WEBVTT

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<v Speaker 1>Did you miss out on that big football game last week?

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<v Speaker 1>Can't get rid of that head cold? I want to

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<v Speaker 1>get away from it all.

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<v Speaker 2>CBS offers you Escape.

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<v Speaker 1>You are groping your way slowly through the dark hold

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<v Speaker 1>of a ship at sea, moving carefully step by step,

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<v Speaker 1>searching intently for something you dread to find, because you

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<v Speaker 1>know that this ship carries a cargo of death.

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<v Speaker 2>The Columbia Broadcasting System and it's affiliated stations presents Escape,

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<v Speaker 2>produced and directed by William N. Robson, and carefully plotted

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<v Speaker 2>to free you from the four walls of today for

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<v Speaker 2>a half hour of high adventure.

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<v Speaker 1>Tonight, we escaped to a harbor front in Venezuela and

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<v Speaker 1>a grim voyage that started there. As told by Martin

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<v Speaker 1>Storm in his Gripping Story, a shipment of mute fate.

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<v Speaker 3>I stopped on the wharf at Laguira, looked up the

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<v Speaker 3>gang plank toward the liner chan K standing quietly there

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<v Speaker 3>at her moorings. The day was warm under a bright

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<v Speaker 3>tropic sun, when the harbor beyond the ship lay drowsy

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<v Speaker 3>and silent. But all at once, in the midst of

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<v Speaker 3>these peaceful surroundings, a cold chill gripped me and I

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<v Speaker 3>shivered with sudden dread, dread of the thing I was

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<v Speaker 3>doing and was about to do. But too much had

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<v Speaker 3>happened to turn back. Now I'd gone too far to stop. Well,

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<v Speaker 3>I set the box down on the edge of the wharf,

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<v Speaker 3>placed it carefully so as to be in plain sight

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<v Speaker 3>and within gunshot of the captain's bridge, and then I

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<v Speaker 3>turned and started up the gang plan. I knew what

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<v Speaker 3>I was going to do, but I couldn't forget that

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<v Speaker 3>a certain pair of beady eyes were watching every move

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<v Speaker 3>I made, eyes that never blinked and never closed, just

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<v Speaker 3>watched and waited. Oh a bigger part.

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<v Speaker 4>What it's mister Warner?

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<v Speaker 3>Hello, mother Willis? How's the best looking stewardess on the

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<v Speaker 3>Seventh Sea.

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<v Speaker 4>I'm fine, mister Warner, I guess better run along, now

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<v Speaker 4>get on, I'm sure.

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<v Speaker 3>Now wait a minute, that's a fine greeting after two months.

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<v Speaker 4>Well, it's just that I'm so busy.

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<v Speaker 3>I don't believe a word of it. Sailing days tomorrow.

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<v Speaker 3>You're simply avoiding me, that's all.

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<v Speaker 4>Oh no, really, I'm not.

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<v Speaker 3>And on the trip down from New York you said

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<v Speaker 3>I was your favorite passngor. But I'm only a wait

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<v Speaker 3>a minute, what s that you're carrying in your acreer?

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<v Speaker 4>Nothing?

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<v Speaker 3>Just supplies, supplies, have a luck? No, please, what do

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<v Speaker 3>you know? It's a cat?

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<v Speaker 4>It's Clara, mister Warner. Mister Bowman said I had to

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<v Speaker 4>leave her ashore and.

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<v Speaker 2>I just couldn't.

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<v Speaker 3>Who's mister Bowman, the new chief steward.

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<v Speaker 4>Clara's been aboard with me for two years and I

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<v Speaker 4>just can't leave her here in a foreign country, especially

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<v Speaker 4>with her condition.

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<v Speaker 2>It's delicate.

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<v Speaker 3>No, yeah, I see what you mean. Well, I hope

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<v Speaker 3>you get away with it.

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<v Speaker 4>You you won't tell anyone.

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<v Speaker 3>Not a soul. As a matter of fact, if things

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<v Speaker 3>don't work out right, we may both end up smuggling.

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<v Speaker 5>To have you on board on the trip down two

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<v Speaker 5>months ago, Christopher, I'm very glad you're coming along with

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<v Speaker 5>us on the run back to New York.

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<v Speaker 3>Thanks, Captain. When there is one thing though, I'm having

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<v Speaker 3>a little trouble with the customs men here, and I

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<v Speaker 3>wondered if you might.

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<v Speaker 5>Just can't do it, Christopher. I just came with your

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<v Speaker 5>father this morning, told him I've done it for you

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<v Speaker 5>if I possibly he sent it a question.

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<v Speaker 3>New York, you know, Yeah, I thought he would. I

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<v Speaker 3>wired him from upriver last week.

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<v Speaker 5>I hate to refuse, but it's absolutely out of the question.

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<v Speaker 3>A captain whin, I'm afraid I don't follow you.

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<v Speaker 5>There, responsibility to the passenger's son. But have women and

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<v Speaker 5>children aboard on a liner. The safety the passenger comes

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<v Speaker 5>ahead of anything.

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<v Speaker 3>But with proper precautions.

