WEBVTT

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<v Speaker 1>Set up with the everyday grind, tied out from the

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<v Speaker 1>summer heat, I want to get away.

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<v Speaker 2>From it all.

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<v Speaker 3>We offer you escape, escape designed to free you from

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<v Speaker 3>the four walls of today. For a half hour of

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<v Speaker 3>high adventure.

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<v Speaker 1>You are spurring a lathered horse through darkened streets, trapped

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<v Speaker 1>by two hostile armies, with a kit of magic in

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<v Speaker 1>your pocket, and the American Revolution in the balance.

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<v Speaker 3>Tonight we escaped to an earlier day and to the

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<v Speaker 3>workshop of a famous wizard, as Stephen Vincent Viney told

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<v Speaker 3>it in his delightful story A Tooth for Paul Revere.

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<v Speaker 4>Some say it all happen because of Hancock and Adams,

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<v Speaker 4>and some put it back to the Stamp Act from before,

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<v Speaker 4>and there's sum that hold out for Paul Revere and

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<v Speaker 4>his little silver box. But the way I heard it,

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<v Speaker 4>the American Revolution broke out because of Lige Butterwick and

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<v Speaker 4>his tooth. My great aunt was a Butterwick, and I

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<v Speaker 4>heard it from her every now and then. She'd write

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<v Speaker 4>it out and want to get it put in the

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<v Speaker 4>history books, but they'd always put her off with some

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<v Speaker 4>trifling sort of excuse. But the way she told her

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<v Speaker 4>to us kids sitting there before the flickering fire on

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<v Speaker 4>some blustery, blowy night. It sounded spooky enough and wonderful

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<v Speaker 4>enough to be as true as the Union history books.

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<v Speaker 5>But you don't get the writer of things from such.

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<v Speaker 5>In the story of a nation, it's the queer corners

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<v Speaker 5>that count, the tales that get whispered down through families.

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<v Speaker 5>Not Take Paul, for instance, All most folks think about

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<v Speaker 5>as his riding a horse, But he was a silver

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<v Speaker 5>smith by trade, and there was a kind of magic

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<v Speaker 5>in that hand to his. I could see just a

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<v Speaker 5>little bit farther into the millstone than most folks, And

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<v Speaker 5>in that little shopper his on those fateful nights, he

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<v Speaker 5>sat over a miraculous flame and brooded the revolution in

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<v Speaker 5>a silver tea pot, and then he put it into

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<v Speaker 5>a little silver bugs no bigger than this.

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<v Speaker 4>Yes, that's the way my great aunt talked about Paul Revere,

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<v Speaker 4>and the chills ran a passpines. But it takes all

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<v Speaker 4>kinds to make a country, she used to say. And

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<v Speaker 4>it isn't till the plain ones like Ledge Butterway get

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<v Speaker 4>stirred up the things really start to happen. Liedge was

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<v Speaker 4>just an ordinary sort of man, without special vision into

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<v Speaker 4>a millstone. It might be a grand day in the

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<v Speaker 4>history books, but for him it was just Tuesday till

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<v Speaker 4>he read about it in the papers. Folks could argue

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<v Speaker 4>and fret about Boston tea parties and British warships in

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<v Speaker 4>Boston Harbor and British soldiers in Boston streets. But Liedge

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<v Speaker 4>Butterwick just plucked his tongue and wondered how the corn

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<v Speaker 4>might stand this year. On his farm outside Lexington, Massachusetts,

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<v Speaker 4>one day, Loige Butterwick woke up with a toothache. The

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<v Speaker 4>hot salt pack and the tansy tea his wife fixed for.

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<v Speaker 6>Him didn't seem to help much.

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<v Speaker 4>Our third day, Missus Butterwick tied a string to the tooth,

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<v Speaker 4>and Lige stood by the door.

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<v Speaker 7>You ready, uh huh?

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<v Speaker 8>Where Mathy when it came to the pinch couldn't quite

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<v Speaker 8>do it.

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<v Speaker 4>So that's how Elije Butterwick came to ride into Lexington,

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<v Speaker 4>Massachusetts that day. He just had to see somebody about

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<v Speaker 4>that tooth. And when he got there the town was

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<v Speaker 4>in an uproar.

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<v Speaker 8>Y Lig's Butterwick, Eh, oh, goody to you, neighbor WILLIAMS.

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<v Speaker 9>Blige. I didn't expect to see you here today.

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<v Speaker 8>It's my tooth.

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<v Speaker 7>Tooth?

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<v Speaker 6>What do you mean?

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<v Speaker 9>Uh uh huh uh huh huh oh isn't it exciting.

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<v Speaker 8>Exciting the toothy?

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<v Speaker 9>No, no, you would net all this. Have you seen

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<v Speaker 9>them yet?

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<v Speaker 8>Saying who?

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<v Speaker 9>Boy Hancock and Adams? Of course, John Hancock and Sam Adams.

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<v Speaker 9>They're at the Parson.

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<v Speaker 8>Clark's only folks who come here to say was the

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<v Speaker 8>barber figure, He's the only one to do some from

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<v Speaker 8>a tooth.

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<v Speaker 9>You don't pool me, lied, You're probably just as excited

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<v Speaker 9>as I am. Have you cleaned your musket?

