable,

416
00:20:13.200 --> 00:20:19.720
<v Speaker 2>and you're like, yeah.

417
00:20:17.680 --> 00:20:21.559
<v Speaker 6>We gotta get that stone captivated.

418
00:20:22.319 --> 00:20:27.240
<v Speaker 2>This is not going to end well, oh man, like yes,

419
00:20:27.480 --> 00:20:31.599
<v Speaker 2>like the guy because like again, like Clark is very handsome,

420
00:20:31.599 --> 00:20:33.720
<v Speaker 2>but he's like kind of awkward and he doesn't like

421
00:20:33.799 --> 00:20:36.680
<v Speaker 2>channel that. But like Lionel, who is like so unencumbered

422
00:20:36.720 --> 00:20:39.839
<v Speaker 2>and so unrestrained and so amoral.

423
00:20:40.240 --> 00:20:47.039
<v Speaker 1>Dann like and take it. Speaking of uh, you know

424
00:20:47.079 --> 00:20:49.240
<v Speaker 1>that the body swaps that were saying, like it worked

425
00:20:49.240 --> 00:20:53.160
<v Speaker 1>really well that Lionel was in jail and also dying,

426
00:20:53.240 --> 00:20:55.319
<v Speaker 1>So it was like a ticking clock, right, and he

427
00:20:55.480 --> 00:20:58.000
<v Speaker 1>was like in a place separated from all the other characters.

428
00:20:58.440 --> 00:21:00.720
<v Speaker 1>Like he had to, like, you know, say something absurd

429
00:21:00.720 --> 00:21:03.480
<v Speaker 1>about Clark to get Martha to even come see him,

430
00:21:03.640 --> 00:21:05.960
<v Speaker 1>and she almost immediately leaves and she thinks he's lying,

431
00:21:06.079 --> 00:21:07.920
<v Speaker 1>so like, it's not like if we if we've done

432
00:21:07.920 --> 00:21:11.119
<v Speaker 1>that that hypothetical Clark and Lex which you mentioned Victoria,

433
00:21:11.160 --> 00:21:13.039
<v Speaker 1>like in season seven, it's like, well, how do you

434
00:21:13.640 --> 00:21:15.359
<v Speaker 1>when you have the hero and the other villains, But

435
00:21:15.400 --> 00:21:17.119
<v Speaker 1>he can quickly go to his friends and explain all

436
00:21:17.160 --> 00:21:19.440
<v Speaker 1>this stuff and or it becomes a stupid like they

437
00:21:19.440 --> 00:21:21.839
<v Speaker 1>don't believe him for some reason. So it worked really

438
00:21:21.920 --> 00:21:25.160
<v Speaker 1>well that you have lionels separated from everybody in prison.

439
00:21:25.319 --> 00:21:27.720
<v Speaker 2>So oh okay, wait, that actually reminded me of a

440
00:21:27.799 --> 00:21:28.839
<v Speaker 2>question that I have.

441
00:21:29.319 --> 00:21:32.400
<v Speaker 6>I would like to ask a question. So you know

442
00:21:32.480 --> 00:21:33.119
<v Speaker 6>the scene when.

443
00:21:33.039 --> 00:21:38.319
<v Speaker 2>They get Clark Lionel sexy Tom willing to come back

444
00:21:38.759 --> 00:21:39.079
<v Speaker 2>to the.

445
00:21:39.039 --> 00:21:42.960
<v Speaker 6>Prison, yes, and he's sitting with not Jim Rash.

446
00:21:42.720 --> 00:21:46.400
<v Speaker 1>And thank you, thank you, yep.

447
00:21:47.119 --> 00:21:50.039
<v Speaker 2>And I'm also Jim Rash went to my high school

448
00:21:50.039 --> 00:21:53.279
<v Speaker 2>in my college, so I'm totally team Jim Rash, sorry,

449
00:21:53.319 --> 00:21:55.640
<v Speaker 2>other guy. The way that scene goes that I was

450
00:21:55.680 --> 00:21:58.680
<v Speaker 2>like listening and watching extra closely this time. Is that

451
00:21:58.880 --> 00:22:02.519
<v Speaker 2>him Edgar not Jim Rash putting on an act.

452
00:22:02.359 --> 00:22:03.519
<v Speaker 6>To lure Clark back.

453
00:22:04.079 --> 00:22:08.200
<v Speaker 2>Was that a legitimate thing where he was like, I legit,

454
00:22:08.279 --> 00:22:11.200
<v Speaker 2>don't know, No, that's totally a plan because he has

455
00:22:11.240 --> 00:22:12.880
<v Speaker 2>a moment that he was like, wait, wait, how's how

456
00:22:12.920 --> 00:22:15.359
<v Speaker 2>stuff coming along with your lawyers? That made that kind

457
00:22:15.400 --> 00:22:16.720
<v Speaker 2>of like threw me for a second.

458
00:22:17.880 --> 00:22:20.799
<v Speaker 1>I think it was a Lionel and Clark's by the way,

459
00:22:20.839 --> 00:22:23.359
<v Speaker 1>Clark and Lionel's body. And I always thought he was

460
00:22:23.359 --> 00:22:24.160
<v Speaker 1>the not.

461
00:22:24.079 --> 00:22:26.200
<v Speaker 6>Sexy, un sexy John Glove.

462
00:22:26.720 --> 00:22:27.359
<v Speaker 4>I got confused.

463
00:22:27.440 --> 00:22:29.119
<v Speaker 1>I always thought he was the verising guy. That's what

464
00:22:29.240 --> 00:22:31.200
<v Speaker 1>I can you hear me now, guy, that's the why.

465
00:22:31.359 --> 00:22:35.119
<v Speaker 1>That's why I equated Edgar too. But they had concocted

466
00:22:35.160 --> 00:22:38.240
<v Speaker 1>a plan where they would lun re Lionel back, and

467
00:22:38.240 --> 00:22:40.440
<v Speaker 1>and Clark had said that he would help him out,

468
00:22:40.440 --> 00:22:42.480
<v Speaker 1>I guess at some point. But see that gets all

469
00:22:42.519 --> 00:22:44.039
<v Speaker 1>lost because at the end of the episode, he like

470
00:22:44.039 --> 00:22:45.799
<v Speaker 1>goes and tells les, oh, we gotta help up a friend,

471
00:22:46.119 --> 00:22:47.960
<v Speaker 1>but then uh, losing breaks him out.

472
00:22:47.960 --> 00:22:50.640
<v Speaker 6>Of Wile Ago.

473
00:22:51.200 --> 00:22:54.160
<v Speaker 2>But then my question because I also feel like Clark

474
00:22:54.279 --> 00:22:58.799
<v Speaker 2>was unseexy, John Glover wasn't like looking for him, and

475
00:22:58.839 --> 00:23:00.680
<v Speaker 2>the only way they found each other was through a

476
00:23:00.799 --> 00:23:02.200
<v Speaker 2>legitimate prison riot.

477
00:23:02.519 --> 00:23:04.480
<v Speaker 1>But that was awesome. That was such a great sea.

478
00:23:04.559 --> 00:23:05.440
<v Speaker 1>Why are you question it?

479
00:23:06.079 --> 00:23:07.200
<v Speaker 6>I'm not questioning it.