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<v Speaker 5>Something might happen. I don't know what, but something might.

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<v Speaker 5>You've carried worse things, there isn't anything worse, and then

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<v Speaker 5>you skip it a float to bare me out. Now, Christopher,

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<v Speaker 5>I simply can't take the chance. And that's final.

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<v Speaker 3>Final. Well, it wasn't final if I could do anything

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<v Speaker 3>about it. I hadn't come down here to spend two

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<v Speaker 3>months in that stinking back country and then be stopped

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<v Speaker 3>on the edge of the wharf two months of it heat, rain, insects, malaria.

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<v Speaker 3>I'd gone clear in past the headwaters of the Orinoco,

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<v Speaker 3>traveled through country where every step along the jungle trail

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<v Speaker 3>might be the last one. Oh, Sanchez, you better start

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<v Speaker 3>looking for a place to camp. Be dark in a

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<v Speaker 3>little while.

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<v Speaker 6>Very soon we turned the river, camp on rocks by water.

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<v Speaker 6>This very bad country.

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<v Speaker 3>This very bad country. You've been saying that for ten

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<v Speaker 3>days now, very bad country.

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<v Speaker 6>We wander this very bad country.

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<v Speaker 3>I'll skip it. For all the luck we've had so far,

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<v Speaker 3>it might as well be Central Park, Central Fike. I understand,

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<v Speaker 3>I'll never mind if we don't find something here. What's

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<v Speaker 3>the matter? Quiet now, sanchus?

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<v Speaker 7>What's wrong in the path?

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<v Speaker 6>See Bushmaster?

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<v Speaker 3>Bushmaster The deadliest snake in the world. Bushmaster. Its Latin

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<v Speaker 3>name was Lacasis muto mute fate. It lay there in

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<v Speaker 3>the center of the path, a ten foot length of

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<v Speaker 3>silent death, coiled loosely in an undulent loop, ready to

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<v Speaker 3>strike violently at the least movement. Here was the one

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<v Speaker 3>snake that would go after any animal that walks, or

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<v Speaker 3>any man. It lay there and watched us, not moving,

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<v Speaker 3>not afraid, ready for anything. The splotch of its colors

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<v Speaker 3>stood out like some horrible, gaudy floor man, lying there

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<v Speaker 3>on the brown background of the jungle, waiting for someone

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<v Speaker 3>to step on it. Here was what I'd come two

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<v Speaker 3>thousand miles for a bushmaster, Sanchez. I didn't want that

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<v Speaker 3>snake kill.

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<v Speaker 6>No kill senor he gone bush muster A very smart,

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<v Speaker 6>very quick must always see bullet in time to dodge the.

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<v Speaker 3>Anyway he's gone, and the only one we've seen in

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<v Speaker 3>five weeks.

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<v Speaker 6>Oh, we find the others this very bad country.

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<v Speaker 3>We'll lay off that gun the next time. Don't shoot

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<v Speaker 3>you understand?

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<v Speaker 6>Why are you saying no?

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<v Speaker 3>Shoot?

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<v Speaker 6>You want bush muster.

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<v Speaker 3>Sure, but I want it Alivebrisa Cristo.

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<v Speaker 6>Senor Wonder, you tell me you want bush mustard, but

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<v Speaker 6>you not say alive.

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<v Speaker 3>You're getting two hundred dollars for it?

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<v Speaker 6>Or dead man? What is two hundred dollars? Tomorrow we

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<v Speaker 6>go back to Caracas.

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<v Speaker 3>I'll make it five hundred centses I.

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<v Speaker 6>Catch water snake, grattlesnake, any other kind, but I know

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<v Speaker 6>catch bushmaster Sanchez.

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<v Speaker 3>I'll give you a thousand.

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<v Speaker 6>Dollars, will go back to Caracas.

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<v Speaker 3>It cost me fifteen hundred American dollars. But three days

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<v Speaker 3>later Sancezuz brought me the snake in a rubber bag.

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<v Speaker 3>He was shaking so hard I thought for a moment

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<v Speaker 3>the thing had struck him.

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<v Speaker 6>One thing, you make sure, Senor Wonder, not turn him

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<v Speaker 6>loose in Venezuela, because he know either one who catch him,

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<v Speaker 6>and he know where I live.

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<v Speaker 3>All right, sancez I'll keep an eye on him.

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<v Speaker 6>Come then he know you pay me to catch him

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<v Speaker 6>all the time he watch and wait. You know, forget that,

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<v Speaker 6>Senor Warner, because he no forget not ever.

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<v Speaker 3>Well, after going through all that trouble and danger and

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<v Speaker 3>laying out fifteen hundred bucks, I wasn't going to let

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<v Speaker 3>a pigheaded ship captain stop me at the last minute,

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<v Speaker 3>at least not as long as the cables were still

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<v Speaker 3>in operation. Between Laguira and Yorke morning, Captain would the

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<v Speaker 3>boy at the hotel says, you want to see me?

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<v Speaker 5>That's right, Christopher, and sit down, thank you. It seems

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<v Speaker 5>you weren't willing to let matters tend the way we

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<v Speaker 5>lift them yesterday.