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<v Speaker 8>Musket?

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<v Speaker 2>Why?

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<v Speaker 8>It's five months the hunting season yet, that's.

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<v Speaker 9>Where you're wrong. Lies, looks like hunting season maybe early

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<v Speaker 9>this year. M keep your potty dry, huh.

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<v Speaker 4>And so elige. Butterwick came to Lexington and it was

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<v Speaker 4>a great deal for the history books and to him

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<v Speaker 4>it was just Tuesday and his tooth was jumping, and

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<v Speaker 4>he went to see the barbers, the likeliest man he

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<v Speaker 4>knew to pull a tooth. But the barber took one

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<v Speaker 4>look at it and shook his head.

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<v Speaker 2>I can pull her out all right, lide, but she's

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<v Speaker 2>got long ruts and strong ruts, and she'd can't leave

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<v Speaker 2>norful gap.

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<v Speaker 8>When she's gone. Hmm, that's true.

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<v Speaker 2>Now what's really need though, it's caustic my business? One

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<v Speaker 2>of these here, artificial teeth.

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<v Speaker 8>To go there in the hole, artificial teeth. Hey, you know,

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<v Speaker 8>Land of Mercy's flying in the face of nature.

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<v Speaker 2>And the kind lige artificial teeth is all the goold

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<v Speaker 2>these days.

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<v Speaker 8>Election to ought to keep up with times.

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<v Speaker 10>But it would do me no good.

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<v Speaker 8>You see you were not a fish too, Yes, indeed

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<v Speaker 8>it would, It would do you good. But suppose I

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<v Speaker 8>did want one, how on Tonquet would have get it

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<v Speaker 8>in Lexington?

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<v Speaker 11>Now you just leave that all to me. You'll have

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<v Speaker 11>to go into Boston. But I know just the man

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<v Speaker 11>here if I can find his had his prospectors here somewhere,

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<v Speaker 11>Oh oh yes here see here h spell Caul Revere

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<v Speaker 11>in Boston. That fixes him and they say he's a

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<v Speaker 11>boss workman. Yes, Now you just listen to this here.

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<v Speaker 2>Whereas many persons were so unfortunate as to lose their

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<v Speaker 2>four teeth that shoe lide, oh, to their great detriment,

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<v Speaker 2>not only in looks, but in speaking, both in public

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<v Speaker 2>and private. This is to inform all shots that they

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<v Speaker 2>can have them replaced by artificial ones. I see that

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<v Speaker 2>will look as well as the natural and answer to

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<v Speaker 2>the end of speaking to all intents. Oh, yes, and

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<v Speaker 2>then see it was on his name. Yes, his name's

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<v Speaker 2>right here, Paul Revere, Goldsmith near the head of doctor

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<v Speaker 2>Clark's while in Boston.

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<v Speaker 8>H sounds well enough. But what's it going to cost?

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<v Speaker 2>Oh? I know Revere comes through here pretty often as

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<v Speaker 2>a matter of fact.

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<v Speaker 8>Dos.

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<v Speaker 2>Yes, it's a decent fellow, even if he is a

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<v Speaker 2>pretty big bug and sounds lipty.

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<v Speaker 8>You just mentioned my name, Bah, it's something I hadn't

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<v Speaker 8>thought of. But the for panny and for pound mister

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<v Speaker 8>Day's work already, and that two has got to come

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<v Speaker 8>up before I go stark staring mad. But what sort

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<v Speaker 8>of man is its Revere anyway?

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<v Speaker 2>Oh, he's a regular wizard, regular wizard with his tools.

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<v Speaker 8>Wizard.

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<v Speaker 2>Hm.

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<v Speaker 8>I don't know about wizards, but if he can fix

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<v Speaker 8>my tooth, I'll call him one.

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<v Speaker 4>So elige Butterwick got back on his horse and started

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<v Speaker 4>for Boston. He rode through the busy, excited streets of Lexington,

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<v Speaker 4>and when he came opposite the residence of Parson Clark,

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<v Speaker 4>he saw a little crowd collected and men staring, so

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<v Speaker 4>he stopped his horse for a moment, and mister.

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<v Speaker 8>Is that them? There's a hill sign?

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<v Speaker 3>Mister Hancock and mister Adams, Sir there through the window,

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<v Speaker 3>tall handsome man and the short man with.

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<v Speaker 6>Face like a bulldog.

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<v Speaker 8>Wouldn't no sun? The strangers to me get up.

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<v Speaker 6>Then he got to Boston.

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<v Speaker 4>He began to feel queer, and it wasn't only his tooth.

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<v Speaker 4>He hadn't been there for four years, and he'd expected

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<v Speaker 4>to find it changed, but it wasn't that either. The

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<v Speaker 4>sky was clear and beautiful, but Blige felt like there

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<v Speaker 4>was thunder in the air. It was uncanny, and the

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<v Speaker 4>people there had little nuts of them on the corners,

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<v Speaker 4>but when he came up to them, they seemed to

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<v Speaker 4>melt away or then look at you, stop talking. And

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<v Speaker 4>then he came to the harbor out there in the

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<v Speaker 4>port of Boston, riding black and grim with the British warships.