480
00:23:07.279 --> 00:23:10.000
<v Speaker 2>I'm just like I'm reflecting and like trying to make

481
00:23:10.000 --> 00:23:12.400
<v Speaker 2>sure I'm fully understanding and appreciating everything.

482
00:23:12.440 --> 00:23:14.279
<v Speaker 3>Yeah, it was, yeah, yeah it was.

483
00:23:14.440 --> 00:23:16.119
<v Speaker 4>It was a random pery that I don't know what

484
00:23:16.359 --> 00:23:18.559
<v Speaker 4>if there wasn't a prison riot, what the plan was

485
00:23:18.599 --> 00:23:18.920
<v Speaker 4>going to be?

486
00:23:19.000 --> 00:23:21.799
<v Speaker 6>See that That's where I tripped up.

487
00:23:21.960 --> 00:23:24.039
<v Speaker 4>Right, But I think their main thought was just like

488
00:23:24.400 --> 00:23:26.640
<v Speaker 4>tell him there's something wrong with the research, like make

489
00:23:26.759 --> 00:23:29.440
<v Speaker 4>him panic, get him back here, and then we'll figure it.

490
00:23:29.640 --> 00:23:32.000
<v Speaker 1>Well, he told him that he had to kill Lionel

491
00:23:32.440 --> 00:23:35.000
<v Speaker 1>his body. Yeah, so it was like, oh, well, Clark's

492
00:23:35.039 --> 00:23:38.000
<v Speaker 1>gonna Clark's body. We'll do it this way. Clark's body

493
00:23:38.559 --> 00:23:41.200
<v Speaker 1>has to find Lionel's body and kill it. But that

494
00:23:41.519 --> 00:23:44.359
<v Speaker 1>I guess Clark figured that Lionel would use that I'm

495
00:23:44.359 --> 00:23:46.680
<v Speaker 1>gonna choke you move, which is when a Clark's singers removed.

496
00:23:46.680 --> 00:23:48.920
<v Speaker 1>So he could do the whole Oh come my underarm.

497
00:23:48.960 --> 00:23:51.119
<v Speaker 1>I got a crystals.

498
00:23:51.720 --> 00:23:52.799
<v Speaker 3>When I saw that this time.

499
00:23:52.799 --> 00:23:54.519
<v Speaker 5>When I was watching this, I was like, Game of

500
00:23:54.599 --> 00:23:57.839
<v Speaker 5>Thrones took this from Smallville, because that's totally the move.

501
00:23:57.880 --> 00:24:01.240
<v Speaker 5>Arias Stark used on The Night King spoilers for anybody

502
00:24:01.240 --> 00:24:02.119
<v Speaker 5>who has not seen.

503
00:24:01.960 --> 00:24:05.000
<v Speaker 4>It, anyone who still cares.

504
00:24:05.039 --> 00:24:07.319
<v Speaker 5>Yeah exactly, I know, all right, but that's that's the first

505
00:24:07.319 --> 00:24:08.880
<v Speaker 5>thing that I thought of. But yeah, you're right, like

506
00:24:08.920 --> 00:24:10.880
<v Speaker 5>the prison riot thing, it was. This was not like

507
00:24:10.880 --> 00:24:14.160
<v Speaker 5>a you know, Aero season seven, you know, manufactured prison ride.

508
00:24:14.200 --> 00:24:16.000
<v Speaker 5>It was just it just kind of happened this time.

509
00:24:16.640 --> 00:24:16.880
<v Speaker 4>Yeah.

510
00:24:16.920 --> 00:24:19.240
<v Speaker 2>It was a spontaneous prison right, which is personally how

511
00:24:19.279 --> 00:24:20.359
<v Speaker 2>I prefer my prison rise.

512
00:24:20.519 --> 00:24:21.799
<v Speaker 4>Yeah, exactly, keep it loose.

513
00:24:22.079 --> 00:24:24.640
<v Speaker 1>To the episode's credit, they had set up that Lionel

514
00:24:24.920 --> 00:24:27.000
<v Speaker 1>was getting in some big fight with some guy later

515
00:24:27.079 --> 00:24:29.279
<v Speaker 1>on the episode, and so that'll be played into and

516
00:24:29.279 --> 00:24:31.519
<v Speaker 1>that's and that's why this episode point on my top

517
00:24:31.519 --> 00:24:33.799
<v Speaker 1>ten list, and it's on Hey you the listeners were

518
00:24:33.920 --> 00:24:36.480
<v Speaker 1>I think this is the first one that we've had

519
00:24:36.559 --> 00:24:38.480
<v Speaker 1>that's on my top ten list. I think it is

520
00:24:38.559 --> 00:24:43.039
<v Speaker 1>so finally, thank you listeners for I agree finally, But

521
00:24:43.240 --> 00:24:45.279
<v Speaker 1>all the little things like they all they all make sense,

522
00:24:45.359 --> 00:24:48.160
<v Speaker 1>Like like in season seven or something, I'd be like, yeah, whatever,

523
00:24:48.279 --> 00:24:51.079
<v Speaker 1>you know reasons you know this one, Like I feel

524
00:24:51.079 --> 00:24:53.640
<v Speaker 1>like that there's the there's there's payoffs, but there's setups

525
00:24:53.640 --> 00:24:56.119
<v Speaker 1>to those payoffs that make it all makes sense, right.

526
00:24:56.799 --> 00:24:59.000
<v Speaker 1>The weakest part to this to me is is the

527
00:24:59.039 --> 00:25:03.079
<v Speaker 1>resolution where it's like Clark doesn't have amnesia, but Lionel does.

528
00:25:03.119 --> 00:25:05.599
<v Speaker 1>I think that's a real cop out. I guess they

529
00:25:05.640 --> 00:25:09.039
<v Speaker 1>didn't want Lionel to have the knowledge of Clark's secret

530
00:25:09.079 --> 00:25:10.319
<v Speaker 1>at this point, but then when you get down to

531
00:25:10.319 --> 00:25:11.759
<v Speaker 1>the end of season four, you kind of think he

532
00:25:11.839 --> 00:25:14.000
<v Speaker 1>knows what's going on. He's a good guy now, so

533
00:25:14.079 --> 00:25:17.119
<v Speaker 1>maybe he protected him. But ultimately they wanted to do

534
00:25:17.160 --> 00:25:18.680
<v Speaker 1>that so they can have that scene between Clark and

535
00:25:18.799 --> 00:25:21.119
<v Speaker 1>Lex saying, oh, we got to help my friend because

536
00:25:21.119 --> 00:25:23.079
<v Speaker 1>you got to pay off the fact that Clark said

537
00:25:23.079 --> 00:25:25.200
<v Speaker 1>he was gonna help him. But then it goes nowhere

538
00:25:25.200 --> 00:25:27.039
<v Speaker 1>because Margot kedderreak him out of jail, So you could

539
00:25:27.039 --> 00:25:28.440
<v Speaker 1>have just had him both have amnesia.

540
00:25:28.599 --> 00:25:31.480
<v Speaker 5>Possibly, Yeah, but I do understand what you're saying though

541
00:25:31.519 --> 00:25:34.839
<v Speaker 5>about the ending that is Yeah, yeah, I.