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<v Speaker 3>I'll sorry to go over your head, Captain Wood, but

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<v Speaker 3>I had to. The museum sent me all the way

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<v Speaker 3>down here for it, and I'm not going to be

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<v Speaker 3>stopped by red tape. This will be the only live

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<v Speaker 3>bush Master ever brought to the United States. Mmm.

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<v Speaker 5>Yes, and if I had my waive it well, orders

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<v Speaker 5>or orders. I got a cable from the head office

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<v Speaker 5>this morning. All right, I suppose we talk about precautions.

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<v Speaker 3>I'll handle it any way.

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<v Speaker 5>You say, gotta have a stronger box that crate's too flimsy.

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<v Speaker 3>What's stronger than it looks. And that wire screen on

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<v Speaker 3>top it hold a wildcat. But anyway, I bought a

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<v Speaker 3>heavy sea chest this morning. I will put the crate

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<v Speaker 3>inside of it.

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<v Speaker 5>Sounds all right.

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<v Speaker 3>You got a lock on it, heavy padlock. It's fixed

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<v Speaker 3>so that the lid can be propped open the crack

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<v Speaker 3>without unlocking it. The snake's gotta have air.

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<v Speaker 5>But in dirty weather that lid stay shut. I'll take

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<v Speaker 5>no chances. Fair enough, I will keep the thing in

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<v Speaker 5>my inside cabin where I sleep. I can have it

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<v Speaker 5>in the baggage room, and nobody on boards to know

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<v Speaker 5>about it.

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<v Speaker 3>Whatever you say, captain, but we won't have any trouble.

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<v Speaker 3>After all, it's only an animal. It doesn't have any

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<v Speaker 3>magical powers.

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<v Speaker 5>I saw a bushmaster in the zoo at Caracas once

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<v Speaker 5>headed a glass cage to double walls. It had never moved,

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<v Speaker 5>just lay there, look at your as long as you

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<v Speaker 5>would insight.

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<v Speaker 3>Gave a man the creeps. I didn't know they had

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<v Speaker 3>a bushmaster at the Caracas zoo.

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<v Speaker 5>They don't. Now found a glass broken one morning the

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<v Speaker 5>snake night watchmen was dead. I never found out what happened.

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<v Speaker 3>Well, the watchman must have broken the glass by accident.

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<v Speaker 3>Some way away.

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<v Speaker 5>They figured it. The glass was broken from the inside.

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<v Speaker 2>H sail in four hours.

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<v Speaker 3>We steamed north into the Caribbean, with perfect weather and

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<v Speaker 3>a sea as smooth as an inland lake. The barometer

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<v Speaker 3>dropped a little on the third day, but cleared up

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<v Speaker 3>overnight and left nothing worse than a heavy swell. But

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<v Speaker 3>in spite of the calm seas and the pleasant weather,

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<v Speaker 3>I found myself feeling more and more often an ominous foreboding.

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<v Speaker 3>I was developing an almost unnatural fear of that snake. Well,

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<v Speaker 3>I stayed clear of the passengers, pretty much got the

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<v Speaker 3>habit of dropping into Captain Wood's quarter several times a day.

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<v Speaker 3>He kept the heavy box underneath his berth. I'd approach

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<v Speaker 3>it quietly and shine my flashlight through the open crack.

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<v Speaker 3>Never once could I catch that twelve foot devil asleep

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<v Speaker 3>or even excited. He'd be lying there, half coiled, his

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<v Speaker 3>head raised a little, staring out of those beady black eyes, waiting.

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<v Speaker 3>It'd still be like that when I'd turn away to leave.

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<v Speaker 3>Maybe that's what bothered me, A horrible and constant watchful waiting.

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<v Speaker 3>What in the name of Heaven was he waiting for.

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<v Speaker 4>Well, hello there, mister Warner.

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<v Speaker 3>Oh how are you, Mother Willis?

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<v Speaker 4>Ah, but you and the captain spend an awful lot

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<v Speaker 4>of time around this cabin. I'm beginning to think that

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<v Speaker 4>two of you must have some guilty secret.

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00:11:19.480 --> 00:11:21.840
<v Speaker 3>Oh, nothing like that, Mother Willis, I don't know about

218
00:11:21.879 --> 00:11:24.080
<v Speaker 3>Captain would, but I well, I certainly don't have any

219
00:11:24.080 --> 00:11:37.919
<v Speaker 3>guilty secret. Well, she's running quite a swell out there,

220
00:11:37.919 --> 00:11:38.440
<v Speaker 3>mister Bowman.

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00:11:38.639 --> 00:11:41.919
<v Speaker 8>Yeah, it's a little heavy, all right, mister Warner. Yes,

222
00:11:42.000 --> 00:11:44.039
<v Speaker 8>a storm passed through to the west of us yesterday.

223
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<v Speaker 8>When the glass dropped, think it mist us then? Huh, yeah,

224
00:11:46.600 --> 00:11:49.799
<v Speaker 8>that's what the mate figures. Sure stirred up some water.

225
00:11:49.879 --> 00:11:52.960
<v Speaker 3>Though this will put half the passengers in their bunks,

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<v Speaker 3>makes it great for my department.