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<v Speaker 4>He had no one let be there, of course, but

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<v Speaker 4>it was different somehow, seeing them with their guns pointed

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<v Speaker 4>in at the town. Suddenly felt uncomfortable, felt it like

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<v Speaker 4>to turn and go home, but he was hungry and

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<v Speaker 4>so he went to a tavern for a bite.

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<v Speaker 8>A good day to you, and what may I do

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<v Speaker 8>for you, stranger? Just bite us up. If you're serving,

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<v Speaker 8>I have a seat, You'll be served. Thank you. Uh

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<v Speaker 8>nice weather having these days.

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<v Speaker 9>It's bitter weather for Boston.

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<v Speaker 8>Well now, maybe for Boston, but out in the country

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<v Speaker 8>we'd call a good plant weather.

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<v Speaker 6>I guess maybe I was mistaken in you.

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<v Speaker 4>It is good planting weather for some kind of trees, trees.

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<v Speaker 8>Well, now, I I suppose you're right about that.

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<v Speaker 6>That's and what kind of trees would you be thinking of.

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<v Speaker 4>There's trees and trees you know.

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<v Speaker 8>Well, now that you're asking, you might.

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<v Speaker 4>The liberty tree, and may it soon be watered in

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<v Speaker 4>the blood of tyrants.

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<v Speaker 10>The Royal oc of England, and God save King George

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<v Speaker 10>and Lawtey.

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<v Speaker 12>I didn't live.

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<v Speaker 9>Glory.

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<v Speaker 8>I always heard city folks were crazy. But politics must

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<v Speaker 8>be getting serious in these American colonies when they start

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<v Speaker 8>fighting about trees.

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<v Speaker 1>Aye and it his friend.

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<v Speaker 8>So they threw you out too.

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<v Speaker 1>Yes, blesshem, but I want to shake your hand nobly done,

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<v Speaker 1>for I'm glad to find another true hearted man loyal

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<v Speaker 1>to the crown in this pestilent, rebellious city.

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<v Speaker 8>Oh wow, I don't know. Hows I quite agree with

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<v Speaker 8>you about that. But I came here to get my toothfakes,

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<v Speaker 8>not to talk about politics. And as long as you've

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<v Speaker 8>spoken so pleasant, I wonder if you could help me out.

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<v Speaker 8>You see, I'm from Lexington Way, and I'm looking for

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<v Speaker 8>a fellow named Paul Revere.

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<v Speaker 6>Paul Revere, No, so it's Paul Revere.

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<v Speaker 1>You want my worthy and ingenious friend from the country, Well,

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<v Speaker 1>I'll tell you how to find him.

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<v Speaker 8>Good, I thank you. You go up to the first

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<v Speaker 8>British soldier you see and ask.

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<v Speaker 6>The way, but you'd better give the password.

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<v Speaker 8>First password.

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<v Speaker 1>Yes, you say to that British soldier any lobsters for

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<v Speaker 1>sale today? And then you ask about Revere.

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<v Speaker 8>But why do I talk about lobsters first?

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<v Speaker 1>Well, you see, the British soldiers wear redcoats, so they

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<v Speaker 1>like being asked about lobsters. Just try it and see,

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<v Speaker 1>Just try it, my friend and see.

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<v Speaker 8>Pardon me, sir? Do you have any lobsters for sale today?

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<v Speaker 11>What?

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<v Speaker 9>Hold?

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<v Speaker 5>Day?

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<v Speaker 3>You see the.

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<v Speaker 8>Barrel place to hide? I'll not wait.

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<v Speaker 10>Come on, fudge, huh, you can come out now they've

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<v Speaker 10>gone past.

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<v Speaker 8>Oh, oh, yes, thank you.

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<v Speaker 9>Nice.

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<v Speaker 10>Look at your clothes. That was a tar barrel you

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<v Speaker 10>jumped into.

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<v Speaker 8>Yes, I'm aside.

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<v Speaker 10>What were they chasing you for?

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<v Speaker 8>I really don't know. I guess I didn't give the

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<v Speaker 8>right password. Password, that's but all the same. I don't

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<v Speaker 8>think soldiers ought to act like that when you ask

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<v Speaker 8>him a several questions. But SETI, folks are soldiers. They

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<v Speaker 8>can't make a fool out of me. I came here

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<v Speaker 8>to get my tooth fixed, and get it fixed as

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<v Speaker 8>well if I have to surprise the whole British Kingdom

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<v Speaker 8>to do it.

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<v Speaker 10>Good for you, sir? Can I be of any help

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<v Speaker 10>to you?

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<v Speaker 8>Ah? You can, boy Er, Tell me where I may

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<v Speaker 8>find the silversmith Paul Revere.

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<v Speaker 10>Oh, that's easy. Right before your eyes there's a sign

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<v Speaker 10>hanging down by the wharf, and that's his shop.

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<v Speaker 4>I work there.

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<v Speaker 8>Well, now, those soldiers did me a good turn after all.

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<v Speaker 8>Come on, boy and now maybe I'll get my tooth fixed.