542
00:25:34.880 --> 00:25:38.359
<v Speaker 4>Agree, I do like that they I mean they you know,

543
00:25:38.400 --> 00:25:40.799
<v Speaker 4>it's a drama, it's a soap opera. They had to

544
00:25:40.799 --> 00:25:44.079
<v Speaker 4>make Clark have to kind of like apologize for stuff

545
00:25:44.119 --> 00:25:45.960
<v Speaker 4>he didn't do, you know like that. That's a big

546
00:25:46.000 --> 00:25:48.599
<v Speaker 4>part of these like under the Influence episodes, right.

547
00:25:48.759 --> 00:25:51.279
<v Speaker 2>And something I loved about this episode is that, like,

548
00:25:51.920 --> 00:25:55.440
<v Speaker 2>because this episode is a literal epitome if you weren't

549
00:25:55.440 --> 00:25:56.880
<v Speaker 2>yourself on the Telly Place.

550
00:25:57.039 --> 00:25:58.519
<v Speaker 3>Yeah.

551
00:25:58.680 --> 00:26:01.640
<v Speaker 2>My favorite is how like we finally and calls him

552
00:26:01.640 --> 00:26:04.359
<v Speaker 2>out and she's like, ye, you have you have pulled

553
00:26:04.400 --> 00:26:08.079
<v Speaker 2>this bullsh Excuse me, You've pulled this enough times, Like

554
00:26:08.160 --> 00:26:10.599
<v Speaker 2>I am so over this. I'm not falling for this

555
00:26:10.720 --> 00:26:13.279
<v Speaker 2>act again, Like no, And then I love it how

556
00:26:13.319 --> 00:26:15.359
<v Speaker 2>she doesn't even come around. She's like, oh good, Lona,

557
00:26:15.440 --> 00:26:16.319
<v Speaker 2>you yell at him now.

558
00:26:19.519 --> 00:26:23.359
<v Speaker 1>I think after Red, nobody should have talked to Clark.

559
00:26:23.480 --> 00:26:27.720
<v Speaker 1>After Rush, nobody should have talked to Clark, and especially

560
00:26:27.759 --> 00:26:29.519
<v Speaker 1>after this one. This is ridiculous.

561
00:26:29.599 --> 00:26:31.720
<v Speaker 6>So but I guess, you know, there are a small town.

562
00:26:31.759 --> 00:26:34.559
<v Speaker 6>There's not a lot of people, so you're.

563
00:26:33.799 --> 00:26:35.480
<v Speaker 4>Going to run into them eventually, so.

564
00:26:35.680 --> 00:26:37.359
<v Speaker 6>You got to mend those relationships.

565
00:26:37.799 --> 00:26:41.400
<v Speaker 2>But one thing I liked about I noticed because we

566
00:26:41.400 --> 00:26:43.759
<v Speaker 2>were talking in the group chat that you that we

567
00:26:43.759 --> 00:26:46.319
<v Speaker 2>were joking that, you know, since Zach and Matt had

568
00:26:46.319 --> 00:26:48.240
<v Speaker 2>already discussed this at length, that they were just gonna

569
00:26:48.240 --> 00:26:51.160
<v Speaker 2>be talking about like lighting and the sets. But one

570
00:26:51.160 --> 00:26:55.039
<v Speaker 2>thing I noticed in the costuming is that scene between

571
00:26:55.079 --> 00:26:59.279
<v Speaker 2>Lex and Sexy Tom Weeling is that they're matchers. They're

572
00:26:59.319 --> 00:27:02.799
<v Speaker 2>wearing the same like they're dressed literally the interesting like

573
00:27:02.839 --> 00:27:05.599
<v Speaker 2>the black button up and like the slacks, which I

574
00:27:05.640 --> 00:27:08.599
<v Speaker 2>thought was very interesting because I remember from my days

575
00:27:09.039 --> 00:27:12.599
<v Speaker 2>getting the small little DVDs and watching all the commentaries.

576
00:27:12.880 --> 00:27:15.599
<v Speaker 2>Was one of the things they encountered in Red with

577
00:27:15.680 --> 00:27:18.519
<v Speaker 2>the costuming of like Red K Clark is that they

578
00:27:18.799 --> 00:27:20.960
<v Speaker 2>put him in suits and stuff and they were like,

579
00:27:21.319 --> 00:27:23.799
<v Speaker 2>you know, he really looks like a twenty something year old,

580
00:27:23.799 --> 00:27:26.400
<v Speaker 2>Like he looks like an adult man. And then like

581
00:27:26.440 --> 00:27:30.519
<v Speaker 2>they course corrected in Exile where he's kind of like

582
00:27:30.519 --> 00:27:32.799
<v Speaker 2>in like I used to remember, like the iconic Volcom

583
00:27:32.839 --> 00:27:36.200
<v Speaker 2>T shirt and they like, so I thought this was like,

584
00:27:36.279 --> 00:27:38.519
<v Speaker 2>but this is where like making him look more mature

585
00:27:38.640 --> 00:27:39.960
<v Speaker 2>and like having him match.

586
00:27:39.839 --> 00:27:42.880
<v Speaker 6>Blex's wardrobe like really narratively worked totally.

587
00:27:42.960 --> 00:27:45.400
<v Speaker 4>And isn't he when he's when he's getting dressed in

588
00:27:45.440 --> 00:27:48.480
<v Speaker 4>the barn or in the yeah, the bar. Doesn't he

589
00:27:48.599 --> 00:27:52.119
<v Speaker 4>have a purple button down too, which is very very loose.

590
00:27:52.440 --> 00:27:55.480
<v Speaker 1>It's kind of it's a Lilac Nobody's kakies And that's

591
00:27:55.480 --> 00:27:57.799
<v Speaker 1>a big departure with the khakis. Yeah, that was an

592
00:27:57.799 --> 00:28:00.519
<v Speaker 1>interesting choice for him. But yeah, I just yeah, and

593
00:28:00.559 --> 00:28:01.960
<v Speaker 1>that scene when he shows up in the prison and

594
00:28:02.039 --> 00:28:04.240
<v Speaker 1>kind of like shows himselves off. He's like, what do

595
00:28:04.279 --> 00:28:10.200
<v Speaker 1>you think, like if that's Arrari, that's exactly what he

596
00:28:10.200 --> 00:28:13.079
<v Speaker 1>would do, just to just to show it off. What

597
00:28:13.160 --> 00:28:15.400
<v Speaker 1>did you think of Margot Kidder popping them at the end,

598
00:28:15.640 --> 00:28:16.440
<v Speaker 1>taking that crystal?

