WEBVTT

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<v Speaker 1>Stuck at home board and alone.

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<v Speaker 2>You'd think I could have some fun on my own,

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<v Speaker 2>but I'm board.

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<v Speaker 3>I'm pot af with Cecily and Stephanie.

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<v Speaker 4>Hi, everybody, Welcome to boord af Patreon edition with me,

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<v Speaker 4>Stephanie and Cecily.

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<v Speaker 1>Guess what it's time for?

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<v Speaker 3>Yay our play theater.

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<v Speaker 1>We have the theater for you. We've brought you the theater.

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<v Speaker 2>If you listen, done this before, we are going to

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<v Speaker 2>be well, Steph you you set it up.

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<v Speaker 4>Okay, So, uh, there's there's Apparently it's kind of a

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<v Speaker 4>famous story if you have ever heard of the producer

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<v Speaker 4>named Mark Brazil.

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<v Speaker 1>And if you haven't, if you just go to his

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<v Speaker 1>wiki page Mark Brazil.

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<v Speaker 4>He's a stand up comic, television creator and executive producer,

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<v Speaker 4>and he's most well known as being the co creator

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<v Speaker 4>of That seventy show and also he co created That

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<v Speaker 4>eighty show, which failed miserably was canceled by Fox after

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<v Speaker 4>only thirteen a half hour episodes.

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<v Speaker 1>Okay, so if you look at.

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<v Speaker 4>Mark Brazil's wiki page, the very third thing down is

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<v Speaker 4>conflict with Jet Appatow, and it says.

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<v Speaker 5>In late Wikipedia page this is.

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<v Speaker 4>The setup in late two thousand and one Jet Appatow

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<v Speaker 4>sought to have tofer Grace of that seventy show appear

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<v Speaker 4>in an episode of his series Undeclared. Okay, so that's

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<v Speaker 4>actually good to know, because it can be a little

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<v Speaker 4>bit confusing, because keep in mind, this is well after

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<v Speaker 4>the fact of what they're talking about, which is the

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<v Speaker 4>Ben Stiller Show. So this initiated a string of heated

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<v Speaker 4>emails between the two. Brazil claimed that Appatow had still

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<v Speaker 4>in his idea.

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<v Speaker 2>Okay, don't tell Okay, We're just gonna this is where

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<v Speaker 2>the acting comes in.

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<v Speaker 1>Okay.

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<v Speaker 4>Yes, the emails were subsequently leaked and widely circulated online,

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<v Speaker 4>and now, okay, we're going to read them for you.

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<v Speaker 2>The part of Jut Appatel will be played by Cecily Noble.

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<v Speaker 1>And the part of Mark Brazil will be played by me.

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<v Speaker 1>And the reason we do.

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<v Speaker 4>This is because Jut is kinder and funnier and Mark

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<v Speaker 4>is angry.

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<v Speaker 3>I'm not.

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<v Speaker 2>I'm not, I'm not funnier. I like somehow I like

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<v Speaker 2>I'm like, yes, I am nicer. Okay, so there's no

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<v Speaker 2>rhyme or reason to this. We're not really going to

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<v Speaker 2>do the voice because that's annoying. I don't know how

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<v Speaker 2>to do a jet Aptel voice anyway, but we'll do

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<v Speaker 2>our best. Okay, Ah you ready? Yeah, Mark, I'm writing

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<v Speaker 2>you because I left a message but did not hear back.

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<v Speaker 2>I understand from Gail Berman that you were upset about

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<v Speaker 2>me not calling you to ask if Tofer could do

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<v Speaker 2>our show.

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<v Speaker 3>Since Fox execs, we're talking to tof.

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<v Speaker 2>For about it. I thought it was cool with you. Also,

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<v Speaker 2>since I hadn't ritten it yet, I wasn't at the

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<v Speaker 2>point of asking if it was possible to have him

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<v Speaker 2>do it. I would have called your show. Then I

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<v Speaker 2>mentioned the names of several people who were interested in

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<v Speaker 2>doing cameos on our show to the Variety Guy. They

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<v Speaker 2>decided to only mention Tofer. Maybe I shouldn't have mentioned it.

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<v Speaker 2>I didn't realize it would create a problem. I never

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<v Speaker 2>wish to offend you. If there's some protocol to people

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<v Speaker 2>on Fox doing guest shots on other Fox shows, I

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<v Speaker 2>didn't know what it was. Regardless, I'm sorry that this

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<v Speaker 2>resulted in such a mess. If you're mad at me

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<v Speaker 2>about this or something else from our past, please tell me.