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<v Speaker 4>Then, Liedge Butterwick was in the shop of Paul Revere, silversmith, goldsmith,

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<v Speaker 4>jack of all trades, sculpturer of artificial teeth, brewer of revolutions,

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<v Speaker 4>wizard the shop itself was small and dark, with mysterious

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<v Speaker 4>shadows lurking in the corners, and the bag it was

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<v Speaker 4>crammed full of the wondrous products of its owner's skillful hand,

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<v Speaker 4>gold and silver, objects of great beauty, Prince of Boston

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<v Speaker 4>and caricatures were the British odd boxes and bottles filling

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<v Speaker 4>the shelves. At this particular moment, it was also full

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<v Speaker 4>of customers, and Liede Buttterweight, with the cautious shyness of

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<v Speaker 4>the countryman, sank back into a corner seat out of

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<v Speaker 4>the way, watched as Paul Revere waited on several customers.

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<v Speaker 4>The last of these was a grand lady who looked

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<v Speaker 4>like an irate turkey goblins.

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<v Speaker 7>Oh, Master Revere, I am so disappointed. When I took

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<v Speaker 7>the things from the box, I could just have cried.

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<v Speaker 6>It's I whom disappointed, madame. What was the trouble? Must

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<v Speaker 6>have been carelessly pegged? Was it badly ended?

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00:14:36.559 --> 00:14:37.320
<v Speaker 9>Now speak the boy?

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<v Speaker 7>No, No, it wasn't dhinted. But I wanted a really

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00:14:40.799 --> 00:14:45.080
<v Speaker 7>impressive silver service, something I can use when the Governor

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<v Speaker 7>comes to dine with us. I certainly paid for the best,

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00:14:48.320 --> 00:14:49.480
<v Speaker 7>and what have you given me?

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<v Speaker 12>I've given you the best work of which I am capable, madam.

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00:14:53.440 --> 00:14:56.399
<v Speaker 12>It was in my hands for six months, and I

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<v Speaker 12>think they're capble hends. Oh, I know you were a

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<v Speaker 12>competent artisan, master silversmith.

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<v Speaker 7>Well, I don't care what you call it. I know

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<v Speaker 7>I wanted a real service, something I could show my friends.

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<v Speaker 7>And what have you given me?

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<v Speaker 11>Oh?

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<v Speaker 7>It's silver, if you choose, But it's just as plain

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<v Speaker 7>as a picquet fence.

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<v Speaker 6>Simple plain. You pay me high compliments, madam, compliments.

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<v Speaker 7>Indeed, I'll send it back tomorrow. Why there isn't as

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<v Speaker 7>much as a lion or a unicorn on the cream jug.

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00:15:26.039 --> 00:15:28.360
<v Speaker 7>And I told you I wanted the sugar bowl covered

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<v Speaker 7>with silver grapes. But you've given me something as bare

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00:15:30.919 --> 00:15:32.639
<v Speaker 7>as the hills of New England. And I won't stand it.

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<v Speaker 7>I tell you, I'll send to London instead.

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<v Speaker 8>Send way, madam.

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<v Speaker 6>We're making new things in this country, new men, new.

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<v Speaker 12>Silver perhaps, who knows, a new nation plain, simple, bear

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<v Speaker 12>as the hills and rocks a New England, graceful as

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<v Speaker 12>the boughs of elm trees. If my silver were only

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<v Speaker 12>like that, indeed, that's what I wish to make it

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00:15:59.440 --> 00:16:02.399
<v Speaker 12>as for you men, them with your lions and unicorns

288
00:16:02.440 --> 00:16:05.440
<v Speaker 12>and grape leaves and your nonsense of bad ornamentation done

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00:16:05.480 --> 00:16:08.879
<v Speaker 12>by bad silversmiths. You're imported bad taste, and you're imported

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<v Speaker 12>British manners. Puff away with you, Puff, Puff puff, I say, William, Yes, sir,

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<v Speaker 12>put up the shutters. We're closing for the day, oh William,

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00:16:29.519 --> 00:16:31.679
<v Speaker 12>No word yet from doctor Warren, Not yet, sir.

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<v Speaker 9>Yeah, what's that?

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<v Speaker 2>Well?

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00:16:35.000 --> 00:16:37.720
<v Speaker 8>Who are you there in the corner? Well, mister Vere

296
00:16:38.320 --> 00:16:42.240
<v Speaker 8>it is mister Vere. Yes, yes, of course it's a

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00:16:42.480 --> 00:16:45.759
<v Speaker 8>kind of a long story, but closing or not. You

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00:16:45.879 --> 00:16:46.600
<v Speaker 8>got to listen to me.

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<v Speaker 6>The barber told me so, the barber.

300
00:16:49.720 --> 00:16:53.720
<v Speaker 8>You say, I'm large, Butterwick and that's my toes on toes.

301
00:16:56.720 --> 00:17:01.000
<v Speaker 8>You'd better begin at the beginning. We now, Yeah, you

302
00:17:01.080 --> 00:17:03.720
<v Speaker 8>don't talk like a Boston man. Where'd you come from?

303
00:17:04.039 --> 00:17:05.359
<v Speaker 8>Around Lexington Way?

304
00:17:05.799 --> 00:17:07.880
<v Speaker 6>And you see Yton? Were you there this morning?

305
00:17:08.799 --> 00:17:11.559
<v Speaker 8>But of course I was. That's where the barber.