599
00:28:17.200 --> 00:28:19.680
<v Speaker 2>It's heartbreaking because I want more. I just I was

600
00:28:19.720 --> 00:28:22.000
<v Speaker 2>so excited when she came back because like the first

601
00:28:22.079 --> 00:28:25.880
<v Speaker 2>episode of Smallville I ever truly watched, like Live to

602
00:28:25.960 --> 00:28:29.160
<v Speaker 2>Air properly on the seat on the the CW. Still

603
00:28:29.160 --> 00:28:33.240
<v Speaker 2>the WB was Crusade, so like I like got to

604
00:28:33.319 --> 00:28:36.799
<v Speaker 2>meet Lois and like meet older Lois and it was like,

605
00:28:37.039 --> 00:28:39.079
<v Speaker 2>this is weird, like Lois connection to like how I

606
00:28:39.200 --> 00:28:42.920
<v Speaker 2>was introduced to Smallville. So I remember being so excited

607
00:28:43.359 --> 00:28:45.559
<v Speaker 2>when she came back. It was like I know her,

608
00:28:45.720 --> 00:28:50.880
<v Speaker 2>I know her, just my friend. Yeah, And then like

609
00:28:51.000 --> 00:28:54.359
<v Speaker 2>knowing that didn't go anywhere, like knowing now that no

610
00:28:54.480 --> 00:28:56.880
<v Speaker 2>More was to be his heartbreaking because it would have

611
00:28:56.920 --> 00:29:00.200
<v Speaker 2>been so cool. I have my I can I get

612
00:29:00.240 --> 00:29:02.079
<v Speaker 2>like really real and vulnerable right now. I have my

613
00:29:02.160 --> 00:29:06.079
<v Speaker 2>own like head cannon where Bridgett and doctor Swann married,

614
00:29:06.160 --> 00:29:08.599
<v Speaker 2>and I hate that Dean Kine was a freak of

615
00:29:08.599 --> 00:29:11.640
<v Speaker 2>the week. He is their son and he runs Virgil

616
00:29:11.720 --> 00:29:16.319
<v Speaker 2>Swan's operation. So look for that fan pic coming to

617
00:29:16.480 --> 00:29:18.960
<v Speaker 2>archive of your own never.

618
00:29:21.039 --> 00:29:23.480
<v Speaker 1>I would happily release that as a Patreon exclusive for.

619
00:29:25.079 --> 00:29:29.000
<v Speaker 2>Don't make offers You're not willing to make good on

620
00:29:29.119 --> 00:29:30.400
<v Speaker 2>more because.

621
00:29:32.240 --> 00:29:35.640
<v Speaker 1>It's been fortunate about season four because they had major problems,

622
00:29:35.759 --> 00:29:37.559
<v Speaker 1>right they had Christopher Reeve was supposed to play the

623
00:29:37.559 --> 00:29:39.400
<v Speaker 1>big part and he died, and then Margot Kidder was

624
00:29:39.400 --> 00:29:41.640
<v Speaker 1>gonna replace him, and then she felt uncomfortable about doing it,

625
00:29:41.680 --> 00:29:43.759
<v Speaker 1>and I totally get it. Yeah, that was her friend

626
00:29:43.799 --> 00:29:46.160
<v Speaker 1>for decades and it felt awkward. I'm not gonna I

627
00:29:46.200 --> 00:29:49.240
<v Speaker 1>mean it would she would have come back, but I

628
00:29:49.319 --> 00:29:51.960
<v Speaker 1>understand why she wouldn't. And then good Jane Seymore in

629
00:29:52.000 --> 00:29:54.759
<v Speaker 1>here and that's why they ended up doing you think,

630
00:29:54.799 --> 00:29:56.839
<v Speaker 1>oh good more to come from bridget cross because that's

631
00:29:56.839 --> 00:29:59.079
<v Speaker 1>a tease. Now she has a crystal and then they

632
00:29:59.079 --> 00:30:01.279
<v Speaker 1>have to wait all the way down to uh to

633
00:30:01.440 --> 00:30:04.519
<v Speaker 1>Spirit actually when it's like, here's a leg in a

634
00:30:04.519 --> 00:30:07.119
<v Speaker 1>pile of dirt and that was her after driver's license

635
00:30:07.359 --> 00:30:11.519
<v Speaker 1>Jason Gilder and has the stone nowt Yahoo.

636
00:30:14.240 --> 00:30:16.440
<v Speaker 3>I loved when Sexy Tom.

637
00:30:16.440 --> 00:30:20.759
<v Speaker 5>Is yeah, I just got to go with it.

638
00:30:20.799 --> 00:30:21.559
<v Speaker 3>We just got to go with it.

639
00:30:21.599 --> 00:30:23.519
<v Speaker 5>When he talks to the Kents the first time, like

640
00:30:23.599 --> 00:30:27.240
<v Speaker 5>it's like, I love how nonchalant the Kents are about

641
00:30:27.440 --> 00:30:30.359
<v Speaker 5>Clark's abilities and it's just so funny, like how at

642
00:30:30.359 --> 00:30:32.839
<v Speaker 5>this point in the show, like it doesn't phase them

643
00:30:32.960 --> 00:30:35.920
<v Speaker 5>to ask Clark to lift up the tractor or put

644
00:30:35.960 --> 00:30:37.680
<v Speaker 5>out a fire with his hands, Like they're just like

645
00:30:37.720 --> 00:30:40.240
<v Speaker 5>it's just it's just everyday stuff. And to like Sexy Clark,

646
00:30:40.519 --> 00:30:42.440
<v Speaker 5>he's seeing this for the first time, he's like eyes

647
00:30:42.480 --> 00:30:45.000
<v Speaker 5>wide open, like in wonderment at these things that Superman

648
00:30:45.000 --> 00:30:47.519
<v Speaker 5>can do, things that we obviously can't, and so to

649
00:30:47.640 --> 00:30:49.839
<v Speaker 5>us it's like the most amazing thing. But the Kents

650
00:30:49.880 --> 00:30:52.119
<v Speaker 5>like they've been there, done that before, and it's just

651
00:30:52.119 --> 00:30:54.519
<v Speaker 5>so funny how they treated him. There's like Clark, he's

652
00:30:54.519 --> 00:30:56.640
<v Speaker 5>like I'm not five to four, lifted up higher so

653
00:30:56.640 --> 00:30:59.759
<v Speaker 5>I can get under there, and he's like, it's hilarious. Yeah,

654
00:30:59.799 --> 00:31:04.720
<v Speaker 5>I know, exactly, putting up fire exactly. Yeah, so good.

655
00:31:05.000 --> 00:31:05.720
<v Speaker 6>It is so good.

656
00:31:06.799 --> 00:31:09.960
<v Speaker 1>I'm glad that they didn't try this again. We would

657
00:31:10.000 --> 00:31:12.720
<v Speaker 1>have deluded this one. But this one stands apart because

658
00:31:12.720 --> 00:31:14.720
<v Speaker 1>it's so unique of all the like if they didn't

659
00:31:14.720 --> 00:31:17.200
<v Speaker 1>even if they did something like, I mean, they had

660
00:31:17.240 --> 00:31:19.720
<v Speaker 1>an episode Wherelana got Clark's powers, but they didn't like

661
00:31:19.759 --> 00:31:23.079
<v Speaker 1>switch bodies or you know, I mean, the closest thing

662
00:31:23.079 --> 00:31:28.079
<v Speaker 1>they ever did to this was in Hex. Chloe kind

663
00:31:28.079 --> 00:31:30.079
<v Speaker 1>of wishes she was Lois. There's again some kind of

664
00:31:30.119 --> 00:31:33.759
<v Speaker 1>meta commentary and Eric and heran she goes up to

665
00:31:33.960 --> 00:31:36.000
<v Speaker 1>she goes up to the verge. She says, oh my god,

666
00:31:36.000 --> 00:31:38.799
<v Speaker 1>I'm Lois. She says it. She says it just like

667
00:31:39.200 --> 00:31:41.119
<v Speaker 1>Alice and Mack would have, so you have you know

668
00:31:41.119 --> 00:31:42.880
<v Speaker 1>what I think about it. That wasn't a true swap,

669
00:31:42.960 --> 00:31:44.559
<v Speaker 1>but you just because I don't know, I don't know

670
00:31:44.599 --> 00:31:46.519
<v Speaker 1>what Lois herself was supposed to doing that episode, but

671
00:31:46.880 --> 00:31:49.400
<v Speaker 1>she's off one assignment, perhaps in Africa, talking to Hawkman.