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00:11:55.039 --> 00:11:57.039
<v Speaker 8>Two thirds of them will want a steward.

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<v Speaker 2>To hold their heads.

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<v Speaker 3>He'll keep Mother Willis so busy, she'll have wait. Look

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<v Speaker 3>at the size of that wave.

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<v Speaker 2>Huh, the great.

232
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<v Speaker 3>Jehus of it.

233
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<v Speaker 2>We're gonna take it on the port bow hang.

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00:12:05.480 --> 00:12:14.879
<v Speaker 3>On, Well, that was a freak if there ever was one,

235
00:12:15.519 --> 00:12:17.720
<v Speaker 3>not another wave in sight to see him like that.

236
00:12:17.840 --> 00:12:21.720
<v Speaker 8>Sometimes, even in a calm sea, well, I gotta get below,

237
00:12:21.799 --> 00:12:24.600
<v Speaker 8>mister Wanner. That water probably did some damage on the

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00:12:24.639 --> 00:12:25.159
<v Speaker 8>officer's deck.

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00:12:25.240 --> 00:12:25.960
<v Speaker 3>The eyes oppose it.

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00:12:26.480 --> 00:12:27.120
<v Speaker 7>What did you say?

241
00:12:27.639 --> 00:12:30.320
<v Speaker 8>The wheel companion wave was open on the port side.

242
00:12:30.799 --> 00:12:33.080
<v Speaker 8>Rich cabins must have taken a pretty bad smashing up.

243
00:12:33.320 --> 00:12:34.159
<v Speaker 8>They're right below the.

244
00:12:35.840 --> 00:12:39.919
<v Speaker 3>Here is something wrong, mister Warner. No, No, nothing at all,

245
00:12:40.000 --> 00:12:50.039
<v Speaker 3>mister Woman, at least I hope not. I looked first

246
00:12:50.080 --> 00:12:52.159
<v Speaker 3>for Captain Wood and couldn't find him. Of course, I

247
00:12:52.279 --> 00:12:53.919
<v Speaker 3>know it was only one chance in the thousand, but

248
00:12:53.960 --> 00:12:55.679
<v Speaker 3>the chances against that freak wave were one on a

249
00:12:55.720 --> 00:12:58.120
<v Speaker 3>thousand and two. Well, I couldn't waste any more time,

250
00:12:58.200 --> 00:13:00.559
<v Speaker 3>so I stumbled down the companionway in along the passage

251
00:13:00.600 --> 00:13:01.879
<v Speaker 3>to the captain's cabin.

252
00:13:02.759 --> 00:13:04.480
<v Speaker 4>Oh oh, come on in, mister Warner.

253
00:13:04.600 --> 00:13:05.399
<v Speaker 3>Brother willis hi?

254
00:13:05.519 --> 00:13:07.600
<v Speaker 4>Isn't this cabin a mess? Trying to get some of

255
00:13:07.679 --> 00:13:08.639
<v Speaker 4>these things out to drive?

256
00:13:08.799 --> 00:13:11.360
<v Speaker 3>Yeah? Well, I just wanted to check where's that box

257
00:13:11.399 --> 00:13:12.639
<v Speaker 3>that was under the captain's bunk?

258
00:13:12.679 --> 00:13:13.440
<v Speaker 4>Shot on that.

259
00:13:18.440 --> 00:13:21.720
<v Speaker 3>But where we didn't know. It was nearly dark when

260
00:13:21.759 --> 00:13:23.440
<v Speaker 3>we met together. We get a charge.

261
00:13:24.960 --> 00:13:25.840
<v Speaker 2>All the way around it.

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00:13:26.159 --> 00:13:28.559
<v Speaker 5>We've risked all the time we can. We've got to

263
00:13:28.639 --> 00:13:30.799
<v Speaker 5>war on the passengers. Oh, we do it, Captain, Call

264
00:13:30.879 --> 00:13:32.600
<v Speaker 5>them all together in the lounge. Oh, if we did

265
00:13:32.639 --> 00:13:34.440
<v Speaker 5>anything like that, we'd be asking for a panic.

266
00:13:34.559 --> 00:13:36.240
<v Speaker 8>We'll get one, whether we ask for it or not.

267
00:13:36.679 --> 00:13:38.639
<v Speaker 5>Pick a few men and go through the cabin decks.

268
00:13:39.000 --> 00:13:42.919
<v Speaker 5>Tell them individually inside their cabins, watch for any act

269
00:13:42.960 --> 00:13:45.320
<v Speaker 5>that looks as though it might cause trouble, and we

270
00:13:45.320 --> 00:13:47.440
<v Speaker 5>will keep an eye on them. Handle the crew with

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00:13:47.519 --> 00:13:50.639
<v Speaker 5>the same way. Right, Okay, as soon as you've finished

272
00:13:51.399 --> 00:13:54.200
<v Speaker 5>all the deck offices and start searching again. Our only

273
00:13:54.320 --> 00:13:56.960
<v Speaker 5>chance of preventing a riot is to find that damnable snake.