306
00:17:11.599 --> 00:17:14.319
<v Speaker 12>I never mind barber or miss Hancock and mister Adams

307
00:17:14.359 --> 00:17:15.400
<v Speaker 12>still at passing clocks?

308
00:17:16.279 --> 00:17:19.039
<v Speaker 8>Well they might have been for all I know, but

309
00:17:19.160 --> 00:17:19.839
<v Speaker 8>I couldn't say.

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00:17:20.000 --> 00:17:22.000
<v Speaker 12>Great heaven is there a man in the American colonies.

311
00:17:22.039 --> 00:17:23.920
<v Speaker 12>Who don't know miss Hancock and mister Adams.

312
00:17:24.519 --> 00:17:29.000
<v Speaker 8>Oh there seems to be me. But speaking of strangers,

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00:17:29.799 --> 00:17:31.960
<v Speaker 8>there was two of them staying at the Passonage when

314
00:17:32.000 --> 00:17:34.640
<v Speaker 8>I rode past. One was a handsome man.

315
00:17:35.279 --> 00:17:37.480
<v Speaker 6>The other man looked more like a bulldog.

316
00:17:37.920 --> 00:17:42.119
<v Speaker 12>So they still live and they're British ready to match.

317
00:17:43.279 --> 00:17:45.880
<v Speaker 12>Did you see many soldiers as you give me my Shopwick?

318
00:17:46.119 --> 00:17:49.160
<v Speaker 8>See them? They chased me into a tire barrow was

319
00:17:49.240 --> 00:17:51.319
<v Speaker 8>hold past. All of them by the common with guns

320
00:17:51.359 --> 00:17:54.200
<v Speaker 8>and flags, looked as if they meant business.

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00:17:54.400 --> 00:17:58.599
<v Speaker 12>Thank you, Misseddwick. You're a shrewd obsever You've done me

322
00:17:58.880 --> 00:18:01.200
<v Speaker 12>and the colonies and invaluable service.

323
00:18:01.680 --> 00:18:01.839
<v Speaker 4>Ah.

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00:18:02.000 --> 00:18:06.119
<v Speaker 8>That's nice to know. But speaking of this too, you're

325
00:18:06.119 --> 00:18:07.359
<v Speaker 8>a stubborn man, mister Wick.

326
00:18:08.519 --> 00:18:11.400
<v Speaker 6>All the better. I like stubborn men.

327
00:18:11.519 --> 00:18:13.400
<v Speaker 8>I wish we had more of them.

328
00:18:14.559 --> 00:18:16.480
<v Speaker 6>Well, one good time serves another.

329
00:18:17.000 --> 00:18:17.599
<v Speaker 9>You've helped me.

330
00:18:18.319 --> 00:18:19.319
<v Speaker 8>I'll do my best for you.

331
00:18:20.359 --> 00:18:25.000
<v Speaker 12>I've made artificial teeth, but drying them is hardly my trade.

332
00:18:26.200 --> 00:18:28.799
<v Speaker 12>All the same, it's I have a look heah, come

333
00:18:28.839 --> 00:18:29.759
<v Speaker 12>over here in the light I.

334
00:18:31.480 --> 00:18:32.839
<v Speaker 8>Now open ah.

335
00:18:33.680 --> 00:18:37.920
<v Speaker 6>Ye, well, mister by the Wick, it appears to.

336
00:18:37.960 --> 00:18:41.799
<v Speaker 12>Be compound a glutinated infraction of the upper mola. And

337
00:18:41.920 --> 00:18:44.279
<v Speaker 12>I'm afraid I can't do anything about it tonight. But

338
00:18:44.480 --> 00:18:47.160
<v Speaker 12>but here's a draft that will.

339
00:18:47.480 --> 00:18:51.359
<v Speaker 8>Ease the pain for a while. There.

340
00:18:53.000 --> 00:18:56.000
<v Speaker 12>Drink mhm hm.

341
00:18:57.240 --> 00:19:09.559
<v Speaker 8>It's it's spicy and uh and queer. Never mind. Now

342
00:19:09.759 --> 00:19:14.559
<v Speaker 8>you go to a tavern, get a night dress, come

343
00:19:14.640 --> 00:19:17.880
<v Speaker 8>back see me in the morning. I'll find a truth

344
00:19:17.960 --> 00:19:22.640
<v Speaker 8>draft out for you if i'm here. Oh, yes, you'd

345
00:19:22.680 --> 00:19:23.559
<v Speaker 8>best have some lineament.

346
00:19:24.039 --> 00:19:24.160
<v Speaker 1>Uh.

347
00:19:24.759 --> 00:19:27.599
<v Speaker 8>That's a queer kind of shop you have here, mister Avera.

348
00:19:30.200 --> 00:19:34.559
<v Speaker 8>Some folks think so, say what's in that little bottle where?