672
00:31:49.440 --> 00:31:53.799
<v Speaker 1>I don't know, but they have but there's no because

673
00:31:53.799 --> 00:31:55.839
<v Speaker 1>there should be seen was like two Lois is there,

674
00:31:55.880 --> 00:31:58.079
<v Speaker 1>you know, but there's not because they didn't switch. They

675
00:31:58.200 --> 00:32:00.160
<v Speaker 1>just as the time of turned in.

676
00:32:00.960 --> 00:32:02.079
<v Speaker 6>It was a transformation.

677
00:32:03.400 --> 00:32:07.119
<v Speaker 1>There. He goes, very good, Victoria, very good. They could

678
00:32:07.160 --> 00:32:10.240
<v Speaker 1>have easily done some like Chloe and Laana switch bodies,

679
00:32:10.240 --> 00:32:12.000
<v Speaker 1>and Chloe feels those what it feels like to have

680
00:32:12.039 --> 00:32:14.920
<v Speaker 1>Clark like or and Wana finally understands a tough life

681
00:32:14.960 --> 00:32:17.240
<v Speaker 1>club like they could have gone. They could have gone

682
00:32:17.279 --> 00:32:18.960
<v Speaker 1>down this road and they didn't. And I'm very I'm

683
00:32:19.039 --> 00:32:21.319
<v Speaker 1>very happy. But yeah, I mean, this is uh, this

684
00:32:21.400 --> 00:32:22.799
<v Speaker 1>is a great episode of some great stuff in here,

685
00:32:22.960 --> 00:32:25.319
<v Speaker 1>especially at the end when when Clark and Lex apologize.

686
00:32:25.680 --> 00:32:27.119
<v Speaker 1>I think that's what I mentioned, Like Lance and I

687
00:32:27.160 --> 00:32:28.720
<v Speaker 1>have all these in jokes or something. It's so funny

688
00:32:28.759 --> 00:32:31.279
<v Speaker 1>think that Clark and Lance, Clark and Lance Lewis life

689
00:32:31.319 --> 00:32:34.680
<v Speaker 1>is mixing for me. I'm sorry, crossing the streams the

690
00:32:34.759 --> 00:32:37.680
<v Speaker 1>Clark and Lex. You guys think this. My best friend's

691
00:32:37.720 --> 00:32:39.559
<v Speaker 1>name is Lance. Last year, Clark's best friend name is

692
00:32:39.640 --> 00:32:40.279
<v Speaker 1>Lex Luthor.

693
00:32:40.519 --> 00:32:41.880
<v Speaker 3>All right, two L's man.

694
00:32:43.400 --> 00:32:43.920
<v Speaker 4>But when when.

695
00:32:43.839 --> 00:32:46.160
<v Speaker 1>Clark comes to see Lex at the end, he Lex

696
00:32:46.160 --> 00:32:47.680
<v Speaker 1>pulls a gun on me, and he'sa like, what does your

697
00:32:47.720 --> 00:32:48.119
<v Speaker 1>dad tell me?

698
00:32:48.160 --> 00:32:48.200
<v Speaker 2>What?

699
00:32:48.400 --> 00:32:49.799
<v Speaker 1>I hate you with the car? What do we always

700
00:32:49.839 --> 00:32:54.759
<v Speaker 1>joke out after the question, just demanding to know this

701
00:32:54.880 --> 00:32:56.920
<v Speaker 1>in joke. It's just so funny.

702
00:32:57.599 --> 00:32:59.720
<v Speaker 3>It's almost as good as Whitney's. You know what is

703
00:32:59.759 --> 00:33:01.079
<v Speaker 3>my favor radio station.

704
00:33:02.079 --> 00:33:05.119
<v Speaker 1>It's the emotional outbursts on the show, or or just

705
00:33:05.160 --> 00:33:06.799
<v Speaker 1>they come out of nowhere, or always funny.

706
00:33:06.920 --> 00:33:09.039
<v Speaker 4>I'm sorry, Probably nobody else cares about this is Zach.

707
00:33:09.119 --> 00:33:11.759
<v Speaker 4>Does that four barreled gun ever show up again?

708
00:33:12.319 --> 00:33:13.960
<v Speaker 1>You know, I'm gonna keep an eye for because it's

709
00:33:13.960 --> 00:33:15.640
<v Speaker 1>really cool, Like I don't know a gun, which I'm

710
00:33:15.640 --> 00:33:17.519
<v Speaker 1>from Texas and I don't own a gun, so I know, shocking.

711
00:33:17.640 --> 00:33:22.960
<v Speaker 1>You're not a favorite Texas But okay, if I ever did,

712
00:33:23.079 --> 00:33:26.559
<v Speaker 1>I would like that.

713
00:33:27.559 --> 00:33:29.000
<v Speaker 4>Yeah, please, I don't recall X.

714
00:33:29.039 --> 00:33:33.519
<v Speaker 1>He always has some like generic like giant silver gun. Right,

715
00:33:33.960 --> 00:33:35.960
<v Speaker 1>I don't even know what they're called. Right, So I'm

716
00:33:35.960 --> 00:33:37.440
<v Speaker 1>gonna keep an eye on for that four bell gun.

717
00:33:37.480 --> 00:33:38.880
<v Speaker 1>But but it's but but why would you have a

718
00:33:38.920 --> 00:33:40.519
<v Speaker 1>four barrel gun? This is fire all four at the

719
00:33:40.599 --> 00:33:43.799
<v Speaker 1>same time, at least.

720
00:33:44.000 --> 00:33:46.079
<v Speaker 4>The only time I've ever seen it before, I think

721
00:33:46.240 --> 00:33:48.880
<v Speaker 4>is the second tomb Raider movie, which is not worth it.

722
00:33:49.200 --> 00:33:51.920
<v Speaker 4>But like, I don't think he had like underwater spear

723
00:33:51.960 --> 00:33:53.839
<v Speaker 4>guns with him, so I'm not sure.

724
00:33:53.799 --> 00:33:55.839
<v Speaker 1>W B released the tomb Raider movies. No, I think

725
00:33:55.839 --> 00:33:58.359
<v Speaker 1>it was Paramount. No, No, I think it was Paramount.

726
00:33:58.400 --> 00:33:59.720
<v Speaker 4>I think Paramount.

727
00:34:00.000 --> 00:34:02.480
<v Speaker 1>I was gonna say, if it's some random props sitting around,

728
00:34:02.599 --> 00:34:05.759
<v Speaker 1>he just decided to use a terminator three footage two

729
00:34:05.880 --> 00:34:08.880
<v Speaker 1>Rader props, you know, So you're right, Victoria, I think

730
00:34:09.000 --> 00:34:11.559
<v Speaker 1>because we're so used to him playing it one way,

731
00:34:11.599 --> 00:34:12.920
<v Speaker 1>to see him playing a different way, He's why I

732
00:34:13.000 --> 00:34:15.280
<v Speaker 1>like it so much. And well, and you know, he's

733
00:34:15.320 --> 00:34:16.920
<v Speaker 1>a better actor than people give him credit for, or

734
00:34:16.920 --> 00:34:18.960
<v Speaker 1>at least a better imitator than people give him credit for.