274
00:14:02.480 --> 00:14:05.559
<v Speaker 3>The slow nightmare that followed grew worse. For the hour,

275
00:14:06.840 --> 00:14:09.440
<v Speaker 3>none of us slept. All the ship's officers not on

276
00:14:09.559 --> 00:14:13.799
<v Speaker 3>duty kept on with that endless search. Passengers locked themselves

277
00:14:13.840 --> 00:14:17.279
<v Speaker 3>in their cabins, were huddled together in the lounges, knowing

278
00:14:17.399 --> 00:14:19.360
<v Speaker 3>all the time that no spot on board could be

279
00:14:19.440 --> 00:14:22.960
<v Speaker 3>called safe. Fear was a heavy fog, and the lungs

280
00:14:23.000 --> 00:14:25.000
<v Speaker 3>of all of us and every light on the vessel

281
00:14:25.080 --> 00:14:29.399
<v Speaker 3>burned throughout the night. Morning came and brought no relief.

282
00:14:30.240 --> 00:14:31.960
<v Speaker 3>Terror and tension mounted by the hour.

283
00:14:34.759 --> 00:14:37.480
<v Speaker 4>Then now, missus Crane, stop getting yourself or worked up

284
00:14:37.600 --> 00:14:40.360
<v Speaker 4>and go back to your cabin. The horrid things probably

285
00:14:40.440 --> 00:14:41.639
<v Speaker 4>crawled overboard anyway.

286
00:14:41.720 --> 00:14:44.080
<v Speaker 3>You're just saying that you're paid to say it.

287
00:14:44.519 --> 00:14:45.039
<v Speaker 2>You don't know.

288
00:14:45.399 --> 00:14:47.919
<v Speaker 4>Nobody does now, Now everything's going to be all right.

289
00:14:48.120 --> 00:14:50.600
<v Speaker 4>Or if you could only do something, if all of

290
00:14:50.679 --> 00:14:54.279
<v Speaker 4>us could only get off the ship, they could umilicate it. Yes,

291
00:14:54.960 --> 00:14:55.919
<v Speaker 4>that's what we've got to do.

292
00:14:56.519 --> 00:14:58.600
<v Speaker 3>We've got to get off this Wait, and it's the

293
00:14:58.720 --> 00:15:03.519
<v Speaker 3>moment he's gonna jump. Let me go, Let me go.

294
00:15:06.639 --> 00:15:07.559
<v Speaker 2>Night's working with a woman.

295
00:15:08.039 --> 00:15:10.200
<v Speaker 5>Get out down, Captain. Whatever you do, don't turn a loose.

296
00:15:15.960 --> 00:15:17.440
<v Speaker 3>You never know when it might strike you.

297
00:15:17.720 --> 00:15:19.519
<v Speaker 2>You can't put on a coat or move a chair

298
00:15:19.559 --> 00:15:22.279
<v Speaker 2>without risking your life. Now something's gotta be done. It

299
00:15:22.440 --> 00:15:25.279
<v Speaker 2>might be right here in this flower. Let's all right,

300
00:15:25.320 --> 00:15:27.360
<v Speaker 2>mister Dave, you gotter quiet down, Take it easy, take

301
00:15:27.399 --> 00:15:27.720
<v Speaker 2>it easy.

302
00:15:27.840 --> 00:15:30.559
<v Speaker 3>Huh. You're a great officer. Why don't you do something

303
00:15:30.600 --> 00:15:30.919
<v Speaker 3>about it?

304
00:15:31.240 --> 00:15:33.399
<v Speaker 2>That thing might be crawling around here, right under our

305
00:15:33.440 --> 00:15:35.919
<v Speaker 2>feet somewhere. I said, shut up, you're trying to start

306
00:15:35.960 --> 00:15:37.320
<v Speaker 2>a panicing. I gotta right to talk.

307
00:15:37.399 --> 00:15:38.080
<v Speaker 3>I don't want to die.

308
00:15:38.159 --> 00:15:38.960
<v Speaker 2>Nobody's gonna tell you.

309
00:15:46.320 --> 00:15:49.519
<v Speaker 3>The second night passed and morning came around again, a

310
00:15:49.639 --> 00:15:53.360
<v Speaker 3>gray and rainy day, just as grim and tense dragged passed,

311
00:15:53.759 --> 00:15:58.559
<v Speaker 3>and the night came down again, third night of the terror. Again,

312
00:15:58.600 --> 00:16:00.720
<v Speaker 3>every light burned in the whole ship seethed in the

313
00:16:00.840 --> 00:16:04.360
<v Speaker 3>throes of incipient panic, faced by a horror they'd never

314
00:16:04.480 --> 00:16:06.919
<v Speaker 3>met on the sea before. Crew and officers alike were

315
00:16:06.919 --> 00:16:10.000
<v Speaker 3>on the verge of revolt. Passengers sat huddled in a

316
00:16:10.080 --> 00:16:12.960
<v Speaker 3>trance like stupor, ready to scream at the slightest unknown sound.

317
00:16:14.480 --> 00:16:16.320
<v Speaker 3>At seven bells, I made my way forward to the

318
00:16:16.399 --> 00:16:18.879
<v Speaker 3>chart room and found Captain Wood bent over a desk.