349
00:19:35.400 --> 00:19:41.200
<v Speaker 8>Oh that's a little chemical experiment of mine. I call

350
00:19:41.240 --> 00:19:44.319
<v Speaker 8>it essence Seboston. But there's a good deal of the

351
00:19:44.440 --> 00:19:49.240
<v Speaker 8>East wind essen Se Boston. Well, they did say it

352
00:19:49.359 --> 00:19:55.480
<v Speaker 8>was a wizard. It's genuine magic. I suppose genuine magic,

353
00:19:55.640 --> 00:20:02.079
<v Speaker 8>of course. And here here's the with your liniment. No, no,

354
00:20:02.880 --> 00:20:08.039
<v Speaker 8>not that one, this one, I thank you. But that

355
00:20:08.240 --> 00:20:10.480
<v Speaker 8>other little box are the little silver woman with the

356
00:20:10.519 --> 00:20:13.599
<v Speaker 8>stars on it and the elm tree. Yes you like it,

357
00:20:14.960 --> 00:20:17.000
<v Speaker 8>pick it up? Mighty party work.

358
00:20:17.680 --> 00:20:23.160
<v Speaker 12>Thank you? My own design. Thirteen stars there see them?

359
00:20:24.279 --> 00:20:28.039
<v Speaker 12>You could make a very pretty design with stars for

360
00:20:28.160 --> 00:20:32.759
<v Speaker 12>a new country seat if you wanted to. I've sometimes

361
00:20:32.799 --> 00:20:33.160
<v Speaker 12>thought of it.

362
00:20:33.599 --> 00:20:37.079
<v Speaker 8>But what's in the box? It feels queer?

363
00:20:37.160 --> 00:20:39.839
<v Speaker 6>What's in it? What's in the air?

364
00:20:40.319 --> 00:20:40.839
<v Speaker 8>Round us?

365
00:20:42.000 --> 00:20:48.519
<v Speaker 12>Gun pounder war, making of a new nation? The time

366
00:20:48.640 --> 00:20:51.759
<v Speaker 12>isn't right yet, not quite ripe.

367
00:20:52.839 --> 00:20:58.200
<v Speaker 8>I mean that this here revolution that folks keep talking about. Yes,

368
00:20:59.359 --> 00:21:02.279
<v Speaker 8>in that spot, glory.

369
00:21:01.960 --> 00:21:05.680
<v Speaker 10>B Master Revere, It's come, It's come, the message from

370
00:21:05.720 --> 00:21:06.640
<v Speaker 10>doctor Warren.

371
00:21:08.440 --> 00:21:09.759
<v Speaker 6>William My writing boots.

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00:21:09.759 --> 00:21:11.880
<v Speaker 12>Now hurry, I must be off. Sorry, miss Butterwick, but

373
00:21:11.920 --> 00:21:16.319
<v Speaker 12>I must rush you. Take your linamund and come back tomorrow. Yes, Hick,

374
00:21:16.839 --> 00:21:18.720
<v Speaker 12>I'll help you. Yes, say say.

375
00:21:21.440 --> 00:21:24.319
<v Speaker 4>It wasn't till Liedge Butterwick was alone in his room

376
00:21:24.359 --> 00:21:26.079
<v Speaker 4>at the tavern, where he was to stay the night,

377
00:21:27.000 --> 00:21:31.519
<v Speaker 4>and he realized what he had done. In the bustle

378
00:21:31.599 --> 00:21:35.279
<v Speaker 4>and haste of leaving mister Revere's shop. He had picked

379
00:21:35.359 --> 00:21:38.799
<v Speaker 4>up the wrong box instead of the box of linament.

380
00:21:39.599 --> 00:21:43.000
<v Speaker 4>He held in his hand, the little silver box with

381
00:21:43.119 --> 00:21:50.559
<v Speaker 4>the thirteen stars upon it. He hadn't quite believed mister

382
00:21:50.640 --> 00:21:54.960
<v Speaker 4>Revere when he talked about the box, and then everything

383
00:21:55.000 --> 00:21:57.880
<v Speaker 4>had seemed so almighty queer since he had arrived in

384
00:21:57.960 --> 00:22:01.640
<v Speaker 4>Boston and his tooth ache, and his head felt light,

385
00:22:02.640 --> 00:22:06.759
<v Speaker 4>and he, being human, was curious. He looked for a keyhole,

386
00:22:07.720 --> 00:22:11.960
<v Speaker 4>but there was none. The box wouldn't open. He shook

387
00:22:12.000 --> 00:22:18.519
<v Speaker 4>it suddenly it felt warm, as if there was something

388
00:22:18.559 --> 00:22:32.240
<v Speaker 4>alive inside it. He held it to his ear, Great Godfrey,

389
00:22:33.759 --> 00:22:38.480
<v Speaker 4>now Laijah. Butterwick was feeling scared, but he was feeling

390
00:22:38.559 --> 00:22:41.599
<v Speaker 4>kind of good too, And then he found out that

391
00:22:41.680 --> 00:22:42.720
<v Speaker 4>he was talking to himself.

392
00:22:43.279 --> 00:22:46.680
<v Speaker 8>Well, I'm not a Britisher, I'm a new Englander, and

393
00:22:46.960 --> 00:22:51.519
<v Speaker 8>maybe there's something beyond there, something people like Handcott Adams

394
00:22:51.599 --> 00:22:54.759
<v Speaker 8>know a bar and if it has to come with

395
00:22:54.839 --> 00:22:59.240
<v Speaker 8>a revolution, well I guess it has to come. Can't

396
00:22:59.240 --> 00:23:03.640
<v Speaker 8>stay British as here in this country. But what am

397
00:23:03.640 --> 00:23:06.519
<v Speaker 8>I going to do with this box? Do big a

398
00:23:06.640 --> 00:23:09.400
<v Speaker 8>job for one man? Guess we'll have to take this

399
00:23:09.519 --> 00:23:10.359
<v Speaker 8>back to Paul Revere.