735
00:34:19.880 --> 00:34:23.639
<v Speaker 6>I agree that I loved Matt's point. It wasn't an impression.

736
00:34:23.679 --> 00:34:25.960
<v Speaker 2>He was legitimately, like I love how you said it,

737
00:34:26.000 --> 00:34:27.800
<v Speaker 2>wearing the skin he was he was.

738
00:34:27.840 --> 00:34:29.519
<v Speaker 5>He has far more talent than he gets than he

739
00:34:29.559 --> 00:34:31.239
<v Speaker 5>gets credit for. I think he gets a bad rap

740
00:34:31.440 --> 00:34:35.000
<v Speaker 5>with with some of his actings sometimes, and this kind

741
00:34:35.000 --> 00:34:36.000
<v Speaker 5>of proves his shops.

742
00:34:36.280 --> 00:34:38.639
<v Speaker 4>Is he good on Lucifer? This is the only thing

743
00:34:38.679 --> 00:34:40.360
<v Speaker 4>I've ever seen him.

744
00:34:42.440 --> 00:34:43.519
<v Speaker 1>I was a little disappointed.

745
00:34:44.679 --> 00:34:48.000
<v Speaker 2>I think Lucifer doesn't give him an opportunity to shine.

746
00:34:48.079 --> 00:34:50.119
<v Speaker 6>That's I've only watched a couple episodes.

747
00:34:50.239 --> 00:34:51.880
<v Speaker 4>How about silver lining right there?

748
00:34:52.000 --> 00:34:55.599
<v Speaker 1>Thank you well, Victoria. Was it from the first half

749
00:34:55.800 --> 00:34:57.159
<v Speaker 1>of that season on.

750
00:34:57.119 --> 00:34:58.599
<v Speaker 6>The second That's all I got true.

751
00:35:00.280 --> 00:35:02.360
<v Speaker 1>I actually I skipped around after the first half, to

752
00:35:02.360 --> 00:35:04.920
<v Speaker 1>be honest. But he's playing a boring character the first

753
00:35:04.920 --> 00:35:10.079
<v Speaker 1>half loosier because there's a twist about his identity and religious.

754
00:35:12.000 --> 00:35:12.960
<v Speaker 4>Is he a monster or something.

755
00:35:13.000 --> 00:35:16.639
<v Speaker 1>I'm gonna spoil it for you, everyone, go ahead. He's

756
00:35:16.800 --> 00:35:19.400
<v Speaker 1>Kane who Caine killed Abel in the Bible?

757
00:35:19.519 --> 00:35:23.599
<v Speaker 6>Okay, I think he just kind my interest in Lucifer.

758
00:35:23.920 --> 00:35:26.519
<v Speaker 1>So he's immortal. Like there's a great scene. There's a

759
00:35:26.559 --> 00:35:28.559
<v Speaker 1>great scene in the in the mid season finale of

760
00:35:28.599 --> 00:35:31.639
<v Speaker 1>that season of season three Lucifer where Lucifer kills him

761
00:35:31.960 --> 00:35:34.599
<v Speaker 1>and he's expecting him. He he thinks he's Kane and

762
00:35:34.679 --> 00:35:36.519
<v Speaker 1>he kills him. He stabs in the heart and he

763
00:35:36.599 --> 00:35:38.400
<v Speaker 1>just lays there for a while. They stay on it

764
00:35:38.559 --> 00:35:40.159
<v Speaker 1>just long enough you think, oh, maybe he's wrong, maybe

765
00:35:40.159 --> 00:35:42.599
<v Speaker 1>he just killed Tom Wellings, maybe maybe he's just a cop.

766
00:35:43.239 --> 00:35:45.480
<v Speaker 1>But then he like does the whole like wake up,

767
00:35:45.519 --> 00:35:47.159
<v Speaker 1>you know, with the big breath les the knife out

768
00:35:47.159 --> 00:35:49.079
<v Speaker 1>of his chest, and then there's there's a little subplot

769
00:35:49.440 --> 00:35:51.360
<v Speaker 1>well obviously throughout the rest of the season, but it's

770
00:35:51.360 --> 00:35:55.800
<v Speaker 1>a love triangle between Lucifer his partner detective love interest,

771
00:35:55.920 --> 00:35:58.039
<v Speaker 1>and Tom Welling's character the rest of the season, which

772
00:35:58.079 --> 00:36:02.480
<v Speaker 1>is kind of is so But anyway, I one hundred

773
00:36:02.480 --> 00:36:04.239
<v Speaker 1>percent agree with the Victoria I watched. I was like,

774
00:36:04.320 --> 00:36:07.320
<v Speaker 1>this is Tom Willing's return to television. Is disappointing because

775
00:36:07.320 --> 00:36:09.599
<v Speaker 1>he's playing this Mooring character. But that was kind of

776
00:36:09.599 --> 00:36:10.719
<v Speaker 1>the point.

777
00:36:11.079 --> 00:36:12.679
<v Speaker 2>Can I just say that I went and saw The

778
00:36:12.719 --> 00:36:14.800
<v Speaker 2>Fog in theaters and it was such a big deal

779
00:36:14.840 --> 00:36:16.400
<v Speaker 2>for me because I was like a teeny bopper and

780
00:36:16.440 --> 00:36:17.760
<v Speaker 2>I was afraid of horror movies.

781
00:36:17.800 --> 00:36:21.239
<v Speaker 6>But I watched it for Tom and I. It was on.

782
00:36:21.199 --> 00:36:23.039
<v Speaker 2>Netflix like a year ago, and I was like, oh

783
00:36:23.119 --> 00:36:25.000
<v Speaker 2>my god, let's do a TBT.

784
00:36:25.400 --> 00:36:26.559
<v Speaker 6>Let's turn on the Fog.

785
00:36:27.719 --> 00:36:33.400
<v Speaker 2>I couldn't get it is horrendous. Like I was like, okay,

786
00:36:33.519 --> 00:36:36.480
<v Speaker 2>let's just fast forward to the shower scene and then

787
00:36:36.599 --> 00:36:37.760
<v Speaker 2>like turn it off.

788
00:36:38.280 --> 00:36:40.719
<v Speaker 1>See as much as Victoria loves Tom Willing, it has been

789
00:36:40.760 --> 00:36:43.119
<v Speaker 1>well established here. She can't get through Lucifer. She can't

790
00:36:43.159 --> 00:36:46.159
<v Speaker 1>get through the Fox. She's artistic standards. I respect Everytory,

791
00:36:46.320 --> 00:36:48.800
<v Speaker 1>thank you so much. But yes, we saw in the

792
00:36:48.800 --> 00:36:51.599
<v Speaker 1>theater as well, and as as as we the story.