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<v Speaker 2>I only remember us having fun in the early nineties,

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<v Speaker 2>and it troubles me that it seems like you have

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<v Speaker 2>a beef with me. Best regards, jud Apatow.

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<v Speaker 4>Jud, Yeah, we were friends in the early nineties, and

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<v Speaker 4>if you don't recall what happened, I'll remind you. I

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<v Speaker 4>had a pilot at MTV called yard Dogs, about a

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<v Speaker 4>rock band living in Hollywood. I told you about it,

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<v Speaker 4>and you proceeded to completely rip it off storyline at

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<v Speaker 4>all for the Ben Stiller show. You called it Grungies.

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<v Speaker 4>MTV and UTA were working on an overall deal MTV's

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<v Speaker 4>idea with me based on that pilot. When it turned

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<v Speaker 4>up on your show, everything went away overnight. I had

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<v Speaker 4>just had my son, Jack, and I had no job,

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<v Speaker 4>no money, nothing. There's a saying I forgive, but I

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<v Speaker 4>don't forget, and I don't forgive. So now you know,

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<v Speaker 4>although I kind of think you already did, Mark, Mark.

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<v Speaker 1>Should we butt in and talk about this?

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<v Speaker 2>I think we should. Let's keep going, Okay, Mark, I

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<v Speaker 2>truly don't remember anything that you're talking about. Jeff con

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<v Speaker 2>wrote the Grungy Sketch, a parody where we did we

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<v Speaker 2>did Seattle bands as the Monkeys. He did spell Monkeys wrong. Yes,

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<v Speaker 2>I don't remember you ever calling me after that. Saying

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<v Speaker 2>you were mad. Ben and I would get fifty sketches

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<v Speaker 2>a week from the writers, and we'd pick the ones

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<v Speaker 2>that we thought were funny. I never connected the two,

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<v Speaker 2>even they don't seem similar. Ours was like a goofy,

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<v Speaker 2>over the top parody, not a situation comedy about musicians.

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<v Speaker 2>In la nobody watched our show, so I don't even

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<v Speaker 2>see how that could be the reason your pilot died.

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<v Speaker 3>The sketch aired.

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<v Speaker 2>Once up against sixty minutes, so it didn't have any

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<v Speaker 2>impact in town. I'm sorry you're upset. I am not

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<v Speaker 2>a thief of ideas. I'm sorry you believe differently. Judd

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<v Speaker 2>Apatow jed.

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<v Speaker 4>The show I wrote was also over the top and

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<v Speaker 4>it let down the fourth wall. Since it's registered at

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<v Speaker 4>the WGA, you could compare the two, and as an

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<v Speaker 4>exec producer, we both know you have input into every sketch.

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<v Speaker 4>As for no one seeing the show, everyone knows everything

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<v Speaker 4>in Hollywood, there are no secrets. Personally, I feel you've

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<v Speaker 4>made a career out of being a sycophant to Carrie

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<v Speaker 4>or Shanley or Roseanne, and when you were kissing ass

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<v Speaker 4>you were stealing from lesser known comics are leeching off

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<v Speaker 4>other people's ideas.

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<v Speaker 1>Celtic Pride, Cable Guy.

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<v Speaker 2>Whoah.

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<v Speaker 4>I noticed how outraged you were not to get a

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<v Speaker 4>writing credit on Cable Guy.

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<v Speaker 1>Until it came out and was panned.

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<v Speaker 4>You dropped that cause like the show biz weasel you are.

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<v Speaker 4>You may not think you're a thief, but most comics

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<v Speaker 4>know otherwise. And again you know that too. Have you

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<v Speaker 4>ever read What makes Sammy Wren? I think you'd like it?

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<v Speaker 4>Get Cancer Love?

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<v Speaker 1>Mark?

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<v Speaker 3>Oh my god, oh god, I need a minute.

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<v Speaker 2>Mark.

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<v Speaker 1>Come on.

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<v Speaker 2>We all wrote for comics at the beginning of our careers.