319
00:16:21.279 --> 00:16:25.399
<v Speaker 5>Ah, Hello, Christopher, Come on in, sit down, sir.

320
00:16:25.600 --> 00:16:27.759
<v Speaker 3>It's got to be somewhere, Captain Wood, it's got to be.

321
00:16:28.399 --> 00:16:30.720
<v Speaker 5>I don't know. You could search this ship for six

322
00:16:30.840 --> 00:16:34.120
<v Speaker 5>months and never touch all the places aboard. You can

323
00:16:34.159 --> 00:16:36.000
<v Speaker 5>only hold out for two more days.

324
00:16:36.080 --> 00:16:37.720
<v Speaker 3>We'll be in what's the home office?

325
00:16:37.759 --> 00:16:37.919
<v Speaker 2>Say?

326
00:16:38.120 --> 00:16:41.480
<v Speaker 5>Oh, here's the latest wireless from them? Keep quiet and

327
00:16:41.720 --> 00:16:46.559
<v Speaker 5>keep coming? Else can we do? How is it on

328
00:16:46.639 --> 00:16:47.039
<v Speaker 5>the decks?

329
00:16:47.240 --> 00:16:49.080
<v Speaker 3>Pretty bad? Anything could happen.

330
00:16:50.080 --> 00:16:51.759
<v Speaker 5>That's why I took the guns away from the men.

331
00:16:52.679 --> 00:16:55.159
<v Speaker 5>One pistol shopping. We'd never rot on our hand.

332
00:16:55.279 --> 00:16:57.240
<v Speaker 3>Oh the whole thing's my fault, Captain Wood. That's what

333
00:16:57.360 --> 00:17:00.480
<v Speaker 3>I can't forget. Take it. It's only some way I

334
00:17:00.519 --> 00:17:02.039
<v Speaker 3>could pay for it myself alone.

335
00:17:03.320 --> 00:17:06.279
<v Speaker 5>No, I know how you feel, but it's no more

336
00:17:06.400 --> 00:17:08.960
<v Speaker 5>your fault than mine or that man who asked you

337
00:17:09.039 --> 00:17:14.359
<v Speaker 5>to bring the snake back alive. Nobody planned this. You'd

338
00:17:14.400 --> 00:17:17.960
<v Speaker 5>better try and a little sleep. Sleep, mister Bowman made

339
00:17:18.000 --> 00:17:21.400
<v Speaker 5>some coffee down the stairs Gally a while ago. Better

340
00:17:21.519 --> 00:17:23.960
<v Speaker 5>go down, get yourself a cup, and then rest up

341
00:17:23.960 --> 00:17:24.839
<v Speaker 5>for a couple of hours.

342
00:17:25.200 --> 00:17:25.440
<v Speaker 3>Rest.

343
00:17:26.039 --> 00:17:28.640
<v Speaker 5>I can't rest, Christopher, it's no good going.

344
00:17:29.200 --> 00:17:29.880
<v Speaker 2>What are you gonna do?

345
00:17:30.039 --> 00:17:32.920
<v Speaker 5>You can't help anything. You just tumbled through a hatch,

346
00:17:33.039 --> 00:17:36.839
<v Speaker 5>half asleep and breaking. Nick, go on and get some coffee.

347
00:17:37.640 --> 00:17:39.559
<v Speaker 5>One way or another. We've got to hold out for

348
00:17:39.640 --> 00:17:40.440
<v Speaker 5>two more days.

349
00:17:50.920 --> 00:17:53.480
<v Speaker 3>The light was on in the stewards gallon. The coffee

350
00:17:53.559 --> 00:17:56.599
<v Speaker 3>pot was standing on. The stove was still warm, so

351
00:17:56.720 --> 00:17:59.559
<v Speaker 3>I didn't bother to heat it. I poured out a cup,

352
00:18:00.359 --> 00:18:02.519
<v Speaker 3>carried it over, and set it on the porcelain tabletop

353
00:18:02.599 --> 00:18:05.839
<v Speaker 3>in the center of the room. I started to light

354
00:18:05.839 --> 00:18:09.000
<v Speaker 3>a cigarette. The door of the pan cupboard beneath the

355
00:18:09.039 --> 00:18:12.640
<v Speaker 3>sink was standing slightly Ajar and I happened to glance

356
00:18:12.759 --> 00:18:16.039
<v Speaker 3>down toward it. Out from the dark interior, the cupboard

357
00:18:16.119 --> 00:18:20.000
<v Speaker 3>shone two glittering points of light two inches apart. I

358
00:18:20.079 --> 00:18:24.599
<v Speaker 3>dropped a cigarette and moved slowly backward. I'd found the bushmaster.

359
00:18:30.160 --> 00:18:32.359
<v Speaker 3>As I moved, the snake slid out of the cupboard

360
00:18:32.400 --> 00:18:35.279
<v Speaker 3>in a single, sinuous glide and drew back into a

361
00:18:35.359 --> 00:18:38.440
<v Speaker 3>loose coil on the galley floor, never taking his eyes

362
00:18:38.519 --> 00:18:42.160
<v Speaker 3>off me. I moved slowly back, waiting any moment for

363
00:18:42.240 --> 00:18:45.880
<v Speaker 3>that deadly, slithering strike. How had he known it was me?