400
00:23:15.960 --> 00:23:18.440
<v Speaker 4>First he went to the little shop on clark Swharf,

401
00:23:19.039 --> 00:23:23.079
<v Speaker 4>but it was closed up tight and it was a

402
00:23:23.119 --> 00:23:26.799
<v Speaker 4>while before he could rouse anyone. Then it was the

403
00:23:26.880 --> 00:23:30.599
<v Speaker 4>boy William who opened the door. Oh it's you.

404
00:23:31.759 --> 00:23:34.200
<v Speaker 10>Well, Master Revere isn't here, but.

405
00:23:34.240 --> 00:23:36.400
<v Speaker 8>I've got to find him. Can you tell me where

406
00:23:36.400 --> 00:23:39.720
<v Speaker 8>he's gone? Why do you want to know got something

407
00:23:39.799 --> 00:23:41.119
<v Speaker 8>for him? He needs it.

408
00:23:41.839 --> 00:23:44.440
<v Speaker 10>You wouldn't be a spy for the British, now would you?

409
00:23:44.920 --> 00:23:46.160
<v Speaker 8>The spy me?

410
00:23:47.119 --> 00:23:49.640
<v Speaker 10>Well, then what is it you got for him?

411
00:23:50.079 --> 00:23:54.000
<v Speaker 8>This box, little Selver box? Took it by mistake. I

412
00:23:54.079 --> 00:23:54.880
<v Speaker 8>think it's important.

413
00:23:55.160 --> 00:23:58.559
<v Speaker 10>The box by the flag. It isn't parting. But he's gone,

414
00:23:58.799 --> 00:24:00.680
<v Speaker 10>gone to won. The patriots of the British are coming.

415
00:24:01.079 --> 00:24:01.680
<v Speaker 8>Which way, boy?

416
00:24:01.720 --> 00:24:04.720
<v Speaker 10>Which way did he go across the river to Charlestown?

417
00:24:05.160 --> 00:24:06.880
<v Speaker 8>All right, thank you boy, I'll be following.

418
00:24:13.440 --> 00:24:15.880
<v Speaker 5>No, you don't get any boats from me. There was

419
00:24:15.920 --> 00:24:18.039
<v Speaker 5>a crazy man long here an hour ago, and he

420
00:24:18.160 --> 00:24:21.200
<v Speaker 5>wanted a boat too. My husband was crazy enough to

421
00:24:21.319 --> 00:24:21.720
<v Speaker 5>take him.

422
00:24:22.160 --> 00:24:23.000
<v Speaker 10>Do you know what he did?

423
00:24:23.440 --> 00:24:23.839
<v Speaker 8>No, ma'am.

424
00:24:24.039 --> 00:24:26.759
<v Speaker 5>He made my husband take my best petticoat to muffle

425
00:24:26.839 --> 00:24:29.119
<v Speaker 5>the oar so they wooden splash when they passed that

426
00:24:29.240 --> 00:24:33.200
<v Speaker 5>British ship. My best petticoat, mind, just when my husband

427
00:24:33.240 --> 00:24:35.720
<v Speaker 5>comes back, he's going to get a piece of my eye.

428
00:24:35.920 --> 00:24:38.279
<v Speaker 8>It was his name, Paul Revere, was a man of

429
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<v Speaker 8>forty eyed, keen looking kind of Frenchy.

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<v Speaker 5>I don't know what his right name is, but his

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00:24:43.039 --> 00:24:47.079
<v Speaker 5>name's mud with me. My best Petticoat tour into strips

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<v Speaker 5>and swimming in that Mastery River.

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<v Speaker 8>Thank you, ma'am. I get a boat elsewhere, mister.

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<v Speaker 10>Butterwick, So be careful. Your own is right under the

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<v Speaker 10>stern of a British man of war.

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<v Speaker 8>Don't worry, I'll say it.

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<v Speaker 10>Please, mister Butterwick.

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<v Speaker 2>Oh are.

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00:25:12.400 --> 00:25:13.680
<v Speaker 10>Be careful, mister Butterwick.

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<v Speaker 8>All right, boy.

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<v Speaker 2>Here he's been going an hour, gone gone where, riding

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<v Speaker 2>to elections to warn Hancock and Adams as soon as

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00:25:27.839 --> 00:25:29.559
<v Speaker 2>he spied the lights up there in the north Church.

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<v Speaker 8>And I've got to catch him, says Box. He's got

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<v Speaker 8>to have it. Where can I get a horse? Right

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<v Speaker 8>over here? Come on.