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<v Speaker 2>I wrote for Roseanne. You wrote for Dennis Miller. If

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<v Speaker 2>that makes me a sickofant, then I guess I am,

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<v Speaker 2>and so are the writers for Caesar's Hour. I dropped

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<v Speaker 2>my Cable Guy lawsuit not because the film got bad reviews,

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<v Speaker 2>but because I spent eighty grand on it and my

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<v Speaker 2>lawyer told me I was gonna lose. You'd be upset

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<v Speaker 2>if you rewrote the vast majority of a script and

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<v Speaker 2>received no credit. I wish you'd called me about this

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<v Speaker 2>years ago. I'm sure we could have worked it out.

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<v Speaker 2>Try not to be so angry.

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<v Speaker 3>Not everyone is as.

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<v Speaker 2>Bad as you think you should call Jeff Con and

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<v Speaker 2>ask him how that sketch originated. If it turned out

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<v Speaker 2>that I didn't steal your ideas, would you still want

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<v Speaker 2>me to get cancer? I swear to god, I didn't

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<v Speaker 2>know you were mad about this until six weeks ago.

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<v Speaker 2>I was still referring to you as my old friend.

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<v Speaker 2>Maybe one day I'll be able to say that again.

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<v Speaker 2>Jud Appatol, Wow, he's being too nice. Okay, Okay, I'll

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<v Speaker 2>be Jeff Cohn because I know.

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<v Speaker 3>Jeff CON's in here.

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<v Speaker 1>Yeah, right now, I don't know Mark. Okay, this is

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<v Speaker 1>a quickie. Mark, it's come to my attention.

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<v Speaker 4>You're upset with Jet Appatow about the sketch the Grunges.

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<v Speaker 1>I completely understand why you would have been.

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<v Speaker 4>Pissed off about seeing something similar to what you are

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<v Speaker 4>working on at the time. However, the idea for the

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<v Speaker 4>Grungies and all the initial writing and rewriting came from me.

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<v Speaker 4>I also cast it, acted in it, and edited it.

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<v Speaker 4>I was and still am influenced by pop music, and

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<v Speaker 4>I thought it would be funny to satirize the seriousness

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<v Speaker 4>of the Seattle grunge music scene with the ridiculous superficiality

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<v Speaker 4>of the Monkeys nineteen sixty show. I hope this clears

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<v Speaker 4>up any misunderstanding. By the way, huge fan of that

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<v Speaker 4>seventy show. Congratulations on its well deserved success. I also

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<v Speaker 4>think it's so cool you said it in Wisconsin. I

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<v Speaker 4>went to the University of Wisconsin at Madison and loved it.

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<v Speaker 4>If you have any other questions, don't hesitate to email me.

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<v Speaker 4>Jeff con Oh my god.

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<v Speaker 2>Okay, So now Judg's back in. So I'm Judd Mark Mark.

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<v Speaker 1>Oh you're oh sorry, go ahead.

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<v Speaker 2>I have no interest in talking with you on the

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<v Speaker 2>phone anymore. It seems like there was a leap, like

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<v Speaker 2>he tried to call him on the phone or something. Yes,

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<v Speaker 2>and Jude didn't want to talk. I know you're very successful,

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<v Speaker 2>and I think that gives you the right to judge.

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<v Speaker 3>Wait, and I think that gives you the right.

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<v Speaker 1>To judge Pepink.

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<v Speaker 2>I think that gives you the right to judge people

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<v Speaker 2>and berate them regardless of the facts. But I've had

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<v Speaker 2>enough of you for one day. I know it's hard

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<v Speaker 2>to believe that your rock band tv idea, which every

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<v Speaker 2>writer in this town has thought of at one point,

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<v Speaker 2>was not on my mind happy Year after you told

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<v Speaker 2>it to me. Yeah, you thought of breaking the fourth

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<v Speaker 2>wall grout show, and George.

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<v Speaker 3>Burns stole it from you. Maybe you should sue Bernie Mack.

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<v Speaker 3>Why don't you see.

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<v Speaker 2>The guys who have had the new show How to

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<v Speaker 2>Be a Rock Star on the WB I must have

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<v Speaker 2>told them your idea.

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<v Speaker 3>Nobody has ever.

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<v Speaker 2>Goofed on rock bands, not spinal tap or the is

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<v Speaker 2>it Ruddles the Ruddles or eight hundred Saturday or eight

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<v Speaker 2>hundred Saturday Night Live sketches.

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<v Speaker 3>I should have.