364
00:18:47.000 --> 00:18:49.839
<v Speaker 3>He'd stayed quiet when Bowman was here. How did he

365
00:18:49.920 --> 00:18:51.599
<v Speaker 3>know it to pick the first time in three days

366
00:18:51.599 --> 00:18:54.519
<v Speaker 3>when I didn't have a gun O. My hands touched

367
00:18:54.519 --> 00:18:57.279
<v Speaker 3>the wall behind me, and I stopped. Only then I

368
00:18:57.400 --> 00:19:00.400
<v Speaker 3>realized in terror what I'd done. The call button and

369
00:19:00.480 --> 00:19:02.000
<v Speaker 3>the door were on the far side of the room.

370
00:19:02.359 --> 00:19:05.720
<v Speaker 3>I backed into a dead end. I stared at the

371
00:19:05.759 --> 00:19:08.920
<v Speaker 3>snake in fascination, expecting any moment the ripping slash of

372
00:19:08.960 --> 00:19:14.039
<v Speaker 3>those poisoned fangs. The horrid coils tightened a little, and

373
00:19:14.119 --> 00:19:17.680
<v Speaker 3>then were still again. Ten million years of evolution to

374
00:19:17.720 --> 00:19:22.359
<v Speaker 3>produce this moment. Homo sapiens versus lacasis muta man against

375
00:19:22.440 --> 00:19:26.599
<v Speaker 3>mute fate, and all the odds were on fate. I

376
00:19:26.680 --> 00:19:32.240
<v Speaker 3>knew then that I was going to die. I could

377
00:19:32.240 --> 00:19:34.200
<v Speaker 3>feel a sweat run down between the painted wall, and

378
00:19:34.720 --> 00:19:37.640
<v Speaker 3>palms of my hands pressed against it. My skin crawled

379
00:19:37.680 --> 00:19:40.119
<v Speaker 3>and twitched, and the pit of my stomach was as

380
00:19:40.160 --> 00:19:42.680
<v Speaker 3>cold as ice. There was no sound but the rush

381
00:19:42.720 --> 00:19:45.720
<v Speaker 3>of blood in my ears. The snake shifted again, drawing

382
00:19:45.759 --> 00:19:49.680
<v Speaker 3>into a tighter coil, always tighter. Why the devil didn't

383
00:19:49.720 --> 00:19:52.839
<v Speaker 3>get it over with? And then for just an instant

384
00:19:52.839 --> 00:19:56.039
<v Speaker 3>his head veered away. Something moved over by the stove.

385
00:19:56.079 --> 00:19:58.319
<v Speaker 3>I didn't dare turn to look at it. Slowly it

386
00:19:58.440 --> 00:20:01.160
<v Speaker 3>moved out into my line of vision. There was a

387
00:20:01.240 --> 00:20:04.200
<v Speaker 3>cat that strawnye cat Clara that Mother Willis had sneaked

388
00:20:04.200 --> 00:20:10.680
<v Speaker 3>aboard in Leaguira. Its back was arched and every hair

389
00:20:10.720 --> 00:20:13.319
<v Speaker 3>stood on the end. It moved, stiff legged, now walking

390
00:20:13.400 --> 00:20:16.559
<v Speaker 3>in a half circle around the snake. The bushmaster shifted

391
00:20:16.640 --> 00:20:19.720
<v Speaker 3>slowly and kept watching the cat. He tightened he was

392
00:20:19.759 --> 00:20:24.200
<v Speaker 3>going to strike. At any second. He struck and missed.

393
00:20:24.480 --> 00:20:26.559
<v Speaker 3>The cat was barely out of reach. Now she was

394
00:20:26.599 --> 00:20:29.119
<v Speaker 3>walking back and forth again. She was asking to die

395
00:20:34.400 --> 00:20:36.519
<v Speaker 3>missed again by a fraction of an inch. He was

396
00:20:36.519 --> 00:20:39.599
<v Speaker 3>striking now without even going to a full coil, miss

397
00:20:40.160 --> 00:20:42.960
<v Speaker 3>again and again, always missing for the barest margin. Each

398
00:20:43.039 --> 00:20:44.880
<v Speaker 3>time the cat danced barely out of reach, and each

399
00:20:44.920 --> 00:20:47.119
<v Speaker 3>time she conned with one precise spat of a dainty paw,

400
00:20:47.400 --> 00:20:49.960
<v Speaker 3>bracing her skinny frame on three stiff legs. And then

401
00:20:50.079 --> 00:20:55.200
<v Speaker 3>suddenly I realized what she was doing. The bushmaster was tiring,

402
00:20:55.759 --> 00:20:58.039
<v Speaker 3>and one strike was just an instant slow, But in

403
00:20:58.119 --> 00:21:00.440
<v Speaker 3>that split second, sharp claws raked across the evil hadn't

404
00:21:00.480 --> 00:21:02.640
<v Speaker 3>ripped out both of the lidless eyes. That cat had

405
00:21:02.640 --> 00:21:04.160
<v Speaker 3>deliberately blinded the snake.