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00:25:41.200 --> 00:25:44.079
<v Speaker 4>Out through the darkened streets of Charles Towny road on

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<v Speaker 4>into the black of the countryside. Once he got lost,

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00:25:47.400 --> 00:25:49.799
<v Speaker 4>but he found his way again and rode on. It

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00:25:49.920 --> 00:25:52.000
<v Speaker 4>was just dawn as he came inside of Lexington, and

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00:25:52.119 --> 00:25:54.279
<v Speaker 4>the jew was glistening on the green of the april grass.

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<v Speaker 4>But Elija Butterwick didn't notice the beauty of the dawn.

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<v Speaker 4>The little silver box was hot and burning in his pocket,

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<v Speaker 4>and then suddenly he reined in his horse. Were there

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<v Speaker 4>on the road with two men carrying a trunk, and

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00:26:08.480 --> 00:26:09.720
<v Speaker 4>one of them was Paul Revere.

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<v Speaker 8>Well, mister Fair, I say, I'm on time for that

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<v Speaker 8>little appointment about my toes. Well you you are stubborn man,

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<v Speaker 8>mister Bedwick.

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<v Speaker 12>Allah, but you give me a marry chase all night.

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00:26:24.759 --> 00:26:27.720
<v Speaker 12>I've had one myself, been captured by the British once

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<v Speaker 12>and escaped. Don't know what's steal in store for me,

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00:26:30.640 --> 00:26:33.119
<v Speaker 12>but we're carrying a precious cargo here in this trunk.

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00:26:33.759 --> 00:26:36.440
<v Speaker 12>We're bringing to safety all the private papers of mister

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<v Speaker 12>Hancock and mister Adam.

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<v Speaker 8>Which reminds me I've something for you here.

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<v Speaker 6>Silver box. You've got the silver box.

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00:26:46.000 --> 00:26:49.119
<v Speaker 8>By mistake, and it's getting frightfully hot in my hand. Yes,

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<v Speaker 8>my friend, And a little wonder across there had Lexington Green,

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00:26:54.200 --> 00:26:58.599
<v Speaker 8>the Green. Why there is a line of Lexington men,

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00:26:59.720 --> 00:27:02.559
<v Speaker 8>and there across the craig facing them, there's a column

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00:27:02.599 --> 00:27:03.599
<v Speaker 8>of British red coat.

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<v Speaker 12>Say Land up with gains the armist by a week.

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<v Speaker 12>They've come to arrest miss Hancock, mister Adams and the

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<v Speaker 12>minute men stand before them.

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<v Speaker 8>Mister Fair, I'm a peaceable man. I've had little notion

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<v Speaker 8>of politics, but I don't like what I saw in Boston.

478
00:27:20.039 --> 00:27:23.480
<v Speaker 8>I don't like soldiers chasing peaceable citizens into tar barrels,

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00:27:24.039 --> 00:27:27.960
<v Speaker 8>but uppity ladies with imported British manners. And I don't

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<v Speaker 8>like British red coats on Lexington Green that I don't.

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<v Speaker 6>Mister Betterwick, what you doing?

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<v Speaker 8>I'm stamping on yourself a box, mister Revere and breaking

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<v Speaker 8>it open.

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00:27:39.759 --> 00:27:40.920
<v Speaker 12>Do you know what you've done?

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<v Speaker 6>You've let out the American Revolution. Look, they've fired the

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<v Speaker 6>first shots.

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<v Speaker 8>Well, I guess it's about time, and I guess i'd

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00:27:50.319 --> 00:27:53.759
<v Speaker 8>better be going now. Mister Bedwick, where are you going home?

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00:27:54.599 --> 00:27:57.039
<v Speaker 8>Got a musket on the wall there. I'll be needing

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00:27:57.079 --> 00:27:58.680
<v Speaker 8>everybody here. What about your tools?

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<v Speaker 7>Oh, it's just a tooth.

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<v Speaker 8>But a country is a country anyhow. The Nake Anymore.

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<v Speaker 3>Escape produced and directed by Norman McDonald. Tonight brought to

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00:28:21.279 --> 00:28:24.400
<v Speaker 3>you A Tooth for Paul Revere by Stephen Vincent Benet,

495
00:28:24.440 --> 00:28:28.039
<v Speaker 3>adapted for radio by John Duncle and featuring Harry bartel

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00:28:28.160 --> 00:28:31.480
<v Speaker 3>Is Large Butterwick Parley Bear as Paul Revere and Barry

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<v Speaker 3>Kroger as the narrator. Special music by Ivan Ditmarsh.

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<v Speaker 1>Next Week, You are Deep and a Fabulous cavern in

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00:28:41.279 --> 00:28:44.359
<v Speaker 1>the Mountain surrounded by a hood of angry natives from

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00:28:44.400 --> 00:28:47.880
<v Speaker 1>a lost world, held the mercy of the most beautiful

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00:28:47.920 --> 00:28:52.039
<v Speaker 1>woman in the world, the terrible queen called She.

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00:29:00.000 --> 00:29:03.319
<v Speaker 3>Next week we escape with h Rider Haggard's famous story She.

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<v Speaker 9>Good Night.

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<v Speaker 3>Then until the same time next week, when once again

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00:29:07.160 --> 00:29:12.680
<v Speaker 3>we offer you escape. This is CBS, where ninety nine

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00:29:12.720 --> 00:29:15.920
<v Speaker 3>million people gather every week. The Columbia Broadcasting System