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<v Speaker 2>Told everyone on the show, no rock band sketches. That's

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<v Speaker 2>Brazil's area, the area. So hold on to your hate

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<v Speaker 2>and rage, even though it makes no sense. I'm going

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<v Speaker 2>to go back to my life of fevery and leeching.

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<v Speaker 2>As for the cancer, I'll wait till you get it,

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<v Speaker 2>and then I'll steal it from you. By the way,

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<v Speaker 2>that joke was one of my writers, Rodney Rothman. We

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<v Speaker 2>know him him, See I credited him. See I have

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<v Speaker 2>no original thoughts. Sorry, I bothered to figure this out.

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<v Speaker 4>Oh that's brilliant, jud How appropriate that you had to

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<v Speaker 4>use someone else's joke to take a swipe at me.

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<v Speaker 4>I told you my idea. You did it two weeks

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<v Speaker 4>later ver batim spew revision as shit all you want.

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<v Speaker 4>Everyone knows you're a hack. Also, everyone knows how you

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<v Speaker 4>fucked over Paul Fig on the new show. All your

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<v Speaker 4>press mentions your brilliant freaks and geeks, as if Fig

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<v Speaker 4>didn't do the series, it must have killed you when

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<v Speaker 4>the true genius behind it got nominated for an Emmy.

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<v Speaker 4>Is your wife still livid about someone in the neighborhood

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<v Speaker 4>building a house just like hers? Tell her I know

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<v Speaker 4>how she feels. The reason I called was to tell

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<v Speaker 4>you to piss off. We'll never be friends, regardless of

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<v Speaker 4>the pussy whining from your last email. I respect you

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<v Speaker 4>zero see at the upfronts, bitch, well unless you get

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<v Speaker 4>canceled before that. Until then, die in a fiery accident

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<v Speaker 4>and taste your own blood.

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<v Speaker 1>Is that too? Angry? Love Brazil?

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<v Speaker 3>Oh my god? Okay, this one's a little bit long.

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<v Speaker 3>Should I skip some of it?

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<v Speaker 2>No? Mark, I hope your anger is a joke, because

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<v Speaker 2>if it isn't. Wow, here's a line by line reply.

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<v Speaker 2>I have starred the replies. If you're confused by my

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<v Speaker 2>format and then okay, so you have to you reread

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<v Speaker 2>the line.

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<v Speaker 4>Okay, how appropriate that you had to use someone else's

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<v Speaker 4>joke to take a swipe at me.

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<v Speaker 3>That was the joke.

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<v Speaker 2>How interesting that you couldn't understand that you would think

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<v Speaker 2>someone with the lineage of yard Dogs have the intellectual

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<v Speaker 2>acumant to pick up on that. I feel for the

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<v Speaker 2>writers that have to pitch to you, never doubt how

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<v Speaker 2>much they hate you.

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<v Speaker 4>I told you my idea, You did it two weeks

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<v Speaker 4>later verbatim spew revisioned as shit all you want.

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<v Speaker 5>How could I hear your idea, steal it and then

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<v Speaker 5>have it aired two weeks later? It was a filmed

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<v Speaker 5>sketch show. Sketches were written months before they aired. They

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<v Speaker 5>were filmed six weeks before they aired. I thought you

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<v Speaker 5>were a purduece sir. Shouldn't you understand how these shows

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<v Speaker 5>are made? Do you start writing episodes two weeks before

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<v Speaker 5>they air? Maybe you stole Yard Dogs from me.

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<v Speaker 1>Everyone knows you're a hack.

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<v Speaker 2>That's why I kiss the ass. Let me know who

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<v Speaker 2>thinks I'm a hack, so I can kiss their ass

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<v Speaker 2>as well.

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<v Speaker 3>I also suck dick lately.

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<v Speaker 2>That's how I got my DreamWorks deal.

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<v Speaker 4>Also, everyone knows how you fucked over Paul Fig on

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<v Speaker 4>the New show. All your press mentions your brilliant freaks

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<v Speaker 4>and geeks, as if Fig didn't do the series, it

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<v Speaker 4>must have killed you when the true genius behind it

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<v Speaker 4>got nominated for an Emmy.

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<v Speaker 2>I'm sure it's hard for you to believe, but I

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<v Speaker 2>do not control the national media.

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<v Speaker 3>That is only true in your paranoid mind.