793
00:36:51.639 --> 00:36:53.360
<v Speaker 1>We told him many times. We have some group of

794
00:36:53.360 --> 00:36:56.119
<v Speaker 1>friends and another one of our friends got a phone

795
00:36:56.159 --> 00:36:57.800
<v Speaker 1>call and they asked what we were doing. And our

796
00:36:57.800 --> 00:37:00.360
<v Speaker 1>friends says, oh, I'm seeing the fog. And the other

797
00:37:00.360 --> 00:37:02.599
<v Speaker 1>person said, well, how was it? And our friend said,

798
00:37:02.760 --> 00:37:05.239
<v Speaker 1>the fog is bullsh don't go see the fog, And

799
00:37:05.280 --> 00:37:07.280
<v Speaker 1>he was one hundred percent right. That was so disappointing,

800
00:37:07.320 --> 00:37:09.320
<v Speaker 1>and a remake of a pretty creepy effect of Tom

801
00:37:09.880 --> 00:37:12.239
<v Speaker 1>Tom Carpenter listening John Carpenter movie from that.

802
00:37:13.320 --> 00:37:13.920
<v Speaker 4>I didn't know that.

803
00:37:14.039 --> 00:37:15.840
<v Speaker 1>Yeah, John Carpenter's the fog.

804
00:37:17.119 --> 00:37:18.440
<v Speaker 3>When the fog rolls.

805
00:37:18.239 --> 00:37:20.960
<v Speaker 4>In, what's from it?

806
00:37:21.079 --> 00:37:22.719
<v Speaker 6>Keeps seeing horrible things happening.

807
00:37:23.039 --> 00:37:24.079
<v Speaker 3>Something from the.

808
00:37:23.960 --> 00:37:30.639
<v Speaker 5>Past will return, somebody I in the tone of Antonio Bay.

809
00:37:30.679 --> 00:37:31.559
<v Speaker 3>Get off the island.

810
00:37:31.760 --> 00:37:33.119
<v Speaker 6>Why just go?

811
00:37:33.800 --> 00:37:35.239
<v Speaker 3>We'll pay for it, sin.

812
00:37:35.440 --> 00:37:38.159
<v Speaker 4>Sir, Where did that come from? Anybody there?

813
00:37:42.400 --> 00:37:43.480
<v Speaker 3>The fog? Grady, PG.

814
00:37:43.599 --> 00:37:49.440
<v Speaker 4>Thirteen, Smallville, the complete fourth season. No matter how bad

815
00:37:49.480 --> 00:37:51.000
<v Speaker 4>you want to, just can't save everyone.

816
00:37:51.079 --> 00:37:52.800
<v Speaker 2>But it doesn't stop you from chime while you know.

817
00:37:52.880 --> 00:37:56.119
<v Speaker 4>On DVD September thirteen. Yeah, Yes, skip to the good stuff.

818
00:37:56.159 --> 00:37:59.000
<v Speaker 5>Pops includes all new behind the scenes feature atts with

819
00:37:59.079 --> 00:38:00.079
<v Speaker 5>cast and Crewe.

820
00:38:00.119 --> 00:38:03.320
<v Speaker 4>My Intellect, your powers. Yeah, we can rule this world.

821
00:38:03.719 --> 00:38:09.000
<v Speaker 4>You don't just stand Darkmond on air scenes, secret commentaries,

822
00:38:09.039 --> 00:38:11.239
<v Speaker 4>and more, much much more.

823
00:38:12.000 --> 00:38:13.719
<v Speaker 6>Looks like someone has the magic touch.

824
00:38:14.159 --> 00:38:15.360
<v Speaker 4>Have a great time.

825
00:38:17.320 --> 00:38:20.320
<v Speaker 5>And catch new episodes of Smallville this fall on its

826
00:38:20.360 --> 00:38:22.119
<v Speaker 5>new night, the WB Thursday.

827
00:38:26.039 --> 00:38:30.000
<v Speaker 1>All Right, I hope I'll all enjoyed our discussion on Transference.

828
00:38:30.719 --> 00:38:33.159
<v Speaker 1>This might have been outside of the pilot. This might

829
00:38:33.159 --> 00:38:36.519
<v Speaker 1>have been the most positive and in line with each other.

830
00:38:36.559 --> 00:38:39.320
<v Speaker 1>We all were about Transference. Even though it wasn't on

831
00:38:39.760 --> 00:38:42.679
<v Speaker 1>everyone's top ten list, it was on mind. We all

832
00:38:42.719 --> 00:38:45.360
<v Speaker 1>recognized it was a great episode and it deserved to

833
00:38:45.440 --> 00:38:48.920
<v Speaker 1>be here in the top ten. Now. I have been

834
00:38:48.920 --> 00:38:52.800
<v Speaker 1>critical over the years, both here and on the podcast Proper,

835
00:38:53.199 --> 00:38:57.960
<v Speaker 1>about John Glover's performance as Clark, and you know what

836
00:38:58.079 --> 00:39:00.559
<v Speaker 1>I have I have warmed even to that. So one

837
00:39:00.559 --> 00:39:03.480
<v Speaker 1>of the few flaws of this episode I used to identify,

838
00:39:03.639 --> 00:39:05.559
<v Speaker 1>I don't think it's a flaw anymore. I think if

839
00:39:05.559 --> 00:39:09.559
<v Speaker 1>you watch John Glover's scenes and try to transpose Tom

840
00:39:09.559 --> 00:39:12.159
<v Speaker 1>Welling into them. I can see it now, I can't

841
00:39:12.719 --> 00:39:15.079
<v Speaker 1>especially at the end of the prison riot where he says,

842
00:39:15.360 --> 00:39:18.239
<v Speaker 1>what happened to concealing your powers? I could totally see

843
00:39:19.280 --> 00:39:23.199
<v Speaker 1>Tom delivering the lion that way in that situation. Also

844
00:39:23.239 --> 00:39:26.039
<v Speaker 1>when he's talking to Edgar and the jail cell and

845
00:39:26.159 --> 00:39:28.239
<v Speaker 1>he's just taking it all in, as Clark often did

846
00:39:28.239 --> 00:39:31.000
<v Speaker 1>when people were monologuing to him about things. I can

847
00:39:31.039 --> 00:39:34.800
<v Speaker 1>see it now. I do think the still the You're

848
00:39:34.920 --> 00:39:37.880
<v Speaker 1>especial little boy, the breakdown thing might be a little

849
00:39:37.920 --> 00:39:41.639
<v Speaker 1>too childish, But look at other scenes where Clarke hasays

850
00:39:41.679 --> 00:39:43.960
<v Speaker 1>a lot of emotional distress, Like I think about the

851
00:39:45.239 --> 00:39:48.320
<v Speaker 1>scene and hereafter when Jonathan collapses in the bar and

852
00:39:48.360 --> 00:39:52.679
<v Speaker 1>he's like mom, mom right or in uh in commencement

853
00:39:52.719 --> 00:39:54.679
<v Speaker 1>when he's talking to Joel and Joel's like you most

854
00:39:54.760 --> 00:39:57.000
<v Speaker 1>fucking the three crystals, He's like, I don't know where

855
00:39:57.000 --> 00:39:58.679
<v Speaker 1>they are. I don't know where to start to look

856
00:39:58.679 --> 00:40:02.960
<v Speaker 1>for them. And I think that energy there it does work.

857
00:40:03.000 --> 00:40:07.239
<v Speaker 1>So I am going to walk back my criticism of

858
00:40:07.480 --> 00:40:10.559
<v Speaker 1>John Glover again the best actor on the show, and

859
00:40:10.599 --> 00:40:13.960
<v Speaker 1>to speak to Victoria's proposed fan fiction about the Swan Foundation.