406
00:21:06.880 --> 00:21:07.000
<v Speaker 6>Well.

407
00:21:07.039 --> 00:21:08.880
<v Speaker 3>He didn't bother to coil now, but slid after in

408
00:21:08.920 --> 00:21:11.480
<v Speaker 3>a fury, striking wildly and rapidly, always missing, and every

409
00:21:11.480 --> 00:21:14.319
<v Speaker 3>strike was a little slower than the last one, until finally,

410
00:21:14.519 --> 00:21:16.240
<v Speaker 3>as the snake's neck stretched out at the end of

411
00:21:16.279 --> 00:21:18.079
<v Speaker 3>a strike, the cat made one leap and sank her

412
00:21:18.119 --> 00:21:19.920
<v Speaker 3>razor sharp teeth just back of the ugly head, sank

413
00:21:19.960 --> 00:21:22.240
<v Speaker 3>them in until they crunched bone with tooth and claw.

414
00:21:22.359 --> 00:21:24.359
<v Speaker 3>She clung as the monster's snake flailed and last on

415
00:21:24.400 --> 00:21:26.359
<v Speaker 3>the floor, striving to get those hideous boils around her,

416
00:21:26.559 --> 00:21:28.480
<v Speaker 3>trying to break her hold, to shake off the slow

417
00:21:28.519 --> 00:21:30.759
<v Speaker 3>and certain paralyzed death that gradually crept over him.

418
00:21:30.640 --> 00:21:40.240
<v Speaker 7>And at last still his struggle forever. I took a

419
00:21:40.279 --> 00:21:40.799
<v Speaker 7>deep breath.

420
00:21:42.200 --> 00:21:46.319
<v Speaker 3>First in minutes, the cat lay on her side on

421
00:21:46.400 --> 00:21:51.160
<v Speaker 3>the floor, panting, resting from the fight just over. And

422
00:21:51.440 --> 00:21:55.839
<v Speaker 3>she had her right to rest. That mangy, brave, beautiful

423
00:21:55.880 --> 00:21:59.599
<v Speaker 3>alley cat had just saved my life and maybe others

424
00:21:59.640 --> 00:22:04.480
<v Speaker 3>as well. But as I turned toward the stove, I

425
00:22:04.559 --> 00:22:08.119
<v Speaker 3>suddenly became very humble, and I knew all at once

426
00:22:08.960 --> 00:22:12.640
<v Speaker 3>what a small thing a human being really is. I

427
00:22:12.799 --> 00:22:15.799
<v Speaker 3>and others aboard were still alive, only by the merest accident.

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<v Speaker 3>There were three reasons why that cat had fought and

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<v Speaker 3>killed the world's deadliest snake, and those three reasons came

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<v Speaker 3>tottering out from under the stove on shaky little legs,

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00:22:28.640 --> 00:22:31.279
<v Speaker 3>three kittens, with their eyes bright with wonder and their

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00:22:31.359 --> 00:22:35.720
<v Speaker 3>tails stiff as pokers. Up on the decks, hundreds of

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00:22:35.759 --> 00:22:38.640
<v Speaker 3>passengers were waiting for the news that the days and

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<v Speaker 3>nights of terror were ended, and I could wait a

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00:22:41.799 --> 00:22:45.960
<v Speaker 3>little longer. I pulled open the doors of the cabinet

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00:22:46.920 --> 00:22:50.960
<v Speaker 3>found a can of milk, and then I dropped down

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<v Speaker 3>on my knees on the floor of the galley.

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<v Speaker 2>Escape is produced and directed by William N. Robson and

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00:23:16.599 --> 00:23:20.640
<v Speaker 2>Tonight Brought You a Shipment of Mute Fate by Martin Storm,

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00:23:20.680 --> 00:23:23.799
<v Speaker 2>adapted for radio by Les Crutchfield, with Jack Webb as

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00:23:23.880 --> 00:23:27.559
<v Speaker 2>Chris Warner, Raymond Lawrence as Captain Wood, and DJ Thompson

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00:23:27.599 --> 00:23:30.519
<v Speaker 2>as Mother Willis. The special musical score was conceived and

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00:23:30.559 --> 00:23:37.559
<v Speaker 2>conducted by cy Fure. Next week, at.

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00:23:37.440 --> 00:23:40.839
<v Speaker 1>This same time, when you're tired from a hard day

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00:23:40.839 --> 00:23:44.319
<v Speaker 1>at the office or leaning over a hot stove all day,

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00:23:45.319 --> 00:23:48.039
<v Speaker 1>when you want to get away from it all, CBS

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00:23:48.200 --> 00:23:49.880
<v Speaker 1>again offers you escape.

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00:24:01.640 --> 00:24:04.000
<v Speaker 2>Good night. Then until this same time next week, when

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00:24:04.119 --> 00:24:11.240
<v Speaker 2>CBS again brings you Escape. This is CBS, the Columbia

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00:24:11.279 --> 00:24:12.279
<v Speaker 2>Broadcasting System.