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<v Speaker 2>If I create a show that they often mention, if

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<v Speaker 2>I create a show they often mentioned the last show.

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<v Speaker 2>If you create a new show by yourself, I doubt

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<v Speaker 2>they'll spend a lot of time talking about the Turners

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<v Speaker 2>when they write about that eighty show, I'm sure they

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<v Speaker 2>won't even mention that seventy show. I wrote an entire

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<v Speaker 2>article in the La Times, a cover story in the

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<v Speaker 2>case that credited Paul for his work. He went from

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<v Speaker 2>a struggling actor to an established writer producer over the

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<v Speaker 2>course of a year. He's still my friend, and I'm

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<v Speaker 2>happy that he was nominated for two Emmys.

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<v Speaker 3>He deserved it. I wasn't upset about his Emmy nominations.

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<v Speaker 3>I already have enough.

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<v Speaker 2>The certificates are so big, you can only hang so

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<v Speaker 2>many before it starts looking tacky.

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<v Speaker 1>Kind of like boorned af magnets.

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<v Speaker 4>Yes, is your wife still livid about someone in the

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<v Speaker 4>neighborhood building a house.

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<v Speaker 1>Just like hers? Yes, well tell her I know how

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<v Speaker 1>she feels.

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<v Speaker 3>I'm on it.

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<v Speaker 4>The reason I called was to tell you to piss off.

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<v Speaker 4>We'll never be friends, regardless of the pussy winding from

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<v Speaker 4>your last email.

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<v Speaker 2>The funniest part of of these emails is how bad

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<v Speaker 2>your sense of humor is. You neither get nor can

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<v Speaker 2>take a joke after you said get cancer? Did you

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<v Speaker 2>really think I was looking to heal our relationship? Usually

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<v Speaker 2>the cancer insult is a closer. I'm sure everyone who

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<v Speaker 2>suffered with that appreciates.

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<v Speaker 3>Your sharp wit.

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<v Speaker 1>I respect you zero.

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<v Speaker 4>Oh no, see it the upfront, bitch, Well, unless you

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<v Speaker 4>get canceled before that.

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<v Speaker 2>If you think cancelation hurts me at this point, you

295
00:14:08.840 --> 00:14:11.279
<v Speaker 2>haven't been following my career as closely as I thought.

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<v Speaker 3>I guess you're too busy tracking my real estate.

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<v Speaker 4>Problems until then die in a fiery accident and taste

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<v Speaker 4>your own blood.

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<v Speaker 2>That's a Sam Kinnison line, You stupid, fuck you hypocrite, Jacques.

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<v Speaker 3>And then that's too angry?

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<v Speaker 1>Yeah? Yeah, is that too angry?

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<v Speaker 3>Love?

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<v Speaker 1>Brazil.

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<v Speaker 3>Mark, I have enjoyed this.

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<v Speaker 2>It's good to see the tragedies of the past few

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00:14:38.279 --> 00:14:41.399
<v Speaker 2>months have have not watered down your passion. I guess

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00:14:41.399 --> 00:14:43.840
<v Speaker 2>if Mark Brazil doesn't go insane over stuff that makes

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<v Speaker 2>no sense, the terrorists win. Good luck with that eighty

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<v Speaker 2>show and I look forward to that nineties show Judd Apatow.

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<v Speaker 3>That is so great?

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<v Speaker 1>Is that brilliant?

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<v Speaker 2>That's the end of our Yeah, that is Yeah, let's

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<v Speaker 2>break that down.

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<v Speaker 3>First of all, I mean Mark Brazil's insane.

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<v Speaker 6>Oh my god, so insane, even if because we've had

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<v Speaker 6>stuff stolen, both of us and it really does hurt,

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00:15:08.919 --> 00:15:11.200
<v Speaker 6>and you sometimes you get so mad and you don't

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<v Speaker 6>even know where to put it, even if, like if

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<v Speaker 6>someone said back to me immediately like oh my god, no,

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<v Speaker 6>I'm so sorry you felt the way like here's who

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00:15:18.000 --> 00:15:20.519
<v Speaker 6>wrote it, and here's I can even send you their

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<v Speaker 6>email or the sketch.

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<v Speaker 3>Right, why would you continue?

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<v Speaker 2>I mean, why would you hate him that much?

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00:15:28.320 --> 00:15:32.200
<v Speaker 4>I mean he's crazy and he was like super successful

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<v Speaker 4>at this point.