860
00:40:14.679 --> 00:40:17.199
<v Speaker 1>In my head, Kenned, Patricia Swan is definitely the daughter

861
00:40:18.079 --> 00:40:22.000
<v Speaker 1>of Virgil Swan and Bridget Crosby. Of course, they all

862
00:40:22.119 --> 00:40:25.599
<v Speaker 1>end up deceased by the end of Smavel's run, so tragic,

863
00:40:25.760 --> 00:40:29.199
<v Speaker 1>but I do wish they had done more with legacy

864
00:40:29.239 --> 00:40:32.440
<v Speaker 1>casting and that family legacy over the course of the show,

865
00:40:32.679 --> 00:40:37.519
<v Speaker 1>as she had suggested her fan fiction. And if I'm

866
00:40:37.519 --> 00:40:41.039
<v Speaker 1>not mistaken, the Smallville season eleven comics, which you know

867
00:40:41.119 --> 00:40:43.239
<v Speaker 1>y'all have heard my hot takes on those comics and

868
00:40:43.280 --> 00:40:48.119
<v Speaker 1>their canonicity. But I believe Star Labs in those comics

869
00:40:48.880 --> 00:40:53.239
<v Speaker 1>the S stands for Swan Swan Technology and Research Labs,

870
00:40:53.320 --> 00:40:56.199
<v Speaker 1>I believe. So if not, that's something I saw on

871
00:40:56.199 --> 00:40:58.360
<v Speaker 1>a message board once and thought that was the coolest idea.

872
00:40:58.480 --> 00:41:00.320
<v Speaker 1>So I'll have to go pull those out and see

873
00:41:00.360 --> 00:41:02.559
<v Speaker 1>if that's the case. So the legacy of the Swan

874
00:41:02.639 --> 00:41:05.360
<v Speaker 1>family lives on, even if the Swan family themselves do not.

875
00:41:05.880 --> 00:41:09.119
<v Speaker 1>I don't think there's anything that contradicts Patricia Swan being

876
00:41:09.119 --> 00:41:13.199
<v Speaker 1>the daughter of Virgil and Bridget. Nothing is confirmed on screen,

877
00:41:13.239 --> 00:41:16.559
<v Speaker 1>but obviously she's doctor Swan's daughter and a lifetime ago,

878
00:41:16.639 --> 00:41:20.119
<v Speaker 1>him and Bridget Crosby had a love affairs. So we're

879
00:41:20.159 --> 00:41:24.159
<v Speaker 1>just gonna say Patricia Swan is their daughter. And as

880
00:41:24.199 --> 00:41:27.400
<v Speaker 1>I've been doing throughout the top ten episodes keeping track

881
00:41:27.480 --> 00:41:31.360
<v Speaker 1>of bangers, needle drops musical hits, we have been three

882
00:41:31.400 --> 00:41:33.559
<v Speaker 1>for three or four for four guests. We are because

883
00:41:33.559 --> 00:41:38.079
<v Speaker 1>of Jimmy Eat World's pain. What a needle drop during

884
00:41:38.559 --> 00:41:41.880
<v Speaker 1>the prison riot. Just such a great scene with so

885
00:41:41.920 --> 00:41:45.880
<v Speaker 1>many extras and so much action going on, and it's

886
00:41:45.920 --> 00:41:49.400
<v Speaker 1>really elevated even more by the musical choice and takes

887
00:41:49.440 --> 00:41:52.360
<v Speaker 1>my pain away like it's such a great song. It

888
00:41:52.400 --> 00:41:56.119
<v Speaker 1>fits so well. Just the energy matches everything that's going on,

889
00:41:56.199 --> 00:41:59.079
<v Speaker 1>the chaotic scene and Clark and Lionel finding each other

890
00:41:59.119 --> 00:42:01.559
<v Speaker 1>in the crowd, you know, just Lionel less Clark, that

891
00:42:01.840 --> 00:42:05.360
<v Speaker 1>shot of him walking by the window of the slow mode.

892
00:42:05.360 --> 00:42:08.800
<v Speaker 1>It's just you so effectively. Jimmy Eat World another group

893
00:42:08.840 --> 00:42:12.239
<v Speaker 1>that had multiple songs on Smallville, so truly part of

894
00:42:12.320 --> 00:42:14.800
<v Speaker 1>the soundtrack of Smallville and the soundtrack of mine in

895
00:42:14.880 --> 00:42:17.320
<v Speaker 1>so many of our lives over the years. Right, so

896
00:42:18.639 --> 00:42:21.039
<v Speaker 1>good to have that street keep going here. Four episodes

897
00:42:21.079 --> 00:42:24.079
<v Speaker 1>into the top ten. All right again, I hope you

898
00:42:24.079 --> 00:42:27.320
<v Speaker 1>all enjoyed our conversation. Stay tuned next week to find

899
00:42:27.320 --> 00:42:30.519
<v Speaker 1>out which episode is the number six episode of Smallville,

900
00:42:30.559 --> 00:42:34.920
<v Speaker 1>as voted by you the listeners, and until then, Always

901
00:42:35.119 --> 00:43:00.360
<v Speaker 1>hold on to Smallville, Always Well On to Smallville as

902
00:43:00.400 --> 00:43:02.719
<v Speaker 1>part of the Always Hold On To network of podcasts

903
00:43:02.880 --> 00:43:07.639
<v Speaker 1>and brought to you by listeners like you, Chris Fuchs, Cavante, Chillis,

904
00:43:07.760 --> 00:43:12.400
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905
00:43:12.639 --> 00:43:17.360
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906
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907
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908
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909
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910
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911
00:43:42.880 --> 00:43:47.440
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912
00:43:47.480 --> 00:43:52.119
<v Speaker 1>and Cruz, Travis Kill, Mike Thomas, Nita, Ja Cornon, Bomb Bay,

913
00:43:52.480 --> 00:43:57.519
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914
00:43:57.800 --> 00:44:02.639
<v Speaker 1>Anthony Anderson, Keith Falls, Jane Heart, Anthony Deciado, Crystal Cross,

915
00:44:02.920 --> 00:44:07.639
<v Speaker 1>Karin Kumar, and Lorenzo Valdez. Thank you so much to

916
00:44:07.679 --> 00:44:10.679
<v Speaker 1>all these patrons, and YouTube can become a patron at

917
00:44:10.679 --> 00:44:14.159
<v Speaker 1>going to Patreon dot com slash always Maulville with one S.

918
00:44:14.559 --> 00:44:17.960
<v Speaker 1>Hope to see you there. Always hold on to Smallville's

919
00:44:17.960 --> 00:44:20.599
<v Speaker 1>theme music is by Lance Laster and our podcast art

920
00:44:20.679 --> 00:44:23.079
<v Speaker 1>is by Tom Gurky. You can follow us on Twitter

921
00:44:23.199 --> 00:44:25.400
<v Speaker 1>at always Malville with one S. You can find us

922
00:44:25.440 --> 00:44:27.800
<v Speaker 1>on Facebook at always hold on to Smallville, and you

923
00:44:27.840 --> 00:44:30.199
<v Speaker 1>can send us an email at always Malville at gmail

924
00:44:30.239 --> 00:44:33.880
<v Speaker 1>dot com. Once again, with one S, thanks for listening.