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<v Speaker 2>Yeah, do you is there any part of you that

328
00:15:36.519 --> 00:15:38.360
<v Speaker 2>thinks it was all for shit? This ally was all

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00:15:38.399 --> 00:15:41.639
<v Speaker 2>a joke? Like remember when Letterman used to have fake

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<v Speaker 2>feuds with people. It was never real.

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<v Speaker 1>I mean, I don't think so it's possible. How do

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<v Speaker 1>we crack this case?

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<v Speaker 4>I mean it's kind of famous, so I don't know.

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00:15:55.399 --> 00:15:57.759
<v Speaker 4>I feel like Mark Brazil might just be an asshole.

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<v Speaker 2>I mean he's like a because that's not just like

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00:16:01.039 --> 00:16:03.399
<v Speaker 2>a crazy drug fueled that. I mean that seemed like

337
00:16:03.480 --> 00:16:06.600
<v Speaker 2>that went over some time. That wasn't all in one day, right.

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00:16:06.600 --> 00:16:09.120
<v Speaker 4>I mean the whole thing where he's like I was

339
00:16:09.159 --> 00:16:11.720
<v Speaker 4>when I wrote Yard Dogs, when I had that deal,

340
00:16:11.879 --> 00:16:14.639
<v Speaker 4>I just had a kid and I had no job

341
00:16:14.679 --> 00:16:16.840
<v Speaker 4>and no money, Like he's really thinking that.

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00:16:17.519 --> 00:16:17.960
<v Speaker 1>I don't know.

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00:16:18.320 --> 00:16:22.279
<v Speaker 4>Also, can we discuss the fact that Jed Appatow's spelling errors,

344
00:16:22.320 --> 00:16:27.559
<v Speaker 4>Like he put a lot of like apostrophes where they

345
00:16:27.600 --> 00:16:31.399
<v Speaker 4>didn't belong, and it was just it's interesting, it is

346
00:16:31.440 --> 00:16:32.399
<v Speaker 4>I'm seeing that it is.

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00:16:32.480 --> 00:16:35.039
<v Speaker 2>That's why I was a little bit tough to read sometimes.

348
00:16:35.039 --> 00:16:38.960
<v Speaker 2>But you know, it does tell you something. It doesn't

349
00:16:39.000 --> 00:16:41.919
<v Speaker 2>mean that you have to like be perfect grammatically to

350
00:16:41.919 --> 00:16:44.960
<v Speaker 2>be a great writer. But he had some help, So

351
00:16:45.000 --> 00:16:48.120
<v Speaker 2>maybe that helps make Mark's point of like, are you.

352
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<v Speaker 1>The hack was that? I think?

353
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<v Speaker 4>But I think that it doesn't matter because Jed Appatow

354
00:16:53.759 --> 00:16:57.200
<v Speaker 4>it was obviously good at kissing ass and you know,

355
00:16:57.279 --> 00:16:58.399
<v Speaker 4>getting things to.

356
00:16:58.440 --> 00:17:02.240
<v Speaker 1>Happen, which is happened to Battle of the Nine more

357
00:17:02.279 --> 00:17:03.279
<v Speaker 1>than that, And I think that's true.

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<v Speaker 2>I think first of all, and I know jud was

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00:17:05.480 --> 00:17:09.559
<v Speaker 2>your ex lover for those who don't know, excellent, We've

360
00:17:09.559 --> 00:17:12.119
<v Speaker 2>talked about that extensively. Yeah, stuff had an affair, not

361
00:17:12.160 --> 00:17:14.640
<v Speaker 2>an affair. They were both single, Yeah, not an affair.

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00:17:15.160 --> 00:17:19.880
<v Speaker 2>They used to mess around. But I love him regardless

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00:17:19.880 --> 00:17:22.880
<v Speaker 2>of him not becoming like your husband I and I'm

364
00:17:22.880 --> 00:17:25.759
<v Speaker 2>glad that didn't happen. But I think he's brilliantly talented.

365
00:17:26.079 --> 00:17:27.079
<v Speaker 3>Not everybody feels that way.

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<v Speaker 2>I actually love when I see something that he's going

367
00:17:29.160 --> 00:17:31.319
<v Speaker 2>to put something out, even if it's not its best,

368
00:17:31.599 --> 00:17:33.160
<v Speaker 2>I know it's going to be better than a lot

369
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<v Speaker 2>of things.

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00:17:33.839 --> 00:17:35.880
<v Speaker 4>Well, what I said about him back then and what

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00:17:35.960 --> 00:17:38.839
<v Speaker 4>I still maintain now is he was such a funny

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<v Speaker 4>stand up.

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<v Speaker 1>I mean he was really original and funny and not

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<v Speaker 1>a hack at all.

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<v Speaker 3>I mean no, no, no, no.

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<v Speaker 4>So that that's completely wrong and all obviously just coming

377
00:17:50.240 --> 00:17:51.400
<v Speaker 4>out of anger and jealousy.

378
00:17:51.720 --> 00:17:53.920
<v Speaker 2>I love that this all started over Toe for Grace,

379
00:17:53.960 --> 00:17:55.960
<v Speaker 2>who by the way, for a very long time, you know,

380
00:17:56.000 --> 00:17:58.480
<v Speaker 2>when we used to make like celebrity cheat lists, which

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00:17:58.480 --> 00:18:00.519
<v Speaker 2>I think we've talked about, but like, I mean, I'm

382
00:18:00.519 --> 00:18:02.039
<v Speaker 2>not cheating on anybody now, but like when I had

383
00:18:02.079 --> 00:18:03.599
<v Speaker 2>a boy i'd have my celebrity toaf for.

384
00:18:03.680 --> 00:18:05.319
<v Speaker 3>Grace was always on my celebrity.

385
00:18:05.359 --> 00:18:06.480
<v Speaker 1>She was your hall pass.

386
00:18:06.880 --> 00:18:09.440
<v Speaker 2>He was my hall pass, which is so stupid, like

387
00:18:09.599 --> 00:18:11.920
<v Speaker 2>it was to for Grace Martin Freeman from the off

388
00:18:11.960 --> 00:18:15.720
<v Speaker 2>the original BBC Office, Huh, Like I like like a

389
00:18:15.960 --> 00:18:19.599
<v Speaker 2>very impish, dowey, blue eyed gentleman.

390
00:18:20.279 --> 00:18:22.759
<v Speaker 4>So that should have been threatening to any boyfriends because

391
00:18:22.759 --> 00:18:23.440
<v Speaker 4>they're gettable.

392
00:18:23.920 --> 00:18:26.319
<v Speaker 3>Well my joke, that was my that's my exes.

393
00:18:26.400 --> 00:18:28.319
<v Speaker 2>Jeff always said that because I would be like him

394
00:18:28.799 --> 00:18:31.039
<v Speaker 2>the barista at Starbucks, Kevin, and he's.

395
00:18:30.880 --> 00:18:33.839
<v Speaker 3>Like he he can't be your hall It's gonna be celebrities.

396
00:18:33.839 --> 00:18:34.640
<v Speaker 3>I'm like, he'll he's.

397
00:18:34.519 --> 00:18:37.079
<v Speaker 2>Gonna be famous someday, Kevin the baris so is gonna

398
00:18:37.079 --> 00:18:37.720
<v Speaker 2>be pretty big.

399
00:18:38.799 --> 00:18:39.839
<v Speaker 3>But yeah, it was.

400
00:18:39.920 --> 00:18:43.480
<v Speaker 2>It was kind of gettible. Really, Martin Freeman is definitely gettable.

401
00:18:43.519 --> 00:18:47.960
<v Speaker 2>I think it wasn't then anyway, Okay, that's that's our show.

402
00:18:48.920 --> 00:18:50.039
<v Speaker 1>Oh yeah, I hope you enjoyed it.

403
00:18:50.039 --> 00:18:51.680
<v Speaker 2>We're gonna find some more of the If you guys

404
00:18:51.799 --> 00:18:53.720
<v Speaker 2>like bees, we'll find some more and do them.

405
00:18:54.039 --> 00:18:56.519
<v Speaker 4>Yeah, oh for sure. Oh John, I'll beyond that. He

406
00:18:56.559 --> 00:18:59.680
<v Speaker 4>could be our producer for that. Oh yes, he'll find

407
00:18:59.720 --> 00:19:00.359
<v Speaker 4>us some stuff.

408
00:19:00.599 --> 00:19:04.279
<v Speaker 1>Okay, we love you guys. Thank you, guys, thank you.

409
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<v Speaker 4>We're sorry, right, okay, bye,